Polish death metal veterans VADER have released a music video for a brand new single called 'Unbending', which will be the official anthem of Poland's renowned Mystic Festival this year. It's also the closing track of VADER's upcoming new EP Humanihility that will be out on May 30th, 2025, and can be pre-ordered as of today.
Five years after the much-lauded 12th studio album Solitude In Madness, VADER return with 3 brand-new tracks once again produced by Scott Atkins at Grindstone Studio, UK. Featuring excellent artwork by Marcelo Vasco (Slayer, Testament, Dark Funeral), this EP marks the first recording as a quintet with guitarist Mauser returning to the group and new drummer Michael alongside vocalist/guitarist Peter, bassist Hal and and another long-time member of the band - guitarist Spider.
Humanihility offers scorching new songs that prove to be vicious, thrash-laden anthems perfectly blending old-school thrash with VADER's unique straight-forward fury and neckbreaking tempos. Each of the songs was created by a different band member, giving them a more personal style.
The only physical edition will be a limited 12'' (red vinyl, 700 copies).
VADER formed back in 1983 and besides releasing classics such as The Ultimate Incantation, De Profundis, Litany (which has its 25th anniversary in 2025) and many more, are the longest active extreme metal band to ever emerge from Europe!
PRE-ORDER / PRE-SAVE HUMANIHILITY:
https://vader.bfan.link/humanihility
WATCH THE VIDEO FOR 'UNBENDING' Below:
Progressive Metal Unit MOTHS Announce New Album 'Septem' Out on August 1st
MOTHS, the Progressive Metal unit from San Juan, Puerto Rico, are excited to announce the release of their upcoming album 'Septem,' due out August 1st. In addition to the announcement, the band has shared the first single from the upcoming album titled "Gluttony." The new single is accompanied by a music video premiering on Metal Injection, and is available to view below.
On the new single, bassist Weslie Negrón shares:
"'Gluttony' is about the seductive nature of overindulgence—the way excess can feel like an endless feast until you realize you’ve lost control. The song invites you into this world of limitless pleasure, where every desire is satisfied, but at a cost. The more you take, the more you need, and before you know it, you're consumed by your own hunger. Jonathan (lead guitar), who wrote the lyrics, wanted each listener to feel like they were the one being tempted, not in some distant or abstract way, but in their own daily lives. Whether it’s food, greed, addiction, or any craving that never seems to be enough, the song puts you in that moment of temptation. The lyrics are meant to feel immersive, like a whispered invitation that slowly pulls you in. There’s a fine line between pleasure and corruption, and this song exists right at that tipping point.”
On the music video, Negrón comments:
"For the music video, we wanted to take a direct and unfiltered approach to visually represent 'Gluttony.' To bring this vision to life, we brought in Drew Storks (Shy, Low), whose work not only captured the essence of the concept but elevated it to the next level. Alongside Ian Garcíaand Kyle Devorroh, they translated the theme into something grotesque and visceral—turning the sin of excess into an unsettling, visual experience."
Watch the Music Video for "Gluttony" below:
MOTHS' upcoming album, 'Septem,' is a visceral journey through the Seven Deadly Sins, with each track embodying a facet of indulgence, obsession, and self-destruction—from the corrosive jealousy of "Envy" to the insatiable hunger of "Gluttony" and the rage of "Wrath." The album plunges listeners into a dark, immersive experience where desire spirals into chaos.
Diving deeper into heavier territory, MOTHS fuse elements of Death and Black Metal with their signature blend of Progressive, Psychedelic, Doom, and Stoner Metal, crafting a sound that’s both aggressive and atmospheric.
'Septem' was recorded in just five days at Romaphonic Studios in Buenos Aires, capturing the raw energy and inspiration of the setting. It also marks the debut of vocalist Mariel Viruet, whose range spans from haunting melodies to visceral screams.
The album was mixed by Walter Chacón (Los Fabulosos Cadillacs) and mastered by Jens Bogren (Opeth, Katatonia, Between the Buried and Me) at Fascination Street Studios in Sweden.
On the album, Weslie Negrón reflects:
"'Septem' is our most ambitious effort to date. From traveling to another country to record it, to the addition of a new vocalist, and creating it all amidst a world in turmoil—it's incredibly rewarding to finally see it out there. This album contains some of my favorite songs we've ever written as a band. You can feel our chemistry in these tracks, how we came together to make them happen, without any boundaries or 'rules' about how songs should be written. It's an intriguing, unpredictable, and unconventional album, one that I'm sure will feel like a fresh sound to everyone who hears it."
MOTHS will be competing in the Wacken Metal Battle Caribbean on April 26th at La Respuesta in Santurce, Puerto Rico for a chance to compete for a spot in the Wacken Metal Battle finals at this year’s Wacken Open Air in Germany. In addition, MOTHS have announced multiple US appearances, see dates below.
MOTHS Live:
4/26 - Santurce, Puerto Rico @ La Respuesta
8/6 – Philadelphia, PA @ Philamoca
8/7 – Baltimore, MD @ The Depot
8/9 – Somerville, MA @ Somergloom Festival
About MOTHS:
MOTHS is a Progressive Metal band from San Juan, Puerto Rico that refuses to be confined to a single genre. Since their debut in 2018 with 'MOTHS,' followed by a split with The Stone Eyein 2020 and their acclaimed 2022 album 'Space Force,' they have proven to be a constantly evolving force in modern Metal.
But MOTHS is more than just music—it’s a full sensory experience. Their strong artistic direction makes every live performance more than just a show; it's an immersive journey. 'Space Force' put them on the map, earning praise from publications like Guitar World Magazine, Loudwire, Metal Injection, and MetalSucks.
They have shared the stage with bands such as The Ocean Collective, Circus Maximus, and The Well, and in 2023, they brought their unstoppable energy to the U.S. East Coast with The Chrysalis Migration Tour.
MOTHS is a must-listen. With every step forward, they continue to explore new sounds and challenge genre boundaries, proving that music has no limits when driven by passion and innovation.
MOTHS are:
Mariel Viruet – Vocals
Weslie Negrón – Bass
Jonathan Miranda – Lead Guitar
Omar González – Rhythm Guitar
Daniel Figueroa – Drums
"Lost In Light" by TUMBLE
Toronto power trio TUMBLE is set to release their debut EP, Lost In Light, on May 2, 2025, through Echodelick Records (US) and Stickman Records (EU)—a blistering, 20-minute dive into the heart of heavy psychedelic rock and proto-metal. Fueled by thunderous riffs, hypnotic grooves, and an unrelenting live energy, Lost In Light is a bold statement from a band that refuses to hold back.
Recorded live off the floor at ProGold Studios with legendary Ian Blurton at the helm, Lost In Light strips away the polish of modern production in favor of something raw, visceral, and immediate. No click tracks, no unnecessary overdubs—just the sheer force of three musicians locked into a relentless groove. The result is an album that breathes, sways, and explodes with the reckless abandon of a band that thrives on pushing their sound to its breaking point.
The EP opens with "Laid By Fear," an ominous, slow-building behemoth that fades in like a shadow before bursting into a doom-laden, hypnotic riff, setting the tone for the album’s deep dive into existential dread and altered states of consciousness. It’s a song that feels like teetering on the edge of oblivion and loving every second of it.
That tension is broken by "The Less I Know," a full-throttle bluesy psych-rock ripper that channels the reckless abandon of early MC5 and Blue Cheer, with Liam Deak’s wailing guitar soaring over a locked-in rhythm section. It’s an electrified, high-energy burner that feels like an anthem for those who understand that the more you dig for meaning, the less you find.
"Dead By Rumour" follows, leaning hard into 70s sleaze rock swagger, with a chorus that grooves and snarls before a delay-drenched psychedelic solo melts into oblivion. There’s a chaotic energy to it—a band unafraid to let things spiral out of control before yanking the reins back just in time. The cliffhanger solo, the thunderous return to the riff—everything about it feels like riding the edge between mayhem and precision.
Side two kicks off with "Sullen Slaves," a track that fires on all cylinders from the jump, delivering one of the most melodic and rhythmically infectious moments on the EP. The song builds and collapses, a primal stomp giving way to an explosive proto-doom freakout, complete with frenetic solos and a crushing final push. There’s something almost anthemic buried within the chaos—a defiant roar against the trappings of modern society.
Closing out the EP is "Wings Of Gold," an all-out riff-heavy assault that careens forward with unrelenting momentum before descending into a massive, doom-laden instrumental section. The Geezer Butler-esque bass groove gives the song an irresistible swing, while Will Adams' drumming brings the whole thing down like a hammer. The song—both in sound and theme—leans into the myth of Icarus, a warning wrapped in high-octane rock fury. The lyrics paint a world flying too close to the sun, driven by greed and power, doomed to crash and burn.
At its core, Lost In Light is an album built on tension and release, power and restraint, euphoria and destruction. It’s an album that rages against the alienation and existential dread of modern life, captured in five tracks that never let up. Everything here works—the songwriting, the riffs, the dynamics, the sheer force of energy—all channeled through Blurton’s masterful production, which captures the band at their heaviest and most alive.
This is TUMBLE at full power—loud, unpredictable, and unrelenting. A band that thrives in the chaotic interplay between instinct and intention, refusing to be anything but themselves. Lost In Light doesn’t just demand your attention—it grabs you by the collar and drags you into the abyss. And once you’re there, you won’t want to leave.
About TUMBLE:
Formed in Toronto, Canada, in 2022, TUMBLE is a hard-hitting power trio that fuses hard rock, psychedelic rock, and proto-metal into a raw, high-voltage sound that pays homage to the underground heavy rock movement of the late '60s and early '70s. With minimal effects, loud tube amps, and an uncompromising live energy, the band strips rock 'n' roll down to its most primal form—driven by ferocious riffs, dynamic rhythms, and hypnotic grooves.
TUMBLE’s music is as much about feel as it is about power, rejecting the overproduced polish of modern rock in favor of something more organic, untamed, and immediate. Taking cues from bands like BLACK SABBATH, BLUE CHEER, PENTAGRAM, and MC5, they blend blues-infused psychedelia with heavy, swinging riffs and a no-nonsense attitude. All of their recorded material is tracked live off the floor with no click track, allowing for a loose, natural feel and a tangible sense of danger in their performances.
The band consists of Liam Deak on guitar and vocals, Tarun Dawar on bass, and Adam Guerra on drums. Together, they create a sound that is both thunderous and unrestrained, with each instrument pushing the others to their limits. Their chemistry is built on instinct and improvisation, allowing them to craft dynamic and unpredictable performances both in the studio and on stage.
Since their inception, TUMBLE has built a reputation for explosive live shows, sharing the stage with bands like CROWN LANDS, MONSTER TRUCK, and IAN BLURTON'S FUTURE NOW. In just two years, they’ve gone from playing their first gig at the legendary LEE’S PALACE to earning praise from Bobby Liebling of PENTAGRAM for their cover of “Earth Flight.” Their commitment to keeping rock raw and unfiltered has earned them a dedicated following and growing recognition in the underground rock scene.
Their upcoming EP, Lost In Light, recorded with Ian Blurton at PROGOLD STUDIOS, is a testament to the band’s ethos—five tracks of unrelenting, fuzz-drenched rock ‘n’ roll that rage against existential dread, alienation, and self-destruction. Set for release on May 2, 2025, via Echodelick Records (US) and Stickman Records (EU), the record captures TUMBLE at their heaviest and most alive.
This is rock music in its purest form—loud, raw, and completely unhinged. This is TUMBLE.
TUMBLE is:
Liam Deak – Guitar/Vocals
Tarun Dawar – Bass
Adam Guerra – Drums
Connect with TUMBLE:
Official Website: https://www.tumbleband.com/
Bandcamp: https://tumbletheband.bandcamp.com/
Facebook: https://www.facebook.com/tumbletheband/
Instagram: https://www.instagram.com/tumbletheband/
Twitter/X: https://twitter.com/tumbletheband
Spotify: https://open.spotify.com/artist/1t7Oig6jLf2LmwCrojd2eD?si=i_JUhwNeTveSMVTDTpvDyw
Apple Music: https://music.apple.com/ca/artist/tumble/1677243979
Nightfall Lead Beastly Anthem on New Single "Seeking Revenge"
Since rising up from Athens' underground in 1991, Nightfall have stood as pillars for Greek metal alongside current and former Season of Mist label mates Rotting Christ and Septicflesh.
Like their brothers-in-arms, captain Efthimis Karadimas and his Athenian rebels sculpt towering gothic melodies from fiery blackened death metal. Their monumental eleventh full-length is bolstered by a powerful message and the mightiest production in the band's pantheon-level discography. The latest single from Children of Eve charges into the heat of battle with the same vengeance that fueled their rise, but "Seeking Revenge" is spearheaded by the biggest hell-raising chorus on an album full of crowd-pleasers.
"We wrote this song in retaliation for the vengeful teachings that the catechism practices on us", Efthimis says. "It seeks revenge for the expelled ones, the traders of anathema, who have the outlandish desire to disobey Christian Svengali".
Watch the searing lyric video for "Seeking Revenge" below:
Children of Eve comes out May 2, 2025 on Season of Mist.
Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve
Can't wait for the arrival of Children of Eve? You can listen to the whole album tomorrow during Nightfall's Bandcamp listening party.
Nightfall Children of Eve Bandcamp Listening Party
Thursday, April 17 @ 1 pm Eastern Time / 7 pm Central European Summer Time
RSVP
https://nightfallofficial.bandcamp.com/live/children-of-eve-listening-party
During Nightfall's most recent hiatus, Efthimis was diagnosed with depression. Now, he wears a black mask to cover half of his face, symbolizing what it's like to live under the invisible veil of mental illness. "When you have demons in your mind, you're not always an ideal companion", he admits. "That stigma can lead to isolation".
Now, Nightfall are encouraging fellow metalheads to speak up. The band have launched a new initiative called Metal Music Against Depression (MMaD), which is supported by European Alliance Against Depression in Germany. "We can talk about this. We can sing about it. We can build a community that's based on understanding", Efthimis says.
With Children of Eve, Nightfall return from the shadows to unite blackened souls everywhere with their darkest and most epic creation yet.
Line-up:
Efthimis Karadimas - Vocals
Kostas Kyriakopoulos - Guitars
Vasiliki Biza - Bass
Fotis Benardo - Drums
Recording Credits:
Recorded at Devasoundz Studios, Athens, Greece
Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos
Engineered by Fotis Benardo & Thimios Krikos
Mixed & Mastered by Jacob Hansen at Hansen Studios, Ribe, Denmark
Production Credits:
Produced by Efthimis Karadimas & Engineered by Fotis Benardo
Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen
Cover Art:
Eliran Kantor
Art Concept:
Efthimis Karadimas
Pre-order & Pre-save
https://orcd.co/nightfallchildrenofeve
Follow Nightfall:
Official Website: http://www.nightfall.gr/
Instagram: https://www.instagram.com/nightfallband/
YouTube: https://www.youtube.com/@NIGHTFALL_band
Facebook: https://www.facebook.com/nightfallband/
Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV
Apple Music: https://music.apple.com/artist/nightfall/1369568685
Deezer: https://www.deezer.com/en/artist/76457
TIDAL: https://tidal.com/browse/artist/3521048
Bandcamp: https://nightfallofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@nightfallband_gr
Booking Contact:
District 19
https://district-19.com/
Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Colored Vinyl Gatefold - Bloody Mary (Transparent red, white and black marbeled)
12" Coloured Vinyl Gatefold - Lemon Ice Cream (White and yellow marbeled)
IN THEORY COLLABORATES WITH GUITAR GREAT ERIC GALES ON ROUSING RENDITION OF THE LED ZEPPELIN CLASSIC “SINCE I’VE BEEN LOVING YOU”
In Theory is not your average rock band; they are a powerhouse of sound, emotion, and creativity, redefining the boundaries of the genre with their unique and electrifying sound. Hailing from diverse musical backgrounds, this dynamic group of talented players has come together to forge a path that is distinctly their own. Formed in the heart of a bustling music scene, bringing together a group of talented individuals who shared a passion for pushing the limits of rock music. Their journey began in Muscle Shoals where they honed their craft, and their chemistry as a band quickly became evident.
Now, In Theory have just released their new single “Since I've Been Loving You,” with special guest Eric Gales in tribute to one the greatest rock bands - Led Zeppelin. The single is powerful, emotional collaboration with guitar legend Eric Gales and Mike Mostert bringing down the house. This exciting dramatic version showcases the incredible vocalist Tony Covino, along with a special all-star cast of Glen Sobel-Drums (Alice Cooper/ Hollywood Vampires/ Motley Crue), Jimbo Hart- Bass (Jason Isbell), and Clayton Ivey- Keys (Swamper/Fame Gang). As Mostert states, “We created a unique dark, dramatic version of a classic with tension, passion which takes the listener through an emotional journey that transcends the body and soul”.
Listen below:
The song landed on both the New In Rock and Breaking Hard Rock playlists on Apple Music and the Gibson Guitar Rock playlist. Covino continues his thoughts on the track, “A passionate remake of a classic song for the modern era filled with blazing guitars from two powerhouse players. 10 out of 10!". Sobel, comments, “Mike and In Theory know how to take classic rock and infuse it with a modern edge. Creating something sounding both familiar and fresh at the same time. It was a pleasure to work with them!”. Lastly, Gales adds, “I am very proud and honored to be a guest on this rendition of such a legendary song, done by my guy Mike Mostert. Great playing all the way around. Love it. “
You can get a Limited Edition CD Single Bundle (100 copies) with the bonus track "Raise Me Up" and insert signed by both Mike Mostert and Tony Covino while supplies last here: https://bit.ly/InTheoryBand
BUNDLE INCLUDES:
1-CD Single featuring Eric Gales
1-Melanie Watts Artwork signed by Mike Mostert & Tony Covino
5-Guitar Picks
For more information, visit
www.intheoryoriginal.com
https://www.dekoentertainment.com
Deko Entertainment–Art Has Value
GRAVEYARD - Team Up With GOAT To Release Collaborative Single 'Ship Of Fools'
Swedish rock veterans GRAVEYARD have teamed up with their long time friends GOAT to release a double A-side collaborative 7'' for record store day. While the first track 'Light As A Feather' had its digital premiere earlier this month, today sees the digital release of its counter part, 'Ship Of Fools'.
Both bands blend their sounds into a twin toke of sweat and singe. Born out of a history of house jams at GOAT HQ, the single unwinds GRAVEYARD's more meticulous nature. 'Ship of Fools' unleashes a tsunami of sound, guitars barreling down on the listener with ill intent. The wave crests and quenches, though, leaning into the soul-soaked direction of GRAVEYARD's latest album, 6. Head to head the bands dig towards a stadium sound that’s still slicked with the swagger of the ‘70s, but rolled in more of GRAVEYARD's grandeur than GOAT’s eclectic grit.
The flip side lights up the speakers, less dense than anything either band has hooked into for some time. The jammy approach that inspired the session pays off throughout 'Light as a Feather', soaking up prime-period Stones if they’d aimed for the heart of the sun with Father Yod in the driver’s seat. Sloughing off the shackles of verse/chorus/verse structure, the song picks up mid-ecstatic peak, the listener already in thrall to the groove, simmering in the sway-along harmonies before an acid-butter burner of a solo sends the whole thing rippling out into the cosmos.
STREAM 'SHIP OF FOOLS':
https://graveyard.bfan.link/ship-of-fools
Chicago's PUSH PUPPETS present ‘Similar’, definitive preview of their fourth album
Chicago-based indie pop-rock outfit Push Puppets presents their new single ’Similar’, the third single from their fourth long-play album 'Tethered Together', out May 16 via Flowering Tree Music and produced by Doug McBride (Smashing Pumpkins, Veruca Salt, Silversun Pickups, Cheap Trick). A favorite at the band’s live shows, this recording captures that energy with a little elegance on top.
The release of ‘Similar’ is accompanied by a vibrant new video, produced by Scott Thiele and Sebastian Gonzales with editing and animation by Metamorse Studio, which features eye-popping animations of DNA, brain synapses, x-rays, fireworks and other imagery that support the lyrics.
Push Puppets is the creative outlet for singer-songwriter and guitarist Erich Specht. The five-piece creates songs with earworm melodies and shiny production that belie often bittersweet sentiments. Specht (lead vocals, guitar) is joined by a core of Steve Frisbie(backup vocals, guitar), Kyle Magnusson (keyboards), John William Lauler (bass) and Greg Essig (drums). They earlier released the lead tracks 'All Together On 3' and 'This Whole Endeavor'.
On this song, they are joined by a string quartet, comprised of Stephanie “Sly” Youngon violin, Katherine Andrick on viola, Molly Rife on cello and Kelly Jozwiak on violin (note: Janis Sakai performs in the audio recording).
On ‘Similar’, Push Puppets come out swinging like arena rockers with a wall of backup harmonies and strings, as Erich sings about the commonalities among us in driving, anthemic style. With The Who’s influence apparent during the violin solo over an intricate synth sequence, this song ends with a head-bobbing hook with handclaps, driving home the title.
The 'Tethered Together' album is graced with impeccable songwriting that shines with lush harmonies, angular guitars, dramatic keyboards and strings backed by a rhythm section that smokes. Erich Specht muses on relationships and loss, as well as the weight and joy of life, in a manner that is poetic and seems effortless, his lyrics fitting to the melody like pieces of a puzzle. Wearing his vulnerabilities like a badge of honor, this music takes us on a journey to unexpected places.
As of April 16, 'Similar' is available from fine digital platforms, including Spotify, Apple Music and Bandcamp. The 'Tethered Together' album, now available for pre-order, will be released digitally and on CD on May 16. Push Puppets will hold their album release show at Robert's Westside in Forest Park, IL on May 30.
SINGLE CREDITS
Lyrics & music by Erich Specht (ASCAP)
Produced by Doug McBride and Erich Specht
Mixed & mastered by Doug McBride at Gravity Studios
Recorded in Chicago at Gravity Studios and Erich Specht's home studio
Erich Specht – lead vocals, guitars, string arrangements
Steve Frisbie – backup vocals, guitar
Kyle Magnusson – keyboards
John William Lauler – bass
Greg Essig - drums
Stephanie “Sly” Young – violin
Janis Sakai – violin
Katherine Andrick – viola
Molly Rife – cello
Cover artwork by Crow Prints
Released & published by Flowering Tree Music (ASCAP)
Video produced by Scott Thiele and Sebastian Gonzales
with editing and animation by Metamorse Studio
Artist studio photos by Gintas Zaranka
Artist live photos by Gabi Bucataru
Publicity by Shameless Promotion PR
French Post-Metal Collective Year of No Light Announce New Album Out 5/23 and Stream Excerpt Single
French post-metal collective Year of No Light return with their highly unique, evocative live album Les Maîtres Fous, to be released May 23 via the esteemed Pelagic Records.
Haunting, discordant and deeply unsettling, Les Maîtres Fous ("The Mad Masters") was written by the group in response to French filmmaker Jean Rouch's controversial 1950s docufiction of the same name.
Captured live in 2015, this arresting piece of music is now available to hear for the first time in a decade.
To acknowledge the album announcement, the group have streamed an excerpt from the album. Listen below.
Pre-order Les Maîtres Fous here.
Commissioned by Musée Du Quai Branly in Paris for their 2012 "L'nvention Du Sauvage" exhibition, Year of No Light approached the ritual practices of the Hauka movement as depicted in the original film and responded with their uniquely hypnotic heaviness.
Performed only twice, once at the exhibition on January 6, 2012 and again in Bordeaux on January 29, 2015, this release is a live recording of the second and final performance of Les Maîtres Fous. Whilst Year of No Light have a long history of collaboration with forward-thinking filmmakers and visual artists, the sensitivity of this documentary's problematic subject matter and the intensity of the band's performance made this performance both a physically and emotionally demanding experience; something that can be keenly felt upon listening.
Founded in September 2001 by a collection of Bordeaux's heavy scene stalwarts as an ongoing side project encompassing elements of sludge metal and shoegaze, Year of No Light released their debut album, Nord, in 2006 to critical acclaim. The subsequent years, however, saw a significant lineup change, with the band replacing their vocalist with a third guitarist to become a fully instrumental sextet, incorporating aspects of black metal, drone electronica, and dark ambient into their already formidable sound.
2010's four-track epic Ausserwelt and the 2013 followup Tocsin saw Year of No Light distilling their punishing sound even further; stalling the tempo to a glacial crawl and tuning guitars ever downwards to new uncharted depths. Consolamentum, the band's first full-length release in nine years and their first with Pelagic Records, brought the outfit's crushing double-drumming percussion to the fore — as a masterclass in dynamic control saw Year of No Light embrace the highest highs and the lowest lows of the intervening years.
Now approaching their 25th anniversary, Les Maître Fous is a pressing reminder that, despite the band's long and ongoing journey, Year of No Light have never been afraid to experiment, to take risks, to square up to life's ugliness and look it straight in the eye.
YEAR OF NO LIGHT ARE:
Bertrand Sebenne
Shiran Kaidine
Mathieu Megemont
Pierre Anouilh
Johan Sebenne
Jerome Alban
Reverya - 'Affliction In Bloom'
REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release on October 24th, 2025.
This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.
The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".
"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.
"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.
The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.
"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves. The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.
"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.
The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.
"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.
"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.
"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.
Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.
REVERYA is:
Nadine (Vocals/Keys)
Travis (Guitars)
Kaleb (Drums)
Album Credits:
Producer: Logan Clough, Justin Gregorio
Recording Studio: Creative Cult Recordings, Vanta Co Recordings
Engineer: Logan Clough
Mastering: Logan Clough
Mixing: Logan Clough
Album Cover Artist: Nadine
About REVERYA:
REVERYA is a Tampa-based progressive metal trio conjuring cinematic heaviness with adeeply introspective core. Formed in 2022, the band consists of Nadine(vocals/keys), Travis (guitars), and Kaleb (drums)—a powerhouse lineup blendingatmospheric textures, groove-heavy riffs, and emotionally charged vocals todeliver a genre-bending experience.
Drawing sonic inspiration from SPIRITBOX, JINJER, PERIPHERY, INVENT ANIMATE, and EVANESCENCE, REVERYA has carved a distinct space for themselves through a fusion of modern metal with ethereal soundscapes and haunting melodies. Their lyrics dive into surreal dream states, the complexities of emotion, and the connection between nature and the human psyche.
Their debut EP, Melinoe (2023), introduced the band’s affinity for myth and meaning, while their 2024 full-length album, Affliction In Bloom, pushed their artistry to new heights. Accompanied by visually striking music videos for "Wisteria" and "Dahlia," the band has continued to build are putation for immersive storytelling across both audio and visual mediums.
Frontwoman Nadine has also made waves outside the band, featuring on tracks like "A Living Burden" by HOLLOWBROOK and "Disconnect" by SPIRITUAL CHAOS, further showcasing her vocal versatility and reach within the heavy music scene.
Embarking on their first tour in July 2025, REVERYA is poised to bring their deeply emotive, crushingly beautiful sound to stages across the country—and soon, the world.
Cryptopsy Announce New Album 'An Insatiable Violence'
A person spends all day building a machine, only for it to torture them at night. As if this thought wasn't malicious enough, they enjoy it. In fact, they enjoy being tortured so much that, come morning, they wake up rejuvenated, eager to tweak their creation until it runs perfectly in their mind.
This is the waking nightmare that inspired the upcoming ninth full-length album from Cryptopsy. "The concept for our new album came to me in a dream. When I woke up, I immediately wrote the title down on my phone", vocalist Matt McGachy says before adding, "Because, you know, we all have to have our phones with us all the time".
While an eerie mirror image of society's latest brain rotting obsession, An Insatiable Violence is influenced by the many mutations that have come to define Cryptopsy's Hall of Fame discography. On their new album, the JUNO Award winners continue to push death metal to even more blasphemous extremes. While near bursting with the band's brutal technique, lead single "Until There's Nothing Left" stakes its claim as their biggest, most vile earworm.
Watch the nightmarish video for "Until There's Nothing Left" below.
An Insatiable Violence comes out June 20 on Season of Mist.
Pre-order & Pre-save
https://orcd.co/cryptopsyaninsatiableviolence
Countdown to An Insatiable Violence
https://open.spotify.com/prerelease/68bFcUq3E7rilegbUCwexu?si=56ImYUobTLe2WyguJnMEFQ
"Until There's Nothing Left" holds nothing back. Just as quickly as the video's star takes the band's trusted bait, Cryptopsy lock him inside their freshly fleshed-out house of horror.
"Your greed for pleasure is too vast", McGachy utters with bottomless disdain thanks to his newly deepened death growls. Christian Donaldson reels through brutal chugs while Oli Pinard snaps off not one but two gruesome bass-slapping solos. After 30+ years behind Cryptopsy's drum throne, Flo Mounier continues to keep the band on the tips of their horned toes. With devilish ease, he slits between blinding fills, relentless double bass and punishingly precise blast beats without ever leaving the pocket.
"Since our last album, I've developed new techniques that make it easier for us to go even faster", says Mounier, who literally wrote the book on extreme metal drumming. "An Insatiable Violence is a nice melting pot of Cryptopsy's old and new eras".
The first taste of their upcoming album does smack you around before springing into a commanding groove. But even though the band's last album won the JUNO Award for Metal / Hard Music Album just a little more than a year ago, Cryptopsy weren't content with reaping their rewards. Writing for An Insatiable Violence began in earnest last spring, while they were touring North America with Death to All. Working from the road was new for them. And while not without bumps, playing 140 shows over the past 15 months gave them a clear sense of direction once the time came to hit Donaldson's studio.
"As Gomorrah Burns was a stepping stone for our new album", McGachy says. "We took what we enjoyed about the last album and focused on expanding it for a live setting. We wanted this album to be more groovy so that people can really latch onto these songs when we play them live".
With its headbanger of a chorus, "Until There's Nothing Left" will no doubt fill the pit when Cryptopsy tours Europe next month with Decapitated. The band's signature fishhook riff wriggles deep into the grooves in your brain beneath bat-like shrieks. "And as you now can clearly see / You're totally mine". Of course, the song wouldn't represent peak Cryptopsy if it wasn't filled with a more insidious message. Its sinister story of an online predator feeds into the album's larger cautionary tale.
"An Insatiable Violence reflects our toxic relationship with social media", explains McGachy, who's been feeling the effects since starting his podcast Vox & Hops. "I'm trying to break the cycle, but on those days where I'm just doom scrolling, I get so depressed. The fallacy of Internet stardom is just a dopamine trap that crushes our spirits".
Cryptopsy know not every brutal technical death metal band is on the upswing nine albums into their career. The cover art for An Insatiable Violence pays tribute to their late, great vocalist Martin Lacroix.
"Martin did None So Live, but he never really got to do a proper album", the band says. "His art is amazing. The two pieces of his that we used for An Insatiable Violence are incredible. His family was super excited about it, too. We are honored to have him be an even bigger part of Cryptopsy's lore".
The video for "Until There's Nothing Left" was written and directed by Christopher Kells.
Additional video credits
Photography directed by Graham Guertin
Lighting by Giuseppe Calvinisti
Casting by Giuseppe Valvinisti and Viky Boyer
Location selected by Manoir Blackswan
Main Actor - Nicolas Raspail
Extras - Viky Boyer, Dominic Abate, Jason Greenberg, Liz Imperiale, Jeff Mott, Ardaeth, Gabriel Bernier, Tania Hébert, Misha Standjofski, Gabriel Rondeque-parent
"Europe, get ready!", Cryptopsy says. "With over 30 dates across the continent, this tour promises relentless energy, crushing riffs and unforgettable nights"
Get tickets
https://www.avocadobooking.com/avocms/item/decapitated-infernal-bloodshed-over-europe-2025-tour
Metalheads who are chomping at the bit for An Insatiable Violence can further their appetite by revisiting Cryptopsy's hallowed catalogue. Since signing with Season of Mist in 2024, the band have reissued their 1993 demo Ungentle Exhumation, the widely-worshiped None So Vile, their triumphant self-titled and The Book of Suffering Tome I + II, which is now available for the first time on one combined LP.
Order
https://redirect.season-of-mist.com/CryptopsyReissues
Cryptopsy recognize that not every death metal band sticks around long enough to win a Canadian Grammy 30 years into their career. The cover art for An Insatiable Violence was created by the late, great vocalist Martin Lacroix. "The album artwork has got to be one of the most important things to us!”, the band says. “Martin Lacroix was one of our vocalists, one of our great friends and one of the nicest people that anyone could have the privilege to meet. We really wish he was here with us to share this moment. His perfect smile would say it all! Rest in peace brother".
With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.
Lineup
Flo Mounier - Drums
Matt McGachy - Vocals
Christian Donaldson - Guitar
Oli Pinard - Bass
Recording, Mixing & Mastering Studio
Christian Donaldson’s Studio
Production, Sound & Mixing Engineer
Christian Donaldson
Guest Musicians
Mike DiSalvo performs vocals on "Embrace the Nihility"
Cover Art
Martin Lacroix
Photography
Maciej Pieloch
Biography
Adrien Begrand
Pre-order & Pre-save
https://orcd.co/cryptopsyaninsatiableviolence
Booking agents
USA - Continental Touring
Europe - Avocado Booking
http://www.avocadobooking.com/
Follow Cryptopsy
Bandcamp: https://cryptopsyofficial.bandcamp.com/
Facebook: https://www.facebook.com/cryptopsyofficial
Instagram: https://www.instagram.com/cryptopsyofficial/
Spotify: https://open.spotify.com/artist/29PgYwTelpNl6370XLqFtN
Youtube: https://www.youtube.com/@CryptopsyDeathMetal
BandsInTown: https://www.bandsintown.com/a/2941-cryptopsy
Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist
GWAR Celebrates 40th Anniversary with New Multimedia Release 'The Return of Gor Gor' Out July 25th via Pit Records/Z2 Comics
Shock rock legends GWAR are back to wreak havoc once again with their new Multimedia Release, 'The Return of Gor Gor,' due on July 25th, 2025, via Pit Records/Z2 Comics. This multi-format assault on the senses includes brand-new studio recordings, ferocious live performances, and an exclusive 32-page comic detailing the epic return of Gor Gor, GWAR’s long-lost, three-ton Tyrannosaurus Rex. This release is a collaboration between GWAR and Z2 Comics, ensuring fans get the ultimate immersive experience.
But where has Gor Gor been all these years? How do you misplace a three-ton Tyrannosaurus Rex? The answer lies in 'The Return of Gor Gor,' a multi-format experience that intertwines music and graphic storytelling. 'The Return of Gor Gor' follows the tale of an orphaned T-Rex cub, lost in a depraved world that is completely alien to him. Will he become an ally of the legendary Scumdogs of the Universe, or will their reunion unleash an apocalyptic battle? Only time will tell.
Kicking off the carnage, GWAR premieres the NSFW video for "Lot Lizard" today. Fans can also stream the track across all digital service providers (DSPs) and pre-order 'The Return of Gor Gor' now at Pit Records (where you can also get a Gor Gor Plush) and
About the new single, Blothar states:
"'Lot Lizard' is a blistering return to GWAR as a punk metal powerhouse with a sense of humor. What could be more charming than a song about a crack-addicted cross-dressing dinosaur prostitute that shreds weiners at truck stop pickle parks? Nuttin honey. That’s what. The song rocks. Listen ya mooks…"
Watch the NSFW Video for "Lot Lizard" below
'The Return of Gor Gor' features three brand new GWAR songs mixed by Kurt Ballou (Converge, GodCity Studios) and four live tracks captured at The Masquerade in Atlanta, GA during GWAR’s 2024 tour, mixed by Chris Ronan Murphy. All songs were produced by GWAR and mastered by Alan Douches. The release also includes a 32-page comic detailing Gor Gor’s return, which is included with all versions. Vinyl editions boast an animated etching of Gor Gor on Side A, with a Semi-Translucent Etched Deep Purple Vinyl available exclusively at GWAR.net and Semi-Translucent Etched Green vinyl at Z2Comics.com. A Deluxe Hardback edition is also available via Z2Comics.com.
40 years ago, the intergalactic warlords of GWAR emerged from their Antarctic tomb to conquer the Earth with their barbaric blend of metal and mayhem. Over the decades, their monstrous live shows and relentless discography have solidified them as the ultimate overlords of shock rock. Now, with BälSäc, Beefcake, JiZMak, and Blothar joined by the mighty shredder Grodius of the Maximus Clan, GWAR embarks on their latest quest—to reclaim their savage pet, Gor Gor, who mysteriously disappeared following the death of their former frontman, Oderus Urungus.
Blothar comments on 'The Return of Gor Gor':
"The last time I saw Gor Gor he was just a wee fart dragon. He had crawled on the hood of my Kia Soul and was holding on for dear life while I drove to the store to buy Clamato. I bathed him in wiper fluid and used my wipers to knock him off my sweet ride. Next thing I know, he’s a 20-foot tall trans-species prostitute working a pickle park. Apparently, he’s all grown up and looking for revenge. This record chronicles his struggles as a young Dino-American trying to make his way in a cruel world."
'The Return of Gor Gor' will be available in the following formats:
=> CD with 32-page comic booklet
=> LP with 32-page comic booklet and etched vinyl
=> Deluxe LP with hardcover 32-page comic and etched vinyl (D2C exclusive)
=> Standalone 32-page comic
GWAR will be on the road all year as part of their 40th Anniversary Celebration, about the excursion, Blothar says:
"This tour is gonna suck. Once again we will be onstage suffering through the attacks of a giant tyrant lizard just so humans can come to the gigs and get shitfaced on White Claws and show us their tits. Please, for the love of all that is holy, show us your tits."
GWAR Live:
*w/ Toxic Holocaust; AEther Realm; Tracheotomy
May 11: Columbus, OH - Sonic Temple
May 15: Daytona Beach, FL - Welcome To Rockville
May 16: Columbia, SC - The Senate*
May 17: Lexington, KY - Manchester Music Hall
May 18: Milwaukee, WI - Milwaukee Metal Fest
May 19: Columbia, MO - The Blue Note*
May 20: Memphis, TN - Minglewood Hall*
May 21: Baton Rouge, LA - Chelsea's Live*
May 22: Austin, TX - RADIO/EAST*
GWAR w/Static-X, Dope & A Killers Confession
May 24: Albuquerque NM - Revel Entertainment Center
May 26: Wichita KS - The Cotilion Ballroom
May 27: Des Moines IA - Val Air Ballroom
May 29: St Louis MO - The Pageant
May 30: Minneapolis MN - The Fillmore Minneapolis
May 31: Davenport IA - Capitol Theatre
Jun 1: Grand Rapids MI - GLC Live at 20 Monroe
Jun 3: Indianapolis IN - Egyptian Room @ Old National Centre
Jun 4: Ft Wayne IN - Clyde Theatre
Jun 5: Wheeling WV - Capitol Theater
Jun 7: Wallingford CT - The Dome at Toyota Oakdale Theater
Jun 8: Buffalo NY - Buffalo Riverworks
Jun 9: Toronto ON - History
Jun 10: Montreal QC - Mtelus
Jun 11: Hampton NH - Hampton Beach Casino
Jun 12: Allentown, PA - Archer Music Hall
Jun 14: Myrtle Beach SC - House Of Blues
Jun 15: Raleigh NC - The Ritz
Jun 17: Kansas City MO - Grinders
Jun 18: Oklahoma City OK - The Criterion
w/ Eyehategod; AEther Realm; Tracheotomy
Jun 20: Pensacola, FL - Vinyl Music Hall
Jun 21: Pelham, TN - The Caverns
Jul 24: Richmond, VA - Allianz Amphitheater
w/Lamb of God, Hatebreed
Oct 5: Sacramento, CA - Aftershock @ Discovery Park
New Jersey artist Greg Amici presents 'I’ll Be Back' single, first offering from 'Tragicomic' album
New Jersey-based artist Greg Amici presents his haunting yet driven new single 'I'll Be Back', previewing his forthcoming 'Tragicomic' album, a storied set of 12 songs that blends absurdist-rock, ska, Americana, folk-punk and straight-up classic rock, with a clear-eyed view of the world through Amici’s unique lens. Greg's lyrics often offer an unexpected turn of phrase, delivered with full-throated rock power.
With roots firmly planted in Jersey, his creative journey has taken him from the heart of Manhattan to Los Angeles and back again. In the late '90s, Greg formed Big Honey, a NYC-based band whose rise peaked with an appearance at the CMJ Music Festival but paused indefinitely when a vocal polyp sidelined Greg for years. Despite this setback, he didn't let his distinctive voice and songwriting abilities go to waste, returning to the studio after a 16-year hiatus.
Reuniting with producer James Mastro (The Bongos, Mott the Hoople, Ian Hunter) and engineer / drummer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna) at Magic Door Studio in Montclair, the resultant 'Tragicomic' album was mastered by award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty).
The creative process also involved former Amici bandmates Joe Gentile (Big Honey)and Tommy Aboussleman (Electric TNT), along with special guests Tony Shanahan (Patti Smith Band) and Renee LoBue (Elk City) contributing to the recording. Whether it’s a "serial killer romance" or a biting satire, Greg Amici proves that a Jersey count knows how to count on rock ‘n’ roll.
Greg Amici shares, "About 'I’ll Be Back', yeah, there have been a lot of songs with the same title and, of course, Arnold Schwarzenegger made the words famous, but my work here is uniquely unique. Really, I was pissed off because the girl I was in love with started having sex with a guy I thought was my friend. So, not wanting to expose myself, I pretended that I was Ulysses returning to my home to annihilate all of Penelope’s suitors. A song was born. It was quite cathartic and probably kept me out of jail."
Calling himself a "count in name only", tracing his aristocratic lineage through Italian family names such as Benedetti, Stalute and Scala, Greg found his calling as a musician in high school, inspired by local bands. Picking up the guitar in his late teens, he founded his first band, The Clergy, and later teamed up with a musical partner to form the '80s alt-rock band Junk.
As of April 15, 'I'll Be Back is available from fine online music platforms, including Apple Music, Spotify and Bandcamp. The full 'Tragicomic' album will be released on June 13 via Magic Door Records. Amici will be supporting this album with a series of live performances, to be announced soon.
CREDITS
Music & lyrics written by Greg Amici
Greg Amici - Lead & backing vocals
James Mastro - Electric guitars, piano, tenor sax
Tommy Aboussleman - Electric guitar
Tony Shanahan - Bass
Ray Ketchem - Drums, percussion
Joe Gentile - Backing vocals
Produced by James Mastro
Recorded & mixed by Ray Ketchem at Magic Door Recording in Montclair, NJ
Mastered by Greg Calbi at Sterling Sound
Art direction, design & photography by Mark Jaworski
Thanks to Judy “My Beauty” Steiner for love & guidance
Released by Magic Door Records
Video created by David Fagin
Publicity by Shameless Promotion PR
Keep up with Greg Amici
Website | Facebook | Bandcamp | Store | Instagram | Twitter | YouTube | Apple Music | Spotify | Booking contact | Press contact
Keep up with Magic Door Records
Facebook | Twitter | Instagram | Soundcloud | YouTube | Magic Door Studio | Press contact
Keep up with Shameless Promotion PR
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Dreamgaze artist Dotsun Moon shares 'Bring Love' & 'Give Up The Tears', heralding third album
Upstate New York-based artist Dotsun Moon has announced their forthcoming third album 'Tiger', sharing the video for the invigorating 'Bring Love' and penetrating 'Give Up The Tears', two choice offerings from an album that is, both in spirit and sound, influenced by M83’s epic 'Before The Dawn Heals Us' and New Order's 'Ceremony' and 'Temptation' phases.
Revolving around the musings of Richard Flierl and based in Buffalo, Dotsun Moon has gone through several incarnations since releasing their debut album 4 A.M. back in 2011, but the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties.
"The song 'Bring Love' is about accepting a breakup and hoping someday for a reconciliation. This song would fit right in at the end of a number of John Hughes films. The guitar riff plays along with angelic synths as I sing the line “see it [love] all around,” a call for love to return in any form," says Richard Flierl.
"On the other hand, 'Give Up The Tears' is anthemic hopefulness seeing the best the world has to offer with its opening synth note and Will Sergeant-influenced guitar. This is one of those songs made for sun-setting summer driving with the windows wide open. The drums pound and move the song along in turn increasing the power of the entire song."
Conveying his bold and self-contained vision in every note and vocal line, Dotsun Moon's new album is a complete solo endeavor and a departure from their previous work, which involved female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, Richard Flierl and Doug White mixed the album on location.
"This is a huge change to prior releases, which have powerful female singers at the center of the songs. On this album, I am on vocals and all the songs are written and played by me from guitars and bass to keyboards, drums and drum programming. Doug White at Watchmen Studios in Lockport, NY brought decades of recording and mixing knowledge to the recordings that allows the songs to truly shine," says Richard Flierl.
"I grew up outside of Buffalo, NY listening to the local college station WBNY and the alternative Toronto station CFNY for music, info and concert announcements. I picked up a guitar in my late teens and wanted to make music under the impression of Pink Floyd and Echo and The Bunnymen. I had no idea there were other bands who made music like they did. Will Sergeant became a hero, watching him and the Bunnymen live as they toured with New Order. Strangely after seeing both bands live, New Order’s Bernard Sumner and Peter Hook became my biggest influences."
Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.
'Bring Love' and penetrating 'Give Up The Tears' are out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp. Dotsun Moon's next single 'Never Had a Heart' will be released on April 30. The full 'Tiger' album, set for release on June 27, is now available for pre-order.
CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR
Keep up with Dotsun Moon
Website | Bandcamp | Facebook | Instagram | BlueSky | Soundcloud | YouTube | Spotify | Apple Music | Press contact
Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Email
Hollywood Undead Unveil "Hollywood Forever" (Funny Man Remix) Featuring Lefty Gunplay & N8NOFACE
Los Angeles, CA — Multi-platinum rap-rock juggernauts Hollywood Undead unleash a brand new take on their hit single "Hollywood Forever" today with an electrifying remix from founding member Funny Man featuring Lefty Gunplay andN8NOFACE. Find the track on streaming platforms HERE and watch the accompanying video created by LA based artist and animator MikeMeds below.
The “Hollywood Forever (Funny Man Remix)” is a gritty, genre-blending rework of the fan-favorite anthem—an unmistakable tribute to Los Angeles, the city firmly rooted in the DNA of all three artists. The track seamlessly blends explosive rap verses that trade off between Funny Man’s laid-back swagger, Lefty Gunplay’s raw charisma, and N8NOFACE’s signature punk-meets-rap delivery, building in intensity before culminating in the original track’s epic chorus.
Speaking on his remix of “Hollywood Forever”, Hollywood Undead’s Funny Man shares
“For the first time in Hollywood Undead history we have 3 Mexicans on one track with the homies Lefty Gunplay, N8NOFACE, and myself Big Funny Man who are all holding it down for LA and will continue to do so. Thanks to those legends for helping to show love and gratitude to the Undead fans.”
N8NOFACE comments
“Soon as I heard the track and idea I wanted to rock it. Perfect genre killer joint and blends of styles,”
With Lefty Gunplay adding
“THIS ONE RIGHT HERE IS FOR THE CULTURE. 2025 JAY Z VS LINKIN PARK!”
Originally released in October 2024 via Sumerian Records, “Hollywood Forever” has racked up over 19.5 million cross-platform streams, peaked at #18 at Active Rock radio (currently holding at #20), and generated over 35.6k Shazams. The track is a testament (both lyrically and statistically) to the uniquely powerful bond Hollywood Undead share with their fans and the phenomenal staying power of a band who have been releasing albums since 2008.
The remix lands as Hollywood Undead continue their monumental Hollywood & N9ne Return Tour, co-headlining with Tech N9ne and performing to thousands each night alongside special guests Set It Off and Zero 9:36. The current leg marks their long-awaited return to Canadian stages for the first time in nearly a decade. The band will also be performing at major US festivals Sonic Temple, Welcome To Rockville, Louder Than Life and Aftershock.
ABOUT HOLLYWOOD UNDEAD
Since the release of their RIAA platinum-certified 2008 debut Swan Songs, Hollywood Undead’s distinctive and infectious music has incited a global cult audience, sold out shows across continents, and earned praise from Consequence of Sound, Billboard, Revolver and more. With over 3.2 billion cross-platform streams, over 1 billion YouTube views, and 4.1 million monthly Spotify listeners, they remain one of modern rock’s most influential and enduring forces. Now signed to Sumerian Records, they continue to push boundaries and reshape alternative culture.
Hollywood Undead Are:
Johnny 3 Tears, J-Dog, Charlie Scene, Funny Man, Danny.
Find Hollywood Undead Online
ABOUT LEFTY GUNPLAY
Lefty Gunplay sheds light on another path. He knows how easy it is to link up with the wrong crowd, get into trouble, and wind up behind bars—especially in a neighborhood like Baldwin Park where he grew up in Los Angeles. He’s living proof that your environment doesn’t have to define you. In less than a year, he returned home from prison and launched his rap career into the stratosphere. He broke through with prolific musical output, intense live shows, and a guest spot on Kendrick Lamar’s blockbuster GNX. Entangled in the streets, he spent a total of 19 years of his life in prison. However, he made a decision to change once and for all in 2024. He turned heads with “Blvd Babies” and dropped his first tape Rookie of the Year. He picked up the pace with Famous Gangbanger and Pre-Season in addition to collaborating withJeremih and OHGEESY. He popped off with Most Valuable Gangbanger, including “What The West Bout” [feat. Snoop Dogg]. Lamar also handpicked him for “tv off,” which exploded to the tune of 455 million Spotify streams, captured #2 on the Billboard Hot 100, and went platinum. During 2025, Santa Fe Klan tapped Lefty Gunplay for “Lumbre” and welcomed him to perform live during Calibash. Now, he continues to push forward on his album, Can’t Get Right [EMPIRE], and more to come. Full bio HERE
ABOUT N8NOFACE
A self-described “Cholo goth father,” N8NOFACE has carved his own lane in the underground with a fierce blend of synth-punk, hip hop, and industrial no wave. Born in Tucson and based in Los Angeles, his prolific output and raw energy have earned him cult status and a growing audience of genre-agnostic listeners. N8’s latest LP Bound to Let You Down continues his streak of uncompromising releases that reflect real-life struggle and creative rebellion. Full bio HERE
INFAMOUS STIFFS Track "Evel Mann" Heard in Jason Statham Film A Working Man. Release the Single and Video "Loose Screws"
OAKLAND, CA - Southern California punk rockers INFAMOUS STIFFS have released the next single "Loose Screwz" from their upcoming six song EP titled “The Ornery Six. The band had this to say about the new single, "There is a lot of craziness here in America and you get ripped here and torn there. Mix that up in a song with a touch of optimism sprinkled in and you have “Loose Screwz”."
Watch the video for "Loose Screwz" below:
Stream or purchase "Loose Screwz": https://orcd.co/loose-screwz
INFAMOUS STIFFS are also excited to announce that the third single from “The Ornery Six” entitled “Evel Mann” is featured in the new film “A Working Man” starring Jason Statham”. The movie was released in theatres March 28th. Pre-save for the single starts May 23rd and the release date is June 6th. Watch the promo video for "A Working Man": https://youtube.com/shorts/n6ttT-VLg-M?si=FFBcj5RE3WMTjt1c
Infamous Stiffs came onto the scene in 2019, just before the world shutdown. Hailing from Southern California cities, the members have spent decades playing punk rock ‘n’ roll in various incarnations... all roads leading to the sonic condition that is Infamous Stiffs. A relentless assault of loud infectious hooks and grooves, that’ll make you shout & shake and make ya move your hips with an uncanny swing!
Band Members:
Vocals - Scott Wilkins (Verbal Abuse, Electric Frankenstein)
Guitar - Mark Pananides (Junkyard)
Bass - Troy Takaki (Boneless Ones)
Drums - David Bach (House of Wheels, Adam Sandler's band and a current member of The Avengers)
Production Details
Engineered, mixed and produced by David Irish at Pot of Gold Studios
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Out Friday - Exterminatus - Echoes From A Distant Star Part 1
Formed in the depths of Vancouver, Canada, in 2013, the death metal colossus EXTERMINATUS is poised to unleash their third studio assault, Echoes From A Distant Star Part 1, on April 18, 2025. The album is a culmination of over a decade of relentless crafting and intense recording sessions, symbolizing the band's evolution into a formidable force within the metal scene.
The narrative of Echoes From A Distant Star Part 1 unfolds across its tracks, each serving as a chapter in a grand cosmic saga that explores the origins of the universe and the haunting truths hidden within its expansive reach. The journey begins with the turbulent force of "Cosmic Disturbance" and traverses through a series of dark revelations, culminating in an unexpected twist with a metal rendition of "Rock Me Amadeus."
Drawing inspiration from the cosmic and dystopian visions found in the works of Isaac Asimov and Arthur C. Clarke, as well as the expansive narratives of "Stargate SG:1" and the "Mass Effect" series, the album offers a profound exploration of existence through its lyrical and musical depth. Songs like "Primordial Sea" and "Starbound" feature brutal drum patterns and shredding riffs, echoing the thematic and sonic complexity that EXTERMINATUS is known for.
The formidable lineup delivering this sonic onslaught includes Max Sepulveda on drums, Tabreez Azad wielding guitar and vocals, Elia Baghdaniyan on guitar, Luka Bresan as the lead vocal force, and Lucas Abreu anchoring the low end on bass. The band themselves drove the production, with recording, mixing, and mastering helmed by Max Sepulveda and Zack Ohren at The Beat Lab, ensuring every note conveys the intended ferocity. The album's striking visuals were crafted by Mark Cooper, encapsulating the album's thematic essence.
Key tracks like "Cosmic Disturbance" come alive with an accompanying music video, while "The Signal" and "Primordial Sea" are depicted through haunting lyric videos, offering a window into the album’s dark narrative.
Echoes From A Distant Star Part 1 marks a pivotal chapter for EXTERMINATUS, as they delve into the abyssal depths of death metal, challenging the boundaries of the genre with philosophical narratives and thunderous compositions.
About EXTERMINATUS:
Since their formation in 2013, EXTERMINATUS has evolved into a dominant force within the technical death metal scene. Their journey began with the debut album Veni Vidi Vici, which immediately set the tone for their aggressive style characterized by rapid-fire riffs, relentless drumming, and devastating vocals. By the time their second album Laniakea was released in 2018, EXTERMINATUS had firmly established themselves not just as a project but as a mainstay, pushing the boundaries of technical death metal.
The current lineup features the dual-guitar attack of Tabreez Azad and Elia Baghbaniyan, combined with the unstoppable rhythm section of Max Sepulveda and Lucas Abreu, and the ferocious lead vocals of Luka Bresan. This potent combination creates a sound that is both brutally precise and expansively atmospheric, drawing comparisons to luminaries like Aeon, Decapitated, and The Faceless, yet with a distinct identity that is entirely their own.
Thematically, EXTERMINATUS ventures into the cosmic unknown, exploring vast astronomical themes and the fundamental forces of the universe. Their narratives delve into complex physical phenomena and the chilling mysteries of space, a theme that resonates deeply in their upcoming release, Echoes From A Distant Star Part 1, scheduled for release on April 18, 2025. This album promises to fuse their signature technical complexity with a hauntingly eerie cosmic atmosphere.
EXTERMINATUS's impact on the scene is underscored by their dynamic live performances, highlighted by appearances at festivals such as Armstrong Metalfest and Loud As Hell Festival. Collaborations with notable figures like Andrew Baena, Dean Lamb, and Mike Greenwood have further solidified their reputation, expanding their influence and showcasing their ability to innovate within the genre.
With their intricate compositions, powerful performances, and forward-thinking approach, EXTERMINATUS not only captivates their audience but also promises a continual evolution. As they prepare to release Echoes From A Distant Star Part 1, they stand at the forefront of technical death metal, ready to explore new sonic territories and deepen their exploration of the cosmos.
EXTERMINATUS is:
Tabreez Azad – Guitar/Vocals
Elia Baghbaniyan – Guitar
Luka Bresan – Lead Vocals
Max Sepulveda – Drums
Lucas Abreu – Bass
Album Credits:
Producer: EXTERMINATUS
Recording Studio: The Beat Lab
Engineer: Max Sepulveda
Mastering: Zack Ohren
Mixing: Max Sepulveda
Album Cover Artist: Mark Cooper
Album Formats: Digital and CD
Connect With EXTERMINATUS:
Bandcamp: exterminatus.bandcamp.com
Facebook: facebook.com/exterminatus
Instagram: instagram.com/exterminatusband
YouTube: youtube.com/@ExterminatusBand
Apple Music: music.apple.com/us/artist/exterminatus/1412280668
Heaven Shall Burn Release "My Revocation of Compliance" Video — WATCH // New Album "Heimat" Out June 27🪽
"Heimat" = German for "home + homeland + native land" — a term that merely refers to a relationship between people and spaces but has nevertheless always been highly emotionally charged. Often misused, it sometimes causes discomfort, lively discussions, and battles over interpretation.
Guitarist Maik Weichert comments, "Heimat is not meant as the narrow-minded end point in the sense it has been used by agitators and populists, but the starting point for observations and perspectives. The album is about a much wider sense of the term 'Heimat:' the homelands for many different people and also about the spiritual home, something that shapes and determines our thoughts and actions."
Heaven Shall Burn took their time with the follow-up to Of Truth And Sacrifice, which reached number 1 in the Official German Album Charts in 2020. Heimat was produced at the band's own studio, The Dude Ranch, which is run by guitarist Alexander Dietz. Like in the past, Danish producer Tue Madsen took care of the mixing and mastering.
The Thuringians enlisted the renowned artist Eliran Kantor for the artwork, who previously crafted the artwork for Of Truth And Sacrifice. The centerpiece of the impressive triptych is a rearing stag — in its roaring variant a classic motif of wildlife painting, the epitome of kitsch and trivial art from the 19th and 20th centuries and interpreted by some as a symbol of patriarchy and capitalist competition, but here placed as a vital allegory of resistance amid an apocalyptic scene. He is flanked by a hunting lynx and a watchful owl, which complete the highly symbolic artwork concept as further elements of the triptych.
Watch the video by Thomas Liebchen Below:
As with Of Truth And Sacrifice, Heaven Shall Burn worked with composer, producer and director Sven Helbig and conductor Wilhelm Keitel, this time supported by the Mondëna Quartet and the Ukrainian Sophia Chamber Choir.
Over the last couple of months, Heaven Shall Burn have released two unusual singles, "Keinen Schritt zurück" (Feat. Donots) and "Schweineherbst" (Feat. Dÿse). Today they are pleased to present "My Revocation of Compliance," a typical Heaven Shall Burn song.
"The song reflects our current attitude," Heaven Shall Burn say. "It is time to stop being held back by candy coated speeches. The essential challenge for our generation is to consistently live our own attitudes and convictions and to no longer tolerate the omnipresent ignorance of the pressing problems of our time. Sham discussions, divisive tendencies, and envy debates, in other words everything that is available in the political toolbox of those in power, must not distract us from the real undesirable developments and must be rigorously smashed. We think the iconoclastic symbolism of the video conveys this attitude in a very special way."
Heimat will be released on June 27 by the band's long-standing label partner Century Media Records.
Pre-order the album here.
HEAVEN SHALL BURN ARE:
Marcus Bischoff — Vocals
Maik Weichert — Guitar
Alexander Dietz — Guitar
Eric Bischoff — Bass
Christian Bass — Drums
Epic Doom/Dark Power Metallers BEHÖLDER Launch New Single "Draconian (Slave Or Master)" + Visualizer
Epic Doom/Dark Power Metallers BEHÖLDER are excited to launch their new single, "Draconian (Slave Or Master)," taken from their upcoming debut album 'In The Temple Of The Tyrant,' out on April 25th via Black Lion Records. The new single is accompanied by a visualizer, which is available to view below.
On the new single, BEHÖLDER comments:
"A merciless warlord leads a life of conquest, conducting brutal nighttime raids upon helpless villages, seeking plunder and captives as trophies. The harsh reality that he too is a slave is not lost on him, that his identity and freedom were lost long ago, indoctrinated to serve and even worship his own tyrannical lord. The lines between being either a slave or master in a relentless cycle blur, mixed with the bloodshed and domination that define his existence."
Watch the Visualizer for "Draconian (Slave Or Master)" Below
'In The Temple Of The Tyrant' features 8 tracks of monstrous proportions, a true love letter to epic Doom Metal set within the more shadowy and grim realms of classic Dungeons & Dragons.
Fusing elements of darker power and even traditional Metal, the album lures the listener in with colossal & imposing riffs, haunting, majestic melodies and powerful vocals that range from sinister to grandiose.
Boasting an outstanding world class mix and mastering by Ronnie Björnström of Björnström Ljud & Produktion in Sweden and absolutely stunning artwork from Zsofia Dankova (Powerwolf, Elvenking) that beautifully captures the essence of the music contained within, 'In The Temple Of The Tyrant' has been unleashed upon all who would seek dark tales of adventure filled with – Magic, Mayhem and Riffs Heavier Than A Storm Giant’s Ass!!! ™
BEHÖLDER is an Epic Doom/Dark Power Metal band from the US inspired by classic Dungeons & Dragons. Formed in late 2021 by guitarist Carlos Alvarez, the band includes singer John Yelland, guitarist Matt Hodsdon, drummer Andrew Julkowski, and bassist Michael “Oneirous” Sanchez.
Their songs weave cautionary tales from the more grim, foreboding realms of fantasy against a backdrop of colossal riffs with elegant yet powerful melodies. Their debut album 'In The Temple Of The Tyrant' is set for release on April 25th through Black Lion Records as they promise to unleash dark tales of adventure filled with - Magic, Mayhem, and Riffs Heavier Than A Storm Giant’s Ass!!! ™ For fans of Candlemass, Solitude Aeturnus, Sorcerer, Memento Mori.
Epica Release "Aspiral" + Video for "Fight to Survive"
Symphonic metal forebears EPICA are thrilled to finally release their brand-new studio album, Aspiral, today. The band invites fans to immerse themselves in the full sonic journey as it is meant to be experienced: from start to finish in one go.
"All of us in the band pushed each other to create the best possible album," Epica share. "We've once again explored new musical and lyrical frontiers, and we hope Aspiral resonates with you as deeply as it does with us. The whole truly is greater than the sum of its parts — this album is meant to be experienced in full."
Stream Aspiral here.
In conjunction with the album release, EPICA have unveiled a sci-fi-themed music video for "Fight to Survive – The Overview Effect." The track draws inspiration from the cognitive shift experienced by astronauts after observing Earth from space — a powerful moment of awe, interconnectedness, and a profound appreciation for the planet’s fragility.
"Musically, this song encapsulates the full spectrum of EPICA," the band explains. "From heavy to soft, uplifting to melancholic — 'Fight to Survive' embodies it all."
The visually striking video was once again brought to life by Remko Tielemans and produced by Kollektiv Kunststoff, who also directed the band's previous singles "Arcana" and "Cross the Divide."
With Aspiral now released, EPICA are ready to bring their new music to life on stage. The band will embark on a North American tour next month, kicking off in the United States and Mexico, followed by a summer filled with major European festival appearances.
Tickets, VIP upgrades, and tour info is available here.
EPICA ON TOUR:
5/6 — New York, NY — Irving Plaza
5/8 — Atlanta, GA — Masquerade
5/10 — Los Angeles, CA — The Bellwether