JADE EAGLESON & MIDLAND ARE “COMING SOON TO A HONKY TONK NEAR YOU” – OUT NOW

Jade Eagleson has never been interested in sanding down the edges of country music. Now, kicking off his next chapter with BBR Music Group/BMG Nashville, the award-winning artist teams up with neotraditional country revivalists Midland on “Coming Soon To A Honky Tonk Near You,” doubling down on the sound he has championed from the start. Available everywhere HERE.

Co-written by Eagleson, Matt Roy, Casey Brown and Travis Wood, the rowdy heartbreak anthem sends a newly single cowboy on an all-night barroom tour rather than home to nurse a broken heart. Produced by Todd Clark and Wood, the track was deliberately built to feel at home in the kind of honky tonks that first shaped Eagleson’s musical instincts, bringing fiddle and pedal steel to the forefront. Midland’s unmistakable harmonies meet Eagleson’s twang, pairing two acts united by a shared reverence for classic country.

“We really wanted this song to feel like you’re right inside some honky tonk in the middle of nowhere,” shares Eagleson. “From the writing to the musicians we brought in and the way we produced it, every choice was made with that in mind. It was important to me that it sound like the country music I grew up playing and still love today.”

For Eagleson, that commitment to country tradition predates the accolades that have followed. Raised on a family farm, he stepped away from some of his duties there in 2017 to pursue music full time, carrying with him a sound rooted in the country music he had long loved and played. When he began making trips to Nashville nearly a decade ago, Eagleson recalled being politely turned away by some in the music industry because what he was doing was considered “too country.” Rather than change his sound, he made it his calling card.

That conviction has since taken Eagleson from the farm to more than 430 million global streams, 130 million YouTube views and five No. 1s at Canadian Country Radio, alongside multiple GOLD and PLATINUM certifications. His self-titled 2020 debut introduced an artist intent on bringing neo-traditional country forward on his own terms, while subsequent releases continued to build a career around the steel, fiddle and storytelling at the center of his musical identity. His momentum continues this year, with Eagleson earning CCMA Award nominations for Male Artist of the Year and Fans’ Choice.

“This song marks the beginning of my next chapter musically, and I couldn’t be more excited,” says Eagleson. “Having Midland on it makes it even more special. I’ve been a fan since day one, and there ain’t too many folks out there that can twang like them.”

“Jade is cut from the same cloth as us. He’s a troubadour and a honky tonk revivalist taking traditional country music into the modern era,” says Midland’s Mark Wystrach. “He hit us up to join him on this up-tempo bar banger, and it was a no-brainer. He’s our little brother and a helluva artist. Midland x Jade Eagleson are comin’ to a honky tonk near you soon!”

With “Coming Soon To A Honky Tonk Near You,” Eagleson lets the sound that got him here lead the charge into his next chapter.

About Jade Eagleson
Jade Eagleson built his career by betting on the kind of country music he knew long before he had the accolades to prove the bet paid off. Raised on a family farm, Eagleson stepped away from some of his duties there in 2017 to pursue a longtime dream of making music, setting his sights on bringing neo-traditional country back to the forefront. Early trips to Nashville found some politely turning him away for being “too country,” but Eagleson never saw that as a reason to change course. His 2018 debut “Got Your Name On It” became his breakthrough, with its music video surpassing 100 million views and the song becoming the first debut single by a Canadian artist to achieve PLATINUM certification. Since then, Eagleson has amassed more than 430 million global streams, including 215 million in the United States, alongside 130 million YouTube views, five No. 1s at Canadian Country Radio and multiple GOLD and PLATINUM certifications across three albums. That commitment to the music that first shaped him remains at the center of Eagleson’s work today. With steel, fiddle and country storytelling as guideposts, the 2025 CCMA Male Artist of the Year and four-time JUNO Award nominee enters his next chapter with BBR Music Group/BMG Nashville not by leaving his roots behind, but by taking them to a bigger stage with his latest release “Coming Soon To A Honky Tonk Near You” with Midland. 

KEEP UP WITH JADE EAGLESON
WEBSITE | INSTAGRAM | FACEBOOK | TIKTOK | X | YOUTUBE

About Midland
Footloose and free, working hard and drinking harder, always riding into the sunset or sunrise, GRAMMY-nominated trio Midland makes country music feel viscerally alive and timeless, with songs for people to drink, swing, love and, yes, lose to. Name inspired by a Dwight Yoakam song, the Dripping Springs, TX-born trio channels a distinctly 21st century post-modern traditionalism, recapturing that classic country essence through thick harmonies, steel guitars and a worn-in cool that has made their music a dive bar staple worldwide. Honed in barrooms, it’s a sound that’s been imitated but never duplicated since their now 5X PLATINUM, No. 1 “Drinkin’ Problem.”


For Mark Wystrach, Cameron Duddy and Jess Carson, music isn’t just something to play in your car. It envelopes their aesthetics, from the Nudie Cohn-inspired rhinestone suits, their Insolito Tequila and Kingsmaker cigar line to their album-focused musical explorations and lean, song-forward live presentation. From head-turning debut On The Rocks through the Billboard Top Country Albums chart-topping Let It Roll and into The Last Resort: Greetings From and Barely Blue, Midland has built a catalog that bridges conceptual ambition with roots-driven songwriting, continuing through projects like The Sonic Ranch and Live From The Palomino. Alongside “Drinkin’ Problem,” their catalog also includes PLATINUM-certified “Burn Out” and GOLD-certified favorites “Cheatin’ Songs,” “Make A Little” and “On The Rocks.” The band's commitment to the sounds, stories and places that define country music persists on Stages, out now via Blue Highway Records. Braiding Laurel Canyon country-rock, Texas outliers, and a shot of vintage Nashville, the critically acclaimed project pulls together the many phases of their journey, further staking their claim as one of country’s most engaging acts. 

IAN BLURTON'S FUTURE NOW Release "Siren Of The Song," Announce Album Imperial Filth

IAN BLURTON'S FUTURE NOW return with "Siren Of The Song," the first single to land from the forthcoming full length venture, Imperial Filth. Delivering guitar-led rock with lashings of overdrive, "Siren Of The Song" brings a wall of rhythms, charismatic melodies and a warm analogue sound. Imperial Filth is schedule for release via Pajama Party on October 23, 2026.

Ian Blurton comments on the new single: 
"'Siren Of The Song' is a riff fest that connects the unlikely dots between Cheap Trick, Slayer, Voivod and ZZ Top and includes 3 guitar solos in 3 minutes. It seemed like a good first single as it encompasses influences from 4 of our favourite bands."

"1/2 of Imperial Filth was recorded with no click, 80% of it was live off the floor using real British tube amps and no drum samples or AI". Explains Burton. "We tried to go for a live feel as much as possible, left in a human touch and then overdubbed upon the bed tracks. This record has a bit more of a proggy feel than our last LP as we wanted to explore arrangements that lived outside the world of verse/chorus/verse/chorus/bridge/chorus.

We loved working with Daryl Smith and he really helped let us focus on the playing while he took care the sounds."

Produced by Daryl Smith and Ian Blurton at Blurton's very own ProGold Studios, Toronto. Imperial Filth was mixed by Daryl Smith at Chemical West and Mastered by Brad Boatright at Audiosiege. Special guests appearing on Imperial Filth include guitarist Liam Deak of TUMBLE and Lee Rose of ACE OF WANDS performing strings. Cover art for Imperial Filth is by Lydia Sam Planetta and the layout design is by Louis Durand.

IAN BLURTON'S FUTURE NOW return with "Siren Of The Song," the first single to land from the forthcoming full length venture, Imperial Filth. Delivering guitar-led rock with lashings of overdrive, "Siren Of The Song" brings a wall of rhythms, charismatic melodies and a warm analogue sound. Imperial Filth is schedule for release via Pajama Party on October 23, 2026.

Ian Blurton comments on the new single: 
"'Siren Of The Song' is a riff fest that connects the unlikely dots between Cheap Trick, Slayer, Voivod and ZZ Top and includes 3 guitar solos in 3 minutes. It seemed like a good first single as it encompasses influences from 4 of our favourite bands."

"1/2 of Imperial Filth was recorded with no click, 80% of it was live off the floor using real British tube amps and no drum samples or AI". Explains Burton. "We tried to go for a live feel as much as possible, left in a human touch and then overdubbed upon the bed tracks. This record has a bit more of a proggy feel than our last LP as we wanted to explore arrangements that lived outside the world of verse/chorus/verse/chorus/bridge/chorus.

We loved working with Daryl Smith and he really helped let us focus on the playing while he took care the sounds."

Produced by Daryl Smith and Ian Blurton at Blurton's very own ProGold Studios, Toronto. Imperial Filth was mixed by Daryl Smith at Chemical West and Mastered by Brad Boatright at Audiosiege. Special guests appearing on Imperial Filth include guitarist Liam Deak of TUMBLE and Lee Rose of ACE OF WANDS performing strings. Cover art for Imperial Filth is by Lydia Sam Planetta and the layout design is by Louis Durand.

Upcoming Canadian Tour Dates:

Sat Oct 24 - Toronto - St Anne's Church
Fri Nov 13 - London - Supply and Demand
Sat Nov 14 - Montreal - Turbo Haus
Fri Nov 20 - Ottawa - House Of Targ
Sat Nov 28 - Sudbury - The Lounge
Sat Dec 5 - Hamilton - The Mule Spinner

About IAN BLURTON'S FUTURE NOW:

FUTURE NOW is the hard-hitting rock project led by Canadian music veteran Ian Blurton. Known for their raw, powerful sound that blends classic rock, metal, and modern influences, FUTURE NOW delivers music that thrives on energy and live performance. With a lineup of seasoned musicians, the band creates guitar-driven anthems that are equal parts heavy and melodic, capturing the essence of rock’s rebellious spirit.

The creative direction of FUTURE NOW is driven by experimentation, "Everyone in this band makes their living in music, but this is a band that is meant to be a total departure from our day jobs. We can do and try pretty much anything we want and explore what is possible in the songwriting department". 

The band is preparing to unveil their next full length record, Imperial Filth on October 23, 2026, via label Pajama Party.
 

IAN BLURTON'S FUTURE NOW is:

  • Ian Blurton – Guitar/Vocals 

  • Glenn Milchem – Drums/Backup Vocals 

  • Anna Ruddick – Bass 

  • Aaron Goldstein – Guitar 


Connect With IAN BLURTON'S FUTURE NOW:

Gavin Adcock Surprise-Drops New Track, “Through With Me”

As Gavin Adcock looks ahead to the October 2nd release of his third studio album, The Day I Hang It Up, the Georgia native today surprised fans with his latest song, “Through With Me,” available now. Listen BELOW. 
 
With his album arriving in just over two weeks, Adcock is also inviting fans to vote on which city will host his album release show. Fans can pre-save/pre-add the album and cast their vote now HERE. 
 
Written by Adcock and Brody Frazier, “Through With Me” depicts the turmoil of coping with the end of a relationship after the other half has already moved on. 
 
“We’ve had a lot of love songs lately, but now I think it’s time for a heartbreaker,” remarks Adcock. “‘Through With Me’ is just that.” 

“Through With Me” is Adcock’s latest release in a flurry of instant grat songs from the album, including “The Day I Hang It Up,” “Workin’ Man,” “Having One Now,” “Anymore,”  “Shoes” and “One Hell Of A Steal,” marking six weeks of new music. “Shoes” left Country Central remarking, “unfortunately for the haters, he has done it again.”
 
American Songwriter has dubbed Adcock a “modern-day outlaw,” while Music Row Magazine hails his “rowdy, high-octane performance” —a reputation he’s bringing to fans across the country on his 30-city The Day I Hang It Up Tour. The trek features a rotating lineup of special guests, including Pecos & The Rooftops, Corey Kent, Tyler Nance, Jake Worthington, The Creekers, Braxton Keith and Mack Geiger.
 
A proven must-see live performer, Adcock has sold out venues coast to coast across multiple headline tours, including the Monster Energy Outbreak Tour Presents: Gavin Adcock, Actin’ Up Again (Again) Tour and Need To Tour. Most recently, he joined Morgan Wallen for select dates on both legs of Wallen’s 2025 and 2026 tours, earning explosive responses from audiences nationwide.
 
In addition to the standard CD/Vinyl, The Day I Hang It Up limited edition exclusive bone-colored vinyl is now available for pre-order. Built for the die-hards, this exclusive two LP is pressed on raw, bone-colored wax and wrapped in a killer limited-edition alternate cover. To cap it off, every copy drops with a custom 12x12 insert hand-signed by Adcock himself.
 
To purchase tour tickets or to pre-order limited edition vinyl, visit GavinAdcockMusic.com. 

The Day I Hang It Up Tour 2026            
Sep 17 || Lubbock, Texas || Cooks Garage * %                                  
Sep 19 || Round Rock, Texas || Round Rock Amp %                         
Sep 24 || Baton Rouge, La. || Raising Cane's River Center Arena * %                      
Sep 25 || Oxford, Miss. || SJB Pavilion * %                           
 
Oct 15 || Macon, Ga. || Atrium Health Amphitheater > %                 
Oct 16 || Birmingham, Ala. || Coca-Cola Amphitheater > %
Oct 17 || Little Rock, Ark. || First Security Amphitheater > %          
Oct 22 || Fishers, Ind. || Fishers Event Center $ ^ 
Oct 23 || Knoxville, Tenn. || Knoxville Civic Coliseum $ ^
Oct 24 || Cary, N.C. || Koka Booth Amphitheatre $ ^ 
Oct 29 || Charlotte, N.C. || Bojangles Coliseum > % 
Oct 30 ||Savannah, Ga. || Enmarket Arena > % 
Oct 31 || Estero, Fla. || Hertz Arena > %
 
Nov 6 || Boston, Mass. || MGM Music Hall at Fenway > %
Nov 7 || Reading, Penn. || Santander Arena > %
Nov 13 || Detroit, Mich. || Masonic Temple Theatre > %
Nov 14 || Grand Rapids, Mich. || Van Andel Arena > %
 
Dec 10 || Las Vegas, Nev. || The Theater at Virgin Hotels !
 
Opener denotations:
$: Pecos & The Rooftops
*: Corey Kent
^: Tyler Nance
#: Jake Worthington
%: The Creekers
>: Braxton Keith
!: Mack Geiger

Summer Hoop Announces New EP "Self Disrespect" + Soundtracks Pop, Screams & Self-Sabotage on New Single "Tore Up"

Dark-pop breakout, Summer Hoop, steps into a messier, more self-aware era with the announcement of her upcoming EP, "Self Disrespect", out November 6 via Oxide Music. Accompanying today's announcement is the brand new track "Tore Up (ft. Asha Locke of GILT)", which channels a spiral of heartbreak, bad decisions, and emotional overcompensation into a loud, volatile freefall. Fans can listen to "Tore Up (ft. Asha Locke of GILT)" Below.

Exploring the impossible balancing act of wanting to be loved without having to change parts of yourself that feel too loud, complicated, or difficult to contain, her upcoming EP, "Self Disrespect" follows the moments where self-sabotage finally kicks in. As the relationship unravels, Summer Hoop turns its aftermath into "Tore Up (ft. Asha Locke of GILT)", an electric, neon-lit release where heartbreak and euphoria collide.

With the "Self Disrespect" era officially underway, Summer Hoop shares:

"I have never felt more confident in myself artistically and this EP is a really transparent form of self reflection that I’ve spent years running from in my personal life. I feel simultaneously so fragile and so incredibly tough most of the time and I feel like this EP really shows both sides of the same coin sonically and lyrically. Time to disrespect yourself (:"

Giving voice to the feelings behind "Tore Up (ft. Asha Locke of GILT)", Summer Hoop continues:

"I have an unfortunate list of reckless habits and destructive tendencies that I have tried to suppress in the pursuit of being what somebody else needs in a relationship. “Tore Up” is the inevitable ending every time, blacked out at the function, yelling over loud music, asking somebody to accept me and just let me be myself. It’s a bad cycle. They always leave, but the club lights are pretty, and I’m going to turn up with tears in my eyes."

Sitting at the intersection of glossy pop hooks and grittier, heavier undercurrents, Summer Hooppositions herself as a distinct new voice for fans of Poppy, Maggie Lindemann, and PVRIS. With a growing catalog and a bold artistic identity rooted in the contrast of beauty and chaos, Summer Hoop is quickly carving out a space of her own in the alternative landscape.

Following the release of her Oxide Music debut, "Mindlessly", Summer Hoop recently wrapped a run of Florida dates supporting Icon For Hire and will be hitting the road supporting Nate Vickers across five US dates.

Be sure to stay tuned for more Summer Hoop news coming soon.

SUMMER HOOP

Supporting Nate Vickers

September 17 - Nashville, TN - The 58’

September 20 - Harrisburg, PA - Capital City Music Hall

September 21 - Vienna, VA - Jammin’ Java

September 23 - Greensboro, NC - Hangar 1819

September 25 - Atlanta, GA - The Masquerade

ABOUT SUMMER HOOP

Based out of Tampa, FL, Summer Hoop has always had music at the center of her world. From being involved with theatre throughout her childhood to forming her own bands as she reached her teenage years, music has always been a focus point. “I didn’t ever see anything else for my life. My dad started bringing me to concerts when I was a literal child at 4 years old. His deep love for rock and alternative music got me into music. I’m on a mission to make fresh stuff that feels nostalgic of the things that I’ve loved in the past.” Summer Hoop says about her introduction into music.

Hoop is a powerhouse artist that takes immense pride in her songwriting, wrapping her art in a layer of protection.“Becoming a solo artist felt like the natural next step, because it gives me the creative control to fully shape my sound and vision while still bringing the energy of a full live band.” Hoop says about flourishing as a solo artist. “I’ve been performing with the same group of musicians for years, so I get that dynamic, collaborative feel on stage, but at the same time I can stay true to my own taste and represent myself exactly how I want to.”

Drawing inspiration from iconic artists such as Fall Out Boy, My Chemical Romance and PVRIS just to name a few. Hoop uses her songs as a way to express difficult topics. “I’ve never been great at saying the hard things out loud. Whether that’s in friendships, relationships, or even with family.” Hoop continues. “Writing music is the only space where I can be brutally honest without censoring myself. It’s how I process everything I go through, because if I don’t write it down, it just sits in me.”

Now, with the announcement of her upcoming EP, "Self Disrespect", Summer Hoop continues to push deeper into emotionally charged territory. The track explores obsessive devotion, sacrifice, and self-destruction, building on the intensity of her previous releases while marking her debut release via Oxide Music.

Hoop has hit incredible milestones throughout her career, being featured on Bilmuri’s track, “THE VOID APPROACHETH” along with Lost In Separation's "Higher" and sharing the stage with notable acts such as Pierce The Veil, Adam Lambert and Twenty One Pilots. “My songs are like a no-filter version of my thoughts — sometimes dark, lots of times funny, but always real.” Hoop says reflecting on her discography, “Human connection, friendship, and love are painful and confusing a lot of the time, but they’re also the best things we get to experience in this life. My music is about holding both truths at once — the chaos and the beauty.”

HELLRIPPER Digitally Releases Two New ZEKE Covers Ahead of Imminent Tours

Scotland's ibex-obsessed blackened thrash bastard of Hades, otherwise known as HELLRIPPER, is now unleashing two digital singles ahead of his upcoming worldwide live assault, which kicks off this Thursday in Europe before laying waste to North America for the first time ever in support of HAVOK! To celebrate, the Goat Kvlt mastermind is now offering two cover versions of legendary Seattle speed metal punks, Zeke. Listen now to the black thrash versions of the tracks “Let’s Get Drugs” and “Mainline" Below.

HELLRIPPER guitarist/vocalist/songwriter James McBain comments, “ZEKE has been a favourite band of mine for many years now, and I sure have gotten a lot of mileage out of that shirt of mine as a lot of people have pointed out! The influence they have had on the sound of Hellripper cannot be overstated - 100mph balls to the wall metalpunk with endless guitar solos? Count me in! These two tracks were released as part of the Decibel Magazine Flexi series earlier this year, and I'm happy to now have them out there for everyone to listen to. ZEKE YOU!”

The extensive U.S. trek will kick off on October 21 in Salt Lake City, UT and will decimate everything in its path until the final stop on November 20 in Denver, CO. The full itinerary can be found below and tickets to all upcoming live performances are available HERE.

HELLRIPPER will be supporting its critically-acclaimed new album, 'Coronach,' which was released worldwide on March 27, 2026 via Century Media Records, making it his debut to the label! 'Coronach' can be streamed, downloaded, or ordered HERE.

Enter the GOAT KVLT HERE.

HELLRIPPER LIVE NORTH AMERICAN DATES (w/ HAVOK):

10/21: Salt Lake City, UT @ Metro Music Hall

10/22: Boise, ID @ Shrine Social Club Ballroom

10/23: Seattle, WA @ El Corazon

10/24: Portland, OR @ Dante’s

10/26: Roseville, CA @ Goldfield Trading Post

10/27: Berkeley, CA @ Cornerstone Berkeley

10/28: Los Angeles, CA @ The Regent Theater

10/29:Fresno, CA@ Strummer’s

10/30: Las Vegas, NV @ Backstage Bar Billiards

10/31: Mesa. AZ @ Nile Theater

11/02: Dallas, TX @ AM/FM

11/03: Austin, TX @ Come and Take it Live

11/04: Houston, TX @ Warehouse Live Midtown

11/06: Atlanta, GA @ Masquerade (Hell)

11/07: Nashville, TN @ Basement East

11/08: Asheville, NC @ Eulogy

11/09: Richmond, VA @ Canal Club

11/11: Baltimore, MD @ Baltimore Soundstage

11/12: Harrisburg, PA @ Capital City Music Hall

11/13: Boston, MA @ Brighton Music Hall

11/14: New York, NY @ Racket

11/15: Lakewood, OH @ Mercury Music Lounge

11/17: Detroit, MI @ Catacombs at the Sanctuary

11/18: Chicago, IL @ Reggies

11/19: Kansas City, MO @ Recordbar

11/20: Denver, CO @ Gothic Theatre
11/25: Montreal, QC @ Piranha Bar 

11/26: Quebec, QC @ La Source De La Martinière

11/27: Ottawa, ON @ Dominion Tavern

11/28: Toronto, ON @ Supermarket Bar & Variety

Hellripper EU Live Dates (w/ NECROFIER):

TH 17.09.2026 Hannover (Germany) - Cafe Glocksee * / Sold out!

FR 18.09.2026 Esbjerg (Denmark) - Tobakken *

SA 19.09.2026 Aarhus (Denmark) - VoxHall *

SU 20.09.2026 Gothenburg (Sweden) - Monument *

MO 21.09.2026 Oslo (Norway) - Vaterland * / Sold out!

TU 22.09.2026 Norrköping (Sweden) - Dynamo *

WE 23.09.2026 Stockholm (Sweden) - Kollektivet Livet *

TH 24.09.2026 Malmö (Sweden) - Plan B *

FR 25.09.2026 Lübeck (Germany) - Treibsand *

SA 26.09.2026 Hinte (Germany) - Coast Rock Festival *

SU 27.09.2026 Namur (Belgium) - Le Belvedere *

HELLRIPPER Latin American Dates:

SA 09.01.2027 Mangualde (Portugal) - Mangualde Hardmetalfest

TH 14.01.2027 Rio De Janeiro (Brazil) - Experience Music

FR 15.01 2027 Curitiba (Brazil) - Basement Cultural

SA 16.01.2027 Sao Paulo (Brazil) - Burning House

SU 17.01.2027 Belo Horizonte (Brazil) - Caverna

TU 19.01.2027 Buenos Aires (Argentina) - Uniclub

WE 20.01.2027 Santiago (Chile) - Sala RBX

TH 21.01.2027 Lima (Peru) - Vichama Conciertos

SA 23.01.2027 Bogota (Colombia) - Ace of Spades

SU 24.01.2027 Quito (Ecuador) - Necronik

TU 26.01.2027 San Jose (Costa Rica) - Amon Solar

TH 28.01.2027 Monterrey (Mexico) - Cafe Iguana

FR 29.01.2027 Hermosillo (Mexico) - London Pub

SA 30.01.2027 Tijuana (Mexico) - Dragón Rojo

SU 31.01.2027 Mexico City (Mexico) - Circo Volador

HELLRIPPER 2027 DATES (+ more TBA):

SA 13.03.2027 Eindhoven (The Netherlands) - Dynamo / Welcome To Hell Festival

TH-SU 25-28.03.2027 Oslo (Norway) - Inferno Festival

FR-SA 28-29.05.2027 Buchenbach (Germany) - Boarstream Open Air Festival

TH-SA 03-05.06.2027 Stykkisholmur (Iceland) - Satan Festival

FR-SU 11-13.06.2027 Leeuwarden (The Netherlands) - Into the Grave Festival

* w/ Necrofier

+ w/ Havok

The brainchild of guitarist/vocalist/solitary force, James McBain, Hellripper has been running like a denim-vested, backpatch-encrusted William Wallace, bravehearting his way through metal's bloodiest battlefields since first coagulating his personal darkness in 2014. Taking armaments from “Kill 'Em All” era Hetfield and “Welcome to Hell” era Mantas, McBain has immersed his fascination with darkness and speed with Scottish history and come with bloody masterpieces like 2023's “Warlocks Grim & Withered Hags” that Metal Injection stated: "Bursts with growth and a mature exploration of darkness and eeriness while maintaining that original high-octane burning”. McBain is presently sharpening his blades and casting new spells that will transmogrify into Hellripper's Century Media debut “Coronach”.

Hellripper Lineup:

James McBain – All Instruments & Vocals

Hellripper live and video performance line-up:

James McBain – Guitar & Vocals

Joseph Quinlan – Guitar

Andy Milburn – Bass

Max Southall – Drums

Album credits:

Recorded and mixed by Hellripper’s James McBain at Coronach Studios in Scotland, UK

Mastered by Damien Herring at Subterranean Watchtower Studios in the USA.

Cover Artwork: Adam Burke / Nightjar Illustration

Formats:

Jewelcase CD

Digital Album

LP (formats below):

- “Black Cuillin” LP on black vinyl (Unlimited, available in Europe)

- “Wild Thistle” LP on transp. magenta vinyl (Ltd. to 400x copies, available from UK retailers and Hellripper)

- “Saltire” LP on blue vinyl (Ltd. to 300x copies, available from selected German & Austrian retailers and from Hellripper)

- “Highland Mist” LP on grey vinyl (Ltd. to 1000x copies, available from Hellripper)

- “Baobhan Sith” LP on transp. forest green vinyl (Unlimited, available in the USA)

- “Granite City” LP on electric smoke colored vinyl (Ltd. to 500x copies, available in the USA)

- “Bean Nighe” LP on ultra clear vinyl (Ltd. to 300x copies, available in the USA from Hellripper)

Pre-order // pre-save: https://hellripperband.lnk.to/Coronach-AlbumID

Links:

Website

Instagram

YouTube

Spotify

TikTok

Discord

Twitch

Facebook

RAISED ON CANDY shares 'Pickle Eyes', announcing follow-up album to Steve Albini-produced debut

American alt-rock outfit Raised On Candy presents their new single 'Pickle Eyes', a tightly wound blast of melodic tension and explosive guitar-driven release. The first warning shot ahead of their sophomore album 'Play Marbles on the Turnpike', forthcoming via Magic Door Record Label, the track sets the tone for a record that finds the duo expanding their noisy, hook-heavy sound and unruly edge.

A tightly wound blast of melodic tension and explosive guitar-driven release, the track sets the tone for a record that finds the duo expanding their noisy, hook-heavy sound without losing its wonderfully unruly edge. It's the first warning shot from an album built to hit hard, take unexpected turns and linger long after the ride stops.

Equal parts melodic earworm and noisy joyride, the track barrels out of the gate with wiry guitars, explosive rhythms and an unmistakably off-kilter charm. It's a tantalizing glimpse of an album that promises sharp hooks, combustible guitars and plenty of glorious left turns.

Raised On Candy is Joe Penna (vocals, guitars) and Scotty Imp (drums, cymbals). Formed from the ashes of the band Buteo, Raised On Candy is the next step in the evolution of their music, weaving old school indie-rock and post-punk nuggets into tasty sonic delicacies. They've always called Montclair, New Jersey their home base. Scotty lives there and, while Joe lives in Riverside, Connecticut, he was born in Montclair and grew up in the nearby community of Toms River.  

Raised On Candy produced this album together with Ray Ketchem (Guided By Voices, Luna, Elk City, Gramercy Arms, The Dambuilders), who also engineered, mixed and mastered it at Magic Door Recording Studio in Montclair from October 2025 to June 2026. With a minimalist interplay of melodic vocals, slow burn builds and massive hooks, their music unites precise rhythms with pyro-friendly guitars, transforming chaos into sharp, noisy rock.

"This song is about the personal enrichment that comes from having the courage to embrace the people and things that appear to be different from you.  Without curiosity, we are choosing  a life unlived, opting instead for intolerance and ignorance.  Buy the ticket, take the ride," says Joe Penna.

"We assembled this one as sort of a short scale boardwalk roller coaster - set the table with anticipation then let it all go with a couple of nice releases.  After that, we give you a little time to catch your breath then bring it all back around one more time for the big finish. Once it stops, push the bar up and go get some zeppoles."

Scotty Imp adds, "I remember 'Pickle Eyes' being written really quickly. I knew exactly what the drums were supposed to do before I could actually play the parts. I kept getting ahead of myself doing those big fills. I was excited that the song needed such expressive & energetic drum parts."

Scotty and Joe met over 20 years ago through a mutual friend, but it wasn't until after the demise of Joe's band Transit Belle around 2005 that they would collaborate. They formed the band Buteo, which eventually parted ways around 2010 after releasing one album and touring. While Joe pretty much stopped playing music, Scotty continued playing drums in Overlake and Stuyvesant, the latter of which he still plays with today. In 2022, Joe returned to songwriting, eventually leading to the birth of Raised On Candy.

Raised On Candy's self-titled debut album was recorded with legendary producer-engineer Steve Albini (Nirvana, Pixies, PJ Harvey, Robert Plant & Jimmy Page, The Breeders, Bush, Cheap Trick) at Electrical Audio and mastered by Matthew Barnhart (Superchunk, The New Pornographers, Bob Mould, The Mountain Goats) at Chicago Mastering Service.   This would be one of the last records Steve ever worked on before passing away in May, adding a whole new level of emotion to this album, which would be released in July 2024.

On September 15th, 'Pickle Eyes' will be released across digital platforms, includingSpotify, Apple Music and Bandcamp. The 'Play Marbles On The Turnpike' album, which is now available for pre-order, will be released on November 13th.

CREDITS
Music written by Joe Penna and Scotty Imp
Lyrics written by Joe Penna
Joe Penna - Guitar, Vocals, Bass, Synths
Scotty Imp - Drums, Cymbals, Percussion, Piano, Backing Vocals
Produced by Raised On Candy with Ray Ketchem
Engineered, Mixed & Mastered by Ray Ketchem
Recorded at Magic Door Recording, Montclair, NJ from October 2025 to June 2026
'Pickle Eyes' single artwork design by Ray Ketchem
Cover photo by Joe Penna
Released by Magic Door Record Label
Publicity by Shameless Promotion PR
 

Keep up with Raised On Candy 
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Magic Door Record Label
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Anciients Release Re-Recording of “Humanist”

Fresh off crushing the stage in celebration of the 10th anniversary of their first JUNO Award winning album, Voice of the Void, the Canadian progressive metal band Anciients are polishing off one of their heaviest songs ahead of their first tour of Europe and the United Kingdom in more than a decade.

Today, Anciients are releasing a re-recorded version of “Humanist”. Originally recorded for the band’s debut EP, Snakebeard, in 2011, “Humanist” was later included as a bonus track on their beloved first full-length, 2013’s Heart of Oak. The 2026 re-recording features their current lineup, who won a JUNO Award in 2025 for their latest album, Beyond the Reach of the Sun, as well as backing vocals from former member Chris Dyck, who appeared on the original recording. More than a decade later, the song’s heavy, heady and heartfelt performance proves once more why Anciients are one of progressive metal’s must-watch bands.  

“Humanist’ was the first song we recorded as a band”, recalls Anciients’ vocalist and guitarist Kenny Cook. “After hearing the sonic improvements that came with re-recording ‘Built to Die’ last year, we wanted to give ‘Humanist’ the same treatment”.

“The song represents a wild dream”, Cook continues. “Musically, ‘Humanist’ is one of our heaviest, though we chuck a little bit of everything into the composition”.

Listen to the re-recorded version of “Humanist” below:

Catch Anciients this month on their European and UK headline tour.

Anciients 2026 Ascent of the Fallen Ones Headline European/UK Tour

September 26 - Leeuwarden, NL @ Into the Void [TICKETS]
September 27 - Cologne, DE @ Euroblast [TICKETS]
September 29 - Copenhagen, DK @ Stengade [TICKETS]
October 1 - London, UK @ The Black Heart [TICKETS]
October 2 - Nottingham, UK @ The Mist Rolling Inn [TICKETS]
October 3 - Manchester, UK @ The Lodge [TICKETS]
October 4 - Bristol, UK @ The Croft [TICKETS]
October 6 - Southampton, UK @ Joiners [TICKETS]
October 7 - Brighton, UK @ Dust [TICKETS]
October 10 -  Nijmegen, NL @ Soulcrusher [TICKETS]

October 12 - Toulouse, FR @ Le Rex [TICKETS]
October 13 - Barcelona, ES @ Razzmatazz 3 [TICKETS]
October 14 - Madrid, ES @ Rockville [TICKETS]
October 15 - Bragança, PT @ JP Rock Cafe [TICKETS]

October 17 - Porto, PT @ Auditório CCOP

Anciients’ award-winning discography is available now on Season of Mist.

Order & Stream
https://orcd.co/anciientsbeyondthereachofthesun

With all being said and done, Anciients have returned! They stand ready to ascend the prog metal ladder and get back to doing what they do best with a weighty and dense, but wholly accessible, album. It’s a collection of ten songs that possesses the ability to have those furiously banging heads also tapping into their power of self-reflection and contemplation to ponder the finality of existence, the value of life and their place in the universe.  

“Totally! We’re going to take as many of the opportunities that come to us. The hiatus is over and I think with the new members and everyone being on the same page we’re ready to get out there as soon as possible. We missed out on a huge block after the last record, so we’ve got to make up for lost time. Now that everyone is happy and healthy, we plan to hit it hard.”


Lineup
Kenny Cook (vocals, guitar)
Mike Hannay (drums)
Brock MacInnes (rhythm guitar)
Rory O'Brien (bass)

Guest musicians on “Humanist” (Re-Recorded)
Chris Dyck - Backing vocals

Recording studio
Rain City Recorders

Producer and sound engineer
Jesse Gander

Mastering engineer and studio
Stu McKillop @ Rain City Mastering

Mixing engineer and studio
Jesse Gander @ Rain City Recorders

Bio
Kevin Stewart-Panko

Order & Stream: https://redirect.season-of-mist.com/anciientsallitems


Follow Anciients
Bandcamp: https://anciientriffs.bandcamp.com/album/beyond-the-reach-of-the-sun
Facebook: https://www.facebook.com/ANCIIENTSRIFFS
Instagram: https://www.instagram.com/anciients/
Twitter: https://twitter.com/ANCIIENTS
YouTube: https://www.youtube.com/user/ANCIIENTS
Apple Music: https://music.apple.com/us/artist/anciients/603538280
Spotify:https://open.spotify.com/artist/3YQOcYukzO6U1MjFcavDUE?si=4QWahfZxQjOmAI7nYrav6g&nd=1&dlsi=0142e5e62ae54105

Myrath Share Cover of Sting's "Shape of My Heart"

Following the international success of their critically acclaimed album Wilderness Of Mirrors and a triumphant first leg of their European tour featuring numerous sold-out shows, Tunisian-French progressive metal visionaries Myrath unveil their bold new interpretation of Sting's timeless classic "Shape Of My Heart."

Few songs possess the universal appeal and enduring legacy of "Shape Of My Heart." Rather than simply covering a classic, Myrath have reimagined it through their unique artistic lens. The result is a dramatic and cinematic journey that bridges cultures, genres, and generations.

At the heart of Myrath's interpretation lies the same mystery, longing, and search for meaning that made Sting's original such an enduring masterpiece. Yet the band's unmistakable blend of Eastern melodies, progressive metal sophistication, and larger-than-life arrangements opens a new dimension within the song, turning it into a powerful anthem fit for arenas and festival stages alike.

Following the widespread acclaim of Wilderness Of Mirrors, which was hailed by critics as one of the strongest progressive metal releases of the year, "Shape Of My Heart" once again demonstrates why Myrath continue to stand apart from their peers.
 
STREAM "SHAPE OF MY HEART" BELOW.
  
ORDER THE NEW ALBUM HERE.

ABOUT MYRATH:
Myrath have become one of the most unique voices in modern progressive metal, blending heavy riffs, cinematic storytelling, and North African musical influences into a sound entirely their own. With the release of Wilderness Of Mirrors and a highly successful European touring cycle, the band continues to captivate audiences around the world and push the boundaries of the genre. With millions of views on their cinematic music videos, critically acclaimed albums, and performances at festivals such as Hellfest, Wacken, and Sweden Rock, Myrath continue to captivate audiences worldwide. Wilderness of Mirrors represents the band at their most dynamic and authentic, a milestone in their journey toward becoming one of metal's most legendary acts.

NVICTA Unleashes New Single "Overthrow Divinity" From Upcoming EP Sapienomachy

Canadian melodic death thrash force INVICTA return with "Overthrow Divinity," the first single from their upcoming EP Sapienomachy.

Active since 2017, INVICTA have carved out a reputation for aggressive old school riffing, sharp melodic hooks, and a modern approach to death and thrash metal. With one EP and two full-length albums already behind them, the Kitchener-Waterloo band now enter a new chapter with Sapienomachy, a concept-driven release that expands their sound into power metal, traditional metal balladry, and progressive storytelling.

Inspired by Greek mythology, Sapienomachy takes its name from mythic conflicts such as the Titanomachy and Gigantomachy. The EP reimagines the tale of Prometheus giving fire to humankind, following a story in which humanity turns that gift into a weapon and wages war against the gods, ultimately destroying their universe.

The EP’s artwork was created by legendary German artist Andreas Marschall. Drawing from Greek myth, the cover depicts Prometheus embedded in the mountain, offering his final flame to humankind.

"Overthrow Divinity" launches the EP with fast-paced power metal influence, twin harmony guitar leads, and relentless drumming. Lyrically, the song is told from the perspective of humanity rising against the gods after generations of oppression and restraint. Its story also speaks to modern anxieties: mankind given tools and technologies meant to help, only to turn them toward destruction in a relentless lust for power.

Sapienomachy also marks a unique creative moment for INVICTA. Originally written as part of a full-length album, these songs were set aside and shaped into their own standalone release, allowing the band to explore a more narrative, dynamic, and mythological side of their writing.

About INVICTA:

INVICTA features Kyle Edissi on guitar and vocals, Jonah Kay on guitar, Reef Hassanien on drums, and Chip Tanner on bass. The band’s discography includes The Executioner EP, Halls of Extinction, and Triumph and Torment, alongside singles and covers including "Rising Force," "Forces of Annihilation," and "Hatebreeder."

INVICTA have toured across Canada and the United States, including runs supporting HEATHEN and FIRST FRAGMENT, and have shared stages with LICH KING, SOULFLY, TOXIC HOLOCAUST, NAPALM DEATH, and PRIMITIVE MAN.

Press has praised the band’s technicality, aggression, and melodic force. UK Thrashers called INVICTA “one of the more brutal thrash bands in the underground,” while Metal Epidemic wrote, “If you were to somehow meld together REVOCATION, KREATOR and IRON MAIDEN, you would surely end up with Ontario’s INVICTA.”

"Overthrow Divinity" is the first glimpse into Sapienomachy, a release that pushes INVICTA into grander, more mythic territory while retaining the speed, aggression, and melodic bite that has defined the band since its earliest days.

INVICTA is:

  • Kyle Edissi - Guitar, Vocals

  • Jonah Kay - Guitar

  • Reef Hassanien - Drums

  • Chip Tanner - Bass

Connect With INVICTA:

Outlier Release "Graveyard Masterpiece", Announce Tour with Dark Divine & Fire From The Gods ​   

OUTLIER have released their new single and official music video, “Graveyard Masterpiece,” via Oxide Records. The release arrives alongside the announcement that the band will hit the road for an upcoming tour this October with Dark Divine and Fire From The Gods.

 

“Graveyard Masterpiece” is a deeply personal exploration of the experiences that shape us—love, loss, trauma, failure, and everything we endure along the way. Rather than viewing those experiences as something to escape, Outlier embrace them as the raw materials that ultimately become part of who we are.

 

Frontman Joey Arena explains:

“'Graveyard Masterpiece' is about realizing that none of us become who we are untouched. We’re stitched together by love, loss, trauma, failure, and everything we survive along the way. Some pieces heal, some leave scars, but they all become part of us. We don’t always get to choose what life uses to build us, we only get to choose what we become when it’s finished."

 

As Outlier continue their work with Oxide Records, the band is pushing forward with some of their most ambitious music to date, further establishing themselves as one of heavy music’s most thought-provoking new voices. Unafraid to challenge expectations, Outlier create music that is as introspective as it is aggressive, confronting the experiences that shape us while questioning what we ultimately choose to become.

 

Now, Outlier are taking that vision to the road. The band will join Dark Divine and Fire From The Gods for an upcoming tour, giving fans the opportunity to experience “Graveyard Masterpiece” and Outlier’s evolving live show firsthand.

 

For Outlier, the future isn't about pretending the scars aren't there. It's about turning every scar, every loss, and every piece of the past into something greater.

 

"Graveyard Masterpiece" is available now on all major streaming platforms.

 

For more information, music, and upcoming announcements, follow Outlier on social media and streaming services.

 

Stream "Graveyard Masterpiece"

https://lnk.dmsmusic.co/outlier_graveyardmasterpiece

https://linktr.ee/outliersucks

 

WATCH the Official Music Video for "Graveyard Masterpiece" Below:

Outlier Shows:

10/12 JACKSONVILLE, FL @ JACK RABBITS

10/14 CORPUS CHRISTI, TX @ HOUSE OF ROCK

10/15 HOUSTON, TX @ BAD ASTRONAUT

10/16 SAN ANTONIO, TX @ THE ROCK BOX

10/18 FORT WORTH, TX @ TULIPS FTW

10/20 WICHITA, KS @ WAVE

10/21 SPRINGFIELD, MO @ THE REGENCY LIVE

10/22 INDIANAPOLIS, IN @ HOOSIER DOME

10/25 BUFFALO, NY @ REC ROOM

10/26 GRAND RAPIDS, MI @ THE STATCHE

10/27 CLEVELAND, OH @ MAHALL’S

For More Information Please Visit:

 

Official Website

 

Instagram

 

Facebook

 

X

 

YouTube

CORELEONI Celebrate Release of New Album Generection and Unveil Digital-Only Cover of "Lady Marmelade"

Swiss hard rock force CORELEONI is celebrating the release of their brand-new studio album Generection, out today via Reigning Phoenix Music. Packed with powerful riffs, infectious melodies and the unmistakable spirit that has defined the band from the start, the new record marks another strong chapter in CORELEONI’s journey. Adding a little extra flavour to release day, the band is also presenting their cover of the classic “Lady Marmelade”, which is available exclusively as a digital track.

Stream "Lady Marmelade" below:

Pre-order the new album Generection: https://coreleoni.rpm.link/generectionPR 

Marking the band's fourth album since its formation in 2017 and the second featuring vocalist Gent Bushpepa, Generection sees CORELEONI returning to their roots with their heaviest and hardest-hitting record to date.

Built on a foundation of unreleased tracks, the album showcases the powerhouse lineup of Alex Motta (drums), Mila Merker (bass), and Jgor Gianola (guitars), standing as unshakable pillars of the band's sound. While heavier and harder than its predecessors, Generection never sacrifices warmth or atmosphere, especially in its most intimate moments. With the entire band contributing more to the songwriting than ever before, the result aligns perfectly with Leo Leoni's unmistakable signature sound.

The analog mix is one of the defining characteristics of Generection, recreating the magic of '70s and '80s recordings while injecting a modern edge. Razor-sharp riffs, driving rhythms, and just the right touch of sweetness and dimension make this an album that opens a door to the past for younger listeners while reconnecting older rockers with their roots.

Since launching CORELEONI in 2017, Leo Leoni has built the project into a celebrated hard rock force that bridges generations. With Gent Bushpepa once again delivering a commanding vocal performance and a band firing on all cylinders, Generection stands as a powerful statement of intent, honouring classic rock traditions while pushing confidently forward.


Set to be released on September 11 through Reigning Phoenix Music, Generectionis available for pre-order at: https://coreleoni.rpm.link/generectionPR

The Digipak CD edition also includes a bonus disc featuring the Live At Hallenstadion concert, recorded in Zürich, Switzerland, in July 2025 and previously available only as a digital release.

Postpunk-Shoegaze stalwarts A SHORELINE DREAM reflects on two rich decades on ‘20’, announcing 'Waiting' album

Twenty years since their debut album ‘Avoiding the Consequences’, Colorado postpunk-shoegaze outfit A Shoreline Dream mark the milestone with '20', a dark and deeply introspective single that looks back on the distance traveled while questioning what remains ahead. It also previews their new album ‘Waiting’, released via Latenight Weeknight Records. 

With brooding lyrics, '20' turns the anniversary into something far more personal than a celebration. This is a head-on confrontation with time, uncertainty, sacrifice, and the weight of devoting so much of one's life to music.  Hitting it hard and merging genres into one loaded number, this blast of "melodispych cave-of-the-well sound", as it has been called, is an appropriate way to celebrate the nearly 120 tracks the band has released to date - cavernous offers rooted in waves and inner-eye soundscapes.


Formed in 2005 and based in Barnum, Colorado,A Shoreline Dream is aduo of multi-instrumentalist and vocalist Ryan Policky and guitaristErik Jeffries. For just over two decades, Policky and Jeffries have built a catalog approaching 120 released tracks while developing a sound rooted in shoegaze, psychedelia, post-punk, and expansive guitar-driven experimentation.

“The track '20' just somehow came together so fluid and was just all my favorite sounds combined into one memory of our sound. Paying homage to our original vibes from way back when. I love goth. Love darkwave. Love huge walls of any genres sound, and this was trying to hit them all at once. Why not do something big at such a crazy place to be in this music career of ASD," says frontman Ryan Policky.


This single arrives on the heels of ‘Legacy’, which similarly reflects on the time, choices, and sacrifices behind one of Colorado’s longest-running independent music projects. A sludging, bass pumping song that reflects thoughts agout all that has been sacrificed - so many of the normal everyday life milestones achieves in the band's sometimes tragic, yet rewarding, legacy.

As they near this 20th anniversary, A Shoreline Dream look at that history from a deeply personal perspective. Years spent writing, recording, producing, and refining A Shoreline Dream's music have often meant choosing the demands of the creative process over many of the conventional milestones of everyday life. The song considers what remains when so much of a life has been devoted to making music, and whether the work itself ultimately becomes the legacy.

The release comes during one of the band's most prolific periods. Rather than treating 2026 as a year of reflection, A Shoreline Dream committed to releasing singles every month, while developing new material towards ‘Waiting’, the band's second full-length album of 2026, which will include nine tracks.

Their current creative roll follows a significant period of collaboration with Ride frontman Mark Gardener. Through A Shoreline Dream's partnership with Shameless Promotion PR, Policky and Gardener connected for a series of recordings that resulted in five co-produced and performed songs, the most recent of these appearing on the album ‘To Where They Have Gone’, released in February.

That relationship is part of A Shoreline Dream's love affair with the UK music community. The band has worked extensively with Ulrich Schnauss and has also collaborated with members of Engineers, Chapterhouse, Rocket Girl Records, and mastering engineer Mark Kramer (Urge Overkill, Bongwater, Shimmy Records).

“2026 has been the year of true sonic inspiration, and the first time I’ve found myself in a constant music writing mode. After working with Mark Gardener, my mind has been humming melodies to me daily," says Ryan Policky.

That renewed creative momentum has also been shaped by the world outside the studio. The response has been to make music that provides an alternative to that noise: music that is melodic, heavy, expansive, and immersive.

“It’s been a brutal human climate, and the distractions are so overwhelming in the media / toxic social media world. I’m f’ing over it. I just want explosive and melodic tunes to distract from this insane world, and these songs are exactly that. The tales of dealing with a world in chaos I hope resonate with all those out there looking for new musical vibes and explosive soundscapes. We have come back to the original feeling of A Shoreline Dream," says Ryan Policky.

ASD's 'Waiting' album arrives not as a retrospective statement, but as a marker of where they stand now. With Policky and Jeffries having maintained their creative partnership through changing musical landscapes and an evolving industry, 'Waiting' is their response to reaching the 20-year milestone by a band looking back without standing still. While ‘Legacy’ and '20' acknowledge an event-filled journey, ‘Waiting’ points firmly toward what comes next.

As of September 11, '20' is available from digital music platforms, including Spotify, Apple Music and Bandcamp, where 'Legacy' can also be found. The ‘Waiting’ album will be released on October 16th.


CREDITS
Written & produced by Ryan Policky
Recorded, mixed & mastered by Ryan Policky
Distributed by The Orchard
Copyright Latenight Weeknight Records, LLC
Cover art and photography by Ryan Policky
Publicity by Shauna McLarnon for Shameless Promotion PR


Keep up with A Shoreline Dream
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify| Apple Music | Press contact

Keep up with Latenight Weeknight Records
Website | Facebook | YouTube

Keep up with Shameless Promotion PR
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Get Out Alive Release "Saint of the Dark" EP Today // Share Title Track — LISTEN

Get Out Alive have released the new EP, Saint of the Dark, today via The Artery Foundation. Get it here.

The artist has also shared the title track, as well. Listen below.

"'Saint of the Dark' revolves around mental health and exploring faith to navigate," Get Out Alive says. "The name is inspired by Carl Jung's shadow theory. To be a 'Saint of the Dark' requires enough virtue to embrace the dark, rather than run from it. It also requires accepting the risk of upsetting others in the pursuit of truth. It's not an archetype for everyone. Experience beautiful vulnerable moments clashing with confusion, desperation, and even some anger. This EP is a spiritual awakening loaded with melodic vocals and alternative metal atmosphere.” 

As for the EP's accompanying title track, GOA says, "'Saint of the Dark' is about the tug of war between virtue and pleasure. The desperate feeling of slipping away from the light, trying to hold on with all you have. Sonically, this song leans into being the ballad of the EP, but don't expect a lack of intensity."

Get Out Alive is the brain trust of Chas Huff, a solo alternative metal artist originally from the southwest suburbs of Chicago, Illinois, who later relocated to Palm Coast, Florida. His musical journey began in high school, producing on a borrowed computer before stepping into the local scene as a performer. Over the years, he played in multiple bands, including a punk band which shared stages with acts like Puddle of Mudd, and later a group that opened for artists such as Fame on Fire, collaborated with notable features, and secured a distribution deal. He further expanded his reach through an international project earning another distribution deal and working alongside recognized collaborators.

After years of band experiences and setbacks, Chas shifted his focus toward his solo project, Get Out Alive, creating a fully independent outlet for his artistic vision. Self-produced and developed alongside collaborator Zack Baker (Rain City Drive), his sound blends heavy riffs, immersive atmosphere, melodic vocals, and emotionally driven, hook-focused songwriting. Outside collaborations and industry opportunities ultimately reinforced his decision to invest fully in his solo path.

Born out of isolation and personal struggle, Chas uses Get Out Alive as more than just music, it serves as a self-help-driven creative expression rooted in growth, faith, and introspection. Influenced by psychology and philosophy, his work explores the balance between light and dark while embracing raw honesty. Through his music, he aims to turn pain into purpose, offering listeners both emotional release and a sense of hope, grounded in the belief that to truly get out alive, you must face the truth.

Progressive Duo CEPHEIDAE VARIABLE Explore Restraint And Internal Pressure In The New Single, "The Waiting Storm"

In "The Waiting Storm," CEPHEIDAE VARIABLE present an immersive sonic offering representing internal turmoil between patience and appeasing a restless mind. The track lands ahead of their forthcoming album Primordial Reverie Ascendant, out January 8, 2027.

"The song centers on restraint and internal pressure," CEPHEIDAE VARIABLE explain. "This is heard in lines like 'I sit and lie in wait, a tempest ruminating'. As the track progresses, the 'beast' and 'storm' imagery point to something growing beneath the surface. An increasing urgency that can no longer be ignored. What begins as patience shifts toward inevitability.

Outside of the narrative, the lyrics also reflect periods of creative stagnation. Lulls in momentum where progress feels stalled. That tension between inactivity and pressure mirrors the track’s central themes."

Musically, "The Waiting Storm" contains the duo's most straightforward arrangement on Primordial Reverie Ascendant's track list. The song's catchy riffs convey a darker mood throughout the verses accompanied with fierce harsh screams. "The Waiting Storm" emerges into a soaring chorus with memorable lead vocal melody lines. 

Primordial Reverie Ascendant was produced, mixed and mastered by Ryan Koepke at Chromatic Variable Soundworks. The album cover artwork was created by Alex Eckman-Lawn (Original Artwork), with the Ascendant version and single artworks by Ryan Koepke.

About CEPHEIDAE VARIABLE:

CEPHEIDAE VARIABLE began in 2024 by British Columbia-based multi-instrumentalist Ryan Koepke as an instrumental project. Musically, Koepke seeks to produce grand soundscapes through carefully constructed layers of instrumental textures and tones. A key component of CEPHEIDAE VARIABLE is chaos and unpredictability. Emotive storytelling is interwoven through each track's arrangement. 

Following the release of the instrumental album, Primordial Reverie, in 2025, Chad Bernatchez (VOIDCHASER) joined CEPHEIDAE VARIABLE which led to a progression in creative direction to now incorporate clean and harsh vocals. With input from Bernatchez, the new release delves further into CEPHEIDAE VARIABLE's fictional realms bringing a new way of understanding the concepts first glimpsed in Primordial Reverie. 


CEPHEIDAE VARIABLE Is:

Ryan Koepke (Guitar/Bass)
Chad Bernatchez (Vocals/Lyrics)


Connect With CEPHEIDAE VARIABLE:

Official Website: https://cepheidaevariable.com
Bandcamp: https://cepheidaevariable.bandcamp.com
Facebook: https://www.facebook.com/cepheidaevariable
Instagram: https://www.instagram.com/cepheidaevariable_official
YouTube: https://www.youtube.com/@CepheidaeVariable
Spotify: https://open.spotify.com/artist/0DFZHr1N4hUKjmV1mccmdV
Apple Music: https://music.apple.com/us/artist/cepheidae-variable/1835047629
TikTok: https://www.tiktok.com/@cepheidaevariable

HIGH PARASITE - Featuring Aaron Stainthorpe of My Dying Bride - Launches New Single "The Screams That Come" + Visualizer

Today, HIGH PARASITE, the UK outfit fronted by Aaron Stainthorpe of My Dying Bride and more recently Towards The Sinister, proudly release a new stand-alone single, “The Screams That Come,” out now via Spinefarm alongside a visualizer.

 

Produced by Paradise Lost’s Gregor Mackintosh and mixed by Lawrence Mackrory (Meshuggah, Katatonia, etc.), the track aligns with HIGH PARASITE’s mainstage performance at London Metalfest 2026; the band will appear at the Electric Ballroom in Camden on a bill headlined by Swedish Doom legends Candlemass.

 

HIGH PARASITE will also be visiting Raven Records in Camden, a short walk from the Ballroom, for a signing session at 7.30pm.

HIGH PARASITE shares:

“We’ve coined the term ‘Death Pop’ to define our music; we definitely have a strong affinity with all things gothic and dark, but at the same time we’re collectively drawn to strong hooks and melodies, to choruses that stick in the mind. I guess we walk a shadowy, sometimes twisted path between those two worlds; you can hear it on ‘The Screams That Come,’ and even more on the second album. It’s like the vampire’s smile: seemingly welcoming, at least at a distance, but boy, those teeth are razor sharp!”

Watch the Visualizer for "The Screams That Come" Below:

Since releasing ‘Forever We Burn,’ their debut album, in September 2024, the five-piece have spent a lot of time out on the road in both the UK & Europe, guesting on major tours (Cradle Of Filth, Paradise Lost), appearing at festivals (Bloodstock, Rockstadt, Brutal Assault, Eindhoven Metal Meeting, Furiosfest and many more) and headlining shows of their own.

 

A Halloween headliner has recently been confirmed for October 31st at the Albany Arcade inHalifax; which is likely to be the last HIGH PARASITE live show of 2026.

 

In between touring, the band has spent time in the studio working on album number two, scheduled for release early next year. More details and music soon.

HIGH PARASITE are:

Vocals - Aaron Stainthorpe

Bass - Tombs

Rhythm guitar - Sam Hill

Lead guitar - Jonny Hunter

Drums - Dan Brown

Denitia's Fourth Studio Album 'Texas Angel' Arrives 2/5/27; Title Track Available Now

Acclaimed singer, songwriter Denitia announces her fourth studio album, Texas Angel, arriving Feb. 5, 2027, marking her first release in partnership with Thirty Tigers for distribution. The album’s title track, “Texas Angel,” is available today, offering the first taste of new music from the forthcoming project and introducing a deeply personal collection of songs about love, belonging, family and the search for peace.

PRE-SAVE TEXAS ANGEL HERE AND LISTEN TO “TEXAS ANGEL” BELOW

Produced by Brad Allen Williams (Brittany Howard, Brandy), Texas Angel finds the country music songstress looking inward, reflecting on the pursuit of happiness and the desire to find a place and a feeling that can truly be called home. The album finds her walking through the highs and lows of love, success and self-discovery while looking beyond herself for wisdom from the generations who came before her.

“This record is me reflecting on the experiences of looking for peace and happiness in love, success and chasing that feeling of belonging,” says Denitia. “In these songs I’m walking my way through the ups and downs and ultimately taking a good long moment to look for answers in the people that came before me. Finding solace in simplicity. Trying to figure out if I can glean some wisdom from my ancestors, living and beyond.”

The title track, “Texas Angel,” captures one of the album’s central themes: the realization that loving someone does not always mean you can save them. The song explores the emotional exhaustion that comes from continually trying to fix the person you love and the moment when self-preservation means finally letting go.

“This one is the age-old tale of being convinced you can fix the one you love,” Denitia explains. “All their problems and shortcomings are there for you to pick up after. And there comes a time when you just can’t swoop in and save the day anymore. Your angel wings are all worn out.”

With Texas Angel, Denitia enters a new chapter, bringing hard-earned perspective to a collection that explores the complexities of love, identity, resilience and finding where you belong. The forthcoming album continues her evolution as an artist while placing emotional honesty and deeply personal storytelling at its center.

There were her relatives who worked in the industrial plants and the corporate offices of the oil refineries in greater Houston where the singer-songwriter grew up. Then there were the musicians that those relatives loved and introduced her to, creating an artistic lineage of similarly hardy stock. That included folks like Dolly Parton, George Strait and Loretta Lynn, who combined hustle with creativity and inspired Denitia to express herself.

With Texas Angel she isn’t just standing on the shoulders of these giants, she is actively reaching back down and patting those shoulders in gratitude, tipping her musical cap by building something that is distinctly her own but pays tribute to those efforts and influences.

That concept, of honoring her forebears while telling her own story, began taking shape during a songwriting session following her first appearance at the Grand Ole Opry in 2024.

“Getting invited to play the Opry was momentous for me because my grandmother, my great-grandmother, they all listened to WSM and now there was somebody in our family who was on that stage,” shares Denitia. “It was this mixture of feeling like, ‘Wow, I just want to be a part of the fabric and the lineage of country music’ and realizing my positioning in my family. And then also just the idea of standing in one's own power.”

Given its roots, it is no surprise then that Texas Angel is an unadulterated country affair, its 14 tracks suffused with warm acoustic instrumentation, wistful steel guitars and Denitia’s inviting vocals, toggling between tender vulnerability and fiery flintiness as she exorcises romantic and professional demons of the past, embraces the quotidian pleasures of the present and explores the freedom of an unwritten future.

“I feel like I'd been circling it with my last two records,” she says of the album’s traditional sound. “I kept getting closer and closer and I thought, all right, enough. I'm going to go directly for it. I want to make a classic country record that is inspired by the people that I love in this genre — Dolly Parton, Randy Travis, Glen Campbell, Loretta Lynn, George Strait.”

For more information, visit Denitia.com. Follow on Instagram | TikTok | YouTube | Facebook

About Denitia:
Denitia is a critically acclaimed singer-songwriter from the Houston area whose beguiling voice and eloquent wordplay has been steadily bringing her recognition over the last decade and multiple projects including 2024's Sunset Drive.
 
Denitia has been embraced in Nashville where she has made multiple appearances on the Grand Ole Opry and been named one of CMT’s 2024 Next Women of Country and an artist to watch by the Nashville Scene. She was also a featured vocalist in Dolly Parton’s Threads: My Songs in Symphony.
 
Her forthcoming album Texas Angel, produced by Brad Allen Williams (Brittany Howard, Brandy), finds Denitia digging into her musical and familial roots to produce an album of classic country with a contemporary edge.

Heavy Metal Legends ACCEPT Reveal Re-Rendition of "Losers and Winners" Plus Static Video

Gearing up for the release of the highly anticipated manifesto of metal Teutonic Titans 1976-2026 , heavy metal force ACCEPT unveil the final single with a new version of "Losers and Winners!" Originally appearing on Balls to the Wall (1983), the re-rendition of the track shines with guest vocals by Hansi Kürsch, guitar by Paul Gilbert, bass by Chuck Garric, and Tommy Aldridge on drums. Marking ACCEPT's 50th anniversary, Teutonic Titans 1976-2026 contains 19 re-recorded songs from the band's iconic catalogue, produced, mixed, and mastered by the legendary Zeuss, and features 50 A-list guest artists. The fourth single off of the album, "Losers and Winners," serves as further impressive proof of ACCEPT staying relevant and powerful throughout their 50-year career. 

Wolf Hoffmann about "Losers and Winners":
"We've known Hansi for a long time. Funnily enough, we've never really toured together or hardly ever played at festivals together, but we've known and respected each other for many years. They've been around forever. I thought Hansi would be a cool guy for that song, and lo and behold, he did a fantastic job. I really like how much effort people put into it. Nobody phoned it in and did a half-assed job. Everyone gave it all."

Check Out the Static Video for "Losers and Winners" Below:

German heavy metal legends ACCEPT celebrate 50 years of pure power, bringing together the scene's A-list musicians for a landmark release. Teutonic Titans 1976-2026 stands as a definitive statement of the band's legacy, forged in steel and driven by unmistakable riffs. Arriving September 4, 2026, via Napalm Records, the album delivers some of the most iconic songs ever written in heavy music.

Led by guitarist Wolf Hoffmann, the longtime architect of ACCEPT's sound, the band is joined by a staggering 50 guests across 19 reimagined versions of their biggest tracks. Teutonic Titans 1976-2026 is ACCEPT's most ambitious and star-studded release to date, reaching far beyond the borders of their country of origin. Featuring the biggest names in heavy music paying tribute to the German icons, the record cements the band's standing on the global stage. This is more than an album; it is a manifesto of metal! Pre-orders are now available in various exclusive formats.

Wolf Hoffmann about Teutonic Titans 1976-2026:
"There is no better way to celebrate this 50-year anniversary than to have our musical peers, friends, and inspirations come together with us to record these classic ACCEPT songs, which I am honored and proud to share with the World. I hope everyone enjoys this very special record as much as we all enjoyed making it."

Get Your Copy Of Teutonic Titans 1976-2026 NOW.

Progressing through albums from their formative years, from I'm a Rebel (1980) to Eat the Heat (1989), ACCEPT present their songs with an all-new, all-star lineup, alongside the signature voice of Mark Tornillo and Wolf Hoffmann's unmistakable riffs. By enlisting a "Who's Who" of metal, no two songs on Teutonic Titans 1976-2026 are the same. Every track features a different combination of vocals, guitars, bass, and drums, giving each classic a fresh edge. 
 

Phil Anselmo, Kirk Hammett, and Mikkey Dee tear through the speed metal classic "Fast as a Shark" (Restless and Wild, 1982), while the reimagined "Love Child" is elevated by Billy Corgan and David Ellefson (from Balls to the Wall, 1983). Other guest stars on ACCEPT's extraordinary release include Sebastian Bach, Todd La Torre, Dino Jelusick, Ola Englund, Alex Skolnick, Rudy Sarzo, and Chris Jericho. The album also features a re-recording of "Hellhammer" (Eat the Heat, 1989), performed by ACCEPT's current lineup: Wolf Hoffmann, bassist Martin Motnik, guitarist Philip Shouse and drummer Christopher Williams, joined by Jason McMaster on vocals.

ACCEPT LIVE 2026:

GUESTS: DYNAZTY + TAILGUNNER:
11/19 — Leipzig, DE — Haus Auensee
11/20 — Lingen, DE — Emsland Arena
11/21 — Oberhausen, DE — Turbinenhalle
11/22 — Paris, FR — L’Olympia
11/24 — Balingen, DE — Volksbankmesse
11/25 — Lyon, FR — Transbordeur
11/27 — Valencia, ES — Auditorio
11/28 — Madrid, ES — La Cubierta
11/29 — Toulouse, FR — Le Bikini
12/1 — Zurich, CH — Komplex 457
12/2 — Milan, IT — Alcatraz
12/4 — Vienna, AT — Gasometer
12/5 — Zlín, CZ — Sports Hall Datart
12/6 — Budapest, HU — Barba Negra
12/8 — Berlin, DE — Uber Eats Music Hall
12/9 — Gliwice, PL — Arena Gliwice
12/11 — Hamburg, DE — Inselpark Arena
12/12 — Offenbach, DE — Stadthalle
12/13 — Brussels, BE — AB
12/15 — Herford, DE — Kulturwerk
12/16 — Tilburg, NL — O13
12/18 — Neu-Ulm, DE — Ratiopharm Arena
12/19 — Geiselwind, DE — Eventhall
12/20 — Munich, DE — Zenith

ACCEPT ARE:
Wolf Hoffmann — Guitar
Mark Tornillo — Vocals
Philip Shouse — Guitar
Christopher Williams — Drums
Martin Motnik — Bass

President Release "BLOOD OF YOUR EMPIRE" Out Now // U.S. Tour Starts — SOLD OUT

Multi-million streaming, UK-based collective PRESIDENT are pleased to reveal BLOOD OF YOUR EMPIRE, their debut full length via Atlantic Records. Listen and stream here.

Alongside the album release, the band shares "Sleepwalker."

Listen below. 

The album arrives the same day the band kicks off its first-ever headline tour, which is completely sold out.

PRESIDENT, who embarked on their first-ever full U.S. tour supporting Bad Omens earlier the year, are now headlining venues across North America. The live campaigns will feature support from Showing Teeth on select dates. The tour launches tonight at Brooklyn Bowl in Nashville, making additional stops across the U.S in Chicago, New York, Toronto, Boston, Atlanta, Denver, Seattle, Los Angeles. and more before wrapping up in Dallas at House of Blues on October 14.

The album is truly a moment in the overall President campaign.

"Blood Of Your Empire was born out of my own struggle with existential crisis and trying to make sense of belief, mortality, and humanity's relationship with faith," President says. "Religion has inspired incredible compassion, purpose, and beauty in the world — but it has also been responsible for unimaginable suffering and bloodshed throughout history. This album lives in the tension between those two truths. Writing it became a way for me to confront the fear, confusion, and questions I've carried for years, and turn them into something I'm truly proud of."

The album cover is a Eugène Delacroix painting, The Battle of Poitiers, which, consequently, hangs in the Louvre. 

Launching in 2025 and operating under the cloak of minimalism and anonymity, PRESIDENT have been cultivating intrigue with each single and live performance. Refusing to conform to the traditional structures of genre or identity, PRESIDENT prioritize intent over image.

PRESIDENT 2026 TOUR DATES:
9/4 — Nashville, TN — Brooklyn Bowl
9/5 — St. Louis, MO — Delmar Hall
9/8 — Chicago, IL — Riviera Theatre
9/10 — Brooklyn, NY — Brooklyn Paramount
9/11 — Toronto, ON — Danforth Music Hall
9/12 — Montreal, QC — MTELUS
9/13 — Boston, MA — Big Night Live
9/15 — Philadelphia, PA — Theatre of Living Arts
9/16 — Silver Spring, MD — The Fillmore Silver Spring
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Charlotte, NC — The Underground
9/22 — Lake Buena Vista, FL — House of Blues
9/23 — Atlanta, GA — Buckhead Theatre
9/25 — Kansas City, MO — Warehouse On Broadway
9/26 — Denver, CO — Summit Music Hall
9/28 — Salt Lake City, UT — The Depot
9/29 — Las Vegas, NV — Brooklyn Bowl
10/1 — Garden City, ID — Revolution Concert House and Event Center
10/2 — Seattle, WA — Neptune Theatre
10/6 — Berkeley, CA — The UC Theatre
10/7 — Los Angeles, CA — The Wiltern
10/9 — San Diego, CA — House of Blues
10/10 — Phoenix, AZ — The Van Buren
10/12 — San Antonio, TX — The Aztec Theatre
10/13 — Houston, TX — House of Blues
10/14 — Dallas, TX — House of Blues

Gavin Adcock’s Latest Release is “One Hell Of A Steal;” Listen Now

Georgia native Gavin Adcock is continuing his release streak, today sharing the eighth of 26 songs off his upcoming album, The Day I Hang It Up. Written by Adcock, Luke Laird, Jack Hummel and Chase McDaniel, “One Hell Of A Steal” is available everywhere now. Listen Below. 
 
“‘One Hell Of A Steal’ is for that buddy who swears he’s going to be single forever, and then finds a girl who changes everything,” Adcock shares. “I think a lot of people can relate to this one – or know someone who can.”

“One Hell Of A Steal” is Adcock’s latest release in a flurry of instant grat songs from the album, including “Workin’ Man,” “Having One Now,” “Anymore” and “Shoes,” marking five consecutive weeks of new music. “Shoes” left Country Central remarking, “unfortunately for the haters, he has done it again.”
 
American Songwriter has dubbed Adcock a “modern-day outlaw,” while Music Row Magazine hails his “rowdy, high-octane performance” —a reputation he’s bringing to fans across the country on his 30-city The Day I Hang It Up Tour. The trek features a rotating lineup of special guests, including Pecos & The Rooftops, Corey Kent, Tyler Nance, Jake Worthington, The Creekers, Braxton Keith and Mack Geiger.
 
A proven must-see live performer, Adcock has sold out venues coast to coast across multiple headline tours, including the Monster Energy Outbreak Tour Presents: Gavin Adcock, Actin’ Up Again (Again) Tour and Need To Tour. Most recently, he joined Morgan Wallen for select dates on both legs of Wallen’s 2025 and 2026 tours, earning explosive responses from audiences nationwide.
 
In addition to the standard CD/Vinyl, The Day I Hang It Up limited edition exclusive bone-colored vinyl is now available for pre-order. Built for the die-hards, this exclusive two LP is pressed on raw, bone-colored wax and wrapped in a killer limited-edition alternate cover. To cap it off, every copy drops with a custom 12x12 insert hand-signed by Adcock himself.
 
To purchase tour tickets or to pre-order limited edition vinyl, visit GavinAdcockMusic.com. 

The Day I Hang It Up Tour 2026
Sep 11 || Cleveland, Ohio || Jacobs Pavilion # ^                     
Sep 17 || Lubbock, Texas || Cooks Garage * %                                  
Sep 19 || Round Rock, Texas || Round Rock Amp %                         
Sep 24 || Baton Rouge, La. || Raising Cane's River Center Arena * %                      
Sep 25 || Oxford, Miss. || SJB Pavilion * %                           
 
Oct 15 || Macon, Ga. || Atrium Health Amphitheater > %                 
Oct 16 || Birmingham, Ala. || Coca-Cola Amphitheater > %
Oct 17 || Little Rock, Ark. || First Security Amphitheater > %          
Oct 22 || Fishers, Ind. || Fishers Event Center $ ^ 
Oct 23 || Knoxville, Tenn. || Knoxville Civic Coliseum $ ^
Oct 24 || Cary, N.C. || Koka Booth Amphitheatre $ ^ 
Oct 29 || Charlotte, N.C. || Bojangles Coliseum > % 
Oct 30 ||Savannah, Ga. || Enmarket Arena > % 
Oct 31 || Estero, Fla. || Hertz Arena > %
 
Nov 6 || Boston, Mass. || MGM Music Hall at Fenway > %
Nov 7 || Reading, Penn. || Santander Arena > %
Nov 13 || Detroit, Mich. || Masonic Temple Theatre > %
Nov 14 || Grand Rapids, Mich. || Van Andel Arena > %
 
Dec 10 || Las Vegas, Nev. || The Theater at Virgin Hotels !

SLEEP HEMPISPHERES OUT DIGITALLY TODAY

Sleep's Hempispheres is out digitally now and physically on October 30 via Third Man Records.

LISTEN & PREORDER "HEMPISPHERES" ON LP OR CD