EXMORTUS Reach "Beyond The Grave" For Thrashing New Single

Southern Californian melodic death shredders EXMORTUS have released the third single, "Beyond The Grave," from their massively anticipated 6th studio album, "Necrophony," that's due August 25th from Nuclear Blast Records. The face-melting new track is a sonic fist-to-the-face, replete with thrashing guitar riffs, blistering solos and monstrous vocals that attest to why the band remains one of the fiercest bands in underground metal. 

Pre-order "Necrophony":  https://exmortus.bfan.link/necrophony.a01

Stream "Beyond The Grave": https://exmortus.bfan.link/beyond-the-grave
Watch the lyric video for "Beyond The Grave" created by Wayne Joyner (Dream Theater, Devin Townsend) below:

Commenting on the single, guitarist/vocalist Conan says: 

"We're excited to show off yet another intense song from the new album with awesome visuals by Wayne Joyner. Heavily inspired by the Evil Dead movies, this piece interprets the madness of possession with fast rhythms and licks on each instrument. We're sure to have fun performing this one on tours to come."

EXMORTUS recently headlined the Hyperspace Metal Festival in Vancouver and completed a West Coast tour with Paladin and Graveshadow. The band will perform a FREE show at 1720 in Los Angeles on July 17th. 

Additional live performances to be announced soon. 

About EXMORTUS:
Los Angeles-based neo-classical extreme metal mavens Exmortus return on new album, "Necrophony." Four years in the making, the group’s sixth album offers nothing but savage rebirth and fierce renewal. "Necrophony" marks a significant turning point—one foretold by the Legions of the "Undead" EP in 2019—for the Angelenos. Not only have they emerged from the throes of the pandemic stronger, faster and crazier, they’ve signed on to global metal powerhouse Nuclear Blast. The passion and fury of lead-off single “Oathbreaker” is merely the tip of Exmortus’ darkest tower. Follow-on singles like the powerful “Mind of Metal” and “Storm of Strings,” a whistle-stop, no-joke cover of Greek-American composer Yanni interpreting Vivaldi’s “Summer,” add greatly to Exmortus’ masterly oeuvre.
 
Exmortus was founded in 2002. The group issued a bevy of well-received demos and EPs that culminated in debut In Hatred’s Flame in 2008. Since then, Gonzalez—now flanked by specialists Phillip Nuñez (bass), Chase Becker (guitars, Warbringer), and Adrian Aguilar (drums, Vio-lence)—has gone on to release four more fan-favorite full-lengths. Exmortus have toured with Amon Amarth, Obituary, Death Angel, and more, playing gigs in North America and Europe. The group’s highlights have also included a stint with thrash legends Exodus at industry lighthouse event NAMM and a coveted spot on the 70000 Tons of Metal cruise. "Necrophony," a portmanteau of “necro” and “phony” (or “dead sounds”), is Exmortus bigger, badder and wickedly restless.
 
Written from a fresh slate, Necrophony’s origins can be traced to preludes “Masquerade,” “Overture,” and the intro to “Children of the Night.” Once Exmortus had the feel down, they settled on expanding on the motifs by forging Viennese sophistication with metal might. Careful observers will hear Exmortus’ clever use of the album’s musical theme throughout its 12-song range. That includes “Darkest of Knights” and the aforementioned “Children of the Night,” as well as Necrophony’s shorter bursts of bravado in “Oathbreaker” and “Beyond the Grave.” The most important attributes were, however, vibe and Exmortus’ careful crafting of their next-gen sonic fingerprint.
 
Whereas previous albums up through 2018’s "The Sound of Steel" have been predicated on heroic fantasy/sword & sorcery, "Necrophony" turns a decidedly darker page. Exmortus have gone from a "Conan the Barbarian" and "Gladiator" aesthetic to something blacker, more nefarious as illustrated by the eeriest and evilest Lovecraftian and Tolkien-esque tales. There’s even a classic horror thing happening. This is, of course, a reflection of our immediate world, and the darkness that’s engulfing everything in it.
 
Exmortus invited Renaissance man Zack Ohren (Fallujah, Immolation) to return as engineer, producer, mixer and mastering ace on "Necrophony." Certainly, the team that had cemented the group’s three previous albums into the annals of metaldom was going to work yet again. With Ohren at the helm, Exmortus holed up in Sharkbite Studios in Oakland, CA. "Necrophony" was fast-tracked in just under two weeks. The result is a clap of virtuosic metal sure to leave fans battered, bloodied, and hungry for more violent opulence.
 
With “Oathbreaker,” “Mind of Metal” and “Storm of Strings” ringing darkened ears Exmortus’ paroxysmal ascent to extreme metal’s upper echelons is guaranteed with "Necrophony." Bow in reverence to the high-flying, six-stringed dynasts now.

Follow EXMORTUS:
www.exmortusmusic.com
www.facebook.com/exmortusofficial
www.instagram.com/exmortus_official

AFTERMATH Releases Single ""SLAVeABLE (We're not your animals)" via Zoid Entertainment!

"Slaveable (We're Not Your Animals)” with a catchy chorus, bass sound to melt your face, and RAGE AGAINST THE MACHINE-laden lead guitar."

- Dimitris Kontogeorgakos, Metal Kaoz

"The rebellious exclamation of “we’re not your animals” in the snarling and rambunctious 'SLAVeABLE'."

- Nick Balazs, Bravewords

“'Slaveable (We’re Not Your Animals)'. There is somewhat of a classic rock or glam element to this track as it has that guitar sound of the 90’s era, with drums filling in the space with sustained hits, but lead vocals tear through the next section with strength and power. Electric guitar has its time to solo once more over drums and bass guitar into hyperdrive mode before cymbal hits kick in also, then several clatter of cymbals leads to the vocals bringing back the sustained notation from before. There is still refusal of vocals backing down as they deliver the message in the track and theme is very well portrayed as it has done so."

- Andrew Harvey, Metal-Temple

"'SLAVeABLE (We’re Not Your Animals)' packs a catchy as fuck chorus and its stripped-back aesthetic, and almost hard rock flavour, showcases the bands ‘classic’ style in inimitable style."

- Chris Jennings, Worship Metal

Stream "SLAVeABLE (We're not your animals)"

https://ffm.to/aftermath-slaveable

"From slaves with chains to sex slaves or debt slaves, slavery is a human concept. Invented by man against natural law. This song is about freedom. We aren’t your animals."

AFTERMATH released their highly anticipated new album, No Time to Waste via Zoid Entertainment/TLG/INgrooves on March 17, 2023. This marks the third album in a trilogy, and is a departure from the previous dark, concept album installment in the trilogy.

"We are really proud of this album. It completes a trilogy of albums that began with our debut. Written in the darkest period in modern history, we actually wrote this one as an album of hope. We streamlined it from our previous dark concept record. The ten songs on this album are heavy and energized. It’s a metal record with a message and that message is we can do this together but we have no time to waste." - Kyriakos "Charlie" Tsiolis.

Stream/Purchase No Time To Waste

https://ffm.to/aftermath-nttw

Chicago based Aftermath, fronted by Kyriakos "Charlie" Tsiolis, formed in October 1985 when Charlie and his schoolmate Steve Sacco (Guitar) got together. This early incarnation with Adam (Bass) and Ray Schmidt (Drums) released their first demo in 1986 featuring “Sentenced to Death”, “Revenge”, “Shotgun” and “The Aftermath”.

In 1987, they unleashed their second demo entitled Killing the Future featuring the tracks “When Will You Die”, “Going No Place”, “Chaos”, “Meltdown” and “War for Freedom”. The band pursued a mind-blowing speed and technical brand of thrash that soon set them apart from the pack and in the process made them a pioneering crossover thrash band.

The tracks "War for Freedom" & "When Will You Die" were both featured on the British Metal Forces magazine_compilation LP Demolition: Scream Your Brains Out in 1988. Their appearance on the Metal Forces compilation further expanded the band's international appeal.

By 1988, the band's musical direction was changing, and Adam's raw and simple bass lines would soon be replaced with complex and technical bass parts handled at first by John Lovette. Ironically, John never played bass on any Aftermath recording and was not even a bass player. He wanted to join the band so badly, however, that he came to the audition with a friend's bass he had just started to play. The speed and complex playing he displayed were like nothing the members had ever seen before on bass. He landed the gig that day. When the band decided it was time to add a second guitarist, Lovette told his bandmates of his desire to switch to guitar and for the first time he came clean he was a guitar player pretending to be a bass player all along. His bass playing was surpassed by his guitar skills and the band found its second guitar player, but unfortunately the search for a bass player was forced to resume. Luckily, the search (for the time being, anyway) ended with Danny Vega. His warm and precise playing was the perfect complement to the guitar playing of Lovette and Sacco and worked amazingly well with Schmidt's powerful drumming. With Lovette handling most of the song writing duties, Aftermath was about to make an unbelievable musical change.

By 1989, that change brought on by Lovette's writing and the band's musical tastes and stylings had slowed and matured as evidenced by the release of the underground classic demo Words That Echo Fear. Danny Vega was replaced on bass by Chris Waldron. The band went onto to become a trailblazing progressive/technical thrash band in the years that followed.

In 1990, based on the huge international success of the Words that Echo Feardemo, the metal label RoadRacer Records (a subsidiary of Roadrunner Records)approached the band for a demo deal, which resulted in a live four track demo featuring the songs “Eyes of Tomorrow”, “Afraid Of Time”, “The Act Of Unspoken Wisdom” and “Reflecting Pictures". Negotiations eventually broke down and Aftermath signed to New York's Big Chief Records. The label's collapse halfway through the recording sessions led to a long delay in finishing the record. While the band struggled to pay the studio bill, the album the band started to record in 1990 would not see the light of day for four years. The experience left the band reeling and forced them to issue the album under their own imprint with the help of their manager through Zoid Recordings in 1994. Four long years had passed since the initial recordings for the record Eyes of Tomorrow and the scene had dramatically changed.

The album was subsequently re-released on Thermometer Sound Surface / Zoidand released yet again four years (1998) later on Black Lotus Records in a re-mastered version.

Quite famously, Aftermath, in a notable court case Tsiolis v. Interscope. Records. Inc., 946 F.Supp. 1344, 1349 (N.D.III. 1996) sued high-profile millionaire rapper DR. DRE over the ownership of the Aftermath name. The Rapper tried to buy the name for $50,000, which the band rejected. The band sued him. As part of the settlement, Interscope Records signed the band. To the label's surprise, the band delivered a record under the moniker Mother God Moviestar. Its eponymous Electro-Metal debut was released in March 1998. The case has been studied in law schools around the US related to the issue of trademark dilution.

Aftermath has continued to receive critical acclaim as one of the major influences in the genre. The band was featured on pages 9 and 10 of Gary Sharpe-Young's A - Z of Thrash Metal, available on Cherry Red Books. Aftermath is also given an entire feature section in Alexandros Anesiadis’ 2019 book Crossover the Edge: Where Hardcore, Punk, and Metal Collide.

Twenty-five years after its formation, Aftermath's music made its return in 2011 with the release of the Box Set 25 YEARS OF CHAOS on Area Death Productions and the vinyl When Will You Die on F.O.A.D. The reemergence of one of the most original thrash bands ever continued in 2014 with their decision to reunite for several concerts in 2015.

Coming off their first show in 20 years at Ragnarokkr Metal Apocalypse in their hometown of Chicago, the band ripped the stage apart at Headbanger’s Open Air in Hamburg, Germany that summer. In the Fall of 2015, the reunion continued with the reissue of Eyes of Tomorrow. With an expanded booklet and remastered by Paul Logus (Pantera, Steel Panther), Shadow Kingdom Records released the band's debut along with bonus material. Following this release was the Killing the Futurereissue on Divebomb Records. Once again Paul Logus remastered the tracks from their original source and created a wall of sound in the process. Killing the Future, along with the expanded booklet and bonus tracks from the band's 1986 first demo completed the celebration of the band's 30th anniversary.

In 2017, the band started writing the material for their new album. There is Something Wrong is an 11-song opus recorded by Chuck Macak. mastered by Ted Jensen and released through Ingrooves by Zoid Entertainment and The Label Group. A concept record in the truest sense of the word, the album features a mix of old-school crossover thrash and technical/progressive metal and is a commentary on what is wrong with the world today. A calling out of the masses to wake up and know the real enemy. The music is urgent, and the lyrics challenge the listener to seek the truth. Aftermath went back to its early days and revived its crossover thrash stylings on several songs, but those are only samples of what the listeners have in store for them once they put on their headphones and listen to There is Something Wrong in its entirety.

In 2020, Aftermath released a re-imagined version of the John Lennon classic, "Give Peace a Chance". The song was remixed and remastered for the new album and included on the record because of the message.

“John Lennon’s urgent call for peace in Give Peace a Chance is more important today than ever, and our call for peace with this cover is the perfect message to follow up our previous album. We released a dark concept album with a bleak message and felt it was important to follow that up with something positive. The visuals in the video are as important as the lyrics in a way. We live in a visual world today and this video needed to get out the message of HOPE. Having a young girl be the focus of the video was our way of getting that across. Seeing only positive acts when she puts on Lennon’s famous glasses was the perfect visual metaphor. Lennon’s message is transmitted not only through his lyrics but also through the perspective created by his unique lenses” says the band.

The video was directed by critically acclaimed video director Steven Nathan in New York City.

AFTERMATH is:
Kyriakos "Charlie" Tsiolis - Vocals
Steve Sacco - Guitar
Ray Schmidt - Drums
George Lagis - Bass

For More Information Please Visit:

Official Website

Facebook

Twitter

Instagram

Spotify

Slaughter To Prevail Announce 'Live In Moscow' Livestream, Drop Live Video For "Bratva"

Global Livestream PPV Event

LIVE IN MOSCOW

Taking Place Friday, June 16th At 7pm PT/10pm ET

Tickets Available HERE

Russian Deathcore demolishers, Slaughter To Prevail, have announced a global livestream PPV event, 'Live In Moscow' on Friday, June 16th at 7pm PT/10pm ET, with the stream being available to ticket holders to watch on demand until 11:59pm on Sunday, June 18th. Tickets for the global livestream can be purchased HERE along with two new t-shirt designs. The live stream will feature the band's sold-out performance at 1930 in Moscow that took place on December 15th, 2021 in front of 2500 fans and is directed by Nikita Korzhov with sound by Aleksandr Zhelekov.

To give fans a taste of what to expect from the upcoming livestream event, Slaughter To Prevail have dropped a live video of their performance of track "Bratva" from the show. The clip can be viewed below.

About Slaughter To Prevail

Slaughter To Prevail released their debut EP, 'Chapters Of Misery' in 2016 and followed with their debut full-length album, 'Misery Sermon' in 2017. They released stand alone singles "Agony" and "Demolisher" in 2019 and 2020 respectively, followed by their second full-length, Kostolom, released in 2021 to huge critical acclaim with Revolver describing the album as "one bloody deathcore barrage after another" when including it on their 25 Best Albums Of 2021 list and Metal Injection stating that "Kostolom proves that Slaughter to Prevail can get hooky without getting wimpy". Kostolom spawned massive hit singles "Baba Yaga" and "Zavali Ebalo".

The released anti-war anthem '1984' in August of 2022 to oppose Russia's war on Ukraine. The video for which has racked up 2.3 million views.

The band are one of the most popular and heavily featured bands within the YouTube 'reacts' community, on account of vocalist Alex Terrible's insane vocal abilities and his own YouTube channel which has over 1.01 million subscribers.

To date, the band have clocked up an impressive 971.1 million cross-platform streams.

Expect more from Slaughter To Prevail soon.

Slaughter To Prevail Are

Alex Terrible - Vocals

Jack Simmons - Guitar

Mikhail Petrov - Bass

Dmitry Mamedov - Guitar

Evgeny Novikov - Drums

Find Slaughter To Prevail Online:

SlaughterToPrevail.com

Scott Martin (Bulletproof Messenger, Storm of the Century) Releases New Full Length Album “Scott Martin & The Grand Disaster” via Spectra Music Group

Stream/Download Scott Martin & The Grand Disaster

Spotify or Link Tree

New York City based singer/songwriter/guitarist Scott Martin has released a full length album titled Scott Martin & The Grand Disaster via Spectra Music Group.

"I think the entire concept of 'The Grand Disaster' is like a metaphor for life, you know? It's messy, but damn, it can be beautiful. It’s the title of an old song from the band I cut my teeth in (Bulletproof Messenger) and I wanted to pay homage — not to mention that in a quirky and fantastic turn of events, the drummer from that band, Joseph Rubino, wound up playing drums on this record. Not to mention the fact that life (and pretty much the world) over the last few years that we were working on the album has been a very wild and strange roller coaster of ups and downs…yeah. Scott Martin & The Grand Disaster…it fit so well that it pretty much named itself," says Scott Martin.

Listen/Watch the first single off of the new album "Head Over Heels":

Hailing from Brooklyn, NYC, Scott Martin is a rock/pop artist who aims to transmit emotion to his audience by mixing passion and hard work with classic songwriting and a remarkable stage presence. His interest in guitars and willingness to learn brought him to passionately play all types of guitars, from acoustic to electrics, and being sponsored by companies like Breedlove and MojoHandFX.

Scott started his career as a guitarist and songwriter in Bulletproof Messenger – a modern electronic rock group with a noteworthy worldwide audience and touring experience with big name national and international acts. Later, he worked his way to being a prolific and well-established session guitarist and sideman in his hometown of New York City, collaborating on music with Adrian Grenier of Entourage, Ammo Hall of MTV, and landing a role as the guitarist and musical director for Jessie Wagner (Lenny Kravitz/Kid Rock/Chic) on Steven Van Zandt’s Wicked Cool Records label.

In 2022, Scott released a guitar-centric cover of “The Good, the Bad and the Ugly” theme track that went viral on YouTube and Instagram, where he gained over 6 million views, 200K likes, 40K shares and added more than 75K followers to his audience.

He also has developed a successful solo career, releasing “Head Over Heels,” his debut single as a solo artist, in 2019. The COVID pandemic impacted him deeply, and yet was a milestone in his development as an artist, as it forced him to slow down and take time to study and learn new techniques – most importantly, how to record and produce music by himself. He confesses: “Without that time to unplug and learn, I wouldn’t be where I am now”. His music demonstrably showcases his love of classic songwriting and arrangement, and has been featured in publications such as American Songwriter & Broadway Magazine.

In the past year, his single “Bringing Hollywood Back to Life”, a hymn to the Old Hollywood golden era, gained him a contract with indie label Spectra Music Group. His debut full-length album, Scott Martin & The Grand Disaster is available everywhere June 9th.

Follow Scott Martin & The Grand Disaster on socials:

Facebook

Instagram

Twitter

TikTok

YouTube

A Cloud of Ravens touring the USA with Clan of Xymox & Curse Mackey in support of 'Lost Hymns' album

“Their sound, though inspired by bands of their youth, is not rooted stubbornly in the past - their music feels of this time, with their messages transversing the cosmos” ~ Post-Punk.com

"Sonic luxuriance... racing at full velocity with tight-fisted riffs, cutting exactitude and danceability... a healthy reminder of the original and timeless allure of the post-punk sound and scene" ~ The Spill Magazine

“Dark poetry... rivet through their gritty and immediate sonic scheme, which feels pitch dark and hard as nails” – Destroy // Exist

"Perfect blend of an homage to the past & the modern construction of the future. A heroic journey through a desolate land" ~ Sounds and Shadows

“They play cold wave, they play post-punk, they are Gothic and they set to music some of the most striking lyrics you can find” ~ White Light // White Heat


NYC-based postpunk duo
A Cloud of Ravens are currently touring North America with Clan of Xymox and Curse Mackey in support of their recently-released 'Lost Hymns' album. The band has been playing live a lot over the past few months, recently wrapping up a string of US tour dates with UK goth-rock legends The Sisters of Mercy and, just before that, European tour dates with Swedish label-mates Then Comes Silence.

Effectively merging classic and contemporary post-punk and darkwave sensibilities, their somewhat poetic use of prose and metaphor expressed the trials and joys of the world in which we now find ourselves. A Cloud of Ravens' previous
remix-based EP featured contributions by legendary producer John Fryer and such prominent artists as Clan of Xymox, ACTORS, Chris Vrenna and Ritual Howls.

Mastered by ACTORS' 
Jason Corbett at his Jacknife Sound studio, this collection of 11 tracks was released via Nexilis Records / Schubert Music Europe. The band also recently shared their latest video for 'Parable', following dark delights 'Requiem For The Sun', 'Nature of Artifice' and 'The Blackest Mantra'.

Formed in 2018 by Matthew McIntosh (guitar and vocals) and Beth Narducci (bass guitar), the Brooklyn-based duo emerged on the burgeoning dark music scene with a series of self-released offerings that garnered attention that led to their 2021 album 'Another Kind of Midnight', a mournful yet triumphant collection exploring the heart of a world amidst a devastating pandemic and torn by moral tribalism.

Growing up in a family of avid music lovers and her mother being a professional opera single, McIntosh arrived at this genre of music after ample explorations in the punk, death rock and hardcore scenes, finally forging the duo's trademark sound with Narducci, whose background is more connected with alternative rock and industrial music, as well as professionally supporting fellow musicians in the A&R field.

The 'Lost Hymns' album is out now, available from fine digital outlets, including
Apple Music, SpotifyAmazon and Bandcamp.

CREDITS
Lyrics and music by Matthew McIntosh
Matthew McIntosh - guitar, vocals, synths, drum programming
Beth Narducci - bass guitar
Recorded by Matthew McIntosh
Produced and mixed by Matthew McIntosh and Beth Narducci
Mastered by Jason Corbett at Jacknife Sound

TOUR DATES 
June 09  Seattle, WA – El Corazon
June 10  Vancouver, BC – Rickshaw Theatre
June 11  Portland, OR – Star Theater
June 13  San Francisco, CA – August Hall
June 14  Costa Mesa, CA – The Wayfarer
June 15  San Diego, CA – Brick By Brick
June 16  Los Angeles, CA – Regent Theater DTLA


Keep up with A Cloud of Ravens
Facebook | Bandcamp | Instagram | Twitter | YouTube | Apple Music | Spotify | Amazon | SongKick | Press contact

Keep up with Shameless Promotion PR
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Chicago-based artist Evidence of a Struggle releases debut album loaded with post-everything alt-rock richness Accompanied by animated six-chapter audio-visual storybook

"Wonderfully cinematic, forward-thinking, open-minded, genre-hopping, rule-breaking... a symphony of sonics, subtlety and suppleness, and of the subverting of expectations. Not to mention a fantastic musical experience" ~ Big Takeover Magazine

"'Combines the coolness of electric jazz, Krautrock-inspired post-rock and atmospheric art rock, offering a gripping and upbeat, yet refined, sound and thoughtful arrangement with sonic prowess" ~ 
Amplify Music Magazine


Chicago-based artist
Evidence of a Struggle presents their debut 13-track eponymous album, a great instrumental journey combining numerous sub-genres spanning the art rock and alternative music realm, with the high-octane 'Sal-E', the album's first track, chosen as its focus single.

Surrounding the musings of multi-instrumentalist William P C Simmons V a.k.a. 
Rev. Billy Simmons, Evidence of a Struggle is an evolving group of artists and musicians whose sonic creations may lead you to the center of the darkness or just might unfurl the universe before you with lush, cinematic, beautiful, and sometimes chaotic compositions.

Evidence of a Struggle began in 2020 during lockdowns. This ambitious effort sees Rev. Billy play every instrument – guitar, drums, piano, synth and violin - recorded and engineered from his home studio, The Glue Factory. With Covid restrictions lifted, he began working with
Sanford Parker (Voivod, Russian Circles, Yob, Eyehategod, Wovenhand, Darkthrone, Youth Code, Pelican), who helped produce and record the final versions of the songs for this record, as well as mastering.

The album is complemented by a six-chapter audio-visual storybook, created by Chicago artist
John Airo, who has been involved with this project since the outset - creating videos, album covers and accompanying visuals for live performances.

The latest video is
 'Bisquee' with its engaging off-kilter post-rock, following the cinematic debut single 'Do'Oa', a wonderful fusion of Tortoise and Dif Juz, and 'Alan's Song' - the sound of fear, beauty and hubris. The sound of a beautifully crumbling grand distraction.

Bandcamp  https://evidenceofastruggle.bandcamp.com/album/evidence-of-a-struggle-2

"There is so much attached to these songs, musically, visually and emotionally. I don’t think there’s an inch within The Glue Factory that hasn't been touched by literal blood, sweat, or tears. I believe that Evidence of a Struggle is natural in creating all art," says Rev. Billy.

Evidence of a Struggle began in 2020 during lockdowns. This ambitious effort sees Rev. Billy play every instrument – guitar, drums, piano, synth and violin - recorded and engineered from his home studio, The Glue Factory. With Covid restrictions lifted, he began working with
Sanford Parker (Voivod, Russian Circles, Yob, Eyehategod, Wovenhand, Darkthrone, Youth Code, Pelican), who helped produce and record the final versions of the songs for this record, as well as mastering.

Shaped by a wealth of records inherited from his older sisters and their boyfriends, coupled with a childhood of playing piano and clarinet until his first guitar acquisition at 16, Rev. Billy was quick to start playing with touring bands. After honing his craft and gaining invaluable experience, he elected to study music performance and guitar at Wichita State University, coupled with two and three-dimensional arts and silversmithing.

Noticed for his unique style and songcrafting, various musicians and labels began to notice Rev. Billy's talent, and he ultimately had to choose between university and music. Beginning with RCA recording artist Ké, Simmons also wrote songs and played guitar for other artists on major record labels like RCA, Touch and Go, BMG and Universal.

In 2023,
Matt Walker (of1000faces, Smashing Pumpkins, Morrissey, Garbage, Filter) became involved in this project, playing drums and helping with production with Matt's brother Solomon Walker (Morrissey, Bryan Adams, Eastern Shadows, Year of the Rabbit) and Alan Berliant (Chris Connelly, Mavis Staples, Saint Asonia) also contributing bass.
 
Apart from music, Rev. Billy also owns
Rev. Billy's Chop Shop, known for high-quality haircuts, friendly, welcoming atmosphere and its inclusive, creative space. Hosting new artists' work bimonthly, Chicago Reader declared this to be the city's best gallery in 2019. A staple in the Chicago community, Rev. Billy's Chop Shop is as strong a passion as his music.

On June 9, the 'Evidence of a Struggle' album will be released, available via
SpotifyApple Music and Bandcamp.

CREDITS
All music written by William P C Simmons V (aka Rev. Billy)
Performed by William P C Simmons V (aka Rev. Billy)
Produced by Sanford Parker
Loveless Publishing ASCAP
Video by John Airo

Keep up with Evidence of a Struggle
Bandcamp | Facebook | Instagram | YouTube | Twitter | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Michael Ray's 5 Spot Surprise: DIVE BARS + BROKEN HEARTS Debuted for Full House

MICHAEL RAY DEBUTS DIVE BARS & BROKEN HEARTS –
 Intimate CMA Music Fest Kick-Off Event Shares Entire EP
6 Songs, 2 #1s and a Whole Lotta Fans at E. Nashville’s The 5 Spot

Photo Credit: Connor Vaughan Morrs

Over the last year, Michael Ray has been honing his craft, focusing his sound and going deeper and deeper into the kind of country music he was raised on in the heart of central Florida. Working with CMA Album of the Year-winning producer Michael Knox, the pair doubled down on a lean, working man’s country sound that pulled traces of Conway Twitty, Merle Haggard, Vern Gosdin, Hank Jr. and Alabama.
 
Thursday night, at East Nashville’s locals mostly The 5 Spot – where Lady Gaga famously kicked off her own Dive Bar Tour in support of her back-to-roots Joanne – the no frills songwriter treated his own fans to the first front-to-back performance of
Dive Bars & Broken Hearts. The six-song EP explores the phases of life, the emotions that define how we live, the reality of where we find ourselves for good times and bad.
 
“I had been wanting a way to play this to the people who’ve been part of my life and my career from the beginning,” says the dark-headed vocalist. “CMA Fest brings country music fans together from not just across North America, but all over the world. So many of my fans come every year, this seemed like the perfect way to debut all this music as a whole collected work without playing favorites and picking a city.”
 
Hunger for his new music was high. Tickets for the intimate rock bar show were gone in less than 18 hours; the fans started lining up before daybreak. With a line down the block and around the corner, spirits were high among those lucky enough to get tickets – and on Knox’s bus were the band, who’d been dropping a few songs into their set, would finally get to put it all together.
 
“Songs on a record are one thing,” Ray said. “But songs in a bar with real people are something else. Not until you get into that room and hear the people do you know. And growing up in Eustis, with my Grandpa working all day, coming home, getting dressed up and heading out to where the music was, I learned the power of that pretty young.”
 
With the teaser tracks “Workin’ On It” and “Get Her Back” drawing the strongest response, as the crowd sang along at full voice, even the unfamiliar songs seemed to hit home. From the opening “Dive Bars & Broken Hearts,” Ray drew the crowd into a world of short-circuiting neon, young bucks acting up in their trucks, heartaches that drive you to drink and the idea that beyond perfection is the happiness of trying to be a better person every single day.
 
Dive Bars & Broken Hearts
is available for pre-order now. Three of the six tracks will be instantly available; June 23, the rest of the project will be completed. For fans of how real life creates great songs and reasons to hang on and get through it, Ray understands. With four chart-toppers of his own, he performed “Think A Little Less” and “Whiskey & Rain” as the cherry on top of the new music sundae. With stops at the Grand Old Opry June 9 and the Warner/Yee-Haw Brewing Co. show June 10, it’s all about getting the music into the hands of the ones who deserve it the most: the fans.

BLACKBRAID to Headline Midgardsblot's Kaupangr Stage

BLACKBRAID

to Headline Kaupangr Stage at Midgardsblot 2023

On tour now in North America!

'Blackbraid II' due July 7, 2023!

GET PASSES HERE

SHOP // STREAM // FOLLOW BLACKBRAID HERE

Indigenous Black Metal project Blackbraid will be headlining the Kaupangr stage at this year's edition of the mighty Midgardsblot Festival, joining the ranks of legendary bands such as My Dying Bride, Enslaved, Finntroll, Tsjuder, Kampfar, and more! The festival will take place in the Viking Gravemounds in Norway's iconic Borre Park from August 16-19. Passes are on sale now! The current lineup, passes, and more information can be found HERE.

Blackbraid is currently gearing up to release its highly anticipated sophomore full-length, 'Blackbraid II,' which is due on July 7, 2023. Pre-sale information will be revealed soon. The first two singles, "Moss Covered Bones on the Altar of the Moon" and "The Spirit Returns," are now available on all streaming services!

In addition, Blackbraid is currently on the road supporting Dark Funeral, Cattle Decapitation, and 200 Stab Wounds on its first ever North American trek as part of the Decibel Magazine tour. The band will perform its penultimate show tonight in San Francisco, CA and will draw final curtain in Los Angeles, CA tomorrow, June 10. Tickets can be found at HERE.

'Blackbraid II' follows up the solo black metal project's critically-acclaimed debut, which was named among one of the best metal albums if 2022 by Rolling Stone (#14), Decibel Magazine (#4), Metal Hammer UK (#7), and more!

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

BLACKBRAID Live Dates (North America):

(The Decibel Magazine Tour 2023):

GET TICKETS HERE

06/09: San Francisco, CA @ The Regency Ballroom

06/10: Los Angeles, CA @ Regent Theater

Blackbraid Live Dates (EU):

06/15: Clisson (FR) @ Hellfest Open Air [TICKETS]

06/17: Copenhagen (DK) @ Copenhell [TICKETS]

08/16-18: Midgard (NO) @ Midgardsblot [TICKETS]

ICYMI: BLACKBRAID recently unveiled a pummeling live video for the song "Barefoot Ghost Dance on Blood Soaked Soil!" The clip was filmed during Blackbraid's sold out performance at Saint Vitus Bar in Brooklyn, NY in conjunction with "A Sortilege of Hell" festival, which took place on October 7th, 2022! The clip can be found at THIS LOCATION.

The song is taken from Blackbraid's debut full-length, Blackbraid I, which was released in the summer of 2022. The album can be ordered, downloaded, or streamed HERE.

Blackbraid I can be ordered via Bandcamp or The Official Blackbraid Merch Store.

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid II' Album Credits:

- Composed & performed by Sgah'gahsowáh

- Drums, recording, mixing & mastering by Neil Schneider

- Visual development & graphic design by Wolf Mountain Productions 

- Guitar solo in “Twilight Hymn of Ancient Blood" performed by Randy Moore

- “A Fine Day to Die" originally composed by Quorthon (Bathory)

Album Art: Adrian Baxter

Photographer: Wolf Mountain Productions

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Blackbraid is an independent artist and is not contracted to or owned by any music label. 

STELLAR CIRCUITS' Volatile New Album, "Sight to Sound," Is Out Today!

North Carolina's progressive-metal powerhouse STELLAR CIRCUITS is taking the scene by storm with today's release of their sophomore album, "Sight To Sound," available now from Nuclear Blast. On the visionary band's latest record, they're upping the ante with a massive dose of technical, progressive songwriting teaming with aggression that's intricately balanced with memorable melody and a dark anthemic ambience that sucks listeners in with every crushing riff. 
 

Purchase/Stream "Sight To Sound": https://sc.bfan.link/sight-to-sound


In sync with today's record release, STELLAR CIRCUITS has revealed a visualizer for frantic and alluring track "Pleasure Cruise." Watch it below.

Commenting on the track's lyrical message, vocalist Ben Beddick says: 

"'The song deals with living inside of a false reality and willingly doing so. Lusting after things that are unobtainable. There was a redemption that emerged through the chorus and the outro though…it seems to offer hope. Hope in the real connection we have to people and to the earth."

About STELLAR CIRCUITS: 

Formed in 2015, Stellar Circuits emerged to combine the conceptual polarities of groove-oriented music with progressive-minded technicality. Over the quartet’s lifespan, they’ve managed to fulfill their own prophecy, formulating a core sound that is complex and layered, while providing a listenability that extends well beyond the rock genre. Visceral, intellectual, groovy, technical, and melodious are rarely indicators that can all be used to describe the aural essence of one band. In the case of Stellar Circuits, the rare combination makes a striking and definitive appearance in all they do. 
 
The Winston-Salem, NC foursome followed their 2015 debut EP with their first full-length album in 2018. "Ways We Haunt" would be recorded with North Carolina’s own Jamie King (Between The Buried And Me, He Is Legend), a legend in his own right, bringing his signature touch to Stellar Circuits’ first long form release. 
 
Generating significant attention, especially from the band’s more veteran industry peers, Stellar Circuits would go on to be invited as special guests on Chevelle’s 2021 N.I.R.A.T.I.A.S. tour.  Completing a nationwide trek that introduced Stellar Circuits to a significantly broader audience, the foursome immediately saw their fanbase increase exponentially, prompting a shift in their attention to a new record with which they could continue to build on the solid foundation they had since established.

"Sight to Sound," Stellar Circuits’ sophomore release, sees the band working once again with Jamie King to convey their growth and expansion on what they do best. Vocalist frontman Ben Beddick highlights the forward momentum, relaying how the band “wanted to push past the point of comfort when writing this music. To make something real and honest that we can all stand by.” 
 
Coming to audiences around the world via Nuclear Blast Records, "Sight to Sound" expands upon the progressive and groove-centric nature of the band; combining a heaviness, a catchiness, and strength of composition with technical proficiency that results in Stellar Circuits’ most polished release to date. Vocalist Ben Beddick further expands on the writing process and the record’s trajectory, marking a “turning point around the beginning of the writing process that steered us toward a particular conceptual direction. Moving closer to an understanding of the perception of our senses.  This record is meant to serve as a sort of invocation. A sense of qualia. The term ‘synesthesia’ comes to mind…”.  

Comprised of vocalist Ben Beddick, bassist Jesse Olsen, guitarist Jared Stamey and drummer Tyler Menon, the North Carolina quartet produce an effective and unparalleled coalescence that will undoubtedly excite new listeners while more than satisfying long-term followers. Featuring 11 original tracks that are poised to impress even the most discerning of aficionados, "Sight to Sound" puts the global music landscape on notice that Stellar Circuits has definitively arrived.

Follow STELLAR CIRCUITS:
https://stellarcircuits.com/
https://www.facebook.com/stellarcircuits/
https://www.instagram.com/stellarcircuits/
https://twitter.com/StellarCircuits
https://www.tiktok.com/@stellarcircuitsofficial
Youtube: 
https://www.youtube.com/StellarCircuits
Spotify: 
https://spoti.fi/3IPiAYo
Apple Music: 
https://apple.co/3EBbQe8

L.S. Dunes Share "Grey Veins" Video — WATCH // Touring This Summer!

Today, L.S. Dunes — vocalist Anthony Green, guitarist Frank Iero, bassist Tim Payne, drummer Tucker Rule, and guitarist Travis Stever shared the video for "Grey Veins," a blistering anthem off the band's highly acclaimed debut album released last year — Past Lives

Watch it
below.

An ingenious send-up of '70s Japanese Sci-Fi horror flicks, the "Grey Veins" video features the band as soldiers battling forces greater than themselves while orchestrating a miniature war for Earth's survival. The fantastical trip was helmed by noted directed David Brodsky, (August Burns Red, Helmet, Cannibal Corpse), who previously worked with L.S. Dunes on the video for their first single, "
Permanent Rebellion."

Iero says, "I've always said that if I couldn’t be in a band the only other thing I would want to do is to make monster movies. It's been my dream ever since I was a little, and it was the thing my dad and I bonded over. From an early age, music and monsters is just something that went hand in hand for me. [Japanese film genre] Kaiju is something I have been fascinated by ever since I was a kid and I have always wanted to do an homage to that art form in a music video. I love that L.S. Dunes is such an open-minded and inspiring collective of artists that allowed me to chase that idea and make that dream a reality. 'Grey Veins' felt like the perfect song to pair with this concept and so when the time came I knew David and Allie at My Good Eye, our frequent collaborators, were the perfect match to bring this to fruition." 

L.S. Dunes recently announced an extensive run of new summer tour dates across North America beginning with five dates on the Sad Summer Festival tour: Jacksonville, and Clearwater FL, on July 6 and 7, Alpharetta, GA on July 8, Portsmouth, VA on July 11 and Baltimore, MD on July 12. The acclaimed post-hardcore band’s headline tour begins July 9 with a show at the Basement East in Nashville, TN., and is set to hit topflight venues such as The Opera House in Toronto on July 13, NYC's Irving Plaza on July 17, Saint Andrew's Hall in Detroit on July 22, Portland's Crystal Ballroom on August 1, and The Showbox in Seattle on August 2, before returning to California for a string of shows that include The Fonda Theatre in Los Angeles on August 6, The Fillmore Auditorium in San Francisco August 9 and The Garden Amphitheatre in Garden Grove, CA on August 11. 

Produced by Will Yip (Turnstile, Circa Survive, Quicksand), Past Lives navigates themes of fearlessness, dependency, nonconformity, and impermanence in a boundary pushing synthesis of post-hardcore and punk that has established L.S. Dunes as one of the rock's most compelling new arrivals. From the gripping, theatrical opener "2022" and the blazing "Bombsquad" to the pummeling, expansive "Permanent Rebellion," the searing title track "Past Lives," and the disarming album closer, "Sleep Cult," Past Lives is an electrifying and emotional ride. 
 
"A staggering collection of progressive-rock and post-hardcore songs" — Alternative Press 
  
"A tour-de-force of post-hardcore"  — Heavy Consequence
 
"An urgent and flat-out fantastic record" — Brooklyn Vegan

After the shock of the pandemic shutdown, the close friends and mutual admirers urgently realized that "tomorrow" is not promised. "We never knew if we would ever get to play these songs together; in fact, none of us lifelong musicians really knew if we'd ever be able to play music for a live audience ever again," Iero recounts. "'Permanent Rebellion' is about taking back what is rightfully yours," Rule adds. "We wanted to do something where you can hear all our bands in it and yet, not have it sound like any one in particular. Our roots are punk rock and hardcore, and the vibe is hope for all the lost souls."
 
Praise has come from all corners of the globe including year-end accolades from Guitar World, Revolver (Best New Bands of 2022), Loudwire, Kerrang, Alternative Press (55 Best Albums of 2022), Brooklyn Vegan: (Best Punk Albums of 2022), Rock Sound (cover), Stereogum, Loudwire (Best Rock + Metal Debut LPs 2022), New Noise (cover), Line of Best Fit, Heavy Consequence, AllMusic, and many more. 
 
L.S. DUNES ON TOUR:
7/6 — Jacksonville, FL — Sad Summer Fest
7/7 — Clearwater, FL — Sad Summer Fest
7/9 — Nashville, TN — The Basement East
7/11 — Portsmouth, VA — Sad Summer Fest
7/12 — Baltimore, MD — Sad Summer Fest
7/13 — Toronto, CAN — The Opera House
7/15 — Providence, RI — The Strand
7/17 — New York NY — Irving Plaza
7/20 — Pittsburgh, PA  — Mr. Smalls Theatre
7/21 — Cincinnati, OH — Bogart's
7/22 — Detroit, MI — Saint Andrew's Hall
7/24 — Milwaukee, WI — The Rave Bar
7/25 — Des Moines, IA — Wooly's
7/26 — Omaha, NE — The Waiting Room
7/28 — Fort Collins, CO — Washington's
7/30 — Boise, ID — Knitting Factory
8/1 — Portland, OR — Crystal Ballroom
8/2 — Seattle, WA — The Showbox
8/6 — Los Angeles, CA — The Fonda Theatre
8/9 — San Francisco, CA —  The Fillmore
8/11— Garden Grove, CA  — The Garden Amphitheatre

SCAR SYMMETRY - 'The Singularity (Phase II - Xenotaph)' is out now + new video for 'Overworld'

SCAR SYMMETRY release their first studio album in nine years, in the form of The Singularity (Phase II - Xenotaph). To coincide with the album's release the band have also released a video for the track 'Overworld'.

On the release of the album, guitarist Per Nilsson comments,
"At long last, Phase II is here - and everywhere! Whether CD, vinyl or streaming platform is the preferred way of quenching your musical thirst, you may now have a sip of the furious symphonic whirlwind 'Altergeist', drink in the crushing juggernaut 'Gridworm', chug down the eight-string extravaganza 'Hyperborean Plains' and savour the intoxicating final track 'Xenotaph'! Bottoms up, cheers!!!""

Watch the new video for 'Overworld' below.

Stream and purchase The Singularity (Phase II - Xenotaph) now at: 
https://scarsymmetry.bfan.link/xenotaph

About SCAR SYMMETRY

Formed in Sweden in 2004, SCAR SYMMETRY were a unique proposition from the start. Although clearly owing a debt to the pioneering melodic death metal bands of the ‘90s, guitarist Per Nilsson and his comrades were walking their own evolutionary path. As showcased on 2005 debut Symmetric In Design, the band were driven by fervently progressive and proudly melodic instincts, infusing their often brutal riffs and arrangements with wild, futuristic atmospherics, and sublime, emotional melodies that always hit their targets with ruthless precision.
 
As SCAR SYMMETRY moved forward, their music continued to evolve in tandem. They joined forces with Nuclear Blast Records for 2006’s breakthrough opus Pitch Black Progress (2006), and have since amassed an extraordinary catalogue of forward-thinking but irrevocably crushing modern metal. From the glossy, hyper-melodic barrage of Holographic Universe (2008), to the immaculate thunder of The Unseen Empire (2011) and the astonishing, cosmic odyssey that is The Singularity (Phase I - Neohumanity) (2014). the Swedes have blown minds and enhanced their reputation with every artistic step.

SCAR SYMMETRY is
Roberth Karlsson - Vocals
Lars Palmqvist - Vocals
Per Nilsson - Vocals, Guitars, Bass, Keyboards
Benjamin Ellis - Guitars
Henrik Olsson - Drums

Off Road Minivan Share "The Breakdown" Video — WATCH

MAY THIS KEEP YOU SAFE FROM HARM OUT JUNE 23 VIA TOOTH & NAIL

Hudson Valley, NY-based quartet Off Road Minivan, featuring Fit For a King bassist Ryan "Tuck" O'Leary, will release their second album May This Keep You Safe From Harm on June 23 via Tooth & Nail Records. Pre-order it
here.

Today, the band has shared the video for "
The Breakdown." Watch it below.

"'The Breakdown' was the hardest song to put together for the band," says Tuck. "It's so simple but took a while to figure out. I went through a difficult breakup with a friend and that inspired the song. Time is so valuable and something we give to each other as currency. Eventually, you've spent too much time on a sinking ship and it's best to jump overboard. This was my way of trying to get that person out of my head."

Off Road Minivan, whose lineup is rounded out by Evan Garcia Renart, Miles Taylour Sweeny, and Mike Planko, came to life in 2018 with the Spiral Gaze EP. On its heels, 2020's full-length debut, Swan Dive, immediately captivated audiences. Throughout the past three years, the band members wrote and sent ideas back-and-forth. Simultaneously, they stitched together a throughline carried by the real-life interviews with members of Tuck's family.

"I've been secretly recording my family for at least a-year-and-a-half, including the voice clips from my grandmother, who was the first," Tuck says. "I'd listen back later and find the right part I needed for the album. I essentially wanted to preserve these moments forever. I got my mom, dad, sister, grandmother, brother-in-law, nephew, best friend, and wife on tape. Now, I'll have it all on vinyl format for the rest of my life."

As for the album's title, it's also rooted in the familial. 

"When my grandfather joined the military and was going off to war, my grandma gave him a bible with a metal cover," reveals Tuck. "On the front, it said, 'May this keep you safe from harm.' Even if you got shot in the heart, the bible would protect you. When I first started touring, different family members gave me mementos to feel safe on the road. The bible was from my grandmother. Now, I've got it tattooed on my chest, so I don't have to bring the original with me. All of this is about preservation of time. It's a way to document some of my most fragile moments and share the delicate, untouched vulnerable side of myself maybe you haven't experienced from Fit For a King. It's the other swing of the pendulum."

Deathbringer To Release Cult Classic Debut Album 'Homo Divisus' On Streaming Platforms For The First Time Ever

Deathbringer

To Release Cult Classic Debut Album

HOMO DIVISUS

Digitally For First Time Ever

Stream Now HERE

Belarusian progressive technical death metal titans, Deathbringer, have unleashed their 2007 debut album ‘Homo Divisus’ digitally for the first time ever via Unique Leader Records. The critically acclaimed album features 11 tracks of brutal and complex metal and was originally released on CD only in Russia and Europe, and has since become a cult classic among progressive death metal aficionados. The digital release marks the first time that the album is available worldwide and on all streaming platforms. Find ‘Homo Divisus’ on streaming platforms HERE and stream the full album on YouTube HERE

Speaking on the digital release of their debut album, Deathbringer shares: 

"Homo Divisus is our debut album, which was released in 2007 by a label from Russia Sound Age Productions. For us it was a huge event in our lives. We were young musicians who wanted to play progressive death metal, back at that time more influenced by Chuck Schuldiner and late Death era. These were the first music pieces written by us that were officially released. The album was very well received by listeners and critics around the world, we were getting very good reviews. Deathbringer finally started touring around Europe, beyond the borders of our country. That was a huge step forward for us as a young band from Belarus.

But the problem we realized later was that this album never had a proper digital release. And now after 16 years we are extremely happy that Homo Divisus will finally appear on all digital streaming services thanks to our label Unique Leader Records.

Deathbringer mastermind, guitarist and songwriter, Artyom Seryuk shares: 

I’m sure that it will help to breathe in a new life into this album and it will conquer new listeners. Time flies fast, Deathbringer has a bit of a different musical form now, but Homo Divisus is still a very important and very dear release to me. It’s a really personal concept album into which I put all my heart and soul. It’s so satisfying to see how it obtains a new digital life now. Thanks ULR!

Deathbringer was formed in 2002 by guitarist Artyom Serdyuk in Grodno, Belarus. The band quickly gained a reputation for their intense live shows and their uncompromising style of progressive technical death metal. They have shared the stage with some of the biggest names in the genre, such as Vader, Behemoth, Marduk, Hate, Devilyn, Sceptic, Katalepsy, Crionics and more. They also supported Cannibal Corpse in Minsk in 2004, but the gig was cancelled by local authorities half an hour before the show.

Deathbringer released their debut album ‘Homo Divisus’ in 2007 and toured extensively in Eastern Europe with bands like Hate and Crionics. The album received rave reviews from critics and fans worldwide. The album was re-released in 2010 and followed by another tour with Sceptic and Abused Majesty.

Since then, the band underwent frequent line-up changes and became an international act with members from Belarus and Poland. They celebrated their 10-year anniversary with a headlining tour in 2013 and started working on their second album. However, the recording process was delayed for several years due to health issues of frontman Artyom Serdyuk. He resumed the work in 2018 and collaborated with some of the best musicians in the scene, such as Bobby Koelble of Death, Tommy Talamanca of Sadist, Mariusz “Thrufel” Domaradzki of Masachist and Yattering, and Igor Kovalyov and Alex Sedin of the Belarusian metal scene. Following further set backs from the Covid-19 pandemic, the band finally finished the album in 2021 and finally released 'It' in 2022 via their new label home, the globally renowned, independent extreme metal label, Unique Leader Records.

Iconic Americana artist TIM EASTON radiates hope on new single 'Sliver of Light', out now via Black Mesa Records

"Consistently delivering quality Americana over his thirty-plus-year professional career, which started before the term was even acknowledged... a veteran performer whose best days may still lie ahead" ~ American Songwriter

"Illuminating lyricism" ~ Folk Alley

"Since debuting in the late '90s as part of the burgeoning alt-country movement, American singer/songwriter Tim Easton has established himself as first-rate storyteller, recording a series of warmly crafted albums in the 2000s for New West Records that combined engaging and thoughtful lyricism with rugged folk, rock, and roots music traditions" ~ AllMusic

'Every track is a distinct story beautifully told" ~ Americana UK

"A gritty yet reassuring voice and clever, laconic and poetic lyrics" ~ The Spill Magazine


Nashville-based songwriter
Tim Easton presents an illuminating story of hope on his latest single ‘Sliver of Light’.  This new single was inspired by a personal tragedy, the loss of numerous friends, and the thin line that exists between life and death,

Released via Oklahoma-based
Black Mesa Records, the accompanying baseball-themed video was directed by Jamey Wood and filmed in Pegram, Tennessee.

A mainstay of American roots music for more than 20 years and with a rich history that includes some years with The Haynes Boys and a stint as Beck's busking partner while touring Europe, Tim Easton creates songs for the Great American Songbook.

With reverence for the past and an outlook toward the future, Easton is easily among the greatest songwriters of our time. Pulling from a wide range of influences, his compositions lead you on a journey that blurs the lines between folk, blues, Americana and workingman's rock & roll.

Penned with hope, ‘Sliver of Light’ finds him focusing on the present in the realization of how quickly and abruptly things can end. An organic offering, this song showcases his abilities as a songwriter and performer, and the breadth of his inspiration.

“I wrote the lyrics on a Dutch train during a European tour. I had just heard tough news from home. A friend who had fallen down was suddenly on life support. The words poured out fast and, when I arrived at my hotel, I immediately set the lyrics to music. Once back home in Nashville, the recording session was equally charged and completed in a few hours,” says Tim Easton.

"Take one was the keeper track with me singing and playing guitar along with the band while a friend filmed us recording. Overdubs were added with some percussion, Wurlitzer keyboard and harmony vocals to complete a song that is two-thirds observation and experience and one-third baseball prayers."

Years before Americana music was recognized at the Grammy Awards with its own category, Tim Easton helped pioneer the genre's mix of classic inspiration and contemporary interpretation, writing songs shaped by forebearers such as Doc Watson, Bob Dylan, John Prine and John Hiatt, while moving forward with the modern world.

Born near the Niagara River and raised in upstate New York, Tim Easton spent his formative years in Tokyo, Japan and Akron, Ohio. Traveling early and often, he learned the ways of the road and rails, spending seven years as a modern-day troubadour, making his way around Europe, playing the streets and clubs, living in Paris, London, Madrid, Prague, Dublin and wherever he laid his hat. Here, he developed his songwriting style – folk-based storytelling and personal traveling tales, often peppered with bold confessions or "tell it as it is" reality. Rolling Stone Magazine praised him as "having a novelist's sense of humanity."

“There is a certain helplessness that is involved with the friends and family of people who are in active addiction that is never easy to understand. I have been in this frustrating place before, and all I have is songwriting to help me deal with it. Sometimes we are simply unable to help people get well. May this song bring comfort to those who are right on the edge, barely hanging on. You are not alone,” says Easton.

With 10 critically acclaimed solo albums to date, Tim Easton has had a burgeoning career that has seen him tour the world, perform with music legends, such as Lucinda Williams, John Hiatt, Townes Van Zandt and Kris Kristofferson, and recording with many equally talented musicians (his 2001 album ‘The Truth About Us’ featured three-fourths of Wilco).

His tenth album
‘You Don't Really Know Me’ (2020) was released by Black Mesa Records and will be followed in 2023 by several vinyl re-presses – ‘Not Cool’ and Easton's solo debut ‘Special 20’. This builds on a steady wave of great music from Easton, including North American Songwriter Volume 1 & 2, a 20-song project entailing the start of a series featuring acoustic recordings of favorite songs from Easton’s vast catalog of original material.

‘Sliver of Light’ is out now, available across fine digital platforms, including
Apple MusicSpotify and Bandcamp. More info about tour dates can be found at www.timeaston.com 

CREDITS
Written by Tim Easton
Recorded at Cartoon Moon Studios in Nashville, TN
Produced by T. Easton & Gabe Masterson
Engineered, mixed by G. Masterson
Mastered by Alex McCollough at True East Mastering
Tim Easton - acoustic guitar, vocals
Kevin Nolan - electric guitar, wurlitzer, organ
Matt Nolan - drums & percussion
Tommy Scifres - bass
Coralee - harmony vocals
Video filmed and directed by Jamey Wood
Released on Black Mesa Records


Keep up with Tim Easton
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Apple Music | Spotify | Press contact

Keep up with Black Mesa Records
Website | Facebook | Twitter  | Instagram | YouTube | Soundcloud | Label contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Press contact

Americana Rock / Indie Folk stalwart Beau Jennings revs it up on roaring 'People In This Town' single

“Deeply felt…emotions that cut like a knife” ~ Rolling Stone

“Beau Jennings and the Tigers capture what it's like to feel lost in a familiar place” ~ NPR Music

“Shimmery, pretty production that sands off yesteryear elements that might evoke Creedence Clearwater Revival or alt. country like unrelated namesake, Waylon…it’s honest, modest, humble gentle and emotive” ~ The Big Takeover

“Exceedingly different from anything Jennings — and probably anybody else in Oklahoma — has ever done before” ~ The Daily Oklahoman  

"With quite a bit of swagger and a feel-good factor on par with Tom Cochrane, classic Springsteen and even Brian Setzer, Beau Jennings & The Tigers are a beautiful beast we're glad to see unleashed" ~ Amplify Music Magazine


Indie rock outfit 
Beau Jennings & The Tigers present their new single 'People in This Town', out June 9 via Oklahoma-based record label Black Mesa Records. What starts as a scrappy ten seconds of scuffling and static emerges as a summer anthem from this Oklahoma band.

With their classic 80’s AM radio American rock n’ roll sound filtered through their collective influences (gospel, country, folk, and indie rock), the single follows 2022's full-length album
'Heavy Light', which drew critical parallels to Tom Petty, The Wallflowers and Bruce Springsteen, and subsequent singles 'I've Got Your Heart Right Here' and 'Midnight Service'.

Jennings' recording has just reached the two decade mark, in that time having collaborated with the likes of Sufjan Stevens, Richard Swift and filmmaker Bradley Beesley (Fearless Freaks, Okie Noodling) and shared the stage with Dwight Yoakam, Robert Cray, Heartless Bastards, Ray Wylie Hubbard and John Moreland.

In this new single, Jennings imagines the patrons of a bar on the outskirts—inspired by a real blink-and-you’ll-miss-it building in his hometown of Norman, Oklahoma. Having barely noticed it for much of his life, a recent drive nearby prompted Jennings to conjure the figures who might be congregating there.

“’People In This Town’ is really just about the overlooked or hidden aspects of a small town that are often taken for granted. Norman, OK is governed by religion, sports, and partying and while that maybe isn’t that different from other places, those are still powerful forces that shape people’s lives,” says Beau Jennings.

“I love driving past this spot just north of town called The Barracuda and just extrapolating from there how it encapsulates all those things at once. It’s not a hip or trendy spot, but people not only go there for all the normal bar reasons but they also go there to celebrate, to mourn, and just live life, whether that’s a positive or negative thing.”

'People in This Town' touches down at the intersection of a trinity of Oklahoman values, for better or worse: sports, religion, and misunderstanding your neighbor. The gentle admonition of the chorus – "People in this town don’t know what they got” – touches a nerve, highlighting the chasm between parallels: what we know, we don’t know and what we don’t know, we don’t know.

It turns out that the bar in question is actually a much-beloved venue that regularly hosts holiday celebrations, bachelorette parties, musical projects and more. It’s a micro-community that most people moving past it would never be aware of. The building has no windows; you have to go in and really listen to find the lightness on the edge of town.

Jennings’ prolific songbook has become increasingly personal. Now 42, his lyrical lens is refocused from a young artist figuring out his identity to ever-changing examinations of family, of home, of our limited time and acute observations of others' lives. Thanks to Tigers guitarist Chase Kerby, drummer Dustin Ragland, organist Chris Wiser, and bassist / sound engineer Michael Trepagnier, he’s also sharpened his knack for memorable hooks.

The band’s MO on upbeat songs is airtightness, the listener receiving a tidy package that's as fun to listen to as it is to perform. It’s rock ‘n’ roll for rock ‘n’ roll’s sake, handclaps and gang vocals propping up Jennings’ words and creating a world where metaphors are swapped with literalisms and vice-versa. Where 2016 saw Jennings
 'Back in Town' chronicling a readjustment to being home again after time as an expat, here Jennings is once again on the inside, seeing what else there is to be found.

As of June 9, 'People In This Town' will be available online from fine music platforms, including
Apple Music, SpotifyBandcamp and elsewhere at https://bmr.link/bjt-people-in-this-town.  Beau Jennings & The Tigers will also be playing a series of shows in support of this new release.

CREDITS
Written by Beau Jennings
Arranged by Beau Jennings & The Tigers
Recorded and mixed by Michael Trepagnier at Cardinal Song, Oklahoma
Additional recording by Dustin Ragland in Atlanta
Mastered by Kevin Lively
Beau Jennings - acoustic guitar, vocals
Chase Kerby - electric guitars, background vocals
Dustin Ragland - drums
Chris Wiser - organ
Michael Trepagnier - bass
℗ Beau Jennings & The Tigers, under exclusive license to Black Mesa Records

LIVE DATES
May 27  EDMOND, OK - Cedar Tree Sessions House Show
June 23  OKLAHOMA CITY, OK - 51st Street Speakeasy
July 15  AUSTIN, TX - The Long Time
Aug 12  OKLAHOMA CITY, OK - Tower Theater


Keep up with Beau Jennings
Website | Facebook | Bandcamp | Instagram | Twitter | YouTube | Spotify | Apple Music | Songkick | Press contact

Keep up with Black Mesa Records
Website | Facebook | Twitter | Instagram | YouTube | Soundcloud | Label contact

Keep up with Shameless Promotion PR
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CYHRA Announce New Album "The Vertigo Trigger"

CYHRA Announce New Album
"The Vertigo Trigger"
+
Unleash Single 
"Life Is A Hurricane"

Swedish melodic metal rockers CYHRA return with an explosive announcement!

The band are proud to announce their new studio album titled The Vertigo Trigger, which will be released on August 18th via Nuclear Blast Records. Founded by vocalist Jake E (ex-AMARANTHE) and guitarist Jesper Strömblad (ex-IN FLAMES), and with the addition of lead guitarist Euge Valovirta (ex-SHINING) and drummer Alex Landenburg (KAMELOT), CYHRA has already released two highly acclaimed albums which proof that the band have managed to create their own identity and sound.

Now in 2023, coming four years after their last album No Halos In Hell, The Vertigo Trigger is CYHRA's third studio album, and their first featuring recently added guitarist Marcus Sunesson (ex-THE CROWN/ENGEL). The band released the album’s first single 'Ready To Rumble' last autumn, and fans will now undoubtedly be pleased to learn that the track is a part of a new full-length record.

Along with the album announcement, the Swedes also deliver new single 'Life Is A Hurricane' today, which is accompanied by a new music video and can be watched below.

Stream 'Life Is A Hurricane' here: 
https://cyhra.bfan.link/hurricanesg

Vocalist Jake E comments: 
“A song that grabs you from the first second and holds on until the last beat. And a fantastic video by mastermind Patric Ullaeus of Revolver Film!”

Drummer Alex Landenburg adds: 
“Life Is A Hurricane was one of the first songs we wrote for the new album. It’s one of these songs where the vocal melody and the rhythm are tightly connected and really complement each other. It’s probably also our best video so far.”
 
Guitarist Euge Valovirta echoes the sentiment: 
“A hurricane of a song it is! It starts with a heavy riff and a guitar solo so what’s a better way to start a song than that? Hope you all enjoy it! Oh and the video is pretty damn intense too!”
 

Pre-order or pre-save the new album The Vertigo Trigger here: 
https://cyhra.bfan.link/tvtglp

Recorded in the summer/autumn of 2022, The Vertigo Trigger is the band's darkest album to date. The album was entirely self-produced and mixed by guitarist Euge Valovirta, whilst the mastering was handled by long-term producer Jacob Hansen. This new album offers fans the classic CYHRA sound, full of the band's trademarks, but fresh and refined. The Swedes have modernised their song writing meaning that no CYHRA fan will be disappointed, making The Vertigo Trigger a more than worthy successor to their first two albums.

And although guitarist Jesper Strömblad isn’t a part of CYHRA's live shows currently, he was deeply involved in the writing and recording process of the album. Therefore, the band can hardly wait for his return as soon as he is ready again.

CYHRA is:
Jake E – lead vocals
Euge Valovirta – lead guitar (and bass)
Alex Landenburg – drums
Marcus Sunesson – guitars
Jesper Strömblad – guitars (and bass)

CYHRA Online: 
https://www.facebook.com/CyHraofficial
https://www.instagram.com/cyhra_official
https://www.youtube.com/cyhraofficial
https://cyhra.com/

Credit: Linda Florin

APPICE PERDOMO PROJECT RELEASES NEW VIDEO FOR “DRUM CITY” FROM ITS CRITICALLY ACCLAIMED 2ND ALBUM

APPICE PERDOMO PROJECT RELEASES NEW VIDEO FOR “DRUM CITY”
FROM ITS CRITICALLY ACCLAIMED 2ND ALBUM,
RUNNING UP THAT HILL

THE  TWO MAN POWERHOUSE UNIT CONTINUES TO GARNER MEDIA RAVES AND RADIO AIRPLAY FOR ITS NEWEST ALBUM

 


“Drum City,” the new video from Legendary drummer-songwriter-producer Carmine Appice and acclaimed LA session musician Fernando Perdomo from their powerful new album, Running Up That Hill, has been released by Cleopatra Records, the band’s label. Featuring infectious guitar riffs and a colorful animated visual backdrop, the video for “Drum City,” wowed the audience at the group’s  New York City show where it was previewed at The Cutting Room.

VIEW THE VIDEO FOR DRUM CITY BY APPICE PERDOMO PROJECT HERE: 

The duo’s sophomore album again focuses on the art of instrumental rock gems, performed mostly just by Fernando Perdomo and Carmine Appice.  The two musicians worked on opposite coasts of the US via a remote online recording process to complete the album.   The two musicians played nearly all the instruments on the entire album with the exception of a few tracks which also featured an all star cast of guest musicians, among them: bassist Billy Sheehan, keyboardist Derek Sherinian, guitarist Ron “Bumblefoot” Thal, bassist Tony Franklin and multi-instrumentalist Jimmy Haslip.

“Like our first album, Energy Overload, much of this album was conceived, written and recorded on opposite sides of the USA, while everyone was still dealing with the impact of the Covid 19 epidemic,” says Carmine Appice, about the record. “Fernando and I would just bounce ideas back and forth amongst each other, and before we knew it, we had this album filled with some of the best material either of us have ever been involved with.  Many critics and radio professionals have told us this record is very different and very special, and we feel the same. Now, we want the world to discover it.”

Adds Fernando Perdomo: "I couldn't be more excited about the ‘Drum City’ music video. Collaborating with Carmine has been so much fun and this song is pure joy. The band did an East Coast and West Coast showcase, which were incredible. We cannot wait to play more!"

"Carmine Appice's drumming prowess is a symphony of rhythm, where beats become an intricate tapestry combined with the talent and precision of Fernando Perdomo,” says Cleopatra Records President Brian Perera. “Together, they make this a very special & unique project."

Emerging in 1967 as a founding member, drummer and vocalist for the iconic  psychedelic rockers, Vanilla Fudge, it was a matter of months before Appice was recognized as one of greatest drummers of all time. After Top 5 hits, and sold out worldwide tours, the Fudge broke up. In 1970, Appice (along with Fudge bassist Tim Bogert) returned with Cactus, which one critic called “America’s answer to Led Zeppelin.”  From Cactus onward, the sky was the limit for Appice, forming Beck Bogert & Appice (with Jeff Beck); and long stints with Ozzy Osbourne and Rod Stewart (who had Appice co-write some of his biggest hits). Today, he balances life in the studio and on the road with both Vanilla Fudge and Cactus again, and now, The Appice Perdomo Project.

Perdomo, whose family emigrated to the US from Cuba after Fidel Castro took power, used American rock and pop radio to get him through the difficult years of assimilation. “Music was my sanctuary,” says Perdomo. “My older brother turned me on to much of the music which I still hold dear to my heart today.”  Eventually he became a studio session player in demand, first in Miami and then in his new home of Los Angeles. His credits include playing with Eric Clapton, Fiona Apple, Nora Jones, and Beck. In 2019, he was hired as musical director and guitarist for the band featured in the film ECHO IN THE CANYON, which told the story and paid tribute to the Southern California music scene that began in the late 1960s.  He has produced dozens of records for a myriad of labels, including a recent single featuring Todd Rundgren.

The new album’s first video, “Running Up That Hill,” is a bombastic re-make of the 1980s classic Kate Bush song that recently found its way back on the charts when it was featured on the TV show, Stranger Things. Because it was released as a rock instrumental, the Appice Perdomo take on that song has taken on a life of its own.

“Carmine Appice has always been a legendary force as a drummer,” says Sirius XM and music TV personality Eddie Trunk.  “This new project proves he still is. And it sounds like Fernando Perdomo is a rising force on guitar and a perfect partner for this rocking new instrumental project”.

““This beautiful instrumental album should be taking home plenty of awards,” adds WMMR-FM air personality, Jacky Bam Bam. “So many layers blend amazingly with these well-structured arrangements. Cheers to my friend Carmine Appice  and his partner, Fernando Perdomo, for another job well done!”

The band and the album have been receiving rave reviews from critics and industry insiders alike, such as Vicious Rumours magazine which stated: “Guitarist extraordinaire Fernando Perdomo and everybody’s favorite freelance drummer Carmine Appice really make something special out of this one. Not merely a vehicle for showcasing individual technical skills, Running Up That Hill brims with songwriting that is impressive and not entirely without humor.”



Purchase THE APPICE PERDOMO PROJECT- Running Up That Hill album here:
https://cleorecs.com/store/shop/carmine-appice-fernando-perdomo-running-up-that-hill-cd/

Stream/download the album here:
https://orcd.co/appiceperdomo_runningupthathillalbum

Wolves at the Gate Share Cover Twenty One Pilots "Heathens" — WATCH + LISTEN

WOLVES AT THE GATE have shared their awesome cover of Twenty One Pilots' "Heathens."

Watch the visualizer
below

It may seem like a surprising choice of song to cover, but the band has a powerful connection to the track on several levels.

"Long before we ever got signed, we played a VFW show with Twenty One Pilots," says vocalist/guitarist Steve Cobucci. "We were just local Columbus, Ohio bands trying to get out there and make some fans. They definitely did not fit the rest of the bill, but they were undeniably unique."

He continues, "Fast forward years later and their incredible gifts are being seen and appreciated globally. Something they do so well is expressing dark and somber moods in their music without sacrificing memorability and melody. 'Heathens' has a really cool arrangement that allows the listener to experience the chorus in a few different ways throughout the song. The dynamics of the song left an open landscape for us to put our own fingerprint on it."

He finishes, "As well, the lyrics carried a very relatable sentiment that could be seen and interpreted on a few different levels. The way that we saw the lyrics was telling people to be careful about judging each other. To understand the uniformity that we are all the same. Appearances can be deceptive in how we perceive each other, but at the core, everyone has their own struggles, brokenness, and demons. It's actually a pretty powerful call for empathy that we really connected with."

Love this cover?

Stay tuned for more sonic interpretations from WATG...

ABOUT WATG:
Unrestricted by genre conventions and determined to raise the bar with each successive album, Wolves at the Gate deliver music and a message with a firm commitment to passion and authenticity. Tirelessly seeking out the light in seemingly overwhelming darkness, the Midwestern post-hardcore group balances soaring melodies with unrelenting metal and emotional heaviness. Eulogies arrives with confidence and forward motion born from reflection, introspection, and isolation.

The small-town Ohio-based five-piece band built the foundations for the album's 13 songs during the pandemic shutdown, shaping diverse tracks like "Shadows," "Peace That Starts The War," and "No Tomorrow" into stunning confessional epics. Wolves at the Gate's audience treasures each of the band's best-known songs for the emotional depth, passionate catharsis, and evocative power contained in them, as evidenced by the millions of streams for WATG anthems. These include "Counterfeit," "A Voice in the Violence," and "Drifter" (from 2019's Eclipse); "Asleep," "Flickering Flame," and "War in the Time of Peace" (from 2016's Types & Shadows); "Relief," and "The Bird and the Snake" (from 2014's VxV); "Dead Man," "The Harvest," and "Slaves" (from 2012's Captors), and "Heralds" (from 2011's We Are The Ones). 
 
WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Saul Drop "TOOTH AND NAIL" Video — WATCH

NEW ALBUM THIS IS IT... THE END OF EVERYTHING ARRIVES ON JULY 28 VIA SPINEFARM

TOURING WITH MEMPHIS MAY FIRE THIS SUMMER

Iowa hard rock heavyweights SAUL — brothers Blake Bedsaul [lead vocals] and Zach Bedsaul [lead guitar, backup vocals], William McIlravy [bass, backup vocals], and Myles Clayborne [drums] — recently announced their new albumTHIS IS IT... THE END OF EVERYTHING. The album arrives July 28 via Spinefarm. Pre-order it
here.

Today, the band shares the video for the explosive — both musically and thematically — new single "TOOTH AND NAIL." Watch it
below

"Plain and simple — the world is fucked," states Blake. "We've all been too complacent to do anything about it. We vote in the richest, oldest, most crooked politicians to run our country into the ground and stand around wondering what happened. Wake up. It's time for a change. We won't stand idly by as everything we know and love turns to ash for a political agenda. We will be standing and fighting 'TOOTH AND NAIL.'" 

This Iowa quartet continues to bring audiences together with a one-two punch of pummeling metallic grooves and towering melodies. Amassing tens of millions of streams and earning acclaim from Revolver, Guitar World, Loudwire, and many more, the group fortify an unbreakable bond with listeners on their second full-length offering, THIS IS IT…THE END OF EVERYTHING [Spinefarm]. For this record, the band collaborated with producer Kile Odell [Motionless In White, Nita Strauss].  Saul emerged out of the Midwest in 2017 and tirelessly bulldozed a path to the forefront of modern rock. They notably performed alongside everyone from Motionless In White, Atreyu, August Burns Red, Crown The Empire, Bush, and 10 Years to HELLYEAH and Nonpoint in addition to gracing the stages of festivals, including Rebel Rock, Rock Fest, Rock USA, Inkcarceration, and Blue Ridge Rock Fest with Rob Zombie, Mudvayne, and Slipknot. The group independently landed a bona fide hit in the form of "Brother"— an homage to the co-founders' late brother Caleb. It marked their first #1 on Sirius/XM Octane in addition to gathering over 9 million Spotify streams and paving the way for their 2020 full-length debut, Rise As Equals. Co-written with David Draiman of Disturbed, "King Of Misery" reeled in 3.7 million Spotify streams, while "Trial By Fire" also surpassed 3 million Spotify streams. Of the former, American Songwriter praised "'King of Misery' wasted no time jumping into the heavy mainstream riffs that Saul set out to wrangle," and Outburn hailed its "futuristic and cinematic video."

Saul will embark on an east coast and Midwest tour with Memphis May Fire this summer. See dates below. 

SAUL ON TOUR:
WITH MEMPHIS MAY FIRE, NORMA JEAN, + SECRETS:

6/30 — Hampton, NH — Wally's
7/1 — Thompson, CT — Capulet Fest
7/2 — Portland, ME  —  State Theatre
7/3 — Elmira, NY  —  The L
7/5 — Columbus, OH  —  The King of Clubs
7/7 — Charleston, SC  —  Music Farm 
7/8 — Orlando, FL  —  The Beacham Theater 
7/9 — Gainesville, FL  —  High Dive
7/11 — Mobile, AL  —  Soul Kitchen Music Hall
7/12 — Memphis, TN  —  Growlers
7/14 — Cadott, WI — Rock Fest*
*Saul Only

Ryman Auditorium Unveils New Ford VIP Lounge

Ryman Auditorium unveils new Ford VIP Lounge. (IDs from L to R: Matthew Schuster, SVP Strategy and Business Development, Opry Entertainment Group; Sean Lupton, VP Brand Partnerships, Opry Entertainment Group; Hannah and Matthew Barker, Two Rivers Ford Dealership; Gary Levy, General Manager, Ryman Auditorium) | Photo Credit: Catherine Powell

Nashville’s historic Ryman Auditorium has unveiled its latest guest enhancement with the debut of a new Ford VIP Lounge yesterday in partnership with Mid-South Ford Dealers. The Ford Lounge is part of a $1.3 million investment at the Mother Church that also includes a new retail shop, which opened in March. 

Following a ribbon cutting earlier in the day, the new space welcomed guests for the first time at Marty Stuart’s Annual Late-Night Jam. The new VIP lounge offers exclusive entry to the show, private restrooms, passed hor d’oeurves, wine, cocktails, beer, and soft drinks as well as commemorative Hatch Print Show of that night’s show. Entry to the Ford VIP Lounge is available as an add on with concert ticket purchase for an additional $100. To celebrate the new space, the Ryman and its partners will surprise guests with giveaways and VIP upgrades each month throughout the year. For more information visit
ryman.com.  

“We are always looking for new ways to elevate the guest experience at the Ryman," said Gary Levy, general manager of Ryman Auditorium. “We are fortunate that Ford shares our passion for creating unforgettable moments, and we are thrilled the new Ford Lounge will provide such a unique experience for fans while visiting the Ryman.”  
 
“We’re proud to open the Ford Lounge,” said Greg Houston, regional manager of the Memphis Region, Ford Motor Company. “Like the artists at the Ryman, Ford is driven to be legendary, and we hope the new lounge provides legendary experiences for concert attendees. The Mid-South Ford Dealers are ready to show music fans what it means to be Built Ford Proud.”

Mid-South Ford Dealers Advertising Association is a cooperative of 141 Ford dealers in western Tennessee, southwest Kentucky, central and northern Mississippi, Arkansas, southern Illinois and southeast Missouri.

About Ford Motor Company
Ford Motor Company (NYSE: F) is a global company based in Dearborn, Michigan, that is committed to helping build a better world, where every person is free to move and pursue their dreams. The company’s Ford+ plan for growth and value creation combines existing strengths, new capabilities and always-on relationships with customers to enrich experiences for and deepen the loyalty of those customers. Ford develops and delivers innovative, must-have Ford trucks, sport utility vehicles, commercial vans and cars and Lincoln luxury vehicles, as well as connected services. Additionally, Ford is establishing leadership positions in mobility solutions, including self-driving technology, and provides financial services through Ford Motor Credit Company. Ford employs about 182,000 people worldwide. More information about the company, its products and Ford Credit is available at 
corporate.ford.com.

About Ryman Auditorium:
A National Historic Landmark, Ryman Auditorium was imagined by Captain Thomas G. Ryman in 1892 as the Union Gospel Tabernacle. A 14-time winner of the prestigious Pollstar Theatre of the Year award, the historic venue is well-known as the Mother Church of Country Music and is the most famous former home of the Grand Ole Opry (1943-1974). Since the first concert on May 4, 1892, the Ryman has celebrated an array of entertainment acts and all genres of music on its hallowed stage – from magician Harry Houdini to comic actor Charlie Chaplin and former president Theodore Roosevelt to civil rights leader Martin Luther King Jr., plus music icons from all genres including Johnny Cash, Patsy Cline, B.B. King, Sheryl Crow, Garth Brooks, Lizzo and Harry Styles. The Ryman’s thriving concert schedule hosts more than 200 shows per year, and the venue is open for daytime tours year-round. The Ryman has also been featured in numerous film and television projects including Coal Miner’s Daughter, The Johnny Cash Show, American Idol, Nashville and more. For more information, visit 
ryman.com.