Heaven Shall Burn Team Up with Old Friend Jesse Leach of Killswitch Engage for "Numbered Days" Cover

Following their tradition of covering some of their favorite and most influential tracks featuring members of the original, Heaven Shall Burn are releasing "Numbered Days" (Feat. Jesse Leach of Killswitch Engage).

Check out the visualizer that is accompanying the celebration of the friendship between the bands below. 

Bonus points for anyone catching the title of one of Heaven Shall Burn's classics in the lyrics.

Heimat will be released on June 27 by the band's long-standing label partner Century Media Records. 

The band comments, "Killswitch Engage are THE metalcore band! When we heard 'Numbered Days' for the very first time, it totally blew us away. It was clear that something new was brewing up. No other band has influenced this style of music more and interpreted it better. Just because the guys have been very good friends for many years doesn't mean you can't pay tribute to this great band. We hope the song means as much to you as it does to us!"

Leach further adds, "All of us are honored by Heaven Shall Burn covering 'Numbered Days.' That song truly kicked off an album for us that would change our lives. All these years later to have people still resonate with our music means the world to us. Now to have a band like Heaven Shall Burn cover it 23 years later is really wild! Grateful and very stoked to have been a part of the reshaping of this song and to hear someone else's take on it!"

Make sure to catch Killswitch Engage on their upcoming European tour, because "Numbered Days" isn't the only song from this legendary band that had a lasting impact on modern extreme music.

Another pending question is finally answered: After Heaven Shall Burn had to cancel some shows due to their singer Marcus Bischoff suffering from a severe infection of his vocal chords, the band is happy to announce that Britta Görtz from HIRAES will be filling in. "We have a plan!" says Bischoff. "Britta from HIRAES will fill in for me at the upcoming shows, so tomorrow in Kufstein as well as next weekend! Give her a warm welcome, show her what HSB fans are made of and make the shows something very special in the band's history! We are really looking forward to it! Things are already looking better for me, too! Your Molle and the HSB guys!"

 Get well soon and welcome Britta!

"Heimat" = German for "home/homeland/native land" — a term that merely refers to a relationship between people and spaces but has nevertheless always been highly emotionally charged. Often misused, it sometimes causes discomfort, lively discussions, and battles over interpretation.

Guitarist Maik Weichert comments, "Heimat is not meant as the narrow-minded end point in the sense it has been used by agitators and populists, but the starting point for observations and perspectives. The album is about a much wider sense of the term 'Heimat': The homelands for many different people and also about the spiritual home, something that shapes and determines our thoughts and actions."

Heaven Shall Burn took their time with the follow-up to Of Truth And Sacrifice, which reached No. 1 on the Official German Album Charts in 2020. Heimat was produced at the band's own studio, The Dude Ranch, which is run by guitarist Alexander Dietz. As in the past, Danish producer Tue Madsen took care of the mixing and mastering.

The Thuringians enlisted the renowned artist Eliran Kantor for the artwork, who previously crafted the artwork for Of Truth And Sacrifice. The centerpiece of the impressive triptych is a rearing stag — in its roaring variant a classic motif of wildlife painting, the epitome of kitsch and trivial art from the 19th and 20th centuries and interpreted by some as a symbol of patriarchy and capitalist competition, but here placed as a vital allegory of resistance amid an apocalyptic scene. He is flanked by a hunting lynx and a watchful owl, which complete the highly symbolic artwork concept as further elements of the triptych. As with Of Truth And Sacrifice, Heaven Shall Burn worked together with composer, producer and director Sven Helbig and conductor Wilhelm Keitel, this time supported by the Mondëna Quartet and the Ukrainian Sophia Chamber Choir.

HEAVEN SHALL BURN ARE:
Marcus Bischoff — Vocals
Maik Weichert — Guitar
Alexander Dietz — Guitar
Eric Bischoff — Bass
Christian Bass — Drums

NAILED TO OBSCURITY - Release Video For New Single 'Spirit Corrosion'

NAILED TO OBSCURITY are delighted to unveil another single from their upcoming fifth studio album, Generation Of The Void, which will be out on September 5th, 2025 via Nuclear Blast Records. With its captivating chorus, 'Spirit Corrosion' might be the band's most accessible song to date and perfectly underlines the record's nuanced and cinematic approach.

Alongside the single, a music video has been released, which you can watch below.

NAILED TO OBSCURITY commented:
"'Spirit Corrosion’ is one of those songs that hit us hard while writing — emotionally raw, yet powerful and strangely uplifting. We’re incredibly proud of how it turned out and can’t wait to finally share the song and video with you. It’s got one of the most captivating choruses we’ve ever written, layered with dynamic drumming and a deep sense of atmosphere."

With Generation Of The Void, NAILED TO OBSCURITY have crafted their most mature and expansive album to date. The album reflects the turmoil of the post-pandemic era, the shadows of war in Europe, and the relentless changes affecting all of humanity. Beyond its political and social commentary, the album also dives deep into personal struggles, confronting themes of dark emotions, depression, and fear. Every note, every lyric carries the weight of uncertainty and disillusionment, while no one knows what one will find within the void or beyond.


PRE-ORDER / PRE-SAVE GENERATION OF THE VOID:
https://nto.bfan.link/generation-of-the-void

STREAM THE SINGLE 'SPIRIT CORROSION':
https://nto.bfan.link/spirit-corrosion

WATCH THE VIDEO FOR 'SPIRIT CORROSION' below:

ABOUT NAILED TO OBSCURITY:

Formed in 2005 by guitarists Jan-Ole Lamberti and Volker Dieken, NAILED TO OBSCURITYstarted their journey as teenagers with an uncompromising vision. They released their independent debut Abyss in 2007, proving their resilience in an industry where many bands fade before they rise. With lineup evolutions in the early days and sonic transformations, the Germans honed their melancholic yet crushing sound, which reached new heights with Opaque (2013) and King Delusion (2017), released via Apostasy Records. These albums marked the first steps from a local underground act to a serious, globally touring band, following the arrival of vocalist Raimund Ennenga in 2012.

By 2018, NAILED TO OBSCURITY had earned a place among the greats, signing with Nuclear Blast and unveiling Black Frost in January 2019, an album that solidified their identity and positioned them on some of the biggest stages in Europe and North America. With bassist Lutz Neemann joining in May 2024, replacing long-time member Carsten Schorn, the current lineup was completed.

In 2022, NAILED TO OBSCURITY released the singles 'Liquid Mourning' and 'Clouded Frame', both of which are featured on Generation Of The Void. These tracks provided a glimpse into the band's evolving sound and set the stage for what was to come.

Now, after years of meticulous crafting and relentless touring, Generation Of The Void emerges as the next chapter—a visceral and evocative testament to the times.

NAILED TO OBSCURITY ONLINE:
https://linktr.ee/nailedtoobscurity

THE CHRIS SLADE TIMELINE Release a Visually Exicting Lyric Video for the Track "Time Flies"

THE CHRIS SLADE TIMELINE released the amazing lyric video for the track "Time Flies" from their new album "Timescape". 

 

You can watch the video below:

 

Chris Slade discusses the new video and song, "Time Flies, the song and the video was originally envisaged as a sort of sonic experiment. I only had the vaguest idea of a melody, but I knew I wanted the end of the lines to be repeated in echo. I'd demo'd half the song with Mike Clark (keyboards) help before I thought, "This needs a chorus".  The heartbeat etc. and the silences between sections was a very dangerous thing to have in the middle of a song. The inspiration for both song and video came from some meditation experiences both real and imagined. You'd be surprised if you knew which is real and which imagined. I've been doing zen meditation since early 1970s.  70s saw me meditating twice a day for 45mins each sitting, every day.  Even when travelling on tour with Manfred Mann's Earthband all over the world. I've never taken hallucinogenic drugs even while spending all my life, so far, in rock bands."

 

Chris continues, "The End of the Universe bought in James Cornford on guitar. It comes from the concept of the end of time itself which could be next Wednesday or 115, million, million, centuries away, or, whenever you can make it really.  The stars will literally go out one by one just like The Carpenters predicted."

 

Chris Slade

Sent from my Galaxy

THE CHRIS SLADE TIMELINE album Timescape can be purchased or streamed at: https://smarturl.it/ChrisSladeTimeline

THE CHRIS SLADE TIMELINE is:
Paul “Bun” Davis vocals
Stevie Gee vocals, Bass
James Cornford guitar, vocals
Mike Clarke Keyboards, guitar, vocals
Chris Slade Drums, vocals
 
Andy Crosby Bass on Sundance, Vengeance, Questions
Mark Veich Godden was playing bass liveshows for 2022

Chris Slade launched the band ‘THE CHRIS SLADE TIMELINE’ in 2012 to mark 50+ years as a professional rock drummer. For this project, Slade took on phenomenal vocalists STEVE GLASSCOCK and PAUL “BUN” DAVIS with the added stunning musical techniques of guitarist JAMES CORNFORD along with keyboard and guitar player MICHAEL J. CLARK you most certainly have a band to be reckoned with and worthy to mark Slade’s illustrious musical career.

This is a concept for Slade that will include performances from a varied set list from Tom Jones, Manfred Mann’s Earthband, Uriah Heep, The Firm, ASIA, MSG, David Gilmour, Gary Moore along with a fair degree of AC/DC numbers and many surprises to be unwrapped along the way.

"After all these years recording and playing with some of the world’s greatest rock musicians such as Tom Jones, Manfred Mann's Earthband, Gary Moore, Gary Numan, Denny Laine, Jimmy Page, Paul Rodgers, David Gilmour, Uriah Heep, Asia and of course AC/DC

About Chris Slade:
Slade started his career at the age of 16 with Tom Jones before he changed his name to Tom Jones, this included World tours and recording throughout the 60's.
 
Chris Slade was a founding member of 'Manfred Mann’s Earth Band' in January of 1971. He was to spend seven years with the band, recording eight albums and achieving three UK Top Ten singles in the process: 'Joybringer' (No. 9, October 1973), ‘Blinded By The Light’ (No. 6, September 1976 & a multi million selling #1 in the USA) and ‘Davy’s On The Road Again’ (No.6, June 1978). After 'Earthband' he spent 2 years with 'Uriah Heep.' A Year with Gary Numan and a year with David Gilmour in 1984.
 
He later teamed up with Jimmy Page, Paul Rodgers and bassist Tony Franklin to form 'The Firm'. They produced two excellent albums for Atlantic in 1985 and 1986 that gave them a few radio hits including 'Radioactive' and 'Satisfaction Guaranteed.'
 
Then Chris joined Gary Moore, taking over from Cozy Powell just four days before the start of the 1989 ‘After The War’ tour. It was at one of Gary Moore’s gigs in The UK that Malcolm Young saw Chris Slade play. After the tour it was Chris’s intention to put together a band with ex-Aerosmith guitarist Rick Dufay. But the call from AC/DC scuppered those plans as he was destined to tour and record with them over the course of the next five years, playing on their acclaimed 'Razors Edge' Album, and giving a killer performance on their concert DVD “Live from Donington”.
 
After his stint with AC/DC Chris joined the prog-rock band 'Asia', who (even with the many personnel changes over the years) had still been managing to churn out some excellent music. Chris recorded with them on their 2000-2004 studio recordings, 'Aura' and 'Silent Nation' , and put forth his 'trademark' energy-filled live performances on all the subsequent tours that ensued over five years in total.
 
In the 21st Century, for a period of 5 years, Slade played drums for German guitarist Michael Schenker before forming THE CHRIS SLADE TIMELINE in 2012.

 

https://chrisslade.com
https://www.facebook.com/ChrisSladeACDC
https://www.instagram.com/chrissladedrums
https://x.com/ChrisSladeDrums
https://www.instagram.com/the.chrisslade.timeline
https://www.bandsintown.com/a/5974162

Cryptopsy Release Eye-Popping New Single

After 30 years, Cryptopsy are no strangers to the spotlight. Since their ungentle exhumation from the Canadian underground in 1993, the Montreal natives have worn the horned crown as the most vile band in death metal. Their upcoming ninth album and first since winning a JUNO Award embodies the many malicious mutations that have defined their Hall of Fame discography. But while infectious, the latest single from An Insatiable Violence brutally illustrates that society's viral takeover isn't all it's cracked up to be.

"'Dead Eyes Replete' is one of the most brutal songs on our new album", vocalist Matt McGachy says. "It reaches into the depths of the sordid world of YouTube child stars and how parents rob them of their youth and innocence all in the name of greed".    

Watch the lyric video for "Dead Eyes Replete" below:

An Insatiable Violence comes out June 20 on Season of Mist.

Pre-order

https://orcd.co/cryptopsyaninsatiableviolence

Pre-save on Spotify

https://open.spotify.com/prerelease/68bFcUq3E7rilegbUCwexu?si=56ImYUobTLe2WyguJnMEFQ

RSVP for the Bandcamp Listening Party and chat with Cryptopsy about their new album before it comes out.

An Insatiable Violence Bandcamp Listening Party
Thursday, June 17 @ 1:30 pm ET

RSVP
https://cryptopsyofficial.bandcamp.com/merch/an-insatiable-violence-listening-party

The concept for Cryptopsy's upcoming new album appeared to vocalist Matt McGachy in an eerily prescient dream. But the latest single from An Insatiable Violence was inspired by the real life horrors of kidfluencing. "Nurture the chosen one", McGachy barks, opening "Dead Eyes Replete" with his freshly groomed death growls.

"We've played at least 140 shows since our last album", he says, "and all those reps have helped me deepen and darken my false chord screams".   

Just like a doe-eyed YouTuber is pounced upon by wolves waiting hungrily in the comment section, "Dead Eyes Replete" opens in unfiltered, all caps, attack mode. As Christian Donaldson bends his frets like a spotlight operator who's gone haywire, Flo Mounier rolls out carpet-bombing blasts beats with blinding precision. "Since our last album, I've developed new techniques that allow us to go even faster", says Mounier. His controlled chaos is still the force that binds Cryptopsy's bloodlust, though he managed to raise the eyebrows of their in-house producer. Blink and you may miss it, but lurking within the song's stuffed sockets is a trampling fill that resembles another powerhouse.

"I love John Bonham's playing", Mounier says. "I told Chris that we were leaving that part in there. It's the closest we're ever going to come to sounding like Led Zeppelin".

During death metal's initial spike in popularity, Cryptopsy quickly staked their claim as the scene's most brutal band of technicians. They never stop knifing between surgical tempo changes and filthy hooks, but An Insatiable Violence gouges deeper into the lascivious grooves that won them last year's Canadian Grammy for best Metal/Hard Music Album. "Beware the spotlight" McGachy flashes with his signature bat-like shriek just before bassist Oli Pinnard slams "Dead Eyes Replete" shut with a career-best breakdown.

The video for "Dead Eyes Replete" was created by B2crea.

In the wake of spreading bloodshed all over Europe with Decapitated, Cryptopsy are now fiending to feast on the new cuts from An Insatiable Violence with their ravenous fans across the U.S.

This fall, the band are joining brutal technical death metal pharaohs Nile on a 25-date tour of the East Coast, Midwest and Pacific Northwest. Joining them on this run are The Last Ten Seconds of Life and Cognitive. 

"We are so excited to bring An Insatiable Violence to the United States. It's a pleasure to tour amongst friends and this lineup is incredibly stacked!", Cryptopsy says. "Our new album was written for a live setting. The songs are more brutal and grooving so that people can really latch on and bang their heads". 

Cryptopsy's setlist for this tour will pull from the band's latest albums while mixing in revered classics. 

The Underworld Awaits Tour USA 2025 
September 12 - Raleigh, NC @ Chapel of Bones [TICKETS]
September 13 - Philadelphia, PA @ Underground Arts [TICKETS]
September 14 - Leesburg, VA @ Tally Ho [TICKETS]
September 16 - Brooklyn, NY @ Brooklyn Monarch [TICKETS]
September 17 - Hampton, NH @ Wally's [TICKETS]
September 18 - Hartford, CT @ Webster Hall [TICKETS]
September 19 - Lititz, PA @ Mickey's Black Box [TICKETS]
September 20 - Clifton, NJ @ Dingbatz [TICKETS]
September 21 - Rochester, NY @ Montage Music Hall [TICKETS]
September 22 - Cleveland, OH @ Mercury [TICKETS]
September 24 - Detroit, MI @ Sanctuary [TICKETS]
September 25 - Hobart, IN @ Hobart Art Theatre [TICKETS]
September 26 - Madison, WI @ The Annex [TICKETS]
September 27 - Minneapolis, MN @ Studio B Skyway [TICKETS]
September 28 - Belvidere, IL @ Apollo Theater [TICKETS]
September 29 - Sioux Falls, SD @ Bigs Bar [TICKETS]
October 1 - Billings, MT @ Pub Station [TICKETS]
October 3 - Seattle, WA @ El Corazon [TICKETS]
October 4 - Spokane, WA @ Knitting Factory [TICKETS]
October 5 - Boise, ID @ Knitting Factory [TICKETS]
October 6 - Salt Lake City, UT @ Urban Lounge [TICKETS]
October 7 - Denver, CO @ Oriental Theater [TICKETS]
October 9 - Des Moines, IA @ Wooly's* [TICKETS]
October 10 - Chicago, IL @ Reggie's* [TICKETS]
October 11 - Indianapolis, IN @ Hi-Fi Annex* [TICKETS]
*Nile, Cryptopsy and Cognitive only

With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.

Lineup 
Flo Mounier - Drums
Matt McGachy - Vocals
Christian Donaldson - Guitar
Oli Pinard - Bass

Recording, Mixing & Mastering Studio
Christian Donaldson’s Studio

Production, Sound & Mixing Engineer
Christian Donaldson

Guest Musicians
Mike DiSalvo performs vocals on "Embrace the Nihility"

Cover Art
Martin Lacroix

Photography
Maciej Pieloch

Biography
Adrien Begrand

Pre-order & Pre-save
https://orcd.co/cryptopsyaninsatiableviolence


Booking agents
USA - Continental Touring

www.continentaltouring.us 


Europe - Avocado Booking
http://www.avocadobooking.com/

Follow Cryptopsy
Bandcamp:https://cryptopsyofficial.bandcamp.com/
Facebook:https://www.facebook.com/cryptopsyofficial
Instagram:https://www.instagram.com/cryptopsyofficial/
Spotify:https://open.spotify.com/artist/29PgYwTelpNl6370XLqFtN
Youtube:https://www.youtube.com/@CryptopsyDeathMetal
BandsInTown:https://www.bandsintown.com/a/2941-cryptopsy

ELECTROMANCY Unleashes Queer-Driven Black/Doom/Death Manifesto with Visions of Utopia

ELECTROMANCY, genre-warping, queer-driven force in extreme metal’s darkest realms, is excited to announce their new album, Visions of Utopia, out September 10th, 2025. The album is about composer, Steph Tranovich, and their journey of chronic illness. With themes of grief and healing, queer resilience and identity, technology and adaptation, and hope, healing and utopia this album serves as an inspiration, especially to those queer, disabled, or politically progressive, to going when times get tough.

Their first single, "Utopic Visions" is out now. A defiant invocation of hope amid hardship, the track confronts the realities of chronic illness and societal despair while daring to imagine a brighter future. Composer and vocalist Steph Tranovich calls it “a spell to summon Utopia, or as close to it as we can reasonably get.”

Musically, the song delivers a powerful blend of crushing low-end guitars, piercing highs, and swirling synths that build a hypnotic atmosphere, punctuated by glitch effects and Shaun Gallagher’s commanding, razor-sharp vocals. With its dense textures and emotional clarity, “Utopic Visions” captures the heart of ELECTROMANCY’s sonic alchemy—turning pain into purpose, distortion into resolve.

About ELECTROMANCY:

Forged at the intersection of grief, resilience, and radical creativity, ELECTROMANCY is a boundary-defying black/doom/death metal duo from the Bay Area blending blistering sonic chaos with DIY robotics and raw human emotion. Formed in June 2019 by composer and vocalist Steph Tranovich (they/them), alongside co-vocalist Shaun Gallagher (he/him), ELECTROMANCY uses custom-built robotic instruments as a form of assistive technology—enabling Steph to continue making music despite their chronic illness. Their discography, spanning from the brutal Technopagan to the emotionally complex Visions of Utopia, chronicles Steph’s journey through disability and healing, channeling pain, perseverance, and moments of cathartic joy. With influences like THOU, MESHUGGAH, and LITURGY, the band fuses intricate polyrhythms with avant-garde metal, while exploring themes of queer identity, grief, and radical strength. Their live shows are visceral, theatrical experiences—robot guitars and LED-lit mannequins sharing the stage with two unapologetically human voices. ELECTROMANCY isn’t just for metal fans—it’s for anyone searching for something different, something real, and something powerful.

 

ELECTROMANCY is:

  • Steph Tranovich (they/them) - composition, robotics, vocals

  • Shaun Gallagher (he/him) - vocals

Blackened Speed Metallers SADISTIC FORCE Release New Single "Strike After Strike"

Today, Austin, Texas-based blackened speed metal unit SADISTIC FORCE unleash their new single, "Strike After Strike," the second track revealed from their upcoming EP, 'Morbid Odyssey,' due out August 22nd. The single arrives alongside a lyric video, available to view below.

"Strike After Strike" features a blistering guest guitar solo from Matteo Von Bewitcher of the satanic speed metal band Bewitcher.

On the new track, SADISTIC FORCE comments:

"'Strike After Strike' is the spiritual successor to 'Strike Of The Iron' off of our debut album. The nonstop intensity of 'Strike After Strike' showcases the development of the SADISTIC FORCE sound. Matteo Von Bewitcher adds his signature guitar sound in a blistering guest guitar solo that meets the barreling barrage of riffs head on."

Matteo Von Bewitcher adds:

“Back in December, Bewitcher played a one-off show in Austin with Sadistic Force. The show went great, and that night James asked me to do a solo on their new record. I got home, knocked it out, sent it over, and they were into it. Later, I ran into Mike on tour, and he told me that track was their Judas Priest 'Painkiller' moment. That hit home, Bewitcher has songs like that too, so it was cool to be part of it. Shout out to the homies—can’t wait to hear the full record and see them hit the road.”

Watch the Lyric Video for "Strike After Strike" Below:

'Morbid Odyssey' is SADISTIC FORCE's most refined and punishing work yet. Mixed and mastered by Noah Buchanan (Nunslaughter, Midnight) at Mercenary Studios, the five-track EP showcases SADISTIC FORCE at their most ferocious and focused. Featuring blistering guest solos from Matteo Von Bewitcher (Bewitcher), Tony Rot, and Mark Pursino (Electrocutioner), the EP stands as a testament to their deep roots in traditional heavy metal, thrash, and extreme metal brutality. 

Thematically, 'Morbid Odyssey' plunges into psychedelic necromancy, artistic serial killers, satanic vengeance, and BDSM-driven nightmares, all set to a backdrop of unrelenting speed and power. From the eerie, drug-fueled visions of the title track to the witch-trial revenge fantasy of "Abnormal Cruelties," the EP burns with dark, cinematic storytelling and a razor-sharp edge.

On the new EP, the band comments:

"SADISTIC FORCE isn’t just another modern metal band—we’re a high-octane resurrection of metal’s golden era, dripping with raw energy, virtuoso musicianship, and a commitment to keeping heavy metal loud, fast, and unapologetically sinister. Our upcoming release, 'Morbid Odyssey,' is our most refined and punishing yet."

With 'Morbid Odyssey,' SADISTIC FORCE is setting their sights on domination—and they're ready to take on any label bold enough to unleash their fury on the world.

Pre-Order 'Morbid Odyssey' HERE

Meant to be listened to on 8-track in a '75 Camaro while passing a hash pipe and sipping beer from a pull-tab can, SADISTIC FORCE is the band who will restore the adjective "heavy" to metal music. Emerging from the dark heart of Austin, Texas, they deliver a blistering assault of blackened speed metal infused with old-school heavy metal spirit. Led by James Oliver(guitar/vocals), the band channels the raw intensity of classic acts Judas Priest, Motörhead, and the New Wave of British Heavy Metal while injecting the relentless aggression of extreme metal. 

Formed in late 2020, SADISTIC FORCE began as Oliver's vision of unfiltered, high-energy heavy metal-built on speed, attitude, and a horror-infused aesthetic. What started as a solo project quickly evolved into a full-throttle force of nature, as rock'n'roll bassist Mike Gupta and extreme metal powerhouse drummer JP Campo completed the lineup. The result? A band that seamlessly fuses vintage metal riffs, lightning-fast rhythms, and blackened vocals into a sonic onslaught that's as nostalgic as it is modern.

SADISTIC FORCE are:

James Oliver - Guitar/Vocals

Mike Gupta - Bass

JP Campo - Drums

LANIE GARDNER DROPS NEW EP POLAROIDS, SHINES AT CMA FEST 2025

Rising country talent Lanie Gardner capped a breakout week with the release of her new EP Polaroids (BBR Music Group/BMG Nashville) and a string of standout performances across CMA Fest 2025.


The six-song project blends country grit, alt-pop edge, and acoustic soul into what Entertainment Focus hails as a “confident leap into Southern pop-country terrain, bringing groove, grit, and a whole lot of attitude.” Produced by Oscar Charles, Jonathan Singleton, and Chris Ganoudis, the project includes standout releases like the “searing and sultry” (Billboard) “Buzzkill," the emotionally charged “Concrete Cowboy,” and the breezy new opener “Takin’ The Slow Ride.” Listen to Polaroids here.


To celebrate the release, Gardner performed across CMA Fest stages, including Spotify House, the Reverb Stage, Ole Red’s On The Rise Showcase, and a surprise spotlight at Darius Rucker and Friends at The Ryman alongside Morgan Wallen, Luke Bryan and more. She also joined the CMT Next Women of Country showcase and hosted a packed release party at Chief’s Bar in downtown Nashville.

She closes out the week as Apple Music Country’s “Riser of the Month,” featured throughout June on Country Risers Radio with Ward Guenther. Listen here. 

With Polaroids, Gardner proves she’s "a dynamic artist who can shift between moods, genres, and personas with ease,” writes Entertainment Focus. “She’s not only got the voice, but also the vision, to claim her space in modern Southern pop and mainstream country.”

Photo Credit: Kory Thompson

ABOUT LANIE GARDNER:

Lanie Gardner’s extraordinary journey is a testament to her unmatched talent and unwavering determination, from her roots in the Appalachian Mountains to international stages. A gifted storyteller and songwriter from an early age, Lanie crafted a distinctive blend of classic rock and country influences that quickly set her apart. Her career skyrocketed after her cover of Fleetwood Mac’s “Dreams” went viral, amassing over 60 million views. With her debut self-penned album A Songwriter’s Diary, released in late 2024, Gardner held her own offering a deeply personal 10-track journey through her roots and creative beginnings. Now, Gardner unveils her highly anticipated new EP, Polaroids (BBR Music Group/BMG Nashville)— a six-track blend of feel-good energy and message-driven meaning, featuring standout tracks like the previously released “Buzzkill” and the emotionally charged “Concrete Cowboy.” Acclaimed by Billboard as “a true artist with staying power" and by MusicRow as “one of the most exciting rising stars today,” Lanie’s rise has been marked by significant milestones, including being named by the Recording Academy and Amazon Music as a “2025 Artist to Watch” and to CMT’s Next Women of Country: Class of 2025. From being featured on the movie soundtracks for Queen of the Ring and Twisters to touring with the Jonas Brothers, Jelly Roll, Cody Johnson and ZZ Ward, Lanie is on the fast-track to stardom. Most recently, she collaborated with country superstar Thomas Rhett and Warren Zeiders, being featured on their just-released tracks “What Could Go Right” and “Love In Letting Go,” respectively. This year alone, she made her Stagecoach debut, joined Corey Kent’s Black Bandana Tour, and will hit the road again this summer/fall with Gavin Adcock. She was also recently invited to make her Opry debut, further solidifying her place as one of the genre’s most exciting new voices. Her soulful sound and captivating stage presence have earned her widespread acclaim and a dedicated fan base. As she continues her ascendancy, Lanie remains a genre-defying artist.

Jon Loba to Receive 2025 CRB President’s Award

The Country Radio Broadcasters, Inc. (CRB) is proud to announce Jon Loba, President of Frontline Recordings for BMG Americas, as the recipient of the 2025 CRB President’s Award.

The CRB President’s Award is presented to individuals who have demonstrated exceptional dedication and played a vital role in shaping the success of the Country Radio Seminar (CRS) and its mission to advance the country radio format.

CRB/CRS Board President Kurt Johnson shared, “Jon Loba doesn’t just play the game—he redefines it. He’s backed legends, bet on new voices, and pushed Country forward at every turn. His impact on CRS is undeniable, and now, with a broader platform at BMG, he’s reminding the industry why Music Row sets the standard. This award isn’t just deserved. It’s overdue.”

With more than two decades of leadership in the music industry, Loba has established himself as a bold visionary and driving force behind some of country music’s most notable success stories. Known for championing talent and innovation, Loba has been a pivotal player in the careers of Jason Aldean, Jelly Roll, Lainey Wilson, Dustin Lynch, and Parmalee, as well as the global viral hit “The Git Up” by Blanco Brown, among many others. As President of Frontline Recordings for BMG Americas, he oversees a wide array of genre-spanning label operations while continuing to elevate the presence and power of country music on a global stage.

Loba’s influence extends beyond artist development—his strategic foresight and unwavering support of CRS have helped shape programming and partnerships that directly impact the future of the country radio and music community.

Past recipients of the CRB President’s Award include John Esposito, Beverlee Brannigan, Sarah Trahern, Mike Dungan, Charlie Morgan, Bob Kingsley, Joe Galante, and Erica Farber, among other respected industry leaders.

The 2025 CRB President’s Award will be presented during the Country Radio Hall of Fame event, scheduled for July 21, 2025, at the Virgin Hotel Nashville. The evening will also recognize distinguished radio professionals, including on-air personalities Big D & Bubba, Mary McCoy, and Rowdy Yates, along with radio honorees Ginny “Rogers” Brophey, Clay Hunnicutt, and Gregg Swedberg.

Additional event details, including ticketing information, will be announced in the coming weeks.

For more information about the Country Radio Hall of Fame and to view past inductees, please visitwww.countryradioseminar.com.

About Country Radio Hall of Fame: The Country Radio Hall of Fame was established to recognize those who have dedicated their careers to the advancement and success of country radio. Honorees represent the very best of the industry, with a commitment to excellence that continues to shape the landscape of country music radio.

About Country Radio Seminar: Country Radio Seminar (CRS) is an annual convention designed to educate and promote the exchange of ideas and business practices in the Country music industry, with specific emphasis on issues relevant to Country radio. CRS 2026 is scheduled for March 18-20, 2026.

About Country Radio Broadcasters, Inc.®: The Country Radio Broadcasters, Inc.® is a 501(c)(3) non-profit organization founded in 1969 to bring radio broadcasters worldwide together with the Country Music Industry to ensure vitality and promote growth in the Country Radio format.

The Estes Method Unveil Their Darkest Track Yet With New Single “I’ve Become”

Rising from the wreckage of raw emotion and creative defiance, THE ESTES METHOD returns with a haunting new single that dares to dig deeper than ever before. “I’ve Become” arrived June 9 — and it’s not just a song, it’s a mirror held up to the self.

Following the incendiary success of their breakout single “Reclaim”, The Estes Method pushes their sonic boundaries once more, crafting a track that is as devastating as it is beautiful.

“I’ve Become” confronts the internal war between self-destruction and the will to survive.

The song explores the physical toll of recklessness and emotional torment—where pain is both a consequence and a catalyst. The song follows the protagonist beginning to break free, and drawing strength from the very blood and suffering that once consumed them. It’s a declaration of resilience: pain won’t win and a stronger self emerges. “I’ve Become” is about transformation through darkness—embracing the scars and feeding the fire, one drop at a time.

LISTEN ON SPOTIFY

LISTEN ON APPLE MUSIC

THE ESTES METHOD BIO

THE ESTES METHOD is a female-fronted metal band forged in the shadows of Kansas City, MO. Blending haunting melodies with brutal riffs, they explore themes of personal ruin, rebirth, and the chaos in between. Fusing heavy metal with dark atmospheres and cinematic tension, their sound is a descent into emotional extremes — equal parts raw vulnerability and unrelenting power.

Prospect Hill Unleashes Hard-Hitting New Single “Victim” 

After roaring back onto the scene with last year’s Catalyst EP,
Boston hard rock band Prospect Hill unleashed their new single “Victim” today
via Oktapus Rights Management / Red 13 Records . This heavy, hard-hitting track channels a nu-metal influence and takes aim at toxic blame culture with unflinching lyrics. “Victim” was produced by Shaun Lichtenstein, Derek Rousseau, and Mark Roberge; co-written by Rousseau, Roberge, Lichtenstein, Zach Gamache, and frontman Edgar Troncoso; and mixed by Lichtenstein.

 Stream the single here:

https://go.fanflowy.com/victim-EP

Heavy Sound, Powerful Message in “Victim”


Blending downtuned guitars, aggressive grooves, and a fresh nu-metal edge, “Victim” stands out as one of Prospect Hill’s most intense and personal songs to date. The track’s confrontational theme targets the toxic blame culture of those who dodge accountability. “‘Victim’ is a call to action for anyone who makes excuses for their problems instead of taking meaningful steps to fix them,” says drummer and co-founder Mark Roberge, voicing the song’s core message. “Too many people are out there playing the victim, and it’s not a good look. The real solution is taking ownership of your struggles and making the necessary changes to rise above
them.” The band’s passion behind these lyrics is palpable, delivering both a sonic punch and a rallying cry for personal responsibility.

 

Back from Hiatus with New Lineup and Momentum


“Victim” arrives as the latest milestone in Prospect Hill’s triumphant return to the rock scene. After nearly a decade-long hiatus, the band made a powerful comeback in late 2024 with the Catalyst EP—a three-song release that introduced fans to Edgar Troncoso as the band’s new lead vocalist. Troncoso, formerly the group’s bassist, stepped up to the mic and brought a commanding new voice to Prospect Hill’s sound. Longtime guitarists Derek Rousseau and Johnny Roberge, along with drummer Mark Roberge, remain at the core of the lineup. The band celebrated their return with a sold-out EP release show in New England, proving that their fanbase’s enthusiasm is as fierce as ever. Building on their legacy, Prospect Hill boasts an impressive track record from their earlier years. The Boston-based quintet has shared the stage with rock heavyweights like Disturbed, Slipknot, and Breaking Benjamin, earning their stripes on national tours. They also scored a
Billboard-charting single with “Come Alive,” a breakout track that climbed into the Top 50 of the Active Rock charts and became a fan favorite. With the release of “Victim,” Prospect Hill continues a series of new singles leading up to a full-length album due later in 2025 – a clear sign that this comeback is just getting started.

For More Information Please Visit:

Official Website

Instagram

Facebook
YouTube
TikTok
 X

CARSEX Release 'Landmine' Video From "Human Interest" EP

Long Beach, CA Punk/Metal band CARSEX have released their ferocious new EP “Human Interest”, which is a deep dive into timely themes about the current state of our chaotic world.  They channel their anger and angst into 7 pummeling tracks.  The EP was produced by Steve Evetts (Sepultura, The Dillinger Escape Plan, Butcher Babies) at Maple Studios in Santa Ana, CA, and mastered by Alan Douches at West West Side Music in New Windsor, NY. 

 

The EP’s focus track “Landmine” is a heavy, chugging anthem that’s forges ahead like a sonic M1 Abrams Tank.  CARSEX singer Nigel Burk says “Landmine’ is a follow-up to our song “Your Lesson”, which delved into succumbing to various forms of temptation and how we’re taught to fear divine retribution if we fall prey to these desires.  “Landmine” takes it a step further - it’s akin to a bad acid trip where everything is distorted…    You come to the realization that there is no absolution and you’re going to burn anyway.  It’s like walking through a field of landmines – you’re going to blow up, no matter what you do”.

Director Chris Michael explains the “Landmine” video concept: “I teamed up with my buddies in CARSEX to bring their video “Landmine” to life. This track’s a banger, and I was honored to storyboard and shoot it. The concept dives into the effects of an acid trip: The cool blue colors for the initial calm, then harsh reds and awkward angles take over as the hallucinations hit. We swapped the mic for a grenade to push the hallucinatory theme further.”  He continues: “We were under red and blue lighting for hours so long we actually thought we were tripping…. Some of the guys swore the colors were shifting and moving.  Everything about the shoot stayed true to the theme: chaos, distortion, and the constant threat of land mines.”

CARSEX has previously released 2 songs from the EP - “Crooked Canvas” and “Sitting Ducks”, with both tracks gaining support on Heavy Music playlists including Spotify, Apple Music, Deezer, Pandora and Audiomack. The band’s other releases include 2019’s CarSex and 2020’s 2020 EP, which featured the singles “Your Generation” and “Lovesick”. The band is scheduling shows in support the EP release and will be doing an extended tour in the fall.

 

Live Show

Saturday, Sept. 6th - Supply & Demand - Long Beach CA

 

CARSEX:

  Nigel Burk - Vocals

Shane Lausch – Lead Guitar

Justin Jolley – Rhythm Guitar

Jeremy Schott – Bass

Jason Blaustein - Drums

   

Connect & Share with CARSEX

Official Website: https://carsexlbc.com/

Facebook: https://www.facebook.com/CARSEXLBC/

Instagram: https://www.instagram.com/carsexlbc/

TikTok: https://www.tiktok.com/@carsexlbc

TIAN QIYI 'Mongolian Dub' sets the groove for 'Songs For Workers' album ft. JAH WOBBLE

Genre-defying UK-based music outfit Tian Qiyi presents 'Mongolian Dub', a powerful offering from their sophomore album 'Songs For Workers', out June 27 via Pagoda Records.  Featuring the legendary Jah Wobble on bass, this is a fascinating ethno-psychedelic initiation into this 10-track musical journey, which bridges generations and cultures, blending deep dub grooves with Eastern traditions. This single follows their stunning lead track 'Watch The Sunrise'.

More than just a band, Tian Qiyi brings together brothers John Tian Qi Wardle and Charlie Tian Yi Wardle with their father, Jah Wobble (John Wardle). Their unique sound reflects their rich family heritage, blending their father's pioneering work in post-punk and dub with the Chinese cultural influences of their mother, Zilan Liao.

On the foundation of their acclaimed 2024 debut album 'Red Mist', with standout singles  'Incantation' and 'Red Mist', the Wardle brothers continue to forge a sound that blends dub, post-punk, and experimental production with rich influences from Traditional Chinese, Mongolian, and Irish music.

This Tian Qiyi album has already generated plays from Gideon Coe, Mark Riley and Stuart Maconie on BBC 6 Music, and from John Kennedy on Radio X London. 'Songs For Workers' represents the next evolution in their mission to create border-crossing musical experiences that honour their diverse influences while crafting something uniquely their own, further exploring the intersection of traditional Asian and Celtic soundscapes with contemporary dub production techniques.

'Mongolian Dub' ft. Jah Wobble  https://wearetian.bandcamp.com/track/mongolian-dub
'Songs For Workers' album pre-save / pre-order  https://ffm.to/songsforworkers

John Tian Qi handles all drumming and percussion - both Eastern and Western - on the album. Charlie Wardle’s unique vocal style is to the fore, as is his incredible musical dexterity on traditional Chinese and Mongolian instruments, bringing a funky and, at times, psychedelic quality to the music, in addition to that which is expressly traditional. Jah Wobble plays bass on most of the album’s tracks, while John Tian Qi contributes bass on 'Luoyang' and 'Siege' and synth / Moog bass on 'Watch The Sunrise', highlighting Tian Qiyi's growing creative independence and production chops.  

Fully produced by Tian Qiyi, 'Songs For Workers' marks a bold step forward in their cross-cultural, multi-generational musical journey. Rooted in heritage and driven by experimentation, their sound is shaped by the magnetic tension between ancient tradition and dub futurism, East and West, land and spirit—a musical space that is uniquely their own.


Drawing inspiration from Miles Davis's groundbreaking electric period and the experimental spirit of Krautrock, the band creates expansive, boundary-pushing soundscapes that defy easy categorization. Jah Wobble's involvement adds a deep, distinctive dub foundation to the family's cross-cultural vision, while the brothers' mastery of traditional Chinese instruments reflects their maternal heritage.

The duo's name carries deep personal significance, combining elements of the brothers' middle names: "Tian," shared by both siblings, paired with "Qi" (meaning "together") and "Yi" (meaning "one"). This linguistic fusion mirrors their musical approach, where disparate elements unite to create something entirely new—much like their parents' union of Eastern and Western cultural traditions.

'Mongolian Dub' is available exclusively via Bandcamp. 'Watch The Sunrise' is out now, available on fine digital platforms, including Apple Music, Spotify and Bandcamp. The full 'Songs for Workers', set for release on June 27, is available for pre-order. A handful of festival shows will be happening over the summer in support of this album.

SINGLE CREDITS
Performed & produced by Tian Qiyi
Composed by John Tian Qi Wardle, Charlie Tian Yi Wardle, Jah Wobble
Charlie Tian Yi Wardle - Morin Khuur, Er Hu, Vocals
John Tian Qi Wardle - Drum Kit, Yang Qin
Jah Wobble - Bass
Mixed by John Tian Qi Wardle
Engineeed by Seadna Mcphail & John Tian Qi Wardle
Recorded at Airtight Studios and Pagoda Studio
Released by Pagoda Records
Published by Domino Publishing / 30 Hertz
Publicity by Shameless Promotion PR

Keep up with Tian Qiyi
Bandcamp | Instagram | Twitter | TikTok | YouTube | Apple Music | Spotify | Booking contact | Press contact

Keep up Jah Wobble
Website | Facebook | Bandcamp | Twitter | Instagram | Soundcloud | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

AVERSIONS CROWN | ANNOUNCE THEIR NEW EP A VOICE FROM THE OUTER DARK OUT AUGUST 5TH + WATCH THE MUSIC VIDEO FOR THE TITLE TRACK

Emerging from Brisbane’s seething metal underground, AVERSIONS CROWN returns from the void with A Voice From The Outer Dark. The EP which will be released on August 5th via Nuclear Blast Records is a three-track statement of renewed intent, brutal evolution, and total annihilation. Marking the band’s first new material in several years, the EP represents a bold new chapter in both sound and vision.

Today, the band release a music video for the thunderous first track and title of the album, 'A Voice From The Outer Dark'. Watch the Matrix-esque music video directed by Colin Jeffs, below:


AVERSIONS CROWN comments, "This song marks the beginning of a new chapter for us. We’ve been quiet for a few years now, but that silence was the calm before something much heavier. A Voice From The Outer Dark is the first signal that we’re back, and this time we’re not coming in peace.".

Pre-order or pre-save A Voice From The Outer Dark EP, here:
https://aversionscrown.bfan.link/avftodep

A Voice From The Outer Dark captures AVERSIONS CROWN in a new phase of creative intensity. The EP distills everything the band is — and everything it’s becoming — into three tracks of sheer ferocity. Conceptually, the band continues to explore existential and cosmic horror themes, blurring the lines between science fiction and spiritual annihilation, channeling the sound of a world tearing itself apart from the inside out. The arrival of new vocalist Alex Teyen(formerly of BLACK TONGUE) signals a seismic shift.

A Voice From The Outer Dark was recorded in October 2024. It was produced by Lance Prenc and Edward Sklavos. Prenc was also responsible for the mixing and mastering while Sklavos handled the engineering. The cover artwork for the EP was created by Róbert A Borbás(aka Grindesign).

A Voice From The Outer Dark is the sound of a band reborn through fire, silence, and darkness — ready to reestablish their legacy and redefine deathcore in the process.

AVERSIONS CROWN is:
Alex Teyen | Vocals
Chris Cougan | Guitar
Mick Jeffery | Guitar
Jayden Mason | Drums

More information:
Facebook | Instagram | X | YouTube

Vestige Release Heavy New Single Ahead of Hellfest Debut

Ahead of their first-ever performance at Hellfest, today, Vestige are releasing a heavy new single. “Envy” is shaped by the scars of childhood trauma. The way the song flips between haunting post-metal atmosphere and hard melodic edge captures the volatile state between fragility and fury.  

Watch the blazing video for “Envy” below:

Stream

https://orcd.co/vestigeenvy

Vestige burst onto the modern metal landscape last year with their debut album Janis, but the band’s new single is rooted in deep psychological trauma. “Envy” finds vocalist and guitarist Théodore Rondeau returning to a cycle of domestic abuse, only to confront a parental figure’s jealous partner. “You never broke me / You tried”, he shouts, before pleading “Let me shine away from your controlling games”. Slowly and with deliberation, clean, sorrowful shoegaze gives way to eruptions of razor-sharp distortion and pummeling drums.

“Envy is always seen / It hides from your words”, Rondeau roars, naming and reclaiming what was almost lost.    

Vestige will perform “Envy” as well as songs from  Janis during their performance at Hellfest on Saturday, June 21.

Janis is now available on Season of Mist

Order & Stream

https://orcd.co/vestigejanis

The signing with Season of Mist brings the band’s first milestone, allowing VESTIGE to share their journey in the form of their debut album, Janis. Poised for release in late 2024, the album is a culmination of their collective efforts and a statement of the band’s arrival in the heavy music scene. Weaving through atmospheric shoegaze textures, melodic landscapes and intense, tormented moments that reflects the emotional spectrum of the human experience, the band established a foothold into the genre of modern metal.
 

Beyond the studio, VESTIGEis gearing up for a series of live performance in 2024, setting the stage for an introspective musical experience that brings raw and authentic energy. A cathartic release that pulls in the listener into the emotional depths the band has to bring.


Lineup:
Théo dore Rondeau - Vocals, Guitar

Thomas Petit - Guitar

Pierre-André Krauzer - Bass
Quentin Regnault - Drums

Photography & Video Production:
Mathieu Ezan

Stream & Order debut album ‘Janis’: https://orcd.co/vestigejanis

Follow Vestige:
https://linktr.ee/vestigemusic

WHEEL OF TIME Announces Debut Full Length Album Asymmetry and Unveils First Single "Grand Cosmos"

WHEEL OF TIME, the progressive power metal project led by Beijing-based composer and multi-instrumentalist Jimmie Hong, has set November 12, 2025 as the release date for its debut full-length album Asymmetry. The first single, "Freedom Day", is out now, offering an electrifying preview of the album’s sweeping sound and bold creative vision. Asymmetry is about embracing imperfection, both in life and in music. It is a personal and spiritual journey, shaped by both progressive and power metal traditions, with influences from across the world.

"Freedom Day" captures that spirit with an explosive performance from Michele Luppi (WHITE SNAKE) on vocals and Derek Sherinian (ex-DREAM THEATER, ex-SONS OF APOLLO, PLANET X) on keyboards. The track balances intricate rhythmic tension with soaring melodic release, embodying both the technical mastery and emotional depth that define WHEEL OF TIME’s sound. 

The album Asymmetry features an international lineup of world-class musicians, including Tony MacAlpine, Timo Tolkki, Alexandre Aposan, Farhad Hossain, Ignacio Rodríguez, and more. Produced and engineered by Tom MacLean (ex-HAKEN), the album fuses progressive ambition with melodic power, Eastern and Western influences, and narrative-driven songwriting.

Listen Below:

About WHEEL OF TIME

WHEEL OF TIME is a progressive power metal project founded by Beijing-based composer and multi-instrumentalist Jimmie Hong. Blending the technical precision of progressive metal with the melodic strength of power metal and symphonic elements, WHEEL OF TIME creates expansive, narrative-driven music that crosses genres and borders. The project features collaborations with world-renowned musicians including Derek Sherinian, Tony MacAlpine, Michele Luppi, and Timo Tolkki. With a truly international lineup and a sound that integrates subtle Eastern melodic influences, WHEEL OF TIME explores themes of time, destiny, and self-discovery. The debut full-length album Asymmetry releases November 12, 2025.

Connect with WHEEL OF TIME:

Rex Tycoon Announce Upcoming Album "No Limit 2 Luv" + Release New Single via Smartpunk Records

Smartpunk Records welcomes rock n roll stars, Rex Tycoon, to their label roster and celebrates the announcement with a new album, "No Limit 2 Luv." On this record, the band doubles down on the fusion of power pop greatness, punk energy, and grooving riffs that define their music. For a taste of what to expect, the band shares the first glimpse of the upcoming record on their single "Jesus Drives."

Listen here.

Music video below.

Pre-order the album here.

Speaking about the new single, Rex Tycoon shares, "This song came about after a trip back home to my parents’ house around Christmas time. My grandmother was telling a story she loves to tell, about how after my grandfather passed away, when I was really young, I would ask her, “What kind of car does Jesus drive?” Because my grandfather was really into cars. I never got to know my grandfather very well since I was so young when he passed but this song sort of transformed into an ode to the kind of guy that I came to know him as from stories and photographs, the blue-collar, hard-working, salt-of-the-earth working class individual who’s back the world is built upon but who the world is nevertheless constantly spitting on in return. The song seemed to be a perfect fit for both the album closer and the lead single."

ABOUT REX TYCOON
In a fusion of power pop greatness, punk energy and grooving riffs, Rex Tycoon’s debut full-length No Limit 2 Luv (Smartpunk Records) shows off what makes the band so special. Bursting to life with “Rock ‘N Roll Star,” No Limit 2 Luv kicks off feeling stadium huge while lyrically professing a humble reality, the sound manifesting the kind of rock ‘n’ roll stardom this album deserves. Over the course of ten songs Rex Tycoon conjures the energy of beer-soaked basement parties as well as meandering, soul searching drives. It’s eclectic but consistent, showing the band’s flexibility and unique stylistic foundation. Guitarist and vocalist Austin Reesman’s knack for storytelling reaches its pinnacle with the album closer “Jesus Drives,” a bluesy, straight ahead rocker that relays the reality and drudgery of the working class people doing their best to survive under untenable circumstances.

Rex Tycoon may dabble in slacker rock, but there’s never been anything lazy about the way these songs come to life. Reesman, Joey Tiberio (guitar), Keith Tucker (bass, synth, vocals) and Jared Stalker (drums) have spent years fine tuning and self-recording infectious rock riffs and poppy hooks from Tucker and Stalker’s Pittsburgh basement. The band took their punk spirit out of the basement and into the studio for their Smartpunk debut No Limit 2 Luv. The album was recorded with Damion Schiralli at Russian Recording in Bloomington, Indiana and mastered by Mike Bridavsky (Russian Recording), and the result is a more spacious sound to reveal all the thoughtful details of Rex Tycoon’s songwriting. 

Ashley McBryde's "Rattlesnake Preacher" Arrives June 26 Following Fan Demand

After closing out her second year of co-hosting CMA Fest with an electrifying performance at Nissan Stadium Sunday night – including a “scintillating” rendition of fan-favorite “Rattlesnake Preacher,” as praised by Tennessean– Ashley McBryde announces the long-awaited studio version of the live staple, available on June 26 via Warner Music Nashville. Pre-save “Rattlesnake Preacher” HERE.
 
“‘Rattlesnake Preacher’ has been a staple in our live show since the bar days, and we’ve constantly been asked by fans when it’ll make it onto a record,” shares McBryde. “As we were gearing up for my second year of co-hosting CMA Fest, it felt like the perfect time to finally get this one out there. It’s my way of saying thank you to the fans who have shown up, listened and gave this song life long before it was ever recorded.”
 
The forthcoming track also holds personal significance for McBryde. Written by her late friend and collaborator Randall Clay, the release of “Rattlesnake Preacher” also honors his legacy.
 
“I’ve written nearly every song on all my records, so when I cut one I didn’t write, it means something,” shares McBryde. “Randall was part of a group of songwriters that helped me write some of the most formative songs of my career, and his songs will always find a home with me to continue his legacy.”
 
Produced by John Osborne, McBryde was joined by her band Deadhorse in the studio to capture the same energy the track emanates when performed live. Opening with searing fiddle and white-hot electric guitar, the Arkansas native’s vocals soar:

Last month, McBryde enjoyed a full-circle moment, receiving her Honorary Doctorate of Music from her alma mater Arkansas State University. You can find Doctor McBryde on the road this summer with headlining shows across the U.S. among festival dates at Country Stampede, Country Thunder Wisconsin, WE Fest and more, before joining Little Big Town and Dwight Yoakam on select dates. For tickets and additional information, visit AshleyMcBryde.com.
 
Ashley McBryde Tour Dates
June 13            IP Casino Resort Spa - Studio A // Biloxi, MS
June 14            Peach Jam // Clanton, AL
June 20            Golden Nugget Lake Charles Hotel & Casino // Lake Charles, LA
June 21            Wild Adventures Live! 2025 // Valdosta, GA
June 26            Country Stampede // Topeka, KS
June 27            The Claude Cox Omniplex & The Bob Arrington Rodeo Arena // Okmulgee, OK
June 28            Billy Bob’s // Fort Worth, TX
July 4              Freedom Over Texas // Houston, TX
July 10            Weldon Mills Theatre // Roanoke Rapids, NC
July 11            Paramount Center for the Arts // Bristol, TN
July 12            Country Concert 2025 // Fort Loramie, OH
July 17            Kresge Auditorium // Interlochen, MI
July 18            Country Thunder Wisconsin // Twin Lakes, WI
July 19            The Amp at Log Still // Gethsemane, KY
July 24            River Run Day Lodge // Ketchum, ID
July 25            Night in the Country Nevada 2025 // Yerington, NV
July 28            Uptown Theatre Napa // Napa, CA
July 29            Cascade Theatre // Redding, CA
July 31            Spokane Live // Airway Heights, WA
Aug. 1             Happys Inn // Libby, MT
Aug. 2             Big Valley Jamboree // Camrose, AB
Aug. 7             WE Fest // Detroit Lakes, MN
Aug. 8             Bourbon Theatre // Lincoln, NE
Aug. 13           Put In Bay // Put-In-Bay, OH
Aug. 15           Country Thunder Alberta // Calgary, AB
Aug. 22           MIDFLORIDA Credit Union Amphitheatre // Tampa, FL with Little Big Town
Aug. 23           The Wharf Amphitheater // Orange Beach, AL with Little Big Town
Sept. 5             First National Bank Arena // Jonesboro, AR with Dwight Yoakam
Sept. 6             Black Oak Mountain Amphitheater // Lampe, MO with Dwight Yoakam
Sept. 12           Point of the Bluff Vineyards // Hammondsport, NY
Sept. 13           Spyglass Ridge Winery // Sunbury, PA
Sept. 14           Harry Chapin Lakeside Theatre // East Meadow, NY
Sept. 26           Grand Ole Opry: Live in London at Royal Albert Hall // London, U.K.
Oct. 3              McKnight Center for the Performing Arts // Stillwater, OK
Oct. 4              Stars Over Texas Music Festival 2025 // Ennis, TX
Nov. 7             Tuacahn Amphitheatre // Ivins, UT

Whiskey Myers Preview 9/26 Album 'Whomp Whack Thunder' with "Tailspin," Out Now

Acclaimed Southern rockers Whiskey Myers continue to turn up the heat with the release of “Tailspin,” the second track from their highly anticipated seventh album, Whomp Whack Thunder, due Sept. 26 via the band’s own Wiggy Thump Records and available for preorder now. Listen Below.
 
Following the adrenaline-fueled lead single “Time Bomb,” the multi-Platinum independent band keeps the pedal down with “Tailspin,” a scorching track that captures the band’s signature swagger, blending gritty guitars, pounding rhythms and unflinching lyrics: I was cruising for a little while, but now I’m in a tailspin / If I’m going out, I’m going out in style / I’m headed for the bottom again.
 
Equal parts anthem and confession, “Tailspin” delivers a raw portrayal of life in freefall – chasing relief, clinging to vices and hoping for a parachute on the way down. The track’s unfiltered energy and hard-driving instrumentation showcase Whiskey Myers at their most urgent and unapologetic, further previewing what fans can expect on the forthcoming album.
 
Born from the piney woods of East Texas and shaped in the soul of Nashville during an immersive three weeks with renowned producer Jay Joyce – known for bringing edge, atmosphere and unpredictability to every project (Eric Church, Cage the Elephant, Halestorm, Lainey Wilson) – Whomp Whack Thunder is a strong statement from the genre-defying six piece. 
 
“We didn’t set out to chase a specific sound – we set out to make a Whiskey Myers record,” shared lead guitarist John Jeffers when announcing the project. “Jay pulled something out of us that’s raw and real, and every track’s got a piece of our story in it. This album’s about where we’ve been, what we’ve lived and the scars we earned along the way – and I think Whomp Whack Thunder might just be our most fearless album yet.”
 
Whomp Whack Thunder is the sound of a band at the height of its powers, marrying Southern swagger with arena-sized rock and soul-searching songwriting. Frontman Cody Cannon penned all 11 tracks solo, delivering stories that hit with the emotional weight of lived experience and the firepower of the band’s signature sound. From the breakneck energy of “Tailspin” to the introspective grit of “Icarus” and the raucous stomp of “Ramblin’ Jones,” it’s a record born of the road and shaped by nearly two decades of defiant, grassroots momentum.
 
The album features the full force of the band – Cannon (vocals, guitar), Jeffers (guitar), Cody Tate (guitar), Jamey Gleaves (bass), Jeff Hogg (drums) and Tony Kent (percussion, piano) – with Joyce also contributing keys, organ and guitar, crafting a sonic landscape that stretches from greasy blues-rock riffs to gospel-tinged country soul.
 
Ahead of the fall release, fans can catch early previews of the new music on the What We Were Born To Do Tour, kicking off today, June 6 and hitting cities across the U.S. throughout the summer. Whiskey Myers also co-headlines 14 dates of the Live in 25 Tour with Tedeschi Trucks Band later this year in addition to headlining their own personally curated Moon Crush “Whiskey Moon” music vacation taking over Miramar Beach, Fla. Nov. 7-9.
 
For more information, visit whiskeymyers.com and follow on social media @WhiskeyMyers.

Upcoming Whiskey Myers Tour Dates
What We Were Born To Do Tour
June 6  ||  Des Moines, Iowa  ||  Lauridsen Amphitheater at Water Works Park
June 7  ||  La Vista, Neb.  ||  The Astro
June 8  ||  Rapid City, S.D.  ||  The Monument – Summit Arena
June 10  ||  Bonner, Mont.  ||  KettleHouse Amphitheater
June 12  ||  Fargo, N.D.  ||  Scheels Arena
June 13  ||  Prior Lake, Minn.  ||  Mystic Lake Casino Hotel – Mystic Amphitheater
June 14  ||  Gary, Ind.  ||  Hard Rock Casino Northern Indiana
June 15  ||  Interlochen, Mich.  ||  Interlochen Center for the Arts – Kresge Auditorium
June 23  ||  Pittsburgh, Pa.  ||  Stage AE
June 25  ||  Johnson City, Tenn.  ||  Freedom Hall Civic Center
June 26  ||  Evansville, Ind.  ||  Ford Center
July 12  ||  Kansas City, Mo.  ||  Starlight Theater
July 17  ||  Macon, Ga.  || Atrium Health Amphitheater
July 18  ||  Birmingham, Ala.  ||  Coca-Cola Amphitheater
July 19  ||  Nashville, Tenn.  ||  Ascend Amphitheater
July 20  ||  Salem, Va.  ||  Salem Civic Center
July 22  ||  Manteo, N.C.  ||  Roanoke Island Festival Park
July 24  ||  Charlotte, N.C.  ||  Skyla Credit Union Amphitheatre
July 25  ||  Virginia Beach, Va.  ||  Virginia Beach Dome
July 26  ||  Richmond, Va.  ||  Allianz Amphitheater at Riverfront
July 27  ||  Cherokee, N.C.  ||  Harrah’s Cherokee Casino Resort
Aug. 16  ||  Highland, Calif.  ||  Yaamava' Theater
Aug. 27  ||  Toledo, Ohio  ||  Toledo Zoo & Aquarium – Amphitheater
Sept. 18  ||  Jonesboro, Ark.  ||  First National Bank Arena
Sept. 19  ||  Alexandria, La.  ||  Laborde Earles Coliseum
Sept. 20  ||  Brandon, Miss.  ||  Brandon Amphitheater
Sept. 25  ||  Austin, Texas  ||  Moody Amphitheater at Waterloo Greenway
Sept. 26  ||  Oklahoma City, Okla.  ||  Paycom Center
Sept. 27  ||  The Woodlands, Texas. ||  The Cynthia Woods Mitchell Pavilion
Oct. 9  ||  Chattanooga, Tenn.  ||  Soldiers and Sailors Memorial Auditorium
Oct. 10  ||  Greensboro, N.C.  ||  White Oak Amphitheatre at Greensboro Coliseum Complex

Live in 25 Tour with Tedeschi Trucks Band
Aug. 7  ||  Bend, Ore.  ||  Hayden Homes Amphitheater
Aug. 8  ||  Bend, Ore.  ||  Hayden Homes Amphitheater
Aug. 9  ||  Quincy, Wash.  ||  The Gorge Amphitheatre
Aug. 12  ||  Berkeley, Calif.  ||  The Greek Theatre at UC Berkeley
Aug. 13  ||  Los Angeles, Calif.  ||  The Greek Theatre
Aug. 15  ||  Stateline, Nev.  ||  Lake Tahoe Outdoor Arena at Harveys
Aug. 18  ||  Phoenix, Ariz.  ||  Arizona Financial Theatre
Aug. 19  ||  Albuquerque, N.M.  ||  Isleta Amphitheater
Aug. 23  ||  Noblesville, Ind.  ||  Ruoff Music Center
Aug. 24  ||  St. Louis, Mo.  ||  Hollywood Casino Amphitheatre
Aug. 26  ||  Cincinnati, Ohio  ||  Riverbend Music Center
Aug. 28  ||  Syracuse, N.Y.  ||  Empower Federal Credit Union Amphitheater at Lakeview
Aug. 29  ||  Vienna, Va.  ||  Wolf Trap
Aug. 30  ||  Vienna, Va.  ||  Wolf Trap
Sept. 1  ||  Gilford, N.H.  ||  BankNH Pavilion
 
Additional Dates
June 27  ||  South Greenfield, Mo.  ||  Baker-Spain Stampede
June 28  ||  Carrolton, Texas  ||  LIV Golf Dallas
Oct. 11  ||  North Charleston. S.C.  ||  Riverfront Revival Music Festival
Nov. 7-9  ||  Miramar Beach, Fla.  ||  Moon Crush “Whiskey Moon”

About Whiskey Myers
Genre-bending band Whiskey Myers have played nearly 3,000 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show. The band is poised to begin their next chapter with their highly-anticipated seventh studio album Whomp Whack Thunder arriving Sept. 26 via the band’s own Wiggy Thump Records, with lead single “Time Bomb” available everywhere now. Their previous project, Tornillo, featured the No. 17 most-played Americana song of 2022, “John Wayne,” and followed breakthrough album Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 2.5 million albums and amassed over 3.7 billion streams while earning nine RIAA Gold, Platinum and multi-Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned sync success with features in Paramount’s hit shows “Yellowstone” (including an on-screen performance) and “Landman,” plus Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team,” among others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”

PRESIDENT Share Latest Address With "Fearless"

PRESIDENT have revealed the next presidential address under the name of "Fearless." 

The powerful single follows on from the multi-million streaming debut proclamation of "In The Name Of The Father."

BE AMONG THE FAITHFUL.

Watch the video below or listen here.

Operating at the intersection of heavy music, electronic experimentation, and cinematic atmosphere, PRESIDENT doesn't conform to the traditional structures of genre or identity. Prioritizing intent over image and shifting the spotlight away from those who have created this movement, firmly onto the music itself.

PRESIDENT will make their debut at Download Festival on June 15.

PRESIDENT LIVE:
7/30 — The Garage — London (SOLD OUT)

OPETH Present Official "§1" Band Performance Video

Swedish 2025 Grammi winners OPETH are pleased to unveil a full-on band performance video for "§1." The track is taken from their current success album The Last Will And Testament (released on November 22, 2024 through Moderbolaget / Reigning Phoenix Music), which was highly praised by press and fans alike and saw frontman Mikael Åkerfeldt return to growling vocal territory for the first time in 16 years. Their new material has additionally been warmly welcomed during their ongoing world tour, which is why the video arrives right in time as their touring cycle commences at the legendary Sweden Rock Festival today.
 
Åkerfeldt states: “So here’s a video (of sorts) for your ‘enjoyment.’ We had requests left, right & centre to do one of them measly ‘lyric videos’ or ‘visualizers’ for ‘content.’ Now, right there are three words I despise! I’ve made it clear in our circle of trust that we shouldn’t use the word ‘content’ even if that’s exactly what we’re working on. We’re not some goddamn influencers, now are we? So can we please settle on the old-fashioned word ‘video’ without meddling with modern online lingo? And a video is what it really is. A performance video, no less. We figured it’s a bit more happening to look at (should you decide to do so) than a lyric video. ‘§1’ is the opener on “The Last Will And Testament.” A good song. I like it! The video looks good. As good as it can look when involving 5 middle-aged, slightly hungover geezers miming along to something. We shot it in some industrial area in Birmingham (UK) on the latest Euro tour. Everyone (well, the band and crew) were quite eager to get out of there as we had dinner planned at a fancy curry house locally. Much thanks to Ash Pears and ASH TV, who were really professional (ie: quick!) and made the whole experience rather easy on us. Hope you dig it, people!”
 
Watch the video Below:
Order/stream The Last Will And Testament: https://opeth.rpm.link/lastwillPR

OPETH’s 14th album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (THE HEARD, ex-CRUCIFIED BARBARA). The Last Will And Testament was co-produced by Åkerfeldt and Stefan Boman (GHOST, THE HELLACOPTERS), engineered by Boman, Joe Jones (KILLING JOKE, ROBERT PLANT), and OPETH, with Boman, Åkerfeldt, and the rest of the band mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on The Last Will And Testament were arranged by Åkerfeldt and Dave Stewart (EGG, KHAN) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting ‘photograph’ reminiscent of Stanley Kubrick's infamous Overlook Hotel photograph. Miles Showell (ABBA, QUEEN) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.
 
Åkerfeldt rolls out the red carpet for storied flutist and JETHRO TULL leader Ian Anderson. Not only do Anderson’s signature notes fly on "§4" and "§7," he narrates on "§1," "§2," "§4," and "§7." Joining Anderson, EUROPE’s Joey Tempest lends a backing vocal hand on "§2," while Åkerfeldt's youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in "§1."
 
The Last Will And Testament is gripping from start to finish, jaw-dropping inside and out, representing some of OPETH’s finest material to date. Just as OPETH welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story - this time with growls we had not heard since the 2008 Watershed.
 
More from “The Last Will And Testament”:
"§1 [Radio Edit]" OFFICIAL AUDIO:
https://www.youtube.com/watch?v=bwDrIelXirY
"§1 [Radio Edit]" OFFICIAL LYRIC VIDEO:
https://www.youtube.com/watch?v=nZmFQE3TlPA
"§3" OFFICIAL AUDIO:
https://www.youtube.com/watch?v=7Ph5o3xpJ_8
"§4" OFFICIAL LYRIC VIDEO:
https://www.youtube.com/watch?v=UenLRXki8KA
The Last Will And Testament ALBUM COMMENTARY:
https://www.youtube.com/watch?v=LKldtkUJocw
 
Additional drum, guitar and bass play-through videos can be found at https://www.youtube.com/@opeth.

OPETH are:
Mikael Åkerfeldt | vocals, guitars
Fredrik Åkesson | guitars, backing vocals
Martín Méndez | bass
Waltteri Väyrynen | drums, percussion
Joakim Svalberg | keys, backing vocals
 
More on OPETH:
opeth.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music | RPM