Solid State/Tooth & Nail Records Welcome Acres to the Roster; Band Shares "A Different Shade of Misery" Video

STREAM "A DIFFERENT SHADE OF MISERY"

SOLID STATE/TOOTH & NAIL RECORDS WELCOME UK BAND ACRES TO THE ROSTER

TOURING WITH HOLDING ABSENCE, CAPSTAN, + CASEY THIS WINTER

SOLID STATE + TOOTH & NAIL RECORDS
are pleased to welcome UK band ACRES to the roster. 

The band has shared the video for the new single "
A Different Shade Of Misery," which was produced by Landon Tewers of The Plot in You. Watch it below

The song mixes equal parts brutality and melody, making for quite a thrilling listen.

"Lyrically this song is about regaining control of yourself and confronting your demons," says vocalist
Ben Lumber. "I wrote this when I was at a really low point and I'd often sit there thinking, 'Man, you need to snap out of this.' At one point, I felt like my own worst enemy and I was fighting a war inside my own head. It's a really special song because, musically, it's a new direction and the start of a new era for our band. We've always aimed to reinvent ourselves with every release and this was one of those songs that just naturally came to us."

Acres are touring this winter in support of Holding Absence along with Capstan and Casey. All dates are below.

Following the success of 2019's Lonely World, a record that harnessed melody and melancholy, Acres found themselves playing the biggest shows of their career so far and achieving things they had only previously dreamt about. But when the world around them suddenly felt so uncertain, they had a choice to make of what they should do next. Instead of rushing out with something that they didn't fully believe, they locked themselves away and painstakingly created something that not only represented where they had been but also where they wanted to end up. The result was Burning Throne, a perfectly crafted account of what it means to stare into your own oblivion and learn about who you really are from it.

ACRES ON TOUR:
WITH HOLDING ABSENCE, CAPSTAN, + CASEY:

1/16 — Seattle, WA, US — Neumos
1/17 — Portland, OR, US — Hawthorne Theatre
1/19 — Roseville, CA, US — Goldfield Trading Post - Roseville
1/20 — Los Angeles (LA), CA, US — Echoplex
1/21 — Anaheim, CA, US — Chain Reaction
1/23 — Mesa, AZ, US — The Nile
1/24 — Albuquerque, NM, US — Launchpad
1/26 — Denver, CO, US — Marquis Theater
1/27 — Lawrence, KS, US — The Granada (half house)
1/28 — Dallas, TX, US — South Side Music Hall
1/30 — San Antonio, TX, US — Rock Box San Antonio
1/31 — Houston, TX, US — RISE Rooftop
2/2 — Tampa, FL, US — The Orpheum
2/3 — Atlanta, GA, US — The Masquerade - Hell
2/4 — Nashville, TN, US — The Basement East
2/6 — Lakewood, OH, US — Mahall's
2/7 — Chicago, IL, US — Bottom Lounge
2/9 — Detroit, MI, US — The Shelter
2/10 — Toronto, ON, Canada — Velvet Underground Toronto
2/11 — Montreal, QC, Canada — Le Studio TD
2/13 — Baltimore, MD, US — Baltimore Soundstage
2/14 — New York (NYC), NY, US — Gramercy Theatre
2/16 — Philadelphia, PA, US — The Foundry
2/17 — Worcester, MA, US — The Palladium

PHOTO CREDIT:  glkmedia (@glk.media)

HOLY WARS Unveil Powerful Music Video for “TENSION//RELEASE”

Los Angeles, CA – Sonic shapeshifters, Holy Wars, have released a poignant new music video directed by Arden Fisher for “TENSION//RELEASE” today. The brand new visual accompanies the powerfully visceral final track from their late 2023 EP, 'Cult Classic' and provides a visual embodiment of the suffocating emotional push and pull of coping with grief. 

Watch the video for “TENSION//RELEASE” below and stream the full ‘Cult Classic’ EP HERE. Catch the band speaking about the new track and the ‘Cult Classic’ EP on the ‘Getting To Know You’ segment of this week’s Radio 1 Rock Show with Daniel P. Carter HERE

 

“TENSION//RELEASE” highlights the band’s versatility and dynamism when it comes to shifting sonic gears. Nick Perez’s riff lays the soundscape for frontwoman Kat Leon's deeply personal, evocative lyrics and ferocious, powerhouse vocal delivery that perfectly encapsulates the song’s theme. Speaking on it’s creation, Kat shares

 

“This song is a special one to me. I wanted to close the EP with a slower feel to add some weight and depth to this wild ride of ‘Cult Classic’. “TENSION//RELEASE” brings it back to the beginning of our band when I wrote about grief and life after the death of my parents. It is a representation of where I am now and how grief never goes away but transforms. Mine has been the source of my momentum, keeping me running on a hamster wheel to distract from looking at this void. It puts a spotlight on the push and pull of depression and anxiety.“

“Sonically this song came together pretty fast, the vocal recordings were from the first day we wrote it. There was a rawness to it that we felt we could never match if we were to re-record it, so we kept it honest and raw.”

ABOUT HOLY WARS

​​Los Angeles based duo Holy Wars, comprised of Kat Leon (Vocals) and Nick Perez (Guitars/Production), have a unique and constantly evolving sound that fuses an infectious medley of genres, packed with attitude and lyrical finesse. Following their signing to Pale Chord via Rise Records in 2023, Holy Wars ushered in a new era of ambitious music, starting with the release of their 'Cult Classic' EP (out now). The duo's boundary-breaking, DIY approach has already yielded an impressive 10 million global streams and 700,000 YouTube views across their total catalogue. 

 

Recorded music aside, Holy Wars’ live shows are an electrifying breeding ground that converts any first timer to a lifelong fan. Holy Wars take every opportunity to feed off the energy of the crowd and use it to amplify Leon’s charismatic and fearless stage presence which has since allowed them to win over a wide range of audiences. It is no surprise that the band’s high-intensity live performances have led the group to share the stage alongside legendary groups such as Coheed and Cambria, Alkaline Trio, and Papa Roach and to the next generation of up and coming rock artists including The Warning and Scene Queen.

Holy Wars hit the festival circuit for the first time last year, gracing the main stages at Welcome To Rockville, Sonic Temple and Louder Than Life, laying waste to the DWP Presents stage at Aftershock and gaining hordes of new fans at So What?! and Furnace Fest.

Find Holy Wars Online

www.holywarsmusic.com

New music video from Lord Dying!

Portland, Oregon-based progressive sludge metal outfit LORD DYING today unleashes their monolithic new single, “The Universe Is Weeping,” alongside its accompanying video. the track comes by way of the band’s new studio album, Clandestine Transcendence, set for official release January 19th, 2024.

Notes Olson on single “The Universe Is Weeping,” We are very psyched to premiere the opening track and video for ‘The Universe Is Weeping’ off our upcoming album.    This song picks up directly where our previous album leaves off.  Post death.  Blazing beyond the cosmos and outside the realms of consciousness.  Total dissolution of the self.  Into Clandestine Transcendence.”

Adds Maucere, who directed and produced the video, “When asked to direct the video for ‘The Universe Is Weeping,’ I couldn’t help but tackle the concept of the Cosmic Calendar. For instance, the Universe’s birthdate is January 1st. Life on earth = Sept 30th. Human history is Dec 31st at 23:59:57. We consume everything in our path as our sources of energy, some of which have been on earth for over 600 million years. If the past can tell us anything about life, a new life form could come along one day that decides that they can house us, raise us, and overfeed us to become their most preferred source of energy. Or we could just destroy each other before that day may come, which seems more likely to me.”

On Clandestine Transcendence, LORD DYING co-founders Erik Olson (guitar, vocals) and Chris Evans (guitar) are joined by Alyssa Maucere (former bassist for Eight Bells) and Kevin Swartz (current drummer of Tithe). Produced by Converge guitarist Kurt Ballou (High On Fire, Code Orange, Kvelertak) at his God City Studios, the twelve-track offering steps even further into the great unknown, filled with riffs and vibes.


Clandestine Transcendence picks up where 2019’s critically championed Mysterium Tremendum left off.  Latin for “awe-inspiring mystery” or “terrible mystery” depending on one’s view of existence, Mysterium Tremendum began a narrative centered on a central character the band calls The Dreamer. Olson describes The Dreamer as an immortal being who wants to die. On Clandestine Transcendence, part two of a planned trilogy, he gets that wish. “This one is about what happens beyond death,” the frontman explains.
 

Clandestine Transcendence will be released on January 19th, 2024 via MNRK Heavy on CD, LP, and digital formats.

Lord Dying Clandestine Transcendence Color In Color Vinyl

PRE-ORDER

Lord Dying Clandestine Transcendence CD

PRE-ORDER

Lord Dying - I Am Nothing, I Am Everything T-Shirt

PRE-ORDER

Jagwar Twin Brings Wonka-Inspired Anthem “Bad Feeling (Oompa Loompa)” To Life

Deemed by many as the unofficial anthem of the "Wonka" soundtrack, Jagwar Twin has officially entered the new year with a lyric video for the massive hit, "Bad Feeling (Oompa Loompa)". Weaving together candy-coated harmonies and whimsical instrumentals, the track epitomizes Jagwar Twin's distinctive musical prowess that effortlessly balances nostalgia and fresh innovation. Fans can watch the brand-new lyric video below.

With over 40 million views across TikTok and 8 million streams in less than a month, Jagwar Twin's latest electrifying single has taken the digital music scene by storm, achieving remarkable success on TikTok and playlists alike. The track's infectious beats and catchy lyrics have sparked various viral trends on TikTok, where users from around the globe have embraced the song with over 150K user-created videos using the track, securing Jagwar Twin a spot on TikTok's Viral 50 Chart. Simultaneously, "Bad Feeling (Oompa Loompa)" has found its place on influential playlists across streaming platforms, including the coveted covers of not only Spotify’s The New Alt and Limelight, but Amazon Music's DV8. This dual triumph highlights Jagwar Twin's innate ability to connect with diverse audiences and solidifies the track as a dynamic force in the contemporary music landscape.

Coinciding with the release of Paul King's "Wonka", “Bad Feeling (Oompa Loompa)” features an interpolation of “Oompa Loompa", marking a rare approval from the original film's composers. Delving into the world of Willy Wonka, Jagwar Twin brings a new life and twist to the classic "Oompa Loompa" chorus, while also modernizing it. Co-written by Sean Van Vleet (All Time Low, PVRIS) and Ryan Daly (Dove Cameron, John Legend), "Bad Feeling (Oompa Loompa)", exemplifies the magic of modern visionaries reimagining the timeless charm of musical classics.

Previously speaking on the release, Jagwar Twin shares:

"Every one of us holds a golden ticket in our hand, but our ability to receive the keys to the kingdom relies on our ability to trust ourselves and to tell the truth. "Bad Feeling" is a chocolate covered reminder to trust your gut."

"Bad Feeling (Oompa Loompa)" is similar in style to his previous release, “Good Time (1:08)”, which peaked Top 20 at Mexico radio, and stand out track “Happy Face.” With an impressive 425+ million catalog streams and 2.5 million monthly listeners on Spotify, Jagwar Twin stands out as a dynamic force challenging the status quo of the alternative music scene. His genre-defying artistry has captivated audiences through the seamless blend of rhythmic accordion hooks, melodic children’s choirs, and gritty breakbeats, accompanied by profoundly introspective, almost cryptic lyrics.

Jagwar Twin's previous album, 33, channeled the magnetic showmanship of Ziggy Stardust-era David Bowie and Bad-era Michael Jackson, all while unapologetically embracing authenticity and vulnerability. Fueled by chart-toppers like "It's Your Time," "I Like To Party," "Down To You," and "Happy Face," Jagwar Twin serves as a powerful catalyst. His innovative style urges listeners to embrace their true selves, recognize their self-worth, and place trust in their individuality. 

ABOUT JAGWAR TWIN

Emerging out of the suburbs of Orange County, Jagwar Twin creates worlds steeped in lore with his own genre of alternative rock: accordion hooks, children’s choirs, and gritty breakbeats paired with deeply thoughtful, almost hieroglyphic lyrics. Jagwar Twin’s music explores light and dark, good and evil, and the war within himself and each of his cult-like followers.

Photo Credit - Ryan Fleming

GATES TO HELL | SIGN TO NUCLEAR BLAST + RELEASE MUSIC VIDEO FOR NEW SINGLE 'RESURRECTED'

Since its inception, Louisville's GATES TO HELL has fused the finest elements from both metal and hardcore, highlighting fast metal riffs with heavy hardcore and deathcore breakdowns written in a manner unexplored within the Kentucky music scene. The last year saw the band playing nearly 150 shows in 11 different countries supporting the likes of DYING FETUS, THE BLACK DAHLIA MURDER, THE ACACIA STRAIN, DESPISED ICON, SANGUISUGABOGG, BODYSNATCHER, KRUELTY, and DYING WISH on various tours across the US, Canada and Europe. 

Continuing this momentum with no sign of slowing down, the band is ushering in 2024 with a new home at Nuclear Blast Records, a pummeling new single, and heading on the road with labelmates MACHINE HEAD and FEAR FACTORY.

GATES TO HELL's guitarist Seth Lewis states, “I was a kid who loved metal from a very young age and I was constantly buying CDs of my favorite bands. Over time, I saw how many of those bands' CDs had the Nuclear Blast logo on the back. It’s a very unreal feeling to be working with them now with Gates to Hell. Very excited for what the future holds.”

Nuclear Blast American Label Manager & A&R Tommy Jones comments, "After a tip-off from my buddy Scott Lee, I first entered the Gates to Hell at the Milwaukee Metal Fest on May 28th, 2023. Straight from the rip seeing the band live, I was way into their style of Brutal Death Metal laced with hardcore energy. I could envision them being part of the new breed at Nuclear Blast. Fast forward after some hang sessions on the Jersey shore, and up at the New England Metal Fest, we officially sealed the deal in October on Friday the 13th. Fitting AF! I am stoked 'as hell' to welcome the Gates to the worldwide Nuclear Blast family! Let’s gooo!!”

The band's newest offering comes in the single, fittingly entitled 'Resurrected'. The song is a perfect example of their hybrid sound mixing modern death metal with the hardcore spirit. The song was engineered and mixed by Andy Nelson at Bricktop Studios while mastering was completed by Brad Boatwright at Audioseige Mastering.

 “Our new track ‘Resurrected’ just dropped through Nuclear Blast" comments Seth Lewis. "It’s my favorite Gates to Hell song released to date. After touring and practicing as much as we have the last couple of years, we’ve all really meshed together so much better as musicians. Trying to stick to our roots of the death metal/hardcore sound our music has always had, but being more collaborative and creative with some elements.” 

Watch the music video directed by Errick Easterday for 'Resurrected', below.

Stream 'Resurrected' on all platforms now at: 
https://gth.bfan.link/resurrected

GATES TO HELL is hitting the road with Bay Area icons and label mates, MACHINE HEAD for their 'Slaughter The Martøur Nørth America 2024'' with FEAR FACTORY and ORBIT CULTURE. The trek will begin in San Francisco on January 19th and will head across the Pacific Northwest followed by eight shows in Canada. Other stops include Chicago, Orlando, and Houston before concluding in Los Angeles on February 24th at The Bellwether.

Confirmed dates for GATES TO HELL opening the 'Slaughter The Martøur Nørth America 2024’ with headliners MACHINE HEAD and direct support FEAR FACTORY as well as ORBIT CULTURE are:

01.19.2024 US   San Francisco, CA - The Warfield
01.21.2024 US   Portland, OR - Roseland Theater
01.22.2024 US   Seattle, WA - Showbox
01.23.2024 CA   Vancouver, BC - Commodore
01.25.2024 CA   Edmonton, AB - Midway Music Hall
01.26.2024 CA   Calgary, AB - Grey Eagle Casino
01.27.2024 CA   Saskatoon, SK - Coors Event Centre
01.28.2024 CA   Winnipeg, MB - Burton Cumming Theatre
01.30.2024 US   Minneapolis, MN - Skyway Theatre
01.31.2024 US   Chicago, IL - Concord Music Hall
02.01.2024 US   Pittsburgh, PA - Roxian Theatre
02.02.2024 US   Northfield, OH - MGM Northfield Park
02.03.2024 US   Detroit, MI - St. Andrews
02.05.2024 CA   Toronto, ON - The Opera House
02.06.2024 CA   Montreal, QC - M'Telus
02.07.2024 CA   Quebec City, QC - Theatre Capitole
02.08.2024 US   Boston, MA - Paradise Rock Club
02.09.2024 US   Bethlehem, PA - Wind Creek Event Center
02.10.2024 US   New York, NY - Palladium Times Square
02.12.2024 US   Silver Spring, MD - The Fillmore Silver Spring
02.14.2024 US   Atlanta, GA - Masquerade (Heaven)
02.15.2024 US   Orlando, FL - House Of Blues
02.17.2024 US   Austin, TX - Emo's
02.18.2024 US   San Antonio, TX - Aztec
02.19.2024 US   Houston, TX - House Of Blues
02.21.2024 US   Englewood, CO - Gothic Theatre
02.22.2024 US   Albuquerque, NM - Sunshine Theater
02.23.2024 US   Mesa, AZ - Nile Theater
02.24.2024 US   Los Angeles, CA - The Bellwether

GATES TO HELL is:
Ryan Storey | Vocals
Eli Hanson | Guitar
Seth Lewis | Guitar
Dustin Cantrell | Bass
Trey Garris | Drums

More Information:
www.instagram.com/gatestohell502
www.facebook.com/gatestohell502
www.twitter.com/gates2hell502
www.tiktok.com/@gatestohell502
www.youtube.com/@gatestohell502

Ponte Del Diavolo Prove Twice as Deadly on New Single

It's fitting that Ponte Del Diavolo are named after the "Bridge of the Devil". The Italian band weld doom and black metal into a towering force that's as cruel and unforgiving as the infamously steep road that medieval peasants had to cross on the way to their home country.

With the announcement of their very first album, Ponte Del Diavolo cast a delightfully gloomy shadow over the holiday season. Today, they're letting the bad times roll into the new year by unveiling their second single.

Watch the spellbinding video for "Covenant" below.


Fire Blades From The Tomb is out February 16, 2024.

Pre-order: https://redirect.season-of-mist.com/PonteFireBlades
Pre-save: https://orcd.co/firebladesfromthetombpresave

"Covenant" swears off the conventional wisdom that sometimes less is more. After all, what's better than a dark and doomy bass line? How about two dark and doomy bass lines that swarm like a sky full of thunderclouds.

"Covenant is a hymn to nature, a pact with the elements, a reconciliation with death" Ponte Del Diavolo says. "The video is a tribute to Turin, which we believe encapsulates all this in its magical and often decadent romanticism. It's the song that has more 'forays' than the other tracks on the album. Theremin, synthesizers and clarinet (played by Lucynine, Andrea L'Abbate and Vittorio Sabelli respectively) can be heard between dark wave-inspired and typically doom parts. It is the first song born during the composition sessions and its refrain contains the lyrics that gave the album its title."

Having two bassists is what gives Ponte Del Diavolo such an earthshaking foundation, though the hammering drum fills and sludgy riffs could send even the blackest of hearts to their grave. But "Covenant" adds some more gothic flourishes to their dance with death. Laid to rest by an ominous foghorn of thermin, the song ends with a spooky, spine-chilling whistle of synth.

"Surrender to the tomb", Erba Del Diavolo beckons with  unflappable cool. Resistance is futile. Come join Ponte Del Diavolo on the dark side of the Italian arts.

PONTE DEL DIAVOLO bridges the gap between two separate worlds.

The Italian band proposes a Doom / Black metal sound with old-school roots, adding a modern and outside the box background. The female voice - with strong dark wave influences - is the lyric corpus of this strongly esoteric project. The solid presence of two bassists creates the massive foundation for the rhythmic guitar, everything marked by a raw and dynamic drumming.

Mystery of Mystery / Secret Live Session marked the quintet’s debut EP. It was recorded live and without editing at Dracma Studio with the producer L’Ossario in their home base of Turin in March 2020. "I" was released on the web by Iopan Records. It was soon followed by their second single, "The Wickedest Woman In the World".

At the end of 2021,
PONTE DEL DIAVOLO recorded their second EP, Sancta Menstruis at Deepest Sea Studio in Turin with Danilo Battocchio. The first single,  "The Unborn", arrived in February 2022.

The band's third EP, Ave Scintilla!, was also recorded in Turin. This time around, they reconvened at Dracma Studio with L'Ossario.

Now that they've signed with Season of Mist,
PONTE DEL DIAVOLO are ready to release their debut album. Fire Blades From the Tomb  forges classic, cultish doom metal with modern bents of post-punk. Lead single and opening track “Demone” is whipped along by a boiled black bass line and dark-wave induced vocals.

Prepare to cross over into the Italian dark arts.

Line-up
Elena Camusso (as Erba Del Diavolo) - Vocals
Alessio Caruso (as Krhura) - Bass
Andrea l'Abbate (as Kratom) - Bass
Stefano Franchina (as Segale Cornuta) - Drums
Rocco Scuzzarella (as Nerium) - Guitars

Guest Musicians
Andrea l'Abbate - Synth on 'Covenant'.
Lucynine - Theremin on 'Covenant'.
Vittorio Sabelli - Clarinet on 'Covenant', 'Red as the sex of She who lives in death' & 'Nocturnal veil'.
Davide Straccione - Vocals on 'The weeping song'.

Recording Studio
Deepest Sea Studio

Producer & Sound Engineer
Danilo Battocchio

Mixing & Mastering Studio / Engineer
Lunatech Sounds / Dimitris Douvras

Cover Art
Laura Nardelli

Pre-save: https://orcd.co/firebladesfromthetombpresave​​​​

Pre-order: https://redirect.season-of-mist.com/PonteFireBlades

Links:
Apple Music:
https://music.apple.com/us/artist/ponte-del-diavolo/1639072320
Bandcamp:
https://pontedeldiavolo666.bandcamp.com/
Facebook:
https://www.facebook.com/PontedelDiavolo/
Instagram:
https://www.instagram.com/pontedeldiavoloband/
Spotify:
https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD
Youtube:
https://www.youtube.com/@pontedeldiavolo3847

Management & Booking Contact:
pontedeldiavoloofficial@gmail.com
Enrico Giannone:
enrico@kickagency.com

Available Formats:
Digital Download
Deluxe CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Gold & Black Marbled

Photo by © Cristina Ferrero

SUICIDAL ANGELS - RELEASE NEW SONG 'PURIFIED BY FIRE'

Today greek thrashers SUICIDAL ANGELS release their brand new track 'Purified By Fire', which is part of their highly anticipated new album Profane PrayerProfane Prayer will be released on March 1st, 2024 via Nuclear Blast Records. SUICIDAL ANGELS also announced a European tour, which starts in March 2024. All tour dates are listed below.

Singer Nick comments about the new song 'Purified By Fire': "Against all good and evil, forged into the flames, the second single of our upcoming album, pure thrash, straight in your face, purified by fire! Let’s start this fuckin' moshpit!”

He adds about the new album Profane Prayer: "The time has come! Finally, almost after 4 years, the 8th studio album of Suicidal Angels is true and ready to unleash itself into the market, bringing you some new tunes to satisfy the needs and the appetites of the toughest audience! March 1st of 2024, this beast will be out, in digital and physical form on all of Nuclear Blast’s channels. We have returned and it will be killer!!!”

Pre-order the new album Profane Prayer here: 
https://suicidalangels.bfan.link/profane-prayer.ema
Watch the video for 'Purified By Fire' below.
Stream 'Purified By Fire' here: 
https://suicidalangels.bfan.link/purified-by-fire.ema

About SUICIDAL ANGELS:

A new generation of thrash metal youngsters has risen from the ashes of a club of titans like SLAYER, EXODUS, KREATOR, and many more. Greek ambassadors supreme SUICIDAL ANGELS are one of the most jaw-dropping representatives of the injection of new blood. At the dawning of Spring, this four-piece of these energetic thrashers will release their eight studio album Profane Prayer four years after their previous attack Years Of Aggression. It marks their return to the Nuclear Blast family. ‘It feels like homecoming’ confirms composer Nick Melissourgos (vocals, guitars) who started the band in 2001 when he was 16 years old.

SUICIDAL ANGELS went through a step by step development since their humble start in 2001. Not earlier than in 2007, they entered the studio to record their striking debut album Eternal Domination which caused a stir in the Hellenic scene. They were invited by Sakis Tolis of ROTTING CHRIST to do their first EU tour. This was only the beginning of a long era of growing popularity. Another milestone was supporting KREATOR, resulting in a long time friendship with Mille Petrozza. In 2010 SUICIDAL ANGELS even opened up for the Big thrash 4 in Athens at Sonisphere and at the beginning of 2014 they finally did their first independent headline tour through Europe. Every two years new albums were coming out to support on the road. In the meantime they conquered Asia, South America and Europe and there is more to come.

SUICIDAL ANGELS are:
Nick Melissourgos | vocals, rhythm guitars
Gus Drax | guitars (lead)
Angelos Lelikakis | bass
Orfeas Tzortzopoulos | drums

Dayseeker Drop "Dreamstate" Video

Southern California's DAYSEEKER have shared the video for the intensely intimate song "Dreamstate" from 2022's Dark Sun.

Watch it
below.

The vehicular video features performance footage and a mechanic who may be living in a dreamstate of her own.


"'Dreamstate' is about vivid dreams I had of my father after he passed," shares singer Rory Rodriguez. "There were truly times it felt as if we were communicating with one another, but I'd wake to reality and it would deeply affect my ability to cope."

Dayseeker will also embark on a headline tour this spring. The tour kicks off April 19 in Tampa and runs through May 25 in San Diego. All dates are below, including spring festival appearances, such as Rockfest, Earthday Birthday, and more.

Polaris, Rain City Drive, Avoid, and Ayron Jones are set to appear at select dates on the bill, as well.

Get tickets
here

DAYSEEKER ON TOUR:
WITH POLARIS, RAIN CITY DRIVE, AVOID, + AYRON JONES:

4/19 — Tampa, FL — Amalie Arena (98 ROCKFEST) %
4/20 — Orlando, FL — Central Florida Fairgrounds (Earthday Birthday) %
4/22 — Columbia, SC — The Senate &@
4/23 — Norfolk, VA — The NorVa &@
4/25 — Newark, NJ — Prudential Center (WDHA’s Rock The Rock Fest) %
4/26 — Baltimore, MD — CFG Bank Arena (98 Rock Spring Thing) %
4/27 — Las Vegas, NV — Sick New World %
4/29 — Buffalo, NY — Buffalo Riverworks *+@
4/30 — Ft. Wayne, IN — Piere’s Entertainment Center *+@
5/1 — Grand Rapids, MI — The Intersection *+@
5/3 — Milwaukee, WI — Fiserv Forum (Hog Fest) %
5/4 — Saint Paul, MN — Xcel Energy Center (93X Twin City Takeover) %
5/5 — Des Moines, IA — Val Air Ballroom *+@
5/7 — Sauget, IL — Pop’s *+@
5/8 — Chattanooga, TN — The Signal *+@
5/10 — New Orleans, LA — House of Blues @
5/11 — Birmingham, AL — Iron City *+@
5/12 — Little Rock, AR — Little Rock Music Hall *+@
5/14 — Kansas City, MO — Uptown Theater *+@
5/15 — Oklahoma City, OK — Town Theatre *+@
5/16 — Omaha, NE — The Admiral *@
5/18 — Louisville, KY — Mercury Ballroom +@
5/19 — Bloomington, IL — Castle Theater *+@
5/22 — Albuquerque, NM — Sunshine Theater *+@
5/23 — Tucson, AZ — Rialto Theatre *+@
5/24 — Las Vegas, NV — Brooklyn Bowl *+@
5/25 — San Diego, CA — Soma *+@
%Dayseeker only
*Polaris
+Rain City Drive
&Ayron Jones
@Avoid 

Dayseeker are a quiet killer. The band has steadily built a buzz over the past several years — and they have reached a tipping point. Dayseeker built themselves into a scene standout with 2019's Sleeptalk, which was hailed by Alternative Press as  "a warm and welcome release to higher ground" and as "much needed fresh air into the post-hardcore scene." The album has gone on to accumulate over 125 million streams, and it positioned the band as a formidable force — and one that is primed to take its next big leap. In 2021, the band dropped a deluxe version of Sleeptalk, featuring four reimagined versions of album tracks, which offered fans a fresh and unique take on songs they already love. It also demonstrated the depth and breadth of the band's creative vision, scope, and possibilities. However, Dark Sun catapulted the band beyond the scene's stratosphere. The album is out now via Spinefarm and is at 80 millions streams.

Ithaca, NY-based artist Rose Alaimo releases high energy 'Power Lines' single on the power of human connection 'A Place To Go When You Need To Hide' album is out now

Alaimo sweeps through indiepop dreamery to sophisticated balladry to pulsating and superb rock, in her own sonic diary of life over the past few years. Stunning, sobering and inspiring" ~ The Spill Magazine

"Sonic highs and lulling lows, fierceness and serenity, self-doubt and enlightenment, challenging questions and unexpected answers... lush folk and considered Americana are punctuated with more driven rock urges, where the immediacy of pop music is subsumed under ambient dreamscapes" ~ Big Takeover Magazine


American indie pop-rock artist
Rose Alaimo presents 'Power Lines', a song about how we as humans are all inter-connected to one other like never before. This is the second single from her new album 'A Place To Go When You Need To Hide', following the more grounding lead track 'Stars', which is about finding an unexpected moment of stillness in the midst of a crazy world.

This is the third full-length album from the Ithaca, NY-based artist. Honest, hopeful and emotive, Alaimo takes on her internal struggles as she finds her way through darkness to exercise her own will-power, freedom of choice and self-empowerment.  

A veterinarian and vegetable farmer in her day-to-day life, this record exposes a whole other side of Alaimo as she finds her way through darkness to exercise her own will-power, freedom of choice and self-empowerment.  

"The song ‘Power Lines’ is about the connections that exist between us, whether we are aware of them or not. One thing that was highlighted during Covid was how unbelievably interconnected we are. How fast the virus spread across the world was astounding, and in the middle of everyone debating mask and vaccination mandates and people becoming increasingly stressed and angry and there being more and more division between everyone, a tree was blown over on my property, taking the power lines down in front of my house. I walked outside and, after the shock of seeing this healthy tree ripped up by the roots by a strong wind, I noticed the lines that were down,” says Rose Alaimo.

“I saw how they were connected to my house, and how the main lines also connected to my neighbor's house, and how those same lines connected every single house on the street. I never stopped to notice how physically connected all of these houses were by these power lines and how what happened to my house affected everyone else around me. It struck me as an interesting analogy to how we as humans are also all more connected to each other and to the world around us than we might initially assume. These connections may not be visible but they are definitely there. We can spread viruses to each other and we can spread anger and fear, but if we are mindful of this interconnectedness, we can also choose to spread GOOD things: kindness and understanding and peace.”

Rose Alaimo writes, sings, performs, programs, records and co-produces her own music. Additional production and mastering was provided by Jamie Hill (Nada Surf, Zola Jesus, House of Pain), at Department of Energy Management in Tacoma, WA.  She released her more acoustic debut album 'The Importance of Centers' in 2019, followed by the gritty and anthemic 'Grow' in 2021.  

The emotional range of this album mirrors the intense highs and lows of life, from soft and dreamy lullabies, where we remember loved-ones who are no longer with us (
'Stars'), to anthemic, thrashy songs protesting Russia's war on Ukraine and unethical and dangerous world leaders ('Resist The Force'). On 'The Devil That You Know', she explores the challenge of letting go of familiar toxic patterns due to the fear of making changes in a world that feels increasingly unstable  wrapping up with 'Here I Am', a grounding and hopeful reprise medley reminding us of the stillness and peace that we can find, even in times of trouble.

'A Place To Go When You Need To Hide' is out now and available via fine music platforms, including 
Bandcamp, Spotify and Apple Music.

CREDITS
Music, lyrics & arrangement by Rose Alaimo
Rose Alaimo - vocals, electric and acoustic guitars, bass, fretless bass, banjo, mandolin, theremini, percussion, MIDI and electronic instruments, & drum programming
Produced & mixed by Rose Alaimo in Ithaca, NY
Additional production & mastering by Jamie Hill at
Department of Energy Management, Tacoma, WA
Artist photos by
Kate Catalano-Collins
Publicity by
Shameless Promotion PR

Keep up with Rose Alaimo
Website | Bandcamp | Facebook | Instagram | YouTube | Twitter | Mastodon | Spotify| Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram LinkedIn Email

ACE FREHLEY ANNOUNCES NEW SOLO ALBUM '10,000 VOLTS' FIRST SINGLE AND TITLE TRACK OUT NOW!

Grammy-nominated R&RHOF inductee and guitar legend ACE FREHLEY announces the release of his new studio album, 10,000 Volts, due out on February 23, 2024. Produced by Ace and Steve Brown (Trixter), the 11-track 10,000 Volts sees Ace perform electrifying, hard-hitting, riff-heavy rock'n' roll.  

Today, he releases the first single and title track. Written and produced by Ace and Steve Brown, the title track kicks off with a surging riff, and Ace's swaggering delivery takes hold and never lets go. It culminates on the chantable chorus, “She hit me like 10,000 volts, when I saw her face,” giving way to a fret-burning guitar solo.

The accompanying visual for the track "10,000 Volts" was directed by Alex Kouvatsos from Black Wolf Imaging and shows Ace and his band performing the powerful, riff-heavy track live.  Watch below:

PRE-ORDER '10,000 VOLTS' TODAY!

Rock ‘n’ roll and heavy metal simply wouldn’t sound, look, or feel the same without Ace Frehley. Among hundreds of accolades, The Rock and Roll Hall of Fame® inducted him in 2014 as a Co-founder and the original lead guitarist of Kiss. Guitar World named him in the Top 15 of its “100 Greatest Heavy Metal Guitarists of All Time” and plugged the lead from “Shock Me” on the “50 Greatest Guitar Solos of All Time.” Magnifying the imprint of his catalog as a solo artist, Foo Fighters cut a fan favorite cover of “Ozone,” and he even jammed out “New York Groove” alongside The Roots on NBC’s The Tonight Show Starring Jimmy Fallon. The late Dimebag Darrell of Pantera proudly sported a tattoo of Frehley on his chest, while Tom Morello of Rage Against The Machine celebrated him on X/Twitter as “My first guitar hero.”

10,000 Volts upholds an incredible legacy for Frehley, spanning 50-plus years in the limelight. Back in 1988, he delivered his solo debut, Ace Frehley. It reached platinum status and exploded as “the highest-selling of the four Kiss solo albums in the Soundscan era.” Pitchfork even retrospectively rated it a rare “8.5” score. During 1978, he dropped Frehley’s Comet. Following Anomaly in 2009, he went on to make history once again. His 2014 Space Invader LP captured #9 on the Billboard 200 and emerged as “The only solo album by a past or current Kiss member to reach the Top 10 on the chart.” 2016’s Origins Vol. 1, bowed at #1 on the Billboard Top Hard Rock Albums Chart and in the Top 5 of the Billboard Top Rock Albums Chart. He notably maintained his momentum with Spaceman [2018]. 

STREAM '10,000 VOLTS' HERE

MERRIMACK Delve to Enigmatic Depths on "Dead and Distant Clamors"

Merrimack are unraveling another piece of Of Grace and Gravity. Today, the renowned French black metal band are releasing their new album's cosmic, eerie second single.

Listen to "Dead and Distant Clamors" below.

"Dead and Distant Clamors" dives into an existential abyss. The lyrics not only confront the powers that shape this world, but also our eternal struggle against great beyond.

"Who proclaims, who decides, who announces the end of orations?" vocalist Vestal protests. "Captive of forms that vitrify again this side of reality".

This battle against the inevitable is waged against a Merrimack's signature backdrop of relentless, dissonant, atmospheric black metal. "Dead and Distant Clamors" unfolds like a dark cosmic ballet, stirring emotions that range from despair to defiance.         

Of Grace and Gravity comes out March 8, 2024 on Season of Mist.

Pre-order:
https://redirect.season-of-mist.com/MerrimackGraceGravity

Here's what Merrimack have to say about the release of Dead and Distant Clamors:

"This song pays tribute to old-school black metal, embracing its desperate atmosphere and incorporating haunting, slow sections reminiscent of a depressive waltz", says Merrimack. "Guitars engage in a conversation around a hypnotic crescendo, while the vocals articulate the inevitable possibilities of decay. Expect nothing less than a pure homage to the essence of darkness".

MERRIMACK are back with their new album 'Of Grace and Gravity'. Their third release for Season of Mist arrives after the re-print of their long sold-out debut 'Ashes of Purification', which followed the sizeable impact that their last album, 'Omegaphilia', had on the Black Metal Scene.

Merrimack can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although Merrimack decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), Merrimack closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, Merrimack embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, Merrimack were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album 'Of Grace and Gravity', an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. Merrimack, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier - Guitars
A.K. - Guitars
Blastum - Drums
Vestal - Vocals
Daethorn - Bass

Recording Studio
Studio Sainte Marthe, Paris, France       

Sound, Mixing & Mastering Engineer
Francis Caste

Artwork Artist
Belial Necroarts - Front cover
Opposition Artworks - Inner illustrations
Adrien Bousson - Layout

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Links:
Bandcamp:
https://merrimack.bandcamp.com/
Facebook:
https://www.facebook.com/merrimackofficial
Instagram:
https://www.instagram.com/merrimack666/
Deezer:
https://www.deezer.com/en/artist/99176
Spotify:
https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal:
https://tidal.com/browse/artist/3642745
Apple Music:
https://music.apple.com/us/artist/merrimack/41660594
Amazon:
https://www.amazon.com/music/player/artists/B000QKG2N8

Booking Contact:
merrimack@satanslegions.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Transparent Clear
12" Coloured Vinyl Gatefold - White
12" Coloured Vinyl Gatefold - Transparent w/ Black Splatters

Photo by Vagus Nox

Watch Escuela Grind's new video for "Meat Magnet”

New England extreme metal powerhouse, Escuela Grind, will release the new EP, 'DDEEAATHHMMEETTAALL', this Friday, January 12, 2024.

 

Recorded with Will Killingsworth, mixed by the GRAMMY-winning Kurt Ballou (High on Fire), and mastered by Nick Townsend (Cheap Trick, Dr. Dre), the EP houses four new songs including the lead cut, "Ball and Chain", and "Meat Magnet", featuring a guest appearance by Napalm Death vocalist Barney Greenway.

Today, Escuela Grind releases a video for "Meat Magnet", directed by Michael Jari Davidson (Alice In Chains). The unsettling cut features a vox-off between the aforementioned Greenway and Escuela Grind vocalist Katerina Economou interspliced with exhilarating live footage of the band tearing it down. 

Escuela Grind's 'DDEEAATHHMMEETTAALL' EP is the crown jewel in a themed trilogy of releases, including the duo of 2020 EPs 'PPOOWWEERRVVIIOOLLEENNCCEE' and 'GGRRIINNDDCCOORREE', which saw the band espousing its unique takes on the respective underground music sub-genres. 'DDEEAATHHMMEETTAALL' delivers the first new Escuela Grind music since the release of last year's celebrated full-length LP, 'Memory Theater', hailed by The New York Times as ''an opus of extremity", "witheringly intense yet righteously life-affirming" by SPIN, "the heaviest Escuela Grind have ever sounded" by Decibel, and both "a masterclass in punishing, invigorating grindcore" and "a fascinatingly intellectual take on the genre" by Revolver.

 

'DDEEAATHHMMEETTAALL' is the third installment of our EP series where we dive into the genres that most influence this band," offers Economou. "Finishing this trilogy has been years in the works. We are so excited to release these songs as they are perhaps the best reflection of our live performance. The stage has honed these hectic songs to perfection. Originally we were going to have three songs on this EP, but we wanted to create another track that had a huge buildup. This eventually developed into this brutal song, "Ball and Chain", that marks the point in our live shows where we have a wall of death every night. Lyrically, it references death metal tropes of murder and revenge, but with a decidedly feminine angle."   

Escuela Grind - DDEEAATTHHMMEETTAALL Glow In The Dark Vinyl EP

PRE-ORDER

Escuela Grind Memory Theater - Hot Pink Splatter Vinyl LP

SHIPPING NOW

SEE ALL ESCUELA GRIND MUSIC + MERCH

EXOCRINE Are Locked and Loaded on New Single

EXOCRINE have been pumping out rapid-fire tech-death since 2015. But the French metal mercenaries truly unleash the full scope of their unrelenting arsenal on the third single off Legend.

Watch the deadly video for "Eidolon" below.

Legend comes out January 26, 2024.

Pre-order:
https://redirect.season-of-mist.com/Exocrine-Legend
Pre-save:
https://orcd.co/exocrinelegendpresave

In ancient literature, "Eidolon" appear as ghostly doppelgängers. Exocrine go hunting for these demons during the bloody and bullet-filled video for their new single. Strapped with precision blast beats, the band rattle off laser-guided riffs and a bass that grooves with flattening force of a tank.

But this song isn't just balls-to-the-wall adrenaline. On the heels of Jordy Besse's commanding bark, the rhythm section spreads out into doomy, dread-soaked ambience.

"Brace yourselves for the sonic onslaught of Exocrine's latest masterpiece – the music video for our track 'Eidolon'," says lead guitarist Sylvain Octor Perez. "Proudly blending melodic intricacies with brutal force, this song is a testament to the band's unique fusion of melody and brutality.

"It's a sneak peek into our upcoming album", Perez continues, "a perfect marriage of technical prowess and breakneck speed. Exocrine is unleashing a sonic storm that will leave you craving more. Stay tuned for the imminent release of our album, a true embodiment of technical excellence and speed. Get ready to be blown away!"

Born from the depths of Bordeaux, France, EXOCRINE is a technical death metal juggernaut, a force that has redefined the very essence of the genre. Founded by the guitar-virtuoso Sylvain Octor-Perez, alongside the formidable talents of Nicolas La Rosa and Jordy Besse, this trio embarked on their relentless journey in 2013, marking the inception of a musical saga that would leave an indelible mark on the world of extreme music.

Exocrine's debut album, 'Unreal Existence,' unleashed in 2015, was nothing short of a revelation. It showcased the band's audacious creativity, instantly distinguishing them within the technical death metal scene. With labyrinthine compositions, ferocious riffs, and relentless drumming, Exocrine's music delved into uncharted territories of sonic complexity.

In the years that followed, Exocrine solidified their signature sound, with albums such as 'Ascension' in 2017 and 'Molten Giant' in 2018, upon the latter release, Théo Gendron joined as a new member – forming the current-standing quartet of musicians. These releases cemented their reputation as pioneers of the genre, pushing the boundaries of what technical death metal could achieve. The band's compositions are like sonic mazes, constantly evolving, keeping listeners captivated at every twist and turn.

Their 2022 release, 'The Hybrid Suns,' was yet another testament to their musical prowess. It demonstrated their unyielding commitment to pushing the envelope and exploring new realms of technical complexity.

Now, as the anticipation reaches a fever pitch, Exocrine is poised to release their next full-length opus, 'Legend.' This forthcoming masterpiece promises to be an epic chapter in their already storied career, destined to secure their place as legends within the hallowed halls of technical death metal.

Exocrine are architects of sonic transcendence, explorers of the uncharted, and pioneers of the unimaginable. With each release, they redefine the limits of technical death metal, and 'Legend' is poised to be their most audacious and groundbreaking endeavor yet, a true testament to their status as legends in the making.

Line-up:
Sylvain Octor Perez: Lead Guitars
Nicolas La Rosa: Guitars
Jordy Besse: Bass, Vocals
Theo Gendron: Drums

Recording Studio:
Triceraprod Studio

Sound, mixing & Mastering Engineer:
Sylvain Octor Perez

Biography:
Sébastien J. Gamez

Cover art:
Armaada Art

Pre-save:
https://orcd.co/exocrinelegendpresave
Pre-order:
https://redirect.season-of-mist.com/Exocrine-Legend

Links:
Facebook:
https://www.facebook.com/Exocrine/
Instagram:
https://www.instagram.com/exocrine_official/
Twitter:
https://twitter.com/Exocrine_band
Spotify:
https://open.spotify.com/artist/0JmFaHWcs3bFMtNzJnDFKw
Deezer:
https://www.deezer.com/us/artist/9621858
Apple Music:
https://music.apple.com/us/artist/exocrine/1391841323

Available Formats:
Digital Download
CD Digipak
12" Black Vinyl Gatefold
12" Clear Translucent - Coloured Vinyl Gatefold
12" Aqua Deep - Coloured Vinyl Gatefold

Photo credit: ©Exocrine

Tigirlily Gold Release New Single “I Tried A Ring On,” Impacting Radio On 1/22

Monument Records’ powerhouse duo Tigirlily Gold released their debut EP Blonde last summer, establishing sisters Krista and Kendra Slaubaugh’s prowess as entertainers with rowdy and empowering songs inspired by the years they spent performing in bars on Nashville’s Lower Broadway. Building on the success of the project’s top 40 track “Shoot Tequila,” which received more than 40 million streams to-date, the duo today unveils a new side to their songwriting, with their emotional new single, “I Tried A Ring On.” 
 
“I Tried A Ring On,” written by Kendra and Krista, alongside Pete Good and Josh Jenkins, and produced by Pete Good, was inspired by their real-life heartbreak. Adding depth to their evolving story, “I Tried A Ring On” conveys a heartfelt tale of love’s illusion and the sobering aftermath of shattered expectations. 
 
“We were noticing how many of the breakup songs in country music talk about how hard it is to get over someone, but another extremely hard part of heartbreak that not a lot of people talk about is the gut wrenching feeling of having to start over again when you truly thought you had forever with someone,” Tigirlily Gold shares. “‘I Tried A Ring On’ tells that side of the story, and we are excited for people to discover this whole other side of who we are as writers and as artists.”
 
The song is available across streaming platforms now and will impact country radio as the duo’s next single on Jan. 22. Listen 
below.
 
With a message that is sure to resonate with anyone who has felt the heartbreak of love’s false starts and showcases the duo's versatility through their compelling songwriting and knack for storytelling, “I Tried A Ring On” is another taste of new music to come. Bringing the girl power energy back to country music, stay tuned for more from Tigirlily Gold throughout 2024. For the latest information visit, tigirlily.com  and follow along on Twitter, Instagram and Facebook @tigirlily and on TikTok @TigirlilyGold.
 
About Tigirlily Gold:
Sister duo Tigirlily Gold has been playing music together since they could walk, and officially formed their band in high school. Growing up, they crisscrossed the mid-west, growing a fierce fan base and selling out amphitheaters across their home-state of North Dakota. After moving to Nashville, they landed a weekly residence at Dierks Bentley’s Whiskey Row on Nashville’s famed lower Broadway. Playing four-hour sets, three to four nights a week, the sisters developed a performance style that’s not only captivating and fun but shows just how much entertaining is in their blood. After releasing their original song “Somebody Does,” in 2021, the track topped the iTunes chart and Tigirlily Gold was signed to Monument Records. They released their self-titled, debut EP in July 2021, working with multi-Grammy Award Winner Shane McAnally, and hit the road with artists like Walker Hayes and Ashley McBryde. Now, the powerhouse duo has embarked on a new musical chapter with their EP, Blonde –a deeply personal project that includes tales of love and loss alongside powerful anthems and songs of female empowerment. Their debut single at country radio, “Shoot Tequila,” reached the Top 40 and found viral success with millions of views across social media, and millions of streams across platforms. Their much anticipated follow up single “I Tried A Ring On” will hit airwaves at the top of 2024. After making their Grand Ole Opry debut and performing to a national audience on the “TODAY Show,” Tigirlily Gold is Ready to bring girl grou

Randall King Grapples w/ Regret in “Coulda Been Love,” Out Now Ahead of 1/26/24 Album

Randall King’s 18-track sophomore album Into The Neon – due Jan. 26 via Warner Music Nashville – takes listeners inside one man’s story of finding love and losing it, with songs made for slow dancing under the starry night sky or two-stepping at a local honky tonk. With the latest taste of new music off the upcoming project, “Coulda Been Love,” out today, King grapples with regret over the girl that got away and love that could have been.
 
Listen to “Coulda Been Love” 
below and pre-order Into The Neon HERE.
 

“Heartbreak and Honkytonk. Turn up the dial and pour ya a drink, you're gonna need one,” remarks King. Written by Jake Worthington, Kim Penz and Roger Springer, “Coulda Been Love” is an up-tempo toe-tapper, as the narrator retrospectively ponders his decision to turn down a dance with a girl and realizes perhaps it could have led to more.
 
        What was I thinkin’ sayin’ I don’t dance girl
        Let her walk away and it coulda been love
        Bet you right now she’d be lightin’ up my world 
        What was I thinkin’ it coulda been love
 
Co-produced by King alongside Jared Conrad, Into The Neon incorporates a unique blend of the influences from icons and modern masters alike who have inspired King’s sound; inclusive of the timeless ‘80s country twang of George Strait and Keith Whitley, and the blood pumping, Y2K-era rhythms of Dierks Bentley and Gary Allan. 
 
Inspired by the countless nights spent strumming his guitar under the expansive skies in the plains of West Texas where he grew up – and by his current road warrior diet which finds him revitalizing Country’s neo-traditional sound under the neon signs of nearly 150 honky tonks he performs in across the country each year – King ushers people Into The Neon on Jan. 26, 2024. 
 
It’s a place where rowdy roughnecking, romantic tenderness and breathtaking emotion are all welcome; an ode to nature and the humble establishments that have nurtured country music’s blue collar roots since its foundation. It’s these very places that have nurtured King’s love for music and wide open spaces, too.
 
For more information and to follow along with updates, visit 
RandallKingMusic.com or follow @RandallKingBand across all social platforms.

About Randall King: 
A West Texas native and self-described “old soul," Warner Music Nashville's Randall King has never wavered in his honky-tonk allegiance – in fact, he’s worn it like a badge of honor, growing with pride into a leading voice for today’s traditional country. Amassing over 290 Million streams with singles like “You In A Honky Tonk,” “Hey Cowgirl” and “Mirror, Mirror,” he’s kept the twang alive in country’s mainstream while also earning acclaim through deeply personal EPs like 2020’s Leanna, and his 2022 major label album debut, Shot Glass – which landed on both Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far). Schooled on icons like Keith Whitley, George Strait, Alan Jackson and John Anderson, but inspired by modern masters like Dierks Bentley and Gary Allan, King first built an independent, grass-roots following on the strength of his electrifying live shows – each one a harrowing mix of rowdy roughnecking, romantic tenderness and breathtaking emotion – never asking for permission to explore his creative vision. He has since gone on to headline all across the U.S., the U.K. and Europe, where he continues to play nearly 150 shows a year and hone his craft where it matters most. Named a Country Artist to Watch by everyone from Pandora and Country Now to Music Mayhem Magazine, his sophomore major label album Into the Neon takes that craft to the next level on January 26, as King’s neo-traditional roots meet the blood-pumping rhythms and sharp, arena-sized grooves of Y2K-era country and beyond. Co-produced by King and Jared Conrad, and featuring 18 tracks, punchy sounds exist side-by-side with timeless swagger, further blurring the line between yesteryear and today – even as King renews his forever-country vows.

ELVIE SHANE SET TO DELIVER TRANSFORMATIVE STUDIO ALBUM DAMASCUS, AVAILABLE APRIL 19TH

Full of unflinching honesty rooted in compassionate clarity, BBR Music Group/Wheelhouse Records singer/songwriter Elvie Shane delivers his most daring work yet with his forthcoming sophomore album DAMASCUS releasing April 19th, available for pre-order/pre-save/pre-add HERE. With each track stepping into the shoes of another, Shane takes pieces of each character he’s met on his path, melding them into one beautifully woven work. The road to Damascus isn't a journey one takes lightly, yet the album tells the stories of those often untold, giving each testimony a chance to shine through. Shane co-wrote all songs on the project produced by his frequent collaborator, Oscar Charles.

"I feel like I’ve grown a lot since Backslider. I’ve attained just about everything I ever dreamed of…seen the world and made a living with music. I’ve been on top and back down in the mud,” said Shane.  "In that travel and experience, I’ve paid close attention to people more than anything. I’ve seen a lot of struggle, but in that struggle I found common ground and inspiration. Damascus is a record that aims to pick a fight with what holds people down. Normal every day Blue Collar America…my people. These are not all my stories, but they are all stories I believe to be true. But 'What do I Know.’"

He’s given listeners a taste of the project with releases of “Baptized,” “Jonesin’” and “Forgotten Man,” with the latter dubbed “an ode to blue-collar workers that exposes the heart-aching realities of the working class” (Billboard), and with his latest track “Pill,” critics praised its gripping honesty as it “further cements Shane as a new voice of the damaged, addicted, and lost in country music” (Rolling Stone).

Building his reputation as an artist “that would do Merle Haggard proud” (Rolling Stone), Elvie Shane reminds us that we’re more alike than different with “What Do I Know,” written by Shane, Oscar Charles, Dan Couch and Jonathan Sherwood. Full of lived-in honesty and fundamental truths, Shane puts his gritty, powerful vocals on display with a mid-tempo version of his classic country-rock sound. Along with the track, Shane shared a moving video for “What Do I Know,” featuring a cameo by John Carter Cash, available to watch 
below.

Fueled by a passion for his fans, Shane is set to hit the road on The Damascus Acoustic Stories Tour, a 10-stop intimate tour starting on 2/1 in Louisville, KY. Tickets are available HERE.

The Damascus Acoustic Stories Tour Dates:
2/1 - Louisville, KY - Mercury Ballroom
2/2 - Lexington, KY - The Bur
2/3 - Indianapolis, IN - The Hi-Fi Indy
2/8 - Chicago, IL - Carol's Pub
2/9 - Cincinnati, OH - The Ludlow Garage
2/10 - Columbus, OH - A&R Music Ba
2/13 - Knoxville, TN - Open Chord Stage
2/14 - Decatur, GA - Eddie's Attic
2/15 - Greenville, SC - Radio Room
2/17 - Somerset, KY - The Virginia

About Elvie Shane:
As a native of small-town Kentucky whose influences range from Dwight Yoakam and Steve Earle to classic rock, Gospel, R&B and hip hop, Wheelhouse Records’ Elvie Shane has emerged as a country star with his heart on his sleeve – and as a champion of those with their name on a patch. Breaking out with the Platinum certified Number One single, “My Boy,” the singer/songwriter first took a stand for family values that go far beyond bloodlines, setting himself apart with a deeply felt 2020 tribute to step-parents and their unconditional love. Hailed by critics from Billboard and Rolling Stone to the Nashville Scene and beyond, the track helped launch Shane’s album BACKSLIDER onto multiple Best Of lists, winning over fans with its gritty yet gracious fusion of heartland rock, modern country and stand-for-something purpose. With over 372 million career streams and counting, that fusion often presents itself onstage as a mix of rebellious energy, indelible imagery and working-class pride, and it has made Shane a favorite all across the globe. Pairing his headlining MY KINDA TROUBLE TOUR in 2021 with high-profile opening slots for Darius Rucker, Jason Aldean, Toby Keith, Brothers Osborne, Brooks & Dunn and Lady A, among others, plus country’s biggest festivals and a 2023 tour across the heart of Europe, he capped it all with a nomination for Best New Country Artist at the 2023 iHeartRadio Music Awards, and is now laying the groundwork for a new chapter. Following inclusion on the star studded Stoned Cold Country tribute to The Rolling Stones 60th anniversary (submitting a special version of “Sympathy for the Devil”), Shane's new tracks include “Pill,” “Jonesin’,” “Baptized” and “Forgotten Man” out now. Rolling Stone praises “Forgotten Man” as it “expertly sums up what it means to be blue-collar in the 21st century in this defiant, angry country single that would do Merle Haggard proud." An anthem for those chasing the American dream with calloused hands and a weary, but still-believing heart, it’s another example of Shane’s deep-feeling take on country, as a new blue-collar generation arrives. Serving as a table of contents like sneak peek into his forthcoming album Damascus, fans can expect a transformative new sound and exploration of rural culture on his sophomore album. For more information visit 
elvieshane.com.

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COLIN STOUGH KEEPS THE FAITH WITH “I STILL TALK TO JESUS (ACOUSTIC)”

19 Recordings/BMG artist Colin Stough starts the new year off with a powerful message of resilience, as he offers up a fresh rendition of one of his biggest hits with “I Still Talk To Jesus (Acoustic).” Available across all streaming platforms and digital retailers, listen here.

A Country-Rock ballad of unshakable hope, “I Still Talk To Jesus” was originally part of Stough’s standout time on ABC’s American Idol in 2022. Eventually finishing third on Season 21, Stough released the aching anthem alongside his fellow Top 5 finalists, showing fans a moving example of inner toughness – and one heart’s weary-yet-determined refusal to give up on love.

Produced by Sean Rogers, Stough’s new acoustic take of the track further highlights that message. Using only guitar to back his dynamic Mississippi vocal, the rising star dials down his million-watt intensity for a captivating blend of wounded soul and falsetto grit, cutting straight to heart of one of his most popular songs. Meanwhile, a raw performance of the all-natural track – penned by Stough, Sean Thomas Rogers, and Francisco Martin – was captured and edited by Mike Rodway.

“I wanted to share this track to start the new year off right!” Stough says. “This was one of my biggest songs last year and a fan-favorite, so I hope everyone enjoys this acoustic take. It’s just one of them records where the words cut deep, and I think this version really lets ‘em shine.” 

“I Still Talk To Jesus (Acoustic)” follows the recent release of “Sleep Tonight (Acoustic)” – another reimagined favorite revealing Stough’s heartfelt lyricism – and a gravelly rendition of the Elvis Presley holiday classic, “Blue Christmas.”

In October 2023, the emerging artist released his six-track debut EP, 
Promiseland, and has since captured the attention of both critics and fans alike. Country Now praises, “Promiseland showcases a deep level of honesty and authenticity,” as they further named him among their Country Next: Artists To Watch In 2024 list. Likewise, Stough made Holler’s New and Upcoming Country and Americana Artists You Need to Know roundup, hailing that he’s a “singer who was born to do this,” with a voice that’s “equally at home singing grungy Southern rock as it is twangy old school country.”

Spending last year headlining while also supporting artists like Kidd G and Drake White, he’s next on deck with Chase Matthew starting in February. Find upcoming show dates 
here

Photo Credit: Mike Rodway

About Colin Stough:

A 19-year-old Country Rock phenom and native of Gattman, Mississippi, Colin Stough has come a long way in a few short years – and with his debut EP Promiseland, the 19 Recordings/BMG artist is still just getting started. After learning to play guitar at 8 years old, Stough first pursued artistic dreams at 10, boldly trading childhood possessions for his first guitar at a local pawn shop – an instrument he still plays to this day. After graduating high school, the naturally gifted singer and self-taught songwriter began working full-time as an HVAC technician, before his mother convinced him to audition for American Idol. Impressing judges Luke Bryan, Katy Perry, and Lionel Richie, Stough stunned viewers and soon built a thriving fan base, finishing third on Season 21 of the show in 2022. He spent the ensuing months writing and recording original music, while also touring nationwide to put his blowtorch vocal and guitar-slinging edge on full display. After signing with 19 Recordings/BMG, his distinctive mix of Southern Rock distortion and pure-Country style have helped tracks like “I Still Talk To Jesus” and “Bad Day” rack up more than 9.4 MILLION global on-demand streams, and in September 2023, Stough released the single “Promiseland,” along with an official music video. The hard-hitting anthem is the title track to Stough’s debut EP, which is out now and puts the emerging artist on track to reach even more dreams in the future. Stough has headlined across the country and opened for established artists like Kidd G and Drake White. Next supporting Chase Matthew, stay tuned for much more to come.


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Drake Milligan to Kick Off 2024 With New Music and More Milestones

Stoney Creek recording artist DRAKE MILLIGAN is keeping his boot on the gas as the new year begins, following a chart-topping breakout with plans for a brand new EP. 

Set for release on
February 16, the pure-country hitmaker’s Jukebox Songs EP marks another bold chapter of high-energy twang. Produced by fellow Texan and traditionally-minded star, Trent Willmon, the EP will once again highlight Milligan’s smooth, booming baritone vocal, towering over four fresh tracks full of instant-classic intensity and diverse country soul...including an unforgettable heartbreak anthem. Pre-order/pre-add/pre-save HERE.

“Jukebox Songs is exactly what it sounds like," says Milligan. "My goal for this EP was to write and find songs that feel classic and memorable - the kinda tunes would fit right in on some old Rock-Ola in the corner of a smoke-filled bar on the outskirts of nowhere Texas. It’s a continuation of the old-meets-new Country sound I’ve always gone for, and this time with my friend Trent Willmon at the reins as producer, I’m very excited to keep this honky tonk train rollin.’” 


Penned by Bobby Pinson, Matt Rogers & Ben Stennis, “
Don’t Leave Me Loving You” is a timeless, classic-country style ballad, aching and built on a still-tender emotional wound. The track places Milligan’s standout Texas baritone before a delicate, rootsy arrangement. Listen now below.

Meanwhile, Milligan will also soon return to his primetime-TV roots. He’s set to compete on NBC’s upcoming America’s Got Talent spin-off show, Fantasy League, and will also hit the road alongside Cody Johnson to open 10 dates on his 2024 U.S. arena tour. 

Both build on a streak of early success, stemming from Milligan’s America’s Got Talent emergence and his breakout album debut, 
DALLAS/FORT WORTH

Named “One of the Best Country Albums of 2022” by Billboard, Saving Country Music and Whiskey Riff, the project dominated iTunes upon its release, hitting #1 on both the iTunes All-Genre and Country Albums Charts, while simultaneously holding positions #1, #2, #3 and #5 on iTunes Country Video Chart and spawning back-to-back #1s on the iTunes Country Songs Chart.

Milligan went on to be named an “Artist to Watch” by CMT, Pandora and Music Mayhem, while DALLAS/FORT WORTH also landed in the Top 10 of Billboard’s Country Albums Sales Chart, leading to his new chapter.

Earlier this year, the singer-songwriter returned to America’s Got Talent to debut his current single, “I Got A Problem,” and appeared on both The Kelly Clarkson Show and the Canadian Country Music Association Awards – where he 
opened the show with performance of his duet with The Reklaws "Honky Tonkin' About" (a 2023 #1 on Canadian Country Radio).

Other 2023 highlights include Milligan’s nomination for Breakthrough Male Video of the Year at the CMT Music Awards, his main stage debut at Stagecoach and a standout performance at Nashville’s CMA Music Festival.

Milligan likewise made his Grand Ole Opry debut in late 2022 and has already become an Opry regular, while earning critical acclaim from USA Today, Billboard, People, Taste of Country, Parade, American Songwriter,Country Now, Saving Country Music, Country Swag and Hollywood Life, to name a few.

Milligan recently made his debut headlining date at Billy Bob’s Texas, thrilling a hometown crowd of nearly 4,000 fans (twice) and adding his hands to the famous “Wall of Fame.” He was then asked to return to headline the venue’s massive 2023 New Year’s Eve concert, capping another big year.

View a complete list of Drake Milligan’s tour dates here.

About Drake Milligan:

Drake Milligan burst onto the national music stage entering the Billboard Emerging Artists Chart at #5 after dominating iTunes with his debut album, Dallas/Fort Worth, charting back-to-back #1 hits on the iTunes Country Songs Chart, #1 on iTunes All-Genre Chart and reclaimed the #1 spot on iTunes Country Albums Chart, all while simultaneously holding positions #1, #2, #3 and #5 on iTunes Country Video Chart. In the UK, Milligan’s debut album spent 11 consecutive weeks in the Top 20 of the Official Country Artists Albums Chart. A student of classic Country music with the swagger of early Rock ‘n’ Roll, the Fort Worth, Texas native is an electrifying entertainer who cites George Strait and Elvis Presley – the King of Country and the King of Rock ‘n’ Roll – as musical heroes, and his unique twist of traditional Country has been embraced by fans, peers and the media alike. Milligan has performed on The Kelly Clarkson Show, The Grand Ole Opry, Stagecoach and CMA Music Festival, and earned high praise from People, BBC, USA Today, Parade, American Songwriter, CMT.com, Billboard, ET, Access Hollywood, Cosmopolitan, Cowgirl Magazine and Taste of Country. Following his Dallas/Fort Worth debut – named “One of the Best Country Albums of 2022” by Billboard and others – Milligan uncorked a Canadian Country Radio #1 in 2023 (“Honky Tonkin’ About” with The Reklaws), garnered 5 million views in just a few months with “Cowgirl For Christmas,” and headlined the massive New Year’s Eve celebration at the famed “World’s Largest Honky Tonk,” Billy Bob’s Texas, where he had also delivered two sold-out homecoming shows in the previous year. Looking ahead, the Stoney Creek Records phenom has dropped “Don’t Leave Me Loving You” – a timeless heartbreak ballad with a modern edge – and is set to release his new EP, Jukebox Songs, on February 16. The acclaimed “Artist to Watch” (CMT, Pandora, etc.) will also return to his primetime TV roots for the America’s Got Talent spin-off show, Fantasy League, and hits the road alongside Cody Johnson on his 2024 U.S. arena tour.


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Phoenix's SNAILMATE offer antidote to a pressurized year: treat yourself to a 'Stress Sandwich'

"Ferocious and evocative... an intense sonic fusion of thrash rock, hip hop and punk complete with an infectious layered screamo chorus and daring synths. Fuzzy basslines glide over intense drumming full of emotion for an enthralling must listen"~ Earmilk

“This homage to being chronically, unwaveringly lazy is another standout hybrid gem from the pair, and proves as eccentric as it is downright catchy” ~ Phoenix New Times

“A genre-bending rollercoaster ride that defies convention and categorization. This album seamlessly weaves together elements of synth music, punk and metal while drawing inspiration from an eclectic mix of artists ranging from Daft Punk and Public Enemy to Limp Bizkit and Linkin Park... unique and electrifying” ~ Skylight Webzine

"How this isn’t pouring from every MF-ers lips in time of need is a mystery" ~ Global Texan Chronicles

Phoenix-based Snailmate crowned 2023 by releasing their album 'Stress Sandwich' and relentlessly touring. Rleased via Toronto's Indiestructable Records, they offer a twisted humorous take on existential anxiety, delivering funky, poppy, screamy fun through alternative raps. The duo's also presents the video for 'Trash, Baby', created by Chase A Warren.

Alternatively described as synthpunk grindcore pop nerd rap, this has practically become a way of life for the duo, reinforced by their earlier albums 
'Live In Japan' (2019) and 'Love in the Microwave' (2017), plus a myriad of EPs and singles. Known for their frenetic and impressive shows (numbering over a thousand now), 2023 saw the ban

Snailmate is lyricist-vocalist and synth wizard Kalen Lander and drummer-backup vocalist Bentley Monet, whose music fuses synthpunk, grindcore, pop and nerd rap for an unpredictable and explosive sound. Together they craft music that is cathartic and relatable yet unique and genre-defying, using humor and wit to tackle topics from isolation and queer identity to bangers about hot sauce and nostalgia.

Produced by Ari Leopold at
Lava Lake Studio in Phoenix, 'Stress Sandwich' is about growth, exploring themes such as vulnerability, disappointment, and art-making as a beautiful yet imperfect process. They go head to head with depression, anxiety, imposter syndrome, anger, hunger, laziness... but also fun things! These 10 tracks - laced with sarcasm, breathless lyricism and unpredictable genre-bending energy - will leave you satisfied and wanting more.

"This album has been in the works for so long. It took years to process all these feelings and experiences and distill them into just ten short songs, but I’m really glad we didn’t try and finish this thing any sooner. It would have tasted so much different. The flavors needed time to develop. I couldn’t have written 
'Toll Road' until that bastard stole our money. 'The Snailmate Show' wasn’t a thing before we were forced to quarantine and couldn’t play live. And until we had to go through some intense physical changes, 'My Weird Gross Body' just wouldn’t have been the same," says  Kalen Lander.

"I beat myself up a lot during this whole process. I felt like I was taking too long to write the lyrics, and that meant that I was bad at writing. I had lost my touch. But then I really started to understand how, when I FINALLY finished the words for a song, it was perfect. It couldn’t have been perfect if I’d forced it out any sooner. And I think 'The Laziest Man in the World' encapsulates that sentiment better than anything." 

As part of the LGBTQ community and with Bentley being a transgender artist, Snailmate inspires their listeners to be unapologetic and unashamed of who they are, cultivating a fervent fanbase based on inclusivity and shows as a safe space for all genders and people of all sexualities.

'Stress Sandwich' is out now, available digitally from fine music platforms, including
Apple Music, Spotify and Bandcamp. It can also be ordered on vinyl and CD vinyl from the band's own store, where ample merch is also available, including their very own award-winning hot sauce!

CREDITS
Performed by Kalen Lander & Bentley Monet
Written by Kalen Lander & Bentley Monet
Produced by Kalen Lander & Ari Leopold
Recorded, Mixed & Mastered by Ari Leopold @ Lava Lake Studio in Phoenix, AZ
Music video by Chase A Warren

LIVE DATES
Jan. 12   Tempe, AZ @ The Beast
Jan. 14   Phoenix, AZ @ Last Exit Live
Mar. 23  Phoenix, AZ @ Gracie's Tax Bar
Apr 19  Los Angeles, CA  @ The Offbeat

Stress Sandwich' album   https://snailmate.bandcamp.com/album/stress-sandwich
CD, vinyl & merch 
https://snailmateband.storenvy.com
Spotify 
https://open.spotify.com/album/4Hw9gzWkUvZ2tLNCKjTU7S

Keep up with Snailmate
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Art-Punk Kraut-Rock duo CIRCOLO VIZIOSO presents 'Choppy' single, previewing debut album

"From Sonic Youth, The Black Angels to Fugazi and Nirvana, this is a band who wears their inspirations on their sleeves, blending these in a fascinating way. Raw and visceral, Circolo Vizioso makes for a highly recommended listen, presenting groundbreaking music with a signature sound" ~ The Spill Magazine


Kraut-inspired punk rock duo
Circolo Vizioso presents 'Choppy', a high-octane song spawned from of a bout of depression brought on by a failed love story. This is the first taste of their debut album 'Verrueckt' (out March 1), following their 5-track 'Isolation' EP (2020). Here they offer a potent taste of their unique brand of high-intensity, lyric-driven punk, created mainly with electric violin, guitar and drums.

Hailing from Berlin, Circolo Vizioso is made up of Tony Scafidi (guitar, bass, drum, hi-hat, vocals) and Paul Geigerzaehler (violin, snare drum, vocals). The band plays abrasive, groovy punk music that is influenced, on the one hand, by the sound of 1990s New York, Chicago and Washington embodied in such bands as Fugazi, Blonde Redhead and Sonic Youth, and by the sound of early 80's and 90's Eastern German and Eastern European punk bands like Dezerter, Sandow and Schleimkeim on the other.

"I'd had a severe break up and the song went out as a sort of persistent beat, prolonging an apex point that hardly makes it out of the main riff, opening up only at the very yet repeating it self only faster," says Tony Scafidi.

"Metaphorically, it's kind of like when a couple try to sort things out and get back together, but then fail due to continued use of old commuication tools for a completely new situation they can no longer manage. At the time, I was also listening to The Black Angels a lot and having sleeping problems. There's a weird cocktail here."

Formed in March 2020 on a balcony in Friedrichshain, Berlin during the first Covid-19 lock-down, Circolo Vizioso was born as an attempt to keep art and music alive and to provide support to their neighbours during a time when no concerts were happening and no cinemas, museums or galleries were open.

In spirit, Circolo Vizioso is a last ditch effort to resist the isolation and the lack of social and human contact, as well as the hunger for music and art during this unusual time.

About the upcoming 'Verrueckt" album, Paul Geigerzaehler explains, "We wanted an album that could express anger, frustration and disaffection against an unfair world and all the discomfort entwined with that and we wanted to do it with direct and bare lyrics, abrasive violin lines, fat distorted guitar solos, and big fuzzy riffs. Yet we wanted people to dance to all this batshit crazy world in a sort of self-exorcising dance, where one can head to bed with the feeling that they have at least sweat their daily demons out for the night."

As of January 5, 'Choppy' will be available everywhere digitally, including
Apple Music, Spotify and Bandcamp. The full 'Verrueckt' album, which will be released on March 1, is already available for pre-order directly from the artist via Bandcamp.

CREDITS
Music and Lyrics by Paul Geigerzaehler and Tony Scafidi
Tony Scafidi - guitar, bass, drum, hi-hat, vocals
Paul Geigerzaehler - violin, snare drum, vocals
Audrey Quillons - backing vocals on 'Walls' and 'Verruecht'
Produced by Paul Geigerzaehler and Tony Scafidi
Sound Engineer -
Smail Shock Production at B Studio in Berlin
Mixed and Mastered by Sacha Tilotta in Catania, Italy