French Synthwave Producer/Singer SIERRA Releases New Song “Power” Featuring Carpenter Brut, From Debut Album “A Story Of Anger” Out Sept 15

The Latest Single From The Debut Album

A Story Of Anger

Coming September 15 Via Virgin Records France

Also Featuring Collaborations With HEALTH & Corvad

 

SIERRA’s 13-Date North American Tour Kicks Off In September

Including Appearances At All Three

Cold Waves Music Festivals

Lauded French synthwave artist, producer and singer SIERRA and electro icon Carpenter Brut are teaming up once again—this time for her brand-new single “Power,” out today.

 

SIERRA first appeared on Carpenter Brut’s album Leather Terror last year, and now he’s repaying the favor adding a dark, horror-fueled backbeat to the layered dance track.

 

Listen to “Power” HERE: https://SIERRAFr.lnk.to/Power

 

See the video for “Power” below:

 

The track is the latest single from SIERRA’s debut album, A Story Of Anger coming September 15 via Virgin Records France. In total, it features 11 emotive tracks that tap into SIERRA’s own unique brand of sound, inspired by synthwave, EBM and darkwave and with moody ebbs and flows that spiral from violence and melancholy to sweetness and brutality.

 

In addition to Carpenter Brut, A Story Of Anger also features new collaborations with Corvad and L.A.-based noise rock/industrial act HEALTH.

 

It will be supported by a 13-date tour across North America in September, including prominent placement on all dates of the Cold Waves Festivalsin Chicago, New York and Los Angeles. See all details below.

 

Two more EPs came in 2020 (All About Love) and 2022 (See Me Now), the latter of which resulted in SIERRA supporting Carpenter Brut on his worldwide tour across 20 countries.

 

Most recently, SIERRA was tapped to be part of a fashion campaign as her track “Unbroken” was used by Yves Saint Laurent Beauty for its new global campaign “Bold”.

Pre-order A Story of Anger here: https://linktr.ee/sierra.synthmusic

 

SIERRA will head out on tour across North America in September including the following dates:

 

September 16 Montreal, QC @ Newspeak

September 17 New York, NY @ Cold Waves Festival

September 19 Toronto, ON @ The Garrison

September 20 Pontiac, MI @ Pike Room

September 21 Pittsburgh, PA @ Club Café

September 22 Cleveland, OH @ The Foundry

September 23 TBA

September 24 Chicago, IL @ Cold Waves Festival

September 25 Denver, CO @ Larimer Lounge

September 26 Salt Lake City, UT @ Quarters

September 28 Los Angeles, CA @ Cold Waves Festival

September 29 San Diego, CA @ Soda Bar

September 30 San Francisco, CA @ DNA Lounge

Find SIERRA Online

Instagram: https://www.instagram.com/sierra.synthmusic/

Facebook: https://www.facebook.com/sierra.synthmusic

YouTube: https://www.youtube.com/SIERRA-synthmusic

 

SIERRA North American Press Contact

Selena Fragassi

FR PR

selena@fr-pr.net

SINGER-SONGWRITER ROB ROTH RELEASES “AWOL” A Melodic Escape into Self-Discovery

New York-based multi-talented powerhouse and rising star, Rob Roth, has released his new single “Awol,” today. The song, co-written by Rob Roth himself, boasts an infectious hook with powerful lyrics that resonate with anyone who has ever felt disillusioned by the corporate world. The main hook of "Awol" revolves around a universal theme of feeling overwhelmed and disconnected from the world, prompting the powerful lyrics, “I don’t wanna do it no more, think I’m going Awol.” Rob Roth masterfully captures the emotions of those who have experienced being caught in the corporate world's labyrinth, where individual

value can often be overlooked. The song beautifully portrays a journey of self-discovery, self-awareness, and ultimately, breaking free from the constraints of societal expectations.

"Awol" is a song that masterfully combines Rob Roth's 90s/00s pop-rock influences; with its guitar riff-driven foundation, uplifting atmosphere, bright synths, and lively percussion. Influenced by artists such as Dave Matthews, John Mayer, Goo Goo Dolls, Avicii, Chainsmokers, among others, Rob Roth aims to evoke a wide range of emotions through his songwriting, encompassing pain, hardship, healing, and love. Collaborating with renowned vocal coach RAab Stevenson, who has worked with top artists like Dave Matthews, Justin Timberlake, Rihanna, and more, Rob Roth continuously hones his craft to deliver exceptional performances.

Credits
Writers: Robert Roth, Ian Holmes, Dom Paul Feil-Roots Producers: Robert Roth, Ian Holmes, Dom Paul Feil-Roots Mixing Engineer: Dom Paul Feil-Roots

Rob Roth's entry into the music scene has been nothing short of remarkable. After battling consecutive major sport related injuries and surgeries in his early 20s, he reconnected with the guitar, igniting a passion for music that he had never fully explored before. From the very beginning of his musical endeavors, Rob Roth's talent and potential were evident. In his first-ever vocal lesson in 2019 he received a profound compliment from his coach, when his voice was likened to the legendary Chester Bennington of Linkin Park. This comment served as a catalyst, fueling Rob's motivation to practice tirelessly throughout the pandemic, reaching a point where he felt compelled to pursue music seriously. Rob's musical transformation took flight in 2021, when he released his first-ever song and subsequently delivered an impressive repertoire of 11 tracks and an EP. Now, with the release of "Awol," Rob has expanded his horizons into production. In 2022, he focused on learning the art of production, even taking on an internship with his EP Co-Producer, Adam Clark. As a result, he has a collection of self-produced tracks ready for release in the upcoming fall/winter season.

Dogma Releases New Track & Video FORBIDDEN ZONE

Faithful truth seekers, today Dogma releases their new single and video, "Forbidden Zone."  This is the first visual chapter (and first track) of the comprehensive Dogma saga that constitutes their forthcoming album.  The story unfolds within this inaugural track, boldly exploring taboos that constrain authentic expression. The resonant message dares all souls to shatter the chains that bind them, embarking on a journey towards genuine self-discovery and empowerment.
 
The video, directed by Saico, vividly illustrates the curiosity surrounding these taboos. It follows the infamous nuns (Lilith, Lamia, Nixe, and Abrahel), who bear witness to the wavering purity of a young Lilith, tempted to enter the covenant's oath.

Dogma encourages the devoted to confront their innermost fears and embrace the liberation lying beyond the bounds of conventionality.

Watch the video below:

Dogma beckons us to embrace rebellion and unleash our carnal desires. They cast aside the chains of modesty, conjuring a tempest of sensuality that demands unwavering attention and passionate participation.
 
Be prepared, for this revelation serves as a harbinger of the impending unveiling of Dogma's forthcoming album. As they forge their sonic arsenal in the crucible of creative passion, they challenge conventions and summon the faithful to join their unyielding crusade.
 
Indulge in the auditory and visual splendor offered by the sisterhood, unraveling the enigma that is DOGMA.

For more information or to connect with Dogma, go to;
OfficialDogma.com

Beartooth Drop Video for New Track"Doubt Me" + Video

Gold-selling, billion-streaming rock band BEARTOOTH — Caleb Shomo, vocals; Zach Huston, guitars; Will Deely, guitars; Oshie Bichar, bass; and Connor Denis, drums — have announced their fifth album The Surface. It will arrive October 13 via Red Bull Records. Pre-order it here.

Like its predecessors, The Surface is an intensely personal and powerful journey for Shomo, who has never shied away from sharing his demons in his music and with his fans. However, the frontman has turned a corner with a more optimistic outlook and demonstrates exceptional growth as both an artist and a human being through the songs that comprise the album.

Today, the band has shared the video for new track "
Doubt Me." Watch it below.

The footage captures Beartooth in their most natural state — performing live and unleashed on their instruments with ferocious abandon!

"We all have our own struggles that we deal with quietly," says Shomo. "Sometimes, it can be hard to explain to the people around you what you're dealing with. What may be perceived by others as weakness is actually a battle with yourself that you know will be conquered. Being in the thick of serious change is never easy, and being brought down by those who don't understand can add to the weight. Know that when you're in those moments, sometimes you need to just put your head down and fight with all you have, regardless of whatever people say you're capable of at the moment."

The first single "Might Love Myself" has stormed out the gates and is proving itself to be a hit, as the fastest moving song on the active rock radio charts in the band's history, landing in the Top 20 within three weeks.

Additionally, all previously released tracks — "Riptide," "Sunshine!," and "Might Love Myself" have tallied nearly 50 million total streams thus far.

ABOUT BEARTOOTH:
Caleb Shomo first turned the pain of his struggle with mental health and self-image into music in 2013. Beartooth began as a living document, a diary, a journal of repressed rage and depression. Alone in his basement studio, screaming and singing, playing all the instruments, and self-producing a batch of furious but melodic songs filled with reflection and confession, the Ohio native stared into the abyss, initially with no intention of returning to the heavy music world that burned him as a teen. A decade later, the different pieces of his body of work connect in title, sound, and spirit. As the frontman hits 30, Beartooth’s fifth album, he Surface, completes this era in 2023. Even more importantly, it kicks off a new chapter filled with surprising optimism and just as honest. Depression is a sick, disgusting, aggressive disease below the surface. Shomo stands ready to bask in the light.
 
Like Nine Inch Nails, Beartooth remains a one-person band in the studio. On the heels of the introductory Sick EP (2013), Disgusting (2014) produced the band's first Gold single, "In Between." Aggressive (2016) and Disease (2018) expanded on the desperation and pain, each a step closer to a balance between the blood and tears of classic recordings and the shimmer of modernity.  
 
Rolling Stone heralded Beartooth as one of 10 Artists You Need to Know. The rabid response to Shomo's music demonstrated how many people related to his struggle for self-acceptance. Below (2021) topped the Rock and Alternative charts and several Best Rock/Metal Albums of the Year lists. As of 2023, the Beartooth catalog boasts more than 1 billion streams across all platforms. 
 
Beartooth began as both bomb and balm, an outright refusal to suffer in silence, weaponizing radio-ready bombast, delivering raw emotion mixed with noise-rock chaos. Other bands play the "devastating riffs and catchy hooks" game, but this music is the difference between life and death, and now, a sort of life after death while still here. The band Forbes sees "inching towards a tipping point of becoming the latest arena headliner" is now one step closer. 

PRE-ORDER 'THE SURFACE'

STREAM "DOUBT ME"

EXMORTUS RELEASE LONG-AWAITED MELODIC DEATH, MAGNUM OPUS NECROPHONY

Southern Californian melodic death masters EXMORTUS have released their long-awaited album, Necrophony, today with Nuclear Blast Records.

Produced by Zack Ohren (FALLUJAH, IMMOLATION), the band’s 6th studio album expands on their previous works, melding neo-classical with contemporary death metal wizardry, resulting in their darkest and most classically inspired record to date.

Featuring tracks like ‘Beyond The Grave,’ ‘Oathbreaker,’ ‘Mind of Metal’ and ‘Storm of Strings,’ Necrophony is a relentless masterclass of guitar virtuoso and extreme heavy metal.

Commenting on the album, guitarist/vocalist Conan says:

"We're excited for our fans and new listeners to experience a new aspect of our sound with Necrophony. It was a breath of fresh air for us to try new things. Emphasizing a change in atmosphere and tone, we poured our darkest emotions and thoughts into Necrophony. Fans and fresh ears are in for a treat."

Purchase/Stream Necrophony:  https://exmortus.bfan.link/necrophony.a01

“Necrophony is an unapologetic declaration of Exmortus’s rebirth—a triumphant rising from the ashes of the pandemic.” - ToiletOvHell.com

“If your metal is lacking some much-needed technicality of late, Necrophony is here to remedy that.” - HeavyMusicHQ.com

“This album is a dizzying array of supreme virtuosity and gnarly aggressive metal” - TheRazorsEdge.Rocks

In celebration of Necrophony’s debut, EXMORTUS will invade Alhambra, California’s iconic metal roadhouse Grill ‘Em All for an album release party today. The band will also be performing hometown shows in the coming months at Metal Injection Festival and at 1720. Additional touring to be announced soon.

EXMORTUS Tour Dates:

Sept 17 - Anaheim, CA - Metal Injection Festival @ House of Blues

Nov 18 - Los Angeles, CA - 1720 (w/Vio-Lence, Bonded By Blood)

About EXMORTUS:


Los Angeles-based neo-classical extreme metal mavens Exmortus return on new album, Necrophony. Four years in the making, the group’s sixth album offers nothing but savage rebirth and fierce renewal. "Necrophony" marks a significant turning point—one foretold by the Legions of the Undead EP in 2019—for the Angelenos. Not only have they emerged from the throes of the pandemic stronger, faster and crazier, they’ve signed on to global metal powerhouse Nuclear Blast. The passion and fury of lead-off single ‘Oathbreaker’ is merely the tip of Exmortus’ darkest tower. Follow-on singles like the powerful ‘Mind of Metal’ and ‘Storm of Strings,’ a whistle-stop, no-joke cover of Greek-American composer Yanni interpreting Vivaldi’s ‘The Four Seasons,’ add greatly to Exmortus’ masterly oeuvre.
 
Exmortus was founded in 2002. The group issued a bevy of well-received demos and EPs that culminated in debut In Hatred’s Flame in 2008. Since then, Gonzalez—now flanked by specialists Phillip Nuñez (bass), Chase Becker (guitars, Warbringer), and Adrian Aguilar (drums, Vio-lence)—has gone on to release four more fan-favorite full-lengths. Exmortus have toured with Amon Amarth, Obituary, Death Angel, and more, playing gigs in North America and Europe. The group’s highlights have also included a stint with thrash legends Exodus at industry lighthouse event NAMM and a coveted spot on the 70000 Tons of Metal cruise. Necrophony, a portmanteau of “necro” and “phony” (or “dead sounds”), is Exmortus bigger, badder and wickedly restless.
 
Written from a fresh slate, Necrophony’s origins can be traced to preludes ‘Masquerade,’ ‘Overture,’ and the intro to ‘Children of the Night.’ Once Exmortus had the feel down, they settled on expanding on the motifs by forging Viennese sophistication with metal might. Careful observers will hear Exmortus’ clever use of the album’s musical theme throughout its 12-song range. That includes “Darkest of Knights” and the aforementioned “Children of the Night,” as well as Necrophony’s shorter bursts of bravado in ‘Oathbreaker’ and ‘Beyond the Grave.’ The most important attributes were, however, vibe and Exmortus’ careful crafting of their next-gen sonic fingerprint.
 
Whereas previous albums up through 2018’s The Sound of Steel have been predicated on heroic fantasy/sword & sorcery, "Necrophony" turns a decidedly darker page. Exmortus have gone from a "Conan the Barbarian" and "Gladiator" aesthetic to something blacker, more nefarious as illustrated by the eeriest and evilest Lovecraftian and Tolkien-esque tales. There’s even a classic horror thing happening. This is, of course, a reflection of our immediate world, and the darkness that’s engulfing everything in it.
 
Exmortus invited Renaissance man Zack Ohren (Fallujah, Immolation) to return as engineer, producer, mixer and mastering ace on Necrophony. Certainly, the team that had cemented the group’s three previous albums into the annals of metaldom was going to work yet again. With Ohren at the helm, Exmortus holed up in Sharkbite Studios in Oakland, CA. Necrophony was fast-tracked in just under two weeks. The result is a clap of virtuosic metal sure to leave fans battered, bloodied, and hungry for more violent opulence.
 
With ‘Oathbreaker,’ ‘Mind of Metal’ and ‘Storm of Strings’ ringing darkened ears Exmortus’ paroxysmal ascent to extreme metal’s upper echelons is guaranteed with Necrophony. Bow in reverence to the high-flying, six-stringed dynasts now.

Follow EXMORTUS:
www.exmortusmusic.com
www.facebook.com/exmortusofficial
www.instagram.com/exmortus_official

BEAST IN BLACK - release stunning music video for ´To The Last Drop Of Blood´

The festival season is almost done and international powerhouse BEAST IN BLACK are already gearing up for their next round of live dates, which will take them across USA and Canada for 31 shows.

Today they present their fans with a captivating music video of the track ´To The Last Drop Of Blood´, taken from their latest album Dark Connection.

Witness the raw talent and unparalleled chemistry of each band member as they come together to create an unforgettable concert experience. From dynamic solos to breathtaking vocal performances, this live video showcases BEAST IN BLACK at the peak of their musical prowess.

The video was shot during their European tour between November 30 and December 5, 2022, directed by Damien Dausch from Psyrus Studio.
 

Check out the video below

The band comments: "As we hit bigger and bigger stages in front of tens of thousands of fans, the power of the Beast continues to break loose! We also want to show this madness to those people who have never had the chance to see us live. For that, we chose a powerful song from our latest album, Dark Connection, and we asked Damien Dausch to film it on some shows of the tour. Now, we can proudly present you the music video for ´To The Last Drop Of Blood´!
We hope it brings the big arena feeling into your home."

Catch BEAST IN BLACK live on their dates in the USA and Canada!
Special guest: DANCE WITH THE DEAD
Tickets: 
https://beastinblack.com/tour.php

07.09 USA Atlanta, GA - ProgPower USA 
08.09. USA Richmond, VA - The Canal Club 
09.09. USA Baltimore, MD - Baltimore Soundstage 
10.09. USA Millvale, PA - Mr. Smalls Theatre 
11.09. USA New York, NY - Gramercy Theatre 
12.09. USA Harrisburg, PA - Harrisburg Midtown Arts Center 
13.09. USA Cambridge, MA - The Middle East 
15.09. USA Quebec City, QC - Imperial Bell 
16.09. CAN Montreal, QC - Club Soda 
17.09. CAN Toronto, ON - The Axis Club Theatre 
20.09. CAN Winnipeg, MB - The Park Theatre 
21.09. CAN Saskatoon, SK - Louis' 
22.09. CAN Calgary, AB - Dickens 
23.09. CAN Edmonton, AB - The Starlite Room 
25.09. CAN Vancouver, BC - Rickshaw Theatre 
26.09. USA Seattle, WA - Substation Seattle 
27.09. USA Portland, OR - Star Theater 
29.09. USA Roseville, CA - Goldfield Trading Post 
30.09. USA Santa Ana, CA - The Observatory 
01.10. USA Mesa, AZ - Nile Theater 
03.10. USA Salt Lake City, UT - Metro Music Hall 
04.10. USA Denver, CO - Gothic Theatre 
06.10. USA Dallas, TX - Granada Theater 
07.10. USA San Antonio, TX - The Rock Box 
08.10. USA Houston, TX - White Oak Music Hall 
09.10. USA Baton Rouge, LLA - Chelsea's Live 
10.10. USA Birmingham, AL - Saturn 
11.10. USA Nashville, TN - Exit/In 
13.10. USA West Palm Beach, FL - Respectable Street 
14.10. USA Tampa, FL - The Orpheum 
15.10. USA Winter Park, FL - The Conduit  

BEAST IN BLACK is:
Yannis Papadopoulos | vocals
Mate Molnar | bass
Atte Palokangas | drums
Kasperi Heikkinen | guitars
Anton Kabanen | guitars, vocals

More info:
www.beastinblack.com
www.facebook.com/beastinblackofficial
www.instagram.com/bib_band
www.twitter.com/bib_band
www.youtube.com/beastinblack
www.nuclearblast.de/beastinblack

Heart Of A Coward Share Video For "Surrender To Failure"

NEW ALBUM THIS PLACE ONLY BRINGS DEATH OUT SEPTEMBER 22 VIA ARISING EMPIRE

British heavyweights Heart Of A Coward have started pre-orders for their new album This Place Only Brings Death, set for release on September 22 via Arising Empire.

Today, Heart of A Coward present their brand new single "Surrender To Failure," delving deep into themes of despair, internal struggle, and self-doubt.

Watch the video
below.

Heart Of A Coward's newest album takes a bold, accessible turn, drawing heavily from metalcore influences as opposed to their previous leanings towards the progressive.

The album contemplates the inevitable theme of everything coming to an end, which is a sobering reality.

Heart Of A Coward released their debut album, Hope and Hindrance, in 2012, which received critical acclaim and helped establish the band's sound and style. They have since released several other albums — including Severance (2013), Deliverance (2015), and The Disconnect (2019).

This Place Only Brings Death will be available as CD, limited colored vinyl, and other unique merch options at the Arising Empire Store, band's shop and many other online retailers!

Pre-order/save This Place Only Brings Death
here.

HEART OF A COWARD ARE:
Kaan Tasan — Vocals
Carl Ayers — Guitar + Vocals
Dan Thornton — Guitar
Vishal "V" Khetia — Bass
Christopher "Noddy" Mansbridge — Drums

Archetypes Collide Share "Fade Away" Video

Arizona upstarts ARCHETYPES COLLIDE — Kyle Pastor (vocals), Brandon Baker and Jared Knister (guitars), Ky Sanders (bass), and Tyler Flamm(drums) — quickly established themselves as a band unafraid to blur the lines between safety and innovation in heavy music. Soaring vocals, melodies, and heavy grooves swirl with passion and precision. The band dropped its self-titled debut on March 31 via Fearless Records. Get it here

Fresh off a tour with Beartooth and Trivium in the spring, the band is returning to the road this fall with We Came as Romans, Emmure, and Bodysnatcher. All dates are below.

Archetypes Collide have also shared the video for "Fade Away." Watch the performance-driven video, which offers a taste of what to expect when the band hits the road.

"Life can leave you feeling like the only way to succeed is to continually grind until you drive yourself into the ground," Pastor shares. "'Fade Away' is for those that feel like they're burning at both ends just to make it to tomorrow."

Pastor continues, "'Fade Away' is all about capturing that day-to-day (more often 'night-to-night,' if Im being honest) vibes of the touring life. Sleepless nights, blurring days, the grind of traveling, and being away from family and loved ones to pursue the dream. It's a crazy balancing act that can slowly start to wear on you if you're not careful to keep your priorities straight."

ARCHETYPES COLLIDE ON TOUR:
WITH WE CAME AS ROMANS, EMMURE, + BODYSNATCHER:

10/10 — Indianapolis, IN — Deluxe at Old National Centre
10/11 — Milwaukee, WI — The Rave
10/13 — Grand Rapids, MI — The Intersection
10/14 — Cleveland, OH — House of Blues
10/15 — Joliet, IL — The Forge
10/17 — Buffalo, NY — Town Ballroom
10/18 — Toronto, ON — Danforth Music Hall
10/20 — Sayreville, NJ — Starland Ballroom
10/21 — Hartford, CT — The Webster
10/22 — Providence, RI — Fete Music Hall
10/24 — Albany, NY — Empire Live
10/25 — Harrisburg, PA — HMAC
10/27 — Norfolk, VA — The NorVa
10/28 — Carrboro, NC — Cat’s Cradle
10/29 — Columbia, SC — The Senate
10/31 — Fort Lauderdale, FL — Revolution
11/1 — St. Petersburg, FL — Jannus Live
11/3 — New Orleans, LA — House of Blues
11/4 — Dallas, TX — House of Blues
11/5 — San Antonio, TX — Vibes Event Center
11/7 — Tuscon, AZ — Encore
11/8 — San Diego, CA — House of Blues
11/10 — Pomona, CA — Fox Theater
11/11 — Las Vegas, NV — Brooklyn Bowl
11/12 — Salt Lake City, UT — The Complex
11/14 — Denver, CO — Ogden Theatre
11/15 — Omaha, NE — The Admiral
11/17 — St. Louis, MO — Red Flag
11/18 — Cincinnati, OH — Bogart’s

ABOUT ARCHETYPES COLLIDE:
ARCHETYPES COLLIDE demand repeated listening, mixing everything from Linkin Park and Bring Me The Horizon to The Chainsmokers, and Stranger Things-style retro synths, into a unique musical identity. A collection of singles and EPs drew a devoted fanbase and the attention of Oshie Bichar, bassist for Beartooth. Bichar enlisted his management, and the pair took Archetypes Collide under their wing. Soon after, SiriusXM's Octane got behind songs like "Your Misery," "Becoming What I Hate," and "Above It All." The band appeared on major festivals like Aftershock, Louder Than Life, and Welcome To Rockville, toured with genre giants The Amity Affliction, and crafted an ambitious self-titled debut album for Fearless Records. Archetypes Collide spent several weeks in the first part of 2022 making their inaugural full-length, with a super team surrounding them to execute their vision. Bichar produced alongside Nick Ingram (Dayseeker, Convictions, Hawthorne Heights) at Capital House Studio in Ohio. Additional production came from Jon Eberhard (Skillet, I Prevail, Until I Wake); The Plot In You frontman Landon Tewers lent a creative hand as well. The resulting album, mixed by Jeff Dunne (Ice Nine Kills, Wage War, Make Them Suffer), captures the vibrant spirit of the 2010s-era Warped Tour with a postmodern edge. It's a diverse but singular mission statement, brimming with authenticity and hope. ARCHETYPES COLLIDE aren't bound by preconceived notions or limitations. As single Kyle Pastor explains simply: "Why not take every shot, in every direction, under the umbrella of hard rock and metal?"

S.O.R.M Release Debut Album, "Under My Skin", out NOW on Noble Demon

S.O.R.M, the hard rock sensation hailing from Lidkoping, Sweden, releases their highly anticipated debut album Under My Skin today via Noble Demon. Featuring eleven brand new and electrifying tracks, this remarkable debut showcases the band's unique blend of hard rock, heavy metal and classic rock, that is sure to appeal to a wide range of fans worldwide!

Formed in 2017, S.O.R.M quickly made a name for themselves with the release of their outstanding Hellraiser EP (2020), which introduced the band to the world and captivated audiences with their infectious hooks right from the start. Now and here, Under My Skin finally follows, packed with catchy melodies, memorable singalongs and the spirit of something that is more than just music.

But that's not the whole story, as Under My Skin features guest guitarists Doug Blair of W.A.S.Pand Nick Petrino of Dee Snider, who add an extra layer of excitement and expertise to the album. Their contributions elevate the already powerful and captivating sound of S.O.R.M and create an unforgettable musical experience not to be missed in 2023!

Get the album on all digital platforms HERE

Under My Skin is out now on Noble Demon and available for purchase at

THIS LOCATION

S.O.R.M are:
Micke Holm
Johan Östman
Robin Wernebratt

S.O.R.M online:

Official Website

Facebook

Instagram

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

FLEISCHKRIEG Release Official Lyric Video for Dark, Re-imagined New Single, "Bloody Prophets II"!

US based, Neue Deutsche Härte, Industrial Rock band FLEISCHKRIEG has released the official music video for their new single, "Bloody Prophets II". Produced by LOGAN MADER(MACHINE HEAD, ONCE HUMAN), "Bloody Prophets II" is the first single off of the band's upcoming album (release date TBA), Still Beating: Herzblut II, a reproduction of the quartet's debut album, Herzblut, with the addition of two new tracks.

“A post-apocalyptic anthem with driving guitars and danceable synths, 'Bloody Prophets' is a song about the irony of how our saviors of old all promised eternal life only to die grisly, untimely deaths of their own. I wrote an early version of the song after spending several weeks suffering from intense alien abduction nightmares. Looking for help from spiritual sources, it dawned on me that those who promised eternal life in paradise suffered miserable deaths in the real world. - RICHARD CRANOR(Vocals)

Purchase / Stream "Bloody Prophets II":

FLEISCHKRIEG is also joining MUSHROOMHEAD, alongside Special Guests HELLZAPOPPIN, CIRCUS SIDESHOW REVIEW, and KURT DEIMER, on the 2023 30th Anniversary Fall Tour. With FLEISCHKRIEG initially performing solo dates, including at Wasteland Weekend in California City, CA on September 28th, the tour launches October 6th at The Chance in Poughkeepsie, NY, before winding through the Eastern and Central states, finishing up October 28th at the legendary Agora Theater in Cleveland, OH for a special Halloween show.

“Playing with MUSHROOMHEAD is a dream come true. MUSHROOMHEAD has been a strong influence of mine for over 20 years. They were one of the reasons I decided to start playing seven-string guitars and dabbling with Industrial music. Now I get to share the stage with them. Even the same stage where I first saw them in Cincinnati back in 2002!" - THOMAS CRAWFORD (Guitar)

Tour Dates:
09/28 @ Wasteland Weekend – California City, CA
10/02 @ Liquid Joe’s – Salt Lake City, UT
10/03 @ TBA - Denver, CO
10/04 @ The Bottleneck – Lawrence, KS
10/06 @ The Chance – Poughkeepsie, NY *
10/07 @ Reverb – Reading, PA *
10/08 @ Starland Ballroom – Sayreville, NJ *
10/10 @ Headliners Music Hall – Louisville, KY *
10/11 @ The Concourse – Knoxville, TN *
10/13 @ Rise – Houston, TX *
10/14 @ The Studio @ The Factory – Dallas, TX *
10/16 @ Pierre’s – Ft. Wayne, IN *
10/17 @ Red Flag – St. Louis, MO *
10/18 @ The Art Theater – Hobart, IN *
10/19 @ The Annex – Madison, WI *
10/20 @ Castle Theater – Bloomington, IL *
10/21 @ The Forge – Joliet, IL *
10/22 @ Diesel – Chesterfield, MI *
10/24 @ Jergels – Pittsburgh, PA *
10/25 @ Tally Ho – Leesburg, VA *
10/26 @ The King Of Clubs – Columbus, OH *
10/27 @ Bogarts – Cincinnati, OH *
10/28 – Agora Theater – Cleveland, OH

* Supporting MushroomHead

Additional Tour, RSVP, & Ticketing Info

If Hell hosted a dance party - FLEISCHKRIEG would be the headliner. The band’s retro synths and crushing guitars of “BrutalWave” deliver a bold new take on heavy electronic music. Their debut album, Herzblut, is steeled in melodic synth, metal guitars, and apocalyptic vocals, packing a heavy enough punch to keep any fan of industrial rock music listening from beginning to end.

FLEISCHKRIEG is the result of a chance encounter between an Uberdriver and a drunk passenger partying in Seattle. The driver, RICHARD CRANOR, and the passenger, THOMAS CRAWFORD, found themselves kindred spirits through a mutual love of RAMMSTEIN and industrial metal. When the opening act dropped out of THOMAS’s solo CERAPHYM show, he invited RICHARD to perform in their place. RICHARD agreed with the caveat that THOMAS play guitars, and FLEISCHKRIEG was formed.

The group, currently based in Las Vegas, cite RAMMSTEIN, DIE KRUPPS, and LORD OF THE LOST as musical influences. Their moody electronic sound melds industrial metal with darkwave undertones, creating the genre of “Brutalwave”: a blend of new wave, metal guitars, and crushing industrial dance beats and vocals. Now with the addition of NICK MASON on Drums and KAYLIE CORTEZon synth/keyboards, FLEISCHKRIEG’s live shows are a force to be reckoned with.

FLEISCHKRIEG is:
RICHARD “DER EISMAN' CRANOR - Vocals, Synths
THOMAS CRAWFORD 'CERAPHYM' - Guitar
NICK MASON “LIVING DEAD DRUMMER” - Drums
KAYLIE CORTEZ 'NUDA' - Keyboards
ERIC BERGEN “ZERO” - BASS

JASON ALDEAN ANNOUNCES 11th STUDIO ALBUM, HIGHWAY DESPERADO, OUT NOVEMBER 3rd

With 27 number one singles, 17 billion streams and 20 million albums sold, reigning ACM Artist of the Decade Jason Aldean today announced his highly-anticipated 11th studio album, HIGHWAY DESPERADO, will be released November 3rd. The album is available for pre-save/pre-add now, including exclusive pre-order packages here.

Aldean shared the inspiration for the album’s title came from his latest sold-out headlining arena tour, as well as his early days as an artist. “I think when I look back on it, I built my career early on my live show, and have been on the road touring since I was 18 years old. For us, touring is our favorite part. Getting on the bus and going town to town and playing our shows and doing our thing and seeing the fans… the title for the tour and album was really inspired from that,” shared Aldean, adding that it also served as inspiration for the album’s title track, which he co-wrote.

HIGHWAY DESPERADO features fourteen total tracks, including Aldean’s breakthrough Hot 100 chart-topping single and current Top 10 Country radio hit, “Try That In A Small Town,” which has more than 120M Global streams to date. The album also features the newly released track “Let Your Boys Be Country,” as well as three tracks co-written by Aldean. The 3X ACM Entertainer of the Year winner first introduced new music from the album in May with the release of the fan-appreciation anthem, 
“Tough Crowd,” at this year’s ACM Awards, where Aldean was an Entertainer of the Year nominee. Released today as another preview of new music to come, “Let Your Boys Be Country” was written by Jaron Boyer, Allison Veltz Cruz, and Micah Wilshire and is available here

The album marks the first new music since Aldean’s 10th studio project, the double album 
MACON, GEORGIA, which earned praise from Rolling Stone, Stereogum, The Tennessean, Entertainment Tonight, E! News and more.  The album earned Aldean his 27th career-charting #1 single, "Trouble With A Heartbreak,” as well as a Billboard Music Award nomination for “Top Country Song” and awards from ACM, CMT, iHeart, and a GRAMMY nomination for “If I Didn’t Love You” with Carrie Underwood. Since making his chart debut in 2005, the Georgia native has earned the most Top 10 songs on Billboard’s Hot Country Songs chart - more than any other artist - his “songs of small-town living, love and loss have resonated with a loyal fanbase” (Billboard) and have “vaulted him to the pinnacle of Country music success” (Atlanta Journal Constitution). His current tour of the same name continues this evening in Jacksonville, Florida before heading to Orange Beach, AL. For more information on Jason Aldean including additional tour dates and new music, visit www.JasonAldean.com.

Photo Credit: Brian Higbee

REMAINING HIGHWAY DESPERADO 2023 TOUR DATES
Fri Aug 25 – Jacksonville, FL – VyStar Veterans Memorial Arena
Sat Aug 26 – Orange Beach, AL – The Wharf Amphitheater
Thu Sep 07 – Toronto, ON – Budweiser Stage
Fri Sep 08 – Clarkston, MI – Pine Knob Music Theatre
Sat Sep 09 – Tinley Park, IL – Hollywood Casino Amphitheatre
Thu Sep 14 – Rogers, AR  – Walmart AMP
Fri Sep 15 – St. Louis, MO – Hollywood Casino Amphitheatre
Sat Sep 16 –Noblesville, IN – Ruoff Music Center
Thu Sep 21 – Wheatland, CA – Toyota Amphitheatre
Fri Sep 22 – Portland, OR – RV Inn Style Resorts Amphitheater
Sat Sep 23 – Auburn, WA – White River Amphitheatre
Thu Sep 28 – Mountain View, CA – Shoreline Amphitheatre
Fri Sep 29 – San Bernardino, CA – Glen Helen Amphitheater
Sat Sep 30 – Irvine, CA – FivePoint Amphitheatre
Thu Oct 05 – Phoenix, AZ – Talking Stick Resort Amphitheatre
Fri Oct 06 – Albuquerque, NM – Isleta Amphitheater
Sat Oct 07 – Denver, CO – Ball Arena
Thu Oct 12 – Kansas City, MO – T-Mobile Center
Fri Oct 13 – Oklahoma City, OK – Paycom Center
Sat Oct 14 – Fort Worth, TX – Dickies Arena
Thu Oct 19 – Columbus, OH – Nationwide Arena
Fri Oct 20 – Louisville, KY – KFC Yum! Center
Sat Oct 21 – Toledo, OH – Huntington Center
Fri Oct 27 – West Palm Beach, FL – iTHINK Financial Amphitheatre
Sat Oct 28 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre

KEEP UP WITH JASON ADLEAN
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | TWITTER

Chicago's Evidence of a Struggle presents 'Keep It', pushback against all things harmful

"Wonderfully cinematic, forward-thinking, open-minded, genre-hopping, rule-breaking... a symphony of sonics, subtlety and suppleness, and of the subverting of expectations" ~ Big Takeover Magazine

"'Keep It' is a relentless prowl of low rumbling concrete scattered with the glass shards of guitar and keyboards. The controlled chaos of the instrumentation is in slow motion and the song maintains both an epic feel as well as the queasy sense of being drunk and disorientated in an dystopian landscape" ~ Joyzine

"Fascinating... This melodic journey expertly fuses the innovative textures of art rock with the insurgent spirit of alternative music... a complex and immersive auditory universe" ~ Post-Punk.com

"'Combines the coolness of electric jazz, Krautrock-inspired post-rock and atmospheric art rock... a gripping and upbeat, yet refined, sound and thoughtful arrangement with sonic prowess" ~ Amplify Music Magazine


"Chaotic and lovely" ~ Punk Rock Beat


Chicago-based artist
Evidence of a Struggle presents the new video for 'Keep It', a wonderful spoken-word meets post-rock clash from his primarily instrumental eponymous album.  His debut offering, this 13-track collection takes the listener on a great instrumental journey, blending numerous sub-genres spanning the art rock and alternative music realm.

Surrounding the musings of multi-instrumentalist William P C Simmons V a.k.a. 
Rev. Billy Simmons, Evidence of a Struggle creates lush, cinematic, beautiful and sometimes chaotic compositions.

"This is the only song on the record with words attached. I wanted the music to stand on its own for this album. I’ve been acutely aware for a long time that we’re not really listening, not seeing, and it really doesn’t have anything to do with my music or John’s artwork, but we - most of us - don’t see or hear each other, nature or our bodies. We employ so many outside elements to help us ignore all those things right in front of us that are harmful, uncomfortable, and damaging," says Rev Billy.

"The words at the end of this song all start with STOP! The animations say STOP! We try to blame everything happening on the pandemic, politics, or anyone or anything but ourselves when we all need to look in the mirror and realize we are all living in a dream and really need to STOP and wake up."

Launched in 2020 during lockdowns, this ambitious effort sees Rev. Billy play every instrument – guitar, drums, piano, synth and violin - recorded and engineered from his home studio, The Glue Factory. Once Covid restrictions were lifted, renowned sound engineer Sanford Parker (Voivod, Russian Circles, Yob, Eyehategod, Wovenhand, Darkthrone, Youth Code, Pelican) helped produce, record and master the final versions of these songs.

The album is complemented by an audio-visual storybook, created by Chicago artist
John Airo. To date, short films have been shared for the cinematic single 'Do'Oa' (a wonderful fusion of Tortoise and Dif Juz), 'Alan's Song' (the sound of fear, beauty and hubris), 'Bisquee' with its engaging off-kilter post-rock, 'Bassakards' (about longing and loss), and the album's high-octane 'Sal-E'.

Having collaborated with RCA artist Ké and artists on major like RCA, Touch and Go, BMG and Universal, it is no surprise that Evidence of a Struggle would evolve. They are also recording their next album with drummer
Matt Walker (of1000faces, Smashing Pumpkins, Morrissey, Garbage, Filter) and bassist Alan Berliant (Chris Connelly, Mavis Staples, Saint Asonia) with production support from Solomon Walker (Morrissey, Bryan Adams, Eastern Shadows, Year of the Rabbit).
 
Apart from music, Rev. Billy also owns
Rev. Billy's Chop Shop, also known as an inclusive, creative space, hosting new artists' work bimonthly and declared by Chicago Reader as the city's best gallery in 2019. Rev. Billy's Chop Shop is as strong a passion as his music.

The 'Evidence of a Struggle' album is out now and is available via
SpotifyApple Music and Bandcamp.

CREDITS
All music written by William P C Simmons V (aka Rev. Billy)
Performed by William P C Simmons V (aka Rev. Billy)
Produced by Sanford Parker
Loveless Publishing ASCAP
Video by John Airo

Keep up with Evidence of a Struggle
Bandcamp | Facebook | Instagram | YouTube | Twitter | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Press contact

German post-punk indie rock duo PARA LIA presents 'In Clash With The Zeitgeist' album

“J Mascis style guitar works alongside sharply defined songwriting, with elements of The Cure in their late 80s pomp” ~ Clash Magazine

"The embers of Arcade Fire and The Mission with a more pop bent... Listen on repeat to invigorate your day" ~ Big Takeover Magazine

"Superior in their own-right without reinventing the wheels of the past" ~ Skope Magazine

"Captivates immediately and guides you through the theatric, robust vocals"~ Imperfect Fifth


Alternative rock / post-punk duo
Para Lia present  their new album 'In Clash With The Zeitgeist', an 11-track offering of post-punk and indie rock delight, released via the Berlin label About Us Records.

Para Lia is multi-instrumentalist René Methner and vocalist Cindy Methner, who ignore the zeitgeist of this day to create music that is far from mainstream. This album sees them blend their love for late 80’s and early 90’s indie rock with psychedelic, garage rock, 60’s influences, and early prog rock elements.

Mastered by 
Thommy Hein (Die Ärzte, Nina Hagen, Udo Lindenberg) at Tonstudios Berlin and self-recorded and produced at their home studio in Cottbus, Germany, 'In Clash With The Zeitgeist' sees Para Lia grow on yet another level with the band expanding from two members to six with an eye towards upcoming live performances.

Earlier, the duo recently released the single 'C'est La Vie', following the driving lead single 'Sunchild' with its positive energy and the single 'Yellow Rose', a melodic dream-rock composition reflecting reverence of life.

"We think this album sounds exactly the way it should and we are very happy with it. It was a pleasure to join Thommy Hein in his Berlin studio for the mastering of the tracks and we love the sound we created. We added an extra dose of 60’s feel and garage and psych rock elements to the indie rock guitar sound and we think we cooked a tasty kind of rock soup. If we had to describe the album we would call it: psychalovic!" says René Methner.

"Oh tempora, oh mores, der Zeitgeist ist nur Kokolores' - we chose this quote from German Aphorist Erhard Blanck (printed on the sleeve of the vinyl) because we think it illustrates very well the character of the album."

The duo debuted with the
'Soap Bubble Dreams' album in 2019, followed by 'Gone With The Flow', involving artists from the USA, Canada and the UK, not to mention a collaborative interactive art exhibition with painter Louis Renzoni.

As of August 25, 'In Clash With The Zeitgeist' will be available digitally
across fine music platforms, including Apple MusicSpotify and Bandcamp. where it will also be available on vinyl.

ALBUM CREDITS
René Methner - guitars, bass guitar, keys, drum programming, vocals
Cindy Methner - vocals
Fady Haddad - synth on 'Yellow Rose‘  
Christian Georgi - e-piano on 'Yellow Rose‘ and 'Sunchild (Reprise)'
Andreas Jäpel - vocals on 'Mr. Perry'
Lyrics and music by René Methner
Recorded and produced by Para Lia
Mixed by Para Lia and Thommy Hein
Mastered by Thommy Hein at The Thommy Hein Tonstudios Berlin
Cover artwork by: Georgia Moschogianni
P&C 2023 Para Lia under exclusive license to About Us Records GmbH
Videos by René Methner


Keep up with Para Lia 
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | LinkedIn | Email

OCEANS - Release New Single 'Chop Suey'!

OCEANS are back with their first new music since the release of their second studio album Hell Is Where The Heart Is last November! The German nu-metal band proudly presents their latest single 'Chop Suey', a cover of the SYSTEM OF A DOWN classic. As you would expect, the Germans have put their own stamp on the song, creating a darker version of the legendary track as they pay tribute to their roots.

Along with the release of their new single, OCEANS also deliver a new behind-the-scenes video, which you can witness below:

Timo Rotten comments: 

“Toxicity was one of my favorite albums when it came out, but I hadn't heard it in a while. Then Thomas dug it up again a few weeks ago and the question immediately came to my mind: How would this sound with growls? And whether I could do it at all. We just had to try it out. Did I get it right? I think you have to decide for yourselves.”

Stream the new single 'Chop Suey' here:
https://oceans.bfan.link/chop-suey.a01

Get your copy of  OCEANS' last album Hell Is Where The Heart Is here:
https://oceans.bfan.link/hell-is-where-the-heart-is

Watch the previously released video for 'If There Is A God She Has Abandoned Us' 
here: 
https://www.youtube.com/watch?v=AJkA2QM5r-4

Watch the previously released video for 'Hell Is Where The Heart Is' here: 
https://youtu.be/bR4GxOLG1FU

About:

Ever since their inception, up-and-coming German outfit OCEANS have dropped jaws everywhere they went. With a unique sound that sits somewhere between nu-metal, progressive, post, and death metal and putting mental health at the top of their agenda, the four-piece quickly became a known constant in today’s metal landscape. OCEANS have become known for their inclination towards innovation and experimentation within their genre; covering songs by the likes of Alessia Cara and collaborating with prominent musicians such as MACHINE HEAD’s Robb Flynn and CALIBAN’s Andy Dörner amongst others. Having released two EPs in 2019, their debut album in 2020, and another EP in 2021, the band featuring visionary mastermind Timo Rotten can easily be described as one of Europe’s hardest and fastest-working bands in the genre. Enter 2022 and OCEANS have already proved that they’re set to continue on their upwards trajectory with the release of their trilogy Hell Is Where The Heart Is - Part I: Love, its follow-up Hell Is Where The Heart Is - Part II: Longing and Hell Is Where The Heart Is - Part III: Clarity, which together form their second album Hell Is Where The Heart Is. 

OCEANS is:
Timo Rotten | vocals, guitar
Patrick Zarske | guitar
Thomas Winkelmann | bass
J.F. Grill | drums

More info:
www.oceansofficial.com
www.facebook.com/oceansofficialde
www.twitter.com/ocnsofficial
www.youtube.com/oceansofficial
www.nuclearblast.de/oceans

KALLIAS Premieres New Song + Video, ft. JEFF LOOMIS,

Progressive death metal rising stars Kallias have partnered with Metal Injection for the premiere of their brand new single, "Irrational Fear," which features guitarist Jeff Loomis (Arch Enemy, ex-Nevermore!) The song and accompanying music video can be found below.

The band will be digitally releasing its brand new album 'First Ascent' tomorrow, August 25, 2023, via AISA Distribution! In celebration of the new release, Kallias will be also be kicking off a run of West Coast tour in support of Cyborg Octopus! The trek starts tomorrow in Fullerton, CA and will conclude on August 30 in Fresno, CA. The full itinerary can be found below!

Kallias guitarist and vocalist Nicole Papastavrou comments, "'Irrational Fear’ showcases the iconic Jeff Loomis, who has been a big influence to us since the beginning. The song kicks off our new album ‘First Ascent’ which releases Aug 25. Our approach with 'Irrational Fear' was to incorporate a more melodic feel compiled over heavier layers and more traditional song structure. We hope you all enjoy this opener to the new record!"

'First Ascent' can be pre-saved on all streaming services HERE.

Kallias U.S. Tour Dates:

08/25: Fullerton, CA @ Programme

08/26: San Diego, CA @ Til Two Club

08/27: Cupertino, CA @ XBar

08/29: Las Vegas, NV @ The Griffin

08/30: Fresno, CA @ Destructive Warehouse

Kallias is comprised of players who are masters of their craft. Nicole Papastavrou's solid history of songwriting and tight rhythms paired with Colin Cook's jazzy and technical leads are the perfect compliment. JP Andrade's undeniably precise percussion serves the music on every level, from jazz-influenced melodic sections to satisfyingly odd rhythms for the eager prog-loving ear. Beautifully woven bass lines by Chris Marrone provide an indomitable structure and embrace for each instrument — never overpowering, yet always highlighting.

For modern day prog and metal fans, Kallias can be compared to bands such as Opeth, Meshuggah, and Decapitated. The quartet holds a musical chemistry that is few and far between and that will keep you in the foreground from the beginning with bone-chilling introductions. This is by no means background music. Kallias creates their own genre for a panoramic audio experience that demands the listener's undivided attention to focus and feel.

Kallias Lineup:

Nicole Papastavrou - Guitars + Vocals

Chris Marrone - Bass + Vocals

Colin Cook - Guitars

John Paul “JP” Andrade - Drums

'First Ascent' Recording Lineup:

Nicole Papastavrou: Guitar, Vocals

Chris Marrone: Bass, Vocals

John Paul “JP” Andrade: Drums

Zaki Ali: Guitar

Special Guests:

Jeff Loomis (Nevermore, Arch Enemy) on "Irrational Fear"

Rafael Trujillo (ex-Obscura, Obsidious) on "21 Grams"

Greg Burgess (Allegaeon, Nuclear Power Trio) on "Nine in Time"

Colin Cook (Stanley Clarke Band) on "Matter Eater"

Album credits:

Written by Kallias; Nicole Papastavrou, Chris Marrone, John Paul Andrade, Zaki Ali

Produced by Zaki Ali

Recorded at Redshift Recording and Cinderella Man Studios by Zaki Ali

Mixed and mastered by Zack Ohren

Cover Art:

3D Art by Francesco Artusato (Light The Torch, ex- All Shall Perish)

Follow Kallias:

YouTube

Facebook

Instagram

Official Website

Bandcamp

Twitch

TikTok

Spotify

Apple Music

Pre-Save

Silent Planet Announce "SUPERBLOOM" Album + Share "Collider" Video

California metal band SILENT PLANET have announced their new album SUPERBLOOM. It arrives November 3 via Solid State Records. Pre-order it here.

The release date is significant for the band, as it arrives on the anniversary of their horrific van accident.

Today, the band has shared the music video for "
Collider." Watch it below.

"Take all the darkness. All the vitriol, the greed and the vanity; lay it again as dust. Everything can be alchemized. This song is called 'Collider,'" says singer Garrett Russell. "It's about what comes out of our lives when the people we trust and hold closest are the ones who can hurt or betray us the worst. We don't have to run from the pain or be afraid. The dark gives us the energy to make something beautiful. The song is about alchemizing the darkness and transforming its negative properties."


When the band dropped "Antimatter," Revolver enthused, "Silent Planet's new single begins with throbbing electronic pulsations and robotic clean croons, making you think that you're in for a clubby pop song. Nope. The djent instrumentation comes crashing through, and eventually the whole song builds up to a screamed chant that blends poledance-worthy synths with rigid, toe-stubbing breakdowns. Fuck yes."

"A SUPERBLOOM is this strange moment where brilliant fauna spring forth unexpectedly and bring forth such an array of colors, it almost feels alien in origin," Garrett notes. "It only lasts for a couple of weeks before it’s gone. While we were recording, the SUPERBLOOM was happening. For me, the record is getting in touch with the other side and watching the strange and paranormal emerge from the mundane and profane, hence the title."

Silent Planet has consistently transfixed a diehard fanbase. The group dropped a string of acclaimed albums, including The Night God Slept [2014], Everything Was Sound [2016], When The End Began [2018], and Iridescent [2021]. Album standout "Trilogy" generated 5.3 million Spotify streams to sit alongside their genre-bending triumph "Panic Room" from the 2016 release, currently at 5 million. The guys notably took home "Best Underground Band" at the 2017 Alternative Press Music Awards and toured with the likes of Motionless In White, August Burns Red, Beartooth, and The Contortionist.

Over the course of two years, they recorded what would become SUPERBLOOMin Woodland Hills, CA alongside longtime producer and frequent collaborator Daniel Braunstein. A jarring turn of events split the process into two seasons. Trekking through a Wyoming snowstorm in November 2022, Silent Planet survived a vehicle accident. The van flipped over, leaving the group laying in the wreckage of a bitter Wyoming snowstorm as Garrett was hospitalized with a fractured back and head wound requiring stitches.

"The majority of us were awake when we felt the van start to slide," he says. "We had some time to come to grips with the fact we were about to go down and have a close brush with death. Afterwards, we talked about what to do with the band. We went back into the record with an increased willingness to take risks. It bolstered our confidence to try new things. When the accident happened, it did something to my head, and it fed into the album."

Along the way, they settled on a conceptual framework, expanding the scope of their vision like never before. "I grew up in Northern California," he continues. "There's a strip of the state known as Humboldt County, but it's called the 'Lost Cove.' It's a hotbed for strange and paranormal events like UFO and Big Foot sightings. There's so much we haven't uncovered. It's possible our reality as we know it is not complete. We started telling the tale of a 17-year-old who went missing. It's based on a true story with many details changed. Art dictates reality, and reality dictates art. Making this record was a very strange and mystical process. It's the most magical and inspired moment of our career so far."

Silent Planet will return to the road this September, supporting Dayseeker. All dates are below, including Silent Planet headline shows.

SILENT PLANET ON TOUR:
WITH DAYSEEKER + MOXY THE BAND:

8/31 — Springfield, MO — The Riff ^
9/1 — Lubbock, TX  —  Jakes
9/2 — Oklahoma City, OK — 89th St Collective ^
9/3 — Memphis, TN  —  Black Lodge
9/5 — Indianapolis, IN  —  Deluxe @ Old National Centre
9/6 — Flint, MI  —  Machine Shop
9/8 — New Haven, CT  —  Toads Place
9/9 — Asbury Park, NJ  —  Asbury Lanes
9/12 — Lakewood, OH  —  The Roxy  —  Mahall’s
9/13 — Davenport, IA  —  Capitol Theatre
9/14 - Omaha, NE at Waiting Room ^
9/15 — Colorado Springs, CO  —  Black Sheep
9/17 — Billings, MT  —  Pub Station
9/19 — Spokane, WA  —  Knitting Factory
9/20 — Tacoma, WA  —  ALMA
9/22 — Bend, OR  —  Volcanic Theatre Pub
9/23 — Reno, NV  —  Ranch House
9/24 — Los Angeles, CA  —  Fonda Theatre 
9/26 — Phoenix, AZ — Underground ^
9/27 — El Paso, TX — Lowbrow ^
9/28 — Austin, TX — Come and Take It Live ^
9/29 — Dallas, TX— Gilly’s ^
^Silent Planet Headline shows

SILENT PLANET ARE:
Garrett Russell — Vocals 
Nick Pocock — Bass
Mitchell Stark — Guitar
Alex Camarena — Drums

Polaris Share "Overflow" Video

POLARIS SHARE NEW VIDEO FOR NEW SINGLE "OVERFLOW"

NEW ALBUM FATALISM OUT SEPTEMBER 1 VIA SHARPTONE RECORDS

Ahead of the release of their impending new album Fatalism, due out on September 1 via Resist Records in Australia and SharpTone Records for the rest of the world, Sydney melodic metalcore outfit Polaris have today unveiled the video for the captivating new single "
Overflow."

Watch the music video for 
below.

(WARNING: Viewers are advised that the following video contains images of Ryan Siew.)

Boasting translucent melodics, smuldering guitars, and emphatic vocals, "Overflow" is an immersive and layered outing that detonates heavier moments alongside more serene terrain, expanding the band's creative palette with alternative rock contours and deeply raw thematics.

"This is one of the much more personal and vulnerable tracks on the record lyrically, whereas the other two singles took a wider, more outward perspective," shares drummer and lyricist Daniel Furnari. "I feel like the meaning of the song is fairly self-explanatory, and I think a lot of people will naturally interpret it through the lens of their own experiences. But essentially, for me, it's about the struggle of fighting off a panic attack and the impact of that struggle on others."

As with Fatalism's previous singles, "Inhumane" and "Nightmare," "Overflow" emerged during the band's 2022 writing session in the Blue Mountains, with the alt rock leanings beating at the core of the latest track organically emerging from some of Polaris' own personal listening repertoire.

"'Overflow' was another track that came about from one of our writing retreats, so I guess that system was really paying off at this point," Furnari shares. "We were pretty deep into the process at this point, I think this was actually the final track to make it onto the record. Jake had been pumping out simple chord sequences in an effort to break away from the busier, riffier stuff we'd been writing, and Ryan came in with this super catchy sliding lead over the top, which became the basis for the chorus and the central motif of the song. Stylistically, where Inhumane explored a sort of nu-metal direction and Nightmare was a straight up metalcore track in the truest sense, I’d say 'Overflow' is much more of an alt-rock track."

Touching on the evolution of "Overflow," Furnari reveals, "I think my favorite part of this song is the direction the second verse takes, particularly when it picks up the energy for a moment. Rick wrote this verse development that really leaned into the sound of bands like Basement and Balance & Composure, which we both love, so it's always satisfying when we find a way to somehow incorporate that alongside the heavier stuff that we more regularly do. Finding a way to get a big heavy section into this song without it feeling out of place was also a challenge and I love that we managed to shape this combination of sliding powerchord accents, crazy programming and bass and drum moments into a type of breakdown we hadn't accomplished before."

Fear: humanity's great divider, but also its most potent unifier. It's this very notion that lies at the beating core of Polaris' third album Fatalism; a record shaped by the sense of despair and dystopia that engulfed the world over the past few years, and the overwhelming accompanying sensation that we were powerless to change course.

Polaris have already firmly established their place as a fixture in the Australian heavy landscape via their first two albums, the ARIA-nominated The Death Of Me and 2017's The Mortal Coil, which debuted in the Australian Top 10. They have been awarded a laundry list of accolades, album of the year mentions in end of year lists, sold-out countless headline tours of Australia, and have toured across the globe. Not to mention performing at Download Festival, Unify Gathering in Australia, headlining Knight & Day Festival, and most recently performing the 2022 Good Things Festival headlined by Bring Me The Horizon.

PRE-ORDER FATALISM 
HERE.

Gvllow Drops New Darkwave Banger - "IT'S SO COLD"

Gvllow has released brand new single, "It's So Cold", today. The new track channels the very best of 80s goth and darkwave, offering a spooky, etheral vibe that perfectly offsets the track's lyrical theme. Stream the new track HERE and watch the accompanying music video below.

Speaking on the release of his new track, Gvllow shares

"I wrote this song back in the beginning of 2023 when it was consistently cold every single day in Southern California. 

I was recording in a weird space that I had rented out for a little bit in between moving and it made me realize how much of a home body I am. I love being home, it was freezing outside, and I was having all kinds of weird dreams from melatonin and out came the lyrics for this instrumental I had written for weeks. Dreams about ghosts from my past, being too far away from home, and being cold everyday. Sometimes it takes me weeks to write lyrics to my songs but I've just learned to let them come to me, I don't force it anymore"

GVLLOW released his acclaimed 'Spiritwalker' EP in the Spring of 2021, the release saw his stylistic expansion into post-punk and dark wave. Heavily influenced by by the likes of Drab Majesty, Sisters Of Mercy and Bauhaus, the transition began with highly acclaimed single "Last Dance" from his previous, eponymous full-length and continued with the 'Spiritwalker' EP and his 2022 releases - "Die By Your Hand", "Falling Down", "Not Sorry" and the 'Suffer' EP.

What The Press Say About Gvllow

"A fascinating solo artist bringing together elements of goth, darkwave, punk and rap."

- Kerrang!

"SoCal's Gvllow...pulls elements of Eighties goth, post-punk and death-rock into his eerie, dance-floor-ready brand of heavy hip-hop."

- Revolver

"truly a must-listen for anybody who values variety and intrigue in their playlists."

- Alternative Press

"From gritty hip hop to cold dark wave, the emerging prospect goes beyond genre to assert an identity all his own."

- Knotfest.com

About Gvllow

GVLLOW blends the sonic and visual aesthetics of 80s new wave and southern California punk rock mixed with the beach sounds of Dick Dale and The Beach Boys to create a sound that is fresh, diverse and completely unique. Born and raised in Riverside, California, he grew up in the SoCal Punk scene. He started playing drums at age nine and would go to The Showcase Theatre in Corona every weekend to watch bands such as Dr Know, TSOL and Narcoleptic Youth.

In 2015, he became involved in the bludgeoning underground rap scene, DJing for the likes of Ghostemane and Lil Peep in Schemaposse. Since then, he has gone on to perform as touring DJ for the likes of City Morgue, as well as release two solo albums; 2018’s “Waste Away” and “Gvllow” released in July of 2020, which features guest appearances from the likes of Travis Barker, Brennan Savage and Jack Grisham (TSOL) and has spawned singles “Fear”, Johnny Cash” and “Last Dance”. 

To date, GVLLOW has clocked up over 31 million career streams on Spotify, 242,000 monthly Spotify listeners, and 1.4 million YouTube views.

Of Mice & Men Announce Share "Castaway" Video

Gold-selling hard rockers Of Mice & Men — Aaron Pauley (bass + vocals ), Valentino Arteaga (drums), Alan Ashby (guitar), and Phil Manansala(guitar) — previously announced their new album Tether on October 6 via SharpTone. Pre-order it here.

Today, they have shared the "
Castaway" video. Watch it below.

"'Castaway' is about longing for connection with the people in our lives who tend to distance themselves when dealing with hardships, and how our inability to help them often feels like we're frozen in time," the band says.

Taking all creative matters into their own hands, the Southern California quartet self-produced and engineered all of the songs on Tether, their astonishing eighth album. Pauley mixed and mastered the album while Arteaga designed and painted the album's artwork. As a legion of devoted listeners worldwide has come to expect, guitarists Phil Manansala and Alan Ashby, Aaron, and Tino poured their hearts and souls into every note, creating another sonic document of their lives. 
 
“With this one, we weren’t really focused on how it sounded as much as we focused on how it felt," Pauley explains. "And that's a weird thing to do when all you're working with is sound. But that was really the goal. And we walked away from making it, feeling like we've accomplished that."
 
OM&M take sobering looks at depression, anxiety, loneliness, and existential dread, powering through the darkness, and emphasizing the importance of creativity as a balm for mental health. A commanding tempest of sounds coalesces within Of Mice & Men, blending the uplifting eloquence of modern active rock with the atmospheric dissonance of experimental post-rock. The band first emerged as part of a vanguard of future aggressive rock hitmakers. Over the years, they've distinguished themselves with musicality, creative ambition, and resilient determination. 

Album eight is no less ambitious. Tether is anchored by a reflective meditation on what it means to draw together as friends, family men, artists, and bandmates. What does it mean to be there for the people who depend on us, knowing we can’t fully protect them from the hardships of life? 
 
Tether is the next step in OM&M's evolution, combining their core sound with experimental and ethereal sound designs. The creative process focused on the excitement of discovery rather than preconceived "goals." Pursuing the moments when the elusive "x factor" reveals itself in the songs. Those moments are palpable in songs like "Integration," "Warpaint," "Enraptured," and "Indigo."
  
The Of Mice & Men core since 2016 – Aaron, Alan, Tino, and Phil – maintain a powerful bond with their audience and each other, no matter the obstacles. Whether a powerful anthem or atmospheric confession, their songs translate in intimate clubs and massive festivals. "It's about creating moments for people," Pauley says. "Music is the soundtrack to people's lives."

OM&M will also hit the road with Bullet For My Valentine and Vended this fall. All dates are below.

OF MICE & MEN ON TOUR:
WITH OF BULLET FOR MY VALENTINE + VENDED:

9/8 — Alton, VA — Blue Ridge Rock Festival*
10/8 — Montreal, QC — Mtelus
10/10 — Worcester, MA — The Palladium 
10/12 — New York, NY — Terminal 5
10/13 — Silver Spring, MD — The Fillmore Silver Spring
10/15 — Philadelphia, PA — Franklin Music Hall
10/17 — Pittsburgh, PA — Stage AE
10/18 — Cleveland, OH — The Agora
10/19 — Cincinnati, OH — The Andrew J. Brady Music Center
10/21 — Kansas City, MO — Uptown Theater
10/22 — Chicago, IL — Riviera Theatre
10/24 — Minneapolis, MN — The Fillmore Minneapolis
10/26 — Denver, CO — Mission Ballrom
10/28 — Flagstaff, AZ — Pepsi Amphitheater
10/29 — San Diego, CA — SOMA Mainstage
10/31 — Los Angles, CA — The Wiltern
11/1 — Phoenix, AZ — The Van Buren
11/2 — Albuquerque, NM — Revel Entertainment Center
11/4 — San Antonio, TX — Boeing Center At Tech Port
11/5 — Dallas, TX — House of Blues Dallas
11/7 — Houston, TX — House of Blues Houston
11/8 — New Orleans, LA — The Fillmore New Orleans
11/10 — Orlando, FL — Hard Rock Live Orlando
*Festival Date

Steve Earle Joins Holly Gleason for PRINE ON PRINE at NYC's Strand Books, 9/13

PRINE ON PRINE: INTERVIEWS & ENCOUNTERS ARRIVES SEPT. 12
 
Editor Holly Gleason Joins Grammy-Winner Steve Earle in
Conversation 9/13 at the Strand in New York City
 
“I'm so grateful that Holly has put together this fantastic collection of

 the best interviews and articles about our beloved John Prine 
spanning the whole six decades of his extraordinary career.
For all of us who love and miss him so, this book is truly a treasured gift.”
– Bonnie Raitt

John Prine has come to be revered as Americana’s premiere songwriter/artist. With a strong empathy for the human condition, the Chicago-born-and-raised daydreamer went on to become a voice who spoke for the unseen and an artist who gave gravitas to those society didn’t bother with.
 
PRINE ON PRINE: Interviews & Encounters, which arrives Sept. 12 from Chicago Review Press, traces the man whose songs have been recorded by Raitt, George Strait, Joan Baez, Bob Dylan, Loretta Lynn, Bettye LaVette, Miranda Lambert, Carly Simon, Susan Tedeschi, Johnny Cash across his five-decade career. Part of the Musicians in Their Own Words series, for Gleason who’d known Prine her entire adult life, this is a labor of love.
 
To celebrate its release, Gleason will be in conversation with 3x GRAMMY winner Steve Earle at 7pm, Sept. 13 at Strand’s 3rd Floor Rare Books Room, Broadway at 12th Street.
 
“Like John, Steve understands songs about average people yield some very strong emotion – and insight into the human condition,” shares Gleason. “John respected Steve so much, and in many ways, he shares John’s sense of decency when it comes to working people. Having spent three years reading and culling these pieces, I wanted someone who understands that part of John, that’s so simple and unassuming, yet guts you with the truth. You don’t see Sam Stone or Donald & Lydia, the old couple or the Angel coming, but you don’t forget.”
 
Documenting various phases of Prine’s careers via appearances in the media and other places, PRINE ON PRINEcollects work from noted mediacrats Studs Terkel, Roger Ebert, Cameron Crowe, Robert Hilburn, then Poet Laureate Ted Kooser, Robert Christgau, Dave Hoekstra, Michael McCall and Grammy-winner Bob Mehr. It also reaches into the most unlikely places: Prine runs away with a writer from Hot Rod, graces No Depression’s cover, takes a bespoke role in Billy Bob Thornton’s “Daddy and Them,” receives the Pen Literary Award for Lyrical Achievement from John Mellencamp, a PEOPLE profile, taking Emmy-winning Mike Leonard on the road twice for NBC’s “Today” and a couple favorite recipes and stories in Shuck Bean, Stack Cake & Honest Fried Chicken. Record company bios, Chicago folk history, starting labels and cooking dinner, publications long gone and a throwdown with Bobby Bare are all part of the fun.
 
“Whether it’s Robert Hilburn seeing John in the limbo of life without a major label, Dave Hoekstra celebrating the Earl of Old Town’s anniversary, as well as Steve Goodman and the Chicago folk scene that birthed both men orChris Willman delving into women’s reproductive autonomy for a charity single of ‘Unwed Fathers’ with Margo Price, Prine’s aim was true,” Gleason explains. “He was fun and funny, but mostly he wanted to see people treat each other with kindness and respect. He was all for everybody, but he had a strong sense of values and decency... and that stayed consistent throughout his career.”
 
Gleason, the former fiancée of Oh Boy, Red Pajamas and Blue Plate Music co-founder and Prine co-manager Dan Einstein, met Prine as a young journalist working for The Miami Herald. Spending many of her formative years as a nationally recognized music critic in Prine’s world, the access provides empiric insight into many of these pieces. Gleason later provided media strategy and services for In Spite of Ourselves and Fair & Square, remaining friends with the GRAMMY-winning legend throughout his life.
 
“PRINE ON PRINE is as much about capturing an artist creating something that hadn’t really been done, tracing the arc from unthinkable to commonplace. It would not be nearly the book it is without the help of Dan Einstein, who passed away as the book was nearing completion. But he got on the phone, made calls and helped find some of the pieces here, which might have been lost forever based on what it took to track down some of them. Even the cover picture – from a photo session for PEOPLE – was basically forgotten.”
 
Having created, edited and contributed to Woman, Walk The Line, the 2018 Belmont Book Award winning collection of essays about how female country artists profoundly impact individual lives with contributions from Taylor Swift, New York Times best-selling author Alice Randall, Rosanne Cash, GRAMMY-winning historian Holly George-Warren, poet Caroline Randall Williams, top James Beard Award winner Ronni Lundy, food activist Ali Berlow and more, Gleason understands curating a narrative can sometimes reach places a single reported narrative can’t. That was the goal for PRINE ON PRINE, and across myriad mediums, moments and conversations, a sense of the man across his truly lived life emerges.
 
Pre-order PRINE ON PRINE: Interviews & Encounters:
https://amzn.to/3qXd9QI
 
Early Praise for PRINE ON PRINE: Interviews & Encounters
 
As close to an autobiography as we’re going to get from John Prine, Prine On Prine captures the inimitable, whimsical voice of one of our greatest songwriters, from the beginning of his career to his final days, evolving from the shy, self-effacing, uncertain youngster film critic Roger Ebert discovered to the wise, cunning veteran who left a body of work probably second only to Dylan. Nashville legend Holly Gleason knew the man and assembled this brilliant collection with a knowing eye and loving heart.
       – Joel Selvin, Here Comes The Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm + Blues;          Fare The Well: The Final Chapter of the Grateful Dead’s Long Strange Trip
 
I’m so grateful that Holly has put together this fantastic collection of the best interviews and articles about our beloved John Prine, spanning the whole six decades of his extraordinary career. For all of us who loves and miss him so, this book is truly a treasured gift.
       – Bonnie Raitt

Holly has created a beautiful collage by using John’s words to bring us into the center of his world where family music imagination and love reside with his struggle to remain that kid from Maywood whose curiosity birthed the beautiful songs and music he gifted to the world.
       – Fiona Prine
 
So much insight and so many great personal stories behind this legendary, super talent. If you’re a John Prine fan, you’re going to love this book. If you’re not, please read it and listen to his music. You will then no doubt be one.
       – George Strait
           
Listening to John Prine instantly jolts me to a higher vibration and feels like I’m walking on holy ground, free, fearless and naked as the eyes of a clown. He shakes me, wakes me, conjuring up emotions I didn’t know I had, reminding me that tenderness is a virtue. His words make me want to be a better person, to recognize myself in everyone’s eyes, to hold all humanity in high esteem - because we’re all in it together.  
 
Praise be to Holly Gleason for this oh so important, exquisitely curated collection. John Prine improved the world by being alive. Let’s do our best keep that big, beautiful ball rolling.
       – Pamela Des Barres, I’m With The Band and Lets Spend The Night Together
 
The brilliant genius of John Prine was not only the magic he had in writing  about everyday life for everyday people; but just as important was that his lyrics provoked you into thinking about everyday things that you may never have given much thought to and after he woke up those feelings, you realized you couldn’t have said it any better. The respect, admiration and love for Prine and his songs that Holly Gleason has is obvious not only in her eloquent introduction, but in the interviews she selected to pay proper homage to him.
       – Linda Moran, President & CEO, Songwriters Hall Of Fame
 
Nobody wrote songs like John Prine, filled with humor, humanity, and perfectly cock-eyed detail. But what this elegantly curated collection—culled from interviews, TV and radio appearances, and even recipes—reveals is that...well, that’s just who the guy was. Whether he’s at the Library of Congress or in the pages of Hot Rod magazine, Prine’s wit and fierce independence constantly shine through. – Alan
       – Alan Light, The Holy or the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of “Hallelujah”
 
I’ve loved John Prine since I was a little girl. PRINE ON PRINE makes me feel like he’s been talking to me since he was a young man, and seeing him go through the phases of his career is a real gift. Holly Gleason knew John, so she understood how to take these interviews, movie scripts, tv shows and recipes and create a sense of who he was when he got done writing or performing. Now even more than a legend, he feels like a favorite uncle.
       – Miranda Lambert
 
With a deep understanding and knowledge of John Prine – the man and his music – Holly Gleason has searched every nook and cranny to curate a thoughtful biography of one of our greatest singer-songwriters. Her insightful text sets the scene as we experience Prine, the unfiltered raconteur, via five decades of media coverage, from major magazines to niche publications, television scripts to a recipe book, talk show appearances, movie roles and his PEN Award presentation. Prine on Prine is both revelatory and entertaining.
       – Holly George-Warren, Janis: Her Life & Music and A Man Called Destruction: The Life & Music of Alex                Chilton
 
Reality can involve a lot of imagination, and no one was better at imagining and painting real pictures about people you felt you knew. I enjoyed getting to know John more through Holly’s curation and writing.  A true master.
       – Eric Church
 
This book is a stunner! Only the glorious Holly Gleason could assemble such a magnificent collection to celebrate the life and world-changing artistry of her friend John Prine. Perhaps the most joyful history book you’ll ever read. His music explodes from the pages.
       – Tom DeSavia, Under the Big Black Sun: A Personal History of LA Punk and More Fun In
       The New World: The Unmaking and Legacy of LA Punk
 
Holly Gleason is the 2023 Southern California Media Awards Entertainment Journalist of the Year along with being honored with awards in Music Criticism and Entertainment News Feature (Magazine). An author, journalist and academic whose work regularly appeared in Rolling Stone, Los Angeles Times, Musician, Variety, Oxford American, Playboy, Interview and Miami Herald, she serves as HITS Nashville Editor and a Pollstar Sr. Contributing Editor. The Rock & Roll Hall of Fame/Case Western Reserve Fellow is the 2019 Country Music Association Media Achievement Award winner, creator/contributor of the 2018 Belmont Book Award-winning Woman Walk The Line: How The Women of Country Music Changed Our Life, co-author of Miranda Lambert’s New York Times best-seller Y’All Eat Yet: Welcome to the Pretty B*tchin’ Kitchen and Prine on Prine: Interviews & Encounters, published by Chicago Review Press Sept. 2023.
 
She lives in Nashville, TN.