FORT WORTH, Texas – Koe Wetzel joined Ella Langley at Billy Bob’s Texas on Saturday, Oct. 18 to surprise a sold-out crowd with a performance of their now RIAA Gold-certified hit “That’s Why We Fight.”
L to R: Ella Langley and Koe Wetzel celebrate “That’s Why We Fight” reaching RIAA Gold certification at Billy Bob’s Texas on Saturday, Oct. 18. | Photo Credit: Caylee Robillard
As “I Got Better” becomes Morgan Wallen’s 20th Country Aircheck/Mediabase No. 1, and his fifth No. 1 from I’m The Problem, the 19x Billboard Music Award winner arrives with “20 Cigarettes” as most-added at Country radio today, while also sharing a simmering music video to coincide with impact. Watch the “20 Cigarettes” official music video Below.
Celebrated by Billboard as a “smartly told tale” and “a full movie in a three-minute song,” the story-song of “20 Cigarettes” is once again brought to life by director Justin Clough. The moonlit video recounts love lost and found again under the haze of cigarette smoke. “20 Cigarettes” was written by Chris LaCorte, Chase McGill, Blake Pendergrass and Josh Miller.
Clough also produced Wallen’s recently-released music video for “I Got Better,” which uses a car accident as a metaphor for the wreckage of a relationship. The storyline follows Wallen as he walks away from the crash, his wounds gradually beginning to heal as he does so. Watch HERE.
Both songs hail from Wallen’s fourth studio album, I’m The Problem, released on May 16. I’m The Problem spent 12 non-consecutive weeks atop the Billboard 200 albums chart and 13 non-consecutive weeks at No. 1 on the Billboard Canadian Albums chart. It also became Wallen’s first album to debut at No. 1 on the UK Official Charts – making him one of only five artists to debut at summit with a country album.
The project debuted at No. 1 in seven countries upon release. In Australia, I’m The Problem became the longest-running No. 1 album by a country artist in 10 years, with three consecutive weeks atop the ARIA albums chart, while “What I Want (feat. Tate McRae)” spent five weeks at No. 1 on Australia’s Country Airplay chart.
About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “one of the biggest stars in the music world right now” and The New Yorker adding “[he’s] popular on a scale that seems to circumvent genre entirely.” With 20 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, 198 weeks spent atop Billboard's Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years.
Wallen’s fourth studio album, I’m The Problem, available now via Big Loud / Mercury, debuted at No. 1 globally across seven countries; while his preceding albums – Dangerous: The Double Album and One Thing At A Time – have remained in the top 10 of the Billboard 200 chart for more than 100 weeks each, making him the first artist ever to achieve that feat. I’m The Problem – which Hits Daily Double observes is “a 37-song cycle of self-reckoning” – has already yielded five No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. Wallen also broke his own record for the most simultaneous entries in Billboard Hot 100 History, with 37 songs charting on release week.
Wallen’s 20-stadium-show 2025 I’m the Problem Tour recently concluded in Edmonton, Alberta. In addition to his 20 stadium-plays, Wallen held his inaugural, personally-curated and multi-genre Sand In My Boots Music Festival in Gulf Shores, Alabama in May. He also performed an intimate album release show at The Roundhouse in London.
Wallen donates a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.
Photo Credit: Spidey Smith
Brooklyn-London indie duo The King Canutes present 'Cars and Girls', the second taste of their debut album 'Eastern Seaboard, Perfect Summer', forthcoming via the Montclair, New Jersey-based Magic Door Record Label. Prefab Sprout aficionados will surely appreciate the cover homage to the band’s Steve McQueen masterpiece.
The King Canutes is Keir Woods (vocals, electric and acoustic guitars), who brings a sonorous true folk voice of Northern England, while Richard Alwyn Fisher (vocals, backing vocals, electric and acoustic guitars) is the scrappy Replacements-style Midwesterner. The pair met in Brooklyn in the early 2000s in NYC’s cosmopolitan pop / indie rock scene and released their debut EP 'Last Callers and Losers' in 2008.
The duo used to perform this song for ‘The Love Hangover’ [an annual post-Valentine’s Day show]. This version blossoms into a smooth swaggering rock ride out. Woods' vocals evoke the wistfulness of the original version while Fisher's sinewy guitar lines break down the layers, then build back as a drum machine transitions to live drums by Kevin March of Guided by Voices.
The King Canutes
Cars and Girls
'Eastern Seaboard, Perfect Summer' album out Nov. 21 via Magic Door Record Label
21 October 2025
Brooklyn-London duo The King Canutes pay tribute to Prefab Sprout on 'Cars and Girls'
FOR FANS OF: Belle & Sebastian, Lloyd Cole, The Go-Betweens, Elliott Smith, The Chills, Orange Juice, The New Pornographers, American Music Club
INFLUENCES: Lloyd Cole, Richard Thompson, Lou Reed, David Bowie, Leonard Cohen
FOCUS TRACKS: Seymour Stein, Mixture as Before, Cars and Girls, Man From Hawaii, Perfect Summer, Red Hook Sunset
FCC clean (no profanity)
FOR SHARING
'Cars and Girls' single https://distrokid.com/ hyperfollow/thekingcanutes/ cars-and-girls
Bandcamp https://thekingcanutes.bandcamp.com/track/cars-and-girls
Spotify https://open.spotify.com/artist/5lex8QRtmMDs9njOCwTdMd
'Seymour Stein (for Earle Holmes)' https://youtu.be/y9tz2SAFKFg
Get the single https://distrokid.com/ hyperfollow/thekingcanutes/ seymour-stein-for-earle-holmes
Spotify https://open.spotify.com/track/3g8lOj27RRigNafFfZw2aT
Bandcamp https://thekingcanutes.bandcamp.com/track/seymour-stein-for-earle-holmes
Album pre-order https://thekingcanutes.bandcamp.com/album/eastern-seaboard-perfect-summer
Apple Music https://music.apple.com/us/artist/the-king-canutes/295362605
FOR REVIEW & AIRPLAY
Album preview https://on.soundcloud.com/ bxHMO7lIMeNQyU0iLn
Online press kit https://haulix.promo/94zj
Download via Google Drive https://tinyurl.com/TheKingCanutes-PressKit
Brooklyn-London indie duo The King Canutes present 'Cars and Girls', the second taste of their debut album 'Eastern Seaboard, Perfect Summer', forthcoming via the Montclair, New Jersey-based Magic Door Record Label. Prefab Sprout aficionados will surely appreciate the cover homage to the band’s Steve McQueen masterpiece.
The King Canutes is Keir Woods (vocals, electric and acoustic guitars), who brings a sonorous true folk voice of Northern England, while Richard Alwyn Fisher (vocals, backing vocals, electric and acoustic guitars) is the scrappy Replacements-style Midwesterner. The pair met in Brooklyn in the early 2000s in NYC’s cosmopolitan pop / indie rock scene and released their debut EP 'Last Callers and Losers' in 2008.
The duo used to perform this song for ‘The Love Hangover’ [an annual post-Valentine’s Day show]. This version blossoms into a smooth swaggering rock ride out. Woods' vocals evoke the wistfulness of the original version while Fisher's sinewy guitar lines break down the layers, then build back as a drum machine transitions to live drums by Kevin March of Guided by Voices.
“When we first began playing “Cars and Girls” live it was stripped back to the bare essence, in contrast to the Prefab Sprout very eighties classic. But over the years, and with the gifts of the studio, our version has become as layered and baroque as the original!,” says Keir Woods.
Richard Alwyn Fisher adds, “Prefab Sprout offered such a unique voice, and it was fun and satisfying to create a version that was both an homage and also a new and personal take on the song.”
The King Canutes make intelligent, skewed pop with echoes of early 80s-90s Australian and Scottish pop, British folk and Midwestern indie rock, all melted in the current cosmopolitan cauldrons of New York and London. Combining the dynamic tension of dual singer-songwriters, their music sites somewhere between The Go-Betweens and the long-distance, long-haul commitment of The Postal Service,
The duo recently released 'Seymour Stein (for Earle Holmes)', named for Earle Holmes, the club owner and friend who gave Keir his Paris bookings after moving from NYC. This song captures the elation of freedom and the frustration of starting the artistic journey again. This song is elevated by stellar horns by Mac Gollehon (David Bowie, Al Jarreau, Duran Duran, Mick Jagger), bassist Dave Derby (Dambuilders, Gramercy Arms, Lloyd Cole), and Jessie Kilguss on backing vocals.
Produced, recorded, mixed and mastered by renowned producer Ray Ketchem (Guided by Voices, Luna, Elk City, Gramercy Arms) at Magic Door Recording Studio, this ambitious album involves world-class artists such as Kendall Meade (Sparklehorse, Mascott), Mike Dillon (Rickie Lee Jones), John Leon (Roky Erickson), David Nagler (Nova Social, Joan Baez, Aaron Neville), Doug McEachern (Suran Song in Stag), Renée LoBue (Elk City) and Verena Wiesendanger (Semi Gloss).
As of October 21, 'Cars and Girls' is out everywhere, including Spotify, Apple Music and Bandcamp. The 'Eastern Seaboard, Perfect Summer' album, out on November 21st, is now available for pre-order.
ALBUM CREDITS
Written by Keir Woods and Richard Alwyn Fisher, except
'Cars and Girls' written by Paddy McAloon
Produced, recorded, mixed & mastered by Ray Ketchem at Magic Door in Montclair, NJ
Keir Woods / vocals, electric and acoustic guitars
Richard Alwyn Fisher / vocals, backing vocals, electric and acoustic guitars
Dave Derby / bass, backing vocals
Kevin March / drums
Ray Ketchem / percussion, keyboard
Mac Gollehon / horns
Jessie Kilguss / backing vocals
Single artwork by Peregrine Honig
Album artwork by Ray Ketchem
Released by Magic Door Record Label
Artist photos by Lisa Whiteman
Publicity by Shameless Promotion PR
Keep up with The King Canutes
Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | Press contact
Keep up with Magic Door Record Label
Bandcamp | Facebook | Instagram | Soundcloud | YouTube | Magic Door Studio | Press contact
Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il
Texas death metal hellions TRIBAL GAZE have released their eagerly awaited sophomore album, Inveighing Brilliance, today with Nuclear Blast Records.
Since their introduction just four years ago, the five-piece has quickly slayed listeners and audiences around the world with their signature, modern twist on brutal old-school death that has propelled the band to pack leaders in their scene. Armed with an unbridled onslaught of riffs, the band cuts through the crowd with an intense, unrelenting new album of disorder, featuring furious stand out tracks like “To The Spoils of Faith” and “Beyond Recognition.”
Commenting on the record’s release, guitarist Quintin Stauts says:
“This album represents a different era for us. The world really seems like a different place than when the last record came out. This one focuses less on creative fictional story telling and more on truly feeling violent. We felt it was appropriate to take a more radical approach to riff and lyric writing.”
Along with the record’s release, TRIBAL GAZE has debuted a new visualizer for another one of their blistering heavy tracks “The Irreversible Sequence.” Watch it below.
Adding about the track, Stauts says:
“I probably listen to this song the most because its short and it just has parts that make me rewind it even though it’s our song and we’ve heard it a million times. The heavy parts in this song are the perfect representatives of the guitar tone our producer Taylor Young helped us achieve.”
TRIBAL GAZE will tour North America in mid-November in support of Inveighing Brilliance this fall with CATTLE DECAPITATION, ABORTED and FROZEN SOUL. Tickets are available HERE.
Stream/Purchase Inveighing Brilliance: https://tribalgaze.bfan.link/inveighing-brilliance
11.16 Mesa, AZ @ The Nile Theater
11.18 Oklahoma City, OK @ Diamond Ballroom
11.19 Dallas, TX @ Granada Theater
11.20 San Antonio, TX @ Vibes Event Center
11.21 Houston, TX @ Bad Astronaut Brewing Co
11.22 Baton Rouge, LA @ Chelsea's Live
11.24 Atlanta, GA @ The Masquerade
11.25 Tampa, FL @ The Orpheum
11.26 Ft. Lauderdale, FL @ Revolution Live
11.28 Charlotte, NC @ The Underground
11.29 Richmond, VA @ The Canal Club
11.30 Baltimore, MD @ Baltimore Soundstage
12.02 Brooklyn, NY @ Warsaw
12.03 Worcester, MA @ The Palladium
12.05 Montreal, QC @ Club Soda
12.06 Toronto, ON @ Concert Hall
12.07 Detroit, MI @ Saint Andrew's Hall
12.09 Chicago, IL @ House of Blues
12.10 Minneapolis, MN @ First Avenue
12.12 Denver, CO @ Summit
12.13 Salt Lake City, UT @ Urban Lounge
12.15 Portland, OR @ Roseland Theater
12.16 Seattle, WA @ The Showbox
12.18 Sacramento, CA @ Ace of Spades
12.19 San Diego, CA @ Observatory North Park
12.20 Los Angeles, CA @ The Belasco
About TRIBAL GAZE:
Arising from the scorched earth of Texas, Tribal Gaze return with “Inveighing Brilliance”, a death metal monolith shaped by ancient violence and unforgiving truth. Recently signed to Nuclear Blast Records, the band conjures visions of primal wrath and nihilistic clarity—a sound rooted in the rawness of old-school death metal but sharpened with modern intent. From their name, inspired by unseen forces watching from deep forests, to the crushing weight of their riffs, Tribal Gaze channels something ancient, unknown, and violently present.
“Inveighing Brilliance” is a meditation on the illusion of beauty in nature and existence, and how it pertains to both Mother Nature, and our wretched, human society. Even in moments of light, brutality lurks—eggs are stolen from nests, flesh is torn for survival. This album dissects this duality, revealing the suffering embedded in every living moment. With digital artwork by Dom Pabon (Final Resting Place) that evokes sci-fi decay and meditations of ancient ruin, the album looks and sounds like a lost realm where reality fractures under the pressure of its own contradictions.
Tracks like “Beyond Recognition” and “To the Spoils of Faith” expand on these apocalyptic themes. The former imagines an outside force annihilating humanity in judgment of its arrogance, built on some of the band’s most punishing riffs to date—swinging between chaos, groove, and sheer obliteration. The latter churns with mechanized fury and contempt for blind belief, echoing Meshuggah-like timing with lyrics that drag faith to its own ironic hell. Across the record, Tribal Gaze capture the violence of thought and sound in equal measure—uncompromising and vividly self-aware.
Their ascent to Nuclear Blast was anything but formulaic. After leveling stages on tour with Frozen Soul, the band caught the attention of legendary A&R Monte Conner, who waited outside a venue in New York just to share his admiration. That moment solidified a new chapter for Tribal Gaze—a label that values creative freedom and pushes bands to expand without dilution. With “Inveighing Brilliance”, they’ve done just that: stripped away illusion, stared into the abyss, and made it echo.
Follow TRIBAL GAZE:
Facebook | Instagram | Bandcamp | Spotify | Apple Music
While they hail from the City of Angels, Abysmal Dawn remain one of death metal's most consistently crushing creative forces. Two decades removed from their very first tour, next month, the L.A. mainstays are hitting the road hard once again with the mighty Krisiun. Only this time, they'll be raising hell with their first new song since 2022.
Today, Abysmal Dawn are releasing "Cradle of Affliction". Even though its various mutations have been banging around in their heads since Phylogenesis, the band's new single proves timely. "'Cradle of Affliction' nods to the sound of our first record and our earlier melodic death metal influences like At The Gates", explains vocalist, guitarist and founding member Charles Elliott. "This one is for Tomas (R.I.P.) and all the fans who have continued to support Abysmal Dawn throughout our journey for more than two decades now".
"The music is written played, recorded and mixed by humans", Elliott continues. "The artwork was created by a human. The music video was shot and edited by a human. We hope you come out to a show and support four of your favorite semi-humans playing death metal while you still can. Cheers!"
Watch the video for "Cradle of Affliction" Below.
Stream
https://orcd.co/abysmaldawncradleofaffliction
The video for "Cradle of Affliction" was directed by Robert Graves (Defiant Digital Productions)
"Cradle of Affliction" bears the bloodied markings of Abysmal Dawn. The production is crisp but thick with heavy double bass and bone-crunching riffs. Back-to-back guitar solos twist like two spires up the same darkened tower, circling back to a killer chorus that begs to be screamed with horns raised to the rafters. "Cursed in name / Blessed in death". Indeed, few bands have ever possessed such unholy staying power.
Abysmal Dawn's latest album Phylogenesis and their most-recent EP Nightmare Frontier are both now available through Season of Mist.
Order
https://redirect.season-of-mist.com/absymaldawn
Stream
https://linktr.ee/abysmaldawn
Get tickets for Abysmal Dawn's North American tour with Krisiun at https://krisiun.com.br/tour/
Conquerors of Armageddon 25th Anniversary Tour
November 1 – Hamden, CT @ Space Ballroom
November 2 – Bensalem, PA @ Broken Goblet
November 3 – Raleigh, NC @ Chapel of Bones
November 4 – Atlanta, GA @ The Masquerade (Altar)
November 5 – New Orleans, LA @ Southport Hall
November 7 – Austin, TX @ Come and Take it Live
November 8 – Houston, TX @ Scout Bar
November 9 – Dallas, TX @ Trees
November 10 – Oklahoma City, OK @ 89th Street Collective
November 11 – Albuquerque, NM @ Launchpad
November 12 – Mesa, AZ @ The Rosetta Room
November 13 – San Diego, CA @ Brick by Brick
November 14 – Los Angeles, CA @ 1720
November 15 – San Francisco, CA @ DNA Lounge
November 16 – Portland, OR @ Nova PDX
November 17 – Seattle, WA @ El Corazon
November 19 – Salt Lake City, UT @ Metro Music Hall
November 20 – Denver, CO @ HQ
November 21 – Omaha, NE @ Reverb Lounge
November 22 – Iowa City, IA @ Wildwood
November 23 – Chicago, IL @ Reggie's
November 24 – Detroit, MI @ The Sanctuary
November 25 – Lakewood, OH @ The Foundry
November 26 – Syracuse, NY @ The Lost Horizon
November 27 – Toronto, ON @ The Garrison
November 28 – Montreal, QC @ Foufounes Electriques
November 29 – Quebec City, QC @ Source de la Martinière
November 30 – Boston, MA @ Middle-East Upstairs
December 1 – Clifton, NJ @ Dingbatz
Now, as the completion of their fifth full-length draws near, Abysmal Dawn are celebrating 25 years of conquering Armageddon with their very first tour mates Krisiun. To commemorate this month-long run across the U.S., the band will debut their new single "Cradle of Affliction" live in all its accursed glory.
Lineup for "Cradle of Affliction"
Charles Elliott: Guitars, Vocals
Eliseo Garcia: Bass, Additional vocals
James Coppolino: Drums
Vito Petroni: Guitars
Production credits for "Cradle of Affliction"
Guitars, bass and vocals recorded at Tastemaker Audio by Charles Elliott (tastemakeraudio.us).
Drums recorded at Trench Studios by John Haddad.
Produced by Charles Elliott and Abysmal Dawn.
Mixed and mastered by Charles Elliott
Booking Agent:
North America:steph@continental-concerts.us
Europe:stephen.moss@echelonartists.com
Stream:https://linktr.ee/abysmaldawn
Order:https://redirect.season-of-mist.com/absymaldawn
Follow Abysmal Dawn:
https://abysmaldawn.bandcamp.com/
https://music.apple.com/us/artist/abysmal-dawn/159709532
https://open.spotify.com/artist/2h7HrMDoZpWxx3uAuJxyj9
www.facebook.com/abysmaldawn
www.instagram.com/abysmaldawn
www.twitter.com/abysmaldawn
https://abysmaldawn.bandcamp.com/
Third Man Records, in collaboration with Reprise Records, proudly presents Billy Strings Live in Rosemont + The Self-Titled EP as the 66th installment of the Vault series. Recorded on May 25, 2024, at Allstate Arena in Rosemont, IL, this performance captures Strings and his band in peak form, more than 20 tracks unfolding with fire, finesse, and a sense of urgency that can only come from the stage. It was a night Billy Strings himself recognized as extraordinary, and the recording preserves every moment.
The Vault package also includes a landmark addition: the first-ever vinyl pressing of Strings’ self-titled debut EP, originally self-released in 2016. A six-song collection that introduced his voice and vision to the world, it serves as the perfect counterpoint to the commanding live set, bookending an arc from past to present. Together, the four live LPs, each pressed on unique, randomly mixed colored vinyl, capture not just a performance, but a career in motion. A reminder of where it began, and a glimpse of where it’s headed. Good luck trying to catalog and collect them all.
Purchase this package at www.thirdmanrecords.com/vault before midnight CDT on October 31 to ensure your prompt receipt of this impressive collection.
Emerging from the shadows with ferocious intent, EMBERS OF DAWN delivers their most intense and emotionally charged track yet with “Eden Unknown.” The single marks the band’s first release from their forthcoming debut album, and showcases the group’s evolution into a darker, heavier, and more immersive sonic territory.
From the first crushing riff, "Eden Unknown" hits with the force of a digital apocalypse. It is a visceral fusion of melodic death metal and cyber-metal, laced with gothic undertones that amplify the song’s mood of despair and transcendence. With Cliff Ross (guitars/programming), Scott Van Horn (bass/programming), and Kyle Sweeny (drums) at the helm, EMBERS OF DAWN crafts a sound that is both technically precise and emotionally raw.
The lyrics delve into themes of detachment, emotional numbness, and the search for authentic connection. Set in a world where people are digitally linked but emotionally absent, "Eden Unknown" paints a vision of a paradoxical paradise. It tells of a modern Eden that is cold, empty, and stripped of genuine feeling.
About EMBERS OF DAWN:
Formed in 2022, EMBERS OF DAWN is a genre-defying metal project born out of Jacksonville, Florida and Santa Barbara, California. The band blends elements of industrial, gothic, melodic death metal, and cyber-metal to create a sound that is both cinematic and punishing. Known for their thematic focus on alienation, modern decay, and emotional detachment, EMBERS OF DAWN delivers music that is as introspective as it is aggressive.
The band’s music features cold, mechanical precision layered with dark melodic textures, drawing influence from acts like PAIN, DARK TRANQUILLITY, MINISTRY, FEAR FACTORY, RAMMSTEIN, STATIC-X, ROB ZOMBIE, ARCH ENEMY, and TYPE O NEGATIVE. With each release, they continue to explore new sonic territory, balancing technicality with atmosphere, brutality with beauty.
Their upcoming debut album Infernal Culture features drums by ADRIAN ERLANDSSON (AT THE GATES, CRADLE OF FILTH, PARADISE LOST, THE HAUNTED), adding an explosive edge to their already dynamic sound.
EMBERS OF DAWN is:
Cliff Ross – guitars, programming
Scott Van Horn – bass, programming
Kyle Sweeny – drums
Connect With EMBERS OF DAWN:
Website: https://embersofdawn.com/
Spotify: https://open.spotify.com/artist/1JuM68QzbKOljJmwGjs2P3
Apple Music: https://music.apple.com/us/artist/embers-of-dawn/1633162281
YouTube: https://www.youtube.com/channel/UCWWUKLp0IMMwSFxlFmXo6YA
Facebook: https://www.facebook.com/embers.of.dawn
Twitter/X: https://x.com/embersofdawn?lang=ar-x-fm
We’re two weeks away from The Belair Lip Bombs “Again” sophomore album release! Pre-save the album now and enter to win a list of prizes: Marshall Major V wireless headphones in midnight blue, a test pressing of the album, a zip up hoodie, and a signed print of the band. Deadline to enter is October 29th at midnight.
A defining album for TRUSTcompany and the greater scope of rock music, "The Lonely Position Of Neutral" is a must-have record in the collection of any die-hard 2000s rock music fan who wants to hold a piece of history in their hands. It is the band's most successful release to date, and was certified gold with over half a million copies sold.
The album was originally released on July 22, 2002, and after 23 years, Smartpunk Records has exclusively teamed up with the band for a special vinyl release of 2,000 total pressings, 500 of which are Smartpunk Exclusive. This is the first time the album is on vinyl, and it is available for purchase online now.
Order here.
Kevin Palmer, vocalist of TRUSTcompany, commented, "It’s wild to think that 23 years after its release, The Lonely Position of Neutral is finally available on vinyl. This record changed our lives, and we’re beyond thankful that it continues to connect with people all these years later."
Speaking about the release, Smartpunk Records Label Manager Matt Burns says, "This record, and specifically 'Downfall', created a core memory in my mind from when you'd discover new music on the radio. I remember in the early 2000s, I would find out about so many new bands from MTV or MuchMusic, but I got turned onto TRUSTcompany from our local South Florida rock station (shoutout ZETA 94.9)! I got tickets to see the band at the Halloweenie Roast, which also had KoRn and I think Theory of a Deadman? Tickets were probably only like $30, but I remember the band blew my young mind away! I picked up the CD from a local shop shortly after, and to be able to work with the band over 20 years later on this release is so insane to me!"
Following the explosive success of their debut, melodic death metal rising stars THE HUNT are now unleashing their second single, "Onslaught," along with blistering performance video! The clip, which was directed by Gabriel Connor, can be found now below
THE HUNT frontman Tony Rauser comments, "'Onslaught' is about conflict. Its about facing the enemy, seeking victory and fortifying your soul."
Influenced by iconic bands across the genre like At The Gates, In Flames, Children Of Bodom, and others, The Hunt brings a unique blend of memorable guitar riffs, victorious melodies, and aggressive, dynamic vocal interplay to the stage.
The single is the precursor to a forthcoming EP from the band, for which more will be revealed soon... stay tuned! In the meantime, check out the first single, "Erratic," Below.
The Hunt is a Melodic Death Metal band originally from Redwood City, California, known regionally for their unique blend of Bay Area Melodic Death Metal. The band is fronted by Tony Rauser, features world class lead guitarist Cameron Stucky (Darkness Everywhere, Sea in the Sky), Jacob Lauing (Phantom Code, ex-Terrestria) on Drums / backing vocals and Dan Saltzman (Illucinus, Fleshspoil) on Bass / backing vocals.
Influenced by iconic bands across the genre like At The Gates, In Flames, Children Of Bodom, and others, The Hunt brings a unique blend of memorable guitar riffs, victorious melodies, and aggressive, dynamic vocal interplay to the stage. The Hunt's lyrics often explore themes of survival, death, triumph, the human experience, and much more.
THE HUNT Lineup:
Tony Rauser (Vocals / Guitar)
Cameron Stucky (Lead Guitar / Backing Vocals)
Dan Saltzman (Bass / Backing Vocals)
Jacob Lauing (Drums / Backing Vocals)
Mixed and Mastered by Julian Gargiulo
Links:
Photo by: Cameron Nunez
Swiss hard rock veterans CORELEONI, featuring members of GOTTHARD, are proud to unleash their new live album, Live At Hallenstadion Zurich, via Perception. Featuring a mix of classic GOTTHARD tracks and new favorites from CORELEONI’s latest studio album, III, Live At Hallenstadion Zurich documents a pivotal night in the CORELEONI saga.
One hot summer evening on July 3rd 2025, CORELEONI supported heavy metal legends JUDAS PRIEST at Zurich’s Hallenstadion, performing in front of 7,000 rock and metal fans. The show took the audience on a wild ride through classic GOTTHARD tracks and newer songs from III. An instant success, III had reached #2 on the Swiss album charts and found a place in the hearts of fans around the world. New tracks such as “Like It Or Not” and “Sick & Tired” became staple crowd-pleasers, right alongside beloved fan favorites such as “Sister Moon”, “Mountain Mama”, and “Standing In The Light”.
On Live At Hallenstadion Zurich, the band delivers nine songs in total and kicks off the show with two high-energy classics, “Downtown” and “Firedance”. “We wanted to go out and rock the shit out of our body”, explains guitarist Leo Leoni. Fellow guitarist Igor Gianola adds, “It seems we succeeded. The crowd was fantastic and we were able to deliver a great performance, as we wanted.”
CORELEONI’s energy and the audience’s passion electrified the show. “The night was fantastic”, remembers Leoni. “There was this special magic in the air, Zürich is always fantastic for us to play, but this was somehow a night to remember.”
The band also recalls fond memories of the bonds they forged with metal veterans JUDAS PRIEST, making the show a particularly notable highlight in CORELEONI’s career. “At the Hallenstadion we met Scott Travis on stage, who was there the whole show, and he spent some very nice words about our performance. He’s a great guy and a fantastic drummer, so we appreciated and proved our effort to get it right to the point”, recalls Gianola.
“It was an honour for us to support Judas Priest, they are one of the most important metal bands and I follow them also since I was a kid. It wasn’t the first time we played together, but especially in this location, it was like a mythos”, comments Leo Leoni.
Experience the magic of this unforgettable night right through your speakers or headphones.
About CORELEONI
Founded by guitarist Leo Leoni in 2018, CORELEONI started reviving the early GOTTHARD days successfully with their album duo consisting of The Greatest Hits - Part 1 and II. The band also convinced fans and critics alike with their high-energy performances all over Europe, making the five-piece write their very own material. The result titled III was finally released in early 2022 and saw the addition of gifted Albanian singer Eugent Bushpepa to CORELEONI’s powerful line-up, which is completed by guitarist Jgor Gianola (ex-GOTTHARD, ex-U.D.O.), bass player Mila Merker and drummer Alex Motta. The group’s latest record hit the official Swiss album chart at no. 2 and thereby cemented the high demand for their captivating craft. Of course, III guided the quintet’s way across the continent once again while making one thing even clearer: CORELEONI are more than just a studio band and need to be experienced (a)live to understand their vision in full. So what are you waiting for? Feel the magic & enjoy their second live offering, Live at Hallenstadion Zurich!
CORELEONI are:
Eugent Bushpepa | vocals
Leo Leoni | guitars
Jgor Gianola | guitars
Mila Merker | bass
Alex Motta | drums
More on CORELEONI:
coreleoni.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music
The bearded boogie titans of modern rock, CROBOT, are firing up the engines and bringing their intergalactic groove thunder back to stages across the nation. The band has officially announced their 2025 U.S. Tour, a full-throttle run of dates that promises to deliver the kind of high-voltage rock ’n’ roll that only CROBOT can summon.
Armed with a catalog of riff-heavy anthems, psychedelic swagger, and the unmatched charisma of frontman
Brandon Yeagley, CROBOT is ready to melt faces and shake foundations from coast to coast. Known for their dynamic fusion of funk, hard rock, and cosmic weirdness, the band’s live show is a spectacle — equal parts raw power,
humor, and soul.
Fans can expect a setlist packed with favorites from Motherbrain, Feel This, and beyond, alongside a few surprises and maybe even a glimpse of new material. Every stop on this tour will be a full-on CROBOT experience — sweat, riffs, and sonic resurrection included.
With THE ATOMIC BITCHWAX joining the tour as co-headliners, this tour is shaping up to be one of the most unmissable rock events of the year. Whether you’ve been a longtime CROBOT disciple or you’re just discovering their galactic groove, get ready to bang your head, shake your hips, and feel the fuzz.
TICKETS ON SALE NOW HERE
10/24 - Syracuse, NY - The Lost Horizon - TICKETS
10/25 - Toledo, OH - Frankie's - TICKETS
10/26 - Columbus, OH - King Of Clubs - TICKETS
10/28 - Detroit, MI - Small's - TICKETS
10/29 - Grand Rapids, MI - The Pyramid Scheme - TICKETS
10/30 - West Chicago, IL - Th WC Social Club - TICKETS
10/31 - Madison, WI - The Annex - TICKETS
11/1 - Lincoln, NE - The Bourbon Theater - TICKETS
11/2 - Denver, CO - HQ - TICKETS
11/4 - Salt Lake City, UT - Aces High - TICKETS
11/6 - Seattle, WA - El Corazon - TICKETS
11/7 - Vancouver, BC - The Kingsway Club - TICKETS
11/8 - Portland, OR - The Nova - TICKETS
11/9 - Eugene, OR - John Henry's - TICKETS
11/11 - San Jose, CA - The Ritz - TICKETS
11/12 - Anaheim, CA - The Parish at HOB - TICKETS
11/13 - Phoenix, AZ - The Rosetta Room - TICKETS
11/15 - Austin, TX - The Far Out Lounge - TICKETS
11/16 - Dallas, TX - Sundown at Granada - TICKETS
11/18 - New Orleans, LA - No Dice - TICKETS
11/19 - Atlanta, GA - The Masquerade - TICKETS
11/20 - Asheville, NC - Eulogy - TICKETS
11/21 - Raleigh, NC - The Pour House - TICKETS
11/22 - Baltimore, MD - Metro Gallery - TICKETS
11/23 - Philadelphia, PA - MilkBoy - TICKETS
"INFECTED" expresses a powerful mix of internal suffering, emotional numbness, societal disillusionment, and ultimately, a desperate plea for awakening and self liberation.
It’s about hitting rock bottom mentally and emotionally and realizing the need to rise, see the truth, and take back control from the forces internal or external that have taken
over our lives.
As we put the music video together, I loved the characters inspired by John Carpenter’s “They Live” as a metaphor for the monster in each of us that can only be seen in glimpses and when you are aware of them
ABOUT THE BAND:
Founded in 2016 by guitarist Ashten Banks, Remember the Monsters quickly garnered attention with their debut single "The Pieces Remain", produced by Cameron Mizell (Memphis May Fire, Sleeping With Sirens). The band’s early years were marked by evolution and experimentation, including the release of 2019 singles “Sink” and “Close Encounters”, featuring vocalist Julian Comeau who later went on to form the acclaimed band Loveless.
Following a brief hiatus, Remember the Monsters returned in 2022 with renewed energy and a fresh creative direction. The lineup was solidified with the addition of powerhouse vocalist Andrew de Neef, formerly of Actual Villains and Close to Home (Razor & Tie Records / Artery Recordings). The group was completed in 2025 with the addition of drummer Elias Mallin know for his work with bands and artists like Filter, Noah Cyrus, Kesha & more.
To further shape their cinematic and genre-blending sound, Ashten collaborated with producer Matt Good, known for his work with Asking Alexandria, Hollywood Undead, and Sleeping With Sirens.
Rising metaphysical metalcore powerhouse The Pretty Wild has unleashed their latest offering, "AFTERLIFE (feat. Magnolia Park)" and the accompanying visualizer (via Sumerian Records). The track can be found in the band's forthcoming full-length 'zero.point.genesis', out Friday, November 21. Other tracks on the album include previously released bangers "PARADOX", "OMENS", "Button Eyes", "living ded", and the smash-hit "sLeepwALKeR" (as a physical bonus track). The songs so far have amassed over 23 million streams on Spotify alone and 3 million views on YouTube and counting. Speaking about today's drop, the band commented:
"'AFTERLIFE' circles the idea of star-crossed souls bound by something ancient and unbreakable. Conceptually it’s plucked from the kind of love you find in mythology and old tragedies, where you have this obsessive devotion and destruction. It isn’t perfect, but it's dark, beautiful, and eternal." -jules
"'AFTERLIFE' explores the idea that love dynamics are rooted in codependent magnetism and resonance patterns. it asks, what happens when obsession doesn’t end with death, but carries ur soul into magnetizing eternal dynamics? the result is kinda tragic and romantically glitchy. it’s basically a pop-metal requiem." -jyl
Stream "AFTERLIFE (feat. Magnolia Park)" here, watch the official visualizer below, and pre-save 'zero.point.genesis' here.
After wrapping up a recent run with Sleep Theory earlier this month, fans will next have their chance to see The Pretty Wild hit the stage across the US alongside Set It Off, Fame On Fire, and VANA, starting Tuesday, October 28 in Atlanta, Georgia. For ticket information, please click here.
The Pretty Wild Upcoming Tour Dates:
10/28/2025 - Atlanta, GA @ The Masquerade
10/29/2025 - Nashville, TN @ Marathon Music Works
10/30/2025 - Louisville, KY @ Mercury Ballroom
11/1/2025 - Cleveland, OH @ House of Blues Cleveland
11/4/2025 - Chicago, IL @ House of Blues Chicago
11/7/2025 - Denver, CO @ Fillmore Auditorium
11/8/2025 - Salt Lake City, UT @ The Complex
11/10/2025 - Spokane, WA @ Knitting Factory - Spokane
11/11/2025 - Vancouver, BC @ Commodore Ballroom
11/12/2025 - Seattle, WA @ Showbox SoDo
11/14/2025 - Sacramento, CA @ Ace Of Spades
11/16/2025 - Los Angeles, CA @ The Regent Theater
11/17/2025 - Santa Ana, CA @ Observatory
11/20/2025 - Houston, TX @ House of Blues Houston
11/21/2025 - Dallas, TX @ Southside Music Hall
11/23/2025 - Lake Buena Vista, FL @ House of Blues Orlando
11/25/2025 - Cincinnati, OH @ Bogart's
11/26/2025 - Detroit, MI @ Saint Andrew's Hall
11/28/2025 - Indianapolis, IN @ Old National Centre
11/30/2025 - Buffalo, NY@ Buffalo RiverWorks
12/1/2025 - Toronto, ON @ The Danforth Music Hall
12/2/2025 - Boston, MA @ Paradise Rock Club
12/5/2025 - New York, NY @ Irving Plaza
12/6/2025 - Allentown, PA @ Archer Music Hall
12/7/2025 - Philadelphia, PA @ The Fillmore Philadelphia
12/9/2025 - Baltimore, MD @ Nevermore Hall
12/10/2025 - Raleigh, NC @ The Ritz
Since their formation, The Hirsch Effekt have carved out a unique niche in the German-speaking music scene.
Yet, despite — or perhaps because of — their elusiveness, the band has captivated a devoted audience. Musically, The Hirsch Effekt have always embraced limitless possibilities. Acoustic, introspective moments — where bassist Ilja John Lappinbrings out his cello or guitarist Nils Wittrock returns to his classical roots — sit naturally alongside massive progressive metal onslaughts.
Today, the trio from Hanover, Germany, announced its seventh studio album, Der Brauch, out January 30 via Long Branch Records. At the same time, the band is giving fans a taste of the new work with the release of the title track.
Watch the visualizer for "Der Brauch" below.
Stream the new single and pre-order the album here.
While earlier works, despite their diversity, were still labeled "metal albums," this new record explores paths first hinted at on the multi-layered second album, Holon: Anamnesis — the same album that fans of VISIONS magazine voted the only German-language entry among the 20 best albums of all time. Der Brauch can be seen as a return to that pivotal point — and simultaneously as a bold step forward. Drummer Moritz Schmidt doesn't entirely forego blast beats, but the record demands a new heading. In the end, though, there is only one truth: It unmistakably sounds like The Hirsch Effekt.
THE HIRSCH EFFEKT ARE:
Nils Wittrock — Guitar, Vocals
Ilja John Lappin — Bass, Vocals
Moritz Schmidt — Drums, Vocals
Oakland alt-rock trio Sword Tongue presents 'Murder White Noise', a wry commentary on the state of the world and our attempts to soothe ourselves to get through it. The latest offering from their explosive 'Bonfire In The Tempest' EP - their fourth to date.
In an increasingly stressful world, this song explores how people try to externalize their anxieties by consuming content that allows them to feel better about their own lives. We attempt to cope with the pressure of maintaining equilibrium by coming together to grieve, worry, and comfort each other, often finding that the only way to feel good about our lives is to reflect on others' misfortunes.
Creating dark music for dark times, Sword Tongue is vocalist Jennifer Wilde and guitarist Gaetano Maleki, a husband and wife who launched this project in the pandemic year of 2020, now joined by renowned drummer-producer Dan Milligan.
“I started consuming true crime content as a way to turn off the thoughts that kept me awake at night and distracted me during the day. One day I told a friend I was a listening to a livestreamed trial where a lady put her husband on a burn pile. She said “WHOAH, what is that, murder white noise?” As I told people about the song, I found many others watch crime stories as a release from their stressful lives. It is important to bring that into the conversation about how we are coping today,” says Jennifer Wilde.
"Finding comfort in tragedy is new for me; during the pandemic and especially in the last year I find myself needing to look for reassurance that whatever I am facing is not as bad as it could be. 'Murder White Noise' was written as a way to come to grips that someone else's pain is that content, and what that says about where we are as a society right now. Gaetano wrote the perfect guitar line that hooks you in to get to the truth of the song."
On 'Murder White Noise', soothing vocals contrast with the song's macabre lyrical content, while steadily thrumming instrumentation lulls you into a false sense of security. For a moment, the listener feels heard and encouraged, then questions their own motivations, left to wonder whether they are now the tragic victim in this story.
"From a songwriting perspective, this pulled a lot of anxiety out of me," says Gaetano Maleki. "While writing the guitar and bass lines, I wanted to bring out tension to mirror the vocals, but with some kind of seductive undertones. I feel the instruments really complement the lyrics, like a hard boiled soundtrack."
Showcased by 'We Are The Resistance' and 'Diamonds To Rust', this EP was galvanized during our current age of cultural upheaval. Bursting with raw emotion and tempered by sophisticated production, this collection blends alt-rock, post-punk and dream pop, giving voice to anguish, anger, transformation and triumph. Vocal lines that oscillate between a croon and a roar, seduction and rage, while shimmering guitar tones and bass lines mesmerize and intricate drum lines drive the message.
This EP was produced by Dan Milligan, brainchild of The Joy Thieves, who has co-created, produced and remixed such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.
The 'Bonfire In The Tempest' EP is out now as a first-print red variant cassette, including a special album poem inside, and als
CREDITS
Lyrics by Jennifer Ryan Wilde
Music written & arranged by Sword Tongue (Wilde / Milligan / Maleki)
Jennifer Ryan Wilde - vocals
Dan Milligan - drums & percussion
Gaetano Maleki - guitar & bass
Produced by Dan Milligan
Publicity by Shameless Promotion PR
Keep up with Sword Tongue
Website | Bandcamp | Facebook | Instagram | BlueSky | YouTube | Spotify | Apple Music| Press contact
Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il
While Ian Munsick has been critically celebrated by HITS Daily Double and The New Yorker for putting the “western back in country,” the Wyoming native is also known for genre-bending covers during his live show, showcasing his range of influences with his rendition of girl pop hits including Sabrina Carpenter’s “Espresso,” and classics such as Neil Young’s “Old Man.” Most recently, Munsick went viral for an Ozzy Osbourne tribute, performing “No More Tears” in honor of the rock legend who passed away earlier this year. Munsick knew he had something special due to fans’ reactions – and today is releasing his live recording of the song.
Listen to “No More Tears (Live From Sturgis)” Below.
Ozzy’s influence on Munsick began at an early age, as Munsick recalls, “When I was 8 years old, I stumbled upon my older brother’s CD collection. I sneakily slid out a black colored album with a small tan cross on top and threw it in my walkman CD player (shout out the early 2000’s). One of the most iconic bass riffs of all time captured my ears right out of the gate, followed by the most recognizable voice in all of Rock n Roll. It was Ozzy’s 1991 hit song ‘No More Tears.’”
Doing the cover of “No More Tears” in Nebraska upon the singer’s death in July came together by happenstance. Munsick shares, “23 years later, I’m on stage sound checking in Kearney, Nebraska when out of the air and into my fingers comes that same iconic bass riff. My band quickly followed suit and we jammed a verse and chorus before moving on to our normal soundcheck routine. I headed back to the bus to catch a quick nap before the long night ahead when breaking news hit my phone… ‘RIP Ozzy.’ The universe was telling me to play that song that night, so we quickly worked up a fiddle heavy version of the heavy metal hit.
“As our 90 minute show was coming to end, I nervously looked at my drummer to count me in for our tribute to the Ozzman,” he adds. “The bass riff captured the country audience as they erupted with joy and sadness all at once. After the show, social media did its thing and made our cover of ‘No More Tears’ the most viral moment I’ve had thus far in my career. I knew we had to release a version exactly like the one we played in Nebraska that night. Luckily, the Sturgis Motorcycle Rally was the following weekend... what better atmosphere to play some Ozzy? This time, we hit record.”
Munsick recently set The Eagle Flies Free Tour for 2026. Beginning February 13 in Charlotte, North Carolina, the tour will feature 17 dates with special guests Lanie Gardner, Ben Haggard, Tyler Nance and Jake Worthington, highlighting one of the most distinctive voices in modern country music – and his distinctive modern-Western style.
The follow up to his 2025 Eagle Feather album, Munsick’s The Eagle Flies Free Tour continues a streak of touring success for the native son of Sheridan, Wyoming – including a history making turn at the famous Cheyenne Frontier Days in July.
Headlining the iconic rodeo and Western lifestyle celebration, Munsick became the first Wyoming native to secure top-billing of the event’s musical lineup, playing songs from across his three albums – Coyote Cry, White Buffalo and Eagle Feather.
The Eagle Flies Free Tour Dates:
Friday, February 13 || Charlotte, NC || Coyote Joe’s *
Saturday, February 14 || Atlanta, GA || Tabernacle *
Thursday, February 19 || Casper, WY || Ford Wyoming Center $
Friday, February 20 || Bozeman, MT || Brick Breeden Fieldhouse #
Saturday, February 21 || Idaho Falls, ID || Mountain America Center #
Tuesday, February 24 || Portland, OR || Roseland Theatre $
Thursday, February 26 || Kennewick, WA || Toyota Center #
Friday, February 27 || Missoula, MT || Adams Center #
Saturday, February 28 || Spokane, WA || FIC for the Art #
Tuesday, March 3 || Grand Island, NE || Heartland Event Center $
Thursday, March 5 || Fargo, ND || Scheels Arena #
Fridasy, March 6 || Brookings, SD || Dacotah Bank #
Saturday, March 7 || Mankato, MN || Grand Hall #
Friday, March 13 || Shipshewana, IN || Blue Gate Theatre (w/ local support)
Saturday, March 14 || Clear Lake, IA || Surf Ballroom (w/ local support)
Friday, March 27 || Helotes, TX || Floores Country Store (w/ local support)
Saturday, March 28 || Durant, OK || Choctaw Grand Theater ^
* w/ Lanie Gardner
# w/ Jake Worthington and Tyler Nance
$ w/ Tyler Nance
^ w/ Ben Haggard
About Ian Munsick:
A native son of Wyoming, Ian Munsick has accumulated nearly one BILLION global streams across three albums – Coyote Cry, White Buffalo and Eagle Feather – and a host of accolades, including 19 awards and 14 festival selections for his documentary, White Buffalo: Voices of the West. Having painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo in 2023, Munsick expanded on the concepts of the land, people, culture and stories that inspire him, with the project’s follow-up 20-track album, Eagle Feather, released on April 18, 2025 via Warner Music Nashville. In addition to selling over 100,000 headlining tickets in 2024, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his record-setting One Night At A Time Tour. Munsick concluded his spring Horses Are Faster Tour in Nashville. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and most recently was named a Martin Showcase Artist. Standout duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” and “Horses Are Faster.” Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. Online at IanMunsick.com.
Pittsburgh, Pennsylvania quintet 156/Silence have announced signing with their new label home, Pure Noise Records. In celebration of the news, the band has dropped their new track "Our Parting Ways" and the accompanying official music video, their latest release since their haunting 2024 full-length 'People Watching'. When asked about the song, the band shared:
"Our parting ways will always come together. The spaces left between what was and what is hold a place of their own to be remembered with grace. As the pages decrease in our story, we bleed to gain access to the memories of
the path we once shared."
Speaking about signing with Pure Noise Records, they commented:
"Pure Noise has always been a label we have all been fans of so when the option to sign with them was there we couldn’t pass it up. Everyone at the label has been so accommodating and supportive, very excited for the future of 156 with Pure Noise!"
Stream "Our Parting Ways" here, and watch the music video below.
The band has a stacked touring schedule for the remainder of 2025, and are currently on the road across North America with Counterparts, Thrown and Split Chain until October 26. Just a few days after the tour finale, they next hit the road with Fit For A King, Make Them Suffer, Spite, and Currents beginning October 30 before wrapping the year. Spring 2026 begins with their first EU/UK tour, reuniting with Fit For A King alongside Memphis May Fire and Acres. Click here for ticket information, and be sure to stay tuned for more 156/Silence news coming soon.
Supporting Counterparts and Thrown with Split Chain
OCT 15 Grand Rapids, MI – Elevation
OCT 16 Pittsburgh, PA – Roxian Theatre
OCT 17 Allentown, PA – Archer Music Hall
OCT 18 Baltimore, MD – Nevermore
OCT 19 Sayreville, NJ – Starland Ballroom
OCT 21 Albany, NY – Empire Live
OCT 22 New Haven, CT – Toad’s
OCT 23 Huntington, NY – The Paramount
OCT 24 Worcester, MA – The Palladium
OCT 25 Quebec City, QC – Salle Montaigne
OCT 26 Ottawa, ON – The Bronson
Supporting Fit For A King, Make Them Suffer, Spite, Currents
OCT 30 Phoenix, AZ – Marquee Theatre
OCT 31 San Diego, CA – Soma
NOV 01 Anaheim, CA – House of Blues
NOV 02 Los Angeles, CA – The Belasco
NOV 03 San Jose, CA – The Ritz*
NOV 04 Sacramento, CA – Ace of Spades
NOV 06 Spokane, WA – Knitting Factory
NOV 07 Boise, ID – Knitting Factory
NOV 08 Salt Lake City, UT – The Complex
NOV 09 Denver, CO – Fillmore
NOV 11 Kansas City, MO – Uptown Theater
NOV 12 St. Louis, MO – The Pageant
NOV 14 Chicago, IL – Riviera Theatre
NOV 15 Detroit, MI – Royal Oak Music Theatre
NOV 16 Cleveland, OH – House of Blues
NOV 18 Toronto, ON – History
NOV 19 Montreal, QC – Olympia
NOV 20 South Burlington, VT – Higher Ground*
NOV 21 Worcester, MA – The Palladium
NOV 22 Baltimore, MD – Rams Head Live
NOV 23 Cincinnati, OH – Bogart’s
NOV 24 Columbus, OH – Ace of Cups*
NOV 25 Philadelphia, PA – Franklin Music Hall
NOV 26 New York, NY – Palladium Times Square
NOV 28 Raleigh, NC – The Ritz
NOV 29 Nashville, TN – Marathon Music Works
NOV 30 Atlanta, GA – Tabernacle
DEC 01 Jacksonville, FL – Albatross*
DEC 02 St. Petersburg, FL – Jannus Live
DEC 03 Orlando, FL – House of Blues
DEC 04 New Orleans, LA – Gasa Gasa*
DEC 05 Houston, TX – White Oak Music Hall
DEC 06 San Antonio, TX – Vibes Event Center
DEC 07 Dallas, TX – The Bomb Factory
*156/Silence Headlining Date
"'Call Box' was the 'click' moment for the record," says Washington. "Though it formed from a later demo, it's the song that most coherently synthesized every component of our desired outcome, and ended up being sort of the stencil we worked backwards from when in pre-production for the LP. I've referenced them previously but it's got ALL the goodies derived from our influences. The Cast Iron Hike-sort of grooves in the verses, the fuzzy Queens of the Stone Age bridge, and the HUGE ending that nods to the greats in Failure."
He finishes, "This song is Excide at its purest and best form to-date. No doubt a favorite on the record, and the perfect conclusion for it. It's my 'F*** you, thanks for the inspiration' song."
Bastard Hymnsis the logical next step from the band's debut album, Deliberate Revolver. "Having felt like we accomplished what we came to do on the first record, there were no guidelines or barriers around where we were to go next. This opened up so many avenues for our creativity and exploration. We were lucky enough to begin working with SharpTone the following year, which put the band back in gear and opened up new possibilities for the path forward."
Sonically, the band was inspired by the grooves and energy of late '90s post-hardcore bands such as Cast Iron Hike and Snapcase, while siphoning melody and textural elements much the same as Quicksand and Cave In. The band was not afraid to shift gears a bit and take influence from the likes of Queens of the Stone Age, Soundgarden, and Failure, which, Excide admit, " allowed us to really push the sonic needle into uncharted territory, even further accentuated by Austin Coupe's co-writing and production."
Overall, the album is a "fuzzy, rocky, groovy, angry record. Seeped in the woes of growing up in a hillbilly hellscape, and living to tell the tale. The result wasBastard Hymns."
Belgian black metal institution Enthroned are opening a new chapter in their storied career with their upcoming twelfth album, which now stands as their most ferocious and personal work. Written in collaboration with occult author Gilles de Laval, Ashspawndescends into spiritual death, only to emerge reborn amongst the flames.
Today, Enthroned are releasing the album’s scorching title track as its second advanced single. “Ashspawn” embodies the band’s driving ethos, blazing into spiritual destruction as a path toward transcendence.
Listen to “Ashspawn” below.
Ashspawn comes out December 5 on Season of Mist.
Pre-order & Pre-save
More than three decades after their inception, Enthroned remain steadfast in their purpose: not to replicate the past, but to realign with the forces that birthed them. Ashspawn is the testimony of this alignment, a ritual weapon that rejects nostalgia and compromise. It is a resurrection of spirit through suffering, a reaffirmation of Enthroned’s place among black metal’s most visionary entities.
Line-up:
Nornagest — Vocals & Samplers
T. Kaos — Guitars & Bass
Menthor — Drums & Percussion
Production Credits:
Recorded at Ophiussa Studio, London, UK.
Produced by Menthor.
Mixed by Stefano Santi at SPVN Studio, Milan, Italy.
Mastered by Phil Bashford at The Hive, London, UK.
Cover Art:
Cover artwork by Jose Gabriel Alegria Sambogal
(https://www.instagram.com/josegabrielalegriasabogal/)
Photography:
Band photography by Emanuela Giurano
Pre-save & Pre-order: https://orcd.co/enthronedashspawn
Follow Enthroned:
Facebook: https://www.facebook.com/Frater.Silurian
Instagram: https://www.instagram.com/enthronedofficial/
Bandcamp: https://enthroned.bandcamp.com/
YouTube: https://www.youtube.com/@enthronedofficial
Spotify: https://open.spotify.com/artist/5lmT6zZl7aPNg8hv5UrJGz
Apple Music: https://itunes.apple.com/artist/enthroned/47713289
Deezer: https://www.deezer.com/artist/14611
Tidal: https://tidal.com/browse/artist/3604477
Booking Contact:
Bart Gabriel — Dragon Productions
bart@dragon-productions.com
