Friday June 20th - Doors 10pm - 21+
Presale Registration Now Open 🚨 HÖR BERLIN x AGAPĒ June 20th | 154 Scott | NYC Full lineup TBA. Be part of history — first-ever official HÖR showcase in New York. Presale tickets go live May 12th at 9AM — don't miss your chance. Register now for early access and a chance to win a pair of tickets!
Finnish atmospheric metal heavyweights THE MAN-EATING TREE are celebrating the release of their much-awaited, new studio album "Night Verses", that is out now on Noble Demon! To order your copy, visit https://music.nobledemon.com/verses
Following a decade since their previous full-length album, "In The Absence Of Light", THE MAN-EATING TREE returns with "Night Verses", showcasing renewed energy and a desire to push the boundaries of their sound. With a lineup featuring former and current members of legendary bands such as Ghost Brigade, Poisonblack, Mors Subita, Entwine, and more, the band is poised to deliver their most powerful and dynamic album yet.
To immerse yourself in the world of THE MAN-EATING TREE, you can listen to the album now here:
"This is not only the new gathering for old friends. This is a new musical direction, allowing the boundaries to be pushed wider and further. We are very much looking forward to presenting this to you", Janne Markus comments on the band's activation and new beginning.
THE MAN-EATING TREE are:
Manne Ikonen - vocals (ex-Ghost Brigade)
Janne Markus - guitar, vocals (Ex-Poisonblack, ex-The Abbey)
Sakke Paavola - guitar
Aksu Hanttu - drums (Ex-Entwine, Tuoni, S-Tool)
Mika "June" Junttila - bass (Mors Subita)
For More Information Please Visit:
https://themaneatingtree.fi/
https://www.instagram.com/themaneatingtreeofficial
https://www.facebook.com/themaneatingtree/
https://linktr.ee/nobledemon
Thrash legends DEATH ANGEL are back with their first new music in 6 years! In anticipation for their upcoming summer Summer of Wrath European Tour, the band has released a brand new song called ‘Wrath (Bring Fire).’ The blistering new track and visualizer (created by Tamara Lienas of Aimed & Framed) are streaming now on all digital services!
Commenting on the new track vocalist Mark Osegueda says:
“‘Wrath(Bring Fire)’ is the first Death Angel song featuring the whole band to be released since our 2019 Grammy nominated album Humanicide. This song was however written during the pandemic.
I wrote the lyrics and melody to this song in January of 2021. During that time I was, as all of us were, stuck at home lost, angry and very confused. I was also watching way more television than I usually had. One genre being medieval/fantasy shows which were kind of new to me as an adult. Yet! Were very popular during that time. Which makes sense in retrospect. We all needed some new forms of escapism from the worldwide Hell that we were all going through..That being said..It was partially what inspired these lyrics. An ancient/medieval fantasy end of the world war meets my actual approach in disputes..That can unfortunately, for all involved, turn very ugly if I’m pushed to a certain level or place when I feel I’m being wronged!
And.. As always for me.. Pen doesn’t hit the paper until I hear the music and that paints a picture and inspires a vision that ends up being my lyrics. And the music Rob wrote for this and the fantasy/medieval based shows I was watching at that time and the personal hell that I was going through, figuring out who the hell I was during that awful time in our collective history and marrying that with my true personal aggressions and fury that I still fight with to this very day when I feel I’ve been wronged inspired this song! And it does still happen to me and I’m sure all of us. It definitely still happens to me to this very day! Sometimes it still does by those that are supposed to be closest to me that think they must be more clever than me.
When in actuality…They are just deceitful and so easily read.
Well..For those of you who can relate to this subject. Which I assume is most of us! This song is for you! Because if you are foolish enough to try to take advantage of me once or continually..To quote Al Capone: ’Don't mistake my kindness for weakness. I am kind to everyone, but when someone is unkind to me, weakness is not what you are going to remember about me.’
That being said..When I come I’ll bring FIRE!!”
Stream ‘Wrath (Bring Fire)’: https://deathangel.bfan.link/wrath-bring-fire
‘WRATH (BRING FIRE)’ VISUALIZER BELOW:
About DEATH ANGEL:
Formed in 1982 in San Francisco, CA, DEATH ANGEL were among the era’s groundbreaking thrash bands along with acts like TESTAMENT, EXODUS, POSSESSED, VIO-LENCE and FORBIDDEN. Considered as one of the most influential thrash bands to exist, DEATH ANGEL has released 9 full-length albums, including their most recent, Grammy Award nominated record Humanicide. The five-piece consisting of Rob Cavestany (guitar, vocals), Mark Osegueda (vocals), Ted Aguilar (guitar, vocals), Will Carroll (drums) and Damien Sisson (bass), is on the tail end of 6 year worldwide tour in support of Humanicide, which has included recent performances in Asia, Europe, North America and South America. With no signs of slowing down, the band continues their quest in the name of metal in 2025.
Follow DEATH ANGEL:
https://www.facebook.com/deathangel
https://www.instagram.com/deathangelofficial
Ever since they formed in the early '90s, Nightfall have stood alongside Rotting Christ and Septicflesh as the pioneering trinity of Greek metal. Fearsome frontman Efthimis Karadimas and his band of Athenian rebels are still out for revenge on their new album, but Children of Eve is backed by the biggest hooks in their pantheon-level discography.
"One of the best releases of the year", wrote Metal Temple in a perfect 10/10 review of Children of Eve. "It's sinister, morbid, darkened, aggressive, it's a Nightfall release!"
Children of Eve comes out tomorrow, Friday, May 2, but you can hear all 10 stage-shaking tracks today by listening to the full album stream below.
Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve
Like their brothers-in-arms, Nightfall sculpt towering gothic melodies from blackened slabs of death metal. Children of Eve is blessed with the mightiest choruses in the band's formidable history. Their new album was mixed and mastered by Jacob Hansen, who's helped Volbeat, Amaranthe and The Black Dahlia Murder crank their metallic fury to arena levels. Lead single “I Hate” seethes with blast beats from ex-Septicflesh drummer Fotis Benardo that flow with all the fire and fury of the River Styx.
During Nightfall's most recent hiatus, Efthimis was diagnosed with depression. Now, he wears a black mask to cover half of his face, symbolizing what it's like to live under the invisible veil of mental illness. "When you have demons in your mind, you're not always an ideal companion", he admits. "That stigma can lead to isolation".
Now, Nightfall are encouraging fellow metalheads to speak up. The band have launched a new initiative called Metal Music Against Depression (MMaD), which is supported by European Alliance Against Depression in Germany. "We can talk about this. We can sing about it. We can build a community that's based on understanding", Efthimis says.
With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet.
Line-up:
Efthimis Karadimas - Vocals
Kostas Kyriakopoulos - Guitars
Vasiliki Biza - Bass
Fotis Benardo - Drums
Recording Credits:
Recorded at Devasoundz Studios, Athens, Greece
Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos
Engineered by Fotis Benardo & Thimios Krikos
Mixed & Mastered by Jacob Hansen at Hansen Studios, Ribe, Denmark
Production Credits:
Produced by Efthimis Karadimas & Engineered by Fotis Benardo
Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen
Cover Art:
Eliran Kantor
Art Concept:
Efthimis Karadimas
Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve
Follow Nightfall:
Official Website: http://www.nightfall.gr/
Instagram: https://www.instagram.com/nightfallband/
YouTube: https://www.youtube.com/@NIGHTFALL_band
Facebook: https://www.facebook.com/nightfallband/
Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV
Apple Music: https://music.apple.com/artist/nightfall/1369568685
Deezer: https://www.deezer.com/en/artist/76457
TIDAL: https://tidal.com/browse/artist/3521048
Bandcamp: https://nightfallofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@nightfallband_gr
The May 10th event features
heavy hitters Saliva, Ayron Jones, Evan's Blue, Adelita's Way, Crobot,
Any Given Sin along with Conquer Divide, Shallow Side, Heartsick and many more rising stars.
ROCK LANSING promises an adrenaline-packed weekend of pure rock energy.
$45 regular / $50 week of / $55 day of
Entry to the Main festival including access to the standing and lawn chair areas.
Seating area to set up your own lawn chairs.
$90 regular / $95 week of / $100 day of
Early Entry at 11am with dedicated line for VIP Ticket holders.
Access to the VIP area with private restrooms, dedicated bar & food vendor.
VIP viewing area with the option to sit or stand.
Complimentary water bottles at the VIP bar.
Shade covered tented area.
String Bag with Poster, Sticker and laminated VIP Badge.
Gates times updated:
Gates will open at 11:30am (11:00am for VIP). Full day of music coming at you!
Melodic rockers GIANT are pleased to share their new single, “Time To Call It Love," taken from their new upcoming album 'Stand And Deliver,' out on May 16, 2025, via Frontiers Music Srl. The new single is accompanied by a visualizer, available to view below.
GIANT returns with a powerful new chapter in their storied career, featuring a fresh lineup that propels the band's signature sound to exhilarating new heights.
Drummer and founder David Huff expressed his excitement for the new album:
“Making GIANT records has always been our passion! Thanks to everyone at Frontiers we can make our dreams happen. I know it’s a bit of a different lineup but whoever is in the lineup the legacy of GIANT lives on."
The forthcoming album entitled 'Stand And Deliver' showcases once again the talents of David Huff on drums, Mike Brignardello on bass, Kent Hilli (of Perfect Plan) as the commanding lead vocalist, with the addition of Jimmy Westerlund (One Desire) on guitars. Westerlund also takes on mixing duties alongside Alessandro Del Vecchio, who adds his touch on keyboards as a featured guest.
Watch the Visualizer for “Time To Call It Love" Below:
As if this dynamic combination of talent was not enough, the album also includes some gems penned by the original guitarist and singer Dann Huff including “Time To Call It Love” (a collaboration with the late Mark Spiro), “Holdin’ On For Dear Life” and “Paradise Found”, coming both from his sessions with Van Stephenson, which strongly link the new album with the sound of the classic album 'Time To Burn'.
However, with this new album, GIANT delivers the hard-hitting rock and melodic hooks that fans have come to expect while pushing the boundaries of the genre with a state-of-the-art production.
Originally formed in the late '80s by brothers Dann and David Huff, together with the experienced jazz and rock keyboardist Alan Pasqua and Nashville session bass player Mike Brignardello, GIANT would soon become one of the most respected bands of the melodic hard rock scene, with the release of their debut album 'Last Of The Runaways' (A&M Records, 1989).
Following countless live performances in support of their debut, the band released the follow-up 'Time To Burn' (Epic, 1991), an album still regarded as a main source of influence for many melodic and hard rock bands who came after. With the sudden change of musical climate in the early '90s, GIANT disbanded with their members becoming involved in different projects, with both Dann and David Huff becoming well respected producers.
In 2001, Frontiers prompted GIANT to release 'III', an album that would prove to be a landmark in the growth of the new era Melodic Rock scene, particularly in Europe. Unfortunately, Dann's busy schedule along with the other members' commitments made the reunion impossible to carry on as had originally been planned; however, the vision of bringing GIANT back as a band with a recording and touring line-up was something that the band was still open to exploring, even if Dann had to step away.
Thus, original members, drummer David Huff and bassist Mike Brignardello, with the blessing of Dann started endless research for the right musicians that could be part of a renewed GIANT line-up. In the end, the choice fell on vocalist Terry Brock (ex-Strangeways) and guitarist John Roth (Winger, Starship).
The resulting album, 'Promise Land' soon became a fan favorite, showcasing top quality songwriting and performances. GIANT, however, went into hibernation again, with the exception of a one-off show in 2017, where the original band members reunited on a Nashville club stage for a charity event.
That event piqued fan interest and Frontiers and David Huff started talking again to see if they could manage to find the right formula for a new album from GIANT. When the Swedish bandPerfect Plan released a cover version of the GIANT’s original hit “Stay” in 2019, all the pieces of the puzzle started to fall into place.
Huff and Brignardello were keen on the idea of Kent handling lead vocals for the next GIANTrelease. Dann Huff gave his seal of approval, appearing on lead guitar on the single “Never Die Young”, which anticipated the successful release in 2022 of the 'Shifting Time' album.
GIANT are:
Kent Hilli - Lead Vocals
Jimmy Westerlund - Lead Guitar
Mike Brignardello - Bass
David Huff - Drums
GRIDIRON — Matthew Karll, vocals; Will Kaelin, guitar and vocals; Xavier Wilson, guitar; Lennon Livesay, bass; and Tyler Mullen, drums — will drop their new album Poetry From Pain. The album arrives May 30 via Blue Grape Music. It will be available on vinyl in several exclusive colorways. Pre-order it here.
A Stereogum fave for their "incendiary mosh riffs," the band has shared the visualizer for new single and album opener "26/9." Watch and listen below.
It's rife with Gridiron's hallmarks — hip-hop-inspired bounce and grooves, massive breakdowns, and a boatload of confidence and bravado.
"'26/9' is about always raising your personal bar, never settling, and continuing to level up and push yourself to the limit, something we set out to accomplish with this track and record," says Karll.
Once again — mission accomplished with Gridiron!
Gridiron, which originally formed as a pandemic project and have since grown into a full-fledged entity, features members of Never Ending Game, Simulakra, and Scarab, and connects the Philadelphia, Delaware, and Michigan areas.
Pushing every boundary to a breaking point, Gridiron will go to any extreme and then some. They follow quite possibly the most unpredictable playbook in the game. The band might flood the zone with a corpsepaint-smearing death metal barrage only to double back around for a victory lap narrated by blinged-out and braggadocios bars. Their hybridization of metal, hardcore, and hip-hop wouldn’t be out of place at either OZZfest 1997 or Rolling Loud 2027.
It's why the quintet have bulldozed their own path as a phenomenon with millions of streams and acclaim from Stereogum, Brooklyn Vegan, NO ECHO, and more.
Gridiron were born out of a series of COVID-era marathon Call of Duty sessions, which led to writing and recording together. Their musical pedigree spoke for itself with Will also in Never Ending Game, Xavier in Simulakra, and Tyler and Lennon in Scarab. Given their individual experiences, the guys instantly locked into a creative groove. Following the Loyalty At All Costs EP [2020] and Worldwide Brotherhood EP [2021], they dropped their first full-length, No Good At Goodbyes [2022]. Along the way, they also shared stages with everyone from Missing Link to Trapped Under Ice and have plenty of upcoming touring planned for 2025.
And now, Poetry From Pain is here and it slays.
Gridiron have a bunch of live shows on deck. All upcoming confirmed dates are below. The band was also just announced for Summer Slaughter in July. Those dates are also below.
GRIDIRON ON TOUR:
5/9 — Chicago, IL — Metro#
5/11 — Columbus, OH — Sonic Temple
5/13 — Atlantic City, NJ — Anchor Rock Club
5/14 — Virginia Beach, VA — Peabody's*
5/15 — Columbia, SC — New Brookland Tavern*
5/16 — Athens, GA — Georgia Theatre*
5/17 — Pensacola, FL — The Handlebar*
5/18 — Orlando, FL — Will's Pub*
5/19 — Surfside Beach, SC — The BrickHouse Lounge
5/20 — Raleigh, NC — Lincoln Theatre*
5/31-6/1 — Detroit, MI — Tied Down Detroit
6/7 — Philadelphia, PA — GRIDSTOCK at First Unitarian Church
6/21 — Rutherford, NJ — The Black Box at the Williams Center
#With Power Trip
*With Sanguisugabogg + 200 Stab Wounds
SUMMER SLAUGHTER 2025:
WITH HATEBREED, FUGITIVE, MALEVOLENCE, ESCUELA GRIND, + INCITE:
7/8 — St Petersburg, FL — Jannus Landing
7/9 — Atlanta, GA —The Eastern
7/11 — San Antonio, TX — Vibes
7/12 — Oklahoma City, OK — Diamond Ballroom
7/13 — Dallas, TX — Bomb Factory
7/15 — Indianapolis, IN — Egyptian Room
7/16 — Pittsburgh, PA — Stage AE
7/17 — Huntington, NY — The Paramount
WITH HATEBREED, FUGITIVE, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/18 — Springfield, MA — MassMutual Center
7/19 — Sayreville, NJ — Starland Ballroom
7/20 — Philadelphia, PA — Franklin Music Hall
7/22 — Charleston, SC — Music Hall
7/23 — Charlotte, NC — The Fillmore
WITH HATEBREED, BLEEDING THROUGH, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/25 — Rochester, NY — Water Street Music Hall
7/26 — Detroit, MI — Harpo;
7/27 — Milwaukee, WI — The Rave
7/28 — Grand Rapids, MI — Intersection
With his highly anticipated album Evangeline vs. The Machine arriving this Friday, May 2, Eric Church will bring the next chapter of his critically acclaimed live show to fans in major cities coast to coast as his Free the Machine Tour kicks off a run of 22 arena dates on Sept. 12.
“Eric Church in concert is as much a catharsis as a hell-raising Friday (or Saturday) night,” declares POLLSTAR, with Stereogum adding that he is “at the top of his genre because he breaks its rules in big, exciting arena-filling ways.” Praised by Forbes for his “leave-it-all-on-the-stage mentality,” Church will be joined across varying dates by special guests Elle King, Marcus King Band and Charles Wesley Godwin (support bios are available HERE).
“From front to back, these shows will be different than anything you’ve ever seen or heard from us before,” shared Church in a video message sent directly to Church Choir members. “I cannot wait to see you on the road for this tour.”
Tickets to most shows are available to the general public beginning next Friday, May 9 at 10 a.m. local time (with the Philadelphia date on sale May 16). As always, premium members of the Church Choir will have early access to tickets through the Church Choir presale beginning Monday, May 5 at 10 a.m. local time. Premium members should check their email for presale details and can log in at EricChurch.com or the official Eric Church app to access their unique codes. A registration presale via Seated, available to non-premium Church Choir members and the general public, kicks off Tuesday, May 6 at 10 a.m. local time. To register, please visit EricChurch.com and sign up for your desired date.
Having consistently taken industry-leading precautions to protect fans from scalpers, Church is reserving all pit tickets on the Free the Machine Tour for premium Church Choir members to ensure his most passionate and loyal fans are closest to the stage. Premium Church Choir members will receive request instructions via email. Pit tickets will be will-call only to deter resale (except where prohibited by state law).
The news of a tour comes just ahead of the imminent release of Church’s latest album, Evangeline vs. The Machine, available everywhere this Friday, May 2. Expanding the legacy of one of country music’s most fearless storytellers and anchored by lead single “Hands of Time” – which debuted as the most-added song at Country radio and earned Church a new personal record for first-week impact with 135 stations – the album is available to pre-order/pre-save HERE.
In addition to the tour kicking off this fall, Church will bring the new music and his esteemed catalog to life onstage with a run of high-profile shows this spring and summer, beginning with two To Beat The Devil residency shows at London’s revered Royal Albert Hall on May 16-17. He will then take over Nashville’s Pinnacle for a sold-out, two-night installment of Evangeline vs. The Machine Live on May 23–24. In July, he heads west for what has become a roughly once-a-decade experience at Colorado’s iconic Red Rocks Amphitheatre, where fans can expect a unique set each evening across three sold-out shows: Eric Church vs. The Machine; Eric Church vs. The ECB; and Eric Church vs. The Guitar.
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.
Free the Machine Tour
*on sale Friday, May 16 at 10 a.m. local time
Sept. 12 || Pittsburgh, Penn. || PPG Paints Arena || Elle King
Sept. 13 || Columbus, Ohio || Nationwide Arena || Elle King
Sept. 18 || Philadelphia, Penn. || Wells Fargo Center || Elle King*
Sept. 19 || Boston, Mass. || TD Garden || Elle King
Sept. 20 || Brooklyn, N.Y. || Barclays Center || Elle King
Sept. 25 || Green Bay, Wisc. || Resch Center || Marcus King Band
Sept. 26 || Milwaukee, Wisc. || Fiserv Forum || Marcus King Band
Sept. 27 || Des Moines, Iowa || Wells Fargo Arena || Marcus King Band
Oct. 2 || Detroit, Mich. || Little Caesars Arena || Marcus King Band
Oct. 3 || Lexington, Ky. || Rupp Arena || Marcus King Band
Oct. 9 || Indianapolis, Ind. || Gainbridge Fieldhouse || Marcus King Band
Oct. 10 || Grand Rapids, Mich. || Van Andel Arena || Marcus King Band
Oct. 11 || Cleveland, Ohio || Rocket Arena || Marcus King Band
Oct. 23 || Salt Lake City, Utah || Delta Center || Charles Wesley Godwin
Oct. 24 || Boise, Idaho || ExtraMile Arena || Charles Wesley Godwin
Oct. 25 || Spokane, Wash. || Spokane Arena || Charles Wesley Godwin
Nov. 6 || Vancouver, B.C. || Rogers Arena || Charles Wesley Godwin
Nov. 7 || Portland, Ore. || Moda Center || Charles Wesley Godwin
Nov. 8 || Seattle, Wash. || Climate Pledge Arena || Charles Wesley Godwin
Nov. 13 || Sacramento, Calif. || Golden 1 Center || Charles Wesley Godwin
Nov. 14 || Fresno, Calif. || SaveMart Center || Charles Wesley Godwin
Nov. 15 || Inglewood, Calif. || Intuit Dome || Charles Wesley Godwin
About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently celebrated the first anniversary Chief’s, his six-story venue on Nashville’s famed lower Broadway.
Tape Room Music is celebrating a company-wide standout afternoon at the 2025 Country Music Association Triple Play Awards, where five of its writers were honored with six awards at the April 29 ceremony, which recognizes the songwriters behind some of the genre’s most notable No. 1 hits.
Tape Room Music founder and most decorated recipient Ashley Gorley received his 25th and 26th CMA Triple Play Awards for six No. 1 hits within a 12-month period: “I Had Some Help,” recorded by Post Malone ft. Morgan Wallen; “Cowgirls,” recorded by Morgan Wallen ft. ERNEST; “Bulletproof,” recorded by Nate Smith; “Young Love & Saturday Nights,” recorded by Chris Young; “Love Somebody,” recorded by Morgan Wallen; and “I Am Not Okay,” recorded by Jelly Roll.
“I consider it a great privilege to be here,” Gorley remarked in his acceptance speech. “Our crew of writers had an amazing year. I’m super lucky to have these songs, but more than that, to get to publish these guys and be a part of their lives.”
Tape Room Music celebrated writers Zach Crowell (“God Gave Me A Girl,” recorded by Russell Dickerson; “Stars Like Confetti,” recorded by Dustin Lynch; “Outskirts,” recorded by Sam Hunt); Ben Johnson (“TRUCK BED,” recorded by HARDY; “Bulletproof,” recorded by Nate Smith; “Liar,” recorded by Jelly Roll); and Hunter Phelps (“TRUCK BED,” recorded by HARDY; “Take Her Home,” recorded by Kenny Chesney; “Bulletproof,” recorded by Nate Smith) were also honored, along with Taylor Phillips (“Thinkin' Bout Me,” recorded by Morgan Wallen; “World On Fire,” recorded by Nate Smith; “I Am Not Okay,” recorded by Jelly Roll), who received his first CMA Triple Play Award.
“It feels impossible to get a cut, then a single, then a No. 1, much less three in a year,” imparted Johnson. “I don’t really understand how that happens, but I am really grateful to my collaborators for writing these songs with me.”
“I didn’t realize how cool it was the first time I received one of these, but now I do. It seems like they are impossible to get, but it happens by being surrounded by awesome people and learning from the best,” acknowledged Phelps. “Thank you to everyone who has believed in me over the years, this is just a crazy thing. So thankful to be a part of the country music family, and thankful to be receiving this award.”
“I am so glad to be here tonight. This is something I always dreamed of since I started writing songs. I once didn’t believe this dream was reachable,” Phillips revealed while accepting his first CMA Triple Play Award. “Thank you to all my songwriters for writing songs with me, without you I wouldn’t be here.”
The CMA Triple Play Award is presented to songwriters who pen three No. 1 songs within a 12-month period based on the Country Aircheck, Billboard Country Airplay and Billboard Hot Country Songs charts. As part of CMA’s broader mission to honor excellence across the industry, the award underscores the vital role songwriters play in shaping the sound and success of Country Music. Through the Triple Play Awards and other awards and industry honors, CMA celebrates the individuals whose creativity and commitment continue to drive the genre forward.
Leading up to tonight’s awards, Tape Room Music had a landmark year as its writers dominated the Country Aircheck and Billboard Most-Heard Songs of 2024. With contributions from Casey Brown, Brad Clawson, Crowell, Gorley, Johnson, Wyatt McCubbin, Phelps and Phillips, Tape Room’s team continues to shape the sound of modern country music.
Tape Room Music celebrates six CMA Triple Play Awards.
Standing L to R: Tape Room Music President Blain Rhodes, Andy Sheridan, Taylor Phillips & Hunter Phelps
Sitting L to R: Tape Room Music Director, A&R Caroline Hodson, Ben Johnson, Tape Room Music Founder Ashley Gorley & Tape Room Music Manager, A&R Katherine Godwin
Tape Room Music 2025 CMA Triple Play Awards Recipients:
Ashley Gorley
“I Had Some Help,” recorded by Post Malone feat. Morgan Wallen (July 2024)
“Cowgirls,” recorded by Morgan Wallen feat. ERNEST (July 2024)
“Bulletproof,” recorded by Nate Smith (August 2024)
“Young Love & Saturday Nights,” recorded by Chris Young (September 2024)
“Love Somebody,” recorded by Morgan Wallen (October 2024)
“I Am Not Okay,” recorded by Jelly Roll (November 2024)
Zach Crowell
“God Gave Me A Girl,” recorded by Russell Dickerson (November 2023)
“Stars Like Confetti,” recorded by Dustin Lynch (November 2023)
“Outskirts,” recorded by Sam Hunt (April 2024)
Ben Johnson
“TRUCK BED,” recorded by HARDY (March 2024)
“Bulletproof,” recorded by Nate Smith (August 2024)
“Liar,” recorded by Jelly Roll (February 2025)
Hunter Phelps
“TRUCK BED,” recorded by HARDY (March 2024)
“Take Her Home,” recorded by Kenny Chesney (June 2024)
“Bulletproof,” recorded by Nate Smith (August 2024)
Taylor Phillips
“Thinkin' Bout Me,” recorded by Morgan Wallen (October 2023)
“World On Fire,” recorded by Nate Smith (December 2023)
“I Am Not Okay,” recorded by Jelly Roll (November 2024)
About Tape Room Music
Tape Room Music is an independent music publishing company founded by hit songwriter Ashley Gorley, where writers have celebrated 50 No. 1 songs, including 2021 ASCAP, BMI, and SESAC Country Song, “One Of Them Girls.” In 2022, Tape Room celebrated 8 weeks topping radio charts, with two year-end No. 1 songs. Ben Johnson’s “Take My Name” topped the year-end Billboard Country Airplay chart, while Hunter Phelps and Will Weatherly’s “Thinking ‘Bout You” led the Mediabase Year-End Country Airplay chart. Recent number-one hits include Nate Smith's 10-week smash “World On Fire,” HARDY's boundary-defying “TRUCK BED,” Morgan Wallen's 6-week chart topper “Thinkin’ Bout Me” and more. Tape Room Music writers continue to stretch the bounds of their abilities, spreading their talents across writing, producing and performing. Visit TapeRoom.com for additional information.
Emerging from the vibrant rock scene of Kelowna, British Columbia, FREEZE THE FALL is poised to unleash their compelling new EP The Red Garden on June 18, 2025, via 604 Records. Known for their gritty and introspective sound, this trio is ready to take their music to new heights with a project that weaves intricate tales through each track.
The Red Garden showcases a sophisticated fusion of heavy rock and narrative depth. Produced, mixed, and mastered by Jordan Chase at Oodelally Recordings, the album promises a deep dive into thematic richness, complemented by haunting visuals from album artist Kevin Moore of Soft Surrogate.
The journey begins with "Denial," a chilling instrumental that seamlessly transitions into "Rot," where medieval allegories collide with modern-day dilemmas of misinformation. "Hypothermia" follows, with bassist Aria Becker's intricate rhythms underpinning a narrative on the perils of digital anonymity.
Intensity mounts with "VHS," a track that draws from the horror genre to explore the dynamics of power and subjugation. Conversely, "Aurora" offers a melodic reprieve, reflecting on the universal ties that connect humanity through its ethereal sound and thoughtful lyrics.
The album continues to explore profound themes with "Oubliette" and "Lace." The former melds atmospheric tones with progressive elements, including a verse in French that accentuates its reflective mood. The latter, "Lace," closes the album on a poignant note, using sparse instrumentation to delve into themes of innocence lost and the harsh realities of growth.
This album, rich with thematic complexity and audacious musicality, invites listeners to traverse a landscape where music meets myth, emotion, and introspection. With The Red Garden, FREEZE THE FALL crafts an audial tapestry that is both haunting and deeply resonant, promising to leave an indelible mark on the hearts and minds of those who journey through its tracks. This isn't merely an album; it's an immersive experience designed to challenge, captivate, and inspire.
About FREEZE THE FALL:
Hailing from Kelowna, British Columbia, FREEZE THE FALL is a dynamic trio that has quickly carved a niche within the hard rock and metal scene. Formed in 2023, the band consists of Quinn Mitzel on guitar and vocals, Aria Becker on bass and backup vocals, and Jonah Goncalves on drums. Together, they bring a fresh fervor to the modern rock landscape, melding elements of metalcore, nu metal, and hard rock with a deeply narrative-driven approach to their music.
FREEZE THE FALL began making waves shortly after their formation. Their breakthrough came with a viral cover of THE WARNING’s “Evolve,” which caught the attention of both fans and industry insiders. This early success led to their debut single, "Glitch," in February 2024 and subsequently secured them a distribution deal with 604 Records. Their debut EP, Thrones, released in July 2024, showcased their ability to blend intense instrumentation with lyrical depth, earning them nominations for Best Music Video at the Okanagan Screen Awards 2025 for the singles "VHS" and "Hypothermia."
Inspired by the likes of BRING ME THE HORIZON, EVANESCENCE, and SPIRITBOX, FREEZE THE FALL crafts songs that explore the complexities of human emotion and societal issues. Their music features emotive vocals, thunderous bass lines, and blistering guitar riffs, paying homage to ‘90s grunge and ‘00s alt metal while pushing the boundaries with their modern sound.
The band’s creative process is marked by a collaborative spirit and a shared passion for storytelling through music. Each track they create is not just a song but a chapter in a larger narrative, exploring themes from misinformation and the impact of digital anonymity to personal introspection and societal critique.
With their second EP, The Red Garden, released in 2025, FREEZE THE FALL continues to expand their sonic landscape. This project dives deeper into experimental sounds and elaborate storytelling, weaving a tapestry of lore and emotional intensity that challenges the listener while providing a cathartic musical experience.
FREEZE THE FALL not only aims to make music that resonates on a personal level but also seeks to create a lasting impact, pushing the boundaries of rock music with every note and lyric. As they continue to grow and evolve, their journey is one of relentless creativity and a commitment to making music that matters.
FREEZE THE FALL is:
Quinn Mitzel: Guitar, Vocals
Aria Becker: Bass, Backup Vocals
Jonah Goncalves: Drums
Connect with FREEZE THE FALL:
In the heart of Chicago, amidst the city's vibrant cacophony, a ferocious new chapter is being written by BEAR MACE with their latest release, Slaves Of The Wolf. This third studio album, set to be unveiled on June 6, 2025, is a testament to the band's evolution and their unwavering commitment to the raw energy of death metal. For BEAR MACE, composed of Chris Scearce on vocals, Mark Sugar and Tommy Bellino on guitars, Garry Naples behind the drums, and John Porada on bass, this album is not just another collection of tracks—it's a narrative deeply rooted in the themes of warfare, survival, and the echoes of historical battles.
The journey of Slaves Of The Wolf begins with its opening track, an eponymous piece that channels the spirit of soldiers lost to the annals of history, their lives swallowed by the vast, cold embrace of war. This sets the stage for an album where each song weaves part of a larger, darker tapestry. From "Worthless Lives," which reflects on our dystopian reality with poignant lyrics and relentless riffs, to "Drown Them In Their Blood," a slower, heavier homage to the brutal necessities of war, the album crafts a compelling saga.
One of the standout tracks, "The Iceman Cometh," explores the chilling life of Richard Kuklinski with an intensity that matches the cold-blooded tales of his crimes. Meanwhile, "Captured And Consumed" features guest vocals by death metal pioneer Kam Lee from Massacre, adding a visceral layer to the haunting recount of WWII atrocities.
The production of the album, managed by the band and captured in the diverse acoustics of Hypercube Studios and Miracle On Mace Street Studios, showcases the meticulous care of engineer Sanford Parker and mixing and mastering by Damian Herring. This technical expertise ensures that each note and nuance is sharply delivered, from the guttural depths of Chris's vocals to the dual assault of Mark's and Tommy's guitars.
The visual representation of the album, crafted by artist Dedy Badic, mirrors the music's raw ferocity and historical depth, encapsulating the essence of BEAR MACE's narrative in a striking image that promises to resonate as powerfully as the music itself.
As Slaves Of The Wolf prepares for release, BEAR MACE is also gearing up to bring this new material to life on stages across the country. Known for their explosive live performances, the band promises to deliver shows that not only showcase their latest work but also highlight their growth as musicians and storytellers.
For fans old and new, Slaves Of The Wolf is more than just an album. It's an invitation to explore the depths of human history and emotion through the lens of BEAR MACE’s distinctive, relentless sound. As June approaches, the anticipation builds not just for a series of tracks, but for a powerful narrative set to be unleashed in the most explosive way possible.
About BEAR MACE:
Hailing from the robust metal scene of Chicago, Illinois, BEAR MACE has carved a formidable niche within the death metal genre since their inception in 2012. The band’s name, a nod to both ferocity and defense, perfectly encapsulates their sound: relentless, powerful, and unyielding. Comprised of vocalist Chris Scearce, guitarists Mark Sugar and Tommy Bellino, drummer Garry Naples, and bassist John Porada, BEAR MACE is a force to be reckoned with, known for their brutal riffs, historical and darkly imaginative lyrical content, and explosive live performances.
BEAR MACE's music is a deliberate throwback to the death metal of the late '80s and early '90s, drawing significant inspiration from the genre's pioneers like MASSACRE and BOLT THROWER. Their sound is characterized by a blend of raw aggression and meticulous craftsmanship, with themes that delve into historical wars, mythical narratives, and modern dystopias. This thematic depth sets BEAR MACE apart, as they weave intricate stories with each track, engaging listeners not just with sound, but with storytelling that invites reflection on the past and present.
Since releasing their first demo, Kodiak Killers, in 2014, BEAR MACE has consistently upped the ante with each subsequent release. Their debut album, Butchering The Colossus (2017), was a breakout success, establishing them as serious contenders in the metal community. This was followed by Charred Field Of Slaughter in 2020, an album that received acclaim for its intensity and complexity, further solidifying the band’s reputation.
Beyond their studio recordings, BEAR MACE is known for their dynamic live shows, which capture the band’s energy and technical prowess. They have shared stages with notable bands and played at major festivals, strengthening their presence in the metal scene. Their tour with death metal legends MACABRE in the summer of 2022, including a co-headlining spot at Into The Darkness Fest in Ohio, highlights their standing among contemporaries and legends alike.
The release of their third album, Slaves Of The Wolf, in 2025 marks another milestone for BEAR MACE. This album not only showcases their growth as musicians but also highlights a stable lineup that has been together for over five years. With Slaves Of The Wolf, BEAR MACE continues to push the boundaries of their sound while paying homage to the roots of death metal, crafting tracks that are both aggressive and deeply narrative.
As BEAR MACE continues to evolve and expand their auditory assault, their dedication to the craft and their fans remains unwavering. With a solid foundation and a clear vision, they are poised to remain a staple in the playlists of metal enthusiasts and a commanding presence on the global metal stage.
BEAR MACE is:
Chris Scearce - Vocals
Mark Sugar - Guitar
Garry Naples - Drums
John Porada - Bass
Tommy Bellino - Guitar
Connect with BEAR MACE:
Bandcamp: https://bearmace.bandcamp.com/
Facebook: https://www.facebook.com/bearmace1
Instagram: https://www.instagram.com/bearmace_metal/
YouTube: https://www.youtube.com/@bearmace8259
Spotify: https://open.spotify.com/artist/7bpYbAeJkSr4R95J9nVtLm
Apple Music: https://music.apple.com/us/artist/bear-mace/1212215294
NAILED TO OBSCURITY are excited to reveal the name and release date of their fifth studio album, Generation Of The Void, which will be out on September 5th, 2025 via Nuclear Blast Records. Alongside the announcement of the pre-order, a music video for the new single 'Overcast' has been unveiled.
NAILED TO OBSCURITY commented:
“We are beyond excited to finally share this with all of you. Generation Of The Void marks a new era for Nailed To Obscurity — heavier, darker, more dynamic than anything we've ever done before. This album is the result of years of evolution, and it's our most atmospheric and intense journey yet, pushing every boundary we’ve ever set for ourselves."
"'Overcast' captures the bleakness of a world in ruins — a driving, post-apocalyptic anthem with a haunting melody and an eruption of raw, relentless energy. It's a song about finding the strength to move on when everything familiar has turned to dust. We can’t wait to play this one live on our upcoming headline tour this fall!“
With Generation Of The Void, NAILED TO OBSCURITY have crafted their most mature and expansive album to date. The album reflects the turmoil of the post-pandemic era, the shadows of war in Europe, and the relentless changes affecting all of humanity. Beyond its political and social commentary, the album also dives deep into personal struggles, confronting themes of dark emotions, depression, and fear. Every note, every lyric carries the weight of uncertainty and disillusionment, while no one knows what one will find within the void or beyond.
The production quality on Generation Of The Void marks a significant step up, pushing NAILED TO OBSCURITY's sound to an entirely new level. This album also introduces a new dimension to the band's sonic identity, featuring an unprecedented balance between their signature crushing growls and a greater emphasis on clean vocals. While clean singing has always been part of their sound, Generation Of The Void takes it further—some songs feature only clean vocals, others are dominated by growls, and most strike a dynamic balance between the two.
Recorded between 2021 and 2024, the album sees the band reaching new creative depths. Guitars, bass, and drums were laid down at Woodshed Studios in Landshut, Germany, while vocals were recorded by Jacob Hansen at Hansen Studios in Ribe, Denmark. Additional elements, such as synths and extra guitar layers, were produced by Lamberti himself at the band’s headquarters in East Frisia. Production duties were shared between V. Santura, Jacob Hansen, and Lamberti, with Hansen handling the final mix and master, ensuring a sound that is both expansive and intimate.
The album’s artwork and layout were crafted by renowned artist Giannis Nakos, visually embodying the record’s dark and introspective themes.
PRE-ORDER / PRE-SAVE GENERATION OF THE VOID:
https://nto.bfan.link/generation-of-the-void
STREAM THE SINGLE 'OVERCAST':
https://nto.bfan.link/overcast
WATCH THE VIDEO FOR 'OVERCAST' BELOW:
NAILED TO OBSCURITY will embark on their first extensive European headline tour in autumn 2025, with guests YOTH IRIA (GR) and OAK, ASH & THORN (US). This tour will be a celebration of the band's 20th anniversary, which is due this year.
ABOUT NAILED TO OBSCURITY:
Formed in 2005 by guitarists Jan-Ole Lamberti and Volker Dieken, NAILED TO OBSCURITYstarted their journey as teenagers with an uncompromising vision. They released their independent debut Abyss in 2007, proving their resilience in an industry where many bands fade before they rise. With lineup evolutions in the early days and sonic transformations, the Germans honed their melancholic yet crushing sound, which reached new heights with Opaque (2013) and King Delusion (2017), released via Apostasy Records. These albums marked the first steps from a local underground act to a serious, globally touring band, following the arrival of vocalist Raimund Ennenga in 2012.
By 2018, NAILED TO OBSCURITY had earned a place among the greats, signing with Nuclear Blast and unveiling Black Frost in January 2019, an album that solidified their identity and positioned them on some of the biggest stages in Europe and North America. With bassist Lutz Neemann joining in May 2024, replacing long-time member Carsten Schorn, the current lineup was completed.
In 2022, NAILED TO OBSCURITY released the singles 'Liquid Mourning' and 'Clouded Frame', both of which are featured on Generation Of The Void. These tracks provided a glimpse into the band's evolving sound and set the stage for what was to come.
Now, after years of meticulous crafting and relentless touring, Generation Of The Void emerges as the next chapter—a visceral and evocative testament to the times.
NAILED TO OBSCURITY ONLINE:
https://linktr.ee/nailedtoobscurity
HATEBREED spent 2024 celebrating their 30th anniversary with several tours. It was par for the course with the Grammy-nominated, Connecticut hardcore icons, who are road warriors, in addition to being one of the most impactful and enduring bands of the modern era.
Today, the band proudly announces it is resurrecting the beloved and annual Summer Slaughter tour for 2025, which kicks off July 8 in St. Petersburg, Florida and runs through July 28 in Grand Rapids.
The Summer Slaughter brand built its reputation as a breeding ground for new talent and to showcase up and coming heavy bands, alongside established headliners. Hatebreed singer Jamey Jasta is breathing new life into this legacy brand and will continue the long-held tradition of giving a live platform to the absolute best up 'n' comers in the scene.
Support for this year's run will include Fugitive, Gridiron, Malevolence, Incite, Escuela Grind, and Snuffed on Sight on select dates. So the Summer Slaughter mission is clear: The best of the best.
Tickets go on sale on Friday, May 2 at 10am local time. Get tickets here or here.
"A new era of Summer Slaughter has begun," states Jamey Jasta. "Huge thanks to Ash and the Sumerian team for their belief and support. Myself and Sound Talent Group are excited to be working with them going forward and taking the tour worldwide. It's been years since Hatebreed has done a Summer tour in the U.S. and Summer Slaughter is the perfect return for us. The tour has always catapulted the newest and brightest talent to new heights and we'll be continuing in that tradition while expanding in size and scope. Let the slaughter begin AGAIN!"
"I've always wanted Hatebreed to headline Summer Slaughter since the inception of the tour many years ago," says tour founder and Sumerian Records' Ash Avildsen. "Jasta and the band have always curated and built community across different sub-genres in the world of heavy underground music like very few others have been able to. I am thrilled it's finally happening on Slaughter with Hatebreed at the top. Now is the time!"
With dozens of pit-stirring anthems across albums, Hatebreed have built their reputation through decades of ruthless breakdowns and an Iron Man touring ethic, consistently selling out shows the world over. Over the course of its career, the band has gone from playing basements and backyards to being a featured, must-see attraction on countless festivals like Graspop, OzzFest, Warped, and Download, alongside massive high-profile tours.
Described by Forbes as "more relevant than ever in the metal and hardcore community," the quintet remains one of the most definitive live acts in music today and recently celebrated a milestone with their track "Looking Down The Barrel Of Today," which surpassed 90 million global streams on Spotify, making it their single biggest career streaming track of the modern era. To date, Hatebreed have sold over 1.5 million albums in North America alone.
Hatebreed's most recent album, 2020's Weight of the False Self, was praised as a "return to their hardcore roots" by Brooklyn Vegan. The album was deemed "one of their most aggressive to date" by Consequence and "pummeling" by Revolver, while Psychology Today called it "a blazing combination of extreme metal and hardcore punk." Hatebreed remain one of the most vital bands in the hard rock scene.
HATEBREED ON TOUR:
SUMMER SLAUGHTER 2025:
WITH FUGITIVE, MALEVOLENCE, GRIDIRON, ESCUELA GRIND, + INCITE:
7/8 — St Petersburg, FL — Jannus Live
7/9 — Atlanta, GA — The Eastern
7/11 — San Antonio, TX — Vibes Event Center
7/12 — Oklahoma City, OK — Diamond Ballroom
7/13 — Dallas, TX — The Bomb Factory
7/15 — Indianapolis, IN — Egyptian Room at Old National Centre
7/16 — Pittsburgh, PA — Stage AE
7/17 — Huntington, NY — The Paramount
HATEBREED WITH LAMB OF GOD + SHADOWS FALL (NOT PART OF SUMMER SLAUGHTER):
7/18 — Springfield, MA — MassMutual Center
WITH FUGITIVE, MALEVOLENCE, GRIDIRON, SNUFFED ON SIGHT, + INCITE:
7/19 — Sayreville, NJ — Starland Ballroom
7/20 — Philadelphia, PA — Franklin Music Hall
7/22 — Charleston, SC — Charleston Music Hall
7/23 — Charlotte, NC — The Fillmore Charlotte
HATEBREED WITH WITH LAMB OF GOD + GWAR (NOT PART OF SUMMER SLAUGHTER):
7/24 — Richmond, VA — Allianz Amphitheater at Riverfront
WITH BLEEDING THROUGH, MALEVOLENCE, GRIDIRON, SNUFFED ON SIGHT, + INCITE:
7/25 — Rochester, NY — Water Street Music Hall
7/26 — Detroit, MI — Harpos
7/27 — Milwaukee, WI — The Rave
7/28 — Grand Rapids, MI — The Intersection
HATEBREED ARE:
Jamey Jasta — Vocals
Wayne Lozinak — Guitar
Frank Novinec — Guitar
Matt Byrne — Drums
Matt Bachand — Touring Bass
Swedish thrash pioneers and purveyors THE HAUNTED continue to scorch the earth with their upcoming tenth studio album, 'Songs of Last Resort,' to be released worldwide on May 30, 2025 via longtime partners Century Media Records. The band is now unleashing the blistering new single, “In Fire Reborn," along with a music video, which was directed by Patric Ullaeus / (In Flames, Arch Enemy, Dimmu Borgir, etc.). The clip can be found below.
THE HAUNTED vocalist Marco Aro comments about the track, “This is the second single off the album 'Songs of Last Resort.' The song is called 'In Fire Reborn' and it’s a more classic THE HAUNTED sounding song with the aggression turned up to 11…just in case you missed the memo on our previous single!”
Guitarist Jensen adds, "A classic THE HAUNTED 6/8 beat song. I wrote the start, verses and ending of the song, but it wasn't until Jonas wrote the chorus when 'In Fire Reborn' really bloomed out. I believe this could also easily become a fan favorite, just like it has become one of the band's favorite songs on the album. The lyrics are, just like with 'Warhead,'' also along the topic of war, but this time from a soldier's perspective."
The previously released video for the album’s opening track, “Warhead,” can still be seen HERE.
With music recorded by Oscar Nilsson at Studio Bohus, main vocals recorded by Björn Strid at The Cellar Studio, 'Songs of Last Resort' was then mixed and mastered by Jens Bogren at Fascination Street Studios (Kreator, Arch Enemy, Sepultura, etc). Artwork was once again provided by longtime visual collaborator Andreas “Diaz” Pettersson. Pre-orders are now live HERE.
The album artwork for 'Songs of Last Resort' was created by Andreas “Diaz” Pettersson and can be found below along with the tracklisting.
Lineup:
Ola Englund – rhythm & lead guitar
Jonas Björler – bass, backing vocals
Marco Aro – lead vocals
Adrian Erlandsson – drums
Jensen – rhythm guitar
Cover Artwork: Andreas “Diaz” Pettersson
Music recorded by Oscar Nilsson at Studio Bohus
Main vocals recorded by Björn Strid at The Cellar Studio
Mixed and mastered by Jens Bogren at Fascination Street Studios
'Songs of Last Resort' will be available as Ltd. CD Mediabook & Poster (Incl. the bonus track “Feeding the Furnace” (02:32)), as Standard CD Jewelcase, as Digital Album and as 180g. LP & Poster in the following variants:
- Black LP & Poster (Unlimited)
- Ltd. transp. red LP & Poster (500x copies, available from www.cmdistro.de & various other retailers)
- Ltd. transp. petrol green LP & Poster (300x copies, available from various retailers in Europe)
Follow/Stream:
Today, British rock icons SKUNK ANANSIE have released their brand new single, "Animal"! Electronically driven, dark and moody, it has proved an absolute smash hit on the band’s recent sold-out UK & European tour. It possesses an instant classic chorus that has seen fans chanting along within moments of first hearing it. The song is the latest track to be taken from the band’s forthcoming album 'The Painful Truth,' out on May 23 via FLG.
The on-stage performance video for "Animal" is an intense blur of close-up imagery, flashing lights, and treated visuals that capture the claustrophobic tension and pulsating drama that drives the song along. It was filmed on tour by the band’s videographer India Fleming and edited by Shea McChrystal.
Skin comments:
“So delighted for this track to finally be released as it was a fan fave during the tour and went down a storm! Hope you all like it too.”
Watch the Music Video for “Animal” Below":
'The Painful Truth' is a truly mesmerising, provocative, powerful, and emotional album demonstrating a band at the absolute peak of their powers, yet with everything to prove. It is the sound of SKUNK ANANSIE facing up to who they are and what they want to become. It is more than an album title. It is a reality that they have lived through.
A radical record made for these uncertain times, 'The Painful Truth' is SKUNK ANANSIE’s first release on the newly formed FLG Records, and it comes with a freshness that belies their storied career and previous multi-platinum achievements. It’s a record that will see SKUNK ANANSIE reclaim their place as one of the most exciting, visionary, and important bands in British music.
Having just completed the aforementioned UK & European tour, the band has been announced as the headline act for The Independent newspaper’s stage at The Great Escape Festival on Friday, May 16. Taking place at The Old Market, it shines a spotlight on groundbreaking artists, and there is no better example of that than SKUNK ANANSIE, who are globallycelebrated for addressing political and social issues through their music, breaking racial and gender barriers in rock. Their influence extends beyond music, contributing to discussions on identity, equality, and activism.
SKUNK ANANSIE will also be playing a very special headline show near Bristol on the day of the album release (May 23rd). It takes place at Good Times at The Ridings, Chipping Sodbury, and the band will be supported by Republica (tickets HERE)
The band has another run of huge European headline shows this summer before appearing as Special Guests in the UK at the two outdoor Smashing Pumpkins shows in August.
Aug 10th London, Gunnersbury Park w/ Smashing Pumpkins
Aug 14th Colchester Castle Summer Series w/ Smashing Pumpkins
About SKUNK ANANSIE:
SKUNK ANANSIE, formed in 1994 in London, is a seminal band, one of the first multi-racial British rock bands, who are known for their powerful sound and thought-provoking lyrics. Fronted by the charismatic and dynamic vocalist Skin, the band blends alternative rock with elements of punk and metal. They remain one of the most important and influential bands of their era.
Their debut album 'Paranoid & Sunburnt' (1995), and its follow up 'Stoosh' (1996) both hit the Top 10 album chart in the UK and with hits like "Weak" and "Hedonism," they established themselves on the international stage, helped by their stunning live performances. In 1999, SKUNK ANANSIE closed the decade out in style by releasing their third studio album, 'Post Orgasmic Chill' and headlining Glastonbury Festival, before surprisingly going on a lengthy hiatus in 2001.
The band reconvened in 2008 to embark on the second chapter of their career, releasing three acclaimed albums - 2010’s 'Wonderlustre,' 2012’s 'Black Traffic,' and 2015’s 'Anarchytecture.' In 2019, the band marked their 25th anniversary with '25LIVE@25,' a live album that brings together the greatest songs from their six studio albums.
Throughout their career, SKUNK ANANSIE has sold over five million records globally. The band’s international prominence continues to thrive today, selling out live arenas and headlining festivals across the continent.
SKUNK ANANSIE is celebrated for addressing political and social issues through their music and breaking racial and gender barriers in rock. Their influence extends beyond music, contributing to discussions on identity, equality, and activism.
Looking back on a more than 30-year long career, GOTTHARD still remain relevant: TV appearances at “Sing meinen Song - Das Schweizer Tauschkonzert,” all-embracing media presence around the globe, and especially their chart-storming new album Stereo Crush keep the band in the talks. After fans received the three previously released singles "Boom Boom," "Thunder & Lightning" and "Rusty Rose" with open arms, there seems to be yet another track on the album which has entered their hearts right away. Closing in on the mentioned tracks, most notably on streaming platforms, is "Burning Bridges," and that’s why GOTTHARD are even more pleased to present a music video for this evident new fan favourite today.
Vocalist Nic Maeder, who also wrote the song, comments: “This track is about the thrill of non-conformity and the moment you walk away from what’s expected of you: because freedom tastes better than approval. Don’t play it safe, move on and burn the bridge to a new world after crossing it. ‘Burning Bridges’ is dedicated to all those who don’t fit in - and don’t want to!”
Watch the video Below:
With their latest offering Stereo Crush, GOTTHARD reached the top of the official album chart for the 17th time (and for the 13th time in a row!) in their home country Switzerland.
Guitarist Leo Leoni states: “We’re absolutely thrilled! This is our 17th album hitting #1 in Switzerland! Trends fade, but rock never dies. Thanks to our fans, some of whom have been supporting is for over 30 years! Let’s keep on rocking!”
“This album has become so special because of YOU - our amazing fans who love our music! Your incredible support has once again taken us to the top of the charts. Thank you from the bottom of our hearts!” adds Maeder.
The band’s Austrian (#7) and German (#11) fan bases also gave them plenty of reason to celebrate in recent days.
GOTTHARD will present Stereo Crush live on stage from May 20 on: Mainly leading them to Germany, Austria and - of course - Switzerland, but stops in Italy (Alcatraz, Milan), Sweden (Sweden Rock Festival, Sölvesborg), and Spain (Z! Live Rock, Zamora) are also part of the upcoming routing. All dates and ticket info can be found below!
Order & listen to Stereo Crush: https://gotthard.rpm.link/stereocrushPR
Stereo Crush was produced, recorded and mixed by long-time producer Charlie Bauerfeind, who’s known for his work with the likes of HELLOWEEN and BLIND GUARDIAN, alongside co-producer and founding member Leo Leoni at Yellowhouse Studio. Mastered by Sascha “Busy” Bühren (TrueBusyness), artwork was once again provided by Thomas Ewerhard (AVANTASIA etc.).
About GOTTHARD
With meanwhile 17 number one albums, a Diamond Award for selling over one million units in Switzerland, and multiple platinum records, including their quadruple platinum album Homerun, GOTTHARD have an unmatched legacy of successes, rounded off by over 3.5 million units sold worldwide and more than 2,000 live performances. Their tracks like "Heaven," a platinum single, and seven top 10 singles have cemented the band in the international music scene.
GOTTHARD are:
Nic Maeder | vocals
Leo Leoni | guitars
Freddy Scherer | guitars
Marc Lynn | bass
Flavio Mezzodi | drums
More on GOTTHARD:
gotthard.com | Linktree | Facebook | Instagram | X | TikTok | YouTube | Spotify | RPM
Iconic Manchester indie rockers The Speed Of Sound present their new single 'Tranquility Falls', a transcendent power-pop meets indie-rock anthem where soaring guitars weave through an enveloping inner peace, connecting you to the universe in a moment of uplifting and all-embracing serenity.
This is the latest gem from their ambitious mega-album trilogy 'A Cornucopia: Minerva, Victory, Bounty', available in multiple formats via Californian cult label Big Stir Records.
The Speed of Sound is made up of father and son John Armstrong (guitars and vocals) and Henry Armstrong (keyboards), Ann-Marie Crowley (vocals and guitar), Kevin Roache (bass guitar) and John Broadhurst (drums). Launched in 1989 with music that is idiosyncratic and counter-intuitive, The Speed of Sound creates music with lyrical bite, expanding their foundation of 1960s, punk and new wave influences, their dynamic and stylistic variation crossing borders and pushing boundaries at every opportunity.
"Transcendent and fulfilled, 'Tranquility Falls' describes the moment when an enveloping inner peace descends, becoming at one both internally with the immediate surroundings and also with the wider outside world - largely possible through looking further afield in the context of the whole universe or by focusing on the minute detail," says John Armstrong.
"Uplifting and joyous, it revels in serenity, but this is an all embracing serenity with a booming heavy bass and entwined guitar lines expanding and echoing through space rather than a mere silent mindfulness exercise."
The band also recently took us on an audio-visual joyride on 'SS-100-X', titled after the codename for the presidential car that fateful day of JFK's assassination in Dallas, 'Permafrost' and 'Eight Fourteen Monday', which explores themes of isolation, detachment, and the contrast between superficial politeness and genuine emotion..
With overlapping themes of independence - both culturally and artistically - each disc of the 'A Cornucopia' trilogy has its own vibe and personality: 'Minerva' is belligerence in musical form, 'Victory' is a manifesto of artistic creativity and 'Bounty' represents the fruits of artistic freedom, all taking place far from the grasping tentacles of the ‘music industry’.
'A Cornucopia' began with the band’s own love of the album format and a determination to make long-form music rather than merely produce a conveyor belt of unrelated singles. The interlocking themes of 'A Cornucopia' are deliberately made for album listeners to enjoy, each disc being its own standalone entity while also forming part of the larger whole trinity.
Full of ambition, energy and melodic brilliance, this three-album deluxe edition is available on vinyl and CD. Beginning with the 'Minerva' album, The Speed of Sound shared a rich bouquet of thought-provoking compositions, including the hauntingly spacious 'Trickledown', the stratospherically vast 'The Great Acceleration', the uplifting 'Mind Palace' and 'West Wind', where a recklessly fast rhythm merges with a Wagnerian horn section.
The 'Victory' album then brings 14 fresh and unexpectedly shape-shifting grooves, from the supremely danceable 'Underground', the unabashed sensuality of 'Monsoon', gothic lounge jazz of 'Permafrost', the glam-rocking 'E to F', reckless garage punk punch of 'Go For It', post-nostalgia of 'The Same River' and triumphant shimmering elegance of 'Tranquility Falls' to the strangely linked pairing of 'Apocalypse Acropolis'and 'Apocalypse Metropolis'.
The ’Bounty’ album adds to this with another ten ranging from the crunching garage rock of 'No Kicks' to the haunting floating melody of 'Virtual Reality123', acoustic driven rave-up of 'Replicant' and bouncing energy of 'Artificial Paradise'.
Marking their 35th anniversary, 'A Cornucopia' trilogy follows their 2021 critically acclaimed album 'Museum Of Tomorrow', returning triumphant, defiant and redemptive. Most music is never even recorded, and most recorded music remains unheard. ‘A Cornucopia’ is a celebration of all unheard underground music and the whole counterculture itself - music made for the pleasure of making it.
‘A Cornucopia’ is out now and available everywhere, including Apple Music, Spotify and Bandcamp, Physically the full trilogy 'A Cornucopia: Minerva, Victory, Bounty' can be ordered on both CD and vinyl at https://www.thespeedofsounduk.com/shop-2
CREDITS
All songs written by John Armstrong
Recorded, Mixed & Mastered at Vibratone Sound Studio in Manchester
by Chris Guest, Adam Crossley & The Speed of Sound
John Armstrong - guitars and vocals
Ann-Marie Crowley - vocals and guitars
Kevin Roache - bass guitar
John Broadhurst - drums
Henry Armstrong - keyboards
Bob Dinn - trumpet and flugelhorn
Chris Guest - harmonium, vibraphone, organ, assorted shakers, tambourine.
Alex Armstrong - typewriter on 'Yet Another Tuesday'
‘Voices’ on 'Mind Palace': Janet Stacey Dando, Henry Armstrong, Nick Frater, Jason Edge/The Electric Stars, John Broadhurst, Mark Britton/Amoeba Teen, Janet Armstrong, Louise Turner, Peter Watts & Ruth Rogers/Spygenius and Kevin Roache, plus Ivy Frater (heartbeat).
Main sleeve image: Purple Spaceman © Lina Landers 2022
Band photographs by Shay Rowan
Publicity by Shameless Promotion PR
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As a year of exponential growth continues, rising country sensation Maddox Batson announces the headlining I Need A Truck Tour – adding more than two-dozen dates to his busy fall schedule.
Tickets are available via exclusive artist presale beginning today at 1 p.m. local time, while venue and local-market presales open tomorrow (4/30) at 1 p.m. local time, followed by an exclusive Spotify presale beginning Thursday (5/1) at 1 p.m. local. Any remaining tickets will go on sale to the general public Friday (5/2) at 1 p.m. local time the same day his deluxe EP, First Dance (The After Party) drops featuring “I Need A Truck” via Warner Records. Pre-order / pre-save First Dance (The After Party) HERE.
“It’s wild to be 15 and releasing a song about the anticipation of my first truck at the same time I’m announcing a tour – my family is good about reminding me to live in the moment and really take it all in, and I promise you I am,” shares the multi-instrumentalist. “The band and I had the best time on the Road to Indio Tour and this last weekend at Stagecoach was sick – I was there just one year before as a fan in the crowd for Jelly Roll, so to play a tour that wrapped with a set there was a dream come true. As long as y’all keep showing up, so will we – we have the best fans in the world!"
Kicking off on September 7 in Richmond, Virginia, the I Need A Truck Tour will feature 29 dates across the U.S., with stops stretching from Orlando, Florida, to Milwaukee, Wisconsin, and beyond. The extensive trek will include shows in Myrtle Beach, South Carolina (at House of Blues), Kansas City, Missouri (at The Truman), Philadelphia, Pennsylvania (at Brooklyn Bowl), Boston, Massachusetts (House of Blues) and many more, before wrapping with a homecoming show on November 2 in Birmingham, Alabama (at Avondale Brewing Company).
All along the way, fans will be treated to electrifying performances from one of Country’s brightest young stars, who represents the start of a new creative generation.
“Come out and we’ll all have X’s on our hands at Avondale,” he says, in closing!
Dates and venues for Maddox Batson’s I Need A Truck Tour:
September 7 – Richmond, Virginia @ The National
September 14 – Oxford, MS @ The Lyric
September 17 – Orlando, FL @ House of Blues
September 19 – Jacksonville, FL @ Ponte Vedra Concert Hall
September 20 – LaGrange, GA @ Sweetland Amphitheater
September 21 – Myrtle Beach, SC @ House of Blues
September 23 – Columbia, SC @ The Senate
September 24 – Greenville, NC @ State Theatre
September 26 – Greensboro, NC @ Piedmont Hall
September 27 – Charlotte, NC @ The Fillmore Charlotte
September 28 – Norfolk, VA @ The NorVa
September 30 – Lexington, KY @ Manchester Music Hall
October 1 – Knoxville, TN @ The Mill & Mine
October 4 – Fayetteville, AR @ JJ's Live
October 5 – Oklahoma City, OK @ Tower Theater
October 7 – Kansas City, MO @ The Truman
October 9 – Milwaukee, WI @ The Rave
October 10 – Des Moines, IA @ Wooly's
October 12 – Omaha, NE @ SteelHouse
October 14 – Grand Rapids, MI @ Elevation
October 21 – Pittsburgh, PA @ Stage AE
October 22 – Philadelphia, PA @ Brooklyn Bowl
October 24 – Huntington, NY @ The Paramount
October 25 – Wallingford, CT @ The Dome at Oakdale
October 26 – Boston, MA @ House of Blues
October 28 – Sayreville, NJ @ Starland Ballroom
October 29 – Silver Spring, MD @ The Fillmore Silver Spring
November 1 – Brandon, MS @ City Hall Live
November 2 – Birmingham, AL @ Avondale Brewing Company
Mixing classic country storytelling and swagger with southern rock energy, pop palatability, and distinctive grooves, Batson is a 15-year-old singer-songwriter born just outside Nashville, and raised in Alabama.
With the instinctive ability to blend classic country roots with a fresh, modern twist, his I Need A Truck Tour follows the highly anticipated First Dance EP – available now via Prosper Entertainment / Warner Records with the Deluxe (The After Party) out Friday – and arrives as the multi-instrumental newcomer captivates audiences everywhere, with heartfelt storytelling and a signature sound.
Batson first connected with fans through standouts like “Tears In The River” and “I Wanna Know,” and has gone on to release hits such as “I Don’t Like You Anymore” (1 million Spotify streams and 2.6 million YouTube views), and “X’s” (5 million+ Spotify streams and 11 million YouTube views).
The I Need A Truck Tour will build on a year of massive shows for the rising star from his Road to Indio Tour. After making his Grand Ole Opry debut in March and appearing at Stagecoach Music Festival in April, Batson will join Lainey Wilson’s Whirlwind Tour for select dates in September and October.
Previously Announced 2025 Shows:
May 18 || New York, NY || Irving Plaza (rescheduled)*
June 28 || Fairfield, CA || Vineyard Jam 2025
July 20 || Valparaiso, IN || Porter County Fair
Aug 10 || West Chester Township, OH || Voices of America Country Music Fest
Sept 11 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 12 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 13 || Bossier City, LA || Brookshire Grocery Arena^
Oct 2 || Nashville, TN || Bridgestone Arena^
Oct 16 || St. Louis, MO || Hollywood Casino Amphitheatre^
Oct 17 || Rosemont, IL || Allstate Arena^
Oct 18 || Saint Paul, MN || Xcel Energy Center^
*SOLD OUT
^Lainey Wilson Support Dates
About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
With the arrival of his latest single, “Girl In Green” and his EP First Dance, Batson is ready to show the world what he can create, all while embarking on sold-out live shows across the country, making his debut appearances at Stagecoach Music Festival and the Grand Ole Opry, and preparing more new music — First Dance (The After Party) out May 2. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin), who has fully embraced his next- up status in country-pop music. “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. More at MaddoxBatson.com.
Cosmic metal pioneers ENSLAVED will make their anticipated return to North America in May for a trio of extraordinary shows featuring hand picked support acts and distinct set lists.
Commenting on the dates, founding guitarist Ivar Bjørnson says:
"Greetings from the western mountains of Norway, as one does. We're getting close to May, and that means Enslaved is coming back to North America. Not a moment too soon, if you ask us. We're going to start off in Montreal on May 12th with special guest Spectral Wound. The day after, May 13th, we're hitting New York with the Infinity Ring as our special guest. Then on May 16, the day before the Norwegian National Day of all things, we'll be at the legendary Milwaukee Metal Fest for the first time. We have special guests. We have special set lists. Yes, we have it all now. We want to see you there."
ENSLAVED North American Dates:
May 12 - Montreal, QC - Beanfield Theatre (w/Spectral Wound)
May 13 - New York, NY - Gramercy Theatre (w/The Infinity Ring)
May 16 - Milwaukee, WI - Milwaukee Metal Fest
VIP Tickets: https://tix.soundrink.com/tours/enslaved
Tickets: https://enslaved.no/tour/
ENSLAVED is currently on tour in support of their latest avant-garde creation Heimdal. Stream the Deluxe Edition of the record here: https://enslaved.bfan.link/heimdal-deluxe.ema
Heimdal (Deluxe) includes the studio album in full, as well as alternative versions of two album tracks 'Forest Dweller' and 'Congelia', both with sublime performances from renowned cellist Jo Quail, bonus track 'Gangandi', plus the entirety of 'The Otherworldly Big Band Experience' - Enslaved's stunning 2022 streaming event featuring fellow psychedelic Norwegian prog band Shaman Elephant.
Enslaved's latest studio album Heimdal (released March 2023) is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. It's a record that points towards new beginnings, and a dawn that’s on the other side of the apex of the land. A psychedelic journey through arcane Norse folklore, connecting with one's ancient ancestors and our future selves.
'The Otherworldly Big Band Experience' was an Enslaved show like none other, their biggest, boldest project to date - a colossal, kaleidoscopic stage show featuring a stellar setlist covering their career, both past and present. Including some tracks never previously performed live.
Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene's indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.
Enslaved are a band in stellar form - a band at its most existentialist and self-conscious, proud Bergeners bearing the torch of their hometown’s extraordinary musical history. Their most recent material shows Enslaved at their most unleashed and thought-through - a lethal combination unfurling a potential that’s easily rekindling the furor of their early works while dancing gracefully through their most ambitious, most haunting and most musical tunes yet. A contradiction? Life itself is a contradiction. And yet we all live to prove it wrong.
Enslaved are:
Ivar Bjørnson | guitars
Grutle Kjellson | vocals
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards, clean vocals
Iver Sandøy | drums
Bring Your Own Hammer (BYOH), in collaboration with Peckham-based label Dimple Discs, has announced the forthcoming vinyl release of the ambitious Irish music compilation 'My Grief on the Sea'. Bringing some of Ireland’s and Britain’s finest songwriters together with historians to create new and original song cycles based on historical sources and to interpret song material rooted in the history of 19th-century Ireland and of the Irish Diaspora.
Not a band, nor a group, an ensemble or even a collective, Bring Your Own Hammer is a faction but, unlike 19th century Irish factions (who met, armed with sticks and two-handed wattles in fairs and markets), BYOH is armed with voices and instruments and dedicated, as no faction before, to the re-interpretation of historical material in song form.
‘My Grief On The Sea’ is dedicated to Cathal Coughlan, one of Ireland’s most revered singer-songwriters and frontman of acclaimed 80s-90s groups Microdisney and Fatima Mansions). The first vinyl LP to be released through BYOH, this album is brimming with contributions from superb artists, including Linda Buckley, Cathal Coughlan, Adrian Crowley, Eileen Gogan, Carol Keogh, Michelle O’Rourke, Brigid Mae Power, Michael J Sheehy, Mike Smalle and Jah Wobble,
This is a collection of songs about the sea, maritime voyages, and migration to and from Ireland during the 1800s. These songs criss-cross the Atlantic, following the remaining threads of lives shaped, in one way or another, by the sea. In 'Golden Streets, Bitter Tears' by Adrian Crowley with Brigid Mae Power, for instance, lines written in the letters of migrants to North America are matched with beautiful melodies.
You will hear the echoes of words from a bog in Co. Roscommon, sung in grief for a lost lover, who has departed overseas in the decades after the Famine (on the beautiful title track, Michelle O’Rourke’s ‘My Grief on the Sea’). Imagine yourself with Carol Keogh on the quays of New Ross in 1849, as Biddy and Catherine Keogh depart for New York (on the stunning ‘A Pair of Packed Valises (before the Dunbrody), 1849’) or picture yourself crossing the Atlantic in 1881 on a ship with Mary Connaughty (on the melancholy and haunting ‘Old Oak Road’ by Mike Smalle with Cathal Coughlan and Jah Wobble).
Join Cathal Coughlan and Linda Buckley on the roads of Co. Carlow, during the 1832 cholera epidemic, as a man called Crowley returns to Ireland after thirty years at sea (on the complex and poignant ‘The Man with Open Arms’). Sail the high seas with Eileen Gogan and Neil Farrell disguised as a cabin boy (on the sad and beautiful ‘Female Cabin Boy’) or stand with Tony Higgins and Agu on the quays of Dublin as the multitudes depart during the Famine (on the vibrant yet melancholy ‘Embarkation’).
Mike Smalle and Wally Nkikita trace Joseph Keys’ journey to Ireland from the time he leaves his life of enslavement in Virginia to his departure, from Baltimore, on board a ship across the Atlantic in early 1844 (on the melodious and tragic ‘Over the Ghosts’). Contemplate the rumble and power of the sea with Mike Smalle (on the sparkling track, ‘The Oscillating Sea’). Finally, imagine Marie and her lover swimming off the coast of Ireland as the effects of the Famine drive people from the land and towards the sea (on the starkly beautiful ‘The Weight of Water’ by Michael J. Sheehy).
This album is curated by Dr. Richard Mc Mahon, lecturer in History at MIC, Limerick, who explores forms of invented history that expose the villainy of the Irish race, both on the island and overseas, with support from Dr. Niall Whelehan, senior lecturer at the University of Strathclyde in Glasgow, who has written widely on the history of modern Ireland and the Irish diaspora with a focus on the 19th century.
As of June 6, 'My Grief on the Sea' will be released on limited edition vinyl with a lovely gatefold sleeve and 12-page booklet with credits and mini-essays on these songs. It will be available via Bandcamp, where the digital and CD versions can already be had.
PARTICIPATING ARTISTS
- Agu is a singer, songwriter and music producer with Polish and Czech roots now living in Galway.
- Linda Buckley is an Irish composer who has written extensively for orchestra (BBC Symphony Orchestra, RTÉ NSO), with an interest in merging her classical training with the worlds of post punk, folk and electronica.
- Cathal Coughlan, originally from Cork, was a founder and singer of acclaimed 80s/90s groups Microdisney and Fatima Mansions, and is widely considered to be one of Ireland’s most revered singer/songwriters, beloved by fans of caustic literate lyricism and erudite songcraft.
- Adrian Crowley is a songwriter, singer, composer and performer, originally from Galway and now based in Dublin.
- Neil Farrell is a musician, songwriter, and producer from Galway, Ireland and a founding member of the Galway band, Toasted Heretic.
- Eileen Gogan is a singer, songwriter and producer who lives in Dublin, Ireland. She has also performed with some of Ireland’s most noted bands (The Would Be’s, The Drays and Microdisney).
- Tony Higgins is a composer and musician from Galway, Ireland.
- Carol Keogh has been part of the independent music scene in Ireland since her first band The Plague Monkeys garnered critical acclaim for their debut EP Navigator in 1997 and album Surface Tension (1998).
- Michelle O’Rourke is a singer based in Dublin. Empowered by a background in Baroque vocal music, and ever-fascinated by the role of voice in the ritual of performance, Michelle maintains a diverse portfolio of work: from contemporary classical music, to devised interdisciplinary projects, to holistic vocal coaching.
- Wally Nkikita (Aka DJ Wally) is an artist, originally from Kinshasa in the Democratic Republic of Congo, based in Galway city. He is a founder member of Galway African Diaspora-Ireland, a community group, leader of Galway Sonke Multicultural Choir and he plays an essential role in the evolution and promotion of African culture in Galway city.
- Brigid Mae Power is an Irish singer, songwriter and musician. She has produced four solo albums since 2016.
- Michael J. Sheehy makes music as a solo artist and as part of the rock band Miraculous Mule as well as one half of psychedelic electronic duo United Sounds of Joy. In 2020 he released his critically acclaimed solo album Distance Is The Soul of Beauty, his first in a decade.
- Mike Smalle is a musician, songwriter and producer from Galway, Ireland. He has released 8 albums to date under various guises. 2021 saw the release of his first album under his own name (Pagan Pulse).
- Jah Wobble is a well-known bass player who famously launched his career in Public Image Ltd.
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