NYC post-punk duo FRENCHY AND THE PUNK to release 'Midnight Garden' album June 28 as their U.S. tour launches

"Explosive, subdued, confrontational, soothing, spikey and accessible" ~ Big Takeover Magazine

"With melancholic grace, Frenchy and the Punk weave light into their darkness, both visually and aurally... a potent goth-alternative concoction, a boozy blend of classic post-punk infused with daring, catchy guitar work that pushes the boundaries of the genre" ~ The Spill Magazine

"Penetrating psych-soaked post-punk... Brimming with their signature cinematic drama and that unforgettable voice" ~ Global Texan Chronicles

"An inspiriting slice of post punk hued, new wave nurtured rock ‘n’ roll... under the skin and hungrily stirring the imagination in a flash" ~ Ringmaster Review


NYC post-punk duo Frenchy and the Punk presents their eighth album, 'Midnight Garden', via NYC indie imprint EA Recordings, arriving one year since their critically-acclaimed 'Zen Ghost' album. This record bursts with dance grooves, guitar-driven upbeat melodies and soaring vocals. Written in France and the USA, this is a post-punk, new wave, dark alternative collection to kick off the summer season.

Torchbearers of a new era in post-punk, their latest single 'Like In A Dream' bathes the listener in it’s reflective, beautiful moodiness, piercing the gloom with flickers of light, following the lead track - the dance floor frenzy 'Hypnotized'.

Formed in 2005, Frenchy and the Punk is vocalist, percussionist and lyricist Samantha Stephenson and guitarist-composer Scott Helland, co-founder of Deep Wound (with Dinosaur Jr. icons J Mascis and Lou Barlow) and Outpatients. Named one of the Top 25 duos in the US by Yahoo! Music, they profess a vivid blend of post-punk, dark folk, new wave, goth and punk cabaret. Helland is also known for his exceptional solo music project Guitarmy of One.

On 'Midnight Garden', Stephenson hits her stride - lyrically, vocally and with the synth sounds peppering the album. Helland shows his knack for infectious, and often euphoric, guitar melodies, propelling these tracks and perfectly complementing Frenchy's vocals.

Samantha Stephenson explains, "Midnight Garden feels like a new beginning of sorts. Even though this is our eighth studio album, there’s a lot of rising from the ashes, or starting over energy in these songs. I had a sense of things coming to an end, a kind of clearing the air and moving forward with a renewed sense of clarity and purpose. I feel like I am fully engaged in this music process, more so than ever before. I’m giving it my all, whereas up until a couple of years ago, I was fighting internally with the push and pull of visual arts vs music. I’m ready to let go of the past, I’m ready for a new chapter."

The euphoric title track 'Midnight Garden', with its gothic re-imagining of the Garden of Eden, speaks to soulmates who want to leave the world’s problems behind. 'Sleepwalk Shuffle' is a quirky post-punk track that questions the cultural path we find ourselves on as a society. 'Mr. Scorpion' laments the off-kilter balance of power and imagines a world free of planarian bygone ideologies. The remaining tracks offer up guitar-driven dance grooves with soaring vocals. The album ends with 'End of An Era', a straight up synth-driven track that leaves the listener with the ominous drone, capturing the zeitgeist of our time.

The duo has forged their own distinct path, touring the US and Europe with their artful two-person powerhouse of sound. To date, they've performed with Dead Can Dance's Peter Ulrich and Dresden Dolls' Brian ViglioneThomas Dolby, Dinosaur Jr., The World Inferno Friendship Society, Rasputina, Cruxshadows, Aurelio Voltaire and Faun.

'Lost In A Dream' is available everywhere, including Apple MusicSpotify and Bandcamp. On June 28, the 'Midnight Garden' album, now available for pre-order, will be released on vinyl, CD and digitally.  After a successful UK tour, the band kicks off their American tour on June 22.

CREDITS
Samantha Stephenson - Vocals, Percussion, Keyboard
Scott Helland - Guitar, Bass, Drums and Drum Programming
Recorded at Split Rock Studios (New Paltz, NY)
Recorded & mixed by Jason Sarubbi
Mastered by Martin Bowes at The Cage (Coventry UK)
Written, performed and produced by Frenchy and the Punk
Single artwork by Samantha Stephenson
Artist photos by Nicola Bee

TOUR DATES
JUN 22  Salem, MA - Darq Salem
JUN 25  Transmission Radio Show on WFDU.FM
JUL 11  Pomeroy, OH - Starwood Festival
JUL 13  Pittsburgh, PA - TBA
JUL 14  Columbus, OH - Dirty Dungarees Alt Music Space
JUL 16  Bloomington, IN - The Bishop
JUL 17  Cincinnati, OH - The Comet
JUL 18  Detroit, MI - Corktown Tavern
JUL 19  Akron, OH - Buzzbin
JUL 20  Maple Heights, OH - Maple Grove Tavern
JUL 21  Dayton, OH - Blind Bob’s
JUL 23   St Louis, MO - The Crack Fox
JUL 25  Cleveland, OH - Wizbang Theater
JUL 26  Sherman, NY - Sirius Rising Festival
SEPT 6   Pittsburgh, PA - Pitts Art Fest
SEPT 22  York, PA - Enchanted Festival
SEPT 26 Dark Castle Festival, Louisville, KY
OCT 5/6  Attleboro, MA - Jewelry City Festival
OCT 12  Upper Lake, CA - Hexenfest
OCT 25  Shepherdstown, WV - TBA
NOV 16  Baltimore, MD -  Fairy Scary Ball


Keep up with Frenchy and the Punk
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A Wake In Providence Drop New Track "Agonofinis" + Official Video via Unique Leader Records

Symphonic deathcore titans A Wake In Providence have released their latest banger "Agonofinis" and the official video (via Unique Leader Records). The single is taken from the band's upcoming new album 'I Write To You, My Darling Decay'out on Friday, July 26. Speaking about the track, the band commented:

"'Agonofinis' is really part II to the orchestral piece “Agony, My Familiar” that precedes it on the album. This one is fast, and angry. There’s a lot of rage in this one."

Prior to today, the quartet released "Mournful Benediction" featuring Ben Duerr from Shadow Of Intent. Stream "Agonofinis" here, watch the official video below, and pre-save 'I Write To You, My Darling Decay' here.

The band are currently on the road with Filth, 9 Dead and Resistor, and will next hit the stage on the Decade Of The Swarm tour with Signs Of The Swarm, Cane Hill, Ov Sulfur and 156/Silence. For ticket information, please click here and be sure to stay tuned for more A Wake In Providence news coming soon.

Tour Dates with Filth, 9 Dead + Resistor:

6/25 New York, NY - Mercury Lounge

6/26 Clifton, NJ - Dingbatz

6/27 East Haven, CT - The Beeracks

6/28 Providence, RI - Alchemy

6/29 Bangor, ME - Queen City Cinema Club

6/30 Manchester, NH - Jewel

Decade Of The Swarm Tour Dates:

8/29 Worcester, MA - The Palladium

8/30 Brooklyn, NY - The Meadows

8/31 Montreal, QC - Theatre Fairmount

9/1 Toronto, ON - Lee’s Palace

9/3 Detroit, MI - The Sanctuary

9/4 Chicago, IL - WC Social Club

9/5 Des Moines, IA - Wooly’s

9/6 Denver, CO - Bluebird Theater

9/7 Salt Lake City, UT - Urban Lounge

9/8 Richland, WA - Rays Golden Lion

9/10 Vancouver, BC - Rickshaw Theater

9/11 Seattle, WA - El Corazon

9/12 Portland, OR - Dante’s

9/13 Roseville, CA - Goldfield Trading Post

9/14 Anaheim, CA - Chain Reaction

9/16 San Diego, CA - Brick By Brick

9/17 Mesa, AZ - Nile Theater

9/18 Albuquerque, NM - Launchpad

9/19 Lubbock, TX - Jake’s

9/20 Dallas, TX - South Side Music Hall

9/21 Austin, TX - Come and Take It Live

9/22 Houston, TX - Scout Bar

9/24 Atlanta, GA - The Masquerade (Hell)

9/25 Greensboro, NC - Hangar 1819

9/26 Philadelphia, PA - Underground Arts

9/27 Pittsburgh, PA - Preserving

9/28 Lakewood, OH - The Winchester

FLESHGOD APOCALYPSE ANNOUNCE FALL 2024 NORTH AMERICAN TOUR

Italian Symphonic Death Metal maestros FLESHGOD APOCALYPSE just revealed their long-awaited 6th studio album, Opera, will be released August 23rd with Nuclear Blast Records. Now, the band has announced their return to North America in support of the impending release for a co-headline tour with SHADOW OF INTENT, and support acts INGESTED, THE ZENITH PASSAGE and DISEMBODIED TYRANT, which kicks off September 14th in Cleveland, OH and wraps on October 15th in Denver, CO.

Commenting on the tour frontman Francesco Paoli states:

We’re overly excited to announce the ultimate extreme symphonic metal experience across North America, which we’ll have the honor to headline along with our long-time friends Shadow of Intent. 

It’s going to be an event you don't want to miss, with the best clubs, a top-notch line-up and our most spectacular show to date.

We can’t wait to play some brand new material from our upcoming album “Opera” for you all, so grab your tickets as soon as you can because they won’t last long. The worldwide Opera madness has just begun…

Artist Presale: Wednesday June 26 @ 9am PST / 12pm EST

Local Presale: Thursday June 27 @ 9am LOCAL

General On Sale: Friday June 28 @ 9am LOCAL

Purchase tickets at https://bnds.us/8idszb

FLESHGOD APOCALYPSE Tour Dates:

9/14 - Cleveland, OH - House of Blues

9/15 - Chicago, IL - Metro

9/16 - Bloomington, IL - The Castle Theatre

9/18 - Detroit, MI - Saint Andrew’s Hall

9/19 - Toronto, ON - The Opera House

9/20 - Montreal, QC - L'Olympia

9/21 - Ottawa, ON - Brass Monkey

9/22 - Worcester, MA - New England Metal and Hardcore Festival

9/23 - Brooklyn, NY - Warsaw

9/25 - Reading, PA - Reverb

9/26 - Baltimore, MD - Baltimore Soundstage

9/27 - Charlotte, NC - The Underground

9/28 - North Myrtle Beach, SC - House of Blues

9/29 - Tampa, FL - The Orpheum

10/01 - Austin, TX - Come And Take It Live

10/02 - San Antonio, TX - Paper Tiger

10/03 - Dallas, TX - Granada Theater

10/04 - Oklahoma City, OK - Diamond Ballroom

10/05 - Albuquerque, NM - Sunshine Theater

10/06 - Mesa, AZ - The Nile Theater

10/08 - San Francisco, CA - DNA Lounge

10/09 - Sacramento, CA - Ace of Spades

10/10 - San Diego, CA - House of Blues

10/11 - Riverside, CA - Riverside Municipal Auditorium

10/12 - Las Vegas, NV - House of Blues

10/13 - Salt Lake City, UT - Metro Music Hall

10/15 - Denver, CO - Ogden Theatre

FLESHGOD APOCALYPSE are finally back with their brand new, 6th album titled Opera, a gut-wrenching musical journey inspired by the tragic mountain climbing accident occurred to their frontman and mastermind Francesco Paoli, in 2021.

Due out August 23rd via Nuclear Blast Records, Opera is structured like a 10-act theatrical piece, as the title itself, Opera, draws a clear thread with the everlasting tradition of Italian classical music theater combining it with the epic brutality of death and symphonic metal, which has become their trademark sound. Mixed and mastered by Grammy-nominated producer Jacob Hansen (Volbeat, Epica, Arch Enemy), Opera definitely marks another step forward for the band, incorporating new suggestions into that unique blend that FLESHGOD APOCALYPSE are renowned for: sheer violence, majestic orchestrations and soaring melodies. Such an ambitious musical endeavor called for an equally impressive artwork, a team effort between two arising Italian talents (artist extraordinaire Felicita Fiorini and visionary photographer Francesco Esposito), following the path traced by baroque painters like Caravaggio and Artemisia Gentileschi. The cover art portrays Veronica as Music, a superior entity that defeats the social and artistic decay of modern age.

With this new record, FLESHGOD APOCALYPSE are setting the bar even higher than before, pioneering what looks like a completely new sub-genre that might be called “Opera Metal”: an unprecedented mix of extreme music and theatrical elements.

The best stories always come from pain, it's a bitter truth yet undeniable.” Francesco P. states. “We managed to turn one of the worst things in life into a work of art, that embodies our personal and artistic growth and takes the listeners on a rollercoaster of emotions, where they can experience what I've been through hand in hand with me. It's a waking nightmare but that's how life is sometimes, just scary.

Francesco P. continues: “In my visionary representation of this journey, that begins with my near death experience and culminates in a much desired physical and psychological rebirth, I wanted to frame every single step of my calvary, as if they were acts of an "Opera Lirica", with dialogues or even confessions to imaginary characters, who have been constant presences throughout my whole (mis)adventure.

This album tosses you in a vortex of discomfort and uncontrollable feelings, where you can experience pain, fear, desperation, anger, frustration, but also resolve, courage, hope and a profound desire for redemption. I strongly believe that this album is a solid manifest of resilience, and I hope that my story will inspire people who got “lost” for whatever reason.

We can’t wait for you to hear the full album and play it live at the four corners of the world. We’re planning to take everyone to “Opera” with a massive new show, so get ready!

Pre-Order Opera:

https://fga.bfan.link/opera

With the album’s announcement comes the new single ‘Bloodclock’, a roaring song seething with anguish, pain and visionary tales of life and death.

Stream “Bloodclock’ here: https://fga.bfan.link/bloodclock

Francesco P. says of the new song:

"What do we see right before we die? Well, with ‘Bloodclock’ I bear my witness and reveal the personal visions I had while hanging on a rope, unconscious, a few hundred meters above the ground. It's insane how reality can be much more terrifying and soul crushing than  imagination.


Soon after my discharge from the hospital, me and Francesco Ferrini started writing immediately, even if I was still bedridden and unable to play. The idea was to capture the mood of those dramatic days and make sure to keep intact the sense of desperation and fear that was still running through my veins after the accident. Later on, we worked with the others to develop those ideas and create the music that such a strong story deserves, music that takes your breath away and tosses you into a vortex of mixed feelings and discomfort.
I believe we nailed it 110%.
 

And the video is a spectacular representation of that disaster. I pushed Martina (McLean, video director) to the limit because I knew she could find a poetic, metaphorical yet extremely impactful way to match the fury of the song with awe-inspiring images. She did an amazing job and we're proud to state that this is the best music video we've ever had in our career."

‘BLOODCLOCK’ MUSIC VIDEO BELOW;

But this song is not only about death, it's also about life. ‘I’m not dead yet’ was some sort of  mantra that became my battle-cry. The moment I woke up, I started my war to stay alive, that with time turned into a true and never-ending calvary as I'm still carrying the cross for what happened that day. But this is another story and its time is yet to come…

About FLESHGOD APOCALYPSE:

Formed in 2007, Italian Symphonic Death Metal maestros Fleshgod Apocalypse are finally back with their sixth and brand new album titled “Opera”, a gut-wrenching musical journey inspired by the tragic mountain climbing accident occurred to their frontman and mastermind Francesco Paoli, in 2021:

“The best stories always come from pain, it's a bitter truth yet undeniable” says Francesco.

“That's why human struggles have always been an unending source of inspiration for artists throughout history. But one thing is creating art that gives voice to someone else’s tribulations, another is accepting to bare your soul to the world and reveal your weaknesses and frailties, while attempting to turn them into new resources for your own creativity. It's a dangerous game, since we never know what our twisted mind has in store for us, but it's a game you must play if you really want to bring your art to the highest level and leave a trace that has a deeper meaning, not just mere entertainment for distracted people.

After my fall while mountain climbing, I woke up in a hospital, underwent several surgeries, constantly getting terrible news and spending many months not knowing if I would ever be able to play an instrument again. I felt condemned. Fear, painkillers, wheelchairs have been daily food for my frustration. Retracing what happened that day, as well as the days, months, years after, has been such an exhausting and frightening journey, in which I had to face my demons once again and deal with memories I hoped I had left behind.

Was all this worth it? Let the others tell. All I can say is that, although it was clear that this was the right thing to do, we could not even remotely imagine how strongly this process would have affected our songwriting, igniting our creativity and reinvigorating our attitude after years of deep coma due to the pandemic. We managed to turn one of the worst things in life into a work of art, that embodies our personal and artistic growth and takes the listeners on a rollercoaster of emotions, where they can experience what I've been through hand in hand with me. It's a waking nightmare but that's how life is sometimes, just scary.”

The whole album is structured like a 10-act theatrical piece, as the title itself, “Opera”, draws a clear thread with the everlasting tradition of Italian classical music theater and its icons, from Giuseppe Verdi to Giacomo Puccini, combining it with the epic brutality of death and symphonic metal, which has become their trademark sound.

On the trail of such powerful heritage, embodied by Veronica Bordacchini’s outstanding vocal performance, each chapter enlightens a different angle of Francesco’s story, both musically and lyrically.

Francesco adds:

“In my visionary representation of this journey, that begins with my near death experience and culminates in a much desired physical and psychological rebirth, I wanted to frame every single step of my calvary, as if they were acts of an "Opera Lirica", with dialogues or even confessions to imaginary characters, who have been constant presences throughout my whole (mis)adventure.

Death, Life, Hope are among these entities, masterfully interpreted by Veronica, that from time to time assist or prevent me from digging deeper in my memory and personality, examining objectively my emotional states and behaviors and finding a sense to all this.

This album tosses you in a vortex of discomfort and uncontrollable feelings, where you can experience pain, fear, desperation, anger, frustration, but also resolve, courage, hope and a profound desire for redemption.

In fact, besides being grateful for the privilege of sharing my personal experience through Fleshgod Apocalypse art, I strongly believe that this album is a solid manifest of resilience, and I hope that my story will inspire people who got “lost” for whatever reason. Since the accident I’ve been posting on socials about my rehab and received hundreds of messages of appreciation for that. People need motivation, need examples that can make them restart believing in themselves. And for me, this is part of the game, this is the best way I can give them something back after all these years of loving support.

Life is a wonderful thing, even when everything around us seems to be falling apart we must find a meaning for existing and, unexpectedly, sometimes second chances can be way more exciting than the first ones.”

Mixed and mastered by Grammy-nominated producer Jacob Hansen (Volbeat, Epica, Arch Enemy), “Opera” definitely marks another step forward for the band, incorporating new suggestions into that unique blend that Fleshgod Apocalypse are renowned for: sheer violence, majestic orchestrations and soaring melodies.

While showcasing new maturity in songwriting, the album retains a strong stylistic bond with the band’s previous efforts, from the furious blast beats of “Mafia” and “Agony” to the epic, grandiose atmospheres of “Labyrinth” or “King”, along with the unquestionable technical prowess that made “Oracles” and “Veleno” instant classics among fans of the genre.

Such an ambitious musical endeavor called for an equally impressive artwork, a team effort between two arising Italian talents (artist extraordinaire Felicita Fiorini and visionary photographer Francesco Esposito), following the path traced by baroque painters like Caravaggio and Artemisia Gentileschi.

Born in 2007, Fleshgod Apocalypse quickly established themselves among the leaders of symphonic death metal.

As of today, some of their most acclaimed releases such as “Agony” (2011) or “King” (2016) are still considered milestones by fans and critics alike. With this new record, they're setting the bar even higher, pioneering what looks like a completely new sub-genre that might be called “Opera Metal”: an unprecedented mix of extreme music and theatrical elements.

For sure, this won't sound surprising for anyone who has witnessed one of their intense live performances.

The band is now preparing a huge worldwide touring campaign in support of this new masterpiece.

Fleshgod Apocalypse are now ready to take everyone to “Opera”.

Follow FLESHGOD APOCALYPSE:

https://shop.fleshgodapocalypse.com/

https://www.facebook.com/fleshgodapocalypse

https://www.instagram.com/fleshgodofficial/

https://www.tiktok.com/@fleshgodofficial

https://twitter.com/FApocalypse

https://www.youtube.com/@FleshgodApocalypse

EKOH + Tech N9ne Drop New Video for New Banger "Nobody Like Me"

Emerging artist EKOH has teamed up with TECH N9NE for their collab track "Nobody Like Me." It's a banger, where the duo spits rhymes as though their lives depend on it. Crank the knobs to 11, put the windows down, and add this one to your playlist rotation. The song grabbed over 250,000 streams in just a weekend's time.

Watch the video below.

Check out EKOH's previous track with Lo Spirit, called "Good Things." Listen here. You can also check out "DOOMED," his collab with PHIX. 

If you've not yet heard of Ekoh, well, consider this your intro. 

Get to know him now, because the stratosphere is in his future, thanks to his deft rap x rock hybrid style. Ekoh's breakout track "Hole In Your Head" was released in November 2023 and stayed in steady rotation on SiriusXM Octane and was a crowd favorite during his first rock tour where he supported From Ashes to New on the Blackout Tour. Additionally, the single "Hurt Myself" continues to roar. He shared "Mayday" earlier this year and released his own custom sneaker with VANS. 

THIS WEEK ON METALSHOP: Episode Airing As of 6/24/24

This week on Charlie Kendall's Metalshop, Johnny Gioeli of Hardline, Axel Rudi Pell and Crush40 fame is our featured artist. Axel Rudi Pell has just released the fabulous new RISEN SYMBOL. The master classic comes from The Jimi Hendrix Experience. Fresh metal comes courtesy of Def Leppard, plus the top 3 Metals of the week and more! This week, only on Charlie Kendall's Metalshop!

Metalshop is BACK! The one-hour weekly show that was on over 250 stations when metal was born has returned! We now deliver fresh weekly shows to an audience that revels in the music of the untamed and youthful. Metalshop combines the show’s vintage feature segments with fresh content, music from then and now, new and classic interviews with your hard rock heroes, and that same voice and attitude that made the program a cornerstone of the culture.

For stations, days and times, visit us online at www.ckmetalshop.com.

Our show is syndicated by Fishnet Syndication and is delivered via Dropbox every Thursday by 10:00 PM. You may air Metalshop as many times as you wish and to get Metalshop on your station contact Mike Tyler at (214) 674-4400 or dallasmt@aol.com.

Broadcast Schedule (All Times EST)

Mondays
7am, 10am, 6pm – CMS Network Now
7pm – NewHDMedia.com
4pm – 97 Underground

Wednesdays
11am – KRFK Radio

Fridays
7pm – NewHDMedia.com

Saturdays
7pm – KRFK Radio
8pm – Radio Free Cleveland

Sundays
7pm – WCST-FM (98.7 The Mountain, Charleston, WV)
11pm – NewHDMedia.com
11pm – Highway Rock, The Drive 96.9 / 94.9

Fred Abong (Throwing Muses, Belly) presents 'Listening' single from eighth full-length album 'Blindness' (CD out July 5)

“Purity and honesty in his approach that gets more and more intense with each track... like you’re riding a wave of energy” ~ Higher Plain Music

“Beautifully raw, uncluttered and quite cinematic... Melodically infectious and lyrically mysterious" ~ Newport Naked

“Abong’s vocal delivery is a testament to his storytelling prowess. His voice carries the weight of experience, each phrase brimming with authenticity and emotion... connecting on a profound level with the emotions that make us human”  ~ Skylight Webzine

“So unique that there is no possible way this music could be mistaken as being performed by anyone else" ~ Amplify Music Magazine

“An almost painful intimacy to his words despite the oblique phrasing and imagery he conjures” ~ Isolation Records


Modern-day American crooner-philosopher Fred Abong shares 'Listening', the latest audio-visual offering from his new 'Blindness' album. Released via Moochin' About Records. this third single from the album rounds out the album's sonic landscape. Following the drama-rock of 'Heaven' and the quasi-dance vibe of the title track 'Blindness', this new single adds a vaguely 80’s romanticism, somewhat in a Blue Nile vein.

Now based in New Orleans, Abong is no stranger to the US music scene, having got his musical start in the 1980’s on the Rhode Island hardcore punk scene. In the early 1990s, he played bass for Throwing Muses and then Belly. Putting music on hold for academic pursuits, he then earned a PhD in Humanities and taught at various universities for eight years before returning to music. Now back as a solo artist, Abong also plays bass in the Kristin Hersh Electric Trio. He has also been a practicing Vedic astrologer for the past 20 plus years.

“'Listening' was actually the first song written for this album. It’s a chord progression and keyboard/piano sound that I feel has been lurking in my consciousness for a long time. It really did kinda write itself … the only impediment was my ineptitude on the piano, which took some time to correct. At the time of writing this, I had just purchased my first keyboard of any kind - a full size MIDI controller in this case. As soon as I hooked it up to Logic and started messing around with the plugins, I could feel all these latent songs beginning to wake up, to "show their faces". The songs came quickly, though not necessarily easily, as my piano skills, as I mentioned, were fairly rudimentary," explains Fred Abong.

"Making the video was much easier. I shot it in about an hour in my garage. Somehow it seemed the proper setting for the song. Turns out a garage is a good place to listen, to hear things in an unfamiliar way. It’s also a great place to take your favorite shovel for a spin."

A Filipino-American singer-songwriter, Abong's music has a raw and unpolished production aesthetic with an overall direct, though deceptively imaginative and oblique, presentation. Taking a detour from the musical road most traveled, Abong wrote the material for this album on the piano rather than bass or guitar, effectively opening up a new compositional and emotional space for him.

Between the bookends of the new 'Blindness' album and 'Homeless', the first set of songs as a solo artist, originally self-released in 2018, Abong has released several critically acclaimed records, including his self-recorded 2023 'Fear Pageant' and earlier albums 'Yellowthroat''Pulsing' and 'Our Mother of Perpetual Help'.

"I’ve actually gotten some feedback that the entire 'Blindness' LP sounds like a ‘departure’ from what I’ve done up to this point in my solo work. But from my perspective, it’s just another dimension of songwriting, which for me is not about finding a ‘style’ and sticking with it. I’m more interested in staying wide open to whatever shows up when there’s an instrument, familiar or unfamiliar, in my hands," says Abong.

"I’ve been listening to and "studying" a wide variety of musical forms my entire life, and so I guess I have also been unconsciously ‘composing’, too. And waiting for the moment or moments when those compositions would present themselves."

On July 5, the 'Blindness' album will be released everywhere digitally (including Apple Music and Spotify) and on CD. For now, it can be downloaded exclusively via Bandcamp, where the pre-order is now available for the CD, coupled together with Abong's 'Homeless' album as a bonus.

CREDITS
Music and lyrics by Fred Abong
Recorded, mixed, and mastered by Fred Abong
All instruments performed by Fred Abong
Videos by Fred Abong
Album released by Moochin' About Records
Publicity by Shameless Promotion PR

Keep up with Fred Abong
Website | LinkTree | Bandcamp | Instagram | Twitter | Facebook | YouTube | Apple Music | Spotify | Fred Abong Astrology | Press contact

Keep up with Moochin' About Records
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Elle King Readies Her 'Baby Daddy's Weekend Tour'

Known for her high-energy and colorful shows, No. 1 Baddie Elle King is extending her year on the road with her bold and bodacious Baby Daddy’s Weekend Tour. Tickets will go on sale Friday, June 28 for the headline tour that will kick off Aug. 30 in Biloxi, MS.  Rising duo, The Band Loula, is set to open the 30-city run. 
 
To give an idea of the time that fans will be in for, King says, “If living up to not being America’s sweetheart is my name, then a new Elle King tour is my game. Come on out yonder to my Baby Daddy’s Weekend Tour! No sitter? Bring your kids! Both of you want to come? Couldn’t think of a better place to reconnect! Come blow kisses, laugh, or cry! All emotions are accepted. Let’s all sing at the top of our lungs, together. I can’t wait to see and hear ya!”
 
Elle King Fan Club pre-sale starts Tuesday, June 25, with venue pre-sales launching Wednesday, June 26, and general on-sale begins Friday, June 28. Tickets and VIP Packages, which include an acoustic pre-show performance and exclusive items, will be available at ElleKing.com.
 
King has already been heating up the summer with fiery performances at fan-favorite festivals like In the Pines in Bristol; The Railbird Festival in Lexington, KY; Tailgates & Tall Boys Festival in Bloomington, IL with Eric Church; and Stagecoach in Indo, CA, where the Orange County Register proclaimed, “Country rocker Elle King brought her signature sass and grooves to her sunset set, treating the audience to a mix of new music and covers.”

Baby Daddy’s Weekend Tour Dates:
Aug. 30     Biloxi, MS*
Aug. 31     Bossier City, LA*
Sept. 4       Fort Madison, IA*%
Sept. 5       Fort Wayne, IN           
Sept. 12     Athens, OH                 
Sept. 13     TBA
Sept. 14     New Philadelphia, PA
Sept. 20     Newkirk, OH              
Sept. 21     Ft. Worth, TX
Sept. 22     Tulsa, OK                   
Sept. 27     Rochester, NY            
Sept. 28     Pittsburgh, PA             
Sept. 29     St. Louis, MO*&
Sept. 3      Atlanta, GA                
Oct. 4       New Haven, KY         
Oct. 5       Cincinnati, OH            
Oct. 10     Huntington, NY+
Oct. 11     Silver Spring, MD+
Oct. 12     Sayerville, NJ+
Oct. 18     Sacramento, CA*&
Oct. 19     Indio, CA*&
Oct. 20     Las Vegas, NV*&
Oct. 24     Orlando, FL
Oct. 25     Tampa, FL                  
Oct. 26     Immokalee, FL           
Nov. 7      Detroit, MI                  
Nov. 8      Cleveland, OH                        
Nov. 9      Hammond, IN             
Nov. 15    Grand Rapids, MI       
Nov. 16    Bowler, WI                 
 
The Band Loula supports all dates unless denoted
+          Kendell Marvell supports
%         Festival date, no support or VIP
&         No support
*          Already on sale

About Elle King:
Multi-genre singer-songwriter Elle King is the first female artist in history to have scored radio No. 1 singles on four different formats, including Adult Pop Songs, Adult Alternative Songs, Alternative Songs, and Country Airplay charts. Her debut, 4x platinum-certified single “Ex’s & Oh’s,” earned her two GRAMMY nominations, and her award-winning “Drunk (And I Don’t Want To GO Home)” with Miranda Lambert has nearly 300 million worldwide streams.
 
She recently released her new single, “Baby Daddy’s Weekend,” which brings all the swagger King is known for and sets the tone for a summer of fun.  The song is also the inspiration for her new headline tour, which kicks off Aug 30. Her unique blend of music has found her a diverse fanbase, and she tours with multi-genre artists like Jelly Roll, Tyler Childers, Dierks Bentley, Melissa Etheridge, and The Chicks.
 
About The Band Loula:
Hailing from Gainesville, GA, rising powerhouse vocal duo The Band Loula are set to bring their unique swampgrass sound to the masses with a modern blend of southern rock and bluegrass. Recently signed to Warner Music Nashville, longtime best friends Logan Simmons and Malachi Mills paint exquisitely visual stories sung in such tight harmony that lead listeners to believe they could be family.   Discover more at www.thebandloula.com

Fancy Hagood to Release Inspirational New Song "Through" on June 28

Acclaimed singer-songwriter Fancy Hagood will unveil his new song “Through,” a heartfelt anthem of healing and growth, on Friday, June 28. “Through” is the debut song from his forthcoming sophomore album due this fall and captures the emotional journey of overcoming heartbreak and finding gratitude. It is also the centerpiece for the enduring theme of resilience that marks Hagood’s journey. Produced by Jarrad K, pre-save/pre-add the song here.
 
Written by Hagood and Caitlyn Smith, "Through" is an anthem for anyone who has faced the pain of a broken heart and found their way to the other side. The song’s poignant lyrics and soulful melody encapsulate the essence of embracing emotions and finding strength in vulnerability. 
 
“The last two years I have been working on my sophomore album,” said Hagood. “It started out with a song that we never finished, about living in a small house with my partner. As life happened, I found myself in the midst of a crippling breakup. I had never experienced anxiety and stress the way I did in the aftermath."
 
But Hagood left himself open to all the emotions of a major life change and found the music took an unexpected turn. “Immediately, I thought I would start writing sad songs about the heartbreak I was experiencing. I found myself in writing rooms with close friends and artists that I love, like Caitlyn Smith. When talking about the pain, the sadness, the newness, the freedom……that’s when gratitude entered the chat! It was clear that the breakup anthem I thought I would be writing was actually a tale of thankfulness, growth, and resilience!”
 
The emotional freedom set the tone not only for the song but for the new album and the healing process. “We wrote ‘Through' in about an hour, and it was obvious to me that this song was not only important to my own personal journey, but also to the album I was creating. I felt so desperate in the darkest moments of that season of my life. I wanted to write a song to remind myself and others that there is no escaping our emotions. You have to feel them. You have to make room. There is no way out….the only way is through!”
 
Hagood has a summer slate full of touring with artists, including Maggie Rose, Joy Oladokun, Orville Peck, and others, and this fall will return to Europe for his first headlining tour, the Fly Away Tour.

ABOUT FANCY HAGOOD:
Fancy Hagood is a Queer country artist from Bentonville, AR who now lives and makes music out of Nashville, TN.  His recent EP, Smothered, Covered & Fried, is a five-track collection that features some of his favorite cover songs, four of which are collaborations with other queer country artists, including TJ Osborne, Brooke Eden, The Kentucky Gentleman, and She Returns From War and Jamie Wyatt. 
 
As part of CMT’s “Listen Up Class of 2024,” Fancy’s music has been streamed across multiple platforms over 35 million times. Earlier this year Fancy was nominated for a GLADD Award for Outstanding Breakthrough Music Artist. He has garnered the attention of generational artists like Brandi Carlile who called Fancy “an artist to watch,” and Sir Elton John, who asked Fancy to be a guest on his Rocket Hour Radio Show. Elton proclaimed, “We need more people like Fancy.”

Ireland's enigmatic PERRY BLAKE presents rapturous album 'Death of a Society Girl', marking robust 26-year career

"One of music's great untapped resources and still on top of his game" ~ Music OMH

"The Last of The Great Songwriters" ~ Radio Nova

”Blake sounds like a cross between Bowie and Michael Nyman – only better” ~ Uncut

"Blake's glimpses of people living a state of mind is one of those great escapes, it's very hard to get away from. His gift here is to take a subdued, grown-up collection of songs but make them sound like they deserve daytime radio" ~ RTE.ie
 
'"A resilient rebirth’’ ~ The Observer
 
"We can luxuriate in Perry Blake’s generous, comforting voice – spotting traces of Nick Drake, trip hop and Gary Numan” ~ Hot Press

"A rich evolving sound-scape that cocoons Blake's almost surrealist lyrics. The limits of the Downtempo rulebook are broadly stretched with a weaving instrumentation that dips and wanders" ~ The Goo Review


Irish singer-songwriter Perry Blake, who largely came to fame in France and flourished with a career that brought opportunity throughout Europe, presents his new album 'Death of a Society Girl', released via Moochin' About Records with nine compositions on offer, including the focus track 'Let's Fall In Love'.

A stunning body of work and his first music in five years, following the critically acclaimed ‘Songs of Praise’ (5 Stars MOJO), this album marks 26 years for Blake as a recording artist. Very much of the here and now, this album also offers traces of Perry’s previous heady work - not dissimilar to his French Top-40 eponymous debut album.

Known for his delicate, downtempo and beautifully melancholic output and uniquely soothing timbre, he is well known as a collaborator of Françoise Hardy, who sang on 'War in France' (from his album 'Still Life'). He also contributed lyrics for her platinum-selling album 'Tant de belles choses’, having co-written, mixed and produced two songs ('Moments' and 'So Many Things') on this record, together with Marco Sabiuhe. Blake would later release his own version of the latter track.

Earlier, Blake released the epic title track 'Death of a Society Girl' featuring British actor Paul McGann, known worldwide for his roles in BBC's 'Doctor Who', 'Withnail & I', 'Empire of the Sun', 'Alien 3' and 'Queen of the Damned'. He also teased the light-filled cinematic single  'Concertina' shortly before the album's release.

Co-written and co-produced with long-term collaborator Graham Murphy (Clannad, Sharon Shannon, Marie Brennan), this album features Blake's hallmark surrealist lyrics and original artwork by Syrian-born artist Helen Abbas.

Hailing from Sligo county, Perry Blake has been dubbed one of music’s great untapped resources. Polydor UK released his debut album ‘Perry Blake’ in 1998 (with three 'Singles of the Week' on Jo Wiley BBC Radio 1), after which he moved to France. He achieved cult status there and across Europe, releasing a string of critically-acclaimed studio albums, a live album recorded at Cirque Royal Brussels with a full orchestra, as well as the soundtracks for ‘Presque Rien’ and 'Trois Petites Filles'.

Over the years, his musical endeavours has led him to collaborate with numerous musical luminaries, including Toby Pitman (Paul McCartney, George Michael, David Arnold, Clint Mansell, Shirley Bassey), Steve Jansen (Japan, Rain Tree Crow), Glenn Garrett (Dead Can Dance, Brendan Perry), Neil Conti (David Bowie, Prefab Sprout), Rik Carter (The Mission, All About Eve), Marco Sabiu (Ennio Morricone, Tanita Tikaram, Luciano Pavarotti)Dickon Hinchliffe (Tindersticks), and world-renowned French electronic artist Émilie Simon.

Perry Blake’s melancholic, melodic soundscapes have featured in many European TV series and cinematic works. Between 2006 and 2011, these include 'Tiger Lily'and 'Clara Sheller' (France’s version of 'Sex in the City'), plus hit Italian movie 'L’uomo cheama'  starring Monica Belluci. He has also appeared regularly on French TV and toured Europe with Carla Bruni, as well as with the French National Jazz Orchestra.

Perry Blake has published the children's book 'Gatos em Lissadell', as part of a collection by 12 authors, including former U.S president Jimmy Carter, Will Smith and Julie Andrews. He also has a separate collaborative music project with Glenn Garrett and Graham Murphy, called Electro Sensitive Behaviour.

'Death of a Society Girl' is now available exclusively for download via Bandcamp - this edition includes three bonus remixes by UK electronic artists KosmetiQ and Inertia. On July 5, the album will be released on CD and digitally via other fine music platforms, including Apple Music and Spotify

ALBUM CREDITS
All songs written by Perry Blake & Graham Murphy
Recorded at Orchardleigh, North West Ireland & the Production Suite Dublin
Engineered and mixed by Perry Blake & Graham Murphy at the Production Suite Dublin
Mastered by Steve Hall at Future Disc America
Produced by Perry Blake & Graham Murphy
Perry Blake - Vocals, Backing Vocals, Keyboards
Graham Murphy - Bass, Acoustic & Electric Guitar, Additional Drum Programming, String Arrangements.
Artwork by Helen Abbas
Album cover design by Jason Lee Lazell
Released by Moochin’ About @2024
Distributed via PIAS @2024
Publicity by Shameless Promotion PR
Artist photos by Sid Rainey

DISCOGRAPHY
Perry Blake (Polydor 1998)
Still Life (Naive 1999)
Presque Rien Ep (Naive 2000)
Broken Statues - Live album (Naive 2001)
California (Naive 2002)
Songs for Someone (Naive 2004)
The Crying Room (Warners/Blu Orchard 2006)
Songs of Praise (Moochin’about/PIAS 2019)
Death of a Society Girl (Moochin’about/PIAS 2024)


Keep up with Perry Blake
Website | Bandcamp | Instagram | TwitterFacebook | YouTube | Apple Music | Spotify | Press contact

Keep up with Moochin' About Records
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Press contact

Keep up with Shameless Promotion PR
Website Facebook | Twitter |  Soundcloud | Instagram | Link edIn | Email

Wage War Announce Fall 2024 Headline Tour + New Album "STIGMA" Out Now

WAGE WAR — Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums] — just digitally dropped their fifth album STIGMA on June 21 via Fearless Records. The physical version will land in stores on September 6. Get it here.

The band has just announced its upcoming Fall 2024 headline tour, which kicks off September 29 and runs through November 3. ERRA, thrown, and Fame on Fire will also appear. The tour includes select radio show appearances, as well. The band will also enjoy a special hometown show at Addition Financial Arena with Pop Evil at WJRR Halloweenie Roast on November 1.

All dates for The STIGMA Tour are below. Artist pre-sale and VIP packages go on sale today at 12pm ET. Regular tickets go on sale on Friday, June 28, at 10am local time. Get tickets here.

"Our fifth album STIGMA is a collection of songs with their own identity," the band says. "Each song conveys a message and relatable emotion, without two being alike. We wrote the album over the course of the last couple years as a creative unified effort, which we hope is displayed by the continued sense of energy throughout the record. We aimed to refine our versatility and are excited to watch these songs come to life on the road."

WAGE WAR ON TOUR:
WITH ERRA, THROWN, + FAME ON FIRE:

9/26 — St. Paul, MN — XCEL Center — KXXR Radio Show* 
9/28 — Detroit, MI — Pine Knob Music Theatre — WRIF RIFF FEST* 
9/29 — Chicago, IL — Radius
10/1 — Nashville, TN — Marathon Music Works
10/2 — Cincinnati, OH — Andrew J Brady Music Center
10/4 — Wallingford, CT — The Dome at Oakdale
10/5 — Montclair, NJ — The Wellmont Theater
10/6 — Boston, MA — Roadrunner
10/8 — Philadelphia, PA — The Fillmore Philadelphia
10/9 — Silver Spring, MD — The Fillmore Silver Spring
10/11 — Sauget, IL — Pop's Nightclub
10/12 — Little Rock, AR — Little Rock Hall
10/13 — Mobile, AL — Soul Kitchen
10/15 — Dallas, TX — The Factory in Deep Ellum
10/17 — Denver, CO — Fillmore Auditorium
10/18 — Salt Lake City, UT — Rockwell at The Complex
10/19 — Boise, ID — Revolution Concert House
10/22 — Tacoma, WA — Temple Theatre
10/23 — Portland, OR — Roseland Theater
10/25 — Pomona, CA — Fox Theater
10/26 — San Diego, CA — The Sound
10/27 — Tempe, AZ — Marquee Theatre
10/29 — San Antonio, TX — Boeing Center at Tech Port 
10/30 — Houston, TX — White Oak Music Hall
11/1 — Orlando, FL — Addition Financial Arena — WJRR Halloweenie Roast**
11/2 — Myrtle Beach, SC — House of Blues
11/3 — Atlanta, GA — The Eastern
*Wage War Festival Appearance
**Featuring Pop Evil

ABOUT WAGE WAR:
Traveling a constant forward trajectory at lightspeed, Wage War not only push their own sound forward, but they also propel heavy music into new territory. The Florida quintet has always tempered a pummeling metallic onslaught with unshakable melodies. A near-decade grind naturally brought Wage War to this point. They have unleashed a string of fan favorite albums, including Blueprints [2015], Deadweight [2017], Pressure [2019], and Manic [2021]. Beyond looks from SPINModern DrummerAmerican SongwriterRevolverGuitar World, and more, KERRANG! hailed the latter as "their greatest album yet,and DORK raved, "It's an embracing of being metalheads, popheads and just fans of good songs. On more than one occasion, there's an earworm poking its head up through the dirt.They also put up numbers, tallying hundreds of millions of streams boosted by the likes of "Stitch," "Low," "Manic," and "Circle The Drain." On their fifth full-length offering STIGMA [Fearless Records], Wage War outfit their signature style with industrial grit and electronic sheen, leveling up into the future in the process with singles such as "MAGNETIC" and "NAIL5."

New England Metal and Hardcore Fest Adds Bleeding Through, END, Overcast, + Terror to Lineup!

New England Metal & Hardcore Fest launched back in 1999 and took place at the famed Palladium in Worcester through 2018. It was often held over two or three days, with multiple stages and top-tier acts like Megadeth, Manowar, DragonForce, Opeth, Between the Buried & Me, Meshuggah, Killswitch Engage, Suicidal Tendencies, Anthrax, and more appearing through the years. It was always a "who's who" of the metal and hardcore scene and was a "not to be missed" event each Spring.

It took a brief break after 2018 but returned to much fanfare in 2023 with Parkway Drive, Lamb of God, Hatebreed, and more. 

The 2024 edition has been announced and the lineup is stacked. It features literally every single band you'd want to see at a metal and hardcore festival.

The two-day extravaganza will take place on September 21 and 22 at the Palladium. NEM&HCF faves Killswitch Engage will be playing a special 25th anniversary show and will headline the first night. Slaughter to Prevail will headline the second night. 

Year Of the Knife announced their much-anticipated return to the stage after enduring a devastating van accident in 2023.

Today, the event added four more blockbuster bands to a lineup that is already pretty much "CANNOT MISS!"

Bleeding Through (9/21)
END (9/21)
Overcast (9/21)
Terror (9/22)

VIP tickets are available here.

LINEUP
HEADLINERS:
Killswitch Engage — 25th Anniversary Show (SATURDAY)
Slaughter to Prevail (SUNDAY)

IN ALPHABETICAL ORDER, WITH MORE TBA:
200 Stab Wounds
After The Burial
Alluvial
As I Lay Dying
Balmora
Bane
Better Lovers
Bleeding Through
Brand Of Sacrifice 
Brat
Converge
Corpse Pile
Death Before Dishonor
Disembodied Tyrant
Emmure
END
Ends of Sanity
Fleshgod Apocalypse
Full of Hell
Incendiary
Integrity
Jarhead Fertilizer
Life Cycles 
Machine Head
Mammoth Grinder
Missing Link
Mouth For War
Nails
No Cure
On Broken Wings
Overcast
Overkill
Pain of Truth
Peeling Flesh
Psycho Frame
Shadow of Intent
Simulakra
Snuffed On Sight
Since The Flood
Suicidal Tendencies
Suicide Silence
Terror
The Red Chord
The Zenith Passage
Throwdown
Trail Of Lies
Tribal Gaze
Two Piece
Upon Stone
With Honor
Xibalba

WORMED Traverse the Pleoverse on New Single

WORMED open portals into destructive new dimensions. The brutal Spaniards upcoming fourth album was charted at Thousand Cave Studios by Gorguts bassist Colin Marston, who's also worked on records by Origin and Pyrrhon. Omegon chases the timeline of Krighsu, a shadowy hacker who's in search of a cosmic substance that defies the grasp of mere mortals. On the album's third and final advanced single, "Pleoverse Omninertia", the tech-death space invaders condenses the raw essence of their cosmic dissonance into a quaking battlefield. 

Listen to "Pleoverse Ominertia"  Below


Omegon comes out July 5 on Season of Mist.

Pre-order & Pre-save: https://orcd.co/wormedomegon
 

"Pleoverse Omninertia" crashes through quantum entanglements at warped speed. Beneath the veneer of chaos lies an ordered dance of subatomic particles: syncopated pings, crushing distortion, grunts that dig deeper than a black hole. Mixing brutal elegance and technical precision, Wormed unravel a narrative steeped in the struggle for the fate of the universe.

Space – the final frontier. Yet, when WORMED reach out into the void, the results sound far more like a dark space opera inhabited by bizarre aliens, genetically and technically evolved meta-humans struggling for power and survival in galactic empires. Now, the nano-technological war has been unleashed in the void to defeat the last sower of human life, Krighsu!

Odd-time signatures, avalanches of breaks and complex rhythmical as well as melodic patterns will excite every aficionado of extreme technicality, while growls down-tuned strings and double-bass assaults will more than satisfy extreme metal connoisseurs. While being outstandingly skilled musicians WORMED are avoiding any self-indulgent show of prowess for its own sake. Instead, the five-piece from Madrid clearly lays its emphasis on creating atmospheric songs, which develop and grow along the underlying story.

Originating from Spain's capital Madrid in 1998, WORMED immediately made an impact in the death metal scene with the release of their 'Floating Cadaver in the Monochrome' MCD (1999). Following a promo CD under the title 'Voxel Mitosis' (2001), the first studio album 'Planisphaerium' received high acclaim by critics and fans alike in 2003. In the wake of their debut full-length, the Spanish received invitations to international festival shows and touring around the globe. WORMEDperformed in Japan alongside GORATORY and VOMIT REMNANTS and afterwards hit Europe with MALIGNANCY and DESPONDENCY.

A creative hiatus, partly due to line-up changes and filled with re-issues of their previous released as well as the single 'Quasineutrality' (2010) finally ended, when their sophomore album 'Exodromos' came out in 2013. On their third full-length 'Krighsu' (2016), the fast-rising Spanish Sci-Fi tech death prodigies are telling a dystopian cosmic story with lyrics and music joined into an overarching concept. Its intense brutality, dissonant dynamic riffing, and tremendous heaviness combined with an amazing futuristic concept, which introduced the character Krighsu – last human in the cosmos, harvested top reviews and saw WORMEDheadlining in the US and co-headlining in Europe.

In the summer of 2019, WORMED brought their ultra-technical cosmic sonic onslaught to new heights on their 4-track EP ‘Metaportal’, released through Season of Mist. Praised as a monstrously satisfying addition to their catalogue, the EP bridged the gap between their previously released 2016 ‘Krighsu’ and their newest project. Atmospheric yet faithful to the skull-crushing mindboggling textures they’ve given fans over the years, ‘Metaportal’ allowed WORMED to come to terms with the loss of Guillermo Calero in 2018 and move forward.

On ‘Omegon’, WORMED’s upcoming 2024 release, they continue the story of Krigshu, a timeline hacker entangled in manipulation by cosmic forces. As viciously as the aggression they bring on their technically impressive instruments, Krigshu battles his way to unlock the mysteries of Omegon, a mysterious cosmic substance holding ultimate power. With 9 tracks of ultimate interstellar chaos, a story unfolds and WORMED prove yet again that they reign supreme on the technical death metal genre.

Line-up
Phlegeton - Vocals
Migueloud - Guitars
D-Kazar - Guitars
Guillemoth - Bass
V-Kazar - Drums

Recording Studio
BlackStorm Studios (Karrantza, Basque Country)

Production Credits
Ekaitz Garmendia - Producer & Sound Engineer
Mixed & Mastered by Colin Marston at Menegroth, The Thousand Caves (Queens, NY, USA)
Editing by Simon Da Silva at The Empty Hall (Madrid, ES)

Cover Art
Phlegeton - "Phlegeton Art Studio"

Stream & Order: https://orcd.co/wormedomegon

Links/Follow Artist:
Official Website: http://www.wormed.net/
Bandcamp: https://wormed.bandcamp.com/
Deezer: https://www.deezer.com/en/artist/324196
Facebook: http://www.facebook.com/wormed
Instagram: https://www.instagram.com/wormedband/
Twitter: https://twitter.com/wormedband
Youtube: http://www.youtube.com/user/WormedTV
Apple Music: https://itunes.apple.com/artist/wormed/id341334269
Spotify: https://open.spotify.com/artist/1YXwL0RvyKn9swZ6CsVDwk
Amazon: https://www.amazon.com/music/player/artists/B002XOX5EY/wormed

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - White
12" Coloured Vinyl Gatefold - Transparent Blue
12" Coloured Vinyl Gatefold - Blue, Black & White Marbled

SPECTRAL WOUND Announces New Album, Unleashes Visceral New Single, "Aristocratic Suicidal Black Metal"

Québec black metal horde SPECTRAL WOUND is pleased to reveal that their fourth studio album, 'Songs Of Blood and Mire,' will be released on August 23, 2024 via Profound Lore Records. To celebrate this revelation, the band is now unleashing the visceral first single from the offering, "Aristocratic Suicidal Black Metal." The song can be heard below.

Spectral Wound play black metal. Furious and visceral, untrammelled by esoteric posture or grasping idealism. It is music for the poisoned, the futile, the debauched and profane. The blooming of a flower of corruption, torn by cold winds. 

Pre-orders are now live HERE.

Spectral Wound play black metal. Furious and visceral, untrammelled by esoteric posture or grasping idealism. It is music for the poisoned, the futile, the debauched and profane. The blooming of a flower of corruption, torn by cold winds. 

Following the raw early offering of Terra Nullius (Arcane Angels/Out of Season 2015) Spectral Wound continued their path of creeping, opulent decay and searing melody, weaving strands of Métal noir Québécois with the weft of the Scandinavian canon. Refining its sound over Infernal Decadence (Vendetta, 2018) and the towering, exultant melancholy of A Diabolic Thirst (Profound Lore, 2021), with Songs Of Blood and Mire (Profound Lore 2024) the band delivers an elegy of the void, seething with the venom and clamour of an ever-emptying world.

The album was recorded and mixed by Patrick McDowall (Guitarist in Spectral Wound) at his studio Black Gate and mastered by James Plotkin. 

Lineup:

Jonah - vocals

Illusory - drums

Patrick - guitars

Sam - bass

A.A. - guitars

Recorded and mixed by Patrick McDowall

Mastered by James Plotkin

Links:

Facebook

Instagram

Bandcamp

Pre-order // Stream

Photo by Ben Zodiazepin

DoctorVox Is The Singer's Secret Weapon — Just Ask I Prevail's Brian Burkheiser

DOCTORVOX — THE SINGER'S SECRET WEAPON — IS A "MUST HAVE" 

TOOL HELPS VOCALISTS MAINTAIN THEIR VOICE


Owned by Vocal Coach Jaime Vendera and I Prevail Singer Brian Burkheiser, both have used this device to keep their voices in top form.

The DoctorVox is the singer's and speaker's secret weapon to warming up in record time, reducing vocal inflammation, and building pure vocal strength. It's truly a vocalist's BFF.

Here's how and why!

By vocalizing into the device with varying water levels, you can massage your vocal cords from the inside, as well as work out your voice — just like lifting weights. Users will discover improvements in their voice within minutes of using it.

 Jaime Vendera is a vocal coach, singer, and author known for his ability to shatter glass by his voice alone as seen on television shows like MythBusters, Dr. Oz, and Superhuman Showdown. He is the author of multiple books, including Raise Your Voice, Mind Over Music, and Rebalance Your Voice. He is also the vocal coach for countless professional bands, including I Prevail, Dream Theater, Starset, and many more.

His unique approach to vocal strength training and vocal stress release has been used by thousands since 1996 to alleviate vocal fatigue and build a stronger voice to enhance and increase vocal range, power, stamina, and quality. Combining his isolation exercises with the DoctorVox has allowed countless singers to recover from vocal issues and improve their overall vocal health. 

 Brian Burkheiser, lead singer and founder of GRAMMY-nominated rock band I Prevail, knows the benefits of DoctorVox first hand.

Due to the rigors of touring, Burkheiser developed vocal polyps, which resulted in the singer going off the road for emergency vocal surgery. Crushed by the injury itself and concerned he might not be able to continue recording and touring, Burkheiser sought out several vocal coaches. It wasn't until he discovered Vendera and began training with the DoctorVox that he began to regain full vocal strength.

Within weeks, his voice and stamina had increased dramatically. In 2019, his band went on to release their album TRAUMA. The release was followed by 100+ successful shows through 2019 and 2020.

It was truly a voice-saver.

"It wasn't until I discovered Jaime Vendera and began training with the DoctorVox Vocal Strength Training Kit that I began to regain full vocal strength," Burkheiser enthuses. "While touring, I always use the DoctorVox consistently throughout the day to maintain my voice, as well as during my pre-show warmups. I couldn't do what I do without the DoctorVox!"

Vendera says, "I'm known for my ability to shatter glass with my voice, as seen on shows like MythBusters. Unfortunately, while performing in Tokyo, Japan, a small shard of glass became embedded in my throat, leading to vocal nerve damage and scar tissue. I don't use pain meds, but luckily my DoctorVox helps minimize my pain and inflammation. That's why I use my Vox daily; just like eating, drinking, and breathing."

The DoctorVox is an essential tool in the arsenal of singers to protect their biggest asset! Learn more here.

 Together with partners Brenden Burkheiser and Marc Mutnansky, DoctorVox enters a new era with many new products on the horizon to truly become the one-stop vocal shop.

OTHER TESTIMONIES:

"I've seen great results when my students use the DoctorVox bottles! And they really love them! I definitely give them two thumbs up!" — Eric Vetro (Vocal coach to Ariana Grande, Katy Perry, Shawn Mendes, + more)

"I made a conscious effort to start seriously working on my voice about a year ago and correct the bad habits. The DoctorVox came at just the right time. It's been a game changer for me. A few minutes of using it and I feel completely warmed up in the full power of my voice. I even keep it in the studio and use it between takes and it works like magic. It opens up my vocal cords and instantly gets me breathing correctly. Every singer should have one." — Kevin Rudolf

"I absolutely love the DoctorVox! It's a lifesaver!! I love that I can take it anywhere with me so that I can practice some great vocal warm ups with it at any time. I'm currently traveling in Mexico and the DoctorVox is the one thing I never leave behind. Truly recommend it!" — Willie Gomez

"Whenever you see me, you will constantly see the DoctorVox in hand! I've sang professionally for 15+ years and tried so many different instruments alongtheway, but this one has absolutely changed the game. Instant results, non-negotiable. So grateful we found each other!" — Trinity Anderson

ROTTING CHRIST Release New Single "Primal Resurrectoin"

Brothers and sisters of the sacred metal conclave, the time has come once more to unite under the blackened banner of ROTTING CHRIST. With hearts ablaze and spirits untamed, Sakis Tollis and his brother Themis proudly present the towering, gothic anthem "Primal Resurrection" off the newly released deluxe edition of Pro Xtristou.

Watch the official lyric video below.

Order the deluxe edition of Pro Xristou and get "Primal Resurrection" plus an additional bonus track!

https://redirect.season-of-mist.com/RottingChristProXristou

For over three decades, Rotting Christ have harnessed the whispers of ancient gods, crafting symphonies that resonate with the soul of the true metal spirit. Pro Xristou - which fittingly translates from Greek to "Before Christ" - is a blackened testament, a beacon in the dark that celebrates the enduring legacy of the pagan spirit. It ceremoniously weaves historic levels of atmosphere with the valiant roar and fist-pumping melodies that have made this band the defining pillar of Hellenic black metal. 

While Rotting Christ proudly hail from Greece, Pro Xtrisou has brought their iconic sound all over the world. The album has climbed all the way to #7 on Billboard's Hard Music Album chart.

In the dimly lit catacombs of extreme metal, one name stands as a monolith: ROTTING CHRIST. Sakis Tholis and his brother Themis started this band together back in 1987. In the three decades since, these Greek titans have left their blackened imprint all over the metal world. They’ve released 13 studio albums and played more than 1,300 concerts around the globe.  Underneath all this hard work, Rotting Christ have but one vision – an urge to not only push the boundaries of extreme metal, but to keep reinventing themselves along the way.

Rotting Christ’s evolution has unfolded across several distinct chapters. After starting out closer to the barely controlled chaos of grindcore, they went on to establish the iconic sound of Hellenic black metal. Their albums often embrace refined gothic soundscapes, only to plunge back into the depths of blasphemous fervour. Each chapter marked another, further exploration, and an unwavering commitment to push boundaries.

But the real turning point came in 2007, when Rotting Christ signed a pact with Season of Mist. They unleashed a series of albums for the French label that defied any and all expectations. From the piercing Theogonia and the symphonic grandeur of Aelo to the ritualistic intensity of Κατά Τον Δαίμονα Εαυτού, the cinematic experiences created by Rotting Christ became a spectacle of bombastic atmospheres, mesmerizing choirs, and neo-classical arrangements. The unexpected is their modus operandi, with the use of various languages (Latin, Arabic, Greek,  English) as well as the extensive use of famous poetry woven into their music, like Edgar Allan Poe’s ‘The Raven’ on The Heretics.

In 2019, Rotting Christ’s epic journey continued with The Apocryphal Spell compilation, which offers fans an intimate glimpse into unreleased and rare material. This allowed them to gather strength, preparing for the release of their next, highly anticipated, 14th full-length studio album: Pro Xristou.

Pro Xristou (‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.

Line-up
Sakis Tolis - Guitar, Vocals
Themis Tolis - Drums
Kostas "Spades" Heliotis - Bass
Kostis Fouk - Guitar

Guest Musicians
Amdroniki Skoula - Vocals (on 'La Letra Del Diavolo')
Nikos Kerkiras - Keyboard
Christina Alexiou - Choir
Maria Tsironi - Choir
Alexandros Loyziotis - Choir
Vasilis Karatzas - Choir

Andrew Liles - Narration (on 'The Apostate', 'Pretty World, Pretty Dies')
Kim Diaz Holm - Narration (on 'Ygdrassil')

Recording Studio
Deva Sounds Studios (Athens, Greece)

Producer
Sakis Tolis

Sound Engineer
Fotis Bernando
Aggelos Karatzas

Mixing
Jens Borgen at Fascination Street Studios (Örebro, Sweden)

Mastering
Tony Lidgren at Fascination Street Studios (Örebro, Sweden)

Artwork Artists
Thomas Cole - Artwork
Adrien Bousson - Digital Processing

Biography
Sébastien J. Gamez

Links:
Official Website: https://www.rotting-christ.com/en
Facebook: https://www.facebook.com/rottingchristofficial/
Instagram: http://www.instagram.com/rottingchristofficial/
Twitter (X): https://twitter.com/athanatoieste
YouTube: https://www.youtube.com/user/RottingChristOfficia
Bandcamp: https://rottingchristofficial.bandcamp.com/
Apple Music: http://itunes.apple.com/us/artist/rotting-christ/id28441629
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ

Available Formats:
Digital Download
CD Digipak
CD Clamshell Box - Deluxe Digipak w/ Gold Foil + 2 Bonus
Tracks & Extras
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Crystal Clear
12" Coloured Vinyl Gatefold - Crystal Clear, Red & Blue Mixed
12" Coloured Vinyl Gatefold - Green
12" Coloured Vinyl Gatefold - Turquoise
12" Coloured Vinyl Gatefold - Yellow
12" Coloured Vinyl Gatefold - Blue
12" Coloured Vinyl Gatefold - silver & Black Marbled
Limited Box Set Vinyl - 12" Gold & Black Marbled w/ Gold Foil + 2 Bonus Tracks & Extras
Cassette

SKELETAL REMAINS + BEWITCHER Announce Co-Headlining North American Tour

Los Angeles death metal dealers SKELETAL REMAINS and Portland speed demons BEWITCHERare teaming up to wreck North America together later this year! The tour will kick off on September 20in SKELETAL REMAINS' hometown of L.A. and will demolish the states through October 20, where BEWITCHER will see their own homecoming in Portland, OR.

Skeletal Remains comments, "We are exited to embark on our first co-headlining tour this September alongside Bewitcher. Joining us on the road we have Phobophillic, Witch Vomit, Torture Rack, and Morgul Blade on selected dates. See you soon!" Bewitcher bassist A. Magus adds, "Bullet-belt battalions of North America...dig up your favorite Morbid Angel tee and prepare for the sickest underground tour of the fall! We are beyond chuffed to be hitting the killing road with Skeletal Remains for a month of death-dealing, speed metal sorcery alongside Phobophilic, Torture Rack, Witch Vomit and Morgul Blade! We live for diverse lineups like this, and they just don't happen enough!"

The bands will see direct support by PHOBOPHILIC for the bulk of the tour (excluding October 06-10 + October 15-20) with additional support by TORTURE RACK (September 20 - October 6), WITCH VOMIT (October 6 - 20), and MORGUL BLADE (October 2-5). Tickets sales will start on Monday, June 24 @ 8:00 A.M. PDT // 11:00 A.M. CDT. The full itinerary can be found below!

SKELETAL REMAINS will be touring in support of their critically acclaimed fifth studio album, 'Fragments of the Ageless,' which was released on March 8, 2024 via Century Media Records! The album is available to stream, download, and pre-order HERE.

Meanwhile, BEWITCHER will be celebrating the release of their upcoming opus, 'Spell Shock,' due September 27 on on Century Media Records. The electrifying new single, "Starfire Maelstrom," can be found below.

SKELETAL REMAINS + BEWITCHER North American Tour Dates: w/ PHOBOPHILIC+ (excl. 10/06-10/10 & 10/15-10/20), TORTURE RACK* (09/20-10/06), WITCH VOMIT^ (10/06-10/20), MORGUL BLADE~ (10/02-10/05)

09/20: Los Angeles, CA @ Moroccan Lounge +*

09/21: San Diego, CA @ Brick By Brick +*

09/22: Mesa, AZ @ Nile Underground +*

9/24: San Antonio, TX @ The Rock Box +*

9/25: Dallas, TX @ RBC +*

9/26: Houston, TX @ Scout Bar +*

9/27: New Orleans, LA @ Southport Hall +*

9/28: Orlando, FL @ Conduit +*

9/29: Atlanta, GA @ Masquerade (Purgatory) +*

10/01: Raleigh, NC @ Chapel of Bones +*

10/02: Philadelphia, PA @ KFN +*~

10/03: Brooklyn, NY @ Market Hotel +*~

10/04: Worcester, MA @ Ralphs +*~

10/05: Pittsburgh, PA @ Preserving +*~

10/06: Chicago, IL @ Cobra Lounge *^

10/08: Detroit, MI @ Sanctuary *^

10/09: Ottawa, ON @ The Dom *^

10/10: Toronto, ON @ Rockpile *^

10/11: Albany, NY @ Empire Underground +*^

10/12: Baltimore, Md @ Metro Gallery +*^

10/13: Cincinnati, OH @ Madison Live +*^

10/15: Omaha, NE @ Reverb Lounge*^

10/16: Denver, CO @ HQ *^

10/17: Salt Lake City, UT @ Aces High Saloon *^

10/18: Boise, ID @ The Shredder *^

10/19: Seattle, WA @ El Corazon *^

10/20: Portland, OR @ Dante's *^

ABOUT SKELETAL REMAINS:

Skeletal Remains’s ultra-brutal new album, Fragments of the Ageless, is upon us! The Americans—featuring Mike De La O (guitars), Chris Monroy (guitars/vocals), Pierce Williams (drums), and newcomer Brian Rush (bass)—kept busy after their much-hailed The Entombment of Chaos landed into a chaotic world in 2020. Rather than sit idle, the re-energized quartet crafted their penultimate statement. Tracks like “Void of Despair,” which Monroy describes as “aggressive and spastic,” “To Conquer the Devout,” “Relentless Appetite,” and “Verminous Embodiment” are death metal manifested in sound fundamentals, killer musicianship, and the right attitude. While Skeletal Remains have had four full-lengths since forming in 2011, 'Fragments of the Ageless' is the band in their highest grotesque gear yet.

Line-up:

Chris Monroy - guitars/vocals

Mike De La O - guitars

Pierce Williams - drums

Brian Rush - bass

Follow:

OFFICIAL WEBSITE

INSTAGRAM

FACEBOOK

STREAM // DOWNLOAD

ABOUT BEWITCHER:

Since their formation in 2013, Bewitcher has seen their signature “Black Magick Metal” sound go from humble beginnings to new heights of creativity and wild anthemic fervor. A small collection of long out-of-print demo tapes kicked off what has proven to be an enduring line of ripping studio albums, singles and EPs. They have earned a reputation as one of the hardest working touring acts around, bringing their volcanic, high energy live shows to every corner of North America and parts abroad.

Line-Up:

Mateo von Bewitcher – vox + guitars

A. Hunter – drums + percussion

A. Magus – bass guitar + backing vox

Follow:

Official Website

Facebook

Instagram

Stream // Order // Download

THE OTHER LA Release New Single "Defiant"; Announce Tour Dates with Scotty Austin

The world may have broken, but it has always been that way for lead singer Aria and long time ally Mac Lee. After being held down and told to conform, they decided to hit back with their new release – "DEFIANT". It is time to rail against ideas, people, authority figures and declare – I will not go silent, I am Defiant.

"Defiant" is a fast-paced track that opens with heavy tribal drums, setting a powerful tone. The song features a guttural yet ethereal vocal performance, expressing the raw emotion of breaking free. "Defiant" transcends their typical break-out anthem, "I'm Not Broken", capturing the spirit of punk from the '70s, the disaffected Gen X of the '90s, and the resilient individuals of the 2020s. From the compelling hook "I won’t be silenced" to the liberating bridge "Set me free," this song is designed to ignite passion and inspire fans to raise their fists and chant the anthemic line, "I am Defiant."

The Other LA Tour Dates:

Friday, 7/5 in Franklin, OH @ JD Legends w/ Scotty Austin / Rehab

Saturday, 7/6 in Danville, KY @ The Nook w/ Scotty Austin / Rehab

Sunday, 7/7 in Park Hills, MO @ Park Hills Underground w/ Scotty Austin / Rehab

Thursday, 7/11 in Wheeling, WV @ Generations Pub w/ Scotty Austin / Rehab

Friday, 7/12 in Conneautville, PA @ Country Corner Inn w/ Scotty Austin / Rehab

Saturday, 7/13 in Virginia Beach, VA @ Scandals Live

Sunday, 7/14 in Raleigh, NC @ Bowstring Pizza & Brewyard w/ Scotty Austin / Rehab

Monday, 9/9 in Miami, FL Rockin The Magnifica Cruise

Tuesday, 9/10 in Miami, FL Rockin The Magnifica Cruise

Wednesday, 9/11 in Miami, FL Rockin The Magnifica Cruise

Thursday, 9/12 in Miami, FL Rockin The Magnifica Cruise

Friday, 9/13 in Miami, FL Rockin The Magnifica Cruise

Saturday, 9/14 in Satellite Beach, FL @ Wynfield's w/ Scotty Austin

Sunday, 9/15 in Pompano Beach, FL @ Piper's w/ Scotty Austin

The Other LA is a band on the verge of a metamorphosis. Their journey began in 1999, a time when the world was bracing for another collapse, and through the flow of time, a tiny hole into a converging universe opened. Originally from Louisiana, this four-piece band now calls Nashville home. They are evolving beyond the confines of rock and metal to forge a new sound that will draw in both fans and skeptics, leading them to a place of transcendence and ascendancy. Join the journey as Aria, with the support of fans, begins to fully understand the gift of Asperger's.

The band has packed venues in Nashville, supporting acts like Halestorm, Lacey Sturm, and Lacuna Coil. TOLA delivers a heavy-hitting, headline-worthy show, distinguished by their seemingly effortless ability to connect emotionally with any audience. Aria, the lead singer and songwriter, shares her journey of balancing Asperger's and overcoming adversity through intimate lyrics and raw vocal performances, making The Other LA stand out in the music scene.

The Other LA:
ARIA - Vocals
Mac Lee – Bass / Brutals and Backing Vocals
Zack Chapmen – Drums
Charlie Thompson - Guitar

For More Information Please Visit:

Official Website

Facebook

Instagram

Twitter

YouTube

Stripping the Pistol Unleashes New Single "Hope" via TLG|ZOID / Virgin Music Group

Following the success of their debut single "Black Reflections," which was featured in the movie "The Throwback," and is currently climbing the charts, Stripping the Pistol has released their new single, "Hope." The track is now available through TLG|ZOID / Virgin Music Group.

“'Hope' is about finding a sliver of light in depression and self-doubt.” says Kevin Cherello.

“While Kevin wrote the lyrics on a personal level, they can also apply to humanity: Hope for the future.” adds Kyriakos “Charlie” Tsiolis.

The band premiered the official lyric video for "Hope" on Bravewords. Watch the video below.

The single showcases the band's unique blend of powerful lyrics and captivating melodies, promising to resonate deeply with listeners and leave a lasting impact.

Stripping the Pistol continues to push the boundaries and "Hope" is a testament to their evolution and growth as artists.

This band is about straight-in-your-face rock n’ roll. Stripping the Pistol formed with the intention of breaking the rules. The Chicago band blends aggression with melody. The seamless interplay of the dueling vocalists is balanced by the precision, power, and energy of the music.

For More Information Please Visit:

Instagram

X

Facebook

YouTube

Brooklyn post-punk outfit CLONE bring the firepower on debut album 'CL. 1', released via Little Cloud Records

"Loud, aggressive disharmonies flow into a flood of raging and conflicting emotions where droning reverb-injected riffs, angsty and obsessive excruciatingly ringing John McGeoch-esque guitar strains" ~ White, Light White Heat

"Feeding what are now greedy expectations, fuelled by this smashing earworm, Clone ignites a firestorm of sonic pleasure - enthralled and fascinated with its sonic impression, emotional turbulence and convincing delivery" ~ The Spill Magazine

"Highly Urgent Political Rock" ~  Destroy // Exist

"A monument to what seems like a dying art form, Clone emerges from the streets of Brooklyn—streets that have been fertile ground for underground music for decades—to remind us of what a band can truly be in an age of digitization, pre-fabrication, and superficiality" ~ Idioteq


Brooklyn post-punk outfit Clone presents their debut 'CL. 1' album, just in time for the summer solstice. Released via Portland label Little Cloud Records and North Carolina's 5BC Records, this is an album born from a seemingly lost wellspring of shared imagination and a youthful transformative power.

Their sonic exploration, once a private refuge, now invites all. Earlier, the band shared caustic excellence in the iconoclastic singles 'Dividing Line', 'Immutable' and 'Redeemer', each igniting a fire for change.

'CL.1' is a phenomenal debut album – a truly impressive first outing. Recorded and mixed by NYC legendary producer Martin Bisi (Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Dresden Dolls) at his famed BC Studio, built by Brian Eno. Co-produced by Bisi and LG Galleon, this record was mastered by Fred Kevorkian (The White Stripes, Sonic Youth, Juliana Hatfield, Pharaoh Sanders, Regina Spektor, Cassandra Wilson, Lloyd Cole).

One of the most exciting new post-punk bands on the scene these days, each member of Clone is of strong musical lineage. Dead Leaf Echo frontman LG Galleon is joined by NYC musicians Gregg Giufree (Pilot to Gunner), Max Idas and Dominick Turi. Today, their live line-up includes Paul Liziragga (Namesake) and Alex Cox (The Veldt).

Clone's music is evocative, in ethos and ambition, of a time when music still could change lives. Their lyrics involve the struggles and critiques of the working person's daily life. The bands started playing shows in 2019, building their fanbase organically, brick by brick, word of their incendiary live shows spreading. Each time they play, more are won over.

"We had been rehearsing and writing the material all through the very end of Trump's first term, having started the band right before COVID hit.  Taking a leering look down on class systems via politicized punk rock always seems appropriate, but we had no idea that the first day of tracking at Martin Bisi's studio (BC Studios) would coincide with the results of the new election. We rehearsed the songs in Bushwick but the studio was in Gowanus (30 min away) so everyday I woke up and got on the bike to the studio for overdubs. But the first day was different - in the excitement of the election having gone deep into the night (after sleep had overtaken), we awoke to cheers of excitement," says LG Galleon.

"I went to my local barista and asked for my normal and was handed a bottle of tequila. No time for coffee, the celebrations had already started. Emotions were running high and optimistic and it carried over into the studio. We quickly delivered the material over to Martin during the next two days and overdubs followed shortly after. A feeling of writing the songs in desperation near the end of his term made for a feeling of release; albeit we knew it was a pyrrhic victory in the moment. COVID and life would mean we'd lose two of the original members when they left New York, but there will always be the feeling we had there in that moment on Election Day. It's interesting that now that this material is being released, Round 2 looms in the very near future, bringing back all those same fierce feelings of retribution once more."

Clone is a unit of its parts. Egalitarian in their writing process, songs are built upon inchoate sparks offered by any member, letting the jams run free in their rehearsal space until there’s a complete song, guided by the alchemy of intuition. There’s no rule book here, and no one defining member, but there is a palpable chemistry.

Rooted in belief in its galvanizing, redemptive power, the kind which used to be written for the lonely and the scarred and the diffident (before something truly was lost), something deeply enmeshed within the human psyche that could be shared. Clone are fitfully reclaiming this, which at its crux, is the imagination of youth. Captured vividly here, their private universe of sonic exploration is now open to all.

On June 21, the 'CL. 1' album was released as a 12" vinyl LP, featuring an impressive black and white mix, and as a digital download everywhere, including Apple MusicSpotify. and Bandcamp.

CREDITS
All tracks written by Clone
Lyrics by LG Galleon (onewithwave music ASCAP)
Performed by LG Galleon / Gregg Giufree / Max Idas / Dominick Turi
LG Galleon - guitar, vocals, keys
Gregg Giufree - drums
Max Idas - bass
Dominic Turi - guitar, keys
Recorded and mixed by Martin Bisi (Sonic Youth, Swans) at BC Studios
Co-produced by LG Galleon
Mastered by Fred Kevorkian at Kevorkian Mastering
Album cover art designed by Roy Burns iii
Single cover artwork by Jacques Urioste
Released by Little Cloud Records and 5BC Records
'Dividing Line' video by Preston Spurlock
BnW artist photography by Silvia Saponaro
Publicity by Shameless Promotion PR

LIVE SHOWS
July 21 ASHBURY PARK, NJ - Bond St
Aug. 8  BROOKLYN, NY - Our Wicked Lady
Aug. 24  HUDSON, NY - Porchfest
Aug. 25  BROOKLYN, NY - Mama Tried (with Live Skull)
Aug. 29  NEW YORK, NY - Baker Falls
Sept 13  BROOKLYN, NY - Our Wicked Lady
Oct. 13  PROVIDENCE, RI - Scurvy Dog


Keep up with CLONE
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp  | Twitter | Instagram | YouTub e

Keep up with Shameless Promotion PR
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