Australia's Void Of Vision Share Video for New Single "Empty"

Raw, ferocious and oozing with caustic dexterity, come and witness the high octane new single "Empty" from metalcore mavericks Void of Vision, officially out today via UNFD.

Watch the video below. 

Following the quartet's transmutation via the razor-sharp 2023 single "Angel Of Darkness," "Empty" is a sweltering blend of pummeling beats and oscillating melodics, complete with jagged riffs, voracious vocals and a fiery breakdown that all combine to unite the recent journey behind the scenes in particular for frontman Jack Bergin.

"'Empty' was written halfway through our Australian tour in October last year," shares Bergin. "We'd just completed our first run of shows back since I had surgery following a brain AVM rupture in April, which left me facing mixed emotions I didn't expect. On one hand, we were playing our largest ever headline shows to date and selling them all out, and on the other, I was facing the fear of getting up on stage every night risking another potential rupture every set I played."

Bergin continues, "Performing under the 'Angel Of Darkness' persona for the single campaign, I'd get up on stage and play it down from the usual high energy show we're known for, leaving every second of gratitude or appreciation to be communicated by a backing track in between songs to communicate with the audience. A protective measure sure, yet I felt vapid and far from the engaging stage persona that had led us to playing these bigger stages in the first place. We were at the peak of our career and I felt nothing but imposter syndrome up where I usually feel most at home."

He furthers, "Everything quickly snowballed into more bottled up emotions surfacing, all of a sudden finding myself coming to terms with unprecedented body dysmorphia after my hospital stay. I had never even processed losing all my hair from alopecia until I had to return to societal norms after hiding away for months straight off the back of touring. I'd just been diving into a world of fashion and makeup trying to cover everything up just to hide my face and body in a world where I couldn't avoid comments and remarks, no matter how I presented myself."

Bergin finishes, "Following the Sydney date of tour we found ourselves in the studio on an off day, laying down the foundations of what would by the end of the day, become 'Empty.' I took the first words off the top of my dome, and screamed that chorus at the top of my lungs, leaving the take from that very demo the exact same as the intro in the final track you hear today. It feels suiting to return now with a song all about perception, not only by the public but also one self.. and it feels like true growth now feeling entirely realized and ready for whatever is to come."

ABOUT VOID OF VISION:
Melbourne's Void Of Vision have solidified their standing as one of the most innovative and sonically explosive acts in the modern heavy scene for over a decade. Performing at Australia's first-ever Knotfest edition, alongside Slipknot, Parkway Drive, Megadeth and more, to collaborating with metal-meets-electronic DJ and producer PhaseOne, Void Of Vision also recently unveiled the amalgamated CHRONICLES series as a complete album, bringing together the previously standalone EPs LUST, HEAVEN, and UNDERWORLD into a gripping snapshot of Void Of Vision's relentlessly inventive past, present, and future.

From their debut EP, 2014's Broken // Bones through to 2016's Children of Chrome, 2017's Disturbia, 2019's Hyperdaze, and the release of CHRONICLES, a new future was heralded in 2023 by the standalone single "Angel Of Darkness": An alt metal rager weighted equally by searing heaviness and pulsing pop, helmed by the titular Angel Of Darkness as the band's representative during the single's campaign.

Supporting Invent Animate last year as well as touring the UK and Europe supporting Stray From The Path, Void Of Vision closed out 2023 with their biggest Australian headline shows to date. And kickstarting 2024 with an appearance at Homegrown Festival in Melbourne and with a special headline show in Narre Warren, Void Of Vision are firmly poised for an explosive year ahead, touring North America supporting ERRA as of next week, before joining Aussie juggernauts Parkway Drive on their gargantuan 20 Year Anniversary Tour in Australia this September along with I Prevail and The Ghost Inside

Crossfaith Announce "AЯK" + Share New Song "L.A.M.N" (Feat Bobby Wolfgang"

Japanese rockers Crossfaith have announced their new album AЯK. It arrives on June 26 via UNFD and Warner Music Japan, and marks the band's first album in six years.  Pre-order the record digitally here.

It is a welcome return for the band — after adjusting the global pandemic and a band hiatus, as well a membership change — and serves as quite a milestone.

The album's title AЯK is a message of saying goodbye to the past and hello to a new beginning, and their fresh sound and perspective is reflected in the new material.
 
Crossfaith have also shared the visualizer for the brand new single "L.A.M.N" (Feat. Bobby Wolfgang).

Watch and listen to this certified banger below.

It's a ferocious anthem, delivered in Crossfaith's signature metal x industrial hybrid style. It will incite mosh pits the world over, thanks to its vicious breakdowns and incendiary message. Punishing riffs and thunderous percussion will send the blood and adrenaline coursing through your veins.

The band comments, "This song is like an antithesis to phenomena like lookism and other political correctness going over the edge today. Through this song, the band conveys the message that it is alright to break down in this corrupted society. It is completely natural that everyone is different. It features Bobby Wolfgang, who is one of the artists we've always wanted to collaborate with, and he definitely brought that edge to this song"

This track follows the previously released single "ZERO." Watch the video here.

Additionally, the band recently announced Daiki Koide as its new guitarist.

The AЯK era kicks off now. Stay tuned for more.

ABOUT CROSSFAITH:
"Playing heavy music is how I feel alive," says singer Kenta Koie. "We want Crossfaith to be the band making music that no one has ever heard before. Crossfaith formed in 2006 and released their debut album The Artificial Theory for The Dramatic Beauty in 2009, followed by The Dream, The Space (2011), Apocalyze (2013), Xeno (2015), and Ex Machina (2018). Each one saw the band blend its love of punk rock, metal, and electronic music in daring new ways. "Good art is how I express myself to other people. It's hard to talk from the bottom of my heart, that's why I write these songs," Koie says. In keeping with their progressive musical journey, 2020's SPECIES EP saw the band continue to push their own sonic soundscape to new grounds.The band dropped the pandemic-penned single "Gimme Danger" in 2022.

Doomcrusher Share "Reflect" Video

Heavy act Doomcrusher have just released their sophomore single "Reflect," out now worldwide via Arising Empire!

Watch the video below. Stream the song here.

In the crucible of the apocalyptic atmosphere that envelopes our world, Doomcrusher were forged. Born out of the deepest desire to be the harbinger of change, the band emerged with a resolute mission: to defy the impending doom that looms on the horizon.

Founded by Andy Posdziech (Any Given Day), Jean Bormann (Rage), Marv Kinkel, and Rob Lee, Doomcrusher's sound is a powerful fusion of stomping and heavy mid-tempo industrial riffs, seamlessly intertwined with uncompromising gutturals that resolve into unfolding and uplifting hooks.

The band's sound is further enriched by sophisticated electronic elements, adding depth and complexity to their musical tapestry. The ambition is clear — to redefine modern core music while staying true to the roots of the metal genre. Their music is not merely an auditory experience; it's a journey through the realms of sound, a deliberate exploration of the boundaries of heavy music.

Doomcrusher stand as a defiant force against the inevitable, a rebellion that crushes the darkness of doom with an unwavering belief in the transformative power of music.

PHOTO: Moritz Hartmann

DOOMCRUSHER IS:
Marv Kinkel — Vocals
Andy Posdziech — Guitar
Jean Bormann — Guitar + Vocals
Rob Lee — Bass
Silas Fischer — Drums

Calva Louise Sign To Mascot Records + Share Video For "Under The Skin"

Calva Louise have revealed the extraordinary cinematic sci-fi video for their new song "Under the Skin," and the news they have also signed to Mascot Records — home to P.O.D., VOLA, Defects, Conquer Divide, Dragged Under, 10 Years, and Oxymorrons. 

Feast your eyes on the video for "Under the Skin" below.

Stream the song here.

Calva Louise are storming into 2024, playing Download Festival, 2000Trees, and Primordial General Mayhem. In May, they'll take on a 10-date co-headline tour of the U.S. with Vukovi and play So What!? Festival, Welcome to Rockville, and Sonic Temple. They'll also perform at Vainstream Rockfest (Germany) and Dynamo MetalFest (Netherlands). Calva Louise are gearing up for an explosive 2024, with even more shows on the horizon!

The British based band is truly international with its members hailing from across the globe and has been ripping through the U.K. underground for the past few years, driven by the creative vision of the Venezuelan songwriter Jess Allanic (Vocals/Guitar/Keyboard) along with French bassist Alizon Taho (Bass/Backing Vocals) and New Zealander Ben Parker (Drums/Backing Vocals).

BBC Radio 1's Alyx Holcombe declared them one of the "Artists You Need to Know in 2024." They've picked up airplay on BBC Radio 1, 6 Music, and Radio X. Metal Hammer highlighted them as a band proving that metalcore is back and more diverse and exciting than ever, hailing their "guitar licks with hellish screams."

"Under the Skin" was co-written by Jess Allanic and Pendulum's Gareth McGrillen and is a mesmerizing blend of raging metal riffs, swirling electronica, and Jess' extraordinary ability to flit between ethereal vocals and demonic howls. It swoons in and out of a stunning narrative, with melodic twists along the way that are punctured by an attack of hypnotic assertiveness. 

This first single release is accompanied by Calva Louise's most ambitious music video production, including a sci-fi movie-style short film, telling a story about intertwined dimensions where the characters are looking to perpetuate their consciousness beyond the real world.  

The lyrics of "Under the Skin" follow a complex sci-fi narrative and is the introduction of a conceptual storyline consisting of characters called "Travellers" and their counterparts called the "Doubles."

Allanic says, "The lyrics deal with the obstacles that arise in the human duality as one is looking for freedom and the other is looking to perpetuate their consciousness, but the expectations are not the same for both sides." 

The music video shows the Travellers and their Doubles transporting energy capsules which they recovered from the Hybrids-Scorpions (the story's villains) to the Main Hologram Generator, the maker of the "Realworld."

The story focuses on one of the Doubles Vic, that betrayed Commander Jonnie, also a Double, and his crew composed of both Travellers and Doubles, after being infected (and therefore under the control) of a Hybrid-scorpion that sneaked into Jonnie's Hedron-Ship. Jonnie's plans had been interrupted due to the anticipated invasion of the Hybrids that kidnapped multiple Hedron-Ships back in the Mother-Hedron-Ship, where their city was built. Meanwhile, the infected Doubles began to abandon their counterpart Travellers and started to usurp their lives in the holographic "Realworld." The Hybrids then got a free pass to continue sucking the energy of the countless Travellers who had been getting trapped in the "Dreamworld."

The video is a feast for the eye and was directed, edited and with VFX by Allanic. 

2023's mesmerising album Over The Threshold was a breakthrough moment for the band. They had built a formidable reputation on the live circuit, with sold-out shows across the U.K. It came off of the back of a headline performance on the BBC Introducing Stage at Reading and Leeds festival along with tours with the likes of Cassyette, Highly Suspect, Psychedelic Porn Crumpets, Death Valley Girls, and not to mention, electric performances at Riot Fest (U.S.) and SXSW (U.S.).

All their music videos form part of a larger science-fiction project that guides the Lore behind the songs, providing an immersive experience for the audience. The main concept of duality means the existence of two sides within the human experience: the avatars or "Travellers" fighting like THIRD CLASS CITIZENS to reach the energetic source of their willpower: the "Doubles." 

In this story, there are foreign entities, the "Hybrid-Scorpions" (half organic and half machines), who steal life energy from both Travellers and Doubles. Their FEAST IS OVER when the stolen energy is retrieved and attached to weapon-like tools that they use (the Hedron-Bazookas), while the Hybrids have corrupted some Doubles (OPORTUNISTA). The Travellers' aim is to reach their Doubles with the help of the Commanders (SQUARE ONE), since they have been working for decades to unify both sides OVER THE THRESHOLD of duality.

Rock Sound called Third Class Citizen "a masterstroke in atmospheric songwriting and more than enough reason for you to keep your eyes firmly on the band this year." 

Writing for Kerrang!, Boston's Manor's Henry Cox said, "I don't know how you'd even begin to describe them – they blend elements of punk and rock and electronica and indie and all sorts of stuff. It's a super-unique sound. Definitely give Calva Louise a go."

Talking about signing to Mascot Records, the band says, "We are honored to be part of the Mascot family, and with their help, we hope to keep developing a high level of immeasurable value for the distribution and promotion of our music around the world through a unique sound for our next album and for our live shows."

CALVA LOUISE ON TOUR:
5/8 — Carrboro, NC —Cat's Cradle Back Room*
5/9 — Atlanta, GA — The Masquerade Purgatory Stage*
5/11 — Daytona Beach, FL — Welcome To Rockville (FESTIVAL)
5/13 — Nashville, TN — The Basement*
5/14 —St. Louis, MO - Blueberry Hill — Duck Room*
5/16 —Ferndale, MI — The Loving Touch*
5/17 — Chicago, IL — Subterranean*
5/18 — Columbus, OH — Sonic Temple (FESTIVAL)
5/19 — Washington, DC — DC9*
5/21 — Philadelphia, PA — Kung Fu Necktie*
5/22 — Boston, MA — Brighton Music Hall*
5/23 — Brooklyn, NY — Baby’s All Right*
5/28 — L.A. CA — The Echo 
6/2 — Fort Worth, TX — So What!? (FESTIVAL)
* WITH VUKOVI

Vicious Rain Share "Like A Nightmare" Video

Swiss act Vicious Rain — vocalist David Häusermann, guitarist and vocalist Mauro Gugerli, guitarist Tristan Meier, bassist Loris De Notaristefano, and drummer Michael Teufelberger — have released their forth single "Like A Nightmare."

Watch the video below.

Stream the song here.

With "Like A Nightmare," Vicious Rain takes another step forward in their musical journey. This single is a compelling addition to their growing catalog, showcasing the band‘s emotional depth and raw power. Get ready for a sonic experience that challenges your perspective. This is Vicious Rain, and "Like A Nightmare" is their latest chapter. Following the path paved by their third single, "Crown Of Thorns," Vicious Rain showcase their unwavering commitment to expressing raw emotions, pouring their heart and soul into every note. The band's dedication to its craft and the sheer passion the members exude leaves no doubt that their future is bright.
 
"'Like A Nightmare' is all about the messy side of love. It's like being drawn to something you know will hurt you, but you cn'‘t help yourself. The song captures that feeling of being stuck in a cycle of desire and pain, leaving you feeling hopeless and trapped," says vocalist David Häusermann.

Formed in late 2022, Vicious Rain are an alternative metalcore band hailing from Baden, Switzerland. The members bring several years of professional recording and live show experience to the mix. Combining influences as intertwined singing/screaming vocals — with a pinch of hope-infused singalongs, screaming melodic leads topped with crushing breakdowns — embracing everything from the heavy side of the genre all the way to the more intimate and melodic side. The band's spirit is marked by their shared belief in the importance of solidarity and the role of the individual accomplishment of a common vision. Lyrically, the band expresses its stance on recent and recurring personal matters, without mincing their words while believing that self-reflection is the key to growth.
 

VICIOUS RAIN ARE:
David Häusermann — Vocals
Mauro Gugerli — Guitar + Vocals
Tristan Meier — Guitar
Loris De Notaristefano — Bass
Michael Teufelberger — Drums

Self Deception Share "Beautiful Disaster" Video

Self Deception are dropping their latest single "Beautiful Disaster." This captivating track captures the essence of our cosmic insignificance, drawing inspiration from Carl Sagan's profound "The Pale Blue Dot" speech.

Watch the video below.
 
As vocalist Andreas Clark reflects, "'Beautiful Disaster' is a homage to Sagan's timeless wisdom, reminding us of our place in the vast universe. It's a testament to the struggles we face as mere specks in the grand scheme of things, yet finding solace and beauty amidst the chaos."
 
The single marks a significant departure in Self Deception sound, as they delve into experimental territory with producer Nicklas Eklund. Exploring an arena approach, the track promises to deliver a powerful auditory experience that resonates with listeners on a cosmic level.
 
Accompanying the release is a visually stunning music video, conceptualized by Pavel Trebukhin to further immerse audiences in the cosmic journey depicted in "Beautiful Disaster."
 
This release sets the stage for Self Deception's forthcoming album Destroy the Art, slated for release on October 25. The album promises to be a culmination of the band's artistic evolution, featuring their distinctive fusion of introspective lyrics and mesmerizing melodies. With their broad musical palette, Self Deception never fail to surprise listeners with their innovative and genre-defying sound, ensuring an unforgettable musical experience for fans old and new.
 
The band has shared previously singles "Hysteria" and "Matthew McConaughey." 

Self Deception are also set to appear at Louder Than Life + Aftershock festivals later this year.
 
Stay tuned for more updates.
 
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NOBLE DEMON Releases Brand New Label Sampler; "Noble Demonic Metal - Chapter 4" Out Now!

In celebration of its fifth birthday, Noble Demon has released another installment of its "Noble Demonic Metal" sampler series. Noble Demonic Metal - Chapter 4features a hand-picked selection of the best songs from their talented roster of artists, showcasing the label's most successful singles as well as hidden gems from recent albums.

Despite facing challenges such as the global pandemic, economic crises, and production delays, Noble Demon has continued to grow and thrive over the past five years. With a solid roster of 30 bands, extensive worldwide distribution, digital marketing expertise, and a passion for promoting independent metal music, the label stands stronger than ever.

Listeners can now enjoy the full Noble Demonic Metal - Chapter 4 sampler on their favorite streaming service or by downloading it from THIS LOCATION

Furthermore, the steadily growing label is excited to announce yet another message:
"Since not all of the above mentioned 30 artists are officially part of the label roster yet, the Noble Demon will gladly announce a few more new killer signings very soon. So, watch out and follow our social media channels in order to not miss the best in independent metal! \m/"

So make sure to keep your eyes peeled for more news to come in the weeks ahead and make sure to follow the label online!

Find NOBLE DEMON online:

Official Website

SHOP Noble Demon

Facebook

Instagram

BandCamp

Twitter

YouTube

TikTok

Spotify

Legendary Rockers TESLA Release Double LP 'Real To Reel Vol I' for Record Store Day!

The legendary and iconic rock band TESLA proudly announces the release of a limited edition, double LP, Real to Reel Vol I, that is set to hit the shelves on Record Store Day, April 20, 2024.

Originally released on June 5, 2007, Real to Reel Vol I is a cover song studio album that pays homage to classic rock tunes from the late 1960s and early 1970s. TESLAbrings their unique touch to these iconic tracks, recorded using analog tape and vintage equipment, with a dedication to preserving the raw, authentic sound of the era. The album showcases the band's exceptional talent, captured in a live in studio setting, without the use of pro tools or an automated mixing console. The record was mixed by hand, sometimes with 6 hands on the mixing console at one time. Remarkably, TESLA accomplished the recording of 25 songs in just 30 days, working tirelessly from 10 am to midnight, pausing only for dinner.

Real to Reel Vol I was the first album released under the band's TESLA ELECTRIC COMPANY RECORDINGS. Limited to just 1500 copies, the double LP will be available in a striking clear red vinyl, adding a visually stunning element to the auditory experience.

TESLA's Real to Reel Vol I promises to be a collector's item, offering fans a rare opportunity to own a piece of the band's history in a format celebrated by music enthusiasts worldwide. Make sure to mark April 20, 2024, on your calendars and head to your nearest record store to secure your copy of this iconic release.

Tesla also announced their highly anticipated tour dates for 2024. Titled the "Keepin' It Real" Tour, this electrifying musical journey promises to captivate audiences with their signature sound and unparalleled stage presence.

Tickets for the "Keepin' It Real" Tour are available for purchase at

https://teslatheband.com/tour/

Tesla Tour Dates 2024

May 11 @ 4 Bears Casino in New Town , ND
May 29 @ Pikes Peak Center in Colorado Springs, CO
May 31 @ House of Blues in Dallas , TX
Jun 1 @ House of Blues in Dallas, TX
Jun 4 @ ACL Live at Moody Theater in Austin , TX
Jun 5 @ Aztec Theatre in San Antonio , TX
Jun 7 @ House of Blues in Houston, TX
Jun 8 @ The Fillmore in New Orleans , LA
Jun 11 @ Mission Ballroom in Denver, CO
Jun 13 @ Peppermill Concert Hall in Wendover , NV
Jun 14 @ Peppermill Concert Hall in Wendover , NV
Jun 16 @ Harrah’s Resort SoCal – The Events Center in Valley Center , CA
Jun 17 @ Mesa Arts Center in Mesa , AZ
Jul 19 @ The Mill in Terre Haute , IN
Jul 20 @ Beaver Dam Amphitheater in Beaver Dam , KY ROCK the DAM
Jul 22 @ The Truman in Kansas City , MO
Jul 25 @ Coeur d'Alene Casino Resort in Worley, ID
Jul 27 @ Canyon County Fair in Caldwell, ID
Aug 24 @ New Barn Theatre in Mt Vernon , KY
Aug 25 @ Mountain Music Festival in Gatlinburg, TN
Sep 20 @ Hard Rock Live in Gary , Indiana
Sep 24 @ GLC Live at 20 Monroe in Grand Rapids , MI
Sep 25 @ Foellinger Theatre in Fort Wayne , IN
Sep 27 @ Hollywood Casino at The Meadows in Washington , PA
Nov 9 @ Thunder Valley Casino Resort in Lincoln, CA

That they are still roaring and soaring should be no surprise. That’s just how they are built. TESLA may have been born in the mid-80s, but their bluesy, soulful sound is strongly embedded in the roots of organic, authentic, 1970s rock and roll. The same roots that produced bands like Bad Company, Grand Funk Railroad, AC/DC, Lynyrd Skynyrd, Led Zeppelin and Aerosmith.

The ground started shaking in Sacramento, CA, in 1984; gold country that would soon be producing some platinum. They started out as City Kidd, until a suggested name change to TESLA, honoring the eccentric inventor Nikola Tesla who pioneered all things electrical. Their 1986 platinum debut album, Mechanical Resonance, included Top 40 hits “Modern Day Cowboy” and “Little Suzi.” 1989’s double-platinum The Great Radio Controversy included hits “Heaven’s Trail (No Way Out)” and “Love Song”. Suddenly, TESLA, who had been touring with bands such as Def Leppard and David Lee Roth, earned headlining status. In 1990, TESLA helped reshape the face of modern rock music by stripping down to the Five Man Acoustical Jam, an informal collection of their biggest hits peppered with rock and roll classics by the Beatles, Stones, and others. This album produced their biggest hit single to date, a cover of Five Man Electrical Band’s “Signs.” Other 90s albums from TESLA include platinum selling Psychotic Supper and Bust a Nut. The band continues to record and release material including 9 new albums since 2000.

TESLA’s legacy is alive and well as they continue to record and sellout venues all over the world. As comfortable, rugged, and dependable as your favorite pair of boots, they endure. TESLA is a celebration of the greatest spirits of rock and roll.

TESLA:
Vocals: Jeff Keith
Guitar: Frank Hannon
Bass: Brian Wheat
Guitar: Dave Rude
Drums: Steve Brown

For More Information Please Visit:

Official Website

Spotify

Facebook

Twitter

Instagram

YouTube

BILLY MORRISON Solo Album ‘The Morrison Project’ Out Now Digitally via TLG/VIRGIN MUSIC GROUP

Billy Morrison's highly anticipated solo album, The Morrison Project released digitally today, April 19, 2024, through TLG/VIRGIN MUSIC GROUP.
The album is scheduled for release physically on CD and LP on May 24th. This collaboration marks the genesis of TLG | ZOID as the premier Rock arm within The Label Group's esteemed family of labels.

The current single off The Morrison Project "Crack Cocaine" with Ozzy Osbourne& Steve Stevens broke into the Billboard Top 20 Mainstream Rock Chart this week and currently lands at #16 with a bullet on the Mediabase rock chart. "Crack Cocaine" was #1 "most added" and #1 "greatest gainer" in last week's debut on the charts. The music video starring Paris Jackson already has 2 million plus views on Youtube in its first 2 weeks. Watch the video - below

The Morrison Project promises to be a standout in Morrison's illustrious career, showcasing his exceptional songwriting abilities and visionary creativity. With an eclectic lineup of guest artists, including icons such as Ozzy Osbourne, Billy Idol, Corey Taylor, DMC, Al Jourgensen, Steve Vai, Steve Stevens, Linda Perry, Tommy Clufetos, JOHN5, and more, the album offers a diverse and captivating musical journey.

THE MORRISON PROJECT was produced by Billy Morrison, mixed by Barry Pointer, and mastered by Dave Donnelly. The songs on the album were recorded in Los Angeles at various studios and were written by Billy Morrison in collaboration with his guests.

The British guitarist, singer, and songwriter is primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens, has expressed his enthusiasm for the partnership with TLG, highlighting the importance of a record deal that respects the artist's creative freedom and ensures widespread distribution across all platforms. This collaboration not only signifies a forward-thinking move in the music industry but also aligns with the evolving landscape of entertainment, where the integration of digital and virtual spaces is becoming increasingly prevalent.

PROFANATICA Announces May-June U.S. Headliner

USBM legends PROFANATICA will be scourging the states with blasphemy this spring with support from STORMRULER. The headlining trek will first lay waste to Youngstown, OH on May 14 and will conclude on June 8 in Raleigh, NC. Tickets are now on sale HERE.

The band just recently unleashed a gory new music video for the song "Take Up the Cross," which is taken from the band's latest offering, 'Crux Simplex.' The clip was created by garlix and can be found below.

The band will also be appearing on the 2024 edition of Milwaukee Metal Fest on Friday, May 17, in which the full lineup and tickets can be found HERE.

'Crux Simplex' was released on September 22, 2023 via Season of Mist. The record can be streamed, downloaded, and ordered HERE.

PROFANATICA U.S. TOUR 2024 (w/ STORMRULER):

05/14: Youngstown, OH @ Westside Bowl

05/15: Indianapolis, IN @ Black Circle

05/17: Milwaukee, WI @ Milwaukee Metal Fest*

05/19: Rapid City, SD @ Creative Arts Building

05/20: Denver, CO @ HQ

05/21: Cheyenna, WY @ Ernie November

05/22: Salt Lake City, UT @ Aces High

05/23: Boise, ID @ Shredder

05/24: Portland, OR @ Bossanova Ballroom

05/25: Seattle, WA @ El Corazon

05/27: Sacramento, CA @ Cafe Colonial

05/28: San Francisco, CA @ DNA Lounge

05/30: Palmdale, CA @ Transplants

05/31: Los Angeles, CA @ Echo

06/01: Scottsdale, AZ @ Pub Rock

06/02: Albuquerque, NM @ Launchpad

06/04: Austin, TX @ Come and Take It Live

06/05: Houston, TX @ White Oak Music Hall

06/06: New Orleans, LA @ Poor Boys

06/07: Augusta, GA @ Grantski Records

06/08: Raleigh, NC @ Chapel of Bones

*Profanatica only

PROFANATICA are at the vanguard of the first wave of American black metal. Founded and led by infamous master of black perversion Paul Ledney (drums/vocals), they have purveyed primeval blasphemy for nigh on thirty-three years.

Ledney formed the band from the ashes of the first INCANTATION lineup when he split and took with him all of the members sans John McEntee. That early trio of ex-INCANTATION members reeled off three ground-breaking demos of some of the most extreme and blasphemic metal of its time in rapid succession. The band flyers that permeated the tape-trading circuit were no less shocking and featured the trio bloody and naked and in the throes of what was most certainly a primeval summoning of some kind. In short order, they had inked a deal with the fledgling Osmose Productions for what became one of that labels first releases (Osmose release #5); a legendary split with Colombia's MASACRE.

Something so volatile could only last briefly, and after another brief recording session the band collapsed under the weight of its own extremity. but the recordings made in this two year window went on to see dozens of reissues in the coming decades, in a testament to how formidable and formative they are to the black metal scene worldwide.

After almost fifteen years spent with his equally polarizing solo project HAVOHEJ, Ledney reignited the flames of PROFANATICA in 2006. Reemerging with a new deal from Hells Headbangers, Ledney and his new band released 'The Enemy of Virtue', a collection of that vaunted early material, and a new fulllength, 'Profanatitas de Domonatia'. A triumphant return, 'Profanatitas de Domonatia' picked up right where these Kings of US Black Metal left off, delivering a savage stream of chainsaw guitars and relentless battery upon which they desecrated everything sacred.

This set-in motion another frenetic burst of work for PROFANATICA. The next decade saw them

unleash four new full-length albums of blasphemous perversions, sacrilegious incantations, and furious black metal. In addition, the band issued six mini-albums and EP's, a full DVD of early footage, and began touring internationally in Europe and in Central and South America. For the first time PROFANATICA were appearing near or at the top of the bill at festivals like Maryland Death Fest, Messe Des Mortes, Hells Headbash, Prague Death Mass (Czech Republic), Chaos Descends (Germany), Black Sun (Spain), Tyrant Fest (France), SWR Fest (Portugal) and many more.

In fall 2018, PROFANATICA joined forces with Season of Mist and undertook their biggest tour to date supporting WATAIN and ROTTING CHRIST across Europe. And a year later, the trio vomited forth a most vulgar strain of black metal ejaculate with their SoM debut album 'Rottng Incarnation of God.'

The band embarked on an extensive twelve-country European headline tour in the album's wake. Shortly after returning home that winter, the world ground to a halt in 2020. Save a live-streaming concert production for the legendary Rock al Parque in conjuncton with BATUSHKA, little was heard from PROFANATICA.

That is until spring 2023, when PROFANATICA emerged from their den of iniquity on a European headline tour to promote a new album. 'Crux Simplex' is a ten-track offensive of sin and sacrilege, a nasty affront that bastardizes the first 10 stations of the cross. As per their legacy, PROFANATICA deals in bestial, first-wave black metal barbarity, and their eighth album unveils ungodly levels of bile and blasphemy. 

Live Lineup:

Mayhemic Slaughter of the Heavens – Drums / Vocals

Destroyer of Holy Hymen – Guitar

The True Perversion of the Heavenly Father – Bass 

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High on Fire releases new LP 'Cometh the Storm'

Iconic U.S. rock band, High on Fire, released its new LP, 'Cometh the Storm', yesterday via MNRK Heavy. The GRAMMY Award-winning group, celebrating its 25th anniversary, recorded 'Cometh the Storm' at GodCity Studio in Salem, Massachusetts with producer Kurt Ballou. The 11-song effort -- the band's ninth studio album -- marks the release of the first new High on Fire music since 2018's 'Electric Messiah' and the first to feature drummer Coady Willis(Melvins, Big Business, Murder City Devils), alongside bassist Jeff Matz, and guitarist/vocalist Matt Pike.

'Cometh the Storm' boasts runic art and design by longtime High on Fire collaborator Arik Moonhawk Roper.

High on Fire will kick off U.S. headlining tour dates in support of 'Cometh the Storm on May 4 in Orlando, FL. The jaunt will feature support from Venezuelan post rock outfit, Zeta, and Massachusetts crossover crew High Command. 

High on Fire 'Cometh the Storm' spring U.S. tour
(w/ Zeta, High Command)

May 4 Orlando, FL Conduit
May 5 Columbia, SC The Senate
May 7 Greensboro, NC Hanger 1819
May 8 Richmond, VA The Broadberry
May 10 Baltimore, MD Baltimore Soundstage
May 11 New Haven, CT Toad's Place
May 12 Jersey City, NJ White Eagle Hall
May 13 Cambridge, MA The Middle East
May 15 Albany, NY Empire Live
May 16 Cleveland Heights, OH Grog Shop
May 17 Detroit, MI The Magic Stick
May 18 Chicago, IL 3 Floyd's Brewing (Dark Lord Day feat. High on Fire, Abbath, Fugitive, 1349, Spiritworld)

TOUR AND TICKET INFO HERE

Randy Houser Brings "Country Back" with New Single

Billboard-lauded “golden-voiced Mississippi native” Randy Houser releases his new single “Country Back,” a full throttle proclamation of all things country. Prior to the song’s release, it was picked up by over 60 reporting stations at Country radio. Listen to the single below.
 
Written by Houser and Matt Rogers and produced by Houser, “Country Back” opens with an electrifying roadhouse feel, peppered by piano as he launches into the chorus:
 
            We’re taking our country back
            Back to the hollers and hills
            Show your bright light towns how a night goes down
            Where dust on the bottle, boots on the throttle, horns on a Cadillac
            Yeah, we’re taking our country, our country back
 
Houser returns to the road next month for headlining and festival dates this summer before kicking off the Country Round Here Tonight Tour with Justin Moore on Sept. 5 in Charlotte, N.C. Moore and Houser gave fans a preview of what’s to come with a surprise performance of Toby Keith’s “Should’ve Been A Cowboy” at Tootsie’s Orchid Lounge in Nashville. Watch HERE.

For tour dates and more information, visit RandyHouser.com or follow along on Instagram @RandyHouser, Facebook.com/RandyHouser and Twitter/X @RandyHouser.
 
Randy Houser Tour Dates:
May 25 | Concert For A Cause at Tringali Barn | St. Augustine, FL
May 31 | Hollywood Casino Event Center | Charles Town, WV
June 1 | Veterans Band Aid Music Festival | Virginia Beach, VA
June 6 | Elizabeth Stampede | Elizabeth, CO
June 22 | Rock the Country | Mobile, AL
June 23 | Old Town Music Festival | Murrieta, CA
June 28 | Country Stampede | Bonner Springs, KS
July 6 | Rivers 'n' Roots Music Festival | Paris, ON, CA
July 13 | Sauk County Fair | Baraboo, WI
July 18 | Country Thunder Wisconsin | Twin Lakes, WI
July 25 | Night in the Country | Yerington, NV
July 26 | Britt Music & Arts Festival | Jacksonville, OR
Aug. 1 | Country Line Country Fest | Prairie du Chien, WI
Aug. 14 | Berrin County Youth Fair | Berrien Springs, MI
Aug. 17 | Chase County Fair & Expo | Imperial, NE
Aug. 23 | YQM Country Fest | Dieppe, NB
 
Country Round Here Tonight Tour Dates:
Sept. 5 | Skyla Credit Union Amp | Charlotte, NC
Sept. 6 | Red Hat Amphitheater | Raleigh, NC
Sept. 7 | Macon Centreplex Coliseum | Macon, GA
Sept. 26 | Toyota Oakdale Theatre | Wallingford, CT
Sept. 27 | The Stone Pony | Asbury Park, NJ
Sept. 28 | TD Pavilion | Philadelphia, PA
Oct. 3 | Walmart AMP | Rogers, AR
Oct. 5 | 713 Music Hall | Houston, TX
Oct. 6 | Toyota Music Factory | Irving, TX
Oct. 10 | Toledo Zoo Amphitheater | Toledo, OH
Oct. 11 | Everwise Amphitheater at White River State Park | Indianapolis

Photo Credit: Sean O’Halloran

About Randy Houser
With an inimitable voice The New York Times describes as “wholly different, thicker and more throbbing, a caldron bubbling over,” Randy Houser racked up three consecutive No. 1 hits and more than four million in singles sales to date with his Stoney Creek Records album How Country Feels. He topped the charts with the title track, “Runnin’ Outta Moonlight” and “Goodnight Kiss” (also his first No. 1 as a songwriter) and earned critical acclaim for his powerful delivery of the Top 5 smash and CMA Song of the Year-nominated “Like A Cowboy.” Houser added a fourth No. 1 to his catalogue with “We Went” from his 2016 album, Fired Up. Houser’s sixth studio album Note To Self is available now via Magnolia Music Group and features 10 tracks all co-written by the Mississippi native. Lead single and title track “Note To Self” marked his “powerful return” following 2019’s critically-acclaimed album Magnolia, with MusicRow boasting the Mississippi native “remains one of country music’s very finest vocalists.” His latest single “Country Back” is available now. For more information, visit RandyHouser.com.

FRANK RAY STAYS GROUNDED IN HIS COUNTRY ROOTS WHILE CRANKING UP THE LATIN HEAT IN HIS LATEST RELEASE “UH-HUH (AJÁ)”

One of country music's most promising emerging artists, BBR Music Group/BMG Nashville's Frank Ray is bringing some sizzling Latin heat to your summer by paying tribute to his Mexican roots with the release of his latest single, “Uh-huh (Ajá)” available on all digital platforms with a May 6th add date at country radio via Stoney Creek Records. Download “Uh-huh (Ajá)” HERE.

Recently named “One of the most influential Latinos'' by TIME Magazine, Frank Ray’s intoxicating “Uh-huh (Ajá)” will have you so infatuated with your partner that you’ll join as he dances between English & Spanish lyrics in this smash penned by Shay Mooney (Dan+Shay) & Pedro Capó (2 billion+ streaming artist) alongside Jesse Frasure and Vibarco. Produced by GRAMMY® nominated Dave Pittenger, Ray’s heritage shines reminding listeners why Good Morning America lauded him among “Latino country artists that are expanding the genre while honoring their roots.”

“Music is the best representation of who I am,” says Ray. “Shay and Pedro perfectly captured the essence of Latin music, with constant changes, vibrant horns and rhythmic percussive elements. The second I heard the demo I immediately knew I needed to put this song out as my next single because it encompasses everything I'm known for, whether it's traditional country music, family tunes, party anthems, R&B rhythms, pop, soul or Latin flavor - there's something in this song for everyone.”

 

Ray has been equally busy off the stage as on, continuing to work hard raising attention on the subject of mental health awareness for our first responders through his organization, FRAY.  Ray was recently named Chief Ambassador of the National Law Enforcement Memorial in Washington, D.C. and will have a major presence in this year’s Police Week which is expected to have over 50,000 police officers and their families in attendance. Additionally, in the last twelve months Ray has visited fifty-eight police and fire departments across the United States and Canada to speak to our heroes about the importance of speaking up when you are not feeling okay, and that it is okay to say “I am not okay.” 

  

"Sticking to my roots, who I am and how I was raised and releasing a Country Latin single is very noteworthy because the Latin culture can be represented in a way that has not been done in the mainstream music genre for decades. I have the opportunity to bring the Latin flavor to country music fans, but also to bring country music to a whole new audience," said Frank Ray about the significance of "Uh-huh (Ajá)."

About Frank Ray:

Texas chart-topper, bilingual recording artist and former police officer - Frank Ray is busting open doors in the country genre, adding his signature Latin flavor to the scene. Growing up just three miles from the border in New Mexico, Frank, born Francisco Gomez, was immersed in the best of both worlds - enriched by his Mexican culture and surrounded by Texas Country music. Praised as “easygoing contemporary Country with Pop-Soul hooks and a dash of Southwestern spice” (Rolling Stone), Frank’s “catalog is representative of his fun personality and flair” (Country Now), expertly blending ‘90s Texas Country, Latin, R&B and Pop. As an entertainer, Frank delivers electrifying, high-energy performances that have something for everyone. With immense cross-cultural appeal and a panorama of influences, “One of the most influential Latinos'' (Time Magazine), Ray “is looking to stretch Country music’s cultural boundaries” (Los Angeles Times).  

  

In the three short years since embarking on his musical journey full-time, he has racked up two No. 1 singles and three Top 10 singles on Texas Country Radio, become a staff songwriter, signed a record deal with BBR Music Group/BMG Nashville and much more. Along with being named an “Artist to Watch” by Rolling Stone and Amazon Music USA as well as a “Listen Up Artist” by CMT, Ray has appeared on USA Network’s Real Country, been profiled in the Los Angeles Times and on NBC's TODAY.  

  

Named to the Country Radio Seminar (CRS) New Faces Class of 2023, Ray has shared stages with Luke Combs, Kane Brown, Brett Eldredge, Luke Bryan, Kip Moore, LANCO, Hunter Hayes and more. Recently on tour with Old Dominion and performing at major music festivals across the U.S, Frank visits first responders through his mental-health initiative FRAY (First Responders Mental Clarity), at each tour stop providing first responders with the tools, resources and training to promote their mental wellbeing, as well as that of their families and communities. 


The latest from Frank Ray is the intoxicating "Uh-huh (Ajá)" that will have you so infatuated with your partner that you’ll join as he dances between English & Spanish lyrics in this smash penned by Shay Mooney (Dan+Shay) & Pedro Capó (2 billion+ streaming artist). Produced by GRAMMY® nominated Dave Pittenger, Ray’s heritage shines, reminding listeners why Good Morning America lauded him among “Latino country artists that are expanding the genre while honoring their roots.”

Photo Credit: Joseph Llanes

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COLIN STOUGH FIGHTS MIDNIGHT TEMPTATION IN “MAKES TWO OF US

19 Recordings/BMG Nashville artist Colin Stough battles the midnight temptation of an on-again-off-again romance in “Makes Two of Us.” Available across all streaming platforms and digital retailers, listen here.
 
“‘Makes Two of Us’ is about that after a breakup thing where you keep thinking about your ex. It’s those lonely moments when your brain kicks in and you start thinking about them, then you start debating on whether or not you should reach out just in case they’re thinking of you too,” shares Stough. “You find yourself wondering if they’re thinking of doing the same, even though you know that reaching out never gets you anywhere and is pretty much a horrible idea.”
 
Co-written by Stough with Alex Maxwell and Cole Taylor, the late-night breakup anthem of intrusive thoughts captures a conflicted heart caught in a feedback loop of heartbreak and loneliness, and about to give in just one more time. Showcasing a complex artist-writer who continues to hone his lyrical craftsmanship, its lyrics pass no judgment on who was right and who was wrong, instead zeroing in on the raw relatability of a wounded soul desperate for relief – consequences be damned.  
 
Feeling like a gathering storm, the pitch-black production from Alex Maxwell helps put the growing urge in sonic terms – while also eclipsing the power of Stough’s Promiseland EP debut. With a heavy-handed Rock foundation, distorted guitars thunder alongside pounding drums and streaks of steel guitar lightning, but Stough weaves in tender moments to explore the emotional conflict as well – all while his volcanic Southern vocal fights confusing signals. On the one hand, he should resist what’s surely the start of another toxic cycle. But on the other, the craving for connection is real, and, hopefully, coming from both sides.
 
With more new music promised soon, Stough’s stacking music festival appearances this summer after headlining the past year while also supporting artists like Chase Matthew, Kidd G, and Drake White. Find upcoming show dates here. 

PHOTO CREDIT: DAVID BRADLEY

ABOUT COLIN STOUGH:
While Country Rock phenom and Gattman, Mississippi, native Colin Stough is only knocking on the door to his twenties, he has traversed a long journey in a few short years – starting with his debut EP Promiseland, released in the fall of 2023. After learning to play guitar at 8 years old, Stough first pursued his artistic dreams at 10, boldly trading childhood possessions for his first guitar at a local pawn shop – an instrument he still plays to this day. After graduating high school, the naturally gifted singer and self-taught songwriter began working full-time as an HVAC technician, before his mother convinced him to audition for American Idol. Impressing judges Luke Bryan, Katy Perry, and Lionel Richie, Stough stunned viewers and soon built a thriving fan base, finishing third on Season 21 of the show in 2022. He spent the ensuing months writing and recording original music, while also touring nationwide to put his blowtorch vocal and guitar-slinging edge on full display. After signing with 19 Recordings/BMG Nashville, his distinctive mix of Southern Rock distortion and pure-Country style has helped Stough’s music rack up more than 19.8 MILLION global on-demand streams. Stough has headlined across the country and opened for established artists like Chase Matthew, Kidd G, and Drake White.

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ELVIE SHANE DELIVERS DYNAMIC STUDIO ALBUM DAMASCUS - OUT NOW

"Country music is increasingly starting to address difficult subject matter and Elvie Shane is at the forefront of that movement.” - Rolling Stone

“This album is a journey that I didn’t want to stop.” -  Storme Warren, The BIG 615

“With each and every release, singer-songwriter Elvie Shane cements his staying power in country music.” - Country Swag

“Elvie Shane originally from Caneyville, Kentucky has labored to make mainstream country that hits a little different….”- Saving Country Music

“The lovely, echoey production and Shane’s captivating voice draw you into a dark tale of a struggle with addiction. Essential listening.” - Music Row on “Pill”

“But when you listen to ‘Pill,’ for all the song's fear and sorrow, its dominant emotion is tender, unconditional love” - Taste Of Country on “Pill"

“Throughout the delivery, the Wheelhouse Records singer/songwriter puts his gritty vocals on display as he unleashes the incredibly raw narrative filled with personal experiences of his past and the lessons he’s taken away from being in those situations.” - Country Now on “Pill”

“relatable, heartfelt and a must-listen” - The Country Note on “Pill"

"His voice retains a world-weary edge, but it’s when the song draws to a close that he showcases the Southern rock rawness it possesses.” - Billboard on “What Do I Know"

“An ode to blue-collar workers that exposes the heart-aching realities of the working class… ‘Forgotten Man’ has more in common with songs such as Hank Williams Jr.’s ‘A Country Boy Can Survive’ than the plethora of poppy, nostalgic anthems out right now, while Shane’s backwoods growl and heartland rock sound sells it hard.”- Billboard on “Forgotten Man"

“The Kentucky singer-songwriter expertly sums up what it means to be blue-collar in the 21st century in this defiant, angry country single that would do Merle Haggard proud.” - Rolling Stone on “Forgotten Man"

"'Jonesin'' puts all of Shane’s talents to the forefront. The country-rock anthem feels honest, dark, and enticing.” - Country Swag on “Jonesin’"

BBR Music Group/BMG Nashville singer/songwriter Elvie Shane today releases his much anticipated sophomore album DAMASCUS, an ode to his artistic evolution and deep-feeling take on country music, available to listen HERE. Drawing inspiration from the Apostle Paul’s transformative biblical story and the hardened beauty of ancient steel, each of the 13 tracks find Shane stepping into the shoes of another, taking pieces of each character he’s met on his journey, and melding them into one beautifully woven work. Shane co-wrote all songs on the project produced by his frequent collaborator, Oscar Charles.

“There’s 13 songs on DAMASCUS, and a lot of piss and vinegar,” said Shane. “It’s the ‘Outside Dog’ in me that drives me to do this. Welcome to that autobiography, I’d like to formally introduce myself.”

The Kentucky native teamed up with Little Big Town for his track “First Place,” raising a glass to the everyday victory of just getting by. Shane’s gruff vocals couple with Little Big Town’s robust and iconic sound to deliver an irresistible, harmony-laden cocktail, with notes of “Boondocks” and Steve Earle. Watch the behind-the-scenes music video showcasing the making of “First Place” with Little Big Town and highlights from The Damascus Album Stories Tour HERE.

Ranging from Appalachian electro-punk to defiant heartland hip-hop, grungy gospel blues and neon ‘90s twang, Shane’s influences collide in DAMASCUS to tell his story – one that countless others have experienced in one way or another. The project kicks off with “Outside Dog,'' a me-against-the-world prideful anthem that sets the tone for his transformational turbulence and ultimately, self-discovery. The track is followed by the moody, gospel-rock “What Do I Know,” a scathing look into a world at odds with itself, while “Jonesin’” soulfully preaches about the weight of always needing more. 

The album pivots into a new stage of discovery, with the shadowy, electro-soul pulse of "Baptized" and bittersweet blue-collar anthem “Forgotten Man.” Shane tackles the opioid epidemic with the agonizing “Pill,” and the need for prison reform with high-strung, funky “Appalachian Alchemy” and the weary, identity-stripping “215634.” Hope begins to build thanks to the inspirational message of betting on oneself in “Winning Horse.” The tempo picks up with the keys-driven, honky-tonk fun of “Fan On High,” with a reminder to never take life too seriously and the wild-cat swagger of “Chicken Shit.” Shane’s DAMASCUS journey concludes with the heartland-hymn “Does Heaven Have A Creek,” a track that finally finds peace through reflection of what really matters and what comes next.

About Elvie Shane:
Acclaimed champion of the next blue-collar generation, BBR Music Group/BMG Nashville Records’ Elvie Shane has emerged as a country star with his heart on his sleeve, driven by his unwavering determination to aim for impact. A dynamic project of extremes and deep empathy with a sharp-edged fusion of country, rock, and hip-hop, Shane’s sophomore album DAMASCUS tells the deeply-layered tale of his journey through success, struggle and self-discovery – one that countless others battle with each day. The Kentucky native has won over critics, delivering “an ode to blue-collar workers that exposes the heart-aching realities of the working class,” (Billboard) as the project “further cements Shane as a new voice of the damaged, addicted, and lost in country music,” (Rolling Stone). It was another shared life experience that earned Shane his Platinum-certified Number One debut, “My Boy.” The tender tribute to the unconditional love of stepparents took Shane from a country road to the top of the charts, touring the country’s biggest stages as well as overseas and racked up over 400 million streams and counting. The track helped launch Shane’s debut album BACKSLIDER, which was hailed by critics from Billboard and Rolling Stone to the Nashville Scene and beyond, earning spots on many "Best Of” lists alongside new artist nominations from the ACM Awards, CMT Music Awards and iHeartRadio Music Awards. For more information, visit www.elvieshane.com. 

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WEEDEATER Add More US Dates

Earlier this week, Weedeater torched up a fresh blunt of U.S. tour dates. But the Cape Fear natives are riding so high off the syrupy vibes from their first two dates that they already need a re-roll. Today, the band are announcing another month's worth of shows, including an especially uproarious run with GWAR. 

Joining in May for the first toke through Mutants Fest in the American South are Huntsville metal-punk miscreants Cancerslug. Next, Weedeater will descend upon the West Coast and then the Midwest with NYC's notorious hardcore punk outfit Rebelmatic in tow. Then, as an added dab on the glowing cherry of this well-rolled tour, the band will return to the East Coast for 10 shows with the always iconic GWAR.  

Find your tickets right HERE before they are gone!: http://tonedeaftouring.com/weedeater

Weedeater 2024 US Tour dates
April 17 - Richmond, VA @ Cobra Cabana*
April 18 - York, PA @ Skid Row Garage*
April 19 - Youngstown, OH @ West Side Bowl
April 20 - Asheville, NC @ Eulogy
April 23 - New York, NY @ Rocks Off Concert Cruise
April 24 - Portland, ME @ Geno's Rock Club#
April 25 - Manchester, NH @ Jewel#
April 26 - Newark, NJ @ QXT's#
April 27 - Baltimore, MD @ Otto Bar - Grim Reefer Fest#
April 29 - Chesapeake, VA @ Riffhouse^
May 1 -   Panama City Beach, FL @ Mosey's^
May 2 -   Cape Coral, FL @ Nice Guys'^
May 3 -   Tampa, FL @ Crowbar^
May 4 -   Augusta, GA @ Grantski Records^
May 13 - Chapel Hill, NC @ Local 506%
May 14 - Savannah, GA @ El Rocko Lounge%
May 15 - Knoxville, TN @ Brickyard%
May 16 - Gainesville, GA @ Blackstrap Music Hall%
May 17 - Little Rock, AR @ Mutants%
May 19 - Vancouver, BC @ Modified Ghost Festival$
May 21 - Seattle, WA @ El Corazon$
May 22 - Portland, OR @ Bossanova Ballroom$
May 24 - Felton, CA @ Felton Music Hall$
May 25 - Sacramento, CA @ Cafe Colonial$
May 26 - Berkeley, CA @ Cornerstone$
May 28 - Palmdale, CA @ Transplants$
May 30 - Los Angeles, CA @ Regent Theater$
May 31 - Las Vegas, NV @ Swan Dive$
June 1 - Phoenix, AZ @ Pub Rock$
June 2 - Albuquerque, NM @ Insideout$
June 3 - Denver, CO @ HQ$
June 5 - Chicago, IL @ Livewire$
* Heavy Temple
# Left Lane Cruiser
^ Restless Spirit
% @cancerslug
$ Rebelmatic

Dates with GWAR
June 7 - Hartford, CT @ The Webster
June 8 - Reading, PA @ Reverb
June 9 - Washington, DC @ 9:30 Club
June 11 - Columbia, SC @ The Senate
June 12 - Lexington, KY @ Manchester Music Hall
June 13 - Boone, NC @ Lily's
June 14 - Birmingham, AL @ Iron City
June 15 - Memphis, TN @ Minglewood Hall
June 16 - Destin, FL @ Club LA
June 17 - Tampa, FL @ The Ritz

MY DYING BRIDE | release new single/lyric video 'Her Dominion' + new record 'A Mortal Binding' is out today

British death-doom legends My Dying Bride are proud to announce that their 15th studio album A Mortal Binding has been released today! The Yorkshire based sextet have also revealed their final album single titled 'Her Dominion', which is accompanied by an evocative lyric video created by Tommy Antonini.

My Dying Bride's Andrew Craighan commented,

"The video very closely represents the downward spiral the song itself is portraying. A twisted internal division masquerading as beauty. Enjoy the darkness."

You can now order A Mortal Binding here: https://mydyingbride.bfan.link/a-mortal-binding
Watch the lyric video for 'Her Dominion' below. 

A Mortal Binding, the much-anticipated follow-up to The Ghost of Orion (2020) finds the Yorkshire-based quintet delighting in anxiety, loss, and toil to resplendent effect. From the raw distress of 'Her Dominion' and twisted horror of 'Thornwyck Hymn' to the funerary violins of the 11-minute monolith 'The Apocalyptist' and the classic-feeling 'The 2nd of Three Bells', A Mortal Binding is pinnacle My Dying Bride. If Songs of Darkness, Words of Light (2004) elevated the band to new heights and A Map of All Our Failures(2012) expanded upon the group’s mid-tens grandeur, then A Mortal Binding stages My Dying Bride’s next exultant phase of elegiac misery.

My Dying Bride hired The Ghost of Orion studio wizard Mark Mynett to produce, mix, and master A Mortal Binding. The group holed up at Mynett’s Mynetaur Productions(Divine Chaos, Rotting Christ) in Manchester, UK, where they tracked the album consecutively from July to September 2023.

For over three decades, My Dying Bride from West Yorkshire have been the voice of the hopeless and broken, combining haunting sounds with crushing misery and melancholy. With their signature sound they've shaped the doom metal scene like barely any other act and integrated both soft violin melodies and violent death metal growls into their music, whilst always staying strictly loyal to themselves. And since the early Nineties, the band's masterminds and founding members Andrew Craighan and Aaron Stainthorpe forged beautiful grief into studio albums with songs of epic length. As My Dying Bride edge past their 33rd year, they’re aging gracefully, remaining as vital and heart-wrenching as ever. The flower withers once more on My Dying Bride’s new record A Mortal Binding, which is out today!

My Dying Bride are:
Aaron Stainthorpe | vocals
Andrew Craighan | guitars 
Lena Abé | bass
Shaun MacGowan | keyboards / violin
Neil Blanchett | guitars 
Dan Mullins | drums

FOLTERKAMMER Unveils New Song, "Die Unterwerfung," New Album Out TODAY

Operatic black metal rising stars FOLTERKAMMER are pleased to finally release their sophomore full-length, 'Weibermacht,' which is now available worldwide as of today via Century Media Records! In celebration, the band is sharing the final single from the offering, "Die Unterwerfung," which can be heard below.

Vocalist Andromeda Anarchia comments on the offering, "This song somehow combines everything that is Folterkammer: classical music elements, raw black metal aggression, historical themes, mythology and quotes from European folklore, portraits of cunning and strong women, strong contrasts, and provocation.

"Folterkammer makes classical music, played by a metal band. Not symphonic music with an orchestral sound, more like a chamber music ensemble playing black metal recitals. Or as we call it: torture chamber music.

"The music of 'Die Unterwerfung' is strongly inspired by the classical aesthetics of the Middle Ages. Thematically, this song is about the old and well-known spicy story of Aristotle and Phyllis, which has been told in the southern part of the German-speaking regions since the Middle Ages. Since musicians are also storytellers, we wanted to translate this story into modern times and create a black metal version of it - and thus keep this wonderful old tradition alive.

"What the story is about: The beautiful and charming Phyllis seduces, tricks and humiliates the intellectual, role model figure Aristotle out of revenge in front of an entire court. Aristotle is then exposed to ridicule and disgrace and flees. In a distant land, he meditates on the deceitfulness of female cunning.

"This tale was written by an unknown court poet. It depicts the motif of the wise and powerful man who is seduced, humiliated, and disgraced by a cunning woman. Two German versions are known, the so-called Strasbourg version and the older Benediktbeuren version. We quote small passages from both versions in the intro of this song, immediately after an altered sequence from a popular German nursery rhyme at the very beginning of the intro.

"There are various explanations for the popularity of this motif: one of them is that it is assumed that the depiction was intended to appeal to the public as a warning against the deceptions and temptations of women and was therefore particularly popular in the religious context of the time.

"The motif of the superior woman who seduces, incapacitates and humiliates the wise man has been known in world literature since the 5th century and was particularly popular in Europe from the 13th to the 16th century. It probably came to Europe from the Orient at the time of the Crusades. The term 'Weibermacht' is an official art and cultural-historical term for this motif. The d*minatr*x embodies this female figure to the fullest, which is why we have highlighted her in our 'Weibermacht' album.

"In addition to the textual evidence, this motif was also widespread in the pictorial representations of the late Middle Ages. Depictions have been found on everyday objects such as knife handles, combs, and stove tiles. Sculptures and façade reliefs in various churches and cathedrals have also been documented. In art, a variety of design techniques were used to depict the motif. In addition to sculptures, drawings, copperplate engravings, woodcuts, ivory carvings etc. are also documented. A concrete example is the woodcut 'Weibermacht' (from 1513, by Hans Baldung Grien). 

"It is obvious that we have also been influenced by this graphic aesthetics for our album cover, painted by the one and only Eliran Kantor."

'Weibermacht' serves as a counterpart to the band's 2020 debut, 'Die Lederpredigt.' The new record is another searing blend of modern black metal and classical music elements, lending to its Avant Garde sound. The music itself is elevated by frontwoman and vocalist Andromeda Anarchia's dynamic vocal work as she juxtaposes her classical training as an opera singer with her hellfire screams, summoning a maelstrom of ethereal chaos. Pre-orders are now live HERE.

The album artwork for 'Weibermacht' was created by Eliran Kantor

Founded in New York around 2018/2019, Folterkammer, or “Torture Chamber,” is the operatic black metal outfit that is redefining modern music. This ingenious band seamlessly fuses beauty with brutality. A combination of raw passion and technique contributes to the epic nature of Folterkammer’s dark art. Their work is both nostalgic and remarkably fresh. Yes, Folterkammer fuses various musical traditions and genres to craft an unparalleled experience.

Folterkammer is composed of Andromeda Anarchia on vocals, Zachary Ezrin on guitars, Darren Hanson on guitars, Laurent David on bass, and Brendan McGowan on drums. Both Anarchia, who hails from Switzerland, and David, who was born in Paris, divide their time between Europe and Brooklyn. Thus, even though the group can be described as international, Anarchia states: “It took New York to create Folterkammer.” Her project Andromeda Anarchia’s DARKMATTERS acted as the catalyst that brought her to the Big Apple, where she met Ezrin. Many metalheads already know that Anarchia has appeared as a guest on the three most recent albums by Ezrin’s brainchild Imperial Triumphant — a leading avant-garde band that marries extreme metal, jazz, classical components, etc. McGowan has also provided guest vocals for Imperial Triumphant, and Hanson lent his songwriting excellence to their 2012 instrumental track “Scaphism.”

Ezrin, McGowan, and Hanson have a wealth of shared history. These friends attended college together in California, where Hanson and Ezrin studied classical composition. Thus, much of Folterkammer’s orchestration is classically based. Hanson harbors a special love of Baroque music and knows precisely how to expertly wed it with his passion for black metal. Folterkammer was actually conceived when Ezrin proposed that Anarchia collaborate with him on some of Hanson’s material. Ezrin writes killer riffs and more for the band. McGowan was invited to join Folterkammer on Hanson’s wise suggestion. His drums are perhaps the heaviest element keeping one of Folterkammer’s limbs firmly anchored in traditional black metal. McGowan mines inspiration from different generations of acts: He names 1349 and old-school heroes like Blasphemy and Marduk. That said, black metal fans will also be pleased to hear the spirit of the second wave in the aggression of Folterkammer’s tremolo picking, for example.

The exceptionally skilled David, Folterkammer’s newest weapon, truly perfects the group with his golden touch on bass. Whereas the bass is not always as prominent as it could be in the content of many black metal groups, Folterkammer purposely allows David’s bass to shine through. Like his bandmates, David is an avid consumer of several forms of music, and thus creates delightfully eclectic art. He has received both classical and jazz training. This major talent has toured worldwide alongside musicians and bands such as Ibrahim Maalouf, Guillaume Perret & The Electric Epic, Yael Naim, and Shijin. David has done so both as a side man and as a band leader/producer. Anarchia and Ezrin already knew David before asking him to join Folterkammer. After all, David founded the “avant metal-jazz trio” Kilter of which Imperial Triumphant’s Kenny Grohowski is an essential part. 

Lineup:

Andromeda Anarchia - Vocals

Zachary Ezrin - Guitars

Brendan McGowan - Drums

Darren Hanson - Guitars

Laurent David - Bass

 

Guest Harpsichord: Steve Blanco on "Anno Domina"

 

Album Credits:

Producer: Zachary Ezrin

Recording: Kevin Antreassian at Backroom Studios in NJ

Additional Recording: Laurent David and Antoine Delecroix

Mixing: Colin Marston at Menegroth, The Thousand Caves, in NY

Mastering: Fred Kevorkian

 

Cover Art: Eliran Kantor

Album Layout: Brendan McGowan

Photography: Alex Krauss

Logo Design: Mister Kams

Bio: Jillian Drachman

Photos: Alex Krauss

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