Charlie Kendall’s METALSHOP is proud to announce the addition of WHMH and Highway Rock/The Drive 99.7 Las Vegas

Charlie Kendall’s METALSHOP has returned! Between 1984 and 1995, The original METALSHOP led the metal revolution with this iconic program across more than 250 stations. We now deliver fresh weekly shows to an audience that revels in the music of the untamed and youthful. Charlie Kendall’s METALSHOP combines the show’s vintage feature segments with fresh content, music from then and now, new and classic interviews with hard rock heroes, and that same voice and attitude that made the program a cornerstone of hard rock/metal culture.

 

Charlie Kendall’s METALSHOP is proud to announce the addition of WHMH, Rockin’ 101, St Cloud, MN! METALSHOP will run Saturday nights at nine on this Active Rock Flamethrower! A “tip of the hat” to WHMH owner Gary Hoppe, who is all about the “Quality! With total rockstars like John Lassman, Tim Ryan, Mark Pennington, and Lee Arnold in the house, this is a dream come true!

 

In case you missed it, a few days ago, METALSHOP also added Highway Rock/The Drive 99.7 Las Vegas!
 
Talking about METALSHOP, Charlie Kendall said, "Between 1984 and 1995, Metalshop led the metal revolution with this iconic program across more than 250 stations. Our mission is to deliver fresh shows that revel in the music of the untamed and youthful. METALSHOP combines the show’s vintage feature segments with fresh content, music from then and now, new and classic interviews with hard rock heroes, and that same voice and attitude that made the program a cornerstone of the culture. “I’ve thought about it for years, and I’ve finally found the right fit and the right people to make it happen…METALSHOP is back.”
 
METALSHOP started online and solidified our writing and production capabilities. We have produced over 50 brand new world-class programs and are now into full syndication. Interview highlights include the first major interview with any member of Aerosmith after they retired from touring, full specials on Ozzy Osbourne’s farewell concert, Slash, John Bush, Metal in the movies, Nicko McBrain’s retirement, Lzzy Hale, Cassandra Carson, Blackie Lawless, Marc Labelle and more!

Metalshop Mondays

7 am, 10 am, 6 pm – CMS Network Now

4 pm – 97Underground.com

7 pm til mid - NewHDMedia.com

9 pm – 128db.com

10 pm – The Blitz (100.1FM Laredo, TX / Nuevo Laredo, MX)

 

Tuesdays

4 am – 1035TheShark.com

 

Wednesdays

11 am – KRFK Radio

Noon - Savageradiorocks.com

 

Thursday

10 pm – The KZEW Zoo Project

11 pm - 128db.com

 

Fridays

7 pm til mid - Veterans Classic Rock

8 pm - Savageradiorocks.com

 

Saturdays

7 pm – KRFK Radio

8 pm – Radio Free Cleveland

9 pm – 128db.com

9 pm – The Blitz (100.1FM Laredo, TX / Nuevo Laredo, MX)

10 pm - Rockin' 101 WHMH St. Cloud

11 pm - WQAK - The Quake

 

Sundays

Midnight – 1035TheShark.com

6 pm - Savageradiorocks.com

7 pm – WCST-FM (98.7 The Mountain, Charleston, WV)

8 pm – Highway Rock, The Drive 99.7 / 96.9 / 94.9

8 pm – 1035TheShark.com

11 pm – NewHDMedia.com

 

ON DEMAND ANYTIME AT MIXCLOUD.com/METALSHOP

 

If you wanna write to METALSHOP, it's metalshop@charliekendall.com

 

From 1984 to 1995, Charlie Kendall was a driving force of the metal revolution as he hosted this iconic program on over 250 stations. Now, he’s teamed with Producers Corey Harker and Chris Akin to deliver all-new shows to a worldwide audience that celebrates and enjoys the music of the wild and the young.

 

Charlie Kendall’s METALSHOP combines the show’s vintage feature segments with fresh content, music from then and now, new and classic interviews with hard rock heroes, and that same voice and attitude that made the program a cornerstone of that culture.

 

“I’ve thought about it for years,” Kendall says, “and I’ve finally found the right fit and the right people to make it happen. It’s come full circle – and METALSHOP is back.”

 

Charlie Kendall’s METALSHOP - Syndication is available – interested parties please email metalshop@charliekendall.com
 

Website - www.charliekendall.com/metalshop

Facebook - www.facebook.com/CKMetalshop/

YouTube - youtube.com/@CharlieKendall-Metalshop

Facebook Group - m.facebook.com/groups/1383332095308722/

IG - www.instagram.com/ckmetalshop

X - twitter.com/CKMetalshop

mixcloud - www.mixcloud.com/METALSHOP/

Merch - bodythredz.com/product-category/the-metalshop-collection/

HANABIE. Unleashes Official Music Video For "Tasty Survivor" via Sony Music Japan

Harajuku-core trailblazers HANABIE. have released the official music video for their latest banger, "Tasty Survivor" (via Sony Music Japan). The track is the featured ending theme song for the new anime series "Momentary Lily" available for streaming now on Crunchyroll. Prior to today, the band released their EP 'Bucchigiri Tokyo', featuring tracks including "Metamorphose!", "OTAKU Lovely Densetsu", and "Ito Okashi My Type", which have altogether amassed 2.8 million streams on Spotify alone and over 4 million views on YouTube. Watch the official "Tasty Survivor" music video below.

HANABIE. are bringing the heat with their incendiary live show across North America on their co-headlining run alongside Kim Dracula, with Crystal Lake and Kaonashi as support. For ticket information, please click here.

KIM DRACULA AND HANABIE. 2025 TOUR DATES:

Sat Mar 08 - Minneapolis, MN - The Fillmore Minneapolis Presented By Affinity Plus *+

Tue Mar 11 - Chicago, IL - House of Blues Chicago *+

Wed Mar 12 - Pittsburgh, PA - Roxian Theatre *+

Thu Mar 14 - Boston, MA - Big Night Live *+

Fri Mar 15 - New Haven, CT - Toad's Place *+

Sat Mar 16 - Huntington, NY - The Paramount *+

Sun Mar 17 - Silver Spring, MD - The Fillmore Silver Spring *+

Tues Mar 19 - Norfolk, VA - The NorVa *+^

Thu Mar 20 - Raleigh, NC - The Ritz *+

Sat Mar 22 - Orlando, FL - House of Blues Orlando *+

Sun Mar 23 - Atlanta, GA - Buckhead Theatre *+

Tue Mar 25 - Nashville, TN - Marathon Music Works *+

Wed Mar 26 - St. Louis, MO - The Pageant *+

Sat Mar 29 - Dallas, TX - House of Blues Dallas *+

Sun Mar 30 - Austin, TX - Emo's Austin *+

Wed Apr 02 - Salt Lake City, UT - The Depot *+

Thu Apr 03 - Denver, CO - Summit Music Hall *+

Sat Apr 05 - Anaheim, CA - House of Blues Anaheim *+

Sun Apr 06 - Phoenix, AZ - The Van Buren *+

Wed Apr 09 - Seattle, WA - Neptune Theatre *

Thu Apr 10 - Portland, OR - McMenamins Crystal Ballroom *

Sat Apr 12 - Sacramento, CA - Ace of Spades *

*With Kaonashi

+With Crystal Lake

^Non-Live Nation Date

ABOUT HANABIE.:

HANABIE. is a Tokyo-based all-girl rock band that has been making waves since 2015, when YUKINA, MATSURI, and HETTSU came together for a high school club activity. With the addition of CHIKA in May 2023, the band has evolved into a force to be reckoned with. Don’t be fooled by their cute, girlish image—their sound is a hard-hitting blend of powerful shouts, heavy riffs, and unique Japanese flair, capturing fans at home and abroad. Their hit single “Pardon Me, I Have To Go Now” has amassed over 8.6 million views on YouTube and 5.1 million views on TikTok.

In December 2024, HANABIE. released their latest EP, Bucchigiri Tokyo, further showcasing their dynamic range and signature style. 

2023 marked the beginning of their overseas ventures, and in August 2024, they made history as the first Japanese women to perform on the main stage at Lollapalooza in Chicago, USA. With a rapidly growing international following, HANABIE. is actively expanding their presence and making a bold statement on the global stage.

HANABIE. is:

Yukina

Matsuri

Hettsu

Chika

Restless Mosaic releases ‘Quality Mirrors’ album, a sonic shift past the darkness

West Coast artist Restless Mosaic presents his third album 'Quality Mirrors', and 11-track offering that is saturated with surprise, following up his 2022 album 'Made By Thawing Ice'.  The haunting and hypnotic focus track 'Circling the Canopies' was inspired by electronic music legends Delerium. The album's lead track 'Lost Within This Time' features Anji Bee of iconic dreampop duo Lovespirals.

Restless Mosaic is the project of Brandon Isleib, an electronic songmaker based in Everett, WA, named for the idea of a mosaic's intricacy and structure, and how the parts and the whole relate in a way that they only make sense when they come together. Combining sounds and genres, usually considered disparate, he connects them into something greater than any one of them.

"The album title compares my low self-identity to being farsighted: I need others to hold up mirrors at a distance so that, in the reflections, I see what I am. My initial emotional literacy was taught not by people I knew but by artists like Peter Gabriel, Natalie Merchant, Tasmin Archer, and Kirsty Hawkshaw, and I clutch their work talismanically," says Brandon Isleib.

"This third Restless Mosaic album is a check-in on my emotional literacy, with mirrors held up by my amazing collaborators to see a fuller picture. It has more lyrics than I’d written in the past decade, and even though I’m using a lot of the same vocabulary, it’s coming from a much realer person. Topics like how power differentials between parents and children change with age ('7000 Sparks'), or my fears that therapists are teaching me how to be the best them instead of the best me ('The Emotion Right in Front of Me'), aren’t undone by intellectualization like they might have been when I was younger."

Restless Mosaic takes a principled approach to arrangement and textures, his lyrics are as vivid as they are polysyllabic. The music on this album is grounded - sonic adventures exploring a sense of restlessness. A setting in which listeners can expect the unexpected, this music is a boon for your neuroplasticity. With his music having been streamed over 3 million times via YouTube over the years, Restless Mosaic ow moves into the foreground with his own voice and a variety of collaborators.

This album showcases the artists' diversity, from a Eurodance track that soundtrack your shopping experience to the shoegaze influences next to P-Funk-tinged chaos presided over by rapper Declaime of Aloe Blacc, Madlib, and Flying Lotus (he is also executive producer of Georgia Anne Muldrow's Grammy-nominated 'Overload'). New York singer-songwriter Rose Alaimo contributes vocals on a track and even mastering engineer Vincent Villuis (best known for his ambient work as Aes Dana, his psychill label Ultimae Records and work with Stevie Nicks and Sheryl Crow) is also in on the fun.

Brandon Isleib adds, "With this album, my soul finally got to speak without coughing on the dust of my past. It still speaks idiosyncratically, but now it’s intelligible. Maybe because of that dusting off, the album might sound darker than my conscious headspace when making it. I have no idea if you’ll hear track three, 'Melt Spun', as happy or sad. But how often are we exclusively one or the other, anyway? Our inner light refracts in the prism of daily life. Sometimes we’re red by day and blue by night, trying to keep it all together. What colors do your mirrors reflect back to you?"

As of March 7, the 'Quality Mirrors' album is available everywhere, including Apple Music, Spotify and Bandcamp. Later this year, Restless Mosaic aims to release a new album that brings Declaime's poetry to Isleib's back catalog of instrumentals.

CREDITS
Music written and performed by Brandon Isleib (aka Restless Mosaic)
Mastered by Vincent Villuis / Ultimae Records
Recorded, mixed and produced by Brandon Isleib, except
'Song One Is a Lie' lyrics by Nick Merchant. Engineered by Mark Merchant
'Poet of the Mic' engineered by Daviance Blunt. Lyrics and vocals / rap by Declaime
'Nearest Pool of Chaos' recorded, mixed & produced with Rose Alaimo
'Lost Within This Time' recorded, mixed & produced with Anji Bee
Lyrics, melody, vocals & video footage by Anji Bee. Additional production by Ryan Lum
Thanks to Madame Maledicta and Anji Bee for lyrics advice on '7000 Sparks'
Album art, music video & promo photos by Jennifer Wee
Restless Mosaic website design by Simone Eppler
Publicity by Shameless Promotion PR


Keep up with Restless Mosaic
Website | Bandcamp | Twitter | Instagram | BlueSky | Soundcloud | YouTube | Apple Music | Spotify | Press contact

Keep up with Anji Bee / Lovespirals
Lovespirals website | Anji Bee website | Bandcamp | Facebook | Instagram | YouTube | Apple Music | Spotify

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

Spineshank Announce Summer Tour + Festival Appearances

Grammy-nominated, '00s-era nu-metal favorites SPINESHANK have announced they will reunite in 2025 for the 25th anniversary of their landmark release, 2000's The Height of Callousness, with a revamped lineup featuring original/founding members. The lineup will feature vocalist Jonny Santos; drummer Tommy Decker; and bassist Rob Garcia, rounded out with the addition of guitarists Tommy Decker, Jr. and Jason Hager (Years of Fire, ex-Chimaira).

The reunited Spineshank have announced several major festival appearances including Louder Than Life, Inkcarceration, and Aftershock, as well as a co-headlining tour with The Union Underground, dubbed AN EDUCATION IN CALLOUSNESS, with both bands celebrating their respective 2000 releases played in their entirety.  

"We are beyond excited to be able to celebrate 25 years of The Height of Callousness," says Decker. "This is the record that defined us as a band and changed our lives. We can’t wait to play all of these songs and share the memories with all of you who lived it with us."

Santos shares his bandmate's enthusiasm, saying, "We are extremely excited to celebrate the return of Spineshank for the 25th anniversary of The Height of Callousness tour, and get to share this milestone with the people who were there back then, and the new fans that never got the chance to see us play. Truly an honor!!!"

"It's amazing that 25 years later people still react to The Height of Callousness the way they do," shares Garcia. "We're excited to get out and play these songs again, see old friends, and throw down for all the new fans who never got to see Spineshank the first time around!"

The band has also announced plans to release a new track this spring to digital outlets, which will be the first new SPINESHANK music released since 2012's Anger, Denial, Acceptance. 

Formed in 1996 in Los Angeles, Spineshank exploded onto the late 90’s Metal scene with their 1998 Roadrunner debut Strictly Diesel, and quickly built a rabid underground following, hitting the road alongside current and future luminaries like Sepultura, System of A Down, Fear Factory, Biohazard, and Static-X. 

Born from a unique fusion of industrial metal, alternative metal, and nu-metal elements, Spineshank gained prominence in the late 1990s and early 2000s as part of the emerging wave of heavy music influenced by electronic textures and aggressive rhythms. Known for their emotionally charged compositions and intense live performances, Spineshank left a lasting impact on the Metal scene, blending heavy riffs, electronic undertones, and introspective lyrics to craft a distinctive sound that has resonated with fans worldwide for over 30 years.
Their sophomore effort, 2000’s The Height of Callousness (2000), Produced by Garth Richardson (Rage Against The Machine, Mudvayne) marked a turning point into a more polished and aggressive sound, leading to critical acclaim and wider exposure,  as Spineshank joined the ranks of Ozzfest 2001 and toured alongside a who’s who of modern Metal greats including Slipknot, Linkin Park, Type O Negative, Mudvayne, and more.

In 2003, Spineshank released Self-Destructive Pattern, which included the Grammy-nominated single "Smothered.", but despite their success, internal tensions led to the departure of vocalist Jonny Santos in 2004, who formed SILENT CIVILIAN, and the band went on hiatus shortly after. Santos eventually returned, and Spineshank reunited in 2008, releasing their fourth and final album, Anger Denial Acceptance, in 2012.

In 2023 Santos and Decker announced the forming of a new project, The Less Dead, which led to further speculation about the future of Spineshank, until early 2025 when the band was announced to be reuniting as part of the lineup for LOUDER THAN LIFE to celebrate the 25th anniversary of The Height of Callousness.

 

SPINESHANK ON TOUR:
WITH UNION UNDERGROUND:
7/9 — Lubbock, TX — Jake's Sports Bar 
7/10 —  Austin, TX —  Come and Take It Live
7/11 —  Houston, TX —  Scout Bar
7/12 —  San Antonio, TX —  The Rock Box
7/13 —  Corpus Christi, TX —  House of Rock 
7/15 —  Dallas, TX —  The Granada Theater
7/16 —  Fayetteville, AR —  JJ's Live
7/19 —  Mansfield, Oh —  Inkcarceration*
7/20 —  Belvidere, IL —  The Apollo Theatre AC
7/22 —  Joliet, IL —  The Forge
7/24 —  Moline, IL —  The Rust Belt
7/25 —  Green Bay, WI  —  Epic Event Center
7/26 —  Turtle Lake, WI —  St. Croix Casino
7/27 —  Des Moines, IA —  Wooly's
7/29 —  Lincoln, NE —  Bourbon Theatre
7/31 —  Denver, CO —  The Oriental Theater
8/1 —  Colorado Springs, CO —  Black Sheep

8/23 — West Hollywood, CA — Whisky-A-Go-Go*
9/18-21 —  Louisville, KY — Louder Than Life*
10/5 — Sacramento, CA — Aftershock*
*Festival

MIKE TRAMP Shares New Lyric Video for "Lonely Nights"

Esteemed rock vocalist and guitarist MIKE TRAMP shares a new lyric video for the track "Lonely Nights," the stellar single from his latest album - 'Songs Of White Lion – Vol. II' which is out now via Frontiers Music Srl. The album's ten tracks are a set of re-imagined select cuts from his former band, White Lion.

About the album, MIKE TRAMP shared this:

"Would Leonardo Da Vinci have re-painted Mona Lisa, if he had gotten a second chance? That, we will never know, but I can say for sure, that I am beyond thrilled to have gotten a second chance to re-record and sing the songs I wrote between 1983 and 1990. Today I have such a better understanding of how I want to express the songs in my voice than I had when I was in my 20’s, it’s just a fact, and I’ve grabbed the chance. 'Songs Of White Lion' is a whole new chapter, matter of fact it is current."

Check Out the Lyric Video for "Lonely Nights" below:

MIKE TRAMP came to prominence in the music world with White Lion, who formed in 1983. After signing to Atlantic Records, the band enjoyed great success with their second album 'Pride' in 1987, which included the hits "Wait" and "When the Children Cry". The band's third album, 'Big Game' (1991), and fourth album, 'Mane Attraction' (1992) continued the band's winning streak, but ultimately WHITE LION disbanded in 1992.

After WHITE LION, TRAMP formed the hard rock band Freak Of Nature, who had a decidedly darker and harder vibe than White Lion. Freak Of Nature would release three studio albums before disbanding in 1996. In 1998, Tramp kicked off his solo career with the album, 'Capricorn'; in 2002, his second solo album 'Recovering The Wasted Years' was released. TRAMP would then take a break from his solo career from 2004-2008 to tour and record under the name Mike Tramp's White Lion and eventually under the name White Lion, releasing the album 'Return Of The Pride' in 2008.

Since 2009, TRAMP has been writing and recording as a solo artist releasing nine studio albums, including his most recent, 2022's 'For Første Gang.' He has also been a consistent presence on the road, both as an acoustic solo artist and with a backing band, with no plans of slowing down anytime soon.

Order 'Songs of White Lion — Vol. 2' HERE

Volbeat Announce New Album "God Of Angels Trust" + Drop Video for "By a Monster's Hand"

VOLBEAT — Michael Poulsen (vocals, guitar), and Jon Larsen (drums), and Kaspar Boye Larsen (bass) — are thrilled to announce their ninth album God Of Angels Trust. This album arrives on June 6 via longtime label Republic/Universal. Pre-order it here.

The album will coincide with plenty of summer touring on the band's "Greatest Of All Tours Worldwide" with further dates and details below.

Today, the band shares the first taste of new music via the video for the first single "By a Monster's Hand." The song is a mid-paced riff-fest with no concessions to standard meter, juxtaposing pummeling rhythms with point-counterpoint hooks.

Watch the video, which splices footage of Volbeat in their most natural state of performing, all the while following an ominously unsettling and familiar face, here.

The video was produced by Ghost Atomic and directed by Adam Rothlein, the same team that lensed videos for prior Volbeat hits "Shotgun Blues," "Die To Live," and "Leviathan."

With God Of Angels Trust, The Danish band — which has scored ten #1 songs on the Billboard Mainstream Rock airplay chart, the most ever for a band based outside North America — has thrown caution to the wind, ignored comfort zones, and paid little heed to traditional songwriting in the search for something more immediate and surprising.  

The end result will thrill Volbeat's dedicated legion of fans.
 
"In the past, I've taken a long time to write and obsessed over so many elements of the songs before finishing them," says Poulsen. "This time, I wanted to make a Volbeat record without thinking too much about it. Instead of following any kind of structure I said, 'Okay, there are no rules. I can do anything I want. I can start with a chorus or do songs that are just a bunch of verses stacked on top of each other. Anything goes.' That was freeing for me and made it exciting to write this album."
  
Poulsen's excitement to thwart convention is palpable throughout God Of Angels Trust, a punchy, crunchy album that's undeniably Volbeat, yet marches to a fresh new metallic and melodic energy. 

Poulsen started working on songs for the follow-up to 2021's Servant of the Mind in the summer of 2024. Volbeat was taking a year-long break from touring to give Michael a chance to recover from throat surgery and to tour with his death metal band, Asinhell. Driven equally by his excitement to record a new Volbeat album and by his determination not to follow convention, Poulsen worked on songs for a mere three weeks with bandmates drummer Jon Larsen and bassist Kaspar Boye Larsen. Amazingly, they worked on a new song at every rehearsal. Three weeks into the process, Volbeat had arranged half of God Of Angels Trust. That's when Poulsen decided that having no rules meant he could follow his muse wherever it took him, and he veered off on a different path. He and the band still wrote and rehearsed two songs a week, but they started composing more familiar rock songs that drew from traditional elements. 
  
The band entered the studio with their longtime producer Jacob Hansen in the fall of 2024. As with the songwriting, Poulsen wanted to work quickly and rely on instinct, so they just plugged in and started to play. To keep the music sounding urgent and immediate, Volbeat recorded live in the studio, playing as few takes as possible before moving from one song to the next. 
 
When it came time to add lead guitar, there was no question that Volbeat would tap Flemming C. Lund, who currently tours with the band and worked with Michael in Asinhell. A mere 13 days after they started working with Hansen, Volbeat were finished.   
  
As impressive as it is that Volbeat wrote and recorded an entire album in about five weeks, what's more incredible is that God Of Angels Trust sounds as fleshed out, eclectic, and fulfilling as albums that have taken 10 times longer (or more) to create. In the end, creating such a strong album so quickly was a tremendous challenge that demanded Zen-like calm, a joy for exploration, maximal creativity, and razor-sharp concentration to pull off. 
  
"In some ways, it feels like we've come full circle,” Poulsen explains. "If you start drawing a circle over an extended period of time, eventually you've going to get back where you started, and that's how I feel now. I've dealt with medical operations, lineup changes, and all these things, and now it feels like a rebirth. It doesn't feel like we're doing our ninth studio album, it feels like we're on our first album again and there's something really refreshing about that."

Volbeat will return to the road on the "Greatest Of All Tours Worldwide," beginning in June and running throughout 2025. The tour begins in June with a co-headline Canadian run with Three Days Grace and special guests Wage War, which will be followed by headline treks in the U.S. with special guests Halestorm and The Ghost Inside, and Europe and the UK with special guests Bush and Gel. All dates are below.

Fans who pre-order the album from volbeat.dk or Universal Music Group up through 5pm local time on Sunday, March 9 will receive a code to access tickets before anyone else starting Monday, March 10 at 10am local time. Regular on-sales begin Friday, March 14 at 10am local time.

The band's official D2C store is here.

2025 US HEADLINE:
WITH SPECIAL GUESTS HALESTORM + THE GHOST INSIDE:
7/17 — Denver, CO — Ball Arena
7/19 — Salt Lake City, UT — Utah First Credit Union Amphitheatre
7/21 — Auburn, WA — White River Amphitheatre
7/22 — Ridgefield, WA — Cascades Amphitheater
7/24 — Wheatland, CA — Toyota Amphitheatre
7/25 — Inglewood, CA — Kia Forum
7/26 — Phoenix, AZ — Talking Stick Resort Amphitheatre
7/28 — Irving, TX — The Pavilion at Toyota Music Factory
7/29 — Houston, TX — 713 Music Hall
7/31 — Rogers, AR — Walmart AMP
8/2 — Franklin, TN — FirstBank Amphitheater
8/3 — Alpharetta, GA — Ameris Bank Amphitheatre
8/4 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
8/6 — Charlotte, NC — PNC Music Pavilion
8/7 — Bristow, VA — Jiffy Lube Live
8/9 — Camden, NJ — Freedom Mortgage Pavilion
8/10 — Holmdel, NJ — PNC Bank Arts Center
8/12 — Bangor, ME — Maine Savings Amphitheater
8/13 — Gilford, NH — BankNH Pavilion
8/14 — Mansfield, MA — Xfinity Center
8/16 — Hershey, PA — Giant Center
8/17 — Cincinnati, OH — Riverbend Music Center
8/19 — Clarkston, MI — Pine Knob Music Theatre
8/21 — Noblesville, IN — Ruoff Music Center
8/22 — Tinley Park, IL — Credit Union 1 Amphitheatre

Evidence of a Struggle explores timely controversy on 'Give Us A Kiss' single, teasing sophomore album

Chicago alternative rock outfit Evidence of a Struggle presents their controversial new single 'Give Me A Kiss', the second offering from their eponymous sophomore album, out May 9 via The Glue Factory and The Orchard, following the lead track 'Eddy Derecho'.

Centred around the musings of multi-instrumentalist W P C Simmons V a.k.a. Rev. Billy Simmons,  Evidence of a Struggle has grown since releasing their 2023 eponymous album to also involve Matt Walker (Smashing Pumpkins, Morrissey, of1000faces, Garbage, Filter) on drums, synths and bass, and John Airo, who provides visual art for the projects. The new album is a lyrical departure from Evidence of a Struggle's 2023 debut instrumental album.

With recording, mixing and final production by Sanford Parker (Voivod, Russian Circles, Yob, Eyehategod, Wovenhand, Darkthrone), this album sees notable contributions by bassist Alan Berliant (Chris Connelly, Mavis Staples, Saint Asonia)and Solomon Walker (Liz Phair, Bryan Adams, Morrissey) with Grammy-nominated sound engineer Chris Gelin (Smashing Pumpkins, Trent Reznor, RZA, Tom Morello, Korn) handling post-production and mastering.

“‘Give is a Kiss’ is about incentivized control by media, government, religion, business, pharma, banking and mass media, who are not so subtly subduing us all with hollow psychological, monetary and chemical rewards to make us weak, malleable, dependent and wanting more just like that first kiss,” says Rev. Billy Simmons.

“We wanted to utilize some of the benefits (or curses as some would argue) of AI-assisted generative imagery. This is a different looking glass into everything affecting us, traveling within the same currents as the other songs or videos are flowing in regards to religion, money, war, inequity, inequality, pain, suffering, anger and, at the end of it all, hope. Still, it speaks through several differently-focused lenses, using this increasingly controversial technology. Maybe it can help everyone else look at themselves a little differently and avoid becoming part of the problem. Welcome to the uncanny valley. Give us a Kiss.”

Known for creating lush, cinematic, beautiful and sometimes chaotic compositions, Evidence of a Struggle spent most of 2024 weaving a dense tapestry of sonic, musical, lyrical and "visual observations” of what’s happening in our world now, in the past and what may happen in the future. Rooted within the chaos of our world, it is a loud and thoughtful sonic exploration of our unique ability as a species to harm, destroy, thoughtlessly marginalize, and discard with reckless disregard for anyone or anything outside of our immediate orbit.

"The video was created by Rev. Billy using a combination of analog and text-to-video AI generations. Over 100 generative video assets were edited using Final Cut Pro to make the final product. Each AI video I generated took 1 to 5 minutes, depending on bandwidth at The Glue factory. Not every text prompt resulted in a “good” video. For every single “good” 10-40 second generated video there were probably 3 To 5 that weren’t “good”. That’s a lot of time," says Rev. Billy Simmons.

"It’s not the most efficient way to create a video, but I’m really happy about the uncanny valley it allows me to explore. Each attempt to describe the angles, lighting, motion, and nuances that I want to AI encourages me to critique how I approach lyrics for new songs and how I can be more succinct and descriptive as a songwriter and storyteller. This video contains many hidden and easy-to-miss surprises. Happy hunting."

Transforming into a musical chameleon at night, Rev. Billy's day to day entails running Rev. Billy's Chop Shop, a salon with a creative space that regularly showcases artists' work (declared by Chicago Reader as the city's best gallery). The forthcoming 'Eddy Derecho' album is a lyrical departure from Evidence of a Struggle's debut instrumental album.

Rev. Billy previously collaborated with notable artists, such as RCA artist Ké, Urge Overkill, Touch and Go, and major labels like BMG and Universal. In 2020, he returned to music in the midst of lockdown boredom, allowing him a continued creative outlet. Playing every instrument and recording his debut album at The Glue Factorystudio, he then joined forces with Sanford Parker.

As of March 5, 'Give Us A Kiss' is available from fine digital platforms, including Spotify, Apple Music and Bandcamp.  The full album will be released on vinyl, CD and digitally on May 9.

SINGLE CREDITS
All music written by William P C Simmons V (aka Rev. Billy)
William P C Simmons V - Vocals, Guitar, Synth
Matt Walker - Drums, Synth
Alan Berliant - Bass guitar
Recorded at The Glue Factory, Ming Music Studios, and Hypercube
Mixed & produced by Sanford Parker at Hypercube
Mastered by Chris Gelin at Opus Audio Labs.
Cover art and animations for Eddy Derecho by John Airo
Loveless Publishing ASCAP
'Eddy Derecho' video & cover artwork by John Airo
'Give Us A Kiss' cover artwork by Rev. Billy Simmons
Artist photos by Jeremy Glickstein
Publicity by Shameless Promotion PR

Keep up with Evidence of a Struggle
Bandcamp | Facebook | Instagram | Threads | BlueSky | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Cryptopsy Reissuing 'None So Vile'

They made blasphemy sound fresh on their debut, but for their follow-up, Cryptopsy claimed the crown as the most vile band in all of death metal.

None So Vile established death metal as a truly vulgar art form. With each slurp from his chalice, Lord Worm smears the line between what's sacred and profane until it's dead and dripping. Lead guitarist Jon Levasseur shouldered more of the songwriting duties while seamlessly shredding between gut-slitting chugs, blistering technical riffage and orgiastic solos, though Cryptopsy still followed the textbook drumming of Flo Mounier. Trampled underfoot by a relentless piling-on of blast beats and oddly-timed bursts of double bass, "Graves of the Fathers" quickly cemented itself as a sacred rite amongst circle pits.

"In writing None So Vile, the idea was to create something heavier, faster and more technical than Blasphemy Made Flesh", Flo says. "We were growing as musicians and so was our love for extreme music! At no point in time had we ever thought it would turn out to be one of the essential albums in death metal history. We are very happy that our fans did!"

Season of Mist is reissuing None So Vile on May 9, 2025. 

Listen Below.

Pre-order
https://redirect.season-of-mist.com/CryptopsyReissues

Cryptopsy would win a JUNO after continuing to push the limits of extremity for the next three decades. Still, while only the band's second album, None So Vile is worshiped by gatekeepers and fresh heshers to the underground. “You won’t find a more deserving album to be the first-ever Canadian entry into the Decibel Hall of Fame”, the magazine wrote about None So Vile, which they named the tenth best death metal album of all time.

On None So Vile, Cryptopsy claimed their crown as the most vile band in all of death metal.  

Though now revered as the most vile band in death metal, before Ungentle Exhumation, Cryptopsy were still just a whisper among the Canadian underground.

After settling on a new name and several lineup changes, Cryptopsy recorded their first demo as a five-piece in 1993. While the band would go on to re-record most of these songs for their blasphemous full-length debut, Ungentle Exhumation already bore their unmistakable mark on death metal. “Gravaged: A Cryptopsy” is split open by the hair-raising screech and brutal barks of Lord Worm, while Flo Mounier flogs closer “Mutant Christ” with unhinged technical precision.

“Ungentle Exhumation was the first release in the band’s transition from Necrosis to Cryptopsy”, says drummer Flo Mounier. “It’s more death-metal type music. The songs have more blasts, more chunky grooves, and were recorded on good old analog, in one room, with all the musicians together!”

Season of Mist is reissuing Ungentle Exhumation on April 11, 2025. 

Pre-order
https://redirect.season-of-mist.com/CryptopsyReissues

STARSET Share "dark things" Video

Visionary, sci-fi-inspired rock collective STARSET have shared the new single "dark things,"  a haunting descent into obsession and self-destruction. With shadowy melodies and hypnotic intensity, the track pulls listeners into a world where devotion turns dangerous and darkness takes hold. Lines like "Mayday, we've been sinkin' here slowly / Turning into something unholy" build a cinematic tension that is both mesmerizing and menacing.

As the chorus warns,"When you search the dark, you get dark things," STARSET deliver an immersive, spine-chilling anthem that lingers long after the final note.

Watch the video below:

"dark things" follows 2024-released tracks  "TOKSIK," "BRAVE NEW WORLD," and "DEGENERATE." 

Lauded by Forbes as having "one of the most firmly established brands of any modern rock band," Columbus, Ohio's STARSET are creating a true multimedia empire with music at its core. Their hits include RIAA Platinum-selling hit "My Demons" (2012) and RIAA Gold-selling single "It Has Begun" (2014), with others soon to follow. With a staggering 5 billion streams and a rapidly growing rabid global fanbase, 2024 sees STARSET poised to rise as one of rock's next superstar acts.

THIS GIFT IS A CURSE Premiere New Album

Over the past 16 years, This Gift Is A Curse have pushed the edges of underground metal to violent extremes. The Swedes' new album extends their blackened reign of sludgy terror. With Heir, there's no escaping the blinding punishment that's handed down by their cold, hard fist.

Heir comes out tomorrow, March 7 on Season of Mist. But you can hear all 10 dark and ascendant tracks today by listening to the full album stream on the Season of Mist YouTube channel.

Listen to Heir Below:

Pre-order & Pre-save 
https://orcd.co/thisgiftisacurseheir


This Gift Is A Curse are blessed with an unholy triple attack. Heir wields the transcendent ferocity of black metal, sludgy doom and the crushing weight of hardcore. Hammering blast beats and a swarm of needling tremolo picks tear through lead single "Kingdom" like the hounds of hell. "I made a secret door into your eyes", a possessed Jonas Holmberg chants alongside Livmødr's bewitching queen Laura Morgan.  

On Heir, This Gift Is A Curse reign where other swinelords fear to tread.

THIS GIFT IS A CURSE defies the transient trends of music, instead choosing to carve its path with the bones of the fallen. Their forthcoming album, 'HEIR,' is a relentless pursuit of the extreme, a mosaic of human suffering and the dark beauty that lies within. As the album prepares to sear its mark upon the world, one thing is clear: There will be no heirs to the throne of darkness that THIS GIFT IS A CURSE occupies. The crown is theirs alone, forged in the fires of creation and destruction, a beacon for those who dare to walk the shadows.

Line-up:
Jonas A. Holmberg - Vocals
Patrik Andersson - Guitars, Vocals
David Deravian - Guitars
Lars Gunnarsson - Bass
Christian Augustin - Drums

Recording Studio:
The Overlook Studio, Gävle, Sweden

Production Credits:
Produced, Engineered & Mixed by William Blackmon at The Overlook Studio.
Mastered by Magnus Lindberg at Redmount Studios, Stockholm, Sweden.
Guitars recorded at Laard studios and House of Inge Studio. Engineered by Daniel Noring and TGIAC.
Bass recorded at Cold Barn with the help of Daniel Noring.
Vocals recorded at Cold Barn by TGIAC.

Guest Musicians:
Laura Morgan (of Livmødr) - Vocals on Kingdom (Track 1), Old Space (Track 9) & Ascension (Track 10).

Cover Art:
Jonas A. Holmberg / House of No Light .317 (Instagram)

Pre-order & Pre-save: https://orcd.co/thisgiftisacurseheir

Follow This Gift Is A Curse:
Bandcamp: http://thisgiftisacurse.bandcamp.com/
Facebook: http://www.facebook.com/thisgiftisacurse
Instagram: https://www.instagram.com/thisgiftisacurse/
Spotify: https://open.spotify.com/artist/7MoipbqoshfYNfckhzRtYC
Apple Music: https://music.apple.com/artist/this-gift-is-a-curse/405256386
Deezer: https://www.deezer.com/artist/1005843
TIDAL: https://tidal.com/browse/artist/3813169

BENEDICTION - Release Video For New Single 'Crawling Over Corpses'

British death metal legends, BENEDICTION, have released yet another single from their upcoming new studio album, Ravage Of Empires, which is due to be released on April 4, 2025, via Nuclear Blast Records.

'Crawling Over Corpses' is a ferocious up-tempo banger, which transports the band's old school roots into the here and now while destroying everything that stands in its way. Dave Ingram's primal growls have never sounded more vicious, and the rhythm section fires on all cylinders with a barrage of riffs and massive breakdowns. Alongside the single, another fiercely entertaining music video has been released, which you can watch below.

Ravage Of Empires is available for pre-order on CD, LP and as digital album. 

PRE-ORDER/PRE-SAVE RAVAGE OF EMPIRES:
https://benediction.bfan.link/ravage-of-empires

STREAM 'CRAWLING OVER CORPSES':
https://benediction.bfan.link/crawling-over-corpses

WATCH THE MUSIC VIDEO FOR 'CRAWLING OVER CORPSES' BELOW:

ABOUT BENEDICTION

“Sometimes They Come Back” is not just the title of a horror movie based on a macabre tale by Stephen King, it is also a summary of what happened to UK death metal veterans BENEDICTION, yet you might like to add a “better than ever before”. While never officially disbanded, 2020’s Scriptures, the group’s eighth studio album achieved what is usually not an easy feat. It connected well with classics like Transcend the Rubicon (1993) and its immediate and memorable songwriting, the heavy-as-a-brick Grind Bastard (1998), and also saw legendary vocalist Dave Ingram return with his merciless roar and knack for morbid, twisted lyrics. After two albums with Dave Hunt on vocals, Scriptures was BENEDICTION’s first record in over a decade impressing with aggressive up-tempo attacks like ‘Iterations of I’ and ‘Rabid Carnality’ or the neck-breaking mid-tempo barrage of ‘Stormcrow’, songs that became live staples alongside ‘evergreens’ such as ‘I Bow to None’, ‘Magnificat’, ‘Subconscious Terror’ or ‘Vision in the Shroud’ in no time. With Scriptures, BENEDICTION even almost cracked Germany’s top ten by entering at a phenomenal #11 of the Official German Charts showing that the death metal veterans founded 1989 in Birmingham, England, offered an extremely well received sonic catharsis when due to the pandemic, people were locked down and pissed off.

With their brilliant new record Ravage Of Empires in tow, founding members and guitarists Darren Brookes and Peter Rew, longtime vocalist Dave Ingram, drummer Giovanni Durst, and Nik Sampson (bass) will travel far and wide once more. Already confirmed are the Tales of the Triple Death Tour with Jungle Rot and Master kicking off on album release date as well as confirmed appearances at Wacken Open Air and Maryland Deathfest. More to be announced soon!

Catch BENEDICTION live on their European release tour in April 2025 with guests Jungle Rot and Master.

TICKETS HERE: https://www.we-live.agency/shows 

More confirmed dates for 2025:

    21.05.25 US Brooklyn, NY The Meadows

22.05.25 US Baltimore, MDMaryland Deathfest

BRKN LOVE Release New Single "Diamonds"

Modern Canadian rockers BRKN LOVE are pleased to share a new single, "Diamonds"

from their forthcoming full-length album, 'The Program,' due out March 28th via Spinefarm.

About "Diamonds," Justin had this to say:

"I like to think it strikes a perfect balance between our classic sound and the soul and R&B influences we’ve been experimenting with on this record.

"'Diamonds' is the result of truly honing in on what we do best, defining the sound we’ve been searching for all these years. Lyrically, the song explores the idea that we all have greatness inside of us, but more often than not, we’re the ones standing in our own way. At the end of the day, real change comes from within—no one else can make it happen for you."

Exuding bravado, mystique, and a whole lot of heart, BRKN LOVE sets the rulebook on fire by plugging in, turning up, and churning out the kind of rock ‘n’ roll that makes you feel a little freer. Their gritty riffs pack enough punch to shake any stage while the grooves quake with just the right amount of hip-swinging gusto. Led by vocalist and guitarist Justin Benlolo, the music drips swagger, soul, and spirit amplified by arena-sized hooks and intriguingly inventive musicality.

Stream "Diamonds" HERE

An impromptu 2023 trip to visit a friend in Charleston, SC gave rise to their third studio album, 'The Program.' Justin initially planned on spending a weekend in town. That weekend turned into nine weeks, and he returned to Toronto with the bulk of the album’s material.

“I didn’t have anything else to do, so I brought all of my gear and studio equipment,” he recalls. “I was so inspired by the environment and the friends I made. It’s a big city, but it’s not huge. It’s just beautiful though. The experience inspired the whole record. Instead of being so picturesque and metaphorical, I told stories.”

The album title even referenced the name of the text group for his new friends in Charleston, embedding the experience and the city in the fabric of the music. The vision had already crystallized before he left for Los Angeles where he recorded with longtime producer Anton DeLost (Cleopatrick, The Warning, State Champs, Dead Poet Society). These friends, and a variety of other characters he met, ultimately inspired the concept at the heart of "The Program."

“It was a collective of 10 people I’d never met before, and we kept using the term ‘The Program’ repeatedly like, ‘Let’s go here, because it would be good for The Program’,” he goes on. “It was cool to be surrounded by near-complete strangers, invite them to our place, and play demos. Their opinions were unfiltered and blunt—which was awesome. I was actively searching for inspiration, and I put myself out there in different situations. I was free and unchained to do anything.”

BRKN LOVE fulfilled a clear destiny to be as free as possible on their third full-length LP, 'The Program.'

“In the past, I put parameters on what BRKN LOVE is supposed to be,” Justin mentions. “I’ve been hesitant to put out certain songs because I was unsure if they were us. I’m older and wiser. I have more experience doing this. I know if I’m singing and writing a song, it’s going to be BRKN LOVE. I’m the filter the music passes through.”

Pre-Order 'The Program' HERE

BRKN LOVE emerged with their self-titled debut in 2020. The group quietly generated over a quarter of a billion total streams. They notched a Top 15 entry on Active Rock radio with “Shot Down,” while their cover of “River” by Bishop Briggs hit critical mass. It inspired over 2 billion-plus views on TikTok. It piled up 28 million Spotify streams. 2022’s 'Black Box' only maintained this momentum. “Like A Drug” notched north of 8.5 million Spotify streams, made waves at Active Rock, and emerged as their third Top 5 at Canadian radio.

Reece Young Shares "broken glass" (Feat. Downswing)

Rising star Reece Young, who released the HERE EP last year via UNFD, is storming into the new year with the first taste of new music in the form of a ferocious, arena-sized new track. 

 Young has just shared the visualizer for "broken glass." The track features Albany hardcore band Downswing. Yes, it slays from top to bottom.
 
But don't just take our word for it. Watch and listen below. 

"broken glass" is pumped full of crunchy, gnarly synths, death howls, and memorable melodies.

"The entire theme of this upcoming batch of songs encompasses my personal struggle with constant comparison," muses Young. "In today's social media-centered society, it is impossible to not compare yourself to others. I'm often sitting there wondering, 'Why them?' when I see someone thriving at something I'm trying to achieve myself. 'broken glass' is my message to those at the top."

And what a message it is! It certainly lets the listener know that Reece Young did not come to play. He came to stay.

New Jersey born and raised, Reece Young emerged and gained traction via his self-released early music. He lays it all out there has put all the adversity he's faced, his personal struggles, his frustration, into a vulnerable and universally authentic sound. Young, now Nashville-based, is "one of us" — a music obsessive who has channeled his passion for the scene and his favorite artists into making his own and getting onto the stage himself. With a modus operandi of sharing tales of facing adversity, overcoming personal struggles, by tying open-vein vulnerability and authenticity to gargantuan choruses, the time is now for Reece Young to set about joining the big leagues and emulating what his heroes have done before him. 

Chicago's Push Puppets presents 'This Whole Endeavor', previewing their fourth album

Melodic indie pop-rock outfit Push Puppets presents 'This Whole Endeavor', the second single from their new long-play album 'Tethered Together', set to release on May 16 via Flowering Tree Music. 

Based in Chicago, Push Puppets is the creative outlet for singer-songwriter and guitarist Erich Specht. The five-piece band creates songs with earworm melodies and shiny production that belie the often bittersweet sentiments in the songwriting.

'This Whole Endeavor', a rocker about a relationship that has ended, draws you in with an instantly memorable piano hook. This song describes the ebb and flow of a relationship in a flowing lyric style that comes across as sincere yet engaging.  After a reflective bridge and breakdown, the song powers on with a driving finale.

The first verse tells of love at first sight at a bar in a way that foretells that the relationship is doomed. The story takes a turn in the second verse where "things realigned as fate changed her mind and departed / Leaving behind a vapor trail across the auburn sky."  The dynamic halftime bridge confirms that the relationship ended "in disarray", and the final verse, inspired by his bed-hogging basset hound, finds Specht in bed with his dog and wishing she was with him.

"I get a kick out of referring to love at first sight as ‘a trainwreck just about to happen’. My Pete Townshend fandom might be apparent in this one between the 70s synth phrases and guitar smacks,” says Erich Specht.  “As much as I hate to admit it, after reflecting on the lyrics, it seems clear that this song is somewhat about the relationship with my ex-wife".

Push Puppets is fronted by Specht on lead vocals and guitar, and rounded out by Kyle Magnusson (keyboards), John William Lauler (bass) and Greg Essig (drums), as well as Tommi Zender (backup vocals and guitar) for this track.  On this particular album, they are joined with a string quartet on most songs and a horn section on one.

This beauty arrives on the trail of the cinematic 'All Together On 3' with its timeless quality, tinged with a touch of melancholic reflection, taking us on a sonic trip that is as stimulating as it is emotionally resonant. A moody and musically progressive song about how we’re stronger when we work together, it builds to a cathartic reprise of live strings and harpsichord with a desperate vocal crying for a helping hand as violins punctuate the lines with elegance.

Their fourth album, 'Tethered Together' is graced with impeccable songwriting that shines with lush harmonies, angular guitars, dramatic keyboards and strings backed by a rhythm section to ensure a continually high groove factor.

Frontman Erich Specht muses on relationships and loss, as well as the weight and joy of life, in a manner that is poetic and seems effortless, his lyrics fitting to the melody like pieces of a puzzle. Wearing his vulnerabilities like a badge of honor, this music takes us on a journey to unexpected places.  

"This album offers a nod to the artistic excesses of the 70s, whether it's a wall of phased vocals or a moment where guitars and strings rip a quick line together between phrases.  The tracks are widely varied yet cohesive - and within a given song, you're likely to be taken elsewhere" says Erich Specht.

The first single 'All Together On 3' put listeners on notice that this album will be pushing musical boundaries.  This second single, 'This Whole Endeavor', assures that the album will rock.

'The Whole Endeavor' is available from fine digital platforms, including Spotify, Apple Music and Bandcamp. The 'Tethered Together' album, now available for pre-order, will be released digitally and on CD on May 16. Push Puppets will hold their album release show at Robert's Westside in Forest Park, IL on May 30.

SINGLE CREDITS
Lyrics and music by Erich Specht (ASCAP)
Produced by Doug McBride and Erich Specht
Mixed and mastered by Doug McBride at Gravity Studios
Erich Specht – Lead vocals and guitars
Kyle Magnusson – Keyboards
John William Lauler – Bass
Greg Essig - Drums
Tommi Zender – Backup vocals and guitar
Album cover artwork by Crow Prints
Released & published by Flowering Tree Music (ASCAP)
Artist studio photos by Gintas Zaranka
Artist live photos by Gabi Bucataru
Publicity by Shameless Promotion PR 


Keep up with Push Puppets 
Website | Bandcamp | Facebook | Instagram | BlueSky | YouTube | TikTok | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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WITHIN DESTRUCTION Drop New Single/Music Video 'INCOMPLETE'

Slovenia’s most awesomely audacious, genre defying metal pioneers, Within Destruction have dropped brand new single 'INCOMPLETE' today. The track is the fourth single taken from the band's upcoming album ‘ANIMETAL,’ set for release on April 11th, 2025, via Sumerian Records. Listen to the new track HERE and watch the accompanying video Below. Pre-orders for 'ANIMETAL' are available now HERE.

Speaking on their latest release, Within Destruction share:

"The song’s animated video delves into the heartbreaking journey of losing someone deeply cherished and the emotional turmoil that follows. It begins with a raw expression of grief and loss of purpose in one’s life, consequently, the protagonist's color palette is darker in the intro. As the song unfolds, it moves through various stages of mourning—loneliness, longing, sadness and the haunting feeling of absence i.e. feeling in-complete. There are also moments of reflection, where the protagonist recalls fond memories, trying to hold on to the love that once was, but slowly realizing that they must let go in order to move on. The video also touches on the feelings of helplessness, questioning if there was more that could have been done. As the song progresses, a sense of acceptance begins to emerge. The protagonist starts to understand that healing isn't linear, and that while the pain may never completely fade, it's possible to find peace in the midst of loss. The song closes on a bittersweet note, suggesting that while the person may no longer be physically present, their memory will continue to live on, offering a sense of solace. The protagonist's color palette becomes vibrant towards the outro, suggesting a sense of resolve to their former "in-complete" self.

While the lyrics and video depict the loss of a loved one, they are also meant to be interpreted in a more general sense: "To truly live is to embrace the full spectrum of life, knowing that even pain has its place in shaping who we are and without sadness, joy loses its depth and without hardship, triumph feels hollow."

Building on the momentum of their previous singles - "CYBER GIRL", “DEMON CHILD” and “KANASHIBARI,” Within Destruction’s fifth studio album, 'ANIMETAL' pushes their sonic experimentation to new heights. Combining their trademark brutality with anime-inspired electronic flourishes, the album reflects their fearless creativity and relentless drive to challenge genre boundaries. Pre-order merch bundles, including Within Destruction instant cup noodles, are available now HERE

Within Destruction kicked off their 2025 with a bang. The band hit the road in the US in January for their Super Sugoi Headline dates.They then joined Born of Osiris for their US run. Now, the band set their sites on Australia and Asia as they gear up for their spring tour across both continents to celebrate the release of ‘ANIMETAL.’ Tickets and further information are available HERE.

About Within Destruction

Within Destruction are an innovative metal group from Slovenia. They have been disrupting the deathcore and metalcore scenes since their formation in 2010. Known for their intense sound, the band uniquely incorporates electronic elements and anime samples into their music, adding layers of unpredictability that have captivated fans worldwide. They gained international recognition with their 2016 album 'VOID,' and their irreverent approach to metal, which has built a dedicated global following.

Their third album, 'DEATHWISH,' which was mixed and mastered by Will Putney, further solidified their reputation. Featuring fan-favorite tracks like "Human Defect" and the title track, leading to their first European headliner tour, as well as a breakthrough in the U.S. market. In 2020, they took a bold step with 'YOKAI,' an album that divided fans by blending metalcore with electronic and trap influences, all while integrating anime-inspired themes.

Continuing to push boundaries, the band released 'LOTUS' in 2022, leaning further into metalcore and embracing clean vocals, which sparked both outrage and admiration among listeners. Known for their ambitious live performances and relentless dedication, Within Destruction remains a force in modern metal, constantly evolving and challenging genre norms. With ‘ANIMETAL,’ they’re poised to deliver their boldest statement yet. 

Kittie, The Pretty Wild & Diamante Collaborate To Cover "The Unforgiven" For The Queen Of The Ring Official Soundtrack

The countdown is on for the theatrical and official soundtrack release of Queen Of The Ring, arriving in theaters and streaming platforms this Friday, March 7, 2025. In anticipation for the big day, Sumerian Records is pleased to release an emotionally gripping cover of Metallica's "The Unforgiven" by Kittie, The Pretty Wild, and Diamante from the soundtrack for the hotly-anticipated biopic. Queen Of The Ring chronicles the trailblazing journey of wrestling icon Mildred Burke, written and directed by Ash Avildsen and starring Emily Bett Rickards.

The track is available for streaming at the link HERE, and pre-order tickets to see 'Queen of The Ring' and celebrate International Women's Month when it opens in theaters HERE.

‘Queen of the Ring,’ written and directed by Ash Avildsen, brings to life the untold story of wrestling legend Mildred Burke, who shattered barriers in the 1930s–1950s to become the first million-dollar female athlete and headline arenas over male competitors in a time when women’s wrestling was outright banned across much of the U.S. 

The film stars Emily Bett Rickards (Arrow) in a career-defining role as Burke, alongside a stellar cast featuring Josh Lucas, Walton Goggins, Gavin Casalegno, Tyler Posey, and Deborah Ann Woll, with pro wrestling stars Kamille, Toni Storm, Trinity Fatu, and Jim Cornette making appearances. 

With its March 7th release strategically set during for the weekend of International Women's Day, the film is an ode to inspirational, trailblazing women who defied the odds and forever changed their industries. Watch the official trailer for 'Queen of The Ring' HERE or below and pre-order your tickets to see if it in theaters HERE.

About Ash Avildsen and Sumerian

Ash Avildsen grew up in a single-parent household, never having met his father but knowing who he was and having his last name. He chose to pursue music first as an artist, touring in a band and teaching himself the business through a DIY lifestyle. Using all the knowledge he learned from the road, he started his own record label. Sumerian Records has now become one of the top independents in the world for rock and alternative music, with several Grammy nominations and record-setting Billboard chart metrics for the hard-rock genre. Sumerian Records recently celebrated a historic achievement with the first Grammy nomination in the history of the Recording Academy for a solo female artist in the “Best Metal Performance” category, featuring avant-garde singer Poppy.

Avildsen’s first feature film, American Satan, won several awards on the festival circuit before being distributed by Miramax. The film had a theatrical release and was subsequently picked up by Showtime, where it developed a growing cult following. Avildsen expanded on this success by writing and directing the limited series spin-off, "Paradise City ".

The Intemperate Sons Release Single "Dumb" (Live) via FRAME|WORK ​  

The Intemperate Sons bring a raw, electrifying edge to Nirvana's "Dumb" with their latest live recording from the iconic Whisky A Go Go in November 2024. This is the second track off their Live EP scheduled for release in the spring of this year. This version transforms the original's contemplative mood into a powerful, heavy sound that resonates with the spirit of rock at its most unbridled. It’s a testament to the unquestioned influence of Nirvana through the lens of today's alternative rock sound


STREAM "Dumb":

https://onerpm.link/127172572341


The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicidein Long Beach, CA.  All mastering is done by Mike Marsh Mastering in the U.K.

WATCH "Dumb" (Live) - A Nirvana Cover by The Intemperate Sons:

The band's latest album Dark Day's Night is available HERE

 

The Intemperate Sons emerged onto the rock scene in the summer of 2019 in Dallas, TX, to bring their distinct sound to the genre. A deep love for music brought family members Keith Watson (drums), Jake Watson (guitars) and Max Watson (vocals, guitars, keys) together along with close friend Mark Marks, who provides the groove on bass to unite everything together. The band's sound has been described as a 90's alternative style that is obsessed with the 70's.

Keith is well acquainted with entertaining massive crowds of concert goers and has played with many successful bands in Dallas, such as Gun Hill, Natural Born Thrillers and Agents of Solace, on top of opening for Lynch Mob, Joe Lynn Turner and Sponge. He is the primary lyricist for the band and has written the music for some of their most successful songs, including “Dust to Dust,” “The Color Within,” and “Unrealized.”

 

Multi-talented and gifted with the ability to play various instruments, Max is also the lead vocalist of the group. Along with being musically dexterous, he has also collaborated with Keith to write lyrics on the released songs “Going Crazy” and “Way Back When.” In the studio, Max usually surmounts expectations and goes above and beyond to prepare prior to a session with his own vocal harmonies.

Jake is the song architect of the Sons and extremely instrumental in the crafting of the music. His inventive ways of bringing lyrics to life in clever ways are unprecedented and fascinating to see in the studio setting. He is a prolific writer of music as well and is credited with helping create the songs “What’s Done is Done,” “Remission,” “Way Back When” and “Wading in the Gray.” Both Max and he play lead guitar on many of the songs as well. The other members of the band fondly refer to him as the “art director” since he enjoys taking charge in those areas for the group.

 

Prolific and unifying, Mark is an accomplished bass player and well known in Dallas. He was in the regionally successful band, Haggard, and had opened for Sebastian Bach of Skid Row. His input in song writing has been invaluable to the process of creating captivating melodies.

 

Despite the pandemic putting a pause on many major events, The Intemperate Sons lived up to their name and let nothing hold them back from making music. Constantly hard at work in the studio, they have collaborated with Amir Derakh (Julien-K, Dead by Sunrise, Orgy, Rough Cutt) and Ryan Shuck (Julien-K, Adema, Dead by Sunrise, Orgy). Both have lent their musical talents to various songs and ultimately have brought the Sons on to their label, Frame|Work. This led the band to also recently join the management roster at The Label Group. Ryan worked with Amir to produce the band’s upcoming track, “Game of Keep Away,”and has had a huge impact on the group. He’s been especially influential on Max’s vocal melodies and delivery. Amir also plays guitar on this latest ballad and has been mixing all of the band’s music as well as performing on multiple songs.

 

Another notable collaboration has been with Tony Franklin (The Firm, Roy Harper, Kenny Wayne Shepherd, Whitesnake), primarily on the first album, The Color Within. He has been a valuable friend of the band and has played bass on some of their best tracks from that album, including “Running Man,” “Dust to Dust” and “The Color Within.”

 

The Intemperate Sons’ take on alternative rock is a dark and powerful concoction of hard rock mixed with folk and grunge concepts. The band has earned a serious reputation for writing and performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style, which has a retro vibe with many guitar-driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate at a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots and even R.E.M.

The Intemperate Sons Show Dates:

 

Fri March 14 @ Fitzgerald's Bar & Live Music Venue in San Antonio, TX

Sat March 29 @ Mystical Market in McKinney, TX

Fri July 11 @ Deep Ellum Art Company in Dallas, TX

Thu July 31 @ Hurricane Alley Live in Bossier City, LA

For More Information Please Visit:

The Intemperate Sons

Official Website

Facebook

Instagram

TikTok

YouTube

Spotify

Merch Store

FRAME|WORK

FRAME|WORK Website

FRAME|WORK Instagram

Rotting Christ Release New Live Medley

ROTTING CHRIST have stood the test of time. Over the past 35 years, Sakis Tolis, his brother Themis and their brothers-in-arms have risen from Greece's blackened catacombs to become one of metal's most reliable forces.

Backed by a legacy that has both defined and defied black metal, last year, the Greek legends carved out a new set of dark, melodic scriptures with fresh rebellion on the unbreakable Pro Xristou. 

"...this is the most arena-worthy Rotting Christ have been in some time", No Clean Singing wrote about their latest album.  

Now, as they continue to tour the world, Rotting Christ are celebrating 35 years of evil existence with a new live album. This two-hour set was recorded at the Lycabettus Hill Theater in the band's hometown of Athens. Like a pantheon, it spans the band's entire career, from the chiseled monuments of their modern Hellenic period to their early evil classics, including "Sorrowful Farewell" and "Among Two Storms", the mighty one-two punch from 1997's gothic triumph A Dead Poem. 

Watch Rotting Christ perform "Sorrowful Farewell" and "Among Two Storms" Live in Lycabettus.

35 Years of Evil Existence - Live in Lycabettus comes out April 4th on Season of Mist.
 

Pre-order & Pre-save
https://orcd.co/rottingchristliveinlycabettus

The formidable bond between brothers Sakis and Themis Tolis is not only felt across their unholy discography but also live and in the flesh. Having played more than a hundred shows all across the world in 2024, Rotting Christ continue to keep the true metal spirit alive time and time again.    

Later this spring, Rotting Christ are blessing Europe on The Unholy Trinity Tour with Behemoth and Satyricon. Then this summer, the band will return stateside for an exclusive performance at Milwaukee Metalfest.

Rotting Christ @ Milwaukee Metal Fest
Friday, May 16 - Milwaukee, Wi @ The Rave/Eagles Club [TICKETS]

Line-up:
Sakis Tolis - Guitar, Vocals
Themis Tolis - Drums
Kostas "Spades" Heliotis - Bass
Kostis Fouk - Guitar

Biography:
Sébastien J. Gamez

Follow Rotting Christ:
Official Website: https://www.rotting-christ.com/en
Facebook: https://www.facebook.com/rottingchristofficial/
Instagram: http://www.instagram.com/rottingchristofficial/
Twitter (X): https://twitter.com/athanatoieste
YouTube: https://www.youtube.com/user/RottingChristOfficia
Bandcamp: https://rottingchristofficial.bandcamp.com/
Apple Music: http://itunes.apple.com/artist/rotting-christ/id28441629
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ

FALLUJAH TO RELEASE NEW ALBUM, 'XENOTAPH,' ON JUNE 13TH

Masters of progressive death metal FALLUJAH will make their anticipated return this spring with the release of their 6th album, Xenotaph, due out June 13th from Nuclear Blast Records. Picking up where they left off with 2022’s critically heralded Empyrean, the band expands the depth and breadth of their dexterous, aggressive sound while exploring extraterrestrial realms on an epic sci-fi journey through space and time.

Commenting on the impending record release, vocalist Kyle Schaefer states:

“We are excited to finally reveal Fallujah’s new album Xenotaph, marking the sixth chapter in our discography. This is our most ambitious record yet, and is certainly the band’s most technical, dynamic and progressive material to date. The music carried out by these eight tracks is matched with an equally ambitious concept, a lyrical story that traverses unfolding layers of time and reality in an otherworldly, post-death realm of existence. 

 

Xenotaph is also our most collaborative album, with broad input from the current lineup leading us to expand the scope of our songwriting while simultaneously highlighting the true potential of everyone involved. We hope you’ll join us in welcoming this bold new stage of the band’s evolution.”

Today, FALLUJAH reveals the album’s stunning cover by Peter Mohrbacher, tracklist and release date as well as the first single, ‘Kaleidoscopic Waves,’ that’s accompanied by the music video below.

Adding about the new song, Schaefer says:

“We knew ‘Kaleidoscopic Waves’ would be the perfect track to usher in this new era of Fallujah. It unmistakably showcases the soaring atmospheres and remarkable technicality the band is already known for, but with a new level of melodic depth and an invigorating desire to push beyond the boundaries of our previous work. It’s hard to fully encapsulate the vast scope of our new album with a single song, but ‘Kaleidoscopic Waves’ is a great place to start.”

Pre-order Xenotaph: https://fallujah.bfan.link/xenotaph

Stream ‘Kaleidoscopic Waves’: https://fallujah.bfan.link/kaleidoscopic-waves

About FALLUJAH:

Prog death-metal outfit FALLUJAH expand horizons and solidify their position as one of America’s most exciting acts on their new album, Xenotaph, through Nuclear Blast. The quintet’s confidence in the lineup that made their previous album, Empyrean (2022), such a resounding success—earning high marks from Metal Injection, New Noise, and Guitar World—has been reconfigured slightly, with guitarist Sam Mooradian (INHALE EXISTENCE, SAM MOORADIAN) and drummer Kevin Alexander (DISEMBODIED TYRANT, BROUGHT BY PAIN) bringing their jaw-dropping musical proficiency to the fold, as vocalist Kyle Schaefer, guitarist Scott Carstairs, and bassist Evan Brewer enter a new chapter with FALLUJAH. Moored by singles ‘Kaleidoscopic Waves,’ ‘Labyrinth of Stone,’ and ‘Step Through the Portal and Breathe,’ Xenotaph is FALLUJAH personified, reinvigorated, and re-imagined.

Xenotaph was produced by FALLUJAH, engineered by Dave Otero (CATTLE DECAPITATION, ARCHSPIRE) and Mike Low (VITRIOL, ABORTED) at Flatline Audio in Denver, Colorado and Top Track Studios in Nashville, Tennessee. Otero also mixed and mastered Xenotaph. The main goal was elevation, building upon yet soaring upward from Empyrean, one of the group’s strongest productions to date. The team focused the separation of FALLUJAH’s breakneck pace, meticulous songcraft, euphonious leads, and unrivaled intensity, creating an experience pulls the listener into Xenotaph’s high-caliber music and concept.

Beyond releasing Xenotaph to an anticipating fanbase, FALLUJAH take aim at the road, drawing upon the success of their Empyrean runs. Indeed, attendees to the group’s live performances have witnessed some of Xenotaph’s songs already, namely the shimmery prog-bounce and inner world horror of ‘The Obsidian Architect.’ FALLUJAH are in a perpetual state of evolution, and Xenotaph demonstrates the group’s hard-won, if profound journey. For there is no reverse—only forward progress, and the path ahead is illuminating before them. Step through the portal if you dare…

Kyle Schaefer | Vocals, Programming
Scott Carstairs | Guitars
Sam Mooradian | Guitar
Evan Brewer | Bass
Kevin Alexander | Drums

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