Dayseeker Drop "Dreamstate" Video

January 10, 2024

Southern California's DAYSEEKER have shared the video for the intensely intimate song "Dreamstate" from 2022's Dark Sun.

Watch it below.

The vehicular video features performance footage and a mechanic who may be living in a dreamstate of her own.

"'Dreamstate' is about vivid dreams I had of my father after he passed," shares singer Rory Rodriguez. "There were truly times it felt as if we were communicating with one another, but I'd wake to reality and it would deeply affect my ability to cope."

Dayseeker will also embark on a headline tour this spring. The tour kicks off April 19 in Tampa and runs through May 25 in San Diego. All dates are below, including spring festival appearances, such as Rockfest, Earthday Birthday, and more.

Polaris, Rain City Drive, Avoid, and Ayron Jones are set to appear at select dates on the bill, as well.

Get tickets here.

DAYSEEKER ON TOUR:
WITH POLARIS, RAIN CITY DRIVE, AVOID, + AYRON JONES:
4/19 — Tampa, FL — Amalie Arena (98 ROCKFEST) %
4/20 — Orlando, FL — Central Florida Fairgrounds (Earthday Birthday) %
4/22 — Columbia, SC — The Senate &@
4/23 — Norfolk, VA — The NorVa &@
4/25 — Newark, NJ — Prudential Center (WDHA’s Rock The Rock Fest) %
4/26 — Baltimore, MD — CFG Bank Arena (98 Rock Spring Thing) %
4/27 — Las Vegas, NV — Sick New World %
4/29 — Buffalo, NY — Buffalo Riverworks *+@
4/30 — Ft. Wayne, IN — Piere’s Entertainment Center *+@
5/1 — Grand Rapids, MI — The Intersection *+@
5/3 — Milwaukee, WI — Fiserv Forum (Hog Fest) %
5/4 — Saint Paul, MN — Xcel Energy Center (93X Twin City Takeover) %
5/5 — Des Moines, IA — Val Air Ballroom *+@
5/7 — Sauget, IL — Pop’s *+@
5/8 — Chattanooga, TN — The Signal *+@
5/10 — New Orleans, LA — House of Blues @
5/11 — Birmingham, AL — Iron City *+@
5/12 — Little Rock, AR — Little Rock Music Hall *+@
5/14 — Kansas City, MO — Uptown Theater *+@
5/15 — Oklahoma City, OK — Town Theatre *+@
5/16 — Omaha, NE — The Admiral *@
5/18 — Louisville, KY — Mercury Ballroom +@
5/19 — Bloomington, IL — Castle Theater *+@
5/22 — Albuquerque, NM — Sunshine Theater *+@
5/23 — Tucson, AZ — Rialto Theatre *+@
5/24 — Las Vegas, NV — Brooklyn Bowl *+@
5/25 — San Diego, CA — Soma *+@
%Dayseeker only
*Polaris
+Rain City Drive
&Ayron Jones
@Avoid

Dayseeker are a quiet killer. The band has steadily built a buzz over the past several years — and they have reached a tipping point. Dayseeker built themselves into a scene standout with 2019's Sleeptalk, which was hailed by Alternative Press as "a warm and welcome release to higher ground" and as "much needed fresh air into the post-hardcore scene." The album has gone on to accumulate over 125 million streams, and it positioned the band as a formidable force — and one that is primed to take its next big leap. In 2021, the band dropped a deluxe version of Sleeptalk, featuring four reimagined versions of album tracks, which offered fans a fresh and unique take on songs they already love. It also demonstrated the depth and breadth of the band's creative vision, scope, and possibilities. However, Dark Sun catapulted the band beyond the scene's stratosphere. The album is out now via Spinefarm and is at 80 millions streams.

Ithaca, NY-based artist Rose Alaimo releases high energy 'Power Lines' single on the power of human connection 'A Place To Go When You Need To Hide' album is out now

January 9, 2024

Alaimo sweeps through indiepop dreamery to sophisticated balladry to pulsating and superb rock, in her own sonic diary of life over the past few years. Stunning, sobering and inspiring" ~ The Spill Magazine

"Sonic highs and lulling lows, fierceness and serenity, self-doubt and enlightenment, challenging questions and unexpected answers... lush folk and considered Americana are punctuated with more driven rock urges, where the immediacy of pop music is subsumed under ambient dreamscapes" ~ Big Takeover Magazine

American indie pop-rock artist Rose Alaimo presents 'Power Lines', a song about how we as humans are all inter-connected to one other like never before. This is the second single from her new album 'A Place To Go When You Need To Hide', following the more grounding lead track 'Stars', which is about finding an unexpected moment of stillness in the midst of a crazy world.

This is the third full-length album from the Ithaca, NY-based artist. Honest, hopeful and emotive, Alaimo takes on her internal struggles as she finds her way through darkness to exercise her own will-power, freedom of choice and self-empowerment.

A veterinarian and vegetable farmer in her day-to-day life, this record exposes a whole other side of Alaimo as she finds her way through darkness to exercise her own will-power, freedom of choice and self-empowerment.

"The song ‘Power Lines’ is about the connections that exist between us, whether we are aware of them or not. One thing that was highlighted during Covid was how unbelievably interconnected we are. How fast the virus spread across the world was astounding, and in the middle of everyone debating mask and vaccination mandates and people becoming increasingly stressed and angry and there being more and more division between everyone, a tree was blown over on my property, taking the power lines down in front of my house. I walked outside and, after the shock of seeing this healthy tree ripped up by the roots by a strong wind, I noticed the lines that were down,” says Rose Alaimo.

“I saw how they were connected to my house, and how the main lines also connected to my neighbor's house, and how those same lines connected every single house on the street. I never stopped to notice how physically connected all of these houses were by these power lines and how what happened to my house affected everyone else around me. It struck me as an interesting analogy to how we as humans are also all more connected to each other and to the world around us than we might initially assume. These connections may not be visible but they are definitely there. We can spread viruses to each other and we can spread anger and fear, but if we are mindful of this interconnectedness, we can also choose to spread GOOD things: kindness and understanding and peace.”

Rose Alaimo writes, sings, performs, programs, records and co-produces her own music. Additional production and mastering was provided by Jamie Hill (Nada Surf, Zola Jesus, House of Pain), at Department of Energy Management in Tacoma, WA. She released her more acoustic debut album 'The Importance of Centers' in 2019, followed by the gritty and anthemic 'Grow' in 2021.

The emotional range of this album mirrors the intense highs and lows of life, from soft and dreamy lullabies, where we remember loved-ones who are no longer with us ('Stars'), to anthemic, thrashy songs protesting Russia's war on Ukraine and unethical and dangerous world leaders ('Resist The Force'). On 'The Devil That You Know', she explores the challenge of letting go of familiar toxic patterns due to the fear of making changes in a world that feels increasingly unstable wrapping up with 'Here I Am', a grounding and hopeful reprise medley reminding us of the stillness and peace that we can find, even in times of trouble.

'A Place To Go When You Need To Hide' is out now and available via fine music platforms, including Bandcamp, Spotify and Apple Music.

CREDITS
Music, lyrics & arrangement by Rose Alaimo
Rose Alaimo - vocals, electric and acoustic guitars, bass, fretless bass, banjo, mandolin, theremini, percussion, MIDI and electronic instruments, & drum programming
Produced & mixed by Rose Alaimo in Ithaca, NY
Additional production & mastering by Jamie Hill at Department of Energy Management, Tacoma, WA
Artist photos by Kate Catalano-Collins
Publicity by Shameless Promotion PR

ACE FREHLEY ANNOUNCES NEW SOLO ALBUM '10,000 VOLTS' FIRST SINGLE AND TITLE TRACK OUT NOW!

January 9, 2024

Grammy-nominated R&RHOF inductee and guitar legend ACE FREHLEY announces the release of his new studio album, 10,000 Volts, due out on February 23, 2024. Produced by Ace and Steve Brown (Trixter), the 11-track 10,000 Volts sees Ace perform electrifying, hard-hitting, riff-heavy rock'n' roll.
Today, he releases the first single and title track. Written and produced by Ace and Steve Brown, the title track kicks off with a surging riff, and Ace's swaggering delivery takes hold and never lets go. It culminates on the chantable chorus, “She hit me like 10,000 volts, when I saw her face,” giving way to a fret-burning guitar solo.
The accompanying visual for the track "10,000 Volts" was directed by Alex Kouvatsos from Black Wolf Imaging and shows Ace and his band performing the powerful, riff-heavy track live. Watch below:
PRE-ORDER '10,000 VOLTS' TODAY!

Rock ‘n’ roll and heavy metal simply wouldn’t sound, look, or feel the same without Ace Frehley. Among hundreds of accolades, The Rock and Roll Hall of Fame® inducted him in 2014 as a Co-founder and the original lead guitarist of Kiss. Guitar World named him in the Top 15 of its “100 Greatest Heavy Metal Guitarists of All Time” and plugged the lead from “Shock Me” on the “50 Greatest Guitar Solos of All Time.” Magnifying the imprint of his catalog as a solo artist, Foo Fighters cut a fan favorite cover of “Ozone,” and he even jammed out “New York Groove” alongside The Roots on NBC’s The Tonight Show Starring Jimmy Fallon. The late Dimebag Darrell of Pantera proudly sported a tattoo of Frehley on his chest, while Tom Morello of Rage Against The Machine celebrated him on X/Twitter as “My first guitar hero.”

10,000 Volts upholds an incredible legacy for Frehley, spanning 50-plus years in the limelight. Back in 1988, he delivered his solo debut, Ace Frehley. It reached platinum status and exploded as “the highest-selling of the four Kiss solo albums in the Soundscan era.” Pitchfork even retrospectively rated it a rare “8.5” score. During 1978, he dropped Frehley’s Comet. Following Anomaly in 2009, he went on to make history once again. His 2014 Space Invader LP captured #9 on the Billboard 200 and emerged as “The only solo album by a past or current Kiss member to reach the Top 10 on the chart.” 2016’s Origins Vol. 1, bowed at #1 on the Billboard Top Hard Rock Albums Chart and in the Top 5 of the Billboard Top Rock Albums Chart. He notably maintained his momentum with Spaceman [2018].
STREAM '10,000 VOLTS' HERE

MERRIMACK Delve to Enigmatic Depths on "Dead and Distant Clamors"

January 9, 2024

Merrimack are unraveling another piece of Of Grace and Gravity. Today, the renowned French black metal band are releasing their new album's cosmic, eerie second single.

Listen to "Dead and Distant Clamors" below.

"Dead and Distant Clamors" dives into an existential abyss. The lyrics not only confront the powers that shape this world, but also our eternal struggle against great beyond.

"Who proclaims, who decides, who announces the end of orations?" vocalist Vestal protests. "Captive of forms that vitrify again this side of reality".

This battle against the inevitable is waged against a Merrimack's signature backdrop of relentless, dissonant, atmospheric black metal. "Dead and Distant Clamors" unfolds like a dark cosmic ballet, stirring emotions that range from despair to defiance.

Of Grace and Gravity comes out March 8, 2024 on Season of Mist.

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Here's what Merrimack have to say about the release of Dead and Distant Clamors:

"This song pays tribute to old-school black metal, embracing its desperate atmosphere and incorporating haunting, slow sections reminiscent of a depressive waltz", says Merrimack. "Guitars engage in a conversation around a hypnotic crescendo, while the vocals articulate the inevitable possibilities of decay. Expect nothing less than a pure homage to the essence of darkness".

MERRIMACK are back with their new album 'Of Grace and Gravity'. Their third release for Season of Mist arrives after the re-print of their long sold-out debut 'Ashes of Purification', which followed the sizeable impact that their last album, 'Omegaphilia', had on the Black Metal Scene.

Merrimack can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although Merrimack decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), Merrimack closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, Merrimack embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, Merrimack were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album 'Of Grace and Gravity', an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. Merrimack, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier - Guitars
A.K. - Guitars
Blastum - Drums
Vestal - Vocals
Daethorn - Bass

Recording Studio
Studio Sainte Marthe, Paris, France

Sound, Mixing & Mastering Engineer
Francis Caste

Artwork Artist
Belial Necroarts - Front cover
Opposition Artworks - Inner illustrations
Adrien Bousson - Layout

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Links:
Bandcamp: https://merrimack.bandcamp.com/
Facebook: https://www.facebook.com/merrimackofficial
Instagram: https://www.instagram.com/merrimack666/
Deezer: https://www.deezer.com/en/artist/99176
Spotify: https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal: https://tidal.com/browse/artist/3642745
Apple Music: https://music.apple.com/us/artist/merrimack/41660594
Amazon: https://www.amazon.com/music/player/artists/B000QKG2N8

Booking Contact:
merrimack@satanslegions.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Transparent Clear
12" Coloured Vinyl Gatefold - White
12" Coloured Vinyl Gatefold - Transparent w/ Black Splatters

Watch Escuela Grind's new video for "Meat Magnet”

January 9, 2024

New England extreme metal powerhouse, Escuela Grind, will release the new EP, 'DDEEAATHHMMEETTAALL', this Friday, January 12, 2024.

Recorded with Will Killingsworth, mixed by the GRAMMY-winning Kurt Ballou (High on Fire), and mastered by Nick Townsend (Cheap Trick, Dr. Dre), the EP houses four new songs including the lead cut, "Ball and Chain", and "Meat Magnet", featuring a guest appearance by Napalm Death vocalist Barney Greenway.
Today, Escuela Grind releases a video for "Meat Magnet", directed by Michael Jari Davidson (Alice In Chains). The unsettling cut features a vox-off between the aforementioned Greenway and Escuela Grind vocalist Katerina Economou interspliced with exhilarating live footage of the band tearing it down.

Escuela Grind's 'DDEEAATHHMMEETTAALL' EP is the crown jewel in a themed trilogy of releases, including the duo of 2020 EPs 'PPOOWWEERRVVIIOOLLEENNCCEE' and 'GGRRIINNDDCCOORREE', which saw the band espousing its unique takes on the respective underground music sub-genres. 'DDEEAATHHMMEETTAALL' delivers the first new Escuela Grind music since the release of last year's celebrated full-length LP, 'Memory Theater', hailed by The New York Times as ''an opus of extremity", "witheringly intense yet righteously life-affirming" by SPIN, "the heaviest Escuela Grind have ever sounded" by Decibel, and both "a masterclass in punishing, invigorating grindcore" and "a fascinatingly intellectual take on the genre" by Revolver.

'DDEEAATHHMMEETTAALL' is the third installment of our EP series where we dive into the genres that most influence this band," offers Economou. "Finishing this trilogy has been years in the works. We are so excited to release these songs as they are perhaps the best reflection of our live performance. The stage has honed these hectic songs to perfection. Originally we were going to have three songs on this EP, but we wanted to create another track that had a huge buildup. This eventually developed into this brutal song, "Ball and Chain", that marks the point in our live shows where we have a wall of death every night. Lyrically, it references death metal tropes of murder and revenge, but with a decidedly feminine angle."
Escuela Grind - DDEEAATTHHMMEETTAALL Glow In The Dark Vinyl EP
PRE-ORDER

Escuela Grind Memory Theater - Hot Pink Splatter Vinyl LP
SHIPPING NOW
SEE ALL ESCUELA GRIND MUSIC + MERCH

EXOCRINE Are Locked and Loaded on New Single

January 8, 2024

EXOCRINE have been pumping out rapid-fire tech-death since 2015. But the French metal mercenaries truly unleash the full scope of their unrelenting arsenal on the third single off Legend.

Watch the deadly video for "Eidolon" below.

Legend comes out January 26, 2024.

Pre-order: https://redirect.season-of-mist.com/Exocrine-Legend
Pre-save: https://orcd.co/exocrinelegendpresave

In ancient literature, "Eidolon" appear as ghostly doppelgängers. Exocrine go hunting for these demons during the bloody and bullet-filled video for their new single. Strapped with precision blast beats, the band rattle off laser-guided riffs and a bass that grooves with flattening force of a tank.

But this song isn't just balls-to-the-wall adrenaline. On the heels of Jordy Besse's commanding bark, the rhythm section spreads out into doomy, dread-soaked ambience.

"Brace yourselves for the sonic onslaught of Exocrine's latest masterpiece – the music video for our track 'Eidolon'," says lead guitarist Sylvain Octor Perez. "Proudly blending melodic intricacies with brutal force, this song is a testament to the band's unique fusion of melody and brutality.

"It's a sneak peek into our upcoming album", Perez continues, "a perfect marriage of technical prowess and breakneck speed. Exocrine is unleashing a sonic storm that will leave you craving more. Stay tuned for the imminent release of our album, a true embodiment of technical excellence and speed. Get ready to be blown away!"

Born from the depths of Bordeaux, France, EXOCRINE is a technical death metal juggernaut, a force that has redefined the very essence of the genre. Founded by the guitar-virtuoso Sylvain Octor-Perez, alongside the formidable talents of Nicolas La Rosa and Jordy Besse, this trio embarked on their relentless journey in 2013, marking the inception of a musical saga that would leave an indelible mark on the world of extreme music.

Exocrine's debut album, 'Unreal Existence,' unleashed in 2015, was nothing short of a revelation. It showcased the band's audacious creativity, instantly distinguishing them within the technical death metal scene. With labyrinthine compositions, ferocious riffs, and relentless drumming, Exocrine's music delved into uncharted territories of sonic complexity.

In the years that followed, Exocrine solidified their signature sound, with albums such as 'Ascension' in 2017 and 'Molten Giant' in 2018, upon the latter release, Théo Gendron joined as a new member – forming the current-standing quartet of musicians. These releases cemented their reputation as pioneers of the genre, pushing the boundaries of what technical death metal could achieve. The band's compositions are like sonic mazes, constantly evolving, keeping listeners captivated at every twist and turn.

Their 2022 release, 'The Hybrid Suns,' was yet another testament to their musical prowess. It demonstrated their unyielding commitment to pushing the envelope and exploring new realms of technical complexity.

Now, as the anticipation reaches a fever pitch, Exocrine is poised to release their next full-length opus, 'Legend.' This forthcoming masterpiece promises to be an epic chapter in their already storied career, destined to secure their place as legends within the hallowed halls of technical death metal.

Exocrine are architects of sonic transcendence, explorers of the uncharted, and pioneers of the unimaginable. With each release, they redefine the limits of technical death metal, and 'Legend' is poised to be their most audacious and groundbreaking endeavor yet, a true testament to their status as legends in the making.

Line-up:
Sylvain Octor Perez: Lead Guitars
Nicolas La Rosa: Guitars
Jordy Besse: Bass, Vocals
Theo Gendron: Drums

Recording Studio:
Triceraprod Studio

Sound, mixing & Mastering Engineer:
Sylvain Octor Perez

Biography:
Sébastien J. Gamez

Cover art:
Armaada Art

Pre-save: https://orcd.co/exocrinelegendpresave
Pre-order: https://redirect.season-of-mist.com/Exocrine-Legend

Links:
Facebook: https://www.facebook.com/Exocrine/
Instagram: https://www.instagram.com/exocrine_official/
Twitter: https://twitter.com/Exocrine_band
Spotify: https://open.spotify.com/artist/0JmFaHWcs3bFMtNzJnDFKw
Deezer: https://www.deezer.com/us/artist/9621858
Apple Music: https://music.apple.com/us/artist/exocrine/1391841323

Available Formats:
Digital Download
CD Digipak
12" Black Vinyl Gatefold
12" Clear Translucent - Coloured Vinyl Gatefold
12" Aqua Deep - Coloured Vinyl Gatefold

Tigirlily Gold Release New Single “I Tried A Ring On,” Impacting Radio On 1/22

January 7, 2024

Monument Records’ powerhouse duo Tigirlily Gold released their debut EP Blonde last summer, establishing sisters Krista and Kendra Slaubaugh’s prowess as entertainers with rowdy and empowering songs inspired by the years they spent performing in bars on Nashville’s Lower Broadway. Building on the success of the project’s top 40 track “Shoot Tequila,” which received more than 40 million streams to-date, the duo today unveils a new side to their songwriting, with their emotional new single, “I Tried A Ring On.”

“I Tried A Ring On,” written by Kendra and Krista, alongside Pete Good and Josh Jenkins, and produced by Pete Good, was inspired by their real-life heartbreak. Adding depth to their evolving story, “I Tried A Ring On” conveys a heartfelt tale of love’s illusion and the sobering aftermath of shattered expectations.

“We were noticing how many of the breakup songs in country music talk about how hard it is to get over someone, but another extremely hard part of heartbreak that not a lot of people talk about is the gut wrenching feeling of having to start over again when you truly thought you had forever with someone,” Tigirlily Gold shares. “‘I Tried A Ring On’ tells that side of the story, and we are excited for people to discover this whole other side of who we are as writers and as artists.”

The song is available across streaming platforms now and will impact country radio as the duo’s next single on Jan. 22. Listen below.

With a message that is sure to resonate with anyone who has felt the heartbreak of love’s false starts and showcases the duo's versatility through their compelling songwriting and knack for storytelling, “I Tried A Ring On” is another taste of new music to come. Bringing the girl power energy back to country music, stay tuned for more from Tigirlily Gold throughout 2024. For the latest information visit, tigirlily.com and follow along on Twitter, Instagram and Facebook @tigirlily and on TikTok @TigirlilyGold.

About Tigirlily Gold:
Sister duo Tigirlily Gold has been playing music together since they could walk, and officially formed their band in high school. Growing up, they crisscrossed the mid-west, growing a fierce fan base and selling out amphitheaters across their home-state of North Dakota. After moving to Nashville, they landed a weekly residence at Dierks Bentley’s Whiskey Row on Nashville’s famed lower Broadway. Playing four-hour sets, three to four nights a week, the sisters developed a performance style that’s not only captivating and fun but shows just how much entertaining is in their blood. After releasing their original song “Somebody Does,” in 2021, the track topped the iTunes chart and Tigirlily Gold was signed to Monument Records. They released their self-titled, debut EP in July 2021, working with multi-Grammy Award Winner Shane McAnally, and hit the road with artists like Walker Hayes and Ashley McBryde. Now, the powerhouse duo has embarked on a new musical chapter with their EP, Blonde –a deeply personal project that includes tales of love and loss alongside powerful anthems and songs of female empowerment. Their debut single at country radio, “Shoot Tequila,” reached the Top 40 and found viral success with millions of views across social media, and millions of streams across platforms. Their much anticipated follow up single “I Tried A Ring On” will hit airwaves at the top of 2024. After making their Grand Ole Opry debut and performing to a national audience on the “TODAY Show,” Tigirlily Gold is Ready to bring girl grou

Randall King Grapples w/ Regret in “Coulda Been Love,” Out Now Ahead of 1/26/24 Album

January 7, 2024

Randall King’s 18-track sophomore album Into The Neon – due Jan. 26 via Warner Music Nashville – takes listeners inside one man’s story of finding love and losing it, with songs made for slow dancing under the starry night sky or two-stepping at a local honky tonk. With the latest taste of new music off the upcoming project, “Coulda Been Love,” out today, King grapples with regret over the girl that got away and love that could have been.

Listen to “Coulda Been Love” below and pre-order Into The Neon HERE.

“Heartbreak and Honkytonk. Turn up the dial and pour ya a drink, you're gonna need one,” remarks King. Written by Jake Worthington, Kim Penz and Roger Springer, “Coulda Been Love” is an up-tempo toe-tapper, as the narrator retrospectively ponders his decision to turn down a dance with a girl and realizes perhaps it could have led to more.

What was I thinkin’ sayin’ I don’t dance girl
Let her walk away and it coulda been love
Bet you right now she’d be lightin’ up my world
What was I thinkin’ it coulda been love

Co-produced by King alongside Jared Conrad, Into The Neon incorporates a unique blend of the influences from icons and modern masters alike who have inspired King’s sound; inclusive of the timeless ‘80s country twang of George Strait and Keith Whitley, and the blood pumping, Y2K-era rhythms of Dierks Bentley and Gary Allan.

Inspired by the countless nights spent strumming his guitar under the expansive skies in the plains of West Texas where he grew up – and by his current road warrior diet which finds him revitalizing Country’s neo-traditional sound under the neon signs of nearly 150 honky tonks he performs in across the country each year – King ushers people Into The Neon on Jan. 26, 2024.

It’s a place where rowdy roughnecking, romantic tenderness and breathtaking emotion are all welcome; an ode to nature and the humble establishments that have nurtured country music’s blue collar roots since its foundation. It’s these very places that have nurtured King’s love for music and wide open spaces, too.

For more information and to follow along with updates, visit RandallKingMusic.com or follow @RandallKingBand across all social platforms.

About Randall King:
A West Texas native and self-described “old soul," Warner Music Nashville's Randall King has never wavered in his honky-tonk allegiance – in fact, he’s worn it like a badge of honor, growing with pride into a leading voice for today’s traditional country. Amassing over 290 Million streams with singles like “You In A Honky Tonk,” “Hey Cowgirl” and “Mirror, Mirror,” he’s kept the twang alive in country’s mainstream while also earning acclaim through deeply personal EPs like 2020’s Leanna, and his 2022 major label album debut, Shot Glass – which landed on both Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far). Schooled on icons like Keith Whitley, George Strait, Alan Jackson and John Anderson, but inspired by modern masters like Dierks Bentley and Gary Allan, King first built an independent, grass-roots following on the strength of his electrifying live shows – each one a harrowing mix of rowdy roughnecking, romantic tenderness and breathtaking emotion – never asking for permission to explore his creative vision. He has since gone on to headline all across the U.S., the U.K. and Europe, where he continues to play nearly 150 shows a year and hone his craft where it matters most. Named a Country Artist to Watch by everyone from Pandora and Country Now to Music Mayhem Magazine, his sophomore major label album Into the Neon takes that craft to the next level on January 26, as King’s neo-traditional roots meet the blood-pumping rhythms and sharp, arena-sized grooves of Y2K-era country and beyond. Co-produced by King and Jared Conrad, and featuring 18 tracks, punchy sounds exist side-by-side with timeless swagger, further blurring the line between yesteryear and today – even as King renews his forever-country vows.

ELVIE SHANE SET TO DELIVER TRANSFORMATIVE STUDIO ALBUM DAMASCUS, AVAILABLE APRIL 19TH

January 7, 2024

Full of unflinching honesty rooted in compassionate clarity, BBR Music Group/Wheelhouse Records singer/songwriter Elvie Shane delivers his most daring work yet with his forthcoming sophomore album DAMASCUS releasing April 19th, available for pre-order/pre-save/pre-add HERE. With each track stepping into the shoes of another, Shane takes pieces of each character he’s met on his path, melding them into one beautifully woven work. The road to Damascus isn't a journey one takes lightly, yet the album tells the stories of those often untold, giving each testimony a chance to shine through. Shane co-wrote all songs on the project produced by his frequent collaborator, Oscar Charles.

"I feel like I’ve grown a lot since Backslider. I’ve attained just about everything I ever dreamed of…seen the world and made a living with music. I’ve been on top and back down in the mud,” said Shane. "In that travel and experience, I’ve paid close attention to people more than anything. I’ve seen a lot of struggle, but in that struggle I found common ground and inspiration. Damascus is a record that aims to pick a fight with what holds people down. Normal every day Blue Collar America…my people. These are not all my stories, but they are all stories I believe to be true. But 'What do I Know.’"

He’s given listeners a taste of the project with releases of “Baptized,” “Jonesin’” and “Forgotten Man,” with the latter dubbed “an ode to blue-collar workers that exposes the heart-aching realities of the working class” (Billboard), and with his latest track “Pill,” critics praised its gripping honesty as it “further cements Shane as a new voice of the damaged, addicted, and lost in country music” (Rolling Stone).

Building his reputation as an artist “that would do Merle Haggard proud” (Rolling Stone), Elvie Shane reminds us that we’re more alike than different with “What Do I Know,” written by Shane, Oscar Charles, Dan Couch and Jonathan Sherwood. Full of lived-in honesty and fundamental truths, Shane puts his gritty, powerful vocals on display with a mid-tempo version of his classic country-rock sound. Along with the track, Shane shared a moving video for “What Do I Know,” featuring a cameo by John Carter Cash, available to watch below.

Fueled by a passion for his fans, Shane is set to hit the road on The Damascus Acoustic Stories Tour, a 10-stop intimate tour starting on 2/1 in Louisville, KY. Tickets are available HERE.

The Damascus Acoustic Stories Tour Dates:
2/1 - Louisville, KY - Mercury Ballroom
2/2 - Lexington, KY - The Bur
2/3 - Indianapolis, IN - The Hi-Fi Indy
2/8 - Chicago, IL - Carol's Pub
2/9 - Cincinnati, OH - The Ludlow Garage
2/10 - Columbus, OH - A&R Music Ba
2/13 - Knoxville, TN - Open Chord Stage
2/14 - Decatur, GA - Eddie's Attic
2/15 - Greenville, SC - Radio Room
2/17 - Somerset, KY - The Virginia

About Elvie Shane:
As a native of small-town Kentucky whose influences range from Dwight Yoakam and Steve Earle to classic rock, Gospel, R&B and hip hop, Wheelhouse Records’ Elvie Shane has emerged as a country star with his heart on his sleeve – and as a champion of those with their name on a patch. Breaking out with the Platinum certified Number One single, “My Boy,” the singer/songwriter first took a stand for family values that go far beyond bloodlines, setting himself apart with a deeply felt 2020 tribute to step-parents and their unconditional love. Hailed by critics from Billboard and Rolling Stone to the Nashville Scene and beyond, the track helped launch Shane’s album BACKSLIDER onto multiple Best Of lists, winning over fans with its gritty yet gracious fusion of heartland rock, modern country and stand-for-something purpose. With over 372 million career streams and counting, that fusion often presents itself onstage as a mix of rebellious energy, indelible imagery and working-class pride, and it has made Shane a favorite all across the globe. Pairing his headlining MY KINDA TROUBLE TOUR in 2021 with high-profile opening slots for Darius Rucker, Jason Aldean, Toby Keith, Brothers Osborne, Brooks & Dunn and Lady A, among others, plus country’s biggest festivals and a 2023 tour across the heart of Europe, he capped it all with a nomination for Best New Country Artist at the 2023 iHeartRadio Music Awards, and is now laying the groundwork for a new chapter. Following inclusion on the star studded Stoned Cold Country tribute to The Rolling Stones 60th anniversary (submitting a special version of “Sympathy for the Devil”), Shane's new tracks include “Pill,” “Jonesin’,” “Baptized” and “Forgotten Man” out now. Rolling Stone praises “Forgotten Man” as it “expertly sums up what it means to be blue-collar in the 21st century in this defiant, angry country single that would do Merle Haggard proud." An anthem for those chasing the American dream with calloused hands and a weary, but still-believing heart, it’s another example of Shane’s deep-feeling take on country, as a new blue-collar generation arrives. Serving as a table of contents like sneak peek into his forthcoming album Damascus, fans can expect a transformative new sound and exploration of rural culture on his sophomore album. For more information visit e lvieshane.com.

COLIN STOUGH KEEPS THE FAITH WITH “I STILL TALK TO JESUS (ACOUSTIC)”

January 7, 2024

19 Recordings/BMG artist Colin Stough starts the new year off with a powerful message of resilience, as he offers up a fresh rendition of one of his biggest hits with “I Still Talk To Jesus (Acoustic).” Available across all streaming platforms and digital retailers, listen here.

A Country-Rock ballad of unshakable hope, “I Still Talk To Jesus” was originally part of Stough’s standout time on ABC’s American Idol in 2022. Eventually finishing third on Season 21, Stough released the aching anthem alongside his fellow Top 5 finalists, showing fans a moving example of inner toughness – and one heart’s weary-yet-determined refusal to give up on love.

Produced by Sean Rogers, Stough’s new acoustic take of the track further highlights that message. Using only guitar to back his dynamic Mississippi vocal, the rising star dials down his million-watt intensity for a captivating blend of wounded soul and falsetto grit, cutting straight to heart of one of his most popular songs. Meanwhile, a raw performance of the all-natural track – penned by Stough, Sean Thomas Rogers, and Francisco Martin – was captured and edited by Mike Rodway.

“I wanted to share this track to start the new year off right!” Stough says. “This was one of my biggest songs last year and a fan-favorite, so I hope everyone enjoys this acoustic take. It’s just one of them records where the words cut deep, and I think this version really lets ‘em shine.”

“I Still Talk To Jesus (Acoustic)” follows the recent release of “Sleep Tonight (Acoustic)” – another reimagined favorite revealing Stough’s heartfelt lyricism – and a gravelly rendition of the Elvis Presley holiday classic, “Blue Christmas.”

In October 2023, the emerging artist released his six-track debut EP, Promiseland, and has since captured the attention of both critics and fans alike. Country Now praises, “Promiseland showcases a deep level of honesty and authenticity,” as they further named him among their Country Next: Artists To Watch In 2024 list. Likewise, Stough made Holler’s New and Upcoming Country and Americana Artists You Need to Know roundup, hailing that he’s a “singer who was born to do this,” with a voice that’s “equally at home singing grungy Southern rock as it is twangy old school country.”

Spending last year headlining while also supporting artists like Kidd G and Drake White, he’s next on deck with Chase Matthew starting in February. Find upcoming show dates here.

About Colin Stough:

A 19-year-old Country Rock phenom and native of Gattman, Mississippi, Colin Stough has come a long way in a few short years – and with his debut EP Promiseland, the 19 Recordings/BMG artist is still just getting started. After learning to play guitar at 8 years old, Stough first pursued artistic dreams at 10, boldly trading childhood possessions for his first guitar at a local pawn shop – an instrument he still plays to this day. After graduating high school, the naturally gifted singer and self-taught songwriter began working full-time as an HVAC technician, before his mother convinced him to audition for American Idol. Impressing judges Luke Bryan, Katy Perry, and Lionel Richie, Stough stunned viewers and soon built a thriving fan base, finishing third on Season 21 of the show in 2022. He spent the ensuing months writing and recording original music, while also touring nationwide to put his blowtorch vocal and guitar-slinging edge on full display. After signing with 19 Recordings/BMG, his distinctive mix of Southern Rock distortion and pure-Country style have helped tracks like “I Still Talk To Jesus” and “Bad Day” rack up more than 9.4 MILLION global on-demand streams, and in September 2023, Stough released the single “Promiseland,” along with an official music video. The hard-hitting anthem is the title track to Stough’s debut EP, which is out now and puts the emerging artist on track to reach even more dreams in the future. Stough has headlined across the country and opened for established artists like Kidd G and Drake White. Next supporting Chase Matthew, stay tuned for much more to come.

KEEP UP WITH COLIN STOUGH

Drake Milligan to Kick Off 2024 With New Music and More Milestones

January 6, 2024

Stoney Creek recording artist DRAKE MILLIGAN is keeping his boot on the gas as the new year begins, following a chart-topping breakout with plans for a brand new EP.

Set for release on February 16, the pure-country hitmaker’s Jukebox Songs EP marks another bold chapter of high-energy twang. Produced by fellow Texan and traditionally-minded star, Trent Willmon, the EP will once again highlight Milligan’s smooth, booming baritone vocal, towering over four fresh tracks full of instant-classic intensity and diverse country soul...including an unforgettable heartbreak anthem. Pre-order/pre-add/pre-save HERE.

“Jukebox Songs is exactly what it sounds like," says Milligan. "My goal for this EP was to write and find songs that feel classic and memorable - the kinda tunes would fit right in on some old Rock-Ola in the corner of a smoke-filled bar on the outskirts of nowhere Texas. It’s a continuation of the old-meets-new Country sound I’ve always gone for, and this time with my friend Trent Willmon at the reins as producer, I’m very excited to keep this honky tonk train rollin.’”

Penned by Bobby Pinson, Matt Rogers & Ben Stennis, “Don’t Leave Me Loving You” is a timeless, classic-country style ballad, aching and built on a still-tender emotional wound. The track places Milligan’s standout Texas baritone before a delicate, rootsy arrangement. Listen now below.

Meanwhile, Milligan will also soon return to his primetime-TV roots. He’s set to compete on NBC’s upcoming America’s Got Talent spin-off show, Fantasy League, and will also hit the road alongside Cody Johnson to open 10 dates on his 2024 U.S. arena tour.

Both build on a streak of early success, stemming from Milligan’s America’s Got Talent emergence and his breakout album debut, DALLAS/FORT WORTH.

Named “One of the Best Country Albums of 2022” by Billboard, Saving Country Music and Whiskey Riff, the project dominated iTunes upon its release, hitting #1 on both the iTunes All-Genre and Country Albums Charts, while simultaneously holding positions #1, #2, #3 and #5 on iTunes Country Video Chart and spawning back-to-back #1s on the iTunes Country Songs Chart.

Milligan went on to be named an “Artist to Watch” by CMT, Pandora and Music Mayhem, while DALLAS/FORT WORTH also landed in the Top 10 of Billboard’s Country Albums Sales Chart, leading to his new chapter.

Earlier this year, the singer-songwriter returned to America’s Got Talent to debut his current single, “I Got A Problem,” and appeared on both The Kelly Clarkson Show and the Canadian Country Music Association Awards – where he opened the show with performance of his duet with The Reklaws "Honky Tonkin' About" (a 2023 #1 on Canadian Country Radio).

Other 2023 highlights include Milligan’s nomination for Breakthrough Male Video of the Year at the CMT Music Awards, his main stage debut at Stagecoach and a standout performance at Nashville’s CMA Music Festival.

Milligan likewise made his Grand Ole Opry debut in late 2022 and has already become an Opry regular, while earning critical acclaim from USA Today, Billboard, People, Taste of Country, Parade, American Songwriter,Country Now, Saving Country Music, Country Swag and Hollywood Life, to name a few.

Milligan recently made his debut headlining date at Billy Bob’s Texas, thrilling a hometown crowd of nearly 4,000 fans (twice) and adding his hands to the famous “Wall of Fame.” He was then asked to return to headline the venue’s massive 2023 New Year’s Eve concert, capping another big year.

View a complete list of Drake Milligan’s tour dates here.

About Drake Milligan:

Drake Milligan burst onto the national music stage entering the Billboard Emerging Artists Chart at #5 after dominating iTunes with his debut album, Dallas/Fort Worth, charting back-to-back #1 hits on the iTunes Country Songs Chart, #1 on iTunes All-Genre Chart and reclaimed the #1 spot on iTunes Country Albums Chart, all while simultaneously holding positions #1, #2, #3 and #5 on iTunes Country Video Chart. In the UK, Milligan’s debut album spent 11 consecutive weeks in the Top 20 of the Official Country Artists Albums Chart. A student of classic Country music with the swagger of early Rock ‘n’ Roll, the Fort Worth, Texas native is an electrifying entertainer who cites George Strait and Elvis Presley – the King of Country and the King of Rock ‘n’ Roll – as musical heroes, and his unique twist of traditional Country has been embraced by fans, peers and the media alike. Milligan has performed on The Kelly Clarkson Show, The Grand Ole Opry, Stagecoach and CMA Music Festival, and earned high praise from People, BBC, USA Today, Parade, American Songwriter, CMT.com, Billboard, ET, Access Hollywood, Cosmopolitan, Cowgirl Magazine and Taste of Country. Following his Dallas/Fort Worth debut – named “One of the Best Country Albums of 2022” by Billboard and others – Milligan uncorked a Canadian Country Radio #1 in 2023 (“Honky Tonkin’ About” with The Reklaws), garnered 5 million views in just a few months with “Cowgirl For Christmas,” and headlined the massive New Year’s Eve celebration at the famed “World’s Largest Honky Tonk,” Billy Bob’s Texas, where he had also delivered two sold-out homecoming shows in the previous year. Looking ahead, the Stoney Creek Records phenom has dropped “Don’t Leave Me Loving You” – a timeless heartbreak ballad with a modern edge – and is set to release his new EP, Jukebox Songs, on February 16. The acclaimed “Artist to Watch” (CMT, Pandora, etc.) will also return to his primetime TV roots for the America’s Got Talent spin-off show, Fantasy League, and hits the road alongside Cody Johnson on his 2024 U.S. arena tour.

Phoenix's SNAILMATE offer antidote to a pressurized year: treat yourself to a 'Stress Sandwich'

January 6, 2024

"Ferocious and evocative... an intense sonic fusion of thrash rock, hip hop and punk complete with an infectious layered screamo chorus and daring synths. Fuzzy basslines glide over intense drumming full of emotion for an enthralling must listen"~ Earmilk

“This homage to being chronically, unwaveringly lazy is another standout hybrid gem from the pair, and proves as eccentric as it is downright catchy” ~ Phoenix New Times

“A genre-bending rollercoaster ride that defies convention and categorization. This album seamlessly weaves together elements of synth music, punk and metal while drawing inspiration from an eclectic mix of artists ranging from Daft Punk and Public Enemy to Limp Bizkit and Linkin Park... unique and electrifying” ~ Skylight Webzine

"How this isn’t pouring from every MF-ers lips in time of need is a mystery" ~ Global Texan Chronicles

Phoenix-based Snailmate crowned 2023 by releasing their album 'Stress Sandwich' and relentlessly touring. Rleased via Toronto's Indiestructable Records, they offer a twisted humorous take on existential anxiety, delivering funky, poppy, screamy fun through alternative raps. The duo's also presents the video for 'Trash, Baby', created by Chase A Warren.

Alternatively described as synthpunk grindcore pop nerd rap, this has practically become a way of life for the duo, reinforced by their earlier albums 'Live In Japan' (2019) and 'Love in the Microwave' (2017), plus a myriad of EPs and singles. Known for their frenetic and impressive shows (numbering over a thousand now), 2023 saw the ban

Snailmate is lyricist-vocalist and synth wizard Kalen Lander and drummer-backup vocalist Bentley Monet, whose music fuses synthpunk, grindcore, pop and nerd rap for an unpredictable and explosive sound. Together they craft music that is cathartic and relatable yet unique and genre-defying, using humor and wit to tackle topics from isolation and queer identity to bangers about hot sauce and nostalgia.

Produced by Ari Leopold at Lava Lake Studio in Phoenix, 'Stress Sandwich' is about growth, exploring themes such as vulnerability, disappointment, and art-making as a beautiful yet imperfect process. They go head to head with depression, anxiety, imposter syndrome, anger, hunger, laziness... but also fun things! These 10 tracks - laced with sarcasm, breathless lyricism and unpredictable genre-bending energy - will leave you satisfied and wanting more.

"This album has been in the works for so long. It took years to process all these feelings and experiences and distill them into just ten short songs, but I’m really glad we didn’t try and finish this thing any sooner. It would have tasted so much different. The flavors needed time to develop. I couldn’t have written 'Toll Road' until that bastard stole our money. 'The Snailmate Show' wasn’t a thing before we were forced to quarantine and couldn’t play live. And until we had to go through some intense physical changes, 'My Weird Gross Body' just wouldn’t have been the same," says Kalen Lander.

"I beat myself up a lot during this whole process. I felt like I was taking too long to write the lyrics, and that meant that I was bad at writing. I had lost my touch. But then I really started to understand how, when I FINALLY finished the words for a song, it was perfect. It couldn’t have been perfect if I’d forced it out any sooner. And I think 'The Laziest Man in the World' encapsulates that sentiment better than anything."

As part of the LGBTQ community and with Bentley being a transgender artist, Snailmate inspires their listeners to be unapologetic and unashamed of who they are, cultivating a fervent fanbase based on inclusivity and shows as a safe space for all genders and people of all sexualities.

'Stress Sandwich' is out now, available digitally from fine music platforms, including Apple Music, Spotify and Bandcamp. It can also be ordered on vinyl and CD vinyl from the band's own store, where ample merch is also available, including their very own award-winning hot sauce!

CREDITS
Performed by Kalen Lander & Bentley Monet
Written by Kalen Lander & Bentley Monet
Produced by Kalen Lander & Ari Leopold
Recorded, Mixed & Mastered by Ari Leopold @ Lava Lake Studio in Phoenix, AZ
Music video by Chase A Warren

LIVE DATES
Jan. 12 Tempe, AZ @ The Beast
Jan. 14 Phoenix, AZ @ Last Exit Live
Mar. 23 Phoenix, AZ @ Gracie's Tax Bar
Apr 19 Los Angeles, CA @ The Offbeat

Stress Sandwich' album https://snailmate.bandcamp.com/album/stress-sandwich
CD, vinyl & merch https://snailmateband.storenvy.com
Spotify https://open.spotify.com/album/4Hw9gzWkUvZ2tLNCKjTU7S

Art-Punk Kraut-Rock duo CIRCOLO VIZIOSO presents 'Choppy' single, previewing debut album

January 6, 2024

"From Sonic Youth, The Black Angels to Fugazi and Nirvana, this is a band who wears their inspirations on their sleeves, blending these in a fascinating way. Raw and visceral, Circolo Vizioso makes for a highly recommended listen, presenting groundbreaking music with a signature sound" ~ The Spill Magazine

Kraut-inspired punk rock duo Circolo Vizioso presents 'Choppy', a high-octane song spawned from of a bout of depression brought on by a failed love story. This is the first taste of their debut album 'Verrueckt' (out March 1), following their 5-track 'Isolation' EP (2020). Here they offer a potent taste of their unique brand of high-intensity, lyric-driven punk, created mainly with electric violin, guitar and drums.

Hailing from Berlin, Circolo Vizioso is made up of Tony Scafidi (guitar, bass, drum, hi-hat, vocals) and Paul Geigerzaehler (violin, snare drum, vocals). The band plays abrasive, groovy punk music that is influenced, on the one hand, by the sound of 1990s New York, Chicago and Washington embodied in such bands as Fugazi, Blonde Redhead and Sonic Youth, and by the sound of early 80's and 90's Eastern German and Eastern European punk bands like Dezerter, Sandow and Schleimkeim on the other.

"I'd had a severe break up and the song went out as a sort of persistent beat, prolonging an apex point that hardly makes it out of the main riff, opening up only at the very yet repeating it self only faster," says Tony Scafidi.

"Metaphorically, it's kind of like when a couple try to sort things out and get back together, but then fail due to continued use of old commuication tools for a completely new situation they can no longer manage. At the time, I was also listening to The Black Angels a lot and having sleeping problems. There's a weird cocktail here."

Formed in March 2020 on a balcony in Friedrichshain, Berlin during the first Covid-19 lock-down, Circolo Vizioso was born as an attempt to keep art and music alive and to provide support to their neighbours during a time when no concerts were happening and no cinemas, museums or galleries were open.

In spirit, Circolo Vizioso is a last ditch effort to resist the isolation and the lack of social and human contact, as well as the hunger for music and art during this unusual time.

About the upcoming 'Verrueckt" album, Paul Geigerzaehler explains, "We wanted an album that could express anger, frustration and disaffection against an unfair world and all the discomfort entwined with that and we wanted to do it with direct and bare lyrics, abrasive violin lines, fat distorted guitar solos, and big fuzzy riffs. Yet we wanted people to dance to all this batshit crazy world in a sort of self-exorcising dance, where one can head to bed with the feeling that they have at least sweat their daily demons out for the night."

As of January 5, 'Choppy' will be available everywhere digitally, including Apple Music, Spotify and Bandcamp. The full 'Verrueckt' album, which will be released on March 1, is already available for pre-order directly from the artist via Bandcamp.

CREDITS
Music and Lyrics by Paul Geigerzaehler and Tony Scafidi
Tony Scafidi - guitar, bass, drum, hi-hat, vocals
Paul Geigerzaehler - violin, snare drum, vocals
Audrey Quillons - backing vocals on 'Walls' and 'Verruecht'
Produced by Paul Geigerzaehler and Tony Scafidi
Sound Engineer - Smail Shock Production at B Studio in Berlin
Mixed and Mastered by Sacha Tilotta in Catania, Italy

Bandcamp https://ilcircolovizioso.bandcamp.com/track/choppy-2
Soundcloud https://soundcloud.com/ilcircolovizioso/02-circolo-vizioso-choppy
Spotify https://open.spotify.com/track/4cyHfW7iVPabkk5hIj6pxa
Apple Music https://music.apple.com/us/album/choppy-single/1721429546
'Verrueckt" album order https://ilcircolovizioso.bandcamp.com/album/verrueckt

PEYTON PARRISH #1 Album in the World!

January 5, 2024

SOUL is Available at:

Apple Music

Explore music from Peyton Parrish on Spotify

Imagine a hard rock artist having the #1 album in the world, beating out Chris Stapleton, Taylor Swift, and Niki Minaj. Well, it happened this week!

Peyton Parrish has built an army of fans worldwide through his YouTube and TikTok, amassing an average of 20 million plays per single he releases. Currently, he has over 1.6 million monthly listeners and is growing!

The new single "Poetry Glass" was released over the holidays and has flown over 1 million spins. The video has over 1.6 million views.

WATCH "Poetry Glass" below.

The 10-track album is a blend of rock, electronic and pop with Peyton’s signature raspy vocals. SOUL includes “Poetry Glass,” an edgy pop-rock anthem with a catchy hook and melody. The album also features “Stuck in the Dark,” a moving ballad showcasing Peyton’s vocal range, as well as “Fallen Angel,” an uplifting song with a powerful message of inner strength. “This album is really personal for me,”said Peyton. “The songs explore relationships, challenging life experiences and finding the strength within yourself to get through them all. I put my whole heart and SOUL into this record, and I can't wait for my fans to experience the journey with me.”

Peyton’s previous album Rise of Vikingr dropping number #1 on the iTunes charts with viral hits "Dane", "Dragur", and "My Mother Told Me" metal version.

Renowned for his unique blend of throaty Viking-inspired metal and post-grunge rock, Peyton Parrish has made a mark through original compositions and gained widespread recognition for his inventive cover renditions. In 2023 his rock-inspired Disney cover album The Most Magical Album on Earth gave Peyton Parrish his first Billboard #1 album. Other accolades include Billboard #1 with his cover of Hercules "Go the Distance" following his first Billboard #1 with his cover of Mulan's "I'll Make a Man Out of You".

For More Information Please Visit:

Official Website

LUCIFER - Release Video For New Single 'Maculate Heart'

January 5, 2024

Heavy rock megalith LUCIFER are kicking off the new year in style with a brand new single called 'Maculate Heart', which is yet another preview to be released before their magnificent new album, Lucifer V, drops on January 26th, 2024.

Consisting of nine unholy hymns, LUCIFER's fifth offering can easily be regarded as their magnum opus and sees the band channeling all their strengths known from previous records into one monumental mass of electrifying heavy rock and roll.

Infectious and hook-heavy stunner 'Maculate Heart' might be the most accessible song LUCIFER have ever recorded and it's being released today as a slightly trimmed radio edit for your listening pleasure. Bring it on!

In case you missed the announcement of LUCIFER's upcoming Satanic Panic European tour with Angel Witch, Attic, The Night Eternal and Crank, please scroll down to the bottom for all dates and more infos.

PRE-ORDER / PRE-SAVE LUCIFER V:
https://lucifer.bfan.link/lucifer-v

LISTEN TO 'MACULATE HEART - RADIO EDIT'':
https://lucifer.bfan.link/maculate-heart

WATCH THE VIDEO FOR 'MACULATE HEART - RADIO EDIT' below.

THINGS YOU MIGHT HAVE MISSED RELATED TO LUCIFER V:

'Slow Dance in A Crypt' Official Music Video:
https://youtu.be/9tR8nGUfvC0

'At The Mortuary (Halloween Edit)' Official Music Video:
https://youtu.be/jkvQILyvro0

'A Coffin Has No Silver Lining (The Sistine Version)' Promo Music Video:
https://youtu.be/-EZkgyp9D18

ABOUT LUCIFER

Since its inception in 2014 In Berlin, the highly prolific band led by charismatic singer Johanna Platow Andersson has released four electrifying albums on Rise Above (LUCIFER I) and Century Media Records (LUCIFER II-IV), as well as and numerous stand-alone singles infused with 1970s hard rock, proto heavy metal, doom and occult rock, with a nod to their main influences such as Black Sabbath, Pentagram & Blue Öyster Cult. They have played over 200 shows in the Europe, Japan, North & South America, including festivals such as KISS Kruise, Psycho Las Vegas, Hellfest, Wacken and many more, most recently supporting the band GHOST on their European tour in spring 2023. Two of their shows have been recorded and broadcasted by prestigious German national TV program Rockpalast.

LUCIFER, now located in Stockholm, have been nominated twice for a Swedish Grammy in the category 'Best Hardrock/Metal Album' as well as the Swedish Radio Award P3 and several GAFFA nominations. Amongst others, they have graced the cover of the leading US metal magazine, Decibel, before their first album was released.

The group has concluded recording their fifth studio album, LUCIFER V, the first one to be released by their new label, Nuclear Blast Records, due out on January 26th 2024. Although LUCIFER is known to notoriously deliver critically acclaimed albums, supreme songwriting and quality recordings, LUCIFER V is rumored to be their best album yet. Combining elements of all their previous albums into one monumental mass of electrifying heavy rock and roll. Eerie landscapes shaped by soaring guitar riffs, the thunderous pounding of bass and drums from some sort of groovy inferno, haunted melodies to weep into your drink to, the screeching tires of a 1971 Cadillac hearse, the humorous morbidity and tragic wit of Johanna’s lyrics. If death had a best friend, it would be LUCIFER and they would hang out together at the local cemetery, shooting the shit. In November 2023, LUCIFER embarked on a full North American co-Headline tour with occult rock legends, Coven. Catch LUCIFER live in February 2024 when LUCIFER brings The Satanic Panic Tour to Europe together with Angel Witch and guests Attic and The Night Eternal.

LUCIFER is:

Johanna Platow Andersson (vocals)
Nicke Andersson Platow (drums)
Linus Björklund (guitar)
Martin Nordin (guitar)
Harald Göthblad (bass)

Worship LUCIFER:
www.lucifer.church

Letdown. Releases New Double Single "Anxiety/Making Miseries" via Big Loud Rock

January 5, 2024

Breakout alt-rock sensation Letdown. is kicking off the New Year with a band, releasing new double single "Anxiety" and "Making Miseries" today via Big Loud Rock. "Anxiety" will be featured on MTV's wildly popular reality series The Challenge, airing this upcoming Wednesday, January 10. When asked about the inspiration behind today's dual release, Letdown. mastermind Blake Coddington shared:

"‘Anxiety’ is an introspective song that delves deep into my personal inner fears. It echoes a sense of unease, and the tumultuous journey through the labyrinth of my own anxieties. Painting a picture of vulnerability, the song encapsulates the essence of my inner turmoil - a cathartic exploration of the struggles I face inside myself, inviting listeners to confront their own fears.”

"‘Making Miseries’” is about the negative effect a bad relationship with someone and even yourself can have on your mental state. The song dives right in with the feeling of your whole world being upside down every way you think about it. The song is a wild ride outlining the details and truth of what we're doing to each other and ourselves and what it looks like."

Having wrapped up a momentous 2023 with his track "Crying In The Shower" peaking inside the Top 20 at U.S. Alternative Radio and performing at renowned festivals including Aftershock and Louder Than Life, 2024 promises even more exciting Letdown. news to come. Stream "Anxiety" and "Making Miseries" here, watch the visualizer below, and stay tuned for more Letdown. news coming very soon.

Letdown. (period included) may have started as a pandemic project for Blake Coddington, but the Chicago/Nashville-based rocker is in a very different place in 2023. Having spent the last three years cultivating a fervent fanbase through a number of single releases and emerging as a striking live act — finally bringing his music into the physical lives of his online fans across several sold-out, headlining shows this past year — Coddington is rapidly growing his presence away from the internet for the first time in Letdown.’s short history.

The powerful vocals and emotional lyrics over catchy, upbeat drums and guitars originally served as a cathartic way for the songwriter to express himself while working a dead-end job that he hated. But 2022 saw Letdown. being signed to Big Loud Rock and move beyond his beginnings as a viral, at-home musician. This year, however, represents a whole new start for the passionate vocalist, or as Coddington himself puts it: “It’s Season II of Letdown., and it’s definitely the biggest chapter yet.”

With his debut EP, 'Crying In The Shower', releasing February 24, 2023 and the ability to continue his touring success with an upcoming month-long run in Europe, as well as North American dates supporting Giovannie & The Hired Guns this spring, “Season II” is looking a lot more action-packed than Letdown.’s first couple of years. It was just three years ago that he began throwing videos on YouTube expecting to get a few hundred views, yet now he’s become a known and respected musical commodity both in-person and online with over 643K followers and 5.1M likes on TikTok, 25+ million views on his YouTube channel, over 80M on demand streams and editorial playlisting from the likes of Spotify’s All New Rock, New Noise, Rock Out and Rock Hard. “I always feel weird when people ask me how long I’ve been around, because I got so used to telling people that Letdown. was this new thing,” Coddington laughs. “But now we’re touring and we’ve got a record coming out with a label involved and all of this stuff. I know I’m not ‘seasoned’ yet, but it feels new, exciting and different.”

As for the new EP itself, pushing forth a collection of seven songs is still a bit of a new experience for Coddington, who’s gotten this far by steadily releasing a single at a time. The title track and opener is a perfect example of the wild, emotional ride that Letdown. enjoys taking his fans on. The song builds into a pumped-up anthem that you can’t help but sing along to, and behind the reactive hook and catchy rhythm, Letdown. takes listeners through the experience and inner turmoil of trying to get over someone you can’t forget by wailing, “crying in the shower, but I can’t wash you away.”

“You ever listen to happy songs when you're upset or sad or depressed and they make you feel even worse?” Coddington asks with a smirk. “That’s what ‘Crying in the Shower’ is for me. It's like, ‘Here's a list of terrible things, set to an incredibly upbeat, happy beat’ — which is almost a metaphor for me. I’m a happy-looking guy who is quite the opposite on the inside.” Elsewhere, the EP continues to document Coddington’s internal struggle as he searches for answers in times of darkness, uncertainty and self-doubt on stadium-sized singles “Go To Hell”, “Empty”, “Shipwreck” and “Ugly”, a soaring, pop-rock belter featuring Kelsy Karter & the Heroines that encompasses the types of thoughts related to self image and how we perceive ourselves. “That song is a literal depiction of how I feel about myself,” Coddington adds. “It may be a dichotomy between the actual person that I am and the person that I see in the mirror as my flaws are sometimes all I see. As I try to disassociate from the me that I hate, I also struggle with the reality that we are one and the same.”

In regards to the release of his first full body of music, Coddington remains thrilled for his future, the development of Letdown., and continuing to connect with those who have found solace in his powerful online community. “Getting to put out something like an EP seems so classic to me, which makes me really excited about it.” he says. “I’m honestly just excited that people won’t have to select another song after each one and can just ride the wave. I think we've really curated it in a way that takes you on an emotional rollercoaster — in the best way possible.”

The Requiem Share "Kill The Lights"

January 5, 2024

DEBUT ALBUM A CURE TO POISON THE WORLD ARRIVES FEBRUARY 16 VIA FEARLESS RECORDS

South Florida alt rock band THE REQUIEM — Damien [vocals], Felipe [lead guitar], and Salem [bass] — will release their debut album A Cure to Poison the World on February 16 via Fearless Records. Pre-order it here.

Today, the band has shared the lyric video for "Kill The Lights."

Watch it below.

Here, they show off their alt-rock chops and capture the essence of post-hardcore tension and release. Push and pull riffing and emotive vocals carry the track forward. It's a deceptively simple song that packs a lot of palpable emotion into just a few minutes.

"'Kill The Lights' is about the feeling of resentment and disgust some of us get at a young age towards our environment, people, and difficult situations we've been inadvertently brought up on," the band says.

Regarding the album as a whole, the band sees it as a catalyst with which to directly connect with fans. "I want people to actually be able to relate to the music and identify," Damien says. "It's the same way I felt my favorite artists spoke for me." Felipe shares the sentiment, saying, "Our goal is to be our most pure form These songs thematically reference growing up, the struggles of becoming an adult, and lessons we've learned."

ABOUT THE REQUIEM:
No matter how sunny it may be in Broward County, a different energy exists beneath the surface. Each generation it seeps out, either in the area's shock rock luminaries during the nineties or a bevy of post-Soundcloud rap stars in the twenty-tens. That brings us to The Requiem. The Broward County, FL trio—Damien [vocals], Felipe [lead guitar], and Salem [bass]—piece together elements of alternative, rock, emo, and even eighties into an uncompromising and undeniable vision of what music can be without boundaries. After piling up over 1 million streams independently and stirring up buzz, the group captivate on a series of 2023 singles and more to come.

"We want to represent our generation in the best way possible," exclaims Damien. "Rock music has lost the sloppiness and the vulgarity it used to have. When you're young, you need to embrace that attitude and danger. We want to bring all of that back to alternative music."

The band embarked on this mission back in 2020. Damien teamed up with Salem and Felipe. Together, they nodded to influences as diverse as The Used, AFI, Pierce The Veil, and Finch as well as Ozzy Osbourne, Mötley Crüe, and Genesis. They gained traction with the independent single "Corpse Party," reeling in 371K Spotify streams and counting.

LEON FREAR releases 'A Town Called Chapel', a mixed emotion ode to his hometown, ahead of debut album

January 4, 2024

"Frear has a voice which somewhat recalls Marty Willson-Piper of The Church fame and his side project Nocturum... This is something for fans of Nick Cave and related"~ Side-Line Magazine

"Track of the Day. The way he tells the story makes it seem like he and the listener are commiserating together... a song with a great story" ~ Chasing Destino

"With a unmistakeable voice deserving of becoming a regular fixture in the mind-memory of music lovers everywhere... catchy and contemplative, showcasing clever lyrics channeled through his smooth and deep timbre. fabulous from start to end and is obviously confessional while also being an invested labor of love" ~ Rock n Roll Biz

"The combination of evocative lyrics and a dynamic musical backdrop creates an immersive experience, inviting listeners to delve into the complexities of love, longing, and self-discovery" ~ Skylight Webzine

Indie musician and songwriter Leon Frear presents 'A Town Called Chapel', the second offering from his debut album 'Wild Rice', which introduces the listener to a man still affected years later by the frisson and fallout of a clandestine love affair.

A seasoned musician, this album represents a new start for him under this moniker. Now based in Chicago, Frear describes this single as “a poison pen love letter to an historically musical time and place, to big blown-up plans and irreplaceable, lost relationships. No matter what else I say, It's a letter I sign with love.”

“The song ‘A Town Called Chapel,’ is the opening track on my album because it paints the landscape and provides background on the insular, dissolute college town / former-small-town music mecca that this whole experience sprang from," says Leon Frear.

"It's a song about knowing that you need to leave a situation that is grimy, bad for you and a little hedonistic. But you're so used to it - the feeling is so warm and comfy that you just can't bear to leave. I might sound hypercritical of the place and maybe that makes me a hypocrite. But I’m also from there and a fair target for these less flattering descriptions myself. Love, lust, and naïveté. All that stuff. It's part of me. It's my home."

This follows the artist's debut single 'Secret Second Moon' with its fantastic animated video, created by French artist Ronald Grandpey. It's a powerful introduction to a collection of songs that reflects a dramatic period in which Frear experienced a life-altering love affair, its implosion and aftermath, followed by a decade of reflection and changes.

Informed by his own personal experience, Frear's music speaks of love, lust, broken promises, broken phones, and multiple incinerated bridges. This 10-track collection was produced by Frear in his home studio in Chicago, playing every instrument and capturing every breath to tape during a recording process that took years in isolation to complete.

About the forthcoming album, Leon Frear says, "'Wild Rice' is the story of those times, but told in reflection. The songs came from a place of true grief, regret and a little bit of anger. But through all of those things, I gained wisdom and became a better person. And while the details may be different, I think every human on this planet shares in the experience of feelings of grief. Ultimately, I think it is an album about empathy."

"Sonically, I was inspired to make Wild Rice while listening to old Leonard Cohen albums, Harvest by Neil Young, Stories from the City by PJ Harvey and lots of old ballads by Nick Cave. Those albums and artists sound weary and world worn and I did my best to capture a similar feeling."

Laced with hints of sadness and regret, anger and remorse, somehow the lyrics are tempered with a sardonic wit that leaves the listener wondering if Frear doesn’t secretly savor feeling bad, just for laughs. If there’s an opportunity to mock an uncaring universe, this is an opportunity Frear doesn’t let go to waste.

Dubbing his brand of post-alternative music “vocabulary rock”, Frear aims to shift the emphasis away from the man and towards the music and lyrics, while inviting the listener to commiserate together through this exploration of grief, depression and sadness.

As of January 4, 'A Town Called Chapel' is available from fine music platforms, including Spotify, Apple Music and Bandcamp. The 'Wild Rice' album will be released (on vinyl and digitally) on March 1.

CREDITS
Music and lyrics written by Leon Frear
Recorded by Leon Frear in his Chicago home studio
Mastering by Adam Boose at Cauliflower Studios
Vocals and instruments performed by Leon, except
Faye Whitt - backup vocals on 'Murder of Crows'
Front cover collage by Faye Whitt
Ronald Grandpey - Director / animator for 'Secret Second Moon' video
Artist photos by Jeremy Glickstein

VITRIOL Reveals Play-Through Video for Furious New Song, "Shame and Its Afterbirth"

January 4, 2024

PRE-ORDER

Death metal battalion VITRIOL is now unleashing its third new single, "Shame and Its Afterbirth," along with a dual guitar and bass play-through clip! The track is taken from the band's upcoming sophomore full-length, 'Suffer & Become,' which is due on January 26, 2024 via Century Media Records! The furious new song and video can be found below.

VITRIOL guitarist and vocalist Kyle Rasmussen comments, "'Shame' begins the story of 'Suffer & Become' with a celebration of our nature. It speaks to how modernity estranges one from the voiceless voice within them, and on the consequences of ignoring the call of their instincts. It also happens to be my favorite song (musically) that I've ever written. I set out to carve deep valleys and build tall mountains when writing this album, and I believe this song to be the best example of that achievement."

Pre-orders are now live for 'Suffer & Become' HERE. The album will be available digitally as well as in Standard CD Jewelcase, Ltd. Deep Blood Red LP (All ex-US Retail), Orange Crush LP (All US Retail), and Red / Yellow / Black Transp. Splatter LP (Band Exclusive).

For Portland, Oregon's VITRIOL, nothing comes easy. Nothing. The title of their second Century Media album, 'Suffer & Become,' says it all. "The title really sums it up," says guitarist and vocalist Kyle Rasmussen. "I pushed things to a point while making this album where it almost became untenable. Things that were supposed to be done in weeks took months. It wasn't easy, but I think it was suffering well spent."

At the core of 'Suffer & Become' lies a profound sense of extremity and unease. This very essence defines Vitriol as the vanguard in death metal's evolutionary path—a sonic landscape characterized by its profound darkness, density, and the infusion of nanotechnological precision interwoven with intense, seething emotions. Not easy listening in the slightest. Since forming in 2013, Rasmussen and longtime co-conspirator, bassist, and co-vocalist Adam Roethlisberger have worked with a single-minded vision: to push the genre to its breaking point and invent a new uncompromising paradigm in the process. VITRIOL is a masterclass in pain – and that's just their jumping-off point.

Recounting VITRIOL's initial journey into the outer fringes of extremity, Rasmussen is characteristically thoughtful. "I was starving for something that didn't pull any punches," says Kyle of VITRIOL's caustic mission statement, which detonated into the realm of extreme metal with 2013's 'Antichrist' demo. "Death metal was important to me because it speaks to an aggression, a frustration that I had when I was younger. It wasn't just a sonic connection but an emotional connection, which made music almost a means to an end. What I saw happening in extreme metal at the time was almost a removal of emotion in favor of musicality, that fire, that piss and vinegar spirit. Basically, I wanted something that wanted me dead."

With 2017's 'Pain Will Define Their Death' EP, VITRIOL took its spot as one of the underground's most uncompromising exponents, leading them to join forces with Century Media. The resultant album, 2019's "To Bathe from the Throat of Cowardice," was nothing short of a crucial next step for the band and the genre itself. Decibel Magazine said, "Vitriol leave no doubt they are one of the best the genre has to offer, with shades of Nile, Hate Eternal, and Anaal Nathrakh frequently peeking through." Hitting the road that year, at first in Europe with Nile and then in the US with Cattle Decapitation and Atheist, and then Vader before the onset of Covid, VITRIOL was quick to establish themselves as much of an uncompromising force onstage as they are on record.

"Doing 'Black Seeds of Vengeance' alongside Karl Sanders [of Nile] onstage in Europe on our very first tour was nothing short of a 'pinch me' moment," Kyle recounts from VITRIOL's early touring days. "More recently, we were touring with Morbid Angel, and Steve Tucker, who is my favorite Morbid Angel vocalist, came out of his dressing room in a VITRIOL t-shirt and exclaimed that we were one of his favorite new bands! That blew my mind as a fan, first and foremost – a total 'Holy Fuck!' moment."

'Suffer & Become' is nothing short of a benchmark for VITRIOL (rounded out by guitarist Daniel Martinez and Matt Kilner). It's as dense and blackened as anything to erupt from Rasmussen's vision of sonic disorder. From the onset of the opening track, "Shame and Its Afterbirth," there's a new sense of openness, grandeur, and occasional beauty in VITRIOL's aural arsenal. "I wanted to have an album that had a stark duality to it," says Kyle. "Very high highs and very low lows. We're very familiar with the lows but not so much with the triumphant highs. I wanted the album to have more of a sense of optimism to it, both lyrically and musically. I wanted the album to convey a sense of optimism that probably gets lost in the black maelstrom that is the first album."

Produced by Rasmussen and mixed by Dave Otero (Archspire, Cattle Decapitation), 'Suffer &

Become' isn't merely the sound of VITRIOL upping the ante in death metal's musical arms race; it is also the sound of salvation for its driving force. "Living in the world of that first album was very difficult for me," says Rasmussen. "It's not a nice place. It was very intentionally imbalanced in the same way a horror film is imbalanced. I wanted a healthier world for me to live in, and I believe I achieved that."

Not that the writing and recording of 'Suffer & Become' was anything short of soul-rending. Rasmussen labored over the creation of the album in the studio, on tour in hotel rooms, to the point of painstaking obsessiveness. Kyle is straightforward about the grueling record-making process and its personal impact. "The record feels a bit like a Jungian Dante's Inferno," he states. "Plumbing the circles of my personal, psychological, and spiritual hell and then purposely refocusing it so it's not the unhinged, dark catharsis of the first album. This record is a lot more vulnerable."

Songs like "Weaponized Loss" or "The Flowers of Sadism" are what Kyle describes as a "dark baptism" in comparison to the absolute darkness of "To Bathe…". The sound of VITRIOL remains as joyless and dark as ever, but with a glimmer of hope. VITRIOL has taken its trauma-put-to-sound approach to the next level and discovered a new sense of beauty in the blackness. 'Suffer & Become' is death metal with a bloody, beating heart.

Line-Up:

Kyle Rasmussen - Guitars and Vocals

Adam Roethlisberger - Bass and Vocals

Matt Kilner - Drums

Daniel Martinez - Guitars

Producer // Mixing // Mastering:

Dave Otero

Album artwork:

Dylan Humphries

Photo Credit:

Peter Beste

Bio:

Mike Gitter

Physical Formats:

Standard CD Jewelcase

Ltd. Deep Blood Red LP (All ex-US Retail)

Orange Crush LP (All US Retail)

Red / Yellow / Black Transp. Splatter LP (Band Exclusive)

KILL THE THRILL Release Harrowing Video for New Single

January 4, 2024

KILL THE THRILL are blessed with an elusive vision. Over the past 30 years, the French duo have been dreaming up an abrasive-but-hypnotic blend of industrial rock, post-punk and dark wave. The videos for the first two singles off their upcoming fifth album, Autophagie, immersed audiences in a cinematic fever dream that would give David Lynch nightmares.

Today, Kill The Thrill are releasing another hypnotic video for their roaring, electro-charged new single.

Watch the video for "A la dérive" below.

The video was masterfully crafted by Guillaume Mariotti at Mystère Public.

We open on a train, suspended against a mottled sky. As the song rumbles to life, a series of seemingly disconnected footage fills the screen, overlapping like the inkblotter of a Rorschach test: a flaming wheelbarrow, storms at sea, refugees wandering through the desert, a mirage that slowly fades into ash.

In English, "A la dérive" loosely translates to a vague sense of wandering, of not knowing where to go after being severed from one's roots.

"They come back from afar / With nothing", sings Chris Dick. His voice is raw with bitterness, straining each note to a breaking point. "Floating body and soul".

But "A la dérive" is carried by a wave of crushing momentum. The drums pound out a relentlessly off-kilter beat, tumbling end over end like a tireless machine. Beneath a soar of strings, the sawing riffs give off more shock than an entire electric grid. Even the interlude of lap-steel guitar leaves behind the same shimmer as a fallen star.

Here's what Dick and bassist Marylin Tognolli have to say about their new single:

"With A La Dérive, Kill The Thrill plunges into the inhumanity of survival and uprooting. The narrative force of the track sticks to our retinas with a sense of urgency."

Autophagiecomes out January 26, 2024 on Season of Mist.

Pre-order:https://shop.season-of-mist.com/list/kill-the-thrill-autophagie
Pre-save:https://orcd.co/kttautophagiepresave

KILL THE THRILL was formed in 1989 and is composed of Nicolas Dick on vocals, guitar and lap-steel, Marylin Tognolli on bass for its founding members. Stemming from the French noisy wave of the early 90's, their music is often described as dark, abrasive and hypnotic, full of epic moments, with a dense and rich sound mixing elements of industrial rock, post-punk, dark new wave and experimental metal.

Forging an atmosphere as dreamy as chaotic, with multiple layers and atmospheres, sometimes ambient, sometimes more hostile. Kill the Thrill interlaces orchestrated soundscapes, enriched with innumerable layers and arrangements, playing amongst the rifts to create a unique and personal work, so far from everything and so close to everyone.

The group released its first album in 1993 entitled DIG, followed by an EP: PIT (on the labels Noise Product CH and Semetary), and at that time had three musicians, already working with samples and playing with blocks of sound.

In 1996, the trio became a duo with a second album entitled LOW (Noise Product CH), recorded, mixed and produced by Nicolas Dick. The artist ErikM intervened on the interludes with sound tracks which frame each title of the group. The album is hailed by the press as a perfect balance between melody and distortion.

Over the years, tracks have appeared on a large number of compilations: La Famille (Noise Product Belgium), Serial Killer Vol 1 (Roadrunner), Brutale Generation (Semetary / WMD), Ah Quelle Belle journée (Amanita records), A Wild State Of Noise And Disorder (Pandemonium), 5 Years Of Fury (Noise Product CH), Tribute To Godflesh (Nihilistic H. Rec.), Fear Drop 14 : "Coal Fire" The Cure masterpiece Pornography, Dark 80's (Atropine Records) etc.

Frederic De Benedetti joined the band on guitar and it's again as a trio that the album 203 BARRIERS was released by Season Of Mist in 2001, the album again entirely recorded and produced by Nicolas Dick. With this new opus Kill the Thrill’s music has evolved towards a daring, disturbing and more extreme sound. With international promotion and distribution, signing with the label Season Of Mist allowed an opportunity of further development for the band.

Kill the Thrill has shared stages all over Europe with other artists such as Godflesh, Killing Joke, Zeni Geva, Isis, Young Gods, Treponem Pal, Einstürzende Neubauten, La Muerte, Neurosis, Jesu, Jim Rose Circus, Grötus, Dillinger, Escape Plan, Dälek, etc.

The album TELLURIQUE released in 2005 (Season Of Mist, recorded and produced by Nicolas) combines a cold and clinical industrial/metal sound with a new wave sensibility, bathed in a heavily melancholic atmosphere, but leaning more in the direction of noisy, distorted shoegazing mists than the fires of metal. The album is described by the press as an organic journey in which you must immerse yourself to feel its harshness and beauty.

This exacerbated trio asserts itself as a true entity in symbiosis, with an unfiltered and no holds barred take on music and sound.

Anger has no origin, and when the events from which it arises, physical bodies and soundwaves, can no longer contain patience and intelligibility, the sounds become the violence.

But with Kill the Thrill, violence is always suggested more than frontally expressed, it remains hemmed in and contained.

In 2015 the band reissued its first under the title 1989 (Atypeek Records), a digital-only album intended as a nod to KILL THE THRILL’s origins.
During a few years of silence put to good use on the personal and musical projects of the members of the group, Kill the Thrill took the time to polish their new album, AUTOPHAGIE.

With ‘Autophagie,’ KILL THE THRILL once again immerses the listener into a realm of abrasive hypnotic artistry. A cacophony of turbulent, noisy soundscapes meander throughout the album, with Nicolas's mesmerizing vocal lines hauntingly delivered at a frenzied pace. This turbulent journey is anchored by subtle yet resolute rhythmic percussion that serve as a guiding force, allowing the listener to traverse this tumultuous auditory landscape with a sense of purpose, even as the surrounding elements cascade over the senses.

The band has released a limited number of albums in its career so far, but is resistant to all erosion, the secret of its longevity residing in the timelessness of the music.

An atypical band whose music is enough to itself ; a discrete band for imposing music ; a group which reveals next to nothing but pursues its sonic quest, outside of common standards. A living ambiguity: cold and hot, the calm and the storm.

"A long flow of orgasmic lava, a wave of shimmering noises that carries away everything in its path. One immerses oneself entirely in its bewitching atmospheres. We leave for a long descent on a carpet of guitars, their richness is inside, under this heap of notes and noises, under this black and disturbing mass. It's up to you to understand what you can during a journey that is sublime".

To Kill the Shiver reaches for the ineffable.

Line-up
Nicolas Dick - Lead vocals, guitar, lap steel, sample
Marylin Tognolli - Bass Guitar
François Rossi - Drums

Recording Studio
Le Puits Sonore

Sound, Mixing & Mastering Engineer
Nicolas Dick

Pre-save: https://orcd.co/kttautophagiepresave

Pre-order: https://shop.season-of-mist.com/list/kill-the-thrill-autophagie

Available Formats:
Digital Download
CD Digipak
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Clear Transparent
2x12" Coloured Vinyl Gatefold - Green
2x12" Coloured Vinyl Gatefold - Clear Transparent w/ Black & White Splatter

Links:
Apple Music: https://music.apple.com/us/artist/kill-the-thrill/73438869
Bandcamp: https://killthethrill.bandcamp.com/
Facebook: https://www.facebook.com/killthethrill/
Instagram: https://www.instagram.com/killthethrill_band/
Twitter: https://twitter.com/KillThe_Thrill
YouTube: https://www.youtube.com/@KillTheThrill-band