IRON SAVIOR - Reforged - Machine World: Out Friday!

IRON SAVIOR proudly presents their new album Reforged - Machine World, the third chapter in their acclaimed re-recording series that ignites fresh fire into timeless anthems from their legacy. This thunderous collection features reimagined classics drawn from the band’s prolific early 2000s era, along with a turbocharged cover of JUDAS PRIEST’s “Starbreaker,” all delivered through their signature fusion of futuristic power metal and classic heavy metal intensity.

IRON SAVIOR are:
Piet Sielck | vocals, guitars
Joachim Küstner | guitars
Patrick Opitz | bass
Patrick Klose | drums

Leslie Mandoki and his band, the Mandoki Soulmates, is returning to Budapest on August 21, 2025 and streaming live on Youtube

In a homecoming concert spectacular, Leslie Mandoki and his band of global musical luminaries, the Mandoki Soulmates, is returning to Budapest on August 21, 2025 at 7:00pm Central European Time to celebrate fifty years of Mandoki’s life and artistry in freedom on the national stage of his birthland. The 50 year anniversary concert will be live streamed directly from Budapest onto Youtube and can be watched from across the globe! The live stream will begin at 1:00pm Eastern Time. Here is the link for the livestream! https://www.youtube.com/live/t19CDG83nL0?si=n8Wjk2KRr8QKl6od

The performance will feature iconic Mandoki Soulmates songs, global hits made famous by members of his all-star band, and new material from their latest album, including We Stay Loud, Blood in the Water, and Devil’s Encyclopedia. Mandoki says “we invite everyone who believes in the power of music as both an act of profound artistic expression as well as a mode of liberation.”

The extraordinary venue is Budapest’s icon of icons, Szentháromság Tér atop the Buda Castle hill, a fitting crescendo in Mandoki’s performing life, which began in the then-notorious “Bem Club,” the locus of artistic rebels and rebellion in the oppressive 1970s Budapest. The concert promises surprises both evoking Mandoki and The Soulmates’ musical journey, as well as the band’s latest album, A Memory Of Our Future, a resounding international success, recently honored at The Rock and Roll Hall of Fame.     

The Backstory
Over 50 years ago, the young Leslie Mandoki and his band, JAM, started making the scene at the infamous Bem Club, a so-called “cultural center” in communist-era Budapest that was quickly becoming a hotbed of the underground counter-culture for young people. After experiencing unrelenting artistic and personal repression, Leslie and two like-minded friends summoned the courage to make their way, by any means necessary, to the West. Compelled by this longing for freedom, his friends, the young animator Gábor Csupó (now known worldwide for The Simpsons, Rugrats, Duckman, and Aaahh!!! Real Monsters), and musical blood brother László made a dramatic escape through the Karawanken Tunnel to Germany in 1975—50 years ago!

Perhaps Leslie himself expressed the roots of his personal and artistic odyssey best: “The Bem Club was the place where music became the battlefield of inner revolution and the fight for freedom. It was there that I first understood that behind every sound, there are ideas—and that every melody rises from the depths of the soul. I learned that music is not just storytelling, but a kind of world-building: creating new realities from sounds, thoughts, and shared dreams. The stage is a space where there is both a mirror and a gateway, to ourselves and to one another. The friendships forged there were not fleeting moments, but encounters of destinies attuned to one another. All of this shaped not only my artistic path but also the way I’ve seen life, freedom, and human dignity ever since.”

This crucible of Leslie’s westward journey and new life eventually led to the founding of the Mandoki Soulmates band. The group shared an artistic creed based on the spiritual and musical foundations for what has become the broader Soulmates collective. Now more than just a band, this is a creative fellowship, a cultural atelier, a bridge connecting generations and civilizations, a cry for freedom echoing across the world’s grandest stages, and one that will be celebrated with this concert. 

Mandoki Soulmates Mega Concert—50 Years in Freedom
August 21, 2025, 7pm
Szentháromság Tér, Buda Castle, Budapest

A Memory Of Our Future - Album Order:
https://mandokisoulmates.lnk.to/Physical

Vianova Drop Heavy Curveball With "Obsolete"

Vianova, Berlin's promising force in modern metalcore and rock, drop the video for the brand new banger "Obsolete," and it's a heavy curveball.

Watch the video below.

Stream the single here.

What begins smooth and mellow soon erupts into a powerful burst of energy, driven by Alexander Kerski's (known from The Voice of Germany) standout vocal performance and the band’s explosive instrumental work that demands headbanging. It's an existential reflection on human value in a world shaped by automation, societal pressure, and emotional detachment.

Catch the band live at the dates below in Europe.

10/4-10/6 — Köln, DE — Euroblast Festival
2/7 — Königsbrunn, DE — Matrix (Raptor Metalcore Festival) 

During the 2020 pandemic, Vianova reinvented their musical and visual identity, evolving their sound with the arrival of bassist Raoul Zillani. This new phase embraced a more technical, aggressive, and imaginative style, culminating in their EP Looking For... and the follow-up, ...A Way Out, released in 2023. These efforts garnered international attention and led to management by Lukas Magyar (Veil of Maya) in mid-2023. The band has since performed extensively across Germany, solidifying their position as a rising force in the metalcore genre.

Now back with fresh music, Vianova push their sound even further. This new chapter aims for a raw, fierce, and dynamic approach in both mixing and songwriting. Influences from genres outside metalcore — such as soul, jazz, R&B, and 80's synths — reflect their commitment to breaking genre boundaries. Accompanying this sonic evolution is a vibrant visual transformation, characterized by a focused and youthful energy that injects fun into a metalcore landscape often perceived as stagnant.

VIANOVA ARE:
Alexander Kerski — Vocals
Felix Vogelsang — Guitar
Raoul Zillani — Bass
Paul Vogelsang — Drums

VICTIM OF FIRE deliver an engulfing sonic experience

Denver, Colorado's stadium crust act VICTIM OF FIRE deliver an engulfing sonic experience with a significant focus on twin guitar harmonies. Seeking to set the stage ablaze with their new album and forthcoming tour dates around North America and Canada this September, The Old Lie that is set for release on August 1, 2025 via Human Future Records/Return Trip Records.

The Old Lie is a continuation of the bands sound from where they left off with Disembrace in 2022. This album also sees a shift in the band's creative process, being the first to include contributions from every live member. The title track kicks off the release with a somewhat divergent sound. Steering into the melo-death territory, VICTIM OF FIRE showcase the genre fusion aspect of their sound while still retaining their roots as a d-beat crust band. "The Old Lie"’s lyrics come from a poem by the English Poet Wilfred Owens, lifting the curtain behind the bleak realities experienced by soldiers in World War One. 

Rife with harmonies, "Apocalyptic Inclination" exposes the 'warfare mindset' reinforced by politicians, especially in the US. "Wayward Light" continues the trajectory of the fast and melodic in a ferocious fury of riffs and harmonies. "Nightmares of Ceasefire" sees the fast and the furious endure, thematically exploring the perspectives of those who profit from war and death. "Soldiers Dream" is also influenced by Wilfred Owen's poem from which the song's title is taken. An enthralling combination of emotions, textures and tones, it's also the fastest track on the album.

A staple of the band's live shows "Discordance" was written from a more personal perspective about the process of adjusting to 'reality' following a period of touring. "Barren Path" sees VICTIM OF FIRE present an open and honest sharing of struggles with imposter syndrome. Shifting gears, "Front Towards enemy" embarks on a wild ride stylistically, deviating from the rest of the track list. Followed by "Disharmonist", the band's self proclaimed "magnum opus", the track original appeared as a single in 2021. For The Old Lie, it's been revamped with further harmonies and an increase in speed. VICTIM OF FIRE end with their own distinctive take on IRON MAIDEN's "Aces High". 

About VICTIM OF FIRE:
Initially formed in 2016, the Denver hailing blackened crust ensemble began as a side project filling in a creative gap and available studio time. Now, almost a decade later, the quartet are preparing to unearth their third studio album, The Old Lie, and bring their explosive sound to the masses around the US and Canada.

Inspired by the likes of TRAGEDY, DISFEAR, IN FLAMES, DISMEMBER and IRON MAIDEN, Austin reveals his creative influences, "harmonized guitars have always been my favorite part of music ever since I discovered IRON MAIDEN at the age of 16, and I’ve just been trying to recreate it in my bands wherever I can. Also not being afraid to take a risk with a song of musical style to see if it connects. We aren’t trying to be the crustiest crust band, we want to blend a bunch of styles together to make something fun and energetic to play live."

VICTIM OF FIRE is:
Austin (Guitar/Vocals)
Dustin (Bass)
Emily (Guitar)
Marc (Drums)

Album Credits:
Producer: Austin Minney
Recording Studio: All Aces Studios, Evergroove
Engineer: Austin Minney
Mastering: Brad Boatright (Audiosiege)
Mixing: Austin Minney
Album Cover Artist: Dan Bones

Tape Room Music Puts a Dozen+ Singles on the Country Charts at One Time

Building on its reputation for country-chart dominance, Tape Room Music continues to make waves this summer. The Nashville-based independent publisher celebrates back-to-back No. 1s, while more than a dozen of its songs climb the charts – simultaneously.
 
Founded by record-setting songwriter Ashley Gorley in 2011, Tape Room Music has celebrated over 50 No. 1s and counting. Its current tag-team of hits from Gorley and roster writers include this week's No. 1 on the Country Aircheck/Mediabase chart, Nate Smith's "Fix What You Didn't Break,” and last week's No. 1, Tyler Hubbard's "Park.”
 
"Fix What You Didn't Break" was written by Smith, Gorley, Taylor Phillips and Lindsay Rimes. It marks Taylor Phillips’ 10th career chart topper, and fourth No. 1 in the last 12 months, joining Jelly Roll’s “I Am Not Okay” and “Liar” and Dylan Scott’s “This Town’s Been Too Good To Us.” Phillips is  the fourth Tape Room writer to achieve the feat along with Ben Johnson, Hunter Phelps and Zach Crowell. “Fix What You Didn't Break” marks the sixth No. 1 shared between Phillips and Gorley. 
 
"Park" was written by Hubbard with Jesse Frasure, Gorley and Canaan Smith.

Meanwhile, 15 songs penned by Gorley and Tape Room writers are currently on airplay charts, including:

  • Nate Smith's "Fix What You Didn't Break" (co-written by Ashley Gorley, Taylor Phillips)

  • Tyler Hubbard’s “Park” (co-written by Ashley Gorley)

  • Jordan Davis's "Bar None" (co-written by Ben Johnson, Hunter Phelps)

  • Jelly Roll's "Heart Of Stone" (co-written by Zach Crowell)

  • Dierks Bentley's "She Hates Me" (co-written by Ashley Gorley)

  • BigXthaPlug & Bailey Zimmerman’s “All The Way” (co-written by Ben Johnson)

  • Zach Top's "Good Times And Tan Lines" (co-written by Wyatt McCubbin)

  • Megan Moroney & Kenny Chesney's "You Had To Be There" (co-written by Ben Williams)

  • HARDY's "Favorite Country Song" (co-written by Ashley Gorley, Beau Bailey)

  • Blake Shelton's "Stay Country Or Die Trying" (co-written by Beau Bailey)

  • Chris Janson's "Me & A Beer" (co-written by Ashley Gorley, Taylor Phillips, Andy Sheridan)

  • Dasha's "Not At This Party" (co-written by Ashley Gorley, Ben Johnson)

  • Megan Moroney's "6 Months Later" (co-written by Ben Williams)

  • Sam Barber & Avery Anna's "Indigo" (co-written by Andy Sheridan)

  • Dustin Lynch's "Easy To Love" (co-written by Ben Johnson, Hunter Phelps)

Past the charts, Tape Room writers across the roster have kept busy this summer. Ben Johnson, who co-wrote BigXthePlug and Bailey Zimmerman’s summer smash “All The Way,” is featured in Netflix’s brand new Hitmakers, which follows hit songwriters across genres writing for top artists. Wyatt McCubbin joined shows on Riley Green’s Damn Country Music tour alongside Green, Ella Langley and Vincent Mason. McCubbin was featured on Chase Rice’s “Two Tone Trippin’,” the lead release from the singer’s upcoming album that includes many songs co-written by McCubbin. Tape Room writers and producers have kept busy working on exciting new projects and collaborations to come. Earlier this summer, Gorley, Phillips, Ben Johnson and Hunter Phelps received CMA Triple Play Awards.
 
In related news, Gorley was inducted into the National Songwriters Hall of Fame in June, yet the Grammy, CMA and ACM Award winner is not slowing down.

Ashley Gorley | Photo Credit: Katie Kauss

Bask Bend the Law on New Single "The Traveler"

For as long as they've been together, Bask have called Asheville, North Carolina home. But ever since they came rumbling down from the Land of the Sky, it was clear that these Southern trailblazers were cut from a different neck of the woods. On their upcoming fourth album, the band take Heavy Americana to a whole new dimension. The latest single from The Turning revolves around "The Traveler", a mysteriously ageless gunslinger who refuses to go down amidst a mind-melting blaze of glory.

"This song introduces one of the main characters behind our new album", Bask says. "You're sure to be banging your head, just in 9/4".   

Watch the surreal video for "The Traveler" below.

The Turning comes out next Friday, August 22, 2025 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/basktheturning

To kick off this heavy and heady new frontier, Bask are touring the East Coast next week. Hear them perform songs from The Turning during the album's first trip out on the road. 

The Turning 2025 East Coast Tour 
August 20 - Atlanta, GA @ 529 [TICKETS]
August 21 - Savannah, GA @ El Rocko [TICKETS]
August 22 - Asheville, NC @ The Orange Peel [TICKETS]
August 23 - Raleigh, NC @ Chapel of Bones [TICKETS]
August 24 - Richmond, VA @ Fuzzy Cactus [TICKETS]
August 26 - Philadelphia, PA @ MilkBoy [TICKETS]
August 28 - Searsport, ME @ Starboard Lounge [TICKETS]
August 29 - Providence, RI @ Parlour [TICKETS]
August 30 - Wallingford, CT @ Cherry Street Station [TICKETS]
August 31 - Boston, MA @ O'Briens [TICKETS]

Whereas Bask's previous treks were inspired by tall tales, The Turningspools forth from the most fantastical corners of their imagination. "When we started writing this album, the songs were twangy, but also spacier and more psychedelic than anything we've done before", says vocalist and guitarist Zeb Wright, who is also the band's lyrical guide. "And so I asked myself, 'What does this feel like? What do all these things come together and make?". Following a retreat to Echo Mountain Recording with producer Kenny Harrington, they returned with the answer: a 40-odd minute, sci-fi opus that stretches not just across dimensions but generations in man's never-ending quest for immortality.

In keeping in line with its far-out concept, The Turning truly straddles the line between cosmic and country. Just as the video for "The Traveler" puts a surreal twist on the classic talk show format, the album's latest single also introduces a colorful wrinkle in the form of Bask's newest member Jed Willis. "These guys have become friends and brothers to me over the past decade or so", Willis says. His pedal steel glows with all the natural beauty of a Harvest Moon above the song's down-home melodies, though its dimension-hopping desperado needs help getting out of Dodge in order to avoid another run-in with the long, cold hand of fate.

"Don't be frightened of me". Wright belts with clean and clear conviction, though an organ-provoked premonition reveals that the intentions of "The Traveler" aren't so honorable. The doomy breakdown doesn't open the pit but an all-consuming black hole.

“We’ve been through so much together", bassist Jesse Van Note reflects. "We were robbed in Sweden. A tire literally fell off our van while we were driving. During COVID, we didn’t get together as much. We’re also older now and there are challenges and responsibilities that come with that. I have two kids. Some of us have bought houses. We’ve all been through marriages and different relationships. For things to snowball on top of the band one after another, it kind of had us feeling like maybe this was the end of our era”.  

While its story line is admittedly "out there", The Turning does hit close to home. The album's dwellings on family, aging, death and rebirth were cast in a deeper, darker light when Bask returned for mixing and mastering after Hurricane Helene reached Asheville. "The Traveler" ends with its boots one step closer to the grave. But the band still ascend amongst the stars with a shredding solo that defies the laws of physics.

"Seeing this album finally come to light is therapeutic for us", guitarist Ray Worth says. "The Turning is Bask at our finest. It's our most cohesive and heartfelt effort, an ode to our mountain home in the sky". 


The video for "The Traveler" was directed, filmed and edited by Eric Bader. It was produced and designed by Caroline Bader.

Additional video credits
Starring
Joshua Robbins as The Host
Andy the Doorbum as The Magician
Erik Button as The Fox
Caroline Bader as The Witch
Henry Bader as The Child
The Puppet as Himself

"Music is an emotional outlet, but at the end of the day, it's also a way for us to hang out with our best buds", the band says. "The Turning was a challenge, but we weathered the storm and came out the other side with a beautiful album that sounds like Bask".   

Line-up:

Jesse Van Note – Bass
Scott Middleton – Drums
Ray Worth – Guitar
Zeb Wright – Guitar/Vocals
Jed Willis - Pedal Steel

Guest musicians
Clay White - Trumpet
Franklin Keel - Cello
Alex Taub - Piano, Hammond B3 Organ

Recording Studio 
Echo Mountain Recording

Producer 
Kenny Harrington

Engineer
Kenny Harrington

Mixing Studio
Acre AudioMixing

Mixing Engineer
Andrew Schneider

Mastering Studio
West West Side Music

Mastering Engineer
Alan Douches

Available Formats
Digital Download
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Transparent Orange)

Pre-order & Pre-save

https://orcd.co/basktheturning

TRIBAL GAZE REVEAL NEW ALBUM, INVEIGHING BRILLIANCE, OUT OCT 17TH

Following their recent signing with Nuclear Blast Records, Texas death horde TRIBAL GAZE has announced their 2nd full-length album, Inveighing Brilliance, will be released on October 17th. Injecting a heavy dose of scorching old school death metal straight into the veins of the modern metal scene, TRIBAL GAZE hold nothing back on their massively anticipated followup to 2022’s highly praised The Nine Choirs.

The band has unleashed their furious first single, ‘Beyond Recognition,’ with an intense video directed by David Brodsky (CATTLE DECAPITATION, CANNIBAL CORPSE).

Commenting on the impending record and new single, guitarist Quintin Stauts says:

“I think this album, like our others, is us trying to create memorable parts in songs. Parts that make you have to rewind and hear it again. The aim is always to make songs that we love listening to. We’re just trying to add something of value to the death metal world. Our single Beyond Recognition is a good representation of where we’re at mentally. Pissed during the fast parts, pissed during the slow parts.”

TRIBAL GAZE will tour North America in support of Inveighing Brilliance this fall, sharing the stage with THE ACACIA STRAIN, CATTLE DECAPITATION, ABORTED, FROZEN SOUL and more. Tickets are available HERE.

Stream ‘Beyond Recognition’: https://tribalgaze.bfan.link/beyond-recognition

Pre-Order Inveighing Brilliance: https://tribalgaze.bfan.link/inveighing-brilliance

“BEYOND RECOGNITION” MUSIC VIDEO BELOW

TRIBAL GAZE Tour Dates with THE ACACIA STRAIN, BODYSNATCHER and INGROWN:

08.01 Lawrence, KS @ Granada Theater
08.02 Denver, CO @ Summit Music Hall
08.03 Salt Lake City, UT @ The Complex
08.05 Seattle, WA @ El Corazon
08.06 Portland, OR @ Roseland Theater
08.07 Sacramento, CA @ Ace of Spades
08.08 Los Angeles, CA @ 1720
08.09 San Diego, CA @ Soma
08.10 Mesa, AZ @ Nile Theater
08.12 Dallas, TX @ Granada Theater
08.13 Houston, TX @ White Oak Music Hall
08.15 Tampa, FL @ The Orpheum
08.16 Atlanta, GA @ The Masquerade (Heaven)
08.17 Charlotte, NC @ The Underground
08.19 Richmond, VA @ Canal Club
08.20 Baltimore, MD @ Baltimore Soundstage
08.21 New York, NY @ Irving Plaza
08.22 Philadelphia, PA @ TLA
08.23 Worcester, MA @ The Palladium

TRIBAL GAZE Tour Dates with CATTLE DECAPITATION, ABORTED and FROZEN SOUL:

11.16 Mesa, AZ @ The Nile Theater
11.18 Oklahoma City, OK @ Diamond Ballroom
11.19 Dallas, TX @ Granada Theater
11.20 San Antonio, TX @ Vibes Event Center
11.21 Houston, TX @ Bad Astronaut Brewing Co
11.22 Baton Rouge, LA @ Chelsea's Live
11.24 Atlanta, GA @ The Masquerade
11.25 Tampa, FL @ The Orpheum
11.26 Ft. Lauderdale, FL @ Revolution Live
11.28 Charlotte, NC @ The Underground
11.29 Richmond, VA @ The Canal Club
11.30 Baltimore, MD @ Baltimore Soundstage
12.02 Brooklyn, NY @ Warsaw
12.03 Worcester, MA @ The Palladium
12.05 Montreal, QC @ Club Soda
12.06 Toronto, ON @ Concert Hall
12.07 Detroit, MI @ Saint Andrew's Hall
12.09 Chicago, IL @ House of Blues
12.10 Minneapolis, MN @ First Avenue
12.12 Denver, CO @ Summit
12.13 Salt Lake City, UT @ Urban Lounge
12.15 Portland, OR @ Roseland Theater
12.16 Seattle, WA @ The Showbox
12.18 Sacramento, CA @ Ace of Spades
12.19 San Diego, CA @ Observatory North Park
12.20 Los Angeles, CA @ The Belasco

About TRIBAL GAZE:

Arising from the scorched earth of Texas, Tribal Gaze return with “Inveighing Brilliance”, a death metal monolith shaped by ancient violence and unforgiving truth. Recently signed to Nuclear Blast Records, the band conjures visions of primal wrath and nihilistic clarity—a sound rooted in the rawness of old-school death metal but sharpened with modern intent. From their name, inspired by unseen forces watching from deep forests, to the crushing weight of their riffs, Tribal Gaze channels something ancient, unknown, and violently present.

“Inveighing Brilliance” is a meditation on the illusion of beauty in nature and existence, and how it pertains to both Mother Nature, and our wretched, human society. Even in moments of light, brutality lurks—eggs are stolen from nests, flesh is torn for survival. This album dissects this duality, revealing the suffering embedded in every living moment. With digital artwork by Dom Pabon (Final Resting Place) that evokes sci-fi decay and meditations of ancient ruin, the album looks and sounds like a lost realm where reality fractures under the pressure of its own contradictions.

Tracks like “Beyond Recognition” and “To the Spoils of Faith” expand on these apocalyptic themes. The former imagines an outside force annihilating humanity in judgment of its arrogance, built on some of the band’s most punishing riffs to date—swinging between chaos, groove, and sheer obliteration. The latter churns with mechanized fury and contempt for blind belief, echoing Meshuggah-like timing with lyrics that drag faith to its own ironic hell. Across the record, Tribal Gaze capture the violence of thought and sound in equal measure—uncompromising and vividly self-aware.

Their ascent to Nuclear Blast was anything but formulaic. After leveling stages on tour with Frozen Soul, the band caught the attention of legendary A&R Monte Conner, who waited outside a venue in New York just to share his admiration. That moment solidified a new chapter for Tribal Gaze—a label that values creative freedom and pushes bands to expand without dilution. With “Inveighing Brilliance”, they’ve done just that: stripped away illusion, stared into the abyss, and made it echo.

Follow TRIBAL GAZE:

Facebook | Instagram | Bandcamp | Spotify | Apple Music

INFERNO FESTIVAL NORWAY 2026 Reveals First Wave of Bands; DEICIDE, OLD MAN'S CHILD

INFERNO FESTIVAL NORWAY 2026 is now proudly welcoming the first wave of bands to next year's edition, which will once again take place across several venues in Oslo (NO) during Easter from April 2 - 5! Deicide, Old Man’s Child, The Kovenant, Kanonenfieber, Incantation, Whoredom Rife, Darvaza, Perchta, and Myr are confirmed to conquer the festival!

Tickets and passes can be found HERE.

The full lineup is now as follows with more TBA:

Deicide

Old Man’s Child

The Kovenant

Kanonenfieber

Incantation

Whoredom Rife

Darvaza

Perchta

Myr

+ more TBA!

Adam Ezra Group - REVELATE IS OUT NOW

Revelate is out around the globe now!!

Revelate is live on all streaming platforms!!  Stream Revelate!

You all have been so incredible, sparking new fans and listeners from all over the world by streaming our last release, “Sweet Beautiful Thing.”  Revelate is the first song we’re releasing from the album we’ve been working so hard on for the last year and a half, and will be releasing in full over the next 10 months.  We can’t wait for you to hear it, and fingers crossed that more and more folks out there get excited about listening!! 

Acres to Extend New Album "The Host" With More Material + Band Shares "Push Me Away" Video

UK band ACRES will release the continuation of The Host on September 26 via Solid State Records. Pre-order it here. 

What, exactly, is the continuation of the band's critically acclaimed album, which arrived earlier this year? We're glad you asked.

It's even more Acres music, which is always a good thing.

The expanded edition is a continuation and completion of the original, adding three new tracks.

The band shares the video for one of those new songs — "Push Me Away" (Feat. Landon Tewers).

Watch it below.

"'Push Me Away' is almost like a confession of self-doubt, a reflection on feeling like you're the weight holding someone back, and believing they'd be better off without you," the band says. "When we wrote this in the studio, we instantly knew this was the song we wanted to have a feature on and we honestly couldn't think of anyone better than Landon. We're so grateful he wanted to be part of this!"

Acres are touring with Like Moths to Flames this fall. All dates are below.

Audiences initially fell under Acres' spell in 2019 when they unveiled the fan favorite Lonely World. After grinding on the road, they made significant strides with 2023's Burning Throne. "My Everything" reeled in 2.6 million Spotify streams followed by "Hold On" with another 2 million Spotify streams. Kerrang! applauded how, "Acres display their potential with some big choruses to match," and When The Horn Blows hailed Burning Throne as "a classic metalcore album filled with swinging hooks, rough riffs, popping electronic elements and lovely vocals that turn into monster screams."
 
During October 2024, the band hopped the pond to record what would become The Host with none other than The Plot In You frontman Landon Tewers behind the board as producer. The musicians stayed at his Michigan studio. Beyond enjoying the onset of Halloween in America, they expanded their sonic palette by incorporating elements such as drop-tunings and leaning on the producer's perspective, acumen, and wisdom. The album was lauded by Kerrang! Rock Sound, HM, Idobi, New Noise, and more.

PHOTO CREDIT: Ray Duker

ACRES ARE:
Ben Lumber  // Alex Freeman // Ash Scott // Jack Rogers 

ACRES ON TOUR:
WITH LIKE MOTHS TO FLAMES:
10/24 — Cincinnati, OH — Bogarts
10/25 — Lakewood, OH — The Roxy
10/26 — Chicago, IL — The Bottom Lounge
10/28 — Milwaukee, WI — The Rave
10/29 — Minneapolis, MN — Varsity Theater
10/31 — Denver, CO — Gothic Theatre
11/01 — Salt Lake City, UT — Urban Lounge
11/03 — Seattle, WA — El Corazon
11/04 — Portland, OR — Hawthorne Theater
11/06 — Roseville, CA — Goldfield Trading Post
11/07 — Pomona, CA — Glasshouse
11/09 — Tucson, AZ — 191 Toole
11/11 — San Antonio, TX — The Rock Box
11/12 — Dallas, TX — Trees
11/13 — Houston, TX — Scout Bar
11/15 — Tampa, FL — The Orpheum
11/16 — Orlando, FL — Abbey
11/18 — Atlanta, GA — The Masquerade (Hell)
11/19 — Charlotte, NC — The Underground
11/21 — Philadelphia, PA — Brooklyn Bowl
11/22 — Baltimore, MD — The Recher
11/23 — New York, NY — Gramercy Theatre
11/25 — Boston, MA — Paradise Rock Club
11/26 — Montreal, QC — Fairmount Theater
11/27 — Toronto, ON — Opera House
11/29 — Pittsburgh, PA — Preserving Underground
11/30 —Detroit, MI — St. Andrews Hall

Bambie Thug Returns With New Single "REDRUM" + Signs With Spinefarm Worldwide + Universal Music Publishing Group

Cork-born alt-trailblazer Bambie Thug (they/them/fae) has released their brand-new single "REDRUM," out now via Spinefarm.

Listen to "REDRUM" here or watch below.

Fresh off a massive European arena tour with Babymetal and Poppy, and a sensational debut performance at Glastonbury earlier this year, Bambie Thug returns with a defiant new anthem "REDRUM." Produced by Shaun Lopez (††† & Deftones), "REDRUM" fuses sinister guitar riffs and crashing drums with Bambie's signature screams and politically charged lyrics into a powerful rebel cry. Lyrically locked in on the state of the world, the track is a fearless statement of who Bambie Thug is — an unwavering voice for the queer community and other marginalized groups — and an artist that refuses to be silenced.

On the new single, Bambie Thug said, "'REDRUM' nearly wasn't a thing, because Shaun wasn't going to show me the beat! But when he played it I immediately knew it needed to be mine! I took the instrumental back to my hotel on Sunset Blvd. and spent the night watching news, old protests, and screaming ideas into my headphone mic, probably disturbing the other guests. The next day, Shaun brought Scott Chesak in with us to add the middle section, which I think sounds like armed police banging on their shields. I was using the same old karaoke mic the Beastie Boys used on 'Sabotage' for the vocals! Working with Shaun is amazing, we just get on so well and he's crazy talented. I loved our time together and I’m excited to continue collaborating with him. 

"'REDRUM' is a masterclass, sonically and lyrically. Seeing the reaction it's had live just emphasizes to me how important the song is. It's political, it'a anti-war, it's a 'rebel cry' for the LGBTQIA community and for everyone who is fed up with living in this disconnected world. All I can offer to these turbulent times is my art and hope it wakes people up."

"REDRUM" marks Bambie Thug's first release under their global recording deal with Spinefarm, home to Bullet For My Valentine, Creeper, Dayseeker, and Black Veil Brides.

Talking about the signing, Jonas Nachsin, GM of Spinefarm worldwide said, "We are so excited to welcome Bambie Thug to the Spinefarm family. When we heard that a tarot card reading had resulted in the final decision to join forces with us, we realized that even the spirit world got to weigh in on our new partnership; we then collectively exclaimed 'Crown the Witch' with great exuberant celebration!! We can't wait to see what BT has in store for the world in this and in the coming years."

In addition to signing with Spinefarm, Bambie Thug has also signed with Universal Music Publishing.

UMPG's Claire Walters, A&R Creative Manager added, "We are extremely excited to be working with Bambie, they are an exceptional talent with great artistic vision, and we can’t wait to see what’s next!"

ABOUT BAMBIE THUG:
Cork-born alt disruptor Bambie Thug (they/them/fae) is smashing through gender and socio-political stereotypes to create an era-defining sound that borders on elements of pop, rock, electronic and more. Self-coining the term ‘Ouija-pop’ to describe their sound, Bambie Thug has made serious waves over the last few years with a series of genre-defying singles and a critically acclaimed EP CATHEXIS. Bambie represented Ireland at the 2024 Eurovision Song Contest with their spellbinding entry "Doomsday Blue," finishing at sixth place — the highest placement for an Irish act in 24 years. Following the contest, "Doomsday Blue" flooded the charts globally, reaching the top 40 in Ireland (#23), Lithuania (#9), Greece (#12), Finland (#40), as well as earning their first UK chart entry at #67. A strikingly visual artist, Bambie’s cinematic videos have seen them transform into a variety of otherworldly characters such as "HIM" from The Powerpuff Girls, a lethal arachnid creature and a vampire bride. No stranger to the big stage, Bambie has played festivals across the world including Glastonbury, Download and Electric Picnic to much critical acclaim. Their show-stopping performances have been described as "a genderqueer, occult-tinged, strikingly theatrical edge” (Evening Standard), and they have received ongoing global support from the likes of NME, Kerrang!, Rolling Stone UK, GAY TIMES, BBC Radio 1, Spotify, Amazon Music and more.

BAMBIE THUG PRONOUNS: THEY/THEM/FAE

The Acacia Strain Drop Video for "HOLY MOONLIGHT"

THE ACACIA STRAIN  — Vincent Bennett, vocals; Devin Shidaker, lead guitar; Griffin Landa, bass; Mike Mulholland, guitar; and Matt Guglielmo, drums — recently announced their upcoming album You Are Safe From God Here. It arrives on October 24 via Rise Records. Pre-order it here.

"This record unapologetically The Acacia Strain; take that however you want," the band declared upon announcement. "It's angry, it's sad, it's us. We made a record that made us feel uncomfortable. We hope it makes you feel the same way."

Uncomfortable isn't a bad thing. Discomfort challenges you to expand yourself and it can transform you. 

The Acacia Strain have today shared the video for new single "HOLY MOONLIGHT."

Watch it below.

For a new release from The Acacia Strain, expect an uncompromising sonic assault that further solidifies their reign as titans of extreme music. This latest offering delves deeper into the crushing territories of sludge, doom, and death metal, while retaining the raw, unbridled aggression of their hardcore punk roots.
 
Lyrically, frontman Vincent Bennett once again navigates the bleak landscapes of misanthropy, nihilism, and existential dread, delivering his venomous pronouncements with unflinching intensity. Fans can anticipate a relentless barrage of bone-shattering breakdowns, cavernous riffs, and a palpable sense of impending doom that has become synonymous with The Acacia Strain's destructive sound.
 
Following their innovative dual release of Step Into The Light and Failure Will Follow in 2023, which showcased both their traditional shorter, pulverizing tracks and their expansive, sludgier compositions, this new album promises to push the boundaries of their established ferocity while maintaining the unparalleled heaviness their dedicated fanbase craves. Prepare for an auditory experience that is as punishing as it is profound, a testament to The Acacia Strain's enduring legacy in the realm of extreme metal.

THE ACACIA STRAIN ON TOUR: 
8/15 — The Orpheum — Tampa, FL
8/16 — Altar @ The Masquerade — Atlanta, GA
8/17 — The Underground — Charlotte, NC
8/19 — Canal Club — Richmond, VA
8/20 — Baltimore Soundstage — Baltimore, MD
8/21 — Irving Plaza — New York, NY
8/22 — Theatre of Living Arts — Philadelphia, PA
8/23 — New England Sadness + Failure Fest — Worcester, MA

UK electronic whiz Max Rael shares 'Pressing Against The Glass', showcasing debut album

British electronic artist Max Rael presents 'Pressing Against The Glass', a danceable elegy for the unbelonging. Capturing the deep-seated ache of being on the outside, this is a soundtrack for those who feel eternally separated from the warmth and safety they can only observe.

Based in Hertfordshire, Max Rael is a key creative force in the UK underground through 1990s-2000s electro-goth trailblazers History Of Guns, frontrunners of the Wasp Factory / FuturePunk scene, and Decommissioned Forests. Here, he showcases his singular talents on this record, featuring unique twists on sound design and his acclaimed outsider lyrical perspectives. Musician, writer, actor, engineer and producer, Max Rael has collaborated with Fish (Marillion), Last July, Kommand + Kontrol, Freudstein and Bienheldenschafgegenstand. 

"I’ve always been taken by the image of someone being outside alone in the cold looking in through a window to warmth, comfort and safety that’s not for them. I was thinking of Heathcliff looking through the windows of Thrushcross Grange in "Wuthering Heights" or Frank Abagnale Jr in the film "Catch Me If You Can", outside in the snow at Christmas, unseen looking in through the window at his mother with her new family, happy and warm indoors and realising there is nowhere he belongs, and no one he belongs to,"  says Max Rael. 

This is the latest audio-visual offering from his debut solo album 'The Enemy Is Us', released via London imprint Liquid Len Media. Offering up a dark bouquet of minimalist synth, darkwave and spoken-word electronic pop, this album introduces Rael’s compelling ‘futuretroist’ sound: an alternative sonic universe built on a unique sound design that feels at once familiar and alien. 

Rael's powerful and thought-provoking spoken-word lyrics confronts a world in freefall—its corruption, alienation, and misery. The result seemingly effortlessly conflates a painfully personal portrait of an interior world, with an achingly universal depiction of society and the world outside. He still unearths a resilient core of hope and gallows humour that burns brightly through the darkness, offering a complex and compelling take on the human condition.

Earlier, Max Rael released the poignant shadow-streaked 'Slightly Less Than Human', a nervy electronic track with a great hooky synth melody and spoken word vocals. Partly inspired by Japanese author Osamu Dazai. Lyrically, Max Rael relays his feeling of being somehow different from the rest of the human race, while the non-album B-side 'When the Only Winning Move Is Not to Play' relates to the 1983 film "War Games" and the book 'The Games People Play' by Eric Berne.

In April, Max Rael shared his spoken-word electronic pop song 'Brighter Future', where he questions avoidant strategies of coping with life in a seemingly increasingly chaotic and unsafe world and queries how can we reverse course from an anticipated dystopian future. The B-side 'The People We Love Have Won (Persistence Is All)' is a darker beast, named after Coil's 2000 London performance at The Royal Festival Hall, which also happens to be tattooed on the inside of Rael's left wrist.

Spoken word, electronic music and loud drums feature strongly on the 12-track album, produced and mixed by Max Rael with additional mixing by Caden Clarkson and mastered by Pete Maher (U2, Nick Cave, Depeche Mode, Pixies. Nine Inch Nails).Fusing a range of electronic music styles with other genres, Max Rael is a master journeyman of existential exploration into humanity, self, society, reality, psychology, philosophy and the future.

'The Enemy Is Us' is out now, available from fine digital platforms, including Apple Music, Spotify, Amazon, and Bandcamp.

CREDITS
Written by Max Rael
Max Rael - vocals, keyboards & programming
Caden Clarkson - guitars on 'My First Death'
Produced and mixed by Max Rael
Additional mixing by Caden Clarkson
Mastered by Pete Maher
Released by Liquid Len Recording Company
'Brighter Future' video by Abigail Clarkson
'Slightly Less Than Human' video by Max Rael
Publicity by Shameless Promotion PR
Cover artwork & photographs by Filiz Photography 
Copyright @filizphotographyuk 2025 - must not be altered or sold without photographer's permission
UPC / EAN no. 199199781569

Keep up with Max Rael

Website | Bandcamp | Facebook | Instagram | YouTube | TikTok | Twitter | BlueSky | Apple Music | Spotify | Amazon | History of Guns website |  Press contact


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Miltown's Debut "Tales of Never Letting Go" to be Released 9/5 After 28-Year Wait

Miltown's debut full-length, Tales Of Never Letting Go, is finally being released on September 5.

Limited edition vinyl is available from Man Alive Creative (Pitch Black, Glacier Blue) and RevHQ (Tangerine), while lossless, high-quality downloads can be purchased on Bandcamp.

Featuring Jonah Jenkins (Only Living Witness), Brian McTernan (Be Well, Battery, Ashes), Matt Squire (Ashes), Jay Cannava, and Rob Dulaney, these sessions were recorded at the legendary Long View Farm Studios (Bad Brains, Quicksand, Killswitch Engage) in December '97 and January '98. The band broke up before the songs were mixed and the master tapes have sat in Southern California warehouses ever since.

In 2024, Man Alive Records achieved an exclusive license to release the recordings after almost 30 years. The sessions were then mixed by guitarist McTernan (Turnstile, Thrice), and its packaging designed by Tom Bejgrowicz (Beastie Boys, Johnny Cash, Snapcase). The album was mastered by Nick Townsend (The Hold Steady, Nails, Dr. Dre) and features 13 songs, 10 of which debut here and three that appeared on the band's debut 7" for Hydra Head Records in '97.

Pre-sale begins August 15 here.

Miltown's Tales of Never Letting Go has a long history so here's a short version:

Brian McTernan and Matt Squire from Ashes form Miltown with Jonah Jenkins from Only Living Witness on vocals. They release an acclaimed 7" on Hydra Head Records in 1997, quickly sign to Giant/Warner Bros., record 13 songs at Long View Ranch studio (Bad Brains, Quicksand), and break up before the songs are mixed. In 2024, Man Alive Records secures the rights to release the recordings. Brian mixes the album at Salad Days Studio between sessions with Angel Du$t and End It. 28 years later, the album is seeing the light of day. Tales of Never Letting Go is as fresh and relevant in 2025 as it would have been in 1998.

MILTOWN ARE:
Jonah Jenkins — Vocals
Brian McTernan — Guitar
Matt Squire — Guitar
Jay Cannava — Bass
Rob Dulaney — Drums

From Fall to Spring Announce "Entry Wounds" Out 9/26 + Share "BLOOD"

FROM FALL TO SPRING are lead by twin vocalists Philip and Lukas Wilhelm. The German outfit forge a sound that's as unmistakable as it is uncompromising — a fusion of post-rock atmospheres, hip-hop-infused grooves, soaring hooks, and the sheer weight of metalcore's punch.

After their debut RISE racked up over 20 million Spotify streams, the band now steps into a darker, more introspective realm with their sophomore record, ENTRY WOUNDS, out September 26 via Arising Empire. Pre-order it here. 
 
Where RISE looked outward, ENTRY WOUNDS turns its gaze inward.

"Our debut record was all about our interactions with the world and different kinds of people," the band explains. "ENTRY WOUNDS, on the other hand, is an inward journey. It deals with personal struggles and self-development."

Each song on ENTRY WOUNDS is a fragment — a scar carved by memory, a flash of clarity amidst the static. Together, they weave a slow-burning narrative of letting go, reclaiming control, and finding the courage to heal. Before even announcing the album, the band dropped five singles in album order — "CAST AWAY," "CONTROL," "COME ALIVE," "TAKE THE PAIN AWAY," and "I WON'T BACK DOWN" — each capturing a distinct emotional phase of the story. Those tracks alone amassed over 5.5 million Spotify streams already, proving the resonance of FROM FALL TO SPRING’s message long before the full picture is revealed.
 
The newest single, "BLOOD," acts as a turning point — and the official start of the ENTRY WOUNDS era. It's a reminder that this is more than music; it's a coded transmission from within the system, a place where trauma collides with the digital and the personal bleeds into the synthetic.

The system is active. The cloud is open. The world is not ready.

BAEST Launches Visualizer for New Song, “Depraved World," New Album 'Colossal' Out Now

Danish death metal commando BAEST is now celebrating the release of its fourth studio album, 'Colossal,' which is out now, via Century Media Records! The band is also now sharing a visualizer with animation by Frederik Birn for the album’s closing track, “Depraved World," which can be found below.

BAEST comments, “Lo and behold! Our new album ‘Colossal’ is out now. We’re proud of this one and we’ve been working hard to reach this outcome. And the title says it all - it’s grandiose, it’s epic and it’s COLOSSAL!”

Produced by Tue Madsen at Antfarm Studio (Heaven Shall Burn, The Black Dahlia Murder, The Haunted, etc.), the album contains nine tracks across 42 minutes, including the already released singles "Colossus" and "Imp Of The Perverse," as well as an upcoming single with guest vocal features by Jesper Binzer of D-A-D on “King Of The Sun."

'Colossal' is now available to order, stream, or download HERE.

The album’s artwork was created by Solomacello

Are you ready to rock? Something colossal is coming…

Baest are back, with a new sound and a badass attitude. Over the last decade, the Danish quintet have become one of the most celebrated and respected death metal bands in Europe. Their reign of terror began with debut album Danse Macabre, which emerged to great acclaim in 2019. Since then, the Danes have been relentless. Subsequent albums Venenum (2019) and Necro Sapiens (2021) cemented their reputation as extreme metal mavericks with an ear for lethal hooks, while their passionate dedication to playing live enabled them to spread the word at shows and festivals around the world. 

But things are slightly changing with album number 4: Colossal. Pieced together in the aftermath of Covid lockdowns, and fine-tuned over the last couple of years, the new Baest album is an absolute monster. The new songs are still rooted in the belligerent death metal that informed previous records, but Colossal represents a wholesale transformation. Inspired by and infused with old school, classic metal riffs and a giant helping of rock ‘n’ roll bombast, Baest have written an album that delights in the glory of heavy metal and the fine art of rocking out. Bursting at the seams with catchy riffs and classy melodies, with stylistic salutes to everyone from Ozzy Osbourne and Dokken, through to Iron Maiden and Whitesnake, this is the magnificent rock ‘n’ roll rebirth of Baest. 

BAEST line-up:

Svend Karlsson - Rhythm/Lead Guitar 

Simon Olsen - Vocals 

Lasse Revsbech - Rhythm/Lead Guitar 

Sebastian Abildsten - Drums & Percussion

Mattias ‘Muddi’ Melchiorsen - Bass

Album Artwork:

Solomacello

Production:

Tue Madsen at Antfarm Studio

Special Guests:

Jesper Binzer of D-A-D on "King Of The Sun"

ORM on "Misfortunate Son"

Formats (U.S.): Ltd. CD Digipak / LP / Digital Album

BAEST online:

OFFICIAL WEBSITE

FACEBOOK 

INSTAGRAM

YOUTUBE

STREAM // DOWNLOAD

Boston alt-rockers BURN KIT releases 'Looking Through The Window At You' single & 'Split' 7" vinyl with Turquoise -

Boston alt-rock outfit Burn Kit presents their new single 'Looking Through The Window At You', a grungewave tune that bonds together influences of alt-rock, post-punk and grunge rock.

Burn Kit is a five-piece band comprised of vocalist Valentino Valpa, guitarist Joshua Sawhill, guitarist Frank Nordaby, drummer Andrew Mattern with bass duties split between Padraic McGuire (touring) and Christopher Belmonte (studio recordings).

Formed in 2024, their music channels a hardcore energy with a sound that is both nostalgic and refreshing. They wasted no time, their first year seeing them complete five tours involving 138 shows in 38 different countries, not to mention the recording of 'Demo Tape', a handful of singles and their most recently-release - their debut 'Fallen Rose' EP.

Apart from being released digitally, 'Looking Through The Window At You' is one side of Burn Kit's new 'Split' 7", a double A-side single with Chicago band Turquoise. Each of these tracks is exclusive to this one-off limited edition black vinyl with 270 copies pressed. 

"The song 'Looking Through The Window At You' confronts the always-known locked door that exists within all human minds. The fact that no person truly fully knows one another. There are always things we are thinking, things we won’t say and appearances we keep up admist our automation of modern daily living," says Valentino Valpa.

Turquoise's contribution to this double A-side single is 'Oblivious', a driving indie-punk anthem that channels a 90s alt-rock vibe sprinkled with a Hüsker Dü influence. Effortlessly striking a balance between muscled-up hardcore indebted riffs and soothing, textured melodies, 'Oblivious' appears as the band gears up for an album release. With Burn Kit also approaching their sophomore EP, the stars aligned perfectly to offer these two one-off tracks to their growing audience.

The seed for this 7” release was planted when Turquoise played a Chicago hardcore basement show with Burn Kit vocalist Valentino’s previous project. The two stayed in touch and once Burn Kit formed, this idea could finally become reality. Recorded and mixed in March-April 2025 by Ryan Stack at The Electric Cave in Portsmouth, NH, 'Looking Through The Window At You' was engineered by Marc McElroy and mastered by Dan Coutant at Sunroom Audio in Cornwall, NY.

Burn Kit live shows are known for their intensity and unpredictability. Frontman Valentino Valpa has been known to frequently dive into the crowd, climb various structures (both inside and outside the venue) and even make his way to other buildings in the middle of a song. Whether it’s stretching a 100-foot mic cable to end up on the roof of an adjacent building while still singing, climbing the staging at a Mexican festival, or performing the song from a tree, Valpa's unpredictability has led to many to describe Burn Kit as “something you have to see live to fully experience”.

Accompanied by songs that invite both catharsis and chaos, this unique bond of energy and mutual understanding with the audience has led Burn Kit to unite a tight-knit group of friends and fans in DIY scenes across the world. Creating an experience that cannot be conveyed via the internet, they remind listeners of our true human nature and the importance of connecting with one another.

As of August 12, the 'Split' 7" can be ordered on vinyl via Bandcamp. 'Looking Through The Window At You' itself can also be found there digitally, as well as other music platforms, including Spotify and Apple Music. Burn Kit is touring the USA in September and touring Europe to the end of the year.

CREDITS
Music written by Joshua Sawhill & Valentino Valpa
Lyrics by Valentino Valpa
Valentino Valpa - Vocals
Joshua Sawhill - Guitar
Frank Nordaby - Guitar
Christopher Belmonte - Bass
Andrew Mattern - Drums
Recorded & mixed by Ryan Stack at the Electric Cave in Portsmouth, NH
Engineered by Marc McElroy
Mastered by Dan Coutant at Sunroom Audio in Cornwall, NY.
Artwork & design by Jen D’Amore.
Turquoise music by Nico LaCorcia. Lyrics by Ben Wilson
Publicity by Shameless Promotion PR

TOUR DATES
Sept. 12th – Salt Lake City, UT @ Aces High Saloon
Sept. 13th – Las Vegas, NV @ Dive Bar
Sept. 14th – Pomona, CA @ Glass House
Sept. 17th – San Diego, CA @ Voodoo Room at House Of Blues
Sept. 18th – Long Beach, CA @ Alex’s Bar
Sept. 19th – San Jose, CA @ The Ritz
Sept. 20th – San Francisco, CA @ DNA Lounge
Sept. 21st – Keizer, OR @ Radness Ensues **
Sept. 22nd – Portland, OR @ Hawthorne Theatre
Sept. 23rd – Seattle, WA @ Funhouse at El Corazon
Sept. 24th – Medford, OR @ Rockafairy **
Sept. 25th – Fresno, CA @ Strummer’s
Sept. 26th – San Diego, CA @ The Print Shop **
Sept. 27th – Glendale, AZ @ The 44

Keep up with Burn Kit
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | BandsInTown | Press contact

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RYLAI Drops Alternative Indie-Pop Single “Fall For You” — Two Years in the Making

Rising alternative and indie-pop artist RYLAI just released his new single, “Fall For You,” a track that leans into the rock realm and showcases a process that took over two years to complete. This marks his second single since debuting this past June, following “Without You.” Built from the ground up as a passion project, “Fall For You” is a true grassroots production. RYLAI not only directed the entire production but also laid down many of the song’s core elements himself. Four musicians, from three different continents, came together to bring it to life: RYLAI and Liner from Korea, Dylan from America, and Faekt from Hungary.

The track is filled with rich guitar layers: Dylan contributed acoustic textures and atmospheric effects, Faekt handled the overdrive guitar (including a bold double-octave technique), and Liner delivered the bulk of the remaining parts, even coming up with melodies for sections like the intro, outro, and Verse 3. RYLAI himself added additional guitar layers and took charge of comping, timing, and producing the final parts.

Instrumentation didn’t stop there; the song uses two different basses (Faekt and Dylan split duties), Moog-driven synths, re-recorded drums (with some demo elements surviving the final cut), and massive vocal stacks that ballooned to 92 tracks by the end. Faekt also directed standout moments like the crowd vocals and harmonies, while RYLAI handled the intricate ad-libs, background vocals, and vocal production, with Colby fine-tuning the crowd vocals and doublings.

The result? A track that feels alive: raw, layered, and deeply collaborative. “Fall For You” may not have a major label machine behind it, but it’s the kind of record that reminds listeners what can happen when passionate artists from around the world come together with nothing but their love for music. As RYLAI puts it: “Four guys, three continents, two years, and one song we poured everything into. Will the world feel what we felt making it? I guess we’re about to find out.”

Stream “Fall For You” HERE

MORE INFO:
RYLAI is a rising singer-songwriter and producer born and raised in Seoul, South Korea. His passion for music began in the quiet aftermath of a pivotal moment at the end of sixth grade, when he started exploring melodies on an old digital piano that had sat untouched for years. Though he had taken piano lessons as a child, it wasn’t until then that he truly connected with music — creating original ideas that gradually turned into songs.

Influenced by a wide range of artists, RYLAI draws vocal inspiration from Naul of Brown Eyed Soul, whose emotional head voice and rich chord progressions left a lasting impression. He also cites Ado for her unparalleled vocal intensity and expressiveness, and Seo Tai Ji, a Korean pop-rock icon known for his genre-bending approach to music. Kendrick Lamar remains one of RYLAI’s biggest influences — both for his lyrical depth and for the way each of his albums tells a cohesive, meaningful story. Inspired by that model, RYLAI’s own music follows an overarching narrative, with each release revealing a new chapter.

Fermentor - Agreement: Out NOW!

FERMENTOR’s latest sonic experiment, Agreement, drops August 15th, 2025. This 17-track instrumental album concludes a trilogy of improvised releases, following Mind Meld and Release Me. Agreement pushes their boundary-defying blend of blistering death metal and sprawling, freeform post-rock to new extremes, delivering cinematic brutality and storytelling without words through instinct-driven chemistry.

The album opens with "Wintry Earth," a bleak, droning descent marked by jagged time signatures, eerie guitar textures, and a brutal death metal finale that sets a tense, violent tone. "Whisper Flesh" follows, a raw improvisation where dissonant loops and jagged grooves shift between blast-heavy death metal and crushing, groove-laden choruses, spiraling into ritualistic heaviness.

"Dead Farm" and "Ceratops" offer contrasting explorations of heaviness. "Dead Farm" channels the primal force of SEPULTURA, seismic pulse of GOJIRA, and progressive sludge of MASTODON with groove-driven intensity. Meanwhile, "Ceratops" unfolds slowly from meditative calm into a cathartic, tectonic climax, showcasing the band’s dynamic range from muscular aggression to patient build.

"More Than Eight" dives into FERMENTOR’s signature improvised chaos, layering guitar loops instinctively over shifting rhythms. "Ghost Girl" ventures further into experimental territory, blurring meditative post-rock and thunderous groove metal with spiraling solos and ethereal textures.

"Roach God" captures raw vulnerability through imperfect, high-wire improvisation where mistakes become defining characteristics - an authentic snapshot of risk and discovery. "Rotted" is a relentless, riff-driven brutal death metal descent, free of loops and culminating in a monstrous breakdown forged in pure instinct.

"Deactivated" builds angular chaos with dissonant grooves, shifting time signatures, and a searing solo, exploding into a triumphant finale. The title track "Agreement" is a study in tension and release, layering palm-muted guitars over hypnotic loops, culminating in a crushing halftime outro, a seismic exhale of raw improvisation and controlled chaos.

"There With That" blends cinematic instincts and epic metal grandeur, balancing atmosphere and intensity with emotional clarity. "Human Caterpillar" immortalizes a glitching guitar pedal feedback during an improvisation, turning technical failure into a chaotic, avant-garde Easter egg and a tongue-in-cheek highlight released on April Fools’ Day.

"Transgression" blasts with thrash-rooted energy, tight cymbal chokes and groove-drenched riffs channeling the band’s early chemistry and old-school aggression. "Hides Behind Hands" offers a rare breath of melancholic reflection, trading brutality for beauty through shimmering loops and restrained percussion, inviting pause and introspection.

"Protohuman" is a kaleidoscopic hybrid of swirling loops, jagged rhythms, and pulverizing eruptions that merge FERMENTOR’s death-thrash roots with fearless experimentation. "Skybeam" unleashes a deafening blast of explosive energy, a chaotic tempest signaling the album’s climax.

Finally, "All Ashes" winds down with reflective melodies and subtle textures, a sonic exhale that gathers Agreement’s sprawling journey into a poignant, meditative farewell.

Agreement stands as a bold testament to FERMENTOR’s fearless embrace of improvisation, raw emotion, and genre-defying exploration. Through blistering death metal, expansive post-rock, and moments of beautiful imperfection, the album captures a journey of friendship, risk, and creative discovery. It invites listeners into a world where chaos and control coexist, forging a powerful, unspoken narrative that lingers long after the final note fades. This is more than an album. It is an immersive experience that challenges expectations and redefines the boundaries of instrumental music.

FERMENTOR is:

  • Dylan Marks - Drummer

  • Adam "Wally" Wollach - Guitarist

ABOUT FERMENTOR:
FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks (ATHEIST, BEEKEEPER) and guitarist Adam “Wally” Wollach (BEEKEEPER, TRASHAXIS). Stripping away the comforts of a traditional band infrastructure, FERMENTOR relies solely on communicating through only two elements; drums and guitar. The two instruments acting more like contrapuntal voices, rather than just rhythm and melody.

Their musical chemistry was discovered in the summer of 2008 when the two cousins took advantage of an opening at Wollach’s recording studio. Having never collaborated before and with only four weeks to write and record, they created their first EP entitled Matanzaa.

PARADISE LOST DELIVERS GOTH METAL MASTERPIECE 'TYRANTS SERENADE'

Legends of doom, PARADISE LOST have debuted their riveting 3rd single ‘Tyrants Serenade,’ a 4+ minute goth metal opus of epic proportions and bleak new staple in the band’s celebrated catalog. The standout track is found on their eagerly awaited album Ascension, out September 19th from Nuclear Blast Records.

Giving context to the song, vocalist Nick Holmes says:

"Observing the death of an individual, and subsequently, how the transition of seasons evokes fond memories. The God of Malevolence serves as an internal voice to dismantle those cherished memories and reintroduces the initial anguish of loss."

On one of their boldest singles to date, PARADISE LOST meld crunchy riffs and soaring guitar melodies with juxtaposing anthemic clean and harsh vocals. The memorable new track is accompanied by a stunning video directed by longtime collaborator Ash Pears (HOST, BLOODBATH, KATATONIA).

In celebration of the new album, PARADISE LOST has also announced a handful of intimate signing sessions and a record release show in Leeds, UK. Tickets are available now at https://tix.to/Ascension.

Sep 20 - Sheffield, UK @ Bear Tree (4PM BST) - Signing Session

Sep 21 - Birmingham, UK @ HMV (2PM BST) - Signing Session

Sep 22 - Leeds, UK @ Brudenell Social Club (7PM BST) - Record Release Show

Sep 24 - London, UK @ Rough Trade East (12PM BST) - Signing Session

Stream ‘Tyrants Serenade: https://paradiselost.bfan.link/tyrants-serenade

Pre-order Ascension: https://paradiselost.bfan.link/ascension

‘TYRANTS SERENADE’ MUSIC VIDEO BELOW.

PARADISE LOST’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artist George Frederic Watts, which hangs in the Tate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs.

Commenting on the record, Holmes states:

"Ascension is a cavalcade of molten misery, a vigorous sorrow filled stroll through a wicked world of glorious triumph and pitiful tragedy."  

PARADISE LOST will embark on the first leg of the “Ascension of Europe” tour this fall. Tickets are available at https://paradiselost.co.uk/tour-dates/.

About PARADISE LOST:

More than three decades into their career, and with over two million albums sold, PARADISE LOST remain the undisputed kings of metal’s dark side. Formed in Halifax in 1988, the band quickly became noted as the pioneers of gothic metal through their early groundbreaking albums like 1991’s aptly-titled Gothic, a mixture of heaviness intertwined with shadowy melody and atmosphere.  

Never a group to remain creatively static, across their career they’ve explored a myriad of avenues of dark music, from sludgy doom-death roots, to conquering the metal mainstream with the enormous, lush sounds of 1995’s Draconian Times, to more experimental, electronic leanings, leaving an influence on a trail of artists as varied as CRADLE OF FILTH, HIM, GATECREEPER and CHELSEA WOLFE.  

Now, in 2025, the Yorkshire quintet return with their staggering 17th album, Ascension, a record that sees their crown continue to gleam as it underlines just how they attained their position. Produced by guitarist Gregor Mackintosh at Black Planet studios in East Yorkshire, with drums and vocals captured at NBS and Wasteland studios in Sweden, its 10 tracks traverse the multitude of sounds in the band’s arsenal, from full-bore heavy metal to sky-high melody, all the while keeping a minor-key melancholy that remains irresistible.

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