New proggressive supergroup TEMIC announce debut album

TEMIC are announcing their debut album today. 'Terror Management Theory' is an energetic, heartfelt journey through the human experience. It speaks to our fears, as well as our instinctive drive to persist. But to reach this point, all four members of this prog supergroup had to navigate quite the career path.

Guitarist Eric Gillette first hit it off with Diego Tejeida (keyboards, sound design) while the two played together in the touring band for Mike Portnoy's Shattered Fortress. Simen Sandness drums for Shining and Arkentype, while Fredrik Bergersen Klemp still shows off his range as the singer for Maraton.

When Gillette and Tejedia decided to start a band together while the world was shut down in 2020, their idea wasn't necessarily simple: orchestrate their love for high-energy electronica and killer melodies into a modern prog-metal band. But on their first-ever single, Temic have no problem pulling off that whole concept. 

Clocking in at just shy of six minutes, "Count Your Losses" gives TEMIC plenty of time to show off. The band roll out an arena-ready guitar solo  to go along with scatting drum fills, fretless bass runs and synths built for a rave. And just think - that only covers the bridge!

Add all of that together with Bergersen Klemp's clean, melodic tenor, and you get the perfect introduction to progressive metal's newest sensation.  

""Count Your Losses" depicts the beginning of our journey," says TEMIC. "It's also the very first song that we wrote as a band. We've been anxiously waiting for this moment, and now it's finally here!"

Watch the video for "Count Your Losses" below.

'Terror Management Theory' is out November 17 on Season of Mist. Pre-order the album HERE. Pre-save the album HERE.

Introducing TEMIC—prog’s newest, most ambitious, and most adrenaline-fueled act. TEMIC melds the creative minds of keyboardist and sound designer Diego Tejeida (Devin Townsend, Mike Portnoy’s Shattered Fortress, ex-Haken), guitarist Eric Gillette (The Neal Morse Band, Mike Portnoy’s Shattered Fortress), drummer Simen Sandnes (SHINING, Arkentype), and vocalist Fredrik Bergersen Klemp (Maraton, 22).

The origins of TEMIC date back to 2017, when Tejeida and Gillette toured the world as band members of Mike Portnoy’s Shattered Fortress. From the very first chords they exchanged, their musical chemistry both on and off stage was undeniable, leading them to discuss the prospect of starting a new band together. Unfortunately, conflicting tour and recording commitments forced them to turn their attention elsewhere for years—that is, until the world came to a standstill in 2020, and Tejeida called Gillette to ask a fateful question:
“Remember how we said we should make music together? Well, how about now?”

Thus, the first demos for what would later become TEMIC’s 2023 debut album, Terror Management Theory, began to emerge. Within a few weeks after that initial phone call, the musical vision of TEMIC had become clear: Let’s create progressive music that is heavily influenced by high-energy electronic music, but arranged and orchestrated for a 5-piece modern prog rock/metal band—where, at last, the pulse can be the focus, and the vocal melody can be king.

Eager to join forces with the very best bandmates, Tejeida and Gillette first summoned the rhythmic power of their friend and drummer Sandnes. With characteristic enthusiasm, Sandnes seized the opportunity, prepared to contribute his percussive prowess as the heartbeat of TEMIC. When it came time to find the singer that would carry TEMIC’s melodies to new heights, Sandnes recommended vocal powerhouse Klemp, whose emotive delivery and unmatched intensity left no doubt that he was destined to be the voice of TEMIC. Finally, to round out the rhythm section of Terror Management Theory, dynamic bassist Jacob Umansky (Intervals) was invited on board as a guest player, gracing the album with an unrivaled groove and a signature low-end sound.

Together, this mammoth lineup is TEMIC, a high-energy, electronic-inspired, modern melodic prog metal band for the next generation.
 
Line-up:
Fredrik Bergersen (Maraton, 22) – Vocals
Eric Gillette (The Neal Morse Band, Mike Portnoy’s Shattered Fortress) – Guitars and Backing Vocals
Simen Sandnes (Shining, Arkentype)  – Drums and Percussion
Diego Tejeida (Devin Townsend, Mike Portnoy’s Shattered Fortress, ex-Haken) - Keyboards and Sound Design
 
Recording Studio: Drums and vocals recorded at Top Floor Studios (Gothenburg, Sweden)
Producer: Produced by TEMIC. Drums and vocals engineered by Jakob Herrmann Gothenburg, Sweden)
Mix/Mastering: Mixed and mastered by Rich Mouser at The Mouse House (Los Angeles, USA)
 
Guest musicians:
Jacob Umansky (USA) – Bass guitar on the whole album
Mosaic Gospel Choir (Norway) – Mothallah
Garden State Threshold Choir (USA) – Mothallah
 
Cover artwork: Hicham Hamzi

Pre-order: https://redirect.season-of-mist.com/Temic
Pre-save: https://orcd.co/tmtpresave
 
Formats:
Digital
Digipak
2x 12” Gatefold in various colours
Merch
 
Follow Temic
https://temicband.com
www.facebook.com/TEMICBAND
www.instagram.com/temicband

Introducing Country Music’s Newest Badass - Kolby Cooper!

SVALBARD - announce new album 'The Weight Of The Mask' + single/video 'Faking It'

Svalbard are proud to announce their ardently anticipated new studio album, The Weight Of The Mask, due out on October 6th via Nuclear Blast Records. 

White-hot new single 'Faking It' has also been revealed, accompanied by a video. The track lays bare a poignant, candid account of dealing with depression and coming to the realization that you are "faking it" to just get by. 

Svalbard's intention with their music is to make people feel less alone, and to be there for people in their darkest times. The Weight Of The Mask bravely lays out experiences of mental illness and depression, hoping to help destigmatize these topics. 

Svalbard's Serena Cherry stated,

"If the previous record was about facing your demons, then The Weight of The Mask is about fighting them with everything you've got. You can literally hear the depression transform into aggression in these songs. The Weight of The Mask was admittedly a challenging album to make because we cut so deep this time around, it was a painful but ultimately cathartic process. This album is the sound of two years worth of internal darkness boiling away inside and then finally being unleashed.

"Faking It is a song about feeling deprived of meaningful human connection due to depression acting like a wall that shuts you off from others. It addresses the ways in which those who suffer with depression can feel guilted into putting on a happy mask. The lyrics are a reflection on happiness as a social obligation and how scarily good you can become at deceiving everyone around you into thinking that you're fine when you're not. With 'Faking It', we are both acknowledging the pressure for forced positivity, the fear that people won't like you if you're sad, and also questioning where the root of this intolerance towards depression lies." 

Pre-order The Weight Of The Mask + stream 'Faking It' HERE 
Watch the 'Faking It' video below.

Serena added about the 'Faking It' video,

"This video leans on deliberately obvious binary oppositions to hammer home the message of the song. We have the glossy smiling shots, filmed in the fakest place we could find: The Selfie Factory; mixed with dark, expressive performance footage that represents the internal struggle within." 

Stream the previous single 'Eternal Spirits' here: https://Svalbard.bfan.link/eternal-spirits.ema
Watch the 'Eternal Spirits' video here: https://youtu.be/1Oh30tCl1DQ

The Weight Of The Mask was recorded at The Ranch Production House, UK. The record was produced and mixed by Lewis Johns, with mastering by Grant Berry. Engineering was handled by Lewis Johns, assisted by Matt Janke, with additional editing by Kel Pinchin and Sebastien Sendon.

The beautiful album artwork was created by artist and illustrator Hestor Aspland, with layout by Lee O'Connor.

Serena Cherry stated about the album artwork,

"We have been huge fans of Hester Aspland's Illustration since we saw her stunning artwork carved into a wooden table at our favorite metal bar, The Gryphon. The intricate, floral aspect of her artwork for The Weight of The Mask reflects the sonic beauty within our melodies. Then the bleaker animal skull mask symbolizes the lyrical content. Working with Hester was an absolute dream and we love the art she has created for us."

The Weight Of The Mask  will be available in the following formats

• CD Jewel Case

• LP

  • 1LP Crystal Clear w/Black Marble

  • 1LP Purple w/Black Splatter (band exclusive)

• Digital Album

• Formed in Bristol UK, Svalbard have released three studio albums, three EPs, and several split releases. Their exceptional last studio album, 2020's When I Die, Will I Get Better? was dubbed by Metal Hammer UK as "the most important British metal record of 2020", with both Metal Hammer and Kerrang! lauding the record as a top 10 album of the year. A career milestone, it cemented Svalbard as a powerful and vital component of our global music scene.
  
  Whilst refining their distinctive blend of euphoric black metal, post-rock, and d-beat, Svalbard have incorporated a few more surprising influences along the way. From soft, mournful singing to progressive guitar leads, it showcases a sensitive dynamic that lends impact to their most crushing moments - of which there are undoubtedly many. There’s no poetry, no ambiguity - just direct, raw honesty as the quartet tackles some very uncomfortable subjects head-on. This is heavy in the most evocative sense of the word. The blunt lyrics are equally as important as the music.
  
  Svalbard are:
  Vocals/Guitar - Serena Cherry
  Vocals/Guitar - Liam Phelan
  Drums - Mark Lilley
  Bass - Matt Francis

ATLive Returns Oct. 20-21: Grupo Firme, George Strait Set to Headline

ATLive RETURNS OCTOBER 20 & 21
WITH GRUPO FIRME AND GEORGE STRAIT HEADLINING

Plus J Balvin, Carrie Underwood, Farruko, Willie Nelson & Family, Yahritza Y Su Esencia and Little Big Town

AMB Sports and Entertainment (AMBSE) is once again bringing the biggest artists to Mercedes-Benz Stadium with the return of the highly anticipated ATLive powered by Ticketmaster and presented by Sweetwater Brewing Company and Wells Fargo. The most exciting multi-day music event in the Southeast returns on Friday, October 20 and Saturday, October 21. This year’s lineup promises to deliver an unforgettable experience, featuring an incredible roster of superstar artists from both Latin and Country music.
 
Friday’s lineup will feature energetic performances led by Latin GRAMMY Award-winners Grupo Firme, along with one of the best-selling Latin artists of all time, J Balvin, GRAMMY-nominated rapper and singer/songwriter Farruko and Latin GRAMMY-nominated sibling trio Yahritza Y Su Esencia. 
 
Saturday will then offer a star-studded extravaganza with Country icon George Strait, eight-time GRAMMY winner Carrie Underwood, the legendary Willie Nelson & Family and six-time CMA Vocal Group of the Year Little Big Town.
 
Tickets for each night go on sale Friday, July 21 at 10 a.m. ET via Ticketmaster.
 
“We are extremely excited to once again bring an incredible lineup of artists to Mercedes-Benz Stadium for ATLive,” said Doug Roberts, vice-president of stadium events and premium sales, AMB Sports and Entertainment. “The ATLive concert series has quickly become one of the can’t-miss concert events of the year and we look forward to welcoming fans of both Latin and Country music for two great nights at Mercedes-Benz Stadium in October.”

ATLive powered by Ticketmaster and presented by Sweetwater Brewing Company and Wells Fargo is a multi-genre concert series developed and promoted by AMB Sports and Entertainment and has quickly become the premier destination concert series for the city of Atlanta and the Southeast. In its first three years, ATLive hosted six shows at Mercedes-Benz Stadium with nearly 300,000 people in attendance to enjoy incredible music from Eric Church, Luke Combs, Sheryl Crow,  Billy Joel, Miranda Lambert, Metallica, Lionel Richie, Blake Shelton, Chris Stapleton, George Strait, Keith Urban and more. ATLive is produced by AMBSE in partnership with Messina Touring Group.
 
To learn more about the two-night event, visit mercedesbenzstadium.com/ATLive. Follow along online at #ATLive. 

 
About Mercedes-Benz Stadium 
Opened in August 2017, Mercedes-Benz Stadium is a world-class sports and entertainment venue in downtown Atlanta and home to the National Football League’s Atlanta Falcons and Major League Soccer’s Atlanta United. The multi-purpose stadium was named the 2019 Sports Facility of the Year and is host to major sports and entertainment events, including the 2026 World Cup, the 2018 and 2025 College Football Playoff National Championship Game, the 2018 MLS Cup, and Super Bowl LIII. Mercedes-Benz Stadium is the first professional sports stadium in North America to achieve LEED Platinum Certification and the first stadium worldwide to achieve TRUE Platinum Certification for zero waste by the United States Green Building Council. Mercedes-Benz Stadium is proud to be collaborating with naming rights partner Mercedes-Benz and thirteen founding partners including Coca-Cola, Equifax, The Home Depot, Novelis, SCANA Energy, Truist, IBM, Georgia Power, American Family Insurance, Global Payments, Ticketmaster and Delta Air Lines. 

Jame's Elsewhere Announce "Paradise" EP + Share "Escapist" Video — WATCH

JAMIE'S ELSEWHERE, featuring Of Mice & Men vocalist/bassist Aaron Pauley, have announced their new Paradise EP, out July 19 via SharpTone Records. It's the first new material from the band in nearly a decade. Pre-order the EP here.

Today, the band has shared the new single "Escapist." Watch the video below.

'We're thrilled to announce that we've signed with SharpTone Records, and excited to announce the release our first single 'Escapist' from our new EP Paradise," says Pauley. "This new chapter of the band has been years in the making, and we're so excited to be teaming up with the talented and creative minds at SharpTone Records to bring these songs, and this story, to our fans all around the world — both old fans and new!"

Following nine years of dormancy, Jamie's Elsewhere couldn't simply return with simply songs. Instead, they swing for the fences and speak to multiple senses all at once with the Paradise EP. The California quartet — the aforementioned Pauley [vocals], Matt Scarpelli [guitar], Chance Medeiros [bass], and Mike Spearman [keys] — expand their vision like never before with an arresting narrative set to a soundtrack of emotionally charged heavy music underscored by cinematic electronics, soaring melodies, jarring hardcore, and moments of unpredictable sonic bludgeoning. After carving out a niche and generating tens of millions of streams, the group pull audiences into an all-encompassing and entrancing soundscape.
 
"The concept follows a protagonist through the day-to-day grind," Pauley notes. "He discovers Paradise, which is a metaverse where you can upload your soul. It was a tongue-in-cheek way for us to label a dystopian A.I. The irony is hopping on the internet could never be a real paradise. We went really deep in terms of the story and lyrics."

Following their emergence in 2005, Jamie's Elsewhere quietly attracted a devout audience via a series of EPs and fan-favorite albums, namely Guidebook for Sinners Turned Saints [2008] and They Said a Storm Was Coming [2010]. Along the way, the band toured with everyone from Motionless In White and Memphis May Fire to Ice Nine Kills. Assuming lead vocal and bass duties for Of Mice & Men during 2012, Pauley initially parted ways with Jamie's Elsewhere. 2014 saw the group drop Rebel-Revive highlighted by "Empty Eyes" [feat. Garrett Rapp of The Color Morale] and "The Illusionist" [feat. Tyler Carter of Issues], which amassed over 6.2 million Spotify streams. On the eve of the tenth anniversary of The Said A Storm Was Coming, Spearman caught an Of Mice & Men gig, and conversations about reviving Jamie's Elsewhere began in earnest. Those conversations morphed into writing sessions and the rest, as they say, is history and here we are.

Thy Art Is Murder Share "Keres" Video — WATCH

Australia's extreme metal titans Thy Art Is Murder have released their storming new single, "Keres," the second taste of new music lifted from the band's forthcoming album, Godlike, out September 15 via Human Warfare. Pre-order Godlike here.

Watch the video below.

A stadium-sized death metal anthem, "Keres" has it all: bone crushing verses, colossal stomping choruses, an urgent guitar solo, and frontman CJ McMahon's vocals demolishing all in his wake as he rams that hook straight into your brain.

"Keres" is an absolute standout in the Thy Art Is Murder collection and guitarist Andy Marsh explains why the band can't wait to get it out there.

 "It's not often we have this level of excitement to present a new single to the world," Marsh states. "'Keres' is a metal anthem filled with grinding verses and stomping choruses, stripping down some of the complexity that may have gotten in the way of previous attempts to deliver a song of this magnitude. The Keres was an evil sprite in ancient Greek mythology that would feed on the dead, but could not participate in acts of violence. We think this behavior is as relevant in the arena of news and politics as it was on those ancient battlefields." 

Thy Art Is Murder ascended the ranks of extreme metal's top-tier bands with a meteoric underground rise as explosive as humankind's seemingly inevitable descent into doom and death. With their new album, Godlike, Australia's most harrowingly brutal export since George Miller's Mad Max franchise invites audiences worldwide to join them in a fresh Armageddon. 

The sixth explosive album in the band's arsenal, Godlike cements Thy Art Is Murder as death metal's modern torchbearers. A soundtrack to a divisive post-modern dystopia, Godlike sees Thy Art Is Murder explore new depths and dynamics without sacrificing an ounce of intensity or urgency the band have staked their career on.

Recorded with their longtime producer and mixer, Will Putney, across the album's 10 nihilistic tracks Thy Art are masters of their craft as they deliver sharp stabs, guttural descents and groove with muscular athleticism and confidence. Frontman CJ McMahon gives his strongest performance ever as he belts through lyrics that thematically confront how cycles of violence continue over time and feelings of separation in a hyper-polarized world.

Thy Art Is Murder's thinking-person's blackened death metal has challenged, provoked and inspired audiences around the world. Through relentless hard work, Thy Art have become one of the most successful extreme metal bands Australia has ever produced, making history on their own terms. Backed by an uncompromising discography, the two-time ARIA-Award nominees have smashed chart records in their native country, becoming the first homegrown extreme metal act to debut in the Top 5 with 2017's Dear Desolation.

Their electrifying and incendiary performances have seen the band do countless laps of the globe, becoming tourmates with genre-titans like Cannibal Corpse, Slayer, Kreator, Lamb Of God, Killswitch Engage, and Parkway Drive, alongside playing crucial festivals like Summer Breeze, Download, Graspop, and Wacken.

Join Thy Art Is Murder when they enter Godlike mode this coming September. 

Blistering UK Quintet Turin Release "The Unforgiving Reality In Nothing"

UK heavyweights of misery, the intense & visceral TURIN (formerly This Is Turin), return with the brutal & uncompromising "The Unforgiving Reality In Nothing," shining a light on the Human condition exploring the curse that is the forced Morals and Virtues instilled creating a delusion of existence.

TURIN says, “As well as it being an acronym for TURIN, it's been at the heart of this album's concept for all the lyrics. All five of us have been in situations where we act like nothing's wrong or bothering us, The reality of doing that is unforgiving. It harms us. It can impact those around us, and often, the reality of the situation doesn't change until we speak up and look for support. In some cases, forgiveness. We wrote this song at the tail end of the COVID lockdown in the UK as a way for us to reinvent our sound and push forward with whatever the next stage of this band would be; what came from it was a new album and a new drive to evolve what we have."

The first song from their forthcoming 2024 album, the band worked with one of the UK’s finest heavy metal producers & multiple Heavy Music Awards nominee Lewis Johns (Loathe, Rolo Tomassi, Ithaca, Employed To Serve, Svalbard, Conjurer, Pupil Slicer) creating a milestone in the bands long history in the metal scene, a pure evolution of their sound and writing ability to define a new chapter for UK Deathcore.

Influenced by a diverse range of extreme music subgenres, TURIN are known for their bludgeoning live shows, earning them Kerrang’s MCN Live Award with appearances at the UK’s top festivals such as Bloodstock Open Air & Techfest, plus supports with Martyr Defiled, Decapitated, Within Destruction, Hacktavist, Ingested, SikTh, Origin, Dragged Into Sunlight & a collab with Thy Art Is Murder’s CJ McMahon on 2020's ‘Misery’.

Let Jelly Roll Take You to Church with Record-Breaking New Album Whitsitt Chapel

Studio D’lux Releases New Single "Slow Burn" Featuring All Star Line-Up from Legendary Bands Chicago, Steely Dan and Billy Joel on New Yacht Rock Single

Studio D’Lux features an all star line up from legendary bands Chicago, Steely Dan, and Billy Joel on new yacht rock vibe single. This is the follow up from the recent Studio D’Lux EP, which released on December 2, 2022 and has so far streamed 200k on Spotify. This project and song is written and produced by singer/keyboardist Doug Kistner. Grammy winner Bill Champlin, best know for co writing "After The Love Is Gone" for Earth Wind & Fire and for his voice on "Look Away" and "Hard Habit to Break" by Chicago, adds his soulful vocals to the track. Famed rock drummer Liberty Devitto and bassist Malcolm Gold supply the grooves. The song takes a turn at the 3 minute mark and features a guitar solo from Steely Dan’s Jon Herington.

Studio D'Lux is a musical venture led by singer, songwriter and instrumentalist Doug Kistner, who writes and produces all the songs released by the group. Doug Kistner has played with Trans-Siberian Orchestra, John Waite, Blood, Sweat &Tears, and Danny Seraphine's CTA. He is currently playing with Lords of 52nd Street and Summer of Love.

You will hear these world class musicians put their stamp on this exciting new music inspired by the great music of the 70s and 80s.

"Slow Burn" can be streamed/downloaded at:

https://vibe.to/SlowBurn

WATCH "Slow Burn" by Studio D'Lux featuring Bill Champlin, Liberty DeVitto & Jon Herington: below

For More Information Please Visit:

Doug Kistner Facebook

Studio D'Lux Facebook

Studio D'Lux Instagram

Studio D'Lux Twitter

Studio D'Lux YouTube

WEEDEATER Announce Fall Tour

WEEDEATER are loaded up and ready to ride.

The sludge-stoned cowboys are blazing the ol' dusty trail later this summer with 10+ shows across the Northeast and Midwest. Along the way, they're hitting a couple festivals, including headlining spots at Albuquerque's Rock City Fest and Slower & Harder Fest in Atlanta.

Joining Weedeater is the grindin', frashin' punk rock wrecking machine King Parrot.

God Luck and Good Speed.

Tour dates
08/05 Albuquerque, NM @ Rock City Fest [TICKETS]
08/30 Charlotte, NC @ Snug Harbor [TICKETS]
08/31 Washington, DC @ Black Cat [TICKETS]
09/01 Brooklyn, NY @ Meadows [TICKETS]
09/02 Montague, MA @ RPM Fest [TICKETS]
09/03 Buffalo, NY @ Mohawk Place [TICKETS]
09/04 Detroit, MI @ Sanctuary [TICKETS]
09/06 Grand Rapids, MI @ Pyramid Scheme [TICKETS]
09/07 Cave In Rock, IL @ Full Terror Assault Fest [TICKETS]
09/08 Champaign, IL @ Loose Cobra (On Sale 07/15)
09/10 Atlanta, GA Atlanta Utility Works @ Slower & Harder Fest [TICKETS]
09/11 Greensboro, NC @ Hangar 1819 [TICKETS]

At its founding, Weedeater rose like a doobie phoenix out of the ashes of BUZZOV•EN. When the cult sludge act called it a day, bass player Dave “Dixie” Collins teamed up with guitarist Dave “Shep” Shepherd and founded Weedeater in the harbor town of Wilmington about the year 1998.

Their crushing and massive first full-length ‘…and Justice for Y’all’ (2001) created an immediate buzz, while critics were struggling to put a tag on their sound. Nearly everybody agreed that stoner rock, doom, sludge and some crusty elements were part of the mix, which the band simply calls “weed metal”. The debut was produced by renowned engineer Billy Anderson (Eyehategod, Neurosis) as well as sophomore album ‘Sixteen Tons’ (2002). Weedeater went out to perform live with Corosion of Conformity and Alabama Thunderpussy among others.

After some detours of Dixie Dave, who played shortly with Bongzilla and Sourvein, third album ‘God Luck and Good Speed’ hit the world in 2007 and shifted the band’s focus slightly towards the stoner side. The latest full-length ‘Jason… the Dragon’ got delayed when vocalist Dixie Dave lost a toe due to an incident with his favorite shotgun. When the sludge driven album finally came out in 2011, shows in the US and Europe cemented the band’s reputation as a fierce live entity.

After signing to Season of Mist, Weedeater reissued their full back-catalogue on their new label. Yet the Bible Belt state of North Carolina, USA remains a fertile ground for hemp and stoner rock. Their latest album, ‘Goliathan’, makes the South smoke again. It's a monster record that'll blow your mind.

Line-up:

Dixie Dave :Bass, vocals
Shep :Guitar, vocals
Travis T-Boogie Owen :Drums

Style: Weed Metal

Links
http://www.weedmetal.com/
https://weedeater.bandcamp.com/music
https://www.facebook.com/weedmetal
https://www.instagram.com/weedeaterband/
https://open.spotify.com/artist/40uWyieMnDCdIlba6Pr7xL
https://twitter.com/weedmetal


For more on Season of Mist, visit our official WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER

THE LION'S DAUGHTER Shares Unnerving Music Video for New Song via Metal Injection, Reveals New Album Details

St. Louis horror metal outfit The Lion's Daughter will be releasing its brand new full-length, 'Bath House,' on October 13, 2023 as an independent entity. In celebration of this new release, the band has partnered with Metal Injection for the premiere the title track along with a disturbing music video that is certain to shock and excite horror fans everywhere. The video can be found below.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on 'Bath House's' unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

In addition, The Lion's Daughter will be performing live later this year! On October 13, the band will have a special Friday the 13th album release party in its hometown of St. Louis, MO. Then, the band will hit Black Circle Brewing in Indianapolis, IN on 11/11 for another rager! The full itinerary can be found below with more dates TBA!

'Bath House' is now available for pre-sales HERE.

The Lion's Daughter Live Dates (U.S.):

10/13: St. Louis, MO @ Red Flag (Album Release Show)

11/11: Indianapolis, IN @ Black Circle Brewing

“What we did see… was something altogether different, and immeasurably more hideous and detestable. It was the utter, objective embodiment of the fantastic novelist’s ‘thing that should not be.’” - H.P. Lovecraft, “At The Mountains of Madness”

Some creations are designed to elicit nightmares, evoking unspeakable terrors that are meant to shock, terrify, and mesmerize the masses. Since the release of its first full-length in 2012, The Lion’s Daughter has consistently put forth music that is just as disturbing as it is enticing, making a name for itself as a dark force among its musical contemporaries. And much like an eldritch horror, the band is constantly shape shifting like a Shoggoth, capable of fitting into many different musical spaces, while at the same time, fitting into no earthly dimensions just as an ancient alien rising up from centuries of arctic slumber with a mission to destroy and conquer.

And much like the Shoggoth, The Lion’s Daughter have defied all gods and masters, releasing its latest opus as an independent entity, breaking away from the corporate confines of a label. ‘Bath House’ is another generically unclassified masterpiece from the St. Louis horror quartet, pulling elements from everything from Faith No More to Godflesh to Samhain, creating a sound that’s way ahead of its time and yet certain to grab the listener by the throat.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on the band’s unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

As the music itself on ‘Bath House’ is a representation of Giordano’s musical palette, the lyrics are perhaps the darkest and most vulnerable of his career. The band strays away from fantasy on this record and instead, gets raw and relatable. “It’s all really ugly shit,” he says of the new album’s themes. “Which, for our band, is not shocking at all. But this time around, it’s all much more personal to me, which makes it a bit difficult and uncomfortable to talk about. I wasn’t in a great place while writing this record. Grief, fear, jealousy, and general devastation can be found all over this thing. That wasn’t my intention exactly, but like the music, I let the lyrics kind of write themselves without letting logic or reason interfere.”

To further illustrate the darkness that dwells within ‘Bath House,’ The Lion’s Daughter commissioned a perverse and unnerving image from UK artist Daniel Peacock for the album cover. The image not only works well in cohesion with the record, but also symbolizes that while ‘Bath House’ still very much carries the band’s signature sound, it still isn’t exactly what fans might expect. Giordano explains, “Our previous two album covers featured masked characters. I wanted to see what happens when you take the mask off. This record isn’t shrouded in mystery the same way the previous couple have been. It’s much more of an in your face kind of attack, and I felt the artwork should represent that. This horrible creature looks dangerous and frightening, but is also clearly in pain and also afraid. It’s the perfect image to represent whatever the fuck ugly thing lives in my head. On this record it is no longer hiding behind a mask… it is loose and it’s right outside your fucking house.”

As the St. Louis horror masters set forth on a new trajectory, the former trio has also added Black Fast guitarist Aaron Akin to the lineup, creating a sound that’s more intense and grand. “Aaron was the guitarist and vocalist of a band called Black Fast. They were hands down the best metal band to come out of St. Louis in decades. Once they disbanded, it was a no-brainer to try and get the guy who fronted my favorite local band to be in my band. Why wouldn’t I? Plus, as anyone who knows Aaron will tell you, he’s an all around great guy,” explains Giordano on how this new union came about.

And as a new union has been formed, former binds have been severed as The Lion’s Daughter is no longer tied to a label, doing this record fully independently for the first time in its career and taking full and total control. “It’s just nice to have 100% control over everything again,” Giordano says of the band’s new freedom. “That was the whole intention when we started this band years ago. We lost sight of that for a while. No disrespect intended towards anyone, but this band has always been pretty anti-music industry and anti-bullshit.”

Despite so many changes, The Lion’s Daughter is still the same band that cult followers have come to worship, but with everything cranked up to 11. With heavier music, a fuller sound, and darker themes, the band is maximizing terror with its monstrous brand of debauchery and unspeakable perversions. Unpleasant dreams…

Recording Lineup:

Rick Giordano - vocals, guitars, bass, synths

Erik Ramsier - drums

Scott Fogelbach - additional vocals on tracks 2, 7, 8

Live Lineup:

Rick Giordano - guitar and vocals

Scott Fogelbach - bass and vocals

Aaron Akin - guitar

Erik Ramsier - drums

Guest Musicians:

Sarah Vie - violin and vocals on tracks 2, 4, 7, 9

Recording Studio:

Encapsulated Studios

Producer // Sound Engineer // Mixing // Mastering:

Gabe Usery

Cover Artist:

Dan Peacock

Photographer:

Chris Bauer

Links:

Bandcamp

Facebook

Instagram

YouTube

Spotify

Apple Music

Oxford outfit JODY AND THE JERMS teams up with RIDE'S MARK GARDENER for new banger 'Liberation'

“Evanescent jangle of endearing pop hymns... a celestial glow that lingers at the nexus of The Sundays, Belle and Sebastian, Throwing Muses, and the effervescent efflorescence of The Darling Buds” ~ Post-Punk.com

"It’s almost like power pop, a bit Bangles... or jangle pop. Lovely" ~ Radcliffe & Maconie, BBC 6 Music

"Jody had to be coerced into singing, and she does it really well. It's good isn't it!" ~ Janice Long - BBC Wales

"Poised and perfect... A joyous romp through everything that made pop so great... sassy and full of buoyant energy, shot through with chime and charm, and has lashings of sing-along-ability" ~ Big Takeover Magazine

"Aglow in sugar-spun pop confections and unforgettable harmonies that conjures the jangling heyday of The Bangles and the buoyant rhythms of The Regrettes" ~ Stereo Embers Magazine

"With positivity and buoyancy, their catchy music is light on mood and heavy on melody.... glossy pop, jangling guitar, elegiac harmonies, memorable choruses and wistful melancholy" ~ The Spill Magazine


Oxford indie pop-rock outfit Jody and the Jerms have a summer surprise for the world - their new single 'Liberation', which was produced, mixed and mastered by RIDE frontman Mark Gardener at his OX4 Sound studio near Oxford.

On 'Liberation', Jody and the Jerms get into the summer groove with a 3-minute stomp that sees the Oxford band push on from their jangle pop roots. With vocals to the fore, buoyed by the addition of new Jerm Salma Craig on backing vocals, the song is awash with Wah, Hammond and shaker to get the audience moving as they continue their 48-date summer UK tour and multiple festival appearances.

Now that the dust has settled on April's release of their third album 'Wonder' and latest single 'Intuition', the sweet taste of 'Liberation' powers the band forward, recalling the killer riffs, sass and harmonies of the B-52s in the embrace of the Jerms' own trademark twists and warm production.

An insanely upbeat and empowering song, 'Liberation' is about how the good times make you feel alive and free -  and how you want that positivity to last forever.

‘Liberation' single  https://jodyandthejerms.ffm.to/liberation

"A lot of our songs from the two latest albums, 'Flicker' and 'Wonder', have been called bittersweet - but 'Liberation' is something completely different. It's about how you feel when things are going well, the euphoria you feel, which can be hard to explain or even understand, and the excitement of what comes next," says frontwoman Jody Jeger.

Niall Jeger adds, "The whole song has a different sound to previous Jerms songs. We played around with different guitar and synth sounds, and also went big on the three-part harmonies that were a lot of fun to record. We had a very productive, creative  and happy day in the studio which matches the lyrical themes of 'Liberation'".

Championed by the late Janice Long at BBC, among others, Jody and the Jerms is a collective revolving around Jody Jeger (vocals) and Niall Jeger (guitars and vocals) with other band members coming from The Anydays, who have graced the pages of NME, played with Radiohead and Supergrass, and were featured on Mark Radcliffe at BBC Radio 2.

Jody and the Jerms create endearing jangle-pop songs that are both evocative and relatable. Formed in Oxford in 2019, they have been writing, recording and performing their blend of melodic and uplifting indie/ alt rock ever since, having enjoyed national airtime on Radio X (UK), Sirius XM (USA) and RTVE (Spain), as well as BBC 6 Music, BBC Introducing, BBC Wales and BBC Ulster.  

On working with the Jerms, Mark Gardener notes, "In a great way, the music and the people take me to a place and time where music and life felt easier, fresh and less complicated. There is a simple purity, real heart and soul, plus earworm catchy-as-hell tunes in all they do. Always a warm glow pleasure that never felt like hard work or ‘trying to split the atom’  when there’s absolutely no need to as soon as they start playing in the studio we’re back off to that lovely space again."

As of July 12, 'Liberation' is available from fine music platforms, including Spotify, Apple Music and Bandcamp, where their latest 'Wonder' LP can also be ordered on limited edition CD and pink vinyl. Jody and the Jerms are currently touring the UK in support of this release. Tickets are available at https://jodyandthejerms.com/live

CREDITS
Jody Jeger - vocals
Salma Craig - backing vocals
Niall Jeger - guitar
Peter James Millson - guitar and backing vocals
Robert Anwood - keys and percussion
Steve Clark - drums
Drew Atkins - bass
Music by Niall Jeger. Lyrics by Jody Jeger
Produced, mixed and mastered by Mark Gardener at OX4 Sound studio
Copyright 2023


Keep up with Jody and the Jerms
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Songkick | Press contact

Keep up with Mark Gardener / OX4 Sound
Website | Facebook | Bandcamp | Soundcloud | Mark Gardener Twitter | OX4Sound Twitter | Instagram | YouTube | Press contact

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PROFANATICA US Tour Starts Tomorrow!

PROFANATICA just ushered in their sixth album with an unholy leviathan of a new single. Tomorrow, they're taking up the cross on their first-ever full-length tour of the U.S. They'll be snaking across the country with Canadian black metal band Panzerfaust, with a headlining set at Heavy Hell IV.    

Tour dates
07/13 Cleveland, OH @ No Class [Tickets]
07/14 Columbus, OH @ Ace of Cups [Tickets]
07/15 Chicago, IL @ Reggies [Tickets]
07/16 Minneapolis, MN @ Turf Club [Tickets]
07/18 Omaha, NE @ Reverb Lounge [Tickets]
07/19 Salt Lake City, UT @ Aces High Saloon [Tickets]
07/21 Seattle, WA @ Substation [Tickets]
07/22 Portland, OR @ Bossanova Ballroom [Tickets]
07/24 Sacramento, CA @ Cafe Colonial [Tickets]
07/25 San Francisco, CA @ DNA Lounge [Tickets]
07/26 San Diego, CA @ Soda Bar [Tickets]
07/27 Los Angeles, CA @ Regent Theater [Tickets]
07/28 Phoenix, AZ @ Pub Rock [Tickets]
07/29 El Paso, TX @ The Dungeon [Tickets]
07/31 Houston, TX @ White Oak Music Hall [Tickets]
08/01 Austin, TX @ Come and Take It Live [Tickets]
08/02 Dallas, TX @ Trees [Tickets]
08/03 St. Louis, MO @ Red Flag [Tickets]
08/04 Nashville, TN @ Hop Springs [Tickets]
08/05 Atlanta, GA @ The Loft [Tickets]
08/06 Raleigh, NC @ Pour House [Tickets]
08/12 Indianapolis, IN @ Heavy Hell IV [Tickets]

'Crux Simplex' is out on September 22, 2023 via Season of Mist. Pre-save the album HERE.  Pre-order it HERE.

PROFANATICA are at the vanguard of the first wave of American black metal. Founded and led by infamous master of black perversion Paul Ledney (drums/vocals), they have purveyed primeval blasphemy for nigh on thirty-three years.

Ledney formed the band from the ashes of the first INCANTATION lineup when he split and took with him all of the members sans John McEntee. That early trio of ex-INCANTATION members reeled off three ground-breaking demos of some of the most extreme and blasphemic metal of its time in rapid succession. The band flyers that permeated the tape-trading circuit were no less shocking and featured the trio bloody and naked and in the throes of what was most certainly a primeval summoning of some kind. In short order, they had inked a deal with the fledgling Osmose Productions for what became one of that labels first releases (Osmose release #5); a legendary split with Colombia's MASACRE.

Something so volatile could only last briefly, and after another brief recording session the band collapsed under the weight of its own extremity. but the recordings made in this two year window went on to see dozens of reissues in the coming decades, in a testament to how formidable and formative they are to the black metal scene worldwide.

After almost fifteen years spent with his equally polarizing solo project HAVOHEJ, Ledney reignited the flames of Profanatica in 2006. Reemerging with a new deal from Hells Headbangers, Ledney and his new band released 'The Enemy of Virtue', a collection of that vaunted early material, and a new full-length, 'Profanatitas de Domonatia'. A triumphant return, 'Profanatitas de Domonatia' picked up right where these Kings of US Black Metal left off, delivering a savage stream of chainsaw guitars and relentless battery upon which they desecrated everything sacred.

This set-in motion another frenetic burst of work for Profanatica. The next decade saw them unleash four new full-length albums of blasphemous perversions, sacrilegious incantations, and furious black metal. In addition, the band issued six mini-albums and EP's, a full DVD of early footage, and began touring internationally in Europe and in Central and South America. For the first time Profanatica were appearing near or at the top of the bill at festivals like MDF, Messe Des Mortes, Hells Headbash, Prague Death Mass (Czech Republic), Chaos Descends (Germany), Black Sun (Spain), Tyrant Fest (France), SWR Fest (Portugal) and many more.

In fall 2018, Profanatica joined forces with Season of Mist and undertook their biggest tour to date supporting WATAIN and ROTTING CHRIST across Europe. And a year later, the trio vomited forth a most vulgar strain of black metal ejaculate with their SoM debut album 'Rotting Incarnation of God'.

The band embarked on an extensive twelve-country European headline tour in the album's wake. Shortly after returning home that winter, the world ground to a halt in 2020. Save a live-streaming concert production for the legendary Rock al Parque in conjunction with BATUSHKA, little was heard from Profanatica.

That is until spring 2023, when Profanatica emerged from their den of iniquity on a European headline tour to promote a new album. 'Crux Simplex' is a ten-track offensive of sin and sacrilege, a nasty affront that bastardizes the first 10 stations of the cross. As per their legacy, Profanatica deals in bestial, first-wave black metal barbarity, and their eighth album unveils ungodly levels of bile and blasphemy.

Recorded at: Dead Lamb Studios

Mastered by: Arthur Rizk

Recording lineup
- Mayhemic Slaughter of the Heavens (drums/vocals)
- Destroyer of Holy Hymen (guitar/bass)

Touring lineup
- Mayhemic Slaughter of the Heavens (drums/vocals)
- Destroyer of Holy Hymen (guitar)
- The True Perversion of the Heavenly Father (bass)

Album artwork: Abomination Hammer

Pre-save: https://orcd.co/cruxsimplexpresave

Pre-order: https://shop.season-of-mist.com/list/profanatica-crux-simplex 

Available formats
Vinyl (Black)
Vinyl (Blue)
CD Digipack
Digital download

Links
http://profanatica.com/
https://www.facebook.com/profanaticausa/
https://profanatica.bandcamp.com/
https://music.apple.com/us/artist/profanatica/303892822
https://open.spotify.com/artist/6OGNyv8Z63eYqmkN17mpwW

For more on Season of Mist, visit our official WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER

BLACKBRAID Announces Album Release Show in Los Angeles, CA

"To get right to it, Blackbraid II is an early contender for black metal record of the year... able to take the traditional sounds of black metal and then further shape and move them in a very distinct and novel direction." - Metal Injection (10/10)

PRE-ORDER FROM E-SHOP

PRE-ORDER FROM BANDCAMP

STREAM 'BLACKBRAID II' HERE

Nothing Less Booking & Night of the Palemoon presents "An evening celebration of 'Blackbraid II' with support from the Circle of Shadows." Indigenous force Blackbraid will once again perform on Tongva territory bringing the true nature spirit of the lands. The performance will take place on Saturday, August 10, at 1720 in Los Angeles, CA and ticket pre-sales will be begin this Friday, July 14! This will be Blackbraid’s final West Coast performance of this year!

In addition, The raw melodic vampyric horde, Mäleficentt will perform 'Night of Eternal Darkness' it its entirety. Righteous pure and true Black Metal comradery, Gudsforladt, will make its live debut.

Join the band for a celebration of Black Metal magick, friendship, love and Indigenous might! 

'Blackbraid II' can now be streamed everywhere or ordered via Bandcamp or The Official Blackbraid Merch Store.! The album will be available on CD as a 6-panel digi-sleeve, cassette, and two vinyl variants - a marbled emerald green "Moss" edition and golden/earth marbled "Spirit" edition.

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

"...you can hear a delicately strummed acoustic guitar here, a traditional flute there. Catchy riffs, most notably on the single 'The Spirit Returns,' coexist with ambitious tracks like the 13-plus-minute 'Moss Covered Bones on the Altar of the Moon,' which waxes and wanes like an epic saga." - The New York Times

"To get right to it, Blackbraid II is an early contender for black metal record of the year... able to take the traditional sounds of black metal and then further shape and move them in a very distinct and novel direction." - Metal Injection (10/10)

"...one of the finest albums to grace black metal in years and you just get the feeling there is still more to come from this truly special band." - Distorted Sound Magazine (10/10)

"Sgah’gahsowáh channels his heritage and love for the earth through his music, and with that, he also brings a certain energy that conjures up desert dunes and rolling planes from North America just as well as a Norwegian black metal band conjures up snowy, bleak hills." - Metal Sucks (4.5/5)

"...forging a new path forward for black metal in 2023, one that will likely continue to set him apart from his contemporaries and become one of the biggest new faces in the genre for years to come." - Heavy Music HQ (4.5/5)

'Blackbraid II' follows up the solo black metal project's critically-acclaimed debut, which was named among one of the best metal albums if 2022 by Rolling Stone (#14), Decibel Magazine (#4), Metal Hammer UK (#7), and more!

Following the band's album release show, Blackbraid will headline the Kaupangr stage at this year's edition of the mighty Midgardsblot Festival in the Viking Gravemounds at Norway'siconic Borre Park from August 16-19. All upcoming dates can be found below!

Blackbraid Live Dates (US):

08/10: Los Angeles, CA @ 1720

Blackbraid Live Dates (EU):

08/16-18: Midgard (NO) @ Midgardsblot [TICKETS]

ICYMI: BLACKBRAID recently unveiled a brand new music video for the single "The Spirit Returns," which can be seen at THIS LOCATION.

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid II' Album Credits:

- Composed & performed by Sgah'gahsowáh

- Drums, recording, mixing & mastering by Neil Schneider

- Visual development & graphic design by Wolf Mountain Productions 

- Guitar solo in “Twilight Hymn of Ancient Blood" performed by Randy Moore

- “A Fine Day to Die" originally composed by Quorthon (Bathory)

Album Art: Adrian Baxter

Photographer: Wolf Mountain Productions

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Blackbraid is an independent artist and is not contracted to or owned by any music label. 

EPIC METAL ALLIANCE: Iron Maiden's Legacy Of The Beast Joins Forces With In Flames for a new in-game event: 'In The Dark’

Prepare to embark on an unforgettable journey as Iron Maiden's acclaimed free-to-play mobile game, Legacy of the Beast, joins forces with Swedish metallers In Flames to deliver an epic new event: In The Dark.

Following a string of successful partnerships, Legacy of the Beast proudly unveils another collaboration between Iron Maiden and In Flames which promises an extraordinary gaming experience that will captivate metalheads and gamers alike.

This year, Iron Maiden's official mobile game has already forged formidable alliances with Motorhead, introducing Snaggletooth, and Anthrax, welcoming Not Man into the Legacy of the Beast universe. Now, get ready for the arrival of Jesterhead, In Flames' iconic mascot, as he joins forces with Eddie, the legendary Iron Maiden mascot, to execute a daring plan: the closure of the gates to hell.

In an engaging twist within the game's immersive storyline, players will accompany Eddie, the newly appointed ruler of Hell, as he embarks on a mission to revolutionize the game's realms. Recognizing the urgent need to seal the gates to Purgatory once and for all, Eddie seeks the assistance of Jesterhead, a powerful demi-god known for sorcery and magic. Together, they face the daunting challenge of sealing these ancient gates.

Prepare for an exciting week-long event, where you’ll unleash your inner metal warrior and battle against the forces of darkness. Inspired by the lyrics and music of In Flames, In The Dark immerses players in a captivating storyline, drawn from the depths of their renowned albums. 

Join Jesterhead on Wednesday, July 12th, 2023, at 5 pm PT in Iron Maiden's Legacy of the Beast mobile game as the In The Dark in-game Event commences. Don't miss this exceptional opportunity to be part of a collaboration that fuses the worlds of music and mobile gaming.

Anders Fridén lead singer of In Flames says:

"To see our Jesterhead next to Iron Maiden’s Eddie is surreal. Growing up on the music of Iron Maiden and being inspired by the visual side of the band - they were one of our big influences when In Flames started. We are honored and beyond excited being a part of this game. Being kids from Gothenburg, Sweden dreams can come true, it can become real. Never stop believing! Up the Irons!!"

Step into the shoes of one of the most iconic mascots in metal history and prepare for a journey like no other! In Iron Maiden: Legacy of the Beast, you become Eddie himself, traveling through time and space to explore a mind-bending array of worlds. With stunning 3D graphics and captivating environments, you'll feel like you're right there beside Eddie as he unleashes his special powers and abilities. From his earliest forms to his latest incarnations, Eddie is ready to take on anything the game throws at him - and so are you!

Navigator Games CEO, Will Moore says

“In Flames are one of the unequivocal pioneers of melodic death metal and have shared the stage with Maiden numerous times so we’ve wanted to do this collab for ages. We had a great time working with them on the “In the Dark” Dungeon and developing Jesterhead into one of our most awesome playable characters. We can’t wait to unleash him into the game on July 12th.”

Get ready to rock out with the latest update to Legacy of the Beast, because we're giving away the ultimate prize: the one and only Jesterhead! And the best part? You can earn this epic character for FREE just by logging in. Starting Wednesday, July 12th, 2023 at 5 pm PT, all you have to do is log in any 7 days between July 12th 5pm PT and August 11th at 5pm PT.  But that's not all - in addition to the iconic Jesterhead, you'll also score a ton of awesome rewards for your dedication. With each day you log in, the rewards get even better, culminating in the ultimate prize on the 7th day: Jesterhead himself!

Over the years the game has expanded to include 38 dungeons and 6 story worlds, from the pits of Hell, Ancient Egypt, and World War II to the far future, with hundreds of characters including over 100 Eddies based on classic Maiden album covers. A vast array of enemies - corrupt Demons (Lucifer, Baphomet), Gods (Horus, Osiris, Odin) and Monsters, a bloody Player vs. Player Battle Arena, and a ruthless Gauntlet feature designed to satisfy new players and hardcore long-term players. The ‘Clans’ feature allows players to join forces with their blood brothers to complete team tasks and face off against monstrous Raid Bosses. All to an in-game soundtrack of close to 60 Iron Maiden tracks including - The Trooper, Where Eagles Dare, Aces High, and more. 

Iron Maiden: Legacy of the Beast, is an action-packed, free-to-play mobile game available on Apple’s App Store and Google Play.

For more information please visit - http://www.ironmaidenlegacy.com

ABOUT NAVIGATOR GAMES:

Founded in 2016, Navigator Games is home to a dynamic and enthusiastic team of video game developers based out of Vancouver, Canada. The studio’s mission is to create truly unique and engaging video games that push the boundaries. This talented team is built upon a wealth of experience accumulated from Activision, EA Games, Ubisoft, Microsoft, Disney, GREE, Radical, Hothead, Acronym, Capcom & IUGO. Its main title, Iron Maiden: Legacy of the Beast, will celebrate its 7th Anniversary on July 5th, 2023.

Iron Maiden: Legacy of the Beast was first launched in 2016. Players battle as Eddie, Iron Maiden’s famed undead mascot, in his many forms across amazing worlds inspired by Iron Maiden's rich imagery and music. Eddie’s quest to gather the pieces of his fragmented soul sees him fighting legions of unrelenting enemies and teaming up with powerful heroes pulled straight from Iron Maiden lore. Iron Maiden is intimately involved in character creation and story content, ensuring everything lives up to the Maiden name and brings their vision to life. 

The game also features monthly dungeons and special events where players can participate to earn rare rewards and new characters based on Maiden songs or themes. These have included the demon-infested Infernal Dungeon, Halloween Dungeons such as The Haunted Boneyard, and the foreboding Raven’s Altar guarded by the fearsome Raven Witch. With the launch of Iron Maiden’s most recent live album ‘Nights of the Dead “Legacy of the Beast” Live in Mexico City’, every November, Legacy of the Beast celebrates Dia de Muertos (Day of the Dead) with a DotD themed dungeon and characters.Most recently Senjustu Eddie was introduced as he was inspired by the cover of Iron Maiden's latest album.

Iron Maiden: Legacy of the Beast has been #1 mobile RPG in multiple markets, with over 4.5 million players worldwide having downloaded the game to do battle against the Beast and his Hordes! In 2018 the band launched the “Legacy of the Beast” stadium tour in Europe. The 'Legacy of the Beast’ tour stage set featured worlds and characters from the game. Following the monumental success of the European & US tours in 2018 & 2019 across 82 dates, Iron Maiden completed the final leg of the Legacy of the Beast World Tour in October 2022. Currently Iron Maiden is on the European leg of the Future Back Tour.

ABOUT IN FLAMES

In Flames represent the best of metal’s past, present, and future. In Flames are as vital and even more energized today than when they unleashed classics like Come Clarity and Clayman in decades past.

The band built a stunning reputation with devastating, crowd-moving, inspired performances around the world at every major rock and metal festival imaginable, headlining multiple treks, and touring with the likes of Slipknot, Megadeth, Judas Priest, Killswitch Engage, Within Temptation, and Lamb Of God. They regularly headline some of the biggest stages and festivals in the world.

Foregone, the furious fourteenth studio album, combines the greatest aggressive, metallic, and melodic strengths of their landmark records with the seasoned songwriting of their postmodern era.

The melodic guitars, crushing riffs, and high-speed tempos that define much of the In Flames catalog first crystalized on their second album, The Jester Race (1996), complete with hints of the catchy choruses to come. Whoracle (1997) is the rawest and arguably heaviest In Flames album from the 90s. Metal Hammer declared melodeath masterpiece Colony (1999) “an undisputed fireball of an album.”

Clayman (2000) introduced synths and more prominent clean vocals, without sacrificing the band’s intensity. Reroute to Remain (2002) took the groove element further. Soundtrack to Your Escape (2004) expanded the rock bombast. Come Clarity (2006) is a perfect metalcore slab. A Sense of Purpose (2008) delivered some of the band’s best and most eclectic songs. The gothic groove metal of Sounds of a Playground Fading (2011) paved the way for the unapologetic Active Rock hooks of Siren Charms (2014) and Battles (2016). Fans of the aggressive side of In Flames praised I, the Mask (2019). Foregone masterfully, if improbably, manages to serve all sides of the In Flames fanbase, with powerful force.

A sense of pride, accomplishment, and continued vitality are evident every time the band takes the stage, and all over Foregone. Melodic death metal pioneers and innovative purveyors of groove, the artistry, influence, stature, and future of In Flames loom as large as the heavy metal horizon itself.

LINEUP:

Anders Fridén – Vocals

Björn Gelotte – Guitar

Chris Broderick – Guitar

Bryce Paul – Bass

Tanner Wayne – Drums 

Find Iron Maiden: Legacy Of The Beast Online

IronMaidenLegacy.com

Lainey Wilson Releases “Watermelon Moonshine” Music Video

As reigning ACM Female Vocalist of The Year and Album of The Year Winner,  “Watermelon Moonshine” follows as Wilson’s second single from her breakthrough album, Bell Bottom Country

Today, multi-award-winning singer songwriter and break-out Yellowstone actress, Lainey Wilson announced the release of the highly anticipated music video for “Watermelon Moonshine” from the critically-acclaimed album Bell Bottom Country.

Directed by Stephen and Alexa Kinigopoulos, “Watermelon Moonshine” beautifully portrays the reminiscent feeling of being a teenager and experiencing that first true love encounter starring Rachel Lynn Matthews and Sam Sherrod. You can listen to “Watermelon Moonshine” HERE and view the full music video below.

“I’m so excited to premiere the Watermelon Moonshine music video. This song is about the young, wild, crazy love that we all hope to experience,” said Wilson. “From locking eyes for the first time, to playing spin the bottle with an Ole Smoky mason jar, to being too crazy about each other to tame it, I am so happy with how Rachel Lynn Matthews and Sam Sherrod brought the vision to life through their portrayal of their innocently passionate characters.”

In addition to the music video, Wilson is also teaming innovative food and drinkware brand, Stanley, on a limited-edition Stanley Quencher H2.0 FlowState™ Tumbler in a “Watermelon Moonshine” color. Available for Wilson and Stanley fans today, July 11th, on stanley1913.com.    

As a rising force throughout the music industry, there’s no sign of Wilson slowing down anytime soon. Already this year, Wilson has won four ACM Awards, two CMT Music Awards, completed a 28-date sold-out headlining tour, been honored as Billboard Women in Music’s 2023 “Rulebreaker,” and started touring stadiums with Luke Combs as support on his world tour. Fans can catch Lainey this summer at festivals including Lollapalooza and Watershed, amidst headlining Red Rocks Amphitheatre and her first arena show at Mohegan Sun before she embarks on HARDY’s The Mockingbird & The Crow tour in August. 

About Lainey Wilson:
As the leading female nominee and winner at the 2023 ACM awards with, Female Vocalist of the Year, Album of The Year, Visual Media and Musical Event of the Year and reigning CMA 2022 Female Vocalist and New Artist of the Year, Lainey Wilson has earned the enthusiasm of the industry. Critically-acclaimed and touted as a top “artist to watch,” to being crowned the most nominated artist at the 2023 CMT Music Awards, the Louisiana native has made a name for herself in the industry as one of music’s hottest and most buzzed-about new artists. Landing her first No. 1 with her PLATINUM Certified ACM Song of the Year, “Things A Man Oughta Know,” nearly 10 years to the day after leaving her small farming community in a camper trailer to chase her dreams, she has won over legions of fans with her signature Bell Bottom Country sound and aesthetic, which blends traditional Country with a modern yet retro flare. A prolific and sought-after songwriter (having co-writer credits on songs by artists including Luke Combs, Flatland Calvary, and more), Lainey is a fresh, fierce voice in Nashville, delivering CMA-nominated album of the year with her label debut, Sayin’ What I’m Thinkin’. With a rockstar stage presence, her artistry has taken her across the globe, performing for sold-out crowds throughout the US, UK, and Germany with notable names like Jon Pardi, Luke Combs, Morgan Wallen, HARDY, Jason Aldean, Ashley McBryde, and more. After topping the country radio charts for a second time with the two-week No. 1 hit, “Never Say Never” with Cole Swindell, she recently achieved her third and fourth No. 1 song with “Heart Like a Truck” and HARDY collaboration “wait in the truck”. Her critically acclaimed album, Bell Bottom Country, reached No. 9 on Billboard’s Country Albums Chart, quickly rose to No. 1 on iTunes charts and has amassed over 350 million streams to date. Most recently, she made her acting debut in Season 5 of the smash hit series Yellowstone as a musician character named Abby, where she premiered her original “Smell Like Smoke” as well as showcased other hits off her recent album including “Watermelon Moonshine” and “Hold My Halo”. Adding to her growing list of endeavors, Wilson was named “Tractor Supply Brand Ambassador,” was honored at Billboard’s Women in Music Awards with the Rulebreaker Award, and most recently joined forces with Wrangler as the face of their 2023 fall/winter women's collection. For more information and upcoming tour dates, visit www.laineywilson.com. 

About Stanley:
Invented by William Stanley, Jr. on September 2, 1913 (official patent date), the all-steel vacuum bottle revolutionized the way people enjoyed food and beverage. Since then, Stanley brand has been delivering superior food and drinkware and remains dedicated to this simple promise: buy Stanley products, get quality gear. Built for Life®. Learn more, visit stanley1913.com.

About Ole Smoky® Distillery LLC:
Ole Smoky is the leading distiller of premium moonshine in the world, the leading craft distiller in the U.S. and the first federally licensed distillery in the history of East Tennessee. Founded in 2010, Ole Smoky's roots are traced to the Smoky Mountains' earliest settlers, families who produced moonshine with enduring pride and Appalachian spirit. Ole Smoky has been recognized on the Inc. 5000 List of the fastest growing private companies in America for three consecutive years – 2020, 2021, and 2022, as well as receiving the 2022 Shanken Communications’ Impact Hot Brand Award and 2023 Growth Brand Awards from Beverage Information Group. Today, Ole Smoky's 25 creative moonshine flavors and 17 inventive whiskey flavors can be found in all 50 states, 20 countries and at the company's four famed distilleries in Tennessee: The Holler and The Barrelhouse in Gatlinburg, The Barn in Pigeon Forge, and 6th & Peabody in Nashville. For more information, please visit olesmoky.com and follow Ole Smoky on social media @olesmoky. 

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THE MOODY BLUES’ JOHN LODGE ANNOUNCES RELEASE OF ALBUM ‘DAYS OF FUTURE PASSED – MY SOJOURN’ TO ACCOMPANY HIS JULY 2023 USA TOUR

The album is to be released on CD as special fan club only release, and will be available at the upcoming shows starting July 18th, and through John’s website https://shop.johnlodge.com for pre-orders, with shipping on August 7th.

 
The album was recorded over the last year, and has grown from John’s current live show as he, and his 10,000 Light Years Band, lovingly recreate this classic album. The album also features a special recording by the late Graeme Edge and performances by Jon Davison of YES. It is being released as part of John’s celebration of the album ‘that changed his life’, and with the hope that it will continue to introduce fans to the original iconic recording. The album’s orchestration is by John’s long-term collaborator, and great friend, Alan Hewitt.
 
“November 2023 will be the 56th anniversary of 'Days of Future Passed’. It’s incredible to look back on this album that changed my life, and that still has so much impact today on so many, and I felt that it deserved celebrating, and so I began rehearsals in 2021/2022 to bring this celebration to life on stage. What was important to me was to make this concert another milestone in the history of ‘Days of Future Passed’, and so I asked Graeme if he would record his poetry, ‘Morning Glory’ and ‘Late Lament’, to include in my concert. Graeme gave me his blessing and said, ‘John, Keep the Moody Blues music alive’. We had a fantastic time putting the show together, with Alan, Duffy, Billy and Jason, and Jon Davison, giving me so much support and helping bring my vision to life. After the final rehearsals for the concert, I realised I should capture this new moment in time, although a reflection of the past, forever, by going into the studio and recording the album, ‘Days of Future Passed – My Sojourn’. I am hoping that this will bring a new generation of listeners to the album, that they then may rediscover the original recording, and the beautiful vocals of Mike Pinder, Justin Hayward, Ray Thomas and myself.  I dedicate this album to Graeme, Justin, Mike and Ray, to Tony Clarke, and to all the fans that are with me on this sojourn, no matter when you joined…”  John Lodge July 2023
 
The CD in Digipak will be available starting July 18th at John’s first show in Rockford, IL, and a vinyl album is due to follow in the Fall.  The album will also be available to stream and download from July 14th. The cover features a poignant photograph of John and his wife, Kirsten, taken by his daughter-in-law, Inga Wilson - for John, this was an image that perfectly encapsulated the idea of past and future and what this album means to him.
 
Go here to stream and download, https://slinky.to/DaysOfFuturePassed

The original album, released in 1967, came about when Decca were exploring stereo and full frequency sound and wanted the band to put the melodies of Dvorak’s New World Symphony to lyrics to make a ‘sampler’ album. The band decided to follow their own path, and the rest is history… but in a reflection of this, John wanted to also explore how modern fidelity will impact the album today.  He is therefore also working on a Dolby Atmos version that will be available for streaming later this year.
 
Joining John on the album is his 10,000 Light Years Band, comprised of long-term collaborator Alan Hewitt (Music Director and Keyboards, plus Orchestration) and Billy Ashbaugh (Drums) from the Moody Blues touring band, together with Duffy King (Guitars) and Jason Charboneau (Cello).  Jon Davison of YES will also be joining him for his special renditions of “Nights in White Satin” and “Tuesday Afternoon” plus the magical voice of Graeme Edgewill be seen and heard via a special video and recording.
 
The tour kicks off on July 18th at the Coronado PAC in Rockford, IL, and then continues through the Mid-West and onto the West of the USA. The show will also feature a first half set of Moody Blues’ classics, including all of John’s hits, “Ride My See-Saw”, “I’m Just a Singer (in a Rock and Roll Band)”, “Isn’t Life Strange”, to name just a few of these classic and time-enduring hits.
 
For tickets and VIP packages - which include a great seat and exclusive merchandise - please visit: https://johnlodge.com/tour.
 

Here are the tour dates for John Lodge's “Performs Days of Future Passed”:

July 18th – Rockford, Illinois at Coronado PAC
July 19th – Milwaukee, Wisconsin at Pabst Theater
July 21st – Detroit, Michigan at Royal Oak Music Theatre
July 23rd – Denver, Colorado at Paramount Theatre
July 25th – Phoenix, Arizona at Celebrity Theatre
July 27th – Tucson, Arizona at Fox Theater
July 28th – Las Vegas, Nevada at Smith Center
July 29th – Thousand Oaks, California at Kavli Theatre
July 31th – Edwardsville, IL at Widley Theatre
Aug 1st –   Edwardsville, IL at Widley Theatre

  
ABOUT JOHN LODGE:
John Lodge is bass guitarist, vocalist, and songwriter for the iconic Rock & Roll Hall Of Fame 2018 inductees, The Moody Blues. Songwriter of such mega Moody Blues hits from “Ride My See-Saw,” to “I’m Just A Singer (In A Rock and Roll Band),” “Isn’t Life Strange” and many more.  Lodge has been performing and recording with The Moody Blues for more than five decades, selling in excess of 70 million albums, as well as releasing his three solo albums ‘Natural Avenue’, ’10,000 Light Years Ago’ and ‘B Yond’.  Lodge has been voted one of the “10 most influential bass players on the planet,” and has been the recipient of many awards, including ASCAP (American Society of Composers and Publishers), an Ivor Novello Award, a Lifetime Achievement Award from Prog Magazine, to name just a few.
 

For further information about John Lodge:
https://www.johnlodge.com/
https://www.facebook.com/johnlodgemusic/
https://twitter.com/johnlodgemusic
https://www.instagram.com/johnlodgemusic/
https://www.youtube.com/c/johnlodgemusic 

Southampton-based artist Mike Gale brings delightful indie folk-pop on 'Summer Be Gone' single

"‘Summer, Be Gone’ actually feels like a warm zephyr floating through an open window on a balmy summer’s day... like water bouncing off silk... a most wonderful and unique chorus which goes against the pop-norm by being a ghostly shimmer of reverb and wistfulness" ~ Joyzine

"Equal parts charming and entertaining. A presentation of Gale's unique mind and it's abilities as a wonderfully adept melody making machine" ~ Headstuff

"A beautifully articulated songbook throughout. Swimmingly brilliant in it's indie slacker charm" ~ Monolith Cocktail


British indie pop artist Mike Gale presents his new single 'Summer Be Gone', the first offering from his forthcoming album 'Thanks for Always Waving' (out September 8). Not your typical summer anthem, but a great offering of world / folk-inspired indie pop. The accompanying video was filmed in Suzhou, China by Matt Wallwork and features the artist Kimvi. 

Gale may not be a household name, but his music is universal, positively-vibed lo-fi bedroom pop. Generating catchy melodies and harmonies despite dubbing himself "a prolific, lo-fi recluse", this will be his 20th album in 20 years. Initially writing and performing under the Co-Pilgrim and Black Nielson monikers, this is the twelfth album released under his own name.

"The song 'Summer Be Gone' is loosely based around my dislike of the hot summer months and how I prefer being cocooned inside while it's dark and cold outside. I'm not really a fan of crowds, so I appreciate winter and the way there seems to be more space between folks in that season," says Mike Gale.

While he primarily considers himself to be a guitarist, Gale is actually an instrumentalist, playing all the instruments heard on this album. While he has sang for as long as he can remember, he formally began playing a the guitar and writing his own music around 20, citing The Lemonheads as a big influence initially.

Born in Southampton and raised there for some years, Mike Gale spent a good chunk of his childhood in North Devon and some of his formative years in Oxford, New York and Melbourne before returning home to settle on his beloed south coast of England.

With Gale taking melodic and percussive cues from influences such as Tall Dwarfs, Pavement and The Clean, 'Thanks for Always Waving' is ultimately one of his most pop-orientated albums to date, filled with mellow bongo beats and gentle washes of wavey organs.

"I'm naturally introverted and have never enjoyed being onstage in front of people, so performing live was always my least favourite part of making music. Now I'm solo I feel no pressure to perform live at all, maybe one day but for now I'm happy," explains Mike Gale.

"Recording by myself at home seemed to open a flood of songs and creativity. I think the lack of any expectations just helped me make music for the pure enjoyment of it."

As of July 11, 'Summer Be Gone' will be released across fine digital platforms, including Spotify, Apple Music and Bandcamp, where the full album is also available for pre-order.

CREDITS
Written and performed by Mike Gale
Produced, recorded and mixed by Mike Gale
Mastered by Todd Tobias (Guided By Voices, Circus Devils)
Single cover photo by Akira Deng
Video filmed by Matt Wallwork in Suzhou, China
Actress featuring Kimvi

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Alternative folk-rock troubadour Fred Abong releases 'My Way', final single ahead of 'Fear Pageant' album

“Purity and honesty in his approach that gets more and more intense with each track... like you’re riding a wave of energy” ~ Higher Plain Music

“Thoughtful, minimalist. The ghost of Syd Barrett watches over everything... ‘another sonic leap forward” ~ Real Gone Rocks

“An almost painful intimacy to his words despite the oblique phrasing and imagery he conjures” ~ Isolation Records

“An ascent out of singer-songwriter folk territory into something bordering on punk and psychedelia” ~ Fatea Magazine

“Beautifully raw, uncluttered and quite cinematic... Melodically infectious and lyrically mysterious ~ Newport Naked


Ahead of releasing his 'Fear Pageant' album - his seventh to date - via Seattle label Disc Drive, alternative folk-leaning indie rock artist Fred Abong presents his latest single and video for 'My Way'. Though just as impressive, this is quite a different beast than the lead track 'Father'.

This follows Abong's 2022 'Yellowthroat' album, recorded with Rob Ahlers (50FOOTWAVE, Kristin Hersh Electric Trio). Here, Abong - a Filipino-American singer-songwriter and multi-instrumentalist - upholds his reputation for creating music that is a blend of “ragged Replacements and lyric-driven Bob Dylan” and “Elliott Smith with balls”.

Currently based in New Orleans, Fred Abong got his musical start in the 1980’s on Rhode Island as a drummer, bassist and guitarist in various hardcore punk bands. He spent the early 1990s playing bass for Throwing Muses and then Belly. He then put music as a profession on hold for academic pursuits, earning a PhD in Humanities and serving as a professor at various universities for eight years before returning to music.

Continuing as a solo artist, Abong's music has a raw and unpolished production aesthetic with an overall direct, though deceptively imaginative and oblique, presentation. Apart from his work as a solo artist, Fred Abong is also currently bassist in the Kristin Hersh Electric Trio and has also been a practicing Vedic astrologer for the past 20 plus years.

"Unlike the Sinatra song of the same name, this is not a manifesto of self-determination or a reflection on individualism and world-beating fearlessness. It’s also not a send-up of that attitude or sentiment. My ‘My Way’ is, accidentally, closer to the subject matter (but not the sentiment) of the original French version of the Sinatra song. In the French version, of which I only recently became aware, the gradual erosion of marriage and love by the crushing boredom of mundane life is the focus," says Fred Abong.

"My ‘My Way’ is definitely a kind of self-portrait and a meditation on love and marriage. But it is not triumphant or regretful. It’s more about the mixing of romance and resignation than anything else. It also recognizes the omnipresence of death, both physical and spiritual. And it explores the longing, conscious or unconscious, for wholeness and 'completion' present in intimate relationships."

His songs are existentially and romantically focused, poetic, and slightly off-kilter. Detuned guitars, unconventional song structures, and a raw and unpolished production aesthetic characterize the overall sound. Fred’s hypnotic, sometimes gravelly voice adds to the effect.

'My Way' is out now across fine music platforms, including Bandcamp, where the 'Fear Pageant' album is now available to order. On July 20, it will be released on vinyl or as a digital download.

CREDITS
Music and lyrics by Fred Abong
All songs recorded, mixed and performed by Fred Abong
All instruments by Fred Abong
Mastered by Fred Thomas
Videos by Fred Abong

Keep up with Fred Abong
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HOT MILK Release New Single "BLOODSTREAM" & Accompanying Music Video

HOT MILK have released the third single to precede their debut album, 'A CALL TO THE VOID' set for release 25th August 2023 on Music For Nations. Pre-order the album HERE.

On the surface, 'BLOODSTREAM' boasts all of the usual masterful pop-rock veneer, stadium-filling melodic ambition, and musicality full of the impish spark the band have long since honed. But here is also a despairing love song, one that’s lyrical soul searching delves to the depths in order to understand the feeling of connection so strong it can come as a detriment.

Lead singer Han Mee explains the song came to them, instead of being chased down through long hours in a studio and was written “in its entirety in the haunted early hours in Los Angeles. We started it in the early hours just as it was home time... immediately we knew that this song was something different for us yet had come from nowhere. One of them rare moments where the song jumped from the ether and wanted, nay needed to be written”.

That feeling of necessity, a song almost undeniable and inescapable, mirrors the feelings of unhealthy adoration, themes of chasing short-term thrills and how those situations can lead to self-loathing, and as Han puts it “unhealthy adoration comes in many forms, the short term thrill for the post-high collapse can create an abusive relationship. You think it's love, you think you're in control, you think you can say no if you needed to but you're not the one in the driving seat anymore.”

'BLOODSTREAM' premiered on Clara Amfo's Radio 1 show and you can stream it HERE or watch the video below:

For some, it might feel like a long time coming but Hot Milk always knew that when the time came to make their debut album, they had to be ready for it. It will be their loudest statement yet of who they are and what they stand for, an opportunity to show the world what they are made of.

Tracks on the debut album walk on a tightrope between the humorous and the serious, brimming with what might be called positive nihilism. They’re not so much finding the light in the dark as they are laughing because if they don’t, they’ll cry.

The first single ‘HORROR SHOW’, boisterously ushered in a new era of Hot Milk, one that is bolder, brasher, and more impactful than ever before. Premiering on Radio 1’s FUTURE ARTIST show Jack Saunders commented that “The odds are pitted against this band, it’s not often a traditional emo breaks through, but Hot Milk have fought the whole entire way to make their mark, find their way into your top tens, become a favourite for you, and Horror Show’s the best yet.”

The band have blossomed over the course of three self-produced EPs, this constant stream of releases has meant that Hot Milkwere never away from the spotlight – or the stages they call home. Their rise kept accelerating, taking them to stadium support slots with Foo Fighters, the main stages of some of the best festivals Globally, an appearance on Jimmy Kimmel in the US to tours with bands like Pale Waves and their own headline sold-out shows to over 50 million streams of the EPs alone. Crucially, however, they were giving themselves space to find themselves as artists.

The band recorded the album between Manchester, Los Angeles and Stockholm with the bands very own Jim Shaw at the Producing helm for the majority of the record, much like all previous releases. An element that has become so important to the band and allowing them to control just exactly what they want to be as artists.



A CALL TO THE VOID is the English translation of the French phrase l’appel du vide, referring to the brain’s trick of spotting opportunities to die. It’s the eerie jolt that is felt when you stand waiting for a train and the thought that you could jump, and end your life in a heartbeat, intrudes in your head. It’s that brief moment of being reminded of the fragility of existence. 

The more alt-pop inspired ‘BLOODSTREAM’, meanwhile, was made for creating moments on the big stages the band have always aspired to reach.  The most important thing for the band, however, is that these songs are written to scream from the speakers of the stage, and for their refrains to be screamed back at them by the adoring, tight-knit community they’ve built. “Live is where I’m happiest, live is where it’s home,” says Han. “We wrote songs with the intention of people going off, making you feel good, opening the pit up, letting go, crying, getting on your mate’s shoulders.  It’s church for us.” 

HOT MILK recently completed a tour of South America, a run of East Coast headline shows in the US ahead of their appearance at Adjacent Festival and have played various festivals this Summer including UK's legendary Download Festival. They will be appearing at Pride in Brighton and Reading + Leeds festivals in August, before hitting the road for their largest UK headline tour to date with Witch Fever and Modern Error in the fall. They then head to Australia to support The Foo Fighters on select stadium dates in December and were recently announced as support on the London and Birmingham dates of The Foo Fighters UK Stadium tour in June 2024.