Ashley McBryde Celebrates 5 Years of 'Never Will' with ASL Music Videos

Grand Ole Opry member Ashley McBryde is marking the fifth anniversary of Never Will by partnering with Deaf Professional Arts Network (DPAN) and AmberG Productions during National Deaf History Month to release American Sign Language (ASL) interpretations of three music videos from her critically acclaimed sophomore album: RIAA Platinum-Certified “One Night Standards,” album opener “Hang In There Girl” and “Martha Divine.”McBryde took to social media alongside her friend Kim Bryant to share the announcement and celebrate the occasion.
 
McBryde first began learning ASL to communicate her needs following vocal cord surgery when she was unable to speak. While touring in 2023, her commitment to accessibility became an integral part of her career as she embraced ASL as another way to engage with her fans, incorporating signing into her performances and fostering a more inclusive concert experience.

Speaking with Inked Magazine, which recognized “through her vocals, raw storytelling, and direct actions, she champions the importance of belonging and community,” the Arkansas native reflected on her journey:

“It just became more and more apparent to me that one: I needed to learn more. And then I remembered we’ve got interpreters. And I thought it would be even cooler if I could thank the interpreters myself. And even better, can I thank my non-hearing and hard-of-hearing crowd? Because they’re there, or there wouldn’t be an interpreter. I want to thank them myself and say things like, ‘We see you, we’re happy you’re here, it’s nice to meet you, welcome to my show.’”
 
Never Will was released April 3, 2020 to widespread critical acclaim, as Variety called it “the pinnacle of what contemporary mainstream country can be,” while Rolling Stone lauded it as “proof that she’s one of country's sharpest truth-tellers,” and Billboard observed, “there’s something so visceral about McBryde’s lyrics and delivery that Never Will is an album you feel as much as hear.”
 
As she prepares to head back out on the road for Country Thunder Arizona and Stagecoach later this month among additional headlining dates, McBryde recently stopped by CMT Studios to perform her latest release “Ain’t Enough Cowboy Songs,” with Stereogum calling it a “craggy and beautiful ballad,” and American Songwriter noting, “this is McBryde in top form.” Watch her performance below.

Ashley McBryde Tour Dates
 
April 10           John T. Floore Country Store // Helotes, TX
April 11           Cowtown Boots // El Paso, TX
April 12           Country Thunder Arizona // Florence, AZ
April 26           Stagecoach Festival // Indio, CA
May 2              PNC Music Pavilion // Charlotte, NC (with Cody Johnson)
May 3              Credit One Stadium // Charleston, SC (with Cody Johnson)
May 4              Country Thunder Florida // Kissimmee, FL
May 15            SKyPAC // Bowling Green, KY
May 16            Peoples Bank Theatre // Marietta, OH
May 17            The Event Center at Hollywood Casino // Charles Town, WV
May 29            American Music Theatre // Lancaster, PA
May 30            Parx Xcite Center // Bensalem, PA
May 31            Paramount Theater // Charlottesville, PA
June 8              CMA Fest // Nashville, TN
June 13            IP Casino Resort Spa - Studio A // Biloxi, MS
June 14            Peach Jam // Clanton, AL
June 20            Golden Nugget Lake Charles Hotel & Casino // Lake Charles, LA
June 21            Wild Adventures Live! 2025 // Valdosta, GA
June 26            Country Stampede // Topeka, KS
July 12            Country Concert 2025 // Fort Loramie, OH
July 17            Kresge Auditorium // Interlochen, MI
July 18            Country Thunder Wisconsin // Twin Lakes, WI
July 25            Night in the Country Nevada 2025 // Yerington, NV
Aug. 1             Happys Inn // Libby, MT
Aug. 2             Big Valley Jamboree // Camrose, AB
Aug. 7             WE Fest // Detroit Lakes, MN
Aug. 13           Put In Bay // Put-In-Bay, OH
Aug. 15           Country Thunder Alberta // Calgary, AB
Sept. 13           Spyglass Ridge Winery // Sunbury, PA

About Ashley McBryde
GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in biker bars – and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed TheNew York Times, NPR, Rolling Stone, Paste, The Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019. The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States. Her collaborative project Ashley McBryde Presents: Lindeville earned McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time nominee. Her latest album The Devil I Know was released to critical acclaim, earning a title as one of the best country albums of the year from Rolling Stone, Billboard, Slate, PASTE, Holler and more. Hailed as “one of country’s most cherished singer-songwriters” by Cowboys & Indians, McBryde offers poetic nostalgia with “Ain’t Enough Cowboy Songs,” available now. The Arkansas native performs at festivals including Stagecoach; CMA Fest; Country Thunder Arizona, Florida, Wisconsin and Calgary; WE Fest; and Country Stampede among additional headlining dates.  For more information, visit Ashley McBryde.com or follow her on Facebook, Instagram, X, TikTok and YouTube.

Annie Bosko Embraces West Coast Country Roots with New Single “California Cowgirl”

Gearing up to return to her home state for a performance at Stagecoach later this month, rising singer/songwriter Annie Bosko proves country music isn’t just about where you’re from, but who you are with her latest single “California Cowgirl,” available now via Stone Country Records. Listen below.
 
“This song is my way of saying that country is more than a place, it’s a way of life,” shares Bosko. “I grew up a farmer's daughter in California, where the values of hard work, faith and family are just as strong as anywhere else. This song is for anyone who’s ever felt like they had to prove their country roots.”

As a taste of her forthcoming debut album, “California Cowgirl” was produced by Trent Willmon and written by Bosko with Jason Sellers, Terri Jo Box and Lance Miller as a declaration that country girls can be found all over the map:

Currently climbing the charts at Country radio, Bosko’s duet “Better Than You” with multi-Platinum selling neo-traditionalist Joe Nichols landed in the top five most-added songs at Country radio for five consecutive weeks, including one week before impact date, as MusicRow boasts the song is “Terrific listening...Goosebump-thrilling sounding.”
 
Following her Rodeo Houston debut last month, where she kicked off opening night with a performance of the National Anthem (watch HERE), Bosko will perform at Stagecoach on the Mane Stage on Saturday, April 26.
 
For more information, visit AnnieBosko.com or follow along on Instagram, TikTok, X @AnnieBosko and Facebook.com/AnnieBoskoMusic.

About Annie Bosko
With a voice that beams like a ray of California sunshine, singer-songwriter Annie Bosko returns to the studio, channeling fresh inspiration into a new chapter of music. Writing alongside David ‘Messy’ Mescon, Jeffrey Steele, Bridgette Tatum, and more, and collaborating with producer Trent Willmon, Bosko is crafting songs that reflect her upbringing as a farmer’s daughter. With her latest release “California Cowgirl” via Stone Country Records from her forthcoming debut album, Bosko embraces her west coast roots that run deep in the heart of California’s agricultural country, providing a backdrop that continues to inspire her blend of signature ‘90s country twang and raw, heartfelt storytelling. Her self-titled EP, released via Stone Country Records, saw the Golden State native making her late-night debut on “Jimmy Kimmel Live!” with a performance of “Neon Baby” – a track that also marked her first charting single at Country radio. Bosko followed her acclaimed EP with stunning collaborations featuring country icons including Vince Gill on the reflective ballad “Higher Ground” and Dwight Yoakam on the Bakersfield-rooted “Heart Burn.” Current single and top 40 hit duet “Better Than You” with Joe Nichols hit the Country radio airwaves as a top five most-added song for five consecutive weeks, including one week before impact. Bosko broke out in 2014 with the SiriusXM/CMT hit “Crooked Halo,” which has amassed more than 3 million streams, earning her a title as an Artist to Watch from Rolling Stone Country. She went on to write songs recorded by Willie Nelson and Jessica Simpson, tour alongside Tim McGraw, Dierks Bentley and Blake Shelton, sell out the famed Troubadour and perform on the Grand Ole Opry and at Ryman Auditorium while also becoming an in-demand studio vocalist. Bosko is set to perform at festivals across the U.S. this spring and summer, including Stagecoach on the main stage and Headwaters Country Jam. For more information, visit AnnieBosko.com or follow along on Instagram, TikTok, X@AnnieBosko and Facebook.com/AnnieBoskoMusic.

LAINEY WILSON’S NEW SONG “BELL BOTTOMS UP” OUT TODAY IN CELEBRATION OF NATIONAL BELL BOTTOMS DAY

Grammy, CMA and ACM Award-winning artist Lainey Wilson’s new song, “Bell Bottoms Up,” is out now in celebration of National Bell Bottoms Day tomorrow, April 5. 
Listen to the song below.

An homage to her trademark style, “Bell Bottoms Up” is a high-energy anthem and was recorded at London’s historic Abbey Roads Studio. Sharing a name with her Nashville bar, the song was written by Wilson and her band and is already a fan favorite from her extensive Whirlwind World Tour. Full tour details can be found at www.laineywilson.com/tour.

The release adds to yet another triumphant year for Wilson, who is nominated for seven awards at the upcoming 60th Annual ACM Awards: Entertainer of the Year, Female Artist of the Year, Album of the Year (Whirlwind), Song of the Year (“4x4xU,” as an artist and songwriter), Visual Media of the Year (“4x4xU”) and Artist-Songwriter of the Year.

KEEP UP WITH LAINEY WILSON
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK 

The Neal Agency Signs Preston Cooper for Booking

When 22 year old Preston Cooper was first discovered in 2023 by the Warren Brothers’ Brad and Brett Warren while playing a corporate gig with them at a Holiday Inn in his home state of Ohio, the brothers took him under their wing, instantly recognizing the potential in Cooper’s soulful and blues-inspired vocals. Plugging into his relationship with The Neal Agency, Brett Warren connected Cooper with TNA, ultimately leading him to sign with the agency for booking.
 
Recalling the process that led Cooper to sign with TNA, general manager of TNA Ryan Beuschel recalls, “Brett called me in the summer of 2024 and was adamant he found someone special I needed to hear. Anytime Brett calls, you listen. His track record speaks for itself. Ernest, Mitchell Tenpenny, among others. He played me the music they recorded with Preston, and I was blown away.” 
 
“When Preston came to visit our office, I was instantly struck by how genuine and kind he is. I had the thought beforehand, ‘how can I help this guy achieve his goals?’ Within seconds of him playing his first song, I realized he’s walking around with another superpower – his voice,” recalls Brian Carothers, agent at TNA. “Preston singing while strumming an acoustic guitar is stop you-in-your-tracks talent. I know I speak for everyone at The Neal Agency when I say we are beyond grateful to be on his team, and we’re thrilled for the opportunity to support his touring career.” 
 
“Its such an honor to see my name on The Neal Agency’s roster,” Cooper shares. “I came to town hoping to work with good people and that’s exactly what I found at The Neal Agency. Brian, Ryan, Austin and that entire team are rockstars.”
 
With a vocal so expressive it builds into jaw-dropping eruptions of power and emotion, Cooper represents the start of a new generation in Country Rock. The biggest voice to ever hail from the tiny town of Fredericktown, Ohio, Cooper is a potent force of nature, drawing comparisons to icons like Chris Stapleton and Bob Seger.
 
Cooper first picked up a guitar as a high school freshman. He joined the US Postal Service after graduation and found local fame as “The Singing Mailman” – walking up to 14 miles each day while belting out raw, raspy vocal runs, then clocking out to perform across the region. 
 
With his debut album, Toledo Talkin’, releasing May 30, the first chapter of this generational talent’s story unfolds. With 12 incendiary tracks – all but three co-written by the no-frills newcomer – Toledo Talkin’ was recorded with an old-school, full-band process, lashed together with sheer vocal intensity miles different from the Music Row norm.
 
The album wields a mix of raw, organic Country and edgy Alt Rock, as evidenced on his show-stopping debut track “Weak,” emotive “One More Place I’ve Never Been,” shot of nostalgia “Numbers On A Mailbox,” and highway rocker “One For The Road.” Preston is currently on tour as direct support for Kameron Marlowe’s  Keepin’ The Lights On Tour and will join Riley Green this summer on select dates of the Damn Country Music Tour. 
 
For more information, visit www.prestoncoopermusic.com.

Irish Folk / Celtic Rock Band JOLLY JACKERS Release New Single "WAR" + Official Music video ​

Irish Folk/Celtic Rock band JOLLY JACKERS unveiled their latest single, "WAR" now available on all major platforms. The single is from their forthcoming EP, The Blue Disc, due out this May.

With spirited melodies and electrifying rhythms, they invite listeners on an unforgettable journey through the heart of their musical realm. Get ready to be swept away by their signature blend of tradition and innovation as they infuse every note with the soul-stirring spirit of Ireland.

"A theme for most generations but we always hope not ours. War is hell, war never changes. Let's hope for a brighter future, and never give up hope.," says the band about "WAR".

STREAM "WAR"
Spotify

This newly-released song is now available to stream and download, and the music video, can be viewed below:

With over 13,000 Facebook followers and nearly 34,000 monthly Spotify listeners, the Jolly Jackers have now played in 13 European countries. The band is getting more and more attention on the Hungarian and international press.

The Budapest based Jolly Jackers, founded in January 2013, is a truly unique and professional production with more than 300 concerts, 5 records and 5 singles behind them.

The band roars like an incredible energy bomb on every stage, be it in a small pub somewhere in the Swiss mountains or at a big international festival in the heart of Spain. They have already played together with artists such as The Rumjacks, Fiddler's Green, or Eluveitie.

The Band:
Rea - vocal, flute, whistle
Enéh - bass
Ilka - violin
Simi - drums
Mark - guitar, mandolin

For More Information Please Visit:

Facebook

Instagram

Spotify

YouTube

ALBUM RELEASE: Thornhill Unleash New Album 'BODIES'; Drop Visualizer for "Under The Knife"

The wait is over, and today an astonishing new era for Melbourne's Thornhill has arrived via their brand new studio album BODIES, out now via UNFD. Accompanying the album is the release of visualizer for under the knife. Stream BODIES here and watch the visualizer below.

A dauntless pastiche of creative freedom and ingenuity, BODIES finds Thornhill in full flight, with its 11 tracks layered with authenticity and electrifying execution, cementing the group's status yet again as one of Australia's most engaging heavy acts.

Opening with percolating bounce via DIESEL, BODIES thrives with caustic urgency (Revolver), swooning melodics soaked in oscillating chaos and clarity (Silver Swarm), serene reprieves (fall into the wind), grinding swagger (TONGUES) and mellow R&B flavours (CRUSH), offering an expansive and kaleidoscopic palette that circles upbeat buoyancy and crushing heaviness; a snapshot of Thornhill in their most assured form to date.

Coinciding with the release today of BODIES, Thornhill have also shared a visualizer for the album's haunting penultimate track under the knife. Providing context on the new track, the band share

"We wanted to convey an underlying fear of being unnoticed or forgotten, the notion of a silhouette falling between fingers conveys a message of fleeting moments—something that can be grasped but never fully held. Within the atmosphere of the instrumentation, a haunting exploration of love and lust, blends these two feelings into something more tragic, yet hopefully relatable. There's a delicate balance between submission ("underneath your knife") and resistance ("I don’t wanna know yet"), which creates a soft tension, a push/pull that moves with song dynamics."

In celebration of the new album, for the first time ever, Thornhill will headline stages across North America in Spring 2025. The tour is already shaping up to be a massive success, with their Los Angeles show on April 11th at The Echo officially sold out and several other dates on low ticket warnings two months out. Featuring AVOID, Ocean Grove, and Banks Arcade, this spectacular line-up is an unmissable event for fans of modern heavy music. Get tickets before they sell out HERE. The band also recently announced that they will be playing Louder Than Life Festival in Louisville, Kentucky on Friday, September 19th, 2025. For further info and to purchase tickets, head to louderthanlifefestival.com/

Commenting on their first ever US headline run, Thornhill shares: 

“We couldn’t be more excited to announce our very first North American headline tour! It’s something we’ve dreamed about for years, and now it’s finally happening. We’re bringing along some incredible friends—AVOID, Ocean Grove, and Banks Arcade—and trust us, this lineup is going to deliver a high-energy show from start to finish. We’re so gassed to bring the songs of our new album ‘Bodies’ to the stage.”

THORNHILL ‘BODIES’

North American Headline Tour 

with Special guests AVOID, Ocean Grove and Banks Arcade



- 04.11 – Los Angeles, CA – Echo 

- 04.12 – Mesa, AZ – The Underground 

- 04.15 – San Antonio, TX – Paper Tiger 

- 04.16 – Dallas, TX – RBC 

- 04.17 – Houston, TX – Secret Group 

- 04.19 – Tampa, FL – Crowbar 

- 04.20 – Orlando, FL – Abbey 

- 04.22 – Atlanta, GA – Masquerade (Purgatory) 

- 04.23 – Greensboro, NC – Hangar 1819 

- 04.24 – Baltimore, MD – Baltimore Soundstage 

- 04.25 – Asbury Park, NJ – House of Independents 

- 04.26 – Brooklyn, NY – Meadows 

- 04.27 – Worcester, MA – Palladium (Upstairs) 

- 04.29 – Montreal, QC – Fairmount Theater 

- 05.01 – Toronto, ON – Velvet Underground 

- 05.02 – Lakewood, OH – Mahalls 

- 05.03 – Detroit, MI – The Loving Touch 

- 05.04 – Chicago, IL – Bottom Lounge 

- 05.06 – Minneapolis, MN – Amsterdam 

- 05.07 – Kansas City, MO – RecordBar 

- 05.09 – Denver, CO – Marquis 

- 05.10 – Salt Lake City, UT – Urban 

- 05.12 – Seattle, WA – El Corazon 

- 05.13 – Portland, OR – Hawthorne Theater 

- 05.15 – Sacramento, CA – Goldfields 

- 05.16 – Anaheim, CA – Chain Reaction 

ABOUT THORNHILL

Eternal purveyors of artful and engaging heavy creations, Thornhill possess a flair for nuanced rock beyond their influences. Via their ARIA Award-nominated 2022 album Heroine, Thornhill solidified a steadfast reputation as one of the most innovative and immersive heavy acts in the Australian scene, with Heroine debuting at #3 on the ARIA Albums charts, and at #1 on the Australian Albums charts.

Thornhill have amassed a heaving array of accolades over the years, including triple j's Feature Album and additions to countless Best Of The Year listings for their 2019 release The Dark Pool. And in 2023 and 2024, the band gifted some insatiable new material courtesy of standalone singles "Viper Room" and "Obsession", as well as a live album, Live On Tour!, boasting performances captured in the wild across the globe that released in June.

Thornhill kicked off 2024 supporting Silent Planet on extensive North American run, before joining Aussie heavies Polaris on tour in the UK and Europe, appearing at Impericon Festival alongside As I Lay Dying, August Burns Red and While She Sleeps, and touring North America supporting Northlane. Thornhill joined Fear Factory, Thy Art Is Murder, Hands Like Houses and many more performing at last year's Froth & Fury Fest in Adelaide, ending the year with a huge headlining a huge run across the UK and Europe.

The band have released three previous singles from their new album BODIES - "TONGUES" which featured swirling melodies, gut-punching heaviness, and deeply evocative lyricism, “Silver Swarm” which explored the chaotic manipulation and push-pull of toxic relationships, while “nerv.” fused haunting electronics with nu-metal fury, earning the band widespread acclaim, a Spotify cover feature on The Core playlist, and adds to Kickass Metal and All New Metal playlists. Together, the singles have racked up 5 million Spotify streams and 642,000 YouTube views.

Now, armed with their most ambitious and thrilling work to date and ready to lay waste to stages across the US on their immient BODIESheadline tour, Thornhill continue their quest to reinvent heavy music with the release of 'BODIES'. Speaking on their upcoming release, the band share

“‘BODIES’ marks a bold evolution in our ever-developing sound. ‘Heroine’ was defined by its meticulously crafted and tightly woven concept, but the weight of this careful construction sometimes overshadowed the energy of the music itself, leaving some listeners feeling disconnected. With ‘BODIES,’ we’ve embraced a more immediate, unfiltered approach that feels like a lightning bolt, looking to capture the energy of ‘Thornhill right now.’

The album thrives on spontaneity and freedom, foregoing rigid concepts in favour of pure, in-your-face authenticity. It’s less about delivering a carefully constructed narrative and more about creating a visceral, open-ended experience. ‘BODIES’ serves as a sonic moodboard—a collection of feelings and vibes—intentionally left open to interpretation. It has an upbeat and almost celebratory, party energy at times, but also retains all the emotion and intensity Thornhill are known for, making it our heaviest and most explosive work to date.

With ‘BODIES,’ we invite listeners to connect on their own terms. It’s raw, personal, and unapologetically immediate—a record that thrives in the moment, capturing our band at our most authentic and free.”

BENEDICTION - Release Lyric Video For 'A Carrion Harvest' + "Ravage Of Empires" Album Out Now + EU Tour Starts Today!

Today, British death metal legends, BENEDICTION, are celebrating the release of their highly anticipated new album Ravage Of Empires, not only with the coinciding release of a lyric video for the album's devastating opening track 'A Carrion Harvest', but also by kicking off their European tour with guests Junge Rot & Master tonight in Hamburg.

"Brace for impact, or be blown away" - these lines from the chorus of fast-paced ripper 'A Carrion Harvest' can be regarded as a condensed instruction manual for Ravage Of Empires. The album's opening track sets the stage for a demonstration of pure old-school death metal power in eleven chapters by one of the genre's pioneers, and its torch bearers to this day and age.

You can watch the lyric video for 'A Carrion Harvest' below or stream Ravage Of Empires in full at a service of your choice.

PURCHASE / STREAM RAVAGE OF EMPIRES:
https://benediction.bfan.link/ravage-of-empires

WATCH THE LYRIC VIDEO FOR 'A CARRION HARVEST' Below:

ABOUT BENEDICTION

“Sometimes They Come Back” is not just the title of a horror movie based on a macabre tale by Stephen King, it is also a summary of what happened to UK death metal veterans BENEDICTION, yet you might like to add a “better than ever before”. While never officially disbanded, 2020’s Scriptures, the group’s eighth studio album achieved what is usually not an easy feat. It connected well with classics like Transcend the Rubicon (1993) and its immediate and memorable songwriting, the heavy-as-a-brick Grind Bastard (1998), and also saw legendary vocalist Dave Ingram return with his merciless roar and knack for morbid, twisted lyrics. After two albums with Dave Hunt on vocals, Scriptures was BENEDICTION’s first record in over a decade impressing with aggressive up-tempo attacks like ‘Iterations of I’ and ‘Rabid Carnality’ or the neck-breaking mid-tempo barrage of ‘Stormcrow’, songs that became live staples alongside ‘evergreens’ such as ‘I Bow to None’, ‘Magnificat’, ‘Subconscious Terror’ or ‘Vision in the Shroud’ in no time. With Scriptures, BENEDICTION even almost cracked Germany’s top ten by entering at a phenomenal #11 of the Official German Charts showing that the death metal veterans founded 1989 in Birmingham, England, offered an extremely well received sonic catharsis when due to the pandemic, people were locked down and pissed off.

With their brilliant new record Ravage Of Empires in tow, founding members and guitarists Darren Brookes and Peter Rew, longtime vocalist Dave Ingram, drummer Giovanni Durst, and Nik Sampson (bass) will travel far and wide once more. Already confirmed are the Tales of the Triple Death Tour with Jungle Rot and Master kicking off on album release date as well as confirmed appearances at Wacken Open Air and Maryland Deathfest. More to be announced soon!

Catch BENEDICTION live on their European release tour in April 2025 with guests Jungle Rot and Master. All confirmed live dates below.

TALES OF THE TRIPLE DEATH...
BENEDICTION
W/ JUNGLE ROT & MASTER

04.04.25    DE    Hamburg  Kultur Palast 
05.04.25    DE    Bad Oeynhausen. Druckerei 
06.04.25    NL    Sittard. Volt 
07.04.25    BE    Kortrijk. DVG 
08.04.25    LU    Esch-Belval. Rockhal 
09.04.25    DE    Mannheim. 7er Club 
10.04.25    DE    Obertraubling. Event Hall Airport 
11.04.25    DE    Geiselwind. Eventzentrum Strohofer 
12.04.25    AT    Salzburg. Rockhouse 
13.04.25    DE    Jena. F-Haus 
15.04.25    DE    Berlin. Lido 
16.04.25    DE    Essen. Turock 
17.04.25    CH    Aarau. KIFF 

TICKETS HERE: https://www.we-live.agency/shows 

More confirmed dates for 2025:
21.05.25   US    Brooklyn, NY. The Meadows 
22.05.25   US    Baltimore, MD. Maryland Deathfest
21.06.25   PT    Beja. Nada Fest 
25.06.25   CZ    Spalene Porici. Basinfirefest 
26.-27.07.25   ES    Cangas De Morrazo. Kanekas Metalfest 
30.07-02.08.25   DE    Wacken. Wacken Festival 
01.08.25   DE    Loebnitz. Full Rewind Fest

ELECTRIC WIZARD Announces ‘Crystal Meth’ Pressing Of ‘Black Magic Rituals And Perversions Vol. 1' Due Out May 2nd 2025 via Spinefarm/Witchfinder Records

Today, legendary British doom outfit, ELECTRIC WIZARD, announces the release of a special limited edition ‘Crystal Meth’ pressing of their current 2 disc live-to-tape album, ‘Black Magic Rituals and Perversions Vol. 1’ set for release on May 2nd via Spinefarm/Witchfinder Records.

Originally released in December 2024 and recorded into a 16-track tape machine, capturing their essence and their malevolence, 'Black Magic Rituals and Perversions Vol. 1' is as heavy as one would expect from The WIZARD.  

“It's raw as fuck,” boasts Jus. “It’s like a lost ’70s black metal demo rehearsal session or something. It’s raw, nasty, screaming in your face. I always promised ELECTRIC WIZARD was like rats in your face. This is verging on it.”   

Watch the Video for "Black Mass" Below.

As the COVID pandemic took hold in 2020, ELECTRIC WIZARD wondered if they might ever play live again. Out in the wilds of the English Westcountry where singer/guitarist Jus Oborn and guitarist Liz Buckingham live, the band descended into their crypt-like jam space to make a live album like no other.

“We’d been gigging for two years at that point, around America three times, going to Japan and Australia, and we were sounding pretty good by the end of it,” adds Jus. “When the pandemic happened we thought, ‘F**k it, maybe we’ll never play again.’ So we went into the jam room and played the songs to get them on tape to capture how we were playing at the time.” 

Opening with the enormous "Dopethrone", and taking in signature apocalyptic doom staples like "Witchcult Today," "Satanic Rites of Drugula," and the ever-destructive "Funeralopolis," the set here shows how powerful and dominating The Wizard can be.

Jus says he wanted to capture a feeling like that of Motörhead’s classic 'No Sleep 'til Hammersmith' (1981), or the sense from 'KISS’ ALIVE!' (1975) that you were getting a window into something, a world the band created. It’s also, he says, an opportunity for a band as big and cult-like as ELECTRIC WIZARD to bring something from metal’s dirty underbelly into the light, if only to freak out the unprepared. 

“We've always been trying to drag the underground into the overground,” offers Jus. “Rather than pretending to be playing some big stadium, arena show.” 

A soundtrack to the end of the world? Come this way, my fanatics. Electric F**king Wizard awaits… 

Pre-Order the ‘Crystal Meth’ Pressing of ‘Black Magic Rituals And Perversions Vol. 1' HERE

Tarja Releases "Diva (Live in Bucharest)" Video

Originally featured on Tarja's 2016 album The Shadow Self, "Diva" is a dramatic and powerful anthem that quickly became a fan favorite and one of the classics played on tour. This rendition, recorded in Bucharest at the spectacular Circus Life concert, showcases Tarja's signature vocal mastery, theatrical presence, and the grandeur of her live shows.

"There is a lovely memory behind 'Diva.' We were in Antigua and walking around the local harbor when we saw this old boat stored outside the water and that quickly inspired me to write a pirate themed song," Tarja says. "I playfully described the last walk of the 'Diva' on the ship before being pushed out by the rats on board. Any resemblance to reality is pure coincidence."

Access "Diva (Live in Bucharest)" below.

Recorded in January 2020, in Bucharest, Romania, the Circus Life show was one of a kind when Tarja performed in this very special "in the round" format. Two hours of powerful music featuring a setlist that spans Tarja's career, including all of her greatest hits such as "I Walk Alone," "Until My Last Breath," and "Innocence," as well as fan favorites like "Victim of Ritual" and "Demons In You," showcasing her evolution as an artist.

Featuring 16 accomplished musicians, including her brother Toni, and a diverse ensemble from various stages of her career, it was an extraordinary event. All songs were provided with new arrangements just for this concert, making the show a unique experience for the long-time Tarja fan, as well as the first-time listener.

Circus Life was recorded in one take, 100% live – no re-recordings, no overdubs, no special effects. Just pure, raw music.

Pre-order Circus Life HERE.

Originally included as bonus content in the strictly limited and sold-out Mediabook and Box Set of Tarja's 2022 Best Of: Living The Dream, the Circus Life concert is now available as a stand-alone limited 2CD+Blu-ray Digipak, featuring the full two-hour live show on both audio and video. It will also be released as a limited black 3LP Gatefold edition, including an LP-sized booklet and a Blu-ray softcase.

FORMATS:
*Ltd. 2CD+Blu-ray Digipak
*Ltd. 3LP Gatefold (black, 180g, incl. Photo-Booklet)
*Blu-ray softcase 

Larry Fleet's Ode "A Lotta Women" Out Now

Country hitmaker Larry Fleet may be a self-proclaimed rollin’, ramblin’ and gamblin’ man, however behind it all is the woman who keeps him steady—his wife. Built from grit and grace, her unshakable loyalty shines as the inspiration behind Fleet’s newest release, “A Lotta Women.” Listen Below.

Fleet’s release arrives as his headlining Hard Work & Holy Water Tour spans the United States with sold-out shows featuring Kentucky-rooted Everette on select dates. Showcasing his dynamic vocals and an ace band, he also brings the tour to Europe in August.

Written by Fleet, James McNair and Jake Mitchell, “A Lotta Women” offers a unique perspective on relationships as a touring artist.
 
“There’s not a lotta women that put up with this kind of life, especially with everything that entails: being gone all of the time and traveling,” Fleet shares. “I’ve got me one of those women that sticks around through it all and gives me the opportunity to pursue this dream. And that’s true for a lot of us workin’ folks.”
 
A lotta women woulda washed their hands of a man like me
Changed the locks
Pawned the rock
I’d be forgotten but not forgiven
 
“It’s a different side of me,” Fleet continues. “It’s a little more rock with a cool vibe to it and I dig what our producer Trent Willman did to this arrangement. Hope y’all enjoy.”
 
The release follows Fleet’s “Hard Work & Holy Water,” which reflects Fleet's background in pouring concrete by day and playing in local bars by night, encapsulating the work ethic that’s helped the troubadour transition into the independent artist he is today.
 
As Billboard observes, “with a style that delves into blues, rock and retro-country with ease,” Fleet’s years of hard work are paying off. 
 
Whether writing about his days working construction (“Earned It” and “Working Man”) or balancing his life present-day (“Things I Take For Granted” and “Muddy Water”), you leave Fleet’s 20-plus song headlining sets with a deeper sense of gratitude and optimism he’s proud to impart. 
 
For more information, visit LarryFleet.com.

See Larry Fleet Live: 
April 3, 2025 || Pensacola, FL || Vinyl Music Hall*
April 4, 2025 || Bossier City, LA || Margaritaville Resort Casino-Paradise Theatre
April 10, 2025 || Asheville, NC || The Orange Peel*
April 11, 2025 || Charlotte, NC || The Fillmore*
April 12, 2025 || North Myrtle Beach, SC || House of Blues*
April 17, 2025 || Orlando, FL || House of Blues*
April 19, 2025 || Charleston, SC || The Refinery *
April 24, 2025 || Columbus, OH || The Bluestone*
April 25, 2025 || Wyandotte, MI || District 142*
April 26, 2025 || Rosemont, IL || Joe’s Live*
May 1, 2025 || Binghamton, NY || Touch of Texas*
May 2, 2025 || Huntington, NY || The Paramount*
May 3, 2025 || New Haven, CT || Toad’s Place*
May 8, 2025 || Indianapolis, IN || Deluxe at Old National Centre*
May 9, 2025 || Pittsburgh, PA || Stage AE*
May 10, 2025 || Norfolk, VA || The NorVa*
May 15, 2025 || Pelham, TN || The Caverns*
May 16, 2025 || Pelham, TN || The Caverns*
May 17, 2025 || Sevierville, TN || Blooming BBQ Music & Food Festival
June 12, 2025 || Morgantown, WV || Hazel Ruby McQuain Park
June 13, 2025 || Clanton, AL || Peach Jam Jubilee
June 19, 2025 || Ashvland, VA || Hanover Vegtable Farm
June 20, 2025 || Baltimore, MD || Power Plant Live!
June 21, 2025 || Wildwood, NJ || Barefoot Country Music Fest
June 26, 2025 || South Greenfield, MO || Baker-Spain Stampede
July 4, 2025 || Madison, IN || Roostertail Music Festival
July 18, 2025 || Twin Lakes, WI || Country Thunder Wisconsin
July 19, 2025 || Franklin, OH || JD Legends
July 26, 2025 || Winston Salem, NC || Lawrence Joel Veterans Memorial Coliseum
Aug. 20, 2025 || Glasgow, UK || SWG3^
Aug. 22, 2025 || Camden, UK || Electric Ballroom^
Aug. 23, 2025 || Bottesford, UK || The Long Road Festival^
Aug. 26, 2025 || Belfast, UK || Limelight 1^
Aug. 28, 2025 || Dublin, Ire. || The Academy, Middle Abbey Street^
Aug. 30, 2025 || Den Haag, Netherlands || Once In A Blue Moon Festival^
Sept. 13, 2025 || Burnsville, MN || Buck Concert Series
Oct. 5, 2025 || Winnsboro, SC || Field & Stream Festival
 
* With Special Guest Everette
^ International Tour Dates

ABOUT LARRY FLEET
Tennessee-born troubadour Larry Fleet grew up on a stack of records spanning Merle Haggard, Otis Redding, Willie Nelson, and Marvin Gaye. A thoughtful songwriter with a knack for a one-liner, an ear for a sturdy hook, and a powerhouse voice that strikes like a match, Fleet was working blue-collar jobs to make ends meet long before landing his recording contract with Big Loud Records. Seven years later and again working as an independent artist, the devout family man is turning heads among fans and critics as a songwriter (“Man Made A Bar” recorded by Morgan Wallen featuring Eric Church) alongside his own music, 2021's tribute to the music that raised him, Stack of Records, his aptly titled 2019 debut, Workin' Hard, 2023’s Earned It, featuring the single “Things I Take For Granted,” and his first latest, 2025’s independently-released “Hard Work & Holy Water.” Saving Country Music puts it simply: “If you're looking for the future of traditional country music, then look no further.” 

CONNECT WITH LARRY FLEET
WEBSITE | FACEBOOK | X | INSTAGRAM | TIKTOK | YOUTUBE

Seattle Hardcore Band Dragged Under Snap Back Into Action With Video for "AlgoRHYTHM"

Seattle hardcore band Dragged Under have dropped their full-throttle new single "AlgoRHYTHM."

"AlgoRHYTHM" smashes together all of the elements that make Dragged Under such a formidable force and returns to their roots of their breakout debut album The World Is In Your Way — crushing riffs, whiplash hooks, raging hardcore vocals, and pinpoint social observations.

"'AlgoRHYTHM' is a commentary on the current meta of music promotion," says vocalist Tony Cappocchi.

 He adds, "Scrolling endlessly on artist accounts online only to see the same uninspired dancing and lip syncing to their newest song until inevitably it hits and goes viral or they move on. It almost feels as if artists don't have to write good music, or don't challenge themselves to create something they're actually interested in, instead they're writing FOR the algorithms, with the end goal being 'success at any cost.'" 

Talking about the social media formatted video, he continues, "We tried to make a video that captures the absurdity and chaos that is the social media algorithm — you never know what you'll see next or why, and we wanted to mirror that sentiment with the visuals."

Watch the "AlgoRHYTHM" music video below.

"AlgoRHYTHM" follows their previous single, 2023's "Mad Punks," in which the band challenged authenticity. This came hot on the heels of their 2022 album, Upright Animals, which was released on Mascot Records. The band has already clocked up an incredible 70 million streams. Since the release of that album, Dragged Under have played crushing festival sets at Louder Than Life (US), Aftershock (US),  Slam Dunk (UK), Download (UK), 2000Trees (UK), Hellfest (France),  and Full Force (Germany).

They joined Blessthefall in the U.S. in support of their Hollow Bodies 10th Anniversary Tour, as well as runs with Beartooth, Sleeping with Sirens, Pierce the Veil, The Used, 10 Years, From Ashes to New, and The Word Alive, along with several headline tours across North America. They also tore through the UK and Europe, touring with The Ghost Inside and Landmvrks, as well as their own headline tour.

Their journey so far has seen them pick up support from SiriusXM Octane, Alternative Press, Metal Injection, BBC Radio 1, Rock Sound, Kerrang! magazine, Metal Hammer, Kerrang! Radio, as well as Amazon, Apple, and Spotify playlisting.

2025's line-up —the aforementioned Cappocchi [vocals], Sean Rosario [guitar], and new drummer Dylan Roy [also of Canadian metalcore heroes Oni] — is a snarling beast ready to be let off the leash. 

Wrath of Logarius Don 'Crown of Mortis"

No matter what skeletal form they assume, Wrath of Logarius aren't bound by black metal's strict traditions. The band's debut album crowns them kings of a new realm for the underground: formless black metal.

"What a fresh perspective", Metal Bite writes in a 9/10 review for Crown of Mortis. "For every second's worth of savagery, you'll also take in striking melodic passages and slow-burning parts that feels as if you've been placed on the rack; relentlessly dragging the depths; turning up the filth of human existence with every dooming riff".

"For a debut album, the record is very concise, compact and fluid", says Pedro from A&P Reacts. "There's a little bit of everything pushing this record in different directions and that gives the sound a much richer texture than if it was just a black metal album".  

Crown of Mortis comes out this Friday, April 4 on Season of Mist, but you can hear all nine boundless songs today by listening to the full album stream on the Season of Mist YouTube channel.   

Listen to Crown of Mortis below.

Pre-order & Pre-save
https://orcd.co/wrathoflogariuscrownofmortis

Wrath of Logarius are rolling out the red carpet for Crown of Mortis with a special hometown record release show. They'll be joined by fellow evil statesmen Post Heaven, Lost to the Void and Vesseles.

Wrath of Logarius Record Release Show
May 17 - Santa Cruz, CA @ The Blue Lagoon 

Get tickets: https://www.facebook.com/thebluelagoonnightclub/

On Crown of Mortis, Wrath of Logarius bend black metal to fit their formless rule.   

Line-up
Noctifer - Vocals
Urath - Lead Guitar
Vastador - Guitar
Lord Marco - Drums
 
Recording Studio
Rapture Recordings, Hayward, CA, USA
 
Production Credits
Produced, Engineered, Mixed & Mastered by Cody Fuentes at Rapture Recordings Studio

Cover Art
Sant V. Schreiber
 
Pre-save & Pre-order
https://orcd.co/wrathoflogariuscrownofmortis


Booking Contact:
martyr.urath@gmail.com
 
Follow Wrath of Logarius
Bandcamp: https://wrathoflogarius.bandcamp.com/
Instagram: https://www.instagram.com/wrath_of_logarius/
Apple Music: https://music.apple.com/artist/wrath-of-logarius/1712706210
Spotify: https://open.spotify.com/artist/0CHi92LvwVayTacWx3nsfa
 
Available Formats:
Digital Download
CD Digipack
12" Colored Vinyl Gatefold - Ichorous Red (Red and Black Marbled)

OBSIDIAN TONGUE Announces Co-Headlining U.S. Tour with WOE

Progressive black metal duo OBSIDIAN TONGUE are now announcing FRAILTY & SCORN, eight performances of black metal intensity this June alongside WOE. The trek will kick off on June 6 in Long Island City, NY and will make its way throughout the East Coast until the final stop on June 13 in Providence, RI. The tour will not only celebrate the release of OBSIDIAN TONGUE's forthcoming opus, 'Eclipsing Worlds of Scorn,' due on May 30, 2025 via Profound Lore Records, but also will bring both bands back to many cities they have not visited in nearly a decade. Show pre-orders will begin soon as well as local support announcements. The full itinerary can be found below!

To celebrate the recent announcement of their fourth studio album, OBSIDIAN TONGUE has recently unveiled the devastating new single, "Orphaned Spiritual Warrior," which can be heard at THIS LOCATION.

Comprised of multi-instrumentalist Brendan Hayter (Thrawsunblat/Obsequiae live) and drummer Raymond Capizzo (Falls Of Rauros/Panopticon live), OBSIDIAN TONGUE returned to the all-analog Mystic Valley Studio, where their first two records were made, to print their Covid-era home sessions onto two-inch tape. Mixed and mastered in the analog domain as well by Alex Garcia-Rivera, 'Eclipsing Worlds of Scorn' boasts a unique and unmistakable sonic force amidst the modern digital landscape; created with a total absence of click tracks, quantization, or sound replacement of any kind. 

Hayter previously commented on the single, "The first track we arranged for 'Eclipsing Worlds of Scorn' practically named itself - 'Orphaned Spiritual Warrior.' It was clearly an album opener, as complex and chaotic as it is.

"It felt like being dropped into a new world you knew you didn’t belong in - and everyone and everything around you knows it too. You vaguely remember that you came from somewhere else, that you had a dignified purpose there, and that there were people way beyond this place that understood you…but the worst part is you don’t know if they’re looking for you, if they’re trying to get you back. All you know is a sense of abandon and mortal danger…every step is heavy with some sort of impostor syndrome and every movement feels uncoordinated, jagged, and bound for disaster. You once could fight, but in this place it feels like trying to fight off an attacker in a dream and you can’t make contact or move your arm fast enough no matter how hard you try. All there’s left to do is find some sort of shelter, try to find your center, try to unlock the memories, and fight off the strife. 'Set ablaze this world to pass onto the next.'"

'Eclipsing Worlds of Scorn' can now be pre-ordered HERE.

OBSIDIAN TONGUE Tour Dates (Co-headlining w/ WOE):

06/06: Long Island City, NY @ El Bunker del Diablo

06/07: Milton, DE @ Brimming Horn Meadery // Party Like It's 793 Fest

06/08: Baltimore, MD @ The Depot

06/09: Richmond, VA @ Cobra Cabana

06/10: Raleigh, NC @ The Pour House

06/11: Philadelphia, PA @ Kung Fu Necktie

06/12: Syracuse, NY @ The Jugg on Teal

06/13: Providence, RI @ Fete Music Hall

Sixteen years into the band’s existence, Obsidian Tongue clearly show no signs of running out of new ways to alter their sound - song by song, album by album.

Lineup:

Brendan Hayter - Guitar, Vocals, Bass, Synth

Raymond Capizzo - Drums

Recorded @ Mystic Valley Studio

Mixed & Mastered by Alex Garcia-Rivera

Photos by: Stephanie Sintra

Pre-Orders: https://linktr.ee/obsidiantongue

Recommended for Fans Of: Agalloch, Blut Aus Nord, Dødheimsgard, Wolves in the Throne Room

Links:

Instagram

Facebook

Apple Music

Spotify

Bandcamp

Finnish Powerhouse Vocalists LAURENNE/LOUHIMO Release Album Title Track + Music Video

LAURENNE/LOUHIMO - the collaboration between powerhouse Finnish vocalists Noora Louhimo (Battle Beast) and Netta Laurenne (Smackbound) – is pleased to share their new single and accompanying music video, “Falling Through Stars,” the title track of their sophomore album set for release on April 18th, 2025, via Frontiers Music Srl.

LAURENNE/LOUHIMO is one of the most exciting projects on Frontiers Music Srl and, in this second chapter, deliver a full force metal assaults with the power to blow you away. 

Talking about the new single, Netta Laurenne commented:

“Being both the title track and the opening track of the album, 'Falling Through Stars' is a melodic heavy metal song that sets a strong tone to what’s coming and what can be expected of the album. The song is about taking chances and trusting yourself. To stand up to what you believe in even if no one else does."

This new album from LAURENNE/LOUHIMO offers listeners a mix of heavy metal and hard rock tracks that explore the variety of the genre while maintaining a straightforward, easy-to-enjoy appeal.

'Falling Through Stars' has shades of all eras of Rainbow here and there, as well as Judas Priest and many other 80s icons of the style. All of these influences are expertly filtered into Netta and Noora's way of composing music. 

Watch the New Music Video for “Falling Through Stars” below.

The idea of a possible collaboration between Netta and Noora became a reality once the pandemic started and cleared out calendars for both artists. It felt like a perfect time to start the project and share all the things they have in common, from the same original town to similar idols and influences.

The main highlights of the album are, naturally, the vocal melodies created and shared by Netta Laurenne and Noora Louhimo.

'Falling Through Stars' has been once again produced at the Sonic Pump studio under the guidance of Nino Laurenne (who also played the guitars and contributed to the songwriting). The production is clear and powerful and gives the deserved value to the two stars here.

Songs like “Falling Through Stars,” “Damned,” “Loud And Clear,” or “Wait” are just a few of the highlights of a great album that will please all melodic metal fans!

Commenting on the album, Netta states:

“'Falling Through Stars' is the second collaborative album with Noora, and it gave us the opportunity to step in and out of our comfort zones to meet halfway. We had a great time writing and recording the album, which I co-produced with my husband, Nino Laurenne. This album takes us on a journey through both the past and future of metal. We’ve aimed to incorporate styles, instruments, and emotions spanning from the ’70s to the present day. It’s a dynamic album that showcases both raw power and delicate moments, and we’re excited to share it with everyone.”

Pre-Order 'Falling Through Stars' HERE

LAURENNE/LOUHIMO are:

Netta Laurenne - Lead & Backing Vocals

Noora Louhimo - Lead & Backing Vocals

Sampo Haapaniemi - Drums

Pasi Heikkilä - Bass

Vili Itäpelto - Keyboards & Programming

Mikko Kosonen - Solo/Acoustic/Lead & Additional Guitars

Nino Laurenne - Rhythm & Solo Guitars

Gridiron Drop "Still Playin' For Keeps (Big Umbrella Remix)" Feat. Daniel Son, Pro Dillinger, + Jay Royale

GRIDIRON — Matthew Karll, vocals; Will Kaelin, guitar and vocals; Xavier Wilson, guitar; Lennon Livesay, bass; and Tyler Mullen, drums — recently announced their new album Poetry From Pain. The album arrives May 30 via Blue Grape Music. It will be available on vinyl in several exclusive colorways. Pre-order it here. 

The band, which has been tipped by Stereogum for their "incendiary mosh riffs," have shared the latest single "Still Playin' For Keeps" (Big Umbrella Remix) Feat. Daniel Son, Pro Dillinger, + Jay Royale. 

The track is hardcore x hip-hop hybrid that blends bounce, beats, groove, and grit — like the legends did in the '90s. The result is a rhythmic, genre-smashing Molotov cocktail.

"'Still Playin' For Keeps' is a track that I've wanted to pull off for a long time," says Karll. "Gridiron riffs and some of my favorite current hip-hop artists on the same track. Hardcore and hip-hop meshing together into one entity is what this track is all about. 

Watch the visualizer below.

Gridiron, which originally formed as a pandemic project and have since grown into a full-fledged entity, features members of Never Ending Game, Simulakra, and Scarab, and connects the Philadelphia, Delaware, and Michigan areas.

Pushing every boundary to a breaking point, Gridiron will go to any extreme and then some. They follow quite possibly the most unpredictable playbook in the game. The band might flood the zone with a corpsepaint-smearing death metal barrage only to double back around for a victory lap narrated by blinged-out and braggadocios bars. Their hybridization of metal, hardcore, and hip-hop wouldn’t be out of place at either OZZfest 1997 or Rolling Loud 2027.

It's why the quintet have bulldozed their own path as a phenomenon with millions of streams and acclaim from Stereogum, Brooklyn Vegan, NO ECHO, and more.

Gridiron were born out of a series of COVID-era marathon Call of Duty sessions, which led to writing and recording together. Their musical pedigree spoke for itself with Will also in Never Ending Game, Xavier in Simulakra, and Tyler and Lennon in Scarab. Given their individual experiences, the guys instantly locked into a creative groove. Following the Loyalty At All Costs EP [2020] and Worldwide Brotherhood EP [2021], they dropped their first full-length, No Good At Goodbyes [2022]. Along the way, they also shared stages with everyone from Missing Link to Trapped Under Ice and have plenty of upcoming touring planned for 2025.

And now, Poetry From Pain is here and it slays.

Gridiron have a bunch of live shows on deck. All upcoming confirmed dates are below.

GRIDIRON ON TOUR:
4/11 — Richmond, VA — United Blood 
5/9 — Chicago, IL — Metro#
5/11 — Columbus, OH — Sonic Temple
5/13 — Atlantic City, NJ — Anchor Rock Club
5/14 — Virginia Beach, VA — Peabody's*
5/15 — Columbia, SC — New Brookland Tavern*
5/16 — Athens, GA — Georgia Theatre*
5/17 — Pensacola, FL — The Handlebar*
5/18 — Orlando, FL — Will's Pub*
5/19 — Surfside Beach, SC — The BrickHouse Lounge
5/20 — Raleigh, NC — Lincoln Theatre*
5/31-6/1 — Detroit, MI — Tied Down Detroit
6/21 — Rutherford, NJ — The Black Box at the Williams Center
#With Power Trip
*With Sanguisugabogg + 200 Stab Wounds

ABOUT BLUE GRAPE MUSIC:
In 2022, industry veterans David Rath and Cees Wessels formed Blue Grape Music. The name will be familiar to rock music fans, as it was the merchandise company also launched by Wessels, who founded the venerable and esteemed record label Roadrunner Records in the '80s. Roadrunner earned a reputation as an iconic label that turned hard rock and metal acts into household names for several decades under Wessels' tutelage. Rath spent 21 years in the A&R department at Roadrunner, working on albums by a variety of RIAA-certified and culturally important acts, including but not limited to Slipknot, Korn, Turnstile, Gojira, Coheed and Cambria, White Reaper, Slash, Trivium, Dream Theater, and more. When the label changed management and ownership, Rath guided the company and oversaw the signings of bands like Young the Giant and Vance Joy. Ultimately, the Blue Grape executive team is powered by experience and a roll-up-your-sleeves-and-get-your-hands-dirty, by-any-means-necessary work ethic. Blue Grape's inaugural signing was the two-time Grammy nominee Code Orange and since then, the label has gone on to sign San Francisco punks Spiritual Cramp, hardcore heavyweights GEL, and Baltimore sludge slingers GASKET, with several new signing announcements expected to be announced this year. Blue Grape is distributed globally by The Orchard.

PARMALEE’S FELL IN LOVE WITH A COWGIRL ALBUM OUT THIS FRIDAY

The countdown is on to Fell In Love With A Cowgirl, the first new studio album from Parmalee since 2021. The April 4 album features seven new songs from the band, including the recently released “Feels Like Home,” and their new hit single “Cowgirl,” which is currently climbing the country charts.

To celebrate the launch of the album, the band is set to take the stage on NBC’s Today on April 7, delivering the television premiere of “Cowgirl. “We’re excited to be heading to New York to play the Today Show next week with the new album final out,” said the band. “It’s going to be so much fun, so let's go!”  

Another standout from the album is the emotionally charged “God Knew Better”—a mid-tempo ballad that thanks God for sending the one woman who could calm a reckless heart. Co-written by Abram Dean, David Fanning, Jamie Collazo, Andy Albert, and the band, Parmalee describes the track as “like running into an old friend you didn’t know you needed to see.”

Fell In Love With A Cowgirl kicks off a two-part album series that deepens Parmalee’s signature blend of modern swagger and timeless storytelling. From love’s quiet comforts to wild, carefree nights, the band continues to push the boundaries of contemporary country with heart, grit, and style.

Fans can pre-order/pre-save/pre-add Fell In Love WIth A Cowgirl here. 

Parmalee’s evolution from chart-topping hits to innovative new sounds continues to solidify their place at the forefront of the country genre. From the album’s lead track “Feels Like Home,” the band invites listeners on a musical journey that’s equal parts nostalgic and refreshing on this project featuring anthems for anyone who’s ever found solace, celebration, comfort and closure as one falls in and out of love.

About Parmalee:

As the most-played group/band on Country Radio in 2023, Parmalee is one of Country Music's most successful acts with five #1 singles, multiple platinum records, and over 1 Billion on-demand streams. Parmalee is comprised of brothers Matt and Scott Thomas (lead vocals/guitar and drums, respectively), Cousin Barry Knox (bass), and lifelong friend Josh McSwain (guitar/keyboard). The North Carolina natives first topped the charts with “Carolina,” followed by their PLATINUM-certified No. 1 single with Blanco Brown, “Just the Way.” They followed with “Take My Name,” Billboard’s Most Played Country Song of 2022. They scored their third consecutive #1 single with “Girl In Mine,” Billboard’s 8th Most Played Country Song of 2023. They closed out 2024 with their fourth consecutive #1 “Gonna Love You.” Parmalee kicked off their new “Fell In Love With A Cowgirl” Tour in February, hitting stages across North America in 2025, before dropping their latest album of the same name on April 4.

KEEP UP WITH PARMALEE

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

Tallah Announce Third Album; Drop New Single & Music Video "What we know"

Unpredictable, uncompromising and unrelentingly original, Tallah have never been easy to categorise. The Pennsylvania-bred unit are back with a vengeance today as they announce brand new album ‘Primeval: Obsession // Detachment’, due out September 5th via Earache Records and drop “What we know”—the first single and opening track.

Listen to "What we know" HERE and watch the accompanying music video Below.

Pre-Order 'Primeval: Obsession // Detachment" HERE.

Simultaneously maximalist, raw and unfiltered, “What we know” sets the tone for what’s to come—an album unshackled by rules or expectations. Blending acoustic guitars, trap-metal 808s, string quartets, talkbox solos and more into one furiously cohesive piece, the track is a mission statement for the chaos ahead.

“The first song that was written for the album, and easily my #1 Tallah song to date,” says bassist Max Portnoy. “The amount of experimentation on this track paved the road for the tone of the whole record. From performing the first half of the song on acoustic guitars, to layering trap-metal 808’s over a string quartet with dissonant plucks in the chorus, to a trading guitar solo with a talkbox and a slide, you can find so many fun tools we incorporated, without it feeling disjointed. To have all that experimentation, in a driving and energetic track with a massive chorus, made for my favorite piece of work yet. It was a no-brainer to start the record with this one.”

‘Primeval: Obsession // Detachment’ is a concept album rooted in narrative and boundless in scope. Set on an alien planet, it follows Ana, a nurse, and Sheelah, an assassin—two strangers pushed to the brink of their morality by the same mysterious group of beings. Their journeys spiral through tests of belief, identity, and loyalty, building toward a finale laced with twists, dualities, and mirrored consequences. Architect of the exceptional and intricate world-building Tallah have become known for on each of their albums, vocalistJustin Bonitz shares

“Primeval Obsession/Detachment is a concept album taking place on an alien planet. The story follows two characters, Ana (a nurse) and Sheelah (an assassin). Both are approached by the same group of beings, who ask the main characters to each perform a task that will test their values and push their morals to the limit before ending with twist after twist. The album explores morality, duty, personal beliefs, duality, and understanding one's place in society.”

Tracked live in Michigan with longtime producer Josh Schroeder, the record captures Tallah in their purest, most unhinged form. No click. No edits. No polish. Just instinct and execution. It also sees founding member, Max Portnoy, making a major creative shift from drums to bass and Justin recording the vocals for the whole album in one, continuous take.

Providing further context, Max Shares

“For me, this album is Tallah finding our voice. During the writing process, no boxes were in place. No rules were set. Whatever felt uniquely us, that was what made the cut. I'm not sure how to even label this record's sound beyond 'Tallah'. It's weird. It's experimental. It's driving, and energetic. It's raw. We recorded live, every instrument at the same time, with no click. That's how we play shows, so why would we record differently? This album also marks my first recording dedicated to bass. I translated my drum knowledge to a new instrument and it was a huge creative breath of fresh air for me.”

For vocalist Justin Bonitz, the experience was equally intense.

"I practiced for months and was able to record the entire album in one huge, continuous take with no edits or redos or anything! And I was recovering from pneumonia! Nobody is gonna believe me! It was honestly the highlight of my entire vocal career. I was unsure if I could pull it off, but I went into the booth, grabbed an SM57, turned off the lights, and whatever happened happened. I think it feels more intimate and naked with all the flaws and imperfections, which is perfect for the raw, organic sound of this album."

From mirrored track titles to reversed riffs, ‘Primeval: Obsession // Detachment’ is Tallah at their most deliberate and deranged. It’s a labyrinthine listen made for close listening and repeat immersion. As with everything they do, the chaos is crafted, and the madness is methodical.

‘What we know’ is streaming now. ‘Primeval: Obsession // Detachment’ arrives September 5th via Earache Records.

ABOUT TALLAH

Emerging from Pennsylvania in 2018, Tallah fuse the percussive force of second-generation drummer-turned-bassist Max Portnoy with the unpredictable dexterity of vocalist and viral phenom Justin Bonitz and the phenomenal guitarist due of Derrick Schneider and Alex Snowden to form a sound that’s part brutalist nu-metal, part theatrical meltdown, and entirely their own. What began as a raw homage to the early-2000s metal they were raised on—Slipknot, Korn, Linkin Park—has since evolved into something far stranger and far more singular.

After making waves with their 2020 debut 'Matriphagy', a twisted concept album soaked in trauma and noise, the band were hailed by Knotfest as delivering “one of the best metal releases of the year” and by Metal Hammer as “leading the charge on the new wave of nu-metal.” The follow-up, 'The Generation Of Danger' (2022), saw them push their hybrid sound further into chaos—earning millions of streams, high-profile festival slots, and nominations at both the Heavy Music Awards and AIM Independent Music Awards.

But it’s on album three, 'Primeval: Obsession // Detachment' (out September 5, 2025 via Earache Records), that Tallah truly shatter what’s left of the mould. Decamping to Michigan to record the entire project live with longtime producer Josh Schroeder, the band abandoned edits, clicks, backing tracks, and rules. What remains is pure instinct—feral, volatile, and unrelentingly human.

Conceptually, the record unfolds across a sci-fi narrative that follows Ana, a nurse, and Sheelah, an assassin—two strangers manipulated by a shadowy force and driven to the edges of their morality. The mirrored structure, warped sonic callbacks, easter eggs and ambiguous lyrical layering reflect a story full of tests, dualities, and spiraling identity shifts.

To date, Tallah have clocked up 29.7 million Spotify streams and 6 million YouTube views.

TALLAH ARE

Vocals: Justin Bonitz

Guitar: Alex Snowden

Guitar: Derrick Schneider

Bass: Max Portnoy

Drums: Joel McDonald

DJ: Ivan Little

MAD INVASION (FEATURING SPECIAL GUEST MIKKEY DEE) ANNOUNCE NEW SINGLE OUT NOW AND ALBUM “CRACK IN THE SKY” OUT APRIL 25

MAD INVASION (featuring special guest Mikkey Dee) release their second album “Crack In The Sky” on April 25 via Border Music. The band’s combination of classic 70’s/80’s hard rock with a contemporary sound, delivers a distinct and unique listening experience that makes them stand out in the musical landscape. The new album is a natural progression of the band’s trademark sound with the exciting addition of also being available in a concept version.

“Crack In The Sky” is masterfully crafted and refined mix of melody and destruction, with sing-along choruses and hooky guitar melodies being contrasted by crushingly heavy guitar riffs on a solid bedrock of drums and bass.

NEW ALBUM “CRACK IN THE SKY” OUT APRIL 25

PRE-ORDER HERE

MAD INVASION have so far released 5 singles/videos from the new album “Welcome To My Show”, “Voodoo Queen”, “Heat Of The Night”, “Flesh & Blood”and the title track “Crack In The Sky”. One more single/video is planned in connection with the album release (after the album release).

Says guitarist and co-producer Hal Marabel of the new album, “It took a while for us to produce this album, as we wanted to get the songs right and further develop our sound. We experimented quite a bit and continuously iterated sound versions until we were fully satisfied that we had exactly the sound that we wanted. It was quite important for us to nail down the balance between the more traditional elements of classic rock with utilizing available technology and our creativity.”

Check out this studio report going through the set up and sound approach. 

Regarding the participation of Mikkey Dee on the album, Hal continues, “It was great to have Mikkey on board for this album, his trademark style of playing added an extra dimension to the songs andfinal product, and he’s a great guy to hang out with as well – not to mention all his fun stories to his touring days with al the bands he has played with.” 

Check out Mikkey’s promo for the band and new album.

FIND MAD INVASION HERE:

• Website

• Linktree

• Facebook

• Instagram

• Spotify

• YouTube

FIT FOR AN AUTOPSY - RELEASE LIVE MUSIC VIDEO FOR 'LOWER PURPOSE' + 2025 NORTH AMERICAN TOUR WILL KICK OFF ON APRIL 8TH!

Metal band FIT FOR AN AUTOPSY released their latest offering, The Nothing That Is, last fall. The seventh studio album which featured the singles 'Hostage', 'Savior Of None / Ashes Of All', 'Lower Purpose', and 'Red Horizon', explores the darkest aspects of the human condition. Today, the band unveils the live music video for the track 'Lower Purpose'. Watch the video which was filmed and edited by Cameron Nunez, below.

Stream/purchase the album at https://ffaa.bfan.link/the-nothing-that-is

FIT FOR AN AUTOPSY is kicking off their 2025 North American tour on April 8th! The 31-date trek includes dates with ARCH ENEMY on their 'North American Blood Dynasty 2025 tour' with BAEST and THROWN INTO EXILE, as well as headline shows with MUGSHOT, TRACHEOTOMY, and GATES TO HELL.

Tickets for all upcoming shows are available now. For additional information, visit: https://fitforanautopsy.co/pages/tour

04.08 Louisville, KY @ Portal ^
04.09 St. Louis, MO @ Red Flag ^
04.10 Oklahoma City, OK @ Beer City Music Hall ^
04.11 Lubbock, TX @ Jake's Sports Cafe ^
04.12 Albuquerque, NM @ Sunshine Theater ^
04.14 San Diego, CA @ The Observatory North Park ~ 
04.15 Los Angeles, CA @ The Wiltern ~ 
04.16 San Francisco, CA @ The Regency Ballroom ~ 
04.18 Portland, OR @ Roseland Theater ~ 
04.19 Seattle, WA @ Showbox SoDo ~ 
04.20 Vancouver, BC @ The Pearl ~ 
04.22 Edmonton, AB @ Union Hall ~ 
04.23 Calgary, AB @ MacEwan Hall ~ 
04.25 Salt Lake City, UT @ The Complex ~ 
04.26 Denver, CO @ Summit ~ 
04.28 Minneapolis, MN @ The Fillmore Minneapolis ~ 
04.29 Chicago, IL @ The Vic Theatre ~ 
04.30 Detroit, MI @ The Majestic Theatre ~ 
05.02 New York, NY @ Palladium Times Square ~ 
05.03 Worcester, MA @ The Palladium ~ 
05.05 Philadelphia, PA @ Theatre of The Living Arts ~ 
05.06 Silver Spring, MD @ The Fillmore Silver Spring ~ 
05.08 Montreal, QC @ L'Olympia ~
05.09 Toronto, ON @ Queen Elizabeth Theatre ~ 
05.10 Stroudsburg, PA @ The Sherman Theater ~ 
05.11 Columbus, OH @ Sonic Temple #
05/12 Virginia Beach @Elevation 27^
05.13 Charlotte, NC @ The Underground ~ 
05/14 Madison, TN @ Eastside Bowl *
05.16 Atlanta, GA @ The Masquerade ^
05.18 Daytona, FL @ Welcome To Rockville #

~ - w/ ARCH ENEMY, BAEST, THROWN INTO EXILE
^ - w/- MUGSHOT, TRACHEOTOMY
*- w/- GATES TO HELL, MUGSHOT, TRACHEOTOMY
#- w/- FESTIVAL DATES

About:
FIT FOR AN AUTOPSY’s acclaimed 2022 album On What the Future Holds was the band’s highest-charting release to date, becoming the first of their six full-lengths to reach the Top 25 of the Billboard 200. But while some musicians would take such an achievement as a cue to duplicate whatever worked last time, or maybe even tailor their sound to boost its commercial appeal, the band—vocalist Joe Badolato, guitarists Will Putney, Patrick Sheridan, and Tim Howley, bassist Peter Spinazola, and drummer Josean Orta—simply continued to evolve along their own path. The Nothing That Is, FIT FOR AN AUTOPSY’s seventh and latest album (and third for Nuclear Blast), bears no sign whatsoever of commercial concession or rehashed past glories. Instead, the ten-song album finds the band exploring moodier textures and deeper emotions that add new power and dynamics to their already brutal and complex music, while also completely tuning out the ambient noise of passing musical trends and the expectations of the outside world. Produced by Putney at his Graphic Nature Audio studio in Kinnelon, New Jersey, The Nothing That Is is an album filled with anger, frustration, and crushing despair. Songs like "Hostage", "Red Horizon", "Lower Purpose", and the pummeling title track grapple with the horrors that the human race has unnecessarily inflicted upon the world, while the epic, introspective closer "The Silver Sun" reflects bitterly upon our uncertain future. Built to be listened to in its entirety in a single sitting, The Nothing That Is flows like the gripping soundtrack to a documentary film of our increasingly dystopian existence. A ringing wake-up call for humanity and a thoroughly intense listening experience, The Nothing That Is brims with both aggression and melody, it's bracing music is delivered with the confidence of a band that has honed its skills and forged its sense of purpose through fifteen-plus years of all-out live shows. Sufficiently secure of their place in the metal firmament to let their music go wherever feels right for a particular song, FIT FOR AN AUTOPSY have delivered what may well be the greatest album of their career.

FIT FOR AN AUTOPSY ARE:
Joseph Badolato | Vocals
Patrick Sheridan | Guitar
Timothy Howley | Guitar
Will Putney | Guitar
Peter Blue Spinazola | Bass
Josean Orta Martinez | Drums

GREYWIND Begins a New Chapter for 2025 with Emo Anthem "Acid Rain" + Music Video

The next chapter of Irish brother-sister duo GREYWIND begins now. Today, Steph and Paul O’Sullivan mark a bold new era with the release of their first single under FLG, the cinematic emo anthem "Acid Rain." A pulse-pounding, melody-driven powerhouse, this track is destined to ignite crowds while purging a few demons along the way. The new single is accompanied by a music video, available to view below.

Steph comments on "Acid Rain":

“This song is about being in a toxic situation and feeling like everything is crashing down around you, which we know all too much about.”

Paul adds:

“As soon as we finished writing ‘Acid Rain,’ we knew it had to be the first song to start the new era of GREYWIND. It’s cinematic, dramatic, and has everything we love about music in it. We wanted it to feel like a movie and you’re now in our world.” 

Watch the Music Video for "Acid Rain"

Inspired by great emo pop originators like Jimmy Eat World, Fall Out Boy and My Chemical Romance, GREYWIND are on a mission to bring the genre into the future with an insatiable energy and armed with a never-ending supply of hooks. The duo’s flair for the dramatic and knack for an earworm melody is seeing them build their own musical world, to which they’re inviting their dedicated following, along with any unsuspecting listener lucky enough to arrive at the doors of their universe. 

GREYWIND’s poignantly visceral ‘Antidote’ EP was released last year via Version III and acted as a stepping stone from their debut album, ‘Afterthoughts’ released in 2017 via Spinefarm, to this new era. The EP was jointly produced by Sam Guaiana (Neck Deep, Silverstein, Like Pacific, Intervals) and The Wonder Years guitarist Casey Cavaliere. It was mastered by Mike Kalajian (Saosin, New Found Glory, Circa Survive). Singles from the EP received praise from the likes of Kerrang!, Brooklyn Vegan and Hot Press, as well as spins on BBC Radio 1 and Kerrang! Radio. 

Recently seen live in the UK with the likes of The Wonder Years, Madina Lake and As December Falls, GREYWIND are also making a splash internationally, having toured the US multiple times last year with Tiny Moving Parts, 408, Boys of Fall and Telltale.