Molly Hatcher Drop "Once A Gambler" Video — WATCH

Southern Rock legends Molly Hatchet released their new single and video "Once A Gambler" today. The song is taken from the upcoming studio album Lost Horizon.

Watch the video below.

Guitar player Bobby Ingram says, "Win or lose, playing the game, living your life at high speed. Gambling that the winner takes it all. Once a gambling man, always a gambling man, with every aspect of life. Always thinking you are ready to bet it all, having a fierce attitude with no regrets. Living everyday with the positive attitude of betting everything. Even if losing it didn't matter. The next day you were back at sitting down and gambling to win as much as you can. Never looking back, always looking forward and betting on your life's winning to live another day and start it all over again but in another town when the winnings were good."

TOUR DATES:
10/2 — Murphys, CA — Ironstone Amphitheater
10/3 — Madera, CA — ApCal Rock N' Ranch Amphitheater
10/10 — Miami, OK — Buffalo Run Casino
10/11 — Phoenix, AZ — Celebrity Theatre
10/17 — Ponte Vedra Beach, FL — Ponte Vedra Concert Hall
10/23 — Peekskill, NY — Paramount Hudson Valley Theatre
10/24 — Jim Thorpe, PA — Penn's Peak
10/30 — Bristol, TN — The Paramount
11/12 — Nashville, IN — Brown County Music Center
11/14 — Wisconsin Dells, WI — Crystal Grand Music Theatre

DUSTIN LYNCH CALLS UP ASHLEY COOKE FOR “HOW YOU BEEN”

MULTI-PLATINUM, 10x #1 hitmaker Dustin Lynch teams up with Ashley Cooke on “How You Been,” an up-tempo country duet that turns one phone call into a rush of summer memories. Available everywhere today, listen BELOW.

Described by Lynch as a “chapter 2” to his 4X PLATINUM smash “Thinking ’Bout You,” “How You Been” finds an old connection suddenly back on the line, reopening a chapter neither side may have completely left behind. Ferris wheel first kisses, moonlit nights and a summer in Myrtle Beach come flooding back as a casual check-in starts sounding more like an invitation to pick up where they left off.

“I’m so happy to finally have a song out with Ashley. She sounds incredible on ‘How You Been,’ and from the first time I heard it, it felt like the perfect song for us to do together,” shares Lynch. “To me, it feels like chapter two of ‘Thinking ’Bout You.’ It’s that idea of reconnecting with somebody from your past and realizing those memories might still mean something to both of you. Ashley brings so much personality to her side of the song, and I can’t wait for everyone to hear it.”

“The second I heard this song, I was beyond excited Dustin asked me to be a part of it,” shares Cooke.“Not only is it an absolutely infectious melodically, but lyrically it packs a punch and has that clever double entendre I really love in a song. It’s that ‘invisible string’ story in a way that feels fun and flirty. Great song and even better duet partner, what more could you ask for?” 

Matching the song’s forward momentum, “How You Been” trades studio gloss for an up-tempo, driving arrangement with the feel of a full band in the room. Lynch and Cooke play both sides of the conversation, their vocals bringing a lived-in ease to a story that hangs on a deceptively simple question: if the memories are still this vivid, how far away is the past really?

“How You Been” offers another look at Lynch’s seventh studio album, Clean Slate, arriving October 30 via BBR Music Group/BMG Nashville. Across 12 tracks, the album finds Lynch taking stock of where he’s been and where he wants to go next, exploring love from every angle – from new possibilities and hard-earned perspective to heartbreak, second chances and the connections that refuse to disappear.

KEEP UP WITH DUSTIN LYNCH

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ABOUT DUSTIN LYNCH:
Dustin Lynch has “built one of the most consistent recording careers in modern country music” (Billboard), achieving 10 number ones, four Top 5 albums, MULTI-PLATINUM status with 12 RIAA-certified singles and more than 5 BILLION cumulative global streams. Now, the proven hitmaker turns the page with his seventh studio album, Clean Slate, arriving October 30 via BBR Music Group/BMG Nashville. Across 12 tracks, Lynch takes stock of where he’s been and where he’s headed, exploring love, heartbreak, hard-earned perspective and the moments worth holding onto while staying true to the sound that has defined his career. The album includes “Easy To Love,” road-tested honky-tonk anthem “Made In A Bottle,” “How You Been” with Ashley Cooke and “Home To You” with MC4D. Lynch recently celebrated a decade-plus of chart-topping music with Setlist Staples - 10 #1’s, bringing together the songs that have become the foundation of his live show. Released alongside new RIAA certifications for “Small Town Boy” (5X PLATINUM), “Thinking ’Bout You” (4X PLATINUM), “Ridin’ Roads” (2X PLATINUM) and “Chevrolet (feat. Jelly Roll)” (PLATINUM), the collection underscores a catalog built to last. Beyond the charts, Lynch has headlined packed venues and toured with some of country’s biggest names, including Kane Brown, Luke Bryan, Brad Paisley and Blake Shelton. A longtime fixture in Las Vegas nightlife, he made history as Wynn Nightlife’s first-ever country music artist residency in 2025 and returned in 2026, further expanding his sound through genre-blending collaborations and his Club Set Remixes EP. Since his PLATINUM breakout “Cowboys and Angels” in 2012, the Tennessee native has earned industry recognition as a Grand Ole Opry member, alongside high-profile nominations from the Academy of Country Music Awards, American Music Awards, Billboard Music Awards, iHeartRadio Music Awards and CMT Music Awards.

GAVIN ADCOCK RELEASES 3RD ALBUM IN 3 YEARS: THE DAY I HANG IT UP

Gavin Adcock had an instinct to turn others’ doubt into motivation ever since he was a kid on a cattle farm in Watkinsville, Georgia. That drive serves as the inspiration behind his latest album, The Day I Hang It Up, available now via Thrivin Here Records/Warner Records Nashville. Listen HERE. 
 
“As much as people might want to cut me down, as much as they want to make me an outcast or make me smaller in their head, I’m not going anywhere,” Adcock promises. “When I quit, it’s going to be because I want to—not because someone made me, or tried to run me out. That’s the whole premise of The Day I Hang it Up.” 
 
A co-writer on all but four songs, the project also includes collaborations with Treaty Oak Revival, ERNEST, and his previously released fan favorite, “Cheap Thrills” with Hudson Westbrook. 
 
The official music video for “Us Again” featuring Treaty Oak Revival premiered simultaneously with the album release. Directed by Jack Owens and produced by Sydney Hampton, the video builds a narrative around the push-and-pull of a toxic relationship, with the narrator assured that despite the relationship ending, “I know we’ll wind up us again.” Watch BELOW. 
 
Adcock has steadily released new music since announcing the album, with 11 of the 26 tracks available before the official release. Offering a mix of heartbreak, love, and his signature “outlaw-country edge” (Parade), The Day I Hang It Up also adds a layer of depth to the country star’s repertoire. Songs including “Shoes” and “Rockstar Life” delve deeper into the cost of rising fame, while “Holes In The Boat” offers an honest look at trying to balance masculinity and vulnerability concerning mental health. 
 
Adcock previewed the album to fans and industry insiders at Nashville’s Exit/In on Tuesday, Sep. 29. With a 14 song setlist, Adcock sang nine songs off the album while also playing fan favorites, “A Cigarette,” “Ain’t No Cure,” “Need To,” “Last One To Know” and “Run Your Mouth.” 
 
Adcock invited fans to vote on which city they wanted to see host his album release shows. The overwhelming response led the singer to choose and quickly sell out two cities: Studio at The Bomb Factory in Dallas, TX on Oct. 5 and The Eastern in Atlanta, GA on Oct. 8. 
 
The Day I Hang It Up is Adcock’s third album release in three years, and follows the success of his previous album, Own Worst Enemy, which arrived as the top new Country album on the Billboard Top 200 Country Chart AND the top streaming new album on the Billboard 200 All-Genre Chart week of release (Aug 15, 2025). Before that, his major-label debut album Actin’ Up Again became the highest streaming major-label Country debut from a solo male artist in 2024, with more than 15 million on-demand U.S. streams the week of release, and was 2024’s top streaming major-label debut across the entire genre.

About Gavin Adcock:
Gavin Adcock, dubbed by Billboard as "one of country music’s most buzzed-about artists” is a Georgia native, born and raised in Watkinsville. Former Georgia Southern University football player, Gavin grew up working on his family’s cattle farm and dreamt of riding bulls in the PBR. He started writing songs in high school, but it wasn’t until the spring of 2021, when Adcock tore his knee playing football, that he used his healing time to record and release his first original single. Since then, Gavin has collectively amassed more than 2 BILLION global streams across singles including the fan-favorite, RIAA PLATINUM-certified, “A Cigarette,” GOLD-certified songs “Run Your Mouth,” “Deep End,” “Four Leaf Clover” and more. His album, Actin’ Up Again, was crowned the largest major-label country debut from a solo male artist released in 2024 and was the year’s top streaming major-label debut across the genre. Within less than a year, Adcock more than doubled his previous streaming record with over 25 MILLION first week US streams on new album Own Worst Enemy, released August 15, 2025. Own Worst Enemy debuted as the top new Country album on the Billboard 200 Country Chart (No. 4) and top streaming new album on the Billboard 200 All-Genre Chart (No. 14) week of release. In the Spring of 2026 Gavin was able to add Executive Producer to his achievements, with the release of Adcock’s brainchild, Country Never Dies, enlisting the help of nine artist peers to join him on the special, timeless, project. The MusicRow Awards’ “Discovery Artist of the Year” nominee has also won over the hearts of both Country music fans and music industry alike, leading to his New Artist of the Year nominations at both the 60th & 61st ACM Awards. Taking his music to the fans, Adcock is currently underway on The Day I Hang It Up Tour 2026, marking the fourth extensive headlining tour since 2024.

Photo Credit: Madelyn Ormond

COLIN STOUGH & KENNY WAYNE SHEPHERD PLUG IN FOR “BONE DRY (REVISITED)” – OUT NOW

Colin Stough plugs “Bone Dry” back in alongside blues-rock icon Kenny Wayne Shepherd with “Bone Dry (Revisited),” available everywhere today. Listen BELOW.

Originally released in July as one of Stough’s most stripped-down recordings to date, “Bone Dry” found the Mississippi native with nothing left between his gravel-worn vocal and the aftermath of a relationship that took everything out of him. Now, Stough and Shepherd revisit that heartbreak from the other side of the amplifier, giving the song an electric edge while leaving its emotional core exposed.

“Getting to work with Kenny Wayne Shepherd on ‘Bone Dry’ was honestly pretty surreal for me,” shares Stough. “I’ve been a fan of his music for a long time, so having him bring his guitar and his sound to a song that means a lot to me was something I’ll never forget. He took the song to a whole different level, and I’m really proud of what we made together.”

“Colin has been so great to work with. He knows exactly what he wants with his music. I understand just how unusual it is for someone his age to possess that kind of maturity and drive. He has exceptional musical instincts and is such a great writer, singer, guitarist, and he has a lot of depth in his musical arsenal to draw from. It’s been a lot of fun working with him and I’m excited to see what we come up with next,” shares Shepherd.

Written by Stough, Gavin Lucas and Jackson Inman, “Bone Dry” uses the image of a river run dry to capture the point after heartbreak when even the tears are gone. Cracked earth, empty skies and memories of what once flowed freely frame a breakup that leaves Stough drained rather than angry. On “Bone Dry (Revisited),” Shepherd’s unmistakable guitar enters that landscape, answering Stough’s weathered vocal and bringing new voltage to a song built around having nothing left to give.

The collaboration also brings together two artists whose musical roots meet naturally across Southern rock, country and blues. A multi-Platinum blues-rock guitarist with six GRAMMY nominations, Shepherd has notched a string of No. 1 blues albums and No. 1 mainstream rock singles across his career. Raised on the Mississippi-Alabama line, Stough grew up absorbing the sounds of artists including The Allman Brothers and has increasingly pushed his own music toward the heavier edges of his influences. With Shepherd joining him on “Bone Dry (Revisited),” the song stretches further into that blues-rock lineage without losing the raw country storytelling at its center.

About Colin Stough
Born and raised on the Mississippi-Alabama line, 21-year-old Colin Stough was brought up on Southern rock and second chances. A self-taught guitarist and gravel-voiced storyteller influenced by The Allman Brothers, Conway Twitty and Koe Wetzel, he first picked up a guitar at age eight, later trading prized possessions for a pawn shop acoustic he still plays today. After high school, he worked full-time as an HVAC tech until his mom pushed him to audition for American Idol Season 21. That leap launched a life-changing ride, including a standout third-place finish, a deal with 19 Recordings/BMG Nashville and breakout songs like “Sober,” “‘Til The Day One Does” and the hard-edged anthem “White Trash.” With a skinned-raw vocal and lyrics carved from lived experience, Stough has built a loyal following of more than 800K across social platforms. His EPs Promiseland and Lookin’ For Home offer a no-frills portrait of a young man navigating life with Southern grit, while releases including “White Trash,” “20 Bucks,” “Best For You,” “21 Year Old Man Blues,” “Trippin’” and “Bone Dry” continue to showcase both the power and vulnerability of his songwriting. His latest, “Bone Dry (Revisited),” finds Stough joining forces with blues-rock icon Kenny Wayne Shepherd for an electrified new take on his stripped-down heartbreak ballad. On the road, he has opened for acts like Chase Matthew, Drake White and Kidd G as he continues to build his audience one show at a time. A student of Skynyrd and the outlaw spirit, Stough isn't chasing trends. He's telling the underdog's truth, one song at a time.

KEEP UP WITH COLIN STOUGH
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OUT NOW: Of Virtue's "Death Of The Altar" + New Video For "Too Late"

Michigan metalcore outfit, Of Virtue, unleash their highly-anticipated new album, "Death Of The Altar", today via Arising Empire. Expanding on the emotional depth that propelled their 2023 hit record, "Omen" to over 65 million streams, the band return sharper and more deliberate than ever, leaning into their charismatic balance of melody, intensity, and unflinching honesty. Watch the brand new video for "Too Late" below, and stream the new record HERE.

Built on crushing guitar riffs, industrial electronics, atmospheric production, and the striking contrast between Tyler Ennis and Damon Tate's vocals, "Death Of The Altar", moves effortlessly between claustrophobic heaviness and enormous, soaring choruses. Across the record, Of Virtue explore what happens when devotion becomes destructive, when love turns into dependency, and when the things we give ourselves begin taking more than they give back.

That idea runs through the album in different forms. Relationships collapse under the weight of obsession, guilt and resentment, while elsewhere the band confront isolation, grief, mortality, mental turmoil and the consequences of self-destructive behavior. Religious imagery repeatedly collides with deeply human experiences of love and suffering, turning the altar into a symbol for everything we worship, sacrifice for and eventually may have to leave behind.

At its core, "Death Of The Altar" is about reaching that breaking point and finally confronting it. Songs such as "Death Of The Altar", "Enemy State", "What's It Like To Be Happy?", "Flatline", and "Devotion" approach that struggle from different angles, while the defiance of "Can't Keep Knockin' Me Down" offers another side of the record: refusing to remain trapped by the people and forces that have caused the damage.

Arriving alongside the album is "Too Late", a massive, emotionally driven metalcore track that captures Of Virtue at their most visceral. Urgent rhythms and punishing riffs collide with soaring melodies as screams and clean vocals trade places throughout one of the record's most immediate choruses. Beneath its intensity lies an unflinching confrontation with regret, selfishness, and the realization that sometimes the damage has already been done. The track's repeated acknowledgement that there may no longer be a way back perfectly reflects the wider emotional weight running throughout "Death Of The Altar".

Facing his mistakes without making excuses on "Too Late", co-vocalist and guitarist Damon Tate shares:

"When this song was being written, I was at a lower point in my life, reflecting on past mistakes, moments where I was not my best self and realizing that I had hurt people in ways that I didn't (or refused to) acknowledge. My emotional maturity was being tested like never before, and by bringing all of these issues forward, I forced myself to swallow the proverbial bitter pill and accept those circumstances. My view of intimate relationships, as well as those with platonic friends and family, was skewed. I have had a hard time communicating my feelings over the course of my life and I don't want those who love and support me to feel like I am shutting them out. I want to be able to feel comfortable asking questions and connecting on a meaningful level before their time on this Earth is up."

On what it took for the band to tear themselves down and rebuild on "Death Of The Altar", co-vocalist and guitarist Damon Tate continues:

"Words can't properly describe how this record feels for all of us! In many ways, this was the hardest record we have ever made emotionally, spiritually and mentally. There were arguments, tense moments and many long conversations peeling back the layers of who we are as a band and what we want to convey with this record. DEATH OF THE ALTAR for us collectively is an ego death experience. The things we thought were the most important were, in time, the things holding us back from the best version of ourselves. It took all of us getting into a room and challenging each other as best friends/brothers to get to where we are at and we couldn't be more proud of the record we made and the mark we hope to leave when everyone has a chance to hear it!"

On the live front, Of Virtue recently completed a summer run alongside Savage Hands and shared the stage with In This Moment in Pittsburgh, before they traveled overseas for their current European tour supporting Unprocessed. All tour details can be found HERE.

Harnessing the potent fusion of powerful melodies and emotionally charged lyrics, Of Virtue maintain a steadfast commitment to authenticity, consistently redefining the genre while staying true to their artistic essence. Beloved across 35 countries and having performed at multiple Danny Wimmer festivals, Upheaval, Full Force, Summer Breeze, and Pulp Summer Slam amongst many others, it's no surprise that they've shared stages with bands such as Slipknot, Bad Omens, Nothing More, and Three Days Grace. Beyond their musical prowess, the metal powerhouse also serve as passionate mental health advocates on and off stage. Often seen using their platform to raise awareness and openly discuss these vital issues, Of Virtue have become a source of hope and inspiration for countless fans facing similar challenges.

Carrying forward the spirit of their 2023 record, "Omen", Of Virtue continue to champion vulnerability, community, and the belief that no one is defined solely by their worst decisions. With "Death Of The Altar", the band refine and expand their sound, one marked by confrontation, growth, and the difficult process of letting go. Unafraid to sit in discomfort, Of Virtue deliver a fearless exploration of what it takes to dismantle the parts of yourself that no longer serve you, even if it means tearing down everything that once felt like home.

Be sure to stay tuned for more Of Virtue news coming very soon.

OF VIRTUE

Supporting Unprocessed

October 3 - Paris, France - Maroquinerie

October 4 - Tilburg, Netherlands - 013 Next Stage

October 5 - Nijmegen, Netherlands - Doornroosje

October 6 - Cologne, Germany - Gebäude 9

October 7 - Hamburg, Germany - Kent Club

October 8 - Berlin, Germany - Hole 44

October 9 - Munich, Germany - Strom

October 10 - Frankfurt, Germany - Batschkapp

ABOUT OF VIRTUE

In the face of omnipresent change, OF VIRTUE has never wavered, forging a legacy that stands as a testament to the power of reinvention and a refusal to surrender. Since the band’s inception, their music – a punishing-yet-melodic mix of hard rock, metal, and alternative – has mirrored that ambition: unexpected and ever-shifting, always rooted in raw emotion. 

That restless spirit is fully realized on “DEATH OF THE ALTAR,” their record following their 2023 record Omen. Built on jackhammer riffs, skittering industrial electronics, and ethereal production, the band’s fourth studio album surges from claustrophobic tension into a widescreen, soaring set of choruses showcasing contrasting vocal styles of Tyler Ennis and Damon Tate – equal parts soulful and caustic. The shifts land like the split second before impact, amplifying the record’s central theme: confronting the moment when devotion turns into self-destruction.

“DEATH OF THE ALTAR,” the band’s fourth album, follows a period of rapid ascent: 2023’s Omen propelled the Michigan-based act to more than 65M streams, 4M YouTube views, and tours and festival appearances alongside Slipknot, Gojira, Bad Omens, The Used, and Three Days Grace, yet their momentum has always been fueled by more than accolades. Drawing inspiration from their diverse ethnic backgrounds (Chinese, Vietnamese, Mexican, Black, and Irish heritage), Of Virtue finds strength from these distinct perspectives, shaping their chemistry, songwriting and shared sense of purpose.

GRAVE DIGGER Release New Single + Lyric Video "The Number"

German heavy metal legends GRAVE DIGGER present “The Number”, the new single from their upcoming studio album Faces of Pain, set for release on January 15, 2027 via Reaper Entertainment. With “The Number”, GRAVE DIGGER reveal a particularly intense side of their new album. Musically, the track is built around a powerful, riff-driven mid-tempo foundation, a massive chorus and Chris Boltendahl’s unmistakably rough vocals. Its dark and menacing atmosphere provides the setting for a subject that is particularly close to the GRAVE DIGGER frontman’s heart.

Watch the official lyric video for “The Number” Below:

Chris Boltendahl comments on “The Number”:

“THE NUMBER is far more than just a song – it is a cry against forgetting and a memorial to humanity.

We look back at one of the darkest chapters in history. There was a time when people were stripped of their names, their identities and their dignity. Instead, numbers were burned into their skin. They were no longer seen as human beings, but treated like animals – trapped in an unimaginable system of systematic inhumanity.

When we look at the world today, a justified fear begins to creep in: the fear that these horrific times, in a different form, could one day return. That we might forget where hatred and the dehumanization of others can lead.

This is exactly where THE NUMBER comes in. This song is an unequivocal statement against the horrors of the past. Against what happened and what none of us ever want to experience again. But despite its serious and historical context, the song carries an even more important message: it is a symbol of hope. A sign for peace, for the inviolable dignity of every human being and for a future in which every name matters and every individual is free to be who they are.”

“The Number” offers another taste of Faces of Pain. Following the straightforward old-school approach of their 45th-anniversary album Bone Collector, GRAVE DIGGER continue down this path with a record that sees the band as energetic, uncompromising and diverse as ever.

Razor-sharp riffs, massive choruses and Chris Boltendahl’s unmistakably rough vocals form the backbone of the album. Fast-paced heavy metal bangers such as “Faces of Pain” and “Satan’s Tango” meet riff-driven mid-tempo anthems including “The Number”, “Legends Never Die” and “When The World Is Calling You”, while “Dead Sun” and “Say Hello To The Devil”reveal the band at their heaviest and darkest.

Pre-orders for the new GRAVE DIGGER album are now open. Faces of Pain will be released on January 15, 2027 via Reaper Entertainment and is available in various formats and limited editions.

Pre-order “Faces of Pain” here: https://lnk.to/FacesOfPain
 

More than 45 years after their formation, GRAVE DIGGER show no signs of slowing down. Faces of Pain is an album packed with energy and classic heavy metal – firmly rooted in the band’s history while looking straight ahead.

The album was produced by Chris Boltendahl at Graveyard Studios in Senden, Germany. 

The cover artwork was created by Uwe Jarling.

Starting in January 2027, GRAVE DIGGER will also bring the new material to the stage. On the “Legends Never Die Tour”, fans can experience the unbroken live power of this German heavy metal institution.

LEGENDS NEVER DIE TOUR
GRAVE DIGGER
MOTORJESUS
WARWOLF

14.01.2027: Siegburg – Kubana Live Club
15.01.2027: Münster – Sputnikhalle
16.01.2027: Andernach – JUZ Live Club
21.01.2027: Nürnberg – Hirsch
22.01.2027: Memmingen – Kaminwerk
23.01.2027: München – Backstage
24.01.2027: (CH) Pratteln – Z7 Konzertfabrik
28.01.2027: Aschaffenburg – Colos-Saal
29.01.2027: Mannheim – Capitol
30.01.2027: Leipzig – Hellraiser
04.02.2027: Berlin – Hole 44
05.02.2027: Hamburg – Markthalle
06.02.2027: Hannover – MusikZentrum
12.02.2027: Markneukirchen – Musikhalle
13.02.2027: Bochum – RuhrCongress

Tickets: https://www.rockworld24.com/smartlinks/rockworld24/grave_digger_live.html

For More Information Please Visit:

Official Website

Instagram

Facebook

Spotify

THROWLIGHT Confront A Fractured American Dream On New Single “Welcome To America”

Southern California genre-defiers THROWLIGHT return with “Welcome To America,” a confrontational new single that turns the band’s collision of rap, metal, hardcore and punk toward the state of the country they call home. The single can be ordered as a limited edition cassette HERE: https://rocomtoys.com/products/welcome-to-america-cassette-single

Driven by frustration with racism, oppression, greed and the erosion of freedoms, “Welcome To America” questions whether the American Dream was ever truly attainable for the generation that inherited it. The track does not simply catalog what the band sees as broken within the country. At its core, it is also a call for change and a reflection of the belief that music should speak directly to the moment in which it is created.The band shares: “The promises that come with living as a citizen of the United States of America have been dismantled and threatened over the past few years. We’ve reached a breaking point where, if change doesn’t come soon, the very freedoms we’ve fought for will be lost. Our song highlights the corrupt systems of racism, oppression and greed that are deeply rooted in our country’s foundations. It all leaves us wondering if the American Dream was ever going to be real for our generation.

“We have hope in change, though. Music should reflect the times, and that’s exactly what our song sets out to do.”

Musically, “Welcome To America” mirrors that urgency. Driving vocals collide with metallic riffs, hardcore aggression and the raw directness of punk, creating a track that feels intentionally restless and confrontational.

Rather than offering easy answers, THROWLIGHT use “Welcome To America” to capture the anger, exhaustion and uncertainty surrounding a country whose promises increasingly feel at odds with reality. Still, the song refuses to surrender completely to cynicism. Beneath its criticism is the belief that change remains possible, and that speaking openly about what is broken is part of getting there.

About THROWLIGHT:

Hailing from South Orange County, THROWLIGHT cultivate a dynamic, genre-fusing sound from the diverse musical backgrounds of its members. Drawing from across punk, metal, rap, and hardcore, this fusion results in a unique style that combines heavy grooves, catchy leads, and rap verses designed to keep listeners' heads swinging. 

Inspired by iconic acts, notably DEFTONES, RAGE AGAINST THE MACHINE, FAITH NO MORE, ICE CUBE, THE BEASTIE BOYS, LINKIN PARK, the band's deep established bonds, having known each other since childhood, also infiltrate their stylistic sound. 

THROWLIGHT emerged through Kevin Betz and Chris Ellis joining to create a metal band, with underground rapper Rocom stepping up as lead vocalist. The addition of Rocom's longtime collaborator in rap, King of Somewhere, finalized the band's distinctive sound as he introduced his synth sounds leading to a blend of hip-hop with a heavy metal soundscape. THROWLIGHT unveiled their debut album Monster independently in 2024. 


THROWLIGHT Is: 

Rocom - Vocals
Chris Ellis - Guitar
Kevin Betz - Bass
Andrew Bogert - Drums
King of Somewhere - Synth


Connect With THROWLIGHT:

Official Website: https://throwlightmusic.com/
Bandcamp: https://throwlight.bandcamp.com/music
E-Shop: https://rocomtoys.com/collections/throwlight
Facebook: https://www.facebook.com/throwlightmusic
Instagram: https://www.instagram.com/throwlightofficial
Twitter/X: https://x.com/throwlightmusic
YouTube: https://www.youtube.com/@throwlight
Spotify: https://open.spotify.com/artist/3wNptBLA2tvZk8NsxwwklA
Apple Music: https://music.apple.com/us/artist/throwlight/1762475208
TikTok: https://www.tiktok.com/@throwlight

[Artwork by Ian Ameling]

Aussie Deathcore Titans TO THE GRAVE Release New Album 'LIBERATION FRONT' — Out Now via BLKIIBLK

Today, TO THE GRAVE, the world's preeminent vegan deathcore band, proudly unleash their new album, 'LIBERATION FRONT,' out now via BLKIIBLK. Celebrating the release, the band also launches their new single, "LIMB FROM LAMB," alongside a music video.

On the new single, bassist Matt Clarke comments:

“'LIMB FROM LAMB' was the song that probably changed the most in the recording process. Until it was done, I wasn’t sure it would even make the cut for the album. It really took Dane’s lyric arrangement and vocal delivery to make it shine. It's a bit of a change of pace from the previous singles, this one is slow (for us), brooding and heavy”

“For the video we leaned heavily into the horror movie imagery. Our music and visuals have always been inspired by horror and this was a chance to be really obvious with one of our favorites. It’s always made sense for us to connect this kind of inspiration to the real-life horror we address in the lyrics."

Watch the Official Music Video for "LIMB FROM LAMB" BELOW:

Since forming in 2010, TO THE GRAVE have become one of Australia's most uncompromising heavy exports, earning acclaim for crushing releases including 'Global Warning,' 'Epilogue,' 'Director's Cuts,' and 2024's 'Everyone's a Murderer.' Armed with a singular mission to confront animal cruelty and environmental destruction through some of modern metal's most punishing deathcore, the Sydney outfit have forged a reputation for pairing unrelenting heaviness with fearless activism. Their live assault has taken them around the globe alongside Lorna Shore, Thy Art Is Murder, Shadow of Intent, Carnifex, Oceano, and more, with Revolver hailing them as "one of the country's heaviest exports" and Distorted Sound calling them "one of the most intense, enthralling bands the genre can offer."

Now, the band returns with 'LIBERATION FRONT,' their fifth album and BLKIIBLK debut, a statement of pure intent. Brutal and uncompromising in both sound and message, TO THE GRAVE transform their death metal-infused assault into a vehicle for activism, raging against animal cruelty and environmental destruction while delivering their most direct and fully realized work to date. From the breakdown-laden opener "MEAT THE HUMANS,"'Liberation Front' marks a ferocious return to the band's deathcore roots. While recent releases leaned further into hardcore, the new album embraces deathcore at its most savage and relentless.

Evans comments about the album:

"'LIBERATION FRONT' was born as a concept on tour last year in Australia after we decided we wanted to make the sequel to 'Director’s Cuts.' What came out was something between that and a more pissed off brother to 'Everyone’s A Murderer.' It’s got so many things I love about the band and a bit of everything pushed to 100 with a really bleak kind of aggression that’s just reaching for your throat the entire time. Very keen to play some of these songs live and it’s an exciting chapter to add.”

Order 'LIBERATION FRONT' HERE

TO THE GRAVE is currently on "The Sawed Off Suffering Tour" with co-headlinerCrown Magnetar. The entire run is supported by Face Yourself and on select dates by the likes of I Declare War, Tracheotomy, Backbiter, Squelching and Ameonna (the new band featuring former Chelsea Grin members Alex Koehler, Jake Harmond and Pablo Viveros, making their live debut). For a full list of remaining dates, please see below.

Bassist Matt Clarke exclaims:

“These are the heaviest lineups we’ve ever put together, and we can’t wait for these shows across North America and at home in Aus. For North America, all these bands have a different approach, but the one thing that brings it all together is intensity! We’re stoked to be teaming up with Crown Magnetar for this run, and having Face Yourself on the package just makes it more crushing. We’re very excited that we get to play with OG Chelsea Grin members back on-stage for the first time in Ameonna, and I Declare Warhopping on for some shows is awesome! Backbiter, Tracheotomy, and Squelching will all bring their own brands of brutality to the tour. No matter what show you’re hitting, you’re in for a treat.”

TO THE GRAVE Live:

North America w/ Crown Magnetar, Face Yourself

Oct 2 - Atlanta, GA @ The Masquerade (Purgatory) ^

Oct 3 - Jacksonville, FL @ The Albatross ^

Oct 4 - West Palm Beach, FL @ The Banyan Live ^ 

Oct 6 - Dallas, TX @ Club Dada $

Oct 7 - Austin, TX @ Come and Take It Live $

Oct 9 - Mesa, AZ @ Rosetta Room

Oct 10 - Los Angeles, CA @ Echoplex +

Oct 11 - Roseville, CA @ Goldfield Trading Post +

Oct 13 - Portland, OR @ The Hawthorne Theatre +

Oct 14 - Seattle, WA @ El Corazon +

Oct 16 - Salt Lake City, UT @ Soundwell ~

Oct 17 - Denver, CO @ HQ ~

* w/ Backbiter

^ w/ Tracheotomy

$ w/ Squelching

+ w/ I Declare War

~ w/ Ameonna

More Dates TBA!

'LIBERATION FRONT' is more than an album; it is a musical and lyrical call to arms, designed not only to rage against the machine but to educate, provoke, and challenge listeners on every level. Combining their most savage deathcore material to date with an unwavering commitment to animal liberation and environmental activism, 'LIBERATION FRONT' stands as TO THE GRAVE's definitive statement: fierce, unapologetic, and impossible to ignore.

As Evans puts it, “this is our way of establishing order. The band is built around our way of doing things and to me this title is just waving that flag. These songs are about direct action, open rescue, abolition and liberation by any means necessary.”

TO THE GRAVE are:

Dane Evans - Vocals

Jack Simioni - Guitar

Nic Webb - Guitar

Matt Clarke - Bass

Connor Kingdom - Drums

Band Bio HERE

Teen Sensation Kage Archer Shares "Static In My Head" Video — WATCH

Wichita-based teenage wunderkind KAGE ARCHER is back with the video for his ballistic new single "STATIC IN MY HEAD." Watch it below. 

Yes, he's really 13, despite sounding like a seasoned veteran with major metal chops.

"I know everyone wants there to be some deep meaning but this one is just fun," he says. "It's fast as hell, it's heavy, but it's still super catchy."

It also follows Archer's recent single "BONDED BY BLOOD." Listen here. 

Kage Archer is redefining the future of heavy music at just 13 years old. A multi-instrumentalist who mastered drums at four and self-taught guitar and bass shortly after, Kage found his true calling behind the mic. His rise began when a TikTok video of him covering Motionless in White's "Slaughterhouse" went viral, landing him on stage with the band at age 10 in front of 6,000+ fans, a performance Chris Motionless (Motionless in White Vocalist) dubbed a "Top 10 career moment." Known to collect high-profile performances like Infinity stones, Kage has demolished stages with Fit For A King, From Ashes to New, Alpha Wolf, and I Prevail. Now, with guidance from industry heavy-hitter Hiram Hernandez (Producer for Blessthefall, Saosin, Left To Suffer, etc.) and backing from The Artery Foundation, Kage Archer is stepping out of the cover scene to unleash his own original music and dominate the heavy music world.

Folk Metal Duo FORGOTTEN SHRINE Release New Single "Gods Of War," Inspired By The Music Of Skyrim

FORGOTTEN SHRINE traverse dramatic soundscapes and landscapes in the new single release, "Gods Of War." Drawing inspiration from the open-world, mythical realms of Skyrim, "Gods Of War" takes the form of a bard's song in FORGOTTEN SHRINE's characteristic dynamic style. The single is taken from the forthcoming full length Nox Aeterna, set to release independently on November 6, 2026.

Sofia Frasz comments on the origins of "Gods Of War": "I had the idea for this song way before Josh and I even started Forgotten Shrine. I first wrote the lyrics in February 2021, and was thinking about releasing an acoustic Exiled Hope EP at the time. I had wanted to make music that sounded like it could be a Skyrim-style bard’s song, but hadn’t quite found a place for it in the Exiled Hope canon yet. I finally revisited the song shortly after we started Forgotten Shrine, and recorded an updated demo in 2024. Then I sent the demo to Josh, and we embellished and reworked it together."

"Gods Of War" continues the overarching narrative of Nox Aeterna. The album's protagonists, the keepers of an ancient shrine dedicated to art, creativity, and freedom, are well on their way to finding the source of the approaching darkness. They grow weary, however, at the apathy of those they encounter on the road as the impending destruction of all creeps nearer. 

Nox Aeterna was produced, mixed and mastered by Joshua Dalviken. The album artwork was created by Josh Alexander and Joshua Dalviken, with the cover art for "The Parting Glass (Reforged)" created by Josh Alexander and Tricia Alexander. 

About FORGOTTEN SHRINE:
Created by Josh Alexander (Pennsylvania, USA) and Sofia Frasz (Maryland, USA), FORGOTTEN SHRINE fuses the sounds and textures of folk instruments with the power and darkness of metal. Through their genre-crossing arrangements FORGOTTEN SHRINE delve into fantasy realms creating both upbeat songs perfect for embarking on an adventure and heavier offerings for battling shadowy forces. 

Alexander and Frasz combine their compositional styles, instruments and vocal textures to produce dynamic and emotive music. The upcoming full-length sees the duo each take the reins across the track list while ensuring FORGOTTEN SHRINE's core identity remains cohesive. 

FORGOTTEN SHRINE is: 
Josh Alexander - Guitar, Bass, Hurdy Gurdy, Irish Bouzouki, Additional Instruments, Backing Vocals, Composition.
Sofia Frasz - Lead Vocals, Guitar, Lyrics, Composition.

Connect With FORGOTTEN SHRINE: 
Facebook: https://www.facebook.com/profile.php?id=61555238025771&mibextid=ZbWKwL
Instagram: https://www.instagram.com/forgottenshrineband
YouTube: https://www.youtube.com/@ForgottenShrineBand
Spotify: https://open.spotify.com/artist/0q7rFp0yxvWoxGWqIt21nI?si=p5jz0YOOROOHFy5jxHAW6A
Apple Music: https://music.apple.com/gb/artist/forgotten-shrine/1734698132

Void Sector Zero Announce Thrashing Debut Album Dead Space Enigma

Powered by the gravitational pull of a thousand suns, Void Sector Zero brings together three of extreme metal’s brightest burning stars in guitarist Christian Muenzner (Necrophagist, ex-Obscura, ex-Alkaloid), vocalist and bassist Alex Weber (Revocation, Malignancy, Exist), and drummer Gabe Seeber (Decrepit Birth, Abigail Williams, Carach Angren). While inspired by past greats, the star-powered band’s upcoming debut album, Dead Space Enigma, shreds a hole through the space time continuum with their modern spin on progressive thrash metal.      

Today, Void Sector Zero are announcing Dead Space Enigma with a music video for the album’s stellar lead single. “Vortex Divinium” whirls at warp speed through Area 51.  

“This song was inspired by Bob Lazar’s story about Element 1-15, the element that he says was used to fuel the anti-gravity propulsion system of the alien space craft that he was working on”, Muenzner says. “Musically, the song has a very proggy and neoclassical twist with traces of ‘70s prog and jazz fusion”.

Watch the music video for “Vortex Divinium” below:

Dead Space Enigma comes out December 11, 2026 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/voidsectorzerodse

The stars of Void Sector Zero first crossed paths in 2022. Muenzner, Weber and Seeber hit it off while all three were playing together in Obscura during the world tour for A Valediction.

“I’ve always wanted to play tech-thrash”, Muenzner says, citing Coroner, Voivod, Toxik, Martyr, Hexenhaus and Aspid as personal favorites. “When I decided to start my own band in this style, I thought of Alex and Gabe. Not only are they both great players, but I knew from our time in Obscura that we had great chemistry both on and off stage”.

“I am extremely excited to be creating music with Christian and Alex as Void Sector Zero”, drummer Gabe Seeber says. “Playing with musicians of this caliber will push me to progress and become a better musician, and there’s no better label to represent us and this sound than Season of Mist”.  

“Dead Space Enigma was a real blast to work on”, vocalist and bassist Alex Weber says. “Chris wrote a very demanding set of tunes that really pushed my bass and vocal techniques to new levels. To date, I feel like this album has the best recorded bass tone that I’ve ever gotten. It also led me to try new things with my voice that I didn’t know I could do. I can’t wait for everyone to hear it!”

Despite the band’s lengthy incubation period, Void Sector Zero hatch something truly mind-blowing on Dead Space Enigma. Fueled by Seeber’s adroit maneuvering from behind the drum kit, “Vortex Divinium” zips through Lazar’s twisted tale from Area 51. “Become god in the blink of an eye”, Weber growls with superhuman force. Catchy melodies fall atop gravity-defying bass runs like stardust as Muenzner shoots off into a shimmering solo that’s more well-traveled than Halley’s Comet.

“Bluesy guitarists like Jimi Hendrix and Robin Trower influence my approach to soloing as much as Yngwie Malmsteen and other great metal guitarists”, Muenzner says. “Whether it’s neoclassical or classic heavy metal, I like to add contrasts to my solos by introducing new colors”.

The video for “Vortex Divinium” was filmed and directed by Jesus Hernandez.  

Despite the band’s lengthy incubation period, like an experiment secreted at Area 51, Void Sector Zero hatch something truly mind-blowing on Dead Space Enigma. The album isn’t bound to one particular concept, but each song opens another portal into science fiction or cosmic horror. Lead single “Vortex Divinium” whirls at hyper speed through the warped mind of Bob Lazar. Propelled by gravity-defying bass runs, a dizzying guitar solo shreds the cosmic divide between tech-trash,‘70s prog rock and jazz fusion.

“Bluesy guitarists like Jimi Hendrix and Robin Trower influence my approach to soloing as much as Yngwie Malmsteen and other great metal guitarists”, Muenzner says. “Whether it’s neoclassical or classic heavy metal, I like to add contrasts to my solos by introducing new colors”.    

While Void Sector Zero gravitate toward tech-thrash, Dead Space Enigma is teeming with life-forms from across the metal universe. Guest vocalist Morean commands the freakishly fast march of “Cybernetic Infantry” from behind an eerily catchy vocoder. Under the influence of hard rock and trad metal, the twisted time signatures of “Extraterrestrial Disassembly” unravel into a DMT trip gone horribly wrong. “I like albums that offer an escape from reality”, Muenzer says. “Ammutseba” bangs heads in honor of the great Lovecraftian deity, but the all-consuming power of its chorus speaks to this band’s place amongst the gods of extreme metal. “A prophecy / Was once foretold”.  

On Dead Space Enigma, Void Sector Zero emerge with a star-studded explosion of progressive thrash metal.

Lineup

Christian Muenzner - Guitars, Synth

Alex Weber - Vocals, Bass

Gabe Seeber - Drums

Guest musicians
Morean (Alkaloid, ex-Dark Fortress) - Vocals on "Dead Space Enigma" & "Extraterrestrial Disassembly"

Recording credits
Guitars and synths recorded at Shredquarter Studios in Mexico City.
Bass and vocals recorded at Alex Weber's home studio.
Drums recorded at Mayhemeness Recording Studio in Sacramento, California.

Production credits
Produced by Christian Muenzner, Pere Revert and Alex Weber.
Mastering, Mixing & Sound Engineer - Pere Revert
Mastering & Mixing Studio - SONNOS Andorra
Drums engineered by Robert Swanson

Cover art
Tim Kokott

Pre-order & Pre-save

https://orcd.co/voidsectorzerodse

Available Formats
​​​​​CD Digipak
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Transparent red and black marbled)
12" Vinyl Gatefold (Transparent blue, black and white marbled)

Follow Void Sector Zero

Facebook:https://www.facebook.com/p/Void-Sector-Zero-61573165450159/

Instagram: https://www.instagram.com/voidsectorzero/

Bandcamp:https://voidsectorzero.bandcamp.com/album/dead-space-enigma

Apple Music: https://music.apple.com/us/artist/void-sector-zero/6804730839

Spotify: https://open.spotify.com/artist/3lU80TNIsN89szETw3iTTD

BRYMIR Cover Scooter's "How Much Is The Fish" + Video!

In the midst of their darkest album to date, Finnish melodic death metallers BRYMIR show their fun side with an unexpected cover. Reworking Scooter's Eurodance classic ''How Much Is The Fish,'' the quartet delivers an additional nod to their stance against ocean pollution, ''Herald of Aegir," from the previous album, Voices In The Sky (2022). Live performances of the song regularly see salmon plushies in the audience, just like live pre-tastes of ''How Much Is The Fish'' over the festival summer have called fans into their very own ''fish pit." BRYMIR certainly know how to hype up their album!

What We Leave Behind releases this Friday, October 2, 2026 via Napalm Records. The band is currently playing release shows in their native Finland and will tour Europe in February and March 2027 — find all dates below.

BRYMIR about "How Much Is The Fish":
''As the album on the whole is definitely the darkest we've done so far, musically and thematically, we wanted to close the album with a bonus song of something defiantly upbeat and silly… And as children of the ever-hopeful golden age of the Eurobeat, we found the perfect song in this classic. When life gives you lemons, transform the juice and keep asking the important questions—like 'How Much is the Fish'? If anybody finds the answer, please contact us immediately.''
 
Watch the Official Music Video for "HOW MUCH IS THE FISH" BELOW:

Helsinki-based BRYMIR make a strong case for melodic death metal with What We Leave Behind, coming October 2, 2026 via Napalm Records! In a darkening world full of existential dread, the Finnish band — singer Viktor Storm Gullichsen, guitarist Joona Björkroth, bassist Jarkko Niemi, and drummer Patrik Fält — takes a stand with their most sinister album yet. Again heavily influenced by their singer’s main job as a movie sound designer, BRYMIR create vast cinematic soundscapes around their sometimes bleak, sometimes hopeful, but always honest messages.
 
Strongly tied to current societal developments, BRYMIR deliver an equally raw and fantastical album. Their darkest output yet, the band’s fifth album hits especially hard—and leaves absolutely no open questions behind. As introspective as it is outspoken, What We Leave Behind is an epic plea for humanity.

BRYMIR about What We Leave Behind:
"Since our previous album, the world certainly hasn't gotten any lighter—and as art reflects life, our fifth album, What We Leave Behind, is the darkest creation we've made so far. Both musically as well as thematically… 'What We Leave Behind?' is the core question explored from many perspectives: from personal hopes, dreams, and fears to societal developments to dark sci-fi and existential despair. Join us on this dark emotional journey, at times violent, at times beautiful, and always honest in baring the soul of what is BRYMIR — no compromise, everything raw and real."

Get Your Copy Of What We Leave Behind NOW.

BRYMIR LIVE 2026:
FESTIVALS:
11/6 — Kempele, FI — ZRock Winter Fest

WHAT WE LEAVE BEHIND TOUR 2026:
WITH SPECIAL GUESTS HORIZON IGNITED + OMNIVORTEX:
9/18 — Vantaa, FI — Skenesali
9/25 — Seinäjoki, FI — Rytmikorjaamo
9/26 — Oulu, FI — 45 Special
10/2 — Tampere, FI — Olympia
10/3 — Lahti, FI — VNUE
10/8 — Jyväskylä, FI — Lutakko
10/9 — Turku, FI — Apollo
10/16 — Kouvola, FI — House of Rock
10/17 — Kuopio, FI — Circus
10/24 — Vaasa, FI — Fanny
10/30 — Hämeenlinna, FI — Suisto
10/31 — Helsinki, FI — Korjaamo

EUROPEAN SPRING 2027:
2/19 — Copenhagen, Denmark — BETA
2/20 — Oslo, Norway — John Dee
2/21 — Stockholm, Sweden — Kollektivet Livet
2/23 — Hamburg, Germany — Knust
2/24 — Aschaffenburg, Germany — Colos-Saal
2/25 — Berlin, Germany — Bi Nuu
2/26 — Stuttgart, Germany — Proton
2/27 — Pratteln, Switzerland — Z7
2/28 — Munich, Germany — Backstage
3/1 — Leipzig, Germany — Hellraiser
3/2 — Neunkirchen, Germany — S. Reithalle
3/3 — Cologne, Germany — Club Volta
3/4 — Sittard, Netherlands — Volt
3/5 — Utrecht, Netherlands — De Helling
3/6 — Bochum, Germany — Gleis 9

BRYMIR ARE:
Viktor Storm Gullichsen — Vocals
Joona Björkroth — Guitars
Jarkko Niemi — Bass
Patrik Fält — Drums

UK Alt-Metal Trio TROPIC GOLD Release New Single "sodium" + Official Music Video

Today, South East England trio TROPIC GOLD have released their brand new single, “sodium,” their second for new label partner, BLKIIBLK, following the release of “WITCH HOUSE” (feat. Harpy) in June.

The band shares:

“‘sodium’ is a story of two things being drawn together despite the destruction— two people, or one and something they can’t let go of. The element of sodium itself is in tears and sweat, what you can taste and feel in exhausting and painful situations. 'Will you take that freak in me?' is the vulnerability at the center of it — asking whether the unfiltered parts of you can be accepted. ‘sodium’ is knowing you’re falling, but craving the feeling enough to give in anyway.”

Watch the Official Music Video for "sodium" Below:

TROPIC GOLD pulls from metalcore, industrial noise, electronic production, and modern alternative culture without ever sitting comfortably in one lane. Self-produced and creatively self-driven, the South East trio have built early momentum through a mix of huge hooks, abrasive electronics, and the kind of volatility that makes their songs feel like they could completely fall apart at any second.

Support from BBC Radio 1, Kerrang!, and Rock Sound has helped push the band well beyond underground buzz, while tours alongside WARGASM, Resolve, Windwaker, and Normandie have quickly established them as a genuinely impressive live band rather than just another internet-heavy project.

The material following last year’s ‘SICK TO DEATH OF EVERYTHING’ EP feels sharper, heavier, and more immediate, leaning harder into contrast without losing the hooks underneath it all.

With appearances at Download Festival and a stage headline slot at 2000trees Festivalthis summer, TROPIC GOLD are starting to feel less like a promising new act and more like a band properly breaking through.

Stream / Listen to "sodium" HERE

TROPIC GOLD Live:

October 15th - London @ Downstairs at The Dome

October 16th - Manchester @ The Deaf Institute

October 17th - Glasgow @ Attic Bar (The Garage)

November 28 - Sheffield @ Novocaine Festival

SILL CROW Revisits it's Musical Legacy with the Re-Release of Four Essential Albums

Some music deserves a second life.

SILL CROW is giving fans exactly that with the re-release of four albums from the band's catalog: Sill Crow, Live From Charleston, Live From Charleston II and New Way.

The re-releases bring the band's music back into the spotlight, offering longtime listeners an opportunity to revisit four important releases while giving new fans a chance to discover the sound, energy and evolution of SILL CROW.

From the band's self-titled SILL CROW to the raw live energy captured across Live From Charleston and Live From Charleston II, and ultimately the musical journey represented by New Way, the collection provides a look at different chapters of the band's story.

FOUR ALBUMS. ONE BAND. A NEW CHANCE TO HEAR IT ALL.

Re-releasing a catalog isn't simply about looking backward.

It's about recognizing that great music can find an entirely new audience years after it was originally released.

For existing SILL CROW fans, these albums offer a chance to return to familiar songs and memories. For listeners discovering the band for the first time, the re-releases provide an opportunity to experience the catalog as a complete body of work.

Live From Charleston and Live From Charleston II capture another side of SILL CROW, the live experience while Sill Crow and New Way showcase the band's recorded work across different points in its musical journey.

Together, the four releases tell a bigger story.

Where the band came from. Where it went. And the music that remains.

A CATALOG WORTH REDISCOVERING

In an era where music is constantly moving forward, revisiting a band's catalog can reveal something that sometimes gets lost in the endless stream of new releases:

The music doesn't have an expiration date.

SILL CROW'S four re-releases give fans an opportunity to press play, turn up the volume and rediscover the songs on their own terms.

Whether you've been with Sill Crow from the beginning or you're hearing the band for the first time, there's never been a better reason to dive into the catalog.

Sill Crow

Live From Charleston

Live From Charleston II

New Way

Four albums. Four chapters. One SILL CROW.

SPOTIFY

APPLE MUSIC

BANDCAMP

SILL CROW BIO:

Sounds like gravel in your veins, mud in your heart, and pain in your soul. SILL CROW has returned from the crossroads, having stared down the devil himself, to bring you their very own brand of blues based alternative rock.

Led by Chris Roberts, and formed in 2015, they've unleashed a string of releases, notably their debut album in 2020, all of which showcase their unique blend of thoughtful songwriting, craftsmanship, and unbridled rock fury.

Glasswaves Share "SCARed" — WATCH + LISTEN

Glasswaves, an up 'n' coming, Rochester, New York-based trio that seamlessly blends dark pop, alternative rock, and electronic elements with a heavy and dynamic edge, recently announced their new album while (True). It arrives October 23 via SharpTone Records. Pre-order it here.

The band — Noah Rich [vocals], Owen Miller [guitar], and Brendan Curtis [bass] — shares "SCARed."

Watch the visualizer below. 

The track is at once gorgeously creepy and crushing. It will escort you down the darkest hallways of your mind and grab you by the back of the neck with its artful ferocity.
 

"'SCARed' captures that moment when your thoughts turn to static, and you can't tell what's real, what's memory, or what's just yourself unraveling," explains Noah about the song's inspiration point. "From the moment Owen, our producer, and I got in the room with this song, we knew it was something special."

Regarding the album as a whole, Noah states, "while(True) is our most ambitious and personal release yet. Through the story of a failing medical technology company experimenting with dream manipulation, we explore themes of trauma, addiction, perception, and the unseen forces that shape the way we think. More than anything, this album represents our growth as writers. We challenged ourselves creatively, stopped following expectations, and made the record we truly wanted to make. We can't wait for people to experience the world of while(True) and find their own meaning within it."

In an effort to seemingly better understand and treat trauma, addiction, and obsession, a med-tech company called Liminal-Neuro runs psychological tests on various subjects by administering an experimental drug labeled "Neuro Veil."

When these experiments fail, a radiant ancient female entity known as “The Veil” materializes, embodying the subject’s most intimate desires. This manipulative force brings out the worst in her victims and incites unimaginable horror. 

Undeterred by ethics, Liminal-Neuro's lead doctor makes it his mission to find her…

This story could certainly serve as the plotline for an epic sci-fi horror mini-series or even some actual news headline. However, it plays out in captivating fashion on Glasswaves’ full-length debut LP, while(True). The Rochester, NY trio set the narrative's action to a soundtrack electrified by bursts of cathartic metalcore, shockwaves of ethereal hard rock, and spasms of vulnerable dark pop. 

Coupled with big screen-worthy storytelling, the collective, which formed in 2023 and steadily built a following through singles, an EP, and touring, instantly strike a chord on multiple levels.

"People will see things happening and choose not to do anything, because it’s easier than taking action,” explains Miller. "Developments like A.I. data centers deplete natural resources, but nobody seems to care. 'The Veil' represents this sort of selfishness. Even though the company Liminal Neuro promises to get rid of your fears and worries and empower you to become the person you want to be, the doctors are merely using everyone just to find 'The Veil.'"

Throughout 2026, the musicians assembled while(True) alongside producer Justin Spaulding, working out of Atlanta and New York as well as via Discord. The group mined a diverse swath of inspirations, spanning The Neighbourhood, Tame Impala, The Plot In You, Sace6, and Bring Me The Horizon. 

Ultimately, Glasswaves have crafted a multi-dimensional world without comparison.

coldrain's Highly-Anticipated New Album 'OPTIMIZE = OPTDEMISE' Out Now via Century Media Records

A long time in the making: After dropping their digital EP “OPTIMIZE” October 25th, 2025, Japanese rock quintet coldrain have released their long-anticipated 8th full length album “OPTIMIZE = OPTDEMISE”. Spanning 12 tracks, the album sees the band seamlessly navigate the line between rock and metal, powered by their trademark sound and electrifying energy. Guest features from Bert McCracken (The Used) and Kenta Koie (Crossfaith, Aftervoid) add further depth, resulting in a record that feels fresh, ambitious, and captivating throughout. The album includes the band’s prior single releases “INCOMPLETE”, “CHASING SHADOWS”, and “FREE FALL”, and “EX-HUMANITY”, and “POISON”.

BUY/STREAM THE NEW ALBUM HERE

WATCH THE ALBUM TRAILER Below:

coldrain announced their “OPTIMIZE = OPTDEMISE JAPAN TOUR”, which will be happening from October to December 2026. All dates and further info here: https://coldrain.jp/blogs/live

____

- OPTIMIZE = OPTDEMISE JAPAN TOUR 2026 -

06.10.2026 - Japan, Kawasaki: CLUB CITTA'

10.10.2026 - Japan, Hiroshima: BLUE LIVE HIROSHIMA

17.10.2026 - Japan, Fukuoka: UNITED LAB

21.10.2026 - Japan, Sapporo: PENNY LANE24

22.10.2026 - Japan, Sapporo: PENNY LANE24

01.11.2026 - Japan, Kanazawa: EIGHT HALL

03.11.2026 - Japan, Niigata: NIIGATA LOTS

29.11.2026 - Japan, Sendai: SENDAI GIGS

01.12.2026 - Japan, Osaka: NAMBA HATCH

02.12.2026 - Japan, Nagoya: COMTEC PORTBASE

08.12.2026 - Japan, Tokyo: TOYOSU PIT

09.12.2026 - Japan, Tokyo: TOYOSU PIT

Credit: Yusuke Yamatani

ABOUT COLDRAIN:

The title OPTIMIZE = OPTDEMISE is itself a warning: a caution against a world in which the rise of AI has come to symbolize humanity’s growing confusion over what it means to be human. More than a framework of “against AI” or “against technology,” this album calls for the liberation of the soul in response to a world that is steadily being bleached of color, and to the brutality of people who, having stopped thinking for themselves, continue to hurt one another. That is the reason coldrain continues to fight. And OPTIMIZE = OPTDEMISE is the album where that essence appears more youthful, pure, and unfiltered than ever before - a human fuse burning toward ignition.

Coldrain, the quintet that is about to release their 8th album, first emerged in Japan in 2007, proudly identifying themselves as a “loud rock” band. Their songwriting, heavily influenced by the nu-metal and emo/screamo movements of the 2000s, resonated directly with the youth culture of America at the time. Yet in the Japanese rock scene of that era, “loud music” was still largely associated with melodic punk and pop-punk. As a result of that advance, coldrain absorbed musical elements far beyond nu-metal and screamo alone. While maintaining melodies that carried a distinctly Japanese sense of emotion, they transformed into a chimera capable of crossing through every subgenre of rock. Their ability to be both heavy and endlessly pop became their greatest weapon.

Now, especially since joining forces with Century Media Records, the very fact that their music cannot be defined by a single attribute - and the very “in-between” quality of their style - has become a musical identity unconstrained by borders or genres, radiating an originality that stands among the strongest in the world. 

coldrain are a band whose lives were changed by music that could never have been born in Japan, and yet they themselves are a hybrid that could only have emerged from the Galápagos-like environment of Japan. That is coldrain. Rather than needing to acquire a new place, coldrain were able to turn simply “being themselves” into music in its most unfiltered form. As a result, OPTIMIZE = OPTDEMISE is pierced throughout by a youthful rawness that feels almost impossible for a band nearing twenty years since its formation.

Abysmal Dawn Release Drum Playthrough for Latest Single “Cradle of Affliction”

After more than two decades, Abysmal Dawn remain one of death metal’s most consistently crushing creative forces. While the Los Angeles natives are working on their upcoming fifth album, next month, the band are hitting the road with Obscura, Thulcandra and Orion Rise on their first-ever tour of Mexico. During this 8-day trek, Abysmal Dawn will perform songs from across their critically-acclaimed discography, including their latest single “Cradle of Affliction”.    

As Abysmal Dawn gears up for next month’s Mexico tour, today, drummer James Coppolino is releasing an official playthrough video of “Cradle of Affliction”. With its bone-crushing groove, blinding fills and steady pounding of double bass, the band’s latest single proves why they have such unholy staying power.   

Watch Abysmal Dawn’s official drum playthrough for “Cradle of Affliction” below:

Stream "Cradle of Affliction”
https://linktr.ee/abysmaldawn

Abysmal Dawn Beyond the Seventh Sun Mexico 2026 Tour
with Obscura, Thulcandra and Orion Rise

October 8 – Morelia @ Salon Arena [TICKETS]
October 9 – Leon @ Rockstar Burger [TICKETS]
October 10 – Guadalajara @ C3 Stage [TICKETS]
October 11 – San Luis Potosi @ Bunker 57 [TICKETS]
October 15 – Chihuahua @ Pistoleros Bar [TICKETS]
October 16 – Mexico City @ Foro Veintiocho [TICKETS]
October 17 – Monterrey @ Terraza Sultan [TICKETS]
October 18 – Durango @ Levenda De Analco [TICKETS]

Abysmal Dawn’s latest album Phylogenesis and their most-recent EP Nightmare Frontier are both now available through Season of Mist.

Order
https://redirect.season-of-mist.com/absymaldawn

During the height of the worldwide apocalyptic dystopia of 2020, Abysmal Dawnpersevered and released one of the greatest albums of their career, Phylogenesis.

In 2022, the technical death metal icons picked up where they left off and unleashed the harrowing four-song Nightmare Frontier. The EP includes an original track, a newly re-recorded version of the 2006 demo “Blacken the Sky”, and two epic cover songs that showcase the band’s musical versatility and limitless talent.

As the completion of their fifth full-length draws near, in October 2026, Abysmal Dawn are embarking on their first tour of Mexico. During this 8-date run with Obscura, Thulcandra and Orion Rise, the band will perform their latest single, “Cradle of Affliction”, live in all its accursed glory.  

Lineup
Charles Elliott: Guitars, Vocals
Eliseo Garcia: Bass, Additional vocals
James Coppolino: Drums
Vito Petroni: Guitars

Production credits for "Cradle of Affliction"
Guitars, bass and vocals recorded at Tastemaker Audio by Charles Elliott (tastemakeraudio.us).
Drums recorded at Trench Studios by John Haddad.
Produced by Charles Elliott and Abysmal Dawn.
Mixed and mastered by Charles Elliott

Booking Agent:
North America: steph@continental-concerts.us
Europe: stephen.moss@echelonartists.com

Stream: https://linktr.ee/abysmaldawn
Order: https://redirect.season-of-mist.com/absymaldawn

Follow Abysmal Dawn:
Bandcamp: https://abysmaldawn.bandcamp.com/
Apple Music: https://music.apple.com/us/artist/abysmal-dawn/159709532
Spotify: https://open.spotify.com/artist/2h7HrMDoZpWxx3uAuJxyj9
Facebook: www.facebook.com/abysmaldawn
Instagram: www.instagram.com/abysmaldawn
Twitter: www.twitter.com/abysmaldawn

CHEZ KANE Reveals Brand New Single “Strip Me Down” Out Now via Frontiers Music Srl

British rocker CHEZ KANE is thrilled to reveal her brand new single, "Strip Me Down," along with an official video, out now via Frontiers Music Srl. The song is taken from her latest studio album 'Reckless,' which was released in March.

The release also includes “Hot Wired Heart," a previously unreleased B-side, available on all streaming platforms. 

CHEZ commented:

“'Strip Me Down' is another little piece of the 'Reckless' story and I definitely wanted to turn up the heat with this one! It’s sexy, playful and a little bit naughty, with a real sense of temptation and attitude. Just when you thought we’d finished with 'Reckless,' we’ve got a brand new music video for 'Strip Me Down' and a bonus track included.”

Watch the Official Video for “Strip Me Down" Below:

CHEZ KANE has firmly established herself as one of the most exciting voices in modern melodic rock, bringing the larger-than-life spirit of the genre’s golden era into the present day with soaring vocals, infectious hooks and unmistakable charisma.

Following the success of her first two albums, CHEZ returned in March with her third studio record, ‘Reckless’ - an explosive collection of arena-ready anthems, slick guitar work and unapologetic ’80s-style swagger. Bigger in sound and richer in emotion, the album further cemented her reputation as a standout artist in the new generation of melodic rock.

Once again written and produced by Danny Rexon, frontman of Swedish hard rockers Crazy Lixx, ‘Reckless’ built on the creative partnership that has helped define CHEZ’s solo career. Together, they have developed a sound that celebrates the glory days of melodic and hard rock while injecting them with fresh energy and modern production.

From glam-infused rockers to emotional slow-burners, CHEZ’s music is driven by huge choruses, memorable melodies and a powerhouse voice made for the biggest stages. Across three albums, her growing confidence and unmistakable personality have shown that she isn’t simply paying tribute to the sound of the ’80s - she’s helping carry it forward.

Now, following ‘Reckless,’ CHEZ KANE opens the next chapter with a brand-new track, offering another dose of the energy, attitude and melodic firepower that have become her trademark, while giving fans their first taste of what comes next.

Bold, infectious and built to be played loud, CHEZ KANE continues to prove that melodic rock is very much alive - and she’s right at the heart of it.

Order 'Reckless' HERE

Goth Rock Icons THE 69 EYES Unveil New Single “Brandon Lee (Forma Acustica)” + Official Music Video

THE 69 EYES are thrilled to unveil their new single “Brandon Lee (Forma Acustica),” out now via BLKIIBLK. 

Originally featured on ‘Blessed Be,’ the song was first released in 2000 and became an international success for the band. Its title refers to the late American actor Brandon Lee, who played the lead role in the dark cult classic “The Crow” (1993).

The single was mixed by acclaimed American producer Matt Hyde, who also produced THE 69 EYES’ ‘Back In Blood,’ recorded in Los Angeles in 2009. Known for his work with Slayer and Deftones, Hyde most recently mixed Megadeth’s self-titled album ‘Megadeth’ (2026), which reached No. 1 in the United States.

The music video for the track was filmed at Suomenlinna, Helsinki, and directed by Elias Ryynänen. Paparazzi models Corinna Puleo and Lotte Vainio bring timeless catwalk glamour to the band’s gothic rock world, evoking the turn-of-the-millennium aesthetic.

The single is the first taste of an acoustic record, set for release in early 2027. THE 69 EYES will also bring their melodic side on tour in February next year, with a nationwide concert hall tour across Finland.

Watch the Music Video for “Brandon Lee (Forma Acustica)” Below:

Once you’ve survived the 80s rock scene, you become unstoppable - and THE 69 EYESare living proof. Formed in Helsinki in 1989 and still going strong with the same line-up some four decades later, the Helsinki Vampires have earned their legendary status.

In a world with fewer and fewer true believers in leather jackets, midnight sunglasses, and low-slung guitars, THE 69 EYES keep the Johnny Thunders flame burning like an endless sleazy club night back in the day.

Their biggest hit, “Lost Boys” from 2005, was made into an iconic music video by MTV's Jackass star and skater Bam Margera and remains on annual Halloween rock playlists.

One foot in glam, another one in goth, THE 69 EYES have released thirteen albums, reaching gold and platinum and mainstream status in their native Finland, where they are signed to Gabi Hakanen’s Vallila Music House. Their previous studio album, ‘Death Of Darkness,’ was released in 2023, and they have been touring without any notable breaks all over the world for the last twenty years.

Vocals, lead and rhythm guitar, bass, and drums are the classic rock band lineup. THE 69 EYES have that magic on stage that is needed for these elements to carry on beyond the rock'n'roll dreams, theirs and their cult following.

THE 69 EYES are:

Jyrki 69 – Vocals

Bazie – Guitar, Backing Vocals

Timo-Timo – Guitar

Archzie – Bass, Backing Vocals

Jussi 69 – Drums

Swedish Hard Rock Heavyweights HARDCORE SUPERSTAR Officially Sign to Frontiers Music Srl Share New Single "Halo"

Frontiers Music Srl is proud to announce the signing of Swedish hard rock heavyweights HARDCORE SUPERSTAR, marking the beginning of an exciting new chapter for one of Scandinavia’s most enduring and explosive rock bands.

The partnership kicks off with the release of HARDCORE SUPERSTAR’s brand-new single, “Halo,” just days before the band launches the Scandinavian leg of its “Dirty Halo Tour” on October 2nd.

The band comments:

“We’re really excited to start this new chapter with Frontiers. After all these years, we’re still just as hungry to make great records, play loud, and push HARDCORE SUPERSTAR forward. We feel Frontiers understands where we come from, but more importantly, where we want to go next. There’s a lot of new music coming, and we can’t wait to get it out there.”

Aldo Lonobile, VP of Global A&R, Frontiers Label Group, states:

“Being a fan of the band for many years, I am particularly excited to welcome HARDCORE SUPERSTAR to Frontiers! They have built an incredible legacy, but I truly believe they still have a lot to say and many more chapters to write. We’re excited to be the right partner for their next steps and to support their vision as they enter this new chapter.”

Raw, loud, and unapologetic, “Halo” captures HARDCORE SUPERSTAR at their most direct. Built on heavy riffs, attitude and a chorus made for the live stage, the song revels in the turmoil between chaos and redemption, where bitter truths, wine-soaked spite and fake prayers collide.

The band described the new single by saying:

“'Halo' is an anthem for people faking their prayers in the hope of securing a little grace under their Dirty Halo. It’s about that distorted line that lies somewhere between praying for redemption and embracing the chaos - the sins, mistakes, and bad decisions you can’t take back.”

Watch the Official Music Video for "Halo" Below:

The new single arrives as HARDCORE SUPERSTAR prepares to return to the road for the “Dirty Halo Tour,” a 20-date run through Sweden and Finland beginning October 2nd in Malmö. The tour will continue into Europe and the rest of the world during 2027.

“We are excited to be back on the road for this long-awaited tour. We love the chaos, the crowds, the late nights and the connection with the fans. This tour is going to be something special,” said HARDCORE SUPERSTAR.

Alongside preparations for the tour, the band is currently in the studio working on the follow-up to their acclaimed album ‘Abrakadabra.’ The upcoming release will also be the first to feature new drummer Efraim Larsson (Gathering Of Kings, Masterplan).

HARDCORE SUPERSTAR Live:

"Dirty Halo Tour 2026"

10/02 - Malmö, Sweden @ Slagthuset

10/03 - Gotland, Sweden @ Birka Viking Line

10/09 - Norrköping, Sweden @ Arbis

10/10 - Skövde, Sweden @ Lokstallet

10/13 - Helsinki, Finland @ Tavastia

10/14 - Tampere, Finland @ Tavara Asema

10/15 - Turku, Finland @ Teatro-Sali Logomo

10/23 - Örebro, Sweden @ Frimis Salonger

10/24 - Motala, Sweden @ Saluhallen

10/30 - Trollhättan, Sweden @ Folkets Hus Kulturhuset

10/31 - Västerås, Sweden @ Steam Hotel

11/04 - Uppsala, Sweden @ Katalin

11/05 - Stockholm, Sweden @ Börsen

11/06 - Skellefteå, Sweden @ Sara Kulturhus

11/07 - Umeå, Sweden @ Folkets Hus

11/13 - Gävle, Sweden @ Musikhuset

11/14 - Krylbo, Sweden @ Torp

11/19 - Göteborg, Sweden @ Pustervik

11/20 - Kristianstad, Sweden @ Biljardkompaniet

11/21 - Helsingborg, Sweden @ The Tivoli

Tickets and further tour information are available HERE

📸: Eva Wistemar

Over the course of their career, HARDCORE SUPERSTAR have built a formidable international reputation with their unmistakable blend of hard rock, sleaze, thrash and street-metal attitude. Driven by relentless worldwide touring and a catalogue packed with hard rock anthems, the band have earned a devoted global following and a reputation for explosive live performances.

In recent years, HARDCORE SUPERSTAR have continued to reach new audiences through high-profile appearances and placements, including multiple songs featured in the HBO Max series “Peacemaker,” created by James Gunn, while maintaining the relentless touring schedule that has been central to the band since its earliest days.

With “Halo,” a major new tour and more new music on the horizon, HARDCORE SUPERSTAR’s partnership with Frontiers Music Srl signals the start of a new era for the Swedish rock legends.

HARDCORE SUPERSTAR are:

Joakim “Jocke” Berg - Vocals

Martin Sandvik - Bass

Vic Zino - Guitar

Efraim Larsson – Drums