LATIN-COUNTRY MUSIC ARTIST FRANK RAY RELEASES HIS FIRST SPANISH EP TITLED RAÍCES (ASÍ SE HACE)

One of country music's most promising emerging artists, Frank Ray, pays tribute to his Mexican roots with the release of his latest EP titled Raíces (Asi Se Hace). The EP is now available on all digital platforms. Download “Raices (Asi Se Hace) HERE.

“Music is the best representation of who I am. The arrangements reflect the essence of Latin music, with constant changes, vibrant horns and rhythmic percussive elements. But it also encompasses everything I'm known for, whether it's traditional country music, family tunes, party anthems, R&B rhythms, pop, soul or Latin flavor - there's something for everyone”, commented Frank Ray.

Today, the Mexican-American recording artist's most recent EP titled Raíces (Así Se Hace) was unveiled, and is dedicated to his Hispanic roots just in time to kick off the celebration of Hispanic Heritage Month in the United States. The EP contains five songs entirely in Spanish such as "Luces de la Calle" (Streetlights) and "Country Te Va Muy Bien" (Country’d Look Good On You) which have been re-recorded and adapted to the Latino market with the fusion of the genre that characterizes him alongside the romantic and seductive rhythms of the production, particularly highlighted on "Quiebrame el Corazón'' (Spring Break), a track which accompanies the release of the EP.

"Releasing a country music EP in Spanish is very noteworthy because the Latin culture can be represented in a way that has not been done in the mainstream music genre for decades. I have the opportunity to bring the Latin flavor to country music fans, but also to bring country music to a whole new audience," said Frank Ray about the significance of this EP.

On Friday, October 6th, Frank will be performing live in Miami at the Vivo Dolphin Mall stage as part of the preparations for Country Bay Music Festival. The event is completely free and will kick off at 7:00 PM EST.

Currently, Frank Ray is working on new music in both English and Spanish which is expected to be available soon.

About Frank Ray:

Texas chart-topper, bilingual recording artist and former police officer - Frank Ray is busting open the doors for a modern Latino Country movement. Growing up just three miles from the border in New Mexico, Frank, born Francisco Gomez, was immersed in the best of both worlds - enriched by his Mexican culture and surrounded by Texas Country music. Praised as “easygoing contemporary Country with Pop-Soul hooks and a dash of Southwestern spice” (Rolling Stone), Frank’s “catalog is representative of his fun personality and flair” (Country Now), expertly blending ‘90s Texas Country, Latin, R&B and Pop. As an entertainer, Frank delivers electrifying, high-energy performances that has something for everyone. With immense cross-cultural appeal and a panorama of influences, Ray “is looking to stretch Country music’s cultural boundaries” (Los Angeles Times).  

In the three short years since embarking on his musical journey full-time, he has racked up two No. 1 singles and three Top 10 singles on Texas Country Radio, become a staff songwriter, landed Frank Rogers (Brad Paisley, Darius Rucker) as his producer, signed a record deal with BBR Music Group/Stoney Creek Records and much more. Along with being named an “Artist to Watch” by Rolling Stone and Amazon Music USA as well as a “Listen Up Artist” by CMT, Ray has appeared on USA Network’s Real Country, been profiled in the Los Angeles Times and on NBC's TODAY.  

Recently on tour with Old Dominion and now performing at major music festivals across the U.S, this former police officer visits first responders through his mental-health initiative FRAY (First Responders Mental Clarity), at each tour stop providing first responders with the tools, resources and training to promote their mental wellbeing, as well as that of their families and communities. Having shared stages with Luke Combs, Kane Brown, Brett Eldredge, Luke Bryan, Kip Moore, LANCO, Hunter Hayes and more, the versatile entertainer was just named to CRS New Faces’ Class of 2023. Featured on his self-titled, label-debut album, the cheeky “Somebody Else’s Whiskey” is currently climbing the Country radio charts. The album, Frank Ray, is available across streaming platforms. Ray will be celebrating Hispanic Heritage Month with the release of Raíces (Así Se Hace), a five-track project entirely in Spanish, on September 22.

KEEP UP WITH FRANK RAY

WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

Banks Arcade invite you to incite violence.

ON THORNS I LAY Warn The End Is Coming on New Single

On Thorns I Lay are perennial doomsayers. For 20+ years, these Greek titans have been crafting immense tales of loss and despair. But on the new single off their upcoming album, they warn of a fast-approaching apocalypse that's so powerful, it might be too late for us to escape.    

Watch the beautiful and barren video for "Thorns of Fire" below.

'On Thorns I Lay' comes out October 13. 

Pre-order: https://redirect.season-of-mist.com/OTIL
Pre-save: https://orcd.co/otilpresave   

"Thorns of Fire" is the grand finale on the band's upcoming self-titled album. So it's fitting that the song leaves us with a dark and doomy depiction of our final days. Cymbals crash with the  impending force of rising tides, while the riffs fall like acid rain, leaving no choice but to bang our heads as we face our inevitable demise. 

"'Thorns of Fire' is about the crimes humanity has committed against the seed of life". says On Thorns I Lay.  

Halfway through its near eight-minute runtime, "Thorns of Fire" simmers into a somber instrumental interlude. Ominous flute swirls amidst somber pricks of Christos Dragamestianos' tamboura, only for vocalist Peter Miliadis to swallow the near silence with his unholy inferno of a death growl.     

"We humans defy the ways and laws of Nature," the band says,  "but we will not escape from its wrath and revenge!"

On Thorns I Lay started as a death metal band together with other cult bands in Greece in the early 90’s such as Rotting Christ, Septic Flesh, Necromantia, Nightfall and started to spread their name in the local and global underground scene.

The band has released 9 albums so far such as Orama, Crystal Tears, Aegean Sorrow and Threnos gaining great reviews in (Scream Norway, album of the month, Inferno Finland 5/5, Metal Storm Top 5 albums of 2020 and many others…). The have shared the stage with great bands such as Dream Theater, In Flames, Anathema, Amorphis, Katatonia, Rotting Christ, Tiamat, The Gathering, Satyricon, Septic Flesh and many more…

Their music style is pure atmospheric melodic doom death metal!

“Threnos”, their last album, followed the path of atmospheric, yet emotional Doom Death Metal – paying tribute to the roots and representing the trademark sound of the band once again. On Thorns I Lay continue to tell dense stories of loss and despair.

After their mini tour at the Baltic states with Rotting Christ  they signed a deal with the world famous record label Season Of Mist and they have finished the recordings of their 10th album entitled ‘On Thorns I Lay to be released in 2023.

Recording studio
Devasoundz Studios
Producer / sound engineer
Fotis Benardo

Mixing and mastering studio and engineer
Fotis Benardo

Current line-up
Peter Miliadis - Vocals (Dimlight, ex- Slaveatgod)
Christos Dragamestianos – Guitars
Nikolas Paraskevopoulos - Guitars (Dimlight, Yoth Iria)
Kostas Mexis - Bass (Aetherian, ex- Black Path)
Antonis Ventouris - Keyboards
Stelios Darakis - Drums (Dexter Ward, ex- Sacred Outcry, The Eternal Suffering, ex- Mortal Torment, ex- Lloth)

Guest vocals:
Fanny Melfi - Fallen From Grace
Labros Kiklis - Fallen From Grace
Stavros Papagiannakopoulos - Thorns Of Fire, Crestfallen
Ilias Mantikos - Thorns Of Fire
Katerina Tzitzou - Fallen From Grace
Irina Dimaki - Fallen From Grace
Anna Thana - Fallen From Grace
Aris Karatzas - Crestfallen, Newborn Skies, Raise Empires, Among The Wolves

Pre-order album: https://redirect.season-of-mist.com/OTIL
Pre-save album: https://orcd.co/otilpresave

Links:
https://www.facebook.com/onthornsilay
https://www.instagram.com/onthornsilayofficial
https://onthornsilay.bandcamp.com
https://www.youtube.com/@UCdzi7TfP1G8z6LjS5Oj5ibw
https://onthornsilay.live

Formats:
Digital
Vinyl Black
Vinyl Colour

Photo by Stella Mouzi

3TEETH’s First New Album In 4 Years “EndEx” Out Now Via Century Media Records;

The wait is over for EndEx. 3TEETH’s brand-new album – their first in four years – is now out via Century Media Records and is being hailed as a “champion[ing] industrial metal” (Blabbermouth), “an album of the year contender for the genre” (Razor’s Edge), and the “band's weirdest, most expansive offering yet” (Revolver).

To celebrate the album’s release, 3TEETH is also sharing the final single and video from the album, culminating in a cover of Tears For Fears’ “Everybody Wants To Rule the World.” The reworked take continues 3TEETH’s penchant for aggressive reworks of pop songs, previously seen on Foster the People’s “Pumped Up Kicks,” Sweet’s “Ballroom Blitz” and Dead or Alive’s “You Spin Me Round (Like A Record).”

See the video for “Everybody Wants To Rule the World” below.

Says frontman Alexis Mincolla of the track, “Listening to it, I felt the weight of the world and the wild-eyed frenzy of the human condition – the never-ending chase, the insatiable hunger. And in that moment, cruising down the highway, surrounded by the vastness of the desert, I realized: We're all just careening towards our own versions of world domination, fueled by dreams and delusions.”

EndEx showcases the modern industrial act at their most raucous yet, unveiling bold revelations of humanity’s technosocial disintegration behind a brutal soundtrack that sounds all the alarms. It’s the band’s first album since 2019’s Metawar, which Consequence recently named as one of the Top 50 Industrial Albums of All Time, hailing 3TEETH as “one of the modern bands keeping industrial alive.”

EndEx features the handiwork of a solid extended team including the accomplished sound designer Mick Gordon (best known for his work on the gaming phenomenon DOOM) who produced several of the tracks along with producer Nick Rowe and mixer Sean Beavan (NIN), bringing in another dimension to the band’s unmistakable sound.

Early singles have included noisemaker “Paralyze” (featuring Ho99o9); the gripping sonic salvo, “Merchant of the Void,” that touches on the bleak landscape of modern society amid A.I. takeovers and economic collapse; “Slum Planet,” taking aim at the ills of a sick planet obsessed with over-consumption at all costs; Scorpion,” a track in which the band’s instrumental arsenal is tempered by alluring female vocal chants that provide an ambient feel; the stripped-back single “Drift,” paired with a video showing the band at work in the studio; and the rousing “Higher Than Death” paired with an animated video.

EndEx is available in CD, Gatefold LP, and digital album formats. Special formats include: 

• Red LP (available at all EU outlets)

• Red Smoke LP (available at all US outlets)

• Ultra-Clear / Red Splatter LP (available from 3TEETH)

• Black-White Marbled LP (available from Revolver)

Order EndEx here: https://3teeth.lnk.to/EndEx

3TEETH has also announced a show to close out 2023 at L.A.’s Teragram Ballroom on December 29. Tickets are on sale now at www.3teeth.org. 

ABOUT 3TEETH

3TEETH first manifested their cybersocial intentions as early as 2013: a musical entity born out of Mincolla’s Downtown L.A. weekly gatherings known as “Lil’ Death” With Xavier Swafford (keys, synth), Chase Brawner (guitars) and Andrew Means (bass, synth) joining Mincolla. 3TEETH released their first self-titled album the following year. Alliances with the likes of TOOL and Rammstein resulted in the collective’s first live performances and a rise to further notoriety with the release of 2017’s album shutdown.exe. which took 3TEETH to global stages. Working alongside producer and mixer Sean Beavan (NIN) at new label home, Century Media, 3TEETH upped their own sonic arms race with Metawar (2019) and entered a new echelon of cultural consciousness with a collection of tracks including the biting “President X” and their haunting take on Foster the People’s “Pumped Up Kicks.”

"The modern carriers of the industrial rock torch" — Revolver

"State-of-the-art sensory overload with take-no-prisoners level of aggression" — Rolling Stone

“3TEETH bring the aggression with aplomb” — Loudwire

“3TEETH are one of the modern bands keeping industrial alive”

— Consequence

3TEETH is:

Alexis Mincolla – vocals

Chase Brawner – guitars

Xavier Swafford – keyboards and synthesizer

Andrew Means – bass

Nick Rossi – drums

Find 3TEETH Online

Website: https://3teeth.org/

Facebook: https://www.facebook.com/3Teeth

Twitter: https://twitter.com/threeteeth

Instagram: https://www.instagram.com/3teeth/

YouTube: https://www.youtube.com/channel/UCdUZ81wDL5GF_v0XUOyJRSg

Craig Morgan recruits Trace Adkins, Luke Combs, Gary LeVox, Jelly Roll, Blake Shelton and Lainey Wilson for new project, Enlisted

On the heels of being sworn into the U.S. Army Reserve live on the Grand Ole Opry stage this summer, country music hit-maker, author and Army veteran Craig Morgan is announcing a forthcoming brand-new EP, Enlisted, set to release October 20 on Broken Bow Records.Morgan recruited several of his famous friends — Trace Adkins, Luke Combs, Gary LeVox, Jelly Roll,Blake Shelton, and Lainey Wilson — for the six-song project, which features new versions of some of Morgan’s biggest hits, as well as two brand-new songs.  

“Making this record has been so much fun because I got to get in the studio with some of my friends and also re-create some of my catalog in a way that feels like brand-new music,” shares Morgan. 

Photo Credit: Nate Griffin

Produced by Craig Morgan and Phil O’Donnell 

Download Craig Morgan Enlisted credits HERE 

Pre-add/save now at craigmorgan.lnk.to/Enlisted 

Opening Enlisted is the working-class anthem, “Raise The Bar,” one of the EP’s two brand-new songs, which Craig sings with friend and neighbor, Luke Combs. And bookending the six-song project is “That Ain’t Gonna Be Me” with Trace Adkins, a song that spells out the importance Morgan places on his convictions. “I’m gonna put my hand up, I’m gonna stand up for what I believe,” he sings. “For me, it’s about God and family and country,” he says. “I am so blessed, and I recognize the blessings of the freedoms we celebrate in this nation.” 

Among the newly reimagined tracks is “Almost Home” featuring Jelly Roll, who spoke with Billboardearlier this year about how the song impacted his life during his incarceration and inspired him as an artist. The pair gave an emotional performance of the song live on the Grand Ole Opry stage together last year in addition to a surprise appearance during Morgan’s sold-out concert stop at Nashville’s Ryman Auditorium. 

Jelly shares: “This song is full circle for me. It’s about situations you are sometimes in that you just mentally want to be somewhere else — ‘Almost Home’ — it’s something that I listened to in jail. Me and my cellmates could really relate to it. When I got out, I spent what little money I had and went to see Craig Morgan at the Grand Ole Opry and cried when he sang it.”  

Lainey Wilson lends her stellar talents to a reimagined take on “International Harvester.” “It’s an absolute honor to be a part of this record,” said Wilson “I remember the first time I ever heard ‘International Harvester’ and the feeling I got knowing that there was music being written that felt like it was made just for me. I come from a family of farmers, so it’s really a full circle moment to be on this track alongside my good friend Craig.” 

Also included in the collection is “Redneck Yacht Club,” a collaboration with longtime  friend Blake Shelton, who made a cameo in the original song’s official music video in 2005. Shelton shares: “Craig and I have been friends for many years. I’m a fan of his music and admire him as a human. After all ofthese years, I still don’t understand why he still feels the need to wear that toupee, but I’m thrilled he asked me to sing with him on ‘Redneck Yacht Club.’” 

Last week, Morgan kicked off his popular “God, Family, Country Tour 2023,” in partnership with Operation Finally Home. Morgan and special guests The Reeves Brothers will play thirteen theater and auditorium dates through the end of October. Tickets and VIP experience packages are on-sale now atCraigMorgan.com. 

His 2023 headlining tour follows last fall’s release of his personal memoir — God, Family, Country, which Craig wrote with Jim DeFelice, #1 New York Times bestselling co-author of American Sniper. The book chronicles Craig’s road to success, from his humble childhood in Tennessee to his years as an elite military operative to his country music stardom. Country music fans and thrill seekers alike will love this intimate look at Craig’s remarkable life. Learn more HERE. 

Morgan previously served seventeen years in the Army and Army Reserve with the 101st and 82ndAirborne Divisions as an E-6 Staff Sergeant and Fire Support Specialist and including Airborne, Air Assault Jumpmaster and Rappel Master among his certifications. He is now returning to serve his country in a new way – as a soldier in the Army Reserve. The newly sworn in Staff Sergeant and Warrant Officer candidate will continue touring and releasing new music in his civilian career while simultaneously serving our country in the Army Reserve. 

Learn more at craigmorgan.com and engage with Craig on Facebook, Instagram, Twitter and TikTok. 

About Craig Morgan: A multi-faceted entertainer, Craig Morgan has made a name for himself as a country music icon, TV personality, author, celebrated outdoorsman and patriotic Army veteran. One of country music's best-loved artists, Morgan has amassed over 2 billion career streams and charted over 25 songs on Billboard, thrilling massive crowds with signature hits including “Bonfire,” “Almost Home,” “Redneck Yacht Club,” “International Harvester,” “This Ole Boy,” “Soldier,” “That's What I Love About Sunday” and his faith-filled tribute to his son Jerry, “The Father, My Son and The Holy Ghost.” On October 20, Craig will release his highly anticipated EP Enlisted, a six-song collection of reimagined hits and brand-new songs featuring collaborations with Trace Adkins, Luke Combs, Gary LeVox, Jelly Roll, Blake Shelton, and Lainey Wilson.  

Craig received one of country music's highest honors when he was inducted as a member of the Grand Ole Opry. Prior to becoming a country music star and TV sensation, Morgan served seventeen years serving our country in the Army and Army Reserve and in 2023 enlisted in the Army Reserve, continuing his military career. Morgan remains an avid supporter of America's military personnel and has made more than sixteen overseas trips to perform for our troops. He is a member of the U.S. Field Artillery Hall of Fame and recipient of the USO Merit Award. In 2018, he was awarded the Army’s Outstanding Civilian Service Medal, one of the highest awards the Department of the Army can bestow upon a civilian, in recognition of his significant dedication to our military men and women around the world. He remains committed to supporting active duty and veteran members of our military through work with Operation Finally Home, the USO and more.  

This month he’ll reprise his popular “God, Family, Country Tour 2023,” in partnership with Operation Finally Home, headlining run, playing thirteen theater and auditorium dates through late October. God, Family, Country, Craig’s gripping new memoir, released last fall in partnership with Blackstone Publishing. He details all aspects from his inspiring life, revealing never-before-heard stories including how he worked alongside the CIA as a soldier in Panama, fought sex traffickers as an undercover agent in Thailand, forged his own path to country music stardom, and lives his life by the deepest values: God, family, country.  

Find tickets to see Craig on tour at craigmorgan.com and engage with Craig on Facebook, Instagram, Twitter and TikTok.  

ONErpm Announces Joint Venture with Huff Co.

As announced with Billboard earlier today, ONErpm Nashville is proud to announce a joint venture with Huff Co., Dann and David Huff’s new production company, which will launch artists into the marketplace. Dann, a Billboard Producer of the Decade recipient, will be at the helm, with creative input from his brother, David, and other producers.

ONErpm, one of the fastest growing music companies in the world, will fund production, handle distribution and marketing, and co-own the master recordings. The artists will be signed directly to the joint venture, with ONErpm acting as the record company.

“Some artists we sign may already have a streaming foothold but want to grow their careers with the best in the business,” explains Tim Wipperman, managing director of ONErpm Nashville. “Others may be established artists looking for a more beneficial structure than a typical majors deal.”

“We want ONErpm to be at the forefront of finding new ways to build careers,” Wipperman shared with Billboard. 

“This has been something that my brother David and I have talked about for years,” shares Huff. “Together with our good friend and attorney, Seth Lichtenstein, we are looking forward to partnering with ONErpm and pulling in artists who are willing to think outside ‘the box!’”

ONErpm, which founder Emmanuel Zunz created by putting technology at the forefront, remains on the industry’s cutting edge. The first music company to offer artists “real-time” online transparency via a marketing and management system called Amplifier, ONErpm’s proprietary technology allows artists and their teams to log on and get daily stats on how many people are streaming their songs—one of a long list of marketing tasks it handles on their behalf.

Contact Dann Huff at ONErpm.link/HuffCo. For more information on ONErpm, visit the company’s website at ONErpm.com.

About Dann and David Huff
Dann Huff has been playing on demos in Nashville since he was 16. As a professional session guitarist and award-winning producer, he has worked in recording studios with Barbra Streisand, Keith Urban, Kenny Loggins, Reba McEntire, Celine Dion, Shania Twain, Megadeth, Michael Bolton and Rod Stewart. Huff has won CMA Musician of the Year multiple times, a two-time ACM Producer of the Year and Billboard’s Producer of the Decade.
 
David Huff started his career in country music performing on radio stations with his sister, Dorothy, culminating in an appearance on the Louisiana Hayride. In the early ‘60s, he formed rock (later Christian rock) group David and the Giants with his twin brothers, Clayborn and Rayborn, opening for acts such as Chuck Berry, Cheech and Chong, Black Oak Arkansas and Styx, ultimately releasing more than 20 albums. Huff has also released eight solo albums.

About ONErpm 
ONErpm is a next-generation music company and leader in new revenue opportunities, operating one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments. ONErpm currently operates in 43 offices across the globe with a staff of over 500, making it one of the fastest-growing music companies in the world. 

Dark electronic songstress STELLA WEMBLEY unleashes new 'Wasting My Time' EP with medieval goth-inspired video

“There is a longing within the lyrics as well as a diversity in the music that both tugs on the heart and pulls with the beat in a way that leaves the listener in a state of reflection and admiration” ~ Jammerzine

"On the verge between darkwave and electro-goth, Stella Wembley presents a haunting track that fluctuates between danceability and heart pounding shrieks, conjuring primal emotions. This spine-tingling offering qualifies as sorcerer music, a summoning force harnessing the power of repetition and unique female vocals" ~ Amplify Music Magazine

"Black magic, death, sex, erotic obsessions and supernatural landscapes fill my thoughts in a kaleidescope of jaw-dropping narratives straight out of H.P. Lovecraft, Bram Stoker, Edgar Allan Poe and Dean Koontz" ~  DJ Darren the Baron, Revolution Radio Online

Leeds-based Italian-born artist Stella Wembley presents her 'Wasting My Time' EP, a four-track release of sheer electro-goth delight surrounding the track 'Wasting My Time'. A vocalist, lyricist, composer, music producer and video director, Wembley is a rising star of the UK dark synth and gothic scene.

The loop- and arpeggio-driven synth backdrop feeds a retro new-wave vibe, and the catchy chorus underlines multiple conflicting sensations from dark melancholy to fiery self-expression, while exploring the esoteric and mystical and ultimately death, rebirth and destiny.

"The song 'Wasting My Time' is about self-confidence, self-empowerment, hope, change and transformation. Whenever there is a traumatic experience, I take the pain and put it into art, creating a song. The lyrics are autobiographical, and reference the difficulties I have gone through in the last 14 years, which I've finally overcome," says Stella Wembley.

"Betrayal, judgment and abandonment have been a constant in my life, and extremely painful, especially because it came from the people closest to me - family, friends- and having to manage this as well as my music career and record label wasn’t easy. This is how this song was born but, above all, it represents a new chapter in my life. Today, I feel powerful, and stronger than ever. I left the past in the past and cut all toxic relationships from my life. I love myself and I am finally free."

Directed and produced by Stella Wembley, the video – set in Medieval 13th century England – was filmed at Kirkstall Abbey and Adel Woods in Leeds by Riccardo Cavani for London Filmmakers. Stella cast 12 females, working with a small team she hired and directed herself, in addition to writing the script and creating the storyboard for the video.

Two of the remixes - 'Bionic Visions Electro Remix' and 'Bionic Visions Dark Ambient Remix' - were created by Enrico Knob aka Bionic Visions, an Italian music producer, arranger and re-mixer.

Stella Wembley comments, "These remixes are sublime, I really don't know which one I prefer between the two. I'm very happy to have met Enrico Knob, who is a fantastic producer and has understood straight away my music and vision. The electro version has fantastic drum samples, which Enrico programmed, and amazing sounds. I love the analog synths. I think this electronic version is perhaps more modern than my "retro" version. The melody stands out a lot, and although the drums are very present the song still remains nostalgic."

Stella began her musical career in Italy as a soprano while studying opera at the Royal Conservatory of Music ‘San Pietro a Majella’ in Naples. Upon graduating, she found limited opportunities on the Italian music scene, she moved to London in 2017, where she found inspiration and avenues as a musician, performing at venues in Leeds, Blackpool and London. Stella Wembey is also now the CEO of her own independent label Gothic Empire Records.

Armed with MicroKorg synthesizer, she began writing and producing electronic music in 2018, resulting in her debut EP ‘All That I Need’ (2019) and dark debut video, followed by the ‘Images of Death' EP (2020) and ‘Loving The Alien’ EP (2022), along with cabaret-style video.

Channeling her lifelong love of dark poetry, horror stories, macabre literature and cinema into music, Wembley leads the listener into a haunted realm, laying bare her soul in a psycho-drama of tragedy and melancholic sensuality. Powerful, yet with a hint of vulnerability, she is like a beautiful siren calling us to join her in her dark universe.

Stella Wembley has collaborated or performed with Lloyd Price (The Frixion), Auger, Inkubus Sukkubus, Zeitgeist Zero, Last July, Rome Burns and Machine Rox. Stella is currently working on her new album 'The Alchemy of the Dark Arts', which will feature Michael Ciravolo (a.k.a. Beauty in Chaos) on guitar.

The 'Wasting My Time' EP is out now, available everywhere digitally, including Apple Music and Spotify. On September 29, Stella will hold a release party online, followed by a live show at Leeds’ Eiger Studios on October 29.

CREDITS
Lyrics and music by Stella Wembley
Produced, recorded and mixed by Stella Wembley in Leeds
Vocals by Stella Wembley
Synthesizers and sequencer programming by Stella Wembley on Tracks 1 & 2
Tracks 3 & 4 remixed produced and recorded by Enrico Knob / Bionic Visions in Dro, Trento, Italy
Cover photography by Stella Wembley
Graphic design and photo editing by Tony McKormack
Video written, directed and produced by Stella Wembley
Filming, cinematography by R. Cavani for London Filmmakers
Casting and post-production by Stella Wembley


Keep up with Stella Wembley
Website | Store | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Spotify | LinkedIn | Email

MAYHEM Kicks Off North American Tour, New Live Album 'Daemonic Rites' Out Now

BUY TICKETS HERE

SHOP 'DAEMONIC RITES' HERE

True Norwegian black metal pioneer MAYHEM will be hitting the road for its highly-anticipated North American tour with Cannibal Corpse, Gorguts, and Blood Incantation starting today September 22, in Nashville, TN. The extensive trek will then draw the final curtain on October 21 in Louisville, KY. In addition, the band has just added two new dates without Cannibal Corpse in El Paso, TX and Tucson, AZ. Tickets can be found HERE while the full itinerary can be found below!

Mayhem is touring in support of its brand new monumental live album, 'Daemonic Rites,' which was just released on September 15, 2023 via Century Media Records! The record is a comprehensive look at the legendary band's chaotic and intense performances from various cities around the world over the last two years. The album promises to be a thrilling sonic journey for fans and a testament to Mayhem's unparalleled live prowess. The full album can now be streamed, downloaded, and ordered HERE.

“We wanted to document how great the band and set sounds like after almost 40 years of playing live," Necrobutcher previously explained. "As a treat to our fans, we decided to release this live recording.

“I knew from day one back in 1984 that this band was going to be outstanding—one of the best bands ever! I guess that’s a big reason why we still are here after 39 years—and counting.”

'Daemonic Rites' marks the culmination of the 'Daemon' era, which commenced in 2019 with the release of their critically acclaimed studio album, 'Daemon.' The journey continued with the savage EP 'Atavistic Black Disorder' in 2021, leaving audiences hungry for more. This latest live conglomeration serves as the ultimate chapter-closer for this landmark.

Photo by Vincent Grundke

Mayhem Live North American Dates

(w/ Cannibal Corpse, Gorguts, Blood Incantation):

09/22: Nashville, TN @ Marathon Music Hall

09/23: Charlotte, NC @ The Fillmore **SOLD OUT*

09/24: Knoxville, TN @ The Mill & Mine

09/26: Pittsburgh, PA @ Stage AE

09/27: Toronto, ON @ Rebel

09/28: Montreal, QC @ L’Olympia

09/29: Worcester, MA @ The Palladium

09/30: Brooklyn, NY @ Brooklyn Steel

10/02: Detroit, MI @ The Royal Oak

10/03: Gary, IN @ Hard Rock Live

10/04: Minneapolis, MN @ The Fillmore

10/06: Denver, CO @ Mission Ballroom

10/07: Salt Lake City, UT @ The Depot

10/09: Tacoma, WA @ Temple Theatre

10/10: Spokane, WA @ Knitting Factory

10/11: Boise, ID @ Knitting Factory

10/13: San Francisco, CA @ The Warfield

10/14: San Diego, CA @ SOMA

10/15: Tucson, AZ @ The Rock*

10/16: El Paso, TX @ The Rockhouse Bar & Grill*

10/17: San Antonio, TX @ The Aztec Theatre

10/18: Dallas, TX @ The Factory

10/20: Atlanta, GA @ The Eastern

10/21: Louisville, KY @ Paristown Hall

*No Cannibal Corpse

'Daemonic Rites' will be available in the following formats:

- Ltd. CD Digipak

- Gatefold Black 2LP

- Ltd. Transp. Magenta 2LP (Limited to 1.000 units)

- Ltd. Gatefold Transp. Red 2LP (Limited to 500 units)

- Ltd. Gatefold Silver 2LP (Limited to 500 units)

- Ltd. Deluxe Box Set (incl. Gatefold Golden 2LP, CD, Poster, Setlist, Tour Laminate w. Lanyard

& Signed Guitar Pick Set - Limited to 1.000 units)

Preeminent black metallers Mayhem ready their newest live strike with Daemonic Rites for Century Media. The 16-track effort captures the frightful efficiency and utter lethality of the Norwegians as they close the chapter on their exalted sixth album, Daemon (2019). Throughout Daemonic Rites, Mayhem impressively nail newer tracks like “Falsified and Hated,” “Malum,” “Bad Blood,” and “Voces Ab Alta” to the proverbial cross, while offering pure fucking mastery of classics like “Freezing Moon,” “Buried by Time and Dust,” “Deathcrush,” and “Carnage.” The devilish quintet also add mid-career haunts like “To Daimonion,” “Symbols of Bloodswords,” and “My Death,” making Daemonic Rites a genuine career-spanning offering.

“We wanted to document how great the band and set sounds like after almost 40 years of playing live,” says founding member Necrobutcher. “As a treat to our fans, we decided to release this live recording.”

“We released the live version of De Mysteriis [aka De Mysteriis Dom Sathanas Alive] a few years ago,” Ghul adds. “That was received very well. We have been playing together for so long now with this lineup that we feel we have reached a point where we are a seriously well-oiled machine. It seemed like a natural step to try to capture this moment in the band’s history, with the same setlist we have been using for a while.”

Mayhem have nearly 1,000 shows to their name. Since their formation Langhus, Norway in 1984, the band—now comprised of Necrobutcher (bass), Hellhammer (drums), Attila Csihar (vocals), Teloch (guitars), and Ghul (guitars)—have brought their brand of bellicose, preternatural black metal to over 60 countries. From the United States and Germany to Australia and Brazil, Mayhem have stunned, bewildered, and turned rabid a global legion, dedicated as much to the band’s infamous legacy as they are staunchly in support of Daemon. Much of that respect and devotion started in the early ‘90s, but persisted to the present day on the strength of official live albums Live in Leipzig (1993), Mediolanum Capta Est (1999), Live in Marseille 2000 (2001) and De Mysteriis Dom Sathanas Alive (2016). Mayhem continue their on-stage assault with Daemonic Rites.

“I knew from day one back in 1984 that this band was going to be outstanding—one of the best bands ever!” Necrobutcher says. “I guess that’s a big reason why we still are here after 39 years—and counting.”

“Well, for the first time in a long time, we felt again like a unit, musically,” continues Hellhammer. “That’s something we haven’t felt in a long time, and that shows in the live recording.”

Daemonic Rites wasn’t pre-planned. Rather, they had sound engineer/producer Tore Stjerna (of Necromorbus Studio fame) record everything—just for posterity, in fact—during the group’s Northern Ritual MMXXII and Thalassic Ritual tours of 2022 and early 2023. Mayhem and Stjerna pilfered the gems, resulting in gigs from London (“Life Eternal,” “Malum”), Manchester (“My Death,” “Silvester Anfang”), and Gothenburg (“Pure Fucking Armageddon,” “To Daimonion”) coming out on top. The penultimate Mayhem live album wouldn’t be complete without “Freezing Moon” and “Pagan Fears”—both from Csihar’s hometown of Budapest, Hungary—as well as newer tracks “Falsified and Hated” and “Bad Blood” from Sydney and Melbourne, respectively. Daemonic Rites showcases the two-time Norwegian Grammy (aka Spellemannprisen) winners at the pinnacle of their live potential.

“We play the songs that feel the best live,” Hellhammer says. “We have in the past tried out a lot of different songs from former eras, but when you play live for an audience, the songs must have IT. If they don’t, even if they are good songs, they won’t fit in a live setting.”

Adds Teloch: “We have a vast catalog by now with so many different types of songs. It’s interesting to make them all work together in a full concert.”

Daemonic Rites comes off the heels of Mayhem’s incredible Beyond the Gates 2022 performance, where they uncaged cult classic De Mysteriis Dom Sathanas not far from where it was originally recorded by Eirik ‘Pytten’ Hundvin (Enslaved, Emperor, Immortal) in Grieghallen during 1992/1993. The live album, however, was mixed and mastered over in neighboring Sweden. Stjerna, who also assisted with Daemon, took the phantasmagoric collection of tracks to his lair at Necromorbus Studio, where his sole job was to preserve Mayhem’s raw, unbridled energy and ghastly electricity. From “Falsified and Hated” and “My Death” to “Buried by Time and Dust” and “Carnage,” they’ve never had the quality of a live album quite like Daemonic Rites. If the past is always alive, this is a live album on par with Venom’s Eine Kleine Nachtmusik, Emperor’s Emperial Live Ceremony, and Gorgoroth’s Black Mass Krakow 2004.

“It fits with where we are now, or more precisely, where we were at the time of the recording,” says Hellhammer.

“[The live recordings] capture the spirit and energy,” furthers Ghul, “of where we are as a band right now.”

Indeed, Mayhem have been and continue to operate at a level not yet witnessed. While atavists will always relish the Deathcrush or Live in Leipzig lineups, Hellhammer’s drum performance against the twin terrors of Teloch and Ghul is the purest black magic on Daemonic Rites. Similarly, Csihar’s hair-raising caterwauling and spectral snarls atop Necrobutcher’s seventh-hell low end is witching-hour great! To support Daemonic Rites, Mayhem have videos for Daemon-era masterpiece “Malum” and late-‘80s Killjoy dedication “Chainsaw Gutsfuck” lined up. Daemonic Rites is the perfect guillotine while the group craft new songs and conspire with others on what the group’s 40th Anniversary next year might entail. Mayhem are likely in their final form, and they’ve never been deadlier.

Lineup:

Necrobutcher – Bass

Hellhammer – Drums

Attila – Vocals

Teloch – Guitar

Ghul – Guitar

Bio: Chris Dick

Follow Mayhem:

Official Website

YouTube

Facebook

Instagram

Twitter

Melodic Doom Legion KAUNIS KUOLEMATON Releases Lyric Video for Mesmerizing New Track "Elävältä Haudattu"!

Finnish melodic doom metallers KAUNIS KUOLEMATON have shared the next intense taste of their highly-anticipated sophomore full-length record, entitled Mielenvalta, which will be out October 13 on Noble Demon. Following the release of the first single "Peilikuva", the band follows up today with a lyric video for the mesmerizing track "Elävältä Haudattu". Watch it below.

Stream the single HERE

KAUNIS KUOLEMATON on "Elävältä Haudattu" (Buried Alive):

"Briefly summarized. When the love of your life (whether it's your friend or your life partner, still the most important person in your life) has to give up the joy that life brings, and there's nothing you can do about it. The tone of the song and its melodies will lead you through this sad beautiful journey."

With a fearless approach that defies genre boundaries, KAUNIS KUOLEMATONredefined the very essence of Melodic Doom Metal, seamlessly blending ethereal beauty with unrelenting force. Since their formation in 2012, the band has embarked on a relentless quest to push the limits of their craft, creating a unique and mesmerizing brand of melancholic metal that resonates with fans from all corners of the metal spectrum. Their crushing and recognizable sound has earned them spots sharing stages with renowned acts such as Omnium Gatherum, Wolfheart, Cult of Luna, Vorna, and October Tide. From playing festivals to headlining their own shows across Finland, KAUNIS KUOLEMATON has captivated audiences with their magnetic performances. With three albums, one EP, and several singles under their belt, these Finnish metallers have firmly established themselves as a force to be reckoned with in the metal scene.

With their latest album Syttyköön Toinen Aurinko, featuring lyrics entirely in Finnish, KAUNIS KUOLEMATON has already left an indelible mark, garnering praise from fans and critics alike. Now, as they prepare to unleash Mielenvalta, the band's evolution reaches new heights, promising an immersive experience that will leave you breathless.

Mielenvalta will be coming out on October 13 via Noble Demon and is now available for pre-order at THIS LOCATION

KAUNIS KUOLEMATON are:
Olli Suvanto - Vocals
Mikko Heikkilä - Clean vocals, Rhythm guitar
Ville Mussalo - Guitars
Jarno Uski - Bass
Miika Hostikka - Drums

Find KAUNIS KUOLEMATON online:

Official Website

Facebook

Instagram

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

OBSCURA - Unleash Live Video For ´Emergent Evolution´

OBSCURA recently announced their highly anticipated live album, A Celebration I - Live in North America, which will be released on October 27 th via Nuclear Blast Records.

Today, the band presents a stunning live video for the track ´Emergent Evolution´, captured during their electrifying Mexico tour. This video promises to deliver a sensory experience like no other, showcasing the band's unmatched talent and captivating stage presence.

Watch the video below.
Listen to the song on all platforms: https://obscura.bfan.link/eesg
pre-order the album here: https://obscura.bfan.link/acilina
 
Steffen Kummerer comments: "´Emergent Evolution´ quickly became the most popular track of our 2018 record Diluvium. The song has been part of our live shows ever since, and combined with a loud and wild audience as in Mexico back in 2022, it‘s just pure joy to perform live on stage.”

A Celebration I - Live in North America takes you on a mesmerizing journey through their iconic discography, featuring fan favorites from albums like Cosmogenesis, Omnivium, Akroasis, Diluvium and the chart-breaking A Valediction.

The album has been mixed & mastered at Studio Fredman by award-winning producer and engineer Fredrik Nordström (Arch Enemy, In Flames, At The Gates), in Gothenburg, Sweden, in collaboration with OBSCURAs architect Steffen Kummerer.
Vincent Grundke, who has been working alongside the band as a videographer and photographer since 2021, provided the visual accompaniments for the record.

More information:
www.realmofobscura.com
www.facebook.de/realmofobscura
www.twitter.com/realmofobscura
www.instagram.com/realmofobscura
www.youtube.com/realmofobscura

Dalton Dover Releases 'Never Giving Up On That' Collection

Named a Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, Dalton Dover releases his eight-song collection Never Giving Up On That via Mercury Records/UMG Nashville, featuring two new songs including “Dirt Roads and Jesus” and an alluring cover of “If I Ain’t Got You.” Listen to Never Giving Up On That HERE.
 
“This has been such an exciting time in my life, and it means so much to be able to share it with all of you,” shares Dover. “So many milestones and memories have been made with these songs and what better way to celebrate that than putting them all together and adding some new ones. We can’t wait to bring more new music to you soon.”
 
Along with “If I Ain’t Got You,” a staple and fan-favorite in his live set, “Dirt Roads and Jesus,” written by Dover with his producer Matt McVaney and Alex Maxwell, is a striking ballad, expressing where he feels closest to God. As he debuted the song during his first performance at the Grand Ole Opry, he explained he’d faced some tough times throughout his life, but his faith has always brought him out the other side to better days.
 
Today’s release follows barn-burner “Night To Go,” praised by MusicRow as Dover “has already proved himself to be a masterful country balladeer, a story-song teller, a heartache prince and a heart-tugging sentimentalist…He can also spit out a country rocker with the best of ‘em: this kicks hillbilly butt,” asserting the song is “more proof that stardom should knock on his door.”
 
Dover’s first official single “Giving Up On That” debuted as the most-added song at Country radio and continues to climb the charts. The official music video, filmed near Dover’s hometown in Rome, Georgia, will premiere next Wednesday, Sept. 27 on CMT, CMT Music, CMT.com and Paramount’s Times Square Billboard.
 
He made his international debut earlier this year at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, Dover performed across four stages at CMA Fest, including the Nissan Stadium Platform Stage, and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. He has been on the road with select dates supporting Tyler Hubbard, Parker McCollum, Justin Moore and Priscilla Block among festival performances. For more information and tickets, visit DaltonDoverOfficial.com.

Dalton Dover Upcoming Tour Dates
 
Sept. 23           Fiddler’s Green Amphitheatre (w/ Justin Moore)      Greenwood Village, CO
Sept. 26           CMT Equal Access Showcase                                    Nashville, TN
Sept. 27           Pasadena Rodeo                                                          Pasadena, TX
Oct. 5              Capitol Center for the Arts                                         Concord, NH
Oct. 7              Homespun Festival                                                     Rockmart, GA
Oct. 8              WPOC Sunday in the Country                                   Columbia, MD
Oct. 13            WXCY BBQ Fest                                                       Aberdeen, MD

About Dalton Dover
Lauded by MusicRow as a “master country talent,” Dalton Dover’s current chart-climbing single “Giving Up On That” via UMG Nashville/Mercury Records was the most-added track at Country Radio upon its debut with 60 first week adds and can be found on his latest EP Never Giving Up On That, featuring eight tracks including “Night To Go,” “Baby I Am,” “Hear About A Girl,” and more. Named a Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, Dover made his Grand Ole Opry debut in December 2022, followed by his international debut in 2023 at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, Dover performed across four stages at CMA Fest, including the Nissan Stadium Platform stage and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. Dover is currently on the road with select dates supporting Tyler Hubbard, Parker McCollum and Priscilla Block among festival performances. By the age of 16, Dover had picked up a guitar and started teaching himself to play, yet it was his grandfather who turned him on to country music and artists such as Keith Whitley, Rhett Akins, Joe Diffie and Steve Wariner. Performances at local bars soon followed along with sharing covers of some of his favorite songs on TikTok. It was there he caught the ear of producer Matt McV and A&R veteran and founder of Droptine, Jim Catino, who quickly signed Dover. His debut track “You Got a Small Town,” produced by McV, quickly garnered critical acclaim from Billboard, MusicRow, Country Now and Wide Open Country. With his debut and his follow-up “Baby I Am” earning notable playlisting, Dover was named a Spotify Hot Country 2022 Artist to Watch along with a spotlight as Billboard’s February Country Rookie of the Month and a nod for MusicRow’s 2022 Discovery Artist of the Year. For more information, visit DaltonDoverOfficial.com or follow along on Instagram, TikTok, Twitter and Facebook.
 
EP Lyrics Available HERE

Martyr Logarius Signs with Season of Mist

Season of Mist is proud to welcome Martyr Logarius to our label!

Two years ago, this skeletal trio crawled out from the misty forests of Northern California. In their wake comes a brutal, blackened and ghoulishly melodic new subgrene: Formless Black Metal.

"Fate is what brought us here", says Martyr Logarius. "For out the shadows we were taken; for the void we are, and to the void we shall return".

Be prepared for more announcements about the re-release of the band's EP, as well as their upcoming debut album.

Lineup
Noctifer (Vocals)
Urath (Lead Guitars)
Vastator (Guitars)

Studio musician: Marco Pitruzzela (Drums)
Logo by Tri Waluya

Formed in 2021 amidst the mist-shrouded forests of Northern California, Martyr Logarius emerged as a formidable force in the world of extreme music. This black metal trio, consisting of Noctifer, Urath, and Vastator, set out to forge a new path with their unique genre known as Formless Black Metal.

Martyr Logarius' creative spark ignited as they embarked on their journey to create something different in black metal. Drawing inspiration from various subgenres of black metal, including brutal blackened death and melodic post-black metal. Naming this subgenre “Formless Black Metal” due to the mix of styles that change within each song. 

Follow Martyr Logarius
https://www.instagram.com/_martyr_logarius_/?hl=en

KOLBY COOPER SAYS “HELLO FROM THE ROAD,” AVAILABLE NOW

Praised by People as “Country music’s newest badass,” Kolby Cooper has been packing out venues and racking in streaming numbers typically reserved for household names since he was 18 years old. Now at only 24, the touring powerhouse and prolifically gifted songwriter with a frantically devoted fanbase dials in on the highs and lows of being on the road and the loneliness felt being away from loved ones with his latest “Hello From The Road,” available today via BBR Music Group/Wheelhouse Records in partnership with Combustion Music. Listen now below.

Wishing he was at home while also enjoying the perks of tour life with his band and seeing the world, Cooper brings his vivid storytelling to life with a magnetically enticing beat.

“'Hello From The Road’ is a song we wrote about being on the road for the past 4 years, and it was specifically inspired by a night in Birmingham after a show when our former merch guy got knocked out cold in a pool game gone wrong,” explained Cooper. “I called my wife when we got back to the bus and told her it was crazy out here, and I can’t wait to be home."

Written by Cooper with David Garcia and Brett Tyler and produced by Andrew Baylis, “Hello From The Road” continues his newly unveiled Country-rocker sound and follows his Grand Ole Opry debut, the fiery anthem “Kill Me” released earlier this summer, and his acclaimed label-debut album, Boy From Anderson County To The Moon, that Whiskey Riff and Raised Rowdy declared as one of the top albums of 2022.

Continuing his strenuous packed-out headlining tour-schedule throughout 2023, Kolby Cooper has “proven that he has everything it takes to hang with the big dawgs in country music" (Whiskey Riff).

About Kolby Cooper:
Only three years out of high school, still living in his small hometown of Bradford, Texas, Kolby Cooper started selling out shows and clocking millions of streams using only his songs as muscle, earning streaming numbers competitive with household names. Now, at only 24 years old, having amassed over 330 million on-demand streams, Cooper’s label debut album Boy From Anderson County To The Moon is out now via BBR Music Group / Wheelhouse Records in partnership with Combustion Music. A prolific songwriter known for his cut-throat, highly relatable break-up anthems and uncensored lyrics, “Cooper has already made quite the name for himself” (American Songwriter), writing songs that fans sing back to him from the very first note, including just-released tracks. “Blazing a trail to stardom” (People), “there’s one thing for certain about Cooper…the man is versatile as all hell. He can have you hyped up through the roof or have you crying in your beer at the corner of a bar on a Friday night” (Whiskey Riff). Now, “Country Music’s Newest Badass” (People) is giving his rabid fanbase exactly what they demanded with his latest “Hello From The Road” and the fiery anthem “Kill Me,” introducing a fresh, pumped-up new sound that’s been commanding his electric live shows. Continuing his strenuous tour schedule throughout 2023, catch Cooper headlining sold-out shows all over the country, bringing with him his signature blend of wailing electric guitar and stadium-level anthems. For more information, visit his website HERE.

KEEP UP WITH KOLBY COOPER
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | TWITTER

Photo Credit: Gabriel Muniz Photography

New Jersey art rock collective ELK CITY release their seventh album, 'Undertow', via Magic Door Records

"Elk City’s cool and elegant sound draws on 1980s “dream pop” and bits of 1960s folk-rock" ~ The New York Times

"Sophisticated – vivacious, harmonious and memorable due to many factors, not least of all is the remarkable vocal timbre and convincing delivery of vocalist Renée LoBue, recalling Eddie Brickell at times and Jefferson Airplane’s Grace Slick at others" ~ Music-News.com

"Clever lyrics, winning arrangements and superb production, but with a seemingly darker underbelly... one of the best albums of 2023. From start to finish, this is a solid offering – a thoroughly pleasing and inspired aural experience" ~ The Spill Magazine


New Jersey art-rock outfit Elk City present their seventh album 'Undertow'. Like their previous album 'Above the Water', this record is inspired by the band’s love of documentaries like 'The Source Family' and 'Wild, Wild Country' - films that explore the allure of cults and extreme alternative lifestyles. In the lead up to the album, the band released the singles 'Tried To Move On' and 'Strong (You're Not Alone)'.

Founded by Renée LoBue and Ray Ketchem, Elk City is brilliantly rounded out by Luna’s Sean Eden, Richard Baluyut (Versus) and Chris Robertson (Psychedelic Furs side project Feed, Punch Havana).

Ketchem, a renowned producer (Guided By Voices, Luna, Gramercy Arms)recorded, mixed and mastered the 'Undertow' album, which is being released via Montclair, NJ-based Magic Door Record Label, co-founded several years ago by Guided by Voices' Kevin March, Ketchem and artist Renée LoBue.

“‘Undertow’ is the companion piece to our 2022 album ‘Above the Water’. Both albums were recorded simultaneously. We actually considered releasing them together as a double album. ‘Undertow’ is the darker of the two. Numerous songs on ‘Undertow’ are long and sprawling and take the listener on unexpected adventures. Of course, there are a few pop songs too. Like all our albums, there are pop songs, but Undertow has a musical darkness that is unique to this release, yet lyrically it seems to be about independence and personal strength,” says Ray Ketchem.

Renée LoBue adds, “The most interesting thing about these records (to me) is that the water theme was not planned. The water theme revealed itself to us after. Even more ironic: The cover art pieces that were chosen for both records have water themes. I created both pieces of art before the records were done. At the time I didn’t realize they were part of a larger water theme expressed in the music. Upon completion, we were able to look at both the art + the music with a way more objective lens. We could see the hidden theme looking back at us. It had been there all along.”

From the opening title track, 'Undertow' sucks you into a different kind of record with peculiar pop constructs built of rare materials, found only in the wilds behind Magic Door Recording Studio in Montclair, which legendary studio designer George Augspurger helped transform into a freeform studio where vintage microphones, modern studio gear, and bespoke sound tuning elevate and inspire.

This is where Elk City has meticulously built this record and this band a whole other way. Songs often begin with improvised live-jams that become load-bearing beams for layers and layers of instrumentation and harmonies. It’s a process that both asks questions and answers them. What is a pop song? (Whatever we say it is) How many guitars are too many? (none) Should we add strings here? (Yes! No! Strings and what else?) Elk City’s live shows also push boundaries of what a band should be, adding and subtracting, sometimes pulling James Baluyut (Versus) into the vortex, sometimes playing acoustic, never afraid of what ifs and what is rock, really?  

Even after seven albums, Elk City are still deliberately hard to define, still seekers, unafraid to shed this life and lead the listener on a journey to new sounds and feelings. And as long as they remain curious, they will report back what they have found, with albums like Undertow, packed with siren songs to lure you in and fill you with a devout ecstasy, body and soul. You came here looking for something. And now you know.

Welcome to Elk City.

As of September 22, the 'Undertow' album is available across fine digital outlets, including Apple Music, Spotify and Bandcamp. On September 30, Elk City will be playing a reunion show for the 90’s band Velocity Girl at NYC’s Bowery Ballroom, followed by a December 1 show with Ted Leo in their hometown of Montclair, NJ.

CREDITS
Written and performed by Elk City
Renée LoBue - vocals
Sean Eden - guitars
Chris Robertson - guitars, backing vocals
Richard Baluyut - bass, synths, backing vocals
Ray Ketchem - drums, synths, sounds
Claudia Chopek - violin
Recorded, mixed and masted by Ray Ketchem
Produced by Ray Ketchem
Created at Magic Door Recording, Montclair, NJ
© 2023 sound is crazy music (BMI)
Single cover artwork by Renée LoBue
'Strong' video directed, filmed and edited by Ray Ketchem
featuring Renée LoBue, Chris Robertson and Richard Baluyut
'Strong' video filmed at Eagle Rock Reservation & Kip's Castle Park, Essex County NJ


Keep up with Elk City
Facebook | Bandcamp | Instagram | Twitter | YouTube | Apple Music | Tidal | Qobuz | Spotify | Press contact

Magic Door Record Label
Facebook | Twitter | Instagram | Soundcloud | YouTube | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Theory of A Deadman Share New Holiday Track "Missing You This Christmas" — LISTEN

NEW STUDIO ALBUM DINOSAUR OUT NOW

Today, multi-platinum rock band Theory Of A Deadman has shared their brand-new holiday track "Missing You This Christmas." 

Listen Below.

Elaborating on the track, frontman Tyler Connolly shared, "We've never done an original holiday track and for some reason the timing seemed right. Maybe it was all the years of hearing Mariah Carey in Target that sparked the idea."

"Missing You This Christmas" marks the first new music from Theory Of A Deadman since the arrival of their new studio album, Dinosaur, which was released earlier this year via Roadrunner Records. Dinosaur, Theory's eighth full-length, features their Top 10 Active Rock Radio hit "Dinosaur" and marks an overall return to form stylistically for the chart-topping Canadian quartet. 

Dinosaur, the follow-up to 2020's acclaimed album Say Nothing, was produced by Martin Terefe (Jason Mraz, YUNGBLUD) and recorded in Sweden at Atlantis Studios, made famous by ABBA. The 10-track collection features the hard-hitting title track "Dinosaur," and recent single "Two Of Us (Stuck)," which showcases Theory's signature wit. Elsewhere on the new album is the recklessly raucous and righteously catchy party song "Ambulance," the gritty "Medusa (Stone)," and the aggressive "Get In Line."

Theory Of A Deadman —  the aforementioned Connolly [lead vocals, guitar], Dave Brenner [guitar, backing vocals], Dean Back [bass], and Joey Dandeneau [drums, backing vocals] — will be on tour in the UK through the end of September and will return back to the states for a co-headline run with Skillet deemed the "Rock Resurrection Tour" which will kick off October 20 in Baton Rouge, LA. See below for all upcoming tour dates and visit www.theoryofficial.com for more info and to purchase tickets.

With sky-high hooks, riffs as thick as a 2x4, rumbling grooves, and a razor-sharp sense of humor, Theory Of A Deadman have quietly persisted as an unapologetic, unbreakable, and undeniable hard rock force with major multi-platinum hits and countless sold out shows in each of the past two decades. Jamming together in basements throughout high school, the band burst out of their small hometown of North Delta, British Columbia with the self-titled, Theory of a Deadman, during 2002. In addition to the double-platinum breakthrough album Scars & Souvenirs [2008] and gold-certified The Truth Is…[2011], Theory have notched a procession of hits, including the gold-certified "All Or Nothing," "Bitch Came Back," and "Lowlife," platinum-certified "Angel," "Hate My Life," and "Not Meant To Be," double-platinum "Bad Girlfriend," and triple-platinum "RX (Medicate)." As the biggest smash of their career thus far, the latter hit, off their 2017 album Wake Up Call, marked their third #1 on the Billboard Hot Mainstream Rock Tracks Chart and garnered a nomination for "Rock Song of the Year" at the iHeartRadio Music Awards. The award-winning band’s last studio album Say Nothing, featuring the chart-topping and powerful single "History of Violence," landed at #2 on the BillboardAlternative Albums Chart and #3 on the Rock Albums Chart. Theory Of A Deadman’s impressive catalogue has also logged two Top 10 debuts on the Billboard Top 200 and amassed more than 1 billion collective streams on Spotify alone and over 700 million views on their official YouTube. 

Photo Credit: Jimmy Fontaine

THEORY OF A DEAD MAN ON TOUR:
10/20 — Baton Rouge, LA — Raising Canes River Center
10/21 — Shreveport, LA — Shreveport Municipal Auditorium
10/22 — San Antonio, TX — Boeing Center at Tech Port
10/24 — Corpus Christi, TX — American Bank Center
10/26 — El Paso, TX — El Paso County Coliseum
10/28 — Rio Rancho, NM — Rio Rancho Events Center
10/29 — Colorado Springs, CO — Broadmoor World Arena
10/31 — West Valley City, UT — Maverik Center
11/1 — Idaho Falls, ID — Mountain America Center
11/3 — Spokane, WA — The Podium
11/4 — Kent, WA — ShoWare Center
11/7 — Billings, MT — MetraPark Arena
11/8 — Bismarck, ND — Bismarck Civic Center Arena
11/10 — Minneapolis, MN — The Armory
11/11 — Brookings, SD — Dacotah Bank Center
11/12 — Waukee, IA — Vibrant Music Hall
11/14 — Grand Rapids, MI — Van Andel Arena
11/15 — Peoria, IL — Peoria Civic Center
11/17 — Youngstown, OH — Covelli Centre
11/18 — Johnstown, PA — 1st Summit Arena at Cambria County War Memorial
11/19 — Mashantucket, CT — Foxwoods Resort Casino
11/21 — Norfolk, VA — Chartway Arena
11/22 — Salem, VA — Salem Civic Center
11/24 — Jacksonville, FL — Daily's Place Amphitheater
11/25 — Orlando, FL — Orlando Amphitheater
11/28 — Mobile, AL — Mobile Civic Center Theatre
11/30 — Huntsville, AL — Propst Arena - Von Braun Center
12/1 — Spartanburg, SC — Spartanburg Memorial Auditorium
12/2 — Johnson City, TN — Freedom Hall Civic Center
12/5 — Fort Wayne, IN — Allen County War Mem. Coliseum
12/6 — Evansville, IN — Ford Center
12/8 — North Little Rock, AR — Simmons Bank Arena
12/9 — Wichita, KS — Hartman Arena

Silent Planet Share "Anunnaki" Video — WATCH

NEW ALBUM SUPERBLOOM OUT NOVEMBER 3 VIA SOLID STATE RECORDS

TOURING WITH DAYSEEKER 

California metal band SILENT PLANET will release their new album SUPERBLOOM. It arrives November 3 via Solid State Records. Pre-order it here. The release date is significant for the band, as it arrives on the anniversary of their horrific van accident. But it is also a testament to their resilience!

Today, the band shares the video for new single "Anunnaki." Watch it below. 

Singer Garrett Russell cryptically says, "Something stirs in the forest. Under the smoldering shadow of Mt. Shasta, extending to the forgotten reaches of the Lost Coast. Our footsteps dredged up the last rites of an annihilated people; their suffering-turned curse coalesced into a blighted, blasphemous body. Listen closely. Behind the serene forest song hangs a dissonant note. A blood-thirsting shriek swings in the air, wrapping the fallen boughs of sequoias… resounding through the valley. Descendants of an ancient race — beings crossed between humans and beings from another dimensions - they remain and and hold the memory of the native martyrs. Their presence demands vengeance. They are the forgotten giants. They are the Anunnaki."

Silent Planet have consistently transfixed a diehard fanbase. The group dropped a string of acclaimed albums, including The Night God Slept [2014], Everything Was Sound [2016], When The End Began [2018], and Iridescent[2021]. Album standout "Trilogy" generated 5.3 million Spotify streams to sit alongside their genre-bending triumph "Panic Room" from the 2016 release, currently at 5 million. The guys notably took home "Best Underground Band" at the 2017 Alternative Press Music Awards and toured with the likes of Motionless In White, August Burns Red, Beartooth, and The Contortionist.

Over the course of two years, they recorded what would become SUPERBLOOMin Woodland Hills, CA alongside longtime producer and frequent collaborator Daniel Braunstein. A jarring turn of events split the process into two seasons. Trekking through a Wyoming snowstorm in November 2022, Silent Planet survived a vehicle accident. The van flipped over, leaving the group laying in the wreckage of a bitter Wyoming snowstorm as Garrett was hospitalized with a fractured back and head wound requiring stitches.

"The majority of us were awake when we felt the van start to slide," he says. "We had some time to come to grips with the fact we were about to go down and have a close brush with death. Afterwards, we talked about what to do with the band. We went back into the record with an increased willingness to take risks. It bolstered our confidence to try new things. When the accident happened, it did something to my head, and it fed into the album."

Along the way, they settled on a conceptual framework, expanding the scope of their vision like never before. "I grew up in Northern California," he continues. "There's a strip of the state known as Humboldt County, but it's called the 'Lost Cove.' It's a hotbed for strange and paranormal events like UFO and Big Foot sightings. There's so much we haven't uncovered. It's possible our reality as we know it is not complete. We started telling the tale of a 17-year-old who went missing. It's based on a true story with many details changed. Art dictates reality, and reality dictates art. Making this record was a very strange and mystical process. It's the most magical and inspired moment of our career so far.

Silent Planet will return to the road this September, supporting Dayseeker. All dates are below, including Silent Planet headline shows.

SILENT PLANET ON TOUR:
WITH DAYSEEKER + MOXY THE BAND:
9/22 — Bend, OR  —  Volcanic Theatre Pub
9/23 — Reno, NV  —  Ranch House
9/24 — Los Angeles, CA  —  Fonda Theatre 
9/26 — Phoenix, AZ — Underground ^
9/27 — El Paso, TX — Lowbrow ^
9/28 — Austin, TX — Come and Take It Live ^
9/29 — Dallas, TX— Gilly’s ^
11/4 — Brooklyn, NY — Brooklyn Monarch*
12/30 — Anaheim, CA — House of Blues&
^Silent Planet Headline shows
*With Haste the Day
&With Dayseeker

SILENT PLANET ARE:
Garrett Russell — Vocals 
Nick Pocock — Bass
Mitchell Stark — Guitar
Alex Camarena — Drums

Peter G. Holmström (The Dandy Warhols) presents Pete International Airport album 'It Felt Like the End of the World' & video for 'Next of Kin' feat. Lisa Elle (Dark Horses)

From the city of Portland and the depths of one's psyche comes Pete International Airport, which revolves around Peter G. Holmström of The Dandy Warhols, who has released the new album 'It Felt Like The End of the World' via Little Cloud Records.

Their third album, this is a meticulously crafted psychedelic rock journey into the dark heart of electronica. It is also a triumph of process and vision. Mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), the album was mastered by Dave Coley at Elysian Mastering.

"This record was mostly written and recorded during the pandemic so sonically and lyrically it can’t help but be influenced by what we all went through.  There is a melancholy darkness as well as a peaceful beauty.  The album title came from a “fairytale/poem” that is whispered at the end of 'Sea Of Eyes'. It perfectly captures the hopeful/scary feeling of change that comes at the end of something," says Peter G. Holmström.

Named after a song by The Dandy Warhols, this eclectic project nails the elusive aesthetic of unexpected yet inviting sound art. Pete International Airport's quest to build immersive soundscapes that are also classic, catchy songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

This album features numerous guests, including Rachel Goswell (Slowdive, Mojave 3), Alexander Hackett (Pang Attack), Dion Lunadon (A Place To Bury Strangers, The D4), and none-other-than Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Pete International Airport also presents the video for 'Next of Kin' featuring Lisa Elle of Dark Horses, who says, “In the depths of isolation, I recall wanting to overcome the usual caution and hesitation one often experiences when faced with lots of time and choice. Recognising that life is fleeing can actually be life affirming. This is a song born of frustration and a need to push onwards full heartedly. Working with Peter remotely has been, on the one hand a private experience  - developing ideas and recording by myself but also a liberating exercise in surrender and real creative acceptance”.

Album order (all formats)
https://peteinternationalairport.bandcamp.com/album/it-felt-like-the-end-of-the-world 

Vinyl order 
https://littlecloudrecords.com/collections/frontpage/products/pete-international-airport-it-felt-like-the-end-of-the-world-pre-order

The album's core roster boasts the cream of the neo-psychedelic crop, of which The Dandy Warhols and their shadow, The Brian Jonestown Massacre, are the reigning kings. Members of Dark Horses, Omniscuro, Sun Atoms, Guiding Light and Hopewell, most of whom are repeat collaborators and on-again / off-again members of the live band, give voice to the album’s elegiac thesis while adding more light and hope than could be expected from this scene, at this time in history, and in a business that was just dealt a death blow by a pandemic.

The use of repetition - visually and sonically - and the use of limitations and boundaries (i.e. every Pete International Airport record has 11 songs) cements the collection into a beautifully cohesive whole that becomes more interesting with repeated listens. Peter, his long-time collaborator / producer Jeremy Sherrer, and his stable of co-creators have given us more than one album’s worth of hooks, ideas and beauty, somehow smelting them into a single monolith of sound that is accessible from any point, celebrating a world that just keeps ending.

"Musically, this record started with an obsession on the bass tone/line from The Cure’s 'Fascination Street' and a healthy appreciation of the detail in their sonic density.  Most songs start on an acoustic, which in most cases gets muted somewhere in the process. Then layers of beats, bass lines, melodies, arpeggios, etc. get added / removed until the piece of music is interesting enough to entice someone to write lyrics and sing on it,," says Peter G. Holmström.  

"Lyrically, I might suggest a topic that captures our dark chaotic world without sounding preachy.  Sometimes the singers listen to me, other times they follow what the song makes them feel."

'It Felt Like The End of the World' is out now via Little Cloud Records, downloadable from fine music platforms, such as Spotify, Apple Music and Bandcamp, where it is also available on CD and a Deluxe double-album in a gatefold sleeve, pressed on transparent vinyl with an orange blob or on transparent vinyl with a purple blob.

CREDITS
Recorded in Portland, LA, NY, UK and Montreal
Chamber Orchestra recorded by Chris Bergstrom
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Music written by Peter G. Holmström
Vocals and lyrics by:
Alexander Hackett (Pang Attack) on 'Sea Of Eyes', 'Out Past The Razor Wire', 'No Blindfold'
Lisa Elle (Dark Horses) on 'Fluid/Flex', 'Next Of Kin'
Daniel Sparks (Omniscuro) on 'The Watermark'
Jasun Adams (Sun Atoms, The Upside Down) on 'Commercial Eyez', 'Brave New World'
Dion Lunadon (The D4, A Place To Bury Strangers) on 'Commercial Eyez'
Chuck Davis (The Guiding Light) on 'Commercial Eyez'
Jason Sebastian Russo (Hopewell, The Guiding Light) on 'The Thoughts You Won’t Think'
Rachel Goswell (Slowdive, Mojave 3) on 'Tic Tac'

Instruments performed by Peter G. Holmström except:
Jeremy Sherrer - drum programming, MPC
Paulie Pulvirenti (Elliott Smith, Number 2, Eyelids) - drum kit, toms, octobans
Gregg Williams - toms
Cory Gray (Old Unconscious / Car Crashlander / The Delines) - piano, organ, synth
Rishi Dhir (Elephant Stone) - sitar
Tom Petersson (Cheap Trick) - 12-string bass
Lisa Molinaro (Talk Demonic / Modest Mouse) - viola
Louise Woodward - composer / arranger on 'Il Canto Della Polena'
Chamber Orchestra for 'Il Canto Della Polena'
Shin-Young Kwon - violin 1
Keiko Araki - violin 2
Charles Noble - viola
Pansy Chang - cello
Jason Schooler - double bass
Joseph Berger - French horn


Keep up with Pete International Airport 
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Spotify | LinkedIn | Email

Creeper Share "Black Heaven" Visualizer — WATCH

CREEPER SHARE "BLACK HEAVEN" VIDEO — WATCH

BAND TO RELEASE NEW ALBUM SANGUIVORE ON FRIDAY, OCTOBER 13 VIA SPINEFARM 

As they prepare to unleash their third full-length album Sanguivore on Friday, October 13, CREEPER have continued to expand the scope of their frenetic, flamboyant goth-punk heart that took their previous album, Sex, Death & The Infinite Void into the Top 5 of the Official Album Chart. First "Cry To Heaven" came across like an unholy union between The Sisters of Mercy and Glenn Danzig, before "Teenage Sacrifice" channelled the ire and anthemic punch of Judas Priest and Iron Maiden in their early '80s pomp.

Now, CREEPER embrace a darker side of black with their new single "Black Heaven."

Watch the visualizer below.

"Black Heaven" adds new sonic elements to CREEPER's swaggering gothic heart, with looming, ominous synths entangled like barbed wire around Ian Miles' serrated riffs, which recall the sinister side of electro-pop and the darkwave scene of the early '80s. Presenting an important moment in the story between the album's core characters, Spook and Mercy, the vocal interplay between William Von Ghould's baritone croon and Hannah Hermione'ssweetly alluring vocal harmonies provides another standout touch, which was inspired by Nick Cave's collaboration with the McGarrigle Sisters on the Bad Seeds' track "Hallelujah."  

William Von Ghould says, "This song allows us to show a new side to the band and sees us experimenting with electronic elements properly for the first time. Taking influence from Depeche Mode and New Order, we try to push the boundaries of our sound out further than they’ve been before."

Produced by Tom Dalgety (Ghost, Royal Blood), the upcoming Sanguivore album finds CREEPER going larger-than-life in every conceivable way, from Jim Steinman-style ripping rock operas to Billy Idol's punk/sleaze hybrid and the moody heavyweight electro-rock of Gary Numan. In a world that's getting darker by the moment, the vampiric thrills of Sanguivore offers fans a fantastical escape into the unknown, and one that's full of Easter eggs for those fans who thoroughly immerse themselves within every detail of the record.

Sanguivore is available to pre-order HERE.

Joining the previously announced four vinyl variants which come with a signed art print are some new formats: a limited edition red cassette, and a limited edition card sleeve CD with alternate artwork.

After a surprise second stage headline set at Download and then playing theOVO Arena Wembley as part of the Heavy Music Awards, CREEPER recently announced a London Lafayette show under their alter ego The Ghost Brigade, which sold out instantly. The band will then embark upon the "Sacred Blasphemy" headline tour in November, which concludes with a second much larger London show at the O2 Shepherd's Bush Empire and is also about to sell out. Remaining tickets for the tour, dates listed below, are available HERE.

WINGER's 1988-1993 ALBUMS COMPILED IN NEW BOX SET, ALONG WITH A BONUS DISC OF DEMOS

One of the most-aired hard rock bands on MTV during the late '80s and early '90s was Winger, a band who had it all – expert chops, chart success, arena tours, etc. And now for the first time ever, the band's best-selling albums will be compiled together in the new box set, Chapter One: Atlantic Years 1988-1993 – which will be released on November 17, 2023 via Atlantic/BMG, and will be available as both vinyl and CD versions.
 
Included will be the band's self-titled debut from 1988 (which spawned the hits "Madalaine," "Seventeen," and "Headed or a Heartbreak"), In the Heart of the Young from 1990 (which gave us "I Can't Get Enuff," "Miles Away," and "Easy Come Easy Go"), and Pull from 1993 (which contained "Down Incognito").
 
And long-time fans of the band – whose classic line-up was comprised of singer/bassist Kip Winger, guitarists Reb Beach and Paul Taylor, and drummer Rod Morgenstein – will probably be most intrigued by the inclusion of the fourth disc, Demo Anthology, which includes original demo versions of Winger's biggest hits. Additionally, the set will be newly remastered by Ted Jensen – with the remaster process overseen by Kip Winger.

“I’m very proud of this box set.  It captures an unforgettable era for the band and these are the only remasters I officially endorse.” – Kip Winger

Still rocking to this day – the band issued their seventh studio effort overall in 2023, the appropriately titled Seven. Kip Winger is also a respected and successful symphonic composer, having issued recordings under the name C.F. Kip Winger, while Reb Beach has been a member of Whitesnake since 2002, and Rod Morgenstein has served as a professor at Berklee College of Music (in addition to playing in a variety of other more jazz-fusion-based projects).
 
To obtain all of Winger's definitive LP's in one fell swoop, Chapter One: Atlantic Years 1988-1993 covers all the bases – and then some!

PRE-ORDER HERE:
https://winger.lnk.to/atlantic

FOR MORE INFORMATION, VISIT: 
wingertheband.com

WINGER ON TOUR:

Oct 7th –   Rock The Locks Music Festival -  Unatilla, OR
Oct 13th -  Rocktober 2023 At The Old Gray – Monterey, TN
Oct 14th – District 142 – Wyandotte, MI
Nov 11th -  Newton Performing Artist Center – Newton, NC
Nov 18th – Buffalo Rose – Golden, CO
Dec 16th – Smart Financial Centre – Sugar Land, TX
Dec 17th – The Factory In Deep Ellum – Dallas, TX
Jan 17th – Rockisland Fest 2024 – Key West Amphitheater – Key West, FL

P.O.D. Share Video For New Single "DROP" Feat. Lamb of God's Randy Blythe — WATCH⬇️

P.O.D. SHARE VIDEO FOR NEW SINGLE "DROP" — WATCH

TRACK FEATURES A GUEST VOCAL FROM LAMB OF GOD'S RANDY BLYTHE

Platinum-selling rock juggernaut P.O.D. — Sonny Sandoval [vocals], Marcos Curiel [guitar], and Traa Daniels [bass] — have shared the video for their new single "DROP,"  out now via Mascot Records.

The track features a vicious vocal cameo from Lamb of God singer Randy Blythe.

"'DROP' is another one of a kind, unparalleled banger that sets this band apart from everyone else," says Sandoval. "When you hear it, you know it's P.O.D.!"

Watch the video below.

ABOUT P.O.D.: 
They've been a band — and a vital one at that — for more than 30 years. But ask rock icons P.O.D. what still inspires them after all this time, and they'll tell you they still operate as if they're perpetual underdogs. Yes, with every new album they release, with every show they play, these musical lifers still feel they have something to prove. "We're still here and we're still creating some of the best music we've ever made," says guitarist Marcos Curiel. "When it comes to heart, grit and soul, P.O.D. is your band." Adds vocalist Sonny Sandoval: "We're always still proving who we are — always having that punk-rock mentality."
 
It's this mindset, this unrelenting grit that has long defined the platinum-selling P.O.D. and continues to do so as they march proudly into the next era of their long-winding journey of a career. Now, they are nearly five years removed from their previous studio album, Circles, which to date has been streamed more than 50 million times and spawned the hit "Listening to Silence." Now, the band returns in with new single "Drop."
 
The track is a sonic boom of a cut, and features a thrilling vocal turn from Lamb of God singer Randy Blythe. "Dude, it's the sickest thing ever," Curiel says of "Drop," which was inspired by the guitarist's longtime love of electronic music. "When that drop hits, everyone knows it," he adds. "We needed to create a song in that way…P.O.D. style."
 
P.O.D.'s audience has always been at the core of everything the band does, and to that end, their live shows remain essential to who they are. They've played major festivals including the Sick New World, INKcarceration and Hell and Heaven Fest, and have shared stages with the likes of KORN, Red Hot Chili Peppers, Evanescence and Seether.