NYC's Gramercy Arms share Magic Door Session for 'Yesterday's Girl', previewing 'Deleted Scene' LP

January 10, 2023

"Gentle and perfectly arranged, it is both calming and genuine, straightforward and talented, giving space and voice everywhere that the song and its story requires. A hidden Americana-indiepop gem, Gramercy Arms show that music truly is a journey"~ The Spill Magazine

"A slice of mature, soulful pop, gentle and refined, a swirl of gorgeous boy-girl harmonies, laced with elegant guitar lines and the perfect balance between a slightly nostalgic then and a now calling out for such astute, chart-friendly pop. A future classic" ~ Big Takeover Magazine

"Melancholic yet radiant, emotively shadowed but joyfully rousing, Yesterday’s Girl swiftly and keenly had the body swinging and pleasure bubbling, its melodic jangle and rhythmic kneading just as magnetic" ~ Ringmaster Review

To kick off the brand new year, NYC indie rock outfit Gramercy Arms is releasing an acoustic performance of their Americana-tinged single 'Yesterday’s Girl', recorded live at the Magic Door Recording Studio in Montclair, NJ.

'Yesterday's Girl', a bittersweet remembrance of love lost and friendship regained, is the first single from their 'Deleted Scene' album, scheduled for release via the Magic Door Record Label in spring of 2023. The colorful video for the album version was directed by acclaimed visual artist Debora Francis.

Co-written by Gramercy Arms frontman Dave Derby and music legend Lloyd Coleand originally penned for Darlene Love’s solo album 'Introducing Darlene Love', the song was artfully reimagined by Derby and producer Ray Ketchem as a duet with Derby and Renée Lo Bue (Elk City, Flowers of America).

Gramercy Arms is a revolving New York-based collective of musicians and artists, masterminded by Dave Derby (The Dambuilders, Lloyd Cole). Inspired by the artistic heyday of ‘70s and ‘80s-era New York City, Gramercy Arms makes addictive indie pop - exquisite hook-laden melodies filled with lyrics that will have you floating back in time, remembering your favorite mistake.

Produced, recorded and mixed by Ray Ketchem (Guided By Voices, Luna, Elk City) at Magic Door Recording with additional recording by Lloyd Cole, this album was mastered by award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty, Bill Frisell, Todd Rundgren).

“As I recall, we wrote very quickly hoping to channel Springsteen channeling Spector, with copious help from Blanton’s of Kentucky,” says Lloyd Cole. “I’d completely forgotten it until Dave presented this version and it feels like I won the lottery. It is wonderful. Very happy to have my name in the credits."

Renée Lo Bue discusses recording the song: “Being asked to sing 1/2 of the lead part on "Yesterday's Girl" was a wonderful surprise. I showed up at Magic Door Recording prepared to do backing vocals. It was Ray Ketchem who suggested a duet during the session. It's an honor to sing the female lead part on a Lloyd Cole/Dave Derby penned song originally written for Darlene Love …”

Lyrically driven and rich on vocal-harmony, interspersed with elements of 60s sunshine pop and folk-rock, 'Deleted Scene' is the group’s third full-length album, following 'The Seasons of Love' (2012) and 'Gramercy Arms'. This star-studded affair involves members of Guided by Voices, Phillip Glass Ensemble, The Dambuilders, Nada Surf, Luna, Elk City, Aeon Station, The Little River Band, Lloyd Cole and the Negatives, Elk City and Joan As Police Woman, among others.

'Yesterday's Girl' is out now, available across online platforms, including Apple Music and Spotify, as well as Bandcamp, where the album can be pre-ordered.

CREDITS
Produced, Recorded & Mixed by Ray Ketchem at Magic Door Recording
Additional Recording by Lloyd Cole
Mastered by Greg Calbi at Sterling Sound
'Yesterday’s Girl' written by Lloyd Cole and Dave Derby
Publishing Passive-Aggressive BMI / Warner-Chappell
Dave Derby - vocals, guitar, bass guitar,
Renée Lo Bue - vocals
Kevin March - drums
Mike Errico - guitars
Lloyd Cole - guitars
Artist photos by Max Skaff

LIVE SHOWS
Jan. 11 NEW YORK - Sid Gold's Request Room
Jan. 21 BROOKLYN, NY - Pete's Candy Store (10pm)
Feb. 22 BOSTON - Midway Cafe (album release show)
Feb. TBD NEW YORK CITY (album release show)

Keep up with Gramercy Arms
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Magic Door Label
Facebook | Twitter | Instagram | Soundcloud | YouTube | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

South Carolina's The Yets share dreamy Cocteau Twins-inspired single "Letter To A Boy' from debut EP

January 10, 2023

"An exquisite sonic document that manages to make life's various events, including disappointments and tragedy, sound heavenly, gently gliding through this series of compositions" ~ Amplify Music Magazine

"An almost perfect union between prime Cocteau Twins and prime mid-seventies (or any period) L.A. version of Fleetwood Mac, with Wilson’s vocals and Snook’s guitars at the forefront" ~ Rock At Night Magazine

"Steeped in the tropes of quintessential vintage alternative pop... With a broad pallet of tuneful wistfulness and textured, layered instrumentation, coupled with some smart and sensitive production, The Yets have landed with a seriously accomplished debut" ~ Aural Aggravation

What better way to announce the new year than with a letter? South Carolina-based alternative pop duo The Yets are doing just that with their new video for 'Letter To A Boy'. This is the latest offering from their self-titled EP, a six-track debut offering indie pop sensation and sonic temptation with a fresh, but seemingly familiar, adult alternative vibe.

Haunting, dynamic and smooth, they transform the classic to contemporary, counting Roxy Music, David Bowie, Siouxsie and the Banshees, The Cult, Cocteau Twins, Pink Floyd and even Soundgarden among their musical influences.

The Yets is the creative union of Robin Wilson on vocals and guitarist-producer Craig Anderson Snook, who met when Robin returned to her home state after some years in Georgia. Earlier, the duo released two audio-visual offerings for the singles 'Remember' and 'Lesser Evil'.

“Somewhere at the intersection of sound and emotion lies the description of those things we all treasure the most, 'Letter To A Boy' is about that special feeling a mother has for her son. It’s unique and difficult to express. It's extremely hard to put so much feeling into so few words. Lyrically, it’s the most challenging I’ve ever done. It’s also the most rewarding,” says Robin Wilson.

Based in Myrtle Beach, South Carolina, their music combines elements of ethereal pop and popular rock classics with a sound embracing Fleetwood Mac and Cocteau Twins in equal measure. Breeding and bearing a distinct Americana lining, this EP is an emotively cast and atmospherically delightful proposition.

"In a very general sense, this album is about life: the passage of time, relationships and the consequences of the choices we make along the way. I’ve always wanted to bare my musical soul, but never had the right vehicle. That musical soul has always wanted to speak to the world, but never had the right voice. The Yets is that vehicle and Robin is that voice,” says Craig Anderson Snook, who has performed semi-professionally since he was 13. His musical passion led him beyond cover bands into composition, arrangement, audio engineering, production and ultimately to running his own Royal Terns Records label and studio, where he recorded, mixed and produced the new EP.

After being immersed in the music scene while in high school, Robin found her way to the University of South Carolina in Columbia, where she fronted the goth-rock band Bachelors of Art (B.O.A.). Upon relocating to Atlanta, Georgia, she fronted the female alt-rock group Skirt, touring the USA extensively and supporting numerous high profile acts.

“My previous musical endeavors were always hard rock-based. I wasn’t involved with the actual songwriting, except for my vocal melodies and lyrics. With The Yets, I’ve broken that mold, helping to compose and produce a whole new sound. I’ve combined my artwork and media arts degree into the whole creative package. We recorded and produced our own CD in our own studio. We created our own videos and designed and built our own website," says Robin Wilson.

'The Yets' EP is out now, streamable via Spotify and available to order, digitally or on CD, directly from the band via Bandcamp.

CREDITS
All songs written and performed by The Yets
Robin Wilson - vocals, keyboards & lyrics
Craig Anderson Snook - guitars & everything else
Recorded, mixed and produced by Craig Anderson Snook
at Royal Terns Records
Mastered by Craig (Royal Terns Records) and Jay Matheson (The Jam Room)
© 2022 Craig Anderson Snook/Robin Wilson Snook (BMI)
Video by Robin Wilson

HEAVY PETTIN Dominate Leyendas del Rock 2022!

January 10, 2023

Scottish, Heavy Rock legends HEAVY PETTIN have released the live video from their electrifying performance at Leyendas del Rock! Signed with MUSIC GALLERY INTERNATIONAL, Heavy Pettin is managed by Shawn Barusch and Lee Langton

"Hey guys it’s Hamie coming attacha Live !!!! Hope u like our new Video … Taken from the Heavy Pettin European tour 22…. This show was in Spain August 5th at the famous.

Leyendas del Rock Festival. A Hot ‘ N ‘ Sweaty Rockin Night…….Hope you like it. !!! Can’t wait for u guys to hear the new single and Album this Summer. Till then Take It Lite" - Hamie

When they first burst out of Glasgow in 1981, they were vibrant, priapic, anthemic and focused. As they showed on a three-tarck demo, and on the subsequent debut single for independent label Neat (‘Roll The Dice’/’Love Xs Love’), they were much much more than mere Def Leppard slaves. In fact, the Pettin had an international sound that owed something to AC/DC, UFO, Thin Lizzy and Foreigner, but also had its own raging momentum. Not that the band found the road forward straightforward. But, thanks to a work ethic that took them around the country, plus a valuable session for Radio 1’s prestigious ‘Friday Rock Show’, the band eventually landed a crucial deal with the major Polydor Records. Moreover, their 1983 debut album (Lettin’ Loose) was co-produced by the creative Mack…together with Queen guitarist Brian May. Now, that’s pedigree.

Amazingly, that album has survived more than 25 years of high-speed, hi-tech developments intact. While other, more celebrated records have dated badly, Lettin’ Loose re-affirms the belief back then that the Pettin would plunge to big time stature. What went wrong at the time has little to do with band, or lack of ambition/talent. In America, where they should have broken big, long before Bon Jovi gave Love A Bad Name, they were held back by the label’s insistence on an anaemic re-mix (as well as a title change to ‘Heavy Pettin’, which caused more confusion than anything else). If the band’s essential, vital British brio had been left as conceived in the first place, who knows what might have been achieved.

Still, a slot on the bill for the 1983 Reading Festival, the day that Black Sabbath infamously headlined when fronted by Ian Gillan, did them no harm. And touring with both Kiss and Ozzy helped the quintet’s progress.

Two years later, the Pettin return to the studio, this time with producer Mark Dearnley (who’d worked with AC/DC and Krokus). The result? Rock Ain’t Dead, which surprised many with a slicker yet conversely tougher approach. The lads really had progressed, although ironically if things had gone to plan, this would have been produced by Lance Quinn, of Bon Jovi and Lita Fordfame. However, just hours before the band were due to fly to Philadelphia, to work with Quinn at his Warehouse Studios, the decision was taken by PolyGram (to whom both Heavy Pettin and Bon Jovi were signed in the US) that, instead, he should start work immediately on what was to be Jovi’s second record, 7800 Degrees Fahrenheit.

Perhaps then, it should have been obvious that record company politics were to scupper Pettin.. A third album, The Big Bang, was released by FM Revolver in 1989 – and still proved this lot were way ahead of so many others who were selling truckloads of ‘units’ and getting acclaim from the media But, as the 1980s faded into memory, so too did Heavy Pettin.

However, what has happened over the past two decades is that every so often, people will dust down those Pettin recordings, scratch their heads in confusion and wonder what went wrong. Well, recriminations never help; they only serve to fuel frustrations. But now the band are back ! – not for nostalgic reasons, not re- capture a long past youth. Not to right past wrongs. But to make music. So, here we are, not looking backwards to those years, when this lot were ready to take on the world and toured with Motley Crue and Ratt. No, this is about the 21st Century. Driven by a desire, passion, and a capacity simply to invoke the simple magic and rapport of what this band once stood for. Since stepping back out in 2017 the new line up fronted by frontman Stephen “Hamie” Hayman, the band have been going about the business of reclaiming their reputation as a “tour de force” live. 2018 saw them on tour in the UK with American legends Angel. 2019 a headline set at HRH hell followed by another headline appearance this time in Germany at the Headbangers festival, rounding off the year with another tour around the UK with Rockgoddess. 2020 promised to be the best yet, starting off with the amazing Monsters of Rock Cruise X followed by another headline festival appearance at the Brofest festival in Newcastle. Then of course Covid happened! In August 2022 after which felt like an eternity the band went out on a run of shows that would see them play in 5 deferent countries across Europe. Kicking off with a headline slot at the Legends of Rock Festival followed by a triumphant return to their hometown of Glasgow as “Special guests” to the legend that is Michael Schenker! The band have their eyes set firmly on 2023. This will be the 40th anniversary of the debut album Letting Loose. To mark the occasion a new remastered version of the Brian May produced original is slated for a March release followed by a run of shows. The plan is to record these shows for a 40th anniversary Live release later in the year. During the lock down period a new album was written, which is high on the agenda to round off 2023. With a new management deal and solid line up in place the future looks bright. Rock ain’t Dead!

Sanguisugabogg Share NSFW "Face Ripped Off" Video

January 10, 2023

NEW ALBUM HOMICIDAL ECSTASY ARRIVES FEBRUARY 3 VIA CENTURY MEDIA

BAND TO APPEAR ON CHAOS & CARNAGE 2023 TOUR WITH SUICIDE SILENCE + DYING FETUS

Ohio's notorious, boundary-pushing, and bloodsucking death metal outfit Sanguisugabogg — Cody Davidson, drums; Drew Arnold,guitars/bass; Devin Swank, vocals; and Ced Davis, guitars/bass — previously announced their new album Homicidal Ecstasy. The album arrives on February 3 via Century Media. Pre-order it here.

Today, the band has shared the NSFW video for "Face Ripped Off." Watch it here.

"This song is about a face being ripped off so we called it 'Face Ripped Off,'" the band says.

The band will also embark on a handful of regional dates in support of the album in winter 2023. Also appearing are Internal Bleeding, Year of the Knife, and Vomit Forth. Get tickets here.

Then, the 'Bogg will join the Chaos & Carnage 2023 tour with Suicide Silence, Dying Fetus, and more in April. All dates are below. Tickets are available here.

SANGUISUGABOGG ON TOUR:
2/23 — Grand Rapids, MI — Pyramid Scheme
2/24 — Indianapolis, IN — Black Circle
2/25 — Toledo, OH — Ottawa Tavern *
2/26 — Columbus, OH — Ace of Cups+
*With Mutilatred
^with Volcano and Tomb Sentinel

CHAOS & CARNAGE 2023 TOUR:
WITH DYING FETUS, SUICIDE SILENCE, BORN OF OSIRIS, ABORTED, CROWN MAGNETAR, + SLAY SQUAD:
4/7 — Fort Worth, TX — Ridglea Theater
4/8 — San Antonio, TX — Vibes Event Center
4/9 — Houston, TX — Warehouse Live
4/11 — Atlanta, GA — The Masquerade
4/13 — New York, NY — Palladium Times Square
4/14 — Sayreville, NJ — Starland Ballroom
4/15 — Hartford, CT — Webster Theater
4/16 — Reading, PA — Reverb
4/18 — Pittsburgh, PA — Mountain View Amp.
4/19 — Cleveland, OH — Agora Theatre
4/20 — Covington, KY — Madison Theater
4/21 — Pontiac, MI — The Crofoot
4/22 — Joliet, IL — The Forge
4/24 — Denver, CO — Ogden Theatre
4/26 — Las Vegas, NV — House of Blues
4/27 — Mesa, AZ — The Nile
4/28 — Los Angeles, CA — The Belasco
4/29 — Berkeley, CA — UC Theatre
4/30 — Anaheim, CA — House of Blues
Homicidal Ecstasy follows 2021's Tortured Whole. The band continues to slice up uncompromising, in-your-face, and not-for-the-weak death metal that siphons inspiration from early to mid- '90s and early '00s death metal and brutal death metal/grindcore presented in their own style with a unique twist that pleases every style of metal maniac.

ABOUT SANGUISUGABOGG + HOMICIDAL ECSTASY:
"Everything became more legit," states vocalist Devin Swank about the new album. They're no longer that band of meme-inspiring miscreants. "The musicianship, the production, the lyrics – which delve much more into horror and body horror – are more thought-out," Swank continues. "It's not just a bunch of dick and fart jokes."

But the 'Bogg haven't gone soft.

"After lockdown, once the restrictions from COVID lifted, we were hungry not just tour but start writing again," Swank shares. "Ced [Davis] had moved from bass to guitar and Drew [Arnold] also started playing guitar." It was drummer Cody Davidson who once again helmed production duties for Homicidal Ecstasy. They handed off mixing duties to Converge guitarist and vaunted studio vet Kurt Ballou (High on Fire, Nails) at God City Studios in Salem, Massachusettss, who "made it sound like us on steroids," per Swank.

After releasing Pornographic Seizures in 2019 on the cult Maggot Stomp label, the foursome quickly won fans for their blasts of sludgy, determined riffing, tongue-severed-from-cheek, gross-out humor and nods to hardcore and '90s East Coast death metal. The band received a pile of plaudits including Brooklyn Vegan putting them on a Most Anticipated Albums list next to genre titans like Carcass.

In the face of COVID-19 and a worldwide shutdown, the 'Bogg got down to business. Signing to Century Media, they recorded Tortured Whole and hit the road as the locked-down world started to get on its feet. Later that year, they teamed with the infamous Troma Films collective on for two video clips that featured battling penis monsters, boner implants and Troma's own Sgt. Kabukiman!

Tours with Frozen Soul, Nile, Terror, The Acacia Strain, and a run of dates as main support to Cannibal Corpse leading into Decibel's Metal & Beer Fest in Philadelphia solidified Sanguisugabogg as a force in their own right.

But Homicidal Ecstasy isn't merely a musical maturation for the gore-obsessed boys of the 'Bogg. While Swank's lyric writing sessions are still "fueled on coffee with a horror movie playing in the background," this isn't exclusively the gross-out show of Sanguisugabogg past. "It goes deeper this time, into the psycho-sexual, body-horror, why what some people see as perverse or fetishistic, can also be perfectly normal," says Swank.

"It's kind of an homage to real life," says the frontman. "When shit hits the fan, no one's really safe."

Reconstituted, regurgitated, and reenergized, the 'Bogg walk among us.

Let the Homicidal Ecstasy begin!

Lambgoat Adds Executive Producer of Video + Watch Evergreen Terrace Performance Show!

January 10, 2023

Metal and hardcore media mainstay Lambgoat have announced the addition of William Saunders of Fourth.Media as Executive Producer of Video, continuing a direction of expansion and growth.

Saunders brings with him the talent, skills and passion for underground music that is on display in his award winning documentary Deadguy: Killing Musicand concert mini-doc Today Is The Day: Live In Japan. The partnership will provide an additional stream of high-quality content to compliment the site's news, reviews, podcast, and written features.

Originally launched in 1999, Lambgoat has been a consistent leader in extreme music reporting. David "Lurk" Truax, who took over the company in July 2022, says of the collaboration: "We are beyond excited to announce we have partnered with William Saunders and Fourth.Media to take the role of Executive Producer of Video. One of the main goals for us in acquiring Lambgoat was to continue documenting hardcore and metal and preserving the history as it unfolds. We have over two decades of news, reviews, interviews, and more currently on Lambgoat and we plan to add to that tenfold with this partnership."

Saunders, CEO of Fourth Media, adds, "At Fourth.Media, we stand for one thing: a god-damned entertaining good time. Our relentless pursuit of the best stories behind our favorite bands drives everything we do. We are thrilled to sell our souls in conjunction with Lambgoat to produce a variety of forthcoming video projects from documentaries to live performances. As a go-to news source for heavy music, we look forward to leveraging Lambgoat’s vast network of bands and artists alongside our production crew to provide the highest quality content the fans deserve and the comment section will revile."

The release of Evergreen Terrace's Burned Alive By Time 20-year anniversary full live show marks a turning of the page for the brand that will see more expanded and video content being published through Lambgoat.

UNFELLED Announces New Album, Shares First Single

January 10, 2023

Pagan black metal project UNFELLED (ft. members of WOODS OF DESOLATION, DRUDKH) will be releasing its debut full-length, 'Pall of Endless Perdition,' on March 10, 2023 via Season of Mist Underground Activists! The artwork, tracklist, and additional info can be found below! In conjunction, the band is now sharing the vicious first single, "The Opposer," along with an official music video. The song and video can be found below.

UNFELLED comments on the release: "Perhaps the archetype of the album’s focus, 'The Opposer' musically and lyrically fuses fury and valour, whereby through death one may remain Unfelled."

Pre-orders for 'Pall of Endless Perdition' are now available HERE.
Pre-save the album on streaming services HERE.

Emerging Pagan black metal project Unfelled is rising from the underground to release its debut full-length, ‘Pall of Endless Perdition.’ Designed by the same mastermind behind Woods of Desolation, the project serves as a vicious and violent counterpart to its elegant and melodic predecessor, showcasing muti-instrumentalist D.’s impressive musical duality.

Formed in 2016 as a project of D. (Woods of Desolation, Remete), Unfelled first emerged with the solo demo offering ‘Beneath Distant Skies’ at the end of 2017. Expanding the line-up in 2020, fellow veterans Mitch (Austere, Dearthe) and Vlad (Drudkh, Windswept) were enlisted on vocals and drums respectively, completing the vision for the band.

Moving forward as a three-piece, the forthcoming full-length sees Unfelled pursuing heavier, more aggressive territory, yet never entirely eschewing the sense of melody and atmosphere established on the debut demo. “Musically weaving together fury and triumph, aggression and melody, the lyrics predominately center on bloodshed, war & death – the threefold cloak beneath which lies eternal darkness,” says Unfelled about the offering.

Now, upon joining forces with Season of Mist, Unfelled is ready to unleash ‘Pall of Endless Perdition.’ Without question, this record is certain to leave its black mark upon the masses.

Recording Lineup:
D. – Guitars & Bass
Mitch – Vocals
Vlad - Drums

Recording, Mixing, Mastering:
ViTeR Music

Producer:
Unfelled + ViTeR Music

Cover Art:
Yag Mort

Links:
www.facebook.com/unfelled
www.unfelled.bandcamp.com

Shop: https://redirect.season-of-mist.com/UnfelledPall
Pre-save: https://orcd.co/unfelledpall

Formats:
Digital
Digipak
Vinyl in various colours
Merch

DYING FETUS Announce The Chaos & Carnage 2023 Co-Headline Tour with Suicide Silence

January 9, 2023

Death Metal Overlords DYING FETUS announce the Chaos & Carnage US co-headline tour with Suicide Silence!

Tickets are on sale Friday, January 13 at 10 AM EST.

Additional support is provided by Born of Osiris, Aborted, Sanguisuabogg, Crown Magnetar & Slay Squad. A full list of dates can be found below.

DYING FETUS recently released the crushing new track “Compulsion For Cruelty”. The track, the band’s first new offering in five years, is hailed as “dizzying and monstrously heavy.” (Revolver Magazine)

Listen and save on all streaming services HERE

Watch the “Compulsion for Cruelty” music video below.

A full collection of DYING FETUS music videos and live performances is available via YouTube HERE.

Self-reliance and musical integrity are the two principles to which DYING FETUS have always lived by. Formed in 1991, during the height of the death metal explosion, DYING FETUS have matured into one of the premiere extreme death metal / grindcore acts to emerge from the massive global metal underground.

Combining an innovative mix of technical virtuosity and catchy song structures to create the ultimate blend of death metal, hardcore and grind, the band is recognized worldwide as a prime example of songwriting perfection across eight studio albums: 'Purification Through Violence' (1996), 'Killing On Adrenaline' (1998), 'Destroy The Opposition'(2001), 'Stop At Nothing' (2003), 'War Of Attrition' (2007), 'Descend Into Depravity'(2009), 'Reign Supreme' (2012)

Their latest album, 'Wrong One to Fuck With' (2017), was hailed as a “menacing motherfucker“ by Metal Injection.

Now over 25+ years into their distinguished career, DYING FETUS cement their legacy and uphold their position as the most dominant force in death metal today.

Sleep Token Share TWO (!!!) New Songs With "Chokehold" + "The Summoning"

January 9, 2023

With fans so ravenous in their worship, Sleep Token have gifted them with two new songs to appease their hunger.

As time turned to midnight on January 5, 2023, the emotionally driven "Chokehold" arrived first.

As 24 hours passed, "The Summoning" audaciously followed.

Both tracks boldly explore and develop elements that keep Sleep Token's music vastly removed from any kind of pack, howling at a moon distinctly their own.

Watch the visual for "Chokehold" and "The Summoning" below.

The band has a 5-date, headline UK run ahead of them this month, with several shows at storied venues like the O2 Academy already sold out.

What comes next, only time will tell, but what's certain is that it won't be bound by convention.

Anonymous, silent, masked, armed with a staggering vocal range, a deft touch on the keyboards, plus a live approach that is never less than fully engaged; Sleep Token is the unique, broad-based vision of one individual.

BLACK STAR RIDERS NEW ALBUM WRONG SIDE OF PARADISE OUT JANUARY 20TH ON EARACHE RECORDS

January 9, 2023

NEW SINGLE RIDING OUT THE STORM OUT NOW
NEW ALBUM WRONG SIDE OF PARADISE OUT JANUARY 20TH 2023
ON EARACHE RECORDS
10th ANNIVERSARY UK TOUR IN FEBRUARY 2023

Following the announcement of new guitarist Sam Wood, Black Star Riders, the Anglo American rockers featuring Ricky Warwick (Lead Vocals/Guitar), Robert Crane (Bass Guitar) and drummer Zak St. John, are excited to release their new single Riding Out The Storm, which is accompanied by a video, directed and produced by famed video maker Tony Aguilera (Jerry Cantrell, Killer Be Killed, Orianthi) in Los Angeles.

“Riding Out The Storm” video is available here.

Ricky Warwick comments: “As we get older, sadly we start to lose the ones around us who we love, having lost both my parents and some dear friends in the last few years I’ve started to question and look at my feelings on my own mortality and morality. I’ve come to realise that death is a part of life and even in the darkest days (that we all get sometimes), I’ve come to understand that every aspect of life should be an intensified experience and never taken for granted.”

He continues: “The video was shot in downtown Los Angeles and directed by Tony Aguilera. I love the cinematography and different camera filters that Tony used during the shoot. I think it complements the essence of the song, which conveys reflections of mortality and consequences of choice. Life must end eventually, but love doesn’t.”

Riding Out The Storm is taken from the band’s forthcoming album Wrong Side Of Paradise, which features 11 tracks, and was recorded in the Autumn of 2021 at Studio 606 in Northridge California and Toochtoon Sound in Redmond Oregon with producer and longtime BSR associate, Jay Ruston.

Wrong Side Of Paradise is available for pre-order worldwide here: https://webstore.earache.com/black-star-riders. Formats include: limited coloured vinyl (including green, blue, red and black/white split), black vinyl, signed CD, cassette and digital download. A special edition of the album containing two bonus tracks can be found on CD (which comes with a 24-page song booklet) and USB stick formats. Various collector bundles are also available, including one with an exclusive 12”.

Follow BSR on:
Website: https://www.blackstarriders.com
Facebook: https://www.facebook.com/BlackStarRidersOfficial
Instagram: https://www.instagram.com/blackstarriders/
Spotify: https://open.spotify.com/artist/1COfrboArH3tNjlhFsG5ys?si=ZxBgd0ckTiCjVe4hp7i6wg&nd=1
YouTube: https://www.youtube.com/channel/UCWzvnsjhqlGfpXBtpXqp-ug

NIGHTFALL Covers The Cramps' "Mean Machine"

January 9, 2023

Greek metal masters NIGHTFALL are now premiering a new lyric video for the track 'Mean Machine' which was originally recorded by THE CRAMPS in 1994. The track was recorded by NIGHTFALL in December 1996 in Tico Tico studios, Finland and served as a bonus track to the "Lesbian Show" album. The clip can be seen and heard below.

Vocalist Efthimis Karadimas comments: "'Mean Machine' is the first ever song I listened by the Cramps. Its filthy sound and performance might well be described as a spit to the face of anything normal out there. Lyric-wise I'd say it is more about accepting the role of the bad guy, rather than trying to prove the opposite. The 90s were wild in terms of social approbation. I felt connected to that song for somehow it made me feel it was like we were the 'mean machines,' the outcasts, the bad guys, people did not want to have any connection with. The Cramps have ceased to exist, but thanks to Burton's 'Wednesday' Netflix series, they are beautifully haunting our dreams again. 'Mean Machine's' our tribute to them. We share it with you untouched, right from the depths of XX Century."

The band is supporting their 2021 release, 'At Night We Prey.' The album is about depression's martyrdom and how societies mistreating and stigmatizing those who suffer and can be streamed, downloaded, and purchased HERE.

It has been seven long years since the world was last blessed with new music from the melodic blackened death metal stalwarts of NIGHTFALL. While the band has been absent from the scene since the release of 2013’s Cassiopeia, their legacy has not been forgotten. Comprising the holy trinity of Greek metal – along with ROTTING CHRIST and SEPTICFLESH – NIGHTFALL was the first extreme act in the country to sign an international deal, introducing the world to the burgeoning Mediterranean scene in the early 90s. Now, the band is plotting a triumphant return with At Night We Prey, the darkest and latest chapter of NIGHTFALL’s already storied career. Unlike past efforts, the band abandons any gothic aesthetic, traversing more into a melodic assault that calls to the sounds of Gothenburg, displaying an obvious maturation from the band that showcases their most serious, evolved, and tightest effort to date.

During the first decade of NIGHTFALL’s lifespan, the band headlined stages across Europe. Thereafter, went on to dominate international festivals such as Brutal Assault, Sonisphere, and Wacken, the latter of which the band solidified their legacy as the first ever Greek band to earn an envied spot at the renowned festival. The band eventually made the decision to switch to a studio act before they went completely silent. When reflecting upon the sudden disappearance after a steady rise from the underground, vocalist and founding member Efthimis Karadimas explained that it was due to an all too familiar beast – depression. “It's because of depression that kicked in as early as mid-00s. I can write for hours and get into details about stuff gone wrong or mistreated situations, but the basis of all discouragement to move on has been depression and the effort required to get over it.” Despite the dark days, Karadimas did not abandon music entirely, moving on to form THE SLAYERKING, a gothic doom metal band that has released two agonizing full-length records between 2016-2019.

Alas, the abrupt departure of the band was not the final “goodbye” as NIGHTFALL has been reinvigorated with a new lineup and coveted deal with Season of Mist. Karadimas has reunited with original NIGHTFALL guitarist Mike Galiatsos, who helped define the band’s sound during the early years. With the addition of drummer and producer Fotis Benardo (ex-SEPTICFLESH) as well as guitarist Kostas Kyriakopoulos (THE SLAYERKING), the band is finally ready to release the tenth studio album At Night We Prey. In addition to the long-awaited new music, Season of Mist will also be re-issuing the band’s original albums that were produced by Holy Records back in the 90s. This is not the only news the band has to share as NIGHTFALL has also vowed to finally perform again. “We are gonna play these live, including stuff never played live before,” says Karadimas.

At Night We Prey is a very dark and personal effort, tackling the topic of Karadimas’s battle with depression. “A beast I have experienced its teeth deep into my soul, I decided to come out and share that experience with metalheads,” Karadimas laments. “This is the least I can offer now to the big fight against depression. If we do not stop this, it will eat us all alive. Share your pain, speak openly about it. This is the only way to kill the demons in your mind.”

Genre: Blackened Death Metal

https://www.instagram.com/nightfallband
https://www.facebook.com/nightfallbandofficial

Line-up
Efthimis Karadimas: Vocals
Mike Galiatsos: Guitar
Kostas Kyriakopoulos: Guitar
Fotis Benardo: Drum
Vasiliki Biza: Bass

Recording studios: Devasoundz studios and Soundflakes studios (Athens)
Producers: Efthimis Karadimas and Fotis Benardo
Engineers: Fotis Benardo, Thimios Krikos, Aggelos Karatzas
Mixing studio and engineer: Orgone studios, London, by Jaime Gomez Arellano
Mastering: Maor Appelbaum Mastering, Los Angeles, by Maor Appelbaum

Guest musician: Female vocals by Eleni and Souzana Vougioukli

Cover art: Travis Smith

Shop: https://redirect.season-of-mist.com/NightfallAtNightWePrey

Available formats:
CD Digipak
LP in various colours
Digital

Concrete Blonde classic goes darker on Beauty In Chaos tribute 'Bloodletting (The Vampire Song)'

January 6, 2023

LA-based alternative rock collective Beauty In Chaos pays tribute to Concrete Blonde with their own stunning rendition of 'Bloodletting'. This dark, spooky New Orleans-infused version is a slight sonic departure from their previous releases, as BIC curator Michael Ciravolo assumes lead vocal, highlighting his New Orleans drawl, front and center.

Ciravolo has also enlisted saxophone extraordinaire Mars Williams of The Psychedelic Furs to add some amazing jazz inspired avant-garde vibes to this incredible song, as well as vocalists Whitney Tai, Kat Leon and Tish Ciravolo in a nod to the original song.

“I always loved this song, as Johnette’s lyrics painted an eerily realistic picture of my hometown. On a recent trip there, I found myself walking through some dark side streets in the French Quarter with my BIC producer Michael Rozon and the freaky sights and sounds had this song ringing in my head. I heard a saxophone wailing from a distant club and that inspired this cover idea. Fortunately for me, my friends Tim Palmer and Richard Fortus had just produced the latest Furs album and kindly made an introduction to Mars. I’ve always loved what he plays with one of my favorite bands and he thankfully agreed to be part of this,” says Michael Ciravolo.

As with many BIC singles, a stunning video accompanies this release, each audio-visual offering very different from its predecessors. For 'Bloodletting’, Vicente Cordero and Industrialism Films returned behind the camera.

Ciravolo adds: “Well, this video is certainly VERY different from our most recent single ‘Afterlife'. We wanted a very tongue-in-cheek (or would that be fangs-in-neck?) mix of ‘Eyes Wide Shut‘‘ and ’‘Lost Boys” … focusing more on a loosely-based storyline than just a simple band performance with it all being in good campy fun!”

Beauty In Chaos recently released the documentary film 'Unveiled', providing behind-the-scenes insight into the band's recently released all-female-fronted album 'Behind The Veil'. As for all BIC releases, the physical version (CD/ vinyl) is accompanied by a 25-track digital bonus edition featuring remixes by Paul Wiley (Marilyn Manson), Sin Quirin (Ministry), Kitty Lectro, Bentley Jones, Julian Shah-Tayler, Roman Marisak, Kevin Kipnis and The Phoenix Supernova, as well as an extended album version of 'Orion'.

'Bloodletting (The Vampire Song)' is out now, available digitally from fine music outlets, including Apple Music, Spotify and Bandcamp. The ‘Behind The Veil’ LP can also be ordered directly from the artist at https://www.beautyinchaosmusic.com/music-store.

SONG CREDITS
Words and Music by Johnette Napolitano
Performed by Beauty In Chaos
Michael Ciravolo – lead and backing vocals, guitars, textures and bass
Michael Rozon - bass, lap steel, drum programming
Mars Williams – saxophone
Derek S. Abrams – live drums
Additional vocals by Whitney Tai, Kat Leon, Kerry Remsen, Dickie Dollars and Tish Ciravolo
Schecter Chain Gang – hand claps and drunken howls
Recorded, mixed and produced by Michael Rozon at SAINTinLA Studio
Additional recording by Mars Williams and Nick Perez
Mastered by Dale Becker and Fili Filizzola at Becker Mastering

VIDEO CREDITS
Filmed and Directed by Vicente Cordero (Industrialism Films)
Edited by Ryan Conlon
Steadicam Operator – Fabian Tehrani
Cinematographer – Alexander Falanagan
Additional lighting by Skum Love
Video concept by Michael Ciravolo
Vampire Hunter – Michael Ciravolo
Band – Tish Ciravolo (Bass), Seth Miller (guitar), Daniel Chavez Cook (drums)
Sax Man – Jake Handler
Club Hostess – Whitney Tai
Tarot Card Psychic – Kiki Remsen
Powder Queen – Tish Ciravolo
Vampire girls –Suzy Q Williams, Lisa Mason Lee, Kellie Krueger
Vampire: Anthony Montemarano

Keep up with Beauty in Chaos
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Press contact

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NYC songstress JESSIE KILGUSS offers a rewarding audio-visual experience on 'Wuthering Heights' tribute

January 6, 2023

"Kilguss artfully pulls us into her wistful nostalgia with a bit of twang and a strummy, well arranged instrumental accompaniment" ~ Guitar World

“Stellar, pure, inspired and inspiring… her voice is as clear as her vision and every element of her music is perfectly placed” ~ The Spill Magazine

"Finely-wrought, deep, dark valentine... well-crafted” ~ American Songwriter

"Sublime, serene, introspective and wonderfully imaginative... combining the best of Martha Wainwright, Carly Simon and Beth Orton" ~ The Record Stache

“Artfully beautiful, full of radiant harmonics, stylish rhythms, and Jessie Kilguss’ enchantress-like tones. Imaginative and numinous" ~ Seattle Post-Intelligencer

"She uses her songs to probe possibilities that lie just below the surface, allowing them to resonate in ways that allow for greater interest and intrigue" ~ Goldmine Magazine

"Fluid and poised... Her flawless lyrical and melodic aesthetic relays uncompromising emotion in a light and flowing style" ~ The Aquarian

To kick off the new year, NYC indie folk-pop artist Jessie Kilguss has unveiled the video for her gentle and sanguine acoustic rendition of 'Wuthering Heights', first made famous by Kate Bush.

"Alex Dar, a Russian artist, made the video. He’d never heard of Kate Bush’s 'Wuthering Heights' or the novel by Emily Brontë. I told him the story of the book and song and sent him some photos I’ve taken in Ireland over the years, many of the ruin of Clifden Castle. He came up with something unique. I like that he didn’t have Kate Bush’s brilliant videos for this song as a reference for what he created. I like that he didn’t know her incredible original version of the song either. It meant he had to create something from scratch from my version of the song and from the photos and storyline I told him," says Jessie Kilguss.

Engineered, produced, mixed and mastered by Charlie Nieland (Debbie Harry, Rufus Wainwright, Blondie, Scissor Sisters) at Saturation Point Studios in Brooklyn, this stripped down features only guitar, vocals, harmonium and glockenspiel.

With Kilguss handling vocals and harmonium, she is accompanied by Charlie Nieland on glockenspiel with guitar by Andrea Longato, who has played with some of today's finest artists, including Jeremy Jordan, Alphonso Ribeiro, Duncan Sheik, Tony Vincent (The Voice) and Justin Guarini (American Idol).

"I’ve been covering this song live for a couple of years. I’m a big fan of Kate Bush. I read 'Wuthering Heights' by Emily Brontë when I was a teenager and loved it. I wonder if that would be the case as an adult. The song 'Wuthering Heights' really captures the spirit of the book in its melodrama and angst. I find it really fun to sing because of that," says Jessie Kilguss.

"One of the things I love about Kate Bush is that she deals in big emotions and is a master storyteller. I find this song so compelling. It’s extraordinary that she wrote it when she was a teenager."

This offering follows her recently-released 'What Do Whales Dream About at Night?' LP, a collection of eloquent indie folk, pop rock and Americana-tinged songs featuring drummer Brian Griffin (Patti Smith, Brandi Carlisle, Lana Del Rey), bassist Whynot Jansveld (The Wallflowers, Butch Walker, Sara Bareilles), award-winning composer-producer Naren Rauch on guitar, and Nathan Schram (Bjork, David Crosby, David Byrne), with whom Kilguss runs the non-profit organization Musicambia.

Mixed and mastered by Charlie Nieland, the album was co-produced by Adam Lasus (Yo La Tengo, Clap Your Hands Say Yeah, Helium), Kilguss and her band members with Lasus also engineering.

A former actress, whose acting highlights include 'The Crucible' (with Daniel Day Lewis and Winona Ryder) and the stage production 'As You Like It' (directed by Royal Shakespeare Company founder Sir Peter Hall), Kilguss made the switch to songwriting after working with two of her musical heroes - Marianne Faithfull and Mary Margaret O'Hara in the Tom Waits / William Burroughsmusical 'The Black Rider'.

In addition to writing and performing her own music, Kilguss also sings with Gramercy Arms, Jim Andralis and the Syntonics and Benjamin Cartel. She also performed at the Sundance Film Festival and with Freddie Stevenson, supporting The Waterboys for their European tour.

'Wuthering Heights' is out now, available from fine digital platforms, including Apple Music, Spotify and Bandcamp, where Kilguss' latest album 'What Do Whales Dream About at Night?' can also be found.

CREDITS
Recorded by Charlie Nieland at Saturation Point Studios (Brooklyn)
Jessie Kilguss – vocals and harmonium
Charlie Nieland - glockenspiel
Andrea Longato - guitar
Engineered, produced, mixed & mastered by Charlie Nieland
Cover artist photo by Shervin Lainez
Background photo by Jessie Kilguss
Cover designed by Scott MX Turner
ISRC code: US-L4Q-22-77764

Keep up with Jessie Kilguss
Website | Facebook | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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FORTUNE CHILD Releases Official Music Video for "All I Wanna Know"

January 6, 2023

Jacksonville, FL based Rock band FORTUNE CHILD has revealed the official music video for their newest single, "All I Wanna Know." Imbued with classic guitar licks and an infectious groove, "All I Wanna Know" was mixed / engineered by Ben McLeod (All Them Witches).

“All I Wanna Know” is the next step towards what we feel is becoming our new sound. It holds true to our Rock roots, but there’s also a bit of a sonic expedition in the mid section, and the visual that goes along with the video hints at that as well. We’ve got a lot of genre-bending in our future and we feel like this is our first real leap in that direction as a trio." - FORTUNE CHILD

Pre-Order / Stream 'All I Wanna Know" Online!

Soul - Blues. Three fundamental sounds that new power trio, Fortune Child, blend and mold to create serious sonic badassery. Over the course of one year, Christian Powers (lead vocals/drums,) Buddy Crump (guitarist,) and Jon Ward (bassist) have begun to redefine the Rock genre while still holding true to their roots. Boasting powerful leads, long jams, and a genre-bending sound, the band is carving a path of its own with the guidance and experience of engineer Ben McLeod and legendary producer/engineer Kevin Elson (Journey / Mr. Big/ Lynyrd Skynyrd).
 
In the short time that they've been together, Fortune Child has already taken to the stage with the likes of Cedric Burnside, All Them Witches, The Georgia Thunderbolts, Blacktop Mojo, Classless Act and many more to come. Along with their on-stage accomplishments, the group has done just as much off stage. Fortune Child won the 2022 Great Atlantic Southern Rock Revivalspotlight presented by iHeart Radio and Planet Radio, landing them a slot on the southeast's newest Rock festival of the year. The press quickly latched on to the release of their debut album, "Close to the Sun", including Yahoo! News, as well as a handful of radio stations across the US. This created the foundation to what is now quickly becoming a core fanbase for this young Rock outfit. December saw their most recent single, "Fool Me Once", and will be followed by a monthly release beginning January of the new year.

Music Gallery International Announces the Addition of FleischKrieg to 2023 Roster!

January 6, 2023

Music Gallery International Artist Management & Consulting has announced the signing of US based, Deutsche Neue Härte inspired, Industrial Rock band FleischKrieg, who's 2021, debut album Herzblutcontinues the quartet's stratospheric domination of the 1990s subgenre. The band will be working with revered, Canadian musician and record producer Logan Mader going into 2023's upcoming, sophomore album.

FleischKrieg is managed By : MusicGalleryInternational.com
Shawn Barusch and Lee Langton

Purchase / Stream "Reach" Online

If Hell hosted a dance party - FleischKrieg would be the headliner. The band’s retro synths and crushing guitars of “BrutalWave” deliver a bold new take on heavy electronic music. Their debut album Herzblut is steeled in melodic synth, metal guitars, and apocalyptic vocals – packing a heavy enough punch to keep any fan of industrial rock music listening from beginning to end.

The Intemperate Sons Release Official Music Video for Single "Unrealized"

January 6, 2023

"Unrealized" can be streamed at:

https://ffm.to/tisunrealized

Indie rock band The Intemperate Sons released their new single "Unrealized" to all major platforms! The single is from their highly anticipated new album Game of Keep Away that will be released via FRAME|WORK in 2023.

"The first cut off the upcoming album, Game of Keep Away is called “Unrealized”. The Intemperate Sons once again teamed up with Amir Derakh at the producing and mixing helm to work on this track and the second album to be released in 2023. “Unrealized” is the story of being trapped within the walls of your mind and the self-destructive ways you end up keeping yourself there while everyone around you sees your potential. The Intemperate Sons will follow up the single release with a new video on 1/6/2023 that was filmed by Ardent Owl Media and Ryan Whitehead. The track was recorded at The Kitchen Recording Studios in Dallas, TX. All mastering is done by Mike Marsh Mastering in the U.K. " says the band.

Formed in the summer of 2019 in Dallas, TX, The Intemperate Sons are an up-and-coming alternative rock band that are a cool concoction of hard rock mixed with folk and grunge. The band has earned a serious reputation of writing and performing tracks that scratch deep into the groove of the human experience. There is no shortage of darkness to their writing style. Their music has a total retro vibe with many guitar driven tracks stacked on top of a groovy rhythm section. Their heavier retro style sits perfectly under the two and three-part vocal harmonies that are a huge part of their sound. The Intemperate Sons are a family band with its members Keith Watson (drums), Jake Watson (guitars), and Max Watson (vocals, guitars, keys) all being related by blood. Mark Marks provides the groove at bass to tie it all together. It has been said that musicians that are related form unique sounds and communicate on a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies, and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots, and REM.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

The Intemperate Sons Show Dates:

Sat Jan 14 @ Hanover's Draught Haus in Pflugerville, TX

Sat Jan 28 @ Rob's Billiards Sports Bar w/Empire Cats in Euless, TX

Sat Feb 11 @ O'Riley's in Dallas, TX

Sat Mar 18 @ Viper Room in West Hollywood, CA

For More Information Please Visit:

The Intemperate Sons

FRAME|WORK

Chase Rice Debuts "I Hate Cowboys" on GMA; New Album Arrives 2/10/23

January 6, 2023

CHASE RICE PREVIEWS FORTHCOMING ALBUM

I HATE COWBOYS & ALL DOGS GO TO HELL OUT FEB. 10

WITH “I HATE COWBOYS” AVAILABLE EVERYWHERE TODAY

Watch His Debut Performance of the Song on “Good Morning America” HERE

Rice Also Adds 13 New Dates to Headlining Way Down Yonder Tour Kicking Off March 3

Praised by American Songwriter as “one of Country music’s most intriguing and lasting acts,” Chase Rice brought one of the title tracks off his forthcoming album, I Hate Cowboys & All Dogs Go To Hell, to viewers nationwide with the television debut of “I Hate Cowboys” on this morning’s edition of “Good Morning America.” Watch his performance HERE and stream the song on all platforms now.

With “I Hate Cowboys” serving as an ode to how enviable true cowboys are, the official music video released today also offers a visual homage to cowboy culture. Showcasing vintage rodeo footage – including scenes of the great Lane Frost, Tuff Hedeman and Chris LeDoux – the video also features Rice performing the song from the iconic Cheyenne Frontier Days rodeo arena. Watch HERE.

Featuring 13 tracks ranging from admiration of a Western way of life in recent releases “I Hate Cowboys” and “Way Down Yonder” to emotional reckoning in Key West & Colorado” and a reimagined album version of “If I Were Rock & Roll,” the forthcoming album set for release on Feb. 10 also honors Rice’s late father, Daniel, with its cover art.

“My dad was one of those good guys you read about – tough, hardworking, always helping other people out,” Rice shared of the man gracing the album cover. “I try to live my life in a way that would make him proud. I haven't always measured up to that, but I get closer to that man I want to be and the man he’d be proud of every single day.

“Making this album was a big step towards that musically, too,” he continued of the project for which he served as a writer on all 13 tracks, including three solo writes. “Not only is it the most vulnerable I've ever been, it’s also something he’d enjoy listening to and is full of stories I wish I could tell him. I’ve always wanted to honor him by using this photo as an album cover, and I know this project is the one that deserves that. I can’t wait for y’all to hear it.”

Fans will also get to hear the new music live on Rice’s upcoming Way Down Yonder Tour, set to visit iconic venues such as Nashville's Ryman Auditorium, Boston’s House of Blues and Athens’ Georgia Theatre from March 3 through July 1, with 13 new dates added today.

For all the latest news on his forthcoming music as well as tickets to all upcoming tour dates, visit ChaseRice.comand follow Rice on Facebook, Twitter and TikTok @ChaseRiceMusic and on Instagram @ChaseRice.
Way Down Yonder Tour Dates
March 3 Laughlin, Nev. Harrah’s Laughlin
March 9 Indianapolis, Ind. Egyptian Room at Old National Centre Conner Smith
March 10 Detroit, Mich. The Fillmore Detroit Conner Smith
March 11 Grand Rapids, Mich. The Intersection   Conner Smith
March 23 Wichita, Kan. The Cotillion Tyler Braden
March 24 Sioux Falls, S.D. The Alliance Center Tyler Braden
March 25 Omaha, Neb. The Admiral Tyler Braden
March 31 Lexington, Ky. Manchester Music Hall Ashland Craft
April 1 Columbus, Ohio The Bluestone Ashland Craft
April 2 Buffalo, N.Y. Town Ballroom Ashland Craft
April 6 Binghamton, N.Y. Touch of Texas Dalton Dover
April 7 Bensalem, PA Parx Casino Dalton Dover
April 8 Norfolk, VA The NorVa Dalton Dover
April 11     Nashville, Tenn. Ryman Auditorium Avery Anna
April 13     Albany, N.Y. Empire Live Dalton Dover, Avery Anna
April 14     Boston, Mass. House of Blues Dalton Dover, Avery Anna
April 15     Sayreville, N.J. Starland Ballroom Dalton Dover, Avery Anna
April 21     Atlanta, Ga. Coca Cola Roxy Kameron Marlowe, Avery Anna
April 22     Wilmington, N.C. Live Oak Bank Pavilion Kameron Marlowe, Avery Anna
April 27     Athens, Ga. Georgia Theatre Avery Anna
April 28     St. Petersburg, Fla. Jannus Live Read Southall Band
April 29     Daytona Beach, Fla. Daytona Beach Bandshell Read Southall Band
May 4 St. Louis, Mo. The Factory at The District Conner Smith
May 5 Clear Lake, Iowa The Surf Ballroom Conner Smith
May 6 Minneapolis, Minn. The Fillmore Minneapolis Conner Smith
May 12 Milwaukee, Wis. The Rave Read Southall Band, Avery Anna
May 13 Chicago, Ill. Gallagher Way Read Southall Band, Avery Anna
May 18 Richmond, Va. The National
May 20 Morgantown, W.V. Ruby Amphitheater
June 22 Baltimore, Md. Rams Head Live Dalton Dover, Avery Anna
June 23 Wantagh, N.Y. Mulcahy’s Dalton Dover, Avery Anna
June 24 Jordan, N.Y. Kegs Canalside Dalton Dover, Avery Anna
June 29 Hampton Beach, N.H Hampton Beach Casino Ballroom Read Southall Band, Avery Anna
June 30 Hyannis, Mass. Cape Cod Melody Tent Read Southall Band, Avery Anna
July 1 Webster, Mass. Indian Ranch Read Southall Band, Avery Anna

Additional 2023 Dates
Jan. 20      Riviera Maya, Mexico Luke Bryan’s Crash My Playa
March 4    Tucson, Ariz. Cologuard Classic
June 3       Panama City Beach, Fla. Gulf Coast Jam
June 10     Clinton, Iowa Tailgate N’ Tallboys
June 16     North Lawrence, Ohio The Country Fest
June 17     London, Ohio Coburn Farms
July 14      Topeka, Kan. Country Stampede
Aug. 3       Detroit Lakes, Minn. WE Fest
Aug. 5       Camrose, Alberta Big Valley Jamboree

About Chase Rice
With nearly 2.4 million albums sold and over 2.4 billion total streams, plus a legion of passionate fans at his high-energy concerts across the globe, Chase Rice has established himself as a powerful force in Nashville and beyond. With the forthcoming album I Hate Cowboys & All Dogs Go To Hell crafted in his rural Tennessee home-turned-studio, his sound continues to evolve to reflect the realities of his life, as evidenced by recent releases “Key West & Colorado” and “Way Down Yonder.” The new music serves as a follow up to his three-part project, The Album, featuring his latest Platinum-certified No. 1 hit, “Drinkin’ Beer. Talkin’ God. Amen. (feat. Florida Georgia Line)” and Platinum-certified Top 10 hit “Lonely If You Are.” This is the same gravelly-voiced Chase Rice fans first fell in love with years ago – but better, freer; unbeholden and uninhibited. The new music builds upon the success of his sophomore album, Lambs & Lions, which featured the triple-Platinum, two-week chart topper “Eyes On You” – Rice’s first No. 1 as an artist and the most-streamed song of his career. Lambs & Lions followed Ignite the Night, which debuted at No. 1 on Billboard’s Top Country Albums and No. 3 on the all-genre chart, producing a pair of Top 5 hits; “Gonna Wanna Tonight” and Platinum-certified “Ready Set Roll.” In addition to selling out arenas with Kane Brown and Jason Aldean plus stadiums with Kenny Chesney and Garth Brooks, Rice also consistently sells out venues across the U.S. and Europe on his own headlining tours.

Anti-Flag Share "SOLD EVERYTHING" Video

January 6, 2023

BAND'S 13TH ALBUM LIES THEY TELL OUR CHILDREN OUT TODAY, JANUARY 6, VIA SPINEFARM

TOURING WITH FLOGGING MOLLY + SKINNY LISTER KICKS OFF IN FEBRUARY

Incendiary Pittsburgh punk rockers ANTI-FLAG have released their 13th album Lies They Tell Our Children today, January 6, via Spinefarm. Get it here.

To celebrate the release, the band will be featured on the upcoming cover ofNew Noise. The issue includes a flexi-disc featuring the band's take on the Dead Milkmen classic "Punk Rock Girl." Get it here.

Additionally, the band has shared the video for "SOLD EVERYTHING." Watch it below.

The video was directed by INDECLINE, who impressively shot SEVEN videos for the album tracks.

Take a deep dive into the track by reading this document.

2023 is an incredibly important year for Anti-Flag, as it marks three decades of profound punk rock.

"2023 — 30 years of Anti-Flag. If we're being completely honest, this milemarker of longevity is both unbelievable to us and at the same time not a shock at all.

"The four of us have committed our lives to these songs, shows, and records. We have placed precedence on this work and believe it to be intrinsically tied to our value as people on this planet. If you would have asked the kids who started this band if we would still be Anti-Flag 30 years later, we would have probably thought we wouldn't make it this long. But we would have collectively resounded that as long as we're alive, we would be making music with the goal of unifying people and communities, positioning empathy over apathy, and using everything at our disposal to be agitators and disruptors of status quo, exploitative, capitalist politics."

"LIES THEY TELL OUR CHILDREN represents a band that is still working on its craft, and we challenged ourselves to be better songwriters, leaving familiarity and comfort zones. Perhaps it's too ambitious to make your 13th full-length album a concept record, but if we have learned anything through our privileged lenses of longevity, it's to be true to ourselves. This was our plan. A record that is fulfilling emotionally and spiritually, we basically said 'Fuck it, this is the record we wanted to make, the people we wanted to collaborate with, the type of song we want to play live and share across the globe.'"

"It's a shot of optimism and inspiration to carry on, stay the course, created because it's what we have to do. We hope that people like it, listen to it, stream it, or whatever… but truthfully, we would be doing all of this with or without an audience, it's all we have known as Anti-Flag for 30 years and we don't see that changing any time soon."

Lies They Tell Our Children was recorded, produced, and mixed by Jon Lundin.

ANTI-FLAG ON TOUR 2023:
WITH FLOGGING MOLLY & SKINNY LISTER:
2/2 — Austin, TX — ACL Live at The Moody Theater
2/3 — New Orleans, LA — The Fillmore
2/4 — Huntsville, AL — Mars Music Hall
2/5 — Columbia, SC — The Senate
2/7 — Knoxville, TN — The Mill Mine
2/8 — Nashville, TN — Ryman Auditorium
2/10 — Chattanooga, TN — The Signal
2/11 — Louisville, KY — Old Forester’s Paristown Hall
2/14 — Norfolk, VA — The NorVa
2/15 — Richmond, VA — The National
2/17 — Rochester, NY — Main Street Armory
2/18 — Montclair, NJ — The Wellmont Theater
2/19 — Hanover, MD — The Hall at Live! Casino & Hotel
2/21 — Charleston, SC — Charleston Music Hall
2/22 — Asheville, NC — The Orange Peel
2/24 — Atlantic City, NJ — Sound Waves at Hard Rock Hotel & Casino
2/25 — Bethlehem, PA — Wind Creek Event Center
2/26 — Huntington, NY — The Paramount
2/28 — Worcester, MA — The Palladium
3/1 — Syracuse, NY — Landmark Theatre
3/3 — Madison, WI — The Sylvee
3/4 — Grand Rapids, MI — 20 Monroe Live
3/5 — Ft. Wayne, IN — The Clyde Theatre
3/7 — Fayetteville, AR — JJ's Live
3/8 — Oklahoma City, OK — Diamond Ballroom
3/10 — Kansas City, MO — Harrah’s Voodoo Lounge
3/11 — Omaha, NE — The Admiral
3/12 — Boulder, CO — Boulder Theater
3/14 — Tucson, AZ — Rialto Theatre
3/16 — Las Vegas, NV — The Cosmopolitan of Las Vegas – Chelsea Theatre
3/17 — Los Angeles, CA — Hollywood Palladium
3/18 — Riverside, CA — Riverside Municipal Auditorium
3/19 — Reno, NV — Grand Sierra Resort

Nordic alt-rock outfit Pennies by the Pound releases synth-laden 80s-inspired 'The End Times' single

January 6, 2023

"One of Finland’s best kept secrets... quite chameleonic. Best known for their British prog-rock stylings, the quartet try a new size on in this current single – synthpop... truly of the 80s, only with a vocal timbre and passion of Marillion" ~ The Spill Magazine

"Big and extravagant.... this is brilliant music for here and now, wherever that may be" ~ Big Takeover Magazine

"A trippy ride... Loads of flair and professionalism from the band" ~ Amplify Music Magazine

"Indeed a wonderful affair... Pennies By the Pound should be on everyone’s radar as a band to watch in future" ~ The Record Stache

Finnish indie outfit Pennies By The Pound have released their new invigorating single 'The End Times', the second single from their upcoming concept album 'Nothingside', to be released this spring via the Lilith label.

This time around, the band has traded in the fantastic British-style progressive rock seen on the first single 'Burning Wish', a beautiful expression of optimism and adventure, for a synth-infused exploration of the opposite end of the spectrum of emotions conveyed on their forthcoming sophomore album.

Pulsing with the rhythms and sounds of the neon-lit eighties, 'The End Times' takes the listener on a ride through the turbulent times we (as well as the protagonists of the story) are experiencing at present, keeping sight of the light at the end of the tunnel - even if it is an oncoming train.

"This song is something completely different than anything we've ever done before, almost alien to us in many ways. Most of the credit for that goes to our producer Mr. Eskolin, who was instrumental in making this song happen in the first place," says frontman Johannes Susitaival.

"If I've mentioned before about the influence of all sorts of 80s records on this album as a whole, this is definitely the climax of all that. If you check out the video, you'll especially know what I mean. The subject matter of the album as a whole is a bit heavy, so we tried to bring out some light-hearted fun for a change!"

As with previous releases, the Helsinki-based band worked with Ride frontman Mark Gardener, who mastered the track at his OX4 Sound Studioin Oxford, and top national producer Rauli 'Rake' Eskolin, who has had over a dozen No.1 records in Finland to his name in the past 20 years.

Pennies by the Pound was formed by Johannes Susitaival and Vesa Ranta around 2017, with the lineup expanded in the next few years by first Tomi Laaksonen and then Alexander Meaney, both musicians from previous related projects. Having written for a variety of bands, Johannes began exploring his passion for alternative and progressive rock, which led to Pennies' self-produced 'Bloodshed and the Blinding Sunlight' EP in 2018, followed by their debut album 'Heat Death of the Universe' in 2020. This new release takes them to yet another realm beyond that.

'The End Times' is out now, available via digital stores and streaming platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
Music by Johannes Susitaival and Rauli Eskolin
Lyrics by Johannes Susitaival
Arranged by Pennies By The Pound and Rauli Eskolin
Johannes Susitaival - vocals, guitar, keyboards
Vesa Ranta - lead guitar
Tomi Laaksonen - bass
Alexander Meaney - guitar
Rauli Eskolin - programming, keyboards, guitar
Produced, recorded and mixed by Rauli Eskolin
Mastered by Mark Gardener at OX4 Sound

VIDEO CREDITS
Directed by Martin Brown with Pennies By The Pound
Edited by Martin Brown
Cameras by Martin Brown and Sam Gurung
Post-production by Sam Gurung
With assistance from Jayson Rohde
'The End Times' ISRC FI-LLH-22-00010
'Burning Wish' ISRC FI-LLH-22-00002

Keep up with Pennies By The Pound
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Keep up with Mark Gardener / OX4 Sound
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BLACK MARKET KARMA announces 'Friends In Noise' LP and European tour dates with THE BLACK ANGELS

January 6, 2023

"Emotive, tender and nostalgic...an intriguing and evocative release that effortlessly demonstrates Stan Belton's spectacular composing skills" ~ Clash Magazine

"Addictive... bravely and perfectly executed" ~ The Spill Magazine

"Impressive and singular, yet filled with easy and accessible appeal... making music without following fad or fashion" ~ The Record Stache

"Their psychedelic vision goes well beyond the influential underpinnings of 60s rock, presenting a kaleidoscopic array of sonic threads woven together into the fabulous tapestry" ~ Amplify Music Magazine

London psychedelic pop artist Black Market Karma announces their upcoming tour with The Black Angels as they gear up for the band's eleventh full-length album band's 'Friends In Noise', an international collaboration rooted in friendship and spontaneity, to be released via London boutique label Flower Power Records.

Revolving around songwriter Stanley Belton, Black Market Karma offers a colourful carousel of jingle jangle and distorted wobble with flavours of psychedelia, fuzzed out tones and thumping grooves. With a thick and colourful sound channelled through vintage equipment, their music is rooted in 60's guitar and pop music, other influences include folk, blues, lo-fi electronica, alt pop and soul.

"I didn’t really get the idea of an album in my head too much. It’s something that gradually came together over the years through playing and becoming friends with so many good musicians. Collaborations naturally occur when you’re spending time with people who are musically minded, especially when we would hang at my studio. The songs started to build up over time and I thought man, these should all be gathered together on one release so here we are," says Stanley Belton.

"The last pieces came via two good friends - Craig Dyer of The Underground Youth and Butchy Davy of The Confederate Dead. Craig and I had wanted to make music together in the past but it never came to be - he lives in Berlin, but we managed to make 'Wonky' happen. Lastly Butchy came to the BMK studio with an unfinished, instrumental demo and we worked on it together. The result was 'Ageing Boy'".

Earlier, Black Market Karma released the singles 'The Sky Was All Diseased' with iconic vocalist Tess Parks and 'Aping Flair' with Ruari Meehan (Tess Parks, Tess Parks & Anton Newcombe and Belakiss with Ringo Starr's granddaughter Tatia Starkey).

Featuring recordings captured over nine years, 'Friends In Noise' is a series of collaborations between Black Market Karma and friends. Apart from Tess Parks, this album also involves The Underground Youth, Les Big Byrd / Joakim Ahlund, The Confederate Dead and Ruari Meehan. More recently, Stan has also been collaborating with Pete Kember (a.k.a. Sonic Boom) of Spacemen 3 fame on a forthcoming release.

Earlier this year, the band released the ‘Aped Flair & Hijacked Ideas' LP, a loaded 11-track offering with a fluid texture of beach-soaked instrumentation. Themes ranging from the sycophantic circles that leach from the arts, desperate attempts to stay spiritually close to a distant love, Japanese folklore, and the deep connection between man and beast.

As of January 13, the 'Friends In Noise' album will be available everywhere digitally, including Apple Music, Spotify and Bandcamp. It can be ordered on 180-gram coloured vinyl from the label, as well as their latest 'Aped Flair & Hijacked Ideas' LP. Tickets for upcoming tour dates can be ordered here.

Elle King Releases Bodacious New Song "Tulsa" Off Upcoming Album

January 6, 2023

Elle King kicked off 2023 co-hosting and performing at New Year’s Eve Live: Nashville’s Big Bash, which was broadcast on CBS and is rounding out the week by releasing “Tulsa,” a new song from her forthcoming album, Come Get Your Wife. The new album will be released Friday, Jan 27.

While Tulsa has been named checked in many country songs, this is the first time it’s recognized for its spelling in reverse. “Tulsa is a song about doing someone wrong,” said King of the tune that includes the lyrics But if you spell it back to front you gonna know what I mean, he went back to Tulsa. “This is not about tearing women down but it’s about putting the blame on the wrongdoer. If a man is cheating on you, it’s not her fault because there are a million other girls he would do it with. And he’ll just cheat on her too. It’s a song about uniting and not taking shit from this real P.O.S.”

Written by King along with Ella Langley, Bobby Hamrick and Matt McKinney, “Tulsa” features background vocals by Ashley McBryde and John Osborne on guitar. “We wrote the song in less than an hour and it’s so raucous and fun,” King continued. “We’ve been playing it on the road and it’s the third song in our show now. It’s fun for us and the crowd!”

With the release of Come Get Your Wife only three weeks away, “Tulsa” is another glimpse into the fresh, unbridled and honest album that almost feels like a look into King’s journal. The brassy tune joins the current single “Worth A Shot” with Dierks Bentley – currently at #43 and rising, the previously released smash hit “Drunk (And I Don’t Want To Go Home)” with Miranda Lambert, the banjo-basted take-your-small town gossip “Out Yonder,” and the hallelujah sass of “Try Jesus,” all part of the Come Get Your Wife line-up. King wrote eight of the 12 songs and co-produced the album with Ross Copperman.

Fans can hear the new music live starting February 14 with her 2023 headlining Elle King A-FREAKIN-MEN Tour Presented by Slow & Low. The nearly 30 city tour will kick-off Valentine’s Day in New Orleans, LA.