Iconic Americana artist TIM EASTON radiates hope on new single 'Sliver of Light', out now via Black Mesa Records

"Consistently delivering quality Americana over his thirty-plus-year professional career, which started before the term was even acknowledged... a veteran performer whose best days may still lie ahead" ~ American Songwriter

"Illuminating lyricism" ~ Folk Alley

"Since debuting in the late '90s as part of the burgeoning alt-country movement, American singer/songwriter Tim Easton has established himself as first-rate storyteller, recording a series of warmly crafted albums in the 2000s for New West Records that combined engaging and thoughtful lyricism with rugged folk, rock, and roots music traditions" ~ AllMusic

'Every track is a distinct story beautifully told" ~ Americana UK

"A gritty yet reassuring voice and clever, laconic and poetic lyrics" ~ The Spill Magazine


Nashville-based songwriter
Tim Easton presents an illuminating story of hope on his latest single ‘Sliver of Light’.  This new single was inspired by a personal tragedy, the loss of numerous friends, and the thin line that exists between life and death,

Released via Oklahoma-based
Black Mesa Records, the accompanying baseball-themed video was directed by Jamey Wood and filmed in Pegram, Tennessee.

A mainstay of American roots music for more than 20 years and with a rich history that includes some years with The Haynes Boys and a stint as Beck's busking partner while touring Europe, Tim Easton creates songs for the Great American Songbook.

With reverence for the past and an outlook toward the future, Easton is easily among the greatest songwriters of our time. Pulling from a wide range of influences, his compositions lead you on a journey that blurs the lines between folk, blues, Americana and workingman's rock & roll.

Penned with hope, ‘Sliver of Light’ finds him focusing on the present in the realization of how quickly and abruptly things can end. An organic offering, this song showcases his abilities as a songwriter and performer, and the breadth of his inspiration.

“I wrote the lyrics on a Dutch train during a European tour. I had just heard tough news from home. A friend who had fallen down was suddenly on life support. The words poured out fast and, when I arrived at my hotel, I immediately set the lyrics to music. Once back home in Nashville, the recording session was equally charged and completed in a few hours,” says Tim Easton.

"Take one was the keeper track with me singing and playing guitar along with the band while a friend filmed us recording. Overdubs were added with some percussion, Wurlitzer keyboard and harmony vocals to complete a song that is two-thirds observation and experience and one-third baseball prayers."

Years before Americana music was recognized at the Grammy Awards with its own category, Tim Easton helped pioneer the genre's mix of classic inspiration and contemporary interpretation, writing songs shaped by forebearers such as Doc Watson, Bob Dylan, John Prine and John Hiatt, while moving forward with the modern world.

Born near the Niagara River and raised in upstate New York, Tim Easton spent his formative years in Tokyo, Japan and Akron, Ohio. Traveling early and often, he learned the ways of the road and rails, spending seven years as a modern-day troubadour, making his way around Europe, playing the streets and clubs, living in Paris, London, Madrid, Prague, Dublin and wherever he laid his hat. Here, he developed his songwriting style – folk-based storytelling and personal traveling tales, often peppered with bold confessions or "tell it as it is" reality. Rolling Stone Magazine praised him as "having a novelist's sense of humanity."

“There is a certain helplessness that is involved with the friends and family of people who are in active addiction that is never easy to understand. I have been in this frustrating place before, and all I have is songwriting to help me deal with it. Sometimes we are simply unable to help people get well. May this song bring comfort to those who are right on the edge, barely hanging on. You are not alone,” says Easton.

With 10 critically acclaimed solo albums to date, Tim Easton has had a burgeoning career that has seen him tour the world, perform with music legends, such as Lucinda Williams, John Hiatt, Townes Van Zandt and Kris Kristofferson, and recording with many equally talented musicians (his 2001 album ‘The Truth About Us’ featured three-fourths of Wilco).

His tenth album
‘You Don't Really Know Me’ (2020) was released by Black Mesa Records and will be followed in 2023 by several vinyl re-presses – ‘Not Cool’ and Easton's solo debut ‘Special 20’. This builds on a steady wave of great music from Easton, including North American Songwriter Volume 1 & 2, a 20-song project entailing the start of a series featuring acoustic recordings of favorite songs from Easton’s vast catalog of original material.

‘Sliver of Light’ is out now, available across fine digital platforms, including
Apple MusicSpotify and Bandcamp. More info about tour dates can be found at www.timeaston.com 

CREDITS
Written by Tim Easton
Recorded at Cartoon Moon Studios in Nashville, TN
Produced by T. Easton & Gabe Masterson
Engineered, mixed by G. Masterson
Mastered by Alex McCollough at True East Mastering
Tim Easton - acoustic guitar, vocals
Kevin Nolan - electric guitar, wurlitzer, organ
Matt Nolan - drums & percussion
Tommy Scifres - bass
Coralee - harmony vocals
Video filmed and directed by Jamey Wood
Released on Black Mesa Records


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Americana Rock / Indie Folk stalwart Beau Jennings revs it up on roaring 'People In This Town' single

“Deeply felt…emotions that cut like a knife” ~ Rolling Stone

“Beau Jennings and the Tigers capture what it's like to feel lost in a familiar place” ~ NPR Music

“Shimmery, pretty production that sands off yesteryear elements that might evoke Creedence Clearwater Revival or alt. country like unrelated namesake, Waylon…it’s honest, modest, humble gentle and emotive” ~ The Big Takeover

“Exceedingly different from anything Jennings — and probably anybody else in Oklahoma — has ever done before” ~ The Daily Oklahoman  

"With quite a bit of swagger and a feel-good factor on par with Tom Cochrane, classic Springsteen and even Brian Setzer, Beau Jennings & The Tigers are a beautiful beast we're glad to see unleashed" ~ Amplify Music Magazine


Indie rock outfit 
Beau Jennings & The Tigers present their new single 'People in This Town', out June 9 via Oklahoma-based record label Black Mesa Records. What starts as a scrappy ten seconds of scuffling and static emerges as a summer anthem from this Oklahoma band.

With their classic 80’s AM radio American rock n’ roll sound filtered through their collective influences (gospel, country, folk, and indie rock), the single follows 2022's full-length album
'Heavy Light', which drew critical parallels to Tom Petty, The Wallflowers and Bruce Springsteen, and subsequent singles 'I've Got Your Heart Right Here' and 'Midnight Service'.

Jennings' recording has just reached the two decade mark, in that time having collaborated with the likes of Sufjan Stevens, Richard Swift and filmmaker Bradley Beesley (Fearless Freaks, Okie Noodling) and shared the stage with Dwight Yoakam, Robert Cray, Heartless Bastards, Ray Wylie Hubbard and John Moreland.

In this new single, Jennings imagines the patrons of a bar on the outskirts—inspired by a real blink-and-you’ll-miss-it building in his hometown of Norman, Oklahoma. Having barely noticed it for much of his life, a recent drive nearby prompted Jennings to conjure the figures who might be congregating there.

“’People In This Town’ is really just about the overlooked or hidden aspects of a small town that are often taken for granted. Norman, OK is governed by religion, sports, and partying and while that maybe isn’t that different from other places, those are still powerful forces that shape people’s lives,” says Beau Jennings.

“I love driving past this spot just north of town called The Barracuda and just extrapolating from there how it encapsulates all those things at once. It’s not a hip or trendy spot, but people not only go there for all the normal bar reasons but they also go there to celebrate, to mourn, and just live life, whether that’s a positive or negative thing.”

'People in This Town' touches down at the intersection of a trinity of Oklahoman values, for better or worse: sports, religion, and misunderstanding your neighbor. The gentle admonition of the chorus – "People in this town don’t know what they got” – touches a nerve, highlighting the chasm between parallels: what we know, we don’t know and what we don’t know, we don’t know.

It turns out that the bar in question is actually a much-beloved venue that regularly hosts holiday celebrations, bachelorette parties, musical projects and more. It’s a micro-community that most people moving past it would never be aware of. The building has no windows; you have to go in and really listen to find the lightness on the edge of town.

Jennings’ prolific songbook has become increasingly personal. Now 42, his lyrical lens is refocused from a young artist figuring out his identity to ever-changing examinations of family, of home, of our limited time and acute observations of others' lives. Thanks to Tigers guitarist Chase Kerby, drummer Dustin Ragland, organist Chris Wiser, and bassist / sound engineer Michael Trepagnier, he’s also sharpened his knack for memorable hooks.

The band’s MO on upbeat songs is airtightness, the listener receiving a tidy package that's as fun to listen to as it is to perform. It’s rock ‘n’ roll for rock ‘n’ roll’s sake, handclaps and gang vocals propping up Jennings’ words and creating a world where metaphors are swapped with literalisms and vice-versa. Where 2016 saw Jennings
 'Back in Town' chronicling a readjustment to being home again after time as an expat, here Jennings is once again on the inside, seeing what else there is to be found.

As of June 9, 'People In This Town' will be available online from fine music platforms, including
Apple Music, SpotifyBandcamp and elsewhere at https://bmr.link/bjt-people-in-this-town.  Beau Jennings & The Tigers will also be playing a series of shows in support of this new release.

CREDITS
Written by Beau Jennings
Arranged by Beau Jennings & The Tigers
Recorded and mixed by Michael Trepagnier at Cardinal Song, Oklahoma
Additional recording by Dustin Ragland in Atlanta
Mastered by Kevin Lively
Beau Jennings - acoustic guitar, vocals
Chase Kerby - electric guitars, background vocals
Dustin Ragland - drums
Chris Wiser - organ
Michael Trepagnier - bass
℗ Beau Jennings & The Tigers, under exclusive license to Black Mesa Records

LIVE DATES
May 27  EDMOND, OK - Cedar Tree Sessions House Show
June 23  OKLAHOMA CITY, OK - 51st Street Speakeasy
July 15  AUSTIN, TX - The Long Time
Aug 12  OKLAHOMA CITY, OK - Tower Theater


Keep up with Beau Jennings
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Americana pioneer Tim Easton presents life-affirming 'Sliver of Light' single, released via Black Mesa Records

"Consistently delivering quality Americana over his thirty-plus-year professional career, which started before the term was even acknowledged... a veteran performer whose best days may still lie ahead" ~ American Songwriter

"Illuminating lyricism" ~ Folk Alley

"A well-seasoned quality. With a gritty yet reassuring voice and clever, laconic and poetic lyrics, Easton has much more going on than many of today’s roots-rockers. After all, as a musical nomad, he certainly has put more miles behind him than most contemporaries" ~ The Spill Magazine

"Since debuting in the late '90s as part of the burgeoning alt-country movement, American singer/songwriter Tim Easton has established himself as first-rate storyteller, recording a series of warmly crafted albums in the 2000s for New West Records that combined engaging and thoughtful lyricism with rugged folk, rock, and roots music traditions" ~ AllMusic

'Every track is a distinct story beautifully told" ~ Americana UK

Nashville-based songwriter Tim Easton presents ‘Sliver of Light’, a song that lives in the category of powerlessness over the behavior of others. Literally inspired by a personal event and the thin line that exists between life and death, this single is released via Oklahoma-based Black Mesa Records. The accompanying video, directed by Jamey Wood, was filmed in Pegram, Tennessee.

A mainstay of American roots music for more than 20 years, Tim Easton creates songs for the Great American Songbook. With reverence for the past and an outlook toward the future, Easton is easily among the greatest songwriters of our time. Pulling from a wide range of influences, his compositions lead you on a journey that blurs the lines between folk, blues, Americana and workingman's rock & roll.

Penned with hope, ‘Sliver of Light’ finds him focusing on the present in the realization of how quickly and abruptly things can end. An organic offering, this song showcases his abilities as a songwriter and performer, and the breadth of his inspiration.

“I wrote the lyrics on a Dutch train during a European tour. I had just heard tough news from home. A friend who had fallen down was suddenly on life support. The words poured out fast and, when I arrived at my hotel, I immediately set the lyrics to music. Once back home in Nashville, the recording session was equally charged and completed in a few hours. Take one was the keeper track with me singing and playing guitar along with the band while a friend filmed us recording. Overdubs were added with some percussion, Wurlitzer keyboard and harmony vocals to complete a song that is two-thirds observation and experience and one-third baseball prayers,” says Tim Easton.

Years before Americana music was recognized at the Grammy Awards with its own category, Tim Easton helped pioneer the genre's mix of classic inspiration and contemporary interpretation, writing songs shaped by forebearers such as Doc Watson, Bob Dylan, John Prine and John Hiatt, while moving forward with the modern world.

Born near the Niagara River and raised in upstate New York, Tim Easton spent his formative years in Tokyo, Japan and Akron, Ohio. Traveling early and often, he learned the ways of the road and rails, spending seven years as a modern-day troubadour, making his way around Europe, playing the streets and clubs, living in Paris, London, Madrid, Prague, Dublin and wherever he laid his hat. Here, he developed his songwriting style – folk-based storytelling and personal traveling tales, often peppered with bold confessions or "tell it as it is" reality. Rolling Stone Magazine praised him as "having a novelist's sense of humanity."

“There is a certain helplessness that is involved with the friends and family of people who are in active addiction that is never easy to understand. I have been in this frustrating place before, and all I have is songwriting to help me deal with it. Sometimes we are simply unable to help people get well. May this song bring comfort to those who are right on the edge, barely hanging on. You are not alone,” says Easton.

With 10 critically acclaimed solo albums to date, Tim Easton has had a burgeoning career that has seen him tour the world, perform with music legends, such as Lucinda Williams, John Hiatt, Townes Van Zandt and Kris Kristofferson, and recording with many equally talented musicians (his 2001 album ‘The Truth About Us’ featured three-fourths of Wilco).

His tenth album ‘You Don't Really Know Me’ (2020) was released by Black Mesa Records and will be followed in 2023 by several vinyl re-presses – ‘Not Cool’ and Easton's solo debut ‘Special 20’. This builds on a steady wave of great music from Easton, including North American Songwriter Volume 1 & 2, a 20-song project entailing the start of a series featuring acoustic recordings of favorite songs from Easton’s vast catalog of original material.

As of April 14, ‘Sliver of Light’ will be available across fine digital platforms, including Apple MusicSpotify and Bandcamp. More info about upcoming tour dates can be found at www.timeaston.com 

CREDITS
Written by Tim Easton
Recorded at Cartoon Moon Studios in Nashville, TN
Produced by T. Easton & Gabe Masterson
Engineered, mixed by G. Masterson
Mastered by Alex McCollough at True East Mastering
Tim Easton - acoustic guitar, vocals
Kevin Nolan - electric guitar, wurlitzer, organ
Matt Nolan - drums & percussion
Tommy Scifres - bass
Coralee - harmony vocals
Video filmed and directed by Jamey Wood
Released on Black Mesa Records


Keep up with Tim Easton
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Apple Music | Spotify | Press contact

Keep up with Black Mesa Records
Website | Facebook | Twitter  | Instagram | YouTube | Soundcloud | Label contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Press contact