Caninus Collars Launching Cannibal Corpse, Descendents + More Leashes + Collars🐾

JUST IN TIME FOR THE HOLIDAYS — LICENSED BAND COLLARS FOR YOUR PETS FROM CANINUS COLLARS

PERFECT GIFTING FOR THE ALTERNATIVE PET-OWNER

For anybody who is currently curating a holiday gifting list, these accessories are not only badass, but some of the most thoughtful pieces of merchandise music fans may ever purchase. Perfect for pet-owners, pet Aunts or Uncles, and music lovers everywhere, it is time to fully welcome our four-legged friends to show off their impeccable music tastes. CANINUS is fun, it's easy, and is a fresh way for your pet friends to enter 2024.

Fans can finally find, own, or gift out some of the most precious-yet-rebellious pet accessories, licensed by NEW bands including, but not limited to:
Descendents, Dropkick Murphys, Cannibal Corpse, Bad Religion and even The Misfits!

Check out the full list of artists who are ready to dress the animals in your life HERE.

From musician and business owner Rachel Rosen, enter CANINUS COLLARS, which was named in honor of Rosen's 2003 NYC grindcore band, Caninus, which featured two female vocalists, Basil and Budgie, a pair of beloved pitbull terriers. Caninus had three successful albums, including a split 7" with Cattle Decapitation in 2005. Upon the passing of Basil in 2011 and Budgie in 2016, the band was put on hold, but the ethos remains; our dogs (and cats) make for some of our very best friends, hence Rachel's dive into CANINUS COLLARS.

Having also performed in bands including Indecision, Most Precious Blood, and more, as well as volunteering at an animal shelter in Jersey City, N.J. for 12 years doing training/fostering/dog photos, simply put, Rachel Rosen is the best candidate to be tasked with the opportunity to create these hard-hitting collars, leashes, lanyards and more. All items are also made in-house, lending an even-more personal touch to the pieces. 

While we bipedal headbangers have all of the merch options in the world, it is not often that we’re able to help our dogs and cats express their love for the heavier genres; a problem that has been eradicated thanks to CANINUS, the California small business that is wholeheartedly badass.

Here to unite pet and human companion, Rachel Rosen is ready to discuss how she came up with CANINUS, why they make the perfect present, and her favorite pieces to recommend for the animal-lover in your life. Interviews, CANINUS merch giveaways, the best dog-walking playlists, and more from Rachel are a request away!

Support small businesses today — let's start with your pet!

THE ABBEY Release New Visualizer

Earlier this year, THE ABBEY marked their presence in the musical realm with the release of their debut album 'Word of Sin' on Season of Mist.

Today, the progressive doom metal band are unveiling a visually enthralling and intricately bound video from the album's climactic closing track, "Old Ones". This 12-minute atmospheric epic takes the listener on a mesmerizing journey through a sonic landscape filled with unexpected twists and turns, reflecting on the band's penchant for crafting immersive musical narratives.

Directed by the creative prowess of Jesse Heikkinen and brought to life through the innovative use of kaiber.ai, the visualizer for "Old Ones" serves as a compelling visual companion to the band's musical odyssey. It adds a layer of depth and complexity, further enchanting the experience of this expansive album closer.

You can watch it now below.

Order 'Word of Sin':
https://redirect.season-of-mist.com/TheAbbeyWOS
Stream:
https://linktr.ee/abbeyceremonial

The Abbey are joining SĂłlstafir on their ongoing tour across the European hinterlands. The label mates will play 12 shows together starting this Sunday.

Don't miss this chance to witness the majesty of 'Word of Sin' brought to life on stage.

Photo Credits: Sami Mustonen

Aleister Crowley’s Abbey of Thelema was located in Sicily, Italy, and functioned as ground zero for many of the occultist’s most complex and groundbreaking hedonistic pursuits. Here, Crowley codified his ritual practices and took his concept of “Magick” to new, unforeseen levels. He rebranded the temple as “Collegium ad Spiritum Sanctum,” translating to “A college towards the Holy Spirit.” But the Abbey of Thelema was not without its controversy: A young disciple died in 1922 after contracting typhoid fever from the drinking water. And a year later, Crowley was evicted by Italian dictator Benito Mussolini’s regime, yet the mystery and intrigue behind the Abbey of Thelema remain.
 
It was only appropriate, then, that Jesse Heikkinen, a veteran of the Finnish music scene and a solo artist under the Iterum Nata banner, branded his newest musical pursuit as The Abbey. Drawing lyrical inspiration from esoteric organizations, their beliefs and his own practices, Heikkinen and co-lead vocalist Natalie Koskinen (Shape of Despair) weaved ritualistic tales from the darkest corners of themselves to pair with music that is a provocative, alluring kaleidoscope of dark, heavy rock. The result is the mystical Word of Sin, The Abbey’s nine-song debut long-player.

The Abbey tale began when Heikkinen generated the sudden urge to try his hand at singing in a doom metal band after laying down guest vocals for fellow countrymen Fuzzifer. His idea was to form a doom metal band with “big vocals” — a project for fun’s sake that would thrive off writing from the heart and improvisation. Those plans involved former Sentenced and The Man-Eating Tree drummer Vesa Ranta — the first name that came to Heikkinen’s mind for the project.

Ranta, now a professional photographer and filmmaker, provided the steady backbone behind Sentenced’s groundbreaking career that was brought to its conclusion in 2005. According to Heikkinen, Ranta plays “like a battalion of marching giants,” a not-so-subtle nod to the drummer’s mastery of the quarter-note. Ranta quickly took to Heikkinen’s early demos and suggested they add a female singer. Enter Koskinen. Koskinen knew Ranta from a video shoot where she was serving as a makeup artist. Reluctant to try a new band considering her Shape of Despair and career obligations, Koskinen listened to Heikkinen’s first demo and decided to give the project a go. Janne Markus (guitar, also of The Man-Eating Tree) and Henri Arvola (bass) were soon tapped to complete the band’s lineup.

Word of Sin was recorded between April and November 2021 in several locations across Finland. Drums, bass and Markus’s guitars were tracked at Kratio Studio in Oulu by Kyösti Rautio. Rautio also served as co-producer and mixed the album, becoming the unofficial sixth member of The Abbey. Heikkinen, who recorded most of his vocals and guitars in his stepdaughter’s room, surrounded by My Little Ponies, Disney figurines and a pile of esoteric literature, is careful to point out that The Abbey fails to drop into any neat, little subgenre.
 
“The album was made purely for self-expressive reasons,” he says. “My music is the channel where I can be as true and authentic as possible. It is also a somewhat safe way to explore and express the dark side of myself and the collective consciousness. Word of Sin may seem like a tremendously dark piece as a rock album, but it’s pretty lightweight for a doom metal album! The material proved so strong that it was obvious that it wasn’t going to be another side project. I think using the means of improvisation made the music sound more like its creator instead of it being forced to be this or that — and that seemed to work really well for us!”

Regardless of where Word of Sin falls between the vast channels of doom and heavy rock, the vocal interplay between Heikkinen and Koskinen is undeniable. Each has songs where they take the lead, but their harmonies and trade-offs carry songs like “Rat King” and “Desert Temple” to the fore, creating a restless, captivating atmosphere resembling vintage rock from the 1970s. And, for his first go at singing lead in a band, Heikkinen proves to be quite the capable vocalist, carrying a smooth, almost airy delivery on “Crystallion” and “Widow’s Will.”

“I didn’t think of it that much — my vocals all came naturally,” he says. “I still think I’m more of a guitarist than a vocalist, really. During the writing and recording, I listened to King Crimson’s Red quite a lot, so I’m sure I got some influences from John Wetton’s singing on that album. The vocal harmonies were heavily inspired by bands like E.L.O, Queen and Yes.”

Heikkinen and Koskinen didn’t know each other before the formation of The Abbey. Heikkinen met Koskinen for the first time when she tracked vocals at his home studio, but their partnership generated immediate results. “Nowadays, I usually record my vocals at home, but in this case, as I had yet to meet Jesse in person, I wanted to record my parts at his place,” says Koskinen. “It’s very important to see what kind of energy is between the musicians I’m going to work with in the long run. It turns out that we are a perfect match musically. Later on, I traveled to Oulu to meet the rest of the guys [Janne and Henri] and I must say that we had a very strong bond from the beginning. Sometimes things just happen even when you don’t plan them.”

“The right lines for each were found really easily,” adds Heikkinen. “There already were dozens of vocal tracks in some of my demos, but every time Natalie found her place in the song, she added something new into it.”

The creative process behind Word of Sin proved so fruitful that the members of The Abbey are already thinking about a follow-up. It’s a testament to the material’s inherent strength and the immediate bond between all five musicians.

“The Abbey will most definitely be an active and serious project for me - I do hope it will turn out fun as well,” wraps Heikkinen. And closes Koskinen: “I do have a feeling this band will make a long trip together.”

Lineup
Henri Arvola – Bass
Jesse Heikkinen – Guitar, keyboard, percussions, vocals
Natalie Koskinen – Vocals
Janne Markus – Guitar
Vesa Ranta – Drums

Guest Musicians
Jarmo Heikkinen – Lute (track 8)
Joonas Karjalainen – Additional keys (tracks 1, 4, 5, 7, 9)
Mikko Kiiveri – Additional percussions (track 4)
Ossi Oikari – SFX (track 9)
Kyösti Rautio – Additional guitars (tracks 1, 3, 9) and additional keys (tracks 1, 4, 6, 9)

Recording Studio
Kratio Studios / Studio Beyond North Star

Producer / Sound Engineer
Produced by The Abbey & KyĂśsti Rautio. Recorded by Jesse Heikkinen & KyĂśsti Rautio

Mixing Studio & Engineer
Mixed in Kratio Studios by KyĂśsti Rautio except track 8 mixed by Jesse Heikkinen

Mastering Studio & Engineer
Mastered in Orgone Studios by Jaime Gomez Arellano

Cover Artwork Artist
Alexander Reisfar

Shop
https://redirect.season-of-mist.com/TheAbbeyWOS

Links
Facebook:
https://www.facebook.com/abbeyceremonial/
Instagram:
https://www.instagram.com/theabbeyceremonial/
Spotify:
https://open.spotify.com/artist/26x372PAVYvx68XalCRPp4
YouTube:
https://www.youtube.com/channel/UCPevbPFLgsO6Dvk4Pz0BFFA
Amazon Music:
https://www.amazon.com/music/player/artists/B00P1C54C6/the-abbey
Apple Music:
https://music.apple.com/us/artist/the-abbey/938182846
Bandcamp:
https://theabbey.bandcamp.com/album/word-of-sin

NIGHT CROWNED - Release New Album "Tales" and Share Video for "She Comes At Night"!

Following the success of their debut studio album Impius Viam, released in February 2020, and their highly acclaimed follow-up record Hädanfärd, released in July 2021, Night Crowned has solidified their place as one of Sweden's best-kept blackened death metal secrets. Comprised of former and current members of renowned acts such as Dark Funeral, Nightrage, and Cipher System, Night Crowned possesses a musical vision that is haunting yet clear and with Tales the band has released their third full-length album via Noble Demon today!

This release marks a new chapter for the band as they push the boundaries of blackened death metal to unprecedented levels. With Tales, Night Crowned embarks on an auditory assault that defies conventions and redefines the limits of the genre. The album features lyrics in both English and Swedish, allowing listeners to fully immerse themselves in the band's haunting storytelling. Jonathan Thorpenberg's mixing skills put the band's sound on full display, while Jani Stefanovic's mastering ensures that every note is hit with precision.

To celebrate the day in a fitting manner, the Swedish metallers have unleashed a new video with Live Impressions from their recent show in Gothenburg with an excerpt of the new album track "She Comes At Night". Watch it below.

"We had our friend Marcus from Marcus Wesslen Media over to make a documentary of our gig in Gothenburg. For this video we went with the song ”She comes at Night”. And in this song we really went full on with the folk influences, but it was really important for us to do so without losing our own identity. To have Therése‘s magical voice in the break just makes the song larger than life,"says the band.

Stream the single HERE

Vocalist Ken Romlin about the song: ’’Before we started to work on 'Tales' I wrote down ideas about which entities I wanted to write about. And the Mare was obvious that it needed to get a song, so it became 'She Comes At Night'. This was one of the first songs we wrote for this record."

Tales is out now on Noble Demon and available for purchase at at
THIS LOCATION

NIGHT CROWNED are:
K. Romlin - Vocals
H. Liljesand - Guitar & keys
J. Jaloma - Drums
J. Eskilsson - Guitar & vocals
P. Eldor Pettersson - Bass

Find Night Crowned online:

Facebook

Instagram

BandCamp

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

Nonpoint Set to Release Highly Anticipated New EP "Heartless" and Unveils "Golden Gloves" Single on November 17th

Pre-Save the Heartless EP at https://share.amuse.io/album/nonpoint-heartless

Nonpoint, the renowned American rock band, is gearing up to deliver an exciting treat to their fans this November 17th. The band is proud to announce the release of their eagerly awaited new EP, Heartless, along with the unveiling of their latest single, "Golden Gloves." As the fourth single from the Heartless EP, "Golden Gloves" promises to be a sonic masterpiece, giving listeners an enticing glimpse into the band's evolution and creative prowess.

"Golden Gloves" and the Heartless EP will be available for digital streaming and purchase. In a nod to the nostalgia of yesteryears, the EP will also be available as a limited edition cassette, making it a must-have collectible for dedicated enthusiasts. Furthermore, Nonpoint has gone the extra mile by including a custom-branded cassette player, with only 300 units ever produced, available exclusively on Nonpoint's official website, Nonpoint.com.

Nonpoint fans have more to celebrate as the band announced "The Million Watts Tour 2023."Joining them on this sensational tour are musical powerhouses (hed p.e.), Sumo Cyco, and Special Guest VRSTY. The tour is scheduled to kick off on December 1st in Harrisburg, PA, at HMAC on Herr. This tour promises to be an unforgettable experience, bringing together diverse musical influences and unmatched energy.

Tickets available at https://nonpointstore.com/pages/tour-dates

Nonpoint's latest offerings, Heartless and "Golden Gloves," are a testament to the band's relentless pursuit of musical excellence and their commitment to delivering authentic, powerful performances. With a track record of captivating audiences worldwide, Nonpoint continues to be a force to be reckoned with in the rock music scene.

2023 The Million Watts Tour Dates:

12/1 Harrisburg, PA @ HMAC on Herr

12/2 Hartford, CT @ Webster Underground

12/3 Hampton Beach, NH @ Wallys

12/5 Montreal, QC @ Foufounes

12/6 Toronto, ON @ Lees Palace

12/8 Green Bay, WI @ Epic Event Center

12/9 Belvidere, IL @ The Apollo Theatre

12/10 Chicago, IL @ Bottom Lounge

12/12 Louisville, KY @ Mercury Ballroom

12/14 Angola, IN @ Eclectic Room

12/15 Flint, MI @ Machine Shop

Tickets on sale at nonpoint.com

South Florida-based rock band Nonpoint, has been captivating audiences with their energetic sound and passionate performances for over two decades. Formed in 1997, the band has consistently pushed the boundaries of what modern rock can be, combining heavy metal, nu-metal, and hard rock into a unique and powerful musical force. Over the course of their 20-year career, Nonpoint has released several critically acclaimed albums and garnered a reputation as one of the most exciting live acts in the industry.

Throughout their career, Nonpoint has been celebrated for their signature sound and powerful lyrics, which often tackle social and political issues. Their hard-hitting sound and emotional live performances have earned them a dedicated fanbase, as well as recognition from the music industry. Nonpoint has received multiple award nominations and has been praised by publications such as Rolling Stone, Revolver, and Alternative Press.

In 2021, Nonpoint's song "Ruthless" reached #16 on Billboard’s Rock Chart, and was featured on the New Metal Tracks and Kickass Metal Playlist on Spotify with over 1.6 million combined subscribers, SiriusXM Octane’s Big Uns Countdown, LA Lloyd top 30, Loudwire Nights and "Ruthless" was the featured track for AEW’s nationally televised event BLOOD AND GUTS on TNT in May. Their single "Ruthless" has reached over 3.5 million streams.

Nonpoint is:
Elias Soriano (Lead Vocals)
Robb Rivera (Drums)
Rasheed Thomas (Guitar /Backing Vocals)
Adam Woloszyn (Bass)
Jason Zeilstra (Lead Guitar)

Wrath of Logarius Rise Above the Ashes on New Single

On Halloween, Wrath of Logarius gave metalheads a taste of Formless Black Metal. Today, the skeletal Northern California trio are releasing the second single off their upcoming EP. And while just as fiery as the first, "Soul Ascension" starts out as more of a slow burn before bursting into flames.

Listen to "Soul Ascension" below.

'Necrotic Assimilation" will be available as a digital download starting December 8.

Pre-order:
https://redirect.season-of-mist.com/wrath-of-logarius-skull
Pre-save:
https://orcd.co/necroticassimilationpresave


Wrath of Logarius writhe between different gradients of metal, from black and brutal to melodic post-metal. "Soul Ascension" shudders awake with an eerie guitar melody that drips like candles around a coffin. But the pace quickens under the clip of Lord Marco's hi-hat as Noctifier prepares to meet his maker. "Surrounded by darkness, for you are death" he screams, engulfed by blast beats that rage with all the horrifying speed of a forest fire.
 

"For us, Soul Ascension is cold, dark and vicious", says Wrath of Logarius. "It's more or less about becoming aware of the complete annihilation transpiring around you. Realizing you cannot avoid the inevitable as you are slowly consumed by the bestial darkness. Ultimately, we want the listener to come up with their own interpretation. It will have a different meaning to each listener, and thats what we want"

Formed in 2021 amidst the mist-shrouded forests of Northern California, Wrath of Logarius emerged as a formidable force in the world of extreme music. This black metal trio, consisting of Noctifer, Urath, and Vastator, set out to forge a new path with their unique genre known as Formless Black Metal.

Wrath of Logarius' creative spark ignited as they embarked on their journey to create something different in black metal. Drawing inspiration from brutal blackened death and melodic post-black metal, the skeletal trio emerged with a new subgenre. 'Necrotic Assimilation' introduces pure Formless Black Metal, where the styles change within each song.  

Recording lineup
Noctifer (Vocals)
Urath (Lead Guitars)
Vastator (Guitars)
Lord Marco (Drums)
Andrew Hernandez (Bass)

Special guests
Kakophonix plays cello on "At the nighted throne"

Recording studio: Rapture Recordings

Sound engineer: Cody Fuentes

Produced, mixed and mastered: Cody Fuentes

Cover art: Sant V. Schreiber

Logo: Tri Waluya

Follow Wrath of Logarius
https://www.instagram.com/wrath_of_logarius/

Lainey Wilson Announces “Wildflowers and Wild Horses” As Next Single Following Big CMA Wins

Today, multi-award-winning singer songwriter and breakthrough actress, Lainey Wilson announced “Wildflowers and Wild Horses” as her next single following Wilson’s television debut performance of the song at the 57th Annual CMA Awards, in Nashville, TN.

As the third Broken Bow Records’ single off her critically acclaimed, award-winning album, Bell Bottom Country, “Wildflowers and Wild Horses” is a reflective tale of Wilson’s life; “barefoot and bareback.” The soulful yet Southern track, accompanied by Wilson’s signature sound, blends elements of Western, Rock, and Americana, to bring forth a modern yet traditional Country song as an ode to her roots.

View her performance 
HERE and listen to the song HERE.

Wilson was once again crowned as the most nominated artist at this year’s CMA Awards with a record breaking nine nominations and walking away with five wins in some of the most coveted categories including the biggest award of the evening, Entertainer Of The Year. 

Lainey Wilson 2023 CMA Award Wins:

  • Entertainer Of The Year 

  • Album Of The Year: Bell Bottom Country

  • Female Vocalist Of The Year

  • Music Video Of The Year: “wait in the truck” - HARDY (featuring Lainey Wilson)

  • Musical Event Of The Year: “wait in the truck” - HARDY (featuring Lainey Wilson)

ABOUT LAINEY WILSON:
As the most nominated artist at the 2023 CMA Awards with a record-breaking nine nominations, and five wins including Entertainer of the Year, Lainey Wilson has earned the enthusiasm of the industry. Critically acclaimed and touted as a top “artist to watch,” to being the leading female nominee and winner at the 2023 ACM Awards and CMT Music Awards, the Louisiana native has made a name for herself in the industry as one of music’s hottest and most buzzed-about new artists. Landing her first No. 1 with her PLATINUM Certified ACM Song of the Year, “Things A Man Oughta Know,” nearly 10 years to the day after leaving her small farming community in a camper trailer to chase her dreams, she has won over legions of fans with her signature Bell Bottom Country sound and aesthetic, which blends traditional Country with a modern yet retro flare. A prolific and sought-after songwriter (having co-writer credits on songs by artists including Luke Combs, Flatland Calvary, and more), Lainey is a fresh, fierce voice in Nashville, delivering CMA-nominated album of the year with her label debut, Sayin’ What I’m Thinkin’. With a rockstar stage presence, her artistry has taken her across the globe, performing for sold-out crowds throughout the US, UK, and Germany with notable names like Jon Pardi, Luke Combs, Morgan Wallen, HARDY, Jason Aldean, Ashley McBryde, and more. After topping the country radio charts for a second time with the two-week No. 1 hit, “Never Say Never” with Cole Swindell, she recently achieved her third and fourth No. 1 song with “Heart Like a Truck” and HARDY collaboration “wait in the truck”. Her current single “Watermelon Moonshine” topped the Country charts marking her fifth No. 1 single and making her the first female artist in two years to reach No. 1 on the Billboard Country airplay chart.  Her critically acclaimed album, Bell Bottom Country, rose up Billboard’s Top Album Chart and Country Albums Chart, amassing over 650 million streams to date. Wilson made her acting debut in Season 5 of the smash hit series “Yellowstone” as a musician character named Abby, where she premiered her original “Smell Like Smoke” as well as showcased other hits off her recent album including “Watermelon Moonshine” and “Hold My Halo”. Adding to her growing list of endeavors, Wilson was honored at Billboard’s Women in Music Awards with the Rulebreaker Award, and most recently joined forces with Wrangler as the face of their 2023 fall/winter women's collection. 

KEEP UP WITH LAINEY WILSON
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | XFACEBOOK 

BLEED FROM WITHIN | 'Shrine Deluxe Edition' Is Out Now + Band Release Lyric Video For New Single 'Overthrone'

Bleed From Within have had an extraordinary year. They've just stepped off of the Lamb Of God Headbangers Boat cruise, following on from a colossal summer run which took in both headline shows, performances with Heaven Shall Burn and festival appearances at the likes of Brutal Assault (Czech Republic), Summer Breeze (Germany) and Alcatraz(Belgium), finishing up with a 13-date tour supporting Trivium across the UK. This was all on top of a hugely successful debut American tour earlier this year with August Burns Redand The Devil Wears Prada

To celebrate this exceptional year, 
Bleed From Within have released their Shrine Deluxe Edition today, alongside a new single titled 'Overthrone', which is accompanied by a lyric video.

Their stunning latest studio album 
Shrine was released in the summer 2022, marking the band's most groundbreaking work to date and staking out Bleed From Within's bold intent. The Scottish 5-piece claiming their position as the most exciting prospect in modern metal.

Steven Jones from the band stated,
''Upon releasing 'Shrine' in June 2022, it's safe to say that none of us expected what the following months would bring. It's been a hell of a year, with our most rigorous touring schedule yet putting us in places we've dreamed of since we started the band. This era of Bleed From Within is something we have worked so hard toward, and in this moment we are extremely grateful to all those who have made it possible. To all of our fans who fill the rooms and sing the words, to the team behind the scenes who keep the cogs moving on tour, in the studio, and everywhere between, and to the creative minds that help us bring our music to life - thank you. 17 months since its original release, we are so proud to now present this limited and deluxe edition of 'Shrine', featuring all of the songs that were recorded during the sessions. Here's to the months and years ahead!''

Watch the '
Overthrone' lyric video below.
Stream/order the Shrine Deluxe Edition here: 
https://bleedfromwithin.bfan.link/shrine-deluxe.ema

Watch the visualizer for 'The Will to Resist', also taken from the Shrine Deluxe Edition: https://youtu.be/YqKPB4bvyL8

Bleed From Within released their stunning studio album Shrine in June 2022. It was the most fiercely anticipated record of their career, and their most groundbreaking work to date. 

More from Shrine:
'Temple Of Lunacy' visualizer: 
https://youtu.be/dB4arT5XN_Y
Flesh And Stone' official music video: 
https://youtu.be/NF6tw5XQFSM
'Stand Down' official music video: 
https://youtu.be/kJDMOvGYVqE
'Levitate' official music video: 
https://youtu.be/BGKS3mW2XPM
'I Am Damnation' official music video: 
https://youtu.be/swF5fiPdONo

Shrine was recorded at Real World Studios and at Bleed From Within's HQ, UK. The record was self-produced. Mixing was handled by Adam 'Nolly' Getgood and Sebastian Sendon, with drum engineering handled by Adam 'Nolly' Getgood, guitar, bass and vocal engineering by Steven Jones, additional production by Jamie Finch, string composition by Simon Dobson and Parallax Orchestra, strings engineered by Peter Miles at Middle Farm Studios, and additional backing vocals by Hannah Boulton on the tracks 'Flesh & Stone' and 'Paradise'.  The Shrine artwork was created by David Provan, with layout by Simon Atkinson.

Bleed From Within have been to hell and back, but they are no strangers to enduring hardship. When a global pandemic threatened to shut down their plans, the Glaswegians collectively raised five middle fingers and pressed on. It’s no surprise that this unstoppable riff machine continues to crush forward at such a frantic pace – there's no putting the breaks on the heaviest band to ever emerge from Scotland.

The band’s reputation as one of the most formidable forces in modern metal has earned them tour slots with Megadeth, Lamb Of God, Testament and Heaven Shall Burn, to name just a few. 2021 saw them dominate the UK live scene; selling out their largest ever headline tour in November, capturing hearts on Bullet For My Valentine’s arena tour, slay a Lamb Of God livestream support slot, alongside (literally) blazing performances atDownload Festival and Bloodstock Festival.

Shrine has taken the most graft to put together of any record in their catalog, challenging their self-perception on both personal and technical levels - the culmination of two years hard work that embodies their artistic might. Armed with the learnings of evolving their sound over the last decade without ever losing sight of their DIY roots, this is Bleed From Within at their very best. There’s no denying the band’s inevitable next steps are world domination, with Shrine a turning point moment.

Bleed From Within are:
Scott Kennedy - Vocals
Craig Gowans - Lead Guitar
Steven Jones - Rhythm Guitar & Vocals
David Provan - Bass
Ali Richardson - Drums 

Enter Shikari Link Up with Multi-Disciplinary Aussie Star AViVA for New Single "Strangers"

UK trailblazers, Enter Shikari, are thrilled to announce their new collaborative single, "Strangers" alongside fellow dynamic talent AViVA. Fans can stream the new single HERE or at the link below.

This exciting coming together of two genre-blending artists is as explosive as each of their fanbases can expect, as the former touring partners bring their signature to let "Strangers" soar. Crushing and impassioned, "Strangers" erupts in characteristic fashion and again showcases the collaborative talents of a band that in the last year alone have worked on singles with Cody Frost, WARGASM and You Me At Six.

Lifting the curtain on the creative journey behind the single, lead vocalist and producer Rou Reynolds says:

"Aviva has has such a great voice (I can still hear her operatic warm ups, echoing around the backstage rooms!), so it was a pleasure to sing with her on the track. Rob and I got to visit her at home on the beautiful coast of New South Wales and work together on what would become Strangers, the story of newly found freedom from a suffocating relationship.”

Sharing her thoughts on the vibrant collaboration, versatile songstress AViVA adds:

"Teaming up with Enter Shikari for this project has been an incredible experience. After touring with them in 2022 we thought it would be fun to work on a song together and 'Strangers' just seemed perfect.

We all share a deep passion for music, and together, we've crafted something truly special that I believe our fans will love. The song has been worked on across multiple countries, and time zones, and we were even lucky enough to do the vocal recording together at my home studio. The song continues to explore a concept I see as a throughline in much of my artistic work. The loss of connection, and isolation that follows. the line 'we're just strangers now' really sums it up, but I think people will really connect with the rawness of this song, be it the loss of a romantic relationship or losing a friend, that pain often lingers with us for a long time."

Enter Shikari's remarkable journey has been marked by a relentless pursuit of musical innovation and a passion for pushing the boundaries of their genre. With a dedicated and ever-growing fanbase, their live shows are nothing short of explosive, leaving audiences in awe. As they embark on a World Tour and gear up for their most extensive UK arena tour yet in the new year, Enter Shikari solidify their status as trailblazers, with thought-provoking lyrics and an unforgettable stage presence at the heart of their performance. There's no doubt that Enter Shikari's future promises more groundbreaking music and electrifying performances, ensuring their legacy of success will continue to grow. Be sure to stay tuned for more Enter Shikari news soon.

Praise for Enter Shikari's new album A Kiss for the Whole World:

"Enter Shikari reassert their credentials as one of the UK's most important rock bands." - Upset ★★​​​​​​​★​​​​​​​★​​​​​​​★

“A Kiss For The Whole World might just be its authors' finest work yet. Rooted in the present, somehow it is still the sound of the future.” - Louder ★​​​​​​​★​​​​​​​★​​​​​​​★ ½

“These are anthems of liberation for what seems an eternal uncertainty that we live in.” – Clash ★​​​​​​​★​​​​​​​★​​​​​​​★

"There is an explosive exuberance at the heart of Enter Shikari's superb seventh album." - Kerrang! ★​​​​​​​★​​​​​​​★​​​​​​​★

“As hopeful as they’ve ever sounded” - NME ★​​​​​​​★​​​​​​​★​​​​​​​★

“Here is an album that sees Shikari proving exactly why they’ve carved their own place in UK music royalty.” - Rolling Stone UK★​​​​​​​★​​​​​​​★​​​​​​​★ 

"When it comes to combining rave, metal and pop craftsmanship in songs that come with self-help messages and moral guidelines, nobody beats [Enter Shikari]" - The Times

ENTER SHIKARI have a way with opening statements and as their new album begins with the words “Be embraced, billions” (‘A Kiss for the Whole World x’), we immediately learn plenty about the band's ambition for this album to touch people.

Its trio of whirlwind single releases to date have reignited dormant sparks '(pls) set me on fire' confronted how we measure self-worth ('It Hurts') and eyed the trappings of cyclical mistakes (‘Bloodshot’). Journeying through the new album, we are met with calls to revel in the power of spontaneity, (‘Leap Into The Lightning’), encouraged to explore (‘Jailbreak’), and - most poignantly - asked to consider the changing nature of identity (‘giant pacific octopus’).

A Kiss for the Whole World heralds the band's most vibrant, direct and life-affirming album so far.

Fans can also catch Enter Shikari on the Welcome To Rockville lineup in May of 2024 at Daytona International Speedway in Daytona Beach, FL.

As they take the stage at the iconic festival, Enter Shikari reaffirms their position as a musical force to be reckoned with and promises an unforgettable experience.

May 12 - Daytona Beach, FL - Welcome To Rockville 2023

ABOUT AViVA

AViVA, known for her 2017 single "GRRRLS," explores themes of control and isolation in her emo-pop/alt-rock music. She's a multidisciplinary artist from Sydney, now based in LA, with a strong fan community known as "Outsiders." She's released two novels with Pan Macmillan since 2021. Her music has over 80 million monthly streams and four billion combined streams. In 2022 she completed a US tour with Enter Shikari and performed at Riot Fest in Chicago and MADCOOL Fest in Madrid. AViVA is set to appear at Download UK and Rock Am Ring/Rock Im Park festivals next year.

More about Enter Shikari and new album A Kiss For The Whole World

As the calendar now signals three years since Enter Shikari last released an album - their UK #2 charting album Nothing Is True & Everything Is Possible – it is useful to think back to the final question the band last posed fans: “Is this a new beginning? / Or are we close to the end?” Little could they know just how close to the end things would end up feeling as the events of the early ‘20s dimmed the light in the furnace of their live juggernaut, and connection to their fans. “At the time it felt like we ourselves, as musicians, were experiencing the death of our band,” says lead vocalist and keyboardist Rou Reynolds.

Unsurprisingly, the key in the band’s ignition came in the form of a live show as they headlined the Download Festival Pilot in front of 10,000 fans. Where not a single new word flowed from the pen of Reynolds in the two years prior, a realisation was born that would come to define the band’s seventh LP: “I just didn’t realise that the human and physical connection to other people were so central to how I write,” he says. Enter Shikari isn’t just four people – it’s hundreds of thousands.

The album's lead single "(pls) set me on fire" sparked the next stage in the band’s evolution, and the first words we hear from Enter Shikari 2.0 don’t come in the form of a question this time, but a command: “Please set me on fire”. In other words, ignite the spark inside us and set us free. This may be a new Enter Shikari but they’ve lost nothing in their flair for bold opening gambits.

Reynolds comments on the single’s conception: "Honestly, I thought I was f*****. I’ve never felt so detached from my soul, my purpose, my f****** spirit. I didn’t write music for almost two years. The longest I’d gone before that was two weeks. I was broken. It’s almost as if my brain had asked: “What is the point in music if it cannot be shared? What is the point in writing music if it’s not to be experienced with others?” and then promptly switched itself off. ‘(pls) set me on fire’ grew out of that desperation. This song is a projectile vomit of positive energy. Every emotion trapped inside me for two years, finally set free."

It was in the Spring of 2022 that the band descended to the coastal town of Chichester, and a delipidated farmhouse, to rebuild their studio setup and capture their renewed momentum on record. Using only solar power to track the album – in what Reynolds says was to “bring back some sense of naivety” – the life-giving properties and Technicolor palate of A Kiss For The Whole World were made real. Reynolds continues: “Back to basics. This band - my best friends - bundled into an old farmhouse, miles away from anywhere. Off-grid, and ready to rediscover ourselves. This album is powered by the sun, the most powerful object in our solar system. And I think you can tell. It’s a collection of songs that represent an explosive reconnection with what Enter Shikari is. The beginning of our second act”.

More about Enter Shikari

 

5 UK top ten albums

2 UK top 40 singles

2 BRIT certified silver albums and 1 BRIT certified gold album

Multiple Kerrang! award winners, AIM Award winners and Heavy Music Award winners

3000 shows worldwide

Download full biography HERE

Find Enter Shikari Online

www.entershikari.com

L.S. Dunes "Lost Songs: Lines and Shapes" Album Out Now!

L.S. DUNES' LOST SONGS: LINES AND SHAPES OUT NOW

FEATURES EARLY, RAW VERSIONS OF THEIR ACCLAIMED DEBUT ALBUM PAST LIVES 

L.S. DUNES JOIN PIERCE THE VEIL ON THE JAWS OF LIFE TOUR THRU DECEMBER 8

JUST ADDED — DECEMBER 11 HEADLINE SHOW AT THE PARAMOUNT IN HUNTINGTON, NY 

Today, L.S. Dunes — vocalist Anthony Green, guitarist Frank Iero, bassist Tim Payne, guitarist Travis Stever, and drummer Tucker Rule — have released Lost Songs: Lines and Shapes, a radically raw and revealing version of their acclaimed debut album, 2022's Past Lives.

Get Lost Songs: Lines and Shapes
HERE.

Lost Songs: Lines and Shapes features early, stripped-down versions of all Past Lives' 11 tracks. Listening to these songs in their hyper-intense, original form offers fans an entirely fresh perspective into Past Lives, while the uninitiated will appreciate it for what it is, a sterling artistic statement in its own right. Fans can also pre-order the Past Lives Deluxe Edition, a limited, 2-LP vinyl special package which includes both the original album and Lost Songs: Lines And Shapes, exclusively via the band's online store HERE.

Recently, the band teased the new collection with "Old Wounds" DEMO, a stripped-back version of the fan-favorite released this past summer. While not included in the Lost Songs collection, the track, featuring Green's beautifully exposed vocals and the haunting, intricate guitar work of Stever, is another vivid look into the group's creative process. Listen to "Old Wounds" DEMO HERE, and watch the official video below.

L.S. Dunes are currently in the midst of the Jaws of Life Tour with Pierce The Veil, with 18-dates remaining across the U.S. The band also recently added a special headline show December 11 at The Paramount in Huntington, NY. For ticket information, click HERE. Full itinerary below.  

JAWS OF LIFE TOUR
WITH PIERCE THE VEIL + DAYSEEKER:

11/14 — Orlando, FL — House of Blues
11/15 — Orlando, FL — House of Blues
11/17 — Myrtle Beach, SC — House of Blues
11/18 — Corbin, KY — The Corbin Arena
11/19 — Macon, GA — Macon City Auditorium
11/21 — Boston, MA — MGM Music Hall at Fenway
11/25 — Reading, PA — Santander Arena
11/26 — Columbus, OH — KEMBA Live!
11/28 — Chesterfield, MO — The Factory
11/30 — Chicago, IL — Byline Bank Aragon Ballroom
12/1 – Chicago, IL – Byline Bank Aragon Ballroom
12/2 — Des Moines, IA — Vibrant Music Hall
12/3 — Minneapolis, MN — The Armory
12/5 — Oklahoma City, OK — The Criterion
12/7 — Las Vegas, NV — Brooklyn Bowl
12/8 — San Diego, CA — Viejas Arena
12/11 —  Huntington, NY — The Paramount *Headline show

Dandy Warhols & Slowdive legends team up on Pete International Airport 'Tic Tac' feat. Rachel Goswell. 7” vinyl is out November 24

Portland-based Pete International Airport presents the video for 'Tic Tac' featuring Slowdive goddess Rac hel Goswell, directed by Francesca Bonci. A few weeks ago, they released their 2-track 'Tic Tac' 7" vinyl version via Little Cloud Records, pressed on translucent yellow vinyl, with the B-side featuring a remix by yet another music icon - Anton Newcombe of The Brian Jonestown Massacre.

Pete International Airport is the brainchild of guitarist Peter G. HolmstrĂśm of 
The Dandy Warhols.  Named after one of their songs, this eclectic project builds immersive soundscapes that are also classic, catchy songs.  HolmstrĂśm has an uncanny ability to curate, with a penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

'Tic Tac' originally featured on Pete International Airport's recently released third album
'It Felt Like The End of the World' - a meticulously crafted psychedelic rock journey into the dark heart of electronica, released just ahead of the 7" vinyl edition.

"I co-wrote 'Tic Tac'. I bought his last album and I really liked it. Peter HolmstrĂśm has different singers on each song and co-writes with everybody, which I think is a really interesting way to work. Obviously, Pete is a guitarist, first and foremost, and a very good one. He sent me music for 'Tic Tac, and it's actually changed a lot. It was a lot more guitar-y, the original musical piece that he sent me, and it got really stripped down and changed," says Rachel Goswell.

"I think he sent me that in 2020. That was a COVID lockdown year and I had a lot of stuff going on. It took me I think nearly about a year to actually get around to sitting down properly and writing it. I kept procrastinating about doing it and then once I'd done it, I was really pleased with it. But I think as a record, there's some great songs on it. I didn't know who else had written with him on this record, I was just really happy to be a part of it. It is quite a broad spectrum musically, and quite eclectic."

This album features numerous other guests, including Alexander Hackett (Pang Attack) Lisa Elle (Dark Horses), Dion Lunadon (A Place To Bury Strangers, The D4), and Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into HolmstrĂśm’s hyper-stylized world of symbols, themes and archetypes.

Mixed by Jeremy Sherrer at
Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), it was mastered by Dave Coley at Elysian Mastering.

'It Felt Like The End of the World' can be found everywhere digitally, including
SpotifyApple Music and Bandcamp, where it is available as a Deluxe double-album in a gatefold sleeve, pressed on transparent vinyl with an orange blob or on transparent vinyl with a purple blob.

As of November 24, the 'Tic Tac' 7" will be available on vinyl exclusively via
Pete International Airport's Bandcamp and The Dandy Warhols. The digital version is currently available on these same two sites.

CREDITS
Music written by Peter G. HolmstrĂśm
Vocals and lyrics by Rachel Goswell (Slowdive, Mojave 3)
Remix by Anton Newcombe (The Brian Jonestown Massacre)
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
'Tic Tac' video directed by Francesca Bonci

Keep up with Pete International Airport 
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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Beartooth Achieve First No. 1 at Active Rock Radio With "Might Love Myself"💖

The Surface was produced, mixed, engineered, and mastered by Caleb Shomo, with additional engineering by James Musshorn and additional production by Oshie Bichar. Stream, download, and purchase it along with merchandise, here
 
"Without question, it's the most anthemic they've ever sounded" — 
Metal Hammer
 
"A masterclass in the fusion of poppy punk elements with the infectious hooks of modern rock." â€” 
Knotfest
 
"...a collection of tracks that are the best and most consistent Beartooth have ever sounded on record. The impression these songs make is instant, but scratch beneath the surface, and there's so much more to love about the heart, hurt and craft that has gone into this album." — 
Kerrang!
 
"This is another instant classic from a band that seems incapable of delivering anything less." â€” 
Rock Sins

"Might Love Myself" Hits #2 on Billboard Mainstream Rock Airplay Chart in its 14th Week

Plus #9 on Hot Hard Rock Songs and #11 on Rock & Alternative Airplay

Marking Highest Placements on Respective Charts in the Band's Career

 
Billion-streaming rock band — Caleb Shomo, vocals; Zach Huston, guitars; Will Deely, guitars; Oshie Bichar, bass; and Connor Denis, drums — today announced their single "Might Love Myself" has earned them their first-ever #1 spot on the Mediabase Active Rock Radio chart.

Following its release in July, the song entered the Billboard Mainstream Rock Airplay chart and continued to rise over 14 weeks to #2, along with #9 on Hot Rock Songs and #11 on Rock & Alternative Airplay, the highest placements the band has ever achieved on said charts.  

Lead Singer, Caleb Shomo shares, "I was never truly ready to take on what the future held until this album. I think it’s pretty cool that the first song I wrote about self-love was the first song to hit number 1, and that says everything about the future of this band. Thank you all for the support during this transition in my life and in our music."
 
"Might Love Myself" arrived on Beartooth's fifth studio album, The Surface, released in October on Red Bull Records. With 90 million streams to date, it debuted at #1 on Billboard Hard Rock Albums, Luminate Alternative Albums, and Luminate Record Label Independent Current Albums, as well as #5 on Billboard's Top Album Sales. Celebrating a decade together this year, Beartooth will embark on their largest world tour in history, playing across 60 dates from January to November with 50% of tickets already sold out. Amidst the tour, they'll take to top-billing slots at ShipRocked and Rock Am Ring festivals.

Red Bull Records' Managing Director Greg Hammer shares, "We've been working with Beartooth for ten years across five records and we're beyond proud of what we've been able to accomplish together. They are constantly taking risks and pushing the envelope, with The Surface being no exception. This is undoubtedly one of the most exciting milestones they've achieved in their career, and we’re looking forward to what the future holds."

Beartooth have established themselves as an influential voice of their generation and a force in the rock space. This album in particular has welcomed a pivotal shift in the band's sound and story, with frontman Shomo focusing on the positives in his deeply personal and powerful journey through the music. It has attracted diehard fans and new listeners alike, proving self-love has a place in metal.

Beartooth Manager Thomas Gutches concludes, "I'll never forget Caleb playing me this song for the first time, minutes before taking the stage in front of a capacity crowd at London's Wembley Arena. In that moment, I knew we had a special song. Caleb continues to defy the odds as one of the most gifted songwriters of this generation."

The Surface was produced, mixed, engineered, and mastered by Caleb Shomo, with additional engineering by James Musshorn and additional production by Oshie Bichar. Stream, download, and purchase it along with merchandise, here

ABOUT BEARTOOTH:
Caleb Shomo first turned the pain of his struggle with mental health and self-image into music in 2013. Beartooth began as a living document, a diary, a journal of repressed rage and depression. Alone in his basement studio, screaming and singing, playing all the instruments, and self-producing a batch of furious but melodic songs filled with reflection and confession, the Ohio native stared into the abyss, initially with no intention of returning to the heavy music world that burned him as a teen. A decade later, the different pieces of his body of work connect in title, sound, and spirit. As the frontman hits 30, Beartooth’s fifth album, he Surface, completes this era in 2023. Even more importantly, it kicks off a new chapter filled with surprising optimism and just as honest. Depression is a sick, disgusting, aggressive disease below the surface. Shomo stands ready to bask in the light.
 
Like Nine Inch Nails, Beartooth remains a one-person band in the studio. On the heels of the introductory Sick EP (2013), Disgusting (2014) produced the band's first Gold single, "In Between." Aggressive (2016) and Disease (2018) expanded on the desperation and pain, each a step closer to a balance between the blood and tears of classic recordings and the shimmer of modernity.  
 
Rolling Stone heralded Beartooth as one of 10 Artists You Need to Know. The rabid response to Shomo's music demonstrated how many people related to his struggle for self-acceptance. Below (2021) topped the Rock and Alternative charts and several Best Rock/Metal Albums of the Year lists. As of 2023, the Beartooth catalog boasts more than 1 billion streams across all platforms. 
 
Beartooth began as both bomb and balm, an outright refusal to suffer in silence, weaponizing radio-ready bombast, delivering raw emotion mixed with noise-rock chaos. Other bands play the "devastating riffs and catchy hooks" game, but this music is the difference between life and death, and now, a sort of life after death while still here. The band Forbes sees "inching towards a tipping point of becoming the latest arena headliner" is now one step closer. 

Mavis Announce Debut Album "Grief Is No Ally" + Share "Calypso" Video

German band MAVIS, featuring vocalist Phil Donay, guitarist Manu Weller, bass player Mo Amrein, and drummer Jakob Schulz-Klein, are proud to announce their debut full-length record Grief Is No Ally, due for release on December 15, via Arising Empire!

The newest track "Calypso" heralds the official pre-orders and showcases their exceptional talent in composing and narrative lyricism. The audience finds itself entranced by the fusion of intense energy and hypnotic tunes, culminating in an irresistible hook. "Calypso" marks the band's first creative endeavor since the exit of founding member and chief songwriter Robin Dachtler, offering a surreal odyssey that navigates the often essential transformations life imposes. As the piece evolved, it increasingly symbolized the band's own brush with disbandment.

Watch the video below.

"It felt as though MAVIS was doomed just as it began to flourish. Yet, we endured those challenging times, and akin to the song, we were drawn to a faint yet alluring glimmer of hope that pierced through the gloom. Clinging to that light, we now find ourselves more united and resilient than before," reflects vocalist Phil Donay.

With its compelling narrative and emotive depth, "Calypso" emerges as a powerful anthem sure to make an enduring impact.

 Grief Is No Ally is available as CD, limited colored vinyl, together with unique merch options at the Arising Empire online shop. Pre-order
here!

PHOTO CREDIT: Venera Red

The title of the record stands for 11 stories of different forms of grieving, ranging from it’s dark and negative sides to very positives and healthy aspects of embracing grief to let go. MAVIS planned the release of a full length in 2020 but were already struck with multiple setbacks in their young history. Not only the beginning of the pandemic hit them right at the start but lineup changes because of illness, mental issues or members growing apart from making music entirely. Just as they booked live shows again roughly 1.5 years ago, their bad luck peaked in a studio fire in which they lost instruments, equipment, and all merchandise. Right around that time, the two remaining members of MAVIS found new drive as they could complete the line up once again. Since then, the musicians worked tirelessly on putting all their experiences into the songs that now make this jewel of a debut record. They went into the studio with a "nothing is holy" attitude to produce the best music they can and their efforts paid off as finally everyone can hear.

MAVIS ARE:
Phil Donay — Vocals
Manu Weller — Guitar
Mo Amrein — Guitar
Jakob Schulz-Klein — Drums

LAINEY WILSON & JELLY ROLL REACH NEW MILESTONES WITH THEIR 2023 CMA AWARDS WINS

Broken Bow Records' Lainey Wilson and Stoney Creek Records' Jelly Roll took home a total of six awards and delivered three stand-out performances and show stopping acceptance speeches at Country Music's Biggest Night, the CMA Awards at Bridgestone Arena in Nashville, TN. In the 57-year history of the awards, Lainey Wilson shattered glass as the first female country artist in over a decade to capture "Entertainer of the Year," joining a class of iconic trail blazers Loretta Lynn, Barbara Mandrell, Dolly Parton, Reba McEntire, Shania Twain, The Chicks and Taylor Swift. Premiering the television broadcast performance of her next single "Wildflowers And Wild Horses" from her "Album of the Year" winning Bell Bottom Country, Lainey Wilson ignited the stage with a fiery delivery solidifying her recognition as the most awarded artist at the 2023 broadcast.


As Jelly Roll’s monster smash hit “
Save Me” featuring Lainey approaches the top of charts, this "New Artist of the Year" winner kicked off the broadcast with a soulful/gospel rendition of multi-format hit "Need a Favor" with the iconic Wynonna Judd.  Closing out the broadcast with a show-stopping message of love and unity, Jelly Roll was joined by K. Michelle for "Love Can Build a Bridge" featured on BMG's "A Tribute to The Judds" available now here.

View full details on their wins below. 

Lainey Wilson wins:

  • Entertainer of the Year

  • Female Artist of the Year (Her second consecutive win in this category)

  • Album of the Year - Bell Bottom Country - Producer: Jay Joyce; Mix Engineers: Jason Hall, Jay Joyce 

  • Music Video of the Year - "wait in the truck" Hardy featuring Lainey Wilson

  • Musical Event of the Year - "wait in the truck" Hardy featuring Lainey Wilson


Jelly Roll wins:

  • New Artist of the Year

Wiping away tears, Lainey shared the following as she accepted the win for "Entertainer of the Year." "I guess nine might be my lucky number. That's how many times we were nominated for the CMAs this year. It's also the year [age nine] I wrote my first song, the year I got my first pair of bell bottoms. It's the year that momma and daddy brought me to Nashville for the very first time and took me to the Grand Ole Opry for the first time. It's the year that my momma and daddy brought home this horse named Tex. The horse was wild. It needed breaking and they put me on the back of that thing and said, 'You better hold on, you better ride.' There were times that I was crying and I wanted to get down. I'm like, 'Let me off the back of this thing.' Every time it would start bucking, I'd hold on little bit tighter. I think that right there is one of things that prepared me for this ride. Because, it is wild. Thank y'all for letting me be me and giving me this opportunity."


Jelly Roll received an electrifying standing ovation for his first CMA win as "New Artist of the Year." "There is something poetic about a 39-year-old man winning 'New Artist of the Year'. I don't know where you're at in your life or what you're going through, but I want to tell you to keep going. I want to tell you success is on the other side of it. I want to tell you that it's gonna be ok. I want to tell you that the windshield is bigger than the rearview for a reason! Because what's in front of you is so much more important than what's behind you."

About Lainey Wilson:
As the most nominated artist at the 2023 CMA Awards with a record-breaking nine nominations, and five wins including Entertainer of the Year, Lainey Wilson has earned the enthusiasm of the industry. Critically acclaimed and touted as a top “artist to watch,” to being the leading female nominee and winner at the 2023 ACM Awards and CMT Music Awards, the Louisiana native has made a name for herself in the industry as one of music’s hottest and most buzzed-about new artists. Landing her first No. 1 with her PLATINUM Certified ACM Song of the Year, “Things A Man Oughta Know,” nearly 10 years to the day after leaving her small farming community in a camper trailer to chase her dreams, she has won over legions of fans with her signature Bell Bottom Country sound and aesthetic, which blends traditional Country with a modern yet retro flare. A prolific and sought-after songwriter (having co-writer credits on songs by artists including Luke Combs, Flatland Calvary, and more), Lainey is a fresh, fierce voice in Nashville, delivering CMA-nominated album of the year with her label debut, Sayin’ What I’m Thinkin’. With a rockstar stage presence, her artistry has taken her across the globe, performing for sold-out crowds throughout the US, UK, and Germany with notable names like Jon Pardi, Luke Combs, Morgan Wallen, HARDY, Jason Aldean, Ashley McBryde, and more. After topping the country radio charts for a second time with the two-week No. 1 hit, “Never Say Never” with Cole Swindell, she recently achieved her third and fourth No. 1 song with “Heart Like a Truck” and HARDY collaboration “wait in the truck”. Her current single “Watermelon Moonshine” topped the Country charts marking her fifth No. 1 single and making her the first female artist in two years to reach No. 1 on the Billboard Country airplay chart. Her critically acclaimed album, Bell Bottom Country, reached No. 9 on Billboard’s Country Albums Chart, quickly rose to No. 1 on iTunes charts, and has amassed over 650 million streams to date. Wilson made her acting debut in Season 5 of the smash hit series “Yellowstone” as a musician character named Abby, where she premiered her original “Smell Like Smoke” as well as showcased other hits off her recent album including “Watermelon Moonshine” and “Hold My Halo”. Adding to her growing list of endeavors, Wilson was honored at Billboard’s Women in Music Awards with the Rulebreaker Award, and most recently joined forces with Wrangler as the face of their 2023 fall/winter women's collection. 

KEEP UP WITH LAINEY WILSON
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | TWITTER | FACEBOOK 

Credit: Jamie Schramm/CMA

About Jelly Roll: 

Nashville native singer/songwriter Jelly Roll (Jason DeFord) recently debuted Top 3 on the Billboard 200 All Genre Chart and #2 on the Top Country Album charts with his debut Country Album, Whitsitt Chapel (released June 2nd, 2023) - earning the biggest Country debut album in Billboard Consumption Chart history. Following his sweep at the 2023 CMT (Country Music Television) Music Awards where he earned 3 awards to become the most awarded artist of the night, the Billboard Country Power List Cover star and “country’s ‘most authentic’ new artist” (The New Yorker) recently received Billboard’s 2023 Breakthrough Award. “One of Nashville’s fastest rising stars” (The New York Times), Jelly was an 8X nominee and 4X winner at the People’s Choice Country Awards and was the most nominated male at the 2023 CMA Awards, with five total nominations capturing his first CMA Award for "New Artist of the Year." His current hit single “Save Me” — a confessional, vulnerable expression of self-doubt— set the stage for his new season of life and took him to new heights, has more than 155 million views on YouTube and Platinum certification from the RIAA.  Jelly debuted the song along with Lainey Wilson at the 2023 ACM Awards on the heels of his 28-week reign at No. 1 on Billboard’s Emerging Artists chart. “Save Me” is the follow-up single to his multi-week #1 hits on Country and Rock radio, “Need A Favor” and “Son of A Sinner.”

Having just wrapped his sold-out 44-city 2023 Backroad Baptism Arena Tour and celebrated multi-format success with "
Need a Favor" inside the Top 10 on Hot AC and Top 25 on Top 40, Jelly Roll continues to resonate with fans on a global scale and earn numerous industry milestones - from playing his sold-out hometown show for 18,000 fans at Nashville’s Bridgestone Arena to sold-out dates at the Ryman Auditorium and the release of his critically acclaimed Hulu documentary produced by ABC News, “Save Me.”  Featured by Nightline, GMA, GMA3, The New York Times, The Tennessean, Billboard, Variety, American Songwriter, CMT and more, his self-built, unconventional industry rise and unique fan connection has garnered praise from numerous outlets, with Variety noting, “for everyone who’s facing the same struggles, Jelly Roll is their Springsteen,” and American Songwriter echoing, “with a string of accolades and an extremely dedicated following, Jelly Roll has emerged as a force to be reckoned with in the music industry.”

KEEP UP WITH JELLY ROLL
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | TWITTER | FACEBOOK 

Credit: Josh Brasted/CMA

Kenny Chesney Unlocks the Secret of Life: “Take Her Home” Arrives Midnight on November 10

Kenny Chesney defined his place in American music by distilling the best part of being young, alive and seeking what the world has to offer. It’s that ability to recognize great songs that’s made him the country artist with the most No. 1s on the Mediabase Country Singles chart – and that reflection of how real people actually live has always been important to him.
 
In that spirit, the eight-time Entertainer of the Year releases “Take Her Home,” a loping rumination on the butterflies that flutter when you see “the one” through all the phases of falling in love, getting serious and building a life that makes you so much more. It is the essence of everything that is so easy to miss, but creates the biggest blessings and greatest happiness people can experience.
 
“When I heard ‘Take Her Home,’ I just laughed,” Chesney says of the song. “It was everything life is made of in less than four minutes. It’s true, honest and all the stuff that’s easy to forget. All those details and little moments? The deep cut Cheap Trick, the black-and-pink suitcase in the back of the truck, a 7 pound, 5 ounce baby? That’s what makes these kinds of life changes what they are. And it’s funny: no matter what stage you’re in, you really are always scared. That’s how you know it’s gonna be worth it.”
 
Like “There Goes My Life,” which also traces life through so many stages, “Take Her Home” passes through many chapters of life – and reminds listeners that it’s not one massive moment where it all falls together. It’s the accumulation of everything done, the hope of what one wants and the fact that “sometimes God paints life like a dream...”
 
“It’s amazing how simple figuring life out can be,” Chesney says. “I look around, and I see people in every state of this song every day. It’s part of the miracle of being alive. Even when it’s not happening to you, it’s happening to someone you love – whether your friend, a brother or sister, co-worker – and that feeling comes right back. I can’t wait to hear people singing this one back to us, because it’s going to be one of those moments. I just know.”
 
The chiming acoustic guitars, bouzouki-accented and electric guitar-twined celebration of the good stuff life is made of is everything that makes Chesney one of modern country’s most progressive artists. Slated for a radio world premiere at midnight, Nov. 10, “Take Her Home” will also be available via digital and streaming services at the same time. 
 
“Every now and then, you find a song that just feels right,” Chesney offers. “There’s an honesty about life that you can’t just churn out. Finding songs that ring true? When you hear one, you grab it – and that’s a lot of how this song happened. We were trying to decide what to lead with, and someone sent me this demo... and I knew. No more discussion. We had the song – and a great time turning it into a record. Real life? There’s nothing like it.”

Photo Credit: Allister Ann

HELGA Release Melancholic New Single "Alive Again"

A vast exploration of sonic textures present themselves on HELGA's premier album Wrapped in Mist, as chugging riffs, spectral strings and imposing drums converge into one.

The third single, "Alive Again" presents the pains of struggling with mental health in a haunting and introspective piece. Subtle guitar riffs and austere percussive patterns eloquently make way for Helga Gabriel's chilling vocals to shine through.

Watch the video for "Alive Again" below.

"I've had my fair share of battles with mental health over the years," says vocalist Helga Gabriel. "It's in those moments that I need music the most."

For Helga, 'Alive Again' is a product of such a dark moment in her life, and it gives her the space to express the emotions felt through such a difficult period.

A beautifully animated music video created by Yevheniia Vynokurova (
@magistrmagii) accompanies the track, illustrating the poignant message in its lyricism.

'Wrapped in Mist' comes out 24 November.

Pre-save:
https://orcd.co/wrappedinmistpresave
Pre-order:
https://redirect.season-of-mist.com/HelgaWrappedInMist

Hailing from the Swedish hinterlands of Dalarna and
Halifax, West Yorkshire, HELGA amalgamated in 2019 in
York, North Yorkshire. United by singer, Helga Gabriel, the
quintet delve into a musical alchemy on their pursuit of
darker manifestations.

“We draw on many different influences from Swedish folk
to progressive metal to post-rock to black metal to pop.
Distilling this into a single style is a challenge.” -Cai S.

Summoning this plethora of layers and genre, HELGA
culminate their premier album Wrapped in Mist into
dirgeful lamentations of mortality and mental health,
punctuated by formidable drumming, spectral strings and
chugging riffs.

The album’s opening track, Skogen mumlar (The Forest
Murmurs), transcends forthwith into emotive dreamscapes
that leave hairs trembling, Ennio Morricone echoing as the
intro’s muse.

But as the journey through Wrapped in
Mist transpires, songs such as Farväl (Farewell) reveal
HELGA’s black metal and darker sensibilities. Bewitching
through this myriad range, the album’s waltzing coda flirts
with a melodic baroque that crescendos with Opeth-esque
climax.

The inception of Wrapped in Mist promises to plunge
HELGA deep into the spotlight of mesmerising live
performances following release. From the hills and forests
of rural dwelling, this is a band destined for a journey worth
following.

Lineup

Helga Gabriel - Vocals

Cai Sumption - Guitar

Cameron Gledhill - Guitar

Ryan Fairclough - Bass

Sami Javed - Drums


Recording

Guitars and vocals recorded by Tom Peters at Trapdoor Studios
Drums recorded by Bob Cooper at Chairworks Studios 

 

Production

Produced and mixed by Luiz Felipe Netto

Mastered by Brad Boatright at Audiosiege

 

Additional musicians 

Damian Bolotin - Violin on "Skogen mumlar", "Vast and Wild" and "Wrapped in Mist".
Antonio Guerra - Grand piano on "Mountain Song" and "Vast and Wild".
Mafram do MaracanĂŁ - Percussion on "Skogen mumlar" and "Wrapped in Mist"
Bruno Migliari - Double bass on “Mountain Song”, “Skogen mumlar” and “Wrapped in Mist”
Luiz Felipe Netto - Acoustic guitar on "If Death Comes Now" & "Wrapped in Mist", as well as additional electric guitars, keyboards and string arrangements. 
Ayran Nicodemo - Violin on "Mountain Song", "Skogen mumlar", "Vast and Wild" and "Wrapped in Mist"
Bruno Serroni - Cello on "Farväl" and "Vast and Wild"
Joe Zeitlin - Cello on "Farväl", "Mountain Song", "Skogen mumlar", "Vast and Wild" & "Wrapped in Mist"


Cover art by David ThiĂŠrrĂŠe

Album layout by Per Wiberg

Photos by Ester Segarra

Pre-save: https://orcd.co/wrappedinmistpresave

Pre-order: https://redirect.season-of-mist.com/HelgaWrappedInMist

Available formats:
CD Digibook
Digital Download
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold ​- Transparent Clear
12" Coloured Vinyl Gatefold - Black & Yellow "Sunburst"
Merchandise

Links
https://helgamusic.bandcamp.com
https://facebook.com/helgadalarna
https://instagram.com/forestchildhelga

Photo by Ester Segarra

DIMMU BORGIR - RELEASE COVER SONG OF DEEP PURPLE´s 'PERFECT STRANGERS'

Today, DIMMU BORGIR releases their cover of DEEP PURPLES's 'Perfect Strangers'. The song is featured on their upcoming cover album Inspiratio Profanus which will be released on December 8th via Nuclear Blast Records.                    

Silenoz states about the cover of 'Perfect Strangers': "The idea of doing Perfect Strangers came about quite a while before we actually got around to recording it. It’s a known song by a very well-known band that has influenced many to pick up an instrument. I mean, is there anyone who doesn’t like Deep Purple?! We incorporated our little twist to it while at the same time wanted to stay close to the original. But perhaps it is the more obvious aspects that come to mind when hearing it; the integration between the main musical elements that we also made use of since the beginning like keyboards and guitars."          

Silenoz comments about the album Inspiratio Profanus: "We’re pleased to announce the Inspiratio Profanus release! We thought it was about time to finally compile the cover songs we’ve done over the years and give these renditions an updated mastering, all in one package, highlighting some of our many influences!"
 
Pre-order Inspiratio Profanus + listen to 'Perfect Strangers' here:
https://dimmuborgir.bfan.link/inspiratio-profanus.ema

About DIMMU BORGIR:

As they conjure new, dark compositions, DIMMU BORGIR take a retrospective look back, celebrating the band's 30th Anniversary and the seminal artists that left a defining imprint on their sound.

Conceived in the heart of the Norwegian black metal scene in 1993, DIMMU BORGIRquickly broke free from the boundaries of the genre, daring to combine a traditional raven black sound with opulent symphonic orchestration. They became pioneers within their own field, forging groundbreaking albums such as Enthrone Darkness Triumphant (1997), Spiritual Black Dimensions (1999), & Death Cult Armageddon (2003), invading the entire world with headline tours and eventually turning into the most influential act of their genre after nine full-length studio releases.

After their last two successful albums Abrahadabra and Eonian and the remixed version of Puritanical Euphoric Misanthropia, DIMMU BORGIR herald their 30-year legacy by releasing, together for the first time, a collection of their cover songs. Inspiratio Profanusfeatures a cover of 'Black Metal' (VENOM), the genre-defining 'Perfect Strangers' (DEEP PURPLE), fan-favorite 'Burn In Hell' (TWISTED SISTER), and electrifying renditions from the legendary CELTIC FROST, as well as other immensely influential artists!

NONEXISTER Share Video For "A Promise In The Air" — WATCH // Band Announces "Demons" Out 3/15

ZĂźrich-based band NONEXISTER release their new single "A Promise In The Air" today.

The single is accompanied by an extraordinary video. Watch it 
below.

NONEXISTER have also announced their debut album Demons, which will be released on March 15 via the band's own label (distributed by The Orchard) digitally, as CD and as 2xLP gatefold vinyl (180g), including a bonus track.

After dropping "Your Pain Up My Veins," "Drowning In the Void," and "How Do You Dare," the last of which was released in September, "A Promise In The Air" is the fourth single release from the now-announced debut album.

Producer and multi-instrumentalist Marco Neeser says about the new single, "'A Promise In The Air' is the antithesis of a pop song. It is long, it builds up slowly, it leads the listener astray by beginning with a pulsating synth line and seductive, intimate vocals, and then finally dissolving into an epic finale of guitars."

Singer Nik Leuthold adds, "The song is about the raging night of an impossible love, about two people who burn brightly when they get close to each other, but each burn in this fire. Now, they meet again and try to keep control this time and escape the maelstrom. But once again, they are each other's drug and plunge into this maelstrom, powerless and yet open-eyed, surfing through the night in a mixture of frenzied desire, overwhelming happiness, and deep despair. They know where it will end and yet they can't keep their hands off each other. An unstoppable tidal wave of laughter and tears, lust, hope, and despair sweeps them away, leaving devastation again in its wake."

The video was directed by Natasha Vavrina in Italy. Leuthold says, "Natasha Vavrina has done a fascinating job. First of all, by convincing us to make a dance video, which was certainly not our first thought. But based on other dance videos she's done and a wonderful concept, we understood what it could be, and dance is a great vehicle for this storm of emotions that the song is about. Madoka and Gil are incredibly great dancers and Paleta's choreography wonderfully brings out the moods of such a desperately lustful night. The place where the video begins and ends is the ruins of a club somewhere in the sticks of Italy, abandoned for 20 years and long since overgrown by nature. I came across a photo of it on the internet. It's a perfect location for this story, because that's exactly what it is: big emotions in ruins."

NONEXISTER thrive on the interplay of electronic energy and hard catharsis. As if they were soundtracking an after-hours club in the middle of nowhere, the Zurich band, consisting of Marco Neeser (electronics, songwriting, production), Nik Leuthold (vocals, songwriting, production), Reto "Fu" Gaffuri (bass), Siro MĂźller (drums, backing vocals), and Silvan Gerhard(guitar, backing vocals), swings like a pendulum between moments of industrial ecstasy and moshpit-ready outbursts.

On March 15, the debut album Demons will finally be released.

Leuthold says, "I am beyond happy that our debut album Demons is finally ready to be released in spring 2024. It has been a long journey to get there and I am very proud of the result. The collaboration with Marco is a great fortune that brings us both to worlds where we wouldn’t have got by ourselves. And so many great people helped shape the final product, tweak every detail, so that the baby is now a true beauty."

He continues, "Demons is a journey through the unfathomable depths of human nature — that's what the lyrics are about and that's how it sounds. It is dramatic, possibly disturbing, sometimes ironic, and now and then, quite surprising. There are many pumping grooves, perfect for the moshpit, but there are these eerie, strange things as well, that gnaw on your brain. The lyrics orbit all around human behavior. They are often socially critical, but sometimes as well just poetic and personal views on the abysses in our heads."

The album was recorded at Marco's home studio and at New Sound Studio with producer Tommy Vetterli, known as the mastermind of Coroner and member of legendary thrashers Kreator, adding another dimension to the production. Vetterli also composed the backings and adlibs together with Leuthold.

Dark, lush and elusive: San Francisco's OCTAVIAN WINTERS present 'Velveteen' from debut EP 'The Line or Curve'

"Capturing progressive sounds and thoughts, weaving them together in a dark and lush tapestry of near-classic post-punk, oscillating between shadow and shimmer. Reflecting the troubled times that we live in, sublime dark sonic delight" ~ The Spill Magazine

"Feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma. There’s tectonic thunder in the pounding drums and rumbling bass... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine

"A dark musical weave forged of post-punk and gothic strands. A sonic web that is a neat blend of pulsing bass grooves and shaded ethereality, dark and delicious guitar slashes, and haunting sound washes" ~ The Big Takeover

"Seriously compelling incitement, which Aursjoen’s tones and the electronically atmospheric mists around her only escalate" ~ Ringmaster Review


San Francisco post-punk outfit 
Octavian Winters presents their new video for 'Velveteen', created by David Kruschke. Lifted from their debut album 'The Line or Curve', recently released via Stratis Capta Records, this feels like a getaway song from an imaginary sonic spy novel with its driving rhythm and 80’s vibe.

Born into the ghostly isolation of San Francisco in 2022 and drawing from darkwave and post-punk traditions, Octavian Winters dives into the ethereal, their layered music counterpointing edged grooves alongside lush synth textures and soaring vocal harmonies. In the lead up to the album, the band released the singles 
'Undertow'. 'Ondine' and  'Surreal'.

Recorded in San Francisco by
Mark Pistel (Meat Beat Manifesto, Consolidated) at OW Studio and Room 5 Recording, this EP was produced by Octavian Winters and William Faith (The Bellwether Syndicate, Faith and the Muse, Christian Death, The March Violets), whose credits include Jarboe, Clan of Xymox, Bootblacks and Autumn, Faith also mixed and mastered the album at 13 Studio in Chicago.

Octavian Winters is guitarist Stephan Salit (Thrill of The Pull), drummer Randy Gzebb (Thrill of The PullLove Club,), bassist Jay Denton and Ria (Amenti) Aursjoen on vocals and keyboards. Together, they weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

Randy Gzebbexplains the tone of this song: "Racing down a gloomy freeway on a grey evening, you walk up an alleyway and duck into a smokey casino, filled with like-minded people, an intense air of anticipation building as everyone gets ready to turn themselves loose, their insecurities, anxieties filled with emotions with driving drums and bass with serrated guitars, desperate vocals playing in the background,

"We had just started working up the music for what would become Velveteen in the summer of 2022 and I was out in Vegas for a few days. I had driven out into the desert, musing on inspiration for lyrics, and was on my way back into the city when the signs for the casinos, shows and strip clubs started popping up. The idea for the lyrics coalesced then -- there was an air of desperation in all the lights and billboards, a false lure to feel... good. To indulge in fantasy.  The lyrics are about people trying to claim their dreams through escape, by avenues that lead down a rabbit hole of despair," says Ria (Amenti) Aursjoen.

This album is about coming to terms with isolation and loss in various forms, touching on themes that the whole world has dealt with face to face for the past few years – feelings and repercussions that have left a deep imprint on all of us. The music and lyrics are a natural extension of these emotions and thoughts, bubbling under the surface.

Each member of Octavian Winters brings their own rich musical tapestry to the collective and have shared the stage with many iconic acts over the years, includingNine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

'The Line or Curve' EP is out now and available digitally from fine music platforms, including via
Apple MusicSpotify andBandcamp.

CREDITS 
All songs written by Octavian Winters except 'Nebula', written by Ria Aursjoen
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
Recorded at OW studios San Francisco, CA
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco, CA
Mixed and mastered by William Faith at 13 Studio, Chicago, IL
Produced by Octavian Winters and William Faith
Artist photos by Dina Marie Robinson
Eric Olson - Design
Steve Devaney - Design at Uroboros Choke 
Publicity by
Shameless Promotion PR
Jay Adams - Video director, cinematographer, editor, producer
'Velveteen' videographer - David Kruschke

Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

New single 'Tune Out, Turn Off, Drop In' from THE NOISE WHO RUNS' (IAN PICKERING of SNEAKER PIMPS)

"Ian Pickering is among the most relevant songwriters of this generation, with topical subject matter, sharp lyricism, a relatable attitude and music that is addictive as F*&@. The same spunk as the progenitors of punk and orderly chaos of early post-punk" ~ The Spill Magazine

"Beguiling... anthemic yet accessible, gothic, grand and graceful, delicately dance-driven and dark, coiled and ornate, slow and seductive" ~ Big Takeover Magazine

"Poetic brutality... the anthemic grace and stature of something by The Sisters of Mercy: it has an Arctic chill through which a lyrical, passionate heat radiates" ~ Backseat Mafia

"Ethereal electronic intimation. Light and dark entangle... true splendour and prowess" ~ Ringmaster Review


UK-France duo
The Noise Who Runs presents ‘Tune Out, Turn Off, Drop In’, their second single from the forthcoming ‘Come and Join the Beautiful Army’ EP. Sound almost familiar?  This is a majestic, thumping piece of raw synth-pop, all fat chunky beats and circling keyboards with a thudding, insistent bass, inspired by the 1960s mantra that defined the Hippie counterculture espoused by Timothy Leary - “tune in, turn on, drop out”.

The Noise Who Runs is the brainchild of songwriter
Ian Pickering (of Sneaker Pimps and Front Line Assembly), who also co-authored such hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide'. Upon relocating from northern England to France, Pickering launched this project with Brazilian-French guitarist Felipe Goes.

As with the first single 'One Scratch Each', ‘Tune Out, Turn Off, Drop In’ - the mirror opposite of Leary’s statement - continues the more stripped-down sound both musically and lyrically. Felipe Goes’ guitars create a disenchanting counterpoint to the overall electronic charge, while Ian Pickering’s lyrics are loaded with a sense of contradiction, confusion, and straddling the line between sharp cynicism and optimistic critique.

Felipe Goes says, “With all these songs, it seemed better not to try and force it, and with ‘Tune Out’ it was quite complete but lacked something unnerving and off-centre, so the guitars needed to be almost imperceptible as guitars, but somehow add another layer of meaning or interpretation to the feel - something slightly jarring and disorientating. They’re coming from the exact opposite of a rock approach, more just able to change and confuse certain parts of the overall mood of the keyboards, rather than dictating and overpowering the sound."

The guitars are used sparingly but specifically to highlight certain points in the lyrics and to lift the music when it’s needed. ‘Tune Out, Turn Off, Drop In’ is just over four minutes but has the vibe of a much shorter pop song you'd want on constant repeat. Lyrically, the song is an update of the original 60s slogan nearly 60 years on, possibly refuting it completely, indicating the appropriation of the counterculture to result in the polar opposite of what was originally envisaged.

“Of course it failed on the most utopian level but it’s undeniable that without the upheaval and countercultures of the 60s, there wouldn’t be that liberation of behaviour and mentality that seemed stuck in the hypocrisy of the Victorian age. It strikes me as a total rejection of a tired establishment and that sense of respectability on the surface, keeping up appearances, toeing the line, doing as you’re told, obedience to the values of your elders and so-called betters," says Ian Pickering.

“But equally the overarching idea of the original phrase seems to be that introspection and dropping out of mainstream consumer culture would offer the solutions. And maybe they would have. But, as with any counterculture, once it’s been identified by the establishment, they take back the hard yards you’ve struggled to gain and they take back more than they ever relinquished and beef up the fortress around it so it can’t happen again. And then they get the marketing and advertising people on the case and sell it back to you with a cheap cover-all, shortcut to thinking logo and slogan.”

The lyrics for ‘Tune Out, Turn Off, Drop In’ are relatively sparse and simple with repeated phrases, a result of wanting to keep them in line with the ‘pop’ ethic of the song as a whole.  

“All this social commentary stuff is Ian's field of expertise. I don't like thinking about the world. In fact, I don't think I like thinking. Thinking is for smart people which I'm not: I'm a salesman by day and a musician in the evening. Thinking about the world we live in only serves to make us sad or angry,” says Felipe Goes.

Pickering adds, “I’m not sure it’s my field of expertise. Maybe my field of Hippie dreams. If we build it, they will come.”

The full ‘Come and Join The Beautiful Army' EP was mixed and mastered by Colin C at
The Cell Studio, whose clients include CBS, FOX, NBC / Universal, Showtime, HBO and Lionsgate Films and such artists as Front Line Assembly and Danny Saber (Black Grape, Alice Cooper, David Bowie, Madonna).

As of November 8, 'Tune Out, Turn Off, Drop In' will be available across fine music platforms, including
Spotify, Apple Music and Bandcamp, where this and the â€˜Preteretrospective’ album can be obtained directly from the artist.

CREDITS
All songs written by Ian Pickering
Recorded and produced by The Noise Who Runs
Felipe Goes - guitars, pianos, keyboards
Ian Pickering - vocals, keyboards, pianos, beats
Mixing, mastering and additional production by Colin C. at
The Cell Studio 
Publicity by
Shameless Promotion PR
Video by Dreamstime.com
Artist photos by Élodie Duhoo

Keep up with The Noise Who Runs
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Megan Thee Stallion x Spiritbox "Cobra" (Rock Remix)

Hot on the heels of wowing fans with the release of their critically acclaimed 'The Fear of Fear' EP last week, Spiritbox have another mind-blowing surprise for fans in the shape of their collaboration with Megan Thee Stallion on her new release "Cobra" (Rock Remix) feat. Spiritbox". Stream the track HERE and watch the visualizer below.

Spiritbox's new EP, ‘The Fear of Fear’ builds on the band’s momentum from their massively successful debut album ‘Eternal Blue’, which topped charts and dominated critics’ year-end lists. The 6 tracks on the EP each come with a stunning, high-concept music video which can be viewed via this playlist. Stream‘The Fear Of Fear’ on your platform of choice HERE.

ABOUT SPIRITBOX: 

Spiritbox, dubbed "metal's hottest band" by Billboard. Their debut album, Eternal Blue, dropped September of 2021 and rolled in on a global tsunami of critical acclaim, perfect score reviews and features everywhere including Spin, Forbes, Billboard and Alternative Press to multiple front covers including Kerrang!, Metal Hammer, Alternative Press, Rock Sound, Distorted Sound, Pollstar, and Revolver. The album spawned a string of hit singles including "Holy Roller", "Constance", “Circle With Me”, "Secret Garden" and most recently, "Hurt you". 'Eternal Blue' charted #13 Billboard Top 200, #1 Rock, #1 Hard Rock, #1 Vinyl, #2 Internet Albums, #2 Independent, #3 Digital Albums, #3 Album Sales and top 20 of the official charts in Australia (#8), Germany (#17) and UK (#19). To date, Eternal Blue has clocked up 265 million streams.

 

Spiritbox followed the release of Eternal Blue with the 3-song Rotoscope EP, in 2022. The title track for which came accompanied by an official music video shot by Max Moore, which has run up over 3.6 million YouTube views. The EP has clocked up 28.5 million streams.

They end 2023 with the release of 'The Fear of Fear' EP. Consisting of six tracks, each with their own high-concept music video, the release encapsulates each facet of the Spiritbox spectrum. From glacial and emotive to earth-shatteringly heavy, each track provides a further dive into the sonic world-building of one of the most exciting bands to emerge from heavy music in recent years.

 

To date, Spiritbox have accumulated over 441 million career streams across platforms and 77.4 million YouTube views. They were also nominated for 2 Juno Awards last year for Breakthrough Group Of The Year and Metal/Hard Music Album of The Year last year.

Find SPIRITBOX Online:

spiritbox.com