OF LIMBO Share Homage To Van Halen With "Finish What Ya Started"

OF LIMBO are sharing a fun new homage to Van Halen with their acoustic version of the classic “Finish What Ya Started”.  It’s the 2nd release from the California band off their upcoming “Unplugged” album, which will be released this summer.

Recorded at the band’s home studio in Long Beach, their self-produced rendition is a tongue-in-cheek remake that adheres to the original, while making it a bluesy, sexy and hell raising version that is the trademark sound that OF LIMBO has become known for. 

The band’s Jake Davies says “Jason Klein (formerly of Butcher Babies), our “Unplugged” bassist, brought us this one and we knew we had to do it. Van Hagar at their best! It’s a true “hound-dog” masterpiece.  We would never try to improve on their perfection. But we did take a couple liberties with the song here and there!”

The “Finish What Ya Started” video was directed by Brandon Vancour and filmed at OF LIMBO’s home studio in Long Beach. Jake explains “We just wanted to have fun and recreate the classic Van Halen video. We played around a little bit to make it a version our fans have come to expect. Other than that, we just followed their lead and hit up a couple babes (Internet sensations Heather Leather and Lindsey Ferrari) to dress up like rocker cowgirls while we danced around and sang along. There might have been some tequila involved…”

The band is ramping up their live shows to celebrate on release day for the song.  More dates are currently being booked to support the album release.

Live Shows

Friday, March 28th @ Alex’s Bar - Long Beach, CA

Friday, April 18th @ 4th Street Vine - Long Beach, CA  (Acoustic)
        Saturday, May 3rd @ The 3 Clubs – Hollywood, CA (Full band/Electric)

About OF LIMBO:

Brothers Jake and Luke Davies were raised in Melbourne, Australia – but relocated to Long Beach, CA to further their music career in the states. The band pride themselves on making every show a party with their unique take on Heavy Rock N’ Roll. Kevin Martin of Candlebox says "OF LIMBO is the last dangerous Rock N’ Roll band you f*&^rs will ever see live". OF LIMBO play 100+ shows per year, and have toured nationally with Wolfmother, Hinder, Candlebox, Buckcherry, Joyous Wolf, and Blue Oyster Cult, among others.  Their high-energy performances create an electric atmosphere that is infectious, making it impossible not to have fun.

OF LIMBO released “Joke’s On You” in early 2025, as a follow-up to 2024’s “Estrada”.  They saw their profile raised significantly with “California Demon” in 2023, which saw the song placed on all major DSP platforms on multiple Hard Rock & Metal playlists, and widespread press acclaim including Loudwire, HEAVY, BraveWords, The PRP, Substream, Medium, Ramzine, Rock N’ Load, and more.  2022’s “Let’s Go” also received adds on multiple playlists on Spotify, Apple Music, Amazon Music, and Pandora. The “Let’s Go” video made several Top 10 lists for Video Of The Year.  Previously released songs include ‘Happened Again’, ‘Nothing But Now’ ; ‘Nicotine’; and ‘Fight For Your Right’ (Beastie Boys cover).

Official Website

https://www.oflimbo.com/

For More Information, Contact:
Ed Bunker – NPM PR and Marketing
Ed@NPMPRandMarketing.com

Nate Vickers Drops Brand New Track "Parasite"!

Alt rock's breakout act to watch, Nate Vickers, returns with a gripping new single, "Parasite" out now via Oxide Records. With "Parasite," Vickers dives deep to explore the darker, more vulnerable side of his signature sound. Watch the new video for "Parasite", directed by Nate, below.

Digging into the heart of "Parasite," Nate Vickers shares:

"“Parasite” is a reflection of a period in my life where I lost sight of who I was as an artist. I found myself surrounded by influences that clouded my judgment and led me away from my instincts, leaving me in a place of deep self-doubt. For a while, I wasn’t creating from a place that felt genuine. This song marks a turning point—a moment of clarity and reclamation. Writing it was part of the process of reconnecting with myself and finding the courage to trust my own voice again."

Fueled by raw emotion and unapologetic honesty, "Parasite" explores the toxic undercurrents of relationships, delivered through gut-punch lyricism paired with soaring hooks. Channeling the push and pull of toxicity and self-discovery, this track features Vickers blending gritty guitars with pain and the pursuit of healing.

Inspired by iconic bands such as Linkin Park, Incubus, and Nirvana, Nate Vickers has crafted a sound that is unmistakably his own, earning him 2 million followers across social media and praise from Sirius XM's Octane. Further fueling Vickers' rise, his previous single, "A Little Too Late", racked up an impressive 1 million streams on Pandora and more than half a million on Spotify.

Be sure to stay tuned for more Nate Vickers news coming soon.

ABOUT NATE VICKERS

Introducing Nate Vickers: the enigmatic force behind the electrifying sounds captivating social media feeds worldwide. Based in Houston, this rock/pop virtuoso has mastered the art of leaving audiences spellbound, all while shrouded in an aura of mystery that leaves followers craving more.

With a whisper of his name echoing through the digital landscape, Nate Vickers commands attention like a siren's call. His journey to stardom is paved with viral covers on TikTok and Instagram, where his raw talent and magnetic presence have garnered an awe-inspiring following of a staggering 1.4m followers on TikTok and 452k on Instagram.

But Nate is more than just a musical maverick; he's a connoisseur of the digital realm, immersing himself in the thrilling landscapes of FPS games like Warzone, Apex Legends, and the timeless RPG gem, Runescape. From the tender age of youth, Nate's passion for gaming has been a steadfast companion, shaping his creative journey and imbuing his artistry with a dynamic edge.

Yet, his interests don't end there. Nate's eclectic spirit finds solace in the realms of fashion, art, skateboarding, and drawing, where his boundless creativity grows. Each brushstroke, each riff, each daring fashion choice speaks volumes of a soul unbound by convention, a spirit dancing on the precipice of discovery.

To know Nate Vickers is to embark on a journey shrouded in intrigue, where every note, every post, every shared moment unveils a new layer of his enigmatic persona.

Black Sabbath members Tony Iommi, Geezer Butler, and Bill Ward talk exclusively to Rock Candy Mag for a 50th anniversary celebration of the ‘Sabotage’ album.

Black Sabbath guitarist Tony Iommi, bassist Geezer Butler, and drummer Bill Ward have opened up to Rock Candy for the magazine’s latest expansive cover story marking 50 years since the release of the band’s seminal sixth studio album,‘Sabotage’, in 1975.

The three musicians recall the stresses and strains of going though litigation with their former manager, while at the same time trying to create new music that was designed to push the boundaries of what the Birmingham group had previously deemed possible.

“We were obviously immensely p*ssed off because we had hardly anything to show for five years of constantly touring, writing, and recording,” Butler explained to Rock Candy Mag editor Howard Johnson. “It was difficult dividing time between creating music and time spent in lawyers’ offices, with QCs, and in law courts. But with our backs against the wall I think some of the songs on ‘Sabotage’ were the angriest that we’d ever written.”

“It wasn’t easy, because as it turned out the court case happened smack bang in the middle of recording ‘Sabotage’,” says Iommi. “One minute you’d be worrying about whether a riff was right for a song, the next you’d be sat in court.”

Yet despite such immense outside stresses, Sabbath were absolutely determined to forge ahead on their musical journey.

“We were in an experimental phase at the time,” says Butler.“We’d introduced different instruments on the [previous] ‘Sabbath Bloody Sabbath’ album, and once again were looking for new directions. Synths were relatively new at that time, so we had a go at introducing them on some songs. It was fun playing around.”

With their backs against the wall, Sabbath dug deep to produce some of the most exciting rock music of the ’70s – or any other decade. 

“‘Hole In The Sky’ and ‘Symptom Of The Universe’ are two of my all-time favourite Black Sabbath songs,” confirms Geezer. “I still love playing them, and they really come alive when we perform them live.”

“I was really, really happy with the writing,” says Bill Ward. “I think we were expanding, allowing ourselves to expand. We’d come a really long way from the song ‘Black Sabbath’, as great as that song is. I thought the richness of what we were doing on ‘Sabotage’ was brilliant.”

You can read the exclusive Black Sabbath ‘Sabotage’ story in issue 49 of Rock Candy Mag, together with in-depth stories and interviews with Billy Squier, Angel, Machine Head, Don Airey, L.A. Guns, Jethro Tull, and more. For more details visit www.rockcandymag.com.

ABOUT ROCK CANDY MAG
Rock Candy Mag is a 100-page, full-colour bi-monthly rock mag, created in the UK. It covers the sights, sounds and smells from the greatest era in hard rock music, the ’70s and ’80s. The brainchild of: respected UK rock journalists Derek Oliver, Howard Johnson and Malcolm Dome – all frontline writers for the legendary Kerrang! magazine in the golden era.

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GEMINI SYNDROME RELEASES NEW SINGLE “CAROUSEL” – A SONIC RECKONING WITH THE CYCLES OF SELF-DESTRUCTION AND TRANSFORMATION

In the ever-turning wheel of existence, where past, present, and future blur into a singular, cyclical motion, Gemini Syndrome unveils their latest offering, “Carousel”—a haunting meditation on the cycles we trap ourselves in and the courage it takes to break free.

"I am my own worst enemy."

A confession. A revelation. A truth buried beneath layers of pretense. We sabotage ourselves in the shadows, hiding behind the illusion of control. The turmoil within is relentless, unseen yet omnipresent. “Carousel” rips the mask away, exposing this eternal conflict—the conscious self at war with the unconscious. The driver and the passenger. The master and the captive.

"We can often be our own worst enemies," says drummer Brian Steele Medina. "There’s this illusion of control, like we’re holding the reins, but sometimes we don’t realize we’re just along for the ride. ‘Carousel’ captures that duality—the war between who we are and who we want to be."

To break the cycle requires an act of will—but true will is more than defiance; it is surrender. The courage to let go of the illusions that bind us. How can we evolve if we refuse to release the weight of our past? How can we ascend if we remain tethered to a wheel that never stops spinning?

"How can we become better than our present selves, when we live our lives like we’re on a carousel?"

The question lingers like an incantation, a challenge to all who dare to listen. “Carousel” is not just a song—it is a rite of passage, a moment of reckoning for those willing to look into the mirror and confront the storm behind their own eyes.

"At some point, you have to face the mirror," vocalist 

Aaron Nordstrom adds. "The song is about that reckoning—when you finally admit that you’re the architect of your own suffering. But acknowledgment is the first step to change."

With towering riffs, hypnotic rhythms, and a chorus that lingers like a whispered truth, “Carousel” embodies the struggle between stagnation and self-awareness.

This is the journey of Origin: From Nothingness to Everything—the transmutation of the self through trial and tribulation. The endless fight to wake up, break free, and become more than the sum of our past mistakes.

The ride is not over. But the choice is yours: remain in endless repetition, or shatter the cycle and step beyond.

As Gemini Syndrome continues their journey of musical and philosophical alchemy, “Carousel” stands as a call to arms for those willing to step off the loop and forge a new path.

GEMINI SYNDROME

Aaron Nordstrom | Messanger

Brian Steele Medina | Drums + Programming

Meegs Rascón | Guitars

AP Paveri | Bass

4 festivals & 3 headline shows: Japanese band coldrain is bound for “SUMMER in GERMANY 2025”!

There has been no slowing down for coldrain. After announcing their signing with Century Media Records on March 18, the Japanese band released their latest single, "INCOMPLETE," which was met with great excitement. Fans and new listeners alike won’t need to wait too long until they can experience the new music live: The quintet just announced their full festival and concert lineup for “SUMMER IN GERMANY 2025.”

In August, the band will be electrifying four festival stages alongside three additional headline shows in Düsseldorf, Jena, and Aschaffenburg. Audiences can expect a show and energy not to be missed.

 “INCOMPLETE,” which is the band’s first release for this year, also now boasts its own official music video. Innovative, powerful, and brimming with the band’s signature edge, the quintet infuses "INCOMPLETE" with an energetic narrative, bringing the song to life through its captivating visuals.

Watch the Video for "INCOMPLETE"

About coldrain:

Formed in 2007 in Nagoya, Japan, and with a total of seven studio albums under their belt, coldrain is certainly not a new name in the scene. While releasing music in English, the quintet is known for blending melodic singing with heavy instrumentals and screaming, finding the perfect balance between genres. Through touring with international names such as Bullet for My Valentine and Papa Roach, coldrain has built an international audience over the years.

coldrain are:

Masato – Vocals 

Y.K.C - Guitar 

Sugi - Guitar 

RxYxO - Bass Guitar 

Katsuma - Drums

TSS Announce New Album "END OF TIME" + Share "Something In the Way" Video

FEARLESS RECORDS welcomed French metal alchemists TSS (formerly The Sunday Sadness) to the label's global roster in 2024. 

TSS have steadily built its reputation thanks to its innovative blend of emo, metalcore, alternative rock, and synthwave. They've recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. The band quickly solidified its lineup with John on guitar and vocals and Hugo on drums.

Today, they announce the forthcoming release of new album END OF TIME, out June 27 via Fearless. Pre-order it here.

The band has also shared the video for new single "Something in the way."

With this album and track, TSS are about to put themselves firmly on the international musical map. The song is sung in both English and the band's native tongue, adding an extra layer of sonic thrills. The song's universal appeal also lies in the alternately sung and screamed vocals, thick riffs, monster breakdowns, and liberal use of synths, which add more girth and heft to the track. Stick around for the utterly explosive ending. It will knock the wind out of you with its ferocity.
 

"'Something in the way' tells the story of a protagonist who witnesses the fall of a loved one into the darkness of depression, with no means of remedy," states the band. "The track starts with a drum 'n' bass theme and gets heavier and heavier, ending with the most violent breakdown the band has ever written — a perfect way to illustrate the torment of the soul the band wanted to portray. The band likes to end their live performance with this track, as its tempo and progression allow for jumping, dancing, headbanging but also crazy wall-of-deaths."

Mission accomplished.

ABOUT TSS:
TSS's origin story can be traced back to December 2017, with "The Wrong Way," their firstsingle release. In May 2018, they released "Lost In The Crowd," a track that set the stage for their first live performance, which found them opening for Asking Alexandria in Paris. This show established TSS as an up and coming force in the French music scene.

Their 2018 single "Someone," a blend of synthwave and retrowave, was a turning point that showcased John as a second lead vocalist. This shift was followed by their self-titled debut EP in May 2019, led by the single "Damn I Hate It," which fans loved, thanks to its fusion of funk, synthwave, and emo elements. The band's growing popularity was further confirmed with a sold-out release show in Paris.

As the band evolved, they started to introduce French lyrics into their songs, leading to the release of "YAYAYA" in September 2019. Their originality attracted the attention of independent label PlayTwo, resulting in the creation of the album REGRETS in collaboration with Warner Music and TV broadcaster TF1. In September 2021, the band rebranded to TSS, marking the occasion with the release of the single "1996," which garnered significant attention in France.

February 2023 saw TSS embrace a more aggressive style with "Tes Pleurs," a modern metalcore track inspired by Bring Me The Horizon and Poppy. This new direction broadened their audience while maintaining their unique gothic/K-pop aesthetic. The band's experimental spirit led to the August 2023 release of "Fantasize," a viral hit that fused alternative rock, J-rock, phonk, and metal, earning millions of streams on Spotify.

The momentum continued with "Would You Be My Therapy?" in December 2023, a track that topped iTunes rock charts and caught the attention of many labels. In September 2024, having signed a deal with Fearless Records.

TSS's journey, characterized by constant innovation and genre-blending, has positioned them as a rising force in the modern metal scene, with a growing fanbase across diverse musical communities.       

Rising Country Sensation Maddox Batson Makes Grand Ole Opry Debut

Hailed as “one of the most exciting new voices in Country music” by Holler, breakout country artist Maddox Batson made his Grand Ole Opry debut on Wednesday, March 26, performing two songs from his recently released EP First Dance.
 
In between performing “I Don’t Like You Anymore” and “It Was You,” Batson shared, “Performing here at the Opry tonight means more to me than anything. I want to give a shout out to all my family here tonight. I can’t stop smiling. You’re making dreams come true for me!”
 
Chatting with Opry announcer Charlie Mattos on stage, Batson was asked, “How cool did it feel to be in that circle?”
 
“Walking out on this stage, the circle, is something I’ve wanted to do my entire life. I know I haven’t lived a long time, but…,” he shared smiling, with laughter from the audience. “Growing up in the country music space, growing up knowing the prestige of the Grand Ole Opry and actually coming out here to play it means the world to me. It’s the coolest thing ever.”
 
First Dance, available now via Prosper Entertainment/Warner Records, finds the multi-instrumental singer-songwriter captivating audiences with his heartfelt storytelling and signature sound. Listen HERE.
 
Talking about First Dance from the Opry stage, he shared, “I’ve never been more proud of a body of music. A year ago, I released my first song ‘Tears in the River.’ And then a year and six days later, I got to release my debut EP. I’m so proud of it and glad the fans are liking it so far.”
 
The EP arrives after standout “I Don’t Like You Anymore,” surpassing 1 million Spotify streams and 3.2 million YouTube views on its accompanying music video. It follows in the wake of the buzzing “X’s,” which has already amassed over 6 million Spotify streams in addition to 11 million YouTube views on the music video.
 
First Dance features seven tracks with the same youthful magnetism, including highlights like the single “Girl In Green.” Showcasing his stunning signature style, Batson paints a cinematic picture on the catchy chorus, “Tell me, have you seen the girl in green? Felt like a movie, yes it could’ve been a dream.” The music video for “Girl In Green” is available now - watch HERE.

Photo Credit: Chris Hollo/Grand Ole Opry

Talking about First Dance from the Opry stage, he shared, “I’ve never been more proud of a body of music. A year ago, I released my first song ‘Tears in the River.’ And then a year and six days later, I got to release my debut EP. I’m so proud of it and glad the fans are liking it so far.”
 
The EP arrives after standout “I Don’t Like You Anymore,” surpassing 1 million Spotify streams and 3.2 million YouTube views on its accompanying music video. It follows in the wake of the buzzing “X’s,” which has already amassed over 6 million Spotify streams in addition to 11 million YouTube views on the music video.
 
First Dance features seven tracks with the same youthful magnetism, including highlights like the single “Girl In Green.” Showcasing his stunning signature style, Batson paints a cinematic picture on the catchy chorus, “Tell me, have you seen the girl in green? Felt like a movie, yes it could’ve been a dream.” The music video for “Girl In Green” is available now - watch HERE.
 
This spring, Batson will hit the road once again with headlining tour dates in New York City, Dallas, Chicago and more, along with a performance at Stagecoach Music Festival in Indio, CA. Following high demand, Batson upgraded venues across the country with limited tickets remaining. This fall, he’s set to join one of country’s biggest stars, supporting Lainey Wilson’s Whirlwind Tour.

Tour Routing:
March 28 || Columbus, OH || The Bluestone*
March 29 || Louisville, KY || Mercury Ballroom*
March 30 || Indianapolis, IN || Egyptian Room*
April 4 || Rosemont, IL || Joe’s Live*
April 5 || Rootstown, OH || Dusty Armadillo*
April 6 || New York, NY || Irving Plaza*
April 9 || Savannah, GA || Victory North*
April 10 || Charleston, SC || Charleston Music Hall*
April 11 || Raleigh, NC || Lincoln Theatre*
April 13 || Huntsville, AL || Mars Music Hall*
April 17 || Dallas, TX || House of Blues*
April 18 || Houston, TX || White Oak Music Hall - Downstairs *
April 19 || Austin, TX || Emo’s Austin *
April 22 || Denver, CO || Summit
April 24 || Phoenix, AZ || Crescent Ballroom*
April 26 || Indio, CA || Stagecoach Music Festival                
June 28 || Fairfield, CA || Vineyard Jam 2025
July 20 || Valparaiso, IN || Porter County Fair
Aug 10 || West Chester Township, OH || Voices of America Country Music Fest
Sept 11 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 12 || Baton Rouge, LA || Raising Cane’s River Center^
Sept 13 || Bossier City, LA || Brookshire Grocery Arena^
Oct 2 || Nashville, TN || Bridgestone Arena^
Oct 16 || St. Louis, MO || Hollywood Casio Amphitheatre^
Oct 17 || Rosemont, IL || Allstate Arena^
Oct 18 || Saint Paul, MN || Xcel Energy Center^
 
*SOLD OUT
^Lainey Wilson Support Dates
 
About Maddox Batson:
Maddox Batson navigates the world with wisdom and wit far beyond his 15 years. After the Nashville-born, Alabama-based songwriter began gaining notoriety covering songs from Zach Bryan, Red Clay Strays, and more, he started to write his own songs. Thanks to early singles like “Tears In The River” and “I Wanna Know,” Batson quickly showed that he wasn’t only a star at covering country hits, but an excellent writer of his own home-cooked cuts – a practice he saw first-hand as a co-writer on Lana Del Rey and Quavo’s smash hit collaboration, “Tough.”
 
With the arrival of his latest single, “Girl In Green” and his EP First Dance, Batson is ready to show the world what he can create all while preparing for sold-out live shows across the country, his debut appearance at Stagecoach Music Festival and more new music. Life is moving fast for the multi-instrumentalist (piano, guitar & mandolin) who has fully embraced his next-up in country-pop music.  “It can be overwhelming, this life, but I’ve got a lot of good people surrounding me,” he explains. “I’m still just a kid, though, and I’m happy about that.” More at MaddoxBatson.com. 
 
STAY TUNED WITH MADDOX BATSON
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Christian Hayes Releases “Through It All” + Lyric Video Out Now

Ever since Capitol Records recording artist Christian Hayes’ love for songwriting was born in a journal his grandpa gifted him at age seven, music has been an avenue for him to navigate complex emotions associated with growing up and the heartaches that come with it. The release of his latest song, “Through It All,” is no exception, as Hayes toggles with learning to move on from a relationship alone.
 
Listen to “Through It All” HERE and watch the “Through It All” lyric video BELOW.
 
“I wrote ‘Through It All’ in celebration of all the times I made it through things without the people who promised they’d be there for me,” reflects Hayes. “It’s a song about realizing you’re strong enough - and you are enough… It’s something I hope you can find strength in as well.”
 
Written by Hayes and Jonah Kagen, and produced by Kagen, the emotional ballad conveys the anguish of a relationship ending with a person who was expected to be around to help weather life’s storms. 

Prior to “Through It All,” Hayes released his debut EP, Last I Love You, in September 2024. Last I Love You casts a wide net, introducing Hayes’ genre-bending style by fusing Americana and folk, while bouncing between campfire ballads, cinematic soundscapes and raw, rowdy barn-burners. At the center of that sound is Hayes himself: a wise-beyond-his-years musician who knows he can't move forward without taking a look at his past. 
 
Genuine and articulate, Hayes comes from a long line of storytellers that includes his Grandpa Jack – a poet by profession. Born and raised in the foothills of Appalachia, Hayes began playing guitar at age eight. After high school, he enlisted in the U.S. Navy Reserve and attended the University of Alabama.
 
Hayes made his Grand Ole Opry debut on February 1, performing two songs: the unreleased "Home Sweet Home" and viral hit, "LILY." This Summer, Hayes will make his CMA Fest debut with a performance on the Hard Rock Stage.
 
Upcoming 2025 Tour Dates:
March 28 // Tin Pan South Songwriters Festival // Nashville, TN
April 18 // Boot Barn Hall // Gainesville, GA
June 5 // CMA Fest // Nashville, TN
June 6 // Downtown Historic McKinney Square // McKinney, TX
June 26 // Jackalope Jamboree 2025 // Pendleton, OR
Sept. 11 // Born & Raised 2025 // Pryor, OK

About Christian Hayes:
Raised in the Appalachian foothills of northern Georgia, Christian Hayes grew up surrounded by southern storytelling. His grandfather —a poet by profession —encouraged him to begin writing in a journal at 7 years old, sparking a habit that would eventually take Hayes to Nashville. A veteran of the US Navy Reserve, Hayes began applying the discipline of his military training to his work as a songwriter, amassing more than 900 original songs by his mid-twenties. Five of those songs appear on Last I Love You, his debut for Capitol Records available now. Produced by Lukas Bracewell and steeped in Hayes' unique version of American roots music, Last I Love You features the viral hit "LILY" (which racked up more than 3 million streams before the EP's official release), the anthemic "Black Gold," and a mix of effortless melodies, cinematic folk and rowdy, barn-burning Americana. Earlier this year Hayes made his debuts on both the Grand Ole Opry and Bluebird stages. More at Christianhayesmusic.com.

Eric Church Brings 'Evangeline vs. The Machine Live' to Nashville's The Pinnacle May 23 & 24

Widely renowned for his singular concerts, with Forbes remarking that he “frequently looks to shake up just how fans experience live music,” Eric Church once again offers a unique live experience with an exclusive pair of shows set for May 23 and 24 at Nashville’s newest live music venue, The Pinnacle, in celebration of the release of his highly anticipated May 2 album, Evangeline vs. The Machine. Pre-order/pre-save the album HERE.
 
Tickets to Evangeline vs. The Machine Live go on sale to premium Church Choir members Monday, March 31 at 10 a.m. CT. Become a premium Church Choir member here.
 
The one-off shows will see Church perform the new album in sequence for the first time, while also treating fans to a number of compelling performances of his most iconic hits. A self-proclaimed “album artist,” Church has always championed the power of cohesive storytelling, and Evangeline vs. The Machine is no exception. “An album is a snapshot in time that lasts for all time,” Church shares of the creative approach behind the highly-anticipated new project. “I believe in that time-tested tradition of making records that live and breathe as one piece of art – I think it’s important.”
 
“I’ve always let creativity be the muse. It’s been a compass for me,” he adds. “The people that I look up to in my career and the kind of musicians I gravitate to never did what I thought they were going to do next – and I love them for it. I never want our fans to get an album and go, ‘Oh, that’s like Chief or that’s like this.’ Painstakingly, I lose sleep at night to try to make sure that whatever we do creatively, they go, ‘Wow, that's not what I thought.’ I think that's my job as an artist.”
 
Lead single “Hands Of Time” is already impressing, having set a new personal record en route to becoming most added at Country radio this week with 135 first-week stations and earning immediate praise from fans and critics alike. Stereogum lauded the “juicy, fired-up Southern rocker about living in a world that increasingly makes no sense to you;” Rolling Stone celebrated the “nostalgic jukebox, full of allusions to songs and artists that were essential to Church’s career: Bob Seger and ‘Hollywood Nights,’ Tom Petty and ‘Even the Losers,’ AC/DC’s ‘Back in Black,’ and Willie and Waylon’s ‘Luckenbach, Texas,’ among them;” and Billboard honored the way “the song builds into a punchy, rock-fueled anthem as Church sings of turning to simple pleasures – particularly music – to fend off the impact of the passing decades.”
 
Among the other songs featured on the forthcoming Jay Joyce-produced album is “Darkest Hour,” released ahead of the project to support relief efforts following the devastation caused by Hurricane Helene in September 2024, with all of Church’s publishing royalties donated to provide ongoing funds in support of a more resilient future for his home state of North Carolina. “That song had the chance to change things—it already has,” Church reflects. “The greatest concert I’ve ever played was the Concert for Carolina – that’s the greatest thing I’ve been involved with. This song played a big part of that night and is a rallying cry for the people there that still need a lot of help. As a person who writes and performs a song, seeing it truly impact people’s lives is the greatest thing you can hope to accomplish.”
 
Also included is “Johnny,” a soul-stirring reinterpretation inspired by “The Devil Went Down to Georgia” and the Covenant School tragedy, which Church has previewed in limited settings at both his Chief’s To Beat The Devil residency and the recent Country Radio Seminar, leaving audiences in awe. “About a year ago, we had a shooting here in Nashville at the Covenant School,” he explained when introducing the song during CRS. “Where my kids go to school, my two boys, is about a mile from that school. I will tell you something, the hardest thing I’ve ever done in my life – parent or otherwise – is dropping them off at that school the day after the shooting and watching them walk inside. I sat in the parking lot for a long time, and as fate would have it, as I was pulling out, Charlie Daniels was playing, ‘The Devil Went Down to Georgia.’ I remember thinking, man, we could use Johnny right now, because the Devil’s not in Georgia, he’s everywhere. I went home and wrote ‘Johnny’.”
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram@ericchurchmusic.

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee – including three nods for Best Country Album, Eric Church has amassed a passionate fan base around his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his forthcoming album, Evangeline vs. The Machine arriving May 2, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”); Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”); Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”); and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and recently opened Chief’s, a six-story venue on Nashville’s famed lower Broadway.

THE MAN-EATING TREE Unleash New Single "Ruins Of Insanity"! ​

On April 11, 2025, Finnish atmospheric metallers THE MAN-EATING TREE will release their brand new studio offering, "Night Verses", via Noble Demon. The pre-sale is available at https://music.nobledemon.com/verses 

With "Night Verses", THE MAN-EATING TREE returns with renewed energy and a desire to push the boundaries of their sound. With a lineup featuring former and current members of legendary bands such as Ghost Brigade, Poisonblack, Mors Subita, Entwine, and more, the band is poised to deliver their most powerful and dynamic album yet.

Following the previously-released, first appetizer "Seer", and second single "To The Sinking", today, THE MAN-EATING TREE has premiered another glimpse into the soon to be released album. Listen to "Ruins Of Insanity" Below.

Vocalist Manne Ikonen (ex-Ghost Brigade) tells us about the song:
"'Ruins of Insanity' tells a horrifying story about a couple struggling with a severe addiction and acquisitiveness in a dystopic world of chaos and misery, mind taken over by blinding lunacy so strong that reality and common sense is no longer in hand."

Founding member Janne Markus adds:

"Melancholy, own, common, hated, ashamed, loved, desired. The disintegration of two people's world and its reflection in everything around them. Leaving only emptiness. As a song this is the most straight-forward, catchy, melodic, not as heavy as the other songs on the album."

THE MAN-EATING TREE are:
Manne Ikonen - vocals (ex-Ghost Brigade)
Janne Markus - guitar, vocals (Ex-Poisonblack, ex-The Abbey)
Sakke Paavola - guitar
Aksu Hanttu - drums (Ex-Entwine, Tuoni, S-Tool)
Mika "June" Junttila - bass (Mors Subita)

For More Information Please Visit:

 https://themaneatingtree.fi/
https://www.instagram.com/themaneatingtreeofficial

https://www.facebook.com/themaneatingtree/
https://linktr.ee/nobledemon  

Kami Kehoe, Ekoh, and Colorblind Unite For New Single "Safehouse"

Three of the most electrifying forces in the alternative and hip-hop scenes — Kami Kehoe, Ekoh, and Colorblind — come together for the first time on their powerful new single, "Safehouse". A genre-bending anthem for anyone searching for refuge in chaos, this new track introduces Kami Kehoe as the latest addition to the Cupid Theory management roster, where she joins fellow "Safehouse" collaborator Colorblind.

Watch the new video for "Safehouse" HERE or at the link below.

Amidst the hellish landscape of the recent California wildfires, this tight-knit collective escaped to Las Vegas to weather the storm. What emerged from that time was "Safehouse," a brooding, hard rock monument born from chaos and resilience. In a powerful act of solidarity, Kami Kehoe, Ekoh, and Colorblind will be donating all royalties from "Safehouse" to those impacted by the California wildfires.

Looking back at the making of "Safehouse," the voices behind the track spoke about what made this collaboration so special:

"When the fires happened in LA I evacuated to Vegas and ended up meeting some incredible people. Ekoh, Travis from colorblind, Curt Martin, and now my manager Kyle. We were all in shock from what was happening, I remember we were all just sitting there talking about how unreal everything felt, and constantly checking to see if our homes and friends were safe. But during such a tragic time we were able to make something so beautiful from it. All of us together ended up making such a powerful song that will hopefully help anyone who needs it. And even though the fires have stopped, there are still tons of people who are suffering, so we want to help as much as we can and give all of the royalties to the victims of the LA wildfires."

- Kami Kehoe

"When the LA wildfires hit in January, the three of us ended up in Vegas, just trying to process everything and figure out our next move. It was a pretty scary situation, but making music together gave us a way to escape for a minute and put all that fear and uncertainty into something real. That song became more than just a track—it captured what we were feeling in that moment, and hopefully, it can do the same for anyone else who ever finds themselves in a situation like that."

- Ekoh

"Just by the energy in the room when we started this song I could tell it was going to be special. Having to evacuate LA was an experience that none of us were expecting and getting to cope with that anxiety by making music with my friends is something that I’m so grateful for. We hope you feel this song as much as we did. Our hearts go out to everyone who was affected by the LA fires."

- Travis Moseley of Colorblind

With "Safehouse" making an impact, Kami Kehoe, Ekoh, and Colorblind are setting the tone and promising a thrilling, ever-growing 2025. As their collective stream counts total to millions, this collaboration embodies the spirit of a supergroup, blending their talents in a one-time alliance. Bringing together distinct details from their respective genres, "Safehouse" serves as exactly that — a space where fans can find solace in times of uncertainty.

Don't miss out on Colorblind currently touring with Capstan across the US now, as well as Kami Kehoe and Ekoh taking the stage at Warped Tour this July! You can also catch Kami Kehoe and Colorblind at Louder Than Life Fest this September, alongside acts such as Slayer, Avenged Sevenfold, and Deftones.

Photo Credit: Jacqueline Day

ABOUT KAMI KEHOE

KAMI KEHOE has never been one to sit around and wait for permission. Although she’s only 21, the Los Angeles-based singer, songwriter and drummer has been blazing her own musical path for the past 15 years, spinning a chameleonic, hard-charged rock sound into 25 million streams and more than 24 million TikTok views. 

This unapologetic authenticity propelled her breakout hit “SLEEP WHEN I’M DEAD,” from her 2024 album REVIVED (Coup D'état/10K Projects), to audiences around the world in stratospheric fashion. Almost overnight, the garage-punk suckerpunch ripped through social media at lightning speed, netting Kami 100,000 new TikTok followers a day and further cementing her as a rising name in the underground. 

Now, that story continues with “SAFEHOUSE,” her brand-new single featuring Colorblind and Ekoh. Written in the aftermath of the Los Angeles fires, the track combines droning shoegaze, Deftones-style riffs and propulsive electronic undertones into a hypnotic blend of metal, alternative and hip-hop. It’s another bold step forward for Kami as she continues to kick down the guardrails of her sound – as well as another entry in her omnipresent push to Kure The World, a mantra proudly emblazoned on her bass drum and a mission statement that’s powered her songwriting since day one. “If I can change one person’s life through my music, then I’ve reached my goal,” she says proudly. “I make music for me; I release music for others.”

ABOUT EKOH

Ekoh, a versatile artist from Las Vegas, blends hip-hop, rock, and alternative genres to create a unique sound that defies boundaries. He gained national attention with his breakout single "Hole in Your Head," which earned rotation on Sirius XM radio. Since then, Ekoh has had five more singles featured on Octane, as well as his song “Good Things” reaching top 40 on the radio charts, cementing his place in the rock world. 

Known for high-energy live performances, Ekoh has built a strong connection with fans, highlighted by a memorable moment during his “Freeverse 3” set, where fans threw their Vans shoes on stage for him to sign. This led to a partnership with Vans, allowing Ekoh to design his own custom shoes. 

In October 2024, Ekoh released Pressure, a rock/rap hybrid album that landed in the top 10 rock charts and received widespread critical and fan praise for its innovative sound. The release was followed by a 27-city headline tour across the U.S. and Canada, solidifying Ekoh’s position as a trailblazer in both rock and hip-hop. With a growing fanbase and a distinct musical style, Ekoh continues to carve out his own lane in the industry.

ABOUT COLORBLIND

Forming in 2017, Colorblind have finally found their rhythm with brothers Travis & Tyler Moseley, Justin Page and Nicholas Asper. The band combines various aspects of rock, pop, & hip-hop to create a unique sound of their own. Their catchy and addictive vocal melodies combined with an energetic live show has made them a force to be reckoned with. The band started their touring career in early 2024 supporting acts like Attack Attack!, Caskets, Honey Revenge, Until I Wake and recently signed their first record deal with rock & metal labels Tooth & Nail Records and Solid State Records. Colorblind are due for their debut album in late fall of 2025. 

OPETH Wins Best Hard Rock & Metal Award at Swedish Grammis for ‘The Last Will & Testament’

Acclaimed progressive metal legends OPETH have been honored with the prestigious Best Hard Rock & Metal award at this year’s Swedish Grammis. This achievement marks yet another milestone in the band’s illustrious career, further cementing their legacy as one of Sweden’s most influential and celebrated musical acts.

The award follows the release of ‘The Last Will & Testament,' the band’s fourteenth studio album, which was officially released on November 22 via Reigning Phoenix Music / Moderbolaget.

Order ‘The Last Will & Testament’: HERE

Opeth's fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (The Heard, ex-Crucified Barbara). ‘The Last Will & Testament’ was co-produced by Åkerfeldt and Stefan Boman (Ghost, The Hellacopters), engineered by Boman, Joe Jones (Killing Joke, Robert Plant), and Opeth, with Boman, Åkerfeldt, and the rest of Opeth mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on ‘The Last Will & Testament’ were arranged by Åkerfeldt and returning prog friend Dave Stewart (Egg, Khan) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting "photograph" reminiscent of Stanley Kubrick's infamous "Overlook Hotel" photograph. Miles Showell (ABBA, Queen) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.

Åkerfeldt rolls out the red carpet for storied flautist and Jethro Tull main man Ian Anderson. Not only do Anderson's signature notes fly on "§4" and "§7", he narrates on "§1", "§2", "§4", and "§7". Joining Anderson, Europe's Joey Tempest lends a backing vocal hand on "§2”, while Åkerfeldt's youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in "§1".

‘The Last Will & Testament ‘is gripping from start to finish, jaw-dropping inside and out, representing some of Opeth's finest material to date. Just as Opeth welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story—this time with growls.

After three decades of dazzling the world, Opeth have made their most daring creative leap yet. The Last Will & Testament is a progressive and dramatic triumph, and yet more proof that expecting the unexpected is the only way forward for fans of Sweden’s finest.

“It’s a restless record for me,” concludes Åkerfeldt. “It’s an explosion of ideas, which I like. It’s a bit shorter and snappier. But I definitely didn’t want to rehash anything. The only thing that has come back is some of those death metal screams, but the mindset is still much more forward looking. In typical Opeth fashion, it’s not a direct record that you understand and that you love or hate right away. It takes time and if you put that time into it, you might like it… or hate it! It feels like it was written on a whim. Which it was, in a way! I hear things on this album and think, where the fuck did that come from?”

Lineup:

Mikael Åkerfeldt – Vocals, guitars

Fredrik Åkesson – Guitars, backing vocals

Martin Mendez – Bass guitar

Waltteri Väyrynen – Drums and percussion

Joakim Svalberg – Keyboards, backing vocals

Special Guests:

Ian Anderson (Jethro Tull) - spoken word (tracks 1, 2, 4, 7) // flute (tracks 4, 7)

Joey Tempest (Europe) - backing vocals (track 2)

Mirjam Åkerfeldt - spoken word (track 1)

All Music and Lyrics written by Mikael Åkerfeldt

Lyrical concept by Mikael Åkerfeldt, dramatic consultation by Klara Rönnqvist Fors

Produced by Mikael Åkerfeldt

Co-produced by Opeth and Stefan Boman

Engineered by Stefan Boman, Joe Jones and Opeth

Mixing by Stefan Boman and Mikael Åkerfeldt and Opeth at Atlantis and Hammerthorpe, Stockholm, Sweden

Mastering and vinyl lacquer cut by Miles Showell at Abbey Road studios, London, UK

Strings conducted by Dave Stewart at Angel Studios, London, UK

Strings arrangement by Mikael Åkerfeldt and Dave Stewart

Drum technicalities by Kit Cunningham

Artwork by Travis Smith with directions from Mikael Åkerfeldt

Biography by Dom Lawson

ENVY OF NONE’S NEW ALBUM STYGIAN WAVZ OUT TODAY

The highly anticipated second album from Canadian/American four-piece Envy Of None is out today. Titled Stygian Wavz, the album draws its name from the work of the Roman poet Ovid who spoke of “Stygian waves and turbulence at the gates of hell” – a metaphor for the struggles and hardships we face. Following a recent string of standout single releases and stunning music videos, the band are excited to finally be able to share the album in its entirety and bring their full creative vision to life.

I loved all the quality building materials that arrived from my partners and enjoyed cementing each board and brick of an idea into 11 unique rooms within a most beautiful abode. I would encourage you to stroll slowly and repeatedly through each of these rooms, drinking in the colours, gazing at the vistas and feeling the warm wash of sensory vibration. Within these rooms, we have built a place for you, our cordial guest, to relax and open your heart and mind in the comfort of our beloved home.

Welcome, friend.
Alex Lifeson

Though they’d never describe themselves as such, Envy Of None are the living, breathing definition of a supergroup. No other band on earth could rightly claim to have Alex Lifeson – one of rock’s most influential visionaries – heading up guitar duties, with Andy Curran of Coney Hatch and Soho 69 overseeing bass/programming as well as producer extraordinaire Alfio Annibalini on keyboards. However, the star in this band could very well be its youngest member – American singer-songwriter Maiah Wynne – whose wonderfully emotive vocals are able to spin the music in new exciting directions that thrill to the core.

Stygian Wavz is out now on a selection of formats including coloured vinyl, standard black vinyl, CD, Blu-ray, digitally and as a special deluxe edition boxset –

Stygian Wavz Black Vinyl LP Edition, mastered at half-speed

Stygian Wavz Digipak CD with 16-page booklet

BUY STYGIAN WAVZ, OUT NOW

To celebrate the release of Envy Of None’s new album Stygian Wavz today, Gibson has created an Envy of None custom Epiphone Les Paul Special II adorned with the striking Stygian Wavz album artwork in full detail. This exclusive, one-of-a-kind guitar has been signed by all four band members – Alex Lifeson, Andy Curran, Maiah Wynne & Alfio Annibalini.

Fans have a chance to win this exceptional, collector’s edition Epiphone guitar by purchasing Stygian Wavz directly from the band's official store at visionmerch.com/envy-of-none.

Each purchase of the new album, in any format, counts as one entry into the competition. The competition will close at 11:59pm EST on Friday 18th April and the winner will be chosen at random and notified shortly afterwards.
 

Stygian Wavz is out everywhere now on Kscope. More info/buy here.

Envy Of None are:
Alf Annibalini - Guitar, Keyboards, Programming
Andy Curran - Bass Guitar, Background Vocals, Guitar, Programming
Alex Lifeson- Guitar, Mandola, Oud, Programming
Maiah Wynne - Lead Vocals, Background Vocals, Keyboards
 

Follow Envy Of None:
https://www.instagram.com/envyofnone_
https://twitter.com/envyofnone_
https://www.tiktok.com/@envyofnone_
https://www.facebook.com/envyofnone
www.kscopemusic.com/artists/envyofnone

KMFDM’s Lucia Cifarelli Joins Lords Of Acid’s “Praise The Lords” Tour as Opening Artist Along with Little Miss Nasty

Industrial music icon Lucia Cifarelli, best known as the fierce front woman for the world famous Ultra Heavy Beat sensation KMFDM, is officially joining the Lords Of Acid “Praise The Lords” Tour on select dates as a featured opening artist. She will hit the road along with the groundbreaking goth, edm, metal dance group Little Miss Nasty, adding even more fire to an already explosive and wild lineup.

Fans can expect Lucia to deliver a mesmerizing solo set packed with her signature power, grit, and dark glam. The tour promises a full night of provocative performance, raw sensuality, and unapologetic, female dominated industrial edge, giving fans across the U.S. a live experience like no other. And adding the final dagger of feminine power to this tour is Lords Of Acid’s new “Acid Queen” Carla Harvey (formerly of Butcher Babies fame)!

“We’re thrilled to have Lucia Cifarelli joining us on this tour,” says Lords Of Acid founder Praga Khan. “She’s a fearless powerhouse, and an industrial music legend!”

The “Praise The Lords” Tour kicks off May 27th in San Francisco and hits 27 cities across the country. Tickets and VIP packages are available now at lordsofacidofficial.com.

Acclaimed Bay Area Rockers BLACK MAP Share New Single 'Badlands' + Video

Today, multi-genre rockers BLACK MAP share a new single, "Badlands," from their forthcoming album 'Hex,' out May 9th. The album marks their debut for Spinefarm. "Badlands" is accompanied by a new visualizer.

About the single, Ben Flanagan (vocals/bass) comments:

"'Badlands' is a song about ultimately exploring new heights. Moving forward and up. It’s immediate and direct. The spirit of the song reminds me of the music I was listening to when I first picked up a guitar. For me, there is something super cathartic about playing it."

Watch the Video for "Badlands" Below:

At the start of 2024, BLACK MAP retreated to Southern California to record 'Hex' with Saosinguitarist Beau Burchell behind the board as producer. The band embraced a clear, collective vision, shifting from the expansive, ethereal nature of 'Melodoria' to a more urgent and immediate sound.

Vocalist/Bassist Ben Flanagan describes 'Hex' as a body of work with a strong “let’s f*cking go” spirit, while guitarist Mark Engles emphasizes its balance between atmospheric elements and a driving intensity. The album captures the band’s signature style, with Mark’s distinct guitar work ever-present and a renewed focus on immediacy and raw energy.

For Ben, 'Hex' represents the profound impact of music, offering solace and connection. Drummer Chris Robyn adds that the album carries an unstoppable momentum, charging forward with force and intention. Rooted in themes of personal struggle, authenticity, and resilience, 'Hex' stands as BLACK MAP’s most powerful and urgent release yet.

Pre-Order 'Hex' HERE

Having formed in 2014 from the bands Dredg, Far, and The Trophy Fire, BLACK MAP has generated critical acclaim from the press as well as their musician peers.

Pivoting around a nimble balance of post-hardcore, alternative, and hard rock, the trio of vocalist and bassist Ben Flanagan, guitarist Mark Engles, and drummer Chris Robyn convene, congregate, and commune to power up BLACK MAP. Their union teems with emotion and electricity—which the musicians harness to craft immediate and raucous anthems underscored by unpredictable musicality and undeniable hooks.

BLACK MAP are: 

Ben Flanagan - vocals, bass

Mark Engles - guitar

Chris Robyn - drums

Wolves at the Gate Drop "Synthetic Sun" Visualizer

Today, the band has shared the visualizer for second single "SYNTHETIC SUN." Watch it below.

"As a culture, we're trying to create our own morality, but can't do so without a true moral standard," says vocalist/guitarist Steve Cobucci. "Rather, we do this individually, which ends up creating chaos. We all fall prey to this mindset. Creating your own morality will cause you to block out any semblance of truth outside of yourself. If you metaphorically block out the actual sun and create a synthetic sun, it will result in a slow and fatal poisoning."

The song's poignant and extremely current lyrical lean is complemented by the sonic heft. Syncopated beats and synths anchor the song, which will take up real estate in your brain long after the song fades out.

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

DIAMOND DOGS Pay Honor to Little Richard in his Hometown Macon, GA March 28th at The Cherry Blossom Festival

DIAMOND DOGS are excited to announce an electrifying appearance at The Cherry Blossom Festival at Atrium Health Amphitheater on March 28th in Macon, GA, following the Guinness World Record official attempt for the Largest Kazoo Ensemble. Fresh off the success of their recently released album, 'Macon Georgia Giant' - an homage to Little Richard, the band will be playing a full set in tribute to the King himself in his hometown.

On the unexpected invitation, vocalist Sulo states:

"It's an unbelievable opportunity to actually play the songs in his hometown and, in some poetic way, complete the circle. Without him, there wouldn't have been any rock 'n' roll, and without rock 'n' roll, it would have been a much emptier planet."

The proceeds from the performance will benefit foundations honoring Macon's other musical icon, soul master Otis Redding.

Additionally, DIAMOND DOGS will record new tracks at the legendary Capricorn Studio, where stars like the Allman Brothers recorded their debut albums.

"It's beautiful to see how music continues to build bridges between different eras and brings people from all backgrounds together. Rock 'n' roll will always be a universal language that stands the test of time, and this journey to Macon, Georgia is just further proof of that," says Sulo.

Watch the Video for "King of Rock 'n' Roll" Below

DIAMOND DOGS may be a bunch of renaissance rockers deeply rooted in the early 70s British rock and roll, but just like their forerunners, they owe almost everything to Little Richard, the architect of it all! It's impossible to even imagine rock and roll without him.

One of DIAMOND DOGS' early tunes is called "Lunatic Eye-Rolling Delivery" which is a line nicked from a concert review of Little Richard, and we believe it sums up the essence of his greatness pretty well. He was much more than a rock pioneer, the way he dressed up and spoke was something the world had never experienced before.

Little Richard got Paul McCartney to write "I Saw Her Standing There", got James Browna new haircut, and put a silly little mustache on Prince!

So, the idea of recording a homage to the true king of rock and roll had been with the band for many years when CHRIS SPEDDING one day called Sulo and asked if they should record something together. Of course, Sulo immediately said yes, and then asked him to join DIAMOND DOGS in the upcoming studio session to record some well selected Little Richard gems for an LP. All said and done, and CHRIS was extra thrilled that his favorite "Send Me Some Lovin'' was among the songs that were picked.

And, on a cold and windy January day, the DOGS gathered with the new old puppy in the sweet premises of Dog Pound Studios, along with their beloved friend and engineer Jonas Åhlén.

The result is a breathtaking homage to the king, Little Richard. This is 'Macon Georgia Giant, ' ladies and gentlemen – prepare to get your socks rocked.

Order 'Macon Georgia Giant' HERE

Bay Area electro pop artist Matthew Nowhere shares 'Echoes Still Remain', teasing debut album

California-based electro pop artist Matthew Nowhere presents his new single 'Echoes Still Remain', a moody and evocative offering. Ethereal vocals lace through a pulsating soundscape like a brooding rhythmic ghost of celebrated new wave pioneers.

This is the second taste of his debut record 'Crystal Heights', slated for release in late spring. Of the 13 tracks on offer, two feature American dreamgaze stalwarts Lunar Twin.

As vocalist, multi-instrumentalist and producer, Matthew Nowhere explores the synth and tape-laden sounds of the 1980s with inspired reverence. Emerging from the intersection of old and new, his unique music weaves deep vibes and poetic lyrics with gritty New Wave beats.

Originally from the San Francisco Bay Area and currently residing in California's Nevada County in the forests of the Sierra Mountains, Matthew Nowhere uses authentic analog production styles in creating deeply authentic and soulful music that speaks to the power of love to overcome all obstacles.  

"Echoes Still Remain’ comes out of exploring ideas about the artistic process itself - the way in which a lonely whisper of inspiration in an artist’s mind can take flight and become realized as a concrete work. And in those rare cases, something that started as just a personal vision might even become immortal, something that lives on, becoming all these different things to different people," says Matthew Nowhere.

Earlier, Matthew Nowhere released the lead track from the album, 'Love Is Only What We Are', noting, "This song is really about longing… the deep and sometimes indescribable yearning we all have for love, for real authentic connection. It’s interesting - my job as an artist is to try and harness that longing, and give it shape, sounds, texture. The chorus is then an affirmation that actually, that longing is not a need or a lack… it’s actually a seed that carries with it the possibility of growing into exactly the love we are looking for.

 In the video, I play with this idea as well. The black and white images of seeds in the first part of the song later blossom into these vivid, colorful, moving flowers. A similar idea is expressed by how inside of the black and white imagery of me singing, there is also this full color version, moving around, roiling, longing to escape and express"

As of March 27, 'Echoes Still Remain' is available from fine music platforms, including Apple Music, Spotify and Bandcamp. On May 23, the 'Crystal Heights' album, now available for pre-order, will be released digitally and on Limited Edition transparent blue vinyl.

CREDITS
Music composed by Matthew Nowhere (Matthew Lin Packard)
Lyrics by Matthew Nowhere
except ‘Transforming’ and ‘Persist3nce’ - lyrics by Bryce Boudreau
Matthew Nowhere - vocals, synths, bass, guitar, drums, drum machines, programing & sequencing
Bryce Boudreau – lead vocals on ‘Transforming’ and ‘Persist3nce’
Chris Murphy – additional synths on ‘Persist3nce’
Antonio Family Singers – choir on ‘Persist3nce’
Mixed & mastered at Nowhere Sound Studios
Recorded at Nowhere Sound (Grass Valley, CA), Tiny Flame Studios (Petaluma, CA), Ohia Forest Recordings (Kealekua, Hawaii), Desert Heat Studio (Salt Lake City, Utah)
Cover artwork by Violet Flame Design
Artist photos and videography by Anjali Rivera
Publicity by Shameless Promotion PR

Keep up with Matthew Nowhere
Website | Bandcamp | Facebook | Instagram | BlueSky | TikTok | Soundcloud | YouTube| Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Emai l

Dead Poet Society Share Video for New Version of "HURT" (Feat. The Warning)

Los Angeles quartet DEAD POET SOCIETY, who were recently tipped by The New York Post's Page Six as a band to know, dropped their second album FISSION in 2024 via Spinefarm. It's available here.

They haven't taken a beat since releasing the album—embarking on a non-stop Herculean tour, screaming up the radio charts, and winning over fans and press with every performance.

They closed the year with a killer reimagined version of their single "HURT," featuring rock band The Warning. 

They share the official video Below.

The video, which feels almost voyeuristic and lo-fi, is electrifyingly cinematic, with Dead Poet Society and The Warning performing as though their lives depend upon it. The riffs and dueling vocals crackle throughout. DPS x The Warning perform together — as if they were always meant to. Stick around 'til the end, where full musical mayhem ensues.

"It's a bit of a miracle that this video came together," DPS say. "The Warning had a tiny window in their tour schedule and it was an uncertain whether it would all come together but they killed it, and the director nailed the vibe. You would think that this whole video had been shot at once."

Upon the song's initial release, the band said, "We're so excited to release this new version of 'HURT' featuring The Warning. We first saw Paulina from The Warning singing along to the song on social media, when we were on Shiprocked together. So it seemed only natural to invite her up for a repeat performance at Aftershock. It became such a moment, that we invited them to record a studio version with us and all three of The Warning sisters."

The Warning also shared, "The first time we heard the song was while working on our album Keep Me Fed with our producer, Anton DeLost, who also produced Dead Poet Society's album. When 'HURT' came out, we were in the studio and heard it there. We immediately congratulated Anton on everything because it was just incredible. From that moment, we became fans of the song.  Later, we met DPS on Shiprocked and heard the song live for the first time, which was amazing. Then, at Aftershock, DPS invited Pau to perform it with them on stage. That performance brought everything together, and after it, we started talking like, 'Hey, maybe we should hop on the song officially.' Now, we're thrilled to see it finally being released. It's such a powerful song, and we're incredibly happy to be part of it."

Dead Poet Society hit the road later this year with Chevelle. All dates are below.

DEAD POET SOCIETY ON TOUR:
WITH CHEVELLE + ASKING ALEXANDRIA:
8/7 — San Antonio, TX — Boeing Center at Tech Port
8/9 — Durant, OK — Choctaw Casino & Resort Durant — Grand Theater
8/10 — North Kansas City, MO — Harrah's Kansas City — VooDoo Lounge
8/12 — Omaha, NE — Steelhouse Omaha
8/14 — Indianapolis, IN — Everwise Amphitheater
8/15 — Chicago, IL — Byline Bank Aragon Ballroom
8/16 — Louisville, KY — Iroquois Amphitheater
8/19 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
8/20 — Toronto, ON — Great Canadian Toronto — The Theatre
8/21 — Pittsburgh, PA — Stage AE
8/23 — Asbury Park, NJ — Stone Pony Summer Stage
8/24 — Boston, MA — MGM Music Hall at Fenway
8/26 — New York, NY — The Rooftop at Pier 17
8/27 — Bethlehem, PA — Wind Creek Bethlehem - Wind Creek Event Center
8/28 — Wallingford, CT — The Dome at Toyota Oakdale Theatre
8/30 — Virginia Beach, VA — The Dome
8/31 — Washington, DC — The Anthem
9/3 — Raleigh, NC — Red Hat Amphitheater
9/4 — Charlotte, NC — Skyla Credit Union Amphitheatre
9/5 — Simpsonville, SC — CCNB Amphitheatre at Heritage Park
9/7 — Atlanta, GA — Coca-Cola Roxy
9/9 — Nashville, TN — The Pinnacle
9/10 — Cincinnati, OH — PNC Pavilion
9/11 — Milwaukee, WI — The Rave/Eagles Club - Eagles Ballroom
9/13 — Maryland Heights, MO — Saint Louis Music Park
9/14 — Oklahoma City, OK — The Criterion
9/16 — Denver, CO — Fillmore Auditorium
9/17 — Grand Junction, CO — Las Colonias Park Amphitheater
9/18 — Albuquerque, NM — Revel
9/20 — Las Vegas, NV — The Cosmopolitan of Las Vegas - The Chelsea
9/21 — Phoenix, AZ — Arizona Financial Theatre
9/23 — San Diego, CA — Cal Coast Credit Union Open Air Theatre
9/26 — Hollywood, CA — Hollywood Palladium
9/27 — San Francisco, CA — The Masonic
9/28 — Redding, CA — Redding Civic Auditorium
9/30 — Idaho Falls, ID — Mountain America Center
10/1 — Nampa, ID — Ford Idaho Center Amphitheater
10/2 — Airway Heights, WA — Northern Quest Resort & Casino — BECU Live

Dead Poet Society have captured (and held) the rock world's attention with their head-turning debut album, 2021's -!- (said as "The Exclamation Album") and their equally adored sophomore effort, 2024's FISSION — both released via Spinefarm. The band — Jack Underkofler (vocals/guitar); Jack Collins (guitar); Will Goodroad (drums); and Dylan Brenner (bass) — has enjoyed 150 million cumulative global streams, several Top 10 radio singles, and key playlisting while appearing at major festivals the world over, including Welcome to Rockville, Sonic Temple, Grasoop, Reading and Leeds, and 2000Trees. Dead Poet Society have toured with alt rock powerhouses Badflower, Biffy Clyro, and Highly Suspect, and more. The band has ultimately established itself as an intense live act not to be missed, with press accolades ranging from The New York Post to Riff to Rock Sound to American Songwriter to New Noise to Guitar World.
 

DEAD POET SOCIETY ARE:

Jack Underkofler — Vocals/Guitar

Jack Collins — Guitar

Will Goodroad — Drums

Dylan Brenner — Bass 

ALIEN WEAPONRY Joined by Lamb of God's Randy Blythe on New Anthem "Taniwha"; New Album Out This Friday, March 28, 2025 via Napalm Records

This Friday, March 28, New Zealand modern groove metal trio ALIEN WEAPONRY will release heaviest, most powerful and mature offering to date, Te Rā, via Napalm Records! Today, in celebration of this week's release, the band has unleashed one of the album's most aggressive, death-metal leaning offerings, “Taniwha”, featuring a raw, heavy-hitting contribution from longtime supporter and metal icon Randy Blythe of Lamb Of God.

Take a listen to the new track now – a special bonus listen two days in advance of the album's drop – and see below for insight into the track's inspirations! The new anthem follows acclaimed latest singles “Mau Moko” ("...top-notch technical thrash metal..." - Heavy Consequence) and "1000 Friends" ("a driving, riff forward affair that makes it super easy to bang your head to" - MetalSucks).

ALIEN WEAPONRY says about “Taniwha”:

“Lamb of God played a significant role in making Alien Weaponry what it is today and this collaboration with Randy Blythe feels like one of those ‘pinch yourself’ moments that our teenage selves would never believe possible. Randy’s lyricism and vocal expertise was an amazing addition to this song and we are beyond stoked to share this song/milestone with the world.”

Listen to "Taniwha” HERE:

ALIEN WEAPONRY have solidified themselves as one of the greatest young metal bands of their generation with renewed musical tenacity and crucial messaging. Since releasing their acclaimed debut Tū(2018), the band have been lauded for their kinetic presence and sound, as well as their vital blend of culturally profound lyricism in both English and te reo Māori, the indigenous language of New Zealand.

With their third full-length album, ALIEN WEAPONRY expand on their hallmark messages of cultural, societal and environmental resilience while delivering their most massive-sounding, focused musical output ever. In the hands of veteran producer/mixer Josh Wilbur (Lamb Of God, Gojira, Megadeth), Te Rā’s gnashing blend of groove, nu, math and thrash metal shines with anthemic choruses and refreshed technical skill. Te Rā is a bold, unwavering cry for a future in which we can all take part in the legacy of peoples like the Māori and others all around us – people who, if they aren’t seen, most certainly need to be heard! Taken as a whole, Te Rā grapples with what it’s like to be caught in the pull of divergent cultures – not just for the descendants of colonized people, but for all of us.

Pre-Order Te Rā HERE:

On Te Rā, listeners can hear the band doubling-down on the aggression in the verses before applying temperance, especially in the case of “Taniwha”, a death metal-leaning banger featuring the particularly raw aforementioned guest vocal from Randy Blythe. Lyrically, there’s a noticeable tilt towards despondency, hopelessness, and frustration on Te Rā. While bassist Tūranga Porowini Morgan-Edmonds' lyrics in Māori on songs like “Tama-nui-te-rā” and “Ponaturi” draw from the themes of history, battle lore and mysticism that made the first two albums so rich, frontman/guitarist Lewis Raharuhi de Jong's English-language lyrics illustrate the impact when culture collides with disenfranchisement day to day. “Crown” and “Hanging by a Thread” take us into the headspace where struggle pushes people to the brink of desperation, while on “Blackened Sky” and “1000 Friends”, Lewis addresses universal woes like the looming threat of World War III and the damaging effects of social media. On album closer “Te Kore”, Tūranga dives into primordial nothingness at the root of the Māori origin story, while on “Mau Moko”, he finds the middle ground between these perspectives. As the lyrics honor the traditional Māori practice of face tattooing, they also delve into the social costs of maintaining customs that are at-odds with dominant cultural norms.

ALIEN WEAPONRY is:                      

Henry Te Reiwhati de Jong - Drums, Backing vocals

Lewis Raharuhi de Jong - Guitars, Lead vocals

Tūranga Porowini Morgan-Edmonds - Bass, Backing vocals

ALIEN WEAPONRY online:

WEBSITE

FACEBOOK

INSTAGRAM

TIKTOK

NAPALM RECORDS