Psych-rockers Tombstones In Their Eyes present anthem 'I Am Cold', transmuting inner turmoil

Los Angeles psychedelic rock outfit Tombstones In Their Eyes present their new single 'I Am Cold', born from a period of intense personal freefall. It's a raw, unflinching look at vulnerability and the chilling acknowledgment of emotional detachment, transforming inner turmoil into a powerful, resonant anthem.  

 'I Am Cold' is released by Kitten Robot Records, along with the B-Side 'Take It Down', which was recorded during the 'Asylum Harbour' sessions. Spawned from a dark night of the soul, is a visceral outpouring of longing and a stark confrontation with a perceived numbness. A testament to creativity salvaged from the depths, this song is a gripping sonic journey forged in a crucible of personal hardship.

'I Am Cold' is the final offering from the band's latest 'Asylum Harbour' album, following psychedelic audio-visual trips for the singles 'By My Side''Gimme Some Pain', 'I Like to Feel Good' and 'Mirror'. Recorded at Kitten Robot Studios, this album was recorded produced and engineered by Paul Roessler (known for his work with Josie Cotton, Nina Hagen, Hayley and the Crushers and Gitane Demone) and co-produced by John Treanor.

Today, Tombstones In Their Eyes is made up of long-time members John Treanor(vocals & guitar), Stephen Striegel (drums), Courtney Davies (vocals), Phil Cobb(guitar) and Paul Boutin (guitar), along with new band members Nic Nifoussi (bass) and Clea Cullen (vocals).

What started as a demo-swapping exercise between Treanor in LA and James Cooper in NYC a decade ago evolved into a powerhouse band crafting expansive psychedelic soundscapes. For Treanor, these sonic explorations are not only an immersive subliminal journey, but a way to grapple with anxiety and depression by channeling it into art that boldly gazes outward at the universe while diving deep into the soul. Literally a cosmic therapy session.

The video for 'I Am Cold' was created by Italian multi-arts visionary Francesca Bonci, known for her work with Federale (BJM's Collin Hegna), British bard Philip Parfitt,The Dandy Warhols' Peter G. Holmström a.k.a. Pete International Airport and Slowdive's Rachel Goswell.

'I Am Cold' is out now, digitally everywhere, including Spotify, Apple Music and Bandcamp, where the 'Asylum Harbour' album is also available on CD and on snazzy red vinyl.

CREDITS
John Treanor - vocals & guitar
Paul Boutin - guitar & backing vocals
Phil Cobb - guitar
Stephen Striegel - drums & percussion
Nic Nifoussi - bass
Courtney Davies - harmony & backing vocals
Paul Roessler - keyboards, harmony & backing vocals
Recorded at Kitten Robot Studios in Los Angeles, CA
Produced and Engineered by Paul Roessler
Co-produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Video by Francesca Bonci
Publicity by Shameless Promotion PR 

Keep up with Tombstones In Their Eyes
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Keep up with Kitten Robot Records
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New Band PREYRS Release Video for Debut Single "Wave of Wisdom"

PREYRS, a visceral new force in alternative rock and metal, announce their birth onto the world stage, with their debut single "Wave of Wisdom" — out now via Pelagic Records.

Watch the music video below

Stream the single here

Fusing raw alternative rock energy with the weight of metal, the quartet's music is an electrifying clash of aggression and euphoria, darkness and uplift, chaos and control. Elements of artists as disparate as Nine Inch Nails, Chelsea Wolfe, Sonic Youth, and Julie Christmas combine to delirious and heady effect.
 

Debut single "Wave of Wisdom" is a perfect introduction to the band, encapsulating their fierce yet gothic anthemic sound — where healing and rage collide in perfect harmony. A defiantly discordant clash of alt-folk slide guitar, and Mormecha's pummeling industrial percussion, "Wave of Wisdom" provides a great bedrock for Montgomery's incandescent delivery of uncertainty.


Of the new single, Montgomery comments, "'Wave of Wisdom' is about turning pain into power — tracing the roots of trauma through our own history and the wider collective to find truth, strength, and healing. It's a raw reclamation of voice, born from the fire. It was written during a stark Canadian winter on Wolfe Island, looking out over the frozen expanse of Lake Ontario, a setting that mirrored the stillness, intensity, and clarity of the song's creation. Self-produced by PREYRS drummer Michael Mormecha at Tree Song Studios, Ireland and mixed by Alex Loring."


Busking on the streets of Belfast from the age of 15, Montgomery met multi-instrumentalist Mormecha a few years later and they've been working together ever since. Both songwriters in their own right, Michael fronted renowned Irish post-hardcore outfit Mojo Fury and worked as a producer for artists including The Bonnevilles, Mojo Fury, and Joshua Burnside. They're joined as PREYRS by longtime guitarist Nolan Donelly and new bass player Ciarán McGreevy.

Known for electrifying live performances, PREYRS will make their UK festival debut at Bloodstock Open Air this August, as well as appearing at Stendhal Festival in Ireland. Nominated as "Best Live Act" and "Best Artist" at the Northern Ireland Music Prize, Montgomery's undeniably fierce and captivating frontperson energy has been her secret weapon often described as "otherworldly" or "a force of nature.'"For those seeking the epic, the healing, the aggressive, and the unrelenting pulse of alternative rock and metal, PREYRS is it.

PREYRS will be supporting punk legends New Model Army across Europe this winter. 

More info and tour dates here

PREYRS ARE: 
Amy Montgomery — Vocals
Micheal Mormecha — Drums
Nolan Donelly —Guitars
Ciarán McGreevy — Bass

Beartooth Release "I Was A... LIVE"

Platinum-selling, billion-streaming rock band BEARTOOTH  Caleb Shomo, vocals; Zach Huston, guitars; Will Deely, guitars; Oshie Bichar, bass; and Connor Denis, drums — made their hometown arena debut with an absolutely monumental show at The Schottenstein Center in Columbus, Ohio on January 18, 2025. 

It was pyrotechnic spectacle and one of the most memorable shows of the band's career thus far.

The show happened hot on the heels of their most successful tour to date — spanning 60+ shows across North America and over 100k tickets sold — and after the release of their chart-topping fifth album The Surface, which earned the band their first pair of #1 singles at U.S. Active Rock radio ("Might Love Myself" + "I Was Alive").

If you were not able to attend this very special show in person, well, the band is now making it avaialble for all fans in many ways.

Beartooth are releasing the entire show in multiple formats so all fans can participate and feel like they were there.

 I Was A… LIVE will be available on Spotify, Apple Music, and Amazon Music

"Without a doubt, this was the most surreal and out-of-body show of my entire life," shares Shomo. "It felt good to go home and let it all go with our friends and families at our sides. This album is meant to place you right at front of house to experience this magical night from the best-sounding position in the venue. Enjoy the rock and enjoy the love."

Additionally, the entire show will be available to watch on the band's YouTube channel. The entire, 90-minute show was directed by Ray Duker.

Lastly, but not leastly, Beartooth will release three sets of limited-edition double LPs of the show on Friday, July 11. The variants are below and available for purchase here.

Sea Blue Glitter w/ Mint Splatter: Limited to 500
Ice Blue w/ Lemon Center & Neon Orange Splatter: Limited to 300
Cornetto Red & Yellow w/ White Splatter: Limited to 150

In other Beartooth news, the single "Hated" was recently certified Gold by the RIAA.

The band will also appear at When We Were Young Festival in Las Vegas, NV on October 18 and 19, as well as We Missed Ourselves Festival in Mexico City on October 25. They are currently co-headling the Summer of Loud festival in North America. All remaining dates are below.

SUMMER OF LOUD TOUR:
WITH I PREVAIL, KILLSWITCH ENGAGE, PARKWAY DRIVE, + MORE:

7/11 — Somerset, WI — Somerset Amphitheater
7/12 — Green Bay, WI — Capital Credit Union Park
7/13 — Tinley Park, IL — Credit Union 1 Amphitheatre
7/15 — Toronto, ON — Budweiser Stage
7/16 — Clarkston, MI — Pine Knob Music Theatre
7/18 — Mansfield, OH — Inkcarceration*
7/19 — York, PA — York State Fair
7/20 — Wantagh, NY — Northwell at Jones Beach Theater
7/22 — Mansfield, MA — Xfinity Center
7/23 — Camden, NJ — Freedom Mortgage Pavilion
7/24 — Holmdel, NJ — PNC Bank Arts Center
7/26 — Bristow, VA — Jiffy Lube Live
7/27 — Charlotte, NC — PNC Music Pavilion

ABOUT BEARTOOTH:
Caleb Shomo first turned the pain of his struggle with mental health and self-image into music in 2013. Beartooth began as a living document, a diary, a journal of repressed rage and depression. Alone in his basement studio, screaming and singing, playing all the instruments, and self-producing a batch of furious but melodic songs filled with reflection and confession, the Ohio native stared into the abyss, initially with no intention of returning to the heavy music world that burned him as a teen. 

A decade later, the different pieces of his body of work connect in title, sound, and spirit. As the frontman hits 30, Beartooth's fifth album, The Surface, completes this era in 2023. Even more importantly, it kicks off a new chapter filled with surprising optimism and just as honest. Depression is a sick, disgusting, aggressive disease below the surface. Caleb stands ready to bask in the light.

In its celebrated debut, The Surface hit #1 on Billboard’s Hard Rock Albums chart and #5 across Billboard’s Album Sales, Alternative Albums, Top Current Albums, and Vinyl Albums charts. A product of Beartooth's fervent fanbase and radio-ready hits, the band also earned their first #1's on the Mediabase Active Rock and Billboard Mainstream Rock Airplay charts for both "Might Love Myself" and "I Was Alive."

Like Nine Inch Nails, Beartooth remains a one-person band in the studio. On the heels of the introductory Sick EP (2013), Disgusting (2014) produced BEARTOOTH’s first Gold single, "In Between." Aggressive (2016) and Disease(2018) expanded on the desperation and pain, each a step closer to a balance between the blood and tears of classic recordings and the shimmer of modernity.  

Rolling Stone heralded Beartooth as one of 10 Artists You Need to Know. The rabid response to Caleb's music demonstrated how many people related to his struggle for self-acceptance. Below (2021) topped the Rock and Alternative charts and several Best Rock/Metal Albums of the Year lists. Today, the Beartooth catalog boasts more than 1.3 billion streams across all platforms. 

 

Beartooth began as both bomb and balm, an outright refusal to suffer in silence, weaponizing radio-ready bombast, delivering raw emotion mixed with noise-rock chaos. Other bands play the "devastating riffs and catchy hooks" game, but this music is the difference between life and death, and now, a sort of life after death while still here. The band Forbes sees "inching towards a tipping point of becoming the latest arena headliner" is now one step closer.

Rock Icon GLENN HUGHES Unveils New Single “Voice In My Head” + Lyric Video

Rock legend and Rock and Roll Hall of Fame inductee GLENN HUGHES is pleased to unveil his new single and accompanying video, "Voice In My Head," taken from his upcoming studio album 'Chosen,' set for release on September 5, 2025, via Frontiers Music Srl.

This year will also see GLENN HUGHES busy touring across Europe and South America, with “The Chosen Years” tour starting in Zoetermeer, Netherlands, on September 2nd, and ending on November 29th in Bogota, Colombia. For the full list of dates, please see below and HERE.

 

About the new single, GLENN commented:

“'Voice In My Head' tells the story of what’s goin’ on in my subconscious mind. It’s a song that most definitely needed to be written. Very therapeutic.

"We all have 'this voice.' Observe, recognize and be a witness, & let go…”

Watch the Lyric Video for "Voice In My Head"

Commenting on the new album, GLENN stated:

“Songwriting is deeply personal to me, and l generally write and record when I have something to say. It’s been nine years since I recorded my last solo album, 'Resonate.' There have been recordings and collaborations with other artists since 2016.

“When writing 'Chosen,' I went back to my life drawing board, writing about the human condition, love, hope, faith, and acceptance. I write about how I feel on the inside and not externally. My life is lived from within, in the present moment. It’s an album of soul food, and I’ve never been so grateful, right here, on planet earth. Music is the healer!"

Vocalist, bassist, and songwriter GLENN HUGHES is a true original. No other rock musician has so distinctively blended the finest elements of hard rock, soul, and funk. His astonishing voice is his calling card; he's known as a singer's singer.

After a nine-year hiatus as a solo artist, GLENN HUGHES returns with 'Chosen,' a brand-new solo album that finds him at his most hard-rocking. Explosive and dynamic, 'Chosen'showcases HUGHES at his absolute best, both in songwriting and production. A truly captivating return!

Pre-Order 'Chosen' HERE

GLENN HUGHES, a native of Cannock, England, absorbed all kinds of influences, including early British hard rock, The Beatles, and, most importantly, American soul and R&B. The sleek Motown sound from Detroit and the gritty Stax/Volt sound from Memphis also left their mark on him.

 

GLENN HUGHES first found success in the early '70s with the band Trapeze, before joining Deep Purple in 1973 during a pivotal lineup change that introduced him and David Coverdaleto the group. Despite initial skepticism, the revamped band silenced critics with the release of‘Burn’ (1974), a powerful album that revitalized Purple’s sound and remains a classic.

 

During this era, the band headlined the iconic California Jam in front of over 300,000 fans, toured the world aboard their private jet, The Starship, and released two more studio albums, ‘Stormbringer’ and ‘Come Taste The Band,’ before disbanding in 1976.

 

GLENN's first solo album, ‘Play Me Out,’ was released in 1977. He joined former Pat Traversguitarist Pat Thrall to form Hughes/Thrall, which released an acclaimed self-titled album in 1982. Throughout the '80s and '90s, GLENN HUGHES made countless guest appearances (both credited and un-credited) as a vocalist, bass guitarist or songwriter on other artists' albums. The endless list includes, among others, Gary Moore, John Norum, and Tony Iommiof Black Sabbath.

 

Since 1992, GLENN has started a prolific solo career with a dozen studio albums where he explored all the different sides of his songwriting and influences: from hard rock to funk and more contemporary sounds. He collaborated – among others – with such musicians as Chad Smith, Dave Navarro, John Frusciante, and many others.

 

HUGHES also founded, or took part in, some amazing musical alliances such as California Breed (with Jason Bonham and Andrew Watt), Black Country Communion (with Joe Bonamassa) and The Dead Daisies.

 

GLENN recently collaborated with Robbie Williams on his new single “Rocket,” which was released on May 22nd, 2025. The track also features a collaboration from Tony Iommi and will be the first time GLENN has been featured on a record with Tony since 2005, when they released “Fused” together.

 

GLENN HUGHES has also recently joined forces with Satch Vai, a new collaboration by legendary guitar icons Joe Satriani and Steve Vai, by writing and singing on their new single “I Wanna Play My Guitar.”

GLENN HUGHES are:

Glenn Hughes – Vocals

Soren Andersen - Guitar

Ash Sheehan - Drums

Bob Fridzema - Keys

Melodic Hard Rockers LAGUNA Release Debut Album 'The Ghost Of Katrina' — Out Now via Frontiers Music Srl

Melodic hard rockers LAGUNA are excited to announce the release of their debut album, 'The Ghost Of Katrina,' out now via Frontiers Music Srl. In addition, the focus track, “Electric High,” is out now accompanied by a visualizer, available to view below.

Vocalist Andrés Espada describes the focus track:

“This song is an unrelenting, high-octane ride from start to finish, with intensity cranked up to ten. It's all about unleashing raw energy, losing control, and breaking down doors.”

Watch the Visualizer for “Electric High"

Hailing from the northern part of Mexico, from the arid desert of Torreón, Coahuila, LAGUNA is a five-piece hard rock band ready to take the world by storm with their debut album, ‘The Ghost Of Katrina.’

 

Drawing from the European and Scandinavian melodic hard rock scene, LAGUNA’s sound is an electrifying blend of powerful production, anthemic choruses, and in-your-face guitar riffs deriving from influences like One Desire, H.E.A.T., and other renowned acts from the scene.

 

'The Ghost Of Katrina' is produced by Jimmy Westerlund (known for his work with One Desire and more recently Giant), and perfectly captures LAGUNA's high-energy and dynamic style, bringing to life a heavy yet melodic sound that's both thrilling and emotionally charged. The songs feature strong hooks, vibrant instrumentation, and an intensity that reflects the band’s unrelenting passion for hard rock.

Order 'The Ghost Of Katrina' HERE

Formed in 2018 by a group of hard rock and heavy metal enthusiasts, LAGUNA’s sound is rooted in hard rock but with a distinctive modern twist. Their music is crafted to make listeners scream at the top of their lungs and throw their fists into the air – a perfect soundtrack for anyone who craves a high-octane, fist-pumping experience.

 

LAGUNA’s meteoric rise is a testament to their tireless dedication to their craft. Over the years, they have built a solid reputation in the North and Latin American rock circuits, performing at major festivals like Hell and Heaven Fest (one of Latin America's biggest rock festivals) and the infamous KnotFest. The band has had the privilege of opening for iconic acts such asW.A.S.P., Timo Tolkki, and The Warning, further solidifying their place in the international rock scene.

 

LAGUNA’s music is a reflection of the barren desert from which they hail – a place where resilience and tenacity are born out of hardship. As guitarist José Mesta explains, “Long before it was a desert, it was a lagoon, but dried out thousands of years ago, leaving nothing but snakes and rats, yet deep down beneath the surface, water flows through the caverns of this great desert”. This metaphor speaks to the essence of LAGUNA – a band born from the depths of hardship, yet ready to rise with the power and energy that only hard rock can bring.

 

LAGUNA is set to make waves across the global rock scene. Their blend of melodic hooks, heavy riffs, and explosive energy will leave listeners craving more. This is only the beginning for LAGUNA, and they are poised to continue proving that Mexicans can indeed rock!

LAGUNA are:

Andrés Espada – Lead Vocals

José Mesta – Lead Guitars

Firio Verástegui – Rhythm Guitars

Daniel Mesta – Bass

Sergio Mtz – Drums

George Strait Sets Intimate Hill Country Flood Fundraiser: Sunday, July 27 at 6:30pm

In the wake of the catastrophic flooding that has impacted so many lives across Texas’ Hill Country, it is impossible to watch the news without feeling the heartbreak of this disaster. Entire communities have been devastated, and families are mourning the loss of their children and loved ones.
 
In response, Texan George Strait alongside businessman and Vaqueros del Mar partner of 15-years, Tom Cusick, are organizing a special benefit dinner and concert in Boerne, Texas, “Strait To The Heart,” at Estancia at Thunder Valley indoor arena.

“The destruction and loss in our community from the recent flood is hard to wrap your head around,” shares Strait. “Our hearts and prayers are with you all. The goal with this event is to raise meaningful, immediate support that can be put directly into the hands of flood victims without delay, while also honoring the first responders that work tirelessly to save lives.
 
Special thanks to our friends and fellow troubadours—William Beckman, Ray Benson, Wade Bowen, Dean Dillon, Riley Green, Randy Houser, Jamey Johnson, Kyle Park, Hudson Westbrook and members of my Ace in the Hole Band—for joining me on stage to lend their talent and their hearts to this mission.” 

Cusick adds, “The road ahead will be a long one, however the immediate need is so great that we didn’t want to wait. Together, we can show our neighbors that when hardship strikes, Texas and our Country stand strong, and we stand together.”
 
Due to the intimate setting, the event is limited to 1,000 guests. Tickets and tables are available for purchase (price points vary and begin at $1,000). Complimentary tickets will be provided to local area first-responders. Donations will be made to 501c3 Vaqueros del Mar Texas Flood Relief Fund and distributed directly to affected families as well as established Hill Country funds.
 
If you’re interested in purchasing a table or tickets to Vaqueros del Mar’s “Strait To The Heart” Intimate Donor Dinner & Concert on Sunday, July 27, or simply would like to make a contribution to Vaqueros del Mar Texas Flood Relief Fund, please email Vaquerosdm@gmail.com

A KILLER'S CONFESSION RELEASE NEW SINGLE AND VIDEO "FACTS"

A Killer's Confession, the band led by vocalist Waylon Reavis, released a new single and video “Hollow" today, the follow up to the recently released track "In Case of Emergency" which featured Waylon's former Mushroomhead bandmate Jason "JMann" Popson.

To kick off the release of the new single, the band will be performing at three Festivals this month:

July 16 - Cadott, WI @ Rock Fest

July 19 - Grand Rapids, MI @ Upheaval Fest

July 20 - Mansfield, OH @ Inkcarceration

Victim 2 will be available in a variety of formats and orders can be placed at this location.

DREAMS OF GRAY Unleashes New Single "Beyond The Sky" Ahead of Upcoming EP

Emerging from the shadows of loss and into the full light of artistic rebirth, DREAMS OF GRAY announces the release of their blistering new single, “Beyond the Sky”, from the upcoming EP A Beginning, arriving September 5, 2025. The track is an unapologetic riff-driven anthem that asks deep spiritual questions while channeling the fury and force of melodic extreme metal at its most raw and relentless.

“Beyond the Sky” is the most direct and aggressive track on A Beginning. It is a headbanger’s delight rooted in death metal and thrash, yet laced with DREAMS OF GRAY’s signature melodic sensibility. It is fast, it is loud, and it is destined to open live sets. Beneath the savage riffs and relentless pace lies a meditation on the eternal: a soul adrift, seeking peace in the life beyond.

Based in Chicago, DREAMS OF GRAY began as Rivera’s solo project after a long hiatus from music. Formerly of ABOLISHER, a band praised in Metal Maniacs and Brave Words and Bloody Knuckles, Rivera stepped away to pursue a career in medicine. Now a Family Medicine physician, he brings the same intensity to music that he brings to his patients. A Beginning marks a powerful return.

Joining Rivera on A Beginning are elite collaborators: Maria Kosma (bass), Nicole Trinchero (drums on the title track), and Scott Elliot, who provided drum programming for “Beyond the Sky” and “Across the Endless Sea”, while also handling engineering, mixing, and mastering for both songs. Josh Middleton contributed engineering and mastering on the opening track “A Beginning”.

About DREAMS OF GRAY:

DREAMS OF GRAY is the melodic extreme metal project of Chicago-based musician and physician Luis Rivera. Blending elements of melodic death, doom, thrash, and traditional heavy metal, the music is as emotionally resonant as it is sonically intense. Founded in 2022, DREAMS OF GRAY quickly made an impact with the independently released debut EP The World After in 2023, earning critical acclaim across the international metal press.

Known for its compelling fusion of melody and heaviness, DREAMS OF GRAY stands out for intelligent songwriting, deeply human lyricism, and an uncompromising creative vision. Rivera’s music confronts themes of loss, grief, resilience, and existential reflection—delivered through dynamic vocals and powerful, layered instrumentation.

Now joined by a cast of talented collaborators, DREAMS OF GRAY continues to evolve with the upcoming EP A Beginning (2025), a bold and immersive follow-up that further refines the project’s genre-defying sound. Whether you’re drawn to the introspection of OPETH, the melodic fire of IN FLAMES, or the weight of PARADISE LOST, DREAMS OF GRAY offers something uniquely honest and unforgettable in today’s extreme metal landscape.

Connect With DREAMS OF GRAY:

Bandcamp: https://dreamsofgray.bandcamp.com/
Facebook: https://www.facebook.com/p/Dreams-of-Gray-100090219272895/
Instagram: https://www.instagram.com/dreamsofgray/
YouTube: https://www.youtube.com/@Dreamsofgray
Spotify: https://open.spotify.com/artist/10SZBmhCP8bJHMX5lyCshB
Apple Music: https://music.apple.com/us/artist/dreams-of-gray/1662301376

Maximo Park maestro Duncan Lloyd releases 'Unwound' LP, an exercise of coping & catharsis

At long last, Duncan Lloyd has released his sixth album 'Unwound'. Previously with Warp Records, this is his first album of new material via Scotland's Reveal Records, who previously reissues of Lloyd’s early solo albums, including the colossal 31-track selected works collection 'Green Grows Devotion' (2022) and 'Fun City' (a trilogy of EPs recorded in 2024).

Written during a difficult personal period, this 12-track record came into being as a form of sonic therapy - a means of coping and catharsis, forging a sound with greater depth and ambition than past releases. Lloyd earlier shared the singles 'Laugh So Loud'and 'Rituals', blending a modern sound with a deeply personal message about habits and healing, voiced through a circular, radio-like musical journey.

A critically acclaimed solo artist, Lloyd is the primary musician behind internationally renowned art-rockers Maximo Park and also half of Nano Kino (with Sarah Suri). He is a Mercury Music Prize nominee, has won an NME award, had A-listed singles at BBC Radio 1 and BBC 6 Music (including lyric of the year), and has seen success with worldwide platinum and gold selling records. His songs have featured on eight hit albums with Maximo Park, consistently charting in the Top 10 U.K.

With cover artwork derived from Lloyd’s own paintings, this record weaves a unique musical maze of free and varied personal expression, deep and transient, spare, intense and urgent with a balance of grit, beauty and melody. Things got moving when Lloyd set to work with Julie McLarnon (The Vaselines, Lankum, King Creosote, Brigid Mae Power) at Analogue Catalogue Studios in Ireland. Gaining impetus from his trip across the Irish sea, Lloyd returned to Newcastle to complete the rest of the album, each song carefully crafted with more anarchical arrangements than previous outings.

“I needed a break from all things online. Stepping away from it and being closer to nature reignites the imagination, it’s kind of obvious but easy to forget how important it is.  It’s an album about experience, throughout you get the sense that dynamics, speed and space were all careful considerations. I am sort of looking under the soil trying to shape the sounds I imagine and if possible create something relatable that has a heart. I didn’t want it to be one produced sound, I wanted it to feel like different rooms, many spaces," says Duncan Lloyd.

"I partly had the book "The Poetics of Space" by Gaston Bachelard in mind, every song is it’s own room with it’s own signature. This is probably my heaviest album, in sound and mood. There are songs that lean towards post-punk and with hypnotic rhythms that are darker in tone. I wanted it to feel like the listener can climb inside the sound rather than be on the outside looking in. I don’t want them to be in the cinema I want them to be in the film or in the room, so it’s almost spooky."

The album features a host of Lloyd’s musician friends, including Maximo Park keyboardist Jemma Freese and drummer Tom English, Andrew Mills (Purploid Zing) and Joe Boyer (Cloud Nothings, Autopolitan, Nicole Yun).

'Unwound' is imbued with a darker mood than Lloyd’s previous works, but with a continuing sense of melancholy at its core. Restrained yet intimate lyrics are housed in inventively evolving structures. The album draws to a close with 'A World Away Now', a song of lost opportunity. Sometimes simply making a connection is enough.

"Sometimes on a song the bass or percussion talks louder than a voice, so I mixed it like that. Sometimes nothing else contends if the emotion isn’t clear. When you hear musicians playing together, you are invited into something far more personal or engaging. You can’t always tell the detail, yet you can feel the dynamics -- you can sense it is living," says Duncan Lloyd.

"I may let guitars get loud and careen around if that’s where it wants to go. It can then go the other way and be minimal, economical. Although it is a very personal album, it’s also addressed to the stranger and, if the listener can relate and even laugh about what life throws at us, then a connection lives”.  

Writing and recording under his own name for the last decade, Lloyd has enjoyed many collaborations, including with Paul Epworth (Bloc Party, Glass Animals, Rihanna), Gil Norton (The Pixies, Echo & The Bunnymen), Nick Launay (Nick Cave, Yeah Yeah Yeahs), Ben Allen (Gnarls Barclay, Deerhunter), Rudimental, Dave Okumu, Batidaand legendary Afrobeat drummer Tony Allen.

'Unwound' is out now, available digitally via Bandcamp and digital music platforms, including Apple Music and Spotify. It is also released on CD, the first 200 ordered coming with a bonus live four-track recording in 'The Polestar Sessions' EP. 

CREDITS
Music & lyrics written by Duncan Lloyd (Reveal Publishing)
Duncan Lloyd - vocals, guitars, bass, piano, synth & drum machine
Tom English - drums, percussion (all tracks except 8, 11 & 12)
Andrew Mills - bass & synth (tracks 4 & 5)
Jemma Freese - backing vocals (track 2)
Joe Boyer - guitar & noise (tracks 2 & 7)
Recorded & Mixed by Duncan Lloyd (except 4 & 5) at The Dagda Rooms
Tracks 4 & 5 recorded & mixed by Julie McLarnon at Analogue Catalogue
Guitars on tracks 2 & 7 recorded by Joe Boyer in Cleveland, Ohio
Produced by Duncan Lloyd
Mastered by Carl Saff at Saff Mastering, Chicago
Released by Reveal Records
Digital catalogue no. REVEAL204 / CD catalogue no. Reveal196CD
Cover art & layout by Duncan Lloyd
Publicity by Shameless Promotion PR

Keep up with Duncan Lloyd
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Reveal Records
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AFTER THE BURIAL Strip Everything Down on Crushing New Single; Their First In Over Two Years

Minneapolis progressive metal powerhouse After The Burial have returned with their first new single in over two years, "Hum From The Hollow". The punishing new track finds the band excavating dark emotional territory and serves as a brutal reminder of why After The Burial remain an essential voice in modern heavy music. The release is accompanied by an official visualizer and arrives ahead of their upcoming N. American run with We Came As Romans on their "Bad Luck" headline tour. Watch the visualizer below and stream the song HERE.

"Hum From The Hollow" showcases the band's signature blend of mathematically precise 8-string guitar work and crushing rhythmic foundations. Lyrically, it navigates themes of internal decay and psychological torment. Sonically, the single balances the band's insane technical prowess with a visceral, almost suffocating sense of fury that perfectly complements the track's exploration of existential dread. Speaking on the new track, founding guitarist Trent Hafdahl explains

"This song is one of many from the new album that have the same theme: pissed off. Sometimes you have to strip it all down and give the fans something to let their anger out to, so that's what we did here."

With Anthony Notarmaso's devastating vocal performance perfectly mirroring the song's exploration of psychological torment, Trent Hafdahl's innovative, jagged guitar work anchoring their sound and the unflinching rhythm section of Adrian Oropeza(bass) and Dan Carle (drums) providing a brutally heavy, unshakeable foundation, "Hum From The Hollow" confirms that After The Burial continue to be a band that understands the therapeutic power of pure, unrelenting heaviness who are unafraid to confront the uncomfortable realities of human experience through their brutal sonic lens.

The new single arrives as After The Burial prepare to join We Came As Romans on the highly anticipated N. American leg of their "Bad Luck" World Tour. Tickets are available now HERE. Full routing below.

July 22 – Toronto, ON – Danforth Music Hall

July 24 – New York, NY – Palladium Times Square

July 25 – Worcester, MA – The Palladium

July 26 – Philadelphia, PA – The Fillmore

July 27 – Silver Spring, MD – The Fillmore

July 29 – Norfolk, VA – The NorVa

July 30 – Charlotte, NC – The Fillmore

August 1 – Atlanta, GA – The Eastern

August 2 - Orlando, FL - House of Blues

August 4 – Houston, TX – House of Blues

August 5 – Dallas, TX – House of Blues

August 6 – Austin, TX – Emo's

August 8 - Phoenix, AZ - The Van Buren

August 9 – Los Angeles, CA – The Wiltern

August 10 – Sacramento, CA – Channel 24

August 12 – Portland, OR – Roseland Theater

August 13 – Tacoma, WA – Temple Theatre

August 15 – Salt Lake City, UT – The Union

August 16 – Denver, CO – Fillmore Auditorium

August 17 – Kansas City, MO – Uptown Theater

August 19 – St. Louis, MO – The Pageant

August 20 – Nashville, TN – Marathon Music Works

August 22 – Chicago, IL – House Of Blues

August 23 – Detroit, MI – The Fillmore

About After The Burial

Minneapolis progressive metal heavyweights, After The Burial have spent two decades forging the blueprint for modern heavy music. Since forming in 2004, the quartet—Anthony Notarmaso (vocals), Trent Hafdahl (lead guitar), Adrian Oropeza(bass), and Dan Carle (drums)—have emerged as architects of the djent movement while consistently pushing the boundaries of what heavy music can be. Their signature blend of mathematically precise 8-string guitar work, crushing grooves, and Notarmaso's devastating vocal range has influenced an entire generation of metalcore and progressive metal acts.

With six full-length albums under their belt, including career-defining releases like Rareform (2009), Dig Deep (2016), and Evergreen (2019), After The Burial have proven their staying power through both triumph and tragedy. Their 2023 return with the emotionally charged double single "Embrace the Infinity" marked their first new music in four years, showcasing a band that refuses to compromise their artistic vision.

Currently signed to Sumerian Records, After The Burial have shared stages with everyone from Killswitch Engage and Parkway Drive to The Black Dahlia Murder and Spiritbox. Now, with "Hum The Hollow" setting the tone for both their upcoming US tour with We Came As Romans and the dawning of a new chapter, After The Burial continue to deliver the crushing live performances and innovative songwriting that have made them essential figures in the modern metal landscape.

MIKE TRAMP Announces New Album 'Songs of White Lion — Vol. III' Out on September 19, 2025 via Frontiers Music Srl

Esteemed rock vocalist and guitarist MIKE TRAMP is pleased to announce the release of his new album, 'Songs of White Lion — Vol. III,' due out on September 19th via Frontiers Music Srl. To celebrate the announcement, the lead single "Cherokee" is out now, accompanied by a music video, available below.

Mike comments on the track:

"Revisiting 'Cherokee,' one of the first songs Vito Bratta and I wrote in 1983, was so amazing, I always loved that song, and the new version only confirms what a great song it still is."

Watch the Music Video for "Cherokee" Below.

MIKE TRAMP, the unmistakable voice and principal songwriter of White Lion, concludes his heartfelt trilogy with 'Songs of White Lion — Vol. III,'  a powerful and deeply personal tribute to one of the most iconic bands of the 1980s melodic hard rock scene.

Tramp speaks on how this series of recordings came together:

"For me, the point of re-recording the old classic White Lion songs was all about letting the audience know HOW the band would sound if they come to see us live. Bringing the sound up today and away from a world no more. When I started with 'Vol. I' I must admit, I never thought I’d do 'Vol. II' and now 'Vol. III.' But having done it all now, makes all the more sense to me. If I have to be active playing White Lion in 2025 and onward, there's got to be a natural progression in every way. That is exactly what this Trilogy is all about. 

 

In this final installment, TRAMP revisits and reimagines ten more essential songs from the White Lion catalog, bringing them back to life with the passion, perspective, and authenticity that only decades of experience can deliver.

Once again backed by his trusted bandmates — Marcus Nand (guitar), Claus Langeskov (bass), and Morten Hellborn(drums) — TRAMP offers fresh but respectful renditions of these classic tracks, capturing their spirit while elevating them with a more refined, seasoned sound.

From the raw defiance of "Fight To Survive," to the cinematic power of "Warsong," and the infectious rhythm of "Radar Love," this album is both a celebration and a reawakening.

Standing as more than a simple re-recording project, 'Songs of White Lion — Vol. III' is the emotional conclusion of a trilogy — a journey through time, memory, and music that connects the past to the present with integrity and fire.

This is not just a tribute, it’s MIKE TRAMP reclaiming and honoring his legacy.

Pre-Order 'Songs of White Lion — Vol. III' HERE

MIKE TRAMP Live Dates:

7/11 - Pickerington, OH @ Picktown Palooza

7/26 - Thalmässing, Germany @ Pyraser Brauerei

8/1 - København N, Denmark @ Rust

8/2 - Rejmyre, Sweden @ Skogsröjet Festival

8/9 - Interlaken, Switzerland @ Brienzersee Rockfestival

8/31 - Pryor, OK @ Rocklahoma

9/19 - Las Vegas, NV @ Golden Nugget Las Vegas Hotel & Casino

9/20 - West Hollywood, CA @ Whisky A Go Go

9/23 - Millersville, PA @ Phantom Power

9/25 - Foxborough, MA @ Six String Grill & Stage

10/16 - Green Bay, WI @ EPIC Event Center

10/18 - St Charles, IL @ Arcada Theatre

11/5 - London, United Kingdom @ Underworld

11/7 - Great Yarmouth, United Kingdom @ Hard Rock Hell

11/8 - Buckley, United Kingdom @ The Tivoli

11/9 - Sheffield, United Kingdom @ Corporation

11/11 - Sirevåg, Norway @ Ogna Scene

11/12 - Trondheim, Norway @ HAVET

11/14 - Bergen, Norway @ Madam Felle

11/15 - Hamar, Norway @ Festiviteten Bar & Scene

11/16 - Oslo, Norway @ Herr Nilsen

11/20 - Helsingør, Denmark @ Karosserifabrikken

11/21 - Sønderborg, Denmark @ Sønderborghus

11/28 - Ishøj, Denmark @ Kulturium Ishøj Bibliotek

11/29 - Assens, Denmark @ Tobaksgaarden

Power Trio Our Oceans Announce New Album "Right Here, Right Now" Out 10/24 + Share "Golden Rain" Video

Blending singer-songwriter sensibilities with modern progressive rock elements, Our Oceans' music resonates with listeners who seek a soul-stirring experience, offering both catharsis and hope.

The power trio, featuring singer and guitarist Tymon Kruidenier and his former Exivious bandmates, bassist Robin Zielhorst and drummer Yuma van Eekelen, announce their new studio album Right Here, Right Now set for release on October 24 via Long Branch Records.

On Right Here, Right Now, Our Oceans unveil a brighter, more exhilarating sonic landscape while maintaining the evocative emotional depth that has become their hallmark. Inspired by the "bright quality of the now," the Netherlands-based band crafts a richly layered musical journey filled with lush harmonies and uplifting atmospheres. The album captures the vibrancy of the present moment, blending intricate musicianship with an infectious sense of optimism.

In conjunction with today's album announcement, Our Oceans have released the video for new single "Golden Rain." 

Watch the "Golden Rain" video below

Pre-order Right Here, Right Now here. 

"After finishing While Time Disappears, I knew immediately that I wanted to create something lighter and more uplifting," comments band leader Tymon Kruidenier. "'Golden Rain' was the first song I wrote with that intention, and it perfectly captured the vibe I was aiming for. It was also the song we jammed out the most as a band, not only to refine the arrangement, but also to develop a production template for the rest of the album. With that in mind, it felt only natural for it to be the album's opening track."

"I'm incredibly proud of that album, but it's a bit of a bitter pill to swallow," says Kruidenier. "This time around, I also felt the need to return to the creative philosophy behind the first Our Oceans album: Simply letting things flow. Instead of steering the process or clinging to preconceived ideas of what the music should be, I wanted to trust in an open and unrestricted creative approach, allowing the songs to take shape naturally. It all started with the chorus for what became the album’s first track, 'Golden Rain.' From there, everything came together in what felt like one effortless flow state that lasted for a month or two. I think this resulted in a collection of songs that feel balanced and cohesive, yet diverse and playful."

PRE-ORDER "RIGHT HERE, RIGHT NOW"

OUR OCEANS ARE:
Tymon Kruidenier — Vocals +Guitars
Robin Zielhorst — Bass
Yuma van Eekelen — Drums

LANIE GARDNER ANNOUNCES SOPHOMORE ALBUM FADED POLAROIDS, DUE SEPTEMBER 5

Named by the Recording Academy as a “2025 Artist to Watch,” Lanie Gardner has officially announced her highly anticipated sophomore album Faded Polaroids, set for release on September 5 via BBR Music Group/BMG Nashville. Alongside the announcement, the North Carolina native has released the album’s powerful lead song, “High Divin,’” featuring legendary Fleetwood Mac co-founder Mick Fleetwood on the drums. Listen below. 


A full-circle moment for the 25-year-old artist — whose breakout came from a viral cover of “Dreams” (now at over 100M views) — “High Divin’” is an atmospheric anthem with a heart of self-reflection. Wrapped in shimmering guitars and soaring vocals, it captures the emotional leap of the journey of self-sabotage, while honoring the path that led her there.


“It’s one of the most important songs on the album for me,” Gardner shares. “I was going through a pretty rough patch and needed to give myself a little tough love.”


Produced by Oscar Charles, Jonathan Singleton, Chris Ganoudis and Don Miggs, Faded Polaroids expands on the raw honesty of Gardner’s 2024 debut A Songwriter’s Diary, offering a sonic scrapbook of self-discovery, family roots, romantic twists, and personal healing. Across 18 tracks, Gardner blends country storytelling with indie-rock grit, small-town pop, and boundary-free emotion — a genre-bending vision uniquely.


“I created the idea of Faded Polaroids using actual polaroids. Some brand new, others nicotine-stained, withered, torn and worn from being passed down through the years,” says Gardner. “It felt like zooming out on my whole life and finally seeing the bigger picture. These snapshots — these songs — are the most beautiful parts of me. They tell the story of where I come from, who I come from, what I’ve learned and who I’m becoming. I hope these songs encourage people to take the time to make their own version of that too. I think it’s important that we all do.”


Born and raised in the tiny Appalachian mountain town of Burnsville, NC, Gardner grew up in a family of natural musicians, learning to sing from her mother and guitar from her father. A loner-turned-artist with a gift for turning diary entries into cathartic anthems, she eventually left home for Nashville, chasing the Grand Ole Opry dream of her late grandfather — a dream that comes full circle with her Opry debut on August 6. Get tickets here


Following her recent Polaroids EP and breakout debut album — which earned her a “2025 Artist to Watch” nod from both the Recording Academy/GRAMMY and Amazon Music — Faded Polaroids finds Gardner stepping fully into her sound. From the soul-cleansing “Takin’ The Slow Ride” and smoldering “Concrete Cowboy,” to the rootsy, nostalgic title track and breezy “Love You Like Appalachia,” the album captures a rising star in her magic hour — honest, unfiltered, and unforgettable.

Gardner will bring Faded Polaroids to life on the road this summer and fall, with a run of headlining dates and festival appearances, including support on select shows for Gavin Adcock. Visit laniegardner.com for ticket information.

KEEP UP WITH LANIE GARDNER

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

Photo Credit: Alysse Gafkjen

Miranda Lambert & Chris Stapleton’s Duet “A Song To Sing” Out Now

Country music giants Miranda Lambert and Chris Stapleton deliver their first true duet collaboration with “A Song To Sing,” reflecting the truth of giving one’s soul to the music and heart to the one at home. Written together with Jesse Frasure and Jenee Fleenor, the song available everywhere now is set to impact Country radio on Monday, July 14. Listen below.
 
The sound is indelible, rising from an era that’s shaped the last five decades of Country music. When Lambert and Stapleton emerge from the low-key shuffle, smoky Wurlitzer clouds and silken guitars, it’s obvious that “A Song To Sing” is destined to join the list of most-beloved classic Country duets. Trading lines before soaring together on the chorus, the longtime friends deliver a poignant message about finding peace and purpose in love – and in the music made along the way:

Lambert and Stapleton boast a combined 14 GRAMMY, 33 Country Music Association and 59 Academy of Country Music awards and have each influenced generations with their singular artistries and distinctive creative points of view. Produced by GRAMMY-winning Dave Cobb, “A Song To Sing” allows Lambert – who passed her ACM Entertainer of the Year title to Stapleton in 2023 – to witness the singular reality they share as they harken back to an era of music epitomized by Ronnie Milsap, Waylon Jennings and especially the classic Dolly Parton and Kenny Rogers duets.
 
Of the respected visionaries, Pollstar writes, “at a time when Country is so many things, Lambert and Stapleton seem both a true north and a hinge for the future…Musically robust, they want to make actual Country music with their roots firmly planted, but with the ability to create on their own terms. It’s not fighting Music Row as much as fighting for greatness.”
 
For more information, visit MirandaLambert.com and ChrisStapleton.com.

Attack Attack! vs Keyboard Warriors: "i complain on r/metalcore" Out Now!

Calling all internet experts, comment section philosophers, and breakdown connoisseurs: metalcore titans, Attack Attack!, have just released your new national anthem. Their latest single, "i complain on r/metalcore", is taken from their long-awaited record, "Attack Attack! II", out on August 8th via Oxide Records. This upcoming record marks the band's first full-length release since 2012, and fans can pre-order "Attack Attack! II" HERE.

Attack Attack! have never been ones to play it safe, charging forward with a mischievous sense of humor and a sound that's always in full throttle. Now, Attack Attack! are here to celebrate the fine art of online complaining with "i complain on r/metalcore", yet another high-energy, tongue-in-cheek banger that was designed for anyone who's ever posted a 12-paragraph essay about why the old stuff was better.

If you're reaching for your keyboard to draft up your thinkpiece, Attack Attack! would like to preemptively respond:

"don't @ us.”

In celebration of their upcoming record, "Attack Attack! II", the band will be embarking on the ONE HIT WONDER Tour, where they'll be bringing their chaotic new era to cities across the US. Fans can purchase tickets to the ONE HIT WONDER Tour now HERE.

Prior to today's single release, Attack Attack! also released three massive singles, "Dance!" featuring Will Ramos of Lorna Shore, "Chainless", and "ONE HIT WONDER". After blindsiding fans with a fake-out country remix, the real version of "Dance!" delivered sheer chaos and pit-stirring aggression as they teamed up with one of deathcore's most recognizable voices, Will Ramos, for their first ever official feature. The first two tracks sent metalcore into a tailspin, sparking conversations from fans to top-tier music outlets - Revolver, Metal Injection, Rock Sound, etc - who hailed Attack Attack! for their fearless return. "ONE HIT WONDER" kept the momentum surging, setting the tone for an audacious new era that is loud, unavoidable, and fearlessly sarcastic.

Formed in 2007, Attack Attack! has become a staple in the metalcore scene, amassing over 100 million streams across major streaming platforms on multiple chart-topping records. As torchbearers of the genre, the band continue to push the boundaries of metalcore while solidifying their place in its ever-growing legacy. Known for their no-holds-barred approach, Attack Attack! remain unpredictable as ever, with more bold twists in store for the year ahead.

Be sure to stay tuned for more Attack Attack! news coming very soon.

ONE HIT WONDER TOUR

Aug 12 | Atlanta, GA | The Masquerade Hall

Aug 13 | Winter Park, FL | Conduit

Aug 14 | Charleston, SC | Music Farm

Aug 15 | Richmond, VA | Canal Club

Aug 16 | Reading, PA | Reverb

Aug 17 | New York, NY | Racket

Aug 19 | Buffalo, NY | Rec Room

Aug 20 | Pittsburgh, PA | Crafthouse

Aug 21 | Detroit, MI | The Shelter

Aug 22 | Cleveland, OH | Globe Hall

Aug 23 | Joliet, IL | The Forge

Aug 24 | Minneapolis, MN | Fine Line Music Cafe

Aug 26 | Des Moines, IA | Wooly's

Aug 27 | Omaha, NE | The Waiting Room

Aug 29 | Colorado Springs, CO | Black Sheep

Aug 30 | Denver, CO | Marquis

Aug 31 | Salt Lake City, UT | Metro Music Hall

Sep 2 | Seattle, WA | The Crocodile

Sep 3 | Portland, OR | The Nova PDX

Sep 5 | Roseville, CA | Goldfield's

Sep 6 | Los Angeles, CA | Echoplex

Sep 7 | Phoenix, AZ | The Rosetta Room

Sep 9 | San Antonio, TX | The Rock Box

Sep 10 | Houston, TX | Scout. Bar

Sep 11 | Dallas, TX | Puzzles

Sep 12 | Tulsa, OK | The Vanguard

Sep 13 | Wichita, KS | Wave

Sep 14 | Springfield, MO | The Regency

Sep 16 | St Louis, MO | Red Flag

Sep 17 | Nashville, TN | The Basement East

Sep 18 | Fort Wayne, IN | Piere's

Sep 20 | Louisville, KY | Louder Than Life

Full tour information can be found HERE.

ABOUT ATTACK ATTACK!

If you went to Warped Tour in the mid 2000’s, shopped at Hot Topic, or were active on Myspace; then you have heard the name “Attack Attack!” While the band’s early career was relatively short-lived, their reputation has done nothing but grow since the band went on indefinite hiatus in 2013. Known for incorporating dance/electronica music with metal, the band consistently bent the rules of songwriting. They took the sounds they liked and crafted seemingly incompatible genres into anthems for local Ohio scene kids, and later, audiences across the globe. After years of silence, Attack Attack!exploded back onto the scene in 2020. They’re here to remind you that rules are made to be broken, adversity is meant to be overcome, and that legends never die.

Drop Dead, Gorgeous Release New Single "6 Feet" via The Artery Foundation

After more than 15 years, Denver metalcore pioneers Drop Dead, Gorgeous have officially returned with a brand new single, “Six Feet,” along with the announcement of the return of The Artery Foundation (label)—the original driving force behind the genre. Accompanied by a gripping music video that premiered exclusively on Revolver Magazine, the track marks a powerful new chapter for the band, who reunite with three original members.

 

“It’s been over 15 years, and ‘Six Feet’ felt like the right way to come back — intense, honest, and unapologetic. We’re not trying to recreate the past, just push things forward in a way that still feels true to who we are," shares the band.

 

The return of Drop Dead, Gorgeous is not only a monumental moment for fans, but also for the team behind The Artery Foundation, which helped launch the band’s early career.

 

“It’s surreal to have Drop Dead, Gorgeous back with us after 20 years,” says Eric Rushing, President of The Artery Foundation. “They were one of Artery’s first big breakthroughs and helped define who we were early on. This reunion isn’t just nostalgic—it’s a full-circle moment that reminds us where we came from and helps usher in the new wave of Artery.”

 

Watch the “Six Feet” video Below;


Stream the single now:
https://orcd.co/sixfeet

Drop Dead, Gorgeous Show Dates:

Oct 2 @ Scout Bar in Houston, TX

Oct 3 @ RBC in Dallas, TX

Oct 4 @ The Rock Box in San Antonio, TX

 

They were teenagers from Denver with chaotic angst, huge hooks, breakdowns, and something to say. At the height of the post-hardcore and so-called “emo” explosion of the mid-2000s (which saw My Chemical Romance, Fall Out Boy, and Avenged Sevenfold reach massive heights), Drop Dead, Gorgeous carved out new synth-soaked pathways with unmistakable vocals and unhinged emotion. 

 

Drop Dead, Gorgeous returns in 2025 with their first new music in over a decade. Produced by Elliot Polokoff and mastered by longtime collaborator Kris Crummett (Dance Gavin Dance, Sleeping With Sirens, Get Scared), “Six Feet” recaptures their signature tension—hooky, hostile, and cinematic. The band isn’t trying to relive their past, but they aren’t running from it, either. Drop Dead, Gorgeous may have gone quiet for a time, but their impact never faded. Now, with fresh music and sharpened vision, they’re writing a new chapter—not as nostalgia, but as an experienced and focused continuation of what they started.

 

Their 2006 full-length debut, In Vogue, a touchstone release for Rise Records, inspired many like-minded kids to form bands with its theatricality and authentic confessional attitude. Singer Daniel “Stills” Stillman gave a literal voice to fans who connected to the band’s combination of bombast and charisma. “We were just these young kids who were thrown into our dream,” remembers bassist Jake Hansen, who notes that drummer Danny Cooper was only 15 years old. “I was the oldest, at just 18.” 

 

“We didn’t know anything about song structure or how a band was supposed to function back then,” says Stills. “We just wrote what felt right, and that honesty ended up being what connected.”

 

In Vogue didn’t just tap into the moment; it helped define it. “I first heard Drop Dead, Gorgeous on a Rise Records sampler,” Counterparts vocalist Brendan Murphy told VICE in a loving ten-year retrospective. “Seems shortly after that, everyone’s MySpace song was ‘Dressed for Friend Requests.’ Kids ate it up because of the seemingly perfect balance between screaming and catchy choruses.” 

 

Ex-Geffen Records CEO Jordan Schur brought them to Suretone Records, a joint venture with Interscope that became home to Weezer, New Found Glory, The Cure, From First To Last, and the late Chris Cornell. The result was the dark concept album Worse Than a Fairy Tale (2007), produced by nü-metal pioneer Ross Robinson (Korn, Slipknot, At The Drive-In). The band played the Vans Warped Tour the same year, and with The Used and Rise Against on Taste of Chaos in Australia and New Zealand. 

 

Drop Dead, Gorgeous collaborated with producer Matt Goldman (Underoath, Anberlin, Meg & Dia) on The Hot N’ Heavy (2009). With additional production from The Chariot’s Josh Scogin and mixing by Saison guitarist Beau Burchell, The Hot N’ Heavy achieved the band’s biggest chart success while merging the sound of their debut album with more polished aggression and metalcore intensity. 

 

But the whirlwind took its toll. By 2011, the band had quietly disappeared. 

Stills and Cooper returned to Rise Records with Bleach Blonde, a band combining pop-rock and alternative elements. As synth duo 888, the pair saw strong streaming success with the title track of their Island Records EP, Critical Mistakes (2016). Sadly, guitarist Kyle Browning passed away in 2021. 

“I didn’t think I’d ever want to play in a heavy band again,” Stills says. “But after a while, we had that itch we wanted to scratch. It surprised me how much I missed it.” The core trio of Stills, Cooper, and Hansen reconvened with a string of well-received surprise reunion shows in late 2024 and 2025. 

 

The sonic shadow of Drop Dead, Gorgeous looms large across a slew of successful bands who continued in their wake. With the band fully resurrected, their comeback is about legacy and unfinished business, viewed through the lens of experience and pure intentions.  “We just want to do something honest,” Stills reaffirms. “We don’t want to make music that doesn’t feel real to us.” 

 

Drop Dead, Gorgeous are:

Daniel "Stills" Stillman – lead vocals, keyboard, programming, additional guitars

Jacob Hansen – bass

Danny Cooper – drums

Jacob Belcher - guitars

River Wilde - guitars

For More Information Please Visit:

 

Drop Dead Gorgeous

Instagram

TikTok

 

The Artery Foundation

Facebook

Instagram

TikTok

YouTube

OUT TODAY FROM CRONOS COMPULSION -LAWGIVER

The Denver-based genre fusing metal quartet CRONOS COMPULSION is preparing to unveil their forthcoming album Lawgiver. Known for their crushing riffs, frenzied rhythms, and a genre-defying blend of death-doom, chaotic metal, and noise-laced breakdowns, CRONOS COMPULSION is ready with a new line-up to enter their next chapter. The album, set for release on July 11th on digital, CD and LP via Avantgarde Music death metal division Unorthodox Emanations, is a scathing critique of late-stage capitalism as well as humanity’s basest instincts.

Lawgiver, CRONOS COMPULSION's debut album, has been several years in the making and features a revised track from 2021’s Cursed and Decaying EP, “Neolithic Meditations,” and eight other tracks of all-new material. "We’ve been playing these songs live for quite some time now so we’ve managed to distill this down into what we think is a solid first full-length", says vocalist and guitarist Wil Wilson.

CRONOS COMPULSION hold nothing back in this terrorizing onslaught. A deafening wall of sound awaits in the album's opener "Obligate Condition". Demonic gutturals spearhead a fury of obliterating distortion fueled instruments in a thrilling onslaught of the dark and heavy. CRONOS COMPULSION ensure that no moment of peace can be found amidst the shadowy voyage undertaken across Lawgiver's track list. "Gyre of Decaying Filth" brings an injection of groove and intrigue while "Ancestral Remains" showcases technical riffs. 

"Neolithic Meditations" presents a discordant fury manifesting through rhythmic progressions in an unceasing attack. CRONOS COMPULSION's genre-fusion sound is revealed in its fully untamed form in the title track, "Lawgiver". Lashings of distorted fuzz, rhythmic elements, gutturals and dissonant textural layers result in a ferociously intense sound. Lawgiver draws to a close with the restless "Incursion of Deific Chaos". 

CRONOS COMPULSION is:
Wil Wilson - vocals, guitar, noise 
Raye Mokarry - guitar
Addison Herron-Wheeler - bass, backing vocals 
Zach Johnson - drums 
Recorded and mixed by Austin Minney at All Aces Studios. 
Mastered by Brad Boatright at Audiosiege. 
All photos by Jeff Tidwell.
Artwork by Liam Day. 

About CRONOS COMPULSION:
Initially formed in 2021 with Wil Wilson on guitar and vocals, Addison Herron-Wheeler on bass, and Jon Linsky on drums, CRONOS COMPULSION have been creating their signature brand of death-doom, noise, chaotic metal, and beyond since right after the pandemic. Their debut EP, Cursed and Decaying, released in 2021, and was followed by their Malicious Regression EP in 2023. 2024 saw Jon exit the band on mutual terms with Raye Mokarry stepping in to fill the role, and Zach Johnson took over drum duties that same year. Their debut full-length, Lawgiver, will be out this June via Avantegarde Records.