LAINEY WILSON’S PEACE, LOVE, & COWBOYS (HOLIDAY EDITION) EP NOW AVAILABLE ON CD AND VINYL

Lainey Wilson’s holiday EP, Peace, Love, & Cowboys (Holiday Edition), is out today on 12-inch vinyl, 7-inch vinyl and CD. The project consists of “Peace, Love, & Cowboys (Holiday Edition)” and “Let It Snow! Let It Snow! Let It Snow!” with Bing Crosby, as well as instrumental versions of both tracks. Purchase HERE.

The release is just the latest in a series of milestones for Wilson, who hosted the 59th CMA Awards earlier this week (the first solo female host since Reba McEntire in 1991), where she also won three awards—Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind)—and performed twice during the live broadcast: a musical medley monologue and her song “Ring Finger.”  
Moreover, Wilson is nominated for three awards at the 68th Grammy Awards—Best Country Song (“Somewhere Over Laredo”), Best Country Solo Performance (“Somewhere Over Laredo”) and Best Country Duo/Group Performance (“Trailblazer” with Reba McEntire and Miranda Lambert)—will perform during next week’s Macy’s Thanksgiving Day Parade and is on the cover of US Weekly’s Humankind Issue this week, highlighting her Heart Like A Truck Fund (read HERE).

Known for her electric concerts, Wilson recently performed sold-out shows at New York’s Madison Square Garden and Nashville’s Bridgestone Arena as part of her extensive Whirlwind World Tour and will continue to tour through next year including dates across Australia and New Zealand. See below for the complete tour itinerary.

Wilson released the deluxe version of her award-winning album, Whirlwind, this summer via BBR Music Group/BMG Nashville (stream/purchase HERE). In addition to Whirlwind’s original 14 songs, the extended edition features five additional tracks: “Bell Bottoms Up,” “King Ranch, King George, King James,” “Yesterday, All Day, Every Day,” “Peace, Love, and Cowboys” and “Somewhere Over Laredo,” which is currently soaring towards #1 at country radio.

Released to overwhelming attention from fans and critics alike, “Somewhere Over Laredo” was the most added song at country radio at impact and earned widespread praise from outlets such as CBS Mornings, Rolling Stone and Billboard, who called it “one of her most commanding, dynamic vocal performances to date, crescendo-ing from a soft-focus, tender vocal, before gradually reaching into her upper register for powerful moments that heighten the song’s emotional acuity.”

“The reigning current standard-bearer for women in country” (Variety), Wilson also won four awards at the 60th ACM Awards this past spring—Entertainer of the Year (her second consecutive win), Female Artist of the Year (her third consecutive win), Album of the Year (Whirlwind) and Artist-Songwriter of the Year—performed during last year’s Dallas Cowboys’ Thanksgiving Halftime Show and won two awards at the 58th CMA Awards, where she made her hosting debut alongside Peyton Manning and Luke Bryan. Wilson also recently launched her fourth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection).

The 16x ACM, 12x CMA and Grammy Award-winner and Grand Ole Opry member is a prolific, sought-after songwriter who has scored eight #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” “Watermelon Moonshine” and the 2x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson wrote and recorded “Out of Oklahoma” for the Twisters movie and has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton, Post Malone and more. She will also make her feature film acting debut in next year’s adaptation of Colleen Hoover’s Reminders of Him, after first acting in Paramount’s hit television series, “Yellowstone.”

LAINEY WILSON CONFIRMED TOUR DATES

December 7—Las Vegas, NV—Lainey Wilson: Wildflowers & Wild Horses
December 10—Nashville, TN—Grand Ole Opry
February 6—Auckland, New Zealand—Spark Arena*
February 8—Christchurch, New Zealand—Wolfbrook Arena*
February 11—Brisbane, Australia—Brisbane Entertainment Centre*
February 12—Brisbane, Australia—Brisbane Entertainment Centre*
February 14—Newcastle, Australia—Howlin’ Country*
February 16—Sydney, Australia—Qudos Bank Arena*
February 19—Melbourne, Australia—Rod Laver Arena*
February 20—Melbourne, Australia—Rod Laver Arena*
February 22—Adelaide, Australia—Adelaide Entertainment Centre Arena*
February 26—Perth, Australia—RAC Center* 
March 20—Thackerville, OK—WinStar World Casino & Resort
March 21—Thackerville, OK—WinStar World Casino & Resort
April 10—Florence, AZ—Country Thunder Arizona
April 11—Laughlin, NV—Laughlin Event Center
April 25—Indio, CA—Stagecoach Festival 2026
July 10—Chicago, IL—Windy City Smokeout
August 6—Detroit Lakes, MN—WE Fest
August 7—Oshkosh, WI—Xroads41
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip
August 15—Springfield, IL—Illinois State Fair

* with special guests Flatland Cavalry and Kaitlin Butts

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DREW BALDRIDGE AND MICKEY GUYTON SPREAD HOLIDAY CHEER WITH “JOY TO YOUR WORLD” AVAILABLE TODAY

Country artists Drew Baldridge and Mickey Guyton are spreading holiday cheer with their new collaboration, “Joy To Your World,” which is featured on air throughout Hallmark Channel’s “Countdown to Christmas” programming event. Fans can stream “Joy To Your World” beginning today, Listen below. 

Written by Danielle Rubio, Dalton Diehl, and Johnny Simpson and produced by Nick Schwarz exclusively for Hallmark Channel, the song captures the warmth and wonder of the holiday season, from swirling snow and ringing sleigh bells to the joy of sharing a little extra love with family, friends, and community. With its timeless message and heartwarming delivery, “Joy To Your World” is poised to become a holiday favorite for years to come.

In addition to “Joy to Your World,” Baldridge and Guyton both appear in Hallmark Channel’s “A Grand Ole Opry Christmas,” which premieres on Saturday, November 29 at 8:00pm ET/7:00pm CT. The film is about Gentry Wade (Nikki DeLoach), the daughter of a country music star who has to confront her past when the Grand Ole Opry invites her to represent her late father at their centennial Christmas celebration. Through a magical event, she is transported back in time to spend time with her father and is inspired to finish a song she wrote as a teenager.

Baldridge is currently climbing the country charts with his latest release “Rebel,” a follow up to back-to-back Top 10 hits “Tough People” and “She’s Somebody’s Daughter,” his first No. 1 at country radio.

About Drew Baldridge:
Drew Baldridge is carving out a lane all his own with songs rooted in Farm, Faith, and Family. His 2025 highlights include the release of new radio single “Rebel,” along with previously released songs: “Deserve Her,” “Get Me Gone” featuring Emily Ann Roberts, “Call Me If You Get One,” as well as a moving collaboration with Dove Award-winning collective I AM THEY on “Scars.” Baldridge’s single, “Tough People,” became his second consecutive Top 10 hit, following the RIAA GOLD-certified smash “She’s Somebody’s Daughter,” which reached No. 1 on Country Aircheck/Mediabase and No. 3 on Billboard Country Airplay. The song also earned Baldridge honors from the NSAI and BMI, recognizing his outstanding songwriting achievement.

Notably, he is the only self-funded artist ever to hit No. 1 on Country Aircheck/Mediabase with his first chart-topping single via his Lyric Ridge Records label and holds the distinction of being the highest-charting independent artist ever on the Billboard Country Airplay chart. With more than 1.1 billion streams and impressions and 2 million social followers, Baldridge has quickly become one of country music’s most-watched rising voices.

A powerhouse performer and songwriter signed to Sony Music Publishing, Baldridge has written more than 500 songs with cuts by Bailey Zimmerman, LOCASH, and others. In 2025, he toured with Cody Johnson, Bailey Zimmerman, and Jelly Roll before launching his own Country Born Tour across the UK and Europe this December. Named to the CRS “New Faces” Class of 2025, an iHeartCountry “On The Verge” artist, and MusicRow’s Independent Artist of the Year, Baldridge continues to build a career that blends authenticity, perseverance, and a deep connection to fans.

Randall King Releases Bombastic “Big Deal”

Hailing from a small town in West Texas, Randall King understands that living in a place where everyone knows each other means small-town-fame can find itself in unlikely ways. In his bombastic new song, “Big Deal,” King toggles with this concept with his signature sense of wit and humor. Listen Below.
 
Written by Erik Dylan, Wyatt McCubbin and Nick Walsh, and co-produced by King and Jared Conrad, “Big Deal” plays on how people can be known for an assortment of things in small towns – from their ability to close down a bar, to their karaoke skills, even the people they date. “Big Deal” is the latest taste of King’s upcoming 2026 project as he returns to the studio. 
 
“Big big deal incoming! And it ain’t no Black Friday sale!” King quips. “If you’re a small towner with a big ole attitude like me, then you know how it is round here. This one’s for you!”
 
King most recently released Billboard-dubbed “career standout” and “mournful ballad,” “I Keep Your Memory Around.” 
 
King’s sophomore album, Into The Neon, was released Jan. 26, 2024 to critical acclaim, leaving Texas Monthlyobserving “his Texas bona fides are unimpeachable.” Into The Neon was also named among the top country albums of 2024 by Entertainment Focus and Whiskey Riff. The album yielded King’s first Country radio single, “I Could Be That Rain.” 
 
For more information and to follow along with updates, visit RandallKingMusic.com.

ABOUT RANDALL KING:
A West Texas native and self-described “old soul," Warner Music Nashville's Randall King has never wavered in his honky-tonk allegiance – in fact, he’s worn it like a badge of honor, growing with pride into a leading voice for today’s traditional country. Amassing nearly 500 Million streams with singles like “You In A Honky Tonk,” “Hey Cowgirl” and “Mirror, Mirror,” he’s kept the twang alive in country’s mainstream while also earning acclaim through deeply personal EPs like 2020’s Leanna, and his 2022 major label album debut, Shot Glass – which landed on both Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far). Schooled on icons like Keith Whitley, George Strait, Alan Jackson and John Anderson, but inspired by modern masters like Dierks Bentley and Gary Allan, King first built an independent, grass-roots following on the strength of his electrifying live shows – each one a harrowing mix of rowdy roughnecking, romantic tenderness and breathtaking emotion – never asking for permission to explore his creative vision. He has since gone on to headline all across the U.S., the U.K. and Europe, where he continues to play nearly 150 shows a year and hone his craft where it matters most. Named a Country Artist to Watch by everyone from Pandora and Country Now to Music Mayhem Magazine, his sophomore major label album Into the Neon, available now, takes that craft to the next level, as King’s neo-traditional roots meet the blood-pumping rhythms and sharp, arena-sized grooves of Y2K-era country and beyond. Co-produced by King and Jared Conrad, and featuring 18 tracks, punchy sounds exist side-by-side with timeless swagger, further blurring the line between yesteryear and today–even as King renews his forever-country vows. Into The Neon was named among the best country albums of the year by Whiskey Riff, Country Now & Entertainment Focus, and yielded King’s debut single, “I Could Be That Rain.”

PARMALEE’S “HOW DO I LET YOU GO” SEEKS GUIDANCE TO LIFE’S HARDEST QUESTION

Chart-topping and platinum-selling country band Parmalee today releases their most personal and reflective song ever - “How Do I Let You Go.”  Inspired by the passing of frontman Matt and drummer Scott Thomas’ father, as well as guitarist/pianist Josh McSwain’s father, the heart-stirring ballad reflects on the love, loss and ache of wishing for just a little more time. Listen Below. 

“This song is a note to our dads and the friends we lost too soon,” shares frontman Matt Thomas. “Myself, Scott and Josh grew up playing in bands with our dads. Barry eventually joined that band too. From the time we were kids, all we ever wanted to do was play music for a living. There’s a line in the song about ‘Corrigan’s’ — that was the club where it all began for us with them. The place that shaped us as musicians and friends. One of the hardest things is knowing they never got to see us fulfill our dreams of playing music for a living. Even so, they’ve been with us every step of the way, and we know every night they have the best seat in the house.

Haunting and hopeful, it's raw, real and deeply human, delivering the kind of storytelling that stops you in your tracks. A powerful reminder that while letting go is impossible, there’s undeniable beauty in the memories that remain. 

Comprised of brothers Matt and Scott Thomas (lead vocals/guitar and drums, respectively), cousin Barry Knox (bass), and lifelong friend Josh McSwain, Parmalee has been a household name with headliner status for years, following four back-to-back #1s at country radio and being recognized as the most played country act by Billboard in 2022 for their iconic love song “Take My Name.” 

Currently on their “Feel Like Home” Tour, the band’s vibrant stunner “Cowgirl”, from their latest album Fell In Love With A Cowgirl, is heating up to be their sixth #1 at country radio, as it races toward #1 territory.

With over 1.6 billion on-demand streams, five #1 smashes plus a growing list of platinum singles, Parmalee has cemented their place as a hit-making powerhouse and live-concert favorite. 

Upcoming Tour Dates:

November 20 - Sarasota, FL - Big Top Brewing Company

November 21 – Cocoa, FL – Cocoa Riverfront Park Amphitheater

November 22 – Jupiter, FL – Abacoa Amphitheater

November 23 - San Antonio, TX - Y100 All Star Jam 

December 5 - Waynesboro, VA - The Foundry 

December 6 –Covington, TX - Madison Theater
December 11 – Corpus Christi, TX – Brewster Street Ice House
December 12 - Durant, OK - Choctaw Casino Durant
December 13 – Katy, TX – Mo's Place
February 19 - Rutland, VT - The Paramount-Rutland
February 21 - Jordan, NY - Kegs Canalside
February 27 - Fort Lauderdale - Top Shelf Country Cruise 2026
August 28 - Dieppe, Canada - YQM Countryfest 

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Randy Houser Releases Regret-Proof "Back In The Bottle"

Multi-Platinum hitmaker and powerhouse vocalist Randy Houser releases “Back In The Bottle,” tapping into the reckless, unforgettable nights that linger long after last call. Listen to the new track, available now via Magnolia Music Group, Below.
 
Leading up to the song’s release, Houser shared the inspiration for the song on socials: “When I had the idea for ‘Back In The Bottle,’ not to name drop, but I was hanging out with Post Malone, and we went to the studio. Didn’t even leave to get started ‘til probably midnight. We did two nights like that, and we were having a great time, writing and drinking.
 
“So that gave me the idea: ‘If I could put last night back in the bottle, I’d pull last night back down and drink it again,’” he shared with a laugh. “And we’ve all had those nights. How many times have we hair-of-the-dogged it? Sometimes you just gotta keep rocking and keep having fun.”
 
Written solely by Houser and co-produced by Blake Chancey, “Back In The Bottle” opens with the familiar wreckage of a rowdy night out, leading to a chorus that embraces the kind of night you’d gladly repeat, consequences be damned:

The release ignites a new chapter for Houser, and fans can expect a steady stream of new music throughout 2026. “Back In The Bottle” follows Note To Self (Deluxe), which saw the Mississippi native trading powerhouse moments with Cody Johnson, Justin Moore, Miranda Lambert and Riley Green.

Beyond the studio and stage, Houser has been building his presence in film, with roles in Martin Scorsese’s “Killers of the Flower Moon” and starring alongside Dennis Quaid in “The Hill,” demonstrating the range and depth of his artistry.
 
For tour dates and more information, visit RandyHouser.com or follow along on Instagram @RandyHouser, Facebook.com/RandyHouser and Twitter/X @RandyHouser.

LAINEY WILSON CAPTURES TOP HONORS AT CMA AWARDS

Lainey Wilson returned to serve as host for the 2025 CMA Awardsmarking her first time solo hosting the program and taking home three awards including her second win for the top honor Entertainer of the Year. The 12x CMA Award winner also captured her second win for Album of the Year for her latest Whirlwind and her fourth time donning the title Female Vocalist of the Year. Kickstarting the show with a monologue medley of top country hits from the night’s attendees, the evening included banter with comedian, actress and friend Leanne Morgan, a special “Cowgirl of the Night” and even “Cowboy of the Night” moment with actor Alan Ritchson and a feisty and energy packed performance of “Ring Finger” from her Whirlwind album. The monumental night further solidifies the impact and reach of Wilson as her latest single “Somewhere Over Laredo” is soaring towards #1 at country radio. 

Good Morning America kicked off the day’s celebration by revealing two awards in their broadcast including a win for BBR Music Group/BMG Nashville’s Blake Shelton in the Musical Event of the Year category for “Pour Me a Drink” Post Malone featuring Blake Shelton. This accolade serves as Blake’s eleventh CMA Award win as his latest release “Stay County or Die Tryin’” is Top 10 and climbing at country radio. 

The label is also proud to celebrate VP, International Lynette Garbonola as she was bestowed with the Jo Waker Meador International Award for her exceptional contributions to the global expansion of Country Music. This award recognizes outstanding achievement by an individual in advocating and supporting Country Music’s marketing development in territories outside of the United States.

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KEEP UP WITH BLAKE SHELTON

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Kenny Chesney Celebrates HEART LIFE MUSIC's #1 NY TIMES Bow w NYC Book Event 12/2

When Kenny Chesney’s Heart Life Music debuted at No. 1 on the New York Times Hardcover Nonfiction and Combined Print and E-Book Nonfiction lists, the East Tennessee songwriter/superstar who became the 2025 Country Music Hall of Fame Contemporary inductee and first country artist to take his music into another dimension at Las Vegas’ Sphere knew there was only one way to celebrate: a book event in New York City. After closing the opening weekend of the prestigious Miami Book Fair with a sold-out conversation with co-author and friend Holly Gleason, the pair will do one more book event in partnership with the Strand at Kaufman Music Center on the Upper West Side.
 
“It’s amazing how much people love listening to us talk about the process, the stories, why I finally did it,” marvels the man called “the People’s Superstar” by the Los Angeles Times. “After three completely sold-out events in Florida, it felt like we weren’t truly done. After all, you don’t get a New York Times Number One every day, and it seemed like we needed to do one of these talks in New York.”
 
With a 7 p.m. start time – and doors opening at 5:30 – Chesney’s next book talk is perhaps the most intimate. Less than 450 tickets are available, but with such quick notice, it seemed like the right place and time to do one more conversation about Heart Life Music, which has not only topped both the New York Times Hardcover Nonfiction and Combined Print and E-Book Nonfiction lists, but has struck a chord with taste-making critics.
 
“Kenny Chesney Pulls Back the Curtain with Heart Life Music,” Garden & Gun titled a multiple page story, while Tennessean offered, “this book digs deeper than surface-level conversations…. (it) offers answers and honesty regarding career-long inspirations and passion” and Publishers Weekly raved “One for the Road.” In addition, People wrote the book “gives fans an inside and in-depth look at his life and career, and ultimately drives home one overarching theme: Chesney's truest love is creating music,” Wall Street Journal opined, “an emphatic success” and Travel + Leisure wrote “Heart Life Music emerges as perhaps more than a memoir. For Chesney, it’s a genuine meditation on connection and purpose.”

At a time when so much in the world is polarizing, Chesney’s postcards from a life that saw a college kid go to Moscow, spend time playing a dissolute Lower Broadway only to be signed by a label originally from Macon, Georgia through touring and learning from icons Alabama and George Jones, a whirlwind of friendships with heroes including Jimmy Buffett, Eddie Van Halen, Bruce Springsteen, Sammy Hagar, the Wailers, as well as collaborating with Dave Matthews, Uncle Kracker, Willie Nelson and Grace Potter, put people in the moment and offer a map to create unthinkable things through consistent, if small steps. Offering plenty of wisdom shared, frustrations and failures along the way, Heart Life Music exults the triumphs and the fun that emerged over time.
 
Known for commanding the largest stages nationwide, Kenny Chesney’s first book takes the reader – or audio book listener – to places long gone, creates unexpected music in Jamaica, the Kremlin, New England and Cabo San Lucas, drifts across the waters of the Caribbean, Atlantic and Pacific Oceans. Beyond meeting and collaborating with heroes, forging transcendent friendships in the islands and beyond, Chesney’s introspective look at the songs and sound that defined No Shoes Nation offers the intimacy of sharing a slow afternoon on the water.
 
Tickets for the December 2 event at Kaufman Music Center are available HERE. Seating is limited; each ticket holder will receive an autographed copy of Heart Life Music as well.

About The Authors
One of contemporary American music’s biggest names, Kenny Chesney was voted into the Country Music Hall of Fame this year and was named Billboard’s No.1 Country Artist of the 21st Century. Selling out America’s major stadiums for two decades and playing to over a million fans every summer since 2002, Variety pronounced him “country music’s only true long-term stadium act.” The East Tennessee songwriter/superstar has over 105 Platinum certifications, won the prestigious Entertainer of the Year eight times, as well as holding Billboard’s record for the most Country Airplay No. 1s with 36 chart-topping songs that define coming of age in the flyover in the 21st Century. This year, the game-changing superstar became the first country artist to perform at the groundbreaking Sphere, taking No Shoes Nation into a whole new dimension, creating a space to work hard, play hard, love hard and come together in the spirit of celebrating all the moment offers. Heart Life Music is his first book.
 
Holly Gleason’s work has appeared in Rolling Stone, Los Angeles Times, New York Times, the Library of Congress’ National Registry of Sound Recordings, among other outlets. She was the LA Press Club’s Entertainment Journalist of the Year and the National Arts & Entertainment Journalism Association’s Independent Journalist of the Year. A former Rock & Roll Hall of Fame/Case Western Reserve Fellow, she’s the creator of Belmont Book Award-winning Woman Walk The Line, and co-authored Miranda Lambert’s New York Times best-seller Y’All Eat Yet as well as Prine on Prine: Interviews & Encounters.

Oakland's Sword Tongue presents new 'Diamonds To Dust (Anthony H. Remix)'

Oakland alt-rock trio Sword Tongue presents their new offering - 'Diamonds To Dust (Anthony H. Remix)', an infectious, tribal inspired, EDM version of the original 'Diamonds To Rust', a highlight track from the recently-released 'Bonfire In The Tempest' - the band's fourth EP to date. Fusing dark electricity and soaring emotion, this remix harnesses a storm of tension and release within a hypnotic, irresistible groove.

Creating dark music for dark times, Sword Tongue is made up of vocalist Jennifer Wilde and guitarist Gaetano Maleki, a husband and wife who launched this project in the pandemic year of 2020, now joined by renowned drummer-producer Dan Milligan.

Anthony (H) delivers a tour-de-force reinvention of 'Diamonds To Rust', taking the song completely onto the dance floor. Stomping beats raise the tempo and crush the instruments into a distilled, hard-hitting foundation for Wilde's deadpan vocals and hushed tones.

“We’ve partnered with Anthony (H) before, for a remix of The Illusionist on our second album, and were excited to hear how he would transform one of our favorite tracks into a more DJ-friendly and dance floor filling powerhouse," says Jennifer Wilde.

"This is a track born out of an anxious reckoning of the unceasing progress of time, counting down to the inexorable end we all face. These days when all that is desired is rest and pause, we are reminded that there is no cheating time – it moves forward whether we are prepared or not."

Electro-Industrial DJ / artist Anthony H. (a.k.a. Anthony Hudson) is a charted Industrial, electro bass artist & EBM, dark electronic DJ - artist - producer, who has worked with Empirion, Omnimar, Sebastian Komor, Moaan Exis, Matt Hart, Dark Tunes, Ruined Conflict, Die Warzau, Spankthenun, Solemn Assembly, 40 Octaves Below, as well as with Nettwerk Records' Anthony Valcic (Frontline Assembly, Skinny Puppy, Numb).

The 'Bonfire in the Tempest' EP was produced by Dan Milligan, brainchild of The Joy Thieves, who has co-created, produced and remixed such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.

Just recently, Sword Tongue released the single 'Murder White Noise', a wry commentary on the state of the world and our attempts to soothe ourselves to get through it, and 'We Are The Resistance', a unified protest anthem that marks the 249th anniversary of the USA's founding.

Gaetano Maleki shares, “In the last few years, Jennifer and I have had some significant milestones with our children coming into adulthood. It made us realize how fleeting it all is, as cliché as that sounds.”

Galvanized during our current age of cultural upheaval, this EP bursts with raw emotion and is tempered by sophisticated production. Blending alt-rock, post-punk and dream pop, it explores anguish, anger, transformation and triumph. Vocals oscillate between a croon and a roar, seduction and rage against the backdrop of shimmering guitar tones, mesmerizing bass, and intricate drum lines.

'Diamonds To Dust (Anthony H Remix)' is now out everywhere, including Spotify, Apple Music and Bandcamp, where the 'Bonfire In The Tempest' EP is also available digitally and as a first-print red variant cassette with a special album poem inside.

EP & REMIX CREDITS
Lyrics by Jennifer Ryan Wilde
Music written & arranged by Sword Tongue (Wilde / Milligan / Maleki)
Jennifer Ryan Wilde - vocals
Dan Milligan - drums & percussion
Gaetano Maleki - guitar & bass
Produced by Dan Milligan
Remix by Anthony H
Publicity by Shameless Promotion PR

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MILWAUKEE METAL FESTIVAL 2026 Welcomes ACID BATH to Next Year's Edition; Taking place June 5 - 7, 2026!

Milwaukee Metal Festival 2026 is pleased to now welcome ACID BATH as the first headliner for next year!

Festival co-organizer Jamey Jasta comments, “For the last 3 years the #1 requested band the fans wanted for Milwaukee Metal Fest was Acid Bath! We could not be more excited to have them in 2026!” 

Sammy Duet of ACID BATH adds, "We are delighted to return to the Milwaukee Metal Festival after our last appearance there 32 years ago. We are looking forward to seeing all of you there!"

The festival will now take place June 5 - 7, 2026, with the pre-party kicking off on June 4! The festival will take place once again at The Rave/Eagles Ballroom. Early bird tickets can be found HERE.

Stay tuned for the first wave of bands - you don't wanna miss this!

Vana Signs to Sumerian Records, Drops Brand New Single & Music Video "Pray"

Auckland-based, RnB tinged industrial metal vanguard, Vana has announced her signing to Sumerian Records and releases "Pray” today. The signing marks a significant shift for the self-taught multi-instrumentalist, who has already built a devoted global following and over 85 million streams across platforms independently. Her brand new single "Pray" and its accompanying music video arrive as Vana is wrapping up her US tour supporting Set It Off and Fame On Fire, bringing her unique blend of industrial alt-metal, trap and R&B to packed rooms across the country. Stream the new single HERE and watch the accompanying video below. 

“Pray” explores the fracture of reality through the lens of someone experiencing psychosis and mania, twisting religious iconography into a portrait of psychological chaos. It also reflects Vana’s personal relationship with religion and its impact on her life. Raised in a religious household, she remains deeply informed and respectful of religious theology, even as she subverts it. An influence that runs through her writing alongside her fascination with gothic literature, anime, Lovecraftian horror, and the perspective of the misunderstood. These are just some of the influences that will shape the lore and world building of her highly anticipated debut album, slated for release next year. 

Speaking on her new release and singing to Sumerian Records, Vana shares

"This song stems from the idea of how it'd feel experiencing psychosis. Sonically, this song is just as chaotic as I'd imagine someone's psyche would be if they were in a manic episode. Almost as if both the angel and the devil on your shoulders were both screaming in your ears at the same time.

"Signing with Sumerian feels like I've found a label that understands my brain. "They believed in 'Pray' the second they heard it, as well as in the world I want to create around my project. This song is the beginning of a whole cinematic universe I've been dying to create. I feel like I just joined the perfect team to help me make the chaos in my brain real. Launching 'Pray' with Sumerian already feels like the start of something huge, and I can't wait for everyone to see what we've been cooking!"

Vana taught herself guitar, bass, and production as a teenager in Auckland, originally imagining a career as a lead guitarist before stepping into the spotlight herself. Her breakout single "Beg!" amassed 18.8 million Spotify streams and 1.7 million video views independently, cementing her as one of the most buzzworthy names in alternative music. With 765,000 monthly Spotify listeners, 895,000 TikTok followers, and 298,000 Instagram followers, she's built her fanbase through unfiltered online connection, streaming on Twitch, engaging fans over shared obsessions with fantasy gaming, horror films, and anime.

Vana’s sound pulls from post-hardcore pioneers like Sleeping with Sirens, Pierce the Veil and Bring Me The Horizon, filtered through the lens of contemporary artists like Brakence, Chase Atlantic, and $uicideboy$, with lyrical inspiration drawn from gothic literature, Lovecraftian horror, and the world-building of games like Baldur's Gate 3.

Vana's music proudly creates space for audiences who've felt like outsiders in traditional metal communities, particularly women and LGBTQ+ listeners. She's vocal about inclusion, mental health, and female empowerment, using her platform to advocate for representation in a historically male-dominated genre.

Vana is currently on tour with Set It Off and Fame On Fire through December 10th, with remaining dates including stops in New York, Philadelphia, Baltimore, and Raleigh. Tickets HERE. 

REMAINING TOUR DATES:

Fri Nov 21 2025 — Dallas, TX — South Side Music Hall 

Sun Nov 23 2025 — Lake Buena Vista, FL — House of Blues Orlando 

Tue Nov 25 2025 — Cincinnati, OH — Bogart’s 

Wed Nov 26 2025 — Detroit, MI — Saint Andrew’s Hall 

Fri Nov 28 2025 — Indianapolis, IN — Old National Centre 

Sun Nov 30 2025 — Buffalo, NY — Buffalo RiverWorks 

Mon Dec 01 2025 — Toronto, ON — Danforth Music Hall 

Tue Dec 02 2025 — Boston, MA — Paradise Rock Club 

Fri Dec 05 2025 — New York, NY — Irving Plaza (Powered by Verizon 5G) 

Sat Dec 06 2025 — Allentown, PA — Archer Music Hall 

Sun Dec 07 2025 — Philadelphia, PA — The Fillmore Philadelphia 

Tue Dec 09 2025 — Baltimore, MD — Nevermore Hall 

Wed Dec 10 2025 — Raleigh, NC — The Ritz

NYC’s Most Experimental New Music Event Arrives: JAZZ FROM HELL Festival Announced

JAZZ From HELL Festival Brings Avant-Garde Fury & Big-Band Brass to NYC

Get Tickets HERE

The JAZZ From HELL festival will take over Le Poisson Rouge on Friday, December 12, 2025, presenting an electrifying evening of experimental sound and forward-thinking performance. Leading the lineup is the acclaimed New York avant-metal trio IMPERIAL TRIUMPHANT, who will deliver a special collaboration with the GOLDSTAR METROPOLE ORCHESTRA. This unique performance will unite the band’s signature fusion of technical metal, jazz complexity, and cinematic atmospheres with a full big-band ensemble, creating a rare large-scale presentation of their music.

The festival will also feature performances by JERSEYBAND and KILTER, both known for their adventurous approaches to genre, rhythm, and improvisation. Each act contributes to a program designed to celebrate artists who push musical boundaries and explore new sonic architectures. Hosted at Le Poisson Rouge, one of New York’s most respected spaces for innovative art and live performance, JAZZ From HELL offers an opportunity to witness a night of music that embraces intensity, experimentation, and creative risk.

Tickets are available now at 40 dollars in advance or 50 dollars on the day of the show. Doors open at 6:00 PM and performances begin at 7:00 PM. For audiences drawn to bold and unconventional music, JAZZ From HELL promises a standout event in the winter concert season.

Melodic Death Metal CARRION VAEL Unleashes New Single, "19(fucking)78" and Announces Ferocious Fifth Album, "Slay Utterly"

Melodic death metal force of nature CARRION VAEL returns with a vengeance on their fifth album, Slay Utterly, to be released through Unique Leader Records on January 16 2026. Slay Utterly opens with its lead single, "19(fucking)78", which instantly sets the tone for the album's intensity and nuance. Featuring layers of technical guitar parts, slam riffs, and clean vocals, the band leaves no skill in their toolbox unused. Lyrically, the song is set in 1970s California; a particularly violent time in history, given the presence of the Hillside Stranglers. The lyrics contemplate issues of nature versus nurture, as well as an obsession with control by any means possible.

CARRION VAEL's technical prowess may take the spotlight on this album, but they are storytellers at their core. Each song on Slay Utterly explores the story of a different serial killer. The perspective jumps between the killer themselves, and the experiences of the victims. On the whole, the album presents a collection of stories delving into the psyches of famous axe murderers, slashers, and other uniquely violent killers throughout history. 

Though raw and ferocious at their core, the band weaves intricate technical nuances throughout the album. Punchy riffs and rhythms drive the intensity home, while memorable lead guitar lines and powerful vocal performances leave a lasting impact. Lyrically, Slay Utterly goes above and beyond to immerse the listener in CARRION VAEL's fascination for history and true crime.

Watch the video for "19(fucking)78" below:

About CARRION VALE:
In 2017, brutal melodic death metal storytellers CARRION VAEL set out on a mission to understand disturbing events that may baffle the sane. Each album and each song explores an aspect of true crime history, often focusing on the stories of individual serial killers and their victims. Though this conceptual focus underpins CARRION VAEL's songwriting, they seek to fully utilize all of their skills and talents to ensure that each song develops the sound it needs to tell its story. The band released their first album, Resurrection of the Doomed, independently in 2017, then signed with HPGD Records and released their 2020 follow-up, God Killer. Subsequently, the band signed with Unique Leader Records and released Abhorrent Obsessions (2022) and Cannibals Anonymous (2024). 

With their fifth album, Slay Utterly, on the horizon, CARRION VAEL are set to continue this journey into the monstrous side of the human psyche. Vicious, but surprisingly poignant in just the right dose, Slay Utterly presents an anthology of serial killer stories from significant points in history. The album is certain to enthrall fans of horror, history, and true crime with its vivid portrayals of the minds of both murderers and victims. 

CARRION VALE is:
Travis Lawson Purcell - Vocals
Alex Arford - Bass
Trenton Limburg - Guitar
Ryan Kurder - Guitar
Matt Behner - Drums

CROBOT Unleash Lyric Video for new song “GUN TO MY HEAD” Add U.K. Tour Dates

Today marks an exciting milestone with the release of the Official “Gun To My Head” lyric video, the song is now available on all platforms. It’s time to turn up the volume and immerse yourself in the electrifying sound of Crobot, as their music promises to propel you into an exhilarating journey beyond the stars. As the band wraps up their US tour, the anticipation builds for their upcoming adventure in the United Kingdom. Fans should prepare for an unforgettable experience, kicking off on December 2 in Southampton and culminating in a spectacular finale on December 14 in Brighton. Buckle up for a wild ride filled with

energy and passion!

There’s a special kind of madness that happens when a band circles back to its roots — that wild-eyed realization that the thing you were chasing was behind you the whole damn time. CROBOT are standing right there now, staring down the beast they built, grinning through the smoke.

Brandon Yeagley still preaches his gospel from behind the mic like some back-alley shaman with a harmonica holstered for punctuation. Christopher Bishop remains the riff conjurer — tone soaked in engine grease and snake oil, as if the guitar itself were trying to escape the song. And with the arrival of brothers Willie (bass, vocals) and Nico Jansen (drums, percussion), the band’s pulse has started to sound downright dangerous again — thick, swinging, and impossible to fake.

Every band says they’re “getting back to their roots.” Most of them mean they’re out of ideas. CROBOT means it like a blood oath. They’ve stripped it all down to the muscle and marrow, rediscovering that holy intersection where Sabbath’s weight meets Funkadelic’s freak, where Clutch’s swagger shakes hands in the Blood, Sugar, Sex, Magic Chili-Peppers era. This isn’t nostalgia — it’s resurrection. The past few years have sanded off a lot of pretense. What’s left is a band that’s learned how to breathe again, how to groove again, how to trust the dirt under their boots. They’ve been through the industry grinder, the touring trenches, the ego traps, and the inner wars — and somehow came out grinning wider, riffing harder, and sounding more alive than they have

in a decade.

That rebirth roars to life on “Gun to My Head,” the first shot fired from their upcoming album. It’s CROBOT at their most unfiltered — hook-heavy, groove-drenched, and thick with the kind of swagger that makes amps sweat. The song’s chorus swings like a pendulum between surrender and salvation, the sound of four musicians testing their own limits and finding freedom on the other side. It’s not about violence — it’s about the pressure of transformation, the push and pull between love, truth, and the kind of pain that forces

you to evolve.

“Sometimes you’re forced to take a step back and reflect on what really matters,” explains Yeagley. “Every note has a reason, every word a purpose. We’re etching something in-blood into the CROBOT discography - and Gun to My Headfelt like the best taste of what’s to come.”

CROBOT in 2025 isn’t chasing relevance. They’re chasing feel. That unspoken alchemy that happens when four lunatics hit a downbeat and the room levitates for a second. They’ve traded the smoke and mirrors for sweat and instinct,

and it shows.

Call it rebirth, call it regression, call it whatever you want — CROBOT is back where they belong: knee-deep in the groove, grinning like thieves, and daring you to

prove them wrong.

REMAINING US DATES

11/20 Asheville, NC - Eulogy

11/21 Raleigh, NC - The Pour House

11/22 Baltimore, MD - Metro Gallery

11/23 Philadelphia, PA - MilkBoy

MØL - share new single & video "Young"

Danish alt-metal visionaries MØL return with 'Young', the second single from their eagerly awaited new album Dreamcrush, due on 30th January 2026 via Nuclear Blast Records. Now available on all streaming platforms, 'Young' follows lead single 'Garland'. 

Where 'Garland' ascended into majestic shoegaze territory, its shimmering guitars and brooding baritone vocals hinting at an impending rupture of blackened force, 'Young' wastes no time. It erupts in classic MØL fashion with searing fury from its very first moments, before plunging listeners into the band's signature haze of glittering guitar lines, towering crescendos and cathartic melodicism that blurs the line between beauty and brutality.

Check out the video for ‘Young’ below:

Listen to 'Young' here: https://moel.bfan.link/young.yde

Pre-order and listen to Dreamcrush here: https://moel.bfan.link/dreamcrush

With their third studio album now just weeks away, MØL continue to push the boundaries of their creative expression. Dreamcrush tempers the band’s sharpest, most jagged edges with soaring alt-rock hooks, delving into the tension between dreams and reality, and the ways aspiration can both sustain and consume us. By steeping even their most aggressive moments in melody, MØL deliver their most explosive and affecting work to date.

Following on from the critically acclaimed Jord (2019) and Diorama (2021), MØL’s latest opus sees their sound continue to evolve as they embrace new horizons - as a band and as individuals. Drawing on influences including My Bloody Valentine, Cocteau Twins and Smashing Pumpkins, the album explores recurring themes of belonging, resilience and finding home within oneself. Dreamcrush arrives with a renewed sense of confidence, acceptance and vigour.

Recording took place over several months in Frederik Uglebjerg’s Aarhus studio, allowing the band to shape the album gradually. Vocalist Kim Song Sternkopf explores his baritone register, delivering lyrics in Danish and English that reflect personal introspection and a revisitation of past events. Guitar solos by Nicolai Busse elevate the emotional journey, while abstract, Emil Nolde-inspired artwork by Daniel Owen at Nemesis Design (Sleep Token, Architects, BFMV, TesseracT) and photography by Rolf Meldgaard visually complement the album’s exploration of dreams, reality and emotional reconciliation.

Fans can experience the album live as MØL embark on a headline tour across Europe and the UK throughout February 2026 with support from Tayne and Cold Night For Alligators, promising shows that translate the album’s intensity into a visceral, unforgettable performance.

Comments vocalist Kim Song Sternkopf, "It feels incredible to bring DREAMCRUSH out into the world, not just through the record, but by stepping back onto stages across Europe and the UK. This will be our second headline run and it honestly feels like a new and thrilling chapter for us in MØL.

"The songs on DREAMCRUSH explore how our hopes and ideals can both lift us up and break us apart. Performing them live will be like tearing up that dream to the crowd, fragile, heavy and luminous all at once. 

"We’ve also been lucky to bring along two incredibly solid acts who embody that same spirit in their own ways: TAYNE, with their raw, industrial noise-pop energy and Cold Night for Alligators, who channel this beautifully intricate and emotional strain of alternative metal from Copenhagen. Together, we plan to bring you dynamic and compelling sets each night across Europe and the UK. We can’t wait to see everyone again!"

Tickets are available here: https://ffm.live/moeldk-tour

MØL are:

Ken Lund Klejs - drums
Holger Rumph Frost - bass
Kim Song Sternkopf - vocals 
Sigurd Kehlet - guitars 
Nicolai Busse - guitars

MØL online: 
INSTAGRAM: https://www.instagram.com/moeldk

FACEBOOK: https://www.facebook.com/share/1BktfiUsPL/?mibextid=wwXIfr

X: https://x.com/moeldk?s=11&t=7GbDMk0_-ITDlUkOmBx7_Q

LinkTree: https://linktr.ee/moeldk

Nailed Shut MA Drop "Broken & Curled" Video

NAILED SHUT MA consistently bring raw energy and thoughtful disorder to each and every performance, delivering a sonic force that pushes New England's hardcore/deathcore scene to the next level. Forming in 2022, the Boston five-piece — Asher Thomas (vocals), Joel Arnall (guitar/BGV), Mason Roth (guitar/BGV), Owen Chepow (bass), and Jake Thompson (drums) — has dropped the video for the noisy and gnarly new single "Broken & Curled."

Watch the Ian Urquhart-directed video below.

"The lyrics depict being lowered into the earth, post-death, after giving into one's internal struggles," the band explains about the thoroughly manic track. "The video spotlights this internal struggle and the loss of one's self."

"Broken & Curled" follows the equally energetic track "Devoured," which arrived earlier this year. Watch the video here.

Both songs were produced by Charlie Burket. 

With punishing unconventional vocals, Asher creates depictions of bodily and psychological horror through lyricism centered around mental health awareness. The rest of the band reflects these themes musically through brutal riffs, tight drum grooves, and a gut-wrenching low end. In 2023, the band released its debut EP Lust in the End, which Idioteq described as "a surreal journey…delving into the darkest corners of the human experience."

Nailed Shut MA have performed in many iconic venues across the northeast as well as 2024's Inkcarceration Festival. Bands they have shared the stage with include All Shall Perish, Peeling Flesh, Power Trip, Kaonashi, End It, Gatecreeper and many more. Their energetic performances are sure to knock the wind out of you. With much more new music and many more shows planned for the coming months, Nailed Shut MA are here to wreak havoc into 2026 and beyond. But for now, fans of extreme metal can feast on "Broken & Curled" and "Devoured."

British Metalcore Act Shields Share New Single "Parasites"

British metalcore band Shields have released their new single "Parasites."

The song is taken from their upcoming studio album Death & Connection, to be released on January 30 via Long Branch Records. 

Stream "Parasites" and pre-order the album here. 

"'Parasites' is about the experience of sinking into depression and the warped internal relationship that develops within that state," comments singer Joe Edwards. "Originally a rock song from a previous project, 'Parasites' was repurposed for our album. As the original track already had dark undertones, it was easy to re-frame it in moody industrial arrangements, allowing for a wide range of dynamic shifts between sections."

The band shares, "Our new album Death & Connection is a body of work born from the absence of the people who no longer hold space in our lives. This record was created from a necessity to express and soothe our deepest losses; however, that was never the intention — we simply set out to make an album we wanted to hear."

Founded in 2012 by primary songwriters Joe Edwards (vocals) and Samuel Kubrick Finney (guitar/vocals), Shields quickly made an impact in the heavy music scene with their viral single "I Just Feel Hate" — a track they re-released in a newly reimagined version in April 2025. Their EP GUILT cemented their refined sound, blending brutal instrumentation with poignant, emotionally driven lyrics. With this release, they demonstrated an aggressive adaptability to the ever-evolving alternative music landscape, winning over fans from across adjacent genres. The momentum of their powerful breakthrough led to tour cycles alongside acts such as Loathe, Ice Nine Kills, and Escape the Fate.

Shields' debut full-length album Life in Exile (2018) received critical acclaim for its raw honesty and musical maturity. However, the album cycle was tragically cut short by the sudden passing of guitarist George Christie — an event that ultimately led to the band's untimely and abrupt disbandment.

Their return marks a bold decision, given the tragic circumstances surrounding their 2018 split. Yet, Shields re-emerge with powerful new tracks, inviting audiences to witness the next evolution of their sound - matured, refined, and fearless. This new chapter is supported by a fortified lineup, featuring founding members Edwards andl Kubrick Finney, now joined by Alastair Wain (drums) and Krishan Pujara (bass).

If Shields' discography is any indication of what lies ahead, audiences can expect a torrent of unrelentingly bold strides into new sonic territories.

SHIELDS ARE:
Joe Edwards — Vocals
Samuel Kubrick Finney — Guitar + Vocals
Alastair Wain — Drums
Krishan Pujara — Bass

BLACK SEA OF TREES Unveil Their New Single “Servant to the Sun” From the Upcoming Album Cult of the Sun

Melbourne progressive metal visionaries BLACK SEA OF TREES return with their powerful new single “Servant to the Sun”. Known for blending death metal ferocity with atmospheric folk textures and immersive storytelling, the band now presents one of the most commanding and accessible tracks of their career.

“Servant to the Sun” captures the moment in the album’s narrative where the protagonist fully surrenders to a radiant sun god and embraces a euphoric sense of divine purpose. The song opens with driving rhythms and a strong feeling of forward momentum, evoking the sense of marching toward destiny. Its soaring choruses, confident vocal presence and hypnotic guitar harmonies express both the exhilaration and the blindness that accompany total devotion. A spacious middle section offers a moment of trance-like bliss before the track returns to an authoritative and resolute declaration of faith.

Lyrically, the single explores the dangerous joy that comes from unquestioning belief. The protagonist feels liberated from doubt and burden, convinced that divine selection has granted them enlightenment and purpose. 

Musically, “Servant to the Sun” showcases BLACK SEA OF TREES at their most focused and anthemic. The band leans into rhythmic precision, deep commanding vocals and euphoric melodic phrasing that reflects the spiritual high of the character’s transformation. The track draws influence from OPETH, GOJIRA, KATATONIA and CULT OF LUNA while maintaining the distinct identity that has shaped the band’s evolving sound.

Listen Below:

About BLACK SEA OF TREES:
Based out of Melbourne and Victoria in Australia, the progressive metal ensemble composes their music around the narrative of their releases. BLACK SEA OF TREES formed in 2018. The debut album, The Spiritual Beast, materialized in the spring of 2023. The band's forthcoming sophomore full-length is an exploration of spirituality, folklore and philosophy, with death metal, folk and ambient elements incorporated into the soundscapes. "A Red Dawn" marks the beginning of this next chapter for BLACK SEA OF TREES, introducing this next album's concept: the protagonist is chosen by god to overthrow an old kingdom in a spiritual revolution. It's a narrative that is heavily influenced by the Ancient Egyptian Pharaoh, Akhenaten and his life’s journey.

BLACK SEA OF TREES bring to life their themes and concepts through dark atmospheric tones, strong full voiced melodies, falsetto and deep growls. With songs ranging from intense 8-minute long walls of sound to 3-minute atmospheric/acoustic passages, BLACK SEA OF TREES draw inspiration from the likes of OPETH, KATATONIA, CULT OF LUNA, RUSSIAN CIRCLES, and KARNIVOOL. A wide array of styles is entwined into the outfit's distinctive and compelling sound. 

BLACK SEA OF TREES is:
Samuel Exton - Vocals/Guitar
Jan Schotting - Drums
Francesco Adami - Bass
Chris Schwinghamer - Lead Guitar

Connect with BLACK SEA OF TREES:
Bandcamp: https://blackseaoftreesofficial.bandcamp.com/
Instagram: https://www.instagram.com/blackseaoftrees
YouTube: https://www.youtube.com/channel/UC24GQ_gVO_PPBR5TJqmdZpQ
Spotify: https://open.spotify.com/artist/3zogtBHiOCIaGsOfy7y6oS
Apple Music: https://music.apple.com/au/artist/black-sea-of-trees/946433249

VESSELES Reveal New Single "Perpetual Chasm of Black Mirrors"

Symphonic black metal project VESSELES has released their new song "Perpetual Chasm of Black Mirrors". The song is from their upcoming release Home, which will be released on January 16, 2026. "Perpetual Chasm of Black Mirrors" highlights the deepening mental decay as Valira sinks deeper into her own internal torment. 

Listen BELOW:

Pre-order Home: https://vesseles.myshopify.com/

About VESSELES:
Founded in 2023, VESSELES is the sonic vessel through which Valira speaks the language of her origins. As composer, orchestrator, and architect, she crafts bleak, incantatory soundscapes that fuse serrated guitars with haunted symphonic textures. Her voice, at once seething and spectral, now rises with increasing clarity, layered across both backing and lead roles in studio and on stage. This is not performance. It is possession. Through sound, she casts off the human shell and steps fully into her true form: demon, exile, survivor. VESSELES unveiled the debut EP I Am A Demon in 2024, a liturgy of identity dysphoria, rage, and revelation. "Eternally Within Us" follows the recently released 2025 single, "Flesh Throne".

Credits:
Composed by Valira Pietrangelo.
Performed by VESSELES. 

VESSELES Is:
Valira Pietrangelo - guitar and backing vocals
J Burial (Joel Ferry) - vocals
Ron Graves - bass
Nick Brown - drums

Links: 
Bandcamp: https://vesseles.bandcamp.com/
Facebook: https://www.facebook.com/vesseles/
YouTube: https://www.youtube.com/@Vesseles
Instagram: https://www.instagram.com/vesseles666/
Music and merch: https://linktr.ee/vesseles

ALL THE DAMN VAMPIRES Turn Benny Mardones' "Into The Night" Into A Gothic Midnight Tragedy

Los Angeles-based synthwave-meets-alternative-metal pioneers All The Damn Vampires drop their haunting reimagination of Benny Mardones' 1980 ballad "Into The Night" today, transforming the classic into a gothic midnight tragedy. The track arrives as the second single from the trio's highly anticipated debut album VICECORE, set for release February 4th, 2026. Fans can stream "Into The Night" HERE, watch the lyric video Below, and pre-orderVICECORE on vinyl HERE.

Founded, produced, mixed, and mastered by multi-instrumentalist Davey Oberlin - a longtime touring member of Korn who's also played in Winds of Plague and been a touring guitarist for Five Finger Death Punch - All The Damn Vampires builds on the original's tender vulnerability transmuting it into something altogether more sinister. Where Mardones delivered romantic yearning, Oberlin and powerhouse vocalist Ryan Rose conjure something darker: a fever dream of doomed love, violent transformation, and supernatural obsession.

"Our reimagining of 'Into The Night' takes the classic Benny Mardones ballad into darker, more goth metal-inspired territory," Oberlin explains. "A midnight race through the hills, a tragic crash, and a love that refuses to die.

One saved by fire. One saved by blood. Both forever changed."

The accompanying lyric video, created by Oberlin, features visuals inspired by classic choose-your-own-adventure books and offers cryptic glimpses into the song's reimagined narrative. Rather than spelling out the story, the video presents fragments of fever dream imagery that lets listeners connect the pieces and imagine their own ending. It's storytelling as much as sound design, inviting audiences into a world where love, death and immortality intertwine.

This mysterious story imagined by Oberlin, is the cinematic heartbeat of VICECORE, an album designed to evoke golden hour drives with the top down along the Pacific Coast Highway whilst ruminating on heartbreak and revenge. Recorded over 18 months, the album weaves completely reimagined covers of classic tracks (including Whitesnake's "Is This Love," Phil Collins' "In The Air Tonight," and Cutting Crew's "(I Just) Died In Your Arms") with original songs, blurring the line between the two. The album features contributions from synthwave producer Sunglasses Kid on the title track, vocals from Jack Underkofler of Dead Poets Society on "Falling Into Darkness" plus guitar solos from virtuosos Andy James and Miles Dimitri Baker, who also rounds out the live lineup. The aesthetic draws from Miami Vice, hardcore merch culture, and Los Angeles gang imagery, filtered through Oberlin's deep love of film soundtracks ranging from The Goonies to John Carpenter's catalog, and a childhood spent obsessing over Type O Negative, Korn, and Alice in Chains.

All The Damn Vampires has already carved out a lane at the intersection of heavy music and visual media. The project's music has appeared in cult horror film Terrifier 2, while Oberlin's collaboration with Avenged Sevenfold on a reimagined version of "Ordinary", which he produced and co-wrote, debuted via a secret Fortnite puzzle, introducing the project to an entirely unexpected audience. With over 12.1 million cross-platform streams and 2.11 million YouTube views to date, All The Damn Vampires continues to build a world where retro can be cinematic, crushing, and heavy.

ABOUT ALL THE DAMN VAMPIRES

All The Damn Vampires is more than a music project. It’s a cinematic world crafted by musician and producer Davey Oberlin. Built on a foundation of synthwave, goth metal, and cinematic sound design, the project evokes neon‑drenched cityscapes, emotional storytelling, and an unapologetic embrace of retro‑futuristic aesthetics.

Oberlin’s musical pedigree adds depth to the project. Having performed and toured with legendary acts like Korn, Five Finger Death Punch, and Winds of Plague, he brings a unique perspective that fuses heavy music sensibilities with lush, melodic synth textures. This balance of grit and atmosphere has become a hallmark of All The Damn Vampires.

The project’s reach has extended into visual media, with its music featured in films such as the cult‑favorite Terrifier 2, connecting the sound of All The Damn Vampires with horror and synthwave subcultures worldwide.

Further elevating the project, Oberlin collaborated with Avenged Sevenfold on a reimagined version of their song “Ordinary.” Serving as both producer and co‑writer, he infused their track with his distinctive sonic vision, melding synth‑pop vibrancy with the band’s powerful rock identity.

Whether crafting immersive soundscapes or collaborating with some of the biggest names in modern music, All The Damn Vampires continues to push boundaries. Delivering beautifully evocative music that’s as cinematic as it is unique and unforgettable.

BLEED FROM WITHIN - ANNOUNCE THEIR FIRST NORTH AMERICAN HEADLINING RUN 'THE ZENITH TOUR' 2026 WITH SPECIAL GUESTS SYLOSIS!

Scottish metal titans Bleed From Within are thrilled to announce their very first North American headline run: 'The Zenith Tour'! The  27-date trek will kick off on April 2nd (Worcester, MA) and run all the way through to May 7th (New York, NY), with stops in Montreal, Chicago, LA, and Dallas. Joining the band as special guests are UK metal powerhouse SYLOSIS, along with GREAT AMERICAN GHOST and LIFE CYCLES.

Bleed From Within stated: 
"The time has finally come! Ever since our first show in the US back in 2023, we knew we had to get over there and headline; the atmosphere was electric. Now, Zenith has given us the perfect platform and we are very proud to announce our very first North American headline tour! The tour lasts for 5 weeks and covers a lot of ground. We cannot wait to bring this show to you all. 

Support comes from our very close friends in Sylosis, one of the finest UK metal bands to ever do it. We are also bringing our brothers in Great American Ghost with us once more (they opened the European leg of this tour) and Life Cycles, one of our favourite up & coming bands in the US.

Being from a small town in Scotland, this kind of tour is a dream come true. Made even more special by the incredible package that we've been able to put together here. Do not miss these shows!

See you in 2026 - Ali, Davie, Goonzi, Kennedy, Steven"

Pre-sale tickets will be available via Soundrink on Thursday, November 20th at 10 AM EST(PW: Zenith). General admission tickets will go on sale on Friday, November 21st at 10 AM local time, HERE.

Confirmed dates for BLEED FROM WITHIN's 'The Zenith Tour' are with SYLOSIS, GREAT AMERICAN GHOSTS, and LIFE CYCLES are:
04.02.2026 U.S.  Worcester, MA @ The Palladium (upstairs)
04.03.2026 CAN Montreal, QC @ Theatre Beanfield
04.04.2026 CAN Toronto, ON @ Opera House
04.06.2026 U.S.  Philadelphia, PA @ Theatre Of The Living
04.07.2026 U.S.  Lakewood, OH @ The Roxy
04.08.2026 U.S.  Millvale, PA @ Mr. Small's
04.10.2026 U.S.  Detroit, MI @ St. Andrew's Hall
04.11.2026 U.S.  Grand Rapids, MI @ Elevation
04.12.2026 U.S.  Chicago, IL @ House Of Blues
04.14.2026 U.S.  Minneapolis, MN @ Varsity Theater
04.15.2026 U.S.  Lincoln, NE @ Bourbon Theatre
04.17.2026 U.S.  Englewood, CO @ Gothic Theatre
04.19.2026 U.S.  Boise, ID @ Shrine Social Club
04.20.2026 U.S.  Seattle, WA @ The Crocodile
04.21.2026 U.S.  Portland, OR @ Hawthorne Theatre
04.22.2026 U.S.  Roseville, CA @ Goldfield Trading Post
04.24.2026 U.S.  Los Angeles, CA @ The Regent Theatre
04.25.2026 U.S.  Pomona, CA @ The Glass House
04.26.2026 U.S.  Phoenix, AZ @ Crescent Ballroom
04.28.2026 U.S.  Austin, TX @ Come And Take It Live
04.29.2026 U.S.  Dallas, TX @ Granada Theater
05.01.2026 U.S.  Tampa, FL @ The Orpheum
05.02.2026 U.S.  Atlanta, GA @ The Masquerade (Hell)
05.03.2026 U.S.  Greensboro, NC @ Hangar 1819
05.05.2026 U.S.  Richmond, VA @ Canal Club
05.06.2026 U.S.  Baltimore, MD @ Nevermore Hall
05.07.2026 U.S.  New York, NY @ Gramercy Theatre

WORLDWIDE DATES
'THE DYING SUN TOUR' 2026
03.01.2026   UK  Edinburgh @ The Liquid Room*
03.05.2026   IE    Dublin @ The Academy
03.06.2026   UK  Liverpool @ o2 Academy
03.07.2026   UK  Leeds @ Stylus
03.08.2026   UK  Nottingham @ Rescue Rooms
03.10.2026   UK. Norwich @ Epic Studios
03.12.2026   UK  Bristol @ Electric Bristol
03.13.2026   UK  Southampton @ The 1865
03.14.2026   UK  Birmingham @ o2 Institute
*no DISEMBODIED TYRANT or BAEST

ABOUT BLEED FROM WITHIN

After 20 years, Bleed from Within have reached their Zenith. The Glasgow firebrands are one of the hardest working acts in metal: playing shows globally with everyone from Megadeth to Slipknot, all while writing and regularly releasing monstrous, exhilarating songs. The upward journey reaches new heights on their seventh album, which contains the band’s heaviest, catchiest and most intrepid music to date.

Bleed – vocalist Scott Kennedy, guitarists Craig “Goonzi” Gowans and Steven Jones, drummer Ali Richardson and bassist Davie Provan – have long been Scottish metal’s most valued sons, constantly at the vanguard of muscular-sounding music. First albums Humanity(2009) and Empire (2010) made them cult figureheads in the deathcore scene, before Uprising(2013) broadened their palate with groove metal adrenaline and melodic death metal prowess. It also marked their major-label debut, catapulting them onto tours with heavy royalty.

In 2018, the band returned with the ferocious Era. Then, follow-ups Fracture (2020) and Shrine(2022) proved their greatest triumphs to date, intertwining Scott’s snarls with Steven’s majestic singing. The millions of streams gathered by such singles as ‘The End of All We Know’, ‘Into Nothing’ and ‘Levitate’ proved Bleed had become the next big thing. On Zenith – which was announced alongside career-affirming tours with Slipknot, Trivium and Bullet for My Valentine – the quintet are primed to leap into superstardom.

Across 11 songs, Zenith explores the parameters of what pulse-pounding metal can do. ‘Violent Nature’ is the most attention-demanding opener Bleed have ever penned, accelerating from a distorted intro to an onslaught of drums, blitzkrieg riffs and layer upon layer of screams. Single ‘In Place of Your Halo’ is a heavier counterpoint: its hulking groove leads up to a surprising bagpipe section, keeping the band in touch with their homeland as they affirm themselves on the world’s stage. From the bold string sections throughout the album to finale ‘Edge of Infinity’, which rises from acoustic guitars and singing to an almighty crescendo, Bleed’s horizons have never been broader. Yet, their songs have never felt so invigorating across the board either.

Bleed From Within are:
Scott Kennedy - Vocals
Craig Gowans - Lead Guitar
Steven Jones - Rhythm Guitar & Vocals
David Provan - Bass
Ali Richardson - Drums