Charlie Nieland & Joe McGinty (The Psychedelic Furs, Nada Surf) share 'Making of Today' video & original stop-motion video Nieland's acclaimed 'Stories From the Borderlines' album is out now

Renowned NYC songwriter-producer Charlie Nieland and the iconic Joe McGinty (The Psychedelic Furs, Nada Surf, Ryan Adams) present the 'Making of Today' video, a glimpse into their latest single 'Today', a hymn of loss and acceptance that finds its power in the absence of knowing and transmutation of personal darkness into a universal meditation on the beauty of the finite.  

This behind-the-scenes video complements the video for 'Today', a beautiful Alex Dar-directed stop-motion interpretation that is devastating and yet hopeful. The new clip shows how Nieland and McGinty collaborated to create this song, including studio footage and Joe touring us through the instruments that he used on this track. These latest clips highlight the beautiful optimism and creativity that has gone into Nieland's newly released (and now acclaimed) album 'Stories From The Borderlines'.

"When you get a chance to work with keyboard whiz Joe McGinty, you take it. I knew Joe; I’d been singing in his long running NYC performance series "The Loser’s Lounge"and he was also a guest on my podcast "An Embarrassment Of Prog" in 2023. He is a deeply empathetic person and an accomplished player who always knows what to add to make an arrangement sing," says Charlie Nieland.

"When I was working on 'Today', I realized it needed something more than my keyboard parts, so I asked Joe to play on it and he enthusiastically said yes. Joe and I have a great time talking about our Prog Rock upbringings, so I asked him if he could create some layers that had the feel of the semi-obscure Jon Anderson/Vangelis song 'So Long Ago, So Clear'. Of course, he knew exactly what I was talking about. He fired up his vintage and new keyboards (he has quite a collection) and bathed the song in a unique glow that really elevated the feeling of hope and sadness."

Apart from vocals and guitar, Charlie Nieland contributes Mellotron violins and flute, e-bow guitar and bass. Joe McGinty plays multiple synths (Freeman String Symphonizer, Moog Muse, Oberheim Xpander, RMI Keyboard Computer, Sequential Pro 3, Therevox ET 5, Waldorf Iridium and Yamaha CP35), sharing “It was a bit of a tall order, but a good excuse to use some of my favorite keyboard instruments, vintage and new, for this arrangement. It was a delight to work on this song."

With sweeping melodies and restless rhythms, 'Stories From The Borderlines' is an act of imaginative resistance, passionately mining for light and truth in a darkening world. Named Artist of the Year by The Manc Review, this is one of his most profound albums, known for his work producing and writing for the likes of Debbie Harry, Rufus Wainwright, Blondie and Scissor Sisters.  Presenting a visceral blend of post punk, glam, dream pop and progressive rock, this immersive journey is a personal exploration of themes such as connection and severance.

Following the 2025 EP 'The Ocean Understands', Nieland shared the singles 'Win' feat. Staten Island rapper spiritchild and 'Shame' with a firecracker videoby NYC artists Hypnodoll and Alice Teeple, these cinematic and poignant songs also involving drummer Billy Loose and guitarist Dan McAssey.

Nieland's decades-long backstory as a writer, performer and producer is extensive. He was awarded a Gold record (UK) for his production work on Blondie's 'Greatest Hits Sight & Sound' and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry's single 'Two Times Blue', which he co-wrote and produced. He scored the feature film 'The Safety of Objects' (with Glenn Close), Showtime's pilot episode of 'The L Word' and the VH-1documentary 'NY77: The Coolest Year in Hell'.

Nieland's debut solo album 'Ice Age' (2014) was followed by 'Hopeful Monsters' (2016) and ‘Divisions' (2021). After 20 years with Her Vanished Grace, he is half of the literature-inspired duo Lusterlit with Susan Hwang, and produces and co-hosts the podcast 'An Embarrassment of Prog'.

The 'Stories From The Borderlines' album is out now digitally, including via Apple Music, Spotify and Bandcamp. Nieland performs next in New York City from February 19th to 21st at Joe's Pub for 'Loser's Lounge Presents REM Vs. The Replacements', and on April 12th at 503 Social Club (Hoboken, NJ), together with Renee Maskin and Karyn Kuhl.

CREDITS 
All songs written by Charlie Nieland, except 'Win' (by Charlie Nieland & spiritchild


)
Charlie Nieland - vocals, 6 and 12 string electric and acoustic and e-bow guitars, lap steel guitar, fretted and fretless electric basses, upright piano, Fender Rhodes electric piano, Korg MS20 analog synth, virtual Mellotrons and string machines, autoharp, glockenspiel, percussion
Billy Loose - drums

Dan McAssey - guitar on 'Brutalist Monuments' & 'You Fell Down'
spiritchild - Vocals on 'Win'

Joe McGinty - keyboards on 'Today'
Recorded at home and at Saturation Point Studios in Brooklyn, NY
Produced, recorded, mixed & mastered by Charlie Nieland
© 2025 Athame Music, xspiritmentaleyez Music (Win)
Album cover art by Hypnodoll™ 

Videos for 'Today' and the 'Making of Today' videos by Alex Dar
Videos for 'Redshift' and 'Drown' by Hypnodoll™
Video for 'Shame' by Hypnodoll™ and Alice Teeple
Artist photos by Alice Teeple and Bob Krasner
Publicity by Shameless Promotion PR

Keep up with Charlie Nieland
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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PROPHETS OF ADDICTION RELEASE MUSIC VIDEO for TRACK "SLIPPIN’ AWAY" from the Album “FACE THE MUSIC”, Now Available on Vinyl

West Coast based glam, punk 'n' rollers PROPHETS OF ADDICTION have released the new music video for the track "Slippin’ Away" from their latest album "Face the Music" through BraveWords Records.

Watch the video Below:

Speaking about the new single “Slippin’ Away” lead singer Lesli Sanders said, "This is one of the most important songs that I have ever written lyrically. This is a tribute to my dad, as I was by his side for the last year of his life every day as he battled cancer."

As for 2026 the vinyl  of “Face the Music” has just been released on German Label Night of the Vinyl Dead. Links to purchase vinyl:


Germany: www.hrrecords.de/PROPH...rQZb_x
Greece: www.hrrecords.de/PROPH...rQZb_x
Sweden: hotstuff.se/lp-th...107678

CDs available at https://prophetsofaddiction.com/?merch

Prophets of Addiction are currently recording new material, and hope to tour in 2026.
 
The album "Face the Music" can be streamed or purchased at https://smarturl.it/prophetsofaddiction

THE PLAYERS 
Lesli Sanders: Lead Vocals, Guitars
Phil Soussan: Bass, Piano, Mandolin,Percussion, Backing Vocals
Wayne Stokely: Drums,Backing Vocals
Tchad Drats: Guitar, Ebow, Backing Vocals
G.G. Guitar, Backing Vocals
Terry Bratsch, Acoustic Guitar, Electric Steel, Backing Vocals 
 
Website: https://www.prophetsofaddiction.com
Facebook https://www.facebook.com/TheProphetsofAddiction

Saint Agnes New Album "Your God Fearing Days Are About to Begin" Out 5/29

Frontperson, Kitty A. Austen's voice, vision and volatility shape every inch of the band's evolving world, and she is ably met by co-founding member Jon James Tufnell, together forming the creative axis of the band.

"'Song For Mia' is a tribute to my teenage best friend and our early teenage years — a tribute to the innocence of adolescence," says Austen. "We would spend our nights at each other's houses, hanging out, doing nothing with nowhere to go. We would often lay out on a trampoline in the garden, staring at the stars and dreaming about our futures. I was always looking forward, eager to accelerate my life and speed through those awkward years. I realize now that was the very best time of our lives — we were free and glowing with promise. 'Song For Mia' is sweet nostalgia set to a pulsing beat." 

Listen to "Song For Mia" HERE.

Watch the video below.

NEW ALBUM YOUR GOD FEARING DAYS ARE ABOUT TO BEGIN OUT MAY 29 — PRE-ORDER

Fusing raw industrial power, dark elegance and hedonistic, body-moving intensity, Saint Agnes have created a sound made for sweat-soaked goth club dance floors. Inspired by the intensity of Nine Inch Nails, the genre-bending chaos of Poppy, and the euphoric, cinematic story telling of Lorde, this is music for the club, the stage and the void inside.
  
Self-confessed "control freaks," Saint Agnes obsessively curate all aspects of their art and their music; this time, however, they utilized the mixing skills of Jim Pinder (Sleep Token, BMTH), the result being "our best sounding record to date, and the truest to our vision," per Austen.

The record's first single, "The Father, The Son and The Holy Beast," can be heard HERE. A genre-defying meditation on falling out of love — the bittersweet undoing of devotion. Check out the music video HERE.

ABOUT SAINT AGNES:
Saint Agnes have built a loyal following off the back of two EPs, two critically acclaimed studio albums, and over 12 million Spotify streams. With strong support from BBC Radio 1 and explosive mainstage sets at Download, 2000trees, and Hellfest, as well as appearances at Rock for People, IOW Festival, Great Escape, Boomtown, Takedown and Reeperbahn Festival, the band has proven its power live, including at sold-out, riotous headline shows around the UK.

SAINT AGNES ARE:
Kitty A. Austen — Vocals, Guitar
Jon James Tufnell — Vocals, Guitar, Synths, Programming 
Andrew Head — Drums

Varials Share "The Hurt Chamber" Video

Philadelphia's VARIALS — Skyler Conder, vocals; Shane Lyons, guitar; Mike Foley, bass; Sean Rauchut, drums — re-entered the chat in a massively metallic way in 2025 by announcing their new album WHERE THE LIGHT LEAVES. The album will arrive on February 27 via Fearless Records. Pre-order it here.

They share the video for new single "The Hurt Chamber."

Watch it Below.

The song moves at a measured and deliberate pace, and it's one of the most melodic songs in the band's catalog. With this track, Varials, known for erecting impenetrable walls of sound and for trafficking in pure metallic fury, prove that heavier-than-granite music doesn't always have to mean fast. Heavy can also be slow and steady — and memorable. The beautifully eerie, keys-driven fade out could serve as the background music in the creepiest scene in your favorite psychological thriller. 

"'The Hurt Chamber' is a song strictly about being addicted to a high that is inevitably difficult to break," says Conder. "Whether that be love, drugs, or a certain type of situation, you become blind to what's happening, all of the bad disappears because it always feels amazing. But it's doing nothing but harming you throughout every time you become close to it. The ache becomes a salvation of sorts. You enter the hurt chamber and you never want to leave."

Fun fact about the track — Conder cut his vocals in one take and on his first try. That's a rarity but the immediacy is felt in the song. And it just...worked. The band recalls, "We debated amongst ourselves on trying different ideas and melodies and adding/changing small things, but ultimately decided the original take was too good and shouldn't be messed with."

Sometimes it's best to leave things are they are.

Varials will hit the road on a headline tour this March, with Unity TX, Heavy // Hitter, and Boltcutter. All dates are below.

VARIALS ON TOUR:

3/12 — Detroit, MI — The Shelter
3/13 — Lakewood, OH — The Winchester Music Tavern
3/14 — Chicago, IL — Bottom Lounge
3/16 — Denver, CO — Marquis Theater
3/18 — Salt Lake City, UT — Soundwell
3/20 — Berkeley, CA — Cornerstone Craft Beer & Live Music
3/21 — Anaheim, CA — House of Blues Anaheim
3/22 — San Diego, CA — SOMA
3/24 — Las Vegas, NV — Backstage Bar & Billiards
3/25 — Mesa, AZ — The Nile Theater
3/27 — Dallas, TX — Trees
3/28 — Oklahoma City, OK — Beer City Music Hall
3/29 — Austin, TX — Come and Take It Live
3/31 — Pensacola, FL — Handlebar
4/1 — Atlanta, GA — The Masquerade
4/2 — Orlando, FL — The Social
4/3 — Greensboro, NC — Hangar 1819
4/4 — Richmond, VA — Canal Club
4/6 — Baltimore, MD — Ottobar
4/7 — Pittsburgh, PA — Thunderbird Café & Music Hall
4/9 — Allston, MA — Brighton Music Hall
4/10 — Brooklyn, NY — The Meadows
4/11 — Philadelphia, PA — First Unitarian Church

ABOUT VARIALS:
Varials deliver hardcore ferocity, monstrous breakdowns, and nu-metal groove with an adventurous atmosphere and unapologetic purpose. Born in Philadelphia and the surrounding areas, Varials embody East Coast attitude and determination, pouring every ounce of struggle into their songs. Their fourth album, Where the Light Leaves, arrives with explosive energy and focus. Varials first established their place in the modern heavy landscape with Pain Again (2017) and In Darkness (2019). Tracks like "Romance," "Empire of Dirt," and "Anything to Numb" became anthems, blending metalcore strength with raw honesty that deeply resonated with audiences. Scars for You to Remember (2022) expanded that vision, further cementing their reputation as one of the most emotionally intense acts of the modern era. Produced by longtime collaborator Josh Schroeder (Lorna Shore, Dayseeker, The Plot In You), Where the Light Leaves signifies a new chapter. An often chaotic and experimental process—creating dozens of demos—resulted in 13 songs that capture Varials at their most powerful and creatively ambitious. The performances are deliberately raw, embracing imperfections to forge an immediate, human connection. Guttural heaviness paired with new melodic textures delivers a sound that is both punishing and expansive. As demonstrated on tours with Knocked Loose, Wage War, and Kublai Khan TX, among others, Varials are a fierce and formidable live band, and that energy is reflected in Where The Light Leaves.

Filth Return With New Single "Outta Pocket" + "Welcome to Shell Town" Out 3/6

Rising North Carolina heavy hitters FILTH are ushering in their most volatile chapter yet. The band is releasing their brand new single "Outta Pocket" , alongside the official pre-save launch for their upcoming EP, Welcome to Shell Town, due out March 6.
 
The EP's title is a nod to the band's hometown. explains guitarist David Gantt, who says, "Shell Town is us leaning deeper into what shaped us, the music, the environment, and the mindset that came out of growing up in Shelby. This EP is a reflection of where we're from and why Filth sounds the way it does."

New single "Outta Pocket" picks up right where Southern Hostility left off — pure hostility, zero restraint, and built for maximum impact in the pit. The track serves as the opening salvo for Welcome to Shell Town, an EP that promises to be FILTH's most focused, violent, and confident release to date.
 
To mark the new era, FILTH will also kick off their headline "Beasts Of The East" tour, bringing their chaos directly to fans with support from Blackwater Drowning, Autumn Lies Buried, Comawaves, and Jawjacked

Expect no-frills brutality, packed rooms, and the kind of shows that leave venues shaken long after the lights come up.
 
If you like your deathcore filthy, groove-laden, and unapologetically hostile, then pre-save Welcome to Shell Town now.

FILTH ON TOUR:
3/6 —Dunbar, WV — The Shop Live
3/7 — Salisbury, MD — Lurking Class Skate
3/8 — Richmond, VA — Canal Club
3/9 — Baltimore, MD — Zen West
3/10 — Wilmington, NC — Reggie’s
3/11 — Greensboro, NC — Hangar 1819
3/12 — Virginia Beach, VA — Scandals Live
3/13 — Gastonia, NC — The Rooster
3/14 — Atlanta, GA — 529
3/15 — Jacksonville, FL — The Albatross
3/17 — Pensacola, FL — The Handlebar
3/18 — Tampa, FL — Brass Mug
3/19 — Orlando, FL — Conduit
3/20 — Summerville, SC — Trolley Pub
3/21 — Spartanburg, SC — GroundZero
3/22 — Chapel Hill, NC — Local 506

GRAIN OF PAIN Announces New Album "Behind Us All"; Unleashes Video for Haunting First Single!

Finnish doom metal outfit GRAIN OF PAIN has announced the release of its new full-length album, Behind Us All, set to drop on March 27 via Noble Demon. To mark the occasion and offer a first glimpse into the record’s bleak yet emotionally resonant soundscape, the band has unveiled its first single today.

The track, titled "To Burn Inside", is now available on all major streaming platforms and arrives alongside a brand new music video, which can be watched below

"To Burn Inside" sees GRAIN OF PAIN leaning deep into their signature blend of doom-laden heaviness and powerful melodies. Featuring a striking guest solo by Pekka Olkkonen(Stam1na), the song explores themes of reflection and the clarity that often comes with age.

Mastermind Timo Solonen comments: "So many stones, so many hopes. We are very happy to have Pekka Olkkonen to feature on our first single and to play solo on our song. Song is about life choices we made to earlier in life to chase dreams which weren’t worth it in the end. When you grow older you will find what is most important in life and the struggle to leave old life behind is not always easy. But you can do it as it becomes clear in the end of the song".

Hailing from Finland, GRAIN OF PAIN delivers a powerful and emotionally charged take on doom/death metal. At the core of the band is Timo Solonen, who handles composition alongside growls and guitars. On bass and clean vocals is Lars Eikind (Before The Dawn), standing out with a prestigious Spellemannsprisen (Grammy) win in Norway.

Joining as session musicians are Juho Räihä (guitars, additional screams) and Juuso Raatikainen (drums), both of whom claimed a Finnish Grammy with Swallow the Sun in 2025. Drawing from a wide range of influences, GRAIN OF PAIN weaves dark atmospheres and powerful melodies into music that resonates long after the final note fades.

Following the signing with German metal specialist Noble Demon in April 2024 for their debut release ("The Moon Lights The Way"), GRAIN OF PAIN now raises the stakes with Behind Us All, their second studio album, set for release in March 2026.

Behind Us All was produced, recorded, mixed, and mastered by Juho Räihä at SoundSpiral Audio. The cover artwork was created by Gogo Melone. The album will be released on March 27 via Noble Demon and is now available for pre-order HERE.

 

For More Information Please Visit:

https://www.facebook.com/GrainOfPainMetal  

https://www.instagram.com/grainofpain.band  

https://linktr.ee/nobledemon

Of Virtue Confront Sacrifice & Self-Sabotage On "Death Of The Altar"

Michigan metalcore outfit, Of Virtue, have released their brand new single, "Death Of The Altar", via Arising Empire alongside a haunting new video. Teased across the band's socials in the lead-up to the release, the track arrives as Of Virtue's first new offering of 2026 and a vicious continuation of the world they build on their 2023 record, "OMEN", which racked up an impressive 65 million streams since its release. Fans can listen to the new single HERE and watch the brand new video Below.

Built on tight, searing riffs, gut-punching breakdowns, and a chorus that refuses to let go, "Death Of The Altar" leans into the intensity and emotional honest that have become Of Virtue's calling card. Co-written alongside Lee Albrecht (Bilmuri, The Devil Wears Prada, etc) and Evan McKeever (Starset, Koe Wetzel, etc), the track features the band's ongoing focus on addiction, mental health, and the stigma surrounding both, turning that internal fight into something loud, physical, and communal.

Directed by none other than Blackwolf Imaging and Levine Pictures, the "Death Of The Altar" music video pushes those themes into stark, ritualistic imagery that blurs the line between sacrifice and liberation. It sees the band confronting the weight of their own devotion, refusing to keep sacrificing themselves to old expectations and narratives.

Harnessing the potent fusion of powerful melodies and emotionally charged lyrics, Of Virtue maintain a steadfast commitment to authenticity, consistently redefining the genre while staying true to their artistic essence. Beloved across 35 countries and having performed at multiple Danny Wimmer festivals, Upheaval, Full Force, Summer Breeze, and Pulp Summer Slamamongst many others, it's no surprise that they've shared stages with bands such as Slipknot, Bad Omens, Nothing More, and Three Days Grace. Beyond their musical prowess, the metal powerhouse also serve as passionate mental health advocates on and off stage. Often seen using their platform to raise awareness and openly discuss these vital issues, Of Virtue have become a source of hope and inspiration for countless fans facing similar challenges.

Carrying forward the spirit of their 2023 record, "Omen", Of Virtue continue to champion vulnerability, community, and the belief that no one is defined solely by their worst decisions. With "Death Of The Altar" standing as the next chapter, the band further their evolution with a fearless, unflinching look at what it means to reclaim your life, even when it means burning down everything that once felt familiar.

Be sure to stay tuned for more Of Virtue news coming very soon.

Photo Credit: Alexander Bemis

HÉR are seekers and storytellers. Their debut album, Monochrome, reflects polar extremes: fire and ice, violence and tenderness, bravery and care, the brutality of war and the solace that’s brought by peace.

The Polish collective are celebrating the release of Monochrome with a new video for the album’s third single. Slinking and pulsating, “Going Down” enters into a trance where descent isn’t a collapse but a passage toward resolve.

“This song is a hymn to strength, perseverance and unyielding will”, HÉR says.

 

Watch the video for “Going Down” below:

Monochrome is out now on Season of Mist.

Order & Stream

https://orcd.co/hermonochrome

By exploring the human nature described in Norse mythology, the musicians make a deep insight into the emotions embedded in its verses. They bring out the dark beauty of the North and its extremes: fire and ice, violence and tenderness, bravery and care, the brutality of war and the solace that peace brings, struggle and feast, the milky sweetness of honey and the salty tang of blood, love and hatred, birth and death, beginning and end, terror and awe…

Sestu hérna, sit here… sit here and listen, sit here and grow, sit here and drift away.

Line-up:
Maciej Świniarski — Vocal, Percussion
Tomasz Chyła — Vocal, Violin, Synth Percussion
Piotr Chęcki — Saxophone, Percussion
Tomasz Sadecki — Bass Guitar, Synth, Percussion
Sławek Koryzno — Drums, Percussion

Production Credits:
Recorded at Monochrom Studio, Gniewoszów, Lower Silesian Voivodeship, Poland.
Produced & Engineered by Ignacy Gruszecki.
Mixed & Mastered by Marcin Bors at Fonoplastykon, Wrocław, Poland.

Guest Musicians:
Magdalena Kuraś „Freya”

Cover Art:
Mary Zaleska

Photography:
Daria Szczygieł (https://dariaszczygiel.com/)

Pre-save & Pre-order: https://orcd.co/hermonochrome

Follow HÉR:

Bandcamp: https://hersom.bandcamp.com/
Facebook: https://www.facebook.com/herbandofficialprofile/
Instagram: https://www.instagram.com/her.bandofficial/
Spotify: https://open.spotify.com/artist/4yHViIb0eCl4eVMFcVnzm5
Apple Music: https://music.apple.com/artist/h%C3%A9r/1751778615

STABBING Unleashes New Single, "Nauseating Composition (Feat. Ricky Myers)," New Album Out Now

Brutal death metal rising stars STABBING are celebrating the release of their latest full-length, 'Eon of Obscenity,' which is now available worldwide via Century Media Records! In honor of the band's onslaught today, they are now sharing a visualizer for their latest single, "Nauseating Composition," which features guest vocals by SUFFOCATION's own Ricky Myers! The brutalizing track can now be found below.

The band comments, "We’re glad to have Ricky be apart of this song and album with us, so huge thanks to him as well as everyone else for the support! We hope you all dig the new stuff!"

STABBING does not merely define the term “Brutal Death Metal," they exceed it. The Houston Texas newcomers have plundered the crypts of claustrophobia and darkness, only to surface with 'Eon of Obscenity,' STABBING’s Century Media debut and a benchmark for modern death metal. 

'Eon of Obscenity' is due on January 30, 2026 via Century Media Records and can now be ordered, streamed and/or downloaded HERE.

With Eon of Obscenity, the Texas four-piece have delivered on everything their earlier releases and live shows have hinted at. B.D.M. has an unmistakably brutal new voice and it is STABBING. “I never expected it, there is a new wave of slam bands and brutal death metal bands,” says Bridget. “But I never thought people would think of us as an important band to that or any other scene! We have younger bands come up to us all the time and say, ‘Your first demo really inspired us,’ and that blows my mind. I never thought my brutal death metal band would have that kind of impact.” 

Line-Up:

Matt Day - Bass Guitar 

Aron Hetsko - Drums 

Bridget Lynch - Lead Vocalist 

Marvin Ruiz - Guitar

Special Guests:

Guest vocals by Ricky Myers (SUFFOCATION) on "Nauseating Composition"

Cover Artist: Rudi Yanto

Credits:
Recorded at Houston’s Southwing Audio by engineer Ben Gott

Mixed and mastered by Chris Kritikos

Discography:

Extirpated Mortal Process (2022)

Links:

FACEBOOK

INSTAGRAM

SPOTIFY

APPLE MUSIC

The album artwork was created by Rudi Yanto

Brutal Planet Records Announce the Remastered Releases of APOSTLE Albums “White Metal” and “Chariots of Iron” on CD and Vinyl

Brutal Planet Records announces that two long-awaited titles from Florida Christian metal pioneers Apostle are finally getting the deluxe reissue treatment — and both are available now for pre-order at discounted prices exclusively at boonesoverstock.com.

⚔️ White Metal (1985) — available for the first time ever on CD and Vinyl, including the rare 1984 demo as bonus tracks
⚔️ Chariots of Iron (1987) — the underground classic finally receiving its first official CD release

Both titles are fully remastered by Rob Colwell, feature expanded packaging with archival notes and rare photos, and are part of the Metal Icon Series. Quantities are limited, and once they’re gone, they’re gone.

In the early 1980s, when Christian metal was still finding its footing, Apostle emerged from Jacksonville, Florida, led by guitarist, vocalist, and songwriter Matt Harding (1957–2012). What began as a small local group with a deep spiritual calling soon became one of the most dedicated and prolific underground acts in Christian metal. Formed in 1983, Apostle combined fiery, melodic metal with an unwavering devotion to sharing the message of Jesus Christ.

From the start, Apostle’s ministry reached beyond the church walls. As drummer Bill Box recalled, the band would play “anywhere and everywhere—clubs, reformatories, outdoor parks, churches, coffee houses, and skating rinks.” Their mission was to take the gospel wherever people would listen. Bassist Dave Lawson summarized their purpose simply: “What you have to do is sell out to Jesus and let Him change your life. We’ve tried to stay straight to the Bible and sing songs that glorify God.”

Throughout the 1980s and 1990s, Apostle toured widely across the South and Midwest, often sharing stages with national Christian rock and metal acts such as Whitecross, Bride, and Rez Band. In 1989, Apostle recorded with Glenn Kaiser (Rez Band/JPUSA) in Chicago—one of the scene’s most respected figures—resulting in their most polished and spiritually intense album. Harding’s soaring guitar work, layered harmonies, and heartfelt conviction set Apostle apart as a band unafraid to merge heavy music with deep faith.

Despite their talent and steady output, Apostle’s recordings were distributed only in small cassette runs, making them treasured finds among collectors. Their catalog remained largely unheard outside underground tape-trading circles. These official Retroactive Records reissues finally make that catalog accessible on both CD and vinyl for the first time—all beautifully remastered by Rob Colwell and accompanied by restored artwork and historical notes.

One exception, Prepare to Meet God, did receive a limited CD release years ago but quickly became nearly impossible to find. Its inclusion alongside the earlier Apostle material—and Matt Harding’s solo project Steel Armada—completes the long-overdue restoration of his musical legacy.

Brutal Planet Records had been trying to obtain the rights to reissue Apostle’s music for nearly 30 years. After Matt Harding’s passing in 2012, they continued searching for any contact that could lead to his family or former bandmates—years filled with dead ends and unanswered messages. Eventually, they reached out to the Christian Rock & Metal Facebook group, asking its 80,000 members for help. Chris Rozier (writer for Heaven’s Metal Magazine) responded and connected them with Larry Motes, one of Apostle’s drummers. Larry then contacted Jacob Harding, Matt’s son, and through that connection, this long-awaited reissue campaign was finally set in motion.

Previously available only as a flimsy, low-quality cardboard-sleeve promo that barely surfaced in the collector world, Unburied has long been considered nearly impossible to obtain. This Brutal Planet Records edition finally gives these unearthed horrors a proper home in a jewel case with a 12-page lyric booklet, remastered by Rob Colwell and officially welcomed into the Metal Icon Series.

 

Purchase APOSTLE "White Metal” Vinyl: 

https://boonesoverstock.com/products/apostle-white-metal-vinyl-2026-retroactive?_pos=3&_sid=052ccf78b&_ss=r

Purchase APOSTLE "White Metal” CD: 

https://boonesoverstock.com/products/apostle-white-metal-cd-2026-retroactive?_pos=1&_sid=052ccf78b&_ss=r

Purchase APOSTLE "Chariots of Iron” Vinyl: 

https://boonesoverstock.com/products/apostle-chariots-of-iron-vinyl-2026-retroactive?_pos=4&_sid=052ccf78b&_ss=r

Purchase APOSTLE "Chariots of Iron” CD: 

https://boonesoverstock.com/products/apostle-chariots-of-iron-cd-2026-retroactive?_pos=2&_sid=052ccf78b&_ss=r

Behemoth Release New Video for "Nomen Barbarvm" From "The Shit Ov God"

Polish extreme metal pioneers BEHEMOTH have unleashed a visually stunning and fiercely thematic music video for their track "Nomen Barbarvm," a standout song from their critically acclaimed latest album, The Shit Ov God.

The apocalyptic video, directed by Dariusz Szermanowiczr, features deeply symbolic visuals, including references to occult traditions and a deliberate subversion of religious iconography, consistent with BEHEMOTH's artistic mission. Expect high-level cinematic quality, utilizing dramatic lighting, elaborate costumes, and special effects to create a dark, epic narrative.

Fans can view the new music video below. 

BEHEMOTH have several upcoming tours and festival shows in Europe, Asia, Australia, and North America, starting in early February.

BEHEMOTH US TOUR:
WITH DEICIDE, ROTTING CHRIST, + IMMOLATION:
4/14 — San Diego, CA — The Observatory North Park
4/15 — San Francisco, CA — The Regency Ballroom
4/17 — Boise, ID — Knitting Factory 
4/18 — Portland, OR — Roseland Theater
4/19 — Seattle, WA — Showbox SoDo
4/21 — Salt Lake City, UT — Union Event Center
4/22 — Denver, Co — The Fillmore
4/24 — Milwaukee, WI — The Rave
4/25 — Chicago, IL — The Vic Theatre
4/26 — St. Louis, MO — The Pageant
4/28 — Norfolk, VA — The NorVa
4/30 — Silver Spring, MD — The Fillmore^
5/1 — Worcester, MA — Palladium&
5/2 — New York, NY — Palladium Times Square
5/4 — Buffalo, NY — Buffalo RiverWorks
5/5 — McKees Rocks, PA — The Roxian Theatre
5/7 — Daytona Beach, FL — Welcome To Rockville*
5/9 — Charlotte, NC — The Fillmore
5/11 — Toronto, ON — HISTORY
5/12 — Montreal, QC — L'Olympia
5/14 — Columbus, OH — Sonic Temple*
5/15 — Nashville, TN — Brooklyn Bowl
5/16 — Atlanta, GA — The Masquerade
5/18 — Dallas, TX — The Bomb Factory
5/20 — Phoenix, AZ — The Van Buren
5/21 — Los Angeles, CA — Hollywood Palladium
*Festival Date
 ^ = No Rotting Christ 
& = No Deicide 

Tickets and more info HERE.

Fearless Signs Rock Band Archers + Band Shares Video for "The Dirt"

FEARLESS RECORDS is thrilled to welcome Wisconsin-based rock bandARCHERS — Nathanael Pulley [vocals], Ben Koehler [guitar] and Grayson Mesarosh [drums] —to the label's global roster.

The band, which has forged a deeply intense connection with its fans, shares the video for "THE DIRT," its debut single for the label.

Watch it below.

"'The Dirt' is about struggling with imposter syndrome," the band explains. "It strips back the pretense and asks the uncomfortable questions: 'How far have I really come?' and 'Do I belong here?'"

The song is an unforgettable rager, spinning a seasick groove laced into skittering synths and relatable lyrics. It basically begs to be played loudly — and on repeat.

Regarding their new label partnership, the band says, "We're so excited to be a part of the Fearless family. We can't wait to show you what the next chapter of ARCHERS looks like. Let's crush 2026."

ARCHERS will spend the winter touring with Nothing More, Catch Your Breath, and Doobie. All dates are below. Get tickets here.

ARCHERS ON TOUR:
WITH NOTHING MORE, CATCH YOUR BREATH, + DOOBIE:
1/30 — Las Vegas, NV — Brooklyn Bowl Las Vegas 
1/31 — Phoenix, AZ — The Van Buren 
2/2 — Albuquerque, NM — Revel
2/3 — Oklahoma City, OK — The Criterion
2/5 — Kansas City, MO — VooDoo Lounge 
2/6 — Nashville, TN — Marathon Music Works 
2/7 — Indianapolis, IN — Murat Egyptian Room at Old National Centre
2/19 — Montclair, NJ — The Wellmont Theater
2/20 — Boston, MA — Citizens House of Blues
2/21 — Bethlehem, PA — Wind Creek Event Center
2/23 — Montreal, QC — L'Olympia 
2/24 — Toronto, ON — History 
2/25 — Detroit, MI — The Fillmore Detroit 
2/27 — Grand Rapids, MI — GLC Live at 20 Monroe 
2/28 — Chicago, IL — Riviera Theatre 
3/1 — Madison, WI — The Sylvee 
3/3 — Minneapolis, MN — The Fillmore Minneapolis 
3/4 — Winnipeg, MB — Burton Cummings Theatre 
3/6 — Edmonton, AB — Midway 
3/7 — Calgary, AB — Grey Eagle Event Centre 
3/9 — Vancouver, BC — Commodore Ballroom 
3/10 — Seattle, WA — Moore Theatre 
3/11 — Portland, OR — McMenamins Crystal Ballroom 
3/13 — Salt Lake City, UT — The Union Event Center 
3/14 — Denver, CO — Fillmore Auditorium 
3/16 — St. Louis, MO — The Pageant 
3/17 — Fayetteville, AR — JJ's Live 
5/7 — Daytona Beach, FL — Welcome to Rockville*
*Festival Date

ARCHERS have emerged out of forgotten corners of the country, resonating with fans worldwide through sheer determination and unapologetic honesty. The Wisconsin-bred trio has quietly carved a path of its own, fueled by a hybrid of high-octane, pit-splitting metalcore and melodies spiked with pop precision. For their first half-decade together, the band fought to be heard, independently dropping 2015's Cuts & Bruises and tracks like "The Hills." They picked up momentum with "Bleed For This" and "Close To Me," as well as a plethora of shows. Stuck at home throughout 2020, "blackmarketmonkeymagic" cracked 1 million Spotify streams and powered the New Normal EP. Despite the distance, the band made a lasting connection by livestreaming on social media at least once per week, pulling back the curtain on rehearsals, answering fan questions, hosting merch drops, and even simply hanging out. This engagement gave rise to what has become known as the "ARCHERS Assemble Super Soft Posting Group," representing over 2,500-strong of their faithful. 2024's All That I Have Left EP spawned the likes of "Drag Me Out," "Stay This Sober," and "Bitter" —which eclipsed 10 million-plus streams. Beyond hitting the road with Asking Alexandria, From Ashes to New, and Magnolia Park, they packed houses on both sides of the pond as a headliner. Following 2025's Temporary High EP, the band decamped to Los Angeles with producer Erik Ron and jumped into the next sonic era. Now, ARCHERS take flight with a series of 2026 singles and their forthcoming debut for Fearless Records.

BURIAL PATH Unveil New Single “Between Soil and Sun,” Introducing Vocalist Maya Pobst

Entering a new era of sound and identity, BURIAL PATH, one of the most electrifying voices in the deathcore underground, has released their latest single, “Between Soil and Sun.” The track marks a pivotal new chapter for the band and serves as the first release to feature new vocalist Maya Pobst.

A meditation on transmutation, grief, and the violence of becoming, "Between Soil and Sun" explores the tension between decay and rebirth, where identity is stripped down, interrogated, and reforged. Crushing instrumentation collides with visceral lyricism, capturing the turmoil of confronting conformity, internalized stigma, and the cost of self-realization.

Accompanied by a stark lyric video, "Between Soil and Sun" traces the threshold between burial and rebirth, where flesh remembers the earth and the spirit strains toward light. Written in the aftermath of fracture, the song confronts abandonment, decay, and the slow alchemy of self-reclamation.

What is buried does not remain silent.
What reaches for the sun is forever changed.

With this release, BURIAL PATH sharpen their focus and commit fully to a vision rooted in authenticity, resistance, and transformation.

About BURIAL PATH:

Formed in 2023, BURIAL PATH consists of Maya Pobst (vocals) and Christian Caringer (bassist) from Missouri, and Nebraskan Matthew McClure (guitar).  Their sound is a refined evolution of Deathcore, leveraging modern production to craft an atmosphere that is both entrancing and resonant, designed to evoke deep emotions and provoke thoughtful introspection through their music.

Connect with BURIAL PATH:

  • Bandcamp

  • Facebook

  • Instagram

  • YouTube

  • Spotify

  • Apple Music

  • TikTok

REVERYA Channel Raw Vulnerability and Modern Pressure on New Single "Envy"

Modern metal trio REVERYA return with their latest single, "Envy," a powerful and emotionally charged track that highlights the band’s evolving sound and lyrical depth. Known for blending melody, atmosphere, and crushing heaviness, the Tampa based group continues to carve out a distinct voice in the modern metal scene.

"Envy" explores the psychological weight of comparison, self image, and the internal struggle of never feeling like enough. Through vivid and unfiltered lyricism, the song confronts themes of reflection, obsession, and the pressure of perceived perfection. The emotional intensity of the words is matched by dynamic shifts in the music, moving between vulnerable atmospheric passages and explosive hard hitting sections.

Musically, the single showcases REVERYA’s signature fusion of soaring vocals, searing guitar work, driving bass, and relentless drums. Layers of ambience add depth and texture, creating an immersive soundscape that mirrors the emotional tension at the heart of the track. "Envy" stands as one of the band’s most personal and resonant releases to date.

About REVERYA:

Emerging from the vibrant Tampa metal scene, REVERYA has built a reputation for high energy live performances and emotionally driven songwriting. The three piece band first gained attention with their debut EP Melinoe, followed by their first full length album Affliction In Bloom, released in October 2024. Their music draws from life’s most intense emotional experiences, focusing on resilience, empowerment, and redemption.

Formed in 2022, the band consists of Nadine on vocals and keys, Travis on guitars, and Kaleb on drums. Together they create a powerful blend of atmospheric textures, groove driven riffs, and emotionally charged vocals that delivers a genre bending and immersive sound.

Drawing sonic inspiration from SPIRITBOX, JINJER, PERIPHERY, INVENT ANIMATE, and EVANESCENCE, REVERYA has carved a distinct space for themselves through a fusion of modern metal, ethereal soundscapes, and haunting melodies. Their lyrics explore surreal dream states, emotional depth, and the connection between nature and the human psyche.

Their debut EP Melinoe introduced the band’s affinity for myth and layered meaning, while their 2024 full length album Affliction In Bloom pushed their artistry to new heights. Accompanied by visually striking music videos for "Wisteria" and "Dahlia," the band has continued to build a reputation for immersive storytelling across both audio and visual mediums.

Front woman Nadine has also made an impact outside the band, featuring on tracks such as "A Living Burden" by HOLLOWBROOK and "Disconnect" by SPIRITUAL CHAOS, further showcasing her vocal versatility and presence within the heavy music community.

With a growing fanbase and an evolving sound that balances crushing heaviness with cinematic atmosphere, REVERYA continues to establish themselves as one of the most compelling emerging voices in modern progressive metal.

PROFANE ELEGY Unveil Video for "Herezjarcha", Title Track From Their New Album Out Now

Independent black metal band PROFANE ELEGY have released the official video for "Herezjarcha", the towering title track from their newly released full-length album of the same name. The song stands as the conceptual and emotional core of the record, a sweeping descent into vision, madness, and spiritual rebellion.

"Herezjarcha" tells the story of a man who experiences a transformative vision and emerges as the patriarch of a new heresy. Through deliberate immersion in darkness, he becomes one with it, his mind opening to hidden and forbidden truths. The track unfolds like a ritual in motion, blending cinematic orchestration, shifting musical movements, and whispered incantations into a narrative that feels both intimate and apocalyptic.

The newly released video brings that transformation to life, visually capturing the protagonist’s psychological unraveling and spiritual metamorphosis. Stark imagery, shadow-soaked environments, and symbolic storytelling mirror the song’s themes of revelation through corruption and enlightenment through descent.

Released independently , Herezjarcha marks a bold evolution for PROFANE ELEGY following their 2023 debut When All Is Nothing, which drew praise for fusing blackened aggression with doom-heavy atmosphere. On this new record, the band expands their sound in every direction, heavier, more dynamic, more refined, and deeply introspective.

The album is built on stark contrasts between cosmic vastness and personal collapse, defiance and decay, melody and obliteration.

It opens with "Exeunt Omnes", a theatrically orchestrated meditation on fate and mortality, before plunging into the existential storm of "Haunted". The defiant "I AM" transforms a biblical declaration into an anthem of human rebellion, while "As My Heart Turns to Ash" slows into a doom-laden lament of emotional collapse and introduces haunting clean vocal passages.

Mid-album, "Immutable" confronts inherited darkness and the inescapable aspects of identity, and "And Then We Are Gone" strips everything down to a funeral-paced meditation on impermanence. The journey culminates in the conceptual centerpiece "Herezjarcha" before closing with "The Accuser", a searing finale that reimagines judgment itself as hypocrisy worthy of condemnation.

Produced by J Gulick and mixed and mastered by Kevin Antreassian at Backroom Studios, Herezjarcha rejects genre boundaries in favor of vision. Atmospheric black metal collides with doom weight, death metal precision, orchestration, and clean vocal textures, all in service of lyrically rich, philosophical, and spiritually confrontational themes.

Out Now From Red Sands

Mexico City’s RED SANDS return with Evocations, a six-track release that captures more than a decade of evolution in a single statement. Formed in 2012 and reassembled in 2022, the group of Jonathan Corral, Daniel Novelo, Eric Novelo, Juan Carlos León, and Ángel Asiain has built a sound rooted in melody, structure, and emotion. Their music blends the strength of classic heavy metal with the depth of symphonic and gothic traditions, giving rise to what they call melodic metal.

The artwork for Evocations, designed by vocalist and visual artist Jona Corral, mirrors the album’s theme. It depicts a creature made from fragments of memory, a symbol of time, loss, and unfinished creation. The image and the music share the same language of impermanence.

Evocations is not a debut in the conventional sense but a culmination. It gathers songs written across different eras and unites them under one idea: that death and remembrance shape art more profoundly than survival alone. In its layers of melody, rhythm, and emotion, RED SANDS find a balance between past and present, creating music that listens as much as it speaks.

RED SANDS is:

  • Jonathan “Jona” Corral – Vocals

  • Daniel Novelo – Rhythm & Lead Guitar

  • Eric Novelo – Bass

  • Juan Carlos “CJ” León – Piano & Keyboards

  • Ángel Asiain – Drums


Connect with RED SANDS:

Ian Munsick Leaps Into Exuberant Next Chapter, Exclaiming “Geronimo”

Wyoming native Ian Munsick is weaving together the themes of western reverence and love in his latest song, “Geronimo,” available everywhere now (via WEST TO THE REST/Triple Tigers Records). Listen BELOW. 
 
Written by Munsick, Devin Dawson and Mike Robinson, and produced by Munsick and Robinson, “Geronimo” follows the narrator’s journey overcoming a fear of love and diving headfirst into it.

“Something tells me this is gonna be a big one…,” Munsick shared upon the news of the song’s release earlier this week. “No word personifies the feeling of partnering with a new label, in a new year, and welcoming in the next chapter better than ‘Geronimo.’ In this song you’ll find themes of my old music like land and love but this time, blanketed in a sonic texture that perfectly captures who I am as an artist. Here’s to the new age… geronimo!!!” 
 
“Geronimo” is Munsick’s first release under WEST TO THE REST RECORDS/Triple Tigers Records. It's also Munsick's first music release off his next project since he arrived in April 2025 with his third studio album, Eagle Feather, which Holler praised for its "expansive tracks, atmospheric anthems," and Rolling Stone noted “is shaped by the landscape of the West, the stories of Native Americans, and the romantic idea of the cowboy.”
 
Munsick, who has built his loyal fanbase from the ground up to selling out venues across the country, is readying his Eagle Flies Free Tour, which will kick off on February 13 in Charlotte, N.C. With additional stops in Atlanta, Ga.; Bozeman, Mont.; Portland, Ore. and more, Munsick will be joined by a rotating lineup of special guests including Lanie Gardner, Ben Haggard, Tyler Nance and Jake Worthington. For tickets and more information, visit IanMunsick.com.

The Eagle Flies Free Tour Dates:
Friday, February 13 || Charlotte, NC || Coyote Joe’s *
Saturday, February 14 || Atlanta, GA || Tabernacle *
Thursday, February 19 || Casper, WY || Ford Wyoming Center $
Friday, February 20 || Bozeman, MT || Brick Breeden Fieldhouse #
Saturday, February 21 || Idaho Falls, ID || Mountain America Center #
Tuesday, February 24 || Portland, OR || Roseland Theatre $
Thursday, February 26 || Kennewick, WA || Toyota Center #
Friday, February 27 || Missoula, MT || Adams Center #
Saturday, February 28 || Spokane, WA || FIC for the Art #
Tuesday, March 3 || Grand Island, NE || Heartland Event Center $
Thursday, March 5 || Fargo, ND || Scheels Arena #
Friday, March 6 || Brookings, SD || Dacotah Bank #
Saturday, March 7 || Mankato, MN || Grand Hall #
Friday, March 13 || Shipshewana, IN || Blue Gate Theatre (w/ local support)
Saturday, March 14 || Clear Lake, IA || Surf Ballroom (w/ local support)
Friday, March 27 || Helotes, TX || Floores Country Store (w/ local support)
Saturday, March 28 || Durant, OK || Choctaw Grand Theater ^
* w/ Lanie Gardner
# w/ Jake Worthington and Tyler Nance
$ w/ Tyler Nance
^ w/ Ben Haggard

About Ian Munsick:
A native son of Wyoming, Ian Munsick has accumulated over one billion global streams across three albums – Coyote Cry, White Buffalo and Eagle Feather – and a host of accolades, including 19 awards and 14 festival selections for his documentary, White Buffalo: Voices of the West. Having painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo in 2023, Munsick expanded on the concepts of the land, people, culture and stories that inspire him, with the project’s follow-up 20-track album, Eagle Feather, released on April 18, 2025 via Warner Music Nashville. In addition to selling over 100,000 headlining tickets in 2024 and 2025, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his record-setting One Night At A Time Tour. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow, is a Martin Showcase Artist, headlined Cheyenne Frontier Days and founded WEST TO THE REST RECORDS. Standout RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 with “Long Haul” and “Horses Are Faster” receiving RIAA Gold-certification alongside “God Bless the West” named as one of Spotify Hot Country Presents’ Best Songs of 2025. As he partners with Triple Tigers for new music in 2026 and beyond, fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. Online at IanMunsick.com.

Limberlost Release New Single "Give it to Me(Redux)"; New EP 'Villian' Due Out Later This Year! ​    

Explosive. Fierce. Unapologetic. Limberlost kicks off 2026 with a re-imagined version of their 2023 only released in Europe, fan-favorite anthem "Give it to Me", transforming it into a modern rock powerhouse that hits harder than ever. Reborn from its original roots, this version fuses high-energy guitar riffs, thunderous drums, and powerhouse vocals that redefine the band’s signature sound.

 

“Give It to Me (Redux)” is a declaration of strength, passion, and pure rock ’n’ roll adrenaline — a sonic punch that dares listeners to take back their Power and Claim what’s theirs. With production that’s both cinematic and raw, it bridges classic rock intensity with a cutting-edge alternative edge, appealing to fans of Halestorm, Evanescence, Linkin Park, and The Pretty Reckless.

 

Lyrically, the song captures the hunger for authenticity and emotional connection in a world of noise and distraction — a cry for something real and uncompromising. Backed by their acclaimed new album Beautiful Scars, three SMR Top 50 singles, and 2 award winning videos with over a million views each, Limberlost proves once again that their fire only burns hotter with time.

 

Turn it up, feel the pulse, and demand it all — this is “Give It to Me” like you’ve never heard it before.

STREAM "Give it to Me(Redux)":

https://limberlostmusic.com/give-it-to-me-redux

 

WATCH the Lyric Video for "Give it to Me(Redux)" below :

Limberlost is a powerhouse American rock band delivering a bold fusion of modern and classic rock with soaring vocals, electrifying guitar riffs, and thunderous rhythms. Known for their anthemic sound, raw energy, and emotionally charged storytelling, they create music that resonates with fans of classic rock legends and contemporary rock revivalists alike. Their songs capture themes of strength, resilience, and empowerment, making them a force in the rock scene. With a commanding stage presence and dynamic compositions, Limberlost is redefining female-fronted rock, bringing authenticity, passion, and rock authority to audiences worldwide.

 

Limberlost’s rise is backed by Paul Crosby Management, led by Paul Crosby, drummer of the multi-platinum rock band Saliva. His industry expertise and strategic vision have positioned the band for massive success in today’s rock landscape.

 

Limberlost is known for their captivating female led vocals. Leads Brittany Lauren and Sammie Gorham both classically trained and accomplished opera singers that bring their beauty, power and precision to cut through rock’s sometimes predictable expectations.

 

Adding to their momentum is the recent addition of Metal Hall of Fame bass player Steve Unger, known for his work with legendary bands Metal Church and Autograph. His veteran stage presence and technical prowess bring a new depth to Limberlost’s already dynamic sound, elevating their live performances and recording capabilities to the next level.

 

If that’s not enough the addition of Steve’s son Devon Unger on Lead Guitar. Not only can his melodies mesmerize, and his shredding solos make you want to scream “Hell Ya!” but he will have the ladies eating out of his hands.

 

Wrap it up with Anthony Ciarochi on Keys and Mike Burt (Founder) on drums. Two solid industry veterans that anchor the stage presence and the sound.

For More Information Please Visit:

Official Website

Instagram

Facebook

TikTok

YouTube

MØL CELEBRATE ALBUM RELEASE WITH NEW SINGLE/VIDEO 'HUD' DREAMCRUSH OUT NOW

Danish alt-metal luminists MØL have released their third studio album DREAMCRUSH via Nuclear Blast Records and to celebrate have unveiled new single/video, 'Hud'. 

The album follows a striking sequence of singles from the brooding pull of 'Garland' and the urgent drive of 'Young' to the cathartic force of 'CRUSH', culminating today in the release of 'Hud', an immersive, shadow tinged track that plunges listeners into the record’s tense otherworldly atmosphere.
Across DREAMCRUSH, MØL sharpen their signature fusion of crushing heaviness and ethereal textures, delivering a sound that is at once unrelenting and eerily luminous.

Check out the video for ‘Hud’ below:

Order and listen to DREAMCRUSH here: https://moel.bfan.link/dreamcrush

Following the critically acclaimed Jord (2019) and Diorama (2021), MØL’s latest opus, DREAMCRUSH, sees the band's sound continue to evolve as they embrace new horizons, as a collective and as individuals. Drawing on influences from My Bloody Valentine, Cocteau Twins and Smashing Pumpkins, the album delves into recurring themes of belonging, resilience and finding a sense of home within oneself. By weaving melody into even their sharpest, most jagged moments, the band emerge with their most soul-stirring work to date. 

DREAMCRUSH explores the precarious balance between hope and burden: dreams can sustain you, give you something to believe in - but the weight of expectation, the burden of reality can also mean that such dreams can become oppressive; they can just as easily shatter you. In amongst clouds of unfathomable loss and grief, the album offers rays of almost unbearable hope - a reminder that we can keep on dreaming despite ourselves. 

MØL's latest offering delivers a record that is as merciless as it is tender, one that challenges, uplifts and lingers, a reminder that even in the heaviest darkness, there is a light worth chasing.

MØL now take DREAMCRUSH across Europe and the UK this February with support from Tayne and Cold Night For Alligators, as the band continue to push deeper into their own atmospheric and uncharted creative world both on record and through their live shows.

Tickets are available here: https://ffm.live/moeldk-tour

MØL are:
Ken Lund Klejs - drums
Holger Rumph Frost - bass
Kim Song Sternkopf - vocals 
Sigurd Kehlet - guitars 
Nicolai Busse - guitars

MØL online: 
Facebook | Instagram | Spotify |  Linktree | Nuclear Blast  

PRISON CITY BRIGADE Ignite a Riot of Sound with Explosive New Single “Do You Hear The People Scream”

The alarms are ringing, the amps are screaming, and PRISON CITY BRIGADE are kicking the doors off complacency with their blistering new punk anthem, “Do You Hear The People Scream.” Fast, furious, and unapologetically loud, the new track is a battle cry for the unheard and a soundtrack for the fed up.

Built on breakneck rhythms, razor-wire guitars, and gang-shout choruses meant to be yelled back from the pit, “Do You Hear The People Scream”captures the raw nerve of modern unrest and channels it into pure punk fury. This is not background music — it’s confrontation set to distortion.

ABOUT THE SONG:

This track kicks the door down and turns into a full-on rallying cry. “Do You Hear the People Scream?” surges with raw energy—loud, defiant, and impossible to ignore. Every chord feels clenched-fist urgent, built for packed rooms and screaming amps. It doesn’t ask you to listen, it dares you not to shout along. Loud, unapologetic, and electric, this song feels like the start of something bigger. Consider this a call to action as PRISON CITY BRIGADE moves into their thirteenth year and evolves once again.

PRISON CITY BRIGADE have carved their reputation on urgency and authenticity — no gloss, no gimmicks, no compromise. Their sound blends street-level punk grit with hardcore energy and chant-ready hooks, delivering songs that hit like headlines and linger like scars. The new single pushes that identity even further, pairing relentless drive with a message that demands attention.

Lyrically, the track taps into social pressure, public frustration, and collective voice — turning tension into momentum and noise into unity. It’s the sound of frustration refusing to stay quiet and a reminder that volume is power when truth is behind it.

“Do You Hear The People Scream” is available now on all major streaming platforms.

YOUTUBE

SPOTIFY

APPLE MUSIC

AMAZON MUSIC

TIDAL

BANDCAMP