DARK FUNERAL Kicks Off North American Tour Tomorrow, October 4 ⛧
Swedish black metal stalwarts DARK FUNERAL will be kicking off their North American tour tomorrow, October 4! The band will first embark on a run of headlining shows with direct support from GHOST BATH from October 4 - 14 and then will start their trek with GWAR on October 17 through November 20, with additional headliners in Reading, PA and Columbia, SC during the run. The full itinerary with new dates can be found below.
In addition, DARK FUNERAL is celebrating three decades of blasphemy with a re-worked version of their debut album! 'Dark Funeral (30th Anniversary Edition),' which was released last Friday, August 9, via Century Media Records and has been remixed by David Castillo and re-mastered once again by Thomas "Plec" Johansson.
Find rare material from the band's ominous beginnings in 1994 — an ultimate rendition and must-have for devoted disciples of darkness! Order this exclusive collector's edition HERE
Dark Funeral line-up (1994):
Lord Ahriman – Guitars
Blackmoon – Guitars
Draugen – Drums
Themgoroth – Bass & Vocals
Dark Funeral line-up (2024):
Lord Ahriman – Guitars
Heljarmadr – Vocals
Chaq Mol – Guitars
Jalomaah – Drums
Adra-Melek – Bass
Music & Lyrics by Blackmoon & Lord Ahriman
1994 Recordings & Mixes by Dan Swanö, Mastered by Thomas "Plec" Johansson
2024 Recordings & Mixes by David Castillo, Mastered by Thomas "Plec" Johansson
Video Production by 12 Inch Media
Artwork: Blackmoon & Lord Ahriman
Album Formats:
CD Jewelcase
Limited hand-numbered Transparent Blue-Black Marbled 180g Vinyl
Limited hand-numbered Clear Smoke Marbled 180g Vinyl (US EDITION)
Strictly Limited hand-numbered transparent Blue-Black Marbled 180g Vinyl including signed Art Print - Only 300 copies worldwide (Century Media Exclusive)
Digital Album
Links:
THRESHOLD - Release Remixed Versions Of Classic Albums On CD & Limited Edition Vinyl + Lyric Video For 'Freaks'
THRESHOLD are excited to announce the release of newly remixed editions of their first four groundbreaking albums: Clone, Extinct Instinct, Wounded Land and Psychedelicatessen. The albums have been meticulously revisited by guitarist Karl Groom and keyboardist Richard West, bringing these early classics into the modern era with enhanced sonic clarity while preserving their original power and intricacy. These remixed versions are available on CD and limited edition vinyl, with exclusive transparent color variants for each album.
Get yours here: https://nblast.de/ThresholdRemixes
Limited-Edition Vinyl Releases:
Clone: Clear Orange 2LP
Extinct Instinct: Clear Yellow
Wounded Land: Transparent Green
Psychedelicatessen: Transparent Violet
To celebrate the re-release of Clone, the band has also dropped a brand-new lyric video for the track 'Freaks', featuring the remixed audio from the album.
Watch the lyric video for 'Freaks' Below:
The song holds a special place in THRESHOLD’s history as one of the first tracks written for Clone, and it marks a pivotal moment when Mac (Andrew "Mac" McDermott) joined the band.
Karl Groom on 'Freaks':
"‘Freaks’ was one of the first songs written for Clone and was a starting point for Mac joining Threshold. We’re looking forward to playing this on our upcoming tour."
Richard West added:
"It’s amazing to be releasing ‘Freaks’ as a single again over a quarter of a century after it first came out. It was the first song we released after Mac joined the band, and our 2024 remix makes it sound brand new all over again."
About the remixes:
Each album has been remixed from the original multitrack recordings, bringing new life to these iconic records from Threshold’s formative years. Speaking about the remixing process, Karl Groom shared: "There were obvious shortcomings in the sound of early albums with budget being limited at the time. We've brought the sonic quality up to modern standards while retaining the original performances. It’s great to look back at our formative years and the way you take chances in composition that experience would probably make you look at differently."
Richard West added:
"Nuclear Blast approached us about reissuing our back catalogue, and that gave us the perfect opportunity to go back to the original tapes and improve the quality of the mixes. It’s been really nostalgic going back and restoring them to how they were always supposed to sound."
These remixed albums represent a new chapter for fans both old and new, combining the raw creativity of THRESHOLD’s early work with a refined, modern production.
Karl Groom Reflects on the Evolution of THRESHOLD’s Sound: "Anything released before 'Dead Reckoning' feels like a different era completely. That is partly because Mac is unfortunately no longer with us, but also because founding members like Jon Jeary and Nick Midson had moved on, and the sound changed accordingly."
SOL INVICTO (Feat. Members of Deftones, Cypress Hill & Sikth) Announce Debut EP & Drop First Single
Underground metal visionaries Sol Invicto, the dynamic project formed by producer/guitarist Richie Londres, Stephen Carpenter (Deftones), and Eric Bobo (Cypress Hill), are thrilled to announce the release of their long-awaited debut EP, ‘Loosely Aware’, dropping November 8th, 2024. Accompanying the announcement is the release of their first official single, “The Obvious Play”, alongside an official lyric video. Fans can pre-save the EP HERE, stream the new track HERE and watch the visualizer below.
Speaking on the EP, the band shares,
“It’s been quite the journey to get this to the people, just a taste of what’s to come.”
After years of experimentation and anticipation, Sol Invicto is finally ready to reveal the first taste of what’s to come with single ’The Obvious Play”, featuring guest vocals from Sean Plague of Plague To Pyres (who are signed to Londres and Carpenter’s independent label Omyac Records). The EP marks the project's first official release following their extremely rare, private double album ‘Initium’ in 2017, a collection of demos and experimental tracks gathered over the years which was available only to members of their private club, Sol Invicto Comiti.
‘Loosely Aware’ showcases the band’s unique blend of furious riffs, razor-sharp lead guitar lines, industrial and electronic elements all infused with the percussive genius of Eric Bobo, drawing from the talents of Dan Foord (Sikth) on drums. The EP signals a bold new chapter for the band as they prepare to record a full-length metal album later this year. More on that coming soon. For now though, bask in the gloriously nasty, soul-crushingly heavy sounds of Sol Invicto’s “The Obvious Play” and get ready for ‘Loosely Aware’ to drop on November 8th.
About Sol Invicto
Sol Invicto is an underground metal powerhouse founded by producer/guitarist Richie Londres, alongside Stephen Carpenter of Deftones and Eric Bobo of Cypress Hill. Fusing heavy riffs, industrial beats, and Latin-infused percussion, the project has carved out its own unique space in the world of experimental metal.
The group initially blended Lo-Fi Industrial Drum & Bass with Carpenter’s crushing guitar work and Bobo’s dynamic percussion. As the sound evolved, Londres brought in Dan Foord from Sikth to take over on drums, pushing the band toward a more live, raw energy.
To date, Sol Invicto has released a single, exclusive double album titled Initium, a collection of demos and experimental tracks gathered over the years. Released in 2017 on limited edition signed vinyls, Initium remains a rare gem for members of the Sol Invicto Comiti and currently unavailable to the public.
After starting work on new music in 2018, the group’s plans were delayed, but 2024 will finally see the first official release from Sol Invicto—the 3-track EP titled ‘Loosely Aware’, featuring vocals from Sean Plague of Plague To Pyres, a Norwegian/British noisecore band signed to Carpenter and Londres’s label, Omyac Records.
'Loosely Aware’ is only the beginning for Sol Invicto. Waiting patiently to unleash their unique brand of heaviness into existence, they are now primed for global domination.
'Loosely Aware' is mixed by Adam “Nolly” Getgood (Periphery, Animals As Leaders). Mastered by Jaime Gomez Arellano (Ghost, Paradise Lost). Artwork by Kwonny.
Ray Hawthorne Announces New Album "Ray Hawthorne Sucks" & New Single "Body Count"!
Ray Hawthorne is back and louder than ever, delivering a heavy dose of sarcasm, rage, and brutal honesty with his upcoming album, "Ray Hawthorne Sucks" set for release on November 7th, 2024. Leading the charge is the ferocious new single, "Body Count", which puts Hawthorne's biting wit and raw energy front and center. Fans can pre-save the new album HERE. Fans can also purchase a limited run of exclusive vinyl HERE.
Renowned for his work in North Kingsley alongside Shavo Odadjian of System of a Down, his inaugural solo release "Heartbreak Feels Good in a Place Like This" had initially crowned him as the Heartbreak Hero. His upcoming album, "Ray Hawthorne Sucks"takes a hard left turn that channels frustration, irony, and self-deprecating humor into the signature Ray Hawthorne genre-blurring sound.
Speaking on today's single release, Ray Hawthorne shares:
"I have very little self control. Like almost none. I can get addicted to pretty much anything, and if it exists I’ve probably overdone it at some point. Whether something is generally considered good or bad for you, I will beat that shit into the ground until I just
can’t do it anymore. So “Body Count” is about just fucking running. Causing problems and running so far away from them that your avoidance becomes a new problem in itself. Sometimes I feel like my life is just a continuous loop of ignoring things until I find myself back at square one. But hey, it is what it is, I guess when you stop doing drugs you just find new ways to fuck up your life. Even if that new way is a consistent and ever increasing hunt for rare Ninja Turtles figures."
Lifting the curtain behind his upcoming album release, Ray continues:
"The last 9 months have been pretty fucking crazy for me. In a completely unexpected turn of events, people (for some reason) started giving a shit about the silly songs I record in my bathroom. This has been equal parts exciting and nerve-racking. Throughout the last 9 months I have panicked, blown out my voice a few times, injured myself during the LA marathon, celebrated my dog’s second birthday, and released a new song almost every week. I don’t know how or why, but that’s what I did. This album is a collection of some of my favorite songs throughout that process, and listening back to them all in one go is somewhat interesting to me. Hopefully it’s slightly interesting to you."
While his work in North Kingsley and his debut EP showcased a different persona, Hawthorne’s latest solo work breaks the mold, leaning into chaotic energy with the release of the no-holds-barred single "Body Count." Layered with pounding drums, distorted guitars, and his trademark emotive vocals, the track is an explosive anthem exploring the themes of self-criticism, guilt, and emotional vulnerability while grappling with feelings of helplessness and regret. "Body Count" doesn’t pull any punches—it's Hawthorne’s rallying cry for anyone who feels like they’re at the end of their rope.
"Ray Hawthorne Sucks" is a self-aware, tongue-in-cheek title, but it’s also a reflection of the album’s themes—self-doubt, frustration, and embracing the chaos. The project is a far cry from the more cinematic, heartfelt journey of his debut EP "Heartbreak Feels Good in a Place Like This". Instead, it plunges listeners into a gritty, unpredictable soundscape, blending post-punk, hardcore, and Hawthorne’s emo roots into a genre-defying mix that is as chaotic as it is cathartic.
Be sure to to stay tuned for more new music from Ray Hawthorne coming very soon.
ABOUT RAY HAWTHORNE
Ray Hawthorne is basically an emo Muppet. His life revolves around pop culture references, Ninja Turtles action figures, and his dog named Oliver. Oliver laid on Ray’s feet during the recording of every song on his forthcoming album “Ray Hawthorne
Sucks”. This was mostly a positive experience, but there’s a particular section during the song “Panic Mode” where Ray had to yell “HEY HEY HEY HEY” over and over again. This made Oliver very tense, and he thought he was being scolded. Ray felt really bad for confusing Oliver in such a way. After the recording was done treats were had by all, and all was well.
Klone Share New Track "Magnetic"
French art rock band Klone have shared "Magnetic," the latest single from their forthcoming full-length album, The Unseen, set for release on November 8 through Berlin's Pelagic Records. Pre-order it here.
A bold new journey through a singular yet contrasting soundscape, The Unseen is an immersive, dreamlike experience that pushes Klone's already sumptuous sound to new, magisterial heights and speaks to the significance of things that at first glance seem to lack it.
"Magnetic" is out now. Listen below.
Emotive and conceptual, Klone have once again broken new sonic ground and built further on their signature expansive sound. Since the release of Le Grand Voyagein 2019, Klone have risen to new heights across the globe, touring in Europe, USA, Australia, and Mexico alongside the likes of Devin Townsend, Leprous, Riverside, Pain of Salvation, Gojira, and blowing away festival crowds at Hellfest 2024, Prog Power USA, Midsummer Prog, and Cruise to the Edge. Coming off the back of their phenomenal album Meanwhile, which was released in 2023, The Unseen is a masterpiece of both performance and production that sees Klone wearing their years of experience proudly on their sleeves.
With every member and every instrument pushed to its expressive limit, The Unseen has a might and intensity to it that, whilst sometimes abrasive, simultaneously feels natural, coherent and unified as the band move from motif and melody as one; guided as ever by the unmistakable voice and vision of Yann Ligner.
"Magnetic," the third single taken from The Unseen, is a defiant and direct ode to love. The track's comparatively simple, yet undeniably effective structure sees the five-piece blend pounding drums and acoustic guitar warmth with soaring euphoric melodies and Ligner's powerful lyrics to reach a fist-pumping, pulse-racing crescendo.
With such an inimitable 25 years of music already behind them, it seems apt that The Unseen is also Klone's tenth full-length release. The album serves as a milestone that uses reflections on the past as a means of appreciating the beauty of the present, with the band employing their shared decades of creativity and collaboration to offer enlightening new perspectives on the here and now.
About "Magnetic," Yann Ligner says, "This track’s strength lies in its simplicity. Its simple structure gets straight to the point and offers a breath of fresh air. It is an honest, joyous and rebellious ode to love."
The Unseen will be released on November 8.
Manchester legacy act INCA BABIES releases 'Spacewalk', previewing 'Ghost Mechanic Nine' LP
"Combine Brian Setzer's twang, the silver lining amidst Bauhaus' dark expanse and the post-punk fever fired up by Gang of Four, you'd end up with the sonic output of long-time deathrock supremos Inca Babies... a captivating blend of angularity and intensity with a driving rhythm" ~ The Spill Magazine
"From their emergence in 1982, they've sculpted a perpetual warped seduction... Their almost serpentine invention and dark musical incitements have continued to inspire and invigorate... truly one of the leading lights and template setting protagonists of British rock ‘n’ roll" ~ Ringmaster Review
"Thirty years down the line the Inca Babies' recordings are not just a collection of outstanding songs from independent music's golden age, but for those of us who were there, they remain pretty much a life statement; a declaration of intent" ~ Isolation Records
Manchester post-punk death-rock rockers Inca Babies are back with a new collection of darkly invigorating tunes on their ninth studio album 'Ghost Mechanic Nine'. Ahead of this, they present the lead track 'Spacewalk', a timeless Rockabilly groove that was inspired by Link Wray, Alan Vega and Brian Setzer, but set in a 50s going on 2020s Sci-Fi space opera. The single also comes with B-side 'Monster In The Deep'.
This album visits a similar place to where Inca Babies started in the 80s with their psychobilly trash rock. 'Spacewalk' sees the band reconnect with their roots, where The Gun Club and The Cramps met - it is in this intersection where Inca Babies found their most passionate and loyal following. This song is a calling card for the album, taking listeners back to a sound that is raw, spiky and reminiscent of their early days in the 80s.
Today, the band is made up of Harry Stafford (guitar, keys, vocals), Rob Haynes(drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet). This will be their first release in three years, following their 2021 album ‘Swamp Street Soul’. Continuing their explosive exploration of goth, punk and death-rock jazz-blues, Inca Babies deliver an album that explores the essence of the 80s death-rock vibe, with a tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time.
“This is a rockabilly Sci-fi song about the wonders of the Space age. From Stanley Kubrick’s 2001 to the mega cities of Blade Runner and the fact that when I was a kid, in the far-off future, 2024 was supposed to be a silver suited, hover car space age with pills instead of Pizza," says Harry Stafford.
"We were to have a completely automated world on the moon. Thank God this fulsome nonsense never happened so it’s time to reintroduce Rockabilly to the world’s consciousness instead.”
Recorded at 6Db Studios in Salford under Simon ‘Ding’ Archer (The Fall, PJ Harvey), this album was recorded and mixed by ‘Ding’ and Stafford over two years, with with 'Ding' also contributing serious sonic and dub flourishes. Marco Butcher mastered this record at his Boombox studio in North Carolina.
Originally comprised of Harry Stafford, Bill Marten, Mike Keeble and Pete Bogg, Inca Babies began in 1983 in the now-legendary deck-access flats of Hulme in Manchester. Intended as executive ‘cities in the sky’, they quickly became cockroach-infested slums inhabited by students, artists and druggies. They released their 1984 debut single 'Interior' on their Black Lagoon label with an unusual sound for Manchester, which was then associated with Joy Division, Buzzcocks, The Fall and The Smiths. With a nod to their influences, Writer CP Lee dubbed them "the Hulme Cramps" for their Gothabilly twang.
A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and by releasing a further six singles and four albums over the next five years, all of which entered the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year.
Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond. Renewed interest in the Incas was propelled by Cherry Red Records 'Best of’ compilation release ‘Inca Babies 1983-87: Plutonium’. After Bill Marten's death in 2008, the band decided to continue creating music, subsequently releasing their Death Blues Album Trilogy - 'Death Message Blues' (2010), 'Deep Dark Blue' (2012) and 'The Stereo Plan' (2014).
As of October 3, 'Spacewalk' will be available everywhere, including Spotify, Apple Music and Bandcamp. On November 29, the ‘Ghost Mechanic Nine’ album will be released on vinyl and digitally, and can be pre-ordered via Bandcamp and the Louder Than War shop.
CREDITS
Written by Harry Stafford & Rob Haynes
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
Jim Adama – bass guitar
Kevin G Davy - trumpet, horns
Simon 'Ding' Archer - sonic and dub flourishes
Released by Black Lagoon Records
Catalogue no. BLRLP0060
Recorded, mixed & produced by Simon ‘Ding’ Archer & Harry Stafford
Recorded at 6Db in Salford under Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio (North Carolina, USA)
Artwork created by Harry Stafford
Live photos by Simona Masoni
Publicity by Shameless Promotion PR
Keep up with Inca Babies
Facebook | Bandcamp | Twitter | Instagram | Soundcoud | YouTube | Spotify | Apple Music | Booking contact | Press contact
Keep up with Shameless Promotion PR
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Sunburnkids Unveils Debut Album, Elephant in the Room
Sunburnkids, a 2005-born creative director and artist, releases their debut full-length album, Elephant in the Room, today. Alongside the album release you can watch the deeply personal music video for “Red Cheek Boys,” and anticipate the music video release for “Time,” set to drop in a few weeks. Collaborating closely with children for this project and known for making waves in the fashion world at a young age, Sunburnkids chose lyrics and music as their medium for expression, opting for clarity over abstraction in delivering the album’s message. (Clothing Brand: @chapterofchan)
The album’s title draws inspiration from the American idiom "the elephant in the room," symbolizing important issues that everyone acknowledges but often avoids discussing due to discomfort or fear. Sunburnkids shares, “This phrase deeply resonates with my life. I’ve carried the weight of childhood habits and unresolved traumas that, while invisible, have always felt like a colossal elephant in my heart. Every time I write, whether it’s a reflection of my life’s introduction, body, or conclusion, I’ve found myself unable to bring it to a close—unable to place that final period. In other words, I have yet to write the ending to my story.”
A pivotal moment during the album’s creation came when a young boy expressed to Sunburnkids’ that he listens to their music from morning till night, constantly reflecting on it. This encounter left Sunburnkids’ feeling both shocked and burdened by the weight of responsibility their music carries. From that moment on, despite receiving numerous opportunities, Sunburnkids spent a long time in quiet reflection—reading books, writing lyrics, and contemplating within the church whether they had the right to express themselves, and more importantly, what they should be expressing.
This album is not only their debut but also a deeply personal, self-taught project. Having learned everything on their own—from fashion to videography to music—Sunburnkids poured their unique tastes and modes of expression into this work. Each track tells a story that reflects real life, with involvement from children at church and even actors who helped bring the narratives to life. The music video for the title track, “Red Cheek Boys,” features Sunburnkids’ younger brother, authentically capturing his own past.
What makes this project even more special is that Sunburnkids didn’t create it alone—they crafted it together with children. They explained the lyrics and themes to the kids, organized art classes, and used the children’s drawings as the album covers. On September 30th, an album listening party and exhibition was held at “Layer Studio 7” in Yongsan, where the children's artwork will be displayed. Their voices are also interwoven into the album, giving listeners a deeper sense of how Sunburnkids’ views and values the children involved. “Sunburnkids tells them that they are both the authors and the protagonists of this album.”
The album consists of 11 tracks, with Sunburnkids writing, composing, directing, producing, and overseeing the music videos entirely. When asked, "Why do you take on everything yourself?" Sunburnkids responded, "Because no one can truly understand my life as deeply as I do."
MORE INFO:
Based in Seoul Korea, Sunburnkids is an active singer-songwriter and visual director. They’ve worked on music video styling and visual direction for various artists, including the well-known artist Zior Park. Despite his young age, Sunburnkids made a significant impact in the fashion industry, serving as the creative director for their own clothing brand, Chan. With a deep understanding of color, they not only design their own clothes but also demonstrate exceptional skill in manipulating color to match their concepts. The free-spirited and imaginative visualizations in both their music and video art stimulate the viewer’s imagination.
Sunburnkids began self-teaching music, videography, and photo visuals as early as elementary school, and by 2023, they released their single, "1MIN," which showcased their unique artistic sensibility. This was followed by their EP CRY BOYS MIXTAPE, marking their debut as a musician. In October 2024, they officially released their first full-length album, Elephant in the Room. Despite only debuting last year, they’ve gained recognition from various magazines such as Marie Claire Korea, Dazed Korea, Esquire Korea, Hypebeast Korea, and many more. As a musician who combines styling and visual directing talents, Sunburnkids offers an original, boundary-breaking musical world to their audience, never constrained by convention.
SUNBURNKIDS ON SOCIALS:
TURMION KÄTILÖT - RELEASE NEW SINGLE 'PULSSI'
TURMION KÄTILÖT release today their second single ‘Pulssi’ featuring Kasperi Heikkinen from BEAST IN BLACK. The single coincides with the publication of the band's first autobiography ‘En tahdo unohtaa koskaan’ (‘I never want to forget’). The new album RESET will be released on October 25th via Nuclear Blast Records.
MC Raaka Pee comments about 'Pulssi': You know you're living when you feel your pulse up to your gums. The song arrangement and lyrics were born in one evening without any pre-planning or notes. That night the moon burned my face. This time, the song was kept really simple. I wanted to include a riff that I would have been able to play as a 14-year-old. Sort of like Smoke On The Water for many youngsters at the time when they first tried playing the guitar. For me, that was the 90s and you can hear that kind of middle school riffing in Pulssi. Works damn well I think! Give it a try yourself!
He continues about Reset: "I would say that Reset is like a bastard son or daughter of previous records - with tasty new spices added to the whole thing. It has everything you could ever want from us and more. One of the special twists of this album is the vocal parts: the fierce screams are counterbalanced by a huge melodiousness - often at the same time."
Stream 'Pulssi' here: https://turmionkatilot.bfan.link/pulssi
Watch the band's new video for 'Pulssi' below:
Pre-Save Reset here: https://turmionkatilot.bfan.link/reset
About TURMION KÄTILÖT:
TURMION KÄTILÖT, the Finnish-singing industrial and electronic metal band hailing from the barren wastelands of Savo, is rapidly becoming a new favorite among open-minded metal fans in the mid-2020s. The odds of their rise to prominence are nothing short of great. Known for their ecstatic and theatrical concerts, TURMION KÄTILÖT invites you to dive into their twisted world of "disco metal." The current lineup features singers MC Raaka Pee and Shag-U, guitarist Bobby Undertaker, bassist Master Bates, keyboardist RunQ, and drummer DQ. Since the early 2000s, this vivid sextet has been delivering a unique blend of electrifying heavy music, characterized by its peculiar, perverted, and catchy style. Their journey includes numerous sold-out concerts, gold and platinum records, and Emma nominations (Finland's equivalent to the Grammys).
TURMION KÄTILÖT's depraved disco ball has also shone beyond Finland. Many fans remember their legendary European tour with PAIN in 2011. In the 2020s, their fame continued to grow, highlighted by their selection as the opening band for NIGHTWISH's sold-out European arena tour in 2022. Now, TURMION KÄTILÖT is ready to unveil their latest creation: Reset. Founding member and main songwriter MC Raaka Pee explains, "Reset is simply the perfect name for our new studio album. For us, Reset is more about taking advantage of everything we've learned over two decades and then adding new nuances to our metallic disco vortex." With twenty years and ten studio albums behind them, Turmion Kätilöt continues to push their boundaries. "We have relentlessly raised our own bar with every record," says the band. "Reset is our best album to date, and we simply couldn't be more satisfied."
Reset features all the hallmarks of TURMION KÄTILÖT: twisted synths, underfoot grooves, pounding beats, and cryptic lyrics, all with a stronger musical vision than ever before. The album is described as a "bastard child" of their previous records, with new spices added. The vocal parts, a mix of fierce screams and melodiousness, add a special twist.
"We have gained more courage to explore drastic musical and lyrical angles," the band states. "Sometimes the lyrics and the musical mood seem to come from completely different worlds, but that's exactly what makes the whole thing fascinating. That's what Turmion Kätilöt is all about!"
Key tracks from the album include singles "Yksi jumalista," "Pulssi," and "Sinä 2.0," though the band emphasizes that the entire album is a varied entity. "If we had to decide now which new songs to perform at future shows, we would play the whole new album!"
The production of Reset benefits from the powerful sound engineered by keyboardist and producer RunQ in his brand-new studio. The album's sound palette ranges from completely organic to entirely electronic, creating a hugely powerful combination. Reset also offers an interesting opportunity to compare old and new TURMION KÄTILÖT with the song 'Schlachter,' a new German version of their classic 'Teurastaja.' Originally released on their debut album, this updated version features new arrangements and lyrics. While the band remains committed to singing in Finnish, they remain open to future possibilities. "In the future, we can sing in English, German, Swedish, or we may invent our own language. Let's see." MC Raaka Pee concludes with a confident smile, "Trust us, we know what we are doing. For this band, it took twenty years, but we finally know what we are doing. Now we are just going to enjoy the ride. So, if someone is interested in a wild ride on the twisted side, please reset and jump in!"
STEVE HILL ANNOUNCES NEW SINGLE 'DEVIL'S HANDYMAN' FROM UPCOMING ALBUM HANGING ON A STRING
Produced at Studio 606 in Los Angeles last January, the second single from Steve Hill’s upcoming album The Devil's Handyman, is as dark and moody as can be.
Recorded live off the floor by the man called by Germany’s Guitar Magazine "the most impressive one man band on the planet", it’s hard to believe that what you’re hearing is only one guy.
The song is about an all-too-common story in the world of rock and roll: addiction. The narrator is the dealer, talking to his clients, acting like a comforting friend at first and gradually taking control over his life. It starts with the line
« Hey there buddy, good to see you again »
and ends with
« I’ll be there until you start to lose your soul and fall apart »
The Video was directed by Mat Lucas and shot at Studio 606. The shooting of the performance where Steve is playing guitar and drums is the actual recording of the take that was used on the album, done on the first day of recording, January 8, 2024.
It is one of Steve Hill’s best ever performance in over 25 years as a recording artist with 13 albums to his name. It features deep blues slide guitar over a Zeppelinesque heavy groove and vocals that echo as much Howlin Wolf as James Hetfield.
The first single World Gone Insane has been available on all platforms since September 6 and the video can be seen below.
Pre-save: https://lnk.to/HillDevil
Physical & Merch preorder: https://bit.ly/3BhqJUa
Amazon sales link: https://bit.ly/4eHN37R
Linktree: https://linktr.ee/stevehillmusic
SOILWORK Release Video For New Single 'Spirit Of No Return'
Swedish melodic death metal legends SOILWORK are back with a brandnew single, 'Spirit of No Return,' along with a powerful and visually striking music video. The track marks a significant milestone in the band’s evolution, with longtime live guitarist Simon Johansson recently officially joining the ranks of the band.
'Spirit of No Return' showcases SOILWORK’s signature blend of frenzied intensity, soaring melodies, epic arrangements, and a touch of progressive complexity - traits that have cemented their reputation over the last decades. Johansson’s contribution to the song’s writing channels the band's essence while bringing fresh energy to their unmistakable sound.
The video is equally captivating, featuring a stunning sequence where the iconic SOILWORKsymbol is reforged, representing the band’s resurgence and renewed strength. This visual narrative perfectly complements the song’s theme of perseverance and transformation.
Frontman Björn “Speed” Strid comments on the song: “ 'Spirit Of No Return' is a fierce reminder of the past, but also an introduction of the new SOILWORK era, where we’ve taken the thrashier early days and dressed it in a new heavier suit. Lyrics are dealing with the urge of belonging and fitting in - and how it in the end can be disastrous as you abandon your true self.”
CHECK OUT THE VIDEO FOR 'SPIRIT OF NO RETURN' BELOW:
LISTEN TO 'SPIRIT OF NO RETURN': https://soilwork.bfan.link/spirit-of-no-return
SOILWORK is:
Björn "Speed" Strid - vocals
Simon Johansson - guitars
Sven Karlsson - keyboards
Sylvain Coudret - guitars
Bastian Thusgaard - drums
Rasmus Ehrnborn - bass
SOILWORK
www.facebook.com/soilwork
www.instagram.com/soilwork
www.twitter.com/soilwork
www.soilwork.org
www.nuclearblast.de/soilwork
Keep of Kalessin Sign with Season of Mist
Norway is known for pioneering a legendary branch of extreme metal, but no band embodies the scene's epic resolve quite like Keep of Kalessin.
This band has always possessed fantastic foresight. After all, they are named after one of Ursula K. Le Guin's arch-dragons. Their original lineup did split after two albums of dark, fast and war-faring black metal, but over the past two decades, founding member Arnt Obsidian has brought Keep of Kalessin into the national spotlight. While he and his colossal crew have toured with the likes of Satyricon, Behemoth and Dimmu Borgir, they've carved their own legacy by forging a different path.
With seven albums and three EPs under their hilt, Keep of Kalessin brandish an epic arsenal of extreme metal. The band's mastery at welding blackened melodies and scouring death metal riffs with magical keys and misty synthesizers has rewarded them handsomely. They've scored two Spellemannprisen nominations and scaled to the top of Norway's album charts. To further test their mettle, they became the first Norwegian metal band to compete for a spot in the Eurovision Song Contest.
Today, Keep of Kalessin are cracking open the next chapter of their long and prosperous journey. The band have signed with Season of Mist, who will release their next two albums and reissue some of the defining moments from their extensive back catalogue.
"We are very proud and excited to announce that we have signed with Season of Mist", Arnt Obsidian says on behalf of his bandmates Robin Isaksen and Wanja Gröger. "I have known Michael for more than 20 years. He has always been passionate about the music and very supportive of his signings. Back in 1999, Keep of Kalessin played three shows in Norway with Bloodthorn, who were signed to Season of Mist at the time. Michael traveled all the way up from France just to see them.
"Our paths have crossed many times since that tour. I've watched Michael build one of the strongest metal labels in the world. His staff shares in his extreme passion. What they've accomplished is an amazing feat.
"Keep of Kalessin has always been the underdog, the loner, the different kid. We're a unique band and cannot be put into a certain category. It's been difficult finding a home where our potential can be nurtured and harnessed to its full potential. But after talking with Michael and seeing how we fit with Season of Mist's roster, I'm confident that we've now found a label that understands and can truly support us while we take the band to the next level. You can be sure that Keep of Kalessin will return with the best Epic Extreme Metal we've ever done in 2025!"
This year, Keep of Kalessin signed with Season of Mist, who will release the band's next album in 2025, along with reissues from their back catalogue.
Booking agents
The Flaming Arts
info@theflamingarts.eu
Follow Keep of Kalessin
Official Website: https://www.keepofkalessin.com
Facebook: https://www.facebook.com/keepofkalessin/
Instagram: https://www.instagram.com/keepofkalessin
Bandcamp: https://keepofkalessin.bandcamp.com/
Youtube: https://www.youtube.com/@KeepOfKalessinOfficial
Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist
Lineup
Arnt Obsidian - Guitars, Vocals
Robin Isaksen - Bass
Wanja Gröger - Drums
EKOH Announces New Album "Pressure" + Shares "Throne" Feat. Skydxddy
From the purveyor of some of the best, most impassioned hip-hop and metal collaborations out there, EKOH is aiming to give his fans what they’re looking for this October: a full album. Due on October 29, EKOH will be releasing Pressure, an LP that will encapsulate the very things that have catapulted this young MC to the top of the Octane charts with every single. Pre-order it here.
Packed into each of the 15 tracks are elements of his coined genre, "heart hop," high-energy songs that highlight what makes the melding of rap and anthemic vocals so very special.
For fans of lyricism that cuts through the monotony with truthful, honest depictions of the world, Pressure will be a treasure trove of frenzied songs, including "THRONE," which is EKOH’s latest collab with internet-favorite, Skydxddy. Listen below.
On "Throne," EKOH offers, "This is our rap and rock crossover about overcoming your personal demons and all of the people who doubted you to end up back on your throne."
A dedication to triumph over defeat and paying homage to your own perseverance, Pressure, EKOH describes, "was the weight I carried through every moment of making this album. It wasn't just creative pressure — it was the pressure to hold everything together in my life, to meet expectations, to stay strong in my sobriety. That feeling consumed everything — my stress, my fear, even my joy. Every song is a release, a way to finally breathe again under all that weight. I don't know if pressure always creates diamonds, but it gave me the most raw, vulnerable, and boundary-pushing music I've ever made."
An MC with a business man's acumen, EKOH's crowd-pleasing hit "Freeverse 3" spawned a sponsorship and perhaps one of the biggest collabs of his career, a fully EKOH customized Vans shoe — check out EKOH's skate shoe here.
Not a stranger to bringing crowds a set they didn't expect, Pressure is fueled by robust musicians including Buddy Nielsen from Senses Fail and the power-hitting, world renowned rapper, Tech N9ne.
Catch the show that has kicks flying through the air as EKOH travels across the U.S., including a few festival stops and venues across the states. Never one to disappoint, keep your eyes on this Vegas native who has his pulse on the genres that move bodies and bang heads — more coming your way soon!
On "Throne," EKOH offers, "This is our rap and rock crossover about overcoming your personal demons and all of the people who doubted you to end up back on your throne."
A dedication to triumph over defeat and paying homage to your own perseverance, Pressure, EKOH describes, "was the weight I carried through every moment of making this album. It wasn't just creative pressure — it was the pressure to hold everything together in my life, to meet expectations, to stay strong in my sobriety. That feeling consumed everything — my stress, my fear, even my joy. Every song is a release, a way to finally breathe again under all that weight. I don't know if pressure always creates diamonds, but it gave me the most raw, vulnerable, and boundary-pushing music I've ever made."
An MC with a business man's acumen, EKOH's crowd-pleasing hit "Freeverse 3" spawned a sponsorship and perhaps one of the biggest collabs of his career, a fully EKOH customized Vans shoe — check out EKOH's skate shoe here.
Not a stranger to bringing crowds a set they didn't expect, Pressure is fueled by robust musicians including Buddy Nielsen from Senses Fail and the power-hitting, world renowned rapper, Tech N9ne.
Catch the show that has kicks flying through the air as EKOH travels across the U.S., including a few festival stops and venues across the states. Never one to disappoint, keep your eyes on this Vegas native who has his pulse on the genres that move bodies and bang heads — more coming your way soon!
This Friday night! Rikhter LIVE + Parallx at H0l0
In continuing with tradition, we can’t contain our excitement in bringing @rikhter_r23 and @parallx before the pillars at thisFriday, October 4th for their long overdue NYC debut. AGAPĒ has honed the ability to capture the essence of the community, and we can’t wait to share these moments with both old faces and new.
RIKHTER 🩸 Russian-born, long-time Moscow based, now living in Berlin and resident of the legendary Monasterio Factory. Most important, he's an integral member of the R Label Group collective. Besides, he's been a force on the international scene for quite some time now. Rikhter’s music style can be described as techno, focusing on elements such as reverberating kick drums, rolling beats, and hardcore influences. His music often explores dark and hypnotic themes.
PARALLX 🩸 Parallx, born and raised in the dirty industrial landscapes of the Ruhr metropolis in West Germany and based in Berlin since 2010, belongs to the new rising techno generation. His EBM- , Industrial- and 90’s Techno inspired productions are despite its rough power on the dance floor, finely designed down to the smallest detail. In 2017 Parallx released his first Records on Kobosil’s imprint R - Label Group as well as on Arts and was voted #3 Newcomer of the Year by the readers of Groove Magazine.
📍 H0l0 1090 WYCKOFF AVE
🚪 DOORS 10:00 PM - 6:00 AM
🎫 TICKETS AVAILABLE ON SHOTGUN.LIVE & RA
Caliban Share Video for New Single "Echoes"
After the "I Was A Happy Kid Once" release, CALIBAN are digging even deeper with their new single, "Echoes," which is available on all digital platforms. Listen here.
"'Echoes' is a reflection of the chaos that comes with fighting your inner demons," the band comments. "We wanted to capture that feeling of being trapped in your own mind, where every struggle seems endless, like you're caught in a loop. This song is about losing control but also the desperate fight to break free from the lies and darkness within."
While the message of the song is reflective and serious, CALIBAN decided to have a much more light-hearted approach to the video that echoes recent live shows. It was the first featuring Iain Duncan on bass and vocals.
Check below for the video that was edited by Video Edit & FX: Nils Lesser/Vaultroom Productions.
CALIBAN ARE (L-R IN PHOTO ABOVE):
Iain Duncan — Bass + Vocals
Patrick Grün — Drums
Andreas Dörner — Vocals
Marc Görtz — Guitar
Denis Schmidt — Guitar
Industrial icon PIG presents 'Feast of Agony' EP & 'Fallout' video. Colossal North American tour kicks off September 28
Alternative music legend Raymond Watts a.k.a. PIG presents his new 'Feast of Agony' EP, released via Metropolis Records, and new video for 'Fallout', undeniably the most catchy among the six coruscating tracks found on this release.
'Feast of Agony' is the sound of PIG crushing the grinding wheel of grief with the seed of hope and relief. Watts’ anger burns and binds as he cooks up more kick-ass music, begging you to march to the drumbeat of hope with these encounters with the Lord of Lard, in which he brings word to wordless and truth to the truthless.
The EP kicks off with the monstrous 'Heroin for the Damned', screaming like a demon officiating at his own funeral while trying to stem the wounds of reality with the joy juice of depravity, which was co-written with Watts’ collaborator-in-chief Jim Davies, a longtime member of Pitchshifter, but best known for his acidic and acerbic guitar lines on many chart hits by The Prodigy. The remaining tracks are a cure that’s kind… and a call to the deserts of desperation from the promised land of truth.
This EP arrives on the trail of the remastered reissue of PIG's landmark 1995 ‘Sinsation’ album (originally released via Trent Reznor's Nothing Records) and his latest studio album ‘Red Room’, released earlier this year - both albums released via Metropolis.
Raymond Watts aka PIG has enjoyed a stellar career since starting out as a pioneering member of the mid-1980s industrial rock scene. As well as releasing fourteen albums as PIG, he has toured with KMFDM (he was a member of the band in their early days), Nine Inch Nails and Einstürzende Neubauten, written music for fashion and film (for Chloe, Marios Schwab, Halston and The Row), created exhibition sound design for the Metropolitan Museum of Art in New York, and collaborated with the late fashion icon Alexander McQueen.
Watts will continue his oration against hopelessness, hypocrisy and the ever creeping tide of despair on PIG's ‘Heroin For The Damned’ tour across North America, kicking off on September 28. Joined by Curse Mackey and Unitcode : Machine, this 40-date itinerary follows PIG's headlining set at Cold Waves XII in Chicago.
As of September 27, the 'Feast of Agony' EP is available everywhere, including Apple Music, Spotify and Bandcamp, along with the 'Red Room' and 'Sinsation (Remastered)' albums. The vinyl edition of 'Feast of Agony' is only available on the tour. Tickets can be ordered at https://linktr.ee/ pigtour2024
TOUR DATES 'Heroin For The Damned' Tour
9/28/24: Chicago, IL, @ Metro
9/ 29/24: Minneapolis, MN @ Cabooze *
9/30/24: Des Moines, IA @ Lefty’s Live Music *
10/2/24: Milwaukee, WI @ X-Ray Arcade *
10/3/24: Davenport, IA @ Raccoon Motel *
10/4/24: Lawrence, KS @ The Bottleneck *
10/5/24: Denver, CO Kulture Music Hall *
10/6/24: SLC, UT @ Quarters *
10/7/24: Boise, ID @ Visual Arts Collective *
10/9/24: Eugene, OR @ John Henry’s *
10/10/24: Seattle, WA @ El Corazon ^^
10/13/24: Portland, OR @ Dante’s ^^
10/15/24: Sacramento, CA @ Starlit Room ^^
10/16/24: San Francisco, CA @ DNA ^^
10/17/24: San Diego, CA @ Whistle Stop ^^
10/18/24: Las Vegas, NV @ Sinwave ^^
10/19/24: Los Angeles, CA @ Catch One ^^
10/20/24: Scottsdale, AZ @ Pub Rock ^^
10/21/24: Albuquerque, NM @ Launchpad ^^
10/23/24: Oklahoma City @ Beer City ^^
10/24/24: Dallas, TX @ Three Links ^^
10/25/24 - Houston TX @ Secret Group *
10/26/24: Austin, TX @ Elysium *
10/27/24: New Orleans, LA @ Santos *
10/29/24: Pensacola, FL @ Handlebar *
10/30/24: Orlando, Fl @ Handlebar *
11/1/24: West Palm Beach, FL @ Respectable Street *
11/2/24: Jacksonville, FL @ Underbelly *
11/3/24: Greenville, SC @ Radio Room *
11/5/24: Atlanta, GA @ Star Bar *
11/6/24: Richmond, VA @ Fallout *
11/7/24: Baltimore, MD @ Metro Baltimore *
11/8/24: New York, NY @ STIMULATE *
11/9/24 - Wilmington DE @ Bar 13 *
11/10/24: Millersville, PA @ Phantom Power *
11/12/24: Cambridge, MA @ Middle East *
11/13/24: Quebec City, QC @ L’anti Bar *
11/14/24: Montreal, QC @ Cabaret Fous *
11/15/24: Toronto, ON @ Lee’s Palace *
11/16/24: Detroit, MI @ Smalls *
11/17/24: Cleveland, OH @ Beachland Tavern *
* dates with Unitcode : Machine
^^ dates with Curse Mackey and Unitcode : Machine
Keep up with PIG
Website | Store | Bandcamp | Facebook | Instagram | Twitter | SoundCloud | YouTu be | Apple Music | Spotify | Tour tickets | Press contact
Keep up with Metropolis Records
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Pete International Airport presents 'Out Past The Razor Wire (HYM Post-Industrial Remix)' from November EP
Portland-based Pete International Airport presents the single 'Out Past The Razor Wire (HYM Post-Industrial Remix)', created by Holy Youth Movement, a long-term PIA collaborator. This racy adrenaline-filled track is the second taste of Pete International Airport's new 'Sea of Eyes' EP, set for release in November via cult label Little Cloud Records,
Influenced by the energy of rave culture, this is a sonic whirlwind of excitement for listeners, which would have fit perfectly in such iconic soundtracks as 'Hackers' or 'Snatch' with its motorik groove and dynamic energy.
Pete International Airport revolves around Peter G. Holmström of The Dandy Warhols and Sun Atoms, whose sonic vision takes us on a meticulously crafted psychedelic journey into the dark heart of electronic rock. Named after a Dandies song, this project nails the elusive aesthetic of unexpected yet inviting sound art. PIA's quest to build immersive soundscapes that are also timeless songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.
The 'Sea of Eyes' EP consists of five tracks that are rooted in PIA's third album 'It Felt Like The End of the World', released in late 2023 - all five of them co-authored with and featuring vocals by Alexander Hackett. They earlier introduced 'Sea of Eyes' featuring vocals by Alexander Hackett of Montreal dream-gaze outfit Pang Attack. The intriguing shadow-dance video was directed by Francesca Bonci.
The 'Sea of Eyes' EP was mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols) and mastered by Dave Coley at Elysian Mastering. Most tracks were recorded at Holmström’s Air Traffic Control studio in Portland, but drums were recorded at The Trench Studios by The Dandy Warhols' sound engineer Gregg Williams..
"I really wanted to showcase Alexander Hackett’s vocal and lyrical contributions to my record so, using the excuse of a video for 'Sea of Eyes' to release an EP of remixes seemed like a good idea. Of course lots of remixes don’t use the vocals…anyway…I got to work with Andy Bell (Ride) and Tom Smith (Holy Youth Movement) as well as long time collaborator Daniel Sparks (omniscuro) to put it together," says Holmström.
"I first heard Pang Attack when SUUNS shared a track on their socials. At first I was disappointed because it didn’t sound like SUUNS (I was obsessing on them hard) but, for some reason, I kept listening. There was something there that I connected with. Alex’s lyrics and melodic choices were perfect and I had to find out if he was interested in working with me. 'Sea Of Eyes' is the second song that Alex and I collaborated on. His lyrics perfectly capture the vibe of the world at that time".
The 'Sea of Eyes' EP is a logical progression (and continuation) of 'It Felt Like The End of the World' and the 'Tic Tac' 7" single, which jointly boast the cream of the neo-psychedelic crop, including Slowdive's Rachel Goswell, The Brian Jonestown Massacre's Anton Newcombe, Dion Lunadon (A Place To Bury Strangers, The D4), Cheap Trick's Tom Petersson, Lisa Elle of Dark Horses, and members of Sun Atoms, Guiding Light and Hopewell.
As of October 1, 'Out Past The Razor Wire (HYM Post-Industrial Remix)' will be be available exclusively via Bandcamp, where the EP is available for pre-order (digitally and on limited edition cassette). The album 'It Felt Like The End of the World' can also be found there, available digitally, on CD and vinyl as a Deluxe double-album with gatefold sleeve. The 'Tic Tac' single with Rachel Goswell and it's 7" vinyl version are available both via Pete International Airport and The Dandy Warhols.
SINGLE CREDITS
Music written by Peter G. Holmström
Remix and additional production by Tom Smith (Holy Youth Movement)
Original track vocals and lyrics by Alexander Hackett (Pang Attack)
Instruments performed by Peter G. Holmström, except:
Alexander Hackett - Vocals
Paulie Pulvirenti - Toms, Octabans
Daniel Sparks - Drum Programming, Synths
Jeremy Sherrer - Synth, Drum programming
Produced by Jeremy Sherrer and Peter G. Holmström
All tracks recorded primarily at Air Traffic Control, Portland
All drums recorded at The Trench Studios by Gregg Williams
Vocals & additional instruments recorded in Montreal, LA & NYC
Additional production & mixing by Jeremy Sherre at Spooky Electric Co. (Austin, Florida & Spokane)
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Publicity by Shauna McLarnon at Shameless Promotion PR
'Sea of Eyes' video directed by Francesca Bonci
Filmed by June Kang and Lê Thùy-Dương
Guest appearance - June Kang
Keep up with Pete International Airport
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Keep up with Little Cloud Records
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Riotous Indignation Releases New Single "Indoctrinate" with Music Video
With only 12-weeks passing since their last single "Wheel of Misfortune" premiered on Decibel Magazines website, Riotous Indignation has just released another single.
The new single, titled Indoctrinate, sets its lyrical focus on how the divisive, manipulative, and corrupt nature of Americas failing political class has a deliberate and negative effect on the country’s citizenry.
“With a pending U.S. presidential election coming in the next few weeks, I wanted to get this single out because I feel that it will touch a lot of people who are completely disgusted by what is currently happening in our government, but who may not be willing to discuss these things publicly. For those people, I hope they can find their voice in this song.” – states Mike Repel, the bands frontman and lyricist.
Musically the track has some strong elements and a catchy melody that make it memorable yet haunting at the same time. It also contains two guitar solos, the first featuring Scare Crow (Berator, Never We See) who also contributed solos to the band’s prior releases Lords of War, and The End.
Scare Crow stated that:
“This new song touches on how a lack of moral compass can affect people in power. Newer generations are being born and raised with a sense of underlying slavery to the government and other components of our society which seem to inhibit free speech and also seem to be controlling our every move. With crushing riffs and cunning lyrics, this new release takes you through a depth of how we as a society must break free from what destroys our true will.”
The second solo in this song is hammered out by Repel, who is also the song’s composer and producer.
Founded by Bob Clayton and Mike Repel in 2015, the band released their debut, The Violentus Musicae EP, in early 2016. The EP was recorded and produced by Repel, and was mixed at Dexter Labs Studio in Milford CT. by Nick Bellmore and was Mastered by Chris “Zeuss” Harris.
Since the release of The Violentus Musicae EP in May of 2016, they have obtained positive press coverage and have confirmed airplay on over 50 internet radio stations, some terrestrial radio, and podcasts. This also includes a twenty-two week charting run for their song "Secret Societies"on Radio Naklo’s Czadlista & Czadlista Post Scriptum Radio Show in Poland.
In January of 2017 they released their music video for "The End" and also became a semi-finalist in the 2017 Hollywood Film festival for their work in creating the video.
In 2017 the band has increased visibility with ongoing promotions in mainland China. Their music was included in a music festival playlist, and was the focus of a syndicated column about heavy music on QQ Music.
Their music has been featured on several recently released compilations, including: The Making a Scene 2017 compilation by Whatever68 Radio and PP Promo Records, El Bunker Del Metal’s The Force of Annihilationcompilation out of Argentina, and also The Metal Music GlobAllianceCompilation out of Slovakia.
They have also been featured on the 2018 Imperative Music Global MetalCompilation Vol. 15 with Destruction, Hammerfall, Cradle of Filth, Death, and many other bands. This compilation, based out of Brazil, is a DVD/with Audio and Video contributions from each band. It was distributed internationally through Imperatives label and media partners in several countries.
Previously unreleased music has been coming out in the form of singles, all which have been receiving terrestrial and internet radio play. This includes "Lords of War" (Nov. 2021), which debuted at #24 on the NACC Charts, and Wheel of Misfortune (2024), which as previously stated, premeired on Decibel Magazines website.
Riotous Indignation is:
Mike Repel: Vocals, Guitars, Bass
Bob Clayton: Drums
BEHEMOTH - Release Live Video For 'The Thousand Plagues I Witness'
Polish extreme metal giants, the mighty BEHEMOTH, will release their monumental anniversary concert XXX Years Ov Blasphemy from 2021 on October 25th, 2024 as 3CD + BluRay, 3LP and Digital Album.
The career-spanning show, held at and filmed on three different locations, has a total running time of 90 minutes, divided into three different acts, and features fan favourites as well as a few selected deep cuts that BEHEMOTH had rarely played live before.
As a second preview you can now watch the live video for the song 'The Thousand Plagues I Witness' which originally appeared on their 1998 full length, Pandemonic Incantations.
PRE-ORDER / PRE-SAVE XXX YEARS OV BLASPHEMY:
https://behemoth.bfan.link/xxx-years-ov-blasphemy
LISTEN TO 'THE THOUSAND PLAGUES I WITNESS':
https://behemoth.bfan.link/the-thousand-plagues-i-witness
WATCH THE VIDEO FOR 'THE THOUSAND PLAGUES I WITNESS' BELOW.
ABOUT BEHEMOTH:
In the annals of metal there is no band more synonymous with an unswerving commitment to the single-minded defiance of expectation than BEHEMOTH. Over the course of their remarkable 33-year career, these Polish hellraisers – spearheaded by Adam Darski, aka Nergal – are more than just the architects of their country’s legendary extreme metal scene. Over the course of over three decades and twelve albums, Nergal’s singular vision has forged BEHEMOTH into something far more than a mere black metal band. Beyond any confines of genre, they have grown to become nothing less than the personification of rebellion, individuality and unflinching self-expression informed by a literate worldview and worldliness that’s resulted in a locking of horns with everything from the mainstream press to the Polish Catholic church – most notably manifesting in Nergal’s trial for blasphemy in 2010 that only served to expose the deep-seated hypocrisies that his music seeks to challenge.
LUNA KILLS Sign With SharpTone Records + Shares Video For New Single "slay ur enemies"
LUNA KILLS, the rising alt-metal powerhouse from Finland, is thrilled to announce their signing to SharpTone Records.
"We are beyond excited to announce our signing with SharpTone Records! Their dedication to supporting artists' individuality, in both sound and style, is something we truly vibe with," the band states. "We can't wait to get started on this new chapter for LUNA KILLS together!"
To mark the occasion, the band has unleashed their blistering new single "slay ur enemies," a track that dives deep into the raw emotions of a panic attack. With raw and authentic lyricism, paired with their signature heavy sound, LUNA KILLS are proving their ability to blend dark, personal experiences with explosive, aggressive energy. The single was mixed and mastered by Jeff Dunne (Make Them Suffer, Knocked Loose, Ice Nine Kills, Disturbed).
"'slay ur enemies' describes an inner dialogue and feelings during a panic attack," lead vocalist Lotta Ruutiainen shares. "Mostly, the lyrics depict the hopelessness of those emotions, but also the will to fight and endure and survive this absolute nightmare. The song actually pretty much wrote itself right before we hit the studio. We listened to the demo in the middle of the night, thinking either we had all collectively lost our sanity, or the song was a f*cking banger."
Watch the video below.
ABOUT LUNA KILLS:
LUNA KILLS are, without a doubt, one of the most refreshing modern metal act in the scene, combining alternative and nu-metal vibes with electronics inspired by game soundtracks. Their frontwoman Lotta, with her jazz singing background and incredible fry scream vocals, brings the audience to their knees — unless they are speeding around in moshpits, as often witnessed in their fiery live shows. Even as newcomers, LUNA KILLS have already opened the door to their beloved gaming world as their music is featured in the hit mobile app Beatstar. The band, first formed in 2019, has now taken their first steps on European stages, gained the attention of multiple rock radios in their native Finland and are moving forward towards their first full-length album with SharpTone Records.
LUNA KILLS ARE:
Lotta Ruutiainen — Vocals
Samuli Paasineva — Guitar
Jimi Kinnunen — Drums
Lassi Peltonen — Bass
