We filmed it with five cameras and grabbed audio straight from the board, so it looks and sounds legit. Huge shoutout to the amazing crew who made this all happen.
If you were there, you’ll probably spot yourself singing along (or at least nodding enthusiastically). If you weren’t, no worries.
This is your chance to catch the vibe from your couch.
Thanks for being part of our story,
Emerging from the vibrant underbelly of Atlanta's heavy music scene, LOW BEFORE THE BREEZE is set to release their much-anticipated album, A Hole Beneath The Home We Shared, on May 30, 2025, through Terminus Hate City. This release marks a bold evolution in the band’s sound, weaving the personal turmoils of its members into a dense fabric of screamo, black metal, and harsh noise influences.
From the raw emotional screams to the intricate guitar work, the album serves as a sonic narrative of vocalist and guitarist Andrew Spann’s harrowing experiences—from his failed marriage and his father’s illness to a tumultuous brush with physical abuse—all viewed through the lens of religious guilt. The album is a journey through dark and aggressive territories, yet it is deeply personal and introspectively crafted.
The recording process at Sobek Sound under the expert hands of engineer Conner Ray and mixer Simon Small at Tunnel of Reverb captures the band’s raw live energy while refining their sound into a polished yet aggressive album. Mastering by Erol Ulug at Bright Light Studios ensures that the depth and complexity of the sound are preserved, giving listeners a visceral listening experience.
Special guest appearances enrich the narrative and sonic depth of the album. Tim Jones from STARVED OF LIGHT and LEAFBLOWER lends his voice to "Same Joke Twice," adding a layer of angst and introspection, while Maurice White of APOSTLE and LADYBIRD features on "Cadaver Synod," contributing to the track’s brooding intensity. Sasha Schilbrack-Cole of MALEVICH not only contributes vocals on "Permission to Rest" but also provides the haunting album cover artwork, encapsulating the emotional and tumultuous themes of the album.
Tracks like "Night Wept" and "Cadaver Synod" are marked as focus tracks for their compelling storytelling and intricate musical compositions. "Night Wept" deals with an intense personal moment of public humiliation and private despair, while "Cadaver Synod" explores the death of relationships and old selves, making them standout pieces that showcase the band’s growth and the thematic gravity of the album.
The album will be available in various formats including vinyl, cassette, and digital, appealing to collectors and digital listeners alike. As LOW BEFORE THE BREEZE continues to push the boundaries of their genre, A Hole Beneath The Home We Sharedstands as a testament to their artistic growth and personal resilience.
For fans of heavy, introspective music, this album promises not just songs, but stories—each track a chapter, each lyric a line of survival. Dive into the depths of LOW BEFORE THE BREEZE’s new album and experience the tumultuous, cathartic journey of A Hole Beneath The Home We Shared.
About LOW BEFORE THE BREEZE:
Founded in 2021 in the eclectic music hub of Atlanta, Georgia, LOW BEFORE THE BREEZE quickly emerged as a force within the heavy music scene, known for their intense live performances and deeply introspective lyrics. Comprising vocalist and guitarist Andrew Spann, drummer Jonathan Balsamo, bassist Dennis Maganda, and guitarist Jonathan Kemp, the band synthesizes elements of screamo, black metal, and harsh noise to create a sound that is both aggressive and emotionally resonant.
LOW BEFORE THE BREEZE's journey began with the vision of Spann and Balsamo, who sought to explore the darker, more personal aspects of human experience through music. The addition of Kemp and Maganda in subsequent years brought new dimensions to the band's sound, enhancing their sonic landscape and deepening their lyrical exploration.
The band's music reflects a blend of personal trauma and societal critique, woven into compositions that challenge the boundaries of genre. Their lyrics often delve into themes of loss, betrayal, and the struggle for identity within the confines of societal expectations and personal turmoil. This thematic depth is matched by a musical intensity that captures the chaos and catharsis of confronting one's darkest moments.
With a discography that includes a demo and two EP's that have garnered attention both locally and internationally,, LOW BEFORE THE BREEZE has established themselves as a unique voice in the world of heavy music. Their commitment to authenticity and emotional rawness makes their performances compelling not just musically but as profound emotional experiences for their audience.
As they release their latest album, A Hole Beneath The Home We Shared, LOW BEFORE THE BREEZE continues to push the limits of their art, offering listeners a stark, unflinching look at the complexities of the human condition. Their music is a journey through the landscapes of pain and redemption, a narrative arc that resonates with anyone who has faced their own inner turmoil and come through transformed.
LOW BEFORE THE BREEZE is:
Andrew Spann - Vocals, Guitar, Electronics
Jonathan Balsamo - Drums, Percussion
Dennis Maganda - Bass
Jonathan Kemp - Guitar, Backing Vocals
Connect with LOW BEFORE THE BREEZE:
Bandcamp: lowbeforethebreeze.bandcamp.com
Facebook: facebook.com/LowBeforetheBreeze
Instagram: instagram.com/lowbeforethebreeze
Twitter/X: x.com/LowBefore
Apple Music: music.apple.com/gb/artist/low-before-the-breeze/1604008979
TikTok: tiktok.com/@lowbeforethebreeze
The dynamic rock band Swim the Current is excited to announce the release of their latest single, "Storylines", via TLG|ZOID, distributed by Virgin Music Group. This incredible new track was co-produced by George Pond and David Caplinger.
STREAM "Storylines"
The band's vocalist, Marcos Leal states, "The song defines everything Swim The Current is and the message we carry, a little bit of Texas country mixed with our heavy metal roots, and a FUCK YOU attitude that won’t lay down for anyone, get on board and enjoy the ride! It’s the echo in the tale you tried to bury , rising soft but sharp through the silence. A thorn in the story you spun in gold , blooming louder each time lied .”
Bringing together an all-star lineup of rock talents, including vocalist Marcos Leal(formerly of Ill Niño), bassist George Pond (Disciples of Verity), guitarist Greg Antine, drummer Chris Moore (George Lynch, Ultraphonix, Rock of Ages), and lead guitarist Joe Gareri, takes the band's sound to new heights.
WATCH the Official Lyric Video Directed by Tom Flynn for "Storylines" Below:
Having played in numerous bands throughout the years, Guitarist Greg Antine came to a point in his career where he wanted to branch out and write songs that had more depth and were inspired by his personal life experiences. Having worked with Bassist George Pond for several years in previous projects including, Disciples Of Verity, Greg expressed his concept for Swim The Current to George in hopes of collaborating with him on this new music venture. The two began to flesh out ideas in George’s home studio and realized quickly that they were on to something special, but still needed something more to see their ideas through to complete their concepts. Greg was introduced to Joe Gareri, Guitar/Keyboards, by George during the Disciples Of Verity debut album recording sessions which Joe is also featured on as a guest artist. The three of them immediately hit it off and worked extremely well together. Greg and George realized that Joe’s cinematic writing style would be a perfect match for their concepts and Joe was then brought in as a full time member. After two songs were completed and demo’d in George’s studio utilizing programmed drums, it was suggested by their friend Allyson Song River Jaynes, that they reach out to her friend, drummer Chris Moore of Ultraphonix, Rock Of Ages, to see if he would be interested in working with the project. Upon hearing the strength of songwriting and musicianship of the band, Chris was all in and signed on as the fourth full time member of STC and now the band, from an instrument’s perspective, was complete.
The final missing piece for STC was a lead vocalist who could capture the sound they envisioned for their music. After working in the studio with a few different vocalists, George ultimately reached out to his friend Marcos Leal, of legendary international touring band Ill Nino. Marcos loved the music of STC as well as having the freedom and creativity of writing lyrics for the project. After recording their first song together with Marcos, "We Are Not The Same", everyone new that this lineup was something special and Swim The Current was now complete! The release of "We Are Not The Same" took off instantly, and amassed thousands of streams, YouTube views and followers through a total organic DIY social media campaign.
Swim The Current’s sound is influenced and reminiscent of many of their favorite artists including, Deftones, Faith No More, Sevendust, POD, and Stabbing Westward. They continue to write new music and look forward to sharing their future releases with the world!
The Pagan folk band FAUN is excited to release their new single, "Lament," a track that delves into darker emotional territory. With "Lament," FAUN taps into the mournful power of myth, ritual, and grief, reimagining an old pre-Christian mourning song from northern England. The single is accompanied by a new music video, available below.
The band has extended the original song with additional verses, transforming it into an epic and emotional dirge enriched with choirs, drums, and traditional instruments.
On the new single, FAUN comments:
"With a choir of four singers from FAUN, a hurdy-gurdy, flute, key fiddle and lure (Celtic long trumpet), we dedicated this song to our friend and sound engineer, Jürgen Schneider, who tragically passed away in 2023, after more than 10 years of traveling and concerts together."
Watch the Music Video for "Lament"
FAUN previously announced their World HEX Tour 2025, a journey that will take them across the globe, including stops in the USA, Canada, Mexico, Brazil, Europe, and the UK. The band will also appear at some of the most prestigious festivals of 2025.
Tickets (and VIP-tickets) are available HERE.
US & Canada
6/13 – Austin, TX @ Come And Take It Live
6/14 – Dallas, TX @ Granada Theatre
6/16 – Lawrence, KS @ Granada Theatre
6/18 – Denver, CO @ Summit Music Hall
6/20 – Albuquerque, NM @ Sunshine Theatre
6/21 – Tucson, AZ @ 191 Toole
6/22 – Los Angeles, CA @ The Fonda
6/23 – San Diego, CA @ House of Blues
6/25 – San Francisco, CA @ Great American Music Hall
6/27 – Portland, OR @ Aladdin Theatre
6/28 – Seattle, WA @ Neptune Theatre
6/29 – Vancouver, BC (Canada) @ Hollywood Theatre
FAUN are:
Oliver Satyr: Vocals, Moraharpa
Laura Fella: Vocals
Adaya: Vocals, Bagpipe
Stephan Groth: Vocals, Hurdy-Gurdy
Niel Mitra: Synthesizer, Sampler, Keyboard, Beats
Alexander Schulz: Drums, Percussion
Mirjam Skal: Orchestration
Brazil’s genre-blurring rock trio StarAce are proud to announce their debut full-length album Real due out this fall, with the release of their electrifying new single “When The Light Has Gone.” Listen to the new track HERE and watch the accompanying lyric video below.
Following the anthemic hope of debut single “My America,” StarAce shift into darker, swaggering territory with “When The Light Has Gone,” a hypnotic shuffle that channels heartbreak through a haze of syncopated, seductive elegance. Described by the band as “an outrage with class,” the track fuses the unruly spirit of early rockabilly and gypsy jazz with their signature rock ’n’ roll roots. In singer/guitarist Julio’s words “Imagine Post Pop Depression-era Iggy Pop jamming with Django Reinhardt in a smoky backroom bar.”
Driven by theatrical swing, jagged edges, and vivid storytelling, “When The Light Has Gone” tells the story of love lost—and the strange, lucid clarity that follows. It’s a song about letting go, without losing the joy of what once was. With its bruised glamour and rhythmic pulse, the single sets the tone for a record that’s as emotionally complex as it is sonically adventurous.
Raised in São Paulo, Brazil, and shaped by a household soundtracked by everything from The Beatles and Zeppelin to Metallica and Muddy Waters, brothers Julio, Luiz, and Thomaz Starace make music built on contrast: light and dark, melody and muscle, joy and survival. Their debut album, produced by David Frangioni (Aerosmith, KISS, Ringo Starr), dives deep into that duality—balancing fun and fire with depth and soul.
With each track, the brothers showcase a different side of their collective identity:
Julio Starace (vocals/guitar): The band’s emotional compass and principal songwriter, channeling Dylan-esque storytelling with a modern bite.
Luiz Starace (bass): The groove anchor, blending McCartney-like melodicism with rhythmic precision.
Thomaz Starace (drums): A powerhouse percussionist and producer whose dynamic approach fuses Bonham grit with Brazilian flair.
StarAce aren’t here to save the world—they’re here to give fans the soundtrack to save themselves. Their music is both an escape and a reckoning. It’s rock ‘n’ roll that remembers its roots, but isn’t afraid to wander off into darker alleys, swing a little harder, and come back swinging.
Their debut album, Real is set to arrive this fall, with more music and live dates to follow. For StarAce, this is just the beginning.
ABOUT STARACE
StarAce is more than just a band—it’s a brotherhood of sound and spirit. Hailing from São Paulo, Brazil, brothers Julio, Luiz, and Thomaz Starace have spent years refining their craft, creating a distinct fusion of classic rock, blues, and American roots music with a modern edge. Raised in a household filled with music, their early exposure shaped their passion for storytelling and musicianship. After experimenting under various names like Ferrorama and Ted Marengos, they ultimately returned to StarAce, a name that embodies both their family heritage and artistic evolution.
With influences spanning a who's who of rock 'n' roll legends such as Led Zeppelin, Bob Dylan, The Rolling Stones, and Muddy Waters, StarAce’s music is a blend of raw energy, intricate vocal melodies, and heartfelt lyricism. Their sound bridges past and present, layering soulful guitar riffs, grooving bass lines, and dynamic drum beats with emotionally driven storytelling. Their upcoming debut album, produced by David Frangioni (Aerosmith, KISS, Ringo Starr), captures this fusion of classic and contemporary, delivering a collection of hard-hitting anthems and soul-stirring ballads that showcase their depth as musicians.
Each member brings a unique essence to the band’s chemistry—Julio leads with his powerful vocals and intricate guitar work, drawing from the greats like Neil Young and Jimmy Page. Luiz anchors the rhythm section, blending Paul McCartney’s melodic sensibilities with Geddy Lee’s technical prowess, while Thomaz commands the drums with precision, balancing raw energy and a refined flare with a producer’s ear for sonic excellence.
With their roots deeply embedded in classic rock and their vision set on the future, StarAce is ready to carve their own path and bring timeless rock ‘n’ roll into a new era. They're not here to save the world, they're here to bring people together and provide fans with the soundtrack to their own salvation. After years of refining their vision and sound, their long-awaited debut album, Real, is a bold, genre-spanning statement from a band ready to leave their mark on the world.
Gridiron will bring Poetry From Pain to fans and venues all summer long. All upcoming confirmed dates, including Summer Slaughter, are below.
Gridiron, which originally formed as a pandemic project and have since grown into a full-fledged entity, features members of Never Ending Game, Simulakra, and Scarab, and connects the Philadelphia, Delaware, and Michigan areas.
Pushing every boundary to a breaking point, Gridiron will go to any extreme and then some. They follow quite possibly the most unpredictable playbook in the game. The band might flood the zone with a corpsepaint-smearing death metal barrage only to double back around for a victory lap narrated by blinged-out and braggadocios bars. Their hybridization of metal, hardcore, and hip-hop wouldn’t be out of place at either OZZfest 1997 or Rolling Loud 2027.
It's why the quintet have bulldozed their own path as a phenomenon with millions of streams and acclaim from Stereogum, Brooklyn Vegan, NO ECHO, and more.
Gridiron were born out of a series of COVID-era marathon Call of Duty sessions, which led to writing and recording together. Their musical pedigree spoke for itself with Will also in Never Ending Game, Xavier in Simulakra, and Tyler and Lennon in Scarab. Given their individual experiences, the guys instantly locked into a creative groove. Following the Loyalty At All Costs EP [2020] and Worldwide Brotherhood EP [2021], they dropped their first full-length, No Good At Goodbyes [2022]. Along the way, they also shared stages with everyone from Missing Link to Trapped Under Ice and have plenty of upcoming touring planned for 2025.
And now, Poetry From Pain is here and it slays.
“Poetry from pain is about team work, brotherhood, never settling for less than your best, always raising the bar, and finding ways to express what you’re feeling inside.”
GRIDIRON — Matthew Karll, vocals; Will Kaelin, guitar and vocals; Xavier Wilson, guitar; Lennon Livesay, bass; and Tyler Mullen, drums — are proud to release their new album Poetry From Pain today, May 30, via Blue Grape Music. Get it here.
A Stereogum fave for their "incendiary mosh riffs, the band has shared a dope, football-themed visualizer for the title track. Get off the bench and watch and listen here.
Groove? Check. Bounce? Check. Swagger? Check. Mosh? Check. Gridiron tick off ALL the boxes.
"Poetry From Pain is about teamwork, brotherhood, never settling for less than your best, always raising the bar, and finding ways to express what you're feeling inside," states Karll.
GRIDIRON ON TOUR:
5/31-6/1 — Detroit, MI — Tied Down Detroit
6/7 — Philadelphia, PA — GRIDSTOCK at Warehouse on Watts
6/21 — Rutherford, NJ — The Black Box at the Williams Center
SUMMER SLAUGHTER 2025:
WITH HATEBREED, FUGITIVE, MALEVOLENCE, ESCUELA GRIND, + INCITE:
7/8 — St Petersburg, FL — Jannus Landing
7/9 — Atlanta, GA —The Eastern
7/10 — Baton Rouge, LA — Mid City Ballroom*
7/11 — San Antonio, TX — Vibes
7/12 — Oklahoma City, OK — Diamond Ballroom
7/13 — Dallas, TX — Bomb Factory
7/14 — Memphis, TN — Growlers*
7/15 — Indianapolis, IN — Egyptian Room
7/16 — Pittsburgh, PA — Stage AE
7/17 — Huntington, NY — The Paramount
7/18 — Troy, NY — No Fun*
*Gridiron Headline Show
WITH HATEBREED, FUGITIVE, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/18 — Springfield, MA — MassMutual Center
7/19 — Sayreville, NJ — Starland Ballroom
7/20 — Philadelphia, PA — Franklin Music Hall
7/22 — Charleston, SC — Music Hall
7/23 — Charlotte, NC — The Fillmore
WITH HATEBREED, BLEEDING THROUGH, MALEVOLENCE, SNUFFED ON SIGHT, + INCITE:
7/25 — Rochester, NY — Water Street Music Hall
7/26 — Detroit, MI — Harpo;
7/27 — Milwaukee, WI — The Rave
7/28 — Grand Rapids, MI — Intersection
Seattle-based artist AudioGust presents his album 'Here We Go Again', comprising 14 deeply personal and universally relatable tracks. An ode to the highs and lows of creativity, this album includes some of his most popular singles, along with new material. Blending raw energy with introspective storytelling, the album explores the unpredictable nature of inspiration—both the exhilarating moments when it strikes and the emptiness when it fades.
AudioGust is songwriter, producer, and multi-instrumentalist Chris Evans, whose journey started as a guitarist and bassist in various 1980s bands. After a decades-long detour in the software industry, he has returned to his true passion - writing and recording in his own studio, releasing dozens of songs and collaborating with artists worldwide. Crafting memorable melodies and thought-provoking lyrics, underscored by upbeat rhythms and arrangements, AudioGust creates music that speaks to the disenchanted and dreamers alike through sonic explorations of the modern human condition.
Highlight track ‘Seattle’ is a love letter penned to the Emerald City, told through the eyes of a traveler who spends too much time on the road. Longing to return home, he clings to the memory of a fleeting connection made on his latest trip, hoping to bring that person back to experience everything he loves about his city. More than just a personal story, 'Seattle' is somewhat a theme song for the city itself.
“The theme of 'Here We Go Again' is the unpredictable nature of inspiration—both the euphoria of experiencing it and the despair when it disappears. The album is split into songs that explore the extremes of inspiration and songs that have come to me while living through those extremes. Structurally, the album follows a pattern: odd-numbered tracks tell stories about the many ways artists interact with inspiration, while even-numbered tracks are either songs that arrived in those flashes of creativity or, like Unspoken, took months of struggle to bring to life,” says Chris Evans.
Here, Evans presents a menu of hooky anthems for disenchanted optimists. With a sound vortex imbued with 90’s to 2000’s alternative rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections. Offering a deep dive into the creative process, this record features six brand-new songs as well as fan-favorite singles, including 'Tomorrow is Mine', a finalist in the 2024 USA Songwriting Contest.
'Here We Go Again' sets the stage with the artist jolting awake at 3AM with a song forming in his head, struggling to capture it before it fades. 'Bubble in Your Champagne' is that very song. 'Unspoken' explores the frustration of knowing when to hold back words, even if they’re true—mirroring the battle to express thoughts in music when inspiration is nowhere to be found. 'I Like Falling Down' introduces a disillusioned character who clings to his depression as part of his self-identity, with his story taking a turn in 'Bright Yellow', inspired to create music that may help others and ends up saving himself.
'Whole Heart' follows a band from their earliest days to success, while the frontman wonders when true inspiration strike again to once again feel that fleeting, electrifying moment of creation. 'Award Show' delves into the darker side of creative success, exposing the paralyzing grip of imposter syndrome. 'Dead to Me' is written from the muse’s point of view, expressing frustration at being ignored by someone she’s trying to inspire. 'How You Been?', co-written with Celine Dion and Eminem collaborator Liz Rodrigues, explores the story of someone who left music behind to pursue a stable career, but ultimately understands he can no longer run from what truly makes him feel alive.
'Tomorrow is Mine' paints a striking picture of resilience through the eyes of a young girl trapped in a war zone, losing faith that today will bring change, but daring to believe that maybe tomorrow will bring a better future. 'Never Gonna Let You Go' is a ska-infused tune about a character who plays against someone who is trying to manipulate him. 'Something to Remember' is a tongue-in-cheek look at folks who feel they’ve never done anything truly memorable. The album closes on a deeply personal note with 'Keep Holding On', Evans' reflection on losing his father, grappling with how to move forward without someone who had always been a source of support and creative encouragement.
As of May 30, the 'Here We Go Again' album is available from fine music platforms, including Spotify, Apple Music and Bandcamp.
ALBUM CREDITS
All songs written by Chris Evans
except 'How You Been?' written by Chris Evans & Liz Rodrigues
Recorded, mixed & mastered by AudioGust on Whidbey Island
Performed by AudioGust
Liliana Tani - vocals on 'Dead to Me'
Leslie Irish Evans - announcer's voice on 'Award Show'
Cover artwork by Chris Evans
Publicity by Shameless Promotion PR
Keep up with AudioGust
Website | Bandcamp | Facebook | Instagram | Threads | Twitter | YouTube | Spotify | Apple Music | Press contact
Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Emai l
Dustin Lynch ain’t “Easy To Love.” Flipping the title of his brand-new single in an unexpected way, the MULTI-PLATINUM star is the first to admit he’s stubborn, restless, and tough to pin down when it comes to matters of the heart. Listen to the chill summer jam here.
Written by Lynch with Ben Johnson, Jon Robert Hall, Hunter Phelps, and Zach Crowell, the autobiographical narrative speaks to Lynch’s life on the run as he confesses that he’s always been good at going alone – but is still looking for more: “I’m still thinkin’ maybe one day I’ll find her / They always say when you know, you know / If I know me, she’ll be my next right turn / But I’ll take a left just to see where it goes.”
Equal parts vulnerable and vibey, easygoing production by Crowell wraps warm guitars and sunlit grooves around Lynch’s self-aware lyrics and no worries charm. “Easy To Love” marks the anticipated follow-up to Lynch’s 10th #1 “Chevrolet (feat. Jelly Roll).”
The adjoining music video further speaks to the track’s blue-skied optimism as a visual love letter to Key West. Filmed under director Jack Owens, the Florida footage captures Lynch ready for every opportunity that comes his way.
Throwing his see-and-be-seen pool parties for the last decade, he will next host DUSTIN LYNCH POOL SITUATION: NASHVILLE 2025, presented by Hey Dude. Returning for the third year at the rooftop pool of Margaritaville Hotel Nashville, the 18+ event is set for June 6 during CMA Fest weekend. Admittance is FREE on a first-come, first-served basis – but Lynch’s Stay Country Club members will get exclusive early access. Fans can join the Stay Country Club now.
Keeping the party going on June 7, Lynch will offer Nashville a taste of his Club Set – from his 2025 WYNN NIGHTLIFE LAS VEGAS RESIDENCY – when he hosts the DUSTIN LYNCH NIGHTLIFE PARTY at Barstool Nashville. Admittance for the 21+ event is FREE on a first-come, first-served basis. For a VIP table, text 615.606.2889.
Marking Wynn Nightlife’s first-ever country music artist residency in Las Vegas, Lynch’s 2025 WYNN NIGHTLIFE LAS VEGAS RESIDENCY boasts a live performance Daytime Pool Situation at Encore Beach Club and a Club Setat XS Nightclub through August. With a July 4 appearance on deck, find full details to all upcoming Lynch shows (including his co-headlining TWO FOR THE ROAD TOUR with Scotty McCreery) here.
Alt-pop singer-songwriter, Dela Kay, has officially released her latest single, “Between The Lines,” today—a soul-searching, guitar-laced track that marks a bold new chapter in her sonic evolution. “It talks about how unusual and confusing peace can feel,” says Dela Kay. “Reading ‘between the lines’ to self-soothe can sometimes turn into self-destruction. But in my case, my
overthinking ended up being a strong intuition. The line between the two isn’t always easy to see.”
Originally written in July 2024 at collaborator Nick Cozine’s East Nashville home, “Between The Lines” explores the psychological push and pull of vulnerability, intuition, and self-sabotage in relationships. “It’s definitely a vibe I haven’t done before,” Dela Kay shares. “It’s moodier, built around vibey guitar lines, and it might actually be the first song I’ve released with a guitar solo—which is dope!”
Co-written by Dela Kay, Rikki Jo Randall, and Nick Cozine, produced by Stefano Pigliapoco and Nick Cozine, and mixed and mastered by Pigliapoco; “Between The Lines” dives into the tension between emotional safety and perceived threat—highlighting the anxiety that can creep in even during moments of calm.
Dela Kay also partnered with Working Holiday, a Nashville-based creative team known for their recent work with Medium Build, to design the single’s visuals and artwork. “They’re incredibly talented creatives, and I’m so happy I got to work with them on this song.”
With “Between The Lines,” Dela Kay invites fans into a new emotional and sonic space, blending atmospheric textures with raw honesty. “A note to my fans: always listen to your gut,” she adds. “When things go quiet and anxiety settles—what does your heart tell you? That’s the truth.”
MORE INFO:
Dela Kay, who hails from the vibrant music scene of Nashville, TN, draws inspiration from artists such as The Maine, Maggie Lindemann, Paramore, and Avril Lavigne. With previous releases that have amassed over 2M streams collectively, and secured spots on Shazam's Best New Music Apple Playlist; Dela Kay believes that the past year of her career has been her most authentic to date. With a commitment to continue releasing singles throughout the rest of this year, she is determined to leave a lasting impression and make her mark on the music industry with her unique voice and perspective.
At the start of Dela Kay’s career in 2014, her electro-pop style began to emerge through a collaboration with Grammy-winning singer/songwriter and producer, Femke Weidema; which eventually led to her first electro-pop/European-infused single release, “9 out of 10.” Named by Earmilk as an artist who was gifted “with a rich, distinctive vocal style” for her release of “Make You Mine,” Dela Kay went on to continue releasing singles and garnering hundreds of thousands of streams. In 2019 Dela Kay released “All My Love” through Sony Music, which ended up charting 49 on the top 150 global artist charts for Digital Radio Tracker as well as in the top ten for the Top Independent Charts. After a brief hiatus, Dela Kay marked her return by debuting a new, more alternative sound in 2021 with the release of “The Worst Part,” via Wonderland Magazine, and has been releasing this style of music ever since.
IMPUREZA are not stopping their Hispanic metal conquest anytime soon. Today, the band are releasing “La Orden del Yelmo Negro” as the second single off their upcoming Reconquista-themed third album Alcázares.
With “La Orden del Yelmo Negro”, Impureza pay homage to a sacred brotherhood of warrior monks with their signature offering of brutal flamenco death metal. Steeped in mysticism, sacrifice and unwavering devotion, the song crusades across the desert in search of the Holy Land during a time of war that spanned more than seven centuries of Iberian history.
Watch the lyric video for “La Orden del Yelmo Negro” below:
Alcázares comes out July 11, 2025.
Pre-order & Pre-save
https://orcd.co/impurezaalcazares
Amidst the desert heat of “La Orden del Yelmo Negro”, Impureza ignite in a blaze of riffs, flamenco flourishes and blast-beat fury. Orchestral arrangements, fretless bass and guttural vocals bring to life a vision both ancient and transcendent. Like all of Alcázares, the song’s lyrics are entirely in Spanish, invoking a vivid world where myth and martyrdom intertwine.
IMPUREZA is a Spanish metal band formed in 2004 by guitarist Lionel Cano Muñoz from Orléans. Their music is distinguished by a unique fusion of extreme metal and Spanish sounds inspired by Andalusian culture and flamenco, creating an atypical style known as Hispanic Metal. Impureza remains an innovative project in the international metal scene, making it a pioneer of the genre.
The entire concept of the band revolves around the voluptuousness of Latin atmospheres, the ferocity of metal, and Spanish culture and history, explored through a fictional and esoteric aspect. Their compositions feature both clean and guttural vocals sung in the language of Cervantes, flamenco guitar, acoustic fretless bass, extreme metal, and orchestral arrangements that evoke the colors of Spain. The very essence of their music lies in the duality between two seemingly opposed musical genres, which, through clever composition, give birth to a new and avant-garde style. Their fiery music is literally the union of traditional Hispanic folklore and extreme metal. These metal warriors brandish their Iberian sounds as weapons with pride. This ingenious alliance is matched only by the singular and unprecedented creative originality of its founder Lionel Cano Muñoz and his compañero Esteban Martín, both of Spanish nationality. Impureza’s conquistadors draw inspiration from their strong identity, which defines the band's very essence. Impureza's members are also influenced by many Spanish artists such as flamenco guitarist Paco de Lucía and gypsy singer Camarón de la Isla, as well as bands like Behemoth, Morbid Angel, Krisiun, and Fleshgod Apocalypse, among others.
Let the conquistadors of Impureza lead you into their realm and immerse you in Spanish culture with a groundbreaking musical concept — the one and only fierce guardians of Hispanic Metal!
SOMOS IMPUREZA!
Line-up:
Esteban Martín – All Vocals
Lionel Cano Muñoz – Rhythm, Lead & Spanish Guitars
Florian Saillard – Fretless Bass
Guilhem Auge – Drums
Pre-order & Pre-save
https://orcd.co/impurezaalcazares
Follow Impureza:
Website: http://www.impureza.eu/
Bandcamp: https://impureza.bandcamp.com/
Facebook: http://www.facebook.com/Impurezaconquista
Instagram: https://instagram.com/impurezaofficial
Twitter (X): https://twitter.com/ImpurezaBand
YouTube: http://www.youtube.com/channel/UCLkOMYXI-_teRnaDCs1ho8A
Deezer: https://www.deezer.com/artist/1195314
Spotify: https://open.spotify.com/artist/3YA9Uqs38ZD6Lg2q66PVw9
Apple Music: https://music.apple.com/artist/impureza/422671948
“FORSAKEN” sits in the tension between holding on and letting go. It’s about loving something that’s slipping through your fingers knowing it might break you, but not ready to walk away. Dark, raw, and restless, "FORSAKEN" captures the weight of memory, the fear of change, and the fight to not lose yourself in the process.
The wait is over. Hard rock renegades
ABOVE SNAKES are back with a vengeance, unleashing their most anthemic and emotionally charged single to date: “FORSAKEN.”
Done playing by the rules and surrounded by snakes and fakes, Boston’s ABOVE SNAKES launched in the heart of the 2020 pandemic with one mission: torch the playbook and carve their own path. Since then, they’ve toured with Drowning Pool, From Ashes to New, Adelitas Way and Saliva, while earning repeated Premieres on SiriusXM Octane and adds on Music Choice. With over 7 million global streams, all produced and mixed by Kile Odell (Papa Roach, Citizen Soldier) ABOVE SNAKES has also landed editorial support from Spotify, Apple Music, and Pandora.
Swedish thrash pioneers and purveyors THE HAUNTED are now releasing their tenth studio album, 'Songs of Last Resort,' today, May 30, 2025 via longtime partners Century Media Records. To celebrate, the band is now unleashing another scorching new music video for the song "Death to the Crown," which can be found below.
THE HAUNTED guitarist Ola Englund comments about the new single “'Death to the Crown’ is one of those songs that just came out of pure frustration. It’s about that feeling when you’re watching politicians or leaders treat real people like pawns in some kind of game. It’s not about any one person or country – it’s about the bigger pattern. Power going to people’s heads, egos growing out of control, and the rest of us left dealing with the mess. It’s heavy. It’s aggressive. It’s THE HAUNTED.”.
With music recorded by Oscar Nilsson at Studio Bohus, main vocals recorded by Björn Strid at The Cellar Studio, 'Songs of Last Resort' was then mixed and mastered by Jens Bogren at Fascination Street Studios (Kreator, Arch Enemy, Sepultura, etc). Artwork was once again provided by longtime visual collaborator Andreas “Diaz” Pettersson. Pre-orders are now live HERE.
Lineup:
Ola Englund – rhythm & lead guitar
Jonas Björler – bass, backing vocals
Marco Aro – lead vocals
Adrian Erlandsson – drums
Jensen – rhythm guitar
Cover Artwork: Andreas “Diaz” Pettersson
Music recorded by Oscar Nilsson at Studio Bohus
Main vocals recorded by Björn Strid at The Cellar Studio
Mixed and mastered by Jens Bogren at Fascination Street Studios
'Songs of Last Resort' will be available as Ltd. CD Mediabook & Poster (Incl. the bonus track “Feeding the Furnace” (02:32)), as Standard CD Jewelcase, as Digital Album and as 180g. LP & Poster in the following variants:
- Black LP & Poster (Unlimited)
- Ltd. transp. red LP & Poster (500x copies, available from www.cmdistro.de & various other retailers)
- Ltd. transp. petrol green LP & Poster (300x copies, available from various retailers in Europe)
Follow/Stream:
IRON SAVIOR are one of the dinosaurs in the scene as well as pioneers of the traditional power metal genre and can proudly look back at almost 30 years of history. Founded by Piet Sielck (guitars, vocals) in 1996, the Hamburg, Germany based band quickly established themselves with their energising mix of power metal and sci-fi driven lyrics. Especially fantasy inspired metalheads have always been in love with IRON SAVIOR’s early works which are built on a story about a spaceship carrying the band’s name and their popularity is unbroken. Iron Savior [ 1997], Unification and Interlude [both 1999], Dark Assault [2001], Condition Red [2002] and Battering Ram [2004] were bestsellers - until they ran out of stock.
In order to meet the demand, IRON SAVIOR -- now consisting of Sielck, guitarist Joachim Küstner and a rhythm section powered by Patrick Klose (drums) and latest member Patrick Opitz (bass) -- didn’t only re-record the material from their Noise Records years (1997-2004), they even added an additional doze of enthusiasm to the original songs. Part 1 and 2 of these session have been received enormously well from fans, that’s why the group are even prouder to announce the release of the concluding third part of their legacy worshipping Reforged series today.
Due out on August 22, 2025, Reforged - Machine World features reinterpreted songs as well as a cover version of JUDAS PRIEST’s "Starbreaker," skillfully bridging to IRON SAVIOR’s old tradition of frequently paying tribute to the ‘metal gods.’ The new 2CD/LP marks the quartet’s debut release at their new label home PERCEPTION, the promising new division of Reigning Phoenix Music, where they (re-)unite with other well-known acts such as DANKO JONES, GRAILKNIGHTS, J.B.O., and SERIOUS BLACK among others. The 16 included tracks were recorded and produced at Powerhouse Studio Hamburg by frontman Sielck, who additionally took care of mixing, mastering and artwork/layout of the album.
Band leader Piet Sielck comments: “After collaborating with Nils Wasko and Jochen Richert [managing director] at AFM Records, I didn’t have to think twice when it came to deciding about a new partner. Continuing success, chart entries and three satisfied parties - band, fans and label - are more than enough reasons to follow the two of them to PERCEPTION and the Reigning Phoenix Music family. Onwards to at least 15 more years of this fruitful union!”
Label strategist Wasko adds: “We’re really thankful for IRON SAVIOR’s trust, and we’re equally happy to continue working with Piet and his fellow men at PERCEPTION. Having a collaborative long-term plan, IRON SAVIOR are only warming up, and we’re extremely confident to reach new extragalactic spheres together, with their final 'Reforged' chapter blasting off on the journey to their next original studio album. Power and melodic metal maniacs, go aboard!”
Pre-order/pre-save Reforged - Machine World: https://ironsavior.rpm.link/machineworldPR
Today’s announcement is supported by the first appetizer of the ‘upgraded’ album, "Eye Of The World [2025 Version]," which can originally be found on IRON SAVIOR’s 2001 effort, Dark Assault.
“I was just never happy with this song. Somehow it didn't really take off. But the new version is an absolute hit and is now even being released as the first single,” comments Sielck.
Convince yourselves and stream it here: https://ironsavior.rpm.link/eyePR
IRON SAVIOR are:
Piet Sielck | vocals, guitars
Joachim Küstner | guitars
Patrick Opitz | bass
Patrick Klose | drums
More on IRON SAVIOR:
iron-savior.com | Facebook | YouTube | Spotify | Apple Music
Beloved by tastemakers and the underground alike, the London-based metal trio URNE has today released a nine-minute-plus undulating epic, “Harken The Waves,” featuring guest vocals from Mastodon’s Troy Sanders. On the track, Sanders and URNE frontman Joe Nally’s voices blend into a powerful duet that crests and crashes like the song itself. The new single comes alongside a music video, available to view below.
Frontman Joe Nally comments on the new single:
“We feel this is one of the best songs we’ve ever written. On top of that, we were lucky enough to have Grammy-winning metal icon Troy Sanders, from the legendary Mastodon, lend his vocal talents. We’ve grown up listening to Troy and watching Troy live, so having someone like him not only appear, but take on such a significant role in the song, elevating it to another level, means a lot.”
Watch the Music Video for "Harken The Waves" Below:
“Harken The Waves” follows URNE’s recently released double A-side: "Throes Of Grief"plus a spectacular cover of Black Sabbath’s “I.”
Watch the Lyric Video for "Throes Of Grief" HERE
Listen / Stream to "I" HERE
Over the course of two studio albums plus a touring schedule taking in key festival appearances, including Download in the UK, URNE continually redefine the world of epic arena metal, showing that heavy music can also be laden with atmosphere and intent.
URNE embark on a headline run across Germany and France this September, in addition to a newly announced headline performance at London’s Camden Assembly. Then, in December, URNE join Orange Goblin as part of the latter’s UK farewell tour.
See the full list of dates below.
URNE Live:
URNE Headline Tour Dates
Sep 13 - London, UK @ Camden Assembly
Sep 15 - Wiesbaden, DE @ Kesselhaus
Sep 16 - Berlin, DE @ Cassiopeia
Sep 19 - Paris, FR @ La Maroquinerie
Sep 20 - Lille, FR @ Le Grand Mix
Sep 22 - Toulouse, FR @ Le Rex
Sep 23 - Lyon, FR @ Transbordeur Club
Tour Dates In Support of Orange Goblin
Dec 10 - Glasgow @ The Garage
Dec 11 - Dublin @ Button Factory
Dec 12 - Wolverhampton @ KK Steel Mills
Dec 13 - Manchester @ Academy 2
Dec 14 - Bristol @ SWX
Dec 16 - Southampton @ The 1865
Dec 17 - London @ Kentish Town
URNE will also appear at several festivals this summer including Hellfest (France) and Rock For People (Czech Republic).
URNE are:
Joe Nally - Vocals/Bass
Angus Neyra - Lead Guitar
James Cook - Drums
FIT FOR A KING — Ryan Kirby, vocals; Bobby Lynge, guitar; Daniel Gailey, guitar; Trey Celaya, drums; and Ryan "Tuck" O'Leary — bass/vocals — are thrilled to announce their new album and eighth overall, titled Lonely God. It was recorded in Los Angeles with producer Daniel Braunstein [Spiritbox].
Lonely God will arrive on August 1 via Solid State Records. Pre-order it here.
The band, which just wrapped up a sold-out North American tour with Killswitch Engage, Kublai Khan TX, and Frozen Soul, are dropping the video for the title track today, as well. Watch it below.
It boasts ALL the sonic hallmarks FFAK fans have come to know and love — gnarly riffs, guttural growls, deep grooves, and a slightly industrial crunch that takes things to the next level, every single time.
"In general, 'Lonely God' relates to the pursuit of power," shares Kirby about the track. "They're trading companionship, relationships, and love for power and money. You may have all of the power and be a 'God,' but it's a lonely spot because the world despises you."
Further expanding on the album itself, Kirby shares, "Lonely God is the result of us writing with no agendas. We didn't care about which song could be viral, or if we needed radio tracks, etc. We just wrote what we wanted, for the first time, in a really long time."
He finishes, "All five of us have our fingerprints on this album. We found a way to balance our voices. We've always been genuine with the lyrics, and that's the case again. There’s so much heart behind all of the instrumentation too. There’s definitely a lot of growth because our bond is tighter than ever."
Fit For A King harness the power of their brotherhood in order to push forward. The music contains traces of the members' personal and collective experiences grafted onto an ever-evolving sonic palette of metalcore unpredictability, alternative melody, and deathcore brutality laced with electronic alchemy. As trends came and went in the background of the last decade, the quintet has weathered trials and tribulations as well as enduring the chaos of a world constantly influx. However, their bond stretches back to 2011 when Fit For A King unleashed their independent debut Descendants. They continually progressed with Creation/Destruction [2013], Slave to Nothing [2014], Deathgrip [2016], and The Path [2020]. Meanwhile, 2022's The Hell We Create marked their fifth Top 3 debut on the Billboard Top Christian Albums Chart and third straight Top 15 debut on the Top Album Sales Chart. Outburn applauded how, "With The Hell We Create, Fit For A King takes on a new depth," and KERRANG! assured, "It hits hard in all the right places." They've impressively garnered just shy of half-a-billion streams fueled by staples like "When Everything Means Nothing," "The Price of Agony," "Breaking the Mirror," and more. Along the way, they also collaborated with the likes of August Burns Red, The Plot In You, The Ghost Inside, and We Came As Romans in addition to packing houses on tour. In 2025, you can hear their strength and camaraderie loud and clear on their eighth full-length offering, Lonely God [Solid State Records].
Prepare to enter the carnival of shadows. The twisted, theatrical, and unapologetically fierce metal band RAVEN BLACK has returned from the depths of the underworld to unleash their latest sonic nightmare: “DEATH WALTZ.” A hypnotic blend of gothic horror, symphonic metal, and psychotic storytelling, this track is more than just music—it's a dance with death itself.
Driven by thunderous guitar riffs, spine-chilling orchestral layers, and Raven’s haunting, operatic vocals that shift seamlessly into guttural growls,
“DEATH WALTZ” invites listeners into a fever dream where nightmares pirouette in time to a sinister rhythm. It's a track that blurs the line between performance and possession.
This release marks a new chapter for RAVEN BLACK—a darker, more intense evolution of their already infamous sound. Produced by Ulrich Wild (Static-X, White Zombie, Deftones), the single showcases the band’s signature fusion of metal mayhem and circus macabre, with a cinematic flair that could summon the dead to dance.
Meet RAVEN BLACK, a theatrical metal act originally from Los Angeles. Their unique brand of metal, influenced by gothic, classical, and heavy metal music, serves as the soundtrack to vocalist Raven's duality as she shares her story of being a hybrid of both dark and light.
Drawing from a myriad of musical inspirations, RAVEN BLACK expertly blends elements from their favorite art forms, including movies, ethnic backgrounds, and personal life experiences. Each song is crafted to take fans on an adventure, offering new perspectives and understandings. Their sound ranges from melodic to dark, fun to raging and psychotic—yet every track tells a story.
At the heart of their narrative lies a comic book character: a girl whose innocence was taken at a young age. Overcoming her demons and cursed by her predators, she discovers she is half human, half doll. The doll within her is dark, and as she embraces her inner darkness, she travels with her demons who protect her from those seeking to steal her inner power.
She is the key.
Upstate New York-based artist Dotsun Moon presents his new single 'Save Us', a lush and gazey plea to break down walls and find shared hope, even when love feels like a shot in the dark. Diving into a soundscape that captures the thrill and uncertainty of new love, this is a reverb-rich call to save what might be before it's lost.
'Save Us' arrives hot on the trail of 'Never Had a Heart', inspired by the driving energy and artful restraint of those who pioneered the early post-punk and new wave scene. Both singles offer a stunning taste of Dotsun Moon's third album 'Tiger', which is - both spiritually and sonically - influenced by M83 and New Order. Dashing out of the gate, this music is inspired by the music that motivated this artist to write music in the first place.
Based in Buffalo, Dotsun Moon is the creative wellspring from which Richard Flierl's musical visions flow, transforming his artistic inspirations into tangible form. Seeing several incarnations since releasing their debut album 4 A.M. in 2011, the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties. In spring, Dotsun Moon shared new videos for the invigorating singles 'Bring Love' and 'Give Up The Tears'.
"You’d be forgiven if M83 comes to mind. The inspiration stops at the power of the intro and allows me to launch into the bass and guitar influences that are pronounced throughout this album. The song is a fun yet urgent call to someone important to let me in and find the good around us," says Richard Flierl.
"'Save Us' is about a relationship or just starting one, because a lot of relationships don’t last very long even after they do start. 'Save Us' means let this relationship work, but we haven’t a clue what we are doing. Sometimes we fool ourselves into believing we are in a good relationship at the start, despite all the warnings there really isn’t communication happening."
Conveying his bold and self-contained vision in every note and vocal line, Dotsun Moon's new album is a complete solo endeavor and a departure from previous work, which involved female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, Richard Flierl and Doug White mixed the album on location.
"This is a huge change to prior releases, which have powerful female singers at the center. On this album, I am on vocals and all the songs are written and played by me from guitars and bass to keyboards, drums and programming. Doug White at Watchmen Studios brought decades of recording and mixing knowledge to the recordings that allows the songs to truly shine," says Richard Flierl.
Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.
As of April 30, 'Never Had a Heart' is available from fine music platforms, including Spotify, Apple Music and Bandcamp. The full 'Tiger' album, set for release on June 27, is available for pre-order.
CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR
Keep up with Dotsun Moon
Website | Bandcamp | Facebook | Instagram | BlueSky | Soundcloud | YouTube | Spotify| Apple Music | Press contact
Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il
16x ACM, 9x CMA and Grammy Award-winning artist Lainey Wilson’s new single, “Somewhere Over Laredo,” is the most added song at country radio this week with 129 adds. Furthering its success, the track garnered over 1.16 million streams across platforms in the first 24 hours of its release, earning Wilson her biggest first day of streaming to date.
The song is from the new deluxe version of Wilson’s award-winning album, Whirlwind, which will be released August 22 via BBR Music Group/BMG Nashville in celebration of the record’s one-year anniversary (pre-order/pre-save/pre-add here). In addition to Whirlwind’s original 14 songs, the extended edition will feature five additional tracks: “Somewhere Over Laredo,” “Bell Bottoms Up,” “King Ranch, King George, King James,” “Yesterday, All Day, Every Day” and “Peace, Love and Cowboys.”
Already receiving widespread attention, Wilson performed “Somewhere Over Laredo” live for the first time at the 2025 American Music Awards earlier this week and appeared on CBS Mornings to discuss the new track, while Billboard praised, “one of her most commanding, dynamic vocal performances to date, crescendo-ing from a soft-focus, tender vocal, before gradually reaching into her upper register for powerful moments that heighten the song’s emotional acuity.”
Written by Wilson, Trannie Anderson, Dallas Wilson and Andy Albert, the track honors the timeless classic “Somewhere Over The Rainbow” while showcasing Wilson’s poignant storytelling and authentic country sound, as she reflects on past love and pays tribute to small towns across the country.
The release adds to yet another triumphant year for Wilson, who won four awards at the 60th Annual ACM Awards earlier this month: Entertainer of the Year (her second consecutive win), Female Artist of the Year (her third consecutive win), Album of the Year (Whirlwind) and Artist-Songwriter of the Year. During the awards ceremony, she also debuted a new song, “Trailblazer,” with Reba McEntire and Miranda Lambert, which she wrote with Lambert and Brandy Clark.
Additionally, Wilson is in the midst of her nearly sold-out Whirlwind World Tour, which includes stops at New York’s Madison Square Garden, Los Angeles’ Kia Forum, Nashville’s Bridgestone Arena, Austin’s Moody Center and Denver’s Ball Arena among many others. The upcoming dates follow the tour’s first leg—a completely sold-out extensive run across the U.K and Europe earlier this year. See below for the complete tour itinerary, full details can be found at www.laineywilson.com/tour.
Produced by Grammy Award-winning producer Jay Joyce (Miranda Lambert, Eric Church), Whirlwind was released to overwhelming critical attention last summer with The Tennessean calling it “the best release of her career,” while NPR Music praised, “She’s becoming a major headlining country star, and this album feels like it’s cementing that position” and Rolling Stone declared, “her music has a blend of brawn, heart, and willingness to upend the status quo that’s not only listenable, but also the kind of thing you can’t help but root for.”
In just the past year, Wilson was also inducted into the Grand Ole Opry, performed during the Dallas Cowboys’ Thanksgiving Halftime Show, won Best Country Album at the 2024 Grammy Awards and two awards at the 58th CMA Awards, where she also made her hosting debut alongside Peyton Manning and Luke Bryan. Wilson also received two awards at this year’s ACM Honors: the prestigious Triple Crown Award—presented to those who have won ACM Entertainer of the Year, Female/Male Vocalist of the Year and New Female/Male Vocalist of the Year—and the Milestone Award, which is given to an artist who has had an unprecedented or outstanding year in country music.
A prolific and sought-after songwriter, Wilson has scored eight #1 hits including “4x4xU,” “Watermelon Moonshine” and the 2x Platinum Certified “Heart Like A Truck,” and has collaborated with artists such as Post Malone (“Nosedive”), Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”), HARDY (“wait in the truck”) and Myles Smith (“Nice To Meet You”). She is also a triple threat within entertainment as a singer, songwriter and actor and will make her feature film acting debut in next year’s adaptation of Colleen Hoover’s Reminders of Him, after first acting in Paramount’s hit television series, Yellowstone. Moreover, Wilson wrote and recorded “Out of Oklahoma,” which was featured in the new Twisters movie.
Photo Credit: Eric Ryan Anderson
LAINEY WILSON CONFIRMED TOUR DATES
May 30—Panama City Beach, FL—Pepsi Gulf Coast Jam
May 31—Lexington, KY—Railbird Festival
June 6—Myrtle Beach, SC—Carolina Country Music Fest
June 18—Nashville, TN—Grand Ole Opry
June 20—Wildwood, NJ—Barefoot Country Music Fest
June 26—Milwaukee, WI—Summerfest
June 27—Cadott, WI—Country Fest
July 10—Ottawa, ON—Ottawa Bluesfest
July 12—Cavendish, PEI—Cavendish Beach Music Festival
August 14—Phoenix, AZ—Footprint Center*
August 15—Albuquerque, NM—Isleta Amphitheater*
August 16—Denver, CO—Ball Arena*
August 21—Bend, OR—Hayden Homes Amphitheater*
August 22—Sacramento, CA—Golden 1 Center*
August 23—Los Angeles, CA—Kia Forum*
August 28—Calgary, AB—Scotiabank Saddledome*
August 29—Edmonton, AB—Rogers Place*
August 30—Saskatoon, SK—SaskTel Centre*
September 11—Baton Rouge, LA—Raising Cane’s River Center†
September 12—Baton Rouge, LA—Raising Cane’s River Center†
September 13—Bossier City, LA—Brookshire Grocery Arena†
September 18—Austin, TX—Moody Center‡
September 19—Fort Worth, TX—Dickies Arena‡
September 20—Houston, TX—The Cynthia Woods Mitchell Pavilion presented by Huntsman ‡
September 25—Toronto, ON—Budweiser Stage§
September 26—Clarkston, MI—Pine Knob Music Theatre§
September 27—Grand Rapids, MI—Van Andel Arena§
October 2—Nashville, TN—Bridgestone Arena||
October 3—Noblesville, IN—Ruoff Music Center§
October 4—Cleveland, OH—Blossom Music Center§
October 9—Columbia, MD—Merriweather Post Pavilion§
October 10—New York, NY—Madison Square Garden§
October 11—Mansfield, MA—Xfinity Center§
October 16—St. Louis, MO—Hollywood Casio Amphitheatre||
October 17—Rosemont, IL—Allstate Arena||
October 18—Saint Paul, MN—Xcel Energy Center||
October 24—Knoxville, TN—Thompson-Boling Arena at Food City Center#
October 25—Charlotte, NC—Spectrum Center#
November 7—Tampa, FL—Amalie Arena#
November 8—Orlando, FL—Kia Center#
*with special guests ERNEST and Kaitlin Butts
†with special guests ERNEST and Maddox Batson
‡with special guests Muscadine Bloodline and Drake Milligan
§with special guests Muscadine Bloodline and Lauren Watkins
||with special guests Muscadine Bloodline and Maddox Batson
#with special guests ERNEST and Drake Milligan
KEEP UP WITH LAINEY WILSON
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK
Today, PHIL X & THE DRILLS share a fresh single from their recently released new album 'Pow! Right in the Kisser' which is out now via Frontiers Music Srl. the single is titled "I Love You on Her Lips" and has a lyric video riding alongside.
About the track, PHIL X comments:
"Everybody knows a friend in a relationship where the partner says 'I love you,' but it's obvious that the partner doesn't mean it. That's what 'I Love You On Her Lips' is about. Love is on her lips but not in her heart. The track goes back to an old punky Drills vibe with classic rock thrown in there. I wanted to have old David Lee Roth-type screams in there to take it over the top. I love the energy & Gary Novak delivered the perfect drums."
About the new album, he adds:
"'POW! Right in the Kisser' was a good ten years in the making. 'Battleship' was tracked in 2014. I just kept writing, and we'd record and then kept the whole 'different drummer on every song' thing going. It became a very special collection of songs & vibes. It's very exciting for me to share something like that with the world."
Watch the Lyric Video for "I Love You on Her Lips"
The journey of PHIL X & THE DRILLS is one of relentless passion and perseverance. From their early days stirring up the Hollywood rock scene in 2003, to their breakout EP 'Kick Your Ass in 17 Minutes' (2009), the band has always kept fans hooked with their high-energy sound and jaw-dropping performances. As PHIL X became a YouTube sensation through his work demoing vintage guitars for Fretted Americana, the band’s visibility skyrocketed, eventually evolving into the powerhouse known as PHIL X & THE DRILLS.
Over the years, the band has worked with an incredible roster of guest drummers, including Josh Freese (Sting, Foo Fighters), Abe Laboriel Jr. (Paul McCartney), and Taylor Hawkins (Foo Fighters), among others. Their most recent release, 'Stupid Good Lookings Vol. 1', showcased the band’s knack for pushing boundaries and delivering unforgettable rock tracks.
In 2024, PHIL X & THE DRILLS hit a new career milestone, opening for Mötley Crüe at Summerfest in Springfield, IL, where their performance left 10,000 fans and industry professionals in awe. Now, with 'POW! Right in the Kisser', they’re set to take the next big step in their musical journey.
PHIL X & THE DRILLS:
Phil X - Lead Vocals & Guitars
Daniel Spree - Bass & Background Vocals
Brent Fitz - Drums & Background Vocals
Hiroe, the new darlings of the American post-rock underground, have revealed their latest single "Collider," taken from their forthcoming debut album, Wield, out June 20 via Pelagic Records.
Watch the "Collider" video below.
Pre-order Wield here.
"Collider" is a 10-minute epic, presenting listeners with a sonic journey into the heart of modern existence, reflecting life's often opposing and overwhelming demands. Its elaborate structure provides the band with an opportunity to showcase diverse instrumentation, from the resonant standing bass and the delicate chime of a glockenspiel to captivating guitar tapping sections that crescendo into a powerful three-part harmony. Embodying a musical representation of the contradictory elements in balancing life's competing priorities, it evokes the moment when all facets of life come to a head, resulting in a profound convergence, just as its title, "Collider," implies.
Hiroe guitarist Eric Kusanagi comments, "'Collider' is a song that when we play live seems to be a crowd favorite. It's the longest song in our catalogue, at about 10 minutes long, and we wanted to take the listener on a journey that goes through a lot of peaks and valleys."
The single is another glimpse of the forthcoming album Wield, showcasing the Philadelphia-based quintet mastering their craft, of creating compelling melodies that sound larger than life.
2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career.
"Our first release, Wrought, was a statement of creation," explains principal songwriter and guitarist Kusanagi.
For the recording of Wield, Jill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass), and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights), Wield capitalizes on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
"We wanted to show a larger range of musical themes on this record," continues Kusanagi. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up."
As a result, Wield packs in a huge range of details, which reveal themselves over repeated listens.
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of "Tides" to the epic finale of "I've Been Waiting For You All My Life," Hiroe show they've upped their game in every department, but especially that which tugs at your heartstrings.
Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.
HIROE ON TOUR:
6/6 — Baltimore, MD — Monument City Brewing
6/7 — Washington, DC —The Pocket
6/13 — Brooklyn, NY — Gold Sounds
6/14 — Boston, MA — Deep Cuts
6/20 — Harrisburg, PA — JB Lovedraft’s
6/21 — Lancaster, PA — The Upside
6/27 — Philadelphia, PA — Kung Fu Necktie
6/28 — Pittsburgh, PA — Ormsby's
7/23 — Indianapolis, IN — Black Circle (Post-Fest Pre-Show)
HIROE ARE:
Eric Kusanagi — Guitar
Jill Paslier — Guitar
Brian Kong — Guitar
Jon Seiler — Bass
Dan Sagherian — Drums
