British Rock Icons SKUNK ANANSIE Release New Album 'The Painful Truth' — Out Now via FLG Records

Today, British rock icons SKUNK ANANSIE have released their long awaited brand new album, 'The Painful Truth.' To celebrate, the band has also released the focus track, "Shame," which is accompanied by a visualizer available to view below.

 

'The Painful Truth' is a truly mesmerizing, provocative, powerful and emotional album. It is the sound of SKUNK ANANSIE facing up to who they are and what they want to become. It is more than an album title, it's a reality that they have lived through and has been greeted by rapturous reviews.

Watch the Visualizer for “Shame” Below;

Produced by David Sitek of TV On The Radio fame, 'The Painful Truth' is a fresh, frank, uplifting, and richly textured album that proves SKUNK ANANSIE’s knack for writing big pop songs remains defiantly undiminished. If anything, their hooks are sharper than ever, sinking in quicker and hitting harder.

'The Painful Truth' marks SKUNK ANANSIE’s first release on the newly formed FLG Records, and it carries a vitality that belies their storied career and multi-platinum achievements. With 'The Painful Truth,' SKUNK ANANSIE boldly reclaim their place as one of the most exciting, visionary, and essential bands in British music.

On the new album, Skin confesses:

“When I really think about it, yes, we have made some good records in our time but it’s been a long time since we have made a great album. And that is the painful truth. Understanding that, led us to making what I genuinely think is our greatest record yet.”

Order 'The Painful Truth' HERE

Full details for all live performances can be found HERE

About SKUNK ANANSIE:

SKUNK ANANSIE formed in 1994 in London, and are a truly seminal band. One of the first multi-racial British rock bands, they are known for their powerful sound and thought-provoking lyrics. Fronted by the charismatic and dynamic vocalist Skin, the band blends alternative rock with elements of punk and metal. They remain one of the most important and influential bands of their era.

 

Their debut album ‘Paranoid & Sunburnt’ (1995) and its follow up ‘Stoosh’ (1996) both hit the Top 10 album chart in the UK, and with hits like “Weak” and “Hedonism,” they established themselves on the international stage, helped by their stunning live performances. In 1999, SKUNK ANANSIE closed the decade off in style by releasing their third studio album, ‘Post Orgasmic Chill’ and headlining Glastonbury Festival, before surprisingly going on a lengthy hiatus in 2001.

 

The band reconvened in 2008 to embark on the second chapter of their career, releasing three acclaimed albums - 2010’s ‘Wonderlustre,’ 2012’s ‘Black Traffic’ and 2016’s ‘Anarchytecture.’ In 2019, the band marked their 25th anniversary with ‘25LIVE@25,’ a live album that brings together the greatest songs from their six studio albums.

 

Throughout their career, SKUNK ANANSIE have sold over five million records around the world. The band’s international prominence continues to thrive today, selling out live arenas and headlining festivals across the continent, and now with ‘The Painful Truth’ receiving rave reviews around the world, SKUNK ANANSIE are back at the peak of their powers.

ONSLAUGHT - History-Packed 2CD/LP 'Origins Of Aggression' Out Now; Video For "Thermonuclear Devastation Of The Planet Earth [2025 Version]" Launched

English thrash metal legends ONSLAUGHT return in full force with their blistering new release, Origins Of Aggression, out now via Reigning Phoenix Music. Leading the charge is the newly recorded version of "Thermonuclear Devastation Of The Planet Earth" - a scorched-earth anthem packed with apocalyptic riffage. First appearing on the band’s debut album Power From Hell, released in 1985, the track has been re-recorded for Origins Of Aggression to mark the 40th anniversary of ONSLAUGHT’s explosive entry into the metal scene. Four decades later, its message feels just as urgent and relevant as it did back then - if not more so.
 
Watch the new lyric video below:
 
Nige Rockett comments: “‘Thermo...’ is the very first song myself and Paul Hill ever wrote for ONSLAUGHT when we formed the band in 1982 and it’s still a very important / integral part of the live show right up to this day as it never fails to induce complete chaos within the crowds. One real highlight I remember was performing it at the Katacombes [R.I.P.] venue in Montreal, Canada. I kid you not, every single person in the venue turned the place into one awesome/brutal circle pit, it was absolutely insane. We still get one massive buzz playing this song live, it has such an incredible energy and a very cool back story to go with it…!”

Origins Of Aggression is a 22-track double album that dives deep into ONSLAUGHT’s history, delivering fierce new takes on early classics alongside covers of key influences such as MOTÖRHEAD, DEAD KENNEDYS, and DISCHARGE. To support the release, ONSLAUGHT will hit the road again next week as part of a global tour, with confirmed dates across Europe, the UK, Mexico, and Australia.
 
Order/stream Origins Of Aggression: https://onslaught.rpm.link/originsPR

About ONSLAUGHT
 
ONSLAUGHT’s contribution to the thrash metal genre cannot be overstated: from their debut album Power From Hell [1985], which is being honoured with their new release, to their celebrated performances across the globe, they remain an untouchable force in the world of heavy metal. With over 40 years of history, the quintet have steadily continued to evolve, delivering relentless riffs and neck-breaking anthems, and cementing their place as pioneers of the British thrash scene.
 
ONSLAUGHT are:
David Garnett | vocals, guitars
Nige Rockett | guitars
Wayne Dorman | guitars
Jeff Williams | bass
James Perry | drums
 
More on ONSLAUGHT:
powerfromhell.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music | RPM

BLACKBRAID Unleashes New Song + Music Video, "Wardrums at Dawn on the Day of my Death"

Solo black metal project BLACKBRAID is now pleased to reveal the highly-anticipated first single from his third studio album, 'Blackbraid III.' "Wardrums at Dawn on the Day of my Death" is now streaming along with a music video! The video was created by Moshmallows and captures the haunting and primal nature of Blackbraid's live shows. Watch the clip below.

'Blackbraid III' will be released on August 8, 2025 independently! Pre-sale info is to be revealed while the album details can be found below.

BLACKBRAID will also be embarking on a North American headliner later this year with support from Lamp of Murmuur and Dödsrit, with Gudsforladt replacing LoM as support for two Canadian dates. The trek will kick off on September 19 in San Diego, CA and will make its way around the U.S. + Canada until the final stop on October 11 in Los Angeles, CA. The full itinerary can be found below while tickets are available HERE.

In addition, BLACKBRAID has partnered with Fire in the Mountains Festival to curate a special pre-release event where festival attendees will get to hear 'Blackbraid III' ahead of its August 8 release date! During the event, there will also be a special live Q&A that will take place during the listening session with Metal Injection's Frank Godla.

Fire in the Mountains will take place in Montana from July 25-27, 2025 at the Red Eagle Campground on the Blackfeet Nation Reserve. BLACKBRAID joins an esteemed lineup of artists including Wardruna, Old Man's Child, Chelsea Wolfe, Converge, Blood Incantation, and more! Tickets are available HERE while the full lineup and all pertinent festival information can be found HERE.

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

The captivating album artwork for 'Blackbraid III,' was created in collaboration with Adam Burke, who handled the painting, and mainstay Blackbraid album artist Adrian Baxter, who did the illustration. The artwork can be found below along with the tracklist!

TICKETS

BLACKBRAID North American Tour w/ Lamp of Murmuur + Dödsrit,:

09/18: San Diego, CA @ Brick By Brick

09/19: Phoenix, AZ @ Last Exit Live

09/20: Albuquerque, NM @ Launchpad

09/22: Dallas, TX @ Trees

09/24: Atlanta, GA @ Masquerade (Purgatory)

09/25: Greensboro, NC @ Hangar 1819

09/26: Baltimore, MD @ Metro Gallery

09/27: Brooklyn, NY @ The Meadows

09/28: Albany, NY @ Empire Live

09/30: Boston, MA @ Middle East (Downstairs)

10/01: Montreal, QC @ Café Campus *

10/02: Toronto, ON @ Velvet Underground *

10/03: Lakewood, OH @ Mercury Music Lounge

10/04: Chicago, IL @ Reggies

10/05: St. Paul, MN @ The Turf Club

10/07: Denver, CO @ HQ

10/08: Salt Lake City, UT @ Urban Lounge

10/10: Oakland, CA @ Thee Stork Club

10/11: Los Angeles, CA @ 1720

*w/ Gudsforladt, no LoM

BLACKBRAID Upcoming Festivals:

07/27: Red Eagle Campground, MT @ Fire in the Mountains Fest

08/23: Eisfeld (DE) @ Wolfszeit Festival

12/19: Leipzig (DE) @ Black Hole Fest Germania III - Frost Edition

04/05/26: Munich (DE) @ Dark Easter Metal Meeting

Photo by Wolf Mountain Productions

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid III' Album Credits:

Composed & performed by Sgah'gahsowáh

Drums, recording, mixing & mastering by Neil Schneider 

Guitar solo in “God of Black Blood" performed by Randy Moore

“Fleshbound" originally composed by Lord Belial

Painting by Adam Burke

Illustration by Adrian Baxter

Visual development & graphic design by Wolf Mountain Productions 

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Official Merch Store (EU) 

Blackbraid is an independent artist and is not contracted to or owned by any music label. 

KATAKLYSM | RELEASE VIDEO VISUALIZER FOR NEW SINGLE 'THE RABBIT HOLE'

For almost three decades, the US/French Canadian-based melodic death metal syndicate KATAKLYSM, has delivered unapologetic waves of powerful sound across the entire globe. Today, the band offer fans a new track entitled, 'The Rabbit Hole'.

With a brutal honesty and relentless force, it rips through the illusion of control and dares listeners to wake up, fight back, and resist. A soundtrack for the disillusioned—unapologetic and unrelenting. The song features Clemens Wijers (CARACH ANGREN) who curated the tracks ambient sound effects and synth section.

KATAKLYSM'S Maurizio Iacono states,  "'The Rabbit hole' is the bands first stand alone single since the bands classic 'Iron will' track. As the world spins out of control and people search for purpose and truth, we felt questioning these things is something important to do, theres a lot of noise and lots of distortion these days, but always  trust your gut and what is right vs what is forced fed, so why not put these thoughts to music, so while we wait for the next record, we decided to drop this heavy hitter, spread it an enjoy!"

The single was recorded earlier this year at JFD Studios in Dallas, TX and Studio City, CA as well as The Cabinin Orlando, FL and Silver Black Studio, Laval, QC, Canada. 'The Rabbit Hole' was produced, mixed, and mastered by the band's very own J-F Dagenais.

Watch the visualizer video for the learning anthem of rebellion 'The Rabbit Hole' which was created by Ingo Sporl at Hard Media, below:

Stream 'The Rabbit Hole' here: https://kataklysm.bfan.link/the-rabbit-hole

KATAKLYSM is:
Maurizio Iacono | Vocals
Jean-François Dagenais | Guitar
Stephane Barbe | Bass
James Payne | Drums

More information:
www.facebook.com/kataklysm
www.twitter.com/kataklysmband
www.instagram.com/kataklysmband
www.youtube.com/kataklysm
www.kataklysm.ca

SIERRA LEVESQUE CHAMPIONS THEFUTURE OF ROCK WITH “NEW GENERATION”SINGLE AND MUSIC VIDEO ​

Rising rock singer, songwriter, and multi-instrumentalist Sierra Levesquereleases her explosive new single “NEW GENERATION”, available now on all platforms. Accompanied by a bold and energetic official music video
featuring live performance footage on her YouTube channel, this release marks a defining moment for the young artist fearlessly leading the revival of rock music.

 

“NEW GENERATION” by Sierra Levesque is a high-energy rock anthem that calls out the critics who say rock is dead—proving instead that a bold new era is just beginning. Blending modern pop hooks with powerful guitar riffs, the track is fully self-written and recorded by Sierra,
showcasing her as a fearless voice leading the next wave of rock artists. It’s not just a song—it’s a statement.


Produced, mixed, and mastered with the help of legendary guitarist and producer, Ron ‘Bumblefoot’ Thal, the track blends gritty, empowering vocals and layered guitar tones that reflect both a reverence for classic rock and a fresh, Gen Z edge.

 

"I wrote this song to show that rock music isn’t dead, and I hope to help lead the new generation of emerging rockers—because rock n roll is here to stay,” says Sierra.

The release follows a string of standout achievements for the 20-year-old Canadian-born artist, including more than 1.5 million Spotify streams, over 250,000 social media followers, and countless performances at legendary venues like Whisky A Go Go and the Canadian Tire Centre Arena. Known for her one-woman live shows—performing vocals, lead guitar, and original fully self-recorded backing tracks—Sierra continues to break boundaries as a fully self-produced rock artist.

 

Currently studying Songwriting at Berklee College of Music, Sierra is not only mastering her craft, but also inspiring a new generation of music fans through both her sound and story.

Born in Pembroke, Ontario and currently based in Los Angeles, Sierra Levesque is redefining rock for a new generation. Featured in Guitar World Magazine, recognized by Guitar.com as “Gen Z’s Most Ambitious New Guitarist” and featured among “10 Young Shredders Shaping
Rock and Metal Today,”
she fuses pop, metal, and hard rock into anthems that are as bold as they are relatable. With a large social media following, national media recognition, and her upcoming debut album in the works, Sierra is solidifying her place as one of rock’s most exciting
new voices.

For More Information Please Visit:

Official Website

Facebook

Instagram

TikTok

YouTube

X

Exuberant NYC quintet Ecce Shnak share 'Backroom Sessions' EP and 'Fight Song' video

NYC experimental rock quintet Ecce Shnak has released their 'Backroom Sessions' EP via Records, Man Records, recorded at Backroom Studios in Rockaway, NJ. This 4-song live set arrives ahead of the band's West coast tour this June with platinum-selling legends Spacehog and EMF.

Ecce Shnak has also shared a raucous video for 'Fight Song' (Live), a hard-hitting track with a potent message, offering an ironic take on violence and addressing today's rampant spread of hate-filled vitriol. They earlier shared another track from this EP - their groove-inducing opus 'Prayer On Love' (Live).

Ecce Shnak is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Where fervent brilliance blurs into absolute, uncontainable madness, there resides Ecce Shnak, balanced precariously upon an illuminated sonic high wire.

David Roush explains, "While we originally filmed these performances for our YouTube channel, we felt the audio worked as a thrilling scamper through old material and new material alike. In addition, we are finishing a new full-length album and wanted to have something to tide you over, dear Shnak’iversian, until its release next Spring. So until we can share 'Dandy Variances' with you all, here are the “Backroom Sessions.” We so hope you love them tremendously!"

Rejecting conventional aesthetics, Ecce Shnak (pronounced Eh-kay sh-knock) whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. Building on the success of their recently-released debut 'Shadows Grow Fangs' EP,

"The hardcore slammer 'Fight Song' is not a Katy Perry cover. Instead, it is a djent-forward ramble on the ubiquity of violence in human life, be it literal or metaphorical. It was originally an ironic joke when it was released on our first EP, 'Letters to German Vasquez Rubio' in 2012," says David Roush.

"We decided to change the lyrics and release a new version in reaction to the rancid bigotries that so plague the human spirit nowadays, in America and elsewhere. The final line is a call to defend our basic human freedoms while we still have them: “Fight for your right to fight!”"

Ecce Shnak's recently-released debut 'Shadows Grow Fangs' EP showcases incomparable ingenuity and limitless invention, blending art-rock and punk energy with some unexpected twists. Between its title track, web-mocking 'The Internet', sensual 'Prayer on Love', folk ballad 'Stroll With Me', and 150-second hammering lead track 'Jeremy, Utilitarian Sadboy', Ecce Shnak presents a powerful debut effort that is intricately constructed, methodically fashioned, undeniably offbeat and truly entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), this EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).
 

The 'Backroom Sessions' EP is out now,available from fine digital music platforms, includingSpotifyApple Music, YouTube Music and Bandcamp. In June, Ecce Shnak is touring the West coast with platinum-selling legendsSpacehogandEMF. Kicking things off in San Jose on June 14, the tour wraps up on June 28 in Las Vegas. Tickets for the Spacehog / EMF / Ecce Shnak tour are on sale now.

CREDITS
Music written / composed by David Roush
David Roush - vocals, classical guitar, drum kit, keyboard
Jeff Lucci - electric guitar, electric bass
Isabella Komodromos - vocals
Recorded at the Backroom Studios in Rockaway, NJ
Mixing Engineer: Chris Krasnow
Released by Records, Man Records
EP cover artwork & artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

TOUR DATES (with EFM and Spacehog)
Jun 14   San Jose, CA  - The Ritz
Jun 15   San Francisco, CA  - Great American Music Hall (tickets)
Jun 17   Portland, OR  -  Star Theater
Jun 18   Seattle, WA  - The Neptune
Jun 20   Salt Lake City, UT  - Metro Music Hall
Jun 21   Denver, CO  - Oriental Theater
Jun 23   Phoenix, AZ  - Crescent Ballroom
Jun 24   San Diego, CA  - Music Box
Jun 26   Santa Ana, CA  - The Observatory
Jun 27   Los Angeles, CA  - The Regent
Jun 28   Las Vegas, NV  -  House of Blues


Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Spotify | Apple Music | YouTube Music | BandsInTown | Booking | Press contact

Keep up with Shameless Promotion PR
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History of Guns' Max Rael serves up edgy electronica on 'Slightly Less Than Human'

British electronic artist Max Rael takes a dark turn with a new single 'Slightly Less Than Human', the second single foreshadowing his debut album 'The Enemy Is Us', out June 20 via London imprint Liquid Len Recording Company.

Musician, writer, actor, engineer and producer, Max Rael has remixed such artists as Fish (Marillion), Last July, Kommand + Kontrol, Freudstein and Bienheldenschafgegenstand. He is also behind electro-goth trailblazers History Of Guns, formed in Hertfordshire in 1996. Frontrunners of the Wasp Factory / FuturePunk scene of the early 2000s, 'Your Obedient Servant' was championed by The Quietus and Mick Mercer among the “thirty best goth singles of all time”.

A dark, nervy electronic track with a great hooky synth melody and spoken word vocals, 'Slightly Less Than Human' was partly inspired by Japanese author Osamu Dazai. Lyrically, the narrator relays his feeling of being somehow different from the rest of the human race and his attempts to try to understand and copy other people's ways and behaviours in order to try pass as a regular person.

The exclusive non-album B-side 'When the Only Winning Move Is Not to Play' is a reference to 1983 film "War Games" and the book 'The Games People Play' by Eric Berne.

'It's about the futility of arguing with people who have already made their minds up," says Max Rael. "It seems we're living in times of fixed dogmatic polarisation where the right to take in new information and shift your thinking can be seen as somehow lacking integrity. I'm also a big fan of that Timothy Leary quote, "You are only as young as the last time you changed your mind."'  

In April, Max Rael released his spoken-word electronic pop song 'Brighter Future', where he questions avoidant strategies of coping with life in a seemingly increasingly chaotic and unsafe world and queries how can we reverse course from an anticipated dystopian future.

The non-album B-side 'The People We Love Have Won (Persistence Is All)' is a darker beast, named after Coil's 2000 London performance at The Royal Festival Hall, which also happens to be tattooed on the inside of Rael's left wrist.

Spoken word, electronic music and loud drums can all be expected on the impending 12-track album, produced and mixed by Max Rael with additional mixing by Caden Clarkson and mastered by Pete Maher (U2, Nick Cave, Depeche Mode, Pixies. Nine Inch Nails). Fusing a range of electronic music styles with other genres, Max Rael is a master journeyman of existential exploration into humanity, self, society, reality, psychology, philosophy and the future.

"This is a song about not feeling like a proper person, feeling slightly less than human. I was always one of those kids who felt very different and alien from everyone else, patiently waiting for the spaceship to finally arrive and take me home to my people. The lyrics have taken on a deeper significance for me personally since being diagnosed with Autistic Spectrum Disorder after they were written which has given me a new context for some of the struggles I've had with life," says Max Rael.

"In keeping with the first video, I've decided not to use AI, CGI, filters etc. and filmed all the lighting effects live in the room. It's not that I'm particularly anti-AI. I've used it in the past. More that it just felt a good time to put it down for a while and do a project without it. The b-side, When the Only Winning Move Is Not to Play, was originally slated for the album, but didn't really fit with the flow of the rest of the tracks, so it became orphaned, and has now found a home here."

As of May 21, 'Slightly Less Than Human' is available from fine digital platforms, including Amazon, and also directly from the artist via Bandcamp, where 'Brighter Future' can also be found. 'The Enemy Is Us' album will be released on June 20 via Liquid Len Recording Company.

CREDITS
Written by Max Rael
Produced, performed and mixed by Max Rael
Additional mixing by Caden Clarkson
Mastered by Pete Maher
Released by Liquid Len Recording Company
'Brighter Future' video by Abigail Clarkson
'Slightly Less Than Human' video by Max Rael
Publicity by Shameless Promotion PR
Cover artwork & photographs by Filiz Photography
Copyright @filizphotographyuk - must not be altered or sold without photographer's permission

Keep up with Max Rael
Max Rael Music | Bandcamp | Facebook | Instagram | YouTube | TikTok | Twitter| BlueSky | Apple Music | Spotify | Amazon | History of Guns website |  Press contact


Keep up with Shameless Promotion PR
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HOTLINE TNT RELEASE NEW SINGLE "BREAK RIGHT"

Hotline TNT - the NYC-based band fronted by Will Anderson - have shared "Break Right", one of the tentpoles of 'Raspberry Moon', the band’s most sweeping and compelling album yet (out June 20). Crucially, the track was the first built by a full band, with instrumentation written by members guitarist Lucky Hunter, bassist Haylen Trammel, and drummer Mike Ralston. The result is gorgeously lunging and moody, showing a softer side to the group. Catch them on tour now.

 

STREAM/WATCH "BREAK RIGHT"

PRE-ORDER RASPBERRY MOON

NATALIE BERGMAN RELEASES NEW TRACK AND OFFICIAL MUSIC VIDEO "DANCE"

Natalie Bergman continues to tease her highly-anticipated forthcoming album My Home Is Not In This World (out July 18) with new song "Dance", along with an official music video. With classic 60’s grooves
and a Carol Kaye-esque bassline, the single is a “Motown-influenced dance party filtered through synthesizers and a homemade rhythm track,” shares Bergman. Catch her live headline dates, and supporting Rilo Kiley.

 

STREAM/WATCH "DANCE"

PRE-ORDER MY HOME IS NOT IN THIS WORLD

Thy Catafalque Release Live Video Ahead of Hellfest

Though never intended to leave the studio, Thy Catafalque has grown into a soaring - and roaring - live act. Tamás Kátai and his ever-expanding cast of collaborators are performing at Hellfest, Rockstadt Extreme, Alcatraz and other European festivals this summer before embarking on their first-ever tour of Latin America.

"This is a massive step-up for Thy Catafalque", Kátai says. "We are very excited to play for our fans in places where we've never gone before".

As they prepare to light up the world stage, today, Thy Catafalque are releasing a live video from last year's hometown performance of the heaviest song off their dreamy twelfth album.

Watch Thy Catafalque perform "Vasgyár" live at Dürer Kert - Below:

XII: A gyönyörű álmok ezután jönnek (The Beautiful Dreams Are Yet to Come) is out now on Season of Mist. 

Order & Stream

https://orcd.co/thycatafalquexiiagyonyorualmokezutanjonnek    

As the main conductor behind Thy Catafalque, Tamás Kátai has journeyed far beyond his humble beginnings during the late '90s. But "Vasgyár" ties to his past in more ways than one. Not only does the song gets its name from the rusted-out ironworks that once fueled the Hungarian economy. Its steaming blast beats and blackened chug call back to the ashen pyres that forged Thy Catafalque's initial offerings.         

And yet - Thy Catafalque's twelfth album only goes to show how far this one-time studio project has come. Joined by the fearsome growls of Zoltán Kónya, along with many other familiar faces from across his avant-garde discography, last year, Kátai performed "Vasgyár" for a sold-out crowd at Dürer Kert, which remains one of Hungary's most influential underground venues. As spacey synth and a stirring violin solo weave as one with the track's heavy bass line, it's clear to everyone watching that Thy Catafalque are still progressing to new heights.

Get tickets: https://thy-catafalque.hu/live.html 

The video for "Vasgyár"was recorded on November 23, 2024 at Dürer Kert, Budapest, Hungary.

Additional video credits
Audio mixed and mastered by Gábor Vári at Miracle Sound Szeged.
Live sound and recording by Péter Csobánczi.
Video recorded by Carbon Head Production.
Video edited and post-production by Péter Lerch / Carbon Head Production.


Zoltán Kónya - vocals
Krisztián Varga - guitar
Zoltán Vigh - guitar
Tamás Kátai - bass, vocals
Bálint Bokodi - violin
Árpád Szenti - drums

New fans and long-time appreciators can now rediscover just how much Thy Catafalque has grown.

This month, Season of Mist is repressing Rengeteg. Thy Catafalque's fifth album is the first to fully expand far beyond black metal with proggy keyboard, clean vocals and death metal riffing.

The fourth repressing includes four bonus tracks and is available on black and forest green vinyl.    

Season of Mist will reissue Rengeteg on May 30, 2025.


Pre-order:https://redirect.season-of-mist.com/ThyCatafalqueReissues

Thy Catafalque's twelfth album looks back longingly at the past, Tamás Kátai isn't stopping to smell the roses. With A gyönyörű álmok ezután jönnek, he shows that the beautiful dreams are yet to come.

Recording Lineup
Tamás Kátai – guitar, bass, vocals, keyboards, programming

Guest musicians
Martina Veronika Horváth – vocals on Track 1, 6
Ivett Dudás – vocals on Track 8
Helga Kreiter – vocals on Track 4, 10
Gábor Dudás – vocals on Track 2, 5, 6, 10
Bálint Bokodi – vocals on Track 2, 4, 9
Gábor Veres – vocals on Track 3, 8
Attila Bakos – vocals on Track 1
Zoltán Kónya – vocals on Track 3
András Vörös – vocals on Track 4
Breno Machado – lead guitar on Track 2
Zoltán Vigh – lead guitar on Track 3
Krisztián Varga – lead guitar on Track 4
Daniele Belli – acoustic guitar on Track 2
Miguel Velasquez Matija – fretless bass on Track 2, 6
Edu Giró – oud, bouzouki, baglama on Track 2,7
Grigoris Mitropoulos – bouzouki, mpaglamas on Track 7
Sanja Smileska – violin on Track 3
Jo Quail – electric cello on Track 8
Issar Shulman – contrabass on Track 2
Cal Rustad – French horn on Track 2, 8
Manuel Domenech – cor anglais on Track 8
Khachatrian Lernik – clarinet on Track 2
Gergő Bille – flugelhorn, trumpet on Track 7
Joakim Toftgaard – trombone, trumpet on Track 7
Fabian Hernandez – saxophone on Track 5
Viktória Varga – narration on Track 3
Annamari Sánta – narration on Track 7, 8

Recording
Recorded in various countries: Hungary, United Kingdom, Romania, Ukraine, Italy, Spain, Greece, North Macedonia, Israel, U.S.A., Colombia, Brazil.

Producer & Sound Engineer
Tamás Kátai, Gábor Vári

Mixing & Mastering
Miracle Sound Szeged, Hungary. Mixed and mastered by Gábor Vári.

Artwork
Front cover by Dániel Szécsényi and Tamás Kátai
Illustrations by Orsolya Pintér.

Follow Thy Catafalque
https://thy-catafalque.hu
https://www.facebook.com/thycatafalque
https://www.instagram.com/thy_catafalque
https://www.youtube.com/user/kataitamas
https://thycatafalque.bandcamp.com/
https://open.spotify.com/artist/4sgTqbA7htxYkRRJBPZIom
https://music.apple.com/us/artist/thy-catafalque/372164196

Order & Stream
https://orcd.co/thycatafalquexiiagyonyorualmokezutanjonnek

J.B.O. Embark On Adventurous Hike Through Franconian Woods In "Ka-Fump!" Music Video

J.B.O. the self-proclaimed ‘defenders of nonsense,’ serve the first slug from their upcoming album Haus Of The Rising Fun today. Living in a world turning faster than you can even follow, the Franconians look back on the ‘good ol’ times’ with their single "Ka-Fump!," which invites fans to the band’s new record, due out on January 9, 2026 through new label partner PERCEPTION. The song originates in Shania Twain’s world-wide known track "Ka-Ching!" but comes along in a unique pink wrapping as it can only be created by J.B.O.
 
They rejoice: “‘Ka-Fump!’ In neo-German, the opening sound of a beer bottle would be described as ‘satisfying.’ We’ve reflected on why it is like that and which emotions it provokes, resulting in the lyrics of this song. Or as we’re used to say in Franconia: ‘Let’s go and have a party!’”
 
The accompanying music video guides the audience deep into Franconian undergrowth where the group -- Veit, Hannes, Ralph & Wolfram -- have embarked on an almost endless quest for well-deserved after-work beers. At the end of this adventurous trip, J.B.O. are finally rewarded by the Holy Hop Grail - presented by a very special guest. Who that is? Find out below:
 
Stream the single: https://jbo.rpm.link/kafumpPR
 
The creational period of J.B.O.’s ‘pink light district’ opus is almost over, and more details can be expected very soon. Until then: cheers!

About J.B.O.
 
Heavy guitars and German lyrics combined with Franconian sense for nonsense don’t work? Way off the mark! Since 1989, J.B.O. have multiply proven that they’re the real masters of comedy metal - over the course of 14 studio albums to be concrete. Additionally awarded with two gold records, the quartet are mostly known for covering hit songs by artists of different genres, giving them a unique twist through re-written lyrics with an extra portion of humour.
 
Their original tracks shouldn’t remain unnoticed nevertheless since they also popularise with not minor jocular lyrical content. Fan favourites such as "Ein guter Tag zum Sterben"[‘A Good Day To Die’] are classics of the band’s repertoire and vital parts of each and every J.B.O. concert.
 
From die-hard old-school metalheads to families and kids and fans beyond the hard’n’heavy boundaries: Their wide range of musical inspiration has resulted in an equally varied amount of followers which sees J.B.O. unite all sorts of people under their multicoloured musical roof and especially in front of the stages, making them even more outstanding amidst the heavily crowded world of artists out there.
 
J.B.O. are:
Hannes “G. Laber” Holzmann | vocals, guitars
Veit “Vito C.” Kutzer | vocals, guitars
Ralph Bach | bass
Wolfram Kellner | drums
 
More on J.B.O.:
jbo.de | Facebook | Instagram | Threads | TikTok | Bluesky | Mastodon
YouTube | Spotify | Apple Music | jbo-fans.de

About PERCEPTION
 
PERCEPTION is the latest label imprint of Reigning Phoenix Music. Following the successful addition of ROAR, a sub-label dedicated to emerging talents and artists, PERCEPTION is set to provide a strong foundation for regionally and stylistically leading bands with high growth potential.
 
Founded in 2023, Reigning Phoenix Music is truly the 100% independently owned vision of music industry professional Gerardo Martinez and avionics and tech entrepreneur, Sven Bogner. The blueprint is to continue to help heavy metal, extreme and hard music thrive by partnering with an array of well-established acts, new talent, and iconic artists by offering best services and practices in the industry. Reigning Phoenix Music’s paramount goal is to help the artists amplify their music and talent to a winning formula for success. The label recently opened a new office in London, UK.
 
More on PERCEPTION:
perception.music | Facebook | Instagram | TikTok

Dutch Futuristic Metallers CRYPTOSIS Release New Video for "In Between Realities"

Dutch futuristic metallers CRYPTOSIS have recently unleashed their mighty and awe-inspiring sophomore album, 'Celestial Death,' via Century Media Records.

Today, to continue building momentum around the album’s release, and ahead of CRYPTOSIS’ upcoming tour kick-off next week, the band has shared a brand-new music video for "In Between Realities." Produced once again by acclaimed film production company F/53, the video is based on live footage from the 'Celestial Death' album release show at Enschede’s Metropool venue.

 

CRYPTOSIS checked in with the following comment about the track:

“We’re proud to present the live video for 'In Between Realities', captured during the CRYPTOSIS album release show at Metropool, Enschede (The Netherlands) on March 29, 2025. The song explores the story of a person caught between two worlds: the physical reality we all know, and a highly immersive, almost perfect virtual reality. In this VR world, life feels ideal, exciting, beautiful, and full of purpose, while the real body is slowly being neglected and forgotten.

"It’s a reflection on modern escapism, technology, and the thin line between living and existing. Experience the energy of the live show and the depth of the concept. Let us know in the comments: Where do you draw the line between reality and illusion?” 

Watch the Music Video for "In Between Realities" Below:

'Celestial Death' was recorded by Olaf Skoreng at Tom Meier and Studio Moon Musicbetween April and August 2024, mixed by Fredrik Folkare at Chrome Studios (Unleashed, Necrophobic, Hellbutcher) in Sweden and finally mastered by Tony Lindgren at Fascination Studios (Arch Enemy, Borknagar, Amorphis) in Sweden too. The album is the follow-up to CRYPTOSIS’ acclaimed 'Bionic Swarm' debut album (2021) and the EP 'The Silent Call'(2023), it once more comes with artwork by Eliran Kantor (Kreator, Testament, My Dying Bride) and also showcases the group on a darker, heavier, more melodic and extremely cinematic journey across its 11 tracks / 42 minutes of playing time.

Order 'Celestial Death' HERE

Artwork: Eliran Kantor

CRYPTOSIS are:

Laurens Houvast - Vocals, Guitars

Marco Prij - Drums

Frank te Riet - Bass, Mellotron, Synths, Backing vocals 

10TH ANNIVERSARY REISSUE OF DEBUT SOLO ALBUM FROM ANGEL VOCALIST FRANK DIMINO ANNOUNCED

Best known for being the frontman of the legendary Hard Rock band ANGEL, who were discovered (similarly to VAN HALEN) by KISS bass player Gene Simmons and signed to Casablanca Records. With that label ANGEL released 5 critically acclaimed studio and one live album in the second half of the 70’s before disbanding and being resurrected by both DiMino and Punky Meadows in 2018. After the band’s initial break up, Dimino went on to work with UFO’s Paul Raymond and worked as a singer for Soundtracks, scoring a Platinum album for the inclusion of his Cycle V song “Seduce Me Tonight” on the “Flashdance” soundtrack.

 

Frank Dimino released his first solo project Old Habits Die Hard in 2015, a fine Melodic Hard Rock album which saw him collaborate with some heavyweights of the Vegas music scene where he currently resides. Under the production of Paul Crook (MEAT LOAF), Old Habits Die Hard sees the participation, among others, Oz Fox (STRYPER), Eddie Ojeda (TWISTED SISTER), Rickey Medlocke (BLACKFOOT, LYNYRD SKYNYRD), Jeff Duncan (ARMORED SAINT), and former ANGEL bandmates Punky Meadows (on guitar) and Barry Brandt (co-writing with Frank the song” Even Now”).

Watch video for “Never Enough” Below:

To celebrate the 10th Anniversary, it is now being remastered and repackaged with the bonus acoustic track “Even Now” and liner notes by rock journalist Dave Reynolds. It will be available for the first time on 180g White Vinyl and as a 6-Panel Digipak on June 6th. DiMino explains the origins of the album “Ken Ciancimino as executive producer and Paul Crook as the musical producer is the reason I did a solo album. Having Oz Fox and Jeff LaBansky to collaborate with was so inspirational and the reason for writing all new songs for the album. I’m so thankful to all the musicians and friends that played on this album.  Everyone working together on this project is what made this album so special and that’s what makes it so worth it!”

There are only 300 of the vinyl available with a limited number of LP/CD bundles signed by DiMino. Pre-order here:  https://www.dekoentertainment.com/frank-dimino

For more information, visit

https://www.dekoentertainment.com/

Deko Entertainment–Art Has Value

Sinsaenum Return With Third Album "In Devastation" Out 8/8 + Share Video for Title Track

Extreme metal supergroup Sinsaenum have announced their long-awaited return with the release of their crushing new single, "In Devastation," the title track of their forthcoming third studio album, due out later this year via earMUSIC.

The release marks the band's first new material since the tragic passing of legendary drummer Joey Jordison (Slipknot, Murderdolls) in 2021. Both the single and album serve as a cathartic tribute to Jordison and to guitarist and founder Frédéric Leclercq's late father, whose deaths profoundly shaped the emotional and creative direction of the project.

"I was devastated, hence the title of this album," Leclercq explains. "But we knew we had to carry on. This record is our tribute to my father, to Joey, and to anyone who's ever had to find strength in their darkest moments."

Listen to the new single here.

Watch the new music video below.

In Devastation is a 10-track tour de force of blackened death metal infused with Sinsaenum's signature melodic ferocity and experimental edge. Produced and mixed by acclaimed German audio engineer Lasse Lammert, the album explores new sonic territory for the band, blending intricate progressive elements, clean vocals, and even cello — without ever compromising their brutal core.

Joining Leclercq on this latest chapter are returning members Attila Csihar (Mayhem), Sean Zatorsky (Dååth), Stéphane Buriez (Loudblast), and Heimoth (Seth). Stepping in behind the kit is Andre Joyzi, formerly Jordison's tech and a trusted member of the band's touring family — chosen not only for his skills, but for the emotional connection he brings to continuing Jordison's legacy.

Tracks like "Obsolete and Broken" and "The Last Goodbye" showcase the band's musical and emotional evolution, from raw aggression to haunting reflection. Leclercq describes the latter as "the most personal we've done," while songs like "Shades of Black" and "Over the Red Wall" push the band into new anthemic and speed-driven territory.

Following the critically acclaimed Echoes of the Tortured (2016) and Repulsion for Humanity (2018), In Devastation cements Sinsaenum's place at the vanguard of modern metal — a band forged in grief but fueled by defiance.

Pre-order the album In Devastation here

ATOLL Premieres Visceral Live Video for Fan-Favorite “Gay for God”

Ferocious extreme metal outfit ATOLL has unveiled a blistering live performance video for their track "Gay for God," captured during their 2024 tour. Showcasing the band's unrelenting energy and technical precision, the footage captures ATOLL at their most visceral, fusing guttural vocals, pummeling breakdowns, and uncompromising stage presence into a relentless assault on the senses. The track, already a fan favorite for its unapologetic intensity and provocative edge, gains new life in this raw, in-your-face live rendition.


The band comments on the release, stating "Gay for a God is a glimpse into the feelings of a choir boy who got violated by the person appointed by God himself to lead the flock. Is that irony?! We're not sure. You be the judge..."


Watch the video Below:

About ATOLL:

Since forming in 2014 in Phoenix, Arizona, ATOLL has built a reputation as one of the most uncompromising forces in extreme metal, sharing the stage with giants like SKINLESS, GORGASM, and ABORTED, while decimating festivals like Full Terror Assault Open Air, Denver Death Fest, and Sonoran Slam Fest. Known for their conceptually driven themes of nuclear fallout, mutations, animal aggression, aliens, and crime, ATOLL continues to push boundaries with their unapologetic approach to sonic destruction.


ATOLL is:

Wade Taylor – Vocals 

Cameron Broomfield – Bass 

Spencer Ferguson – Guitar 

Matt Markle – Guitar 

Mike Thomas – Drums 


Connect with ATOLL:

LOST SOCIETY - RETURN WITH BLISTERING NEW SINGLE: "Dead People Scare Me (But The Living Make Me Sick)"

Finland’s fiercest export LOST SOCIETY are back with a vengeance. The band returns with their brand-new single, 'Dead People Scare Me (But The Living Make Me Sick),' a high-octane anthem destined to ignite moshpits across festivals all summer long.

With this explosive track, LOST SOCIETY kick off a bold new chapter in their career, diving headfirst into fresh sonic territory while retaining the raw energy and aggression fans have come to love. The single is the first taste of their upcoming full-length album, details of which will be revealed soon.

Accompanying the release is a riotous party video that perfectly captures the song’s chaotic spirit and tongue-in-cheek attitude — a perfect visual complement to the track’s adrenaline-pumping riffs and biting lyrics.

WATCH THE VIDEO FOR 'DEAD PEOPLE SCARE ME (BUT THE LIVING MAKES ME SICK) BELOW:

LISTEN TO 'DEAD PEOPLE SCARE ME (BUT THE LIVING MAKES ME SICK): https://lostsociety.bfan.link/dead-people 

Frontman Samy Elbanna comments:

When we were kids, we often were scared by zombies, the grim reaper and whatever concept of death we felt we knew anything about - but as we grew up and were introduced to the real world, we would find out that there is nothing more terrifying than a person with a heartbeat and power.

This track dives into universal themes that most of us think about constantly: fitting in, and questioning why we should fit in? We are brought up in institutions molding us to prepare for adulthood, and even in the 21st century, differing from the mass still makes people look down on you - and this song is an anthem for the downtrodden. No matter how ”mainstream” metal music is, it’s always marginal, and ”being touched by the devil” is a metaphor for all of the people out there who feel like they are doing something that differs from the mass, and they like it.”

Line up:
Samy Elbanna | Vocals, Guitar
Arttu Lesonen | Guitar
Mirko Lehtinen | Bass
Taz Fagerström | Drums


For more information visit:
https://lostsocietyfinland.com
https://www.facebook.com/lostsocietyfinland/
https://twitter.com/LostSocietyFI
https://www.instagram.com/lostsocietyfi/

Progressive Metal Unit MOTHS Release New Single "Wrath" + Music Video

Today, MOTHS, the progressive metal unit from San Juan, Puerto Rico, are pleased to release "Wrath," the second single from their upcoming album 'Septem,' due out August 1st. The new track arrives alongside an official music video, available to view below.

"Wrath" marks a bold evolution for MOTHS, as they weave Black Metal elements into their signature blend of Doom and Progressive Metal. The track channels overwhelming rage toward a world that offers no compromise—an eruption of frustration against systemic hardship and existential weight. The scorched-earth imagery reflects a desperate desire to start over, even while acknowledging that such renewal is never truly clean. Amidst the track’s unrelenting force, Mariel’s sopranoesque vocals float like a haunting specter—eerie, mysterious, and dark—offering a chilling contrast to the fury beneath. "Wrath" is a statement piece: theatrical, aggressive, and unafraid to confront the chaos head-on.

On the new single, bassist Weslie Negrón comments:

"‘Wrath’ was one of the songs we finished while recording 'Septem' at Romaphonic Studiosin Buenos Aires. I remember how everything came together quickly—it all just made sense, and we ran with it. We loved it from the start. We knew the track needed something eerie and full of depth, and Mariel absolutely delivered. When she added her vocals—especially that final section—it blew us away. The contrast between her soprano-style delivery and the chaos underneath brought out a haunting quality that elevated the whole piece. It’s also one of our favorite tracks to perform live. The energy and aggression in 'Wrath' are unlike anything we’ve done before—it’s intense, and honestly, just so much fun to play."

Watch the Music Video for "Wrath"

MOTHS' upcoming album, 'Septem,' is a visceral journey through the Seven Deadly Sins, with each track embodying a facet of indulgence, obsession, and self-destruction—from the corrosive jealousy of "Envy" to the insatiable hunger of "Gluttony" and the rage of "Wrath." The album plunges listeners into a dark, immersive experience where desire spirals into chaos.

Diving deeper into heavier territory, MOTHS fuse elements of Death and Black Metal with their signature blend of Progressive, Psychedelic, Doom, and Stoner Metal, crafting a sound that’s both aggressive and atmospheric.

'Septem' was recorded in just five days at Romaphonic Studios in Buenos Aires, capturing the raw energy and inspiration of the setting. It also marks the debut of vocalist Mariel Viruet, whose range spans from haunting melodies to visceral screams.

The album was mixed by Walter Chacón (Los Fabulosos Cadillacs) and mastered by Jens Bogren (Opeth, Katatonia, Between the Buried and Me) at Fascination Street Studios in Sweden.

On the album, Weslie Negrón reflects:

"'Septem' is our most ambitious effort to date. From traveling to another country to record it, to the addition of a new vocalist, and creating it all amidst a world in turmoil—it's incredibly rewarding to finally see it out there. This album contains some of my favorite songs we've ever written as a band. You can feel our chemistry in these tracks, how we came together to make them happen, without any boundaries or 'rules' about how songs should be written. It's an intriguing, unpredictable, and unconventional album, one that I'm sure will feel like a fresh sound to everyone who hears it."

Pre-Order 'Septem' HERE

MOTHS have announced multiple US appearances, see dates below.

MOTHS Live:

8/3 – Asheville, NC @Fleetwood's

8/6 – Philadelphia, PA @ Philamoca

8/7 – Baltimore, MD @ The Depot

8/9 – Somerville, MA @ Somergloom Festival

About MOTHS:

MOTHS is a Progressive Metal band from San Juan, Puerto Rico that refuses to be confined to a single genre. Since their debut in 2018 with 'MOTHS,' followed by a split with The Stone Eyein 2020 and their acclaimed 2022 album 'Space Force,' they have proven to be a constantly evolving force in modern Metal.

But MOTHS is more than just music—it’s a full sensory experience. Their strong artistic direction makes every live performance more than just a show; it's an immersive journey. 'Space Force' put them on the map, earning praise from publications like Guitar World Magazine, Loudwire, Metal Injection, and MetalSucks.

They have shared the stage with bands such as The Ocean Collective, Circus Maximus, and The Well, and in 2023, they brought their unstoppable energy to the U.S. East Coast with The Chrysalis Migration Tour.

MOTHS is a must-listen. With every step forward, they continue to explore new sounds and challenge genre boundaries, proving that music has no limits when driven by passion and innovation.

MOTHS are:

Mariel Viruet – Vocals

Weslie Negrón – Bass

Jonathan Miranda – Lead Guitar

Omar González – Rhythm Guitar

Daniel Figueroa – Drums

WE CAME AS ROMANS Drop New Single "no rest for the dreamer"

Fresh off their explosive performance at Welcome To Rockville, metalcore vanguards We Came As Romans have released their brand new single, no rest for the dreamer,” today. Debuted live in front of a sea of delighted fans this past weekend, the track continues the band’s powerful new era—first introduced by their previously released anthem Bad Luck—and further sets the stage for the band's upcoming Bad Luck World Tour. Stream "No rest for the dreamer" HERE and watch the accompanying visualizer below.

The track continues the defiant, emotionally charged new chapter the band kicked off with “Bad Luck”— their first release of 2025— and raises the stakes yet again. Rooted in perseverance, ambition, and the refusal to be broken, no rest for the dreamer” is a raw and unrelenting anthem for anyone still clawing toward something better.

 

“This song is for the ones still fighting for their future,” says frontman Dave Stephens. “The ones who can’t sleep because they’re not done yet. It’s about carrying the weight of your past, knowing you’re still not where you want to be—but refusing to stop anyway.”

Built on a pummeling riff and one of the band’s most hauntingly melodic choruses to date, the song’s lyrics confront internal trauma, self-doubt, and the compulsion to run straight into the storm: “So why are you standing in the rain? What do you want to wash away?”

 

The release follows the huge momentum of Bad Luck”, which launched the band's new 2025 chapter with a thunderous statement of resilience. With a stacked schedule of touring, festival appearances, and more new music ahead, “no rest for the dreamer” is both a battle cry and a brutal reckoning.

 

We Came As Romans hit the road this summer for the Bad Luck 2025 World Tour, beginning with a huge North American run on July 22 in Toronto and wrapping August 23 in Detroit, followed by an extensive European/UK leg in the fall. North American support includes After The Burial, Currents, and Johnny Booth, with Brand of Sacrifice joining for Europe. Tickets for the tour can be purchased HERE.

 

The band will also appear at major festivals Warped Tour, Inkcarceration and When We Were Young, reinforcing their role as one of heavy music’s most vital live acts.

BAD LUCK WORLD TOUR - NORTH AMERICA

With special guests 

After The Burial, Currents & Johnny Booth

July 22 – Toronto, ON – Rebel

July 24 – New York, NY – Palladium Times Square

July 25 – Worcester, MA – The Palladium

July 26 – Philadelphia, PA – The Fillmore

July 27 – Silver Spring, MD – The Fillmore

July 29 – Norfolk, VA – The NorVa

July 30 – Charlotte, NC – The Fillmore

August 1 – Atlanta, GA – The Eastern

August 2 - Orlando, FL - House of Blues

August 4 – Houston, TX – House of Blues

August 5 – Dallas, TX – House of Blues

August 6 – Austin, TX – Emo's

August 8 - Phoenix, AZ - The Van Buren

August 9 – Los Angeles, CA – The Wiltern

August 10 – Sacramento, CA – Channel 24

August 12 – Portland, OR – Roseland Theater

August 13 – Tacoma, WA – Temple Theatre

August 15 – Salt Lake City, UT – The Union

August 16 – Denver, CO – Fillmore Auditorium

August 17 – Kansas City, MO – Uptown Theater

August 19 – St. Louis, MO – The Pageant

August 20 – Nashville, TN – Marathon Music Works

August 22 – Chicago, IL – Byline Bank Aragon Ballroom

August 23 – Detroit, MI – The Fillmore

ABOUT WE CAME AS ROMANS

We Came As Romans continue to progress and evolve at lightspeed, maintaining a place at the forefront of heavy music and culture. Never content to follow, they seamlessly alchemize crushing groove-driven catharsis, spacey electronics, and arena-size singalongs into a sound that refuses to sit still—effortlessly moving between metal, alternative, hardcore, and rock.

The Michigan-born five-piece—Dave StephensJoshua MooreLou CottonAndy Glass, and David Puckett—first broke through with Tracing Back Roots (2013), which cracked the Billboard 200 Top 10 and hit #1 on both the Independent Albums and Top Hard Rock Albums charts. Their self-titled 2015 album followed, debuting at #11 on the Billboard 200, cementing their status as modern metalcore royalty.

Following the tragic loss of original vocalist Kyle Pavone in 2018, the band has continued to honor his legacy with their 2022 album, Darkbloom, their highest-praised record to date. Kerrang! awarded it 4 out of 5 stars, calling it “a carrier for a knot of emotion, and a tribute to their friend.” It featured career-defining tracks like “Black Hole” (ft. Caleb Shomo), now over 102 million Spotify streams, and “Daggers” (ft. Zero 9:36), which surpassed 32 million streams. Media outlets including Loudwire and Consequence praised the album for its emotional range, sonic heft, and unapologetic vulnerability.

Now, with “Bad Luck” and “no rest for the dreamer” the band charges into a new era—scarred, sharpened, and more fearless than ever.

Thrashers OVERT ENEMY Ignite With New Single "Fire in the Skies"

South Texas metal juggernauts OVERT ENEMY have released their explosive new single, "Fire in the Skies," along with a gripping lyric video that captures the chaos and urgency of all-out war. The track is the eighth on their upcoming concept album Insurrection, and it marks the second chapter in a three-song arc chronicling an alien invasion.

"Fire in the Skies" brings a heavy dose of hardcore-inspired riffing and battlefield energy. Originally nicknamed “hardcorish” in demo form, the song pulses with a frantic, boots-on-the-ground urgency. It is a musical call to arms for when the invasion hits home.

“This one’s about the invasion and a Red Dawn sense of urgency,” the band explains. “You roll up to your buddy’s house and you’re like, ‘dude, it’s time to go to war.’ The riffs are definitely hardcore inspired, and we’ve been playing this one live for a while now. We even dropped a live version on our Thunder in the Hill Country album.”

The new lyric video puts a visual exclamation point on the track’s unrelenting pace, pairing the high-octane riffing with images of conflict, resistance, and the looming unknown. Fans who’ve seen the band perform the song live will recognize the energy, but now it’s been captured and cranked up for the studio version.

"Fire in the Skies" continues to unfold the storyline of Insurrection, which lands September 26, 2025.

OVERT ENEMY is hitting the road in support of LOCKJAW on select dates of "The Monster Inside Texas Tour:"

  • May 23 – Houston, TX

  • May 24 – Corpus Christi, TX

  • May 25 – Austin, TX

Tickets Available at: OvertEnemy.com

About OVERT ENEMY:

Formed in 2013 in the heart of Mission, Texas, OVERT ENEMY has become a formidable presence in the global metal scene, known for their raw intensity, technical precision, and relentless pursuit of musical evolution. What began as a tribute to SLAYER guitarist Jeff Hanneman quickly grew into something much larger, as the band developed their own unique sound, blending Texas groove with thrash metal’s speed and aggression. Drawing influence from titans like SLAYER, PANTERA, FEAR FACTORY, and SEPULTURA, OVERT ENEMY has crafted a musical identity that pays homage to these greats while pushing the boundaries of modern metal.

At the core of the band’s sound is a dedication to the power of the riff. Whether it’s the crushing, groove-laden guitar work or their innovative dual-lead guitar harmonies, OVERT ENEMY delivers a high-energy, brutal assault that fans of traditional thrash, groove metal, and even modern progressive metal will appreciate. Their triple vocal approach, featuring vocals from Leo Ortiz, Laura Ortiz, and Robert Hahn, sets them apart from many other bands, giving them a diverse range of vocal textures that perfectly complement their hard-hitting instrumentation.

The band's journey has been fueled not only by their passion for music but also by a deep sense of resilience. Despite personal challenges—including Leo “Lizard” Ortiz’s battle with chronic back issues, Laura “Slayerella” Ortiz’s triumph over cancer, and other life-altering obstacles—the members of OVERT ENEMY have continually pushed forward, proving that their commitment to their craft is unwavering. This tenacity is reflected in their live performances, which have earned them the admiration of heavyweights like MAX CAVALERA of SOULFLY, DINO CAZARES of FEAR FACTORY, and ICE-T of BODY COUNT. OVERT ENEMY has also built a cult following through their tireless dedication to engaging with fans, using every opportunity to connect with their audience on and off stage.

The band’s early work, including the critically acclaimed Inception EP (2018) and Possession EP (2019), laid the groundwork for what was to come, demonstrating their ability to blend thrash’s raw energy with groove metal’s more deliberate, headbanging pace. Their commitment to the old-school metal ethos combined with a modern, forward-thinking approach has made OVERT ENEMY one of the most exciting underground metal bands in the post-pandemic era.

While thrash metal certainly runs through their veins, OVERT ENEMY refuses to be confined by genre. The release of Insurrection marks a new chapter for the band, as they delve into broader sonic landscapes and thematic complexity. The album reflects their growth both musically and personally, touching on themes ranging from personal struggle and mental health to global political unrest and conceptual sci-fi narratives. Every track offers something unique, showing the band’s ability to experiment with diverse sounds and ideas without losing their aggressive edge.

Outside of the studio, OVERT ENEMY has built a reputation as a DIY powerhouse, handling much of their own production, marketing, and fan engagement. Their strong DIY ethic has earned them endorsements from leading brands like Sawtooth Guitars, Emperor Cabs, FU-Tone, and GODPS Music. Despite the challenges of the pandemic, the band has used their time wisely, staying connected with their fans through live streams, social media, and consistent content releases. Their music has also found its way into independent films, further expanding their reach beyond the metal scene.

As they look to the future, OVERT ENEMY remains committed to creating music that not only reflects their personal experiences but also resonates with fans around the world. They are driven by faith, family, and a passion for their art, and they continue to be a beacon of the metal resurgence, blazing their own trail in the genre.

OVERT ENEMY is:

  • Leo “Lizard” Ortiz – Guitar/Vocals

  • Laura “Slayerella” Ortiz – Bass/Vocals

  • Robert Hahn – Guitar/Vocals

  • Saul Castillo – Drums

Album Credits:

  • Produced by: Joshua Lopez (IMMORTAL GUARDIAN), Leo Ortiz & Robert Hahn

  • Recorded at: Widowmaker Studios, McAllen, Texas

  • Engineer/Mixing/Mastering: Joshua Lopez

  • Album Cover Art: Santiago Yanez

  • Album Formats: Digital, CD, Vinyl

Connect with OVERT ENEMY and learn more atovertenemy.com.

IN THEORY COLLABORATES WITH TOMMY HENRIKSEN (ALICE COOPER, THE HOLLYWOOD VAMPIRES) AND RELEASES THE ROCKING ANTHEM “RETRIBUTION” OUT NOW

In Theory, which is headed up by Mike Mostert and Tony Covino, is not your average rock band; they are a powerhouse of sound, emotion, and creativity, redefining the boundaries of the genre with their unique and electrifying sound. Hailing from diverse musical backgrounds, this dynamic group of talented players has come together to forge a path that is distinctly their own. Formed in the heart of a bustling music scene, bringing together a group of talented individuals who shared a passion for pushing the limits of rock music. Their journey began in Muscle Shoals where they honed their craft, and their chemistry as a band quickly became evident.

 

In Theory has just released their new single “Retribution” with special guest Tommy Henriksen (Alice Cooper/ Hollywood Vampires/Crossbone Skully) which is taken from their forthcoming album of the same name. As Mostert states, “Retribution is a long time coming collaboration between Mike Mostert & In Theory with Tommy Henriksen. The song is big, raw, exciting- it’s like early Aerosmith meets Mutt Lange in 2025. Tommy’s contribution as an overall producer, writer and bassist was genius. Our chemistry and mutual vision to bring this amazing track to life was seamless.” Covino adds, “Retribution punches you with incredible hooks, hypnotic chants and a strong message for the times. Working together with Mike and Tommy on this song has been inspirational and tapped into something real and powerful!!!”

Watch video below:

The song landed on the Apple Music New In Rock playlist and as Henriksen explains about the song, “In Theory is a band that Mike and Tony have created and I was thrilled to be part of the track “Retribution”. It’s a canvas of passion and attitude, where every chord strikes the heart of Rock n Roll.”

 

You can get a Limited-Edition CD Single Bundle (100 copies) with the bonus track "Stain On My Soul" and insert signed by Mike Mostert, Tony Covino, and the first 50 also signed by Tommy Henriksen while supplies last: https://bit.ly/InTheoryBand

For more information, visit

www.intheoryoriginal.com

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