Goblin Metal Ikons NEKROGOBLIKON Return with "The Boiling Sea" EP + Share "Secret Elephant" (Feat. Reel Big Fish) Video + Touring💚

February 17, 2026

Goblin metal's least likely legends are back. After nearly two decades of chaos, cult stardom, and the viral mayhem of "No One Survives," Nekrogoblikon return with The Boiling Sea — the feral new EP that ushers in a historic era for the band. It arrives on April 17. Pre-order it here.

Today, the goblin metallers drop the video for "The Secret Elephant" (Feat. Reel Big Fish).

Watch the video, directed by Brandon Dermer, below:

For the first time ever, the goblin throne is shared. Former mascot-turned-frontman (and beloved host of the number one comedy podcast "RIGHT NOW"), John Goblikon steps fully into the spotlight with soaring melodic vocals, while extreme metal phenom Dickie Allen (of Infant Annihilator) unleashes the kind of throat-shredding brutality usually reserved for apocalyptic events.

"I've been asked to give a statement on our new song 'Secret Elephant' and after strong consideration, I've decided I'm not quite sure know what that means. But what I DO know is secrets don't make friends… unless that secret is, of course, an elephant who you happened to befriend. Yhey also say an elephant never forgets, but goblins definitely do, because I literally can't remember where I put my phone! I had it earlier and then I got distracted by this email asking me for a quote about our new song 'Secret Elephant,' which is such a banger by the way. Ooh, that reminds me I gotta look for my phone!" — Sent from John's iPhone.

"It was so much fun filming ourselves being goofballs," says Allen. "Also, has anyone seen my beer?"

Produced and mixed by metal mastermind Jason Suecof (Job for a Cowboy, The Black Dahlia Murder), The Boiling Sea is a high-octane proving ground for the band's new dual-vocal onslaught, first teased by the 2025 double-feature videos for "Show Me Your Goblin" and "Fiend."

On the upcoming release, guitarist Alex Alereza offers, "Writing for this release began in the midst of constant touring and right after bringing on a new vocal duo, so we found ourselves in new territories both in terms of pace and creative process. And that ended up being a good thing! We had a blast making this together and hope everyone enjoys these songs as much as we do. And for the Nekro fans that have been with us for a very long time, we decided to include live recordings of five Nekro classics!"

The goblin horde won't stay submerged for long. Nekrogoblikon will hit the road on an electrifying tour alongside Japan's genre-smashing metal force Hanabie., giving fans the chance to witness the premier goblin metal spectacle live and scream along to their favorite anthems. Get tickets here.

Nearly 20 years in, Nekrogoblikon aren't just surviving — they're boiling over.

NEKROGOBLIKON ON TOUR:
3/05—Salt Lake City, UT — Metro #
3/06—Colorado Springs, CO — Black Sheep # [SELLING FAST]
3/08—Wichita, KS — Wave #
3/09—Springfield, MO — The Regency Live #
3/10—Nashville, TN — Exit/In # [SELLING FAST]
3/12—Allentown, PA — Arrow # [SELLING FAST]
3/13—Boston, MA — Big Night Live ^ [LOW TIX]
3/14—New York, NY — Brooklyn Bowl ^ [LAST TIX]
3/15—Silver Spring, MD — The Fillmore ^
3/17—Montreal, QC — Beanfield Theatre ^ [LAST TIX]
3/18—Toronto, ON — Danforth Music Hall ^ [LOW TIX]
3/20—McKees Rocks, PA — Roxian Theatre ^
3/21—Philadelphia, PA — TLA ^ [LOW TIX]
3/22—Norfolk, VA — The NorVa +
3/23—Raleigh, NC — The Ritz ^
3/24—Atlanta, GA — Buckhead Theatre ^
3/25—Chattanooga, TN — Barrelhouse Ballroom %
3/27—Cleveland, OH — House of Blues ^ [LOW TIX]
3/28—Fort Wayne, IN — Piere’s Entertainment Center +
3/29—Detroit, MI — St. Andrews ^ [LAST TIX]
3/30—Chicago, IL — House of Blues ^ [LOW TIX]
3/31—Sauget, IL — Pop’s +
4/01—Minneapolis, MN — The Fillmore ^
4/03—Dallas, TX — House of Blues ^
4/04—Houston, TX — House of Blues ^
4/06—Austin, TX — Emo's ^
4/07—Phoenix, AZ — Van Buren ^
4/09—San Diego, CA — House of Blues ^ [LOW TIX]
4/10—San Francisco, CA — August Hall ^ [SOLD OUT]
4/11—Los Angeles, CA — Belasco ^ [SOLD OUT]
4/12—Los Angeles, CA — Belasco ^

# Headlining w/ Enterprise Earth and Wretched
^ Supporting Hanabie w/ Enterprise Earth
+ Headlining w/ Enterprise Earth
% Headlining w/ local support

Saint Agnes Release "Good Boy Video — WATCH // New Album "Your God Fearing Days Are About to Begin" Out 5/29

February 16, 2026

London's Saint Agnes release the video for the new single "Good Boy," the third track from the forthcoming album, Your God Fearing Days Are About To Begin.

Frontperson Kitty A. Austen explains, "'Good Boy' was written to be a scathing critique of obedient, subservient men who uphold the capitalist death cult, feed the machine, and call it a virtue. It’s a snarling takedown of the so-called 'good boys' who suck corporate dick and wear their complicity like a badge."

Kitty's voice, vision, and volatility shape every inch of the band's evolving world, and she is ably partnered by co-founding member Jon James Tufnell. Together, they form the creative axis. Fusing raw industrial power, dark elegance, and hedonistic, body-moving intensity, Saint Agnes have created a sound made for sweat-soaked goth club dancefloors. Inspired by the intensity of Nine Inch Nails, the genre-bending chaos of Poppy and the euphoric, cinematic storytelling of Lorde, this is music for the club, the stage and the void inside. Self-confessed "control freaks," Saint Agnes obsessively curate all aspects of their art and their music; this time, however, they utilized the mixing skills of Jim Pinder (Sleep Token, BMTH), the result being "our best sounding record to date, and the truest to our vision," according to Kitty.

Having recently played shows with Last Train (in France) and Ghostkid (in Germany).

SAINT AGNES 2026 LIVE APPEARANCES:

WITH LAST TRAIN:
2/19 — Rouen, France — Le 106
2/20 — Besancon, France — La Rodiala
2/21 — Clermont-Ferrand, France — The May Cooperative

WITH INME:
3/26 — Norwich, UK — Waterfront
3/27 — Newcastle, UK — The Grove
3/28 — Manchester, UK — Breadshed
3/29 — Nottingham, UK — Rescue Rooms
3/31 — Bristol, UK — Thekla
4/1 — Milton Keynes, UK — Craufurd Arms
4/2 — Oxford, UK — Academy 2
4/4 — Portsmouth, UK — Takedown Festival

ABOUT SAINT AGNES:
Saint Agnes have built a loyal following off the back of two EPs, two critically acclaimed studio albums, and over 12 million Spotify streams. With strong support from BBC Radio 1 and explosive mainstage sets at Download, 2000trees, and Hellfest, as well as appearances at Rock for People, IOW Festival, Great Escape, Boomtown, Takedown, and Reeperbahn Festival, the band has proven its power live, including at sold-out, riotous headline shows around the UK.

SAINT AGNES ARE:
Kitty A. Austen — Vocals, Guitar
Jon James Tufnell — Vocals, Guitar, Synths, Programming
Andrew Head — Drums

JASON ALDEAN TAKES “HOW FAR DOES A GOODBYE GO” ALL THE WAY TO NUMBER ONE AT COUNTRY RADIO, HIS 31ST CAREER CHART-TOPPER

February 16, 2026

Multi-platinum award-winning artist and reigning country powerhouse Jason Aldean lands his 31st number one at Country Radio topping both the Billboard and Country Aircheck/Mediabase charts with his latest single “How Far Does A Goodbye Go” via Broken Bow Records. On the Billboard Country Airplay chart, Aldean now ties George Strait, Alan Jackson and Luke Bryan for the fourth-most No. 1s since the chart began in 1990. This single served as the first preview of Aldean’s new album Songs About Us, dropping April 24. Pre-add, pre-save, pre-order HERE.

“Man, I thought 30 was a milestone…now we’re sitting at 31 number one songs. That’s pretty wild. Thank you to country radio, my team, our streaming partners, the songwriters and every one of y’all who’ve listened and turned these songs into something bigger than we ever imagined,” says Aldean.

The chart topping success coincides with Aldean’s Full Throttle World Tour return to Australia and his first time headlining New Zealand this week with shows kicking off on Thursday. Aldean is also a two-time nominee at the 2026 iHeartRadio Music Awards — Country Artist of the Year and Country Song of the Year for his 30th number one hit “Whiskey Drink.”

The ACM Artist of the Decade has been sharing new music with his fans since the November announcement of Songs About Us and the surprise drop of “Help You Remember,” “Hard To Love You,” and “Lovin’ Me Too Long,” along with the chart topping “How Far Does A Goodbye Go.” He shared a second batch of songs last month when he premiered “Easier Gone” featuring Brittany Aldean, “Her Favorite Color” and “What’s A Little Heartache.” Songs About Us follows Highway Desperado, an album that earned him his first career Billboard Hot 100 chart-topping hit and his 30th career number one at country radio.

Over the past two decades, Aldean has built a remarkable career with 13 Top 10 country albums, 31 number one hits at country radio and a SoundExchange Hall of Fame Award for being one of the most-streamed artists of all time.

For more information on Songs About Us, Full Throttle tour dates, and other Aldean updates, visitwww.JasonAldean.com.

About Jason Aldean:

Grammy-nominated, Multi-Platinum award winning entertainer Jason Aldean is one of country’s most successful touring powerhouses and influential musical icons of the 21st century. With 31 number one singles, nearly 20B streams, and over 20M albums sold, Aldean’s name is synonymous with country music. Since exploding onto the scene with his 2005 self-titled debut, Aldean has carved out a reputation for delivering hard-hitting, emotionally resonant anthems that blend small-town storytelling with stadium-powered energy. He’s remained a steadfast and defining voice, with a fanbase that spans generations and continues to grow. The Georgia native recently released his album 30 Number One Hits, marking his 13th top 10 country album in 20 years with its #4 debut on the Billboard Top Country Album Chart (10/10). His 11th studio album, Highway Desperado (2023), featured his 30th number one single and garnered his first career number one on the Billboard Hot 100. Known for his electrifying live shows and breakout crossover hits, Aldean is currently igniting stages across the globe on the Full Throttle Tour, a high-octane experience that reinforces his place as a legendary live performer. The Full Throttle World Tour kicks off its international leg in 2026, following an extensive US headlining run, hitting New Zealand and Australia. Aldean made his 31st run to the top of the charts with “How Far Does A Goodbye Go,” the first preview he shared with his fans of his new album, Songs About Us, out April 24.

KEEP UP WITH JASON ALDEAN

Dirty Heads Are Getting a Jump on Summer With New Single "Seven Seas"

February 15, 2026

RIAA Platinum certified band DIRTY HEADS return with their new single, "Seven Seas" — a warm, melodic track that blends reggae, hip-hop, and alternative pop, which is the band's signature style.

The release marks the band's first new music since the deluxe edition of 2023's Midnight Control and it continues the focus on connection, resilience, and community.

"Seven Seas" reflects on the importance of showing up for one another during challenging times, pairing laid-back grooves with reflective lyrics. The song underscores the band's ability to balance feel-good energy with emotional depth, an approach that has remained central to their sound for over two decades.

Listen here.

Watch "Seven Seas" below.

"It feels like the universe is throwing some heavy waves our way right now," says singer Jared Watson. "A lot of people close to me, including myself, have been feeling it. But every time I connect with my friends, I'm reminded that no matter what we're each carrying, there's always room to support one another. 'Seven Seas' is about that bond — being there for your friends and family, through anything."

Formed in 2000, DIRTY HEADS have built a dedicated global following by seamlessly fusing reggae, hip-hop, alternative rock, and pop. Their reach expanded significantly when the platinum-certified single "Vacation" found renewed popularity through viral culture, introducing the band to a new generation of listeners. The group later earned a No. 1 Alternative Radio hit with "Rescue Me," further solidifying their place in the genre and scene.

With over 3 billion career streams worldwide and collaborations spanning artists such as Travis Barker, Nick Hexum, Matisyahu, Slash, and more, DIRTY HEADS continue to evolve — while staying true to the spirit that defines their music. "Seven Seas" signals the beginning of a new chapter, one rooted in connection, optimism, and forward momentum.

More music and tour news from Dirty Heads will be announced soon.

DIRTY HEADS ARE:
Jared Watson — Vocals
Dustin "Duddy B" Bushnell — Vocals + Guitar
Jon Olazabal — Percussion
Matt Ochoa — Drums
Dave Foral — Bass

ARISING EMPIRE MEDIA ALERT: Venues Release New Single

February 15, 2026

After the impact of "Duality" — a single that marks the band's next chapter — German metalcore force VENUES now unveil their next strike with "Hollow Walls."

But this isn't just another release.

"Hollow Walls" picks up where "Duality" left off. Visually and emotionally. The new music video acts as a direct sequel, continuing the narrative thread and expanding the atmosphere into darker territory. What began as tension now escalates into confrontation. The cracks in the surface are no longer subtle — they're breaking wide open.

Watch the video below.

Sonically, VENUES lean further into contrast: Fragile moments collide with explosive weight, cinematic tension meets razor-sharp heaviness. "Hollow Walls" feels urgent, restless, and uncomfortably honest — like standing in a room that’s slowly collapsing while you’re still inside it.

If "Duality" was the warning shot, "Hollow Walls" is the fallout.

This isn't a reset.

It's the next chapter.

Lowlives Return With Cover of Garbage's "Only Happy When It Rains"

February 15, 2026

LOWLIVES aren't so much about carefully stoking the embers as pouring on gasoline with merry impetuosity. The band was founded on a shared love of '90s alternative and grunge, and a shared desire to make music for little more than the love of doing so.

They capture that musical spirit and mission statement wholly with their cover of the '90s alt x pop x rock smash "Only Happy When It Rains" by Garbage.

Watch the official video below.

For this cover, the band has cranked up the guitars and sprinkled some additional grit, giving it the Lowlives' treatment, while remaining true to the spirit of the original.

"We've had a list of songs we’ve been wanting to cover for years, and 'Only Happy When It Rains' has always been at the top of it," the band states. "The song is about finding comfort in misery, and that's a theme that runs through a lot of what we write, so covering this song felt less like stepping outside our world and more like reinforcing it."

LOWLIVES ARE:
Lee Downer — Vocals/Guitar
Jaxon Moore — Guitar
Steve Lucarelli — Bass
Luke Johnson — Drums

NYC Heavy Metal Icons PRONG Release Live Video for Classic "Snap Tour Fingers, Snap Your Neck"

February 15, 2026

Metal greats PRONG have released a live version of their classic track "Snap Your Fingers, Snap Your Neck" as a single and video. The song is taken from the upcoming live album Live And Uncleansed.

Tommy Victor says, "This live version of 'Snap Your Fingers, Snap Your Neck"' is raw, high energy, and unpolished. If you want to get exposed to Prong or you want to get a taste of the explosive live show, this song is a must!"

WATCH THE VIDEO BELOW.

Live And Uncleansed is out on March 6 and will be available on Steamhammer as CD Digi, LP, stream, and for digital download HERE.

PRONG LIVE IN 2026:
3/5 — Osnabrück, Germany — Hyde Park
3/6 — Cologne, Germany — Gebäude 9
3/7 — Sint-Niklaas, Belgium — De Tijdloze
3/8 — Deventer, Netherlands — Burgerweeshuis
3/9 — Leuven, Belgium — Het Depot
6/6 — Milwaukee, WI — The Rave/Eagles Club

Get tickets HERE.

idle threat Announce "you'll forget the sun" Out 5/8 + Share "evermind" Video —

February 15, 2026

Nashville quintet idle threat — Ernie Fabian [guitar, vocals], Zeke McKinney[bass, vocals], Justin Jones [drums], Nathan Moe [guitar], and Dylan Winstead [guitar] — have announced their new album you'll forget the sun, out May 8 via Tooth & Nail. Pre-order it here.

The band has shared the video for first single "evermind."

Watch it below.

"'evermind' attempts to express the shock and grief that accompany losing a loved one far too young," the band says. "It asks deep questions that aren’t always met with answers on this earth."

The album features guest appearances from Haste the Day's Stephen Keech and Silent Planet's Garrett Russell on separate tracks, among others.

idle threat aim to dim the darkness and let the light in through the emotional and hopeful lyrics found in each song they meticulously craft. The Nashville rock band not only gives you the space to scream next to them; they also offer up hopeful hooks you can hum along to. The quintet writes the kinds of songs that recognize how tough life is, but still help you get through it with your body, mind, and spirit intact.

As such, their second full-length album, you’ll forget the sun [Tooth & Nail], provides a reminder to keep going no matter what.

"There's a two-part meaning to you'll forget the sun," Fabian reveals. "On one hand, the days can be so dark that you forget the sun exists. On the other hand, when we step into the presence of God—whose glory is so radiant and bright—the sun will pale in comparison. We're pondering this dichotomy from a perspective informed by our faith and experiences. All of the hard things will eventually fade away, and we'll be left in the presence of light."

idle threat have uplifted listeners with a combination of cathartic energy and open-hearted honesty since 2016's Grown Tired EP. They deepened their connection with an ardent audience on blurred visions in 2021 highlighted by "no turning back," "driftwood" [feat. Cory Brandan of Norma Jean], and many others. They toured with everyone from Make Sure, Distend, Meadows, and Roy Sullivan to Norma Jean, Emery, Aaron Gillespie, and Watashi Wa, in addition to appearing at Furnace Fest twice.

Throughout the spring of 2025, the musicians recorded you'll forget the sun in Nashville with Haste The Day frontman Stephen Keech behind the board as producer. In the studio, they made major creative leaps as a collective, honing their sound in the process.

VCTMS Release Video for New Single "devil's // speak" Feat. Fox Lake

February 15, 2026

VCTMS return with a dark, aggressive nu-metal x metalcore track fueled by revenge and emotional exploitation. Blending crushing riffs with raw intensity, the song confronts betrayal head-on, cutting out every memory until the past is dead. Hell is still in other people and the devil speaks in absolutes.

To top it all off, they have teamed up with fellow metalcore rising star, Nathan Johnson of Fox Lake, for a truly in-your-face track. Stay tuned for more new music and announcements from VCTMS in 2026.

Listen to the new track here.

Watch the video below.

The band shares more insight on their reinvigorated energy and collaboration on the new track, stating, "devil's/speak is one of the most energetic songs of the release — blending hip-hop elements, groove metal, and a catchy one liner that is sure to get people moshing. It caters to what fans have always loved about VCTMS: Relatable lyrics, a killer guest feature, and aggressive riffs. Nathan Johnson'a performance on the track gives it that 'all gas, no breaks' attitude that really shines from beginning to the end. devil's/speak is fun and an easily relatable song for those that are going through heartbreak and want to put that anger towards good use."

ABOUT VCTMS:
VCTMS — hellbent on groovy, chaotic, blistering and depressive noise — carry the banner of Illinois’ noisy, frenzied and manic take on alternative metal solely on their capable shoulders, coupled with an unshakable work ethic and unwavering dedication to their sprawling fanbase.

From their first release, through cross-country tours and leviathan collaborations with the likes of Spite's Darius Tehrani, Emmure's Frankie Palmeri, and Paleface Swiss’ Marc Zelli, VCTMS have an immense discography consisting of five full-length records: Sickness Vol. 1 through their most recent LP, Vol. V: The Hurt Collection and an EP. With each release, VCTMS sound becomes more and more refined, but also more whimsical and effervescent, incorporating splashes of hip-hop, darkwave, industrial, post-hardcore and more to create something that defies simple genre classification—but remains, at its core, the same rapidly-cycling, depressive and devastating brand of metalcore that screams Chicago with a raw throat and swollen lungs. With lyrical content that oscillates from harshly introspective to immolating and homicidal, the band is as relatable as they come—which lends considerably to their overwhelming popularity on the road, touring alongside acts like Crystal Lake, Paleface Swiss, 156/Silence, Veil Of Maya, Cane Hill and more—just within the last few years. The band only continues to grow with each release.

VCTMS are experienced, crushingly heavy, startlingly innovative and, above all else, work in a way many of their peers can hardly fathom, making them a stand-out band where not just metalcore—but rather all of heavy music—is concerned. Welcome to the bad luck crew. It's bad luck season.

Life of Agony Release Live Video for "Don't You (Forget About Me)" — A Darker Reimagining of Iconic "Breakfast Club" Hit

February 15, 2026

Brooklyn, NY's Metal Hall of Famers Life of Agony have released a powerful new live music video capturing their emotionally charged cover of "Don't You (Forget About Me)," the Simple Minds anthem made famous by its appearance in the 1985 John Hughes film The Breakfast Club.

Watch the video BELOW.

See the exclusive premiere via SPIN here.

Filmed during the band's 30 Years of Ugly anniversary tour in Europe, the video captures Life of Agony at a defining moment in their career. While honoring the spirit of the original, the band delivers a distinctly Life of Agony–sounding interpretation — darker, heavier, and more emotionally weighty than the original recording, transforming the song into something raw, brooding, and deeply personal.

The video was filmed and directed by Leigh Brooks of Firebelly Films, a longtime visual collaborator who has also directed several Life of Agony music videos, as well as the band's acclaimed documentary The Sound of Scars. Brooks' immersive live-performance approach places viewers directly inside the venue, capturing the intense connection between band and crowd.

Audio for the performance was recorded, mixed, and mastered by Life of Agony guitarist Joey Zampella, delivering incredible clarity while preserving the grit and immediacy of the live experience.

"Even though our studio version of 'Don't You (Forget About Me)' appears on Ugly, we had never performed the song live until the 30 Years of Ugly anniversary tour," bassist Alan Robert shares. "Bringing it to the stage after all these years — and experiencing the live energy of the crowd — made the song one of the highlights of the set every night."

Originally released in 1985, "Don't You (Forget About Me)" defined a broken generation through The Breakfast Club, symbolizing youth, alienation, and connection — themes that have long aligned with Life of Agony's own body of work. This live rendition underscores the song’s enduring relevance while showcasing the band’s ability to fully claim and transform familiar material through their own uncompromising lens.

The live music video is available now across Life of Agony’s official platforms.

ABOUT LIFE OF AGONY:
For more than 30 years, Life of Agony have remained one of heavy music's most distinctive and emotionally resonant bands, revered for their vulnerability, authenticity, and genre-defying sound. Their landmark 1993 debut, River Runs Red, was named by Rolling Stone as one of the Greatest Metal Albums of All Time, cementing its legacy as a defining release of the era and an enduring influence on generations of artists across rock and metal.

Continuing to shape the landscape of heavy music decades into their career, Life of Agony was inducted into the Metal Hall of Fame in 2025, recognizing the band’s lasting cultural impact and contribution to the genre. Known for their powerful live performances and deeply personal songwriting, the band maintains a rare and deeply felt connection with audiences worldwide — one that has only strengthened over time.

ATAVISTIA Unleash New Single and Video "Mystic Tavern," Announce Upcoming Album Old Gods Awaken Out May 15th, 2026

February 14, 2026

TAVISTIA raise their horns and throw open the tavern doors with the release of “Mystic Tavern,” the first single from their forthcoming full length album Old Gods Awaken, set for release on May 15th, 2026 via Blood Blast Distribution.

“Mystic Tavern” showcases a bold and spirited side of the band. Centered around the concept of a never ending celebration, the track blends blistering blast beats, shifting time signatures, and an irresistibly folktouched bridge built to move crowds. It is epic, mischievous, and technically sharp in equal measure.

“Mystic Tavern” was the first song written for Old Gods Awaken and set the tone for the album’s direction. The record embraces shorter, catchier, and more straightforward songwriting while retaining the ferocity and progressive ambition that define ATAVISTIA’s identity. Folk metal textures weave seamlessly into blackened intensity, reflecting the band’s instinct driven approach to composition.

The single arrives alongside an official music video, bringing the song’s celebratory chaos to life and offering fans their first glimpse into the world of Old Gods Awaken.

Due out May 15th, 2026, Old Gods Awaken runs 43 minutes and 21 seconds and represents the uplifting first chapter of a two album concept. Incorporating Swedish and Finnish lyrics for the first time in the band’s catalog, the album draws from Nordic heritage and mythic atmosphere while delivering some of ATAVISTIA’s most memorable hooks to date. From tavern revelry to forest mysticism and epic progressive climaxes, the record marks a confident evolution in their sound.

With “Mystic Tavern” now unleashed, ATAVISTIA invite listeners to step inside, raise a horn, and prepare for the awakening.

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals

About ATAVISTIA:

Formed in 2017 in Vancouver, Canada, ATAVISTIA takes their fans on a spellbinding journey though vast sonic landscapes of snow covered forests, desolate tundras, and permafrost-laden landscapes. Fans of WINTERSUN, ENSIFERUM, DIMMU BORGIR, and XANTHOCHROID will be enthralled by the elements of melodic death metal, black metal, and Scandinavian folk that is intricately woven together throughout their diverse soundscape.

Taking inspiration from the majestic natural landscapes of their homeland, earthly seasons, and ancient Norse culture, ATAVISTIA’s grandiose sound matches these lyrical themes in an impressive symphony of destruction. Their debut EP, One With The Sun (2017) introduced their unique blend of beauty and ferocity, which they followed up with a stormy full-length in 2020 through The Winter Way. The next two releases, the full-length Cosmic Warfare (2023) and the EP Inane Duncam (2024), saw the band spreading their wings and exploring a wider variety of influences. Through it all, ATAVISTIA balances graceful melodies with a brutal rhythmic cacophony, swirling elegance and fury together like a ferocious northern blizzard.

On stage, ATAVISTIA is a force of nature, like waves crashing against a rocky shore. Their music washes over audiences worldwide, leaving them gasping for more long after the last note has faded. They have toured Europe twice alongside notable acts such as SKÁLMÖLD, METSATÖLL, and SEVEN SPIRES, and have opened locally for MOONSPELL, ELEINE, and OCEANS OF SLUMBER. ATAVISTIA has firmly established its presence in a niche among a wide swath of metal genres.

Are you ready to lose yourself in the juxtaposition of lush and arid, the dichotomy of hope and despair, and welcome the inevitable and beautiful end?

CELESTIAL DEATH Release New Single “Death of an Empire”

February 14, 2026

Atlanta, Georgia blackened death metal band CELESTIAL DEATH have released their new single, “Death of an Empire.” The track marks a defining step forward for the band and solidifies their identity within the modern extreme metal underground.

“Death of an Empire” delivers a fierce combination of tremolo-picked triplet arpeggios, relentless blast beats, and groove-driven black metal melody. The song opens with waltz-like tremolo phrasing before erupting into rapid-fire percussion and layered death metal riffing. From its first moments through its closing passages, the track moves with cinematic intensity and calculated aggression, showcasing the band’s fully realized sound.

Lyrically, “Death of an Empire” explores the collapse of powerful systems through the perspective of a lone survivor walking through the ruins of a devastated city. The imagery is vivid and confrontational, focusing on urban decay, environmental destruction, and the consequences of unchecked power. Opening lines such as, “The ruins of this city speak to me, in a language only I can understand,” set the tone for a narrative steeped in post-apocalyptic reflection.

The single addresses themes of ecological strain, corporate manipulation, warfare, and societal division. Jessup emphasizes collective responsibility and awareness, urging listeners to consider the long-term consequences of exploitation and polarization. The track functions as both a reflection and a warning.

About CELESTIAL DEATH:

Rising from the Atlanta metal underground, CELESTIAL DEATH was forged in 2023 by guitarist and vocalist Forrest Jessup and drummer Matthew Carmichael. The band began under the name IMPERII with a different lineup but underwent a rebirth when Matt took over on drums. This marked a turning point where Forrest decided to rename, rebrand, and reimagine the project as CELESTIAL DEATH, channeling a darker and more atmospheric vision. Soon after, guitarist Jason Schwartzwalder joined the fold, bringing with him years of experience from acts such as MOTHER’S TOMB, KHAOTIKA, and BRUTALITY. The band rounded off their lineup with the addition of new bassist Robbie Marsh in early 2026.

CELESTIAL DEATH craft a sound that merges the bleak ferocity of black metal with a melodic and cinematic atmosphere. Drawing influence from bands like WOLVES IN THE THRONE ROOM, CATTLE DECAPITATIONS, FALLUJAH, and SKELETONWITCH, the group shapes a sonic landscape that is at once suffocatingly heavy and hauntingly vast. The music is raw in execution yet deliberate in its storytelling, each track serving as a descent into themes of cosmic horror, existential collapse, and apocalyptic rebirth.

The band’s debut single “Anti-Preacher,” released December 13, 2024, marked the first official offering under the CELESTIAL DEATH name. It set the tone for the project’s sound, combining blackened chaos with melodic undertones, and hinted at the larger creative arc the band continues to develop. Their most recent single “Aeons,” written during Forrest’s most turbulent years, explore Lovecraftian imagery and catastrophic narratives that have become central to the band’s identity.

CELESTIAL DEATH’s music is built on foundations of atmosphere and intent, stripped to core instrumentation of guitars, drums, bass, and venomous vocals while retaining a cinematic scope. Their songs unfold like parables, grim yet reflective, destructive yet transformative. This ethos reflects Forrest’s own journey, from personal darkness and addiction to sobriety and clarity, with CELESTIAL DEATH becoming both a vessel for catharsis and a statement of purpose.

With a steadily growing presence in Atlanta’s extreme metal scene, CELESTIAL DEATH stand poised to carve their name into the modern blackened metal pantheon. The band represents not just heaviness but vision, not just destruction but creation. For those who seek music that feels apocalyptic in scale and deeply human in spirit, CELESTIAL DEATH is a name to remember.

CELESTIAL DEATH is:
Jay Crash - Guitar, vocals
Jason Schwartzwalder - Lead guitar
Matthew Carmichael - Drums

Social Links:

Official Website: terminushatecity.com
Bandcamp: celestialdeathatl.bandcamp.com
E-Shop: terminushatecity.com/shop
Facebook: facebook.com/celestialdeath
Instagram: instagram.com/celestialdeathatl
YouTube: youtube.com/@terminushatecity
Spotify: open.spotify.com/artist/7uoyni4ubgDYk4vpxDzXqG
Apple Music: music.apple.com/us/artist/celestial-death/1779099534

IRON SAVIOR Unleash New Video For A-HA Classic "Take On Me" From Upcoming Cover Album Awesome Anthems Of The Galaxy

February 14, 2026

Hamburg-based power metal veterans IRON SAVIOR have just released a new video clip for their latest single, “Take On Me” - the band’s electrifying metal reworking of the classic A-HA hit. The track is taken from their highly anticipated cover album Awesome Anthems of the Galaxy, set to arrive on March 27, 2026 via PERCEPTION – a division of Reigning Phoenix Music!

Following a series of successful singles previewing the album, including their fiery rendition of IRENE CARA’s “Fame” and the powerful take on ALPHAVILLE’s “Forever Young”, the “Take On Me” video adds a fresh chapter to IRON SAVIOR’s cosmic mission of transforming beloved ’80s pop anthems into full-throttle power metal epics.

Frontman Piet Sielck reveals: "'Take On Me' for sure is one of the most successful pop songs ever. So in the beginning it was more a 'must' than a 'want'… but during the process of transforming it, I started to love this version more and more. Today I am more than happy to have this classic on the album and I‘m proud of the outcome!"

Stream / Download "Take On Me" at: https://ironsavior.rpm.link/takeonmePR

Watch the video below:

After reigniting their cosmic engines with Machine World – Reforged in 2025, IRON SAVIOR embark on their boldest mission yet. “Awesome Anthems of the Galaxy” transforms some of the most iconic pop hits of the 1980s into full-throttle power metal epics, combining nostalgia, passion, and the band’s trademark precision and fire, proving that the past can shine brighter than ever when reforged in metal.

“After the huge success of the 2002 Condition Red bonus track “Crazy” (Seal), which was actually used in a HBO TV show, we have been asked by fans and medias almost constantly to do a complete cover tracks album," Sielck explains, and adds: "So… two decades later here we are!” quotes frontman Piet Sielck. “AWESOME ANTHEMS continues the transformation from pop-to-metal in Iron Savior style as started with Seal’’s “Crazy” and Eurythmics “Sweet Dreams. We are absolutely proud of the outcome, which never looses the original vibe of the tracks but yet is 100% Iron Savior. Just listen yourself.. I guarantee a lot of smiles while doing so!”

From the electrifying rush of A-HA’s “Take On Me” and the thunderous drama of PHIL COLLINS’s “Against All Odds” to the cinematic pulse of JERMAINE JACKSON & PIA ZADORA’s “When The Rain Begins To Fall” and the adrenaline-fueled “Maniac” by MICHAEL SEMBELLO, IRON SAVIOR turn pop classics into heroic, melodic metal anthems. With Awesome Anthems of the Galaxy, IRON SAVIOR prove once more that great songs never age - they just get heavier!

Pre-order the album now at: https://ironsavior.rpm.link/awesomeanthemsPR

About IRON SAVIOR:
Forged in Hamburg’s metal heart, Iron Savior have been delivering their signature brand of powerful, melodic heavy metal for nearly three decades. Led by founder, vocalist, guitarist, and producer Piet Sielck, the band has become a cornerstone of the German power metal scene with their blend of high-octane riffs, anthemic choruses, and sci-fi storytelling.

For More Info Visit:
Website | Facebook | Youtube

BBR MUSIC GROUP/BMG NASHVILLE ANNOUNCES THE SIGNING OF RISING COUNTRY VOICE MARY KUTTER

February 14, 2026

With “Bed of Roses,” out today via BBR Music Group/BMG Nashville, Mary Kutter makes a stark, unapologetic entrance to the roster. Written by Kutter alongside John Frank and Tom Pino, and produced by Kurt Allison and Tully Kennedy, the song unfolds like a Southern noir short story with equal parts grit, dark humor, and a sense of reckoning. Listen BELOW.

Built on razor-edged riffs and a pulse that cuts like a thorned guitar pick, “Bed of Roses” drops the listener straight into the fallout, where lines have been crossed, secrets stay buried, and beauty grows from something far more dangerous. Kutter’s vocal sits at the center of the tension, cool and unflinching, daring the listener to lean in closer.

Rather than softening the story or looking away, “Bed of Roses” leans all the way in planting itself in a lane of revenge country anchored by hits like The Chicks “Goodbye Earl.” The song lets implication do the heavy lifting, pairing vivid imagery with a sharp sense of humor that keeps the narrative firmly in control. It’s a reminder that sometimes survival isn’t loud. It’s quiet, calculated, and final.

“‘Bed of Roses’ lives in the kind of storytelling country I grew up loving,” says Kutter. “I love songs that make you lean in, raise an eyebrow, and maybe laugh at the wrong moment. This song has teeth. It’s playful with its dark humor, and it doesn’t ask permission. Those are the songs that made me fall in love with this genre in the first place.”

“Bed of Roses” marks a new chapter for Kutter as she steps forward as an artist unafraid to say the quiet part out loud. Leading with classic country storytelling while letting a harder edge show through, the track introduces a voice that doesn’t chase approval or resolution, only truth, however uncomfortable it may be.

About Mary Kutter:

Kentucky raised and Nashville based, Mary Kutter writes songs that live in the gray area blurring genre lines and creative narratives. Drawing from country storytelling and rock-leaning intensity, her music favors sharp images over easy answers. As both a songwriter and recording artist, Kutter gravitates toward characters on the edge, flawed, resilient, and unapologetically human. Before stepping fully into her own voice as an artist, she built a reputation as a songwriter willing to go where others would not, with her work appearing on major-label releases and charting records by Bailey Zimmerman, Nate Smith, and Zach John King. Those experiences sharpened her instincts and reinforced her belief that the most powerful songs are the ones that tell the truth plainly, without sanding down the rough edges. Onstage, Kutter brings that same intensity into the room. Her performances are direct and unfiltered, rooted in connection rather than theatrics. Whether playing intimate venues or larger stages, she commands attention through presence, letting the songs do the heavy lifting. With “Bed of Roses,” Kutter begins a new chapter defined by confidence, clarity, and a refusal to soften the point.

Rising Country Star Maddox Batson Releases New Track “If I See Her Again”

February 14, 2026

Hailed by the LA Times as “a country Justin Bieber in the making” and the youngest male to ever appear on Billboard’s 21 Under 21, Maddox Batson releases “If I See Her Again,” an upbeat groove with heart-on-his-sleeve lyrics. Listen to “If I See Her Again” via Warner Records / Prosper Entertainment here and watch the official music video below.

Written by Batson, Grant Averill, Dave Cohen and Jackson Foote and produced by Cohen and Foote, Batson internalizes scenarios for a second encounter with a young romantic interest.

“‘If I See Her Again’ is about one of those chance encounters where you wish you would say something but don't. You never get that time back. I think everyone can relate,” shares Batson. “Proud of this one and pumped to get it to my fans. Hope y'all like it!”

“If I See Her Again” arrives on the heels of Batson’s “Any Other Night,” a coming-of-age anthem combining smooth vocal flow, clean guitars and a laid back digital beat. Listen to “Any Other Night” here or watch the official music video with fan favorite guest star Embreigh Courtlyn here.

“If I See Her Again” debuts in anticipation of Batson’s Live Worldwide Tour 2026, which kicks off Feb. 17 in Ft. Lauderdale. The Live Worldwide Tour 2026 will crisscross the U.S. before heading to Canada, Ireland, the United Kingdom, Germany, the Netherlands, Norway and Sweden, on Batson’s first headlining European trek. Joined by special guests Baylee Lynn, Jenna Davis, Just Jayne and Timmy McKeever on select dates, tickets for all shows are available now at MaddoxBatson.com.

Batson jump starts his most ambitious year yet – including more new music to come, his collaboration with Ringling Bros. and Barnum & Bailey – the first-ever artist collaboration in the brand’s 150-year history – and a win at Good Good Golf’s Desert Open in Tempe, Arizona. Batson and teammates Garrett Clark (co-founder of Good Good) and Marissa Wenzler (University of Kentucky golf alumna) competed against six other three-person teams (two Good Good players and one musician) before taking home the golden hat trophy.

East Nashville Hard Rock Breakout KALAMITY KILLS Unleashes Explosive New Single “These Days Are Evil”

February 13, 2026

East Nashville hard rock force KALAMITY KILLS has released its powerful new single, “These Days Are Evil,” an urgent and unflinching anthem confronting division, manipulation, and digital-age addiction while calling listeners back to human connection and personal responsibility.

Written primarily by frontman Jamie Rowe in late 2024 and completed in collaboration with guitarist Jamey Perrenot, the track captures a sense of cultural unrest and psychological tension that feels unmistakably current. Blending aggressive riffs, driving rhythms, and a massive, chant-ready chorus, “These Days Are Evil” stands as one of the band’s most focused and explosive releases to date.

“I wrote most of this song in late 2024 knowing it was something special,” says Rowe. “Putting it in Jamey Perrenot's hands to take it across the finish line has resulted in my favorite KALAMITY KILLS track to date. Look, it's no secret the world is in a dark place these days, but we have a say in how we treat others. I want to see the good in people. An act of kindness goes a long way right now. Maybe we all need to take a second away from our screens and show up for someone in the real world. That's what this song is really about: waking up to the manipulation, refusing to be pawns in their game, and choosing connection over division. We can't control the chaos around us, but we can control how we respond to it.”

The single explores themes of manufactured outrage, screen-driven identity, fear-based messaging, and the constant battle for attention and influence. At its core, however, the message is not despair but choice. While the world may feel unstable, the band emphasizes that individuals still control how they treat one another.

Emerging from East Nashville’s thriving rock underground, KALAMITY KILLS continues to build momentum with music that challenges as much as it energizes. “These Days Are Evil” reflects a band unafraid to confront uncomfortable truths while offering a path forward rooted in awareness and compassion.

About KALAMITY KILLS

KALAMITY KILLS is a hard rock band forged in the heart of East Nashville, Tennessee. Formed in 2022 by vocalist Jamie Rowe and guitarist/producer Jamey Perrenot, the band emerged from the ashes of a solo project into a fully realized sonic assault—fueled by raw emotion, modern aggression, and a deep respect for rock’s roots. With a sound that fuses the swagger of classic hard rock with the intensity and polish of modern metal, KALAMITY KILLS strikes a rare balance between power and vulnerability.

Best known for their debut self-titled album Kalamity Kills, the band quickly turned heads thanks to high-profile collaborations with members of KORN, 3 DOORS DOWN, LA GUNS, CONQUER DIVIDE, and UNDEROATH. Their music has earned national airplay on SIRIUSXM’s Octane, landed on the Billboard Active Rock charts, and crossed over into viral success without ever chasing trends.

More than just a studio project, KALAMITY KILLS is a growing force with a full live lineup, including bassist/vocalist Julia Lauren Bullock and drummer Rob Bodley. Their songs—ranging from explosive anthems to brutally honest ballads—tackle themes of faith, failure, hypocrisy, redemption, and the messy beauty of being human.

KALAMITY KILLS is for the outsiders, the misfits, the ones who’ve been burned and are still standing. Loud. Unapologetic. Unforgettable.
KALAMITY KILLS is:

Jamie Rowe – Lead Vocals
Jamey Perrenot – Guitar / Producer
Julia Lauren Bullock – Bass / Vocals (Live)
Rob Bodley – Drums (Live)

Connect with KALAMITY KILLS:

Website: https://kalamitykills.com
Facebook: https://facebook.com/kalamitykills
Instagram: https://instagram.com/kalamitykills
X (Twitter): https://x.com/kalamitykills
Jamie Rowe on X: https://x.com/jamierowe
YouTube: https://youtube.com/kalamitykills
TikTok: https://tiktok.com/kalamitykills
Spotify: https://open.spotify.com/artist/0Q7zrZUeUnTrX0OC2FvTqU?si=qZPINKoURFONBasOc9iB3g
Apple Music: https://music.apple.com/us/artist/kalamity-kills/1636401395

Kami Kehoe’s “HEARTLESS” Explores Love on the Edge of Fallout

February 13, 2026

Alt-rock star on the rise, Kami Kehoe, today ushers in a darker, razor-sharp chapter with her new single, "HEARTLESS", via Atlantic Records. Where past releases traced the full arc of heartbreak and healing, "HEARTLESS" sees Kami flip the script into a love song told from the edge of a potential fallout. Listen to "HEARTLESS" BELOW.

Writing from the perspective of someone who has been burned enough times to go numb, Kami zeroes in on the person who finally makes detachment impossible. Leaning into the reality of choosing to fully love one person meaning that she may have nothing left if they go, Kami reframes the word "heartless" as a consequence of her devotion, rather than indifference.

Coming off the back of her latest single, "FADE OUT,", a cover of "SEX ON FIRE", and a nationwide tour supporting Daughtry, Seether, and POD (which saw her regularly invited to join them on stage), Kami continues to cement her place as one of the genre's most magnetic rising voices. Named as one of Pandora's Artists to Watch in 2026 (The Pandora Ten) and continuing to rack up spins on Sirius XM's Octane, Kami steps into the new year with a ballad that's softer in tempo yet even higher in emotional stakes.

As she opens 2026 with the vulnerable, all-in love story of "HEARTLESS", Kami Kehoe wears her heart on her sleeve:

"HEARTLESS is about having one heart and putting it on the line, but wrestling with the idea of finding your person and knowing that if they leave, they take everything you had with them. Seeing people connect with my music everyday has made me a lot less scared of being this honest, because that kind of truth is exactly what makes music worth making for me."

Kami's growing profile extends beyond the music itself, with a feature in the winter issue of Revolver, spotlighting her rise at the intersection of heavy, alt, and modern rock. As she continues to build on the viral success of tracks like, "DOPAMINE" and "SLEEP WHEN I'M DEAD", Kami's "HEARTLESS" now steps in as a stripped-back, emotionally loaded marker of where she's headed next.

On stage, Kami's 2026 is already packed with high moments, including a performance supporting Godsmack as a part of WMMR's MMRBQ and her set at Rock Fest (WI), placing her alongside some of rock's most established names.

To begin her 2026 live run, Kami will also return to Los Angeles for a special headlining show at the Roxy on February 19. Fans can find Kami's full touring schedule HERE.

With signature gritty guitars, atmospheric production, and Kami's evocative vocals, her latest single, "FADE OUT" closed out 2025 as one of her most emotionally charged releases to date. The track capped off her "KANDY" EP era that documented the full arc of heartbreak and healing, garnering millions of streams, 100 million views in short form content, and viral popularity worldwide. Her hit single, "DOPAMINE", earned over 30 million streams and hit #11 on Sirius XM Octane's "Big Uns" Countdown, spotlighting her growth in the modern rock landscape.

Carving out her own space in the alt-rock world, Kami Kehoe has impressively amassed over 105 million streams and more than 2 million social media followers by blending a sultry, velvety vocal with a hard-charged rock energy. Since breaking out with the viral hit “SLEEP WHEN I’M DEAD”, she has continued to evolve her sound—infusing shoegaze, metal, and hip-hop influences into her music while remaining unapologetically authentic.

Be sure to stay tuned for more Kami Kehoe news coming very soon.

ABOUT KAMI KEHOE

KAMI KEHOE has never been one to wait for permission. At just 22, the Los Angeles-based singer, songwriter and drummer has blazed a fearless musical path, most recently with her latest EP, “Kandy”, out now via Atlantic Records, Coup D’Etat Recordings, and 10K Projects. Since emerging, she’s spun a chameleonic, hard-charged rock sound into over a million Instagram followers, 10 million TikTok likes, and over 75 million streams in 2025 alone.

Unapologetic authenticity propelled her breakout hit “SLEEP WHEN I’M DEAD,” from her 2024 album REVIVED (Coup D'état/10K Projects), to audiences around the world in stratospheric fashion. Almost overnight, the garage-punk suckerpunch – the snarl of Joan Jett with the timeless melodicism of the Ramones – ripped through social media at lightning speed, netting Kami 100,000 new TikTok followers a day and further cementing her as a rising force in the underground.

Diving headfirst into the emotional rollercoaster of heartbreak, obsession, and self-discovery, her latest EP, “Kandy” blends dark melodic rock with pop, metal, and metaphor-rich songwriting. Using candy and drugs as symbols for dangerous pleasures, each of the five tracks explore the tangled interplay between allure and risk, offering a bittersweet reflection on the complexities of desire and the consequences that follow. It’s another bold step forward for Kami as she continues to kick down the guardrails of her sound, another entry in her omnipresent push to rewrite what’s possible for her musical future.

After making waves with a standout performance at Warped Tour and playing her very first headlining show, Kami has just wrapped her largest tour yet, joining forces with industry legends, Daughtry, Seether, and P.O.D. She’ll continue to evolve as an artist with the same freedom and fearlessness that’s led her here, another chapter in a career that’s continually defied expectations – not that she’s ever really cared about those in the first place.

MALEFIC Unleash Debut Album Impermanence Today via Terminus Hate City; Premiere Video for “In Darkest Dreams (The Reaping)”

February 13, 2026

Atlanta blackened thrash visionaries MALEFIC have officially released their long-awaited debut full-length, Impermanence, out today via Terminus Hate City. Marking the culmination of a journey that began in 2018, the album stands as a testament to perseverance, creative defiance, and an unrelenting devotion to extreme metal in all its forms.

In conjunction with the album’s release, MALEFIC have unveiled a new music video for “In Darkest Dreams (The Reaping),” a harrowing visual companion to one of the record’s most dynamic tracks. The video plunges viewers into a nightmarish landscape where fantasy and mortality collide, echoing the song’s tale of a deathly reaper figure stalking the shadows of the subconscious.

Blending black, death, and thrash metal into a volatile and cohesive statement, Impermanence explores themes of political decay, addiction, existential dread, perseverance, and the irreversible consequences of human choices. The album refuses to be confined by genre boundaries, drawing from progressive rock structures, melodic black metal atmospheres, and punishing death metal intensity.

The record erupts with opener “Blood Of The Throne,” a blistering assault of precision riffing, furious drumming, and venomous vocals that confronts oppressive economic systems head-on. “In Darkest Dreams (The Reaping)” follows with a progressive-leaning structure and one of the album’s rare defined choruses, merging death metal brutality with blackened thrash undertones. The album can be ordered HERE.

“Of Gods And Man” shifts into melodic black metal territory, weaving intricate picking patterns and dueling solos beneath vocalist Aaron Baumoel’s existential reflections on greed and humanity’s relationship with a creator. The dynamic “Idiocracy” introduces a black-n-roll swagger, pairing memorable triplet riffs with sharp social commentary.

“Deserter” reintroduces crushing death metal grooves and call-and-response harsh vocals that channel themes of abandonment and despair. “Disembodiment” offers a haunting acoustic opening before ascending into the album’s emotional apex, confronting narcissism and manipulation with both musical beauty and lyrical darkness.

The sprawling centerpiece “Obsidian Earth” serves as Impermanence’s magnum opus: grandiose, melodic, and unrelentingly aggressive, culminating in a searing solo by Jason Davila while lamenting humanity’s self-inflicted extinction. “Echoes Of Silence” ventures further into progressive territory, chronicling addiction’s dual nature through chaotic black metal passages and cathartic melodic release.

Closing track “It Haunts” descends into a blackened abyss of charging riffs and spectral acoustics, sealing the album with an ominous sense of supernatural finality.

Forged through years of personal and professional trials, the album captures MALEFIC at their most focused and fearless, delivering a work that is as intellectually provocative as it is sonically devastating.

About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music.

MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass

SÉANCE OF SORROW UNVEILS HAUNTING NEW VIDEO ‘FROM THE BLACK’—A TALE OF REBIRTH FOR A DARK VALENTINE’S DAY

February 13, 2026

Born from the shadows of a brutal murder, dark rock outfit SÉANCE OF SORROW acts as a sonic bridge between the living and the dead. Arriving just in time for Valentine’s Day, their third single, 'From The Black,' is a cinematic hard rock anthem that explores rebirth through tragedy.

SÉANCE OF SORROW reaches its turning point in 'From The Black'. This third installment shatters the status quo—where once there was a victim, there is now a force; where once there was silence, there is now a reckoning. The music video captures the immediate aftermath of Michael’s death as his consciousness dissolves into the void. Through graveyard symbolism and a looming supernatural chill, viewers witness a transformation: the birth of an entity no longer bound by flesh. This isn't a traditional resurrection—it’s an evolution.

SÉANCE OF SORROW comments, “From The Black isn’t just a song. it’s the moment after death when the silence starts speaking. It’s about realizing that what was meant to bury you becomes the place you rise from. Michael’s murder wasn’t the end of his story. It was the beginning of something darker… and far more powerful. This song is the sound of awakening inside the void.”

Watch the music video for 'From The Black' below:

Listen to 'From The Black' here.

'From The Black' was engineered and produced by Chris Collier, with Josiah Wiswell providing production assistance, mixing, and mastering.

Each song serves as a psychic vision for vocalist Michael Morrison, unearthing fragments of former lives, the shadows of grieving loved ones, and the echoes of tragic endings.

Condemned to ‘The Black’—a purgatory for forsaken souls with unfinished business—the band is driven by a singular purpose: to write the one song that will finally reveal the identity of their killer. Until that truth is found, SÉANCE OF SORROW broadcasts their cryptic hard rock from the depths of eternal darkness.

Step deeper into the darkness at seanceofsorrow.com, where the music videos are reborn as interactive comic book installments. Secure your piece of the ritual with exclusive band apparel, and follow along as each new single unearths another chapter of this tragic tale.

Close your eyes, open your hearts, and let the ritual begin.
This is the SÉANCE OF SORROW.

NYC's Laptop reveals “Xanadu,” a sun-soaked tale of ambition and the cost of wanting more

February 13, 2026

NYC alternative pop outfit Laptop presents 'Xanadu', the latest offering from their forthcoming album "On This Planet", which starts out sounding like a love song, but slowly reveals itself as something darker. A duet between frontman Jesse Hartman and Nevis vocalist Anna Hadeed, the track explores the American idea of settling down — building a life, owning something permanent — and how that dream can quietly go wrong. It’s less about romance than what happens when good intentions collide with money, power, and the pressure to create something lasting.

Formed in the late ’90s, Laptop released three albums with Island Records, earning praise from NME, The Guardian, and others for their stylized blend of synth-pop, irony, and emotional precision. Now revived as a contemporary project with his son Charlie Hartman, Laptop has become a vehicle for Hartman grappling openly with adulthood in this chaotic world — not as a clean resolution, but as something messier and harder to define. “Xanadu” captures the moment when the art dream runs into the desire for stability, and neither comes out untouched.

The title nods directly to Citizen Kane, where “Xanadu” names Charles Foster Kane’s vast, illusory estate — a symbol of success that ultimately exposes loneliness and regret. Laptop updates the idea for a modern American setting. In this version, Xanadu isn’t a castle; it’s a mid-century dream house, full of hope and expectation, carrying the belief that ownership might finally bring peace. This is love song disguised as a hard look at the pitfalls of American materialism.

Filmed on Oualie Beach in Nevis, where overdubs for Laptop's coming album were recorded, the video juxtaposes Hartman and Hadeed's chilled beachside duet with glossy, candy-colored visual sequences involving a separate couple. Gently mocking the modern semi-colonialist belief that paradise can be packaged, purchased, and controlled, we see a slick couple sail toward their dream, only to see it sink beneath the waters of their own ambitions and end up in flames. Kitschy postcard titles like "The Good Life” and “Live the Romance" punctuate their journey, underscoring the bitter irony of it all.

Jesse Hartman got his start as a Voidoid with Richard Hell, before founding indie rock band Sammy with Luke Wood, and releasing albums via Fire Records and Geffen Records. Since reviving, Laptop is on a roll on the strength of the singles “Indie Hero”, "Confused", "Additional Animals", "I Don't Know" and “Weirder”, mixed by Grammy award-winning producer Mario McNulty (David Bowie, Prince, Nine Inch Nails, Julian Lennon), collectively drawing millions of views and reintroducing Laptop's humor and sounds to a new generation.

“Xanadu” will be released via Hurricane Cove Records on February 13, available on major streaming platforms, including Spotify, Apple Music and Bandcamp. Laptop’s much-anticipated "On This Planet" album will be released on June 5. The band performs next at NYC's Mercury Lounge on April 9, along with UK rockers Art Brut.

Get the single https://ditto.fm/xanadu_995c7dd3
Spotify https://open.spotify.com/track/7Lrqg7giyk2K8ffCq8P2K8
Bandcamp https://laptoptheband.bandcamp.com/single/xanadu

CREDITS 
Written & produced by Jesse Hartman
Published by: Exurbia Music, Inc. (BMI)
Released by Hurricane Cove Records 
Jesse Hartman — vocals, guitars, keys, synths, piano, bass
Anna Hadeed — vocals
Geddys “Ch4se” Ferguson — vocals
Kendelle Thomas - bass
Mike Desmarais — drums
Lluísen Capafons — conga, percussion
Matthew Dakoutro — cello, viola, violin
Siuxx — electric guitar
Artem - horns
Engineered by Iñaki Ariste Aznar, Edward Douglas & Jesse Hartman
Mixed by Edward Douglas & Jesse Hartman
Mastered by Dave Trumfio
Artwork Painting by Jesse Hartman
UPC/EAN 5063904538524
Publicity by Shameless Promotion PR

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