BEYOND FORGIVENESS Unleashes a Storm of Emotion and Power on Their Newest Album COLD AS WINTER’S ICE
The veil of frost has descended, and from the heart of the storm rises BEYOND FORGIVENESS, returning with their breathtaking newest album, Cold as Winter’s Ice — a sweeping symphonic metal odyssey that melds beauty, fury, and emotion into one cinematic experience.
Beyond Forgiveness Bio:
Where light and darkness interweave, where brutal death metal and angelic classical voices coexist on the same plane, and a storyland of myth and legend transport you away into a realm of symphonic beautality, you will encounter the band Beyond Forgiveness. The U.S. based band emerged in 2014 as a studio project formed by death metal guitarists Greg Witwer and Richard Marcus. Collaborating with classical vocalist and orchestrator, TaliaHoit, drummer Sean Rogers, and bassist Jim Lasselle, Beyond Forgiveness combined contrasting musical styles into an epic adventure of symphonic metal.
In 2016, the band released an EP, “The Ferryman’s Shore”. The release was embraced by the underground symphonic metal scene with rave reviews, and the band’s signature sound was dubbed “beautality”. The band followed with touring in Europe and two additional full length albums, “The Great Wall” in 2017, and “Live to Tell the Story” in 2019, each becoming more symphonically charged. With lyrics ranging from emotional turmoil to Tolkien-eque fantasy, the music explores the paradoxes of a wide range of human experience and musical style. Incorporating extreme metal elements as well as classical composition, the band continues to push boundaries to create art as a metaphor of life. Although Jim and Richard have since left, the band had already composed and recorded an epic new album, exploring deep into the wilderness of universal human experiences, available now.
Talia Hoit - Vocals
Greg Witwer - Guitar | Vocals
Sean Rogers - Drums | Percussion
Mayhem Announce New Album "Liturgy of Death" Out 2/6 + Unvei Video for "Weep for Nothing"
The most influential black metal band of all time is back with their seventh studio album Liturgy of Death.
With this new opus, Mayhem reaffirm their status as the most uncompromising force in extreme metal music. Four decades into their career, Mayhem turn their focus toward the inescapable reality of death. Liturgy of Death examines loss, fear of dying, powerlessness, and the fragility of existence through a stark and unrelenting lens.
Stream "Weep for Nothing" here.
Watch The visualizer Below.
"Weep for Nothing" turns the fear of mortality into revelation, a hymn to nothingness where grief becomes meaningless. With its cold and fast grandeur, razor-sharp riffs. and a suffocating atmosphere, the band channels it channels the essence of mortality without offering solace or escape.
Pre-order Liturgy of Death here.
With Necrobutcher, Hellhammer, Attila, Morten, and Ghul locked into a unit tighter than ever, Liturgy of Death celebrates Mayhem's own legacy, a continuation of the raw and uncompromising sound that defined their beginnings. The result is a merciless record — dark, fast, and unrelenting —that captures the band in their most dangerous and vital form. 41 years since their formation in Langhus, Mayhem remain a defining force in Norwegian black metal, continuing to shape the sound they helped create.
MAYHEM LINEUP:
Attila Csihar — Vocals
Ghul — Guitar
Hellhammer — Drums
Necrobutcher — Bass
Morten — Guitar
Introducing HÉR, a bridge to the raw spirit of the North
Emerging from the northern shores of Poland, HÉR are both seekers and storytellers. Their upcoming debut album, Monochrome, weaves bowed strings, raw incantations and entrancing percussion into ritual soundscapes that conjure the vast and mythical landscape of the North. The album’s lead single, “Needles and Bark”, calls on the enduring spirit of Icelandic fjords and Old Norse myths, inviting us into a meditation on decay and endurance.
“The pine on the rocks dries and dies / needles neither protect nor the bark / why should he live long?”
Watch the video for “Needles and Bark” below.
Monochrome comes out January 30, 2026 on Season of Mist.
Pre-order & Pre-save
Available Formats:
CD Digipak
12” Vinyl Gatefold — Black
12" Colored Vinyl Gatefold — Transparent Orange
“We are honored and deeply thrilled to announce our signing to Season of Mist”, HÉR says. “To begin our musical journey with such a renowned and visionary label is both a privilege and a powerful affirmation of our path.
“HÉR — meaning ‘here’ in Icelandic — is more than a name; it is a call to presence. And here, in this moment, something new begins. Our collaboration with Season of Mist opens a gateway to share our sound, our myth, and our vision with a wider world”.
“This signing marks not only our debut”, HÉR continues, “but also the crossing of a threshold — from the roots of Old Norse poetry and northern mysticism into a vast, boundless landscape of sound and emotion. We stand ‘here,’ united by rhythm, voice, and story, ready to bring the raw essence of the North to those who are willing to listen, feel, and be transformed.
Sit here with us — sestu hérna — and witness what begins now”.
Line-up:
Maciej Świniarski — Vocal, Percussion
Tomasz Chyła — Vocal, Violin, Synth Percussion
Piotr Chęcki — Saxophone, Percussion
Tomasz Sadecki — Bass Guitar, Synth, Percussion
Sławek Koryzno — Drums, Percussion
Production Credits:
Recorded at Monochrom Studio, Gniewoszów, Lower Silesian Voivodeship, Poland.
Produced & Engineered by Ignacy Gruszecki.
Mixed & Mastered by Marcin Bors at Fonoplastykon, Wrocław, Poland.
Guest Musicians:
Magdalena Kuraś „Freya”
Cover Art:
Mary Zaleska
Photography:
Daria Szczygieł (https://dariaszczygiel.com/)
Pre-save & Pre-order
https://orcd.co/hermonochrome
Press-kit: https://presskit.season-of-mist.com/H%c3%89R/
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Password: Presskitofmist
Follow HÉR:
Facebook: https://www.facebook.com/herbandofficialprofile/
Instagram: https://www.instagram.com/her.bandofficial/
Bandcamp: https://hersom.bandcamp.com/
Spotify: https://open.spotify.com/artist/4yHViIb0eCl4eVMFcVnzm5
Apple Music: https://music.apple.com/artist/h%C3%A9r/1751778615
Melodic Metal Band RED SANDS Announce New EP Evocations
Independent melodic metal band RED SANDS have announced the release of their highly anticipated EP Evocations, arriving worldwide on January 30, 2026. The record captures the group’s evolution into a symphonic, emotionally charged sound that merges power, melody, and atmosphere into a single vision.
Evocations presents six tracks that explore mortality, memory, and transformation. From the ominous opening “Mors Vincit Omnia” to the commanding presence of “The Coven,” the ferocity of “The Hunt” featuring Stu Block, and the reflective melancholy of “My Beloved Ghost,” the EP traces a cycle of creation and decay. A new song, “System,” stands at the heart of the release, confronting the corruption and chaos of modern existence with sharp lyrical force and complex musicianship.
Produced by Daniel Novelo and featuring contributions from acclaimed engineers and guest artists, Evocations embodies the precision and emotion that define RED SANDS. The band’s sound draws from the intensity of ICED EARTH and IRON MAIDEN, the symphonic depth of NIGHTWISH and THERION, and the introspection of OPETH and DRACONIAN, forming a unique expression of melodic and symphonic metal rooted in Mexico City’s creative scene.
The artwork, created by vocalist and visual artist Jonathan Corral, mirrors the album’s lyrical themes through surreal imagery: a creature made of memories and relics, carrying a dying bird on a blank musical score. It serves as both a metaphor for unfinished creation and a meditation on impermanence.
About RED SANDS:
RED SANDS formed in Mexico City in 2012 when brothers Daniel and Eric Novelo joined forces with their cousin Juan Carlos León. What began as a family project soon developed into one of Mexico’s most distinctive melodic metal acts. Over the years, the group shaped its identity through precise musicianship, layered compositions, and a deep sense of atmosphere. After a brief hiatus, the band returned in 2022 with a renewed focus and a new vocalist, Jonathan Corral, whose operatic range and theatrical presence expanded the band’s sound into symphonic territory. Drummer Ángel Asiain completed the current lineup, bringing power and control to the rhythm section.
The members of RED SANDS draw from contrasting musical backgrounds that converge in their songwriting. Daniel’s passion for classic heavy and power metal, influenced by ICED EARTH, IRON MAIDEN, and OPETH, intertwines with Jonathan’s symphonic and gothic inspirations from acts such as NIGHTWISH, THERION, and DRACONIAN. Together they create songs that blend melody, intensity, and emotional storytelling. Their lyrics often explore death, spirituality, and the human condition, while the arrangements combine soaring vocal lines, intricate riffs, and cinematic keyboards.
Since regrouping, RED SANDS have released a series of acclaimed singles, “My Beloved Ghost,” “The Hunt” featuring Stu Block, and “The Coven,” each of which expanded their audience and earned praise from critics and metal outlets across Latin America and Europe. Their work has been featured in the Top 100 Mexican Metal list, nominated for the Kalani Metal Awards, and included in international compilations such as Hell Spawn Vol. 8.
Beyond the stage, members of the band remain active in Mexico’s metal culture. Eric and Daniel host the podcast Metalópolis, dedicated to promoting the national scene and connecting audiences with emerging artists. This sense of community and independence continues to define RED SANDS, whose music stands as both a personal statement and a contribution to the evolution of Latin American metal.
RED SANDS is:
Jonathan “Jona” Corral – Vocals
Daniel Novelo – Rhythm & Lead Guitar
Eric Novelo – Bass
Juan Carlos “CJ” León – Piano & Keyboards
Ángel Asiain – Drums
Connect with RED SANDS:
Facebook: https://www.facebook.com/redsandsmetal
Instagram: https://www.instagram.com/redsandsmetal/
X (Twitter): https://x.com/RedSandsMetal
Spotify: https://open.spotify.com/intl-es/artist/1s2oL32tMDS8yq0FkdgVVG?si=5YyvjiZZQT2yF5hI_OAVrw
Apple Music: https://music.apple.com/us/artist/red-sands/1674098147
CoreLeoni Live At Hallenstadion Zurich
Swiss hard rock veterans CORELEONI, featuring members of GOTTHARD, are proud to unleash their new live album, Live At Hallenstadion Zurich, via Perception. Featuring a mix of classic GOTTHARD tracks and new favorites from CORELEONI’s latest studio album, III, Live At Hallenstadion Zurich documents a pivotal night in the CORELEONI saga.
One hot summer evening on July 3rd 2025, CORELEONI supported heavy metal legends JUDAS PRIEST at Zurich’s Hallenstadion, performing in front of 7,000 rock and metal fans. The show took the audience on a wild ride through classic GOTTHARD tracks and newer songs from III. An instant success, III had reached #2 on the Swiss album charts and found a place in the hearts of fans around the world. New tracks such as “Like It Or Not” and “Sick & Tired” became staple crowd-pleasers, right alongside beloved fan favorites such as “Sister Moon”, “Mountain Mama”, and “Standing In The Light”.
On Live At Hallenstadion Zurich, the band delivers nine songs in total and kicks off the show with two high-energy classics, “Downtown” and “Firedance”. “We wanted to go out and rock the shit out of our body”, explains guitarist Leo Leoni. Fellow guitarist Igor Gianola adds, “It seems we succeeded. The crowd was fantastic and we were able to deliver a great performance, as we wanted.”
CORELEONI’s energy and the audience’s passion electrified the show. “The night was fantastic”, remembers Leoni. “There was this special magic in the air, Zürich is always fantastic for us to play, but this was somehow a night to remember.”
The band also recalls fond memories of the bonds they forged with metal veterans JUDAS PRIEST, making the show a particularly notable highlight in CORELEONI’s career. “At the Hallenstadion we met Scott Travis on stage, who was there the whole show, and he spent some very nice words about our performance. He’s a great guy and a fantastic drummer, so we appreciated and proved our effort to get it right to the point”, recalls Gianola.
“It was an honour for us to support Judas Priest, they are one of the most important metal bands and I follow them also since I was a kid. It wasn’t the first time we played together, but especially in this location, it was like a mythos”, comments Leo Leoni.
Experience the magic of this unforgettable night right through your speakers or headphones.
Digital release only, available worldwide on December 19th, 2025 on all major digital music platforms.
About CORELEONI
Founded by guitarist Leo Leoni in 2018, CORELEONI started reviving the early GOTTHARD days successfully with their album duo consisting of The Greatest Hits - Part 1 and II. The band also convinced fans and critics alike with their high-energy performances all over Europe, making the five-piece write their very own material. The result titled III was finally released in early 2022 and saw the addition of gifted Albanian singer Eugent Bushpepa to CORELEONI’s powerful line-up, which is completed by guitarist Jgor Gianola (ex-GOTTHARD, ex-U.D.O.), bass player Mila Merker and drummer Alex Motta. The group’s latest record hit the official Swiss album chart at no. 2 and thereby cemented the high demand for their captivating craft. Of course, III guided the quintet’s way across the continent once again while making one thing even clearer: CORELEONI are more than just a studio band and need to be experienced (a)live to understand their vision in full. So what are you waiting for? Feel the magic & enjoy their second live offering, Live at Hallenstadion Zurich!
CORELEONI are:
Eugent Bushpepa | vocals
Leo Leoni | guitars
Jgor Gianola | guitars
Mila Merker | bass
Alex Motta | drums
More on CORELEONI:
coreleoni.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music
Danko Jones - Leo Rising
Toronto’s most determined and hardest‑working power trio, DANKO JONES, let out a mighty roar in Leo Rising, an eleven-track masterclass in sweat-soaked, no-nonsense rock ’n’ roll. The album – produced to red‑hot perfection by long‑time collaborator Eric Ratz – lands on 21 November 2025 via Perception - A Division of Reigning Phoenix Music and Sonic Unyon (for Canada).
“You know the sound every kid makes with their mouth when they play air guitar?”Danko asks. “That’s still the sound I want to put on every album we make. If we can come close to that sound, that’s an album worth releasing. Eric Ratz produced this album and he knows this about me. I have complete faith in the guitar tones he manages to capture. There weren’t any changes in recording. We still did it all apart from one another, like our previous two albums. JC recorded in Finland, Rich flew in from Prince Edward Island to Toronto to record his drums, and I worked with Eric in Toronto on guitars and vocals.”
Leo Rising is another triumph from one of the most consistent bands in the business. Above all, it showcases the fizzing, electrified chemistry between the three members of this explosive powerhouse. Operating as a stable and harmonious unit since 2013, DANKO JONES join forces on stage every night, united in their love for riffs, melodies, and a raucous, sweat-drenched good fucking time.
“This is the line-up I wish we had from the start,” Danko concludes. “I’m not just saying that because time has already proven it. First and foremost, we all get along with each other onstage and offstage. The mood is always light and nobody’s ego gets in the way. When it comes to writing and recording, we are all on the same page and we service the songs, always!”
Leo Rising may just be the most uplifting and inspirational DANKO JONES album to date. A thunderous display of high octane guitar-driven rock awaits, from the thrill seeking opener "What You Need" to the blues infused seductive delight, "Too Slick For Love". Also lying in wait on Leo Rising is the power-pop hit "Everyday Is Saturday Night" which brings the party vibes with a catchy lyrical hook you'll find yourself repeating everyday of the week. "It's A Celebration" sees the energy continue flowing with fiery rhythms across the dynamic track. Unafraid to reveal a grittier side as the distortion is turned up a notch, the sleaze-metal leaning "Pretty Stuff" is followed by the edgy "Gotta Let It Go".
DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox | drums
DON’T BELIEVE IN GHOSTS TURN TRAGEDY INTO TRIUMPH ON “BUT ON THE BRIGHT SIDE” — OUT NOVEMBER 7TH
New York City alternative indie-pop rock band Don’t Believe In Ghosts return with their most personal and powerful release to date, But On The Bright Side, available everywhere this Friday, November 7th via Mindful Recordings. The band will celebrate the release with a special hometown show at Soho Live NYC on Saturday, November 15th, joined by special guests Moonwater.
The album title, But On The Bright Side, was born from a year that tested the band’s strength and unity like never before. Early in the process of making the record, frontman Steven Nathan was diagnosed with a genetic kidney disorder, forcing him to completely rethink his health, lifestyle, and priorities while pushing forward to complete the album.
Guitarist Dan DelVecchio nearly lost his ability to play after a serious medical condition required surgery, with recovery stretching longer than expected and putting the band’s live future in question. Drummer Ken Yang endured the devastating loss of his father and later faced a medical emergency that required life-saving surgery, followed by complications that sent him back into the hospital.
“It was hard wrapping mixes and putting the final touches on these songs after all we'd been through this last year,” says Nathan. “That’s really where the title But On The Bright Side came from. Even when everything feels like it’s falling apart, there’s always something to hold onto — and for us, that was the music.”
Stream Don't Believe In Ghosts
Recorded across multiple studios including Mindful Recording Studio (NYC), Canyon Private Studios (Nashville, TN), and Mixing Night Studios (OH), the album represents a mosaic of collaboration and perseverance. The band worked with Grammy-winning producer Ken Lewis (FUN., X Ambassadors, Taylor Swift) and Cooper Anderson (Co-produced “Girl” and “Drowning”), alongside co-writing sessions with Brendan Benson (The Raconteurs), Don Miggs, and Nick Brown (MONA). Mixing duties were shared by Steven Nathan, Ken Lewis, and the legendary Mark Needham (The Killers, Imagine Dragons, Neon Trees), giving the album its dynamic and cinematic energy.
The album follows the success of recent singles “Driver,” “Brooklyn Baby,” and “Outta Your Head” — the latter currently receiving airplay around the world. Together, they set the tone for a record that blends introspection and optimism, transforming personal struggle into soaring, anthemic alt-pop.
While the past year brought uncertainty, But On The Bright Side stands as a defiant statement of resilience, creativity, and faith in moving forward.
When Don’t Believe In Ghosts return to the stage at Soho Live on November 15th, it will mark more than just a release celebration — it will be a rebirth.
“When we walk out on that stage, it’s not just about performing,” Nathan reflects. “It’s about everything we went through to get there — and the fact that we’re still here, stronger than ever.”
Fearless Welcomes Minute After Midnight to the Roster + Artist Shares "Masochist" Video
FEARLESS RECORDS is thrilled to welcome MINUTE AFTER MIDNIGHT to the label's global roster.
Minute After Midnight is the brainchild of Derrick Ryan, having sprouted from the fertile musical grounds of Nashville in 2016.
To celebrate the new partnership, the artist has shared the video for new single "MASOCHIST." Watch it below.
With "Masochist," feeling bad feels oh so good!
The track is deceptively upbeat, with mid-tempo, alt rock x pop melodies and a playful, perfectly measured sprinkling of synths, electronics, and riffs. You will find yourself bobbing your head and singing along to the song's existential chorus, which asks, "Why am I like this?" It's a banger through and through, seamlessly weaving a tapestry of pop, rock, and emo.
"It's a song that makes you smile while simultaneously breaks your heart, it sounds uplifting, but at its core is a brutally honest, sad confession," Ryan explains. "Writing 'Masochist' felt like ripping open my chest and letting the world see the beauty in my self-destruction — an anthem laced with nostalgia that exposes a vulnerable glimpse into my inner world."
Minute After Midnight's 2023-released single "Ghost" catapulted to 7.6 million Spotify streams and landed on the SiriusXM Octane airwaves. The song and Minute After Midnight's plentiful, hook-laden alt rock melodies, which play with textures, captured the attention of powerhouse label Fearless Records, who promptly signed the artist to a global record deal. Minute After Midnight cross-pollinates both an intimate, created-in-my-bedroom vibe with room-filling production sound. It's this exercise in contrasts that defines "Masochist." Ultimately, it's a pop rock banger that indicates where Minute After Midnight is headed — musically and professionally.
Breaking Benjamin's Keith Wallen Shares Video for "Teeth Marks" (Feat. Haley Roughton of Gore)
BREAKING BENJAMIN guitarist KEITH WALLEN has teamed up with GORE. singer Haley Roughton for the new single "TEETH MARKS."
Watch the video below.
Wallen states that the song is about "Love, hate, pain, power, and the all consuming cycles of obsession."
The interplay between Wallen and Roughton is nothing short of magical, as his melodics collide full force into her sung/scream style, resulting in a master class in vocal dynamics. Add some ferocious riffs and undeniable hooks and "Teeth Marks" leaves, well, a musical mark.
Wallen released his most recent solo album Infinity Now last year via Rise Records. Get it here.
He has since dropped a string of singles, including the anthemic "Dead Inside." Watch the video here. He also delivered his gorgeous take on Avril Lavigne's contemplative classic "I'm With You." Watch the video here. Prior to that, Wallen shared the standalone single "Us Against the World." Watch the video here.
ABOUT KEITH WALLEN:
Keith Wallen is a prolific songwriter responsible for soaring melodies and hypnotic hooks heard across modern rock radio. The West Virginia-born troubadour uses his solo work as a vehicle to explore his multifaceted passions, moving seamlessly from the smart pop of '80s favorites like The Police and Depeche Mode to the big moody riffs of '90s grunge heroes like Alice In Chains, Soundgarden, and Stone Temple Pilots.
His co-writing collaborations include compositions with Saint Asonia, Fuel, We Came As Romans, Red, Dorothy, and Korn guitarist Brian "Head" Welch's Love And Death. Wallen bares his soul as a solo artist with earnest resolve, powering his honest anthems with commanding vocals.
A former member of Adelitas Way, Keith was among his first calls when Benjamin Burnley decided to reform and reconfigure his band. Dark Before Dawn, Breaking Benjamin's powerhouse comeback, debuted at No. 1 on the Billboard 200. Ember followed in 2018.
Keith's self-produced acoustic and piano-driven Allies EP arrived in 2014. His debut solo album, 2021'sThis World Or The Next, featured "Dream Away," a song streamed 1.4M times on Spotify alone. His second solo album, Infinity Now, includes production and co-writing contributions from Kevin Thrasher (RIVALS, Jelly Roll) and work with Dan Braunstein (Spiritbox, Dayseeker) and Andrew Baylis (Sleeping With Sirens, Jelly Roll, Brantley Gilbert).
Produced by Kevin Thrasher (Jelly Roll, RIVALS) and mixed by Joel Wanasek (Rain City Drive, Scott Stapp), Keith's sophomore solo album, Infinity Now, extends a warm invitation into the singer/songwriter's heart and mind. Hard rock bombast meets intimate pensiveness via engaging songs like "Blackout," "Strings," and first single, "Headspace Holiday."
As guitarist for Breaking Benjamin, a solo artist or songwriting collaborator, the common threads through Keith Wallen's work are honesty, authenticity, and heartfelt spirit.
Kenny Chesney Kicks Off HEART LIFE MUSIC Tour w Laughter, Cheers + Revelation
There was laughter. There was singing. There were shouts and revelations. But mostly, there were singular conversations as high-impact country sensation Kenny Chesney kicked off the book tour for HEART LIFE MUSIC with two sold-out events in Johnson City, Tennessee and Boston. With lines wrapped around the buildings to see the 2025 Country Music Hall of Fame inductee explore another first, Kenny Chesney returned to East Tennessee State University, where his journey truly began, and Boston, MA, where No Shoes Nation was named, to explore the origins, insights and memories that have seen HEART LIFE MUSIC – released nationwide Tuesday, Nov. 4 – already deemed “One for the road” by Publisher’s Weekly and Travel + Leisure calling it “a genuine meditation on connection and purpose.”
“I can’t believe people would come to hear me talk,” confesses the songwriter/superstar of his first book events. “It’s one thing to come sing these songs with us, to throw your problems or your heart into the air with us for a few hours every summer, but this is a whole other thing. And to be honest, it’s way more fun than I would’ve ever imagined! So far, we’ve gone into the places we are, talked about the people they’d know – and come out on the other side having laughed a lot, cheered plenty and remembered even more about this wild, crazy magical carpet ride. I’m having the time of my life.”
Introduced by ETSU President Dr. Brian Noland and Country Radio Hall of Famer Ginny Brophey in Boston – both who appear in HEART LIFE MUSIC – the beyond sold-out events were riotous, often soul-searching beyond the scheduled time length, celebrations of Chesney’s life, love of creativity, the struggles and triumphs that have defined his unlikely rise and establishment of No Shoes Nation. More than a conversation with 12-time National Arts + Entertainment Journalism Awards nominee and co-author Holly Gleason, these book talks are a freewheeling trip through the process of how he got here, what dreams are made of, unthinkable moments and the places that made him.
Whether recalling the college bars on the Tree Streets, getting his doctorate and a particularly eye-opening trip to Moscow with the ETSU Bluegrass band or the evolution of overlapping similarities between New England, his island friends and people from back home, Chesney went deep to honor the people attending at ETSU’s Martin Center and Boston’s Back Bay Center with in-the-moment stories, including reminisces of the local “The Cas Walker Show” slogan or the polar reaction of Grace Potter and his fans’ reaction to their duet on the GRAMMY nominated, CMA Award-winning “You & Tequila.”
There was even a decades-long tradition in Boston. After multiple calls, cheering encouragement, Chesney sang an a capella verse and chorus of “Boston” with the audience who couldn’t get enough. “This is so in the moment, so like spending an afternoon on a bar stool with me,” Chesney says of the book events. “It’s more intimate than I could’ve ever imagined, more fun than I’ve had in a long time – and something completely unlike anything I’ve ever done. It’s just me, the questions and a whole lot of love coming from the people in the room – but what a rush! I wish I could do this everywhere.”
And so, just like those tours he takes to the cities beyond the stadium tour markets, Kenny has been watching the calls for “please come to our town” or “you’re not coming here” in the comments – and he’s found a way to include anyone who wants to be part of these very special, one-of-a-kind conversations. For anyone who’s not in the remaining cities that still have tickets – Philly tonight at the Academy of Music, Englewood, NJ at the Bergen Performing Arts Center 11/4, Chicago at the Copernicus Center 11/5, Nashville at the Country Music Hall of Fame on 11/6 or the Miami Book Fair on 11/16, Chesney has worked with the promoters, his publisher and the powers that be to create a virtual event out of his 11/7 appearance at Los Angeles’ Saban Theater for anyone who either couldn’t get a ticket or couldn’t get to a book event city to be able to take part in one of these outrageous conversations.
“This is too much fun,” enthuses the man the LA Times called “the people’s superstar” of these intimate conversations. “I’m learning even more about me, this journey and how much all of it means in these talks – and I don’t want anyone who wishes they could hear all about it to not have their chance to come along with us. I’m glad we figured out how to capture the magic – and make it available on demand for an entire week for anyone who wants to see what this is all about. AND if you buy a virtual ticket, we’re going to make sure you get the very same signed book everyone coming to one of these talks is going home with! They actually have book plates that say ‘Book Tour’ to commemorate the moment.”
Tickets for In Conversation with Kenny Chesney (Virtual Event) available HERE.
Photo Credit: Ron Campbell for ETSU
“After all of it, I can’t wait to share all the characters I’ve met, people behind the scenes, the dead ends and places that maybe seemed like not much with everyone,” Chesney marveled during the process. “Because every single step, smile or hard lesson was part of this crazy ride. I had no idea how much I’d remember and learn about how we got here, but I am really excited to share it with No Shoes Nation.”
And now he adds, “Sharing these stories in these small rooms with several hundred members of No Shoes Nation makes HEART LIFE MUSIC suddenly really real. When you’re telling the stories and hear the laughter, or the cheers, or even the sighs, that’s when you know how much the things that have happened truly mean. It’s not just me, it’s us – and when we’re all together, and Holly’s asking all those questions to make me unpack not just how we got here, but why we all love each other so much, it’s awesome.
“I mean, when you look into the eyes of the young men and women who are the current ETSU Bluegrass Band or folks who’ve been coming to see me since we weren’t selling out small places, you realize: it really has been a helluva journey – and it’s a lot to take in. But I’m so glad we’re out here doing it.”
Joined for the spontaneous conversations that explore the stories from George Jones to Ethel Kennedy, Bruce Springsteen to Robert Kraft by two-time LA Press Club Music Criticism and Entertainment Journalist of the Year and co-author Holly Gleason, Chesney’s unpacking HEART LIFE MUSIC in a way that genuinely demonstrates the fun, the courage, the myriad artists, but especially the love of bringing people together that have defined No Shoes Nation. Establishing a voice that captured coming of age and living life as fully as possible in the 21st Century, Chesney wants each event to reflect his unique relationship with each city he’s going to, the music and anyone seeking inspiration to create their own place in the world.
“No Shoes Nation is my favorite place because there’s no borders, just coming together to love life, music, the moment and each other. I’m sure nobody votes the same, goes to the same church or school, but that’s okay: we see all the things we share and have in common. I love that, and that’s what this book, this tour and this moment is all about.”
For more information about remaining dates on the Heart Life Music book tour, visit HarperCollins.com/Pages/Chesney.
AGENBITE MISERY Release “A Charitable View of Temporary Insanity”
Experimental metal trio AGENBITE MISERY have released “A Charitable View of Temporary Insanity,” the latest track from their forthcoming debut album Remorse of Consciousness, due out February 6, 2026.
Serving as the emotional centerpiece of the record’s first half, the song is a sprawling meditation on death, memory, and inner turmoil. It adapts the “Hades” episode from James Joyce’s Ulysses, in which protagonist Leopold Bloom journeys through Dublin to attend a funeral while reflecting on personal loss. With lyrics drawn directly from Bloom’s internal monologue, the band translates Joyce’s psychological density into a massive, genre-warping composition.
The track unfolds with a gentle, ambient intro that evokes the quiet tension of a city morning. Subtle field recordings and bass harmonics set the scene before a crushing sludge riff drops in, anchoring the song’s emotional gravity. From there, the composition drifts between suffocating heaviness and moments of haunted clarity. Elements of funeral doom, acoustic interludes, blackened chaos, and harsh noise are woven together with meticulous intent.
One of the track’s most jarring moments comes when the instrumentation falls away completely, leaving only sparse percussion and a raw, grief-stricken vocal. The lyrics, drawn from Bloom’s thoughts about his deceased infant son, strike with an emotional immediacy that few metal bands attempt, let alone deliver with this level of conviction.
“A Charitable View of Temporary Insanity” is a clear statement of purpose from a band committed to exploring the limits of what heavy music can express. While dense and ambitious, the song remains grounded in thoughtful, evocative songwriting that rewards close listening.
Remorse of Consciousness adapts each chapter of Ulysses into a standalone piece, forming a concept album that bridges literary complexity with sonic extremity. With this single, AGENBITE MISERY continues to carve out a space entirely their own, where literature and extreme metal converge with startling clarity.
About AGENBITE MISERY:
AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.
At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.
Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.
AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.
AGENBITE MISERY is:
Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals
Connect with AGENBITE MISERY:
Bandcamp: https://agenbitemisery.bandcamp.com
Facebook: https://www.facebook.com/profile.php?id=61574211514876#
Instagram: https://www.instagram.com/agenbitemisery/?hl=en
YouTube: https://www.youtube.com/channel/UCwjOZilhkqTRkZHpJJwlbhw
Spotify: https://open.spotify.com/artist/6dYQgCtNvpvNWwfQ06LQQZ
Apple Music: https://music.apple.com/us/artist/agenbite-misery/1716987132
TikTok: https://www.tiktok.com/@agenbite.misery
Ampwall: https://agenbitemisery.ampwall.com/
UK electronic outfit Scissorgun shares 'Gone Rogue', teasing new album 'Scream If You Wanna Go Faster'
UK electronic outfit Scissorgun announce their album 'Scream If You Wanna Go Faster', out November 21 via Dimple Discs. Mixing urban electronica with fuzz and wah guitar, these trailblazers present a solid collection of songs, dances and abstract soundscapes. A must-have for Factory Records collectors, the vinyl includes seven tracks, while the digital and CD versions include three bonus tracks. Ahead of its release, they present the tracks 'Gone Rogue' and 'Bad As Bingo'.
Formed in Manchester in August 2016, Scissorgun is an electronic trio comprised of Dave Clarkson (synths, rhythms, tapes, percussion), Alan Hempsall (vocals, treated guitar, samples, loops) and Adrian Ball (light show and projections). Carriers of Factory Records' legacy.
“We always operate on instinct and improvisation is the key starting point. Some ideas become structured songs, but others remain as first recorded, with the music finding us and not vice versa. The title is a soft attempt at social comment, intended to be inferred rather than overt,” says Dave Clarkson.
Their musical scope is varied - pastoral dreams one minute and, the next, crashing swathes of noise chased down with a dub twist.
"The idea for 'Gone Rogue' started with a busy electro bass line and, as soon as we found a good quote from a conspiracy theorist on social media, the whole thing seemed to turn into a polemic against turning your back on humanity in revulsion. We dwell on the impact of the fight for our attention on the individual and the damage done. All the while, the driving beat is pushing us on with heavy cowbells and pulsing bass. We’ll all feel better if we dance," says Dave Clarkson.
Alan Hempsall adds, "As for 'Bad as Bingo', we were both overjoyed when this came out of the mincing machine. We’d been looking for something with a go-go beat to it, so this was perfect. The words flowed automatically as the best ones always do. Broad brush observations of a situation gone bad coupled with a mawkish sentimentality for what’s lost. The glitching and grinding bass line and barking dogs take on a life of their own. Suddenly it all makes sense and the initial spark revolts into structure and form."
Alan and Dave first met in 2007 when Dave’s band, Triclops, were supporting Biting Tongues at Islington Mill in Salford. Alan was in the audience and was so taken with Triclops’s performance that he wandered over to show appreciation and a friendship was struck up, bonding over a mutual weakness for early industrial, rock and modern jazz. After nine years of gig-hopping and hanging out, the timing was suddenly right for them to organise some jam sessions to see what came out.
It so happens that both of their bands were on hiatus at the time. While Dave Clarkson was in Triclops from 2000 to 2015, he was in White Cube prior to that. He since boasts an extensive catalogue of solo works.
As for Alan Hempsall, he was the vocalist for Crispy Ambulance, who was on Factory Records from 1980 to 1982, before spending five years in the mid ‘80’s playing percussion in a Brazilian Samba band. Hempsall also famously appeared on stage with Joy Division in April 1980, standing in for Ian Curtis at a show in Bury that descended into a riot.
"As with any album, we operate on instinct. Improvisation is the key starting point. At this moment, anything can and generally does come out. The bizarre accidents and serendipity that occur during this process are the parts we keep. Those moments that feel like you’re merely the vessel that the music is transmitted through," says Alan Hempsell.
Dave Clarkson adds, "Some ideas gradually emerge into structured songs whilst others have the fortitude to remain in their original form to some extent or another. Yet no conscious decision is made. We are not in control. It is the music that finds the musicians. As the body of work is growing and developing, it seems to take on its own identity, something else we appear to have little influence on. So, there is an element of Praxis at work here, we’ll do it because we want to and think up the reasons why later."
Prior to this album, Scissorgun released three albums - ‘Assault Two’ (2017), ‘All You Love Is Need’ (2020) and ‘Psychological Colouring Book’ (2021). They frequently perform live and have opened for such artists as Wolfgang Flur, Wrangler and Eric Random.
Ahead of its official release on November 21, ‘Scream If You Wanna Go Faster’ is available via Bandcamp - both digitally and as a signed white label vinyl release (with colour paper photocopy of a brilliant sleeve). It can be ordered on CD and cyan-coloured vinyl from select record shops. Scissorgun's album release show takes place on November 19 at the Amersham Arms in London.
CREDITS
All music written performed and recorded by Scissorgun
Dave Clarkson – synths, keyboards, loops, electronic drums & field recordings
Alan Hempsall – vocals, words, treated guitars, effects & found sounds
Engineering & production by Dave Clarkson
Mastering by Peter Beckmann at Technology Works, East Lothian
Scissorgun device by Kevin Craig
Sleeve design by Bruce
Photography by Wayne Goodman
Recorded over the course of 2024 at Cavendish House Studio, Manchester, UK
With thanks to Adrian Ball at Hollowsphere, AV
Released by Dimple Discs
Publicity by Shameless Promotion PR
Keep up with Scissorgun
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Alternative pop artist Celeste Corsano unveils animated adventure for new single 'XS'
Alternative pop artist Celeste Corsano presents'XS', released via Magic Door Record Label, and its animated video by Brother JT. This collaboration relays Corsano's message through surreal imagery that questions the pressure to achieve perfection, leading to a symbolic release or escape, embodying freedom through transformation.
The 'XS' single expresses feelings of insecurity, body image issues, and the pressure for perfection and success, often driven by media and external standards, using the double meaning of "XS" (extra small) sizes and "excess" success. With a sound wrapped in analogue perfection, Corsano grapples with the cycle of comparison and the fleeting nature of achieving an "industry standard" of happiness.
Based in Milford, Pennsylvania (on the border with New Jersey), Corsano worked withRay Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony), who produced, recorded, mixed and mastered this release, at Magic Door Recording Studio in Montclair, NJ. Recalling The Cars and Kate Bush, 'XS' follows the stunning singles 'Stuck', 'Nightbird' and 'Sunlight Gazing'.
"XS is about feeling like an outsider and trying to fit in, insecurities about body image and the trap of perfection. These mindsets come from my own insecurities based on my personal experiences, examples of women I've seen growing up and by outside sources such as the media and the entertainment industry," says Celeste Corsano.
"Feeling we have achieved the "industry standard" of whatever it is we are trying to achieve - be it body size, our image in our creative expression, or success in social circles, perhaps, but then saying, “Well, have I reached it? Am I now in the perfect spot of happiness?” We all know how transitory this can be and the ambivalence that may set in after that high wears off."
This song features famed guitarist James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale), Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) on drums and synths, and David Nagler (Nova Social, Joan Baez, Aaron Neville, Rosanne Cash, Yo La Tengo) on bass.
"Brother JT is a visual artist, videographer/animator and musician, who has had a following for both his visual art and with his psychedelic rock core. He was gracious enough to do another video for me, the first one being for my song ‘Stuck’, a heartfelt exploration into emotional impasse. With ‘XS’, we find more of JT’s signature style and there is a message, although not hammered home in my lyrics or his conceptualization, that we both developed in some aspects," says Celeste Corsano.
"This gives thought to trying to squeeze oneself into the cruel arena of perfection and constantly changing rules of it. The ending has a bit of my idea and JT’s idea: the woman reaches out for herself in the mirror as if accepting herself, but then releases herself from the bondage of all of the rigidity of perfection and escapes into nature, in the form of a deer, and then the deer runs into the forest. Nature is my refuge and my freedom, so I suggested the ending be a kind of ambivalence because the lyrics say “am I perfect? ‘. This is a question that should never have to be asked. Freedom from the whole prison of perfection looked like this to me - the girl jumping into the forest in the body of a deer."
Corsano's music blends poetic lyricism with adventurous arrangements, unexpected rhythms and a distinct emotional range -- from ethereal and moody to playful and bold. With a natural use of mixed meters and layered vocal timbres, her fearless approach to storytelling conveys a deeper truth. With a simple unassuming style, there's a disarming honesty in her work that feels deeply personal, yet speaks to something we all feel. Revealing a vulnerability that is both deeply personal and strikingly relatable, her sparse, almost childlike vocals amplify its impact.
From a musical family, Celeste is inspired by her brothers - Latin roots musician Tony Corsano and percussionist Chris Corsano (Björk, Kim Gordon, Thurston Moore). Corsano began in NYC's live music scene, drawing inspiration from punk and new wave while also writing poetry and studying art. After initially performing Celtic and Bluegrass music, she evolved into a songwriter. She also honed her ear during countless studio sessions with her ex-husband, producer Brad Morrison (and founder of Absolute A-Go-Go Records), working with notable artists like Phish, the Figgs and Spiral Jetty.
'XS' is out now, available from fine online music platforms, including Bandcamp, where her latest singles 'Stuck', 'Sunlight Gazing' and 'Nightbird' can also be found.
CREDITS
Written by Celeste Corsano
Celeste Corsano – vocals & keyboards
James Mastro – guitar
Ray Ketchem – drums & synths
David Nagler – bass
Produced by Ray Ketchem
Recorded, mixed & mastered by Ray Ketchem at Magic Door Recording, Montclair, NJ
Cover artwork by Chris Corsano
Released by Magic Door Record Label
'Stuck' video production & concept by Brother JT
Publicity by Shameless Promotion PR
Keep up with Celeste Corsano
Facebook | Bandcamp | Instagram | YouTube | Spotify | Apple Music | Press contact
Keep up with Magic Door Record Label
Bandcamp | Facebook | Instagram | Soundcloud | YouTube | Magi c Door Studio | Press contact
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Dark Metal Band THE VICE Unleash First Single/Video From Upcoming EP "The Red Tape Sessions"!
Stockholm-based dark metal four-piece THE VICE has announced the release of their brand new 3-track EP "The Red Tape Sessions", set to drop on December 5 via Noble Demon. With the track "Cardinal Tropes", the band offers a first glimpse of what’s to come. The single is accompanied by a striking music video, available to watch below:
THE VICE about the song: "Sometimes things don't have to be too complicated, pretentious. 'Cardinal Tropes' began with only a couple of lines spat out on top of a simple, cool rhythm. Those first few seconds made it very clear as to what kind of a song it was going to be, so writing and arranging the rest was nothing but smooth sailing. And the end result is a dazzling display of The Vice firing on all cylinders, a purple freaking haze of mean rock 'n' roll, dark metal, self-indulgence and a juvenile tenacity to always take the road less traveled."
From the very beginning, THE VICE has followed their own crooked path, driven by a desire to carve out a place of their own within the scene.
And that grimy, wildhearted, metal/rock/pop fusion, with one foot firmly planted in the windswept, frozen North and the other cemented to the concrete of the streets, sure sounds like nothing else.
Dark, blackened metal, ferocious rock 'n' roll, posh punk and harsh, hardcore attitude; mixed with a huge dose of the cultural colossi of the 90's such as Guns & Roses, Pantera, Prince, Grunge, Oasis, Neometal, Fight Club, The Matrix and Terminator 2 to name a few. All of that - and everything in between - comes close to describing the very essence of THE VICE.
Three full-length albums and numerous EPs into their career, the band stands as a confident, adrenaline-pumping unit - a bunch of loose cannons at the starting blocks, ready to commence the next chapter in THE VICE saga.
The first leg of this new era is marked by "Cardinal Tropes", the opening track from "The Red Tape Sessions" mini-EP, closing out 2025 with a colorful bang. The track is a straightforward, mean-sounding statement piece - a perfect representation of THE VICE in 2025.
"The Red Tape Sessions" - a striking collection that builds upon the foundations of March’s "A Great Unrest" (Noble Demon), elevating both the production and songwriting while drenching it all in a strange, electrifying neon glow - arrives December 5 and is available for pre-order HERE.
The Vice are:
Rickard - Vocals & Guitars
Charlie - Bass
Petter - Drums
Joel Öhman - Guitar
For more info visit:
https://www.facebook.com/TheViceOfficial/
https://www.instagram.com/theviceofficial/
https://theviceonline.bandcamp.com/
https://linktr.ee/nobledemon
TOMBS Honors Devil's Night with Haunting New Music Video for "Nightland"
It's Devil's Night and as the veil between the living and the dead gets thinner, New Jersey experimental metal collective TOMBS is honoring the somber day with a haunting new music video for the song "Nightland." The track is taken from the band's new album, 'Feral Darkness,' which was released on October 17 via Redefining Darkness. Watch the video, which was Filmed by Mike Goncalves, Matt Priso, Sera Timms and Drew Murphy, below.
Frontman Mike Hill comments, "Nightland is the spiritual center of 'Feral Darkness,' expressing the dark heart of the record."
The band is not only returning with a new label, but also with a new sound! While 'Feral Darkness' still embraces TOMBS' black metal roots, it also explores the band's gothic, death rock side, creating the band's darkest and most haunting record to date!
'Feral Darkness' is now available via Bandcamp as well as via the Redefining Darkness store.
Formed in 2007, New Jersey-based experimental metal outfit TOMBS blends bleak, post-punk minimalism with the ferocious attack of sludge and haunting goth rock. TOMBS have established themselves as an act that's as committed to consistency as it is to growth, developing smoothly (but never predictably) over the course of their career.
TOMBS Lineup:
Mike Hill – guitar / vocals / synth
Justin Spaeth – drums / guitar
Andrew Murphy – Bass / guitar / vocals
Dan Higgins - guitar
Guest Musicians:
Sera Timms – vocals on "Nightland" (Black Mare, Black Math Horsemen, Ides of Gemini)
Cover Artist: Seldon Hunt
Recording and Mixing: Justin Spaeth
Mastering: Andreas Rosczyk
Photos: Mike Goncalves
For Fans Of: Fields of the Nephilim, Samhain, Mayhem, Goatwhore
Links:
Electric Temple Premiere the Video "Am I Damned?"
ELECTRIC TEMPLE announces the release of their new music video "Am I Damned?", from their debut album, "High Voltage Salvation", that was released through Eonian Records.
U.S. based rock band Electric Temple is ready to stake their claim in the
classic hard rock/metal community. The up-and-coming band will premier its new video for the single, ‘Am I Damned?‘ Oct. 30th in time for Halloween. The impact is felt from the start by this combination of seasoned musicians as
there is some serious rock pedigree in the band - Andrew Freeman (Last in Line, Lynch Mob, Offspring) on vocals, Mike Duda (W.A.S.P.) on bass, Matt Starr (Ace Frehley, Mr. Big, KIX) on drums, and guitarist/songwriter/producer Tony Childs (Shanghai). The track boasts a musical arrangement whose driving guitars, powerhouse vocals and overall instrumentation pays homage to proper old school metal elements similar in sound and style to classic works from the likes of Dio, AC/DC and Ozzy, but with a modern production that gives a fresh and welcomed sonic twist by mix wizard Chris Collier (Korn, Whitesnake, Mick Mars). The song’s dark lyrical theme takes us to a journey within our own human condition, set up nicely from the start by the intro’s heavy guitar riff.
Stream or purchase Electric Temple "High Voltage Salvation" - https://smarturl.it/ElectricTemple
Band Members:
Matt Starr (drums)
Mike Duda (bass)
Tony Childs (guitar)
Andrew Freeman(vocals
Links to Website and All Socials
Electric Temple - Linktr.ee/ETband
Eonian Records Website - www.eonianrecords.com
Eonian Records Facebook - www.facebook.com/EonianRecords
Eonian Records YouTube - www.youtube.com/@EonianRecordsLLC
Like Moths To Flames 🔥 Salting The Earth
Return to Dust Share "New Religion"
Buzzed-about rock band RETURN TO DUST — Matty Bielawski [guitar, vocals], Graham Stanush [bass, vocals], Sebastian Gonzalez [guitar], and London Hudson [drums] — just wrapped their first arena tour, supporting Breaking Benjamin and Three Days Grace. The band is not stopping for a moment and will capitalize on the momentum by hitting the road to support Mammoth and Myles Kennedy this fall. Get tickets here.
Their share the explosive new single "New Religion." Listen here.
Watch the lyric video below.
The gritty riffs, gloomy tone, and grungy vocals capture everything that Return To Dust are — a modern rock band that nods to the past, while blazing their own path with their unique, modern sound.
”We are born into expectations about what our life should and shouldn't be," the band says about the song's deeper meaning. "if you let them influence you without resistance, you're no better off than a frog slowly boiling to death in a pot of water.”
It has been a busy few months for Return to Dust, having appeared at Louder Than Life and Aftershock, as new hit single "Bored" is No. 12* at Active Rock radio
RETURN TO DUST ON TOUR:
WITH MAMMOTH + MYLES KENNEDY:
10/31 — Rancho Mirage, CA — Agua Caliente Casino Resort & Spa
11/01 — Las Vegas, NV — House of Blues
11/04 — Dallas, TX — House of Blues
11/05 — Houston, TX — House of Blues
11/07 — Lake Buena Vista, FL — House of Blues Concert Hall
11/08 — Atlanta, GA — Tabernacle
11/09 — Charlotte, NC — The Fillmore
11/11 — Silver Spring, MD — The Fillmore
11/12 — Boston, MA — Citizens House of Blues
11/14 — Montclair, NJ — The Wellmont Theater
11/15 — McKees Rocks, PA — Roxian Theatre
11/18 — Cleveland, OH — Agora Theater & Ballroom
11/19 — Detroit, MI — The Fillmore
11/20 — Columbus, OH — KEMBA Live!
11/22 — Onamia, MN — Grand Casino Mille Lacs
11/23 — Green Bay, WI — EPIC Event Center
11/25 — Chesterfield, MO — The Factory
11/26 — Chicago, IL — House of Blues
11/28 — Oklahoma City, OK — Diamond Ballroom
11/29 — La Vista, NE — The Astro
12/02 — Kansas City, MO — Uptown Theater
12/03 — Denver, CO — Ogden Theatre
12/06 — Tempe, AZ — Marquee Theatre
12/07 — Anaheim, CA — House of Blues
12/12 — Seattle, WA — Unwrapped: An Acoustic Holiday*
*Radio Show
Return to Dust proudly look to the '90s-era grunge as a key source of inspiration for their grainy, gnarly, and modern blend of hard rock. 2024 saw the band unveil its independent self-titled full-length debut, Return To Dust, including standout single "Belly Up," which rose through the Active Rock chart and was praised by Distorted Sound as "a grungy, punky thrill ride," while Revolver applauded the group's "Alice In Chains-inspired form of modern-day grunge." In the aftermath, they lit up the stages at major festivals like Inkarceration, Welcome To Rockville, and Sonic Temple, and joined rock legends Chevelle and Sevendust as support on tour. The group next signed to LAVA Records/Republic Records and dropped the Speak Like The Dead EP, which yielded the hit single "Bored." Tours with Pop Evil, Billy Corgan And The Machines Of God, Breaking Benjamin, and Three Days Grace ensued, and the band also appeared at Louder Than Life and Aftershock. With 2026 squarely in their sites, there is no ceiling to what Return to Dust can achieve. Fans can go here for more.
Trivium Release "STRUCK DEAD" EP + Share Title Track Video — WATCH // Headline Tour Kicks Off Tour
GRAMMY-nominated heavyweights TRIVIUM — vocalist/guitarist MATTHEW K. HEAFY; guitarist COREY BEAULIEU; and bassist PAOLO GREGOLETTO — have released the three-song EP STRUCK DEAD , via longtime label Roadrunner Records. Get it here.
Trivium have shared the video for the title track. Watch it below.
"In August 2023, we set out to design and build our own studio at The Hangar — a place to create freely, on our own terms," says Gregoletto about the EP's genesis.
The creative catalyst, though, was the band's past and desire to see what's next. "Born from months of revisiting and performing Ascendancy in full, this EP channels that familiar power and spirit while pushing into new territory," he continues. "We feel that Struck Dead stands as the first step into a bold new era for us and we happy to finally share it with all of you.”
While it may only be three songs in length, in typical Trivium fashion, it packs a powerhouse punch, thanks to masterful riffing and the dual-style vocal prowess the band has built its nearly three-decade reputation on! It was produced by Trivium and recorded with Mark Lewis at the band's aforementioned Hangar Studios in Orlando, Florida. It was mixed and mastered by Josh Wilbur.
Trivium will embark on The Struck Dead tour, which kicks off today, October 31, in Myrtle Beach and runs through December 14, with an epic hometown show in Orlando.
Special guests Jinjer will appear, while Heriot will serve as support. All dates are below. Get tickets here.
TRIVIUM ON TOUR:
WITH JINJER + HERIOT:
11/4 — London, ON — Centennial Hall
11/6 — Québec, QC — Videotron Centre
11/7 — Wallingford, CT — Toyota Oakdale Theatre
11/8 — Portland, ME — Cross Insurance Arena
11/10 — Warren, OH — Packard Music Hall
11/11 — Buffalo, NY — Buffalo River Works
11/12 — Lancaster, PA — Freedom Hall
11/14 — Gary, IN — Hard Rock Live Northern Indiana
11/15 — Milwaukee, WI — The Eagles Ballroom
11/16 — Cincinnati, OH — The Andrew J Brady Music Center
11/18 — Indianapolis, IN — The Egyptian Room at Old National Centre
11/19 — Waukee, IA — Vibrant Music Hall
11/20 — Minneapolis, MN — Uptown Theater
11/22 — Winnipeg, MB — Burton Cummings Theatre
11/24 — Edmonton, AB — Midway Music Hall
11/25 — Calgary, AB — Grey Eagle Events Centre
11/26 — Missoula, MT — The Wilma
11/28 — Spokane, WA — The Podium
11/29 — Garden City, ID — Revolution Concert House
12/1 — Salt Lake City, UT — The Union Event Center
12/3 — Riverside, CA — Riverside Municipal Auditorium
12/5 — Albuquerque, NM — Revel
12/6 — Oklahoma City, OK — The Criterion
12/7 — Fayetteville, AR — JJ's Live
12/9 — Springfield, MO — Shrine Mosque
12/10 — Kansas City, MO — Uptown Theater
12/12 — New Orleans, LA — The Fillmore New Orleans
12/13 — Dothan, AL — The Plant
12/14 — Orlando, FL — Hard Rock Live
