10 DAYS TIL WE RAMBLE!!! Adam Ezra Group

Get all the details here:  GETRAMBLED.COM

Tickets:
Make sure to reserve your spots in advance so we can prepare for you!  As always, you can come for free or donate whatever you’d like, but make sure to get your reservations HERE!!

Livestream:
Even if you can’t be there in person, you can still spend the entire day with us online!  Adam Ezra Group will be kicking things off with an acoustic set!  You can find the livestream on AEG's Facebook Page starting at 9am EDT!

Donate:
Last year we helped 100 of our veteran heroes into safe and dignified housing.  You can donate right here…right now if you’d like to help us beat that number this year!

DONATE HERE!

Ramble Afterparty - Sunday, August 27:
We'll all need a day of relaxation after The Ramble, so Adam Ezra Group has set up an afternoon show down the road at The Range in Mason, NH starting at 1pm.  You can find tickets on their tour page.  Come join us!!

On behalf of our entire volunteer army, we are so looking forward to seeing you next Saturday!!!

Love,
        Ad, the bandies, and RallySound

Art of Shock Share "The Spark" — WATCH + LISTEN

Hollywood's ART OF SHOCK — frontman Art Geezar, lead guitarist Nicholas Ertel, bassist Brice Snyder, and drummer Adrian Geezar — recently announced their second album Shine Black Light, out September 8 via Century Media. Pre-order it here.

Today, the band has shared the lyric video for "The Spark." Watch and listen below. 

"This is about us individuals whose behavior is or has been akin to chain-smoking in a fireworks factory," says Art. "To those who've had to endure such souls as us, I truly apologize. Yet, for the unacquainted, may you believe this speaks of another tale entirely." 

The album takes a massive step beyond the thrashing intensities already synonymous with the speed-limit-shattering quartet from Dark Angeles. "Shine Black Light is an album that came out of extreme times," says Art. "The lockdown felt like the end of the world for us. Like many other bands at the time, we felt crushed. It was a frustrating time, but we also found some good in it."

When it came time to select a producer, ART OF SHOCK weren't afraid to step outside their own comfort zone. They tapped fellow San Fernando Valley native Taylor Young. Known largely as a band member of boundary-bursting hardcore acts, Twitching Tongues and God's Hate, as well as the man behind the boards for the likes of Drain or Suicide Silence, Taylor was hardly an obvious choice for the band. With that, ART OF SHOCK  2023 is a much more lethal proposition now than the band that made Dark Angeles in 2019. They've grown miles past the band whose story began several years ago in Mexico City. It was there that brothers Art and Adrian grew up, inspired by classic thrash and metal bands that became the fuel for their earliest musical endeavors. Their early ambitions and push to get out of their native country brought them to Los Angeles, where a scrappy lineup of ART OF SHOCK began to make a dent playing in Hollywood.

 ART OF SHOCK (rounded out by lead guitarist Nick Ertel and bassist Brice Snyder) have shared bills over the years with the likes of Trivium, Hirax, and Sacred Reich and the experience only strengthened the band's live presence, but it was on the road where ART OF SHOCK have become a machine. Now, months before the release of Shine Black Light, the band has already completed two high-profile support slots: the rescheduled Sepultura jaunt in late 2022 and a Southwest and Californian run with machete-wielding death squad Brujeria in March 2023.

Wrapped in a sleeve by the legendary metal cover artist, Travis Smith (Opeth, Nevermore), Shine Black Light is full of twists, turns and unexpected moments from ART OF SHOCK.

Shine Black Light is an album born out of chaos and frustration that’s  become the start of a new chapter for ART OF SHOCK. Their fuck-all attitude is finally paying off. "We've become the band that we always dreamed about being,” says Art. “Through successes and disappointments, we’ve never given up or let anything stop us. It wasn't easy but it's been worth it – and it feels like things are just beginning."

NYC's Black Rose Burning presents 'Night Terrors', previewing new 'Ad Astra' album

"A compelling blend of ominous Goth atmospheres, dark, but dynamic dancefloor anthems, New Wave ’80s tunefulness, and electronics-embedded tech tracks, all draped with the silky, reflective, and longing vocals of George Grant" ~ Big Takeover Magazine

"Leaning towards Ultravox and Colourbox on the new wave spectrum, they sometimes channel vibes from Phantasmagoria-era The Damned and Butterfly on a Wheel-era The Mission" ~ Amplify Music Mag

"Space might be the final frontier but Black Rose Burning are already stellar" ~ Onyx Music Reviews

"Smoulders from the ashes of goth-rock, whilst emerging from the dry-ice ambience of 80s nostalgia. Like a noir-new romantic, Black Rose Burning peacock preens from the underworld of art-pop, whilst intermixing its post-punk palette" ~ The Manc Review


NYC-based alternative rock outfit Black Rose Burning presents their new single 'Night Terrors', previewing their third full-length album 'Ad Astra', due out in mid-September.

Formed in 2018 by instrumentalist, producer and engineer George Grant, Black Rose Burning also involves guitarist Frank Morin (World Inferno Friendship Society) and drummer Luis Infantas (Monster Zero).

“Night Terrors is pretty much straight forward - if you have them, then you know. If you don’t, imagine being in the middle of sleep - but feeling wide awake and in a nightmare. There can even be “monsters” that sometime remain in your consciousness even after you’ve woken up. Nasty business this. I tried to encapsulate the feeling in a song, but I’m not sure you could ever REALLY explain the experience. I haven’t had this happen to me in years, and I hope it never happens again honestly,” says George Grant.

“This new music marks the debut of the entire band recording together, instead of me playing all the instruments and programming drums. It takes everything to a whole new level in terms of feel and especially in musicianship.”

'Night Terrors'  https://blackroseburning.bandcamp.com/track/night-terrors

This single follows the lead track 'Sing to Me (E.L.E.)', released in June. Grant says, "'Sing To Me' is about that point in a relationship when things just aren't the same any more - the rough time before the breakup. That point where your partner doesn't seem to feel the same the way you STILL do. It can be devastating. You just want them to see you the way they used to - because you still care."

In 2021, Black Rose Burning released their second album 'The Wheel', mastered by Jason Corbett of ACTORS. one year after debuting 'The Year of the Scorpion'album.

George Grant's soulful vocal delivery, instantly recognizable voice, solid instrumentation crossing several genres are standout features of this music. Roughly 40 years of songwriting across various styles has helped George embellish on clever hooks, drive and the gothic-pop sensibilities of The Cult's early years.
 
'Ad Astra' was recorded in George’s own studio, PV Recording Company, which has hosted notable artists over the years, including Emelio Zeff China (Peter Murphy), Knox Chandler (Siouxsie And The Banshees), Chibi (The Birthday Party Massacre), Nellie McKay, Julia Marcel, Paul Bakija (Reagan Youth), Ego Likeness and Voltaire (with whom Grant also played bass for 10 years).

'Night Terrors' is out now exclusively via Bandcamp. The 'Ad Astra' album will be released on September 15 on CD and also available digitally from fine music platforms, including Spotify, Apple Music and Bandcamp.  That same night, Black Rose Burning will be playing their album release show at NYC's Mercury Loungefor The Red Party.

CREDITS
Music and lyrics written by George Grant
Recorded and mixed by George Grant at PVRCo (Putnam Valley Recording Company)
Mastered by Eric Enjem at Echometrics
George Grant - bass guitar, vocals, synth programming
Luis Infantas - drums and triggers
Frank Morin - guitar
Cover Art by Antonella Di Mattei @ Eshmoon DM Design
Artist photos by Shane K. Gardner


Keep up with Black Rose Burning
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube| Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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THE LONELY ONES Release New Single "One More Time Around" + Official Music Video

Hard rock band The Lonely Ones release brand new single "One More Time Around" along with the official music video!

Check out The Lonely One's New Single "One More Time Around"

https://linktr.ee/thelonelyones

WATCH "One More Time Around"

Below

"What if David Bowie, Oliver Tree, and Guns N’ Roses got together to write a modern/alt rock ballad about heartbreak and second chances? It would probably sound like our new single 'One More Time Around'. We recorded it at Sonic Lounge studios by legendary producer Joe Viers (KISS TwentyOne Pilots Starset)."

The Lonely Ones Tour Dates:

8/17 @ Chrome Horse Saloon in Cedar Rapids, IA
8/18 @ Cavalier Theater in La Crosse, WI
8/19@ North Woods Rock Rally in Glen Flora, WI
9/2 @ Echo Room in Lebanon, IN
9/3 @ Taste of Madison in Madison, WI
10/21 @ The Music Factory in Battle Creek, MI
10/22 @ Top Fuel Saloon in Braidwood, IL
11/9 @ Rookies RocHaus in West Dundee, IL
11/10 @ Crystal Grand Music Theatre in Wisconsin Dells, WI w/ Slaughter
11/11 @ The Back Bar in Janesville, WI

All available tickets links are on-sale at www.thelonelyones.net/shows

Formed in the summer of 2019, The Lonely Ones are a four piece, vocal-oriented hard rock band with an ear for melody and a taste for success. The group features Marty McCoy on guitar / vocals, Tommy Johnson on drums, Jymmy Tolland on guitar / vocals and Tru Roberts on bass / vocals. Being no strangers to the hardships of the music industry, The Lonely Ones consist of former members of Bobaflex. Together, they knew what they wanted and knew how to get it; by combining their knowledge and experiences to achieve a common goal. With determined perseverance and an energized drive to triumph, they were ready to release their first two singles independently in March of 2020; with the titles “Eternal Sadness" and "The Lonely One."

A few months after their initial introduction to the world of rock, the band decided to take a major leap of faith and release their re-imagined version of Queen's classic song "Flash." There’s always the risk of scrutiny and criticism when it comes to covering classic songs, especially ones that are still regarded with high praise from the still thriving fan base, but the band was confident their rendition would not only honor the original but also garner renewed attention for the hit theme. Any doubts were squashed when the song and video were met with rave reviews, including those of Brian May from Queen and Sam J. Jones, Flash Gordon himself.

Brian May was quoted as saying, “What a fantastic cover! I didn’t realize they were going to go into The Hero and the whole reprise ... magnificent!"

Sam J Jones adds, "This is one of the best covers I have ever heard and seen. What a gifted group - The Lonely Ones are for every one of us, from the 1980’s to right now!"

Humbled by the response from fans, listeners and legends in the entertainment industry, the band was spurred on in their pursuit to create groundbreaking original music. In September of 2020, The Lonely Ones released another brand new single titled "Real Big Trouble." What started out as a fun and creative session quickly turned out to be one of their most rewarding. This is one of the heaviest songs the band has ever written, but it also gives a look into what sounds inspire them, such as Thin Lizzy and Beartooth.

By February of 2021, the band had signed on with Imagen Records and released another single called “Change the Station.” This release had 9 active rock stations add the single in the first week and they were a feature artist on Spotify's Rock Hard editorial playlist as well as over 100 other playlists in the first week as well.

The next release through Imagen was "Dyin' All Night Long" in June of 2021. A song about an abusive relationship and how often times excuses are made over and over for that person. The lyrics come from the perspective of a victim having had enough of it.

The band released two more singles titled "Gettin' High" (2021) and “The Way Out”(2022) via Imagen Records before ultimately going independent.
The band spent the summer of 2022 getting back to the grind and writing new songs. The Lonely Ones’ latest release "Bedroom Door" in October of 2022, is one of many to be debuted in the year 2023.

The Lonely Ones have played shows with Sevendust, Nonpoint, Fozzy, Royal Bliss, Seven Year Witch, Black Top Mojo, September Mourning and many more.

In addition, the band is endorsed by: Orange Amps, Westone Audio, Pearl Drums, Sabian Cymbals, Evan's Heads, Vater Sticks, Ibanez, Frog Amplification, Tech 21 Amplification, Michael Kelly Guitars, SIT Strings, Rare Buzz Effects and Strüng, which is guitar string jewelry that raises money for music education.

WATCH Music Videos from The Lonely Ones!

The Lonely Ones - Eternal Sadness: https://youtu.be/lVQPIIH3kJ8
The Lonely Ones - The Lonely One: https://youtu.be/TIsrlNEZ3_Y
The Lonely Ones - Flash/ The Hero: https://youtu.be/Bct_S9Dp3dE
The Lonely Ones - Real Big Trouble (Acoustic): https://youtu.be/H-cIVJgQOA4
The Lonely Ones- Change The Station: https://youtu.be/6uKpDyVzx9k
The Lonely Ones - Gettin High: https://youtu.be/yDH6CBeyElE

The Lonely Ones are:
Marty McCoy - guitar / vocals
Tristan Woodruff - drums
Jymmy Tolland - guitar / vocals
Tru Roberts- bass / vocals

For More Information Please Visit:

The Lonely Ones

Instagram

Facebook

Twitter

BEYOND THE GATES 2024 Announces Gold Passes Sales Start for 2024, Early Bird Tickets Already Sold Out

“As a festival, Beyond the Gates is immediately lovable. Bergen is intrinsically part of that embrace… Sure, Norway’s expensive, but seeing the best bands out there, taking in a Tolkienesque fjord or two, pilgrimaging to Fantoft church, hitting up Gaahl’s art gallery (Galleri Fjalar) nestled in the quaint houses at Bryggen while Freyr gleefully and continually pisses rain on you from the heavens? All worth its weight in hordes of kroner.” - Decibel Magazine, December 2022 issue

"The curation at this festival is bonkers, and plays out like a who’s who of Scandinavian icons. Watching the bands that started this crazy scene, in a city where much of its origin story takes place, is a pilgrimage any fan should absolutely take in their lifetime."

- Metal Injection

BEYOND THE GATES 2024 PASSES

Following the immense success of this year's Beyond the Gates Festival, 4-Day Gold Passes for the 2024 edition are now on sale! The epic four-day metal event will take place once again in the heart of Bergen (NO) from July 31 - August 3, 2024!

Upon announcing Early Bird Tickets this morning, the allotment sold out entirely in record breaking time! The festival is now making the 4-Day Gold Passes available, which cover the main festival as well as day and night shift performances. The Gold Passes are limited due to capacity restrictions at Kulturhuset. Once the Gold Passes are sold out, 4-Day Silver Passeswill be made available, which will cover all the main stages. Price level are the same for both the Gold and Silver pass, so be quick if you want to attend the club concerts included in the festival pass without extra cost. Don't sleep on this deal and get your passes HERE.

Last week, thousands of metalheads descended on the black metal mecca and witnessed legendary metal performances across several venues, including the legendary Grieghallen, where many seminal Norwegian black metal albums were recorded in the 90s. Highlights included a blistering performance of Eld in its entirety by Enslaved, demolishing sets from Norwegian heavy-weights such as Taake and Gorgoroth, a rare and devatstaing performance from Nidrosian black metal enigma Mare, and of course, a rare and special 30th anniversary set by Dimmu Borgir, who broke out songs that haven't been played in decades!

In addition to the mind-blowing performances, attendees were also treated to a wealth of once-in-a-lifetime events including wine tasting with Gaahl, a special photo exhibition from iconic black metal photographer Peter Beste, a tour of Grieghallen with legendary producer Pytten (where he recorded seminal albums such as Enslaved’s Vikingligr Veldi, Frost and Eld, the first two Emperor albums, In the Nightside Eclipse and Anthems to the Welkin at Dusk, Gorgoroth’s Pentagram and Antichrist, Mayhem’s De Mysteriis Dom Sathanas, and Immortal’s Diabolical Fullmoon Mysticism, Battles in the North), guided tours of black metal landmarks with Tore Bratseth (Old Funeral, The Batallion, Bömbers), a Dimmu Borgir exhibition hosted by Finn Håkon Rødland, a live taping of Alan Averill's 'Agitator's Anonymous' podcast, artist talks, and so much more!

Don't let the FOMO get you down and get your tickets now to experience Beyond the Gates 2024!

Following Primordial's memorable performance of 'To The Nameless Dead,' vocalist Alan Averill hosted a live taping of his 'Agitator's Anonymous' podcast with Enslaved's Ivar Bjørnson (left) and Beyond the Gates festival founder Torgrim Øyre (right)

Photo by Jarle H. Moe

Since the inception of the Beyond the Gates festival, fans have been coming to Bergen to see performances of their favorite Norwegian artists in their home environment. As most visitors know, nature and local culture has always been a poignant source of inspiration for the bands emerging from the Bergen scene. Yet again, Beyond the Gates will give all of the traveling fans the opportunity to get an unique insight into all aspects of the Norwegian Metal scene and the local culture in general. In that regard, we’re putting together a series of events before and during the festival so that all of you can discover what inspired – and still does - the Norwegian metal scene.

In addition, there will be exclusive listening parties, music and culture panels, in-depth live interviews, and a wealth of of events and activities that will give you a Beyond the Gates Experience that will last for a lifetime. Stay tuned for more...

Links:

Official Beyond the Gates Website

Facebook

Instagram

Tickets

CHASE RICE’S “BENCH SEAT” MUSIC VIDEO CONTINUES TO IMPRESS AS AWARDS SEASON APPROACHES

16 Film Festival Selections Including Cannes World Film Festival, Onrios Film Festival, Benelux International Film Festival; 6 Awards & Counting

Emotional Song Inspired by a True Story Featured on Critically Acclaimed Album I Hate Cowboys & All Dogs Go To Hell

When Chase Rice’s longtime friend came to him with an idea for a song about “a guy and his dog driving around together,” the Diamond-certified songwriter laughed. “That cliché was exactly the type of thing I was trying to avoid on this album,” Rice remembers. And yet, once he sat down with his acoustic guitar to craft what would become one of four solo writes on the critically acclaimed project, the result was anything but cliché. With “Bench Seat” and its corresponding music video, Rice pays tribute to that friend – and the dog that saved his life.

“My buddy was in a really dark place – to the point where he was ready to end his own life. It took a lot for him to take me back to that moment, but when he told me what stopped him it stopped me in my tracks: his dog came and laid his head on his lap, and that connection saved him,” Rice explains. “I wrote this song by myself with the point of view from the dog’s perspective – which might not be obvious right away – and what that moment might have meant for the two of them if not for that intervention.”

Building upon the emotional backstory of the song celebrated by the Tennessean as what “could be, by the end of 2023, one of the surprise candidates for Song of the Year." The official music video directed by Kaiser Cunningham offers a seven-plus-minute short film spotlighting the mental health struggle that affects countless people. The video’s intention is to encourage viewers to feel comfortable talking about the topic and seeking the assistance they need, with its conclusion pointing to available resources via wannatalkaboutit.com and encouraging anyone in crisis to call/text 988.

“For the first time in my career, I could envision the whole video as I was writing the song,” notes Rice. “I wanted to shine a light on the topic of mental health because this is something that makes way too many people feel alone and especially when addiction becomes part of the picture, one bad moment can have horrible consequences. I personally know how hard it can be to ask for help when you need it. I hope this helps start a few more conversations and helps people know they really aren’t alone."

“When my friend was in that moment, it was impossible to see anything but the heaviness. He was able to get the help he needed, though, and now he’s living a beautiful life and starting a family. That’s what this video is really about – showing you the potential for a happy end to the story if you are able to find a way to get help through the dark times.”

“As a director, it was imperative that we found certain angles, dynamic camera movements and a very specific look that makes the viewer feel the emotion the song itself delivers,” adds Cunningham. “I hope that everyone who watches this video realizes the importance of mental health. In my own life, having friends of mine from the Marine Corps commit suicide, it was an important message that I stand behind. If you need help, please get it. There’s always someone in your corner."

“The response has been overwhelming – from the film festivals to the media feedback – however more importantly the comments on the video from fans,” Cunningham continues. “These are real people, with real stories, and I’m incredibly grateful we could make a project that has had such an impact on people's lives and their stories.

Thus far, the “Bench Seat” video has been selected for 16 film festivals, taking home six awards while being named a semi-finalist and a finalist twice each – and counting.

The powerful song is one of 14 tracks on Rice’s latest album, I Hate Cowboys & All Dogs Go To Hell, which also features current single “Bad Day To Be A Cold Beer.” Recorded during an immersive two-week period at Rice’s farm outside Nashville with producer Oscar Charles and a live band using a makeshift recording setup, the album ranges from admiration of a Western way of life to emotional reckoning, showcasing a more raw, vulnerable side of the man praised by Sports Illustrated for “his wild ride to redemption” than on any of his previous studio projects.

For more information on all things Chase Rice, visit ChaseRice.com and follow on Facebook, Twitter andTikTok @ChaseRiceMusic and on Instagram @ChaseRice.
 

“Bench Seat” Film Festival Honors:

·      Afterlife (Spain) – Award Winner

·      Barcelona Indie Awards (Spain) – Selected

·      Benelux International Film Festival (Netherlands) – Finalist & Nominee for Screening Event in December

·      Cannes International Film Festival (France) – Semi-Finalist (currently)

·      F3 Queen City Film Festival (Cincinnati, OH) – Award Winner

·      Feel The Reel Festival (Glasgow, UK) – Selected

·      Flickers Rhode Island International Film Festival – Semi-Finalist (not in official screening)

·      Golden Film Festival (Italy) – Finalist

·      Lulea International Film Fest (Sweden) – Selected

·      New York International Film Awards – Honorable Mention

·      New York State International Film Festival – Selected

·      Northeast Film Festival (New Jersey) – Selected

·      Onrios Film Festival (New York) – Award Winner

·      Paradise Film Festival (Budapest Hungary) – Selected 

·      Rome International Film Awards (Rome) – Award Winner

·      Rome Prisma Film Awards (Rome) – Finalist

·      Sweden Film Awards (Sweden) – Award Winner

About Chase Rice:
With more than 2.4 million albums sold and over 2.5 billion total streams, plus a legion of passionate fans at his high-energy concerts across the globe, Chase Rice has established himself as a powerful force in Nashville and beyond. With the critically acclaimed album I Hate Cowboys & All Dogs Go To Hell crafted in his rural Tennessee home-turned-studio available everywhere now, Rice’s sound continues to evolve to reflect the realities of his life; from emotional reckoning to an admiration of the Western way of life. The new music, including current single “Bad Day To Be A Cold Beer,” serves as a follow up to his three-part project, The Album, featuring his latest Platinum-certified No. 1 hit, “Drinkin’ Beer. Talkin’ God. Amen. (feat. Florida Georgia Line)” and Platinum-certified Top 10 hit “Lonely If You Are.” This is the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited. The new music builds upon the success of his sophomore album, Lambs & Lions, which featured the Triple Platinum, two-week chart topper “Eyes On You” – Rice’s first No. 1 as an artist and the most-streamed song of his career. Lambs & Lions followed Platinum-certified Ignite the Night, which debuted at No. 1 on Billboard’s Top Country Albums and No. 3 on the all-genre chart, producing a pair of Top 5 hits; Platinum-certified “Gonna Wanna Tonight” and Double Platinum “Ready Set Roll.” In addition to guesting on sold-out stadium shows with Kenny Chesney and Garth Brooks, Rice consistently sells out venues on his own headlining tours, including the recently-wrapped Way Down Yonder Tour in support of his new music, and will join both Jelly Roll and Old Dominion for arena shows later this year.

SVALBARD - release melancholic composition 'How To Swim Down' alongside heart-breaking animated video

DON'T BREAK THE SPELL
I'LL NEVER TELL
WHY WE WON'T DROWN
IF WE SWIM DOWN...

Svalbard have released the third single from their forthcoming new studio album, The Weight Of The Mask, due out on October 6th. The track titled 'How To Swim Down' is Svalbard's most unique and moving work to date, featuring heart-rending, ethereal violin parts from Liam Phelan, and a profound vocal performance from Serena Cherry.

The track is accompanied by a beautiful animated video, created by Boy Tillkens. The heart-breaking animation is a delicate portrayal of humanity, detailing the tenderness and strength found in existence.  

Svalbard's Serena Cherry commented,

"This song is about the exquisite pain and sorrowful beauty of unrequited love. I think it's the saddest, most heart-breaking song we've ever written. Lyrically, the starting point of the verse is about the concealment of adoration, before the chorus gives way to realizing and accepting the fate of loving someone quietly from afar. 
 
I cannot watch the music video for How To Swim Down without crying. Boy has captured the bittersweet emotion of the song so delicately, it's an incredibly moving piece of animation to watch. 
 
Musically, How To Swim Down saw us dive into unchartered waters with Liam adding many layers of mournful violin parts onto the track. Finally, violins - for the first time in Svalbard history! It feels so exciting to have new instruments on a song. Another first is that How To Swim Down features only clean vocals, no screams. I wanted the vocal delivery of these lyrics to feel as though I'm whispering a secret to someone whilst they're sleeping. My vocals here represent that lonely type of communication, singing to yourself in an empty house. It's a private, selfless love song, where only the listener knows of my heartache."

Pre-order The Weight Of The Mask + stream 'How To Swim Down' HERE
Watch the 'How To Swim Down' video below.

Stream previous singles 'Faking It' HERE and 'Eternal Spirits' HERE
Watch the 'Faking It' video HERE
Watch the 'Eternal Spirits' video HERE 

The Weight Of The Mask was recorded at The Ranch Production House, UK. The record was produced and mixed by Lewis Johns, with mastering by Grant Berry. Engineering was handled by Lewis Johns, assisted by Matt Janke, with additional editing by Kel Pinchin and Sebastien Sendon.

Svalbard's intention with their music is to make people feel less alone and to be there for people in their darkest times. The Weight Of The Mask bravely lays out experiences of mental illness and depression, hoping to help destigmatize these topics. 

Svalbard finished an extensive tour across the continent supporting post-metal monoliths Cult Of Luna and Russian Circles earlier this year, and the band are currently in the midst of a string of European summer festival performances. They've recently played the likes of Inferno (Norway), Hellfest (France), and With Full Force (Germany), plus2000Trees and Portals in the UK. Their remaining festival dates are listed below.

SVALBARD will be returning to the EU mainland for six headline show dates in October, which will be followed by a performance at the Cult Of Luna curated Beyond The Redshift event in London and a headline date at The Key Club in Leeds.

Summer Festivals
11-13 Aug - BE, Kortrijk, Alcatraz Festival
16-19 Aug - UK, Compton Martin, ArcTanGent
October Dates
14 Oct - NL Nijmegen, Soulcrusher
15 Oct - DE Cologne, Helios 37
16 Oct - DE Berlin, Urban Spree
17 Oct - DE Dresden, Chemiefabrik
18 Oct - DE Neunkirchen, Stummsche Reithalle
19 Oct - FR Paris, Backstage By The Mill
20 Oct - UK London, Beyond The Redshift - curated by Cult Of Luna
21 Oct - UK Leeds, The Key Club

Formed in Bristol UK, Svalbard have released three studio albums, three EPs and several split releases. Their exceptional last studio album, 2020's When I Die, Will I Get Better? was dubbed by Metal Hammer UK as "the most important British metal record of 2020", with both Metal Hammer and Kerrang! lauding the record as a top 10 album of the year. A career milestone, it cemented Svalbard as a powerful and vital component of our global music scene.

Whilst refining their distinctive blend of euphoric black metal, post-rock, and d-beat, Svalbard have incorporated a few more surprising influences along the way. From soft, mournful singing to progressive guitar leads, it showcases a sensitive dynamic that lends impact to their most crushing moments - of which there are undoubtedly many. There’s no poetry, no ambiguity - just direct, raw honesty as the quartet tackles some very uncomfortable subjects head-on. This is heavy in the most evocative sense of the word. The blunt lyrics are equally as important as the music.

Svalbard are:
Vocals/Guitar - Serena Cherry
Vocals/Guitar - Liam Phelan
Drums - Mark Lilley
Bass - Matt Francis

HORRENDOUS Invite You Inside 'Ontological Mysterium'

When Horrendous started working on their fifth album, Philly's filthiest and finest death metal band wanted to acknowledge the bombast of late '80s and early '90s heavy metal, while blazing a path forward into uncharted territory. They were awfully successful, too. With 'Ontological Mysterium', these guys made a classic of their own.    

'Ontological Mysterium' is now streaming in full below. 

Horrendous are also hosting a listening party for their new album on Bandcamp this Wednesday at 9 pm EST. Fans can listen to 'Ontological Mysterium' while chatting with members of the band. RSVP for the listening party HERE. 

'Ontological Mysterium' is a labyrinth. The deeper in you go, the more this album twists and churns, luring you toward some monstrous final battle. The riffs on the title track slice like the blades of an Apache helicopter, while the battle cry that opens "Cult of Shaad'oah" will make you feel like you're about to carve up a volcano full of giant, flaming snake warriors. 

But 'Ontological Mysterium has other surprises up its robe. "Preterition Hymn"is a lament for the weary that cascades like sweet, sweet tears. And with elastic bass, fluorescent synths, a jazzy ride cymbal and a finger-tapped guitar solo that will bring you to your knees, "Aurora Neoterica" is about as sleek and sexy as death metal gets.  

"Somehow these guys can take Iron Maiden, mesh it with '90s prog-influenced death metal masters like Atheist, dispense with traditional metal song structures and create something that you've never heard before," writes Metal Injection. 

Angry Metal Guy says: "Horrendous have knocked out another triumph of intelligent, sumptuous progressive death, cementing themselves as one of the most important death metal bands of the past decade.   

Here's what the band has to say about their new album: "We can't believe the time has come to unveil 'Ontological Mysterium'! An indescribable amount of determination, suffering, joy, and love went into this record, from the first seeds of writing in early 2019, through periods of extreme rethinking and revision over the pandemic lockdown, to the adrenaline-fueled, highly experimental, and at times circus-like recording sessions. We feel that this is the most "Horrendous" album yet - the one that best distills who we are and celebrates how far we've come on this continuing journey. We hope that you enjoy OM, and that it breathes some wonder into your life during these trying times".

'Ontological Mysterium' will be released on August 18, 2023 by Season of Mist. Pre-save the album HERE.  Pre-order it HERE. 

Let your chariot ride!

Horrendous are on the cover of the September issue of Decibel magazine. Order a copy and get an exclusive limited edition The Silver flexi disc.  

"After years of incredible support from Decibel Magazine, we are honored to make it to the cover of their next issue", the band says. "Eternal thanks to Albert Mudrian for always believing in our music, Mike Wohlberg for all of his artistic contributions to the band, and Scott Kinkade for capturing us masterfully, and everyone out there who has supported us."

“Surprises always come up during writing — spontaneous ideas pull you into new territory and enable the realization of novel possibilities that previously were inaccessible.”

Such are the words from Horrendous drummer Jamie Knox when discussing the creation of the band’s fifth full-length, the highly anticipated 'Ontological Mysterium'. Knox’s quote also encapsulates Horrendous’s approach to extreme metal. Since 2009, the band has capably tapped into the inaccessible by providing a fresh, unconventional take on death metal that harnesses technical brilliance with elaborate, mind-melding melodies, frothy, spewing vocals and labyrinthine song structures. This combination has made each Horrendous long play a clinic in the gratifyingly unorthodox. The trend continues on Ontological Mysterium.

The follow-up to 2018’s Idol was recorded, mixed and mastered at Subterranean Watchtower Studios in Virginia, which doubles as the homestead of guitarist/vocalist Damian Herring. While the band (completed by guitarist/vocalist Matt Knox and bassist Alex Kulick) finished much of the songwriting for Ontological Mysterium in 2019, its recording was delayed by the 2020 global pandemic and various life events. Horrendous eventually finished recording in early 2022 and mastered the album before the start of 2023.

The album upholds Horrendous’s position as one of the underground’s best outside-of-the-box extreme metal bands. Having long abandoned concern whether people would appreciate their “uniqueness,” Horrendous has embraced its role as a band willing to veer far from death metal conventions, intentionally stretching and breaking norms. To wit, the band primarily views its music as filtered through a death metal lens. This may be Horrendous’s defining trait: By not accepting parameters, nothing is off-limits.
 
Lineup: 
Damian Herring - Guitar, Vocals
Matt Knox - Guitar, Vocals
Alex Kulick - Bass
Jamie Knox - Drums

Producer / Sound Engineer / Mixing / Mastering: Damian Herring at Subterranean Watchtower Studio, Arlington, VA, USA

Style: Progressive death metal

Cover art: Brian Smith

Pre-save: :  https://orcd.co/ontologicalmysteriumpresave

Pre-sales: https://redirect.season-of-mist.com/HorrendousShop  

For more on HORRENDOUS,
https://www.facebook.com/HorrendousDeathMetal
https://www.instagram.com/horrendous_official/
https://horrendoussom.bandcamp.com/
https://music.apple.com/us/artist/horrendous/496063134
https://open.spotify.com/artist/1Na6P4MqOassrZtvT9Z12s

Tzarina Release New Single "HORACE" Today!

STREAM "HORACE"

https://linktr.ee/tzarinaband

Post-hardcore band Tzarina released their latest single "Horace" today, August 15th. The single is from their forthcoming self-titled album due out later this year. The lyric video premiered on ghostcultmag.com.

"Horace is a song that came out of another song that didn't make it to the final cut of the album. With Horace, I fell in love with the sort of darker ambient voicing of the track juxtaposed with a bluesy chorus line," says the band's vocalist, Craig William.

For songwriter Craig William, the crux of the musical endeavor powered by the band Tzarina has always been to explore the more ethereal themes evident in the mixture of metal, post-rock, and post-hardcore genres expressed in their music. This is evident in Tzarina's trail of singles, which have been seeing their release since October 2020.

It has been almost two years since the full LP was recorded, so they are slated to release their first complete work later this year. This has been a long-awaited moment for the band, who have been hard at work perfecting their sound and experimenting with various elements of their live performance.

Tzarina is comprised of Craig William on vocals and guitar, Mark Ayesh on guitar and backup vocals, Robert Scott Abrams on drums, and Michael Forsyth on bass. With the constraints resulting from the COVID pandemic, the band was forced to have a bit more of a DIY ethic, with Craig handling the brunt of the songwriting, and recording, while in isolation. This did not stop the rest of the members from contributing where they could and the result is nothing short of a sound that is distinctly their own.

This is a group that takes great pride in its artistry, and it shows in the level of care put into every aspect of their music. It is this dedication that has allowed them to continue to evolve and grow as artists.

They are known for their aggressive live shows juxtaposed with beautifully textured music and thought-provoking lyrics that explore the human experience. With heavy, driving riffs and powerful vocals, Tzarina is poised to become one of the most exciting acts coming up in the Brooklyn area.

Tzarina is a band that is constantly striving to push themselves creatively, and they show no signs of slowing down any time soon. With a new album on the horizon and an ever-growing live show, there is much to be seen and heard from this talented group of musicians. Whether you're a post-hardcore fan or just appreciate great music in general, Tzarina is definitely a band to keep your eye on.

For More Information Please Visit:

Official Website

Facebook

Instagram

GWAR Announces “Age of Imbeciles” Tour

Tenth Anniversary Edition Of 'Battle Maximus'

Out September 1st on Pit Records!

Pre-Order HERE

The Intergalactic Scumdog Warriors GWAR are declaring war on humanity (AGAIN!) for their upcoming “Age of Imbeciles” Tour! The infamous Lords and Masters of Shock Rock will return to the road wreaking havoc, and laying waste to audiences across the US and Canada this Fall. The tour, featuring support from Negative Approach, X-Cops and Cancer Christ on select dates, starts October 11th in Hampton Beach, NH and runs through October 30th in Orlando, FL. 

A complete list of dates and supporting act information can be found below. 

Presales begin tomorrow and the general on-sale date is Friday, August 17th at 10:00 AM local time.

Lead singer, The Berserker Blothar had this to say about the impending battle:

“Attention People of Earth! Halloween is coming, and your world is up in flames. You're a bunch of hairless apes with the smoothest of all brains. We see you there, groping in the chaos of maddening darkness. GWAR is coming to end your suffering, to bring a close to the Age of Imbeciles.”

Age of Imbeciles Tour

10/11 Hampton Beach, NH @ Wally's*

10/12 S. Burlington, VT @ Higher Ground*

10/13 New York, NY @ Palladium Times Square*

10/14 Reading, PA @ Reverb*

10/15 Niagara Falls, NY @ The Rapids Theatre*

10/16 Toronto, ON @ The Phoenix#

10/18 Cincinnati, OH @ Bogarts

10/19 Milwaukee, WI @ The Rave

10/20 Columbia, MO @ The Blue Note

10/21 Louisville, KY @ Mercury Ballroom

10/22 Huntsville, AL @ Mars Music Hall

10/24 Richmond, VA @ The National

10/25 Raleigh, NC @ The Ritz

10/26 Asheville, NC @ The Orange Peel

10/27 Gainesville, FL @ The Fest, Bo Diddley Plaza

10/28 Pensacola, FL @ Vinyl Music Hall

10/29 Atlanta, GA @ The Masquerade (Heaven)

10/30 Orlando, FL @The Beacham

*No X-Cops

#No Negative Approach

Current GWAR Tour Dates

 "The Psychotherapy Sessions" Tour:

8/15 Albuquerque, NM @ Isleta Amphitheater

8/16 Phoenix, AZ @ Talking Stick Resort Amphitheater

8/17 Irvine, CA @ FivePoint Amphitheater

8/19 Concord, CA @ Concord Pavilion

8/20 Reno, NV @ Grand Theater at the Grand Sierra Resort

8/22 Auburn, WA @ White River Amphitheater

8/23 Ridgefield, WA @ RV Inn Style Resorts Amphitheater

8/25 Salt Lake City, UT @ USANA Amphitheater

8/26 Englewood, CO @ Fiddler's Green Amphitheater

GWAR Headlining Shows:

8/21 Boise, ID @ Knitting Factory *

8/27 Lincoln, NE @ Bourbon Theatre +

8/28 Minneapolis, MN @ First Avenue +^

8/29 Des Moines, IA @ Wooly's +^

8/30 St. Louis, MO @ The Pageant +^

9/1 San Antonio, TX @ Vibes Event Center +^

* - w/ Nonpoint

+ - w/ Crobot

^ - w/ 200 Stab Wounds

Festival Appearances:

9/2 Pryor, OK @ Rocklahoma

9/3 Cookeville, TN @ Muddy Roots Festival

10/26-27 Gainesville, FL @ The Fest

10/31 - 11/4 Lamb of God’s Headbangers Boat - Sold Out

11/5 San Mateo Otzacatipan, MX @ Hell & Heaven Festival

In other GWAR news, the band will release a tenth anniversary Edition of their “Battle Maximus” album September 1st via Pit Records. This new version is completely remixed and remastered, and features the final recorded vocal performance of Oderus Urungus on the previously unreleased and never-before heard song “Tammy, Queen of Dirt.”

It is Available for Pre-Order HERE

VELVET CHAINS Returns with Surprising, Uplifting Single, "I Am The Ocean”!

After a successful South American tour opening for STONE TEMPLE PILOTS and THE WINERY DOGS, as well as a remarkable performance at the Summer Breeze Brasil festival alongside giants such as SEPULTURA, LAMB OF GOD, and SKID ROW, VELVET CHAINS is back in full force with the single “I Am The Ocean”, available from July 21st on all major streaming platforms, starting a series of releases that will continue up to 2024. Produced, recorded, and mixed by KELLEN MCGREGOR, the new single cements the band's musical identity and, at the same time, brings new musical nuances, presenting a work in constant evolution and maturation.

Shot in the band's hometown of Las Vegas, and featuring new guitarist BURTON CAR, who was brought in on the South American Tour, the official music video for "I Am The Ocean” was directed by BRIAN COX (BRING ME THE HORIZON, THE USED, HOLLYWOOD UNDEAD.

Purchase / Stream "I am the Ocean" Online

VELVET CHAINS emerged in 2018, and showed their face to the world three years later with the solid album Icarus, which featured the special participation of RICHARD FORTUS (GUNS N 'ROSES) on one of the tracks. The band's incessant work continued with an impressive sequence of singles, which culminated in the EP Morbid Dreams in 2022. Always looking to expand their musical spectrum, VELVET CHAINS continues to climb steps in the world rock scene. With “I Am The Ocean”, the band proves that there is a lot of rock and roll of the best quality to come.

THE LION'S DAUGHTER Premieres New Single, "Maximize Terror," via Knotfest

St. Louis horror metal outfit The Lion's Daughter will be releasing its brand new full-length, 'Bath House,' on October 13, 2023 as an independent entity! The band has teamed up with Knotfest to premiere their viscous new single, "Maximize Terror," .

“The intention of 'Maximize Terror' is just what the title suggests… it’s a violent panic attack nightmare. It’s the past two years of my dealing with a terrible anxiety disorder condensed into 3 and half minutes."

In addition, The Lion's Daughter will be performing live later this year! On October 13, the band will have a special Friday the 13th album release party in its hometown of St. Louis, MO. Then, the band will hit Black Circle Brewing in Indianapolis, IN on 11/11 for another rager! The full itinerary can be found below with more dates TBA!

'Bath House' is now available for pre-sales HERE.

The Lion's Daughter Live Dates (U.S.):

10/13: St. Louis, MO @ Red Flag (Album Release Show)

11/11: Indianapolis, IN @ Black Circle Brewing

“What we did see… was something altogether different, and immeasurably more hideous and detestable. It was the utter, objective embodiment of the fantastic novelist’s ‘thing that should not be.’” - H.P. Lovecraft, “At The Mountains of Madness”

Some creations are designed to elicit nightmares, evoking unspeakable terrors that are meant to shock, terrify, and mesmerize the masses. Since the release of its first full-length in 2012, The Lion’s Daughter has consistently put forth music that is just as disturbing as it is enticing, making a name for itself as a dark force among its musical contemporaries. And much like an eldritch horror, the band is constantly shape shifting like a Shoggoth, capable of fitting into many different musical spaces, while at the same time, fitting into no earthly dimensions just as an ancient alien rising up from centuries of arctic slumber with a mission to destroy and conquer.

And much like the Shoggoth, The Lion’s Daughter have defied all gods and masters, releasing its latest opus as an independent entity, breaking away from the corporate confines of a label. ‘Bath House’ is another generically unclassified masterpiece from the St. Louis horror quartet, pulling elements from everything from Faith No More to Godflesh to Samhain, creating a sound that’s way ahead of its time and yet certain to grab the listener by the throat.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on the band’s unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

As the music itself on ‘Bath House’ is a representation of Giordano’s musical palette, the lyrics are perhaps the darkest and most vulnerable of his career. The band strays away from fantasy on this record and instead, gets raw and relatable. “It’s all really ugly shit,” he says of the new album’s themes. “Which, for our band, is not shocking at all. But this time around, it’s all much more personal to me, which makes it a bit difficult and uncomfortable to talk about. I wasn’t in a great place while writing this record. Grief, fear, jealousy, and general devastation can be found all over this thing. That wasn’t my intention exactly, but like the music, I let the lyrics kind of write themselves without letting logic or reason interfere.”

To further illustrate the darkness that dwells within ‘Bath House,’ The Lion’s Daughter commissioned a perverse and unnerving image from UK artist Daniel Peacock for the album cover. The image not only works well in cohesion with the record, but also symbolizes that while ‘Bath House’ still very much carries the band’s signature sound, it still isn’t exactly what fans might expect. Giordano explains, “Our previous two album covers featured masked characters. I wanted to see what happens when you take the mask off. This record isn’t shrouded in mystery the same way the previous couple have been. It’s much more of an in your face kind of attack, and I felt the artwork should represent that. This horrible creature looks dangerous and frightening, but is also clearly in pain and also afraid. It’s the perfect image to represent whatever the fuck ugly thing lives in my head. On this record it is no longer hiding behind a mask… it is loose and it’s right outside your fucking house.”

As the St. Louis horror masters set forth on a new trajectory, the former trio has also added Black Fast guitarist Aaron Akin to the lineup, creating a sound that’s more intense and grand. “Aaron was the guitarist and vocalist of a band called Black Fast. They were hands down the best metal band to come out of St. Louis in decades. Once they disbanded, it was a no-brainer to try and get the guy who fronted my favorite local band to be in my band. Why wouldn’t I? Plus, as anyone who knows Aaron will tell you, he’s an all around great guy,” explains Giordano on how this new union came about.

And as a new union has been formed, former binds have been severed as The Lion’s Daughter is no longer tied to a label, doing this record fully independently for the first time in its career and taking full and total control. “It’s just nice to have 100% control over everything again,” Giordano says of the band’s new freedom. “That was the whole intention when we started this band years ago. We lost sight of that for a while. No disrespect intended towards anyone, but this band has always been pretty anti-music industry and anti-bullshit.”

Despite so many changes, The Lion’s Daughter is still the same band that cult followers have come to worship, but with everything cranked up to 11. With heavier music, a fuller sound, and darker themes, the band is maximizing terror with its monstrous brand of debauchery and unspeakable perversions. Unpleasant dreams…

Recording Lineup:

Rick Giordano - vocals, guitars, bass, synths

Erik Ramsier - drums

Scott Fogelbach - additional vocals on tracks 2, 7, 8

Live Lineup:

Rick Giordano - guitar and vocals

Scott Fogelbach - bass and vocals

Aaron Akin - guitar

Erik Ramsier - drums

Guest Musicians:

Sarah Vie - violin and vocals on tracks 2, 4, 7, 9

Recording Studio:

Encapsulated Studios

Producer // Sound Engineer // Mixing // Mastering:

Gabe Usery

Cover Artist:

Dan Peacock

Links:

Bandcamp

Facebook

Instagram

YouTube

Spotify

Apple Music

TO THE GRAVE - New Track 'Dead Skin Ski Mask'

Australian deathcore juggernauts and avid animal rights campaigners, To The Grave are back with another crushing new track - "Dead Skin Ski Mask". Stream the new track HERE and watch the accompanying video below. The brutal new track is the second single from their previously announced 'Offcuts EP' which will feature on the upcoming double deluxe edition of their phenomenal album, 'Director's Cuts', released earlier this year via Unique Leader Records. Both will be released on Friday, September 15th. Pre-save HERE

Speaking on his band's latest serving of no-punches-pulled brutality, vocalist Dane Evans shares

"Deadskin Skimask is one of my favourites from the whole of 'Director's Cuts' and 'Offcuts', this song almost ended up on the album until we realized it sucked and needed to take another run at it. What you hear now is the result of us trying to save it and I ended up pretty stoked on it.

"Something about it has given me Slipknot vibes all the way through this track, even the breakdown.

Straight up what I feel is our most violently-written song to date and I think it'll go off live.

Our good friend Jake kills his feature on this and it was cool to get to sample Pearl, go watch that movie."

To The Grave are one of the most uncompromising and outspoken bands in the deathcore scene today. Lyrically exposing a societal and environmental hell on earth whilst pushing the boundaries of accessible extremity, full of barbed hooks, thick with atmosphere and drenched in groove. They combine crushing riffs, blast beats and guttural vocals with a strong sense of social justice and animal rights activism.

Their sophomore offering, ‘Director’s Cuts’, was released earlier this year. It's a groundbreaking body of work that pushed the boundaries of deathcore with cinematic, horror movie inspired music videos and diverse soundscapes. The album spawned singles "Red Dot Sight", "Axe Of Kindness", "Cut Off The Head" and "Found Footage" the music videos for which have racked up 420,000 views on YouTube between them with the album hitting 2.68 million streams and counting across streaming platforms.

The 'Director's Cuts (Deluxe)' release coming on September 15th promises to be a collector's dream. With the additional "Offcuts EP" tracks, the release will be available in multiple formats, including a double disc, gatefold vinyl, and some killer pre-order merch items to choose from too. Click HERE to pre-order your copy now.

To The Grave will be heading to North America this fall for an extensive run of dates with Carnifex, Signs of The Swarm and Ten Seconds of Life. They will also be performing some off-date shows with Signs of The Swarm, The Last Ten Seconds of life and Tactosa. Full routing below, tickets and info HERE

To The Grave | Supporting Carnifex

10/11 - Tucson, AZ - The Rock

10/13 - San Antonio, TX - The Rock Box

10/14 - Austin, TX - Come And Take It Live

10/15 - Dallas, TX - Gilley0s (Monster Mosh Fest)

10/17 - New Orleans, LA - House of Blues

10/19 - Murfreesboro, TN - Hop Springs Beer Park

10/21 - Atlanta, GA - Masquerade - Heaven

10/22 - Orlando, FL - Level 13

10/24 - Greensboro, NO - Hangar 1819

10/25 - Virginia Beach, VA - Elevation 27

10/26 - Asbury Park, NJ - House of Independents

10/27 - Patchogue, NY - Stereo Garden

10/28 - Reading, PA - Reverb

10/29 - Hartford, CT - Webster Theater

10/31 - Syracuse, NY - The Song & Dance

11/01 - Columbus, OH - King of Clubs

11/02 - Louisville, KY - Headliners Music Hall

11/03 - Joliet, IL - The Forge

11/04 - Milwaukee, WI - The Rave

11/06 - Omaha, NE - Slowdown

11/07 - Denver, CO - Summit Music Hall

11/09 - Albuquerque, NM - Sunshine Theater

11/10 - Mesa, AZ - Nile Theater

11/11 - Los Angeles, CA - The Belasco

To The Grave | Supporting Signs of The Swarm

11/12 - Cupertino, CA - X-Bar

11/13 - Portland, OR - Dante’s

11/14 - Seattle, WA - El Corazon

11/15 - Vancouver, BC - Wise Hall

11/17 - Edmonton, AB - Starlite

11/18 - Regina, SK - The Exchange

11/20 - Detroit, MI - Sanctuary

11/21 - Toronto, ON - Garrison

11/22 - Montreal, QC - Le Fairmount

ABOUT TO THE GRAVE

One of Australia’s most uncompromising bands, To The Grave released 'Director's Cuts', their heaviest album to date both sonically and thematically, in February of this year to mass acclaim. Since the release of their 2019 debut album 'Global Warning', the caustic five piece have garnered international success, with 2021’s follow-up 'Epilogue', a re-issue of 'Global Warning' with bonus tracks, solidifying their position as “one of the country's heaviest exports.” (Revolver).

To The Grave have steadily built an audience in the underground, accumulating more than 11 million Spotify streams, racking up over 5.4 million YouTube views, all whilst decimating live audiences alongside Parkway Drive, Polaris, Cattle Decapitation, Thy Art Is Murder, Shadow of Intent, Angelmaker, Enterprise Earth, Vulvodynia and Alpha Wolf.

Now, following a sold-out national headline tour in 2022, global critical acclaim for the release of 'Director's Cuts', a new EP and plenty of touring for the remainder of 2023, the band are more focused than ever.

To The Grave are

Dane Evans - Vocals

Jack Simoni - Guitars, Programming

Luke Ringin - Guitars, Vocals

Matt Clarke - Bass, Vocals

Simon O’Malley - Drums, Vocals

BLACK MARKET KARMA teams up Spacemen 3 founding member SONIC BOOM on kaleidoscopic single 'The Sour Truth with Sonic Boom'

London psychedelic pop artist Black Market Karma presents 'The Sour Truth', their long-awaited collaboration with legendary musician-producer Sonic Boom (aka Pete Kember) of Spacemen 3 and Spectrum fame. This single will be released on 10" vinyl and digitally via London boutique label Flower Power Records.

Produced by Kember and featuring him on synth and percussion, 'The Sour Truth' is a slice of technicolour psych-pop - a trippy, kaleidoscopic and vibrantly nostalgic feel-good track.

With cycling Lo-fi guitars, stacked tremolos, shimmering vocals and sugary winding synths, it is laced with lyrics about the pain of cognitive dissonance after loving a version of someone that turned out to be a facade. “Sick and tired of being sick and tired. It was just a mirage that I admired”.

It's been a busy year for Black Market Karma, having recently wrapped up tour dates with The Black Angels. Earlier this year, BMK released their eleventh album 'Friends In Noise' featuring Tess Parks, The Underground Youth, Les Big Byrd / Joakim Ahlund, The Confederate Dead and Ruari Meehan. Not long before that, in late 2022 album ‘Aped Flair & Hijacked Ideas'.

Revolving around songwriter Stanley Belton, Black Market Karma colourizes this world with a carousel of jingle jangle, distorted wobble and flavours of psychedelia, fuzzed out tones and thumping grooves. With a thick and colourful sound channelled through vintage equipment, their music is rooted in 60's guitar and pop music, other influences include folk, blues, lo-fi electronica, alt pop and soul.

"Sometimes we can fall in love with the idea of a person as opposed to the reality of them, whether that's through us seeing what we want to see, them projecting a falseness or a mix of both. The fall out of that curtain being pulled can be quite a painful feeling of cognitive dissonance. That's kinda what this song is about. It's also about when something that was previously blindingly bright, devolves into a noisy mess of finger pointing," says Stanley Belton.

Pete Kember explains, "I heard this and I believe it was recorded during one of the lockdowns on Stan’s BMK Instagram page and I loved the vibe and the song. I think it’s a song most of us can relate to. Has a whiff of The Only Ones, Daniel Johnston maybe ...even a little soupçon of Beat Happening....yeah. Hearty stuff for a hungry soul. One of my fave things from the strange past few. Was a pleasure to mix. I wish I'd written it".

Pete Kember founded Spacemen 3 with Jason Pierce in 1982 and the band went onto achieve widespread critical acclaim before going their separate was around 1990. Kember has since embarked on further sonic adventures with Spectrumand E.A.R. (Experimental Audio Research) and solo (both as Sonic Boom and Pete Kember). As a producer, he has also been involved in some quite notable projects involving MGMT, Beach House, Panda Bear and Moon Duo, among others.

Stanley Belton notes, "I've loved Pete's music since I was a teenager, so to hear that he dug this tune and then have him involved with recording it has been magic. He added a pair of synths: one a sugary sweet winding  melody, the other a set of airy, swelling strings. He also added percussion, a bunch of other lush production elements, and also mixed it."

As of August 16, 'Sour Truth' will be released everywhere digitally, including Apple Music, Spotify and Bandcamp. It can also be ordered on transparent vinyl at www.flowerpowerrecords.com

‘THE SOUR TRUTH' LYRICS
Honey I can feel you're burning
On my part there's only hurting
By my side does not come with ease
But your tempest heart gets me on my knees

Horror as I'm just now learning
The sour truth inside you churning
Sick and tired of being sick and tired
It was just a mirage that I admired

CREDITS
Written by Stanley Belton
Stanley Belton - guitar, vocals, keys, synths, drums, bass
Peter Kember - Synths, Percussion on 'The Sour Truth'
'The Sour Truth' recorded in Dover & Sintra by Stanley Belton & Peter Kember
'The Sour Truth' produced by Peter Kember & Stanley Belton
'The Sour Truth' mixed by Peter Kember
'Wisdom Shifter' recorded, mixed & produced by Stanley Belton
Mastered by Stanley Belton
The Sour Truth - ISRC code GBT4M2200001
Wisdom Shifter - ISRC code GBT4M220002


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Thy Art Is Murder Share "Blood Throne" Video — WATCH

Australia's extreme metal titans Thy Art Is Murder have revealed turbulent new single "Blood Throne," taken from the band's forthcoming album, Godlike, out September 15 via Human Warfare. Pre-order Godlike here.

Watch the video below.

"AND SO THEY ROT!!" growls a menacing CJ McMahon as he ushers in "Blood Throne" with a maniacal glint in his eye. From here, Thy Art Is Murder blast open the ninth circle of hell with a potent mix of mayhem and force designed to galvanize us into overthrowing the evil that reigns on the Blood Throne.

Guitarist Andy Marsh offers, "As we started work on 'Blood Throne,' we aimed to harness the same visceral energy that drove 'Death Squad Anthem' while pushing our boundaries to craft something unique. Kicking things off with a break beat groove, we wanted to set the tone with a jolt to the system preparing everyone for the chaos ahead. 'Blood Throne' embodies our attempt at creative anthemic power and groove spiraling into a reflection of oppressive organizations and regimes that profit and thrive on the toil and pain of the marginalized. Throughout our career, we have confronted these themes head on with the aim of igniting a fire within each listener and inspiring the collective strength to challenge the dominion of those who perpetuate suffering."

Thy Art Is Murder ascended the ranks of extreme metal's top tier bands with a meteoric underground rise as explosive as humankind's seemingly inevitable descent into doom and death. With their new album, Godlike, Australia's most harrowingly brutal export since George Miller's Mad Max franchise invites audiences worldwide to join them in a fresh Armageddon. 

The sixth explosive album in the band's arsenal, Godlike cements Thy Art Is Murder as death metal's modern torchbearers. A soundtrack to a divisive post-modern dystopia, Godlike sees Thy Art Is Murder explore new depths and dynamics without sacrificing an ounce of intensity or urgency the band have staked their career on.

Recorded with their longtime producer and mixer Will Putney, across the album's 10 nihilistic tracks, Thy Art are masters of their craft, as they deliver sharp stabs, guttural descents and groove with muscular athleticism and confidence. Frontman CJ McMahon gives his strongest performance ever as he belts through lyrics that thematically confront how cycles of violence continue over time and feelings of separation in a hyper-polarized world.

Thy Art Is Murder is thinking person's blackened death metal and it has challenged, provoked, and inspired audiences around the world. Through relentless hard work, Thy Art have become one of the most successful extreme metal bands Australia has ever produced, making history on their own terms. Backed by an uncompromising discography, the two-time ARIA-Award nominees have smashed chart records in their native country, becoming the first homegrown extreme metal act to debut in the Top 5 with 2017's Dear Desolation.

Their electrifying and incendiary performances have seen the band do countless laps of the globe, becoming tourmates with genre-titans like Cannibal Corpse, Slayer, Kreator, Lamb Of God, Killswitch Engage, and Parkway Drive, alongside playing crucial festivals like Summer Breeze, Download, Graspop, and Wacken.

Join Thy Art Is Murder when they enter Godlike mode this coming September. 

LOCASH MAKES “ALL AMERICAN” FOX & FRIENDS APPEARANCE WITH “THREE FAVORITE COLORS” (8/11)

2x CMA Vocal Duo of the Year nominees LOCASH made a surprise All-American Summer Concert Series appearance headlining on FOX & Friends live from FOX Square in New York City last Friday (8/11).

Full of hand-over-heart patriotic pride, BBR Music Group/Wheelhouse Records’ chart-topping Country duo sat down with anchors Steve Doocy and Ainsley Earhardt for a chat, before delivering a freedom-flying performance of their latest release, “Three Favorite Colors.” Felt by Americans everywhere, the loud-and-proud anthem was co-written by LOCASH’s Preston Brust and Chris Lucas, plus Nate Kenyon and Drew Baldridge, and produced by Jacob Rice. Off-camera, they also performed their smash hits for the audience including PLATINUM breakout “I Love This Life,” plus GOLD #1s “I Know Somebody” and “One Big Country Song.”

WATCH LOCASH’S “THREE FAVORITE COLORS” PERFORMANCE

LOCASH is currently on the road with a jam-packed music festival schedule. Fans can find a full list of upcoming shows here.

Photo Credit: Brian Pollock
 LOCASH sits down with Fox & Friends anchors for a chat ahead of their performance. / As pictured (L-R): Fox's Steve Doocy and Ainsley Earhardt; LOCASH'S Chris Lucas and Preston Brust

ABOUT LOCASH:
Named “country music's iconic feel-good duo” by PEOPLE, BBR Music Group/Wheelhouse Records’ LOCASH – Preston Brust and Chris Lucas – is “hitting homers and serving up first-class songs,” as hailed by American Songwriter. With their loud-and-proud anthem “Three Favorite Colors” as their current release, they delivered back-to-back high-profile collaborations with “Let It Slide” (Leslie Jordan, Blanco Brown, LOCASH) and “Beach Boys” (feat. The Beach Boys’ Mike Love and Bruce Johnston). LOCASH’s wild-and-free WOODS & WATER – EP (2021) marked the follow up to BROTHERS (2019), featuring GOLD #1 “One Big Country Song.” Known for PLATINUM breakout “I Love This Life” and their first #1 with GOLD “I Know Somebody,” they’ve earned eight charting singles, two successful albums, and over 815 MILLION global on-demand streams since 2015. Respected entertainers with prominent recognition, they hold a history of nods from the genre’s biggest awards shows including a Vocal Duo of the Year nomination at The 56th Annual CMA Awards. Last launching their extended headlining WOODS & WATER TOUR 2022, LOCASH recently supported Kane Brown’s DRUNK OR DREAMING TOUR.

KEEP UP WITH LOCASH
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Parmalee Reveals For You 2 Album Cover

With the release of their extended album, For You 2 arriving on September 22, Parmalee revealed the new album cover earlier today. Fans can pre-save-/pre-add the album here. Their current single “Girl In Mine,” is top 10 and climbing. The album has already yielded two No. 1 country singles including the double-Platinum “Just The Way,” featuring Blanco Brown, and the Platinum-certified “Take My Name,” which was Billboard’s Most Played Country Song of 2022.
 
The original album cover features the 1990 GMC-20 Vandura conversion van and a trailer they toured in for the first six years of their career. “We had a conversion van as a kid, so it always felt comfortable to me,” said leader singer Matt Thomas. “I remember we had to get a new trailer because the door kept coming off the hinges in the middle of night and we kept losing gear driving down the highway,” he laughed. “We’re excited to be releasing new music and continue our journey with For You 2.”
 
For You 2 offers five new songs including their current top 10 single “Girl In Mine.” The breezy track is “…the perfect song for a day out on the water or driving down a two-lane highway with the windows down,” said Taste of Country.
 
Another new track on For You 2 is the declarative “Boyfriend,” written by Matt along with fellow songwriters David Fanning, Ashley Gorley, Ben Johnson, Michael Hardy and Hunter Phelps. “The idea behind the song is something I feel like most guys have been through at least once in their life,” says Matt. “You’re in love with a girl but she’s with someone else who treats her bad. All you can think about is how if she was yours, you would treat her right and put a ring on her finger.”
 
Next week, Parmalee will take their hit-packed set on tour with Grammy Award winners Train, for a month-long set of shows. “We’re thrilled about the tour with Train, and we’ve been fans of them and their music for a long time,” said Matt. “They share a band mentality, just like we do, and I feel like we’re cut from the same cloth in a lot of ways. We’re excited to play our music for their fans.”

About Parmalee
Parmalee is one of Country music's most successful acts with three No. 1 singles, multiple Platinum records, and more than 1 Billion on-demand streams. Comprised of brothers Matt and Scott Thomas (lead vocals/guitar and drums, respectively), Cousin Barry Knox (bass), and life-long friend Josh McSwain, the North Carolina natives first topped the charts with “Carolina,” followed by their Platinum-certified No. 1 single with Blanco Brown, “Just The Way.” They followed with “Take My Name,” which was Billboard’s Most Played Country Song of 2022. Their latest single “Girl In Mine” is Top 10 and climbing. For more information, visit: http://www.parmaleemusic.com/

Tsjuder release new music video

For how cold and cruel their music has been for the past 30 years, Tsjuder have been on fire recently. 

The torchbearers of true Norwegian black metal released their sixth album earlier this summer. 'Helvgr' proudly upholds Tsjuder's blatant unwillingness to compromise. Angry Metal Guy dubbed it "another gnarly, kickass ride" that "gives absolutely no fucks what came before it or what will come after". In a five star review, Metal Sucks said the album is "exactly what we need right now - it is dangerous brutal, raw and uncompromising".     

Today, Tsjuder are releasing a video for the title track off their new album. 'Helvegr' often means a journey or road that the souls of the deceased take after death. The video was recorded in Hallingdal, during a full moon, and casts a grim light over just how dark and treacherous it can get out in the Norwegian woods.

Watch the video for 'Helvegr' below!

'Helvegr' is out now. Order it from our store HERE or download it HERE.

Since their inception in 1993, Oslo’s TSJUDER have been responsible for some of the most hate-filled ferocity perpetrated under the banner of TRUE NORWEGIAN BLACK METAL.
 
The band’s unholy fire was initially lit when founding members NAG (vocals/bass), BERSERK (guitar) and DRAUGLUIN (guitar) grew weary of playing death metal and sought out engorged levels of extremity to sate their increasingly profane ambitions. The time was ripe to inaugurate a ceaseless campaign committed to an uncompromising strain of brutally raw black metal, influenced by the primal thrash blasts of Sodom, Kreator, Destruction, Sarcófago and early Sepultura; black metal first wave trailblazers such as Bathory and Hellhammer; and, most vitally, Mayhem’s seminal Deathcrush, and Darkthrone’s game-changer, A Blaze in the Northern Sky.

Assuming the TSJUDER name, a moniker plundered from a mythical, murderous Northern tribe, various embryonic line-ups gathered around the all-conquering core of Nag and Draugluin, laying the fearsome foundations for what was to follow with two demos – Ved Ferdens Ende and Possessed – recorded between 1995-96. But it was with 1997’s EP, Throne of the Goat, that the black metal underground really began to sit up and take notice, the release establishing TSJUDER’s reputation as a blasphemous bulldozer hellbent on crushing the insipid and nostalgic in relentless blizzards of sub-zero riffage, punitive blast beats and blood-curdling screams.

Recordings for an inaugural full-length in 1999 were lost to a computer virus, but from the scavenged remnants of these sessions would emerge the Atum Nocturnem demo, an obnoxious foretaste of the group’s debut album, Kill For Satan, an international breakthrough slathered in slime-encrusted sacrilege. That damnable release saw the aptly-named ANTI-CHRISTIAN open his TSJUDER account, the drummer blasting a succession of gateways though the underworld, pulverising a punitive march to the band’s malevolent maelstroms.

Demonic Possession (2002) and Desert Northern Hell (2004) sustained the band’s focus on death, devils and destruction, while ratcheting up the production levels on a barbaric brace of flesh-strippers conjuring a landscape of frost-bitten wastes and foul abyssal realms. With the music press busy dishing out plaudits, the band’s burgeoning confederacy of fanatics were becoming desperate for some TSJUDER live action. Heeding the clarion, the band embarked on a full European tour with fellow countrymen Carpathian Forest. They also recorded a pair of gloriously powerful live performances in 2005, in Norway, which would subsequently be documented on the group’s NorwegianApocalypse DVD.

TSJUDER would take a deserved hiatus in 2006, with members finding other musical outlets for their creativity; Nag launching heretical black metal outfit KRYPT; Draugluin and Anti-Christian doing time with the thrashier TYRANN.

But it wouldn’t be long before the irresistible call of TSJUDER would exert itself once more. The band reconvened, reenergised and eager to make up for lost time, returning to live performances in 2010 before finally unleashing the mighty Legion Helvete (2011), a typically uncompromising comeback interspersed with pronounced Motörhead influences on punkish hyper-blasters such as ‘Slakt’.
It would be another four years before TSJUDER issued the merciless Antiliv(2015), a snarling lycanthropic howl of a record, heavy-loaded with vindictive black’n’roll swagger and lashings of buzzsaw guitar.   
 
TSJUDER quickly set about creating the follow-up to Antiliv, but musical differences and protracted disputes led to a parting of the ways, with Anti-Christian bowing out after an impressive 20-year tenure with the group. Undaunted, Nag and Draughluin enlisted doyen tub-thumper JON RICE to provide the requisite drum artillery and continued to work on new recordings – fine-tuning guitar tones and sharpening mixes.

Then COVID-19 struck, the pandemic further stymieing the album’s release as the world tumbled from its fragile axis. But humanity is now benignly settling into its most chronic phase of perpetual abnormality and TSJUDER are steeled again to hoist their inverted cross above the barricades of conciliation. Their latest opus, Helvegr, is a devastatingly savage offering, one which fully adheres to the band’s eternal credo of “NO FUCKING COMPROMISE”.     

Recording Line-up:
Nag - Bass & Vocals
Draugluin - Guitars & Vocals
Jon Rice – Drums

Guest musicians:
Guitar solo on ‘Gamle Erik’ by Pål Emanuelsen
Guest vocals on ‘Gods of Black Blood’ by Seidemann (1349)

After the departure of Anti-Christian, Jon Rice and Eivin Brye has shared the drum duties on TSJUDER 's live performances.

Links:
https://www.facebook.com/tsjuderofficial
https://www.instagram.com/officialtsjuder

Mixing + Mastering: North Waves Studios by Pål Emanuelsen
Artwork: Jonas Svensson and Laura Nardelli

TSJUDER live
19 Aug 2023 Midgardsblot (NO) 2023

Biography: Spencer Grady

Photos: Chantik Photography – www.chantik.nl

Management + booking: Photograve Management - Håkon Grave www.photograve.net

Shop: https://redirect.season-of-mist.com/Tsjuder-HEL

Formats:
Digital
CD Digipak  
Cassette
CD Clamshell box (+ Bathory cover album)
Vinyl in various colours (WHITE IS SOLD OUT)
LTD Box Vinyl (+Bathory cover Vinyl)

THE VEER UNION Team with JODY BLACK on Alt-Metal Cover of BILLIE EILISH “You Should See Me In A Crown”!

Vancouver, BC Canada based, Alternative Rock band THE VEER UNION has joined forces with ROCK SHOP RECORDS label-mate JODY BLACK to cover the dark, 2019 BILLIE EILISH hit single, "You Should See Me in a Crown"! With the single produced by the band's lead vocalist, CRISPIN EARL, and video directed by JULIEN BOUFFARD, the alt-pop hit has been reconstructed with explosive vocals while building on the emotional horror of the original with monster guitar riffs and grinding, gut wrenching bass. "You Should See Me in a Crown" is the newest single off of the band's forthcoming album, Covers Collection Vol.2, which is set to release September 1, 2023 via ROCK SHOP RECORDS!

“At the core of our artistic journey lies a relentless pursuit of versatility. Our constant drive to push the boundaries, not only for ourselves but also for those who support us, is deeply ingrained in our approach. When we decided to take on Billie Eilish’s 'You Should See Me In A Crown,' we knew we were venturing into the shadows of a truly dark and track. Billie’s unique vocal delivery posed a challenge we couldn’t replicate, leading us to embrace the darkness and craft our own rendition. As a result, this cover became the heaviest track we have ever released. Collaborating with our good friend and label mate, Jody Black, was an absolute pleasure, and his contributions enriched the entire experience, making it a moment of collaborative unity that we will forever cherish.” - THE VEER UNION

Purchase / Stream “You Should See Me In A Crown” Online

The Veer Union is a Vancouver based Hard Rock band that formed in 2004 and released their first independent album titled Time To Break The Spell in 2006. The band quickly gained notoriety after winning a spot in the CFOX 99.3 Vancouver Seeds radio competition in 2006. In 2008 The Veer Union landed a record deal with Universal Records USA where they achieved a Top 10 Active Rock Radio Single with their critically acclaimed song “Seasons” in the USA and CANADA. Since then The Veer Union has collectively sold over 150,000 Albums and also reached over 150 Million Streams Worldwide and had 12 TOP 40 Singles on the Billboard Rock Radio Charts.

The band’s 2018 Album Decade II (produced by the bands lead vocalist, Crispin Earl) contained Billboard Chart Top 40 Single’s and has been streamed over 27 million times on Spotify alone. The most notable track off the album, "Living Not Alive," reached #21 on the Billboard Charts Top 40 in the United States, amassing over 10 million streams, received over 2 million Views on YouTube and the album itself has sold over 10,000 units.

After a vigorous year and a half of touring (With bands like Red, Puddle of Mudd, The Red Jumpsuit Apparatus, Alesana, and Saliva) the band released Covers Collection Vol.1 (with front-man Crispin Earl producing it). Their version of Halsey’s "Nightmare" exploded on YouTube and reached 1 Million Views in the first 30 days, climbed to #25 on The Billboard Charts in the United States, and has been streamed over 10 million times across all digital platforms.

In 2020 the band began releasing singles from their album Quarantine Collaborations (produced by the bands lead vocalist Crispin Earl) with three tracks quickly reaching Top 40 status on the Billboard Charts in the United States. On December 17th 2021 Quarantine Collaborations was released in its entirety and within its third week of release it surpassed the 8.5 Million Stream mark.

In April of 2022 the band released their critically acclaimed album Manifestations (produced by the bands lead vocalist, Crispin Earl). The Singles “Standing My Ground” and "From The Fire In You" were instantly added to the Spotify Editorial Playlists Kick Ass Metal, Adrenaline Workout, Top Of The Core, All New Metal, 3TO Metan! and Newcore”, with “Standing My Ground” debuting in the #1 Position on New Core.) The Manifestations album coincided with a North American tour and to this day has gone on to garner more than 15 Million Streams world wide.

In 2023 the band began releasing cover songs off of their forthcoming album Covers Collection Vol.2. As to be expected, the band kept people guessing with covers from artists ranging from Tiesto and The Weekend to My Chemical Romance and Linkin Park. Covers Collection Vol.2 will be released in its entirety in the late summer of 2023. Fans can expect a new album of original songs from The Veer Union sometime in 2024.

Dalton Dover Revisits '90s Country with "Night To Go"

As current single “Giving Up On That” continues climbing the charts, MusicRow-dubbed “master country talent” Dalton Dover releases a new Friday night anthem with “Night To Go” via UMG Nashville/Mercury Records. Listen to the new song HERE.
 
“When I heard this song for the first time, it took me back to being a kid. This is the kind of music I grew up listening to,” shares Dover. “I wanted to do something that would make my ‘90s Country heroes proud.”
 
Written by Cole Taylor, Trea Landon, Shane Minor and Michael Carter, “Night To Go” is a nostalgic ‘90s barn burner with copious steel guitar, as Dover showcases his powerful voice and delivers the perfect night in the country:
 
       It ain’t parking with your buddies at the same ol’ bar
       Drinking all the same ol’ drinks
       It ain’t hangin’ at the house all by yourself
       Staring at a football game
       Well there’s a million different ways to burn some moonlight
       But if you asked me there ain’t nothing like
 
       Pick her up at seven, she climbs on in
       Ride around a little to a country song
       Pull into that county line and go
       And go and get our cold beer on
       Lean in for a kiss underneath the stars
       Til the sun shows up, just hold her close
       That’s about as good as a good ol’ boy
       Would ever want a night to go
 
Dover’s first official single “Giving Up On That” debuted as the most-added song at Country radio, with MusicRowcalling it “a solid winner,” boasting, “this power ballad of regret and yearning gives him a super showcase for his dynamic, whisper-to-a-scream vocal ability,” and of Dover, “make this man a star.”
 
Ahead of Mother’s Day, the Georgia native paid tribute to his mother with “I Wouldn’t Be Here” and delivered a preview of the song as he shared his mom’s reaction to hearing it for the first time on his Instagram.
 
Named a Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, Dover made his international debut earlier this year at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, he performed across four stages at CMA Fest, including the Nissan Stadium Platform Stage, and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. Dover is currently on the road with select dates supporting Tyler Hubbard, Parker McCollum and Priscilla Block among festival performances. For more information and tickets, visit DaltonDoverOfficial.com/Tour.

Dalton Dover Upcoming Tour Dates
 
Aug. 12           Voices of America Country Music Festival 2023       West Chester, OH
Aug. 16           KTOM Summer Concerts at the Winery                    Carmel, CA
Aug. 18           KATM Country in the Grove                                      Stockton, CA
Aug. 24           Soldiers and Sailors Memorial Auditorium                Chattanooga, TN
                        w/ Parker McCollum
Aug. 25           Skyla Credit Union Amphitheatre                              Charlotte, NC
                        w/ Parker McCollum
Aug. 26           CCNB Amphitheatre at Heritage Park                       Simpsonville, SC
                        w/ Parker McCollum
Sept. 1             Georgia Country Music Fest                                      Marietta, GA
Sept. 2             Taste of Madison                                                        Madison, WI
                        w/ Priscilla Block
Sept. 9             KNCI Country in the Park                                          Sacramento, CA
Sept. 23           Fiddler’s Green Amphitheatre                                    Greenwood Village, CO
Sept. 27           Pasadena Rodeo                                                          Pasadena, Texas
Jan. 29-Feb. 1 Boots on the Beach                                                     Punta Cana, Dominican Republic
 
“Night To Go” Lyrics Available for Download HERE
 
About Dalton Dover
Lauded by MusicRow as a “master country talent,” Dalton Dover’s current chart-climbing single “Giving Up On That” via UMG Nashville/Mercury Records was the most-added track at Country Radio upon its debut with 60 first week adds and garnered over 1 million streams in the first two weeks of its release. Dover recently released “Night To Go,” an upbeat barn-burner following “I Wouldn’t Be Here,” a song co-written with Russell Sutton and Dan Isabell for his mother. Named a Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, Dover made his Grand Ole Opry debut in December 2022, followed by his international debut in 2023 at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, Dover performed across four stages at CMA Fest, including the Nissan Stadium Platform stage and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. Dover is currently on the road with select dates supporting Tyler Hubbard, Parker McCollum and Priscilla Block among festival performances. By the age of 16, Dover had picked up a guitar and started teaching himself to play, yet it was his grandfather who turned him on to country music and artists such as Keith Whitley, Rhett Akins, Joe Diffie and Steve Wariner. Performances at local bars soon followed along with sharing covers of some of his favorite songs on TikTok. It was there he caught the ear of producer Matt McV and A&R veteran and founder of Droptine, Jim Catino, who quickly signed Dover. His debut track “You Got a Small Town,” produced by McV, quickly garnered critical acclaim from Billboard, MusicRow, Country Now and Wide Open Country. With his debut and his follow-up “Baby I Am” earning notable playlisting, Dover was named a Spotify Hot Country 2022 Artist to Watch along with a spotlight as Billboard’s February Country Rookie of the Month and a nod for MusicRow’s 2022 Discovery Artist of the Year. For more information, visit DaltonDoverOfficial.com or follow along on Instagram, TikTok, Twitter and Facebook.