CONQUEST RELEASE NEW SINGLE/LYRIC VIDEO, "CELTIC MIST” TODAY, AND CONCERT ENGAGEMENT SUPPORTING BURNING WITCHES

Veteran Midwest metallists Conquest returned with their latest album, and have just unleashed their latest single and lyric video from it, "Celtic Mist.” 

View the lyric video below.
 
Concerning the new single/video, the group's singer and guitarist, Derrick Brumley, explained: "Celtic Mist is a great track that has a different feel to it than everything on the record. It leads off with bass guitar and the song is driven by the low end, and the bass guitar hook. Rob Boyer was in Ireland and came back with this great vibe and idea for the tune. Very strong and rhythm-driven. One of my favorite tunes on the record!" 
 
'Paradox' is available as two vinyl records or a single CD (plus available on all streaming services), the album continues in the same direction as their previous studio offerings, as evidenced by such standout tracks as "Walking Dead" and "The Writings on the Wall" (both of which have already been issued as music videos), as well as a cover of the Rainbow classic, "Man on the Silver Mountain.” 
 
To view the videos, click on these links:
 
Walking Dead - https://youtu.be/DkCKJ8PhbiA
 
The Writings on the Wall - https://youtu.be/Le9KNK4PuNA?si=LBBZ6oPhD7cYjaS1
 

Comprised of Brumley, Mike Crook: Vocals and Guitar, Rob Boyer: Vocals and Bass, and Lee Skyles: Vocals and Drums, 'Paradox' was also produced and engineered by Derrick (and mixed by Adam Long), the band's latest album is getting rave reviews via metal media, including the Rock You Show site saying "I have to give this one 9.5 out of 10 "Flaming Fist". You nearly get 2 albums worth of great quality music, including a stellar cover of Rainbow's "Man on the Silver Mountain". I thank them personally for keeping the Metal torch lit in these times of darkness". 
 
Having already shard concert stages with the likes of Slayer, Rob Halford, Testament, Iron Maiden, and Yngwie Malmsteen, the band can certainly deliver the goods on stage. And fans will get a chance to experience Conquest live on stage on July 12th, when the band performs with Burning Witches at the Diamond Music Hall, and also, by with the track "Celtic Mist." 

For further information on Conquest please visit:
 
Website: conquestmetal.com 
Facebook: https://www.facebook.com/conquestrocks
Instagram: https://www.instagram.com/conquestmetal/
Twitter: https://twitter.com/Conquestmetal
Spotify - https://open.spotify.com/artist/7bTGxUCcsmp3KBIScrFRiB

New album from A Killer's Confession announced

A KILLER'S CONFESSION
ANNOUNCE NEW ALBUM 'VICTIM 1'

A KILLER'S CONFESSION, fronted by vocalist and mastermind Waylon Reavis, plunge past the point of no return, offering a captivating album of melodic hard rock dosed with pummeling metal and industrial stylings on their latest LP VICTIM 1. It arrives September 13 via MNRK HEAVY.

"'Filth' is a personal favorite," states Reavis. "It's another chapter in the lore of Victim 1. I personally love the upbeat feel of this song, especially when playing it live. If you have caught an AKC show in the last few months, you have been lucky enough to hear it already. I feel our production team of Dusty Boles and Evan McKeever really helped me knock this one out of the park. The song takes you on a journey through the killer's eyes."

The singer also pulled back the curtain on the album as a whole, saying, "Victim 1 might possibly be my favorite album I've ever been a part of. AKC stepped completely out of the box to write Victim 1. I brought in new producers [Dusty Boles and Evan McKeever] to help rebrand the sound of the band. I took most of last year off and did not tour in order to write this album."

FIND OUT MORE ABOUT 'VICTIM 1' HERE

The Intemperate Sons Release Heavier, High Energy Cover of Nirvana's "Dumb"; New Album 'Dark Day’s Night' Out Now via FRAME|WORK

The Intemperate Sons have unveiled their latest song, a heavier more high energy cover of Nirvana's "Dumb," featured on their newly released album, Dark Day’s Night.

STREAM "Dumb"

https://ffm.to/tisdumb

WATCH "Dumb" (A Nirvana Cover) by The Intemperate Sons Below.

This album takes a darker turn from their debut, mirroring the tumultuous times we live in today. In Dark Day's Night, The Intemperate Sons explore the hidden demons within us all that no one else can see, reflecting the notion that the brightest souls often burn the shortest before fading away.

Immerse yourself in the gritty sonic landscape of The Intemperate Sons' second album, Dark Day's Night. With tracks like the haunting title song, the introspective "Falling Under," and the reflective "Way Back When," this album weaves a compelling story of resilience amidst turmoil. "Unrealized" and "CØNTRØL8" delve into the battle for autonomy in a disordered world, while "Game of Keep Away" offers a raw take on the struggle of self-destruction and survival. The album also features a heavier, more intense cover of Nirvana's "Dumb," adding a unique layer to this already diverse album. Dark Day's Night is not just an album; it's a journey through the shadows, echoing with the sounds of defiance and liberation.

The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicide in Long Beach, CA. All mastering is done by Mike Marsh Mastering in the U.K.

Dark Day's Night is available HERE

The Intemperate Sons emerged onto the rock scene in the summer of 2019 in Dallas, TX, to bring their distinct sound to the genre. A deep love for music brought family members Keith Watson (drums), Jake Watson (guitars) and Max Watson (vocals, guitars, keys) together along with close friend Mark Marks, who provides the groove on bass to unite everything together. The band's sound has been described as a 90's alternative style that is obsessed with the 70's.

Keith is well acquainted with entertaining massive crowds of concert goers and has played with many successful bands in Dallas, such as Gun Hill, Natural Born Thrillersand Agents of Solace, on top of opening for Lynch Mob, Joe Lynn Turner and Sponge. He is the primary lyricist for the band and has written the music for some of their most successful songs, including “Dust to Dust,” “The Color Within,” and “Unrealized.”

Multi-talented and gifted with the ability to play various instruments, Max is also the lead vocalist of the group. Along with being musically dexterous, he has also collaborated with Keith to write lyrics on the released songs “Going Crazy” and “Way Back When.” In the studio, Max usually surmounts expectations and goes above and beyond to prepare prior to a session with his own vocal harmonies.

Jake is the song architect of the Sons and extremely instrumental in the crafting of the music. His inventive ways of bringing lyrics to life in clever ways are unprecedented and fascinating to see in the studio setting. He is a prolific writer of music as well and is credited with helping create the songs “What’s Done is Done,” “Remission,” “Way Back When” and “Wading in the Gray.” Both Max and he play lead guitar on many of the songs as well. The other members of the band fondly refer to him as the “art director” since he enjoys taking charge in those areas for the group.

Prolific and unifying, Mark is an accomplished bass player and well known in Dallas. He was in the regionally successful band, Haggard, and had opened for Sebastian Bach of Skid Row. His input in song writing has been invaluable to the process of creating captivating melodies.

Despite the pandemic putting a pause on many major events, The Intemperate Sonslived up to their name and let nothing hold them back from making music. Constantly hard at work in the studio, they have collaborated with Amir Derakh (Julien-K, Dead by Sunrise, Orgy, Rough Cutt) and Ryan Shuck (Julien-K, Adema, Dead by Sunrise, Orgy). Both have lent their musical talents to various songs and ultimately have brought the Sons on to their label, Frame|Work. This led the band to also recently join the management roster at The Label Group. Ryan worked with Amir to produce the band’s upcoming track, “Game of Keep Away,” and has had a huge impact on the group. He’s been especially influential on Max’s vocal melodies and delivery. Amir also plays guitar on this latest ballad and has been mixing all of the band’s music as well as performing on multiple songs.

Another notable collaboration has been with Tony Franklin (The Firm, Roy Harper, Kenny Wayne Shepherd, Whitesnake), primarily on the first album, The Color Within. He has been a valuable friend of the band and has played bass on some of their best tracks from that album, including “Running Man,” “Dust to Dust” and “The Color Within.”

The Intemperate Sons’ take on alternative rock is a dark and powerful concoction of hard rock mixed with folk and grunge concepts. The band has earned a serious reputation for writing and performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style, which has a retro vibe with many guitar-driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate at a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots and even R.E.M.

Please get in touch if you would like to interview the band.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

The Intemperate Sons Show Dates:

Sat July 20 @ Longhorn Icehouse in Dallas, TX
Sat July 27 @ The Railhead Saloon in Lawton, OK
Sat Aug 3 @ Hanovers Draught Haus in Pflugerville, TX w/ A Good Rogering
Fri Sep 6 @ The Zone Grill & Bar in Abilene, TX w/ Julien K & Grey Daze
Sat Sep 7 @ Fitzgerald's Bar & Live Music Venue in San Antonio, TX w/ Julien K & Grey Daze
Sat Oct 26 @ Lonestar Bulldog Rescue Benefit in Denton, TX
Wed Nov 13 @ Whisky A Go Go in West Hollywood, CA w/ Tantric
Sat Nov 16 @ Come And Take It Live in Austin, TX w/ A Good Rogering

For More Information Please Visit:

The Intemperate Sons

Official Website

Facebook

Instagram

TikTok

YouTube

Spotify

Merch Store

FRAME|WORK

FRAME|WORK Website

FRAME|WORK Instagram

Post Profit Share "Two Toxic" Video — WATCH // Band Touring Through Fall

Last year, POST PROFIT — Matt Jackson [vocals, guitar], Nick Hawner [guitar +vocals], Zach Hicks [drums + vocals], and Charles Horin [bass + vocals] — released their six-song EP, Self Defeater.

And thus, the buzz on the band began.

Today, Post Profit have shared the official video for the single "Two Toxic."

Watch it below. 

The video was directed by David Brodsky of MyGoodEye. It was shot at the historic Lynnewood Hall, a 110-room Gilded Age mansion in the Philadelphia suburb of Elkins Park, Pennsylvania, which originally opened all the way back in 1899. Learn more about this majestic location here.

"With this video, we wanted to do something we've never done before," the band states. "Lynnewood Hall's aesthetic felt like we were able to really depict the song to its truest form. Thanks to the amazing team of Dave Brodsky and Allie Woest at MyGoodEye for securing this incredible shoot location and making it all happen.  We are very excited with how it came out and we hope you all feel the same."

Post Profit will be touring this summer, embarking on a run with Nothing More, Set It Off, and From Ashes to New in late August and which runs through September. All current and confirmed dates are below.

"We can't express how excited we are being brought back out with our friends in Nothing More," Post Profit shares. "We'll be playing a bunch of songs off our Self Defeater EP, including 'Two Toxic.' These should be great shows so make sure to come show your faces.  We can't wait!"

POST PROFIT ON TOUR:
WITH LEVELS:
7/12 — San Antonio, TX —  Paper Tiger
7/13 — Fort Worth, TX —  Haltom Theater
7/14 — Houston, TX —  White Oak Music Hall

WITH NOTHING MORE, SET IT OFF, + FROM ASHES TO NEW:
8/31 — Columbia, MO —  The Blue Note *
9/3 — Little Rock, AR —  The Music Hall
9/5 — San Antonio, TX —  Tech Port
9/6 — Houston, TX —  Bayou Music Center
9/7 — Dallas, TX —  Southside Ballroom
9/9  — Atlanta, GA —  Tabernacle
9/10 — Nashville, TN —  Marathon Music Works
9/13 — Myrtle Beach, SC —  House of Blues
9/14 — Orlando, FL —  House of Blues
9/15 — Tampa, FL —  Jannus Landing
9/17 — Asheville, NC —  The Orange Peel
9/19 — Silver Spring, MD —  The Fillmore
9/20 — Richmond, VA —  Credit Union Amp
9/23 — Buffalo, NY —  Riverworks
9/24 — Cleveland, OH —  Agora
*Direct support to Nothing More

ABOUT POST PROFIT:
Some would say Post Profit have been waiting for this moment since the cradle, with each member being introduced to musical instruments between the ages of 2 to 6. 

Zach and Matt forged a friendship as toddlers ever since their moms became best friends from church in Longview, TX. Nick would later learn of Matt's vocal prowess through the high school intercom. "Matt's father was the high school principal," explains Nick. "And he'd have Matt on there in the mornings singing about refraining from drugs and alcohol and striving for good school attendance." 

Over the next few years, the trio would really get to know each other from attending and performing at local shows. Nick and Zach especially hit it off and quickly became inseparable, spending much of their time listening to music, eager to put their own band together. Meanwhile, Matt was sinking his teeth into a Dallas based metalcore band called Far From Earth.
 
During early 2017, Matt started hosting open jams every Sunday at a smoky East Texas dive bar and one night asked Zach to join on drums. Zach dragged his new friend Nick along on guitar and the trio quickly formed a strong musical bond. They would soon start slipping originals into their covers sets and after months of unrelenting practices and bar jams they booked their first show at a Halloween party in Tyler, TX.
 
With the experience of countless gigs across the South, Post Profit soon gained a reputation for their commanding and impactful live performance, including powerful 2021 and 2022 performances at Welcome To Rockville in Daytona, FL. Rallying around influences such as Deftones, Incubus, Failure, and Quicksand, the band refined their original songs and sound into what would become their 2022 debut self-produced album When You Think It's Right It's Always Wrong. The release garnered over a million cumulative streams independently, and the success of their single "Smother" grabbed the attention of SharpTone Records, eventually landing them a deal.

When it was time to hit the road in support of their 2024 Self Defeater EP, the guys turned to Los Angeles native Charles Horin to round out the lineup on bass. "Charles was previously in a band called Analog Party," explains Nick. "And they had very heavy influences from Failure, one of our favorite bands, so we knew right away he would be a great fit musically."
 
With the release of Self Defeater, Post Profit have you right where they want you, existing in a constant state of evolution while ushering hard rock forward with them. Masterfully crafted to leave the listener wanting more, this is Post Profit letting the world know who they are.

SINGER + GUITARIST TIM MONTANA RELEASES NEW ALBUM SAVAGE TODAY, JULY 12

“Tim Montana is making a case for being 2024’s breakout rock act” (Loudwire)as the singer/guitarist/songwriter drops his debut rock album Savage, today. Get it here.

"I've finally found my creative freedom after a decade-plus in Nashville, feeling like an alien on a strange planet," Montana offers about the record. "I've been told I was too loud, too vulgar, and my appearance was scary for as long as I can remember on Music Row. Now, I can own all of these things with confidence and write the music I've always wanted to write." 

He continues, "Savage was produced by one of my best friends, Micah Wilshire, and we came loaded for bear and ready to release one on the rock scene. These 11 songs go hard into my life thus far and are unapologetically me. Written and recorded between an 1800s cabin in Wise River, Montana and a converted tuff shed in Nashville, Tennessee, I was right in my element. This is the beginning of my future and the world better be ready because here comes the f***in' trailerhood."

The record has received press accolades from Knotfest, Metal Injection, Loudwire, and more.

“Montana harnessed a heavier rock sound… that's long been a part of his musical DNA.” (ABC Audio)

“He is bringing the hard rock influence of his childhood, the experiences of Los Angeles and the storytelling chops he built up in Nashville all together for a new rock album.” (Loudwire)

“Offering testament to his rock music lineage, the album combines Montana's keen songwriting ability with the kind of grit and conviction that has been his signature since day one.” (Knotfest)

Today, he shares the new focus track “Get You Some.” 

"My wife would argue that I've never bought my four kids a five-star dinner; so, I'll call those lines foreshadowing," Montana laughs. "'Get You Some' is the heaviest song off the record and one helluva banger. It's a shout out to all the lost kids from the lost towns and marching orders to chase their dreams and keep clawing to the top!"

Montana cranks the knobs to 11 on "Get You Some," a certified hard-rock banger. It's the heaviest and most aggressive track on his debut rock album Savage. Thanks to the gnarly riffage, breakneck pace and Montana's ferocious howl that sounds like it crawled from the bowels of hell, "Get You Some" will find its way onto your gym playlist because it gets the red out! Throw the horns up, bang your head, start a mosh pit and "Get You Some." 

On Savage, Montana gets in touch with his undeniable rock 'n' roll roots. Armed with grit, guitars, and a hunger for glory, Montana has been endorsed by Dave Grohl and ZZ Top's Billy F Gibbons, booked by David Letterman, and had his anthems used by the MLB and NHL. His moody, crackling, '90s-influenced riffs and whiskey-soaked vocals reel fans in while his storytelling keeps them. Savage is a custom and combustible cocktail, served in a dirty, cracked glass that proves why Montana earned iHeartRadio's "On The Verge" accolade. 

Giving fans a preview of the project with a series of releases, the road to Savage kickstarted with “Devil You Know,” a track that Loudwire called “One of the 30 Best Rock + Metal Songs of 2023” and “a flawless track, both musically and lyrically.” The single would climb into the Top 5 at Rock Radio and solidify his place in the genre.  It was followed by the breakout title track and most recently he leaked the final preview with “Die Today”, “a gritty and grungy anthem that pays tribute to the special forc

Tim Montana is touring heavily this year. He will support  Bush, Jerry Cantrell, and Candlebox this summer and has appearances booked at major festivals. He will support Seether and Skillet on their U.S. tour this fall, and has also been confirmed as direct support to Myles Kennedy on his upcoming Winter 2025 tour. So, Tim Montana will continue to rock on through next year and beyond!

All dates are below.

TIM MONTANA ON TOUR:

SUMMER 2024:
SUPPORTING BUSH, JERRY CANTRELL, + CANDLEBOX:
7/26 — Bend, OR — Hayden Homes Amphitheater
7/27 — Spokane, WA — Northern Quest Pavilion Amp
7/31 — Salt Lake City, UT — USANA Amp
8/1 — Greenwood Village, CO — Fiddler's Green Amphitheatre
8/3 — La Crosse, WI — Copeland Park
8/4 — Indianapolis, IN — Everwise Amphitheater At White River State Park
8/6 — Cedar Rapids, IA — McGrath Amphitheatre
8/7 — Chicago, IL — Huntington Bank Pavilion At Northerly Island
8/9 — Nashville, TN — Nashville Municipal Auditorium
8/10 — Maryland Heights, MO — Saint Louis Music Park
8/13 — Cleveland, OH — Jacobs Pavilion At Nautica
8/14 — Cincinnati, OH — Riverbend Music Center

FALL 2024:
SUPPORTING SEETHER + SKILLET:
9/17 — Asheville, NC — ExploreAsheville.com Arena
9/19 — Baltimore, MD — Pier Six Pavilion
9/20 — Boston, MA — Roadrunner
9/21 — Bethlehem, PA — Wind Creek Event Center
9/23 — Pittsburgh, PA — Stage AE Outdoors
9/24 — Chicago, IL — Radius
9/27 — Huntington, WV — Marshall Health Network Arena
10/2 — Kansas City, MO — The Midland Theatre
10/3 — St. Louis, MO — Saint Louis Music Park
10/5 — Houston, TX — White Oak Music Hall Lawn
10/6 — Dallas, TX — Texas Trust CU Theatre at Grand Prairie
10/11 — Mesa, AZ — Mesa Amphitheatre
10/15 — Denver, CO — The Mission Ballroom
10/19 — Des Moines, IA — Vibrant Music Hall
10/20 — Minneapolis, MN — The Armory

WINTER 2025:
DIRECT SUPPORT TO MYLES KENNEDY:
1/17 — Joliet, IL — The Forge
1/18 — Minneapolis, MN — Varsity Theater
1/21 — Flint, MI — The Machine Shop
1/22 — Toronto, ON — The Concert Hall
1/25 — Glenside, PA — Keswick Theatre
1/27 — Boston, MA — Brighton Music Hall
1/28 — Asbury Park, NJ — The Stone Pony
1/30 — Baltimore, MD — Baltimore Soundstage
1/31 — Charlotte, NC — Neighborhood Theatre
2/2 — Nashville, TN — Brooklyn Bowl
2/3 — Atlanta, GA —Variety Playhouse
2/5 — Destin, FL —Club LA
2/7 — San Antonio, TX — Vibes Event Center
2/8 — Dallas, TX — Echo Lounge & Music Hall
2/11 — Lawrence, KS — Liberty Hall
2/12 — Denver, CO — Summit
2/14 — Mesa, AZ — The Nile Theater
2/16 — Los Angeles, CA — El Rey Theatre
2/18 — Sacramento, CA  — Ace of Spades
2/20 — Seattle, WA — The Neptune
2/21 — Spokane, WA — Knitting Factory

MAJOR FESTIVALS:
8/30 — Pryor, OK — Rocklahoma
9/28 — Louisville, KY — Louder Than Life
10/8 — Boise, ID — Revolution Concert Hall (With Halestorm)
10/10 — Sacramento, CA — Aftershock

About Tim Montana:

Tim Montana forges a new frontier for hard rock. Following a tumultuous and downright unbelievable childhood in a trailer off-the-grid, the singer, guitarist, and entrepreneur left his home state of Montana in the rearview at barely eighteen-years-old. Driven by a restless work ethic, he quietly carved out a niche without comparison. Along the way, he performed on The Late Show with David Letterman at the behest of the host (practically unheard of for a totally independent artist), collaborated with everyone from Billy F Gibbons to Kid Rock (cracking the charts for the first time), made a fan out of Charlie Sheen (who directed the "Mostly Stoned" video), and even attracted his idol Dave Grohl to his corner. Forged by a long grind, he fulfilled his destiny in 2023. Tim shook the rock world with "Devil You Know." Christened "flawless" and "One of the 30 Best Rock + Metal Songs of 2023" by Loudwire, the breakout single surged onto Billboard’s Mainstream Rock Airplay and Rock & Alternative Airplay charts. In its wake, iHeartRadio touted him as an "On The Verge Artist." Soon, he found himself booked for tours with Staind, Seether, Saint Asonia, Bush, and Jerry Cantrell of Alice In Chains (another hero of Tim's). Simultaneously, he and Gibbons purchased an historic bar and hotel Wise River Club in Wise River, MT. Coming back home to Montana inspired him to go even wilder on his 2024 full-length album, Savage. The hooks hit harder, the distortion was cranked up louder, and the spirit became freer.  Tim is telling a story that will resonate far beyond his home state, and you can hear it loud and clear on the Music Knox/BMG project available now. 

KEEP UP WITH TIM MONTANA
WEBSITE | FACEBOOK | INSTAGRAM | X | YOUTUBE

DARK FUNERAL Shares New Reworked Single, "My Dark Desires (Re-Recording 2024)" ⛧

Swedish black metal stalwarts DARK FUNERAL are now celebrating three decades of blasphemywith a re-worked version of their debut album! 'Dark Funeral (30th Anniversary Edition)' is due on August 9 via Century Media Records and has been remixed by David Castillo and re-mastered once again by Thomas "Plec" Johansson. The band is now sharing the third offering from the record, "My Dark Desires (Re-Recording 2024)" along with a visualizer! The clip can be found below.

DARK FUNERAL has previously commented about the special edition, “In January 1994, Blackmoon (RIP) and I put our entire income and savings into a recording session and pressing 1,000 copies of our 4-track debut Mini-CD. A Mini-CD we released ourselves too. To now reach the significant milestone with an epic 30th anniversary is of course very honorable for me & the band. Three decades of Swedish Black Metal filled with precious memories. It is now time for us to reflect on what started it all, a 30-year epic journey, filled with experiences and an unbreakable bond. And in this honor, we have breathed new life into these legendary songs & given them an honest but modern update. Enjoy!“

In addition, DARK FUNERAL will be embarking on a U.S. tour later this year as direct support for GWAR! The trek will kick off on October 17 in Las Vegas, NV and will dominate the states until the final stop on November 20 in Nashville, TN. The full itinerary can be found below while tickets will go on sale tomorrow, June 21 @ 10:00 A.M. local time.

Find rare material from the band's ominous beginnings in 1994 — an ultimate rendition and must-have for devoted disciples of darkness! Pre-Order this exclusive collector's edition HERE

Dark Funeral line-up (1994):

Lord Ahriman – Guitars

Blackmoon – Guitars

Draugen – Drums

Themgoroth – Bass & Vocals

Dark Funeral line-up (2024):

Lord Ahriman – Guitars

Heljarmadr – Vocals

Chaq Mol – Guitars

Jalomaah – Drums

Adra-Melek – Bass

Music & Lyrics by Blackmoon & Lord Ahriman

1994 Recordings & Mixes by Dan Swanö, Mastered by Thomas "Plec" Johansson

2024 Recordings & Mixes by David Castillo, Mastered by Thomas "Plec" Johansson

Video Production by 12 Inch Media

Artwork: Blackmoon & Lord Ahriman

Album Formats:

CD Jewelcase

Limited hand-numbered Transparent Blue-Black Marbled 180g Vinyl

Limited hand-numbered Clear Smoke Marbled 180g Vinyl (US EDITION)

Strictly Limited hand-numbered transparent Blue-Black Marbled 180g Vinyl including signed Art Print - Only 300 copies worldwide (Century Media Exclusive)

Digital Album

Links:

Official Website

Instagram

TikTok

Facebook X

YouTube

Spotify

Apple Music

Dark Funeral Live U.S. Dates

The Stoned Age Tour w/ Gwar

10/17: Las Vegas, NV @ House of Blues

10/18: Tempe, AZ @ The Marquee

10/19: Anaheim, CA @ House of Blues

10/20: San Francisco, CA @ The Regency Ballroom

10/22: Seattle, WA @ Showbox SoDo

10/23: Garden City, ID @ Revolution Concert House

10/24: Portland, OR @ Roseland Theater

10/26: Salt Lake City, UT @ The Depot

10/27: Denver, CO @ Summit

10/29: Lincoln, NE @ Bourbon Theatre

10/30: Minneapolis, MN @ Skyway Theatre

10/31: Milwaukee, WI @ The Rave

11/01: Cleveland, OH @ Agora Theatre

11/02: Albany, NY @ Empire Live

11/03: Hampton Beach, NH @ Wally's

11/05: Boston, MA @ The Paradise Rock Club

11/06: Brooklyn, NY @ Brooklyn Steel

11/13: Orlando, FL @ The Beacham

11/15: Dallas, TX @ The Studio at the Factory

11/16: San Antonio, TX @ Vibes Event Center

11/17: Houston, TX @ Warehouse Live

11/19: Atlanta, GA @ The Masquerade (Heaven)

11/20: Nashville, TN @ Brooklyn Bowl Nashville

Living Dead Girl Drops "UGLY" Video

LIVING DEAD GIRL has premiered the video for the latest single "UGLY" over at Revolver. Watch it Below.

"'Ugly' is a song I wrote from a place of frustration, knowing many fellow women could relate," the artist shares. "It's about wanting to be taken seriously for your contributions and skills without being objectified or undermined in any profession or passion. When it came to making a music video, we wanted to bring that idea to life, but in true Living Dead Girl form, it still needed to have an element of fun and humor. Even with a serious message, we still are a band that likes to have fun in everything we do. I paid some subtle homage to The Powerpuff Girls and their message of girl power and empowerment, while playing into the aesthetic of a campy horror movie. All while tying it into a gym setting: the place in which every woman just wants to be left alone!"

ABOUT LIVING DEAD GIRL:
Florida transplants originally from Toronto Canada, LIVING DEAD GIRL is a female-fronted metal band that exploded onto the alternative music scene with their debut album Exorcism in 2021. Created by vocalist and songwriter Molly Rennick, produced by the critically acclaimed Mitchell Marlow (In This Moment, Papa Roach, All That Remains), and mastered by Howie Weinberg (U2, Nirvana, Metallica), Exorcism boasted 11 banging tracks including the hit single "Alive," which reached the Billboard charts with two weeks at #1 as the Most Added song on the Mainstream Rock Indicator, and #17 on the Mainstream Rock Indicator Chart. "Alive" was also #3 on the Top 10 Greatest Gainers Secondary Market Rock Chart, reached #5 on the Top 50 Secondary Market Rock chart, and #10 on SiriusXM Canada's Indigenous Music Countdown! The album's success has had the band interviewed by, and featured in dozens of world-renowned publications including Revolver, Hustler, Outburn, and more. 
     
     Rennick's bold presence on stage and in videos attracts large audiences around the world, with the band's YouTube videos in the hundreds of thousands of views, and regular signed merchandise and CD orders being shipped all around the world as far as Australia and Japan. A noteworthy fact about the band is that Rennick was thought to be a stillborn at birth; however, Rennick survived and grew into the powerhouse vocalist she is today, which boasts a significant and meaningful underlying story to the name "Living Dead Girl."
    
     The momentum Living Dead Girl is moving at as a young independent band that released their first album in the middle of a pandemic is unbelievable, until you hear it for yourself. A seamless hybrid of goth, rock, and pop punk, Living Dead Girl has distinctly created their own genre that markets to the masses. After filling 2022 with international tours including festival performances, Living Dead Girl attacked 2023 with two NEW ALBUMS, new music videos, and months of international touring! Now, they have come into 2024 swinging with new single "Ugly," as featured on SiriusXM Octane TestDrive, and more touring in both the U.S. and Canada. Living Dead Girl is force to be reckoned with, and is "the future of heavy music." (Underground Nation).


Living Dead Girl is touring through November. All confirmed dates are below.

LIVING DEAD GIRL ON TOUR:
7/11 — Fort Walton Beach, FL— Downtown Music Hall
7/12 — Huntsville, AL — Shagnasty's
7/13 — Bristol, TN — The Mountain
7/14 — Cincinnati, OH — Legend's
7/17 — Green Bay, WI — Tarlton Theatre w/ City of The Weak
7/18 — Chicago, IL — WC Social Club w/ City of The Weak
7/19/ Cadott, WI — ROCK FEST
7/20 — Bloomington, IL — nightshop
7/21 — Indianapolis, IN  — Long Shot w/ The Convalescence
7/22 — Saint Joseph, MO — The Rendezvous w/ The Convalescence
7/24 — Detroit, MI — Small's
7/25 — Corbin, KY — The Train Station
7/26 — Glasgow, KY — AJ's Place
7/27 — Gainesville, GA — Blackstrap Rock Hall
7/28 — Orlando, FL — Conduit
9/20 — Owen Sound, ON — The Harb
9/21 — Tillsonburg, ON — Paddy's Underground
9/22 — Hamilton, ON — The Casbah
9/25 — Kingston, ON — Overtime
9/26 — Montreal, QC — Piranha Bar
9/28 — Sudbury, ON — SICK Horror Convention
9/29 — Toronto, ON — Bovine Sex Club
11/14 — West Palm Beach, FL — Respectable Street w/ LYLVC
11/15 — Satellite Beach, FL — Wynfield's w/ Burning Witches + LYLVC
11/16 — Sanford, FL — West End Trading Co w/ LYLVC
11//17 Tampa, FL — Brass Mug w/ LYLVC

And So I Watch You From Afar Share New Track "Years Ago" — LISTEN // Summer Tour Kicks Off This Month

Stalwart Irish post-rock outfit And So I Watch You From Afar have released "Years Ago," the third single from their forthcoming seventh album Megafauna, which releases August 9 via Berlin's Pelagic Records and Velocity Records in the U.S.

Listen here or here.

"Where 'Years Ago' retains some of the urgency that is across Megafauna, for me. it also presents another color of the record — a kind of sensitivity, underpinned by a nod to the old hip-hop loops that we all grew up on," says the band's Ewen Friers.

A tribute to the two places the collective call home, their beloved Portrush on the Irish North Coast and the beating heart that is Belfast, Megafauna is headstrong exploration and heartfelt appreciation with all the intuition, intimacy and humor of four firm friends approaching their 20th year as a band and a nod to the Irish roots that simultaneously ground and propel them forward.

A contemplative yet characteristically playful piece, "Years Ago" is a shining example of ASIWYFA's inimitable grasp of creative composition and call-and-response dynamics. Shuffling, laid back drums drift underneath wandering, effortless melodies as the overdrive slowly but surely sneaks up on us, bursting in a gleeful cascade of dueling guitars and spiraling cymbals. "Years Ago" is ASIWYFA in their jarring yet joyous element — a musical melting pot of cultural influences and diverse inspirations.

Like so many other bands and creatives throughout the pandemic, ASIWYFA found themselves suddenly stationary, with any plans outside of their immediate vicinity put on indefinite hold. However, where this might have seen other acts falter, ASIWYFA took comfort in their communal bond and, as soon as they were able, began writing a record that quickly became a love letter to the communities they call home.

The intent behind Megafauna is clear from the outset. Two guitars, bass, and drums all recorded in a week erupt into effervescent life in an endorphin rush of collaboration and togetherness after the physical and psychological wilderness of isolation.

Megafauna is the band's first new music since 2022's critically-acclaimed Jettison,an ambitious multi-media ensemble piece packed full of experimentation and collaboration. Jokingly referring to Jettison as their mature record’, the band framed the writing of Megafauna around the their long-running mantra of "DO THE SCARY THING," which sees ASIWYFA constantly hurtling towards newness, towards progress, evolution and the unknown. Whilst the new record is ASIWYFA taking on a more familiar, traditional form; in this post-Jettison, post-pandemic world, Megafauna is a deafening and defiant statement of intent from the band's propulsive core — a clarion call for the communities that shape them, a resplendent celebration of togetherness over separation.

The band is also embarking on a U.S. co-headline tour with Caspian later this month. All dates are below.

ASIWYFA ON TOUR:
WITH CASPIAN:
7/17 — Houston, TX — White Oak Music Hall
7/18 — Austin, TX — Mohawk Austin
7/20 — Los Angeles, CA — The Belasco Theater
7/21 — Berkeley, CA — The UC Theatre
7/23 — Denver, CO — Oriental Theater
7/25 — Chicago, IL — House of Blues Chicago
7/26 — Indianapolis, IN — Post. Festival 2024
7/27 — Lakewood, OH — The Roxy
7/28 — Detroit, MI — The Shelter
7/29 — Toronto, Canada — The Axis Club
7/31 — Brooklyn, NY — Warsaw
8/1 — Washington, DC — 9:30 Club
8/2 — Charlotte, NC — The Underground
8/3 — Atlanta, GA — The Masquerade

One Outta Ten Release New Video For "SCREAM!!!"

Emerging indie rock band, One Outta Ten, have officially released a brand new video to their latest single, "SCREAM!!!". This anthemic single serves as a glimpse to their upcoming album, "Better Days", set for release on August 9, 2024. Fans can watch the new video below.

Speaking on the release of the new "SCREAM!!!" video, frontman Josh de Leon shares:

"This is a video taken from our performance at Transplants Brewing Company in Palmdale. We play the album version of "SCREAM!!!" in its full, eight-minute entirety. The extended outro was improvised between me, JT, and Tyler when we were warming up at a practice back in November 2023 before David and Mark showed up. It ended up becoming a sprawling sonic journey to make something special. I think the live version we ended up capturing from this video really shows our band chemistry, and how much fun we have just playing music together. There are cuts of some handcam footage from a roadtrip I took earlier this summer, one I was supposed to take with my dear dad. Since the song and upcoming album are all about processing grief, I figured this would be a great way to pay tribute with the video. 

Also I am not wearing shoes at any moment during this video. Enjoy 'SCREAM!!!"

As the release of their junior album nears, One Outta Ten continue to meld their heartfelt lyrics and exuberant melodies to further their reputation as one of the most promising indie bands at the moment. Fueled by the passion and raw emotion that characterize their music, the band’s forthcoming album, "Better Days," promises to deliver a heartfelt mix of powerful anthems and introspective ballads.

While seamlessly blending indie rock/pop with pop punk, "Better Days" delves into themes of friendship, loss, and the journey to find one’s path in life. Sprinkling in the elements of folk and bedroom pop throughout the album as well, One Outta Ten explore the complexities of grief with their poignant lyrics, all while actively healing from the loss of a loved one. Serving as a testament to the band’s resilience, this upcoming record stands to showcase their growth - both musically and personally.

Stay tuned for more One Outta Ten news coming soon.

Southern California fans also have the chance to see One Outta Ten at the Moroccan Lounge on Monday, July 22nd.

One Outta Ten will be sharing the stage with fellow California based bands, Couch Dog, Casino Youth, and Golf Sucks.

Fans can purchase tickets in advance HERE.

Don't miss your chance to see the band live this month!

ABOUT ONE OUTTA TEN

Hailing from Los Angeles, One Outta Ten is an indie rock band that effortlessly captures the triumphs and turmoils of growing up. With a raw live energy and a keen ear for infectious melodies, this five-piece outfit weaves together anthemic hooks and relatable lyrics with frenetic instrumentation. From unruly smog-dripping surf rock riffs to earworm refrains, the music of One Outta Ten is an invitation to both revel in the chaos and find comfort in the shared human experience. One Outta Ten is ready to become the soundtrack to your coming-of-age movie, equal parts turbulent and beautiful. Buckle up for the ride.

FUNERAL Announce Chilling New Album "Gospel of Bones"

In the shivering, twilight-stained expanse of Norway, where frost gnaws at ancient stones and shadows linger under perpetual twilight, FUNERAL weave tapestries of sorrow. The band's upcoming ninth album, Gospel of Bones, is a cavernous exploration of grief and resilience that's bound to echo deep within the hearts and souls of the doom metal faithful. Every note of lead single "My Own Grave" is meticulously carved from the raw nerves of pain, loss and solitude.   

Watch the elegiac video for "My Own Grave" below

Gospel of Bones comes out October 18, 2024 on Season of Mist.

Pre-order & Pre-save: https://orcd.co/funeralgospelofbones

When the weight of the world presses down like the bows of a snow-laden fir, Funeral stand resolute. The Norwegian band are guardians of the melancholic spirit that defines funeral doom metal, marching to the somber tune of operatic vocals, crushing riffs and the relentless dirge of the band's founder and drummer Anders Eek.

Gospel of Bones is a journey through the depths of despair. The album was produced by  the venerable Børge Finstad, who helped the enduring Norwegian band intertwine their intense, personal narrative of life's mishaps with a wide-ranging vision that bridges the chasm between doom metal, folk-rock and classical music. This mournful soundscape is enhanced by the artwork of Tristan Diaz Bastie, drawing listeners into a world where beauty and anguish waltz in a tragic embrace. 

"My Own Grave" is a harrowing scene of mournful splendor. Pounding drums, bowing strings, slow, chugging riffs and Eirik Krokfjord's operatic baritone lock together in a perpetual dance between life and the inevitable shadow of death.  

Melancholy. Pain. Loss. Solitude. Those had been just some of doom metal main themes ever since bleak pouring rain and the sound of church bell in the distance gave birth to the genre on BLACK SABBATH self-eponymous debut over five decades ago. But how many musicians have actually been bearing in their very flesh those gut-wrenching feelings?

Anders Eek – FUNERAL’s founding member, drummer and indisputable leader since 1991 – doesn’t particularly see it as a badge of honour, but he’d be the first to admit that somehow, the “death and loss we had to go through over the years were extremely painful yet inspiring, as a musician and as a human being.” And indeed, ever since their very first rehearsal in a basement in their hometown of Drammen, just outside of Oslo, Funeral had been ridden with problems and tragedy. Originally inspired by CATHEDRAL, CANDLEMASS, BLACK SABBATH, TROUBLE etc, they very quickly set out to create the most depressing and slowest form of doom/death possible at a time when their home country was being hailed as the birthplace of black metal. They went through several labels over the years, only to see them bust soon afterwards. Plagued by recurrent line-up problems, they even lost two of their key members Einar André Fredriksen (bass) and Christian Loos (guitar) in 2003 and 2006, respectively, to suicide and overdose.

But somehow, Eek never surrendered, but instead overcame all those obstacles by releasing over the years a slab of classics, each with its own, distinct personality, from the utter misery of the delicate yet none-so-extreme 1995 debut album ‘Tragedies’ to the more melodic and accessible 2001 gothic/doom masterpiece ‘In Fields Of Pestilent Grief’ or 2012 symphonic masterpiece ‘Oratorium’. Still, after the 30th anniversary concert in Oslo, april 12th 2022, also featuring the original singer Toril Snyen on the track «taarene», “life got in the way” as Anders puts it. “Some of us had kids, others moved out. Even I had quite a lot of things going on in my personal life and, at least for a while, maybe less drive to keep on carrying on the weight of the band on my shoulders. I never stopped writing music though because it’s something I’ve always done anyway.

2021 sees the band releasing Praesentialis in Aeternum (something along the line of “here eternally”) as a “natural progression. Guesting on  opening track ‘Ånd,’ the first single off the record, is Lars Nedland, Sindre’s own brother of BORKNAGAR and SOLEFALD fame. It’s also the first album for their new partner, Season of Mist.

In 2020 Eek started writing what was to become the album Gospel of Bones, to be released in October 2024.

In 2022 Singer Sindre Nedland was replaced by the professionally trained baritone opera singer Eirik Krokfjord (specialized in the works of Richard Wagner), known from both the Norwegian Opera Choir, as well as having several leading roles in operas both in Norway and abroad.

Violinist Ingvild Johannessen also joined the ranks, and the band moved away from programmed orchestration, and recorded all strings analogue.. This time around also incorporating the traditional Norwegian instrument the Harding fiddle, which is a key element throughout the entire upcoming album, moving the band slightly towards a more «folk» sound, combined with the classical opera-vocals of E. Krokfjord. Hopefully building bridges between both metal music, folk- rock and classical music.

Roughly 20 tracks were composed throughout the Covid pandemic(9 of whom made it to the studio), and yet again recorded and mixed at Toproom Studio, by Børge Finstad.

Violinist Øyvind Rauset, from the cult Norwegian folk-rock band FOLQUE, is performing on 2 tracks as a guest musician, as well as Espen Ingierd, with his very distinct singing-style in the vein of John Lennon, Michael Gira (SWANS)etc from cult doom/death band BEYOND DAWN singing on 2 tracks.

The album also contains an instrumental cover song , written by Kjetil Selvik, and is a melancholic piece only consisting of harding fiddle and church organ.

The lyrical content of the album is an autobiography of life’s mishaps of drummer/composer  A. Eek, and deals with real darkness, misery, pain and loss.  A Gospel of Bones.

Line-up
Anders Eek - Drums
Eirik Krokfjord - Vocals
Ingvild Johannesen - Violin
Rune Gandrud - Bass
Stian Kråbøl - Guitars
Morten Søbyskogen - Guitars

Recording Studio
Toproom Studio & Studio 42

Production Credits
Produced by Børge Finstad
Sound Engineered by Anders Langberg
Mixed & Mastered at Toproom Studio by Børge Finstad

Guest Musicians
Øyvind Rauset
Espen Ingjerd
Vilde Kråbøl
Anders Langberg

Cover Art
Tristan Diaz Bastie

Photography
Guilherme Henriques

Stream & Order: https://orcd.co/funeralgospelofbones

Follow Funeral:
Facebook: https://www.facebook.com/funeralnorway/
Instagram: https://instagram.com/funeralnorway
YouTube: https://www.youtube.com/@DirgeofMourning
Bandcamp: https://funeraldoom.bandcamp.com/
Spotify: https://open.spotify.com/artist/0q3guqlmd8oVaz5v2Fqy3q
Apple Music: https://music.apple.com/artist/funeral/208973684
Deezer: https://www.deezer.com/artist/194130
TIDAL: https://tidal.com/browse/artist/23777

BLACK SMOKE TRIGGER Announces Long-Awaited Debut Album; Drops New Single "Sun Cries Red"

Black Smoke Trigger, the rising rock sensation from New Zealand, is set to release their highly anticipated debut album titled "Horizons" on August 2nd. Alongside this exciting announcement comes the release of their latest single, "Sun Cries Red," accompanied by a captivating performance video. Stream the track HERE and watch the music video below. Pre-orders for the album are available now, HERE.

Speaking on today’s announcement and their latest track, Charlie Wallace, guitarist of Black Smoke Trigger shares

"‘Sun Cries Red’ came to life while we were in pre-production for the album 'Horizons.' After the initial writing session, we stayed up all night recording the demo. Dan finished his bass part and went to bed, and the rest of us continued on in an alcohol-fuelled recording session. After going over and over the song, adding different layers in our AirBnb in Nashville, Dan burst out of his room absolutely pissed off that we had been going so long and so loud, which was kind of hilarious. We needed to finish the demo, so of course, we just continued on. A couple of days later, when I was recording the guitar solo in the studio, he said 'Where did that solo come from!?' which was possibly one of the funniest moments from recording the album. After explaining it was written when he was all pissed off that he couldn't sleep, he said 'well I didn't realize you were writing epic stuff like that,' it was good fun.

The song lyrically is about looking back at something that is important but neglected, seeing something in a shadow of its former glory.

Continuing the recording process, producer Nick Raskulinecz suggested we experiment by adding a string section to the song, Josh ended up writing all those parts and it took the song to another level."

"We are beyond excited to finally release the album 'Horizons', it has been such a crazy journey to get to this point and we poured everything we have into it."

Black Smoke Trigger continues to ride the high of their dynamic rock, anchored by the distinctive guitar work of Wallace and the commanding vocals of Baldrick combined with their pummelling rhythm section courtesy of bassist Dan Fulton, and drummer Josh Te Maro. Fast becoming known for not only churning out certified 10/10, arena ready rock bangers, Black Smoke Trigger are also quickly garnering a reputation for creating incendiary and often death defying music videos. 

"Sun Cries Red" follows the success of their previous singles "K.M.T.L", "Proof of Life" "Perfect Torture" and “The Way Down”, the video for which saw the band perform atop the tallest building in the Southern Hemisphere whilst Wallace jumped off the edge, shredding a guitar solo whilst plummeting 630ft and has clocked up over 1.3 million views on YouTube. The release sees Black Smoke Trigger continue to deliver on their promise of high-energy rock music that's both entertaining and deeply relatable.

Prior to this new string of singles, the band put out track “Caught In The Undertow”, the video for which was also a feat of extreme conditions. Filmed at Muriwai beach in Auckland, New Zealand and at a helicopter crash testing facility in a 3.6M deep pool, the whole band performed much of the song underwater creating a stunning visual that has clocked up 3.2 million Youtube views and highlighting the band’s dedication to creating unforgettable visual accompaniments for their hard-hitting rock anthems.

With the announcement of their hotly anticipated debut album, the horizon shines bright for these Kiwi rock trailblazers. Stay tuned for more to come.

Photo Credit - Maryanne Bilham|

ABOUT BLACK SMOKE TRIGGER 

Black Smoke Trigger are led by Wallace (creator of the hugely successful Guitar Mastery Method) whose insane talent provides everything from delicate melodic motifs to face-melting shred solos and stadium-conquering riffs. They are fronted by incendiary vocalist Baldrick, whose impressive vocal abilities provide that indefinable, timeless rock n roll soul to the Black Smoke Trigger sound. Bassist Dan Fulton, and drummer Josh Te Maro round out the line-up, joining forces to create a powerhouse rhythmic backbone and one of the most bombastic and inventive rhythm sections of recent years. 

With a rapidly growing fanbase, millions of streams, a reputation for raucous live shows and irrepressibly fearless approach to their craft, Black Smoke Trigger are poised to be the biggest and most thrilling entity to come from New Zealand since the Lord of The Rings movies. Just with more rock n roll and less hobbits.

WORMWITCH Unleashes Vicious New Single, "Godmaegen"

Blackened speed metal entity WORMWITCH will unleash their eponymous fourth studio album on July 26, 2024 via Profound Lore Records! The Canadian necromancers are now unleashing the vicious third cut from the offering, "Godmaegen," which can be heard below.

Wormwitch comments on the track, "This one was by far the most challenging to record. Major kudos to Izzy for not completely disintegrating while recording these drums. Everyone busted their asses on this and I like to think you can hear it come through.”

WORMWITCH sets out to combine a melodic blackened death assault with the ferocity and attitude of crust punk and classic rock and roll, jettisoning the burdens of ceremony and pomp that dominate the genre today. 

The album can be pre-ordered in various formats HERE.

The cover artwork for Wormwitch's eponymous record was created by Abomination Hammer

Like black wings from an obsidian sky, WORMWITCH descended from the darkness in 2015, somewhere upon the rain-soaked woodlands of coastal British Columbia. Animated from the bones of several local punk and metal bands, the new entity set out to combine a melodic blackened death assault with the ferocity and attitude of crust punk and classic rock and roll, jettisoning the burdens of ceremony and pomp that dominate the genre today. 

WORMWITCH released their first demo, 'The Long Defeat' in 2015, and shortly after signed to Prosthetic Records, under whom they released 'Strike Mortal Soil' (2017), 'Heaven that Dwells Within' (2019), and 'Wolf Hex' (2021). During that time the band toured with the likes of The Black Dahlia Murder, Suffocation, Midnight, Necrot, Uada, Bewitcher, and many others, earning themselves a dedicated cult following and international critical praise. In 2022, WORMWITCH struck out to independently release a string of singles and embark upon several tours of North America. After a busy festival season, 2024 saw the release of a six-song split with Atlanta black-thrashers Sadistic Ritual.

Now, with blades meticulously honed and tempered under the light of a feral Canadian moon, WORMWITCH emerges once more to offer their fourth full length record. Simply self-titled, “Wormwitch” is a statement of a band coming into it’s own - a revelrous celebration of devilish speed, searing melody and diabolical intensity.

Wormwitch Lineup:

Robin Harris: Bass, Vocals

Colby Hink: Guitars

Israel Langlais: Drums

Recording & Mixing: Michael Kraushaar at Little Red Sounds at New Westminster, BC

Mastering: Brad Boatright at Audiosiege

Guest vocals: Erlend Hjelvik (HJELVIK) on "The Helm And The Bow"

Cover Artwork: Abomination Hammer

Photos: Lucien Cyr

Links:

Bandcamp

Instagram

Facebook

Apple Music

Spotify

YouTube

Official Website

Pre-orders

In Hearts Wake Share "The Flood (ǝɔᴉʇsnɾ)" Video

Combustive and ravenously raw, the brand new single "The Flood (ǝɔᴉʇsnɾ)" from Australian metalcore band In Hearts Wake merges real-life devastation with vivid sonic dexterity. Releasing today via UNFD, "The Flood (ǝɔᴉʇsnɾ)" also features Parkway Drive's Winston McCall on guest vocal duties.

Another piercing cut from In Hearts Wake's forthcoming sixth studio album Incarnation, due out this Friday July 12, "The Flood (ǝɔᴉʇsnɾ)" snapshots the band's experiences during the 2022 floods that ravaged Northern NSW, with the addition of fellow Byron Bay native McCall, who adds ferocious gravitas.

Balancing pummeling arrangements with fleeting moments of austere atmospherics, "The Flood (ǝɔᴉʇsnɾ)" ultimately channels genuine fear and tragedy into a hulking and cathartic metalcore masterpiece. And, as vocalist Jake Taylor reveals, the return of McCall on guest vocal duties following his feature on the 2012 In Hearts Wake track "Departure (Death)" organically transpired during the aftermath of the 2022 floods.
 
"The Flood. Where to start?," shares Taylor. "It was February 2022 and torrential rains hit our home region in Northern Rivers NSW. Entire towns swallowed two stories underwater. Homes and lives were lost. The floods were biblical. My step-dad narrowly escaped out of a second story window by jumping onto a floating mattress."
 
He continues, "In the weeks that followed, I was out in Lismore NSW delivering emergency supplies with the rest of the band and I bumped into Winston (vocalist of Parkway Drive), who was helping out on a food run. We couldn't believe the destruction we were seeing, and yet at the same time, the resilience and strength of the people. 12 years since Winston's last feature on Divination and it felt right to reconnect and collaborate on such an important event that happened to our community."

Watch the video for "The Flood (ǝɔᴉʇsnɾ)" below

In addition to McCall, Incarnation also boasts a sweltering lineup of guest features, including Paledusk vocalist Kaito Nagai on Shishigami シシ神 (ssǝɹdɯǝ ǝɥʇ), Chad Ruhlig of For the Fallen Dreams, David Gunn of King 810 and Alfonso Civile of Heartsick on Michigama (uɐᴉɔᴉƃɐɯ ǝɥʇ), and The Color Morale's Garret Rapp on Shellshock (ssǝʇsǝᴉɹd ɥƃᴉɥ ǝɥʇ).

Throughout the lead up to the release of their new album, In Hearts Wake have been operating an official Incarnation Tarot-themed website that fans can visit throughout the album rollout for access to behind the scenes, exclusive info, and Incarnation announcements. And for fans keen to sleuth a sneak peek at parts of the unreleased track "Feeding The Dead (ǝɔuɐɹǝdɯǝʇ)," In Hearts Wake are currently offering a gateway to finding the song's stem files hidden across the internet. Collect them all and piece them together to get your hands on the full instrumental for "Feeding The Dead (ǝɔuɐɹǝdɯǝʇ)" before its official release! For more info, visit here.

Recently appearing at UNIFY Off The Record and wowing audiences across Australia with their Decade Of Divination tour last year, In Hearts Wake now turn their gaze to their new full-length Incarnation in 2024, with the band also set to celebrate and farewell their journey to date with long-time bassist and vocalist Kyle Erich this September. Spanning Newcastle, Sydney, Brisbane, Melbourne, Adelaide and Perth, In Hearts Wake will also be joined by special guests PALEFACE SWISS, King 810, and Gravemind.

Ahead of the Incarnation Australian Tour and in conjunction with announcing Erich's departure, In Hearts Wake also recently shared a new single, "Farewell," with the track fittingly bringing to a close the monumental chapter for Erich and In Hearts Wake.

Portland's SUN ATOMS announces new 7" single 'Take This Love' via Little Cloud Records.

"Sun Atoms is a tripped-out opus packed with droning electronics, shimmering guitars, dayglo melodies and a deep, whispered delivery" ~ Brooklyn Vegan

"Swirling keyboards, chiming psych tinged licks and the foreboding attitude dashed vocals craft a foreboding and bristling concoction, it has echoes of the Mission, The Sisters of Mercy or the propulsive sound of Leonard Cohen‘s 'I'm Your Man’ album" ~ God is in the TV Zine

"Ebbing and flowing like Love and Rockets under a Spiritualized raga; the spirit of Bowie’s classic Moonage Daydream echoes through the band’s astral fabric” ~ First Look

"Artistic leap into an enthralling intersection of post-punk, indie rock and new wave... a gateway for your consciousness to coast into fascinating sonic realms" ~ Spill Magazine

“Sun Atoms bend and blend through luminary influences Leonard Cohen, The Cure, Moon Duo and Nick Cave in an amalgamation that combines psychedelic, dark wave, and post-modern pop” ~ The Big Takeover

"Sun Atoms fuses styles and sounds like a long lost Basquiat painting found in deep space among comets and stars” ~ Maximum Volume


In a whirlwind of sonic serendipity, Portland psychedelic gaze-wave outfit Sun Atoms presents their new single 'Take This Love', a sonic odyssey that transports listeners to a realm of pure musical enchantment. The fun continues in the clever sci-fi video, created by Bradley Tuazon at Oregon's world-famous Airplane Home. On July 26, this 2-track single will be released via Little Cloud Records digitally and on 7" vinyl, previewing Sun Atoms' sophomore album.

Sun Atoms is made up of bassist Peter G. Holmström (The Dandy Warhols, Pete International Airport), vocalist Jsun Atoms (The Upsidedown, Daydream Machine), multi-instrumentalist June Kang, Mars de Ponte (LoveBomb Go-Go), L.A. drummer Eric Rubalcava and Boise native Derek Spencer Longoria-Gomez (Hi Hazel). 

Mixed by iconic producer Jagz Kooner (Massive Attack, Primal Scream, Oasis, Garbage) and mastered by Keith Tenniswood (Spiritualized, Death In Vegas), 'Take This Love' stands as a testament to Sun Atoms' commitment to musical innovation and creativity with Jsun Atoms delving into introspective realms, while pondering the “hieroglyphs in bright lights” illuminated by the desert stars. Its lyrical crowning blow lies in the line “take this love and shove it up your heart”.

'Take This Love' came to life in the wee hours of the morning following a transformative show in the enigmatic locale of Pioneertown. Once at Joshua Tree Recording Studios, the band found themselves ensconced in a creative fervor at 3am, recorded by Tommy Dietrick (The Brian Jonestown Massacre, David J, Mark Gardener, Smallstone, Sky Parade). As the desert sands whispered ancient mysteries, the band delved into uncharted territory, forging a unique sonic tapestry that transcends convention.
.
“We thought we'd be back earlier in the night, but hanging with friends after the show pushed us back a few hours. When we arrived at the studio, the house kit was already set up for our drummer, Eric. He and Tommy captured a driving thunderous rhythm, perfectly accenting the sequencing pattern June Kang brought in on the MPC. Peter came up with another one of his brilliant, hooky-pirate bass lines while our guitarist Derek tightroped the threshold of melody and fuzz. Enigmatic Martian muse Mars de Ponte added a celestial touch with ear-worm guitar leads and ethereal keys that linger long past the final chord. Peter later doubled the lead guitar line with a toy xylophone and Portland vocalist Allison Green (The Black Doors) also added her signature rich texture to the vocals," explains Jsun Adams.

Venturing into strange new sonic frontiers, the B-side 'And The Lion Saw The UFO' emerges as a sci-fi cautionary tale, resonating with experimental Krautrock beats and psychedelic textures. Initially recorded with Eric Crespo of experimental psych outfit Abronia, and featuring the illustrious Gregg Williams (Sheryl Crow, The Dandy Warhols) on hand drums, this auditory odyssey delves into dreamlike reverie, blurring the line between reality and imagination.

Meticulously crafted and imbued with cosmic energy, Sun Atoms' music captivates the senses, operating beyond the boundaries of sound and space. A genre-defying fusion of psychedelic rock, indie pop and post-punk, Sun Atoms push the boundaries of their own sonic exploration, inviting listeners on a musical escapade that defies categorization.

"From the start, 'Take This Love' captivated my ears with its mesmerizing rhythm and unapologetically bold lyrics. While the themes of love are familiar, Jason's lyrics always carry an element of surprise. The line "hieroglyphs in bright lights" inspired the wild idea of interdimensional love, a concept that, though unconventional, highlights the transcendent nature of love—a connection we can sense even without a shared language. Our idea was ambitious but the best way to visualize the song was through the story of two inter-dimensional beings trying to find each other," says video producer Bradley Tuazon.
 
"I had always wanted to film at the airplane home in Hillsboro, and this video's concept was perfect for it. Bruce Campbell (owner of the Airplane Home) kindly allowed us to film there. We didn’t really have a budget so we had to maximize our visuals with what was available to us. The location aided us in creating something fun, memorable and off the wall. From start to finish, we had just under a month to finalize storyboards, make costumes, and figure out logistics on top of our full-time jobs. This is the fifth production our crew has done this year, and I'm humbled each time we come together to create something special."

Earlier this year, Sun Atoms released their 'Ceiling Tiles' single on 7-inch vinyl, featuring the new wave-inspired single 'Ceiling Tiles' and the charismatic B-side (a unique fuzzed-out tribute to Leonard Cohen) called 'Tower of Song (in the key of JAMC)'. They also played a series of sold-out concerts with Dinosaur Jr. and shows with Federale, The Veldt and TREMOURS, in addition to playing Seagaze Festival and Treefort Festival, where they shared the stage with Ty Segall, A Place To Bury Strangers, Neko Case and Built To Spill.

The band debuted in 2021 with the album 'Let There Be Light', produced by Peter G. Holmström and mixed by iconic producer Stephen Street (Blur, The Smiths, The Cranberries), which involving contributions by The Black Angels’ Alex Maas, The Vandelles' Jasno Swarez  and Gregg Williams (Sheryl Crow, Blitzen Trapper). Since then, Sun Atoms has also played shows with Modest Mouse, Fishbone, Besnard Lakes, The Veldt and New Candys, and has shared the stage with the Allah Las, Broncho and Night Beats.

On July 26, 'Take This Love' will be released on 7-inch vinyl and fine digital platforms, including Apple Music, Spotify and Bandcamp. In the meantime, the 'Ceiling Tiles' single is also available on beautiful 7" vinyl.

CREDITS
Written and played by Peter G. Holmström, Jsun Atoms, June Kang, Derek Spencer Longoria-Gomez, Mars de Ponte, Eric Rubalcava
Produced and Engineered by Peter G. Holmström at Air Traffic Control
Recording (additional drums) by Gregg Williams at The Trench Studio
Initial Recording (add. vox) by Tommy Dietrick / Joshua Tree Recording Studio
Initial tracking by Eric Crespo at Red Lantern Studios
Mixed by Jagz Kooner at Stone Circle Studios (Avebury, England)
Mastered by Keith Tenniswood at Curve Pusher (Hastings, England)
Peter G. Holmström - bass, guitar, sequencers, keys, xylophone
June Kang - MPC, synths, percussion, guitar
Derek Spencer Longoria-Gomez - guitar, vocals
Mars de Ponte - guitar, keys, vocals, horns
Eric Rubalcava - drums, percussion
Jsun Atoms - vocals, guitar
Additional vocals by Allison Green
Hand drums by Gregg Williams
Lion Vocal Consult: Nate Wey & Christian Hurd
Cover artwork by James Coffman. Layout by Sean Gothman
Music video directed & edited by Brady Tuazon
Artist photos by Lisa Hagen Glynn 
Released by Little Cloud Records 2024
Publicity by Shameless Promotion PR

TOUR DATES
July 20  SANDY, Oregon - Shady Pines Fest, McKinnon Airpark
Aug 10  MAUPIN, Oregon - The Oasis
Sept 7  PORTLAND, Oregon - PDX POP FEST Main Stage, Downtown
Nov. 9   PORTLAND, Oregon - Show Bar (with The Veldt, Asteroid #4 & Los Mundos)


Keep up with Sun Atoms
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Soundcloud | Apple Music | Spotify | BandsInTown | SongKick | Booking contact | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

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BILL LEEB (Front Line Assembly, Delerium) releases 'Terror Forms' feat. SHANNON HEMMETT (ACTORS, LEATHERS), first single from debut album

"Bill Leeb's 'Terror Forms’ is a frenzy-filled dose of sonic adrenaline that is infectious and, paradoxically, suitable for the dancefloor. All the better due to the fact that this track also brings in tandem vocals by another brilliant Vancouver artist – namely Shannon Hemmett... Is dystopian bliss a thing? They could be on to something big here" ~ The Spill Magazine

"Instantly recognizable, but “Terror Forms” still sounds like something unmistakably new... Shannon Hemmett adds an ethereal vocal presence to the sinister synthetic soundscape" ~ Rock and Roll Fables


Beguiling industrial-electronic music legend Bill Leeb presents ‘Terror Forms’, the first taste of his debut solo album 'Model Kollapse', to be released via US-based label Metropolis Records. Introducing this record, this song reflects the dystopian, nihilistic world we have created in so many different ways, ultimately asking the question "When will the human voice be lost to AI and technology....or will that be what saves us in the end?"

Based in Vancouver, Bill Leeb is the mastermind behind highly influenitial electro-industrial scene mainstays Front Line Assembly and ambient-pop duo Delerium, having gotten his start with Skinny Puppy (under the pseudonym Wilhelm Schroeder). He is also a key member of other occasional recording projects, including Noise Unit, Intermix and Cyberaktif.

‘Terror Forms’, which features Shannon Hemmett of Vancouver post-punk quartet ACTORS and her solo project LEATHERS, explores the intricacies of artificial intelligence and the very survival of humanity itself.

‘Model Kollapse’ marks Leeb's first solo venture since the mid-80s days of Front Line Assembly, when he used to make recordings in his bedroom and released them on limited edition cassette format.  This album also involves contributions by LA-based artist Mimi Page, a long-term Delerium collaborator, and Jason Corbettof ACTORS and Jacknife Sound Studio.

Almost four decades on, his new album was recorded and produced in Vancouver, Toronto and Los Angeles with assistance from Vancouver/Toronto-based production duo Dream Bullet and long-term FLA/Delerium cohort Rhys Fulber, plus regular mixing engineer Greg Reely.

Hard-edged yet melodic, danceable and very much song-oriented rather than soundscape-driven, the 'Model Kollapse' album carries traces of hard-edged electronic dance music pioneers such as Front 242, DAF, KMFDM and Skinny Puppy, as well as his own oeuvre. However, it also displays the influence that acts like these had on latter day artists such as Gesaffelstein and ADULT, not to mention music that came to be known as darkwave.

Earlier, Nina Heckman of Metropolis Records shared, "Bill Leeb has had a prolific career as a founding member of Skinny Puppy, Front Line Assembly and Delerium. His music has been highly influential, and we are excited to see what this new chapter in his career will bring for him and his listeners. I'm honored to fulfill my father's (Dave Heckman) lifelong vision and to be doing this project with a lifelong family friend I can honestly call family (Bill Leeb).  This project is near and dear to all of our hearts here at Metropolis and I know it would make my father proud."  Tragically, Dave Heckman died in the summer of 2022.

Leeb shares, “Metropolis Records have been and are one of the most important labels for alternative music on this planet and this album was made possible by my long-standing friendship with Dave Heckman (RIP), who continuously supported us through the ages and gave us complete artistic freedom”.

Back in 1987, Leeb formed Delerium as a side project, exploring dark ethereal ambient trance, voiceless soundscapes and electronic pop music. Since their debut 1994 'Semantic Spaces' album, Delerium has received two Juno awards and enjoyed many collaborations, involving with Leigh Nash (Sixpence None the Richer), Lisa Gerrard (Dead Can Dance), Kirsty Hawkshaw (Opus III), Emily Haines (Metric), Jacqui Hunt (Single Gun Theory), Matthew Sweet and Kristy Thirsk (Rose Chronicles). Their worldwide hit 'Silence' with Sarah McLachlan reached #1 in numerous countries, its remixes also hailed among the greatest trance songs of all time (the Tiësto remix was voted the 12th-greatest dance track of all time by Mixmag readers).

‘Terror Forms’ is out now everywhere digitally. On September 13, the full ‘Model Kollapse’ album will be released on vinyl and CD, as well as digitally.

CREDITS
Recorded and produced in Vancouver, Toronto, Los Angeles and the Okanagan, British Columbia
Written and produced by Bill Leeb and Dream Bullet
Additional production by Rhys Fulber
Recorded, mixed and mastered by Greg Reely
'Terror Forms' performed by Bill Leeb and Shannon Hemmett
Album artwork by Allen Jaeger
Released by Metropolis Records
Publicity by Shauna McLarnon for Shameless Promotion PR
Artist photos by Bobby Talamine

Keep up with Bill Leeb
Instagram | Facebook | Front Line Assembly Facebook | Delerium Facebook | FB Group | Spotify | Apple Music | Press contact

Keep up with Metropolis Records
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube

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VESTIGE Find A Way Through Wreckage on "Corrosion"

VESTIGE are fresh on the scene, but the French band are made of raw emotions. Formed amidst a tumultuous period in the life of vocalist and guitarist Théodore Rondeau, the band weave intense layers of feeling into evocative, atmospheric post-metal on their debut album. "Corrosion", the second single off Janis, is an anthem for those who have lost their way but still have faith that they will find themselves again.   

Watch the mesmerizing video for "Corrosion" Below.

Janis comes out September 6, 2024 on Season of Mist. 

Pre-order & Pre-save 

https://orcd.co/vestigejanis

"Corrosion" opens with a somber guitar riff. The drums come in, adding an extra layer of depth and emotion. The lyrics speak of hope in the face of despair, how love has the power to heal our wounds. Théodore’s vocals are soft and haunting, only to harden as the band switches into a more aggressive style. 

Each song on Janis narrates a step in Theodore's journey through depression, from pain to redemption. By embracing modern metal, Vestige dissolve those fears and transform them into catharsis and beauty. 

The video for "Corrosion" was directed by  Mathieu Ezan, who's also worked with Cult of Luna and Hans Zimmer. 

Théodore Rondeau, the creative initiator behind VESTIGE, embarked on a journey of forming the band during a turbulent phase in his life. Emerged as a creative vessel for a complicated emotional journey, the band transcends the boundaries of individual therapy into a collaborative force that hopefully resonates with the feelings that may be all too common for the human experience.
 

With a profound connection to their craft, VESTIGE pour their souls into their debut album, infusing it with a captivating blend of melancholy, desperation, and catharsis. The music serves not only as an expression of their turmoil, but as a conduit for listeners to navigate the complexities of their own emotions. Through this process, VESTIGEbecomes a project with the potential to connect with people on a profound level, forging a collective experience through the universal language of music.
 

The formation of VESTIGE’s lineup reads like a musical destiny unfolding: Pierre-André Krauzer on the bass, Quentin Regnault on drums, and Théodore on vocals and guitar. They first crossed paths during their tenure in Naraka, a band that shared stages with icons like Cradle of Filth and Alcest. This initial connection laid the groundwork for the formation of the band. Not long after, the addition of Thomas Petit on the second guitar solidified the lineup, bringing a sense of completeness to the ensemble. The band’s sonic identity now established; VESTIGE was ready to share this experience with the world.
 

The signing with Season of Mist brings the band’s first milestone, allowing VESTIGE to share their journey in the form of their debut album, Janis. Poised for release in late 2024, the album is a culmination of their collective efforts and a statement of the band’s arrival in the heavy music scene. Weaving through atmospheric shoegaze textures, melodic landscapes and intense, tormented moments that reflects the emotional spectrum of the human experience, the band established a foothold into the genre of modern metal.
 

Beyond the studio, VESTIGE is gearing up for a series of live performance in 2024, setting the stage for an introspective musical experience that brings raw and authentic energy. A cathartic release that pulls in the listener into the emotional depths the band has to bring.

Line-up
Théodore Rondeau - Vocals, Guitar
Pierre-André Krauzer - Bass
Quentin Regnault - Drums
Thomas Petit - Guitar

Recording Studio
Théodore’s Home Studio, Quentin's Home Studio (For Drums), Pierre-André Krauzer's Home Studio (For Bass)

Production Credits
Mixed by Geoffrey Bonnifet at his Home Studio
Mastered by Acle Khaney at 4D Sounds, Oxfordshire, UK

Biography
Sébastien Gamez

Cover Art
Kilian d’Angelo & Justine Dorin

Photography & Video Production
Mathieu Ezan

Pre-save & Pre-order: https://orcd.co/vestigejanis

Follow Vestige:
https://linktr.ee/vestigemusic

Booking Contact:
Thomas Petit - thomas@tourvie.fr

Available Formats:
Digital Download
CD Digipak
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Gold

The Devil Wears Prada Announce Fall 2024 Tour

THE DEVIL WEARS PRADA have shared their Fall 2024 tour plans. The band will hit the road on a headline run, with support from Silent Planet, Like Moths to Flames, and Greyhaven. An additional act on the bill will be announced at a later date. All dates are listed below.

Tickets for The Devil Wears Prada Is Eternal Tour go on sale on Friday, July 12 at 10am local time. Tickets and VIP packages will be available here. 

TDWP will appear at When We Were Young in Las Vegas and Furnace Fest in Birmingham in October.

"The Devil Wears Prada Is Eternal," the band states. "We are thrilled to announce our Fall 2024 Headline Tour with an incredible lineup of bands. This will be the craziest TDWP show you've ever seen, so get your tickets now before they're all gone! See you in the pit."

TDWP also dropped the brand new single "Ritual" earlier this year and it's a taste of what's to come.

THE DEVIL WEARS PRADA ON TOUR:
WITH SILENT PLANET, LIKE MOTHS TO FLAMES, + GREYHAVEN:
10/25 — Grand Rapids, MI — The Intersection
10/26 — Milwaukee, WI — The Rave
10/27 — Chicago, IL — House of Blues
10/28 — Detroit, MI — St. Andrew's Hall
10/30 — Silver Spring, MD — The Fillmore
10/31 — Wilkes-Barre, PA — Mohegan Sun Arena
11/1 — Worcester, MA — The Palladium
11/2 — Toronto, ON — The Danforth
11/3 — Sayreville, NJ — Starland Ballroom
11/5 — Atlanta, GA — The Masquerade
11/6 — Nashville, TN — Marathon Works
11/7 — Raleigh, NC — The Ritz
11/9 — Ft Lauderdale, FL — Revolution
11/10 — St Petersburg, FL — Jannus Live
11/12 — Houston, TX — House of Blues
11/13 — San Antonio, TX — Vibes
11/15 — Dallas, TX — The Factory
11/16 — Lawrence, KS — The Granada
11/17 — Denver, CO — Summit Music Hall
11/19 — Salt Lake City, UT — The Depot
11/20 — Boise, ID — Knitting Factory
11/22 — Tacoma, WA — Temple Theatre
11/23 — Spokane, WA — Knitting Factory
11/24 — Portland, OR — Roseland
11/26 — Sacramento, CA — Ace of Spades
11/27 — Anaheim, CA — House of Blues
11/29 — Los Angeles, CA — Belasco
11/30 — Tempe, AZ — Marquee Theatre
12/1 — Albuquerque, NM — El Rey

1349 Announce New Album 'The Wolf and The King'

Born from the frost-bitten landscapes of Norway, 1349 are returning to claim the throne of black metal supremacy. Their upcoming eighth album, The Wolf and The King, is proof of their unwavering dedication to the genre's darkest depths. Lead single "Shadow Point" captures the raw, unfiltered sound that has defined the band's legacy.  

Watch the hellish music video for  "Shadow Point" Below.

The Wolf and the King comes out October 4, 2024 on Season of Mist. 

Pre-order & Pre-save 

https://orcd.co/1349thewolfandtheking
 

The Wolf and The King is a monument of black metal mastery. 1349's new album album is an eight-track odyssey recorded at Amper Tone in Oslo and New Constellation R.M.P. in Orlando, produced and mixed by the relentless duo Ravn and Jarrett Pritchard. These eight songs do more than just push boundaries; they shatter them, exploring themes of transformation through destruction, liberation and mind expansion.

Each song on The Wolf and The King is a portal into realms where shadows reign and chaos is the only order. "Shadow Point" enhances 1349's ferocity with unrelenting grooves and complex headbanging riffs that echo the haunting chills of the abyss. From the menacing "The God Devourer" to the cataclysmic "Fatalist", the band imbues the album with apocalyptic elegance. The previously released "Ash of Ages" merges thrash influences with black metal intensity, while "Inferior Pathways" forms an indomitable backbone of unforgiving riffs and demonic rhythms.

"Shadow Point" is just the beginning of The Wolf and the King's aural assault. Kneel into the void and bow to the relentless fury of 1349's blackened artistry.

Order "Ash of Ages" on exclusive 12" vinyl.

https://redirect.season-of-mist.com/1349AshofAges

In a union that promises to reshape the contours of black metal, 1349are joining forces with the revered Kampfar for a highly anticipated 2024 European co-headlining tour. Prepare for a ceremonial gathering of black metal's most fervent apostles, ready to spread the gospel of Aural Hellfire and pagan might.

Get tickets: http://linktr.ee/1349official

1349 is not like other bands. It’s not a group of friends who decided to make music together. 1349 is a band formed with a unified vision and specific purpose: To maintain the legacy of black metal.

“I didn’t like the direction that black metal took in the mid part of the ’90s,” 1349 vocalist and mastermind Ravn recalls. “It started losing everything that I liked about black metal—the grimness, the eeriness, the primal emotions that captivated me and brought me into that sphere. You had all these synthesizer-based bands dressing up in pirate shirts and looking like goths. It ruined something that I truly hold close to my heart.”

In 1997, Ravn formed 1349 and recruited bassist Seidemann and, now former, guitarist Tjalve to help him pursue the vision of recapturing the original spirit of black metal. The longstanding lineup of Ravn, Seidemann, guitarist Archaon, and drummer Frost (also of Satyricon) has been in place since 2001. “I found people that felt the same way as me,” Ravn says of his bandmates. “We wanted to bring back the trademark of Norwegian black metal, as it was presented in the early 90s. Every time we release an album, that’s the inspiration and the backdrop.”

The Wolf and the King is the latest sortie in that crusade.1349’s eighth album sees the Oslo-based band harnessing the primordial energy of black metal’s decade-defining second wave and channeling it through ancient mysteries and the relentless global chaos of the 2020s.

The album title comes from a classic alchemical allegory: A wolf devours a king. Then the wolf is devoured by flames, and a new king rises from the ashes. “When I first heard about alchemy when I was young, it was people turning metal into gold,” Ravn says. “Further down the road, through various literatures and magical practices, I realized that what you’re turning into gold is metaphorical. It’s about personal development, basically. You want to be the best you can be, and that’s what we try to do as well. We try to top ourselves, to kill our egos in order to grow as persons. If you don’t do that, you will die. You will not rise from the ashes.”

Lead single “Ash of Ages” combines thrash with extreme metal flourishes and a proper doomsday theme. “The song is based on a story I read about a layer of ash that covered the Earth 12,000 years ago,” Ravn explains. “This layer of ash comes from a meteorite that struck the Earth during the Ice Age. It melted a lot of the ice, which is where the Great Flood came from. The Great Flood is in the Bible, but it was written about in every ancient culture. The theory is that it washed away a lot of other ancient cultures that held a higher intelligence level than those that were found after the flood. So, it possibly set human civilization back many thousands of years.”

Released as a one-sided maxi-12” with a flipside etching by Jordan Barlow—who did all the artwork for The Wolf and the King (as well as the band’s 2019 album, The Infernal Pathway)—“Ash of Ages” is also a warning to check your ego. “To think that you’re important, that you’re anything but an ant down there, is futile,” Ravn points out. “In the end, everything will be washed away, and nothing will be left.”

“Shadow Point” comes complete with a video and revisits the sonic domain of The Infernal Pathway with a classic headbanger groove. “This one references the Star of Algol, or ‘the Demon Star,’” Ravn offers. “It’s actually two stars that revolve around each other, and the small one is devouring the big one. Human beings have seen this star from early ages, and it has had many names over the years. It’s a known part of the magical world, so I wanted to include it in a song.”

Shot through with menace and a snaky groove, album opener “The God Devourer” will also have a video. “The lyrics are based on the alchemical principle of devouring all that you feel is in your way of becoming a better human,” Ravn says. “It sets the ominous tone for the whole album.”

Recorded at Amper Tone in Oslo, Norway, and New Constellation R.M.P. in Orlando, Florida, The Wolf and the King was produced and mixed by Ravn and Jarrett Pritchard (Eulogy, Pulchra Morte), the band’s long-standing sonic wizard who also worked on their previous two albums. The lyrics were written by the band’s longtime wordsmith, Svartalv, who has been working with 1349 for twenty years.

Jordan Barlow’s elaborate artwork for The Wolf and the King reflects the album’s chronological position in 1349’s discography. “This is our eighth album, and the artwork and lyrics are filled with references to this number of infinity,” Ravn explains. “You can basically go on a quest finding references to the number in the artwork.”

All told, The Wolf and the King is the exalted output of the joint force that is 1349. “We all work together to make the best black metal possible every time we release an album,” Ravn says. “This is our common goal. We’re a band on a mission.”

Line-up
Archaon - Guitars
Frost - Drums
Ravn - Vocals
Seidemann - Bass

Recording Studio
Amper Tone (Oslo, Norway) & NEW CONSTELLATION R.M.P. (Orlando, USA)

Production Credits
Produced by Jarrett Prichard & Ravn
Mixed by Jaerrett Prichard & Ravn at NEW CONSTELLATION R.M.P.
Mastered by Jaerrett Prichard at NEW CONSTELLATION R.M.P.

Biography
J. Bennett

Cover Art
Jordan Barlow

Pre-order & Pre-save:https://orcd.co/1349thewolfandtheking

Links/Follow Artist:
Official Website:http://www.legion1349.com/
Bandcamp:http://1349som.bandcamp.com/
Facebook:https://www.facebook.com/1349official
Instagram:http://instagram.com/1349official
Twitter:http://twitter.com/1349official
YouTube:https://www.youtube.com/user/1349auralhellfire
Spotify:https://open.spotify.com/artist/150xbiJGnTy1tSBZ9EFKnT
Deezer:https://www.deezer.com/en/artist/10673
Apple Music:https://music.apple.com/us/artist/1349/79664050
TIDAL:https://tidal.com/browse/artist/22185
Amazon: https://www.amazon.com/1349/e/B001LHI2SI/

A message from TROPIC GOLD

Koe Wetzel Arrives at Country Radio: “High Road” With Jessie Murph Impacts Today, July 8

With recent releases “Sweet Dreams” and “High Road” both immediately catapulting Koe Wetzel onto the all-genre Billboard Hot 100 chart, with the publication declaring him as “one of 2024’s bigger breakout artists, but certainly no rookie,” he now debuts at country radio as “High Road” with Jessie Murph impacts via RECORDS Nashville today, July 8, ahead of his forthcoming fifth studio album 9 Lives arriving next Friday, July 19 via Columbia Records.

Pre-save the album HERE.
 
Prior to its radio debut, “High Road” has already achieved remarkable streaming success with first week consumption reaching 106,000 and a total of more than 64.3 million worldwide streams to date, plus over 1.7 million views on the official lyric video and over 600,000 first-week views on the official music video, filmed at New York City’s iconic Power Station Studio and directed by Michael Herrick.
 
The song has also made significant chart impacts, debuting at No. 3 on Spotify Top Songs Debut USA (No. 7 Global) while also peaking at No. 27 on the Billboard Hot 100, No. 10 on the Apple U.S. Top 200 Songs Chart (No. 19 worldwide), No. 17 on the Spotify Daily Top Songs U.S. Chart (No. 22 weekly) and No. 5 on the iTunes Top 200 Songs Chart. 
 
Written by Wetzel alongside Amy Allen, Carrie Karpinen and producer Gabe Simon, “High Road” had quickly become a fan-favorite on social media even ahead of its release, with lyrics that showcase a mature level of vulnerability that defines the still hard-rocking album:
 
       Imma let you cool down while I walk out
       You ain’t messing me up like the times before
       I don’t need a ticket to your shit show
       Knock yourself out and hit a new low
       Imma take the high road, take the high road, take the high road
 
“High Road” joins lead single “Damn Near Normal,” title track “9 Lives (Black Cat)” and recent release “Sweet Dreams” in offering an early preview of the highly anticipated new album. Wetzel offered fans a further preview of the album’s multi-faceted narrative with a special trailer introducing nine unique Koe Wetzels as MusicRow’s “genre disruptor” praised by Billboard for “music that’s unvarnished and unfiltered” showcased his comedic acting skills. Watch HERE.
 
The Texas-born live phenom also plans to take his new music global this year with his recently announced Damn Near Normal World Tour already featuring multiple sold-out dates. Additionally, Wetzel will perform prominent sets at several festivals, including Country Thunder, WE Fest, Watershed and more, plus a hometown stadium show as he joins Morgan Wallen’s One Night At A Time World Tour in Arlington, Texas on July 26.
 
For more information on all things Koe Wetzel and to purchase tickets to upcoming shows, visit KoeWetzelMusic.com and follow on Instagram and Facebook @KoeWetzelMusic, TikTok @Koe_Wetzel and Twitter/X @KoeWetzel.

About Koe Wetzel
Koe Wetzel never met a genre wall he couldn’t tear down: The Texas singer-songwriter has earned a rabid audience for his songs that mix country, rock, hip-hop, and even Nineties grunge. His 2016 album Noise Complaint endeared him to fans with its no- holds-barred lyrics about drunken nights, broken hearts and stints in jail, and included the Gold-certified hits “Love” (feat. Parker McCollum), “Something to Talk About” and the infamous “February 28, 2016.” Wetzel’s 2020 major label debut, Sellout, only furthered his legend with the Platinum-certified “Drunk Driving” plus the Gold-certified “Good Die Young” and “Kuntry & Wistern.” The 2022 follow-up, Hell Paso, hit No. 3 on Billboard’s Country Albums and spawned hits on both the country and rock charts, including the Gold-certified “Creeps” and “Cabo.” To date, Wetzel has 2.6 billion total streams and has created a genuine experience with his live concerts, which he describes as “total chaos.” In 2023 alone, he sold more than 275,000 tickets, and appeared for a third time on POLLSTAR’s Top Worldwide Tours. Wetzel will open for Morgan Wallen on the superstar’s One Night at a Time Stadium Tour this July and play prominent sets at festivals like Country Thunder and Watershed this summer, while also headlining his own Damn Near Normal World Tour. His new album, 9 Lives (Columbia), is set for release July 19.
 
About Jessie Murph
19-year-old powerhouse vocalist and songwriter Jessie Murph has been having an exciting 2024. Most recently she released her new single, “Cold,” to rave reviews and brought her sold-out global headline tour to North America after hitting major markets abroad and 40 cities across the U.S. & Canada. Earlier this year, Jessie, who was featured as MTV’s PUSH artist in January, showcased her soulful side with “Son of a Bitch.” The Billboard 21 Under 21 honoree’s latest single comes on the heels of her hit track, “Wild Ones,” with Jelly Roll, which has tallied over 200M streams worldwide since release in October, broke through top 40 on the Billboard Hot 100 chart, and reached No. 1 on Billboard’s Country Digital Song Sales chart. Jessie and Jelly Roll teamed up to perform the critically and commercially acclaimed track on “Jimmy Kimmel Live!” and “Dick Clark’s New Year’s Rockin’ Eve” and are nominated for Best Music Collaboration at the 2024 Nickelodeon Kid’s Choice Awards.
 
2023 proved to be another standout year for Jessie who released her debut mixtape drowning in February to high praise. In May, she dropped “Cowboys and Angels,” which, along with her single “Texas (ft. Maren Morris),” ushered in a new era that etches raw emotion through her strikingly sincere songs laced with soul-gripping storytelling, hip hop-infused production and alternative experimentation anchored by her modest pop appeal. Named an ‘Artist to Watch’ by Genius, Pandora and Amazon Music, Jessie also collaborated with Diplo and Polo G on “Heartbroken,” which hit the Top 40 at pop radio in the U.S. Between praise from various outlets including SPIN, Rolling Stone, Flaunt Magazine, NYLON and amassing over 1 billion streams globally, Jessie is just getting started.

Damn Near Normal World Tour Dates:
July 27             The Woodlands, Texas  ||  Cynthia Woods Pavilion  
Aug. 7              Missoula, Mont.  ||  Big Sky Brewing Company Amphitheater 
Aug. 8              Nampa, Idaho  ||  Ford Idaho Center Amphitheater  
Aug. 9              Sandy, Utah  ||  Sandy Amphitheater – SOLD OUT
Aug. 10            Las Vegas, Nev.  ||  The Theater at Virgin Hotel Hotels Las Vegas  
Aug. 15            Minneapolis, Minn.  ||  The Armory  
Aug. 16            Council Bluffs, Iowa  ||  Stir Cove (Harrah’s Casino) – SOLD OUT
Aug. 21            Cleveland, Ohio  ||  Jacobs Pavilion  
Aug. 22            Columbus, Ohio  ||  KEMBA Live! Outdoor – SOLD OUT
Aug. 23            Pittsburgh, Pa.  ||  Stage AE – SOLD OUT
Aug. 24            Washington, D.C.  ||  The Anthem – SOLD OUT
Aug. 28            Boston, Mass.  ||  Roadrunner  
Aug. 29            Uncasville, Conn.  ||  Mohegan Sun Arena  
Aug. 30            Atlantic City, N.J.  ||  Hard Rock Live at Etess Arena  
Aug. 31            Reading, Pa.  ||  Santander Arena  
Sept. 4              Charleston, W.V.  ||  Charleston Coliseum  
Sept. 5              Roanoke, Va.  ||  Berglund Center  
Sept. 6              Columbia, S.C.  ||  Colonial Life Arena  
Sept. 7              Cary, N.C.  ||  Koka Booth Amphitheatre  
Sept. 12            Kansas City, Kan.  ||  Azura Amphitheater  
Sept. 13            Camdenton, Mo.  ||  Ozarks Amphitheater  
Sept. 18            St. Louis, Mo.  ||  Chaifetz Arena  
Sept. 20            Huntsville, Ala.  ||  The Orion Amphitheater  
Sept. 21            Macon, Ga.  ||  Atrium Health Amphitheater  
Sept. 25            Alexandria, La.  ||  Rapides Parish Coliseum  
Sept. 26            Tuscaloosa, Ala.  ||  Mercedes-Benz Amphitheater  
Sept. 27            Nashville, Tenn.  ||  Ascend Amphitheater – SOLD OUT
Sept. 28            Little Rock, Ark.  ||  First Security Amphitheater  
Oct. 3               Pikeville, Ky.  ||  Appalachian Wireless Arena  
Oct. 4               Indianapolis, Ind.  ||  Everwise Amphitheater at White River State Park  
Oct. 5               Evansville, Ind.  ||  Ford Center  
Oct. 10             Abilene, Texas  ||  Expo Center of Taylor County  
Oct. 11             Lubbock, Texas  ||  Cooks Garage  
Oct. 13             Morrison, Colo.  ||  Red Rocks Amphitheatre – SOLD OUT
Oct. 26             Manchester, U.K.  ||  Academy 3
Oct. 27             London, U.K.  ||  The Garage
Oct. 30             Glasgow, U.K.  ||  Oran Mor
Oct. 31             Birmingham, U.K.  ||  Academy 2
Nov. 1              Leeds, U.K.  ||  Brudenell Social Club
Nov.3               Amsterdam, Netherlands  ||  Melkweg (Oude Zaal)
Nov. 5              Hamburg, Germany  ||  Bahnhof Pauli
Nov. 6              Berlin, Germany  ||  Frannz Club
Nov. 7              Cologne, Germany  ||  Club Volta 
 
Additional Shows:
July 12              Friant, Calif.  ||  Table Mountain Casino
July 18             Twin Lakes, Wis.  ||  Country Thunder Wisconsin
July 26             Arlington, Texas  ||  AT&T Stadium (with Morgan Wallen)
July 31             Davenport, Iowa  ||  Mississippi Valley Fair
Aug. 1              Detroit Lakes, Minn.  ||  WE Fest
Aug. 3              Sweet Home, Ore.  ||  Oregon Jamboree Music Festival
Aug. 4              George, Wash.  ||  Watershed Festival
Aug. 17            Wichita, Kan.  ||  Bulls, Bands and Barrels
Sept. 14            Prior, Okla.  ||  Born & Raised
Sept. 19            Louisville, Ky.  ||  Bourbon & Beyond