Melinoe unveil their first full-length opus, Affliction In Bloom,

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release on October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

  • Nadine  (Vocals/Keys)

  • Travis (Guitars)

  • Kaleb (Drums)


Album Credits:

  • Producer: Logan Clough, Justin Gregorio

  • Recording Studio: Creative Cult Recordings, Vanta Co Recordings

  • Engineer: Logan Clough

  • Mastering: Logan Clough

  • Mixing: Logan Clough

Album Cover Artist: Nadine

Art Rock Trio Our Oceans Share "Leave Me Be" Video

Blending singer/songwriter sensibilities with modern progressive rock elements, Our Oceans' music resonates with listeners who seek a soul-stirring experience, offering both catharsis and hope.

Today, the power trio, featuring singer and guitarist Tymon Kruidenier and his former Exivious bandmates — bassist Robin Zielhorst and drummer Yuma van Eekelen — have released the video for "Leave Me Be." The song is the third single off the new studio album Right Here, Right Now, due out released on October 24 via Long Branch Records.

Watch the "Leave Me Be" music video Below

Stream the single and pre-order the album here

"One of my favorite songs on the album," comments band leader Kruidenier. "It’s built on a bass line Robin originally wrote for Motherly Flame on our last record but never ended up using for that song. Conceptually, this is one of the darkest songs on the album, rooted in childhood trauma — something that’s clearly reflected in both the lyrics and the unsettling vibe of the music. I also think it's one of our more original compositions. From the ominous, hypnotic bass groove to the Middle Eastern-inspired motifs, and finally, the dual drum/guitar solo, it's a song that still gives me goosebumps every time I hear it."

On their new album, Right Here, Right Now, Our Oceans unveil a brighter, more exhilarating sonic landscape while maintaining the evocative emotional depth that has become their hallmark. Inspired by the "bright quality of the now," the band from the Netherlands crafts a richly layered musical journey filled with lush harmonies and uplifting atmospheres. The album captures the vibrancy of the present moment, blending intricate musicianship with an infectious sense of optimism.

"I'm incredibly proud of that album, but it's a bit of a bitter pill to swallow," says Kruidenier. "This time around, I also felt the need to return to the creative philosophy behind the first Our Oceans album: Simply letting things flow. Instead of steering the process or clinging to preconceived ideas of what the music should be, I wanted to trust in an open and unrestricted creative approach, allowing the songs to take shape naturally. It all started with the chorus for what became the album's first track, 'Golden Rain.' From there, everything came together in what felt like one effortless flow state that lasted for a month or two. I think this resulted in a collection of songs that feel balanced and cohesive, yet diverse and playful."

OUR OCEANS ARE:
Tymon Kruidenier — Vocals +Guitars
Robin Zielhorst — Bass
Yuma van Eekelen — Drums

HENCE REINVENTS SOFT CELL’S ICONIC ‘SEX DWARF’ WITH A SURREAL, THEATRICAL TWIST.

Hence — the Anglo-Danish collective known for transforming coincidence into art — have released their latest single: a radical reimagining of Soft Cell’s cult classic ‘Sex Dwarf’. More than just a cover, Hence’s version is a full-scale reinvention. Where the original throbbed with sleaze and synth-driven menace, Hence lean into the decadent, surreal and theatrical. Layers of modular electronics collide with dark disco beats, while their signature universe of silver spheres, poodle masks, and modular chaos refracts the song into something at once familiar and entirely new. For Hence, the choice of ‘Sex Dwarf’ was not coincidence alone, but a chance to trace a line back to their synth heritage. “It’s about taking something iconic, shaking it loose and letting it mutate through our collective,” the band says. “Soft Cell’s original was already outrageous. We wanted to push it through our lens of absurdity and meaning — until it became both homage and subversion.”

The track follows Hence’s April 2025 release ‘Steadying The Ship’, which established the band’s reputation for existential lyricism and cinematic soundscapes. With ‘Sex Dwarf’, Hence showcases the other side of their DNA: playful provocation, theatrical excess and fearless reinvention.

“Hence is more than just a band,” they added. “It’s a community of chance. Every collaborator leaves a fingerprint and every accident is welcomed as part of the final work.”

Das Konductor makes his second appearance in the Hence universe - this time stepping forward not just as a spectral narrator but as a full vocal presence. On Hence’s radical reimagining, Das Konductor lends his unmistakable voice, twisting decadence into theatre, menace into play.

“We live in a time of sharp debates about what can and can’t be said. With Hence, we believe in the strength of artistically expressed absurdities. Borders can be set by politics but they are felt through the arts. What we love is how the unconventional inevitably turns us back toward the conventional, and vice versa. That interplay with life is, to us, the foundation of art.” – Knuth, Hence

With this performance Hence has shaped its provocative reinvention into something that is at once homage and subversion. Das Konductor also returns in ‘Jewels Of The Night’, delivering the spoken passages which introduce the forthcoming video with nocturnal poetry.

Performed by Hence & Das Konductor
Produced & Mixed by Knuth
Mastered by Jaran Hereid
Remixed by Aesthetic Perfection
Written by Marc Almond & David Ball
Published by Arto-Music/Warner Chappell Music
℗ 2025 Cosmic Cassettes 

San Francisco's OCTAVIAN WINTERS unleash dark and primal 'Saints of Absolution'

San Francisco post-punk outfit Octavian Winters presents 'Saints Of Absolution'a dark and rich teaser of their debut album, out in early 2026 via Stratis Capta Records. Marrying their hallmark ethereal sound with a classic death rock vibe, this dark and primal offering follows the lead track 'Hermine'. Both singles accompanied by short films by Bay Area producer David Kruschke.

Guitarist Stephan Salit (Thrill of The Pull) channels his Eastern roots with a guitar motif that circles like a hypnotic dance, over a tribal groove by bassist Jay Denton and drummer Randy Gzebb (Thrill of The Pull, Love Club), which undulates below. Mesmerizing vocals by Ria Aursjoen (AURSJOEN) enter like temple incense wafting atop of the music - sinister and confessional, before building to a wild visceral delivery as the song builds to its intense ending.

"This song 'Saints of Absolution' is about false idols, on two levels. The broader level, and the one we most often think of when we think of the idea of false idols, is about people attaching to negative ideologies that subvert our better natures, and the toxic swamp that lies down that path. The other level is the individual, and the poison of envy, hatred and spreading gossip behind others' backs -- often serious lies that can be very damaging to people's lives," says Ria Aursjoen.

"This world is full of enough horror without adding to it; although the lyrics are a little darker than my usual style, the intent is to make people think, to urge us all to not lose sight of our common humanity."

'Saints of Absolution' was produced, recorded, mixed and mastered by the iconic William Faith (The Bellwether Syndicate, Faith & the Muse, Christian Death) at 13 Studio in Chicago.

"This is another one that I originally intended to go one way, but then went another. I had the two main themes with the dissonance I desired when William made a suggestion that turned into the break that Ria takes flight over! What a glorious din," says guitarist Stephan Salit.

Drummer Randy Gzebb adds, "I've always been drawn to playing tom grooves that give the song a darker more primal feel".

Formed in 2022, Octavian Winters profess a visceral ethereal sound with haunting textures, channeling half-remembered stories from an indifferent metropolis and lunar energy. This newest single confirms the band's well-earned reputation for weaving multiple stylistic influences together into a sonic tapestry that is altogether unique and identifiably their own.

Now critically acclaimed, the band gained a solid reputation with their 2023 debut EP 'The Line or Curve', and 2024's 'Nebula / Velveteen' collaboration with Mark Pistel (Consolidated, Meat Beat Manifesto), their tightly crafted songs running the gamut from the ethereal to the dark and driving. This new offering, 'Hermine', visits those harder edges.

Following their recent appearance at A Murder of Crows Festival in New York, West coast fans will now be treated to their performance at Bar Sinister in Los Angeles on October 31 for their legendary Ghostly Halloween Ball.

'Saints of Absolution' is out now, available everywhere digitally, including Apple MusicSpotify and Bandcamp.  Tickets for their L.A. show can be ordered at  https://octavianwinters.com/shows

CREDITS 
Music written by Octavian Winters. Lyrics by Ria Aursjoen
Ria Aursjoen: Vocals / Keyboards
Stephan Salit: Guitars / Vocals
Randy Gzebb: Drums
Jay Denton: Bass
Recorded at OW Studios, San Francisco, CA
Produced, Recorded, Mixed and Mastered by William Faith at 13 Studio, Chicago, IL
Released by Stratis Capta Records
Published by Flare and Bloom Music BMI
Artwork and layout by Henry Austin Lannan
Octavian Winters wordmark by Eric Olson
Video and artist photos by David Kruschke, except
Banner portrait by Katheleen Landino
Publicity by Shameless Promotion PR


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

Hooded Menace Premiere Lachrymose Monuments of Obscuration

For more than two decades, Hooded Menace have stood as the pillar between two realms of underground metal. The Finnish band are still transfixed by classic horror on their monumental new album. But Lachrymose Monuments of Obscuration only goes to show that these stewards of death-doom remain far from stuck in their ways. 

Lachrymose Monuments of Obscuration comes out tomorrow, Friday, October 3, but you can hear all seven earthshaking tracks today by listening to the full album stream below. 

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration


Pre-save on Spotify
https://open.spotify.com/prerelease/3Os1kbdsMgl805olZjrZUr

Ask the band anything about Lachrymose Monuments of Obscuration during tomorrow's Reddit AMA. 

Hooded Menace AMA 
r/Metal
Friday, October 3 @ Noon EST / 18 CEST


Join
https://www.reddit.com/r/Metal/comments/1nr7jx3/hooded_menace_ama/

On Lachyrmose Monuments of Obscuration, Hooded Menace cast death-doom in a ghostly new light. 

Line-up
Harri Kuokkanen — Vocals
Lasse Pyykkö — Guitar, Bass, Keyboards
Pekka Koskelo — Drums

Guest Musicians
Antti Poutanen — Cello
John McNulty — Spoken Word

Production Credits
Recorded by Heikki Marttila at Guru Studio, Joensuu, Finland.
Mixed by Heikki Marttila.
Mastered by Jaime Gomez Arellano at Orgone Studios, Portugal.

Cover Art
Wes Benscoter (https://www.wesbenscoter.com)

Photography
Pasi Nevalaita

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration

Available formats
Digital download
CD Digipack
12" Vinyl (Black)
12" Colored Vinyl (Red)
12" Colored Vinyl (Purple)
12" Colored Vinyl (Crystal clear with red and blue marble)
12" Liquid-filled Vinyl (Slime yellow)


Follow Hooded Menace
Bandcamp: https://hoodedmenace.bandcamp.com/music
Facebook: https://www.facebook.com/hoodedmenaceofficial/
Instagram: https://www.instagram.com/hoodedmenaceofficial/
Spotify: https://open.spotify.com/artist/10mjw8SFRZjS0d8tecdEW8
Apple Music: https://music.apple.com/artist/hooded-menace/364200709
Deezer: https://www.deezer.com/artist/3748981
Tidal: https://tidal.com/browse/artist/4754969

Brutal Surf-Death Metal Band STILLBIRTH Release New Single, "Throne Of Bones", Off Of Upcoming Concept Album 'Survival Protocol'

German brutal-surf-death-party metal band STILLBIRTH leave a trail of bloodshed in their wake with their latest single "Throne Of Bones", off of their upcoming concept album, Survival Protocol. STILLBIRTH will unleash Survival Protocol on October 31st via rising metal label Reigning Phoenix Music. The album is the follow-up to their critically acclaimed Homo Deus, which was released in 2023.

"Throne Of Bones" kicks off with a towering drum groove and ominous guitar riffs. Monstrously guttural vocals dominate the soundscape, calling forth a tale of apocalyptic despair. The rhythmic chorus provides some order among the chaos, but it isn't long before all hell breaks loose once again with a burst of pig squeals and punchy riffs. Though a groovy rhythm pervades the music, STILLBIRTH are determined to keep their listeners on their toes, punctuating the flow of the song with more extreme elements.

Survival Protocol is a concept album that tells the story of an unknown hero surviving a nuclear apocalypse. The narrative began on the album Annihilation of Mankind and now reaches its conclusion on Survival Protocol. It picks up where Homo Deus left off: the true creator descends from the skies, and the epic battle for planetary dominance begins. Humanity is nearly wiped out, with a handful of survivors managing to escape into space. After a long journey, they discover a habitable planet and begin to colonize it. The events of this journey are told across the tracks of Survival Protocol.

Watch the video for "Throne Of Bones" BELOW :

Pre-Order Survival Protocol HERE: https://stillbirth.rpm.link/survivalprotocol

STILLBIRTH is a slamming death metal force from Hagen, Germany, known for their chaotic live shows, unrelenting brutality, and wild blend of Death Metal, Grindcore, Deathcore, and Slam. Since 1999, the band has been obliterating venues and festivals worldwide with an extreme sound fueled by filthy grooves, blast beats, and a tongue-in-cheek attitude that’s equal parts destruction and party.
 
Founded by guitarist-turned-vocalist Lukas Swiaczny, STILLBIRTH quickly gained a cult following with their 2002 debut Happy Stillbirth Party. After a short hiatus from 2003 to 2005, the band came roaring back, contributing to international split releases and building a reputation across Europe. Their sophomore effort, Plakative Aggressionen (2009), led to their first Eastern European tour and set the tone for a relentless schedule of releases and performances.
 
By 2011, Endgame Is Near expanded their reach, earning them a spot on their first U.S. tour. STILLBIRTH's 2015 album Global Error marked a high point, with back-to-back tours across the U.S. and Europe. Their signing to Unique Leader Records saw them level up again with Annihilation of Mankind (2018), landing major festival appearances and a tour through Asia.
 
In 2019, they revisited their roots with Back to the Stoned Age, re-recording fan favorites with updated production and guest vocals. The follow-up, Revive the Throne (2020), doubled down on brutality with dual basses, massive grooves, and razor-sharp production—setting a new bar for heaviness in their discography.
 
Tragedy struck in 2021 with the passing of bassist and engineer Dominik “Pumpa” Koenig. His legacy lives on in the band’s music and spirit. After signing to Distortion Music Group in 2022, STILLBIRTH dropped Homo Deus in 2023, toured Europe with KATAKLYSM and FLESHGOD APOCALYPSE, and crushed stages at Summer Breeze, Party.San, and Tolminator.
 
Now, STILLBIRTH is poised to unleash their ninth full-length, Survival Protocol, on October 31st, a dystopian concept album promising their most refined yet devastating sound to date.
 
STILLBIRTH is a party at the edge of the apocalypse. Total madness guaranteed!

STILLBIRTH IS:

  • Lukas Swiaczny – Vocals

  • Martin Grupe – Drums

  • Lukas Kaminski – Bass

  • Leonard Thoma – Guitar

  • Szymon Skiba – Guitar

Website | Facebook | Instagram 

THE NARRATOR - Release Video For New Single 'Pills From The Start'

Following the Summer festival season, with shows at some of the biggest and most renowned metal festivals in Europe, such as Wacken and Summer Breeze, modern metalcore sensation THE NARRATOR have unleashed a new single called 'Pills From The Start'. The blistering, groove led anthem is tackling toxic friendships that leave a lasting scar. The struggles with pain of self-worth can be heard in the visceral delivery from vocalist Fabian Jochum throughout the song. Alongside the single, a music video has been released, which you can watch below.

Just like the previous single, 'Unbind Me', 'Pills From The Start' was mastered by Grammy award winning mastering engineer Ted Jensen at Sterling Sound.

If you want to catch THE NARRATOR live, which is highly recommended: the band will embark on an extensive European tour with ANNISOKAY starting October 10th. Be quick as tickets are going fast. You can find all confirmed dates at the bottom. Furthermore, a hometown headline show in Essen has been announced for December 20th, 2025, rounding off a successful year for THE NARRATOR with a party for the ages!

THE NARRATOR commented:
'Pills From The Start' is about finding your own worth even when toxic friendships try to drag you down. Playing it live on our upcoming tour will be the perfect way to turn that message into a shared experience with our fans."

Stream 'Pills From The Start': 
https://thenarrator.bfan.link/pills-from-the-start

Watch the music video for 'Pills From The Start' Below.

About THE NARRATOR:

THE NARRATOR were founded in 2017 in the Ruhr area of Germany and have been captivating audiences with their energetic songwriting and electrifying live performances from the very beginning. After successful tours and festival appearances, THE NARRATOR steadily made a name for themselves in the global metalcore scene.

In September 2024, THE NARRATOR released their highly anticipated debut album Lore – 10 tracks that speak volumes, boasting an impressive 12 million streams across all platforms to this day. Their latest single, 'Unbind Me',  mastered by Ted Jensen (STERLING SOUND – BRING ME THE HORIZON, GREEN DAY, KORN, and many more), proved once again that THE NARRATOR is essential for every modern metal playlist. But one thing is certain: the best is yet to come!

Defences Return With Video for New Modern Metal Banger "Lithium Kiss"

Defences will be your new favorite alternative metal band.

Known for an eclectic mix of synth-heavy melodies and crushing riffs, fronted by the sultry and androgynous tones of singer Cherry Duesbury, Defences offer their next level take on metalcore. Over 10 years, two EPs ,and three LPs, the underlying theme of the necessity for introspection, self-reflection, and finding your inner strength bears strong. It's "self-acceptance-core" at its finest.

Today, the Hertfordshire, UK-based band returns with the video for the new single "Lithium Kiss."

"The inspiration for 'Lithium Kiss' came from one of our members' personal experience being prescribed the mood-stabilizer Lithium for a couple of years, and the frustrations and difficulties that came along with the benefits," comment Defences. "When treatment stopped, rather than feeling like before, there was instead a feeling of being almost hyper-rational, rather than feeling like they could react instinctively and naturally. 'Lithium Kiss' is NOT about not taking your medication and taking care of yourself and we would never want it to come across that way. It's instead a crystallization of a paranoia that we are consumed by illness and treatment, adversity, and reconciliation. The 'Lithium Kiss' is our way of referring to this relationship — the symbiotic necessity for difficulty to bring about individual growth, whilst ensuring that it does not come to consume you."

Watch the "Lithium Kiss" music video below

Stream the single here.

DEFENCES ARE:
Cherry Duesbury — Vocals
William Young — Keys, Vocals
Calum Wilmot — Guitar
Kyle Parke — Drums

Morgan Wallen Walks Away from Wreckage in New “I Got Better” Music Video

On the heels of concluding his 2025 I’m The Problem Tour on September 13 in Edmonton, Alberta, Morgan Wallen has notched another top five-and-climbing single at Country radio with “I Got Better,” the second-of-37 tracks on his blockbuster fourth studio album, I’m The Problem. Today, the 19-time Billboard Music Award winner released the official music video for the single he dubbed his “most personal” upon its May 16 release. Watch Below.
 
Co-written by Wallen alongside Michael Hardy, Chase McGill, Blake Pendergrass, Ernest Keith Smith and Ryan Vojtesak, “I Got Better” comes to life on screen under the direction of Justin Clough. The cinematic video uses a car accident as a metaphor for the wreckage of a relationship. The storyline follows Wallen as he walks away from the crash, his wounds gradually beginning to heal as he does so. 
 
Wallen first teased the video’s creative clad in bloodied attire via a social media post on September 3 during a week off on tour, simply captioning, “Interesting bye week lol”. 
 
I’m The Problem spent 12 non-consecutive weeks atop the Billboard 200 albums chart and 13 non-consecutive weeks at No. 1 on the Billboard Canadian Albums chart. It also became Wallen’s first album to debut at No. 1 on the UK Official Charts – making him one of only five artists to debut at summit with a country album. The project has already yielded four No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. 
 
The project debuted at No. 1 in seven countries upon release. In Australia, I’m The Problem became the longest-running No. 1 album by a country artist in 10 years, with three consecutive weeks atop the ARIA albums chart, while “What I Want (feat. Tate McRae)” spent five weeks at No. 1 on Australia’s Country Airplay chart.

About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “one of the biggest stars in the music world right now” and The New Yorker adding “[he’s] popular on a scale that seems to circumvent genre entirely.” With 19 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, 198 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. 
 
Wallen’s fourth studio album, I’m The Problem, available now via Big Loud / Mercury, debuted at No. 1 globally across seven countries; while his preceding albums – Dangerous: The Double Album and One Thing At A Time – have remained in the top 10 of the Billboard 200 chart for more than 100 weeks each, making him the first artist ever to achieve that feat. I’m The Problem – which Hits Daily Double observes is “a 37-song cycle of self-reckoning” – has already yielded four No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. Wallen also broke his own record for the most simultaneous entries in Billboard Hot 100 History, with 37 songs charting on release week.
 
Wallen’s 20-stadium-show 2025 I’m the Problem Tour recently concluded in Edmonton, Alberta. In addition to his 20 stadium-plays, Wallen held his inaugural, personally-curated and multi-genre Sand In My Boots Music Festival in Gulf Shores, Alabama in May. He also performed an intimate album release show at The Roundhouse in London.
 
Wallen donates a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.

Photo Credit: Spidey Smith

Messina Touring Unveils New Logo and Brand Identity

Messina Touring, a leader in live entertainment, unveils a new logo and refreshed brand identity that reflects the company’s forward-looking approach to live music and its unwavering commitment to artists.
 
Founded by legendary promoter Louis Messina, Messina Touring has spent decades at the forefront of touring innovation, building record-setting tours for some of the world’s most celebrated performers, including George Strait, Taylor Swift, Ed Sheeran, Kenny Chesney, The Lumineers, Eric Church, Blake Shelton, Ty Myers, Old Dominion, Phoebe Bridgers and Zac Brown Band.
 
The updated branding reflects Messina Touring’s continued commitment to leading the way in live entertainment, challenging industry norms by creating enhanced artist partnerships and redefining an artist-first approach to touring. Messina Touring continues to break records and elevate artist success while reshaping the touring landscape, empowering artists with ownership of their fan data while providing the tools to meaningfully engage and strengthen those relationships.
 
As Messina Touring reveals its refreshed logo, the company reinforces its core belief that a more transparent, collaborative and tech-forward approach benefits artists, fans and the future of live entertainment.

Alt-pop artist Celeste Corsano presents mesmerizing single 'XS', where size counts

Alternative pop artist Celeste Corsano has released her new single 'XS' via Magic Door Record Label. Conveying feelings of insecurity, body image issues, and the pressure for perfection and success, often driven by media and external standards, she uses the double meaning of "XS" (extra small) sizes and "excess" success. With a sound wrapped in analogue perfection, Corsano grapples with the cycle of comparison and the fleeting nature of achieving an "industry standard" of happiness.

Based in Milford, Pennsylvania (on the border with New Jersey), Corsano once again made the short trip to Magic Door Recording Studio in Montclair, NJ to work with Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony), who produced, recorded, mixed and mastered this release. Recalling The Cars and Kate Bush, 'XS' appears on the trail of three stunning singles - 'Stuck', 'Nightbird'and 'Sunlight Gazing'.

"XS is about feeling like an outsider and trying to fit in, insecurities about body image and the trap of perfection.  These mindsets come from my own insecurities based on my personal experiences, examples of women I've seen growing up and by outside sources such as the media and the entertainment industry," says Celeste Corsano.

"The lyrics "XS" and "XXS" come from the clothing tags that I often fit into and the sort of shallow and fleeting satisfaction that I feel when I do...silly and kind of sad, but true.  But there are other meanings.  I'm comparing myself to other peoples' success and I feel like I don't measure up".

This song features famed guitarist James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale), Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) on drums and synths, and David Nagler (Nova Social, Joan Baez, Aaron Neville, Rosanne Cash, Yo La Tengo) on bass.

"XS" begins with a light pop feel, but by the end develops an ominous tone that is highlighted fantastically with Ray Ketchem's tribal drumming and cymbal splashes and James Mastro's dark chord play. The creative production and analog synthesizers also enhance its primal feel; as if I am grappling in the wilderness of these thoughts of mine and singing with a troubled sarcasm which I feel reveals my true feelings about the bondage or cycle of comparison that we can all get into," says Corsano.

"Feeling we have achieved the "industry standard" of whatever it is we are trying to achieve - be it body size, our image in our creative expression, or success in social circles, perhaps, but then saying, “Well, have I reached it? Am I now in the perfect spot of happiness?” We all know how transitory this can be and the ambivalence that may set in after that high wears off."

Corsano's music blends poetic lyricism with adventurous arrangements, unexpected rhythms and a distinct emotional range -- from ethereal and moody to playful and bold. With a natural use of mixed meters and layered vocal timbres, her fearless approach to storytelling conveys a deeper truth. With a simple unassuming style, there's a disarming honesty in her work that feels deeply personal, yet speaks to something we all feel. Revealing a vulnerability that is both deeply personal and strikingly relatable, her sparse, almost childlike vocals amplify its impact.

From a musical family, Celeste is inspired by her brothers - Latin roots musician Tony Corsano and percussionist Chris Corsano (Björk, Kim Gordon, Thurston Moore). Corsano began in NYC's live music scene, drawing inspiration from punk and new wave while also writing poetry and studying art. After initially performing Celtic and Bluegrass music, she evolved into a songwriter. She also honed her ear during countless studio sessions with her ex-husband, producer Brad Morrison (and founder of Absolute A-Go-Go Records), working with notable artists like Phish, the Figgs and Spiral Jetty.

'XS' is out now, available from fine online music platforms, including Bandcamp, where her latest singles 'Stuck', 'Sunlight Gazing' and 'Nightbird' can also be found. 

CREDITS
Written by Celeste Corsano
Celeste Corsano – vocals & keyboards
James Mastro – guitar
Ray Ketchem – drums & synths
David Nagler – bass
Produced by Ray Ketchem
Recorded, mixed & mastered by Ray Ketchem at Magic Door Recording, Montclair, NJ
Cover artwork by Chris Corsano
Released by Magic Door Record Label
'Stuck' video production & concept by Brother JT
Publicity by Shameless Promotion PR


Keep up with Celeste Corsano
Facebook | Bandcamp | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Magic Door Record Label
BandcampFacebook | Instagram  | Soundcloud | YouTube | Magi c Door Studio | Press contact

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EQUILIBRIUM - Announce New Album Equinox + Release Single/Video 'I'll Be Thunder'

Cinematic, folk-metal trailblazers Equilibrium are thrilled to announce that their new studio album, Equinox, will be released on November 28th via Nuclear Blast Records. Today they've also released firey new single 'I'll Be Thunder' accompanied by a raw, earthy performance video.

Equilibrium commented:
"'I'll Be Thunder' is a very impulsive song that shows the experimental and uncompromising side of Equilibrium. Therefore we tried to emphasise this with a unique, archaic performance video. The whole visual concept, set design and costumes have been hand crafted by Jessica Rösch again. I love this song, because while the notes of it came intuitively to my mind, the lyrics are about self-empowerment, breaking free from limitations, and embracing one’s true strength and authenticity.
It is also the perfect moment to announce our upcoming album "Equinox", which is all about authenticity, reconnection with and rediscovering our own art. It took a long time to go through this process since a lot has happened throughout the last few years in the history of Equilibrium. It represents the bright and dark side of our music and we can't wait to share the whole thing with the world and enlighten this new chapter. The album contains all the cinematic, folky, harsh and soft elements an Equilibrium album should have."


Pre-order Equinox here: 
https://equilibrium.bfan.link/equinox

You can watch the video for 'I'll Be Thunder' below: 

Stream 'I'll Be Thunder' here: 
https://equilibrium.bfan.link/illbethunder

Equilibrium are currently touring in mainland Europe alongside Dark Tranquility, Soen and IOTUNN.

Tickets are available here: 
https://equilibrium-metal.net/en/shows/

About EQUILIBRIUM:

The world is spinning faster these days. Chaos, division and destruction hang heavy in the air. But music has long been humanity’s most vital defense against the turbulent tides of time. A band whose very name is a plea for balance and unity, Equilibrium have been making life-affirming music for nearly 25 years, and as they return after a lengthy hiatus, the German legends are more committed than ever to spreading some positivity and hope to the masses.

As they prepare to release their seventh and greatest album to date, the mighty Equinox, creative mainstays René Berthiaume and Jessica Rösch stand proudly at the forefront of modern metal, ushering in an inspirational new era. With a brand new singer, Fabian Getto, leading the charge, Equinox is this band’s most distinctive and powerful statement to date.

Equinox showcases a band in full control of their sonic and spiritual world, with songs that bring their cherished trademarks and authentic instrumentation together with new technology, electronic elements and giant, stirring melodies that rip from the speakers like proclamations from ancient gods. From the joyous rush of recent singles 'Gnosis' and the melo-death inspired 'Bloodwood', to the effortless, cross-pollinated mastery of 'Earth Tongue', 'Legends' and the show-stopping 'Nexus', Equilibrium have never sounded more potent or passionate.

Equinox was recorded and produced by Equilibrium themselves, with some significant help from an assortment of guest musicians – including ex-Eluveitie violinist Shir-Ran Yinon and members of Dutch Viking metal band Heidevolk- and particularly from studio guru and multi-instrumentalist Danny McCook, who oversaw the album’s mixing process.

Inspired by their experiences with other creatives, Equilibrium have also made the decision to embrace authenticity in every aspect of their art. Equinox is adorned with artwork created by Jessica Rösch with her own hands and without any input from A.I. or any other technology. The end result is stunning and speaks volumes about this band’s desire to keep things real.

In turbulent times, real art keeps us all grounded in the things that really matter. Equinox is a statement of intent from a band reborn. Equilibrium have made great music in the past, but never with this much fire and focus. Brimming with smart ideas, anthemic melodies and crushing, state-of-the-art modern metal with an organic, folk-fuelled twist, it kicks open this new chapter in the band’s story with an exhilarating, heartfelt flourish.
 

Follow EQUILIBRIUM:

Website | Facebook | Instagram | TikTok | Youtube | Spotify | Apple Music

Paleface Swiss & Stick To Your Guns Drop Searing Picasso-Inspired Track "Instrument of War"

After tearing through a sold-out U.S. tour that moved over 35,000 tickets earlier this year, Switzerland’s heaviest export Paleface Swiss reunite with tour mates, Stick To Your Guns for the release of brand new banger, “Instrument of War”, a fierce, unflinching anthem born in green rooms and tour buses, now fully realized as both a sonic statement and a rallying cry. Watch the official music video Below and stream the track HERE.

Written mid-tour during rare moments of quiet, the song captures the visceral connection between Stick To Your Guns vocalist, Jesse Barnett and Paleface Swiss frontman Marc “Zelli” Zellweger, who bonded over shared convictions, distorted guitars, and the Pablo Picasso quote that gave the track its name. “No, painting is not done to decorate apartments. It is an instrument of war,” the quote begins—“for attack and defense against the enemy.” That sentiment—art as weapon, art as armor—became the foundation for both the track and its video, directed by artistic director and co-manager Kriss Jakob, and produced by co-manager Marco Bayati with a crushing final mix from longtime collaborator Florent Salfati (Landmvrks).

In a joint statement, Zelli and Jesse share

“No, painting is not done to decorate apartments. It is an instrument of war for attack and defense against the enemy. I felt like we both relate to this. Our music isn’t just some shit to put on in the background. It’s something real that comes from a real place and it’s meant to attack the things that divide us and defend all the things that bring us together.”

In keeping with the ethos of the track's inspiration, 100% of proceeds fromInstrument of Warwill be donated to Doctors Without Borders, supporting their emergency medical work in conflict zones around the world. A limited edition Instrument of War charity shirt is also available now at Palefaceswiss.com, with all profits going directly to the organization.

Zelli and Jesse continue

“Paleface Swiss has generally avoided taking explicit political positions—especially given how complex things are today. But Doctors Without Borders/Médecins Sans Frontières (MSF) provides care to people affected by conflict, disease outbreaks, natural and human-made disasters, and mental health crises. That kind of direct, human-first action is something we deeply respect.”

“That said, both Stick To Your Guns and Paleface Swiss share clear values. As we mentioned, we stand for what’s right—whether that means supporting mental health (a core focus for Paleface Swiss) or speaking out against oppression and violence. For those who know our bands, this song already carries those messages. That’s why it felt like the right vehicle for something bigger—and why it made sense to use it to give back.”

Known for their incomparable live performances and fearless approach to intense and vulnerable topics, Paleface Swiss has built a reputation as one of the most vital, unfiltered, and rapidly rising forces in the world of modern metal today. With their latest album, Cursed, Paleface Swiss took listeners into their darkest, most intricate, and artistically diverse chapter yet, combining their trademark Nu-Core heaviness with raw vulnerability, a rare and special combination for a band within their genre. The album charted at #17 globally on Spotify, #3 in the U.S., and #1 in the UK—quickly followed by Cursed: The Complete Edition.

The album's success kicked off a year of career-defining momentum for Paleface Swiss that included back-to-back sellout tours across Europe & the UK, North America, multiple festival performances and their first ever tour of Australia. Refusing to rest on their laurels, Paleface Swiss will begin 2026 with their biggest tour of Europe and the UK yet and will be heading back to the US in May to play Sonic Temple Festival.

Whether “Instrument of War” makes its way into the Paleface Swiss live set at their upcoming shows remains to be seen, but with Stick To Your Guns and Static Dress joining them across Europe and the UK next year, every night promises to be a masterclass in the future of modern metal.

ABOUT PALEFACE SWISS

Since their debut Chapter 3: The Last Selection in 2020, Paleface Swiss have risen from underground darlings to global heavyweights in the world of metal. With explosive riffs, punishing beatdowns, a brutally heavy rhythm section, and frontman Zelli’s signature vocal savagery, the band quickly gained momentum—landing four breakout tracks on Spotify’s Heavy Beatdown playlist Their 2022 follow-up Fear & Dagger pushed even further, earning praise for its emotional weight and unflinching heaviness, with standout reviews from Metal Injection, New Transcendence, and Wall of Sound. Singles like “The Orphan,” “Dead Man’s Diary” (feat. LANDMVRKS' Florent Salfati), and “My Grave / Lay with Me” solidified their place among the new wave of deathcore’s most innovative acts.

In the years that followed, Paleface Swiss took their chaos on the road—touring with Body Snatcher, Counterparts, and The Ghost Inside, and leveling festival stages from Sick New World to Hellfest. Their live reputation exploded, converting crowds with a show that fuses unrelenting brutality and raw vulnerability. Between headline tours and viral fan demand, they released standalone anthems “Best Before: Death,” “Please End Me,” and “The Gallow—each now included on their latest offering Cursed: The Complete Edition, the most ambitious and complete chapter of their journey so far. To date, the band have amassed over 110 million streams, 21 million YouTube views, with their Spotify Monthly listeners recently peaking at over 1 million. Their recent, sold-out Cursed Tour across Europe, the UK, and North America sold over 60,000 tickets.

PALEFACE SWISS are: 

Vox: Marc “Zelli” Zellweger

Guitar: Yannick Lehmann

Bass: Tommy-Lee Abt

Drums: Cassiano 'Cassi' Toma

ORDEN OGAN Unleash New Single "Conquest", Live In Oberhausen, While Touring With WINDROSE and ANGUS MCSIX

German dark power metal force ORDEN OGAN have dropped a thunderous new live version of their fan-favorite track “Conquest”, taken from their latest full-length The Order Of Fear, released in July 2024 via Reigning Phoenix Music here.

Recorded during the band’s Tour of Fear in the sold-out Turbinenhalle in Oberhausen, Germany, this version captures the raw intensity and electric communion between the band and their audience. “Conquest” has quickly risen to become a staple in the ORDEN OGAN setlist, and this live cut shows exactly why: riffs sharp as steel, massive choruses, and a crowd roaring as one. ORDEN OGAN once again prove that true power metal lives on stage: loud, larger than life, and unforgettable!

Frontman Sebastian "Seeb" Levermann states:

“'Conquest' has become one of the absolute fan favorites within the last 12 months since the release of The Order of Fear. This recording was captured in the sold-out Turbinenhalle (Oberhausen, Germany) on ORDEN OGAN’s Tour of Fear. I think we managed to capture the energy between band and audience. Enjoy!”

Stream/Download "Conquest" here: https://ordenogan.rpm.link/conquestlive

Don’t miss the chance to experience "Conquest" and other ORDEN OGAN hymns
live on their upcoming tour with WIND ROSE and ANGUS MCSIX:

Tickets & Info: https://ordenogan.de/pages/on-tour

About ORDEN OGAN:
ORDEN OGAN are an essential part of the international metal scene with their top status leading back to their debut album Vale (2008). Their 2021-album, Final Days, even reached position 3 of the official German Album Charts, and having up to more than half a million monthly listeners on Spotify makes them one of the most successful metal acts when it comes to streaming. Epic melodies, impactful lyrics and unmistakeable passion for the genre define the band's work, and their latest studio offering The Order Of Fear only continued their musical journey by promising fans a monumental experience.

Led by Sebastian "Seeb" Levermann, the seventh album is arguably their hardest- hitting work to date. The Order Of Fear persists the ORDEN OGAN saga with a triumphant lesson in dark power metal: the album features eleven powerful tracks (including a spoken interlude) that offer a fresh perspective on the band's ever- evolving sound, resulting in an explosion of thought-provoking melodies and rhythms.

The Order Of Fear once again hit the German Album Charts at #3, followed by spectacular festival performances and their very well received Tour of Fear.

The Order Of Fear was released on July 5, 2024 through RPM as an exclusive box-set (including a CD-digipak and a unique board game for up to 32 players to make fans act as various characters of the ORDEN OGAN world), coloured 1LP vinyl (splatter, crystal clear or clear turquoise), and CD-digipak.

Visit: https://ordenogan.rpm.link/theorderoffearPR

[Photo: NatEnemedePhotography]

ORDEN OGAN are:
Sebastian "Seeb" Levermann | vocals
Niels Löffler | guitars
Patrick Sperling | guitars
Steven Wussow | bass
Dirk Meyer-Berhorn | drums

More on ORDEN OGAN:
ordenogan.de | Facebook | Instagram | X | YouTube
greenman-studios.de | Facebook Seeb | Instagram Seeb

Eclectic Guitarist Eric Steckel Drops "When It Rains, It Pours" Video

Eclectic American guitarist and singer Eric Steckel, who traffics in blues, rock, and metal, has signed to SPV Recordings and returns with new single "When It Rains, It Pours."

"'When It Rains, It Pours,' the first single from my upcoming 2026 album, is my sonic declaration that storms are meant to be weathered, not avoided," says Steckel. "It's both a reflection of my own life and career, as well as a testament to resilience and tenacity, even when —especially when — storms are on the horizon. It serves as a reminder to us all that we can find strength in the storm itself. When the rain comes, as it inevitably does, some seek shelter. Others choose to stand tall and let the storm reveal their inner strength. 'When It Rains, It Pours' is the musical reminder to channel that strength!"

Watch the video below.

The song starts with a powerful drum fill and continues to impress with a strong guitar riff, a screaming Hammond organ and a driving groove. Eric Steckel has toured worldwide sharing the billing with Steve Vai, Gregg Allman, Johnny Winter, John Mayall, Ray Charles, Larry Carlton, Robben Ford, and others and was voted into Total Guitar magazine's list of "The 100 Greatest Blues Guitarists of All Time" and named one of "10 Future Blues Stars" by Guitar Player. 

In an era where pedalboards, laptops and samples have become commonplace, Eric Steckel goes against the grain and harkens his listeners back to the days when great guitars were played loudly through great amps. Hailed by many as the top rising star of blues/rock, Steckel delivers a powerhouse performance that has left audiences in 30 countries (and counting) mesmerized. He brings an energy and passion to the stage that never disappoints and his signature blend of Bluesmetal is a must see for fans of guitar-based rock. Steckel has shared the stage with and/or opened for iconic legends such as Ray Charles, Steve Vai, Gregg Allman, B.B. King, John Mayall, and Johnny Winter. Road-tested and seasoned from 23 years on stage and in the studio, Steckel delivers his signature blend of "blues metal" to appreciative guitar lovers worldwide.

 Just in time for the single release, Eric Steckel is embarking on an extensive European tour.

Jamey Johnson Set to Perform "Symphony in the South" with the Nashville Symphony on Oct. 17-18

Ten-time GRAMMY nominee Jamey Johnson will join the Nashville Symphony on Oct. 17 and 18 at 7:30 p.m. for its first collaboration as part of the Nashville Symphony’s 2025-26 Pops Series at the Schermerhorn Symphony Center. 

“The Schermerhorn shows are really a full circle moment for me,” Johnson says. “I started my journey in music with both a guitar and a French horn, so I have always played country music, gospel and classical. The Schermerhorn shows are my reconnection with the symphony and it’s going to be special. It’s going to show a different side of the songs I do every night.”

Tickets can be purchased HERE

Johnson selected the theme “Symphony in the South,” so the set list will include some of his most-loved songs, such as “In Color,” “Lead Me Home” and “Even the Skies Are Blue,” as well as some of his favorite country classics and other standards.

“There will be a really good mix of songs, just like most of my shows,” he says. “I am doing songs that match with the theme of ‘Symphony in the South.’ There is a definite Southern theme to the songs. It’s kind of like a photo album with music: This is what the South sounds like. These are the songs of the South done with symphonic instruments.”

The Schermerhorn shows mark the national debut of Johnson’s “Symphony in the South” shows that he will perform with various symphonies. “This will be a way of bringing a little bit of the South to everywhere else in the country,” he says.

Johnson has been called “one of the greatest country singers of our time,” by The Washington Post. The Grand Ole Opry member is also widely regarded as one of the greatest country songwriters of his generation. He is one of only two people in the history of country music (along with Kris Kristofferson) to win two Song of the Year awards in the same year – for “Give It Away” and “In Color” – from the Academy of Country Music and the Country Music Association.

But perhaps less well known are his classical musicianship and love of symphony music, especially Wolfgang Amadeus Mozart, Robert Schumann, Johann Sebastian Bach and Richard Wagner.

About Jamey Johnson:
Ten-time GRAMMY nominee Jamey Johnson has been called “one of the greatest country singers of our time,” by The Washington Post. His music has garnered international acclaim and is embraced by fans of classic and contemporary country, as well as Americana and mainstream rock. He released his latest album, Midnight Gasoline, a collaboration between his label, Big Gassed Records, and Warner Music Nashville, in November 2024. He released a new song, “Never Gonna Be,” with Ronnie Dunn on Sept. 12.

The Grand Ole Opry member is also widely regarded as one of the greatest country songwriters of his generation. He is one of only two people in the history of country music (along with Kris Kristofferson) to win two Song of the Year awards in the same year – for “Give It Away” and “In Color” – from the Academy of Country Music and the Country Music Association. 

A consummate storyteller, his songs have been recorded by George Strait, Trace Adkins, Willie Nelson, James Otto, Joe Nichols and others. 

His recent prime-time television performances have been widely recognized as the best of the shows, from singing “Georgia on My Mind” in the CBS special Willie Nelson’s 90th Birthday Celebration” and “Angels Among Us” for the CMT Giants: Alabama to performing “Beer for My Horses” with Lainey Wilson for the top-rated NBC special Toby Keith: American Icon” (available to stream on Peacock.)

The Recording Industry Association of America recently honored him for sales/streams of 9 million, including the 5X platinum-certified single “In Color,” the 2X platinum-certified album That Lonesome Song, the platinum-certified single “High Cost of Living,” the gold-certified song “Between Jennings and Jones” and the gold-certified single “That Lonesome Song.”  

Jamey performed in “Life Is a Carnival: A Music Celebration of Robbie Robertson,” which was held in Los Angeles and filmed by Oscar-winning director Martin Scorsese for an upcoming release.

DREW BALDRIDGE’S “CALL ME IF YOU GET ONE” OUT NOW

Chart-topping singer-songwriter Drew Baldridge released his nostalgic new song, “Call Me If You Get One,” via Lyric Ridge Records/BBR Music Group/BMG Nashville. The track, written by Brian Fuller,  Michael Lotten and Jordan Walker is now available HERE.

Rooted in Baldridge’s personal brand of Farm, Faith and Family, “Call Me If You Get One” draws inspiration mirrored in his own upbringing in southern Illinois. Growing up, Baldridge’s dad and grandpa would always say, “Call me if you get one,” whenever one of them would go hunting. Now, as a father himself, Baldridge looks forward to passing that tradition down to his son.

More than just a hunting story, the song captures the timeless bonds between generations and the emotions tied to cherished memories in the great outdoors. With heartfelt lyrics and Baldridge’s signature warmth, “Call Me If You Get One” is a reminder of the simple yet powerful ways family traditions carry forward through love and legacy.

“This song is really special to me,” says Baldridge. “It’s about those little things my dad and grandpa used to say that stuck with me. Now, I get to share those same memories and traditions with my son, and that means the world.”

​​To celebrate the release, Baldridge has teamed up with Rural King to highlight their shared values of family, tradition, and the outdoors. Fans who pre-save/add “Call Me If You Get One” with Spotify and Apple Music will be entered to win an exclusive Rural King prize bundle featuring hunting gear and outdoor essentials.

“Call Me If You Get One” joins recent releases “Deserve Her” and “Get Me Gone” featuring Emily Ann Roberts, expanding Baldridge’s growing catalog of new music as he continues writing and recording for an upcoming full-length project. Ahead of this week’s new release, he will perform at the NSAI Awards on Tuesday, September 23, highlighting his talents as both a performer and songwriter. Baldridge recently wrapped back-to-back tours with Cody Johnson and Bailey Zimmerman, and this fall he will join Jelly Roll and Shaboozey on the Down Under Tour 2025 before launching his own Country Born Tour across the UK and Europe.

ABOUT DREW BALDRIDGE:
Drew Baldridge is carving out a lane all his own with songs rooted in Farm, Faith, and Family. His 2025 highlights include the release of “Deserve Her,”  “Get Me Gone” featuring Emily Ann Roberts and his latest “Call Me If You Get One,” as well as a moving collaboration with Dove Award-winning collective I AM THEY on “Scars.” Baldridge’s latest radio single, “Tough People,” became his second consecutive Top 10 hit, following the RIAA GOLD-certified smash “She’s Somebody’s Daughter,” which reached No. 1 on Country Aircheck/Mediabase and No. 3 on Billboard Country Airplay. Notably, he is the only self-funded artist ever to hit No. 1 on Country Aircheck/Mediabase with his first chart-topping single via his Lyric Ridge Records label and holds the distinction of being the highest-charting independent artist ever on the Billboard Country Airplay chart. With more than 1.1 billion streams and impressions and 2 million social followers, Baldridge has quickly become one of country music’s most-watched rising voices. A powerhouse performer and songwriter signed to Sony Music Publishing, Baldridge has written more than 500 songs with cuts by Bailey Zimmerman, LOCASH, and others. He has toured with Cody Johnson and Bailey Zimmerman, and this fall will join Jelly Roll and Shaboozey on the Down Under Tour 2025 before launching his own Country Born Tour across the UK and Europe. Named to the CRS “New Faces” Class of 2025, an iHeartCountry “On The Verge”artist, and MusicRow’s Independent Artist of the Year, Baldridge continues to build a career that blends authenticity, perseverance, and a deep connection to fans.

KEEP UP WITH DREW BALDRIDGE
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

P.OD. Share Surprising Cover of a Classic — LISTEN // Touring With Seether + Daughtry This Fall

Platinum selling superstars P.O.D. — Sonny Sandoval [vocals], Marcos Curiel[guitar], and Traa Daniels [bass] — are back and with a twist. They are sharing a surprising but incredible cover of a classic.

They have shared their rendition of The Beatles' iconic track "Don't Let Me Down." Watch and listen below.

"As cliché as it may sound, we've always admired The Beatles from the very beginning of our songwriting journey," says Curiel. "Their melodies, the hooks, and fearless experimentation inspired us to craft our own take on the classic 'Don't Let Me Down,' with nothing but the utmost respect. Thank you for helping lay the foundation of what we all know today as rock 'n' roll, pop, and metal."

P.O.D. will hit the road this fall, supporting Seether + Daughtry. All dates are below. Get tickets here

Curiel is eager to get back on the road, saying, "Touring is a gift, a blessing to share P.O.D.'s music live with the world. Absolutely nothing compares to the energy of a crowd feeling and vibing every note. We're ecstatic to join an amazing lineup that embodies the true essence of rock 'n' roll fusing the familiar with the new — a real evolution. We are proud to be part of it. Let's jam, let's sing, let's rock.."

P.O.D. ON TOUR:
WITH SEETHER + DAUGHTRY:
10/1—The Dome —Virginia Beach VA
10/3—Hard Rock Live—Atlantic City NJ
10/4—Stone Pony Summer Stage—Asbury Park NJ
10/5—Wind Creek Event Center—Bethlehem PA
10/7—MGM Music Hall at Fenway—Boston MA
10/8—Hartford Healthcare Amphitheater—Bridgeport CT
10/10—Rose Music Center—Huber Heights OH
10/11—Michigan Lottery Amphitheatre—Sterling Heights MI
10/12—Pier Six Pavilion—Baltimore MD
10/15—Everwise Amphitheater—Indianapolis IN
10/17—Skyla Credit Union Amphitheatre—Charlotte NC
10/18—Red Hat Amphitheater—Raleigh NC
10/20—Covelli Centre—Youngstown OH
10/22—Walmart AMP—Rogers AR
10/24—FirstBank Amphitheater—Franklin TN
10/25—Chastain Park Amphitheatre—Atlanta GA
10/31—The Midland Theatre—Kansas City MO
11/1—Filmore Auditorium—Denver CO
11/5—The Factory—Chesterfield MO
11/6—Byline Bank Aragon Ballroom—Chicago IL
11/8—UPMC Events Center—Moon Township PA
11/9—Appalacian Wireless Arena—Pikeville KY
11/11—The Pavilion at Toyota Music Factory—Irving TX
11/12—713 Music Hall—Houston TX
11/14—Charlotte Country Fair—Port Charlotte FL
11/15—FTL War Memorial—Fort Lauderdale FL

PHOTO CREDIT: Alicia Hauff

In May 2024, P.O.D. released their 11th album VERITAS via Mascot Records. The album was a Top 10 hit across the U.S. Billboard Current Hard Rock, Current Rock, and Current Alternative album charts, and has already surpassed 65 million streams. The band has released several singles from the album including "DROP," "AFRAID TO DIE," "I GOT THAT," and  "I WON'T BOW DOWN." "DROP" features a vicious vocal feature from Lamb of God singer Randy Blythe, while the equally eruptive single "AFRAID TO DIE," features Jinjer vocalist Tatiana Shmayluk. The album picked up major playlisting across Spotify, Apple, Amazon, and Pandora, and steamrolled support from SXM. Octane, Loudwire, BBC Radio 1, BBC Radio 2, Kerrang! Radio, Metal Hammer, Kerrang! Magazine, Knotfest, INKEDRevolver and more.

BABYLON A.D. New Album WHEN THE WORLD STOPS Out Now on All Digital Services.

BABYLON A.D. is excited to announce the release of their new album WHEN THE WORLD STOPS on all digital services. The compact disc is available via Kivel Records. 

Purchase the CD: https://www.kivelrecords.com/wordpress/

 

Steam the album: https://smarturl.it/whentheworldstops

Watch the Video Below:

BABYLON A.D.

Derek Davis - Vox - Guitar - Keyboards

Ron Freschi - Guitar - B Vox

John Mathews - Guitar

Dylan Soto - Drums - Acoustic Guitar on “The Damage Is Done”

Craig Pepe - Bass - B Vox

Special guest: Julie Pacheco - Piano on “Love Is Cruel”

Produced, Mixed, Engineered by Derek Davis @ The BADMOFO’s Recording Studio, Pleasanton, CA.

Drums recorded by: Brad Barth @ Audio Voyage Livermore CA.

ALL SONGS WRITTEN BY:

Derek Davis, Ron Freschi, John Mathews, Dylan Soto, Craig Pepe.

© Perfect Pen Publishing, Hatrix Media, Jonestown Pub ASCAP.

Management: Malla Entertainment

Released by Kivel Records