New single 'Tune Out, Turn Off, Drop In' from THE NOISE WHO RUNS' (IAN PICKERING of SNEAKER PIMPS)

"Ian Pickering is among the most relevant songwriters of this generation, with topical subject matter, sharp lyricism, a relatable attitude and music that is addictive as F*&@. The same spunk as the progenitors of punk and orderly chaos of early post-punk" ~ The Spill Magazine

"Beguiling... anthemic yet accessible, gothic, grand and graceful, delicately dance-driven and dark, coiled and ornate, slow and seductive" ~ Big Takeover Magazine

"Poetic brutality... the anthemic grace and stature of something by The Sisters of Mercy: it has an Arctic chill through which a lyrical, passionate heat radiates" ~ Backseat Mafia

"Ethereal electronic intimation. Light and dark entangle... true splendour and prowess" ~ Ringmaster Review


UK-France duo The Noise Who Runs presents ‘Tune Out, Turn Off, Drop In’, their second single from the forthcoming ‘Come and Join the Beautiful Army’ EP. Sound almost familiar?  This is a majestic, thumping piece of raw synth-pop, all fat chunky beats and circling keyboards with a thudding, insistent bass, inspired by the 1960s mantra that defined the Hippie counterculture espoused by Timothy Leary - “tune in, turn on, drop out”.

The Noise Who Runs is the brainchild of songwriter Ian Pickering (of Sneaker Pimps and Front Line Assembly), who also co-authored such hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide'. Upon relocating from northern England to France, Pickering launched this project with Brazilian-French guitarist Felipe Goes.

As with the first single 'One Scratch Each', ‘Tune Out, Turn Off, Drop In’ - the mirror opposite of Leary’s statement - continues the more stripped-down sound both musically and lyrically. Felipe Goes’ guitars create a disenchanting counterpoint to the overall electronic charge, while Ian Pickering’s lyrics are loaded with a sense of contradiction, confusion, and straddling the line between sharp cynicism and optimistic critique.

Felipe Goes says, “With all these songs, it seemed better not to try and force it, and with ‘Tune Out’ it was quite complete but lacked something unnerving and off-centre, so the guitars needed to be almost imperceptible as guitars, but somehow add another layer of meaning or interpretation to the feel - something slightly jarring and disorientating. They’re coming from the exact opposite of a rock approach, more just able to change and confuse certain parts of the overall mood of the keyboards, rather than dictating and overpowering the sound."

The guitars are used sparingly but specifically to highlight certain points in the lyrics and to lift the music when it’s needed. ‘Tune Out, Turn Off, Drop In’ is just over four minutes but has the vibe of a much shorter pop song you'd want on constant repeat. Lyrically, the song is an update of the original 60s slogan nearly 60 years on, possibly refuting it completely, indicating the appropriation of the counterculture to result in the polar opposite of what was originally envisaged.

“Of course it failed on the most utopian level but it’s undeniable that without the upheaval and countercultures of the 60s, there wouldn’t be that liberation of behaviour and mentality that seemed stuck in the hypocrisy of the Victorian age. It strikes me as a total rejection of a tired establishment and that sense of respectability on the surface, keeping up appearances, toeing the line, doing as you’re told, obedience to the values of your elders and so-called betters," says Ian Pickering.

“But equally the overarching idea of the original phrase seems to be that introspection and dropping out of mainstream consumer culture would offer the solutions. And maybe they would have. But, as with any counterculture, once it’s been identified by the establishment, they take back the hard yards you’ve struggled to gain and they take back more than they ever relinquished and beef up the fortress around it so it can’t happen again. And then they get the marketing and advertising people on the case and sell it back to you with a cheap cover-all, shortcut to thinking logo and slogan.”

The lyrics for ‘Tune Out, Turn Off, Drop In’ are relatively sparse and simple with repeated phrases, a result of wanting to keep them in line with the ‘pop’ ethic of the song as a whole.  

“All this social commentary stuff is Ian's field of expertise. I don't like thinking about the world. In fact, I don't think I like thinking. Thinking is for smart people which I'm not: I'm a salesman by day and a musician in the evening. Thinking about the world we live in only serves to make us sad or angry,” says Felipe Goes.

Pickering adds, “I’m not sure it’s my field of expertise. Maybe my field of Hippie dreams. If we build it, they will come.”

The full ‘Come and Join The Beautiful Army' EP was mixed and mastered by Colin C at The Cell Studio, whose clients include CBS, FOX, NBC / Universal, Showtime, HBO and Lionsgate Films and such artists as Front Line Assembly and Danny Saber (Black Grape, Alice Cooper, David Bowie, Madonna).

As of November 8, 'Tune Out, Turn Off, Drop In' will be available across fine music platforms, including Spotify, Apple Music and Bandcamp, where this and the ‘Preteretrospective’ album can be obtained directly from the artist.

CREDITS
All songs written by Ian Pickering
Recorded and produced by The Noise Who Runs
Felipe Goes - guitars, pianos, keyboards
Ian Pickering - vocals, keyboards, pianos, beats
Mixing, mastering and additional production by Colin C. at The Cell Studio 
Publicity by Shameless Promotion PR
Video by Dreamstime.com
Artist photos by Élodie Duhoo

Keep up with The Noise Who Runs
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Megan Thee Stallion x Spiritbox "Cobra" (Rock Remix)

Hot on the heels of wowing fans with the release of their critically acclaimed 'The Fear of Fear' EP last week, Spiritbox have another mind-blowing surprise for fans in the shape of their collaboration with Megan Thee Stallion on her new release "Cobra" (Rock Remix) feat. Spiritbox". Stream the track HERE and watch the visualizer below.

Spiritbox's new EP, ‘The Fear of Fear’ builds on the band’s momentum from their massively successful debut album ‘Eternal Blue’, which topped charts and dominated critics’ year-end lists. The 6 tracks on the EP each come with a stunning, high-concept music video which can be viewed via this playlist. Stream‘The Fear Of Fear’ on your platform of choice HERE.

ABOUT SPIRITBOX: 

Spiritbox, dubbed "metal's hottest band" by Billboard. Their debut album, Eternal Blue, dropped September of 2021 and rolled in on a global tsunami of critical acclaim, perfect score reviews and features everywhere including Spin, Forbes, Billboard and Alternative Press to multiple front covers including Kerrang!, Metal Hammer, Alternative Press, Rock Sound, Distorted Sound, Pollstar, and Revolver. The album spawned a string of hit singles including "Holy Roller", "Constance", “Circle With Me”, "Secret Garden" and most recently, "Hurt you". 'Eternal Blue' charted #13 Billboard Top 200, #1 Rock, #1 Hard Rock, #1 Vinyl, #2 Internet Albums, #2 Independent, #3 Digital Albums, #3 Album Sales and top 20 of the official charts in Australia (#8), Germany (#17) and UK (#19). To date, Eternal Blue has clocked up 265 million streams.

 

Spiritbox followed the release of Eternal Blue with the 3-song Rotoscope EP, in 2022. The title track for which came accompanied by an official music video shot by Max Moore, which has run up over 3.6 million YouTube views. The EP has clocked up 28.5 million streams.

They end 2023 with the release of 'The Fear of Fear' EP. Consisting of six tracks, each with their own high-concept music video, the release encapsulates each facet of the Spiritbox spectrum. From glacial and emotive to earth-shatteringly heavy, each track provides a further dive into the sonic world-building of one of the most exciting bands to emerge from heavy music in recent years.

 

To date, Spiritbox have accumulated over 441 million career streams across platforms and 77.4 million YouTube views. They were also nominated for 2 Juno Awards last year for Breakthrough Group Of The Year and Metal/Hard Music Album of The Year last year.

Find SPIRITBOX Online:

spiritbox.com

Banks Arcade Share "Change" Video

They say a change is as good as a holiday, and for Melbourne's Banks Arcade, a hypnotic diversion is just what the doctor ordered with their brand new single "Change," out today via UNFD.

Watch the video below.

It serves as the second new Banks Arcade single for 2023 and follows the recent blazing track "Worship the Internet."

"Change" offers a glamorous, dark, and downright scintillating stylistic pivot from the Melbourne group, alongside a brand new music video.

With lush textures, undulating beats, and seductive vocals set against sharp and glossy production, "Change" flits between simmering verses and tempestuous choruses as vocalist Joshua O'Donnell declares, "Please just walk away / Safe to fight another day / I don't want you to stay tonight / But you could change my mind."

 "Change discusses an unhealthy obsession with success, and a fleeting relationship driven by lust that is held back because of it," the band offers about the track.

A band that always wanted to make history, Banks Arcade bring passion and potent execution to their myriad of influences and creative ideas. Formed over a shared love of music with a razor-sharp avant-garde aesthetic, Banks Arcade have  teetered on modernity, their gaze ever-fixed just beyond the horizon via their flourishing sonic wiles. From their 2018 debut EP Endnote to its 2020 follow up Fever Dreams, the group's head-turning singles like "Sick" and "Drown" have gone on to amass over a million individal streams, while their explosive single "Chosen" was chosen by Ubisoft as the official theme song of the Rainbow Six Siege Oceanic Nationals in 2022.

Releasing their full-length Future Lovers in 2022, an LP initially devised as a concept album that evolved into a vessel of personal self-discovery, Banks Arcade cemented their future-facing trademark style while also turning heads courtesy of their emphatic soundscapes, searing metal and hip-hop additions.

Alluvial Share "Fogbelt" Video

ALLUVIAL — Kevin Muller [vocals], Wes Hauch [guitar, vocals], Tim Walker [bass], and Zach Dean [drums] — recently announced their new EP, Death Is But a Door. It arrives on January 12 via Nuclear Blast.

Today, the band has shared the video for "Fogbelt." Watch it below.

It's a live performance video and it will make you feel like you are front and center, moshing at an Alluvial show. The video was shot and edited by Randy Edwards. (Instagram: Here)

"'Fogbelt' is a song that came from a movie about human cloning," the band says. "Kevin inspired that main riff that starts the song, and everything fell together pretty quickly after that. It's big, dumb, and gross. It turned our toenails green and we hope it turns yours green, too."

Alluvial are currently on the final stretch of their Fall tour with TesseracT. All remaining dates are below.

ALLUVIAL ON TOUR:
WITH TESSERACT:

11/8 — Austin, TX — Emo's
11/9 — Houston, TX — Warehouse Live
11/11 — Tampa, FL — The Orpheum
11/12 — Atlanta, GA — Buckhead Theatre
11/13 — Nashville, TN — Brooklyn Bowl

Darkness and despair are a breeding ground for creativity in the right hands. Since their inception in 2017, Atlanta-based band Alluvial have embraced the grim and gloom that the world has to offer through an intricately balanced blend of rapid-fire polyrhythms, haunting, sludgy atmospheres and tightly wound grooves. The band takes a stab at creating an even more sinister sound than their previous album, Sarcoma, Death Is But a Door. 

"We wrote about 13 or 14 songs this summer, but we wanted to do this EP between Sarcoma and our next full-length. These songs align with the vibe we want to go for. We will always find a way to be darker from record to record in the same way that South of Heaven was heavier than Reign In Blood and Seasons In The Abyss was heavier than South Of Heaven," says Hauch. "It was that concept of chasing the dragon to find a way to top the message and vibe on the last record while finding a way to do it that made us excited." 

After releasing their instrumental debut full-length, The Deep Longing for Annihilation, the band hit the road. Although the album has racked up millions of streams, there was always an intent to add a vocalist to their following releases. Hauch had begun writing what would become Sarcoma in 2018 and recruited Muller, knowing his vocal prowess from the vocalist's time in Suffocation.  

Bringing Muller into the fold immediately elevated the band’s sound, but Death Is But a Door shows the synergy that the band has developed from working as a cohesive unit over the last few years.  

Although the band's mission is to drive into bleaker and heavier territory with each new release, they manage to bring balance to their sound. While they remain grounded in death metal, the band's approach finds them exploring all of their influences. From traditional thrash like Pantera or Metallica to darker grunge like Alice in Chains or Soundgarden and everything in between, Alluvial aim to keep listeners on their toes by pushing beyond the realms of death metal. 

"I wanted to have a band where we can write meaningful yet action-packed songs. Something that is terrifying but breaks your heart at the same time. I think we'll always chase that, but we want to find new ways to be heavy," says Hauch.  

With the band’s members being as ingrained in the death metal scene as they are — with members previously playing in The Faceless, Suffocation and more — listeners can rest assured they’ll be met with plenty of brutality throughout their music. The twists and turns into clean passages, atmospheric ambience, or any of the other musical avenues explored throughout Alluvial's music take them over the edge and invite listeners to return and find something previously undiscovered.   

Active Rock Powerhouse, Blameshift, Debuts New Single "All or Nothing"

Emerging from the heart of Long Island, New York, Blameshift, a powerhouse in the world of Active Rock, has just unleashed their latest single, "All or Nothing," now available on all major digital platforms. Fronted by the dynamic and talented Jenny Mann, the band's hard-hitting sound has its roots in a decade of relentless touring, spanning over 25 national tours. This extensive journey has forged an unwavering and dedicated fan base, extending their influence worldwide.

“We are so excited to finally be able to share 'All or Nothing' with our fans. We recorded this song with our long time producer and friend, Erik Ron in North Hollywood, California. 'All or Nothing' is a testament to life’s challenges and the spirit to conquer them," says Jenny Mann.

Stream "All or Nothing" HERE

Blameshift's Jenny Mann & Tim Barbour are also the creators of Strüng, the music inspired jewelry line made from authentic guitar strings and “Born in the USA”. As the demand for Strüng continued to rise, they realized they had created something truly special that touched people deeper than an ordinary piece of jewelry.

For more information please visit:

Facebook

Instagram

Twitter

YouTube

KORPIKLAANI - Release Video For Boney M Cover Song 'Gotta Go Home'

Finnish Folk Metal Superstars KORPIKLAANI return with a very special single today, before heading out on tour through Brazil, Argentina, and Chile. Accompanied by a totally fun video, the Finns proudly present their take on BONEY M’s ‘Gotta Go Home’ to get you in a party mood during the dark season of the year.

Jonne Järvelä, a fan since his childhood, added:

"When I was a kid there weren’t so many good albums in my parents' vinyl collection. But I found something I really liked: it was ”Roadrunner” by Hurriganes, which I was listening to almost every day since I was still in diapers. CCR and Boney M. were also on my very limited playlist at the time. 'Gotta Go Home' was somehow funny. Much more fun than 'The Rivers Of Babylon', which I also liked. Then our drummer Samuli came up with it and was very excited about the idea to cover it. I have the same moves in our video which I practised hundreds of times in my childhood days with my tennis racket in front of the mirror."

LISTEN TO 'GOTTA GO HOME':
https://korpiklaani.bfan.link/gotta-go-home

WATCH THE VIDEO FOR 'GOTTA GO HOME' below.

Visit KORPIKLAANI at:
https://linktr.ee/korpiklaani

unpeople Sign With SharpTone Records + Share "smother" Video

unpeople have announced their signing to SharpTone Records. The four piece, who toured alongside labelmates BETTER LOVERS recently, have also revealed the video for their debut single "smother," which was debuted on Alyx Holcombe's BBC Introducing Rock Show earlier this week.

Watch the video for "smother" below.

Stream "smother" on all platforms now here.

Frontman Jake Crawford comments on the new single, saying, "'smother' is a song born of unfiltered introspection and sheer desperation. The intentionally prying first line 'Are you being honest with yourself?' was more of a question to myself, let alone the potential audience. Myself and [guitarist] Luke [Caley] were certainly 'feeling the pressure' at the time of the song's inception. Having come off the back of two massive breakups, one band and one personal, we were literally scrambling for 'something to live for.' Lyrically, it was a collaborative effort. Luke came up with the chorus, which I immediately connected with. It then inspired me to really dig into the suffocating feeling of being at a complete loss of direction at the time. The rest came relatively easily as we were certainly in similar boats, albeit from slightly differing perspectives."

In relation to signing to SharpTone Records, the band says, "Since the inception of unpeople, SharpTone was at the top of our list in terms of who would be our dream label to work with. We have such respect for the team and what they do. It is evident to us that they are equally as passionate about the music as we are. We are extremely excited to be part of such an awesome roster and feel very privileged to be able to call SharpTone our home."

UNPEOPLE ARE:
Jake Crawford — Guitar, Lead Vocals
Luke Caley — Guitar, Vocals
Meg Mash — Bass, Vocals
Richard Rayner — Drums, Vocals

GREEN LUNG RELEASE VIDEO FOR "HUNTERS IN THE SKY"

'Eight songs plus a spoken word intro is all this is, but it’s all that it needs to be. Welcome to Green Lung’s weird church' - Kerrang 5/5

This Heathen Land is an insanely great record, and Green Lung deserve to be massive' -  Blabbermouth 9/10

'London's stoner-doom heroes have brewed up a beguiling, surprisingly diverse concoction of killer riffs, bewitching folklore and knockout songs ... the sheer quality of songwriting edges ever upwards' - Metal Hammer 8/10

'One of the best rock albums this year, and you get the sense that they have just started to hit their stride too. A fantastic blast of occult hard rock' - Echoes & Dust

GREEN LUNG's third studio album, This Heathen Land, was released last week via Nuclear Blast Records. To celebrate, the band have revealed a new video for the track 'Hunters In The Sky', and revealed a host of UK/European tour dates for 2024 with support from LOWEN and SPIRIT ADRIFT.


Tom Templar comments "We're deeply grateful to everyone who has supported the release of THIS HEATHEN LAND over the past week, whether by listening to the album, picking it up in a record shop or spreading the word online - it's been a joy to see it connect with you all. To celebrate the album release we have one final music video to share with you all.

'Hunters in the Sky' was inspired by the Right to Roam movement, who protested the banning of wild camping on Dartmoor last summer. It's a song about standing up to the English aristocracy's attempts to control our common land, and a celebration of the beautiful Dartmoor landscape, from Wistman's Wood to Crockern Tor. We'd always wanted to write a song about the Wild Hunt, one of the most dramatic European folkloric motifs, and hopefully we've done it justice. We hope you enjoy it - and huge thanks to Billy Price for directing this and all the other videos for this album, and to Blackthorn Ritualistic Folk for dancing in the video and supplying some incredible folk costumes, especially a truly majestic replica of the Dorset Ooser, who you might see on stage with us soon.."

Watch the new video for 'Hunters In The Sky' below.

Find out more about The Right To Roam at: righttoroam.org.uk

Catch GREEN LUNG live on their their newly announced 2024 headline dates, as well as their imminent UK headline tour.

Tickets are available from greenlung.co.uk

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

Annie Bosko's Sultry "Neon Baby" Third Most-Added at Country Radio

Following her first release for Benny Brown’s Stone Country Records, singer/songwriter Annie Bosko’s sultry “Neon Baby” is the third most-added song at Country radio today, Nov. 6. Listen to the track, along with recently released “Boots On,” HERE.
 
“I’m so excited ‘Neon Baby’ is my radio single,” shares Bosko. “It’s such a feel-good song, and I think it’s a different sound and message, especially coming from a female. I loved embracing my romantic side and featuring the dreamy lap steel guitar. It’s got a lot of soul and a little throwback with a modern twist.”
 
Written by Bosko with Jeffrey Steele (Rascal Flatts’ “What Hurts The Most,” Tim McGraw’s “The Cowboy In Me”) and Bridgette Tatum (Jason Aldean’s “She’s Country”), and working with producers Derek George and Mickey Jack Cones, “Neon Baby” entices listeners with the California native’s flare for neo-traditional twang, a fitting conduit for its playful and flirty lyrics:
 
      I’ll be your neon baby
      I’ll drive you midnight crazy
      I’ll hit your lips like whiskey
      When you lean in to kiss me
      Put that whiskey down and kiss me again and again
      Turn me on
      I’ll be your neon, baby
 
Bosko made her Grand Ole Opry debut Sept. 30 among dates opening for Tim McGraw and Dwight Yoakam and is set to perform at several prominent festivals in 2024. With her radio tour well underway, she has shared her “fearless” pure-country sound and edge-of-your-seat songwriting with stations across the country.
 
Among recent visits, Ashley Morrison from WFUS-Tampa Bay shared, “When you meet Annie and spend time with her voice you’ll wonder where the heck she’s been – I learned she’s been spending years with other impressive creators but her vocal range and musical abilities leave you wanting more. I’m excited that country radio and listeners are being introduced to her. She’s incredibly personable and exudes the confidence you’d expect from an artist who’s been in the spotlight for decades.”
 
Having performed the National Anthem countless times for events across NASCAR, NFL, NBA, MLB and more, Bosko will sing the anthem next month on Dec. 11 for the National Finals Rodeo in Las Vegas.
 
For more information, visit AnnieBosko.com or follow @AnnieBosko on social media platforms.

About Annie Bosko
With a voice that beams like a ray of California sunshine, Stone Country Records/Brown Sellers Brown singer-songwriter Annie Bosko pairs a sound anchored deep in the organic twang of ‘90s country with simple songs told from the heart, preaching equal parts healing and honky-tonk hope. A student of legendary crooners like Patsy Cline with added inspiration from Shania Twain, George Strait, Dwight Yoakam, The Beatles and more, the Golden State native broke out in 2014 with the SiriusXM/CMT hit “Crooked Halo,” bucking the bro-country trend for a traditionally flavored anthem that has now amassed more than 3 million streams. She went on to write songs recorded by Willie Nelson and Jessica Simpson, tour alongside Tim McGraw, Dierks Bentley and Blake Shelton, sell out the famed Troubadour and perform on the Grand Ole Opry and at Ryman Auditorium – the fabled Mother Church of Country Music – while also becoming an in-demand studio vocalist and earning the title Artist to Watch from Rolling Stone Country. After a series of standout collaborations with country icons Vince Gill, Dwight Yoakam and Raul Malo, she is now embracing her true nature for a creative rejuvenation. Working with producers Derek George and Mickey Jack Cones, a new batch of music pairs unapologetic twang, clever wordplay, and deep compassion with her longstanding downhome-diva vocal, capturing the full range of a timeless American art in its purest form. In 2023, Bosko released the powerful-yet-tender ballad “Dandelions” in memory of the victims of Nashville’s Covenant School shooting – a track written alongside Danny Myrick which has now become a beacon of community remembrance and faith. Lost in grief and capturing the reverberating shock of that day’s unfathomable loss, the track has been embraced by the Covenant School families themselves, with all proceeds from being donated for their benefit through ACM Lifting Lives. Looking ahead, Bosko will continue to release sharp-yet-simple, pure-country songs written or co-written with hit makers like Jeffrey Steele, Bridgette Tatum and more, all aimed at uplifting, inspiring or just singing along with women and country-music lovers everywhere.

Photo Credit: Ford Fairchild

DEKO ENTERTAINMENT IS SET TO RELEASE TRAPEZE’S MEDUSA AND YOU ARE THE MUSIC...WE’RE JUST THE BAND ON VINYL--THE FIRST TIME IN OVER 40 YEARS

Originally released in 1970, Medusa was recorded at Morgan Studios, and was produced by the Moody Blues bassist John Lodge. The line- up of Glenn Hughes (Deep Purple), Mel Galley (Whitesnake), and Dave Holland (Judas Priest) recorded this album and the follow up, You Are the Music...We're Just the Band, in 1972 before that lineup disbanded. You Are the Music...We're Just the Band also featured a wide range of guest performers, including guitarist B. J. Cole, pianist Rod Argent, and saxophonist Jimmy Hastings. Now, Deko Entertainment will reissue both albums, fully remastered and repackaged, on February 2, 2024 in the following configurations:

Medusa, not released on vinyl since 1979, has now has been fully remastered on 180-gram vinyl, an awesome gatefold sleeve, in two beautiful versions. The Platinum Edition – comes on transparent, 180-gram amber vinyl with purple, green, and black splatter (limited to 250 copies pressed), featuring a signed 10”x10” band photo by Glenn Hughes (limited to 100 copies). The Standard Edition – comes on gold nugget, 180-gram vinyl (limited to 250 copies pressed).

You Are the Music... We're Just the Band, not released on vinyl since 1978, has now has been fully remastered on 180-gram vinyl, in two beautiful versions.  The Platinum Edition – comes on 180-gram, white, red, and black twist vinyl (limited to 250 copies pressed), featuring a signed 10”x10” band photo by Glenn Hughes (limited to 100 copies).  The Standard Edition – comes on red galaxy, 180-gram vinyl, and handsomely repackaged (limited to 250 copies pressed).

Listen to original version of “Black Cloud” below.

“Trapeze store: https://bit.ly/TRAPEZE-VINYL

Deko Entertainment president, Bruce Pucciarello, enthuses about Glenn Hughes, "Tremendously influential but not fairly credited with blending funk, rock, and energy together. Trapeze showed us that Glenn Hughes was a monster in rock well before he moved on to Deep Purple.”

For more information, visit:
www.dekoentertainment.com
Deko Entertainment—Art Has Value 

CAVALERA - RELEASE LYRIC VIDEO FOR 'NECROMANCER' + KICK OFF 'MORBID DEVASTATION' UK/EUROPEAN TOUR ON NOVEMBER 9TH!

On July 14th, metal legends CAVALERA released the re-recorded versions of SEPULTURA's first EP Bestial Devastation and their first full-length album Morbid Visions via Nuclear Blast Records.


Today, the band offers fans the lyric video created by Costin Chioreanu for 'Necromancer' from the Bestial Devastation EP.


Max Cavalera states, "'Necromancer' stands out on the EP. The new version and video bring to life the magic that started 40 years ago. I consider it my first 'big' song!"

Iggor Cavalera comments, “'Necromancer' is a very special song for me, it is such a powerful force of riffs, beats, and screams. The video has a super cool vibe, dark and creepy."

Check out the lyric video for 'Necromancer', below.

In two days, CAVALERA will embark on their highly anticipated 'Morbid Devastation' UK/European Tour. Accompanying the brothers on stage will be Igor Amadeus Cavalera (HEALING MAGIC, GO AHEAD AND DIE) fulfilling bass duties and Travis Stone (PIG DESTROYER, DESOLUS) will be supplying lead guitars. INCITE will be opening the tour package each night.

Purchase your tickets, here: https://www.cavaleraconspiracy.net/tour

Morbid Visions and Bestial Devastation were re-recorded at The Platinum Underground. The albums were produced by Max Cavalera and Iggor Cavalera while John Aquilino handled the engineering. Arthur Rizk was responsible for the mixing and mastering of both albums. CAVALERA enlisted Eliran Kantor to create the artwork for both albums.

Order Morbid Visions here: 
https://cavalera.bfan.link/morbid-visions

Order Bestial Devastation here: 
https://cavalera.bfan.link/bestial-devastation

EXTINCTION A.D. Get Confrontational On Newly Announced EP 'Ruthless Intent'; Drop New Track "Prodigal Scum"

Long Island, NY metal wrecking crew Extinction A.D. have announced their most confrontational release yet with upcoming EP ‘Ruthless Intent’, due out January 12th, 2024 via Unique Leader Records. Pre-orders available now HERE.

The band has also dropped their vicious new single and accompanying music video “Prodigal Scum” to usher in the news. Matching raw, personal introspection with circle-pit-ready ferocity, the track is a perfectly brutal example of the band’s no-holds-barred combination of metal, hardcore and punk. Stream the new track HERE and watch the video below.

From its inception, the band knew the ‘Ruthless Intent’ EP would capture a more visceral energy than their previous releases. Speaking on the EP’s creation, they explain:

“From the beginning of putting this EP together, we knew there was something a little more visceral than usual and we really leaned into it. Not just the lyrics but the delivery and not just the arrangements and pacing of the songs, but the sonic quality. The entire thing is confrontational.”

“Prodigal Scum” mirrors that intensity, combining Extinction A.D.’s signature ruthless riffage with deeply personal themes. Vocalist Rick Jimenez shares:

“I’ve never been shy about my feelings of the outside world and how the broader picture of humanity affects me, but it’s not very often that I speak about my individual little world in Extinction A.D. Prodigal Scum is a full on personal life experience and something that was empowering to put on tape and also into the video."

The ‘Ruthless Intent’ EP promises four tracks of Extinction.A.D.’s signature metallic hardcore punk rock fury. Featuring previously released single, "Morality Bait" - a scathing evisceration of those exploiting morality for personal gain - along with today's release of "Prodigal Scum" and two further tracks - "Under The Hood" and "Living To Desecrate".

Extinction A.D. will be bringing ‘Ruthless Intent’ to stages worldwide all throughout 2024. Stay tuned for more sonic devastation from Long Island's brutal elite soon.

ABOUT EXTINCTION A.D.

For almost a decade, Long Island, New York’s Extinction A.D. have been bringing an intense and ferocious approach to metal. The frenetic energy and power of their live show is now matched on the brand new track, "Morality Bait" and the new era of the band it heralds, following the band's 2022 full length release, Culture Of Violence.

So many different worlds shaped this band; from writers like Alan Moore and George Orwell; lyricists like Wreak Havoc and Chuck D; to directors like Tarantino and John Carpenter. But musically, Extinction A.D. hook up a tube of early 90s era of metal into their veins. Not just bands like Pantera and Machine Head, but the often overlooked 90s offerings from Testament, Sepultura and Slayer.

Thrashing just as hard as their predecessors, the band also break their surroundings down and deliver some heavy as hell riotous mosh; hitting that all-important sweet spot mixture of 80s thrash, 90s extreme metal and New York hardcore, all encompassed into one.

William Elliott Whitmore Announces New Album "Silently, The Mind Breaks" Out 1/26

William Elliott Whitmore is taking things into his own hands with Silently, The Mind Breaks, his first album to be released through his newly formed Whitmore Records. It will be released on January 26. He had the following to say of his new venture: "I'm proud to be sharing this with the world through our literal mom and pop shop. I'm excited for people to hear what I've been working on the last few years." 

Pre-order the album here.
 
When asked what to expect from Silently, The Mind Breaks, Whitmore said, "Imagine a large expansive landscape. In the distance, you see what looks like a house. You walk for a long time, and as you get closer, it seems more and more like the house is abandoned. The front door is locked, so you go around the back and enter. Sunlight pours into the otherwise dark space, illuminating a staircase. You walk up, taking notice of a stillness in the air. There are several rooms, you enter the last one in the hallway. In the room there is a closet. You open the closet and see an old chest of drawers. In the bottom drawer is an envelope. You open the envelope and inside there is a note. It says 'You are loved.' You are very tired, but you can't help but smile slightly. I hope this album is that for you."
 
Last month, Whitmore shared the video for album track "Adaptation and Survival."

Watch it below.

Whitmore recently announced two legs of headline tour dates in February and in April. See all announced dates below. Tickets can be purchased here.
 
WILLIAM ELLIOTT WHITMORE ON TOUR:
2/16 — Newport, KY — The Southgate House Revival (Revival Room)
2/17 — Johnson City, TN — The Down Home
2/18 — Asheville, NC — The Grey Eagle
2/20 — Tampa, FL — Hooch and Hive
2/21 — Orlando, FL — Will's Pub
2/22 — St. Augustine, FL — Cafe Eleven
2/23 — Gainesville, FL — Loosey's Downtown
2/24 — Decatur, GA — Eddie's Attic
4/19  — Fargo, ND — Fargo Brewing Co
4/20 — St Paul, MN — Turf Club
4/23 — Madison, WI — High Noon Saloon
4/25 — St. Louis, MO — Off Broadway
4/26 — Kansas City, MO — RecordBar
4/27—  Omaha,NE — Reverb Lounge
 
ABOUT WILLIAM ELLIOTT WHITMORE
Born and raised on a small farm in Lee County, Iowa, a love of the land has always been an important part of William Elliott Whitmore's life. An appreciation for nature and its cycles being taught from an early age. That awareness of birth and death is a constant theme in the songwriting, through a lens of hopefulness and acceptance. These things unify us as people, a theme that is often explored in the music.
 
With a banjo, guitar and kick drum, Whitmore seeks to convey these ideas. For over 20 years, he has traveled the world, performing everywhere from Rome, Italy to Rome, Georgia. He’s played basements, backyards, festival stages, and Carnegie Hall, and has no plans to stop anytime soon.
 
"Life is hard, nasty, and unforgiving at times," Whitmore says. "But it's beautiful, too, and music can be a reminder of what we all have in common, a desire to keep putting one foot in front of the other."

Michael Ray's "Spirits and Demons (with Meghan Patrick)" Comes To Life in New Music Video

With four No. 1 singles to his credit, singer/songwriter Michael Ray is well on his way to another hit with “Spirits and Demons (with Meghan Patrick).” Today he released the song’s intoxicating music video with a CMT multi-platform premiere, including the Paramount Times Square video billboard. Watch the video BELOW.
 
“Growing up, I’d rush home from school, and the first thing I’d do is turn on CMT for the rest of the afternoon,” said Ray. “Watching those music videos helped develop my love for country music and was responsible for introducing me to some of my favorite artists. Whether it’s your first video or 10th, it never gets old seeing it come to life, let alone getting to watch it on a billboard in Times Square.”
 
Directed by Sean Hagwell, the video captures the song’s mood with a smokey set and Ray alone, surrounded by empty broken glasses. The darkness is further enhanced with Meghan Patrick seen separately in a bar with people going about their lives in the background. When the two are filmed performing singing the song, they never face each other.
 
“There’s great contrast in the video between my individual shots and Meghan’s shots,” described Ray. “It shows how people handle the end of a relationship differently, but the result is the same: we can’t drink away our heartbreak.”
 
Of the new single, Music Row Magazine said, “This oomphy-sounding duet sez that booze doesn’t really cure a heartbreak. Both partners sing with gusto.”
 
In addition to the new song and video, Ray wraps a busy year of touring as he heads back into the studio with multi-platinum CMA Album of the Year producer Michael Knox to finish the Dive Bars & Broken Hearts project.

About Michael Ray
Forged on the small stages of Florida’s rural communities, Michael Ray has created an impressive foundation. Hits including the RIAA Platinum-certified “Think a Little Less,” the RIAA Platinum-certified “Whiskey And Rain,” the RIAA Gold-certified “Kiss You in the Morning” and the RIAA Gold-certified “One That Got Away” bring his tally to four No. 1 singles – not to mention the RIAA Gold-certified fan favorites “Get to You” and “Her World Or Mine”. Garnering over two billion global streams, more than 650,000 album equivalents and upwards of 150 million YouTube views, he is a true country star who’s performed at the Grand Ole Opry 73 times. Looking to expand his sound, Ray sought out CMA Album of the Year Award-winning producer Michael Knox. The pair have taken his brand of country to a new level for Dive Bars & Broken Hearts, Ray’s six-song EP available now via Warner Music Nashville, featuring current single and haunting duet “Spirits and Demons” with Meghan Patrick, a two-time Canadian Country Music Association Female Artist of the Year. Currently on the road through the fall, he’s taking his music where it matters: to the people. For more information, visit MichaelRayMusic.com or follow him on Instagram and Twitter @MichaelRayMusic and Facebook.com/MusicMichaelRay.

Southern UK indiepop duo KARAMELIEN releases 'Living With The Moon' album and new video for 'Digital Imogen'

"This invigorating album presents soulful indie pop at its best. A breath of fresh air that is rich on melody, its lyrics range from confessional to tongue-in-cheek with Kaleido’s sublime vocals to smoothen this pleasureful ride. A captivating offering!" ~ The Spill Magazine
 
"Upbeat, a joyous folk-rock affair... bedecked in kaleidoscopic sixties sparkle, a slight splash of psychedelia and a whole tsunami of charm and grace" ~ Big Takeover Magazine

"A hug of soulful indie pop with groove as infectious as its melodic breath and lyrical smile is poetic... seductive captivation" ~ Ringmaster Review

''A true work of beauty and professionalism, taking you to your very own ascension heights" ~ Amplify Music Magazine


UK indie pop-rock duo Karamelien present their debut album, 'Living With The Moon', a grounding 9-track offering that breaks from the typical songwriter mould, with sonic offerings that draw inspiration from fuzzy Lo-fi, storytelling, trip hop, and reverb-drenched 1960s film soundtracks, with a greater emphasis on beats and basslines.

Based in East Grinstead, Karamelien is singer-songwriter Léanie Kaleido and guitarist Mark Foster - two long-time friends, whose music has forged an even stronger bond between them. This Karamelien album follows the three albums that Léanie Kaleido released as a solo artist.

Léanie and Mark were joined by one of the UK's leading bass players, Lee Pomeroy (ELO, Take That, Rick Wakeman, Yes), on most of the album's tracks. However, the song 'Ascension Heights' features bassist Morris 'Mo' Pleasure (Earth, Wind & Fire, Michael Jackson, Janet Jackson, Ray Charles), who graced the track with his funkadelic bassline.

Karamelien also present the video for 'Digital Imogen', a feisty in tongue-in-cheek warning of the dangers of obsessing over own photos on social media, which was recorded and produced by Ian Caple (Massive Attack, Tricky, Mansun, Tindersticks, Vanessa Paradis), who was also EMI's in-house engineer back in the day.

Léanie Kaleido wrote the title track 'Living With the Moon' after a year of counselling for depression and anxiety, linked to menopause and not helped by Covid-enforced inactivity and unease. She says, "On our final session, my amazing counsellor Jude, who I have kept in touch with, described the acceptance of good and bad days as ‘like living with the moon’.  I told her that would make a great song title and promised her I’d write it – and I did!  So, the lyrics are a thank you to myself for getting the help I needed at the time, a finger to the armchair critics and the toxic people who didn’t help, and a willing surrender to the lunar power over us all. It’s about the feeling of freedom you get when you stop worrying so much about what everyone else thinks and learn to accept your weaknesses and discover your hidden strengths.”

Mark Foster says, "We wanted the guitars to sound pretty processed, and a little bit ugly - which I think we achieved! I was definitely channelling the spirit of Sonic Youth, J Mascis, and a host of other beautiful noise-niks on this one".

The duo earlier released the title track 'Living With The Moon' and 'Wait For Me'with piano, mixing and production by Chris Mars (A Flock of Seagulls, Damian Wilson). Two other tracks were produced by RIDE's Mark Gardener at OX4 Sound Studio - 'Lionhearts' and 'Ascension Heights', which features a guitar sample from Léanie's late father Top Topham (original founding guitarist of The Yardbirds) and also involved Paul Statham (Dido, Simple Minds, Kylie Minogue).

As of October 27, the 'Living With The Moon' album is available from fine digital platforms, including Spotify, Apple Music and Bandcamp.

CREDITS
All songs written by Léanie Kaleido except Track 6, written by Léanie Kaleido & Mark Foster
Mark Foster - artistic director
Léanie Kaleido – vocals, piano, keys, Rhodes, tenor electric guitar, guitaret, string arrangements, electronic bass
Mark Foster – guitars, theramin
Lee Pomeroy – bass on Tracks 1, 3, 6, 7, 8 and 9
Morris ‘Mo’ Pleasure - bass on 'Ascension Heights'
Top Topham – sample on 'Ascension Heights'
Chris Mars – piano on 'Wait for Me'
Joe Caple – drums on 'Sewing at Sea'
Tracks 1, 3, 6, 8 and 9 produced by Ian Caple Recording
Tracks 2, 4 and 7 produced by Mark Gardener at OX4 Sound
Track 5 produced by Chris Mars Music
Additional production on 'Ascension Heights' by Joolz Dunkley
Additional production on Track 7 by Ian Caple
Mastered by Jon Astley, except initial masters for Ascension Heights and Lionhearts singles mastered by Tim at Turan Audio


Keep up with Karamelian
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New York rocker Dmitry Wild releases new single 'Rock-n-Roll is My Business'. Watch the video for B-side

"A sonic and visual storyteller... channeling Johnny Cash, Nick Cave, Jesus and Mary Chain, and Lee Hazlewood" ~ Post-Punk.com 

"Shatteringly propulsive garage-psych romper... it kills" ~ Vanyaland  

"A rock and roll smash that has both groove and heart. An infectious piece of foot-on-the-monitor rock that blends power with poignancy. It’s precisely what the world needs right now" ~ Big Takeover Magazine

"Bringing together sound, influence, and relevance. Taking the best bits of epic rock, garage, and punk, Dmitry Wild brings the bombastic and writes the drama with this rock musical style production" ~ Sound Read Six


New York-based garage rock purveyor Dmitry Wild has released his new single 'Rock-n-Roll Is My Business' with 'Son of a Gun' as the B-side track, along with its new video. Both tracks are full of spunk and swagger.

Produced by Dmitry Wild, 'Rock-n-Roll is My Business' was mixed and mastered by Will Hensley (Coldplay, Travis, Dream Theater, Ben Folds, Shakira, My Morning Jacket, The Wombats). The title track was recorded by Andy Cass at Sleeper Cave Records in Western Mass, MA and 'Son of a Gun' was recorded by Byron Frayne.

'Rock-n-Roll Is My Business' was inspired by an experience Dmitry Wild had at a business convention. When asked the question “What is your business?”, he understood he was at odds with the business people and other specialists attending the event, ultimately answering "Rock-n-Roll Is My Business'.

With a new saxophone arrangement and double speed chorus, this rendition of 'Rock-n-Roll Is My Business' differs remarkably from the original recorded long ago by the band Wizard Sex. Exuding confidence, he is accompanied by ever-present horns and funky, layered vocals while retaining the classic rock-n-roll figurehead framework.

As for the B-side, 'Son of a Gun' is a rock track that is full of swagger, the bright, eclectic music video reflecting the song's alluring "world is my oyster' mood.

Most recently, Dmitry Wild released the single 'New York Stones', a rock ballad dedicated to New York City, in July, following up his 2002 album 'Electric Souls', which presented a clever blend of 70’s vintage rock, 80s synths, garage rock, bluesy swash and post-punk DIY ethos.

'Rock N Roll is My Business' is out now, available at all fine online music platforms, including Apple Music, Spotify and Bandcamp, where Wild's catalogue can also be enjoyed.

CREDITS
Written by Dmitry Wild
Dmitry Wild - guitar, bass guitar, vocals
Tommy Love - drums
Justin Birk - saxophone
Garret Smelcer - keyboard on 'Son of a Gun'
Produced by Dmitry Wild
'Rock-n-Roll is My Business' recorded by Andy Cass at Sleeper Cave Records in Western Mass, MA
'Son of a Gun' recorded by Byron Frayne
Mixed and mastered by Will Hensley
Cover photography by Shannon Greer
'Son of a Gun' video by Drain Hope
Artist photos by Shannon Greer

LIVE DATES
Nov 10  BROOKLYN - Freddy's Bar
Nov 11  HUDSON, NY - 969 Columbia Ave
Nov 16  NASHVILLE, TN - The Eight Room
Nov 18  NEW OREANS - The Bistreaux At Maison Dupuy
Nov 19  NEW OREANS - Always Cabaret and Theatre
Dev 21  ALBANY, NY - No Fun

Keep up with Dmitry Wild 
Website | Facebook | Bandcamp | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

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Don't Believe In Ghosts Confronts the Echoes of 'Bad Ideas' in Latest Single and Live Studio Performance

Don’t Believe In Ghosts, the New York City-based alternative indie pop rock band, has just dropped their provocative new single, "Bad Ideas," through Imagen Records/Warner ADA. The single was added to Spotify's 'The New Alt' editorial playlist in the first week! Accompanying the studio release is a riveting live studio performance video, offering fans a raw, unfiltered glimpse of the band's creative energy.

"Bad Ideas" is a masterful exploration of the tumultuous space where stubbornness and denial collide with the stark aftermath of poor decisions. The song serves as a poignant commentary on the human tendency to cling to false narratives in the face of overwhelming evidence. With an infectious melody underpinning lyrics that speak to the heart of deception and the chaos of self-delusion, "Bad Ideas" is poised to resonate deeply with listeners.

Steven Nathan, the band’s lead vocalist, describes the track as a “sonic confrontation with the ghosts of our worse judgments.” The single’s repetitive yet evocative lines about 'lies multiplying'and 'bad ideas growing' create a powerful narrative of the damage wrought by clinging to falsehoods.

This release follows the band’s successful track “Put Your Head Back,” which gained nationwide recognition after being featured on the AppleTV+ show “We Crashed.” The band, known for their honest, inventive, and meaningful music, continues to build on their legacy with "Bad Ideas,"reinforcing their presence in the alternative music scene.

Don’t Believe In Ghosts, consisting of Steven Nathan, Dan DelVecchio on guitar and Ken Yang on drums, has been making waves since their formation. Their achievements include nationwide radio play, millions of Retail Radio plays, and features in prominent TV shows and magazines. The band's message, encapsulated by Nathan’s philosophy, “Don’t give energy to the ghosts of your past,” encourages listeners to live authentically and fearlessly.

"Bad Ideas" is available for streaming and download on all major platforms. The live studio performance video is also available, offering an electrifying perspective of the band’s dynamic performance prowess.

Stream "Bad Ideas" HERE

WATCH Don't Believe In Ghosts - Bad Ideas - (LIVE IN STUDIO) Below.

For more information about Don’t Believe In Ghosts and their tour dates, visit:

Official Website

FADING NEMESIS Release Re-Imagined Version of "RICH MEN NORTH OF RICHMOND" on Friday, November 10th

Pre-Save "RICH MEN NORTH OF RICHMOND" HERE

FADING NEMESIS, led by the powerhouse vocalist FARAH NAZ, is set to drop her re-imagined rendition of Oliver Anthony Music's hit track, "RICH MEN NORTH OF RICHMOND," across all major streaming platforms on Friday, November 10th.

This iconic track, originally penned by the talented duo of Christopher Anthony Lunsford and Oliver Anthony Music, has been skillfully re-imagined by an exceptional team of musical virtuosos, including Dusty Boles, Farah Naz, Larry Elyea, and Jason Riot. Larry Elyea's engineering finesse and masterful touch have polished this musical gem to perfection.

“'RICH MEN NORTH OF RICHMOND' by Fading Nemesis is a heavier and dare say, an even deeper re-imagination of a song which has taken the world by an awakening storm of anthemic emotion. This version done by FN renders another translation of the poignant story told by Oliver Anthony. This song is for all of us who have ever lost hope and have tasted the real exhaustion of life's devouring fissures. It's the voice of us all!" says f a r a h NAZ.

WATCH Oliver Anthony Music – Re-imagined by FADING NEMESIS - "Rich Men North Of Richmond" (Official Video) , Below

The video was created and co-directed by Farah Naz and directed by Larry Elyea at http://www.mindseyedigital.net/.

FARAH NAZ has lassoed the sensual tones of her Eastern heritage by combining her melodic vocals with the adrenalized energy of Western hard rock. The resonant depth of the EAST & the driving edginess of the WEST have fused seamlessly in her songs.

Born in Pakistan, raised in a suburban town in Texas, and having lived in the antiquated romance of the UK for over a decade, Naz's life is a blend of rich cultures, dark moments, and revealing stories. The darkness of some extremely soul-mangling childhood events coupled with the richness of culturally diverse experiences have given Naz a powerful and unique 'voice'.

Naz grew up with a father who is an accomplished sitar player. And throughout her childhood, greats like Ravi Shankar and others of his caliber regularly frequented their home for music gatherings. Alongside this wealthy backdrop of eastern music, her British and American cousins sent her western records from abroad. This audial infusion of east and west cadences in her early years has allowed her to forge an undeniably distinctive signature as a songwriter.

After moving to the States at the age of 10, she began performing at youth rallies, in school musicals, and other large-scale events and festivals. By age 11, she found herself singing to audiences of up to 5000+. With an insatiable desire to communicate truths through songwriting combined with a ferocious drive to command impact into people’s lives, performance became her perfect throne. Eventually, music took her to London, where she worked with some of the best producers & musicians and performed and even held residencies at some of the most renowned London music venues, including The Clapham Grand, The Half Moon Pub, The Troubadour, Notting Hill Arts Club.

A massive family tragedy brought her back home to the States. Naz took some time off to translate the pain into strength. Thus, Fading Nemesis was born. In the next short time, JASON RIOT (guitar), KYLE CHRISTIAN (bass) and CHRIS HAZARD (drums) joined the fN journey.

According to Naz, especially in these disjointed days, "music is the only sensical language that can express our deepest feelings, give our lives palliative hope and unite us, as a human race. Music expresses that which cannot be said and that which cannot remain silent". Serving this tenet, Naz and her extraordinarily talented band members are preparing to release their debut album.

With the unequaled production and engineering talents of LARRY ELYEA, DUSTY BOLES and TRISTAN HARDING, FN's debut album is surging with lyrical anthems, robed in rugged honesty and uncaging 'freedom manifestos'. With raging guitars, primordial bass and drums, hauntingly sonorant vocals and perfectly seasoned production, the songs are blatantly compelling and yet deeply welcoming.

The record is set for release Spring of 2024.

Check out more music by Fading Nemesis

FADING NEMESIS - Allegiance (Official Music Video) - A Live Performance:

https://www.youtube.com/watch?v=zZ9h77d-9xU

Kraanuim Release New Album 'Scriptures of Vicennial Defilement'

One of Europe's most lauded slamming brutal death metal exports, Kraanium, have released their brand new album, 'Scriptures of Vicennial Defilement', today, their first on new label home, Unique Leader Records. Listen to the full album HERE and find the full album playlist on YouTube HERE.

The album release is highlighted by single "C*nt Pierced By Rusty Nails" watch the visualizer HERE below.

Speaking on their recent announcement, Kraanium share

"The wait is over! 'Scriptures of Vicennial Defilement' is now live.

This album is by far our most brutal to date, and we are so fucking excited to share this next chapter in the Kraanium journey with you all, this album is complex, catchy, groovy and above all 110% Pure Northern Slammage.

We have a lot of tours and shows coming up, make sure you grab a ticket and we will see you in the pit! \m/"

ABOUT KRAANIUM

KRAANIUM was formed in 2001 and are one of the original pioneers of the slamming brutal death metal genre. Originally founded in the depths of hell in Norway, the band is now a multinational slam machine from all over Europe. 

Over the years they have released 5 full length studio albums, 3 split CDS with more releases in motion. Having toured all over Europe, USA, Russia, Asia as well as performing at many iconic festivals, they have built up a solid world wide fan base and will continue to spread the brutality of SLAM!

Since the passing of their dear brother Martin Funderud, (Former vocalist, 1978-2017), the band is dedicated to honor him as well as his passion for brutal music. Rest in Power.

3-Track ‘Season's Greetings from Alex Hall’ Holiday Bundle is Available Now

Embracing the joy and traditions of the holiday season with his modern-meets-classic style, Alex Hall brightens the holidays with a newly-released collection of festive songs. Infused with his signature outlaw spirit and heartfelt melodies, the Monument Records recording artist shares Season’s Greetings From Alex Hall, a three song holiday bundle featuring covers of “Please Come Home for Christmas” and “Have Yourself A Merry Little Christmas,” alongside original “Reason To Believe,” available now. 
 
Listen to Season’s Greetings From Alex Hall  Below.
 
Drawing inspiration from classics previously sung by legends Charles Brown, Judy Garland and more, Hall breathes life into these timeless melodies with his velvety vocals. Following the release of his eagerly awaited debut album Side Effects of The Heart on Sept. 15, Season's Greetings From Alex Hall comes as a delightful holiday treat to listeners with an added original song, “Reason To Believe,” drawn from re-experiencing the magic of the holidays as a parent through the lens of a child.
 
“I love classic Christmas songs, from Bing Crosby’s ‘White Christmas’ to Bruce Springsteen’s ‘Santa Claus is Comin’ To Town.’ Christmas has always been my favorite time of year, so I decided to record some Christmas music of my own,” shares Hall. “I hope you love my take on a few of the classics, but it was important to me to write a Christmas song of my own. I have a two-year-old son, and seeing Christmas through his eyes has brought back so much of the magic we can lose as adults.
 
“I hope you enjoy untying the bow on these songs, and maybe they can become part of your own holiday tradition for years to come! Merry Christmas and happy holidays.”
 
Hall is currently on the road through mid-December for his Side Effects Of The Heart Tour, presented by PBR Cowboy Bar and benefiting the CMA Foundation. The tour includes stops in Baltimore, MD; Louisville, KY; St. Louis, MO and more. For more information, visit MusicByAlexHall.com or follow @MusicByAlexHall on all social media platforms.

About Alex Hall:
Alex Hall launches the next chapter of his career with his brand-new record, Side Effects Of The Heart. A project that tells the stories of everything the singer, songwriter, and guitar player’s heart has been through these last few years.
 
Growing up on a small horse farm on the outskirts of Gainesville, GA, Hall’s earliest memory is hearing Elvis Presley on his grandfather’s radio. It’s a sound he never forgot, and one that prompted him to pick up a guitar for the first time when he was only four years old. He started learning the instrument seriously in middle school, and quickly graduated from choir solos to bar gigs. By the time he was in high school, Hall was playing over 150 shows a year. 
 
After graduation, Hall moved to Nashville, TN and signed with Monument Records. He spent the last few years opening for Tanya Tucker and hitting the road with Brandy Clark, Little Big Town, and Tenille Townes. His debut EP on Monument Records, Six Strings, was a guitar focused project featuring the playing and vocal stylings of Hall’s heroes and friends – Vince Gill, Brad Paisley, John Osborne (of Brothers Osborne), Brad Tursi (of Old Dominion), Tenille Townes, and Kassi Ashton. Six Strings gained national acclaim from the likes of Vintage Guitar Magazine, Rolling Stone and Cowboys & Indians, and helped Hall to be named to the Fender Next 2021 program. 
 
Now, ready to bare it all, Hall is releasing his first full project as an artist with Side Effects Of The Heart. Out now, the album has a song for everyone…and a few for the dreamers out there like Alex Hall himself.

Photo Credit: Katie McCartney