Varials Return With Video for New Single "I'll Find the Dark" + It Slays

Philadelphia's VARIALS — Skyler Conder, vocals; Shane Lyons, guitar; Mike Foley, bass; Sean Rauchut, drums — have erected a massive, impenetrable, and intimidating wall of sound with "I'll Find the Dark," their first new song since 2022.

Watch the video below.

It's also the first track to feature formidable new frontman Conder, who shares that the song is about "ending it all abruptly."

Squalling feedback, deathcore growls that sound as though they originated in the deepest recesses of hell, and violent, and riffs that sound like detonations are the hallmarks of "I'll Find the Dark." It's heavier than a slab of granite and a welcome return for a revamped and revitalized Varials.

"'I'll Find the Dark' lyrically tries to captivate the overall theme of being consumed by pain throughout existence," says Conder. "The idea was for the instruments to be just as aggressive as the vocals and lyrics of the song itself. The track tries to express the emotional distress of feeling lost within yourself, being terrified of existence and living, as well as trying to overcome some sense of grief and heartache."

Shane Lyon furthers, "The idea was to build a wall of sound that suffocates the listener."

Suffocation has never sounded so good.

This is just the opening salvo from the new and improved VARIALS. More music is on the way. And it's going to be just as vicious.

VARIALS will embark on a tour of Australia with Spite.

ABOUT VARIALS:
Philadelphia's Varials seamlessly alternate between moments of crushing power and melodic poise, unlocking harmony in the middle of opposite poles. So much so that Decibel once raved that "Varials have their own modern spin on hybridizing metal and hardcore into a powerful new amalgam." The band — newly comprised of Skyler Conder (vocals); Shane Lyons (guitar); Mike Foley (bass); and Sean Rauchut (drums) — consistently sharpen their signature style with searing intensity, uncontainable energy, and incredible creativity. Varials began to build their fanbase with Pain Again [2017] and In Darkness [2019]. The latter yielded "Romance," which amassed 21 million streams and counting. Varials next delivered a dose of controlled chaos like with their third full-length, 2022's Scars For You To Remember. Over the course of Varials' career thus far, the band has hit the road with the likes of Wage War, Kublai Khan, and more, holding its own with some of the genre's heaviest hitters and earning its right to be named among the best. Varials' upcoming fourth full-length looks to be the band's most brutal effort yet.

Alt-rock outfit Sword Tongue receives Grammy nomination for 'Bonfire In The Tempest' album

Oakland-based alternative rock / darkwave trio Sword Tongue has received a Grammy nomination for their explosive 'Bonfire In The Tempest' EP, marking a significant milestone for the trio, placing them in a competitive field alongside some of the biggest names in music today. Such recognition is also a powerful testament to their unique sound and resonance with their growing fanbase.

Their fourth EP to date, 'Bonfire In The Tempest' was birthed in an age of cultural upheaval. Bursting with raw emotion, this release is tempered by sophisticated production, launching the band into uncharted territory.

This EP is a love letter to the music we adored in the 90s. Long delays, lush chorus sounds, deep flanges and modulations – a guitar tone chaser’s dream, married with deep distorted growling bass lines, hard driven drums and pulsing, electronic dance beats provide the texture over which soaring female vocals triumph. At times a whisper, and other times a roar, each song crafted in the crucible of these modern, unprecedented times.

In these five loaded tracks, vocalist Jennifer Wilde delivers alluring vocal lines that oscillate between a croon and a roar, seduction and rage. Gaetano Maleki's signature shimmering guitar tones and bass lines mesmerize and ensnare, while Dan Milligan's intricate drum lines drive the message and become the heartbeat of this sonic tour de force reminiscent of the 90s.

Capturing the essence of 90s alternative music, reimagined for a new era, Sword Tongue weaves together rock, industrial, shoegaze, post-punk and trip hop, giving voice to anguish, anger, transformation and triumph. Pulling from an array of musical styles, from electronic music to space rock, this EP is showcased by the singles 'We Are The Resistance' and 'Diamonds To Rust'.

“Originally, this album was meant to be more of a danceable opus with a trip hop flavor. However, after the U.S. Presidential election, we realized that our album had to carry a more specific message on the current pollical climate, on aging, and on transitions. We wanted to give voice to the frustration, the anguish, the strength, and the hope in all of us,” says Jennifer Wilde.

Debuting in 2020 during the pandemic, Sword Tongue creates dark music for dark times, casting a shadow of hope in the twilight. Formed by husband-and-wife duo Gaetano Maleki and Jennifer Wilde, the project is their love language and the culmination of their life’s work as musicians. Wilde, a classically trained vocalist who has performed with the Oakland Symphony Chorus, has been a guest vocalist and lyricist for seminal shoegaze band Love Spirals Downwards. Maleki brings an intensity from his background in heavy music, infusing his shimmering guitar soundscapes with sonic weight.

The pair were then joined by renowned producer and drummer Dan Milligan, whose driving contribution has infused the music with more depth, drive and dimension. The brainchild of The Joy Thieves, he has quite the history co-creating, producing and remixing such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.

The 'Bonfire In The Tempest' EP is out now as a first-print red variant cassette, including a special album poem inside, and also digitally everywhere, including SpotifyApple Music and Bandcamp.

CREDITS
Lyrics by Jennifer Ryan Wilde
Music written & arranged by Sword Tongue (Wilde / Milligan / Maleki)
Jennifer Ryan Wilde - vocals
Dan Milligan - drums & percussion
Gaetano Maleki - guitar & bass
Produced by Dan Milligan
Publicity by Shameless Promotion PR


Keep up with Sword Tongue
Website | Bandcamp | Facebook | Instagram | BlueSky | YouTube | Spotify | Apple Music| Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

SCORCHING TOMB Drop Pulverizing New Single “Diminished To Ashes”

Canadian death metal outfit SCORCHING TOMB return with “Diminished To Ashes”, the second single from their forthcoming full-length album Ossuary, arriving October 24, 2025 via Time To Kill Records.

Opening with the tortured sound of perishing screams, “Diminished To Ashes”wastes no time. It’s a fast-paced, face-ripping banger built from the core elements that define death metal: crippling vocals, punishing drums, reckless riffs, and lyrics steeped in decay and destruction. This track is pure sonic combustion, designed to burn everything in its path.

The upcoming album Ossuary continues the infernal momentum sparked by the Primal Tomb split. It’s a relentless collection of pummeling riffs, bone-breaking mosh parts, and inhuman gutturals. Raw, violent, and unrepentant, Ossuary is not for the weak.

With Diminished To Ashes, SCORCHING TOMB once again prove their place among death metal’s most uncompromising forces. For fans of bone-crushing rhythms and suffocating heaviness, Ossuary is set to become essential listening.

Ossuary arrives October 24, 2025 via Time To Kill Records

Pre-order Ossuary HERE:

Via Time To Kill Records: https://timetokillrecords.com/collections/scorching-tomb-ossuary 
Via Bandcamp: https://scorchingtomb.bandcamp.com/album/ossuary

About SCORCHING TOMB:
Born in the sewers of Montreal, Canada, in 2018, SCORCHING TOMB began with the aim of blending old fashioned death metal and modern hardcore together in a city where technical death metal reigns supreme. It didn’t take long for the band to make a name in the underground. Fast old school riffs, pummeling mosh parts, and an energetic stage presence quickly saw SCORCHING TOMB gain attention, especially in the hardcore scene.

Initially formed by tattoo artist Vincent PL on vocals and axeman Philippe Leblanc, ST has now its hardest lineup to date by adding Miguel Lepage (ex- BLIND WITNESS, ex- OBEY THE BRAVE) on bass and Émile Savard (PROFANE ORDER, ex- MALEBRANCHE) on drums. 

Striving to follow in the footsteps of CRYPTOPSY, QUO VADIS and DESPISED ICON, SCORCHING TOMB seek to show the world that Montreal is still to this day an unrelenting force of death metal.

Line Up:
Vincent Patrick Lajeunesse: Vocals
Philippe Leblanc: Guitars, Back vocals
Miguel Lepage: Bass
Émile Savard: Drums

Connect with SCORCHING TOMB: 
Instagram: https://www.instagram.com/scorchingtomb
Bandcamp: https://scorchingtomb.bandcamp.com/
Facebook: https://www.facebook.com/scorchingtomb/

You and Wes and Laurel. Together at last!

Somehow you did not learn your lesson the last time, so here we are dragging our southern drawl back up to the northeast again. We are trading sweet tea for black coffee, cowboy boots for subway steps, and praying our tour van survives another round of toll booths.

After that we'll sink our toes in the sand in Florida!

The truth is we could not do this without you, and we are so thankful to have more friends than ever waiting for us along the way. You will find the full schedule and ticket links below.

TOUR DATES


Sep 26 • THE STATION • Louisville, TN
TICKETS

Oct 4 • SCRUFFY ROOTS FESTIVAL • Knoxville, TN
TICKETS

Oct 6 - 10 • DOLLYWOOD HARVESTFEST • Pigeon Forge, TN
TICKETS

Oct 16 • THE LOFT AT MANOR MILL • Monkton, MD
TICKETS

Oct 19 • VILLAGE IMPROVEMENT ASSOCIATION • Rehoboth Beach, DE
TICKETS

Oct 22 • THE BITTER END • New York, NY
TICKETS

Oct 26 • KIVA HOUSE CONCERTS • Pinehurst, MA
TICKETS

Oct 30 • THE SPIRE CENTER • Plymouth, MA
TICKETS

Nov 2 • HISTORIC GOULDSBORO TRAIN STATION • Gouldsboro, PA
TICKETS

Nov 13 • THE SUGARSHACK DOWNTOWN • Bonita Springs, FL
TICKETS

Nov 14 • PHILLIPI CREST CLUB • Sarasota, FL
TICKETS

Nov 15 • TROLL MUSIC • Venice, FL
TICKETS

Come laugh, cry, and sing with us, and we promise to give you a night you will not forget.


With gratitude and a little sass,

Wes & Laurel
THE YOUNG FABLES

theyoungfables.com

Igorrr Release "Daemoni" Video

French multi-instrumentalist and producer Gautier Serre has been operating under the name Igorrr for 20 years now, yet each new record still resounds with a startling freshness and radical vitality. Steadfastly unclassifiable fifth album AMEN maintains this impact, blindsiding the listener with a new set of exploratory curveballs and continuing to surprise and unnerve even the most attuned enthusiast. 

AMEN is out now via Metal Blade. Get it here.

The record features guest appearances from by Scott Ian (Anthrax), Trey Spruance (Mr. Bungle), and Mike Leon (Soulfly)

Today, Igorrr drops the video for "DAEMONI." Watch it Below.

"The Earth has a demon inside it," the artist states. "The bright side attempted to convert it but didn't succeed, and the gong marked the end of all hope. You can hear the demon's heart. You can hear the ceremony for it to wake up. You can hear the mud and the dirt. You can also hear, with such great strength, the bright side of life fighting before it was destroyed by evil."

IGORRR will tour Europe this fall with Master Boot Records and Imperial Triumphant. The artist plans to return to the U.S. to play live in 2026. Stay tuned for more.

ABOUT IGORRR:
Since signing to Metal Blade in 2017, the Igorrr name has expanded from one man's pseudonym to become a full group identity, but Gautier remains the project's guiding light and mastermind, so he's the best man to ask to describe the indescribable. "This album is definitely darker than its predecessors, it has such a very weighty and solemn vibe that has never been reached before in Igorrr," explains Gautier. "The fact that I recorded a real choir in a church helped this a lot, but above all there has been very long and meticulous work on the sound and the choice of instruments, and deep experimental research to create a unique sound design. Of course, because it's an Igorrr album, there are some more colorful tracks, like 'Blastbeat Falafel,' 'ADHD...' They contrast very much with the ambient heaviness. I need tracks like these on an album, it helps to really get through it fully focused, like a shot of limoncello before the next meal."

With an urge to continually take Igorrr's multifaceted and challenging sound further forward with each release, Gautier has spent a lot of time cultivating multiple new modes and methods of working since 2020's breathtaking, critically acclaimed opus Spirituality And Distortion — which even reached No. 12 on the official German album chart. Gautier has always made clear that Igorrr is as much about the influence of Bach and Chopin as it is about Cannibal Corpse, Aphex Twin, and Meshuggah, but the source of specific stimuli gets harder to ascertain as the process is refined. "It's always difficult for me to know from where the inspiration comes," he muses. "Music is an expression of life, and I would say everything, even what seems the most insignificant thing, can be a source of inspiration. I would say there hasn’t been one event or one experience that has lead me on a creative process, it's more like a cumulation of everything. I love making music, my brain processes music all the time. You cannot imagine the amount of albums and concertos I create during my sleep. The challenge is more how to sort these ideas to keep the ones with the best potential, the ones that I won't get bored of, the ones that I really Love — with a big letter L."

IGORRR ARE:
Gautier Serre — Machines
Jb Le Bail — Vocals
Marthe Alexandre — Vocals
Remi Serafino — Drums
Martyn Clément — Guitars

Fitzsimon and Brogan (FaB) team up with ELO's Martin Smith on 'Flowers at Her Door' single

London-based indie rock / power-pop duo Fitzsimon and Brogan (FaB) are back with their new single 'Flowers At Her Door', released through Booster Music WTPL France. In a music landscape starved for originality, a UK duo is proving that sometimes the freshest sounds are born from old-school inspiration.

FaB is made up of songwriter Neil Fitzsimon and vocalist Bee Brogan, both members of the Sony-licensed band Pretty Blue Gun, who went on to form the London-based songwriting-production partnership FaB Productions and recorded their 'Big Blue World' album at Abbey Road's Studio Two, where The Beatles recorded so many great songs.

FaB has crafted a project that's both emotive and lighthearted, successfully bridging the spirit of '60s and '70s songwriting with a truly new feel. Recorded at FaB Productions, this single was co-produced, mixed and mastered by Martin Smith (Electric Light Orchestra, Shakin' Stevens) at Garage Studios in London. The music and lyrics for 'Flowers at Her Door' are written by Fitzsimon, with Brogan handling vocals, keyboards, drums and engineering.  

'Flowers At Her Door' is a sonic and lyrical achievement, calling to mind Debbie Harry with the deep tone of German singer-songwriter Nico. FaB has captured the attention of legends, with David Bowie's drummer Woody Woodmansey praising their ability to stand out from the crowd and Elvis Costello's Pete Thomas saying the avant-garde would be proud.

"This song was inspired by the Ridley Scott film "The Duellists", which depicts the Napoleonic wars and that particular film portrayed decadence, glamour and cruelty in equal measure. We’re trying to achieve the standard of the songwriting of the 1960s/1970s for a modern-day audience," says Neil Fitzsimon.

"My style of writing is old-school, with namely a guitar and a blank page. I give myself 45 minutes to work on a new song and if nothing comes, I’ll put the guitar down and go back to it the following day. It’s amazing how things that seemed insurmountable can then become vividly clear 24 hours later."

This new single follows FaB's latest album 'This Wicked Pantomime', which was co-produced by Pat Collier (Katrina and the Waves, Primal Scream, Maximo Park) at Perry Vale Studios, London and involved dummer Woody Woodmansey (David Bowie Spider's from Mars), as well as Elvis Costello drummer Pete Thomas.

Prior to that, FaB released four well-received albums, including 'Venus in Reverse' (2011), 'His Latest Squeeze' (2015), 'Big Blue World' (2018) and 'The Girl Who Shouted Love at the Heart of the World' (2019), which involved members of The Art of Noise, Eric Clapton bass player Dave Bronze, Moody Blues' Tobias Boshell and Pip Williams (Walker Brothers).

Having toured nationally across the UK and with song placements in Film and TV, they also wrote the musical 'Jack Dagger', which was showcased at the Greenwich Theatre, London for the Musical Futures Award, and also at the Bridewell and the Royal College of Music in London. With chart success in France, Belgium, and South Africa—and a song featured in a U.S. sci-fi film—the band is making waves on every front.

As with their full bouquet of sonic offerings, FaB's 'Flowers at Her Door' can be found across the web's music platforms, including Apple Music and Spotify.

CREDITS
Music and Lyrics by Neil Fitzsimon
All guitars, bass played by Neil Fitzsimon
Vocals, keyboards and engineering by Bee Brogan
Recorded and produced by FaB Productions, London
Mixed and mastered by Martin Smith at Garage Studios, London
Cover artwork by FaB Productions
All songs released via Booster Music WTPL, France
Publicity by Shameless Promotion PR


Keep up with Fitzsimon and Brogan (FaB)
Bandcamp Facebook | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

Stoned Jesus Premiere Mind-Melting 'Songs to Sun'

While they've blazed beyond the hot box of stoner metal, after 16 years, Stoned Jesus are still expanding their horizons. This week, the heavy progressive rockers are officially embarking on a three-album journey that will take them all the way to the sun, moon and back. Though created during a dark period of instability, the trilogy's stunning opener, Songs to Sun, is guided by a burning passion for innovation that frontman Igor Sydorenko shares with his new bandmates.  

"The melodies, the hooks, the progressive side coming together with the sheer joy of a band riding grooves", The Obelisk writes of Songs to Sunin an early review. "...it's a next-level, AOTY-contender-type outing". 

"This is an outstanding record from a band who are simply at THE TOP OF THEIR GAME and who deserve all the plaudits fully coming their way", salutes Outlaws of the Sun.

Songs to Sun out now , on Season of Mist, but you can hear all six mind-melting tracks today by listening to the full album stream on the Season of Mist YouTube channel.

Listen Below:

"It's time for Songs to Sun to arrive", Sydorenko says. "The first part of The Songs Trilogy is one of our heaviest and intense yet eclectic and intricate collection of tracks to date. I'm extremely proud of presenting it to you all to enjoy. Can't wait to play this material live, too. See you on the road!"

Pre-order & Pre-save
https://orcd.co/stonedjesussongtosun

Pre-save on Spotify
https://open.spotify.com/prerelease/4CYNwXVJHZn9MMtOIvLApx?si=KvumqJJMQFuZhiPMEA5lBA

Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what's been a decades-long trip for Stoned Jesus. While picking up where Father Light left off, Sydorenko and his new mates still nod to Seven Thunders Roar and The Harvest along the way. But by merging metal's fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.      

Lineup
Igor Sydorenko - Vocals, Guitar, Bass, Keyboards
Andrew Rodin - Bass, Backing Vocals
Yurii Ciel - Drums, Backing Vocals      


Production Credits
Produced by Igor Sydorenko
Recorded by Ignancy Gruzecki
Mixed and Mastered by Karl Daniel Lidén at Studio Tri-Lamb, Sweden

Recording Studio
Monochrom Studio in Poland

Cover Art
Vadym "Karaska" Karasiov

Pre-order
https://orcd.co/stonedjesussongtosun

Pre-save on Spotify
https://open.spotify.com/prerelease/4CYNwXVJHZn9MMtOIvLApx?si=KvumqJJMQFuZhiPMEA5lBA

Available Formats
Digital Download
CD Digipack
12" Vinyl (Black)
12" Vinyl (Black and White Marbled)
12" Vinyl (Translucent Blue, Black and White Marbled)
12" Vinyl (Silver and Black Splatters)
12" Vinyl (Yellow with Blue Splatters)

Follow Stoned Jesus:
https://linktr.ee/stonedjesusband
https://music.apple.com/sg/artist/stoned-jesus/396799004

https://open.spotify.com/artist/23lyMLxYNPS15hpVvFNptR
instagram.com/stonedjesusband
http://facebook.com/stonedjesusband
twitter.com/stonedjesusband
https://www.tiktok.com/@stonedjesusband

youtube.com/c/StonedJesus
stonedjesus.bandcamp.com

BLACKBRAID Kicks Off North American Headlining Tour

Indigenous solo black metal project BLACKBRAID is now embarking on its first ever North American headliner, in which he will be supported by Lamp of Murmuur and Dödsrit, with Gudsforladt replacing LoM as support for two Canadian dates. The trek will kick off today, September 18, in San Diego, CA and will make its way around the U.S. + Canada until the final stop on October 11 in Los Angeles, CA. Many dates have already sold out, have had venue upgrades due to demand, or are close to selling out!

Blackbraid will then be headlining the UK and Ireland from April 9 - 14, 2026, in which he will be supported by WINTERFYLLETH + NOCTEM. The full itinerary can be found below while tickets are available HERE.

Vinyl and cassette formats of 'Blackbraid III,' as well as new merch designs, can be found via Blackbraid.US & Blackbraid.EU while the album can be streamed or downloaded HERE.

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

TICKETS

BLACKBRAID North American Tour w/ Lamp of Murmuur + Dödsrit,:

09/18: San Diego, CA @ Brick By Brick [LOW TICKET WARNING]

09/19: Phoenix, AZ @ Last Exit Live

09/20: Albuquerque, NM @ Launchpad

09/22: Dallas, TX @ Trees

09/24: Atlanta, GA @ Masquerade (Purgatory) [LOW TICKET WARNING]

09/25: Greensboro, NC @ Hangar 1819

09/26: Baltimore, MD @ Baltimore Soundstage [VENUE UPGRADE]

09/27: Brooklyn, NY @ The Meadows [SOLD OUT]

09/28: Albany, NY @ Empire Live

09/30: Boston, MA @ Middle East (Downstairs) [LOW TICKET WARNING]

10/01: Montreal, QC @ Café Campus * [LOW TICKET WARNING]

10/02: Toronto, ON @ Velvet Underground * [LOW TICKET WARNING]

10/03: Lakewood, OH @ Mercury Music Lounge

10/04: Chicago, IL @ Reggies [SOLD OUT]

10/05: St. Paul, MN @ The Turf Club [SOLD OUT]

10/07: Denver, CO @ HQ

10/08: Salt Lake City, UT @ Urban Lounge

10/10: Oakland, CA @ Thee Stork Club [LOW TICKET WARNING]

10/11: Los Angeles, CA @ 1720

*w/ Gudsforladt, no LoM

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid III' Album Credits:

Composed & performed by Sgah'gahsowáh

Drums, recording, mixing & mastering by Neil Schneider 

Guitar solo in “God of Black Blood" performed by Randy Moore

“Fleshbound" originally composed by Lord Belial

Painting by Adam Burke

Illustration by Adrian Baxter

Visual development & graphic design by Wolf Mountain Productions 

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Official Merch Store (EU) 

Blackbraid is an independent artist and is not contracted to or owned by any music label. 

THE HALO EFFECT - tear into WASP classic with new single “I Wanna Be Somebody”

Swedish metal powerhouse THE HALO EFFECT return with their electrifying new single – a blistering take on WASP’s 1984 anthem 'I Wanna Be Somebody'. The track, handpicked by guitar hero Jesper Strömblad, marks the band’s third cover version and continues their celebration of iconic heavy metal influences.

Alongside the single, the band proudly announce that these reinterpretations will culminate in a brand-new EP, We Are Shadows, set for release on November 21.
The new single is accompanied by a striking visualizer, further amplifying the raw energy of the track.

Jesper Strömblad reflects on the choice of song: “WASP’s aggressive sound and eccentric stage presence has always been fun. The shock of songs like ‘I Fuck Like a Beast’ and fun anthems like ‘I Wanna Be Somebody,’ and ‘L.O.V.E. Machine,’ are powerful and heavy. Extreme and dramatic, controversial and fun, WASP’s ‘I Wanna Be Somebody’, off their debut album, was my first introduction into the band”

With 'I Wanna Be Somebody',  THE HALO EFFECT once again channel their roots while shaping their own sonic path—setting the stage for We Are Shadows this fall.

Listen to 'I Wanna Be Somebody': https://thehaloeffect.bfan.link/iwbssg

Watch the visualizer Below:

Pre-order the EP We Are Shadows: https://thehaloeffect.bfan.link/waslp

THE HALO EFFECT is:
Niclas Engelin | guitar
Jesper Strömblad | guitar
Mikael Stanne | vocals
Peter Iwers | bass
Daniel Svensson | drums

THE HALO EFFECT Online

OBSIDIAN TONGUE Kicks Off West Coast Headliner

Progressive black metal duo OBSIDIAN TONGUE is now kicking off a West Coast U.S. headliner! The trek starts in Seattle, WA today, September 18 and will dominate 10 cities until the final stop in Spring Valley, CA on September 27. The tour will celebrate the release of OBSIDIAN TONGUE's latest studio album, 'Eclipsing Worlds of Scorn." The full itinerary can be found below!

'Eclipsing Worlds of Scorn,' which is out now via Profound Lore Records and can be ordered HERE.

Comprised of multi-instrumentalist Brendan Hayter (Thrawsunblat/Obsequiae live) and drummer Raymond Capizzo (Falls Of Rauros/Panopticon live), OBSIDIAN TONGUE returned to the all-analog Mystic Valley Studio, where their first two records were made, to print their Covid-era home sessions onto two-inch tape. Mixed and mastered in the analog domain as well by Alex Garcia-Rivera, 'Eclipsing Worlds of Scorn' boasts a unique and unmistakable sonic force amidst the modern digital landscape; created with a total absence of click tracks, quantization, or sound replacement of any kind. 

OBSIDIAN TONGUE Tour Dates:

09/18: Seattle, WA @ BYC

09/19: Eugene, OR @ John Henry's

09/20: Portland, OR @ High Water Mark 

09/21: Olympia, WA @ The Crypt

09/22: Medford, OR @ Rockafairy Express

09/23: Nevada City, NV @ The Owl Cave

09/24: Santa Rosa, CA @ The Shop

09/25: Fresno, CA @ Summer Fox Brewing

09/26: Los Angeles, CA @ Five Star Bar 

09/27: Spring Valley, CA @ The Bancroft

Sixteen years into the band’s existence, Obsidian Tongue clearly show no signs of running out of new ways to alter their sound - song by song, album by album.

Lineup:

Brendan Hayter - Guitar, Vocals, Bass, Synth

Raymond Capizzo - Drums

Recorded @ Mystic Valley Studio

Mixed & Mastered by Alex Garcia-Rivera

Photos by: Stephanie Sintra

Pre-Orders: https://linktr.ee/obsidiantongue

Links:

Instagram

Facebook

Apple Music

Spotify

Bandcamp

Maddox Batson’s Latest Track “Coincidence” Out Now

On the heels of his I Need A Truck Tour kick-off, rising 15-year-old artist and Billboard Magazine’s youngest male artist to appear on 21 Under 21, Maddox Batson, releases the upbeat, sentimental track “Coincidence.” Available via Prosper Entertainment / Warner Records, Batson’s latest admits that a certain kind of love is no coincidence. Listen to the track and watch the music video below.
 
Written by Beau Bailey, Casey Brown, Travis Wood and Batson, “Coincidence” taps into Batson’s signature combination of vulnerable country lyrics derived from honest observation and young love’s perspective.

Recently, Batson kicked off his I Need A Truck Tour in Richmond, Virginia on September 7 and hits 29 markets before wrapping in his hometown of Birmingham, Alabama on November 2. Key stops include Kansas City, MO; Milwaukee, WI; Pittsburgh, PA; Philadelphia, PA and Boston, MA’s MGM Music Hall at Fenway. 
 
Batson is also joining Lainey Wilson’s Whirlwind Tour for select dates, including a stop at Nashville’s Bridgestone Arena on October 2.
 
The 15-year-old also recently released “No More,” a powerful track that taps into heartbreak and healing with a combination of grit, vulnerability and raw emotional delivery. Fueled by a hook-heavy chorus and defiant lyrics, “No More” highlights Batson’s continued evolution as both a songwriter and performer.
 
NBC Nightly News hailed Batson as “A young star, new on the country charts already striking a chord and hitting all the right notes.” At the same time, Forbes declares him as a teen who “blends country and pop with heartfelt vocals.” Batson continues to build a loyal fan base thanks to his high-energy shows, honest storytelling and genre-blending sound that connects across generations.
 
Following a breakout year that included his Grand Ole Opry debut, a high-profile appearance at Stagecoach, “Coincidence” is available here and on all streaming platforms.

Photo Credit: ShotsByCarl.LLC

Maddox Batson’s I Need A Truck Tour Routing:
September 19  ||  Jacksonville, FL  ||  Ponte Vedra Concert Hall
September 20  ||  LaGrange, GA  ||  Sweetland Amphitheater at Boyd Park
September 21  ||  Myrtle Beach, SC  ||  House of Blues
September 23  ||  Columbia, SC  ||  The Senate
September 24  ||  Greenville, NC  ||  The State Theatre
September 26  ||  Greensboro, NC  ||  Piedmont Hall
September 27  ||  Charlotte, NC  ||  The Fillmore Charlotte
September 28  ||  Norfolk, VA  ||  The NorVa
September 30  ||  Lexington, KY  ||  Manchester Music Hall
October 1  ||  Knoxville, TN  ||  The Mill & Mine
October 4  ||  Fayetteville, AR  ||  JJ's Live
October 5  ||  Oklahoma City, OK  ||  The Criterion
October 7  ||  Kansas City, MO  ||  The Truman
October 9  ||  Milwaukee, WI  ||  The Rave
October 10  ||  West Des Moines, IA  ||  Val Air Ballroom
October 12  ||  Omaha, NE  ||  Steelhouse Omaha
October 14  ||  Grand Rapids, MI  ||  The Intersection
October 21  ||  Pittsburgh, PA   ||  Stage AE
October 22  ||  Philadelphia, PA  ||  The Fillmore Philadelphia
October 24  ||  Huntington, NY  ||  The Paramount
October 25  ||  Wallingford, CT  ||  The Dome at Toyota Oakdale Theatre
October 26  ||  Boston, MA  ||  MGM Music Hall at Fenway
October 28  ||  Sayreville, NJ  ||  Starland Ballroom
October 29  ||  Silver Spring, MD  ||  The Fillmore Silver Spring
October 31  ||  Gonzales, LA  ||  Boots On The Bayou Music Festival
November 1  ||  Brandon, MS  ||  City Hall Live
November 2  ||  Birmingham, AL  ||  Avondale Brewing Company
 
Lainey Wilson’s Whirlwind Tour Support Dates:
October 2  ||  Nashville, TN  ||  Bridgestone Arena
October 16  ||  Maryland Heights, MO  ||  Hollywood Casino Amphitheater
October 17  ||  Rosemont, IL  ||  Allstate Arena
October 18  ||  Saint Paul, MN  ||  Xcel Energy Center
 
About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
 
With the arrival of his deluxe EP First Dance (The After Party), Batson was ready to show the world you’re never too young to be the face of music all while preparing for sold-out live shows across the country with his I Need A Truck Tour. Batson also recently made his debut appearance at Stagecoach Music Festival and released “No More” on July 31. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin) and he’s trying his best to remain a kid while becoming next up in country-pop music. “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. “I’m still just a kid, though, and I’m happy about that.”
 
STAY TUNED WITH MADDOX BATSON
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Greyhaven Drop "Where the Light Leaves Us" Visualizer

GREYHAVEN — Brent Mills [vocals], Nick Spencer [guitar], Johnny Muench[bass], and Ethan Spray [drums] — will release their new album, Keep It Quiet, on October 10 via Solid State. Pre-order the record, produced by Will Putney, here

The Louisville band shares the visualizer for the new single "Where the Light Leaves Us."

Watch it below.

"Last year was a bit of a struggle for me," says Mills. "I dealt with a lot of things, and I was dealing with them poorly. It's a conversation I was having with myself. I'm saying, 'You've got to dial it back. It's not going in the right direction.' The moment we wrote it in the basement, I knew it was special.”

This fall, Greyhaven will tour the UK and Europe with Better Lovers from September 24 through October 29. Dates are here. The band will also embark on a headline tour of the U.S. in November and December. Those dates are below.

GREYHAVEN ON TOUR:
11/12 — New York, NY —  Mercury Lounge
11/13 — Philadelphia, PA —  Kung-Fu Necktie
11/14 — Worcester, MA —  The Palladium 
11/15 — Baltimore. MD —  Metro Gallery
11/16 — Richmond, VA —  Canal Club
11/19 — Greensboro, NC —  Hangar 1819
11/20 — Greenville, SC —  Radio Room
11/21 — Atlanta, GA —  Masquerade
11/22 — Orlando, FL —  Conduit
11/23 — Tampa, FL —  Orpheum
11/26 — Nashville, TN —  The End
11/29 — Dallas, TX —  RBC
12/01 — Anaheim, CA —  The Parish @ House Of Blues
12/02 — Phoenix, AZ —  Rebel Lounge
12/05 — Denver, CO —  Marquis Theatre
12/06 — Kansas City, MO —  The Rino
12/08 — Columbus, OH —  Ace Of Cups
12/09 — Chicago, IL —  Cobra Lounge
12/10 — Detroit, MI —  Sanctuary
12/11 — Louisville, KY —  Whirling Tiger 
12/12 — Pittsburgh, PA —  Preserving Underground
12/13 — Indianapolis, IN —  Hoosier Dome

ABOUT GREYHAVEN:
Greyhaven tap into the sound of truths unleashed — messy in its disjointed and extreme edges, magnetic in its  melodies, and massive in its emotional outpour. The group has remained a singular presence since their 2013 arrival. Tallying millions of streams, they naturally progressed over the course of Empty Black[2018], This Bright and Beautiful World [2022], and the Stereo Grief EP [2024]. The band incited tastemaker applause from Brooklyn Vegan, New Noise Magazine, OnesToWatch, Revolver, and Outburn, who highlighted their "tight, polished sound with the energy of the band’s camaraderie shining through." They've toured with the likes of Silverstein, The Devil Wears Prada, Better Lovers, and more. The Louisville, KY band sonically and personally lay everything on the table with their third full-length album, Keep It Quiet [Solid State Records]. Throughout 2024, the musicians constructed what would become the album, collaborating with producer Will Putney [Body Count, Knocked Loose Bad Omens]. During the sessions, they widened their sonic palette. 

Edenbridge Release "Cosmic Embrace" Video From Upcoming Album "Set The Dark On Fire"

With their 12th studio album Set The Dark On Fire and their return to the Steamhammer label, Edenbridge explore new soundscapes without abandoning their tried-and-tested trademarks. This is primarily due to a significantly heavier basic sound, which harmonizes perfectly with the lyrical and visual direction of the Austrian quintet featuring singer Sabine Edelsbacher and composer/guitarist/keyboardist Lanvall.

The songs are characterized by harmonic and structural diversity. Powerful riffs and expansive guitar solos meet opulent, symphonic orchestral arrangements and unusual string instruments rarely used in metal, such as the dulcimer, swarmandal, monochord, and electric sitar. Edelsbacher's warm, distinctive timbre lends the compositions a high level of recognition.

The opener "The Ghostship Diaries" captivates with its multi-layered chorus and a heavy, doomy finale. The ballad "Bonded By The Light" unfolds cinematic grandeur and would also shine as the title track for a certain British secret agent. "Lighthouse," including the intro "Divine Dawn Reveal," exudes a flair, while the pounding mid-tempo track "Our Place Among The Stars" surprises with a gospel-like finale. The album's centerpiece is the 13-minute, four-part long track "Spark Of The Everflame," which impressively summarizes the entire spectrum of the Edenbridge sound.

 

The debut single "Cosmic Embrace" captivates with its enormous hit count and skillfully ramps up the tempo in its orchestral middle section. The accompanying video captivates with impressive imagery: The labyrinth symbolizes the path to inner contemplation. The energy gathered thereby culminates in blazing fire — a metaphor for transformation and the uplifting connection with solar energy. Image and sound merge into an emotional wave that deeply touches the listener/viewer.

 

Watch the "Cosmic Embrace" video below.

Set The Dark On Fire  will be released on January 16, 2026 through Steamhammer as CD digipak, 2LP gatefold version, and digital and can be pre-ordered here.

Finnish Melodeath Titans WOLFHEART Unleash New Video For "Forefathers", From 'Draconian Darkness II' EP

Finnish melodic death metal titans WOLFHEART have unleashed a new video for "Forefathers", from their new EP, Draconian Darkness II, out now via Reigning Phoenix Music. "Forefathers" lets the dynamic nature of WOLFHEART's sound shine with a blend of stormy orchestrations, layered vocals (featuring performances by members of BEFORE THE DAWN, SUOTANA, and FULL HOUSE BREW CREW), and surprisingly delicate piano accents. With frigid and ferocious vocal deliveries and a massive chorus, the song spins a tale of revenge in a lonesome, bleak northern landscape.

Vocalist Tuomas Saukkonen comments: "'Forefathers' is a musical and lyrical combination of our mythology-themed King of the North (2022) and our latest album Draconian Darkness, which painted a bleak and apocalyptic soundscape. Vengeful and violent text meets mighty nordic riffs and melodies. A perfect partner for the 'Carnivore' single."

Watch the video Below.

This five-track release showcases every facet of WOLFHEART’s trademark sound: raw, poetic, and powerfully atmospheric. Featuring two new tracks (including orchestral and acoustic versions), plus a crushing live rendition from their latest album, Draconian Darkness II captures the band’s cold grandeur in both studio precision and on-stage intensity. Founder Tuomas Saukkonen continues to refine his vision with haunting melodies, relentless drumming, and evocative storytelling rooted in Northern landscapes. Draconian Darkness II is a journey through desolate beauty, bleak emotion, and thundering metal.

Draconian Darkness II is WOLFHEART at their best: melancholic, massive, and deeply melodic. With new songs, orchestral depth, and raw live energy, this EP is a cold flame burning bright in the dark.

WOLFHEART’s Draconian Darkness II EP is out now via Reigning Phoenix Music! Two new tracks (plus orchestral & acoustic versions) and a live cut of crushing northern metal: cold, poetic, and unforgettable.

Order HERE:  https://wolfheart.rpm.link/DD2PR

WOLFHEART – Draconian Darkness Over Europe 2025
+ Special guest: Before The Dawn
+ Supports: Suotana & FULL HOUSE B.C. (except for Spain)

About WOLFHEART:
Founded by the hardworking multi-instrumentalist Tuomas Saukkonen (known for BEFORE THE DAWN, BLACK SUN AEON, etc.), WOLFHEART represents a unique blend of sinister atmosphere and intense Northern European metal. Their music combines raw power with poetic depth, earning them significant acclaim within the global metal community.

While WOLFHEART's art is primarily inspired by their Finnish surroundings, their albums weave eclectic stories that connect nature and human emotions. With each release, they have expanded their artistic horizons, continually enriching their musical expression.

WOLFHEART are:
Tuomas Saukkonen | vocals, guitars
Vageliss Karzis | guitars, vocals
Lauri Silvonen | bass, vocals
Joonas Kauppinen | drums
 
More on WOLFHEART:
wolfheartmetal.com | Facebook | Instagram | X | YouTube | RPM

CHRONICLER OF ARDUL Releases New Single “Watch Over Me”

CHRONICLER OF ARDUL, the dark fantasy symphonic death metal project composed and produced by David Williams, presents a new single titled “Watch Over Me.” This song departs from the heavier sonic palette of earlier releases, shifting toward a stripped-down, folk-rooted sound shaped by the world it inhabits.

The track is written from the perspective of travelers in Ardul, where moving between places carries real risk. It speaks from within that moment of vulnerability, not as a theatrical gesture, but as part of everyday life in a world shaped by danger and isolation. The song is not bleak. It reaches upward, asking unseen forces for protection, and gives voice to those hoping to make it home.

“‘Watch Over Me’ is tavern folk song about what it's like being on the road, especially those not prepared for the dangers that lurk in the shadows all around. But it's not a dark song, it's a hopeful song that begs the gods to make sure they are safe and can make it back home.

In Ardul traveling the roads is not taken lightly, but can be a necessary task to overcome. And along side the stories of Myrewood and Sword of Virné, ‘Watch Over Me’ helps tell what life is like in this harsh world.

It was an amazing collaboration to work with Sofia Frasz, most known for her work in Exiled Hope. We had talked before and wanted to combine our bardic powers, and it was a pleasure to finally start working with her.”David Williams

The recording features Sofia Frasz, vocalist and composer behind EXILED HOPE. Her performance carries the song’s core emotion with clarity and restraint, and adds a distinct perspective to the growing body of work set in Ardul.

“Watch Over Me” expands the narrative established through Myrewood and Sword of Virné, offering a look at the people who move between those stories. It adds depth to the worldbuilding while remaining musically intimate.

About CHRONICLER OF ARDUL:
CHRONICLER OF ARDUL was started as a passion project by David Williams when he wanted to combine his love of metal music and dark fantasy to tell a story that spanned over songs and albums. After graduating from Berklee College of Music, he puts his skills to the test to create the music for a story he had been working on for 9 years. The debut EP called Myrewood released late 2023, with its written short story partner, Myrewood Part 1, published in May 2024. The following EP, Sword Of Virné arrived in the summer of 2024. Musically, CHRONICLER OF ARDUL draws from the likes of SHADOW OF INTENT and MENTAL CRUELTY in the metal world, while also taking inspiration from Japanese composer Nobuo Uematsu. 

CHRONICLER OF ARDUL IS:
David Williams – Music and Lyrics

Links:
Website: https://chroniclerofardul.com/
Bandcamp: https://chroniclerofardul.bandcamp.com/
Instagram: https://www.instagram.com/chronicler_of_ardul/
TikTok: https://www.tiktok.com/@davidwmusic

Chase Rice Releases New Album, ‘ELDORA’

After helping ignite an entire era of country music’s modern history, Chase Rice is no stranger to blazing trails. But on his new album ELDORA, out now, his instincts point deep into the creative wilderness.… To the rugged, untamed authenticity of the American West.
 
Fifteen years into an adventurous career, Rice has seen it all (and done most of it twice) – a true singer-songwriter with success in both disciplines. Yet there are always mountains left to climb. And right now, there’s only one direction he wants to go.
 
“That’s what I feel like this record is,” Rice says. “For me, it was that absolute freedom I was looking for, that’s what took me out West. It’s been my life the last 10 years, and the biggest theme on this album is running towards freedom. I’ve found that almost always means running away from home.”
 
Stripped down to an exhilarating degree, ELDORA does find the star leaving his past work behind – but to be fair, the Florida-born North Carolina native has never been a fan of staying put. Bursting onto the country scene as a Diamond-certified songwriter (“Cruise”), Rice went on to become a 10x Platinum artist, with hits like “Drinkin’ Beer. Talkin’ God. Amen.” and “Eyes On You” notching two No. 1’s at Country Radio. Through chest-thumping euphoria and bold romantic passion, he booked sold-out international tours, and shared stadium stages with Garth Brooks and Kenny Chesney, racking up more than 3 billion streams in total. But for the former collegiate linebacker and NASCAR crew member, it was never about the stats. Leaving the major-label system in 2024, Go Down Singin’ brought Rice full independence – and a new dedication to his storytelling craft. Yet for his eighth studio album, that commitment hits the next level. 
 
Written in a Colorado cabin and inspired by a hidden, mountainside town, the 12-songs on ELDORA represent the most raw, unguarded expression of Rice’s talent to date. Born in the afterglow of an epic show at the Red Rocks Amphitheatre, it finds a hit maker stepping back from spectacle, to put his lyricism firmly in the spotlight … a journey few of his stature would dare attempt. And while there’s no map for the path ahead, Rice doesn’t shy from the trail less traveled.
 
“I don’t know many people that have ever gone down the road I’m going down,” he admits. “And when you’re this mainstream artist who makes a big shift, it takes a lot to get people to believe. But I think it’s extremely believable … because it’s extremely real.”
 
Working hand-in-hand with co-writer/producer Oscar Charles, Rice adopts the unfiltered, rough-hewn approach of an off-the-grid maverick for ELDORA. Prioritizing in-the-moment honesty – and building on a rediscovered love for songwriting legends like John Prine – simple, acoustic-guitar-based songs tell unflinching tales with vivid characters, while his smoky vocal cuts to the heart of good times and bad. Each track was captured in minimalist style, and then placed on the album in the order it was written. To call it “bare bones” would barely do it justice.
 
“Every night we’d do like 10 work tapes of the day’s song – as soon as it was written – and we realized after the first one we really loved how my voice was sounding,” Rice explains. “So we decided right there to take that process, and scale it up. Everything you hear on this record is live, one take. The next day we’d add on the band, but the foundation was me and a guitar singing live, with zero editing afterwards. You can’t edit a vocal when there’s a guitar in the track, too.”
 
As a producer, Charles says he almost had no choice in the matter. Rice has “grown exponentially” as both a singer and guitarist – so it would be a disservice not to place them front and center.
 
“I think this album is the most inviting presentation of Chase’s artistry to date,” he explains. “The rawness and  ultravulnerability is immediately disarming, from the first notes. I think it will cause listeners to really lean in and get to know Chase.”

With the opening track, “Cowboy Goodbye,” Rice lays out his intent. A campfire-style ballad dedicated to a modern-day drifter, it finds the former bro-country icon saying farewell to his former self.
 
“I’ve been living in Montana and my Airstream for the last five years, for about four months out of the year,” Rice explains. “So the way I see the world is completely different. For the first time in my life, I had zero thought – absolutely zero – of ‘What do people want to hear?’ Actually, the main thought behind the album was ‘What are real stories about people?’”
 
Those stories shine throughout. Named after a hideaway map dot, the misty title track “ELDORA” features a dreamy vocal echo, as Rice tells the tale of a young Colorado couple, long on the run from their painful past. Thick with metaphor, they finally decide they are worthy of a fresh start.
 
“Honestly, it’s about forgiving yourself,” Rice says. “We’re all running from something, but we’re also running towards something. You just have to let go of your past.”
 
Meanwhile, tunes like “Mr. Coors” tribute the American Dream behind the billion-dollar beer brand (with Rice’s dedication to the truth born out in biographical detail). And with the anguished Americana of “Circa 1943,” a swirling tale of star-crossed lovers redefines the term “bittersweet.”
 
Inspired by the favorite pickup of Colorado locals, rootsy up-tempos like “Two Tone Trippin’ (feat. Wyatt McCubbin)” pair the steady roll of endless blacktop with a gravel-and-blues edge. And while the woozy “Cottonmouth” hits like a red-eyed anthem of string-bending country punk, Rice gets consciously political on “Tall Grass (feat. Kashus Culpepper and Elvie Shane).” Roots gospel and copperhead soul collide as the trio call out the danger of power-hungry snakes, hidden from view.
 
Elsewhere, Rice’s romantic roots are stronger than ever on tracks like the dark, moody “Country & Western (feat. Madeline Edwards)” – a sexy, Texas-meets-tall-pines anthem with a “John Mayer guitar solo.” “Namin’ Horses” features a gentle acoustic gallop, and with the reflective “One Drink Long,” Rice nurses the memory of too many midnight mistakes.  
 
Finally, “Good Side of Gettin’ Older” tributes the things Rice learned along his winding trail – a standout singalong with an easy-going front porch sway. And with the album-ending “Sunsettin’,” he channels magic-hour into a breathtaking sonic panorama. Another quiet contemplation, framed by his tender vocal, finger-picked guitar and fiddle, it finds Rice lost in thought, wondering what might have been … if different choices were made. But he won’t lose sleep over ELDORA.
 
“I know I’m taking big risks … but I’m not in this for fame and money,” Rice says. “I want to be proud of my music at the end of my life. And if that costs me the other two, I’m okay with that.”

Texan electronic artist PARIS MUSIC CORP shares new single 'No Soy A.I.' feat. RayPerez

Texas-based electronic and ambient composer Paris Music Corp. a.k.a. John Andrew Paris presents 'No Soy A.I.', the first taste of his latest electronic odyssey 'Ecotone'. Slated for release on October 24, this album promises to be a futuristic trip, and "No Soy A.I." is the perfect, human-first introduction.

In a world increasingly dominated by the cold, calculated logic of artificial intelligence, Paris Music Corp. throws down a human gauntlet with this dark slab of swirling electro, which features the searing Spanish vocals of fellow Texan musician, writer and actor RayPerez. A potent opening statement, this is a sonic challenge to the algorithmic chill of our times and the only track on this album with vocals.

Originally from Austin and now calling Brownsville, TX his seaside home, John Andrew Paris spent decades creating music and collaborating with artists, including Arthur Brown (The Crazy World of Arthur Brown, perhaps best known for his hit single 'Fire'), as well as DJ Rev Kathy Russell, DJ Lucas Ray, Catastrophe Ballet, Le Reve, Life's Eyes, Beast of Eden, OBOYO and Don Wigwam.

In 2022, Paris Music Corp. released his self-titled album, after taking hiatus for half a decade following the release of his debut album 'Rewind' in 2017.  Fast forward to autumn 2025 - now Paris is ready to release the next collection of his electronic adventures, having  written, recorded, mixed and mastered this full album at Tarantula Studios throughout 2024 and 2025. 

“With 'No Soy A.I.', I wanted to address the coldness of some of AI’s tendencies, such as people already having AI girlfriends and boyfriends. Ironically, this track ultimately turned out to be a love song of sorts, which is okay by me,” says John Andrew Paris.

"Sonically, this piece has a very futuristic sound to it. The words delivered in Spanish alongside make it even more relevant as something new and a little out there”. 

Influenced by the likes of Mick Karn, Pink Floyd, Gary Numan, Tim Hecker, Casino Versus Japan and Miles Davis, John Andrew Paris has also scored 2 independent films - the documentary 'Andy Paris: Bubble Gum King', also released as an album, and the short horror film 'Spectral Wind'. He has also created a clever electronic rework of 'Lord of the Dance' for the Austin Christmas Collection Album.  

"After relocating Paris Music Corp. to Brownsville, TX, it became apparent that wildlife and nature in general were at the forefront with living on the border of Mexico next to the sea. The 'Ecotone' album made sense to me because you have a transitional zone, where two different ecological communities or ecosystems meet and intermingle, often resulting in high biodiversity,” says John Andrew Paris.

Cinematic and ethereal, Paris Music Corp. music is ambient and spacey electronica. Often with elements of 80’s darkwave and ambient soundscapes, his trademark sound includes heavily processed guitar and bass instruments locked into layered loops and further manipulated using software. Also employing live hand percussion, these dense soundscapes take the listener on a sonic journey to otherworldly places.

As of September 19, 'No Soy A.I.! is available from digital platforms, including Apple Music, Spotify and Bandcamp. The 'Ecotone' album will be released on October 24.

CREDITS
All music written, recorded, mixed & mastered by John Paris
at Tarantula Studios in 2024-2025
Performed by John Andrew Paris, except vocals on 'No Soy A.I.' by RayPerez
Album cover / photo by John Paris
Video created by Gabriel Ramirez
John Paris photos by Jennifer Paris
RayPerez photos by Gabriel Ramirez
Publicity by Shameless Promotion PR

Keep up with Paris Music Corp.   
Website | Facebook | Bandcamp | Soundcloud | Instagram | Twitter | YouTube | Apple Music | Spotify | LinkTree | Press contact

Keep up with Shameless Promotion PR
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A Killer's Confession Release New Album, Victim 2

A Killer’s Confession, the alternative metal band fronted and created by Waylon Reavis, releases its fifth studio album, Victim 2.  A new video for the opening track “Hopeless Gray” is also available now.

Additionally, A Killer’s Confession announces a U.S. tour with labelmates Dogma this November.  The tour kicks off on November 11th in Pittsburgh, PA and wraps on November 23rd in Westland, MI. Full dates are below.

On Victim 2, Waylon delves deeper into the concept of the light and dark sides of mankind, and continues the story of a serial killer who wants to bring horrific criminals to justice. But, as he's learning, there are consequences for his misguided deeds, even if he thinks they are the right thing to do.

Waylon says, “Welcome to Victim 2. This is my proudest moment as an artist. It’s very hard to be a fan of your own music, but it is very easy to become a fan of the people you work with to create the music. So much hard work and determination between myself, Dusty Boles and Evan McKeever was put into finishing the second part of the Victimtrilogy. I could honestly say I could not have done it without them. I feel this album pulls at every emotion and takes the listener on a true journey while leaving a void for Victim 3 to finish the story.”

Victim 2 kicks off in bristling fashion with “Hopeless Gray” and “In Case Of Emergency,” but as the story progresses, the collection of songs explores different musical territory. Victim 2 shows how A Killer’s Confession likes to blend genres, notably on the track “Hollow.” While the song may have an aggro guitar sound, there’s a pop hook in the chorus, while EDM and trap sounds lurk just below the surface. Throughout Victim 2, the dark inner voices plaguing the murderous vigilante emerge in pitch-shifted fashion to distinguish them from his “normal” self. The unexpected cover of Nirvana’s “Heart Shaped Box” halfway through the album signals a turning point for the killer as he starts re-evaluating his humanity. The closing track wraps things up in an epic, melodic fashion.

Connect with A Killer’s Confession:

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Smash Into Pieces Announce New Album "ArmaHeaven" Out 10/31

Swedish rock heavyweights Smash Into Pieces are set to unleash their most ambitious album to date, ARMAHEAVEN, arriving October 31, 2025.

With over half a billion streams and views, Smash Into Pieces have risen to become one of modern rock's most dominant forces. From supporting Evanescence and Within Temptation on the Worlds Collide Tour (2022), reaching the Swedish Eurovision final twice, and delivering 1000+ shows worldwide, the band has cemented its global presence. 2024 was a milestone year with multiple headline tours across Scandinavia, North America, and Europe, followed by a packed festival summer. In 2025, the band's expansion continues with tours in Thailand, Australia, Europe, and the Nordics.

On ARMAHEAVEN, Smash Into Pieces push their cinematic storytelling further than ever.

Picking up where their previous album Ghost Code left off, the new chapter throws listeners into a dystopian future where Ghostis, now unstoppable, seizes control of the world. As the resistance falls, a new force emerges: an AI-driven entity that sparks an all-out digital war for dominance. The clash escalates into global catastrophe, exploring themes of power, survival, and rebirth. Will humanity find salvation, or will the machines consume themselves in a final great reset?

The album also features high-profile collaborations with Elize Ryd (Amaranthe)LIAMOO, and Swedish/Japanese media icon LiLiCo. Together with Smash Into Pieces, LiLiCo delivers the powerful duet "First Time," bridging continents and cultures — a collaboration introduced to the public on Swedish national television in August 2025.

With an ever-growing international fanbase, countless sold-out shows, and their boldest musical and narrative vision yet, Smash Into Pieces close out 2025 at the peak of their career—proving once again why they are one of the leading forces in modern rock.

SMASH INTO PIECES ANNOUNCE NEW ALBUM ARMAHEAVEN OUT OCTOBER 31 — PRE-ORDER

COLIN STOUGH THROWS DOWN "20 BUCKS" WITH EDGY NEW RELEASE AVAILABLE NOW

19 Recordings/BMG Nashville artist Colin Stough turns up the volume on his Southern rock-country edge with the release of “20 Bucks,” out now. Listen Below. Bold and uncompromising, the Mississippi native—who rose to national recognition as a Top 5 finalist on ABC’s American Idol in 2023 and has amassed over 80 million streams—delivers a powerful performance marked by gritty vocals and a rebellious swagger.

"’20 Bucks’ is that moment when you’re down on your luck, she’s gone with another man, money’s tight—but you’re still out here trying to have a good time,” shares Stough.

Raw, unflinching, and soaked in Southern grit, “20 Bucks” finds Colin Stough channeling heartbreak into an edgy anthem. Penned by Stough, along with Kevin Monahan and Will Pattat, and produced by James LeBlanc and Phillip White, the biting honesty of the track captures the sting of betrayal, the temptation of vices, and the struggle of scraping by with little more than twenty dollars to ease the pain. Fueled by distorted guitars, swagger, and Stough’s unapologetically rough-edged vocals, “20 Bucks” turns heartache into a battle cry for anyone who’s ever been cheated on, left behind, or pushed to their breaking point.

About Colin Stough

Born and raised on the Mississippi-Alabama line, 21-year-old Colin Stough was brought up on Southern rock and second chances. A self-taught guitarist and gravel-voiced storyteller influenced by The Allman Brothers, Conway Twitty, and Koe Wetzel, he first picked up a guitar at age 8, later trading in his prized possessions for a pawn shop acoustic — one he still plays today. After high school, he worked full-time as an HVAC tech until his mom pushed him to audition for American Idol Season 21. That leap launched a life-changing ride: a standout third-place finish, a deal with 19 Recordings / BMG Nashville, and breakout songs like “Sober,” “'Til The Day One Does,” and 2025’s hard-edged anthem, “White Trash.”

With a skinned-raw vocal and lyrics carved from lived experience, Stough has built a loyal following of over 800k across social platforms. His EPs Promiseland and Lookin’ For Home offer a no-frills portrait of a young man navigating life with Southern grit, and his latest song, “20 Bucks,” keeps with the no-holds-barred theme. On the road, he’s opened for acts like Chase Matthew, Drake White, and Kidd G, and is continuing to build his live show through 2025. A student of Skynyrd and the outlaw spirit, Stough isn’t chasing trends — he’s telling the underdog’s truth, one song at a time.

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