Memphis May Fire Return With Video for New Single "Chaotic"

MEMPHIS MAY FIRE  Matty Mullins (vocals), Kellen McGregor (guitar), Cory Elder (bass), and Jake Garland (drums) — are back with a brand new single. And it's straight up slays. It captures everything fans have come to know, love, and expect from the band, with some unexpected twists and turns. It's rife with super catchy choruses, pit-stirring breakdowns, and electronic flourishes sprinkled throughout.

The band has dropped the video for "Chaotic," which premiered over at SiriusXM's Octane on April 11.

Watch the video below.

"'Chaotic' embodies the visceral urge to stir chaos in our lives as a desperate attempt to drown out the pain of reality," Mullins explains. "The song embodies the essence of Memphis May Fire, but pushes the boundaries a little which we love to do. So happy it’s finally out there and can't wait to play it live!"

Speaking of MMF live, the band is embarking on a tour with Asking Alexandra. All dates are below, including headlining shows.

"Chaotic" is the opening salvo of MMF's new era. Stay tuned for more, because it's coming.

MEMPHIS MAY FIRE ON TOUR:
WITH ASKING ALEXANDRIA, THE WORD ALIVE, + NERV:

4/17 — Atlanta, GA — Buckhead Theatre
4/19 — Pensacola, FL — Vinyl Music Hall*
4/20 — Orlando, FL — The Beacham*
4/21 — Ft. Lauderdale, FL — Revolution
4/23 — Richmond, VA — The National
4/25 — Norfolk, VA — The Norva
4/26 — Silver Spring, MD — The Fillmore Silver Spring
4/28 — Harrisburg, PA — Harrisburg Midtown Arts Center
4/30 — McKees Rocks, PA — Roxian Theatre
5/1 — Columbus, OH — The Bluestone
5/2 — Chicago, IL — The Bottom Lounge*
5/8 — Salt Lake City, UT — The Depot
5/10 — Portland, OR — McMenamins Crystal Ballroom
5/11 — Garden City, ID — Revolution Concert House
5/12 — Seattle, WA — The Showbox
5/14 — Sacramento, CA — Ace of Spades
5/15 — San Diego, CA — House of Blues San Diego
5/17 — Anaheim, CA — House of Blues Anaheim
5/18 — Tempe, AZ — Marquee Theatre
*Headline Date

Mandoki Soulmates release a very clear statement with new single and video “We Stay Loud” from upcoming album A Memory Of Our Future

Mandoki Soulmates – the international and inter-generational supergroup consisting of rock and fusion grandmasters surrounding founder and mastermind Leslie Mandoki – release the 3rd single “We Stay Loud” of upcoming album, A Memory Of Our Future.

Pre-Order A Memory Of Our Future here:
https://mandokisoulmates.lnk.to/AMemoryOfOurFuture-Bio

“We Stay Loud” - is actually the most contemporary statement to say “let’s swim against the current” in this black-tie devil’s masquerade. This is no peaceful resistance, no love-parade.

As Soulmates, we’re always trying to find a musical way to express ourselves, to give a comment to our world, and musically it’s probably the hardest rock song on the album.

It’s a very clear statement, a revenge of analog in a digital world.

Watch the video for “We Stay Loud” below.

Stream “We Stay Loud” on your favorite DSP or pre-order here:
https://mandokisoulmates.lnk.to/AMemoryOfOurFuture-Album

Watch the insights of the album and behind the scenes of the production here:
https://youtu.be/0RnFwaG0I9c

A Memory Of Our Future is now available for pre-order and will be available in the following formats:
 

180g black 2LP wide spined Gatefold & extensive 12-page booklet
Ltd. CD Edition PocketPac with noble matt/gloss finishing, Vinyl-look disc and extensive 24-page booklet
Standard CD Jewel case (US Version)
Digital album
Dolby Atmos Version

Stream and watch the supergroup’s last single and video release, “The Big Quit”.

The single has it all – musically and socio-politically. The Soulmates counter the relentless, literally harsh diagnosis of the lyrics with the poetic power of the music as energetic therapy. A prog rock classic with catchy tune potential that will have you singing along long after the needle has been lifted from the vinyl.

Listen to the single here & watch the video here.

Pre-Order A Memory Of Our Future here:
https://mandokisoulmates.lnk.to/AMemoryOfOurFuture-Bio

After their successful 30 Years Anniversary Tour through Europe, the Soulmates will be performing a special open-air concert in the courtyard of the Munich Residenz on August 15, 2024 and play the new album live.

Buy tickets here:
https://www.muenchenticket.de/tickets/performances/etbn0mu9zw2q/Mandoki-Soulmates 


Mandoki Soulmates are:
Leslie Mandoki
Ian Anderson (Jethro Tull)
Mike Stern
Al di Meola
Randy Brecker
Till Brönner
Bill Evans
John Helliwell (Supertramp)
Cory Henry
Richard Bona
Steve Bailey
Simon Phillips (Toto)
Tony Carey (Rainbow)
Nick van Eede (Cutting Crew)
Jesse Siebenberg (Supertramp)
Mark Hart (Supertramp)

THE EXIES Unveil Never-Before-Seen Footage In "For What It's Worth" Video

The Exies have today released the official music video for their latest comeback single, 'For What It's Worth'. The brand new video transports fans back into time, offering an intimate and nostalgic look into the band's formative years through never-before-seen footage. Fans can stream "For What It's Worth" HERE and watch the new video below.

Capturing the essence of their youth and the spirit of the era, the brand new video for 'For What It's Worth' offers a candid portrayal of The Exies as they navigated the highs and lows of the music industry. From intimate studio sessions to adrenaline-fueled live performances, the video compilation showcases the band's raw talent and unbridled passion for their craft.

Diving deep into the band's archives, frontman Scott Stevens shares:

"Over 20 hours of footage from “02” to “2010 “was gone through. It really captures the time of the band and all we accomplished, from motley tours to velvet revolver shows, to MTV spring break , Red Rocks to countless festivals and studio footage , mostly captured by my wife Flavia.

It truly adds power to the song and the song adds power to it.

A symbiotic turn is now ours to share.

I hope you enjoy the ride that was and is the Exies …"

Formed in 1997, The Exies released two influential LPs with Virgin Records, 'Inertia' and 'Head For The Door', achieving combined sales of over 500k and spawning singles that charted at rock radio. Both albums secured positions on the Billboard 200 chart. Their third album "A Modern Way of Living with the Truth" came out in 2007 before the group disbanded in 2010.

The Exies’ music gained significant exposure through placements in numerous video games and tours alongside rock giants like Motley Crüe and Velvet Revolver. Following their hiatus, Scott Stevens continued to leave an indelible mark on the musical landscape with co-written songs amassing over 2 billion streams and selling over 40 million albums.

Now, The Exies are poised to pick up right where they left off with their reunion show and latest single, bringing together the nostalgia of their storied past and the freshness of their current creative evolution.

“For the Viper Room, it’s family; it’s where we got signed. Everything that made a difference for us happened there, so it’s fitting that this is where the reunion show would be held,Stevens shares, emphasizing the sentimental venue choice for their comeback performance.

As their highly anticipated return to the stage nears, The Exies are poised for an unforgettable reunion show at the legendary Viper Room on LA's Sunset Strip, scheduled for May 29th and hosted by none other than Matt Pinfield. Tickets for the Reunion Show are available now HERE.

Join The Exies as they embark on the next chapter of their extraordinary musical journey.

ABOUT THE EXIES

The Exies, formed in 1997 and named in homage to John Lennon’s shortened term for the 1960s art students in Hamburg that called themselves “the existentialists”, had a prosperous journey, peaking with 2003’s Inertia and 2004's Head For The Door. Both albums were released by Virgin Records and, combined, sold more than 500,000 copies.

In 2007, The Exies put out their third full-length, A Modern Way Of Living With The Truth, before disbanding three years later.Despite frontman Scott Stevens' pivot to songwriting for others, amassing significant accolades and contributions to over 40 million album sales, the band's 2010 dissolution left him longing for closure. This yearning and finding himself at a loose end in the beginning days of the pandemic, Stevens began to write and soon realized that new The Exies songs were materializing before him it just started to unfold happen without him realizing. Speaking on the experience, Stevens shares

“Once I committed to writing and producing for others, I really went in,” he explains. “I just jumped in the ocean and didn’t think about writing for myself anymore. And that’s why it was so odd when I went for a walk in 2020—outside with a mask on—and all of a sudden I hear a melody in my head and I’m like, ‘Who’s that? What’s that?’ And all of a sudden I realized that that’s my voice. It was very puzzling in the beginning, and then it started happening more and more. I don’t know what spurred it on or what caused it. Time? Not being able to work as much? Maybe my mind drifting a little bit more because I have to work. Nobody was coming over here because nobody was going anywhere. And I didn’t want to Zoom write, because although it’s kind of a way of life now and I love it, I was like ‘What is that?’ I really didn’t think about writing for The Exies again until it started haunting me.”

The first of which, 'Spirits High' was released in 2023 and achieved significant success at rock radio. "For What It's Worth" is the next step in the new era of the band. Keep your eyes and ears peeled for more coming from The Exies soon.

ALCEST - RELEASE NEW SONG 'FLAMME JUMELLE'

Today French shoegaze/indie act ALCEST relase their brand new song 'Flamme Jumelle'. The new album Les Chants De L'Aurore will be released on June 21st via Nuclear Blast Records.

Neige states:
"Despite its more accessible vibe, this song is actually the most personal song of the album for me. "Flamme Jumelle", which means "Twin Flame", is about the idea of loss in general and the difficulty of coping with the absence of someone you deeply loved. It could be a family member, a friend, or a partner. On a more spiritual level, the title refers to the possibility that certain souls are connected in this life and beyond, and that separation is temporary and just a mortal concept."

Pre-Order Les Chants De L'Aurore here: https://alcest.bfan.link/leschantsdelaurore
Watch the video for 'Flamme Jumelle' below.
Stream 'Flamme Jumelle' here: https://alcest.bfan.link/flamme-jumelle

ALCEST will tour with their new album in autumn 2024. Catch the band live:

Get your tickets here: https://linktr.ee/alcesttour

Photo Credit: William Lacalmontie

About ALCEST:
For principal songwriter and frontman Neige, ALCEST has always been a gateway to the otherworldly, a means of exploring his spirituality. An elemental two-piece, completed by long-serving drummer and creative confidante WinterhalterALCEST seem to dip their toes in a multitude of musical genres without ever quite fitting in. “In the metal scene ALCEST is a weird band, in the indie/post-rock scene ALCEST is a weird band- we never quite fit in,” Neige reflects. “This is how I feel in life, always an outsider; It’s not a problem, it’s just the way it is.”

ALCEST is:
Neige | vocals, guitars, bass, synths
Winterhalter | drums

More info:
www.alcest-music.com
www.facebook.com/alcest.official
www.instagram.com/alcestofficial
www.twitter.com/alcestofficial
www.nuclearblast.de/alcest

SYK Embrace the Untamed on New Single

SYK emerge from the shadows, where relentless rage fuels creativity. With a resounding roar, the Italian progressive death metal band present "I am the beast", the opening song off their ground-shaking new album, eartHFlesh.  

Listen to "I am the beast" below.

eartHFlesh is out May 10 on Season of Mist.

Pre-order & pre-save:
https://orcd.co/sykearthfleshpresave

Brutal despair might rule the world, but syk rise above all. Over the past ten years, they've grown from an underground whisper to a defiant scream heard from far beyond their native Italy.

On "I am the beast", Stefano Ferrian, Federico De Bernardi di Valserra and their new band of revolutionaries  issue another savage refusal to surrender to the darkness. Harrowing riffs, piercing screams and a stampede of blast beats awaken the beast within us all.   

SYK is a metal band that came into existence in 2013 when Stefano Ferrian and Federico De Bernardi di Valserra decided to embark on a new musical venture following the disbandment of their previous project, .psychofagist. They were soon joined by the immensely talented vocalist Dalila Kayros, whose vocal skills left a deep impression on the band during live performances.

In May 2014, syk released their debut album titled Atoma through L'Inphantile Collective. The album caught the attention of Philip H Anselmo from Housecore Records, who not only expressed his appreciation for the band's work but also offered them a deal for their second album. This second album, titled I-Optikon, was released on December 2, 2016, and was produced by Philip H Anselmo himself. The album was notable for its technical compositions that offered a unique and unparalleled listening experience, as Metal Trenches aptly described it.

Following the release of their second album, the band welcomed their long-time friend Marcello Cravini as a permanent member, taking on the role of the second guitarist. syk subsequently embarked on extensive tours across Europe in 2017 and 2018 and had the honour of being the official support act for GODFLESH during their Italian/Slovenian run in May 2018. Additionally, they also participated in the prestigious Roadburn Festival in the same year, further cementing their reputation as a promising metal act.

In 2019, Federico made the difficult decision to leave the band due to personal reasons, and shortly after, the global pandemic hit, disrupting the band's search for a new drummer. However, towards the end of 2020, Mauro Maraldo joined syk as their new drummer, and with their lineup complete, they wasted no time in entering the studio to record their third album. This album, titled Pyramiden, was released on March 11th, 2022, through Housecore Records/Nuclear Blast. The album's distinct and powerful character earned syk high praise, with MetalheadCommunity recognizing them as one of the most promising metal acts of the time.
 
Pyramiden received further acclaim when it was included in the ProgSpace Awards 2022 under the category of 'Album of the Year 2022/Extreme Prog Category', alongside esteemed acts like Fallujah, Allegaeon, Cult of Luna, and Conjurer. Unfortunately, soon after the album's release, both Mauro and Dalila had to depart from the band due to personal reasons.

However, syk, known for their sonic evolution, decided to press on. Founding members Stefano and Marcello continued working on their fourth album while actively searching for new members. Alan La Roca joined the band as the bass player, solidifying the lineup, but the search for a drummer remained a challenge. It wasn't until Federico Leone answered their call that the band found their new drummer. With the lineup in place consisting of Stefano Ferrian as the new frontman, guitarist, and main songwriter, Marcello Cravini on guitars, Alan La Roca on bass, and Federico Leone on drums, syk took on a new form.

In early 2023, syk caught the attention of Season Of Mist, who signed them for the release of their fourth album, eartHFlesh. This album not only marks the band's latest offering but also signifies their first decade as a band. With a reinvigorated sound and an intensified sonic progression, syk continues to captivate listeners and solidify their place in the metal scene.

Recording Line-up
Stefano Ferrian - Guitars, Vocals
Marcello Cravini - Guitars, Ambient FX
Alan La Roca - Bass
Federico Leone - Drums

Guest Musicians
Dalila Kayros - Guest Vocals (On 'I Am The Beast', 'I'll Haunt You In Your Dreams', For To Themselves I Left Them' & 'The Passing')

Recording Studio
Fiery Water Recording Studio (Alessandria, Italy)

Producer, Sound, Mixing & Mastering Engineer
Fabrizio Gesuato

Cover Art
Nihil & Leoncio Harmr

Video Production
Directed and Edited by Stefano Ferrian.
Filmed by Ancellotti Silvano & Vittorio Bottini at MF Old School Production.
Performer: StellaDiPlastica.
"Black Angel Wing" & "Demon's Face" artistic installations by Paola Monfrinotti.

Biography
Sébastien Gamez

Photo by © Filippo De Dionigi

Pre-order & pre-save: https://orcd.co/sykearthfleshpresave

Links:
Bandcamp: https://syk-official.bandcamp.com/album/pyramiden
Instagram: https://www.instagram.com/syk_officialband/
Spotify: https://open.spotify.com/artist/4mAhDco0hekGonexJ7ZdNG
YouTube:
https://www.youtube.com/channel/UCwGCWRkavCbr7DanM6W7wvw
Facebook: https://www.facebook.com/syk.official
Apple Music: https://music.apple.com/artist/syk/1589837870
Deezer: https://www.deezer.com/album/290956952

Available Formats:
Digital Download
CD Digipak
12" Vinyl Jacket - Black
12" Coloured Vinyl Jacket - Silver
12" Coloured Vinyl Jacket - Crystal Clear & Red Marbled

Banks Arcade Share "Self Help" Video

Anthemic, stirring, and vehemently raw, the brand new single "Self Help" from Melbourne quartet Banks Arcade is a powerfully resounding sonic pivot, out now via UNFD.

Watch the video for "Self Help" below.

Following on from their earlier 2024 EP, DEATH 2, Banks Arcade once again rewrite their own destiny with "Self Help" through nuanced instrumentation, hazy electronic hues and chest-thumping choruses amplifying vocalist Joshua O'Connell's beseeching delivery. "Self Help" also finds Banks Arcade channeling their heavier tendencies into potent modern alternative rock, armed with a poignant lyrical message at its core.

Accompanied today by a brand new music video, "Self Help" kickstarts yet another engaging chapter for Banks Arcade, showcasing the group's ever-growing multi-faceted appeal.

Banks Arcade shares, "'Self Help' was inspired by a tough time surrounded in a lot of doubt and I imagined having a phone call with myself in 30 years to talk about how all this ends. The song is an honest and vulnerable conversation with the self and it finds resolve in forgetting about outcomes and pursuing what you are called to do regardless of where it ends up."

Recently flexing their creative muscles via DEATH 2, the music doesn't merely build on the group's previously-established trademark sound; rather, it catapulted Banks Arcade's heady blend of hard rock, electronic and metal into an entirely new sonic stratosphere, while also expressing the darkest and heaviest side of the quartet to date.

A band who always wanted to make history, Banks Arcade bring passion and potent execution to their myriad of influences and creative ideas. Formed over a shared love of music with a razor-sharp avant-garde aesthetic, Banks Arcade have always teetered on modernity; a fact displayed firmly on their 2018 debut EP Endnote, its 2020 follow up Fever Dreams, and the group's head-turning singles Roses and Drown, both of which have gone on to amass well over 2 million individual streams.

Releasing their full-length Future Lovers in 2022, Banks Arcade cemented their future-facing trademark style while also turning heads courtesy of their emphatic soundscapes, searing metal and hip hop additions.

Fresh off the back of releasing DEATH 2 in February, Banks Arcade also supported metalcore titans Northlane nationally alongside ERRA and Landmvrks that same month. And after two years of non-stop touring, Banks Arcade will also hit the road in New Zealand and Australia with a brand new live show this May, with the Death 2 A Muse Tour set to compile the band's best work to date.

For Banks Arcade in 2024, DEATH 2 was only the beginning.

Mark & Maggie O'Connor Set to Release New Album 'Life After Life' 4/26 via ONErpm

Global music company ONErpm is proud to announce the release of Life After Life, the latest album from GRAMMY Award-winning Americana and bluegrass artists Mark and Maggie O’Connor, which will be distributed on all platforms next Friday, April 26.

A seven-time CMA Award winner, Mark O’Connor is a legendary multi-instrumentalist famous for his work on fiddle, guitar and mandolin. On Life After Life, Mark not only brings these talents to bear but is also the principal songwriter and harmony singer, in addition to producing the album. Maggie, a talented artist in her own right who won a GRAMMY for playing and singing bluegrass with her husband Mark in the O’Connor Band, debuts as the lead singer as well as an instrumentalist.

  • Pre-save the album HERE

  • Watch the album trailer HERE

  • Watch official music videos from the album below.

 The compelling theme flowing throughout Life After Life is the idea that while our common experiences can turn into challenges—even hardships—we still seek optimism and hope. As Mark explains, “Our new songs are about learning to fall in love with life again after being utterly frightened by it,” as this collection took shape during the pandemic.
 
The title track, written by Mark and folk singer/wordsmith Joe Henry, references poet Denise Levertov, who writes of a particular woman whose “life after life after life goes by without poetry, without seemliness, without love.” The songwriters wanted to build on the idea but with some surety.
 
As Henry explains, “For me, it speaks quite simply to the way life continues to tumble toward us: not in neat, compartmentalized chapters but in overlapping, cross-fading––confounding, misleading, wondrous and glorious––concurrently racing episodes we are nonetheless invited to embrace…even when they mystify us. Maybe even especially when they do.” Mark agrees, saying, “Joe’s words truly embody why this song is the perfect title track as the lyrics so genuinely describe the lives Maggie and I lead together.”

Mark’s original songs on Life After Life range from taking a leap of faith together in “We Just Happened to Fly” to testing faith in “All We Will Be,” both of which he co-wrote with Henry. “Ride Towards Home,” a song Mark wrote with Maggie, talks about horses and what they have meant to mankind, while “Spice of Life,” written with Jim Parker, is about remembering to enjoy the little things. Mark wrote the current single being offered to Americana radio stations, “One Sunray At A Time,” about raising his daughter, Autumn.
 
Each of the album’s songs showcase intricate interludes featuring a wide range of acoustic instruments. Mark says he “drew upon years of experience interpreting vocal songs instrumentally, while also reflecting on my work with some of the great popular songwriters of our time, such as James Taylor, Paul Simon and Bob Dylan.” O’Connor adds that after sitting in a recording studio next to Dylan as he noodled on his guitar between takes, “It raised my curiosity about him purely as a musician. So I designed the solo sections for these songs by imagining what it would sound like if Dylan fully articulated his own music as a guitar soloist.” 
 
Along this same vein, Mark’s arranging skills and Maggie’s storytelling vocals offer new interpretations of three covers for the album: “Love’s in Need of Love Today” by Stevie Wonder; “Something to Love” by Jason Isbell; and the timeless “Wildflowers” by Dolly Parton.
 

“Dear Mark, I got the wonderful cut of “Wildflowers.” I was very, very proud of both you and Maggie. It always touches my heart when somebody likes one of my songs well enough to do it, especially someone as great as you. I’ve always admired you and respected your talent. And Maggie, you sound awfully sweet. Just wanted you to know that I received it and I love it.
Love, Dolly.”

 
Wonder’s “Love’s in Need of Love Today” likewise offers a message as relevant now as it was in the 1970s, notes Maggie, adding further that “Isbell’s song has great advice on finding something you enjoy to get you through the tough times. We picked these three songs to cover,” she explains, “because they gave voice to our own feelings, given how recent history has changed our landscape.” 

The recording of Life After Life is an all-acoustic Americana sound garden, with the authoritative upright bass of Dennis Crouch, an old-fashioned drum set masterfully played by veteran John Gardner and the O’Connors using practically every acoustic instrument in their collection. You will hear a Civil War–era Martin guitar, a hundred-year-old Gibson mandocello and a string quartet consisting of two violins, a viola and cello commissioned by Daniel Pearl’s family (for the Wall Street Journal writer killed in Pakistan at the outset of the Iraq War). The Pearl family loans these beautiful instruments to students of the O’Connor Method String Camp each year as a message of fighting hatred.

Life After Life concludes with a heartaching piece. Mark and Maggie return to the violin duo setting their musical relationship began with 10 years ago, but this time in a way even more deeply felt. Mark composed a violin duo reminiscent of his own “Appalachia Waltz” that he recorded with internationally renowned cellist Yo-Yo Ma but based on the old Ukrainian folk song “Verbovaya Doschechka” (the willow board). The couple learned the traditional melody line while performing with string players from the Kyiv Symphony Orchestra in an online violin choir recorded in March 2022 while orchestra members were in basements-turned-bunkers taking shelter from Russian missiles.
 
“It is an honor to team up with the O’Connors to showcase their many talents and musical creativity,” says Tim Wipperman, managing director of ONErpm’s Nashville office.

Photo Credit: Maia Rosenfeld

In addition to the album, you can catch the O’Connors on tour this spring for a series of album-release showcases, including performances in Nashville at Ford Theater at Country Music Hall of Fame and Museum on April 28 at 1pm CT and The Vinyl Lounge at 6pm CT.
 
Mark & Maggie O’Connor Tour Dates
 
April 28 // Nashville, TN // Ford Theater, Country Music Hall of Fame and Museum 
April 29 // Nashville, TN // The Vinyl Lounge
May 3 // Charlotte, NC // Cain Center for the Arts (Cornelius)
May 9 // Minneapolis, MN // Hopkins Center for the Arts 
May 15 // Boston, MA // Club Passim
May 17 // New York, NY // The Iridium
May 24 // Richmond, VA // The Tin Pan
May 26 // Floyd, VA // The Floyd Country Store
May 28 // Annapolis, MD // Rams Head on Stage
May 30 // Sellersville, PA // Sellersville Theater 
June 1 // Chicago, IL // Old Town School of Folk Music 
June 2 // Madison, WI // The Bur Oak
 
For more information on the shows, visit MarkAndMaggieOConnor.com. For more on Mark O’Connor’s illustrious career, check out his recently released memoir, Crossing Bridges: My Journey from Child Prodigy to Fiddler Who Dared the World, available now on Amazon and featured on NPR’s Morning Edition.
 
About ONErpm 
ONErpm is a leading next-generation music company and record label operating globally in 43 locations powered by a staff of 600. At its core, ONErpm offers label services to artists seeking to elevate their careers and operates one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, SAAS, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments.
 
About Mark and Maggie O’Connor
Mark O’Connor, a three-time Grammy winner and seven-time CMA Musician of the Year, is a legendary multi-instrumentalist famous for his work on fiddle, guitar and mandolin. He is also a ground-breaking American classical composer known for pieces like “Appalachia Waltz” and “The Fiddle Concerto.” Georgia native Maggie O’Connor, also a Grammy winner, earned a master’s degree in classical violin performance from the famed Peabody Conservatory in Baltimore before returning to her own Americana music roots and joining the O’Connor Band.

Replacire Release Brain Busting New Single

"A band on their way to the top" - Angry Metal Guy 
"
Leave you with a smile on your face and the horns in the air" - Metal Injection
"Mixes the pummeling intensity of Dying Fetus with the proggy eccentricity of Leprous" - No Clean Singing
"Engrossing brutality and neck-breaking charm. Truly the best of both worlds" - Dead Rhetoric

No one can outsmart Replacire. Not only does the band hold several degrees from Berklee College of Music. Even their name is something of a puzzle. But for their long-awaited third album, they weren't interested in pumping out just another set of rigorously technical death metal. As their new single so finely demonstrates, they wanted to flex both their brains and brawn.  

Listen to "A Fine Manipulation" below.

The Center That Cannot Hold comes out June 21, 2024 on Season of Mist. 

Order & Stream: https://orcd.co/replacirethecenterthatcannotholdpresave

Metalheads of all shapes and sizes have come to count on Replacire for a dizzying mental workout. The Center That Cannot Hold keeps those synapses firing. On "A Fine Manipulation", drummer Joey Ferretti and bassist Zak Baskin hardly break a sweat as they run you through a gauntlet of stomach-turning tempo shifts. Before the song is halfway through its compact four-minute runtime, Poh Hock has already lapped the field with a solo that hurdles through the air like a sprinter. 

"A Fine Manipulation" will twist even the brainiest tech-death scholar into a pretzel, but the band's new single works out all your core headbanging muscles. After warming up with some curls of melodic dissonance and a few short but clenched bursts of nervy shredding, Hock gets a spot from rhythm guitarist Eric Alper as the two lock into the kind of steadily pulverizing downhill chug that's bound for the mosh pit.

"During our last tour, we noticed that fans really responded to the parts of our set that are heavier and more crushing", says Alper, who when he's not cranking out records at Ugly Duck Studios is competing as a body builder. "When writing our new album, we tried to come up with more songs like this one. 'A Fine Manipulation' retains that technical density that metal fans love, but it's also more straightforward and hard-hitting in a way that makes people move around". 

Of course, it wasn't so easy for Replacire to stick to that relatively simple blueprint. Like their current label mates and former tour mates Gorguts and Beyond Creation,  this band has always taken their time when it comes to the heavy lifting of writing a new album. But between the global pandemic, countless Zoom calls, bouts with writer's block, depression, anxiety, sleep paralysis and one near trip to the hospital, their new album is seven long years in the making.

But despite what the title might suggest, The Center That Cannot Hold holds strong and steady. Like any song that's worth its weight in heavy metal, "A Fine Manipulation" channels that chaotic shit storm into a concentrated, empowering force. James Dorton is so imposing that even his cleans thunder like Zeus, but his growls have never struck more fear.

"I am your lord god", he roars, as if throwing the weight of the world off his shoulders, before the rest of the band launches into the album's most muscular breakdown.

On "A Fine Manipulation", Replacire prove they're the full package.

When Replacire started thinking about their third album, they gravitated around a simple idea. Write some caveman riffs to feed the mosh pit the next time they went out on tour. Of course, like any good technical death metal band that’s worth its weight in colored sands, these whiz kids deviated from their initial thought pattern. It wasn’t easy. Heck, they ended up crawling down a seven-year rabbit hole. But on The Center That Cannot Hold, the Boston band flex all their muscles 

"This was a grueling process", says guitarist Eric Alper. "But it was worth it in the end".  

On the surface, Replacire starts and ends with Alper. After all, the band is just his name spelled backward. Alper is a competitive bodybuilder with a mean and lean right rhythm hand, but don't let those beefy credentials fool you. When it comes to the studio, his brain does all the heavy lifting. By day, Alper produces music for other artists, as well as TV and movies. He's a proud alumnus  of Berklee College of Music, which is where he formed Replacire with four classmates back in 2009.   

Using the money that they savvily raised on Kickstarter, Replacire self-released their debut album by the end of 2012. A hybrid of thrash, prog and death metal, The Human Burden punched through the underground like a cyborg's fist. "This is what would have happened if Chuck Schuldiner were still alive today and mixed up with the likes of Obscura and Opeth at the same time", Metal Injection gushed. After tours with Hate Eternal and Beyond Creation and an unintentional private showcase for a certain label rep, Replacire signed with Season of Mist in 2016. The band wasted no time before making a quick first impression. While still head-spinning, their second album landed with the decisive force of a first-round knockout.    

“This group has set the tone for modern, rhythmically-centered death metal”, proclaimed Loudwire, who named them one of the top 5 bands amongst the next generation of death metal. “It’s time to wake up and hop aboard Replacire’s train”.    

Indeed, Replacire were chugging along with a full head of steam. But there's a reason why their new album is called The Center That Cannot Hold. After all, this is extreme metal. Things were bound to go flying off the rails at some point. Before they could even step out on their next headlining tour, the band's lineup completely turned over. While their momentum stalled, Alper went searching for replacements.  

Luckily, he didn't have to go any further than his old stomping grounds. Alper linked up with Zak Baskin, who had filled in on bass for parts of Do Not Deviate. Alper then reconnected with Kee Poh Hock, a guitar whiz who'd lived with Baskin when all three were students at Berklee. Even though he graduated a few classes after them, Joey Feretti was so advanced behind the drum kit that he became Alper's roommate. With mighty vocalist James Dorton joining fresh off Black Crown Initiate's breakout, the new-and-improved Replacire were all set to hit Alper's Ugly Duck Studio come March of 2020.  

No one needs to be reminded of what happened next. Replacire  always grind in the studio, taking their sweet time to fine tune every technical detail down to the last seventh string. "It never ceases to amaze me the way other metal bands just churn stuff out", Alper says. "It doesn't come easy for us. So many hours go into so few seconds of music". But when the pandemic shut the world down, writing slowed to a crawl amidst the endless slog of Zoom sessions. With live music shut down for the foreseeable future, suddenly, their well-laid plan for pumping out an album of crowd killers seemed more and more like a flimsy proposition. To stay afloat, Alper sold the band's van and moved out of their rehearsal space.  

"Everything that I had built to support the band was falling apart", Alper says.  

The mounting stress would've left a lesser band bloody-tongued and screaming. But despite being stuck inside this perfect shit storm, Replacire banged their heads together and pushed through. "Living Hell" was inspired by a nasty spell of sleep paralysis that Dorton suffered after witnessing a traumatic event. "In the wake of suicide", he groans, shrouded by eerie pangs of distortion. Alper was battling his own bouts with anxiety and depression that were brought on by a rather severe case of writer's block, but even when all he could stand to do was lay on the couch while humming through a half-finished riff, Poh Hock would pick up his Strandberg and zip past the finish line. "The Helix Unravels" could twist all of Mensa into a pretzel with its interlocked chugs and squealing fret bends. 

The Center That Cannot Hold is crammed full of mind-bending tech-death workouts. Baskin’s unfettered groove serves as the perfect springboard for another transcendent Hock solo halfway through "Hoard the Trauma Like Wealth", though his reverberated bass echoes like a sea of voices trapped at the bottom of a well on "The Ghost in the Mirror". The title track unspools under Feretti's syncopated snare hits and precision blasting, though Alper was the real drill sergeant. "I wanted the vocals to sound like they do on Slipknot's self-titled album, where Corey is gasping for air". Dorton took the inspiration to heart, running through full takes, with no stops, for hours on end. Heck, his vocal chords were so tattered and torn that he narrowly avoided a trip to the hospital.  

"We poured all of our blood, sweat and tears into this album", Alper says. "It took years off my life. There were plenty of times where I wanted to quit. But I'm glad we didn't, because this is our best album. Everything from the overall production down to the lead guitar parts took a step up. The tone is more serious  The songs are still techy buy they're also a lot heavier. I'm proud of us".  

On The Center That Cannot Hold, Replacire stand stronger than ever.   

Line-up
Eric Alper - Guitars
James Dorton - Vocals
Kee Poh Hock - Guitar
Zak Baskin - Bass
Joey Ferretti - Drums

Recording Studio
Ugly Duck Studios

Production Credits
Eric Alper - Producer & Sound Engineer
Jens Bogren - Mixing & Mastering Studio Engineer (Fascination Street Studios)

Cover Art
Andrew Tremblay (@actremblayart)

Biography
Will Yarbrough

Order & Stream: https://orcd.co/replacirethecenterthatcannotholdpresave

Follow Replacire:
Bandcamp: http://replacire.bandcamp.com/
Facebook: https://www.facebook.com/Replacire
Instagram: https://instagram.com/replacire
Soundcloud: http://soundcloud.com/replacire
Twitter: https://twitter.com/Replacire
YouTube: http://www.youtube.com/user/Replacire/videos
Apple Music: https://music.apple.com/us/artist/replacire/576863051
Deezer: https://deezer.page.link/6prhUUWzLoxLRVhK8
Spotify: https://open.spotify.com/artist/0t8nNth1Y9dRxGoiHHSSoa

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black

Poolside At The Flamingo Drop New Track "Hell On Earth"; Announce Run of Headline Shows This Spring

Colorado's grindcore 4-piece, Poolside At The Flamingo have dropped the third single from their upcoming EP, 'Accabadora' out via Blood Blast Distribution on May 22nd. The new track, titled "Seething", can be streamed HERE and the visualizer can be found below.

Speaking on their new release, Poolside At The Flamingo share

"We worked a little more slam into this track. This song is about the evil side that everyone has but rarely lets loose. It's communicated nicely towards the end of the song with some agonizing repetition backed by raw vocals followed by a call out.”

Seething" is the third single from the band's upcoming EP, 'Accabadora'. It follows previous singles "Hell On Earth" and the EP's title track "Accabadora" which heralded the new release and landed with an epic music video featuring some very special guests in the form of the band's kids, watch HERE. The 'Accabadora EP', set to drop on May 22nd, is a bold statement from Poolside At The Flamingo, showcasing their growth as musicians and their commitment to pushing the boundaries of extreme music by blending genres to produce the most brutal and unrelenting tracks possible with a strong focus on having fun and not taking themselves too seriously. Speaking on the upcoming EP release, the band share

"The Accabadora EP is the first release that we're truly proud of and feel embodies the sound that we're looking to achieve. The songs on this EP were written with more care and attention than any other album/ep we've released. To us, it's the perfect blend of erratic grindcore and soul-crushing breakdowns."

Poolside At The Flamingo will be playing a string of headline shows this spring. Full list of shows and tickets are available from poolsideattheflamingo.com

Stay tuned for more from Poolside At The Flamingo soon and get ready for sheer, unbridled brutality on May 22nd when they release the 'Accabadora' EP.

About Poolside At The Flamingo

Poolside at the Flamingo is a 4 piece deathcore/grindcore band based in Colorado, USA. Formed in 2005, Poolside At The Flamingo toured extensively in the "Myspace" days playing with the likes of Through The Eyes of the Dead, The Tony Danza Tap Dance Extravaganza, See You Next Tuesday and MANY more. 

Their debut album "This Will End Badly..." (2006) was recorded live in a residential basement. Their next official album, "The Sound Below" (2017), was produced by Dave Otero at Flatline Audio and more recently they released "Self Titled" (2023).

Poolside At The Flamingo Are:

Scotty Bohnen: Vocals

Danny Bohnen: Guitar

Rudy Garcia: Drums

David French: Bass

Gramercy Arms presents fourth album 'The Making Of The Making Of' and live Magic Door session for 'Never Say Anything'

"A fabulous and fresh slice of positivity, wrapped up in a finely-tuned package of upbeat and harmonious pop-rock that will leave you wanting more and checking local concert listings to see if the band is heading your way. Impeccably performed; superbly arranged and produced" ~ The Spill Magazine

"Wistful, bittersweet and soaring power pop... With echoes of the likes of Teenage Fanclub and Dinosaur Junior, as well as the classicism of 80s indie-pop, it’s yearning and hooky in all the right places, a gleaming melodic pick me up" ~ God is in the TV Zine


Made up of members from New York and New Jersey, indie pop-rock collectiveGramercy Armsprese nts their fourth album'The Making Of The Making Of', released via Montclair, NJ-basedMagic Door Record Label, along with a new video for'Never Say Anything (Magic Door Session)'.

Gramercy Arms is a revolving collective of musicians and artists, masterminded byDave Derby (The Dambuilders, Lloyd Cole) and producerRay Ketchem (Guided by Voices, Luna, Elk City). Inspired by the artistic heyday of ‘70s and ‘80s New York, Gramercy Arms makes addictive indie pop - exquisite hook-laden melodies filled with lyrics that will have you floating back in time and remembering your favorite mistake.

With many of the songs recorded during the same sessions for the band’s 2023'Deleted Scenes' album, 'The Making Of …' is decidedly more of a band album with a looser and more raucous approach featuring live in-studio performances and an even wider array of contributors.

Produced, recorded and mixed by Ketchem at Magic Door Recording in Montclair, NJ, this album was mastered by Ketchem and award-winning engineerGreg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty).

Earlier, Gramercy Arms released'Never Say Anything', a gorgeously performed paean to paranoid times featuringLysa Opfer (Aeon StationandMark Lizotte (Diesel), and'After the After Party',a rueful power pop gem about chances missed and taken, featuring longtime collaboratorsKevin March (Guided by Voices,The Dambuilders,Shudder to Think),Hilken Mancini (Fuzzy, the Monsieurs),Rainy Orteca (Joan As Police WomanDead Air)andMike Errico.

Both albums are loaded with talent, involving Doug Gillard (Guided by Voices, Nada Surf, Cobra Verde, Death of Samantha), Sean Eden (Luna), Phoebe Summersquash (Small Factory), Renée LoBue (Elk City, Flowers of America), Kendall Meade (Mascott), Verena Wiesendanger (Semi Gloss), Claudia Chopek (Bright Eyes, The Little River Band, Echo of the Ghost), John Leon (Roky Erickson, Royal Arctic Institute), Rafa Maciejak (Lloyd Cole and the Negatives, Ivy), Jules Verdone, Richard Alwyn-Fisher (King Canutes, The Winter Drinks), Steve Hurley (Gigolo Aunts), Carl Baggaley (Elk City, Royal Arctic Institute), Peter Hess (Phillip Glass Ensemble, Slavic Soul Partyand Gary Burton (Dovedale). 'Deleted Scenes' also involves the legendary Lloyd Cole.

"I initially thought about doing a double album and then decided against it. To me 'Deleted Scenes' and 'The Making Of The Making Of' are companion pieces and part of a larger work. I think of them as two sides of a double album and may release them as a double vinyl album in the future. To me, there is an understated, almost dark horse element to “The Making Of …”  that gives it a special charm. In many ways 'Deleted Scenes' was more of the ‘obvious’ A-tracks, whereas 'The Making Of …' is just more fun. Songs like 'Lux', 'Susan' and 'The Long Game' capture that for me. The fact that the album has 4 different drummers with different feels and approaches has a lot to do with that because it still hangs together," says Dave Derby.

"Even though these songs came from the same sessions, this album was much more of a band record whereas “Deleted Scenes” was more about me and Kevin March building the tracks up together. Many of these songs were live full-band takes. I think that approach shows up in the final versions."

As of April 26, 'The Making Of the Making Of' album is available from fine music platforms, including Apple Music, Spotify and Bandcamp. Their record release party takes place that evening at Berlin NYC, also featuring performances by Hilken Mancini Band and The Gershwin Brothers.

'The Making Of The Making Of' album  https://bit.ly/4cubTrw
Bandcamp  http://gramercyarms1.bandcamp.com/album/the-making-of-the-making-of
Spotify  https://open.spotify.com/artist/4gofSEYW9jDmstAkNZhI5O

Keep up with Gramercy Arms
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud  | Apple Music | Spotify | Press contact

Keep up with Magic Door Record Label
Facebook | Twitter | Instagram | Soundcloud | YouTube | Press contact

Keep up with Shameless Promotion PR
Website Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Left to Suffer Announce Forthcoming New Album 'Leap of Death' Out August 16 + Drop New Visualizer "FOREVER" ft. Alejandro Aranda

It's a great day to be a Left to Suffer fan! Today, the nu-deathcore quintet have announced their forthcoming new album, 'Leap of Death' out on Friday, August 16. In celebration of the news, the band shared a new track "FOREVER" featuring Alejandro Aranda and the official visualizer, along with a new side-scroller game dovetailing with the 'Leap of Death' album artwork. Speaking on today's news, the band commented:

Left to Suffer has taken many sonic gambles when it comes to creating music that describes us as a band. Trial and error, riff after riff, has only led us to molding a sound that is completely ours. Forever, is the culmination of years of risk-taking. Mixed with Alejandro Aranda’s supreme talent, this song is a whirlwind of twists and turns and emotions, lined with simplicity but also tasteful in its journey across genres. This is the most risk we have taken, yet this is the most honest version of Left to Suffer you’ve ever received.

Prior to today, the band released their banger "LOST IN THE DARK" featuring Marc Zelli of Paleface Swiss which has already clocked up a staggering 1.5 million streams on Spotify alone with 169k views and counting on YouTube. 'Leap of Death'pre-saves will be available starting this Friday, April 19 at the link here, and be sure to play the 'Leap of Death' game and watch the visualizer for "FOREVER" ft. Alejandro Aranda below.

Left to Suffer are set to tear up North America with their incredible live show beginning next week with Waste as support, followed up with dates with Downswing and a special show in Brooklyn, NY supporting Slaughter To Prevail in May. Afterwards, the band will then be heading out with HANABIE. and Outline In Color. For ticket information, please click here.

Upcoming Left to Suffer Tour Dates:

April 25 - Des Moines, IA @ xBK*

April 26 - Wichita, KS @ TempleLive*

April 28 - Morrison, CO @ Red Rocks w/ Sullivan King#

April 30 - Omaha, NE @ Reverb*

May 1 - Iowa City, IA @ Wooly’s*

May 2 - Bloomington, IL @ Nightshop*

May 3 - Henderson, KY @ The Elm*

May 4 - Madison, AL @ Insanity Skatepark

May 14 - Richmond, VA @ The Camel**

May 15 - Brooklyn, NY @ Brooklyn Paramount^

May 16 - Mechanicsburg, PA @ Lovedrafts**

May 17 - New Haven, CT @ Toad’s Place^^

May 18 - Montreal, QC @ Le Studio TD^^

May 19 - Toronto, ON @ The Opera House^^

May 21 - Minneapolis, MN @ Varsity Theater^^

May 23 - Winnipeg, MB @ The Park Theater^^

May 25 - Saskatoon, SK @ Coors Event Center^^

May 26 - Edmonton, AB @ Midway Music Hall^^

May 27 - Calgary, AB @ The Palace^^

May 29 - Seattle, WA @ The Crocodile^^

May 30 - Portland, OR @ Crystal Ballroom^^

May 31 - Sacramento, CA @ Ace of Spades^^

June 3 - Lubbock, TX @ Jake’s

June 4 - Oklahoma City, OK @ 89th Street

*With Waste As Support

# With King Sullivan

^ With Slaughter To Prevail

** With Downswing As Support

^^ With HANABIE. and Outline In Color

Suffering is a constant component of the human condition. The same way that wherever there is sun, there is bound to be rain—wherever joy can be found, there is suffering to be found in equal amounts, if not more. In the same fashion that suffering is a mandatory part of existence, Atlanta-based nu-deathcore outfit Left to Suffer have made themselves a mandatory part of the contemporary heavy music scene. Boldly blending brutalizing deathcore laden with skin-rending blast beats and bombastic breakdowns with catchy, hook-filled and glitchy nu metal, these Georgian heavyweights formed their own niche within the the underground and filled it in record time, providing a nigh-endless stream of new music paired with an incessant touring schedule—there’s almost no way you haven’t suffered at their hands yet.

Formed in 2019, Left to Suffer instantly garnered world-wide attention with the release of their debut single, Burden.” Before the impact from their initial, explosive track had faded, the group’s debut full length, A Year of Suffering was released just one year later in mid-2020. A Year of Suffering—even though it was released in the throes of a global pandemic that would halt touring and alter many other means of conventional promotion—was met with immense success, skyrocketing Left to Sufferinto relative stardom in the bustling underground of extreme music. Before long, the band’s follow-up EP, On Death, would release in April of the following year. Featuring guest vocal appearance from metal and deathcore titans Tom Barber (Chelsea Grin), Lochie Keogh (Alpha Wolf) and Ryo Kinoshita (formerly of Crystal Lake), On Death was Left to Suffer’s catalyst that would take them from well-known to notorious peddlers of all things groovy and heavy. Never to be caught slacking, later that year the band would release another stand-alone single, D.N.R.,” featuring Lorna Shore’s Will Ramos and Ov Sulfur’s Ricky Hoover—two more Goliaths in the world of deathcore. 

By the time 2022 rolled around and the world had essentially reopened after an international hiatus from touring, Left to Sufferhad already been across most of the continental United States. Touring with the likes of Bodysnatcher, Boundaries, Lorna Shore and The Last Ten Seconds of Life throughout the second half of 2021, the band’s 2022 would be dominated by their tour with SPITE and Carnifex on the Dead in My Arms fifteen year anniversary tour—as well as the release of their sophomore EP, And Dying Forever. The spiritual successor to On Death, And Dying Forever was produced by Emmure’s Joshua Travisand saw Left to Suffer continue to hone their unique ability to blend flashy, hectic elements of nu metal and groove metal into a ferocious deathcore backbone. Left to Suffer would continue an extensive touring regimen into 2023, punctuated by the release of their sophomore full length record, Feral and a brief follow-up EP, Noah. Feral saw the band dive into their heavier side with a flashy, experimental edge, featuring Fit for An Autopsy’s Joe Badolato and trap-metal superstar Kim Dracula—highlighting the band’s ability to blend industrial elements and trap-tinted undertones while still bringing a peerless and powerfully brutal performance to the table. Noah, on the other hand, was co-produced by Three Days Grace’s Neil Sanderson and Howard Benson, and saw the band incorporating elements of melancholic-yet-anthemic arena metal alongside a stuttering, pummeling progressive metalcore tint to their persistent backbone of bustling deathcore. Noah and Feral see Left to Suffer demonstrating that while they can tackle a variety of sounds and styles, they are always uniquely recognizable, refusing to compromise the core aspect of their immensely energetic sound.

The year is now 2024—and it’s already been a landmark one for Left to Suffer. Fresh off of two nation-wide tours supporting Veil of Maya’s [m]other tour and Gideon’s More Power. More Pain. Tour Part II—and a performance supporting King Sullivan at Colorado’s premiere music venue Red Rocks Amphitheater yet to come. Alongside these performances comes a third full length record, Leap of Death, a stunning collection of some of the band’s most aggressive—and experimental—songs to date. With songs like “Lost in the Dark,” featuring Paleface SwissMarc Zelli showcasing the band’s ruthlessness at its most bleak and devastating juxtaposed against songs like “Forever,” with a catchy, poppy and borderline industrial intro and chorus, there’s no denying that there isn’t much out there like what Left to Suffer are currently crafting. Two colossal tours, one groundbreaking record and a performance at one of the country’s most legendary venues already planned and with over half of 2024 yet to go, it seems that, as with all of life’s constants, the Suffering is bound to continue. - Connor Welsh

Left to Suffer Is:

Taylor Barber - vocals

Jacob Gordon - guitar

Peter Higgs - guitar

Christian Nowatzki - bass

Alex Vavra - drums

Tracheotomy Drop "Repercussions" Video — WATCH // Touring This Spring

Tracheotomy, a trailblazing force in the new Florida deathcore scene, have unleashed their latest sonic assault with the release of their blistering single "Repercussions."

Watch it below.

 "Repercussions' delivers a relentless onslaught of guttural vocals, thunderous blasts, and bone-crushing riffs, with a video showcasing the band's frightful and aggressive live show. Bringing together the hardcore violence of Hatebreed, the tech death ferocity of Necrophagist, and the vocal terror of Ion Dissonance,  "Repercussions" is a small glimpse into the band's soon-to-be announced EP, on the way this summer on 1126 Records.

Vocalist Simon Mariante says, "This song is about that one person that does everything in their power to make your life miserable. In the end, it backfires and you get your revenge. They finally face the repercussions for doing you dirty."

"Repercussions" follows last year's singles "Sadistic Advent" and "Compulsory Bloodshed."

Tracheotomy are on tour now with Enterprise Earth, Inferi, and Crown Magnetar. Dates are below.

TRACHEOTOMY ON TOUR:
WITH ENTERPRISE EARTH, INFERI, + CROWN MAGNETAR:

4/16 — Portland, OR — Dante's
4/17 — Seattle, WA — Madame Lou's
4/18 — Spokane, WA — The Big Dipper
4/19 — Missoula, MT — ZACC
4/20 — Calgary, BC — Dickens
4/21 — Edmonton, BC — Starlite
4/23  —Winnipeg, MB — Park Theatre
4/24 — Minneapolis, MN — Amsterdam Bar
4/25 — Des Moines, IA — xBk
4/26 — Chicago, IL — WC Social Club
4/27 — Cleveland, OH — TempleLive (Jester's)
4/28 — Detroit, MI — Sanctuary
4/29 — Toronto, ON — Hard Luck
4/30 — Montreal, QC — Fairmount Theatre
5/1 — Portland, ME — House of Music
5/2 — Worcester, MA — Palladium Upstairs
5/3 — Mechanicsburg, PA — Lovedraft's
5/4 — Brooklyn, NY — Meadows
5/5 — Albany, NY — Empire Underground
5/7 — Virginia Beach, VA — Scandal's Live
5/8 — Greensboro, NC — Hangar 1819
5/9 — W. Columbia, SC — New Brookland Tavern
5/10 — Jacksonville, FL — Underbelly
5/11 — Orlando, FL — Conduit
5/12 — Fort Walton Beach, FL — Downtown Music Hall
5/14 — Houston, TX — Scout Bar
5/15 — Austin, TX — Come and Take It Live
5/16 — Ft. Worth, TX — Haltom Theater (Side Stage)
5/17 — Lubbock, TX — Jake's
5/18 — Albuquerque, NM — Launchpad
5/19 — Denver, CO — HQ

PHOTO CREDIT: Caleb Joshua

Beautiful Skeletons Release New Single "Letter to a Narcissist" + Official Music Video via Wormhole Death Records!

STREAM "Letter to a Narcissist" on May 10th

https://linktr.ee/beautifulskeletonsband

Alt metal band Beautiful Skeletons unveiled their powerful new single "Letter to a Narcissist" today along with the official music video. The streaming audio will be released on May 10th to all streaming platforms.

This track sets the stage for their EP, Temperance, scheduled to drop later this year under the esteemed banner of Wormhole Death Records.

Reflecting on the inspiration behind the single, the band shared, "The thickness of the dark melody, the crunchy consumable Chorus, and the journey of self-realization. This is the anthem for all the times you've been marginalized and used by an egomaniac. 'Letter to a Narcissist' is like a burning torch of catharsis, cutting through the darkest shadows of the self-absorbed."

WATCH BEAUTIFUL SKELETONS - "Letter to a Narcissist" (Official Music Video) below

Conceptualized in the Pacific Northwest, four piece alt metal band Beautiful Skeletons came together as a casual jam project between founding members Einar Einarsson and Tina Firefly in 2018. Both Einar and Tina brought years of seasoned musicianship and creativity to the table, birthing a unique style of catchy, dynamic metal.

As the project gained steam in 2021, the duo shuffled through various members and setbacks due to the COVID pandemic - forcing them to write and sit on a set of songs until the live music scene slowly thronged back to life.

In 2022, Beautiful Skeletons entered a management deal under former Salivadrummer and long time drumming legend Paul Crosby. Once pandemic restrictions loosened, the band then went beast mode, blasting through the Oregon and Washington music scenes, quickly gaining local traction with electrifyingly entertaining and memorable live performances.

The band played with a variety of notable acts such as Saliva, Glenn Cannon and the Damage Done, Vintersea, Dawn of Ouroboros and eventually a two week, East coast tour with Yngwie Malmsteen. That summer, the band released its first EP - Vegvisir - containing a total of five tracks, followed by three successful music videos garnering thousands of plays on YouTube and Spotify. The current line up consists of Tina Firefly (vocals), Einar Einarsson (guitar), Jason Johnson (bass) and their newest addition to drums - Huwy Williams.

As the bands popularity has risen, they have played an impressive collection of shows at notable venues like Harpos (MI), Bossanova (OR) and an upcoming show at The Whisky A Go Go and an upcoming show as direct support for tribute band "The Iron Maidens". 2024 is so far turning out to be an exceptionally exciting year for the band as they were approached and signed by Italian label WormHoleDeath Records. The project went back to the studio in anticipation of the signing and recorded another five song EP - Temperance showcasing the next evolution of dynamics in their musical style, hedging into a more experimental progressive style metal.

To date, the band has been featured in a handful of magazines, publications, music video reaction channels, and metal review blogs. The highly anticipated release of Temperance EP is generating significant local buzz and promises to blow the crotch right out of your pants. This will be a busy year for the band with opportunities to play various festivals and potentially abroad in Europe.

Beautiful Skeletons:
Tina Firefly - vocals
Einar Einarsson - guitar
Jason Johnson - bass
Huw Williams - drums

For More Information Please Visit:

Official Website

Facebook

Instagram

YouTube

TikTok

Rock Band Swim the Current Release Cover of Koe Wetzel's Single "So Low" via TLG|ZOID / Virgin Music Group

Swim the Current, the electrifying rock band featuring Greg Antine, Marcos Leal (Ill Nino), George Pond (Disciples of Verity), Chris Moore (George Lynch, Autograph) and Joe Gareri, has just unveiled their latest single. The band's rendition of Koe Wetzel's hit track, "So Low," is now available for fans to stream and enjoy, released through TLG|ZOID / Virgin Music Group.

Swim the Current has injected their signature energy into "So Low," infusing it with their unique style and musical prowess. With this cover, the band offers a fresh perspective on the original song.

Marcos Leal talks about the single, “Anyone that knows me knows I am a true country boy at heart, from my cowboy boots to my down home roots. I’ve always wanted to do something country, but mixed with my style and some fuckin metal!"

"'So Low' is one of my favorite songs from one of my favorite artists of all time, Koe Wetzel. It embodies all the feelings I felt going through one of the most painful losses of my life, losing my dad Joe Leal. Its a testament to those who have lost someone so close and still found the courage to pick themselves up, dust themselves off and keep going even when you have nothing left. I'm so low it’s fuckin awesome. This one is for you dad, rest in peace!”

To complement the release, Swim the Current has premiered the official music video for "So Low."

WATCH the Video Below

Having played in numerous bands throughout the years, Guitarist Greg Antine came to a point in his career where he wanted to branch out and write songs that had more depth and were inspired by his personal life experiences. Having worked with Bassist George Pond for several years in previous projects including, Disciples Of Verity, Greg expressed his concept for Swim The Current to George in hopes of collaborating with him on this new music venture. The two began to flesh out ideas in George’s home studio and realized quickly that they were on to something special,but still needed something more to see their ideas through to complete their concepts. Greg was introduced to Joe Gareri, Guitar/Keyboards, by George during the Disciples Of Verity debut album recording sessions which Joe is also featured on as a guest artist. The three of them immediately hit it off and worked extremely well together. Greg and George realized that Joe’s cinematic writing style would be a perfect match for their concepts and Joe was then brought in as a full time member. After two songs were completed and demo’d in George’s studio utilizing programmed drums,it was suggested by their friend Allyson Song River Jaynes, that they reach out to her friend, drummer Chris Moore of Ultraphonix, Rock Of Ages, to see if he would be interested in working with the project. Upon hearing the strength of songwriting and musicianship of the band, Chris was all in and signed on as the fourth full time member of STC and now the band, from an instrument’s perspective, was complete.

The final missing piece for STC was a lead vocalist who could capture the sound they envisioned for their music. After working in the studio with a few different vocalists, George ultimately reached out to his friend Marcos Leal, of legendary international touring band Ill Nino. Marcos loved the music of STC as well as having the freedom and creativity of writing lyrics for the project. After recording their first song together with Marcos, "We Are Not The Same", everyone new that this lineup was something special and Swim The Current was now complete! The release of "We Are Not The Same" took off instantly, and amassed thousands of streams, YouTube views and followers through a total organic DIY social media campaign.

Swim The Current’s sound is influenced and reminiscent of many of their favorite artists including, Deftones, Faith No More, Sevendust, POD, and Stabbing Westward. They continue to write new music and look forward to sharing their future releases with the world!

For More Information Please Visit:

Facebook

Instagram

SETH Announce Revolting New Album

In an era where the echoes of revolution have dulled to whispers, SETH roars back into the heart of the metal realm with their new album La France des Maudits. Its lead single, "Et Que Vive le Diable !", channels the unrest of spirits that once roamed the revolutionary streets of Paris. The song is a declaration, a spell that rekindles the flames of rebellion and ignites the soul with insurrection's fire.

Watch the video for "Et Que Vive le Diable !" Below;

La France des Maudits is out July 14, on Bastille Day, through Season of Mist.

Pre-order & pre-save: https://orcd.co/sethlafrancesdesmaudits


Standing as titans amidst the cobblestones soaked in the lexicon of the damned, Seth wields La France des Maudits as a weapon against the sacrosanct silence that has befallen the music landscape. Each note is a march, each lyric a cry in the dark – this is black metal not as it was, but as it should be: unapologetic, unforgiving, and unyieldingly innovative.

In "Et Que Vive le Diable !", Seth crafts a grandiose narrative interlacing tales of divine defiance and liberation, draped over the backdrop of atmospheric black metal at its most artful and insurrectionist. Seth re-emerges, not just to reign but to revolutionize, not just to echo but to speak truths into the void of divine oppression.

Recorded in the venerable Sainte Marte studio under the watchful gaze of Francis Caste, La France des Maudits boasts a lineage of musicians whose names are etched into the pillars of the genre. Accompanied by the ghostly artistic visage captured by photographer Andy Julia and brought to life by director & producer Claudio Marino at Artax Film, "Et Que Vive le Diable !" is accompanied by a masterful visual production depicting Seth's macabre take of the French revolution.

In the solemn shadows of a lyrically resurrected Paris, where the whispers of revolution still haunt the cobblestones and the phantom caress of the guillotine's blade lingers in the air, stands a band – not merely of musicians, but of modern Marats, Robespierres in leather and lace, anointed with the spirit of insurrection. SETH, the harbingers of a dark yet fervidly awaited dawn, are poised once more to unleash a tempest upon the sanctified silence of the contemporary music scene with their newest auditory uprising, La France des Maudits.

The history of black metal formation SETH and Season of Mist spans back to the early days of the French metal scene. The band’s debut Les Blessures de L’Ame (1998) was one of the first releases on the label. This album is now regarded as a cornerstone in French black metal, pioneering the usage of their native tongue on a black metal record.

The release of Les Blessures de L’Ame quickly gained international attention and SETH built a solid fanbase. The French blasphemers signed a two-release deal with Osmose Productions and participated on the MAYHEM cult tribute album Originators of the Northern Darkness alongside IMMORTAL and BEHEMOTH. The second full-length The Excellence came out in 2000 and featured a contribution from none other than Fenriz (DARKTHRONE), who wrote the lyrics for the song Let Me Be The Salt In Your Wound.

Shortly after, the group recorded their third album Divine-X (2002) at the Excess Studios in Rotterdam (EPICA, AFTER FOREVER, SINISTER). This record demonstrated the ability of the band to mix gloomy and violent atmospheres and received extensive coverage from the international metal press at the time.

Returning to the Netherlands to record the fourth album Era-Decay(2004), two new members joined the ranks of SETH: vocalist Black Messiah and guitarist Cyriex. Afterwards, the band was invited to play at the prestigious Inferno festival in Norway in 2005.

A long hiatus followed, until the band returned in 2011 to play an exclusive show in Germany with the German cult act BETHLEHEM. The band re-joined the ranks of Season of Mist, eventually releasing The Howling Spirit (2013) and embarking on a European tour with PESTILENCE. Several appearances at major festivals followed, including Hellfest and Graspop Metal Meeting, concluded by a Canadian headliner tour with new vocalist Saint Vincent (BLACKLODGE).

Celebrating the 20th anniversary of Les Blessures de L’Ame in 2018, SETH exclusively performed the entire album at festivals in Switzerland, Canada (Messe de Morts) and Belgium (Thronefest). The French label Les Acteurs de l’Ombre productions released a live recording of these shows, called 20 ans de Blasphème. The band’s new line-up features members of LOUDBLAST, ARKHON INFAUSTUS and MELTED SPACE.

In the twilight year of 2021, within Paris' shadow-ridden crypt, Studio Sainte Marthe, an album was birthed from SETH's tumultuous revelation, christened, La Morsure du Christ. Earning plaudits of wonder, it was no mere collection of hymns, but a solitary harbinger of deconstruction, a cataclysm of unseen proportions. Inspiration seeped from Notre-Dame de Paris—her skeletal frame ablaze in a 2019's firestorm—an emblem of decaying faith for a godforsaken era. As heavy as the iron heart of a guillotine, La Morsure du Christechoed through the chambers of 2021, reigning supreme in a multitude of international & French metal charts, as well as its inclusion on premier streaming platform playlists. Bold symphonies interwoven with razor-sharp lyricism and a sophisticated conceptual resonance that dared to envision black metal through a revolutionary lens.

Rooted deeply in the soil that once drank deeply of royal and commoner blood alike during the tumultuous fervour of the French Revolution, SETH presents their latest opus - a black metal gospel according to the damned and the outcast. An intricate tapestry of shadows and defiance emerges from the darkness of history's recesses, swirling with the mists of apocalyptic visions and the ashes of fallen angels. La France des Maudits is a declaration of war, a call to arms for the souls still smouldering beneath the veneer of a world too long gripped in the cold hands of a moribund orthodoxy.

With the fractured bones of dead gods beneath their boots, SETHvoyages through the forbidden and the occult, tracing the lines of ancient prophecies and the decadent whispers of La Grande Catin Écarlate, the scarlet woman of the apocalypse. Their songs, from Paris des Maléfices to Insurrection, resonate with the echoes of a Paris besieged not by armies, but by souls clamouring for liberation - a city where each stone tells a tale of defiance, where every shadow harbours the spirit of revolt.

Lyrically, La France des Maudits is dripping with the wine of condemned men and the blood of saints, narrating the epic saga of rebellion from the ashes of a fallen Notre-Dame. This is not the Paris of light, but of enlightening darkness, where the façades of grandeur crumble to reveal the raw flesh of true humanity, writhing in its eternal struggle against divine oppression. Here, in the very heart of darkness, SETH finds its muse among the cacophony of broken chains and shattered dogmas.

Prepare to march beneath the banner unfurled bySETH, in the grand tradition of those unyielding souls who once stormed the Bastille and dared to dream of a world remade.La France des Mauditsbeckons - not to the gallows, but to glory.

Line-up
Saint Vincent - Vocals (Blacklodge)
Heimoth - Guitar (Sinsaenum)
Drakhian - Guitar (ex-Loudblast, Griffar)
Pierre Le Pape - Keys (Melted Space)
EsX - Bass (Arkhon Infaustus, ex-Merrimack)
Alsvid - Drums (ex-Enthroned, ex-Ad Patres)

Recording Studio
Sainte Marthe Studio

Production Credits
Mixed, produced & mastered by Francis Caste

Biography
Sébastien Gamez

Cover Art
Andy Julia (Photography)

Stream & Order: 
https://orcd.co/sethlafrancesdesmaudits

Links/Follow Artist
Official Website:https://www.innomineseth.fr/
Facebook:http://www.facebook.com/innomineseth
Instagram:https://instagram.com/sethblackmetal
Bandcamp:http://innomineseth.bandcamp.com/
Spotify:https://open.spotify.com/artist/0mZohnzbCiVv54VIEA6Wb7
Deezer:https://www.deezer.com/us/artist/56150
Apple Music:https://music.apple.com/us/artist/seth/1643927366
YouTube:http://www.youtube.com/user/InNomineSethOfficial
ReverbNation:https://www.reverbnation.com/innomineseth

Booking Contacts
Laszlo@redback-promotion.com(EU)
philippe@ragetour.fr(FR)

Available Formats
Digital Download
CD Digipak
Limited CD Clamshell Box
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Gold
12" Coloured Vinyl Gatefold - Blue & Black Marbled
12" Coloured Vinyl Gatefold - Red, White & Black Marbled
12" Coloured Vinyl Gatefold - Crystal Clear
12" Liquid-Filled Vinyl Gatefold - Bood Red Liquid
Cassette

Edinburgh's Boulder Fields presents 'Measures' from debut album, blurring boundaries between Indie Rock, Scottish Folk & Americana

“Combines Scottish folk with Americana and indie, creating an engaging, stirring musical blend… gorgeous, timeless music that comes highly recommended” ~ Americana UK

"Upbeat and infectious with a feel-good vibe. A catchy melody, constructed at the crossroads of folk, rock and pop, this is an earworm to leave you grinning as you grab a pint or the hand of your partner for a hearty dance" ~ The Spill Magazine


Edinburgh-based troubadour Boulder Fields presents his new folktastic single 'Measures', a catchy and uptempo taste of his debut album ‘With All The Other Ghosts’, released via Scottish indie imprint Let There Be Numbers.

“We measure the distance, we measure how far still to go…”

Boulder Fields revolves around Scottish singer-songwriter Cam Fraser, formerly of Borrowed Books and 80s punk legends The Cateran, who joined Nirvana on the 1989 UK tour that broke the band, as well as touring or sharing the stage with The Proclaimers, Tad and Grant Hart (Husker Du),

This long-play record features eleven thoughtful tracks with beautiful, stripped-down arrangements. Mainly played on acoustic instruments, these songs are enveloped with sonorous harmonies and delivered with fierce intensity, recalling these artists' collective punk history.

"Is it too simplistic to say that sometimes it’s hard to keep going? Then sometimes, at least for some, it just gets too hard. Resilience is all very well, but the unexpected shitstorm can overwhelm even the strongest, and then it’s all too easy to sink below," says Cam Fraser about the deeper meaning of 'Measures'.

“Boulder Fields had already played a few shows prior to heading into the studio. There was something magical happening with just these acoustic instruments and the vocals, and it felt like this was what we should try to capture on the album. Listening to it now, I think that’s pretty much what we pulled off. It sounds just like when we play together; nothing fake or contrived or prettied up with technology… just us. I’m proud of this collection of songs and I’m proud of how we play them together.”

On ‘With All The Other Ghosts’, Cam (vocals, guitar) forms the core three-piece with his long-time collaborator Aly Barr (bass, vocals) and the talented Suzy Cargill (drums, vocals). Since their debut performance as a collective at 2022's Belladrum Festival, they have played several very well-received shows around Edinburgh, some as a three-piece and some with the extended line-up.

This album also features Jamie Watson, a hugely respected figure in the Scottish music scene. Perhaps best known as a producer for the likes of Snow Patrol and The Vaselines, or former owner of Chamber Studio, Watson was also a member of such influential Scottish bands as The Monos, The Solos and The Persian Rugs. Jamie and Cam first worked together back in the 1980s, when Cam’s band rehearsed and recorded at Jamie’s studio. On acoustic guitar for several tracks, he contributes some impressive finger-style guitar, in addition to tapping his vast experience in helping create the final mix.

Fraser adds, "The album owes a lot to the very lovely guy who sat behind the mixing desk, Richie Werner at B&B Studios. As well as fretting about all the technical stuff and making sure he got the best possible sound out of all the instruments, Richie also fired up his studio’s old Hammond organ and played on a couple of songs."

As of April 16, 'Measures' will be available from fine digital outlets, including Apple Music and Bandcamp. The album 'All the Other Ghosts' will be released on June 14 and is already available for pre-order.

ALBUM CREDITS
Music and lyrics written by James Andrew Cameron Fraser (PRS / BMI)
Cam Fraser - vocals, acoustic guitar
Aly Barr - acoustic bass, vocals, piano
Suzy Cargill - drums, percussion, mandolin, vocals
Richie Werner - organ
Jamie Watson -  acoustic guitar, mixing support
Recorded, mixed & mastered by Richie Werner at B&B Studios
Album cover design & artwork by Cam Fraser
Front cover photography by John MacPherson
Catalogue No: LTBNLP703
Videos by Cam Fraser

Keep up with Boulder Fields
Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Booking contact | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Soundcloud Instagram | Link edIn | Email

Texas' 9-VOLT VELVET sign to Shore Dive Records for debut album & announce parallel ‘Riptide / Hey, Candy’ 7” vinyl single

Dallas-based indie dreamgaze outfit 9-Volt Velvet has signed to Shore Dive Records for the release of their debut album 'Nude Beaches' on CD, previewed by the single 'Riptide'. Out May 10, this 13-track collection blends washed-out fuzzy and feedback-laden guitars, driving bass, pounding drum beats and ghosty vocals.

Taking their bring of 'rockgazedreamgloom' even further, they will also be putting out a limited edition of twenty 7" lathe-cut vinyl via Cryptic Carousel, slated for the same release date, with 'Riptide' as the Side-A track and 'Hey Candy' on Side B.

Nestled in the fine territory between post-punk and shoegaze with a surf vibe, 9-Volt Velvet is made up of Mark Cross (lead vocals, guitar, bass, keyboards, percussion), Donnie Robertson (drums, percussion, keyboards) and Kevin Robinson (guitar, bass, keyboards, vocals).

Hailing from Muscle Shoals, AL and Dallas respectively, Mark and Donnie met through an ad in a local newspaper, hit it off instantly and formed a band, eventually being joined by Kevin soon after they began performing. Involving past members of of Viva Voce and The Northern Lights, they bring together several decades of experience playing shows with the likes of Starflyer 59, Spoon, The Dandy Warhols, Jimmy Eat World, Sunny Day Real Estate, Kill Hannah, Luxury, Lugsole, The Features, Bleach,  Fold Zandura, 764-HERO and Morella’s Forest.

'Nude Beaches' is the culmination of 9-Volt Velvet's musical journey, showcasing their evolution as artists and the unique sounds they have curated together. Inspired by their natural chemistry and a like-minded approach to music-making, in June 2023, they embarked on an intense 3-week studio session in Dallas, crafting an album that explores the themes of freedom and self-expression.

From the introspective lyrics to the intricate musical arrangements, every aspect of 'Nude Beaches' reflects the band's commitment to pushing boundaries and taking risks. This is a sonic journey that invites listeners to embrace their own individuality and revel in the joy of truly being themselves.

Influenced by such artists as The Cure, Sonic Youth, Swervedriver, The Jesus & Mary Chain, DIIV and The Velvet Underground, 9-Volt Velvet emerged as a recording artist in January 22 with their debut 'Cathedrals' EP, followed by the 'Mirrors' EP in July of that year.

As of May 10, 'Nude Beaches' will be available on CD via Shore Dive Records. Digitally, it is already available from fine music platforms, including Apple Music and Spotify. It can also be obtained directly from the trio via Bandcamp, where the 7" lathes are also available for pre-order.

CREDITS
Written and performed by 9-Volt Velvet
Mark Cross - lead vocals, guitar, bass, keyboards, percussion
Donnie Robertson - drums, percussion, keyboards
Kevin Robinson - guitar, bass, keyboards, vocals
Recorded at Starlight Studios (Dallas) by Donnie Robertson & Jeff Ross
Produced, mixed & mastered by Donnie Robertson
CD released via Shore Dive Records
Publicity by Shameless Promotion PR

Keep up with 9-Volt Velvet
Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shore Dive Records 
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Soundcloud Instagram | Link edIn | Email

Carrion Vael Unleash Official Music Video For "Savage Messiah" via Unique Leader Records

Melodic deathcore quintet Carrion Vael has released the official music video for "Savage Messiah"today via Unique Leader Records. The track can be found on the band's excellent new album 'Cannibals Anonymous'. Speaking about the inspiration behind the track, the band commented:

Self-proclaimed prophet and leader of the totalitarian doomsday cult The Ant Hill Kids, Roch Thériault could only be described as “savage”. Thériault's punishments were violent and extreme, often castrating male members of his cult, forcing members to break their own limbs with a sledgehammer, and even performing unnecessary amateur surgery without anesthesia. Finally being arrested in 1989 after drunkenly amputating a woman’s arm with a meat cleaver, Thériault's reign of terror ended after being sentenced to life in prison. His insanity inspired this song and is our version of his story, and the story of the people he tortured.

Before today, the band dropped the music video for their track "Discount Meats" and most recently, the "Love Zombie"visualizer. Watch the "Savage Messiah" music video below, and stream 'Cannibals Anonymous' here.

Carrion Vael Is:

Travis Lawson Purcell - Vocals

Al Arford - Bass

Trenton Limburg - Guitars

Ryan Kuder - Guitars

Matt Behner - Drums

CROWNSHIFT – Release New Single And Video 'My Prison'

A few weeks ago, high-profile modern metal band CROWNSHIFT announced the release date and details of their eagerly awaited self-titled debut album, which is due out on May 10th, 2024 via Nuclear Blast Records.

Today, the band that's currently one of Finland's hottest new music exports, are proud to unleash a new single called 'My Prison', which showcases a more atmospheric side of CROWNSHIFT richly adorned with divine guitar leads and - yet again - an absolute earworm of a chorus! 

A studio session music video was recorded and is being released alongside the single. Check it out below.

Catch CROWNSHIFT live this year at several big Summer festivals across Europe, including. Nummirock, Rock Fest Barcelona, Graspop, Rockstadt Extreme Fest, and Motocultor, or at their album release show in Helsinki on May 15th. Scroll down for all confirmed dates!
 

PRE-ORDER/PRE-SAVE CROWNSHIFT'S DEBUT ALBUM:
https://crownshift.bfan.link/cslp

LISTEN TO 'MY PRISON':
https://crownshift.bfan.link/mpsg

WATCH THE OFFICIAL MUSIC VIDEO FOR 'MY PRISON' below.

Born as the long-time idea of four friends, CROWNSHIFT are a new high-standing crossover metal act from Finland. The members, who come from the ranks of Finland’s finest metal exports, are thrilled to start a new journey together and spread their authentic sonic print across the globe.

Seamlessly covering a diversity of styles, the quartet has a unique signature to their modern sound. Hypnotizing melodies paired with ripping riffs, from moody mid-tempo songs to fierce prog-death-metal opuses, CROWNSHIFT were born to be a master of all trades.

Their forthcoming self-titled debut album consists of eight contemporary melodic death metal anthems with a progressive edge and captivating choruses for the ages. CROWNSHIFT's members are or have been involved in some of Finland's most renowned and universally beloved metal bands, including NIGHTWISH, CHILDREN OF BODOM, WINTERSUN, and MYGRAIN, and it shows. On their first album, CROWNSHIFT have managed to combine their collective experiences and crafted a modern metal masterpiece that sounds distinctively Finnish and offers stellar songwriting and excellent production. 

Keep your eyes peeled for teasers and further announcements and make sure to follow CROWNSHIFT on their socials to stay up-to-date.

CROWNSHIFT IS:
Tommy Tuovinen: Vocals 
Daniel Freyberg: Guitar, Backing Vocals 
Jukka Koskinen: Bass 
Heikki Saari: Drums 

In Hearts Wake Share "Farewell" Video

After 12 years creating music beloved by a loyal fanbase across the world, In Hearts Wake today announce the departure of long-time bassist and vocalist Kyle Erich.
 
In conjunction with the news, In Hearts Wake have also announced that they will tour Australia with Erich for the last time this September, giving fans the opportunity to share in an important closing chapter for the band. And also alongside this announcement, In Hearts Wake deliver a brand new track, fittingly titled "Farewell": A poignant cap put on Erich's time with the band, laced with emotional tension and catharsis.
 
Though Erich's departure signifies a dynamic shift for In Hearts Wake, their split has been amicable; both are anticipating bright futures as they continue on separate paths. After going through the motions of any breakup –– from sadness and heartbreak, through to acceptance –– In Hearts Wake and Erich are now ready to celebrate with the release of "Farewell" and their upcoming final run of headline shows together.
 
The process of creating "Farewell" doubled as a healthy way of processing Erich's impending departure from the band; a moment for him to be involved in his exit in a way that perfectly put a pin in his time with his bandmates. It is this very reason "Farewell" has a spirit of closure to it, because this is exactly what it represents: a beautiful, monumental chapter coming to an close for Erich and In Hearts Wake alike.

As his melodies and vocals soar, the heartfelt weight of his final message is as much for the In Hearts Wake fans, as it is for his bandmates.

Watch the video for "Farewell" below.

Hailing from Byron Bay and now one of the leading acts in the Australian heavy scene, In Hearts Wake first roared into view via their 2012 debut album Divination; a tarot-inspired release, praised for its memorable breakdowns, melodic hooks, taut execution and a sea of features. Remaining a fan-favourite to this day, Divination peaked at #27 on the ARIA Charts, setting the stage for a horde of headline shows, international tours, appearances at Soundwave Festival and beyond for In Hearts Wake.

Now in command of five hard-hitting albums, including 2014's Earthwalker, 2015's Skydancer, 2017's Ark and 2020's Kaliyuga, In Hearts Wake also fuse themes of social and environmental justice into their palpitating brand of metalcore, with multiple Top 5 ARIA debuts, millions of streams and fans across the globe.

Recently appearing at UNIFY Off The Record in 2023 and wowing audiences across Australia with their Decade Of Divination tour last year, In Hearts Wake are set to celebrate and farewell their journey to date with Erich this September with what is guaranteed to be a poignant and unforgettable run that spans Newcastle, Sydney, Brisbane, Melbourne, Adelaide, and Perth.

Ultimately, to honour Erich's imprint on In Hearts Wake, clear and evident since the debut In Hearts Wake album, the seminal Divination, the only way the group could convey such a whirlwind of emotions was through a dose of new music that captured everything about the In Hearts Wake spirit: brutality, passion, and catharsis.

IN HEARTS WAKE FULL STATEMENT:
"In Hearts Wake has some news. Our bass player and clean vocalist Kyle Erich is leaving the band to focus on his family and other parts of his life. He will be touring with us one last time in September, and today we have released a new track and video called 'Farewell' as part of his send off.
 
"We adore Kyle and appreciate every contribution he's made to our band and our lives. 12 years of laughs, gigs and singalongs. He's an amazing person and we will miss having him around as In Hearts Wake continues to forge ahead. 
 
"While we were saddened and heart broken by the news at first, we all knew that what was right for Kyle was right for us. We all support his decision and can't wait to celebrate him and bring closure to his journey with the band.
 
"We will have more In Hearts Wake news in a couple of weeks, but for now lets celebrate our man Kyle Erich and all the amazing moments we've had together."
 
Jake, Ben, Eaven, + Conor
 
KYLE ERICH FULL STATEMENT:
"It's hard to put into words how impactful and fulfilling my journey with In Hearts Wake has been. I honestly feel so lucky to have been a part of In Hearts Wake and everything it has become over the years. The places we've been, the bands/people who have supported us and all the incredible moments that I'll never forget. To be honest, I never really thought that music could bring so much joy to my life and I owe so much to my brothers in the band for seeing something in me that I didn’t even know I had.  
 
"The life of a touring musician is incredible and honestly I wouldn't change a thing about my last twelve years with In Hearts Wake. That being said, this life does require a lot of sacrifice and now as a father those choices are more complicated and much harder to make. Being in the industry for as long as I have, I know you need to give 100% to make it work and I’m at a point now where that's not something I'm able to give. In my eyes that would be a disservice to the band and to all our fans who have supported us over the years. 
 
"'Farewell' will be my last song with the band and it was a very difficult song to write. Despite this being the right decision for me it’s been so hard to let go of something that’s been such a massive part of my life. The Australian tour this September will be my last tour as part of the band and although bitter sweet, its going to be a farewell tour to remember.
 
"From the bottom of my heart, I want to thank anyone who has come to a show, said hello to me in the street or played with us on stage. You have truly changed my life forever. Jake, Ben, Eaven, and Conor: I love you guys and I can't wait to see where In Hearts Wake goes from here.  See you down the road!"

—Kyle