Morgan Wallen Wraps 2025 ‘I’m The Problem Tour’

With band members Mark “Taco” Annino (Drums/MD), Luke Rice (Bass/Guitar), Dominic Frost (Guitar/BGV), Tyler Tomlinson (Guitar/BGV), Chris Gladden (Aux/Keys) and Tony Aichele (Aux/Guitar/Pedal Steel) by his side, Morgan Wallen made his final walkout of the 2025 I’m The Problem Tour in Edmonton, Alberta on Saturday night (Sep. 13). 
 
After bursting onto the stage performing his upbeat, rock-inspired “Ain’t That Some,” Wallen thanked his fans for showing up all year. “It’s hard to believe this is the last show of this tour this year, and from the looks of it, we couldn’t have picked a better place for it,” Wallen remarked. “I just want to say thank you guys for the energy that you have brought me this entire year. I don’t think that there’s a better fanbase on the entire planet than the one that I have.”
 
Wallen’s 26-song setlist was the same both Friday and Saturday, while Edmonton Oilers’ Center and Captain, Connor McDavid, joined him on Friday’s walkout. Opener Zach John King performed Florida Georgia Line’s part in Wallen’s first No. 1 single “Up Down,” while Ella Langley stepped in for Tate McRae for the live performance of “What I Want.”
 
The 2025 I’m The Problem Tour spanned 20 stadium-shows across 10 cities, including a historic stop at University of Wisconsin’s Camp Randall Stadium, where Wallen became the first artist to play the venue since The Rolling Stones in 1997 – and the first artist ever to play two consecutive nights, marking the largest concerts in the state’s history.
 
Additional tour stops in Cleveland, Ohio became the highest-ever attended shows at Huntington Bank Field and left Cleveland.com remarking, “There’s just something special to see an artist at the height of their powers, seemingly surfing the zeitgeist through top-selling and resonating material that is equaled by a touring prowess demanding a stadium audience.” Likewise, the Pittsburgh Post-Gazette dubbed him “One of the hottest artists of the century,” while AZCentral lauded him “a commanding presence” during his Glendale, Arizona stop.
 
In addition to the 20 stadium-plays, Wallen also held his inaugural, self-curated and multi-genre Sand In My Boots Festival, and intimate album release show at The Roundhouse in London, in May. 
 
During his tour run, Wallen donated a portion of every ticket sold to his Morgan Wallen Foundation (MWF) — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. Those donations enabled MWF to donate over $600,000 worth of instruments to schools in need across U.S. touring cities, including Gulf Shores, Alabama, in addition to a $30,000 donation to the Toronto Blue Jays’ Jays Cares RBI program. For more information, visit MorganWallenFoundation.org
 
A rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel joined in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as second-of-four, and Zach John King added as first-of-four.
 
I’m The Problem Tour was named after Wallen’s fourth studio album, which spent 12 non-consecutive weeks atop both the Billboard 200 albums chart and Billboard Canadian Albums chart. I’m The Problem became Wallen’s first album to debut at No. 1 on the UK Official Charts, making him one of only five artists to debut at summit with a country album. The project has already yielded four No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. 
 
I’m The Problem debuted at No. 1 in seven countries upon release. In Australia, I’m The Problem became the longest-running No. 1 album by a country artist in 10 years, with three consecutive weeks atop the ARIA albums chart, while “What I Want (feat. Tate McRae)” spent five weeks at No. 1 on Australia’s Country Airplay chart.

Photo Credit: Matt Paskert

About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “one of the biggest stars in the music world right now” and The New Yorker adding “[he’s] popular on a scale that seems to circumvent genre entirely.” With 19 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, 198 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. 
 
Wallen’s fourth studio album, I’m The Problem, available now via Big Loud / Mercury, debuted at No. 1 globally across seven countries; while his preceding albums – Dangerous: The Double Album and One Thing At A Time – have remained in the top 10 of the Billboard 200 chart for more than 100 weeks each, making him the first artist ever to achieve that feat. I’m The Problem – which Hits Daily Double observes is “a 37-song cycle of self-reckoning” – has already yielded four No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. Wallen also broke his own record for the most simultaneous entries in Billboard Hot 100 History, with 37 songs charting on release week.
 
Wallen’s 20-stadium-show 2025 I’m the Problem Tour recently concluded in Edmonton, Alberta. In addition to his 20 stadium-plays, Wallen held his inaugural, personally-curated and multi-genre Sand In My Boots Music Festival in Gulf Shores, Alabama in May. He also performed an intimate album release show at The Roundhouse in London.
 
Wallen donated a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at  MorganWallen.com.
 
About Morgan Wallen Foundation:
Morgan Wallen Foundation supports programs for youth in the areas of sports and music, both a constant presence in Morgan Wallen’s life. Playing sports instilled in him the values and benefits of team, discipline, hard work and commitment. Exposure to music at a young age has led him to become the artist, songwriter and entertainer he is today. MWF is also committed to being there for communities in times of need. Whether it’s providing supplies in the wake of natural disasters, meals for first responders, distributing groceries to food insecure families, we are there to help. Wallen donates a portion of every concert ticket sold to MWF.  More information at www.MorganWallenFoundation.org.

Kenny Chesney Kicks Off HEART LIFE MUSIC @ ETSU, Boston Nov. 1 + 2

With the audio book underway, the final edits complete and the start of fall ahead, Country Music Hall of Fame 2025 electee Kenny Chesney knew he wanted to do something very special to launch his upcoming Heart Life Music. Tracing the path of a pretty regular kid living well beyond the lights of Knoxville, Tennessee, he decided to kick off his book tour at East Tennessee State University in Johnson City, Tennessee, where his dream truly took wing, with a special event at the ETSU Martin Center for the Arts on Nov. 1 at 3pm.
 
“Having looked at my life in ways I never thought of,” says the man Wall Street Journal called “the King of the Road” about the process, “I realized: I’ve always loved sports, music and the sea. But the idea I’d chase this dream came together in Johnson City, trying to learn Doc Watson picking from Jack Tottle, playing Quarterbacks and Chuckey’s, and going to Russia with East Tennessee State University’s Bluegrass Band.
 
“For me, going back to East Tennessee State University where all of this began was the only way to kick this book tour off. Hopefully, someone in the audience who’s wondering about their own dream might find what they need to get serious about whatever it is they’re chasing.”
 
And if he’s leaning into his heart, it stands to reason that Chesney would hit Boston the next day. With his legendary Gillette Stadium shows, including a three-day run in 2024, No Shoes Nation was named in 2012 and he passed a million fans in 2018, as well as the friends he’s made from the region over the years, the 8-time Entertainer of the Year will appear at Back Bay Events Center Nov. 2 at 7pm.
 
“Whether the friends I made in the islands long before this journey kicked into gear, Ginny Brophy who welcomed a kid with nothing going on at WKLB, the crazy fun with Grace Potter, sailing and more with Ethel Kennedy around the Nantucket Sound, conversations with the Globe’s Steve Morse or Super Bowls with Robert Kraft and his organization, there’s been something about the people of New England that recognizes the kid from East Tennessee in me. I like to say, ‘They believe me,’ but I think it’s more they know the same grit and passion that’s driven me and my team all these years.
 
“I know these are intimate events,” Chesney continues. “But I want everyone to really be able to hear, absorb and feel like we’ve come together before they dive into the book. There’s a lot there, and a lot that went into it – and I want to have very real conversations about all of it to give people a real sense of the role where they live has played in my journey and the man I wanted to be and – hopefully – became.”
 
Chesney will be joined by two-time LA Press Club Music Critic, friend and co-author Holly Gleason for freewheeling conversations to enrich reading Heart Life Music, anchoring the places book events will occur. Having found his voice delivering the experiences of coming of age and living life as fully as possible in the 21st Century, the songwriter/superstar wants each event to reflect his relationship with No Shoes Nation, the music and anyone trying to find inspiration to create their own place in the world.

Saturday, November 1
Location: East Tennessee State University Martin Center for the Arts in the ETSU Foundation Grand Hall
Time: 3:00pm
Tickets: On sale this Friday, September 19 at 10am ET HERE
Bookseller: ETSU Bookstore
 
Sunday, November 2
Location: Back Bay Events Center
Time: 7:00pm
Tickets: On sale this Friday, September 19 at 10am ET HERE
Bookseller: Harvard Book Store
 
Known for commanding the largest stages nationwide, Heart Life Music ventures to places long gone, makes unexpected music in Jamaica, the Kremlin, New England and Cabo San Lucas, drifts across the waters of the Caribbean, Atlantic and Pacific Oceans. Beyond meeting and collaborating with heroes, forging transcendent friendships in the islands and beyond, Chesney’s introspective look at the songs and sound that defined No Shoes Nation offers the intimacy of sharing a slow afternoon on the water.
 
About the Book
Heart Life Music
by Kenny Chesney
with Holly Gleason
On Sale: Nov. 4, 2025 | William Morrow, an imprint of HarperCollins Publishers
Hardcover ISBN: 9780063423107 | $32.50
E-book ISBN: 9780063423114 | $14.99
Digital Audio ISBN: 9780063423121 | $27.99
Preorder HERE
 
About The Authors
One of contemporary American music's biggest names, Kenny Chesney was voted into the Country Music Hall of Fame this year and was named Billboard’s No.1 Country Artist of the 21st Century. Selling out America’s major stadiums for two decades and playing to over a million fans every summer since 2002, Variety pronounced him “country music’s only true long-term stadium act.” The East Tennessee songwriter/superstar has over 105 platinum certifications, won the prestigious Entertainer of the Year eight times, as well as holding Billboard's record for the most Country Airplay No. 1s with 36 chart-topping songs that define coming of age in the flyover in the 21st Century. This year, the game-changing superstar became the first country artist to perform at the groundbreaking Sphere, taking No Shoes into a whole new dimension. Creating a space to work hard, play hard, love hard and come together in the spirit of celebrating all the moment offers. Heart Life Music is his first book.
 
Holly Gleason’s work has appeared in Rolling Stone, Los Angeles Times, New York Times, the Library of Congress’ National Registry of Sound Recordings, among other outlets. She was the LA Press Club’s Entertainment Journalist of the Year and the National Arts & Entertainment Journalism Association’s Independent Journalist of the Year.  A former Rock & Roll Hall of Fame/Case Western Reserve Fellow, she’s the creator of Belmont Book Award-winning Woman Walk The Line, and co-authored Miranda Lambert’s New York Times best-seller Y’all Eat Yet as well as  Prine on Prine: Interviews & Encounters.

JASON ALDEAN'S “HOW FAR DOES A GOODBYE GO,” IMPACTING COUNTRY RADIO NOW, EARNS BIGGEST ADD DAY OF HIS CAREER

Reigning ACM Artist of the Decade Jason Aldean impacts country radio today and scores another most-added accolade with his brand-new song, “How Far Does A Goodbye Go.” Earning 134 first-week stations - Aldean’s and Broken Bow Records’ biggest add day ever - the infectious tune is the first taste of his upcoming new music project, coming next year.

Hot on the heels of his 30th #1 single, Aldean delivers one of the most emotionally-charged performances of his career with “How Far Does A Goodbye Go,” written by long-time collaborators Kurt Allison, John Edwards, Tully Kennedy and John Morgan. The song is being hailed by fans as “throwback Aldean,” with a melody taking listeners back to his country-rock roots, fused with universally relatable lyrics that show after decades on top, this country superstar still has a lot more to say.


LISTEN TO “HOW FAR DOES A GOODBYE GO” BELOW

In addition to the release of the new single, Aldean announced the extension of his headlining Full Throttle Tour, adding nine markets to the U.S. leg of his current international tour run with support from Nate Smith, Lanie Gardner, and Dee Jay Silver. 2026 also sees Aldean returning to Australia, marking his first return to Australia since headlining in 2016, as well as his first headlining run in New Zealand. Tickets for the newly added U.S. dates go on sale September 19th at 10am local time here

With 30 # 1 hits, 20 billion streams, and more than 20 million albums sold, Aldean has solidified his place as one of the most influential artists of his generation. In addition to marking his 30th career #1, the reigning ACM Artist of the Decade has also earned multiple top honors, including three ACM Entertainer of the Year wins. Currently on the US leg of his Full Throttle Tour, Aldean recently partnered with 13-year-old Houston native DJ Daniel to raise more than $200,000 for Heroes For Children during his local Houston, TX tour stop. For a full list of domestic and international Full Throttle Tour dates and to purchase tickets, visit www.jasonaldean.com.

Newly announced Full Throttle tour dates. Tickets on sale September 19th 10am local time.

1/15/2026 - North Little Rock, AR - Simmons Bank Arena
1/16/2026 - Tupelo, MS - Cadence Bank Arena
1/17/2026 - Biloxi, MS - Mississippi Coast Coliseum
1/22/2026 - Peoria, IL - Peoria Civic Center Arena
1/23/2026 - Columbus, OH - Nationwide Arena
1/24/2026 - Charleston, WV - Charleston Coliseum
1/29/2026 - University Park, PA - Bryce Jordan Center
1/30/2026 - Allentown, PA - PPL Center
1/31/2026 - Atlantic City, NJ - Hard Rock Live at Etess Arena

KEEP UP WITH JASON ALDEAN

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

GATES TO HELL | RELEASE NEW SINGLE ' DISFIGURED' + KICK -OFF FALL DATES ON SEPTEMBER 20TH!

Louisville natives GATES TO HELL deliver a pure shot of adrenaline with their new digital single, "Disfigured'. The song is a brutally heavy, all-killer-no-filler track—essentially one long, punishing breakdown.The track is a b-side from the band's recent album release
Death Comes To All which was recorded, mixed and mastered by Randy LeBoeuf

GATES TO HELL comments, "We wrote this kind of intro track a few years ago, a few days before we got to tour with Dying Fetus. It didn’t end up on the record we released earlier this year but we still wanted it to get released and when we got an offer to tour with DF again we felt this was a perfect time to drop this B sides track. When we played it on that tour in 2023 it really got the crowd moving every night so we are stoked that we finally have it out for the world to bang their heads to. Don’t forget to come check us out on tour with Dying Fetus and Mugshot."

'Disfigured' Below.

On September 20th, GATES TO HELL will head out on a 24-day trek which will include performances at New England Metal & Hardcore Fest, Louder Than Life as well as join headliners DYING FETUS on their 'Into The Cesspool' US/Canadian 2025 tour with MUGSHOT. Following the tour, the band will end the year with a show on December 13th in Albany, New York. GATES TO HELL will continue their extensive touring in the New Year kicking-off the a run in Europe with SANGUISUGABOGG with openers FULCI and CELESTIAL SANCTUARY.

DYING FETUS 'Into The Cesspool' US/CAN 2025 tour
with MUGSHOT.

09.24 Norfolk, VA @ The Annex
09.25 Charlotte, NC @ Underground
09.26 Greenville, SC @ Radio Room
09.27 Atlanta, GA @ The Masquerade*
09.28 Birmingham, AL @ Workplay Theater
09.30 Ft. Worth, TX @ Tulips
10.01 El Paso, TX @ Rockhouse Bar & Grill
10.02 Albuquerque, NM @ Sunshine Theater
10.06 Seattle, WA @ The Showbox
10.07 Portland, OR @ Dantes
10.08 Vancouver, BC @ Rickshaw Theater
10.10 Calgary, AB @ Mac Ballroom
10.11 Edmonton, AB @ Starlite Room
10.13 Winnipeg, MB @ Park Theater
10.14 Fargo, ND @ The Sanctuary
10.15 Minneapolis, MN @ The Varsity
10.16 Milwaukee, WI @ The Rave
10.17 Rock Island, IL @ Skylark QC ^
10.18 Joliet, IL @ The Forge
10.19 Grand Rapids, MI @ Elevation
10.20 Cleveland, OH @ The Roxy
* GATES TO HELL + MUGSHOT Only
^ GATES TO HELL only

Festival + Other Dates
09.20 Worcester, MA @ New England Metal & Hardcore Fest
09.21 Louisville, KY @ Louder Than Life
12.13 Albany, NY @ Empire Live 

For more information on the tour, please visit: www.gatestohellofficial.com/tour-dates

Fueled by youthful ambition and a sharp creative focus, the band enlisted Randy LeBoeuf. The partnership resulted in raw intensity with a sharpened sense of precision, elevating their sound to new heights. Their album artwork—crafted by WYRMWALK—offers a fitting representation of the blood-soaked dread and suffocating darkness that Death Comes to All unleashes.

Death Comes To All is available in a variety of formats including CD Jewel, LP Vinyl in a purple swirl, light blue splatter (band exclusive), and purple and white swirl with black splatter (Life and Death Brigade Festival | New England Metal & Hardcore Festival exclusive) as well as a T-shirt. Also available is a special edition 7-inch containing the band's first single 'Next To Bleed' from the full-length album.

Order/stream Death Comes to All:
https://gth.bfan.link/death-comes-to-all

GATES TO HELL is:
Ryan Storey | Vocals
Eli Hanson | Guitar
Seth Lewis | Guitar
Dustin Cantrell | Bass
Trey Garris | Drums

Stream GATES TO HELL:
Apple Music Spotify

Follow GATES TO HELL:
Website | Facebook | Instagram X | TikTok | Youtube | Store

Carach Angren Revisit Old Haunt on Spellbinding New Single

Since they crawled out from their curious vault in 2003, Carach Angren have mastered the dark art of composing symphonic, blackened ghost stories. Now into their third decade, on their upcoming EP, the Dutch masters of horror are returning to the source that inspired their first album. The latest single from The Cult of Kariba brings its titular sorceress back from the underworld. But as “The Resurrection of Kariba” so delights in revealing, her return brings consequences that are more catastrophic than anyone could imagine.  

Watch the spine-tingling 3D video for “The Resurrection of Kariba” Below.

The Cult of Kariba comes out October 17 on Season of Mist

Pre-order

https://orcd.co/carachangrenthecultofkariba

Pre-save

https://open.spotify.com/prerelease/6haPZ1Ex0DuzfaeGL9D3Fo?si=-wG2OmnQQUSlOetHuxywdw

The Cult of Kariba is both a return and a continuation. The EP expands on Carach Angren’s first album Lammendam by entwining the sinister figure of Kariba within the folk tale of the White Lady. “The Resurrection of Kariba” opens underneath the floor of a church, where a cult gathers to summon the alleged sorceress. An unholy pounding by the duo’s blood-splattered symphonic signature brings Kariba back among the land of the living. Yet her audience of worshipers discover far more than they intended. The song’s ritual unleashes something even more sinister: one of her victims, now awakened with vengeance.    

The video for “The Resurrection of Kariba” was created by Aimed & Framed’s Tamara Llenas.  

With the upcoming EP The Cult of Kariba, CARACH ANGREN return to the story that first defined their identity. Drawing from historical legends and obscure regional folklore, the band revisits the myth of the White Lady from Schinveld, this time expanding it with a new, sinister figure: Kariba. Inspired by real poems, forgotten theatre plays, and occult symbolism, this EP introduces a hidden cult intent on resurrecting Kariba—a poisoner and alleged witch whose spirit carries a legacy of vengeance. The Cult of Kariba explores this narrative with a blend of haunting atmosphere, cinematic scope, and blackened aggression.

Produced with precision and narrative cohesion, The Cult of Karibaties together myth, horror, and folklore in a tightly crafted five-part journey. Rather than simply revisiting the setting of Lammendam, Carach Angren expand the story with additional historical context, new characters, and an even darker tone.

Lineup

Seregor - Vocals, guitar

Ardek - Keyboards, orchestra

Production & Recording Credits
Main compositions by Ardek.
Pre-production, orchestral arrangements and keyboards by Ardek.
Vocals by Seregor, recorded at Tidal Wave Studio, Germany.
Backing vocals by Ardek.
Drums performed by Gabe Seeber, recorded at Mayhemeness Recording Studio.
Bass guitar, drums written by Ardek.
Guitars tracks 2,3 written by Seregor.
Guitars tracks 4,5 written by Ardek.
Lyrics tracks 1, 2, 5 by Ardek.
Lyrics track 3 by Ardek & Seregor.
Lyrics track 4 by Seregor.
All guitars and bass guitar performed and recorded by Patrick Damiani at Tidal Wave Studio, Germany.
Mixed & Mastered by Patrick Damiani at Tidal Wave Studio, Germany.
Vinyl Mastered by Robert Schmidt, 24-96 Mastering, Germany.

Guest Musicians
Solo violin tracks 2, 5 performed and recorded by Nikos Mavridis.
Voice overs done by Tim Wells.
Wolf howl track 3 by Frodo Wijers.

Lyrics proofreading done by Sylvy Notermans.

Model
Lara Mauve

Photography
Stefan Heilemann (http://www.heilemania.de)

As Everything Unfolds Release "POINT OF VIEW" + Video

As Everything Unfolds, who recently announced their signing to Century Media, have today released a brand new single, "POINT OF VIEW," hot on the heels of "SET IN FLOW," which released earlier this summer.

Speaking of "POINT OF VIEW," vocalist Charlie Rolfe says, "You give everything you have, your whole being, your whole life, to help someone but it's never enough if they don't want to help themselves. I really struggled to understand how someone close to me couldn't see my point of view in the awful situation we were in. They were angry when I helped, they were angry when I gave them space, they were angry when I stayed, they were angry when I left."

She continues, "It destroyed my confidence and my self-worth having to live in an environment where nothing I ever did was good enough. It hurts deeply to watch what can only be described as a car crash in slow motion, being unable to stop it but just having the strength to walk away and value your own mental health, your own sanity helped me gain back a small amount of those parts of me I lost. I really hope that some day, that person can listen to this song, and truly understand what it was like to be in that situation from my point of view."

Watch the "POINT OF VIEW" music video below.

Ignoring traditional genre boundaries with their distinctive sound, As Everything Unfolds have aspired to create a unique listening experience, combining a multitude of genres within the alternative realm and beyond. With over 30 million streams of their catalogue to date, their craft does not go unnoticed.

As Everything Unfolds have been nominated for three Heavy Music Awards, including Best Album in 2024, and have appeared at iconic European festivals including Download Festival, Graspop, Rock For People, Resurrection and Wacken. They have also toured extensively alongside bands including Electric Callboy, Enter Shikari, Skindred, Bury Tomorrow, Holding Absence and many more.

 

Off the back of signing to Century Media, the remainder of 2025 and 2026 promise to be huge years for the band, showcasing their new era across numerous tours and festivals.

AS EVERYTHING UNFOLDS ARE:
Charlie Rolfe — Vocals
Adam Kerr —Guitar
George Hunt — Bass
Jon Cassidy — Synths/Programming

RICK WAKEMAN & SON An All New Show Rick Wakeman Featuring Special Guest Oliver Wakeman Performing a limited run of shows in March 2026

RICK WAKEMAN CBE is pleased to announce his rescheduled US tour dates for 2026. Following the postponement of his July 2025 concerts with vocalist Hayley Sanderson due to Rick’s impending surgery, existing commitments mean that sadly, Hayley is no longer available to join him on the road, but instead, he will be touring for the first time ever with his son, Oliver. Although they have occasionally performed together in the past, this will be the first opportunity to see the pair in their brand new WAKEMAN & SON show.

Both former keyboard players with YES and the Strawbs, as well as being highly successful, award-winning musicians in their own right, WAKEMAN & SON will be performing music which ranges from their joint musical heritage to their latest recordings.

Already one of the most in-demand session players of his generation before joining YES, after leaving the band, Rick became renowned for his prog rock extravaganzas, such as Journey To The Centre Of The Earth and The Myths And Legends Of King Arthur And The Knights Of The Round Table, as well his numerous tours with both his band, the English Rock Ensemble, and as a solo pianist.

Oliver’s solo career encompasses several critically acclaimed solo albums, collaborations with highly regarded musicians like Clive Nolan (Pendragon/Arena), Steve Howe (YES/Asia) and Gordon Giltrap, a series of poetry CD’s which featured Shakespearean actor Derek Jacobi, and a variety of art and music projects with fantasy artist Rodney Matthews.

While father and son have performed on the same stage in the past – most notably, at a performance of The Myths And Legends of King Arthur… at London’s O2 Arena, they have never toured together before.

“It’s always an honour for me to share the stage with one of my wonderful children,” says Rick, “and for the first time, it’s a thrill to be actually doing a tour with my eldest son Oliver. I know it will be very special – especially if, on the odd occasion, he buys me dinner!!”

Don’t miss this unique opportunity to see two legendary keyboard players in concert together!

Rick Wakeman 2026 Tour Dates

Check your venue web site for on-sale information

Wed-Mar-11        Ridgefield CT*                    Ridgefield Playhouse 
Fri-Mar-13           Phoenixville PA*                 The Colonial Theatre 
Sat-Mar-14          Poughkeepsie NY*             Bardavon 
Sun-Mar-15         Derry NH*                           Tupelo Music Hall 
Wed-Mar-18        St Louis MO                        The Sheldon 
Fri-Mar-20           St Charles IL                       Arcada Theatre 
Sat-Mar-21          Kent OH                              The Kent Stage 
Sun-Mar-22         Cincinnati OH*                    Ludlow Garage 
Tue-Mar-24         Richmond VA*                     The National 
Wed-Mar-25        Englewood NJ*                   Bergen Performing Arts
Thu-Mar-26         Huntington NY                    The Paramount 
Sat-Mar-28          Westerly RI                         United Theatre 
Sun-Mar-29         Red Bank NJ                       The Vogel 

*Tickets from the postponed Strictly Wakeman Tour with Hayley Sanderson earlier this year will be valid for these new shows. 

Future Palace Sign With Century Media + Share Video for New Song "Cyclone"

Germany's FUTURE PALACE are making major moves to catapult their already promising career to the next level. The German band is  thrilled to announce that it has signed with Century Media worldwide. 

To celebrate the partnership, they have shared the video for the new single "Cyclone."

Watch it below

This is the first taste of new music since last year's DISTORTION, which arrived in September 2024.

"Cyclone" is about the war that often wages within oneself, with the band saying, "It's about how an old version of yourself kept fighting you, especially referring to depression and how draining it can be to avoid turning back into that old version and trying to represent some sort of rebirth of yourself, focusing on the self-conflict. A cyclone tries to rip you apart and invade your peace and can be almost impossible to fight against."
 
The themes of mental health, growing and healing, distancing yourself from past versions of yourself have long been a part of Future Palace's music and that continues with "Cyclone." The song's energy effectively mirrors the effort it takes to prevent yourself from reverting to the old you that you would like to leave behind. 
 
The band shares, "We used a sample with the word 'amen,' which started just as an and was later interpreted by as a sign of rebirth — amen and goodbye to your old self.”
 
It also boasts the most monstrous breakdown the band has ever put to tape.

Future Palace are also embarking on their first-ever tour of North America this fall. All dates are below.

FUTURE PALACE ON TOUR:
9/25 — Baltimore, MD — Metro Gallery
9/26 — Pittsburgh, PA — Preserving Underground
9/27 — Chicago, IL — The WC Social Club
9/28 — Detroit, MI — Pike Room at The Crofoot
9/30 — Toronto, ON — Lee's Palace
10/1 — Montreal, QC — Les Foufounes Électrique
10/2 — Worcester, MA — The Palladium (Upstairs)
10/3 — Philadelphia, PA — MilkBoy
10/4 — Brooklyn, NY — The Meadows

FUTURE PALACE ARE:
Maria Lessing — Vocals
Manuel Kohlert — Guitar
Johannes  Früchtenicht — Drums

Hooded Menace Cover Duran Duran

Since making their accursed debut in the late 2000s, Hooded Menace have paved the way for hordes of metal maniacs who enjoy headbanging to more creepily, crushing tempos. On their upcoming seventh album, the Finnish horror lovers still stand between two realms of the underground with the unshakable force of a pillar. But as uncovered by its new single's surprise twist, Lachrymose Monuments of Obscuration continues to break the mold that the band set for death-doom.   

Today, Hooded Menace are releasing their cover of "Save a Prayer", the enduring smash from English new wavers Duran Duran. While the song's latest video is styled with gothic flair, when hammered by the band's blood-stained signature, this pop gem glows in a ghoulish new light.    

Watch Hooded Menace cover "Save a Prayer" below.


Lachrymose Monuments of Obscurationcomes out October 3, 2025 on Season of Mist. 

Pre-order
 & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration


Pre-save on Spotify
https://open.spotify.com/prerelease/3Os1kbdsMgl805olZjrZUr
 

Can't wait to sink into Hooded Menace's new album? Hear all seven glorious tracks on Lachrymose Monuments of Obscuration by RSVPing to this week's Bandcamp Listening Party.

Lachrymose Monuments of Obscuration Bandcamp Listening Party
Wednesday, September 17 @ 1:30 pm ET / 7:30 pm CEST


RSVP
https://hoodedmenace.bandcamp.com/merch/lachrymose-monuments-of-obscuration-listening-party

The video for "Save a Prayer" was directed by  Tekla Vály. 

Additional video credits
Director of Photography - Tekla Vály
Second Camera - Eetu Kolehmainen

MicroPitching and other effects aren't the only tricks of the trade that are pulled out from under Hooded Menace's cloak. Traditional death-doomers might have been pleasantly surprised by the band covering W.A.S.P., so imagine the delighted screams upon hearing a Top of the Pops' gem like "Save a Prayer" splattered in their signature blood-soaked dread. Lasse's riffs still cement the rock-solid foundation beneath Lachrymose Monuments of Obscuration, but even he was surprised when sculpting its lead single. What should appear from the double bass swirling amidst "Portrait Without a Face" but the moan of a cello. Like an echo from beyond the grave, the cry of strings reappears during the album's grand finale. Former live bassist Antti Poutanen sorrowfully saws as the band marches, gallops then sinks back "Into Haunted Oblivion".  

On Lachyrmose Monuments of Obscuration, Hooded Menace cast death-doom in a ghostly new light. 

Line-up
Harri Kuokkanen — Vocals
Lasse Pyykkö — Guitar, Bass, Keyboards
Pekka Koskelo — Drums

Guest Musicians
Antti Poutanen — Cello
John McNulty — Spoken Word

Production Credits
Recorded by Heikki Marttila at Guru Studio, Joensuu, Finland.
Mixed by Heikki Marttila.
Mastered by Jaime Gomez Arellano at Orgone Studios, Portugal.

Cover Art
Wes Benscoter (https://www.wesbenscoter.com)

Photography
Pasi Nevalaita

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration

BASTARD CROSS Announce New Album 'Crossripper'

This Halloween, blackened metalpunk band BASTARD CRÖSS will unveil the auditory blasphemy that is their forthcoming album, Crossripper via Morbid and Miserable. The debut full-length as been heavily inspired by horror movies, and draws from religious history notably dark and violent documented events. The music video for the first single and title track is available now. 

BASTARD CRÖSS bring "Crossripper" to life through the medium of B-Movie horror. Filled with the harrowing chants of the names of seven demons, aggressive thrash riffs, and shifting dynamics make for a thrilling and gloomy display. The track traverses the heavy weight of slower tempos and sections with a more raucous pace until it reaches its gory end. 

About BASTARD CRÖSS: 
The blasphemous quartet emerged from the crypts in Philadelphia in the grim winter of 2021, releasing their self-titled EP in the same year. This was followed by a Split with BLACK KNIFE in 2022 (released via JEMS), and 2023 saw the arrival of the Beasts of the Night EP and the Faster than the Devil 2 split (released via Wiseblood Records). The upcoming 2025 offering Crossripper (via Morbid and Miserable), sees the band extend even further into the hellish realms of their extreme sound. 

BASTARD CRÖSS' musical influences stem from a menagerie of metallic inspirations from thrash (SLAYER, EXODUS) to black metal (DISSECTION) and punk aggression (ANTI-CIMEX). The band experiment with melodic harmonies layered above loud and dirty riffs. The band's distinctive edge derives in part from the two vocalists who combine influences from early black and death metal.

BASTARD CRÖSS explain that they combine their "love for classic horror media with black metal, thrash and punk to create intense, aggressive metalpunk splashed with twin vocal attacks, powerful guitar harmonies and crusty bass tones. Our songs can appeal to horror fans, metalheads and punks alike."

BASTARD CRÖSS is: 
Blasphemous Axe (Guitars/Vocals)
Heathen Chevalier (Vocals/Guitars)
Beheader of Priests (Bass)
Infernal Bastard (Drums)

Album Credits:
Producer: BASTARD CRÖSS, Armen Koroghlian
Recording Studio: Red Mausoleum
Engineer: Armen Koroghlian
Mastering: Jamie King
Mixing: Armen Koroghlian
Album Cover Artist: Sandy Rezalmi

Formats: digital, vinyl, CD and tape.

Links:
Bandcamp: https://bastardcross.bandcamp.com/
Facebook: https://www.facebook.com/bastardcrossphl/
Instagram: https://www.instagram.com/bastardcrossphl
Spotify: https://open.spotify.com/artist/5kRbRwikUtyBfHlIk9IjYW
Apple Music: https://music.apple.com/us/artist/bastard-cr%C3%B6ss/1624083956

We Came As Romans + Currents Release Reimagined Version Of “Bad Luck” Feat. Anthony Notarmaso (After The Burial)

Just weeks after wrapping their triumphant Bad Luck U.S. headline tour, metalcore mainstays We Came As Romans have unveiled a reimagined version of single bad luck, this time joined by tourmates Currents and Anthony Notarmaso of After The Burial—two of the standout support acts from the tour’s powerhouse lineup. Stream We Came As Romans & Currents - bad luck feat Anthony Notarmaso HERE and watch the visualizer Below.

Originally released as the lead single from All Is Beautiful…Because We’re DoomedWe Came As Romans’ most thematically ambitious and emotionally honest record to date—bad luck quickly became a cornerstone of the album’s reflection on grief, transformation, and survival. Stream the album now HERE. The reimagined version brings new weight and perspective, layering in Brian Wille’s commanding vocals and Anthony Notarmaso’s unmistakable intensity. What began as a personal reckoning now expands, bridging three of the scene’s most respected forces into a single moment of cathartic heaviness.

We were fans of We Came As Romans and After The Burial long before having the pleasure of touring with them and making some life-long memories together,” shares Brian Wille of Currents. “It was a great time getting to collaborate on this new version of bad luck and we’re very excited to share it with all of you!”

I’m very flattered and honored that the WCAR boys wanted to include me on such an awesome track,” adds Anthony Notarmaso of After The Burial. “I still have the song stuck in my head!

The release follows We Came As Romans’ sold-out U.S. tour run and arrives ahead of their upcoming fall headline tour across Europe and the UK with Brand Of Sacrifice and Heavensgate, as well as appearances at major US festivals Louder Than Life and When We Were Young Fest.

ABOUT WE CAME AS ROMANS

We Came As Romans continue to progress and evolve at lightspeed, maintaining a place at the forefront of heavy music and culture. Never content to follow, they seamlessly alchemize crushing groove-driven catharsis, spacey electronics, and arena-size singalongs into a sound that refuses to sit still—effortlessly moving between metal, alternative, metalcore, and rock.

The Michigan-born five-piece—Dave Stephens, Joshua Moore, Lou Cotton, Andy Glass, and David Puckett—first broke through with Tracing Back Roots (2013), which cracked the Billboard 200 Top 10 and hit #1 on both the Independent Albums and Top Hard Rock Albums charts. Their self-titled 2015 album followed, debuting at #11 on the Billboard 200, cementing their status as modern metalcore royalty.

Following the tragic loss of original vocalist Kyle Pavone in 2018, the band has continued to honor his legacy with their 2022 album, Darkbloom, their highest-praised record to date. Kerrang! awarded it 4 out of 5 stars, calling it "a carrier for a knot of emotion, and a tribute to their friend." It featured career-defining tracks like "Black Hole" (ft. Caleb Shomo), now over 102 million Spotify streams, and "Daggers" (ft. Zero 9:36), which surpassed 32 million streams. Media outlets including Loudwire and Consequence praised the album for its emotional range, sonic heft, and unapologetic vulnerability.

Now, with 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED,' the band enters their most ambitious chapter yet—scarred, sharpened, and more fearless than ever.

We Came As Romans Are



Dave Stephens - Vocals

Joshua Moore - Guitar

Lou Cotton - Guitar

Andy Glass - Bass

David Puckett - Drums

THE FELL RELEASE SECOND SINGLE “FACE OUT”

The Fell is a modern rock powerhouse fronted by dynamic vocalist Toby Rand, featuring legendary bassist Billy Sheehan, acclaimed producer/guitarist Mike Krompass and explosive drummer Nick Chiarore. The band’s first single, “Killswitch,” has racked up over 65k views since it’s August release while garnering accolades along the way. 
 

“Face Out” is the powerful new single that captures the thrill of breaking free but understanding the gravity of holding on. The lyrics explore the primal tension between escape into the unknown, whilst keeping the anchor of connection and love. “Face Out” is a rock n’ roll dreamscape showcasing Rand’s raw/emotional vocals, with Mike (K.) Krompass’ signature guitar prowess mixed Sheehan’s undeniable Bass supremacy. It’s a bold reminder that sometimes, we have to let go to truly come alive.

'Face Out’ is really about realizing that sometimes the hardest thing to do is let go — but it’s also the only way forward. It’s not the letting go that holds you back, it’s when you can’t. Once you release the weight of the past, you can actually see what’s ahead of you.”Mike K. (The Fell)

'Face Out’ is a bold reminder that “Sometimes we have to let go to truly come alive"- Toby Rand (The Fell)

All roads lead to the The Killswitch EP, a unique limited edition package containing 5 tracks on both CD and laser-etched LP. The 5 tracks include 4 streaming singles plus a new version of “Dancin' On A Glass Floor” (with Toby on vocals) that will remain exclusive to this release. A limited number of band signed deluxe editions will be available through their webstore starting October 24 with the international retail release November 28. 

Watch for the announcement of record release shows in November to accompany the retail release.

Key dates:
October 3 – “Killswitch” is released in Dobly Atmos on Apple/Amazon/Tidal.
October 24 – Signed editions of the The Killswitch EP start shipping direct to fans. The 3rd single “Trippin’ is released.
November 28  - The Killswitch EP is available at retail. The band’s 4th single, a new version of their past hit “Footprints” (with Toby on vocals), is released.

 

Welcome to the next wave of rock. Welcome to THE FELL.

 

BCMG Recordings Inc./Noise Nation Records distributed by BCMG via Sony/ The Orchard, Killswitch EP licensed to Crown X Recordings for physical distribution. 


Pre-save “Face Out” here: https://orcd.co/r29qvlo
Stream "Killswitch" here: https://on.soundcloud.com/yyYyoK1Mo86MrgvDiC
Watch “Killswitch” here: https://www.youtube.com/watch?v=pP6A9d4uiD8

 

Web. / Socials / Contact 

Website- www.thefellmusic.com 

FB- https://www.facebook.com/people/The-Fell-Music/61576112354965/#

Insta - @thefellmusic

Webstore – RockPaperMerch.com/collections/The-Fell 

INFERNO FESTIVAL NORWAY 2026 Reveals Second Wave of Bands; ENSLAVED, SAMAEL, AUÐN + More!

After a strong first announcement, INFERNO FESTIVAL NORWAY 2026 is pleased to reveal five more bands for next year's edition! The festival now welcomes Enslaved, Samael, Auðn, Morax, and Forsmán, with more TBA!

Inferno will once again take place across several venues in Oslo (NO) during Easter from April 2 - 5! Tickets and passes can be found HERE.

The current lineup is now as follows with more TBA:

Deicide

Enslaved

Old Man’s Child

The Kovenant

Kanonenfieber

Samael

Incantation

Auðn

Whoredom Rife

Darvaza

Perchta

Morax

Myr

Forsmán

+ more TBA!

The iconic Inferno Metal Festival started in 2001 and is the longest running metal festival in

Norway and one of the most important extreme metal festivals in the world. We are very proud

of this position and we will continue fronting Norwegian metal and bringing bands from all over

the world to Norway. Inferno Metal Festival is being held four days at Rockefeller Music Halls’

two stages Rockefeller and John Dee as well as many smaller clubs around Oslo. The festival takes place during Easter in Norway when not a lot of other stuff is happening in Oslo. The festival are usually sold out and more than fifty percent of the audience are from outside of Norway. The ticket sales are from all over the world including China, Australia, Chile, Japan, Taiwan, Canada, USA, Columbia, Argentina and many more.

Links:

Official Inferno Fest Website

Facebook

Instagram

Twitter

Tickets

STARSET Release "SILOS" + Band Shares Video for "AD ASTRA"

Visionary, sci-fi-inspired rock collective STARSET have proudly released their latest full-length transmission SILOS  via Fearless Records.

Get it here.

The band has also shared the video for "AD ASTRA."

Watch it below.

The album includes two brand new tracks, six interludes, and several recently released songs. As is customary with STARSET, fans are invited to immerse themselves in the band's layered world via the songs, interludes, and the storylines.

Visualizers have been released for additional tracks, as well. 

The physical album is available for pre-order here, along with new merch drops. For more information, go here.

Lauded by Forbes as having "one of the most firmly established brands of any modern rock band," Columbus, Ohio's STARSET are creating a true multimedia empire with music at its core. Their hits include RIAA Platinum-selling hit "My Demons" (2012) and RIAA Gold-selling single "It Has Begun" (2014), with others soon to follow. With a staggering 5 billion streams and a rapidly growing rabid global fanbase, STARSET are one of rock's upper echelon acts.

Progressive Rock Trio RAIBARD Unveils First Single, "Time", From Upcoming Album 'Postscript'

Progressive rock trio RAIBARD have unveiled the first single, "Time", off of their upcoming album Postscript, arriving on March 2nd. "Time" introduces the album with gorgeous baroque stylings and a classical guitar flair. The lyrics contemplate aging and the loss of youth, offering a pointedly critical perspective and arguing that time is often not on one's side.  

The band asks listeners to consider, "What happens when you reach the age when you realize time is not on our side anymore? When you realize that life is fleeting, and that you may never reach where you wanted to? The song is basically about finding hope, even though and precisely because things haven't gone the way you want."

Watch the lyric video for "Time" Below.

About RAIBARD:
RAIBARD began in March 2016 in the Boston area, three musicians from different corners of rock who heard the same call. Daniel Gil brought a songwriter’s poetry and a composer’s ear. Phil MacKay arrived with a drummer’s intuition and a love of pulse. Greg Dellaria carried the weight and warmth that only a bassist who has lived in heavy music can summon. Together they set out to build songs that lift the listener. The goal was simple and stubborn. Make music that feels like an internal elevation. Offer an alternative to the hyper technological churn and return people to presence.

The sound they forged is rooted in alternative and progressive rock. You can hear the charge of LED ZEPPELIN and DEEP PURPLE, the adventurous spirit of RUSH and KANSAS, the acoustic intimacy that runs through JETHRO TULL and GOMEZ, the grand contours that fans of KING CRIMSON and THE GATHERING recognize. Listeners have compared the band to PEARL JAM, TALKING HEADS, DINOSAUR JR., SOUNDGARDEN, and RUSH, yet RAIBARD lands in its own space. Earth toned. Melodic. Unafraid of risk. Never a nostalgia trip.

That identity comes from process. The trio practices daily on their own, writes through open ended explorations, then meets weekly to do both hard work and flow work. One rehearsal is spent solving problems and tightening parts. The next leans into the moment to let the music breathe. Onstage the band is focused and quietly intense. Interaction happens between songs, and during them the communication moves inward. The energy stays high, the execution stays honest, and the chemistry stays locked.

Key songs have become touchstones for fans. “Angel of the Clockwork” twists from hushed reflection to sky opening release. “Dark Realm of the Daylight” paints in shadow and brass light. “Forest of Song” is a slow build that rewards patience. “The False Prophet” carries a warning and a wall of sound. On the current album, Postscript, “Still Your Name” expands the palette with a guest turn from keyboardist Jeff Kolter.

The three members broaden the canvas beyond RAIBARD as well. Greg plays in OXBLOOD FORGE. Greg and Phil both cut their teeth in ICHABOD. Daniel is also a classical composer whose work has been released on record, and his string quartet earned first round consideration in the 66th Grammy Awards for Contemporary Classical Composition. Those threads feed back into the band, adding grit, scope, and nuance.

RAIBARD writes for people who still crave direct sound and real ideas. The music asks you to set the news cycle down, to loosen the grip on strict computation, to listen with immediate human awareness. These songs are built for rooms where strangers become an audience and an audience becomes a choir. Not machines. Not algorithms. Just three players and a shared current, inviting you to rise.

Savage Lands Release Live Hellfest Video

SAVAGE LANDS are releasing the full video of their star-studded performance at last year’s Hellfest. The metal non-profit, which was founded by Megadeth drummer Dirk Verbeuren and musician-turned-activist Sylvain Demercastel, performed songs off their debut album Army of the Trees on the festival’s main stage alongside Vincent Price (Body Count), Billy Graziadei (Biohazard), Shane Embury (Napalm Death), Andreas Kisser (Sepultura) and other leading voices from across the world of metal.

Watch Savage Lands’ star-studded performance at Hellfest Below.

Army of the Trees is out now on Season of Mist.

Order & Stream

https://orcd.co/savagelandsarmyofthetrees

Just listening to Army of the Trees helps support Savage Lands. 100% of the song’s royalties fund the musician-run non-profit’s ongoing preservation efforts.

Last year’s Hellfest 2024 marked a turning point for Savage Lands. The festival announced that they are donating €1 million to support the organization’s reforestation and biodiversity initiatives in Costa Rica and Europe. Their performance concluded with a stirring rendition of “Roots Bloody Roots,” which amplified the project’s rallying call for ecological action.

Beyond the stage, Savage Lands continue to grow. In France, they recently launched the Alliance of the Trees with three local associations: Association Francis Hallé, Etats Sauvages and Semeurs de Forêts. Together, these organizations will coordinate reforestation and preservation efforts on a national scale.

Savage Lands is also preparing a landmark initiative for this Saturday, September 20. In collaboration with Heilung, Hellfest Productions, the Jane Goodall Institute France, and Association Protection des Animaux Sauvages (ASPAS), Savage Lands will bring 10 metal fans to witness the inauguration of the first Jane Goodall wildlife reserve in Brittany, France.

Learn more about Savage Lands
https://savagelands.org/  

Donate 
https://savagelands.org/donation/

Savage Lands' debut album introduces several new species of metalhead to their ecosystem. Eurovision’s darlings Lord Of The Lost spill their blood and glitter over the spiky riffs that puncture “Out of Breath”. Holding court over lead single “Ruling Queen” with her serpentine cleans and lioness roar is none other than Arch Enemy’s Alissa White-Gluz. “Now is the time to take a stand”, the band roar in a fierce rallying cry during the album’s climactic title track, backed by Julien Truchan from Benighted and other pillars from the French metal community.

“Our goals are attainable,” Sylvain and Dirk say. “By converting the land that we purchase into nature sanctuaries, Savage Lands will help set a precedent for environmental activism. But we must work together and quickly. Ecosystems are still under attack. If we don’t, then there won’t be any wildlife left to save”.

Raise your horns and join the Army of the Trees in support of the metal  non-profit.
 

Learn more about Savage Lands: https://savagelands.org/

Donate: https://savagelands.org/donation/

Core Lineup:
Poun - Vocals
Sylvain Demercastel - Guitars
Etienne Treton - Bass
Florian Pons - Drums

Special Member:
Dirk Verbeuren (Drums on "Black Rock Heart", "The Last Howl" and "Out of Breath)

Collaborators:
Stephane Buriez
Ardag Basmadjian
HK Nico + James at Vamacara

Guest Features:
Kai Uwe Faust - Vocals (Black Rock Heart)
Chloe Trujillo - Vocals (Black Rock Heart, Out of Breath)
Alissa White-Gluz - Vocals (Ruling Queen)
Kenneth Andrews - Guitar (Ruling Queen)
Andreas Kisser - Guitar (The Last Howl)
John Tardy - Vocals (The Last Howl)
Maria Franz - Vocals (No Remedy)
Lord Of The Lost - Vocals, Guitars (Out of Breath)

*Army of Trees features Steeven Corsini (Loco Muerte), Auré Jäger (Akiavel), David & Viber (Sidilarsen), Niko Jones (Tagada Jones), Julien Truchan (Benighted), Stéphane Buriez (Loudblast, Sinsaenum), Nils Courbaron (Bloodorn, Sirenia, DDC) and Aurelien Ouzoulias (The Beat Factory, Mörglbl).

Production:
Recorded, mixed and mastered by Adair Daufembach at Daufembach Studio in Los Angeles.

Cover Artist:
Brewster Agency  


Pre-order & Pre-save: https://orcd.co/savagelandsarmyofthetrees

Follow Savage Lands:
Official Website: https://savagelands.org/
Bandcamp: https://savagelands.bandcamp.com/album/army-of-the-trees
Apple Music: https://music.apple.com/artist/savage-lands/1712738479
Spotify: https://open.spotify.com/artist/5fft5SyNYhNar3PdYtKQSF
Facebook: https://m.facebook.com/p/Savage-Lands-100081754354224/
Instagram: https://www.instagram.com/savagelands_project/
YouTube: https://www.youtube.com/@savagelands9644

Available Formats:
Digital Download
CD Digisleeve
12" BioVinyl (Gatefold)

DIE SPITZ SOMETHING TO CONSUME OUT NOW

'Something To Consume’ lives up to its name, as the four 22-year-olds purge every ounce of anger and sorrow onto the eleven songs that complete their debut. Whether the outcome be metal, shoegaze, punk, or an undefinable hybrid of the aforementioned, one thing remains certain: Die Spitz are not to be fucked with. - CLASH

 

"Ludicrously urgent and deeply fierce, Die Spitz are vital and explosive" - FLOOD
 
"Future superstars" - Kerrang
 
“A fierce, fearless debut.” - DIY
 
"Four front-grrrls declaring war on your comfort zones" - The London Standard

The Intemperate Sons Release Single "Saturday Is Always Hard" + Music Video via FRAME|WORK ​   

Alt-Rockers, The Intemperate Sons, have released the third track, "Saturday Is Always Hard," from their upcoming third studio album, Ephemera, set for release in winter 2025. 

 

“Saturday Is Always Hard” is a departure from some of the heavier tracks listeners have become accustomed to.  The song is a reflective journey of knowing you’re losing someone and the thoughts that clutter your mind waiting for that day.  The Intemperate Sons venture slightly into more heavier pop territory with this track using haunting keys and dark, yet jazzy guitar tone.  It’s the kind of song that sticks with you, perfect for anyone who loves music that feels real and hits deep. 

 

Stream/Download "Saturday Is Always Hard":

https://onerpm.link/309017549520

https://linktr.ee/theintemperatesons


The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicidein Long Beach, CA.  All mastering is done by Mike Marsh Mastering in the U.K.

In the sweltering Dallas summer of 2019, before the onset of a global pandemic, The Intemperate Sons were born from blood, grit, and a shared obsession with the ghosts of alternative rock’s golden age. The Watson family—Keith on drums, Jake on guitars, and Max on vocals, guitars, and keys—joined forces with longtime friend and bassist Mark Marks to create a sound that’s equal parts searing riffs, haunting harmonies, and unapologetic soul. Think Alice in Chains’ brooding intensity, Stone Temple Pilots’ swagger, and R.E.M.’s poetic undercurrent, all filtered through a ‘70s rock haze that refuses to play it safe.

This isn’t just a band; it’s a family affair, where the unspoken bond between father and sons fuels every chord and lyric. Keith, a Dallas stage veteran, pens lyrics that cut deep—tales of regret, resilience, and the chaos of the human condition. Jake’s guitar lines, sharp yet soulful, weave narratives of their own, while Max’s voice carries the weight of a 25-year-old who’s lived a lifetime in his head. Mark, the groove-obsessed bassist, ties it all together.

The Intemperate Sons hit the ground running, catching the ear of rock heavyweights Ryan Shuck and Amir Derakh (Orgy, Dead By Sunrise, Julien-K), who signed them to their Frame|Work label in 2021. Even a global pandemic couldn’t derail their momentum—holed up in The Kitchen Recording Studios, they crafted their debut album, The Color Within (2022), with tracks like “Dust to Dust” and “Running Man”that pulse with raw emotion and retro grit. Collaborations with legends like Tony Franklin (Whitesnake, The Firm) on singles like “Running Man” and “Dust to Dust” and Derakh’s production on singles like “Game of Keep Away” and “Dark Day’s Night” featured on their second and highly successful album, Dark Day’s Night (2024) pushed their sound further, blending post-grunge edge with folk and hard rock undercurrents.

For fans of alternative rock, this band is a throwback and a revelation—a reminder of why you fell in love with the genre’s raw honesty and a promise that its spirit still burns. The Intemperate Sons aren’t chasing trends; they’re carving their own path, one riff, one lyric, one night at a time.performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style which has a retro vibe with many guitar driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate on a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots, and even R.E.M.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

 

 

The Intemperate Sons Show Dates:

 

Sun Sept 27 @ Red River Revel Music Festival 2025 in Shreveport, LA

Fri Oct 17 @ Whisky A Go Go in Hollywood, CA w/ Julien K, for all the emptiness, Our Frankenstein, Skyplant, Vanta After Dark

For More Information Please Visit:

The Intemperate Sons

Official Website

Facebook

Instagram

TikTok

YouTube

Spotify

Merch Store

 

FRAME|WORK

FRAME|WORK Website

FRAME|WORK Instagram

Avralize Unleash A New Single

Germany's metalcore force AVRALIZE are entering a new era with their sophomore album liminal, set for release on November 14 via Arising Empire. Following the breakout success of their debut FREAKS, which earned over 5.5 million Spotify streams, the band has already unveiled "upside down," "helium," "wanderlust," "close to you," and "medicine."


Now they return with the crushing new single "bite my tongue."

 

About the track, the band shares, "'bite my tongue' is a song that embodies the tension we all carry inside – that battle between what we feel and what we’re able to say out loud. It's about the weight of holding back, the pressure that builds up when you bury emotions, and the way it can twist you up until you finally explode. The riffs, the grooves, the heaviness — it all mirrors the choking on your own words and the relief that comes when you finally let it all out. For us, 'bite my tongue' isn't just another single — it's a statement. It's us showing another side of AVRALIZE: Groovier, sharper, but also deeply human. If you've ever felt like you were drowning in the things you couldn't say, this one is for you."

 

With liminal on the horizon, AVRALIZE are proving once again why they are one of Germany’s most exciting heavy acts — unafraid to evolve, unafraid to hit harder, and ready to define the next chapter of modern metalcore.

Watch the "bite my tongue" visualizer below

Catch the band live on their EU tour — more info here