Ecuador's Deathcore Act SARCOMA Premiere New Album Ponzoña

Ecuador's extreme metal act SARCOMA have unveiled their brutal new full length offering, Ponzoña via Valley of the Death. Ponzoña marks the latest ferocious chapter from the Ecuador-based ensemble, whose career began two decades ago, as they continue to evolve their distinctive sound. 

"This album is a sample of what Sarcoma has always sought to be. This time the emphasis lies on simple structures centered around well-developed riffs." The band explain. 

"The new album is characterized by the search for the perfect balance between old school and modern metal trends, seeking its own sound and voice within the global metal scene.

Sarcoma is not afraid to use elements from different genres of underground music, flirting with death metal, deathcore, and metallic hardcore. A union of the elements that we consider to be the strongest of what we like to hear, but consider have never been fused together in our particular way."


On the album's title, the band reveal,"The album's name Ponzoña, is a Spanish word used for deadly poisons or really poisonous insects. There are a couple of reasons behind us choosing this name: the main one is obviously the specific feeling we wanted to evoke when listening to the final product.

The second, and less known one is that Ponzoña was also one of the many nicknames we jokingly gave the band among us many, many years ago. Unexpectedly we then realized that the word had a cool ring to it, and accurately described the band’s sonic identity".

Recorded at Valley of the Death Studios in Quito, Ponzoña was mixed and mastered by Juan Pablo Rivas and produced by Juan Pablo Flores. Keyboards and the solo performance on "Vuelve a Creer" were performed by Michel Ferré. The album's cover artwork was created by artist Andrés Jaramo. 

About SARCOMA:
SARCOMA is the first Spanish-language deathcore band in the world. Formed in Quito, Ecuador, in 2006, the quartet launched their debut EP Silenciosa Tortura independently that same year. 2016 brought a hiatus until seven years later, in 2023, original members Santiago Romero and Juan Pablo Flores returned to write new music, now joined by Andrés Jaramo (drums) and Andrés Éguez (bass). 

During SARCOMA's first incarnation, following the first EP, the band released the debut, self-titled full-length album in 2008 with the Esclavitud del Siglo XXI EP arriving in 2013. The band embarked on a heavy national and international touring schedule in neighboring countries. 

SARCOMA's unmistakable style, technical precision, and impressive live performances led them to be considered, by the media and the public alike, as the undisputed "fathers of deathcore" in South America. In early-mid noughties, the band's unique mix of hardcore and death metal elements was something unheard of in the country at the time.

The band's sound draws influence from the likes of DECAPITATED, DYING FETUS, KNOCKED LOOSE, SEPULTURA, DESPISED ICON, GOJIRA, with the addition of progressive elements and a thematic focus on their life experiences and environment of Latin America.

2023 saw the band return with renewed vigor and intent unleashing the EP Mesak, the live releases Al Rojo Vivo and En Vivo En Quito in 2024, and "Divino Poder" single in 2025, all via Valley of the Death. SARCOMA wasted no time returning to the live stage in 2023 venturing on the Mesak Ecuador National Tour, along with performances at Mechanimal Fest and Quitofest. 

SARCOMA Is: 
Santiago Romero (Vocals)
Juan Pablo Flores (Guitar / Vocals)
Andrés Jaramo (Drums)
Andrés Éguez (Bass)

STRIDENT ESCAPE Powerful Anthem "For God's Sake"

Some songs entertain.

Some songs challenge.

"For God's Sake" demands that listeners take a hard look at the world around them.

Metal powerhouse STRIDENT ESCAPE returns with one of its most emotionally charged and unapologetically honest releases to date. Their explosive single, "For God's Sake," is a blistering anthem aimed at those who weaponize faith, morality, and virtue not to inspire others, but to elevate themselves while tearing others down.

Driven by crushing guitar riffs, thunderous rhythms, and vocals that balance raw emotion with undeniable conviction, "For God's Sake" captures the frustration felt by countless people who have watched something intended to unite humanity become a tool for judgment, division, and manipulation.

The band's message is clear.

This isn't an attack on faith.

It's an attack on hypocrisy.

"This is how we feel when something that should be uplifting is used as a weapon against others. It's our mantra for anyone that twists good to put themselves above decent people." — STRIDENT ESCAPE

That statement serves as the emotional backbone of the song.

Rather than pointing fingers at belief itself, "For God's Sake" challenges those who distort compassion into condemnation, kindness into control, and hope into a means of gaining power over others.

Musically, the track is every bit as uncompromising as its message.

Massive hooks collide with aggressive riffs, creating a sound that is both modern and timeless. The tension builds through every verse before erupting into a soaring chorus that demands to be shouted back by audiences.

It's the kind of song that leaves listeners thinking long after the final chord fades.

At its core, "For God's Sake" is about authenticity. It's about rejecting performative morality. It's about standing with people who lead with empathy instead of ego.

And it's about refusing to stay silent when goodness is twisted into something harmful.

In an era where conversations are often driven by outrage rather than understanding, STRIDENT ESCAPE has created a song that refuses to settle for easy answers. Instead, it encourages listeners to think critically, challenge hypocrisy wherever it exists, and remember that true strength is measured by how we treat one another not by how loudly we claim moral superiority.

With "For God's Sake," STRIDENT ESCAPEcontinues to establish itself as a band unafraid to tackle difficult subjects while delivering the powerful, emotionally driven metal that has become its signature.

STORM FORCE Release the Music Video “Saviour” and Announce CD Pre-orders are Live for the Album TRUTH

Storm Force announce the music video for their second single Saviour from their upcoming new album Truth, releasing on September 25th. CD pre-orders are now also available from Eonian Records. The entire album is available for a digital pre-order on Bandcamp. Pre-orders on Bandcamp will be able to download the first two singles right away. Storm Force has planned a Listening Party on September 23rd on Bandcamp. Two days before the album release everyone around the world can join band members on Bandcamp to listen to the entire album.

CD pre-order: 

https://www.eonianrecords.com/new-products/storm-force-truth

Digital pre-order for the album Truth: 

https://bravewordsrecords.bandcamp.com/album/truth

RSVP to the free Listening Party: 

https://bravewordsrecords.bandcamp.com/merch/storm-force-truth-listening-party

Storm Force delivers powerful melodic hard rock fueled by soaring vocals, massive hooks, and the timeless energy of classic arena rock. Founded by guitarist and songwriter Greg Fraser, best known for his work with Canadian hard rock veterans Brighton Rock, the band blends classic influences with a modern edge, creating a sound that feels both familiar and refreshingly current.


The band first made its mark with the release of its debut album, Age Of Fear, in 2020 through Escape Music. The album earned praise from melodic rock fans and media alike, showcasing a powerful mix of driving guitars, memorable choruses, and emotionally charged songwriting.

Now Storm Force returns with its highly anticipated sophomore release, Truth, a ten-song collection that raises the bar in every direction.

Drawing inspiration from Whitesnake, Dokken, Scorpions, and Bon Jovi, Storm Force delivers music built for loud speakers, live stages, and fans who still believe in authentic, guitar-driven rock!

The debut Storm Force album, along with both Fraze Gang albums are now available for a budget friendly download of $5,99 each at bravewordsrecords.bandcamp.com

Band Members:

• Patrick Gagliardi – Lead Vocals

• Greg Fraser – Lead Guitar, Backing Vocals

• Mike Berardelli – Bass Guitar

• Roger Banks – Drums

Production:

• Produced and Mixed by Darius Szczepaniak

• Strada XR Atmos Studio, Mississauga, ON

• Recorded at Storce Recording, Niagara Falls, ON

Additional Musicians:

• All keyboards by Mike “Benny” Bedrosian, except on “Between The Lines,” performed by Ray Coburn.

• Margaret Maria – Cello on “I Wasn’t Finished Loving You”

Songwriting:

• All songs written by Patrick Gagliardi and Greg Fraser, except “Saviour,” written by Greg Fraser.

Links:

https://stormforce.ca/

https://www.facebook.com/officialstormforce

https://x.com/stormforceband

https://youtube.com/@stormforce6368

https://www.instagram.com/stormforceband

https://www.tiktok.com/@stormforceband

EMBERS OF DAWN Present "The Only Gods (Remix)" Ahead Of Forthcoming Album 'Infernal Culture'

EMBERS OF DAWN have unveiled "The Only Gods (Remix)", a remixed version of their 2023 release. The heavy industrial quartet's forthcoming full-length album Infernal Culture, is scheduled to arrive on September 18, 2026.

Guitarist Cliff Ross shares, "The song frames 'gods' not as divine beings, but as corrupt constructs — machines of power, ideology, and control. It argues that the figures and systems we worship — governments, machines, corporations, war structures, even technology — are not gods at all, but false idols that bleed us dry, divide us, and lead us nowhere."

The soundscape is elevated with enhanced electronics and industrial elements. A heightened impact throughout the sound is achieved with additional sharp and abrasive textures. Lyrically, the track situates damaging systems of power and harmful technologies as false idols that drive further division and harm. 

Pre-order Infernal Culture here: https://embersofdawn.bandcamp.com/album/infernal-culture

About EMBERS OF DAWN:

Formed in 2022, EMBERS OF DAWN is a genre-defying metal project born out of Jacksonville, Florida and Santa Barbara, California. The band blends elements of industrial, gothic, melodic death metal, and cyber-metal to create a sound that is both cinematic and punishing. Known for their thematic focus on alienation, modern decay, and emotional detachment, EMBERS OF DAWN delivers music that is as introspective as it is aggressive.

The band’s music features cold, mechanical precision layered with dark melodic textures, drawing influence from acts like PAIN, DARK TRANQUILLITY, MINISTRY, FEAR FACTORY, RAMMSTEIN, STATIC-X, ROB ZOMBIE, ARCH ENEMY, and TYPE O NEGATIVE. With each release, they continue to explore new sonic territory, balancing technicality with atmosphere, brutality with beauty.

Their upcoming debut album Infernal Culture features drums by ADRIAN ERLANDSSON (AT THE GATES, CRADLE OF FILTH, PARADISE LOST, THE HAUNTED), adding an explosive edge to their already dynamic sound.
 

EMBERS OF DAWN is:

  • Graves- vocals

  • Cliff Ross – guitars, programming

  • Scott Van Horn – bass, programming

  • Grover Norton - drums

Progressive Trio SOURCE Release New Track "Stimulus"

SOURCE present "Stimulus," the first single offering from the forthcoming 5th studio album. Rooted sonically in heavy psychedelic prog rock and thematically in introspection, "Stimulus" brings intensity, electronics and an industrial touch. 

Lyrically, "'Stimulus' speaks to experiencing symptoms of ADHD and Autism. It tells the story of a stimulus addicted brain that struggles with stillness". The band explain. "['Stimulus'] also speaks largely to post-tour depression. Touring is such a constant, stimulating, exciting, terrifying, inspiring experience compared to regular life at home. This song tells the story of learning to go on tour and come back home while appreciating every aspect of the journey".

On the sound and arrangement of "Stimulus," SOURCE shares: 
"It starts with fat, crunchy electronic percussion with a flavor of NIN industrial sounds which transition flawlessly into the opening chorus with a killer fill on drum kit. This is the first time in any Source song that we’ve started with a chorus. We wanted the song to fit a more traditional arrangement format while always progressing and being stimulating."

Musically, "Stimulus" carries movement and energy alongside a distinctly textural arrangement of instrumental and electronic layers. From psychedelic granular vocal delays and electronic percussion to metallic glitches and an enticing melodic bass line, the track consistently introduces and develops moments of interest. 

"Stimulus" was produced by Benjamin Gleason and recorded at Cymatic Sounds Studios with engineer Justin Mirarck. Mixed by Benjamin Gleason and Justin Mirarck, and mastered by Tom Capeck.

About SOURCE:
Based out of Boulder, Colorado, SOURCE was originally formed in 2014 by Benjamin Gleason, Dan Crisafulli, and Georges Bou Serhal. With founding member Benjamin Gleason now joined by Justin Mirarack on drums and percussion and Pascal Faurie on bass, the trio craft immersive music inspired by their own introspection and transformative practices. 

While SOURCE explore self awareness, healing and personal evolution through their lyrics, musically they situate themselves in the realms of heavy psychedelic prog rock. Instrumental layers, powerful and emotive harmonies and a wide range of dynamics leads to a sound that is melodic with an enveloping feel. 

The band's first album Return To Nothing released in 2016 via Pavement Entertainment and that same year saw the band embark on the Forged in Fire Tour opening for HELLYEAH, IN FLAMES, and FROM ASHES TO NEW. Totality arrived in 2019 through Pavement Entertainment, followed by independently released albums Ethereal Self in 2021 and Emergence in 2023.

SOURCE recently unveiled their interpretation of RADIOHEAD's "Optimistic" ahead of their forthcoming fifth full-length studio album.


SOURCE Is:
Benjamin Gleason - Vocals, Guitars, Keyboards
Justin Mirarack - Drums, Acoustic Percussion, Electric Percussion
Pascal Faurie - Bass

Connect With SOURCE:
Official Website: https://www.listentosource.com/
Bandcamp: https://listentosource.bandcamp.com/
Facebook: https://www.facebook.com/listentosource
Instagram: https://www.instagram.com/listentosource
YouTube: https://www.youtube.com/@SourceBand
Spotify: https://open.spotify.com/artist/5zEuzw6dwKcnNtXahckDXi?si=Sl4CKg09RiaDAbG1jmNK_w&nd=1&dlsi=3ba80878878e40ce
Apple Music: https://music.apple.com/us/artist/source/1462541339
TikTok: https://www.tiktok.com/@listentosource

Savage Hands Are Black and Blue on New Single “Bruise”

Maryland's unflinching alt-metal catalysts, Savage Hands, unravel the complicated comfort of a wound that may never heal on their latest single, "Bruise", out now via Oxide Music. Rather than treating scars as something that can easily be left behind, "Bruise" examines the impulse to cling onto something that hurts simply because letting go feels worse. Fans can listen to "Bruise" BELOW.

Fresh off the momentum of "It's Me" being featured on SiriusXM Octane, Savage Hands double down on the emotional volatility that has defined their latest era while continuing their ascent with "Bruise". Anchored by a towering hook that voices the song's central contradiction, Savage Handsfind beauty, pain, and obsession colliding in equal measure on "Bruise".

On turning the scars of a damaged connection into "Bruise", vocalist Mike Garrow shares:

"Be comfortable with everything that makes you, you. The good and the bad. Wear your scars because they make you who you are."

Guided early on by multi-platinum producers Andrew Baylis (Jelly Roll, Sleeping With Sirens, etc) and Lee Rouse (The Funeral Portrait, Teddy Swims, etc), Savage Hands have sharpened their craft into a volatile blend of ominous atmosphere, sledgehammer riffs, and skyscraping choruses. A hybrid sound that dissolves the lines between post-hardcore, metalcore, and alternative rock, all while hitting with precision and purpose.

Propelled by the success of previous singles, "Demon", "Washed Away", and "Halo", the quintet have been in constant forward motion since their 2018 debut, amassing over 55 million streams along the way. From steely Maryland roots to festival stages, Savage Hands' relentless drive has shaped a previous that thrives on the collision of chaos and catharsis bleeding into one another. With their latest releases, "It's Me", "Feel Me", "POWER", "Trust Issues", "Reload Repeat", and "Trace Erase", Savage Hands are opening the door to a new chapter, one that's heavier, sharper and more unapologetic than anything that's come before.

Be sure to stay tuned for more Savage Hands news coming very soon.

ABOUT SAVAGE HANDS

After their breakout tracks “Demon”, “Washed Away”, and “Love No More”; Savage Handscemented themselves as leaders in a new, modern rock sound. The band’s ability to balance heavy instrumentation with memorable hooks and raw vocal delivery catapulted their 2020 album “The Truth In Your Eyes” beyond 45 million streams, underscoring the band’s growing global reach. Beyond streaming, Savage Hands dropped two limited vinyl variants which immediately sold out due to large demand.

Like many artists, the global pandemic foiled and unwound plans that were years in the making for Savage Hands. Despite this, the band remained active in touring, supporting acts like Magnolia Park, Wage War, and While She Sleeps; as well as co-headlining with fellow up-and-comers Archers. Savage Hands made their debut DWP festival appearance at Louder Than Life in 2025, marking the Bourbon stage’s largest crowd of the day.

Savage Hands parted ways with Sharptone Records in 2025 and promptly began working on assembling a new album. Joining forces with Oxide Records, the band is preparing to launch a non-stop wave of campaigns starting May 2026.

We are excited to finally close the chapter on all of the uncertainty the pandemic forced into our career. This album has been a long time coming, and we are so extremely grateful for Wetzel and Anthony at Oxide Records for believing in us and pushing us to become the band we were always meant to be.” - Mike Garrow

Bastion Rose Takes Aim at Extremism with Dark, Progressive Rock Anthem "Holy Wars"

As they continue their aggressive 2026 release cycle, cinematic hard rock outfit Bastion Rose is preparing to drop their darkest and most politically charged single to date. "Holy Wars," is a heavy, relentless progressive rock anthem that confronts the rising tide of extremism and blind hatred head-on.

 

Serving as a visceral centerpiece to the band's rapidly unfolding Blue Rising era, "Holy Wars" fuses the colossal, cinematic riffing the band is known for with an urgent, unapologetic message. The track takes direct aim at those who use ideology and dogma to justify destruction, warning that "Holy wars won't make you whole / Holy wars won't save your soul."

 

For frontman Austin Frink, the song is a necessary reaction to a world increasingly fractured by fanaticism.

"We see extremism repeatedly as a political failing; but it is a spiritual sickness," says Frink. "'Holy Wars' is about the people who are willing to burn the world down and call it salvation. It's about confronting the monsters who use their faith or their faction to justify atrocities. You cannot heal your own brokenness by destroying everything around you."

 

Musically, "Holy Wars" is a towering achievement of modern heavy rock architecture. It channels the aggressive, wide-dynamic-range progressive that is signature to the band. Building heavily on the world-class sonic foundation established with three-time Grammy-winning producer David Bottrill (Tool, Godsmack, Mastodon, Muse, Rush) on their previous records, the band’s self-produced new material finds them operating at the absolute peak of their technical and dynamic prowess.

  

"Holy Wars" is available on all major streaming platforms. 

STREAM "Holy Wars": https://linktr.ee/bastionrose

Based in Bloomington, Indiana, Bastion Rose has emerged as a high-caliber hard rock project born from a pursuit of light within the darkness. Their sound is a sophisticated collision of post-grunge grit and alternative metal intensity, defined by potent, intelligent guitar work, ethereal soundscapes, monumental riffs, and powerful, impassioned vocals and lyrics. It is a sonic identity that caught the attention of three-time Grammy Award-winning producer David Bottrill. Known for his work with legendary visionaries like Tool, Godsmack, Muse, Peter Gabriel, and Rush, Bottrill describes Bastion Rose as a "new embodiment of classic heavy rock... the sounds, the tones, everything. They are reverential to the style of music from the past, bringing it into the modern world."

 

Bottrill’s involvement provided the blueprint for Bastion Rose’s world-class production standards. From the debut EP Fade To Blue to the full-length powerhouse Traces of Gold, the collaboration resulted in a sound that is both polished and visceral—music that balances the technical, rhythmic intelligence of Tool with the riff-centric, soaring melodic energy of Audioslave. This cinematic depth is not a studio trick; it is a reflection of a journey through hardship. The creative mission is inextricably linked to the personal story of Austin Frink, who navigated a period of staggering loss, including the sudden deaths of both parents and a cancer diagnosis that threatened to permanently silence his singing voice. Frink turned his pain and survival into a universal message. His lyrics explore the heavy themes of existence, hope, and the fleeting nature of life, transforming personal tragedy into a rallying cry for resilience.

 

The world has taken notice of this ascent. In less than a year, Bastion Rose has experienced a meteoric rise, with a catalog surpassing 2 million streams and a global community of over 60,000 YouTube subscribers and 53,000 social followers standing behind them. With critical acclaim from industry pillars like SPIN Magazine, Metal Hammer, and Classic Rock Magazine, Bastion Rose has scaled from a studio project into a market-ready force. Striking while the iron is hot, the band is currently unveiling their next prolific chapter: Blue Rising. Spearheaded by the haunting single, "Dust," the record is a philosophical exploration of transience. As Traces of Gold continues to dominate playlists, Blue Rising serves as a clear indicator of the band’s relentless creative pace. For those seeking music that is emotionally resonant and sonically massive, Bastion Rose is the essential melodic voice in the new era of heavy music. 

Bastion Rose:
Austin Frink: Vocals and Guitar
Austin Mudd: Guitar
Steve Pierce: Bass
John Donlon: Drums
Barrett Abraham: Keys

For More Information Please Visit:

Official Website

Instagram

Facebook

YouTube

Swedish Symphonic Metallers ZORNHEYM Unveil Third Single "The Funeral March"! ​   

Swedish symphonic metal visionaries ZORNHEYM unleash the third single, "The Funeral March", taken from the band’s upcoming studio album Descending Into Madness, set for release on October 2 via Noble Demon.

Inspired by Frédéric Chopin’s legendary 'Funeral March', the new track sees ZORNHEYM merging crushing riffs, cinematic orchestration and subtle Scandinavian folk influences into one of the album’s most dramatic and emotionally charged moments.

"'The Funeral March' is the perfect marriage between classical music and Zornheym’s cinematic symphonic metal sound,” the band explains. "The choir takes on the role of mourners and pallbearers, lamenting the tragic fate of Dr. Bettelheim’s beloved wife as they accompany her final journey. Lyrically, the song marks the defining moment in Dr. Bettelheim’s descent into madness, as grief, guilt and despair finally consume him."

 

Stream the single Below:

With Descending Into Madness, ZORNHEYM continue to expand their elaborate narrative universe centered around the infamous Zornheim asylum. Each release adds new layers to a story that blurs the line between horror, history and madness - where it is never entirely clear who the real inmates are.

Formed in Stockholm by multi-instrumentalist and songwriter Zorn (ex-Dark Funeral), ZORNHEYM have built their identity on the fusion of symphonic metal, cinematic orchestration and melodic death metal influences. Their work is further enhanced by visual storytelling, graphic novels and short-film-style music videos, turning each release into a multi-dimensional experience.

Descending Into Madness will be coming out on October 2 via Noble Demon and is available for pre-order at THIS LOCATION. The album will be available in a variety of exclusive formats, including colored marbled vinyl, a limited Collector's Edition CD, a Digipak, and an A5 book.

 

For More Information Please Visit:

Instagram

Facebook

Bandcamp

https://linktr.ee/nobledemon

Gavin Adcock Releases “Having One Now,” Reveals Tracklist to THE DAY I HANG IT UP

On the heels of performing “Winner At Losing” to fete the hit TV show Landman at ACM Honors on Wednesday (Aug. 19), Gavin Adcock keeps the momentum behind his forthcoming album rolling with the release of “Having One Now,” available now. Listen Below
 
“Having One Now,” written by Adcock, Luke Laird and Rhett Akins, depicts the unexpected joy of finding love after a series of bad luck, and is the latest release hailing from Adcock’s upcoming project, The Day I Hang It Up
 
“‘Having One Now’ is an upbeat song about finding some love when you were down and out,” Adcock shares. “Last week I dropped a sad song, the week before that I dropped a song for all the blue collar people out there. So, get ready… and don’t be surprised if I drop another one next week.”
 
The Georgia native is also unveiling the 26-song tracklist to his highly-anticipated third album in three years. A co-writer on all but four songs, the project also includes collaborations with Treaty Oak Revival, ERNEST, and his previously released fan favorite, “Cheap Thrills” with Hudson Westbrook. 
 
With American Songwriter dubbing him a “modern-day outlaw…building a career reminiscent of artists like Waylon Jennings, Johnny Cash, and more,” Adcock’s upcoming project is a continuation of the signature grit and adrenaline-fueled anthems that have garnered him over 2.4 billion career streams to-date. 
 
His previously released project, Own Worst Enemy, arrived as the top new Country album on the Billboard Top 200 Country Chart and the top streaming new album on the Billboard 200 All-Genre Chart week of release just over a year ago (August 15, 2025).
 
Own Worst Enemy boasted over 25 MILLION US streams in its first week, more than doubling the first-week numbers of Adcock’s previous album, Actin' Up Again, which was released just under a year prior (August 2, 2024).

To celebrate the album, Adcock’s headlining The Day I Hang It Up Tour is now underway with a rotating lineup of special guests including Pecos & The Rooftops, Corey Kent, Tyler Nance, Jake Worthington, The Creekers, Braxton Keith and Mack Geiger. The tour promises to deliver fans across 30 cities with a live show experience denoted by Music Row as a “rowdy, high-octane performance” which Adcock is known for. To purchase tickets for the tour, click HERE.
 
A proven must-see live performer, Adcock has SOLD OUT venues via multiple headline tours spanning cost-to-coast such as the Monster Energy Outbreak Tour Presents: Gavin Adcock, his Actin’ Up Again (Again) Tour, and his Need To Tour. Most recently, Adcock joined Morgan Wallen for select dates on Wallen’s 2025 I’m The Problem Tour and his 2026 Still The Problem Tour, receiving explosive responses from audiences across the country. 

The Day I Hang It Up Tour 2026
Aug 28 || Columbus, Ohio ||KEMBA Live! Outdoor * %                  
Aug 29 || Cincinnati, Ohio || MegaCorp Pavilion Outdoor * %                     
 
Sep 11 || Cleveland, Ohio || Jacobs Pavilion # ^                     
Sep 17 || Lubbock, Texas || Cooks Garage * %                                  
Sep 19 || Round Rock, Texas || Round Rock Amp %                         
Sep 24 || Baton Rouge, La. || Raising Cane's River Center Arena * %                      
Sep 25 || Oxford, Miss. || SJB Pavilion * %                           
 
Oct 15 || Macon, Ga. || Atrium Health Amphitheater > %                 
Oct 16 || Birmingham, Ala. || Coca-Cola Amphitheater > %
Oct 17 || Little Rock, Ark. || First Security Amphitheater > %          
Oct 22 || Fishers, Ind. || Fishers Event Center $ ^ 
Oct 23 || Knoxville, Tenn. || Knoxville Civic Coliseum $ ^
Oct 24 || Cary, N.C. || Koka Booth Amphitheatre $ ^ 
Oct 29 || Charlotte, N.C. || Bojangles Coliseum > % 
Oct 30 ||Savannah, Ga. || Enmarket Arena > % 
Oct 31 || Estero, Fla. || Hertz Arena > %
 
Nov 6 || Boston, Mass. || MGM Music Hall at Fenway > %
Nov 7 || Reading, Penn. || Santander Arena > %
Nov 13 || Detroit, Mich. || Masonic Temple Theatre > %
Nov 14 || Grand Rapids, Mich. || Van Andel Arena > %
 
Dec 10 || Las Vegas, Nev. || The Theater at Virgin Hotels !

JOHN MORGAN REMINISCES WITH NEW SINGLE "ONCE IN A MILE"

Six time #1 hitmaker John Morgan releases a new track today, “Once in a Mile.” Written by Morgan and Brent Anderson, the new song comes as Morgan’s current single “Kid Myself” is inside the Top 10 on the radio charts and climbing. Listen to “Once in a Mile” Below.

In “Once in a Mile,” Morgan turns the drive back home into an unraveling of memories - every passing mile stirring up the ghosts of a love that used to exist there. The production carries its own sense of momentum, a steady, driving pulse that mirrors the highway itself, propelling the song forward even as the lyrics pull backward into the past. Built on classic country instrumentation with a warm, nostalgic glow, the track captures that bittersweet ache of proximity: the closer you get to home, the closer you get to what you lost. Morgan's grounded, emotive vocal delivery sits at the heart of it all, turning a simple road trip into a quietly devastating meditation on memories and heartbreak.

John Morgan will be out on the road this fall.

Tour Dates
September 4 - Seneca, OR - John Morgan: Live at Silivies

September 5 - Lakeview, OR - Lake Country Round-up

September 6 - Filer, ID - Twin Falls Country Fairgrounds

September 10 - Cashmere, WA - Chelan Country Fair

September 12 - Ashland, VA - Country Jam III Music Festival

September 24 - Boston, MA - Leader Bank Pavillion*

September 25 - Uncasville, CT - Mohegan Sun Arena*

September 26 - Verona, NY - Turning Stone Resort Casino*

October 1 - Huber Heights, OH - Rose Music Center at The Heights*

October 2 - Rockford, IL - BMO Center*

October 8 - Port Wentworth, GA - VyStar Pavilion

October 9 - Roanoake Rapids, NC - Carolina Crossroads Amphitheatre*

October 15 - Youngstown, OH - Covelli Center*

October 16 - Cincinnati, OH - PNC Pavilion*

October 17 - Toledo, OH - Huntington Center*

November 5 - Macon, GA - Atrium Health Amphitheater*

November 6 - Biloxi, MS - Mississippi Coast Coliseum*

November 7 - Corinth, MS - Crossroads Arena*

November 15 - Jacksonville, FL - Greater Jacksonville Agricultural Fair

* Brantley Gilbert's "Real American Tour" Date

KEEP UP WITH JOHN MORGAN
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

GEARS Return with Emotionally Charged New Single "Spiraling"

“Spiraling” dives into the darkness of mental health struggles, the feeling of losing control, becoming overwhelmed, and not knowing where to turn. But beneath the weight of the song is an important message: you are not alone.

GEARS captures the struggle of spiraling while reminding listeners that reaching out, asking for help, and refusing to suffer in silence can be the first step toward finding your way back.

There comes a moment when everything feels like it's slipping away. The weight of anxiety. The noise inside your head. The fear that no matter how hard you fight, you're losing control.

Hard rock powerhouse GEARS confronts that battle head-on with their explosive new single, "Spiraling," arriving today across all major streaming platforms.

Known for blending punishing riffs, soaring melodies, and deeply personal songwriting, GEARS once again proves why they continue to resonate with rock and metal fans worldwide. "Spiraling" is more than another heavy track it's a brutally honest reflection of the emotional struggles so many people face but

rarely discuss.

Built on thunderous guitar work, relentless rhythm, and a vocal performance that balances vulnerability with unrelenting power, the song captures the feeling of standing on the edge while refusing to let darkness have the

final word.

“You are not alone. So many of us going through similar or even more difficult struggles. Please reach out to someone. You matter, and you don’t have to face this alone. I’m begging you… PLEASE TALK TO SOMEONE and let them help”. -Tripp Sixx

From the opening note, "Spiraling" pulls listeners into an emotional storm before erupting into a massive chorus that is destined to become a live favorite. The track showcases everything fans have come to expect from GEARS raw honesty, undeniable hooks, and the kind of heaviness that serves the song instead of overshadowing it.

Over the years, GEARS has carved out a reputation as one of hard rock's most authentic voices, building a fiercely loyal fanbase through relentless touring, unforgettable live performances, and music that connects on a deeply human level. Rather than chasing trends, the band continues to evolve while staying true to the passion and intensity that have defined their sound from the beginning.

"Spiraling" represents another bold step forward.It's a song for anyone who has battled self doubt. For anyone fighting anxiety. For anyone searching for hope in the middle of chaos. And for anyone who needs a reminder that even when life feels like it's unraveling, there is always another reason to keep fighting.

With anticipation already building around the release, "Spiraling" is poised to become one of GEARS most impactful songs to date, offering both emotional catharsis and a sonic punch that will leave listeners reaching for repeat.

Prepare yourself. Turn it up.

And let "Spiraling" remind you that sometimes the strongest people are the ones still fighting battles no one else can see.

GEARS isn’t just another rock band—they’re a reminder of why heavy music matters. Real songs, real emotion, and a live show that leaves you buzzing long after the last note.

WE ARE GEARS.

Turn it up. Feel it loud. And don’t forget to move.

Untitled With Drums Premiere New Album Made Flesh

UNTITLED WITH DRUMS have shared the stage with Deftones and Baroness, but the band are giving their hybrid of ‘90s post-hardcore and 2000’s alt metal an even greater emotional charge on their upcoming second album, Made Flesh.

Made Flesh comes out tomorrow, Friday, August 21 on Season of Mist, but you can hear all 10 catchy and cutting songs today by listening to the full album stream on the Season of Mist YouTube channel.

Listen to Made Flesh Below":

Made Flesh comes out August 21, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/untitledwithdrumsmadeflesh

Made Flesh pushes Untitled With Drum’s familiar but fresh sound like never before. Lucas D.'s riffs cut harder while his more atmospheric passages stretch out further, woven through Nicolas Z.'s increasingly prominent synth work. Rémy D.'s drumming anchors the songs with assertive, sometimes intricate grooves, and Martin L.B.'s vocals and bass carry the record's emotional charge throughout.

No strangers to the specialist press or the festival circuit, Untitled With Drums have been together since 2014. The band released their debut album Hollow in 2020, just days before their native France entered its first COVID lockdown. Despite the timing, the album drew widespread praise and propelled the band to the stages of Hellfest, London’s Desertfest and the Nuits de Fourviere festival, where they opened for the Deftones and Baroness.

While the power of Lucas D.'s riffs is heightened, the ethereal soundscapes he weaves are even more expanded. They blend seamlessly with Nicolas Z.'s synthesizers, now more prominent than ever. Rémy D.'s drumming provides the songs’ backbone, delivering grooves with assertive nuances without neglecting more intricate patterns. This array of strengths wouldn't be complete without bassist Martin L.B..'s vocals, never failing to deliver an infectious emotional intensity. This energy serves Made Flesh's thematic focus: a satirical outlook on our times delivered from a multitude of perspectives, like donning and dropping one mask after another.

With this sophomore album, UNTITLED WITH DRUMS establish themselves as the beacon of a French rock scene struggling to take risks, too often settling for crude heaviness. Theirs cuts deeper — straight to the flesh.

Line-up:
Martin L.B. — Bass, Vocals, Additional Guitar

Lucas Delay — Guitar, Additional Guitar

Nicolas Zalachas — Keyboards

Remy D. Perrin — Drums, Additional Guitar

Additional Recording Lineup:

Etienne Marchal — Additional Guitar

Recording Studio:

Halle du Jeu de Paume (Vic-le-Comte, France).

Production Credits:

Produced and Mixed by Cyrille Gachet.

Mastered by Alan Douches at West West Side Music.

Cover Art:

Martin Le Borgne

Biography:

Clément Duboscq

Photography:

Angélique Delabre

Follow Untitled With Drums

Linktree: https://linktr.ee/uwd666

Bandcamp: https://untitledwithdrums.bandcamp.com/

Facebook: https://www.facebook.com/untitledwithdrums/
Instagram: https://www.instagram.com/untitled_with_drums/

YouTube:https://www.youtube.com/channel/UC07Z6EpQUvCmC84MN1Rhqzg

Spotify: https://open.spotify.com/artist/4XiFVuDepsbUebkmNbTjlu

Apple Music: https://music.apple.com/artist/untitled-with-drums/1433932755

Deezer: https://www.deezer.com/artist/50464792

Tidal: https://tidal.com/browse/artist/3842713

Bad Wolves to Join Skillet on Tour This Fall With New Singer Killboy Making Her Live Debut in New Role With the Band

Multi-platinum and chart-topping hard rock outfit BAD WOLVES issued their new single and music video "Paint It Red " via Better Noise Music at the top of the summer. It served as the band's first release of 2026 and the opening salvo for new singer KILLBOY (Sara Skinner), who made her fiery debut as the band's new vocalist with the track.

Listen to "Paint It Red' here. Watch the video below.

Today, the band has announced it will support SKILLET on the band's forthcoming Fall 2026 headline tour. Escape the Fate are also set to appear. The trek will serve as Killjoy's live debut in her new role as front woman, as well. Prepare for her to join her bandmates in laying waste to stages across the U.S. It's a live baptism you won't want to miss, as it also marks the live debut of "Paint It Red" and Killboy putting her stamp on fan-favorites and the band's catalog of hits.

"I'm stoked that our first tour together will be with Skillet and Escape the Fate," enthuses Killboy. "John, AJ, Derek, and I are ready to get out there and bring this new era of Bad Wolves to the stage along with some of the songs you've known and loved over the years. I can't wait to finally meet the Wolves!"

BAD WOLVES' bold new era will showcase performances that signal a fresh evolution of their sound. The tour package will deliver a dynamic collision of legacy and reinvention, uniting two of today's most formidable forces in rock. Expect high energy, massive hooks, and a set of shows built for both longtime fans and a new generation.

BAD WOLVES ON TOUR: 
WITH SKILLET + ESCAPE THE FATE:

09/30—Schenectady, NY—Proctors Theatre
10/02—Philadelphia, PA—The Fillmore
10/03—Montclair, NJ—The Wellmont Theater
10/04—Huntington, NY—The Paramount
10/07—Boston, MA—MGM Music Hall at Fenway
10/08—Silver Spring, MD—The Fillmore Silver Spring
10/10—Grand Rapids, MI—GLC Live at 20 Monroe
10/11—Detroit, MI—The Fillmore
10/12—Pittsburgh, PA—Citizens Live at The Wylie
10/14—St. Louis, MO—The Pageant
10/16—Minneapolis, MN—Uptown Theater
10/17—Milwaukee, WI—Landmark Credit Union Live
10/18—Omaha, NE—Steelhouse Omaha
10/20—Kansas City, MO—The Midland Theatre
10/22—Denver, CO—Fillmore Auditorium
10/23—Salt Lake City, UT—The Union Event Center
10/26—Airway Heights, WA—Pend Oreille Pavilion at Northern Quest
10/27—Seattle, WA—Moore Theatre
10/30—Wheatland, CA—Hard Rock Live Sacramento
10/31—Inglewood, CA—YouTube Theater
11/01—Phoenix, AZ—The Van Buren
11/05—Dallas, TX—House of Blues
11/06—San Antonio, TX—The Aztec Theatre
11/10—Orlando, FL—House of Blues

BAD WOLVES ARE:
Derek Bolman — Bass
AJ Rebollo — Guitar
Sara "Killboy" Skinner — Vocals 
John Boecklin — Drums

Stay tuned for a whole lot more from Bad Wolves soon. This only the beginning of their next chapter.

ABOUT BAD WOLVES:
BAD WOLVES continue to break all of the rules, merging mind-numbing riffs and rhythms with massive, stadium-size melodies. This uncanny fusion of finesse and fire has quietly cemented the Nashville-based band as a multi-platinum powerhouse. Founded by John Boecklin in 2018, the quartet show sno signs of stopping or slowing down, either. Thus far, they have garnered a 3x-Platinum single and two Gold singles in addition to scoring 6 No. 1 entries at radio and gathering billions of streams. Beyond acclaim from Billboard, Outburn, Loudwire, and more, the group has stood out as a presence versatile enough to collaborate with either Daughtry or Ice Nine Kills. Beyond touring with Papa Roach, Volbeat, Hollywood Undead, and more, they have sold out successive headline tours. Welcoming KILLBOY on the microphone in 2026, they blow the hinges off on their next era with the new single "Paint It Red" — with much more to come.

BAD WOLVES ONLINE:
 WEBSITE | FACEBOOK | INSTAGRAM | TIK TOK | YOUTUBE | SPOTIFY

Kinsley Sets Debut EP Learn To Live for 9/25; "Learn To Live" Official Music Video Out Now

Following the announcement of her global publishing deal with Sony Music Nashville, rising singer/songwriter Kinsley announces her debut six-song EP Learn To Live, set for release on September 25 via MCA. Kinsley previews the project and title track with the “Learn To Live” official music video, available now. Watch and pre-save/pre-add Learn To Live HERE.
 
As a writer on all six songs, Learn To Live showcases the 22-year-old as an artist whose songwriting is at the center of everything she creates.
 
“This project feels like the truest introduction to who I am as a songwriter and as an artist,” shares Kinsley. “I’ve spent so much of my life writing to understand what I’m feeling and Learn To Live feels like a collection of those moments. Getting to share these songs with people for the first time is really special.”
 
To accompany the EP’s announcement, Kinsley releases an official music video “Learn To Live ,” offering a look at the people, places and experiences that helped shape her journey while making this project. Moving between candid moments with friends around Nashville, performing for friends and family and scenes of her taking the stage at songwriter rounds, the video reflects on the beginning of this new chapter for Kinsley.
 
“‘Learn To Live’ was the first original song I posted, and it really seemed to resonate with people, whether it was online or at a writer’s round,” reveals Kinsley. “So the video is really an ode to the song that got me here. I wanted to raise the curtain a little on what’s been going on in my world between then and where I am now, getting ready to release my first collection of songs, and I owe it all to this song.”
 
Written solely by Kinsley, the title track offers a reminder that there is a difference between simply making it through life and truly experiencing it:

Drawing from personal experiences and stories of those around her to explore heartbreak, healing, self-discovery and the complicated process of moving forward, Learn To Live establishes Kinsley as a songwriter with a clear voice and perspective.

About Kinsley
MCA singer-songwriter Kinsley creates music rooted in honesty, healing, and human connection. With her debut six-song EP Learn To Live, set for release September 25, the 22-year-old blends vivid storytelling, poetic lyricism, and raw, soulful vocals to establish herself as a songwriter with a clear voice and perspective. Having grown up across California, Texas and Tennessee, the Nashville-based artist writes the kinds of songs that make listeners feel seen and understood. An “old soul” with a lifelong passion for poetry and songwriting, Kinsley approaches music as both emotional refuge and personal expression — creating deeply human songs that live at the intersection of vulnerability and healing. Online at officialkinsleymusic.com.

Photo Credit: Hannah Gray Hall

ATER Release Cover Of TYPE O NEGATIVE's "My Girlfriend's Girlfriend"

Chile's heavy ensemble ATER present their interpretation of TYPE O NEGATIVE's "My Girlfriend’s Girlfriend", released via Torque Records. The band's shadowy sound combines extreme metal and gothic rock, seeing ATER unveil a dark and heavy take on TYPE O NEGATIVE's iconic track. 

ATER’s frontman Fernando Bühring comments: "I was introduced to Type O Negative by my older brother back when I was in my early teens. I was immediately hooked, and they have been at the top of my favorite bands list and are great inspiration for me and the music I write with ATER to this day.

Making our own rendition of ‘My Girlfriend’s Girlfriend’ was a lot of fun. The whole process took just a couple of days. I demo’d the whole thing during the course of a morning. Vincent laid down the drums quickly and we kept the rest from the demo. We also invited fellow guitar player and producer Tebby Muñoz to do the solo on this one. Personally I’m not into making covers much at all, but when I realized October Rust was turning 30, I wanted to celebrate with making a tribute to it. We will probably never do a cover again, so here ya go!."

About ATER:
Based out of Santiago, Chile, extreme metal act ATER unveiled their debut album Eternal Gray Spiral in 2018 through Insania Recordings. The band's sophomore album Somber arrived in 2024 via Torque Records, with 2025 seeing the release of singles, "The Fall" and "Venus". 

Describing their sound as Dark Metal or Extreme Dark Metal, ATER's music is constructed primarily from extreme metal and gothic rock. Their production feels both modern and organic, with composer Fernando building songs around the guitars and bass often leading to centered bass parts in the mix. Thematically, ATER's music is introspective, open and honest in its emotional delivery. ATER explore gothic romanticism with an updated, modern perspective. 

ATER have traversed across global stages including European tours: Epic Prophecy Europe 2024 (BATUSHKA, VLTIMAS, GOD DETHRONED, ATER), Beyond The Black Tour Europe 2025 (VENOM INC, KRISIUN, HATE, ATER), and Morbidfest Tour Europe 2025 (POSSESSED, TERRORIZER, SUICIDAL ANGELS, NIGHTFALL, ATER). In 2025 alone, ATER performed an impressive 110 shows including national support for CRADLE OF FILTH in Santiago, Chile, and Turock Festival, Essen, Germany. 

ATER is:
Fernando Bühring
Vincent Zbinden
Christian Vallejos
Javier Ciudad


Credits:
Bass, Guitars, Synths and Vocals performed by Fernando Bühring.
Drums performed by Vincent Zbinden
Guitar Solo by Tebby Muñoz
Arranged, Recorded, Mixed and Mastered by Fernando Bühring.
Artwork by Aldo Rojas


Connect With ATER:
Official Website: https://ater.cl/
Bandcamp: https://aterdark.bandcamp.com/track/venus
E-Shop: https://torquerecords.cl/
Facebook: https://www.facebook.com/atermetal
Instagram: https://www.instagram.com/ater_dark/
YouTube: https://www.youtube.com/channel/UCLi-j7y9lIxdsYKFgstrEnQ
Spotify: https://open.spotify.com/artist/1HpPzWF2E6G8KfD5pOM6La?si=VnkqfBBES0CNjcUJAolUKg 
Apple Music: https://music.apple.com/us/artist/ater/1358582188

Gavin Adcock Releases Vulnerable New Song, “Shoes”

Georgia native Gavin Adcock arrives today with a vulnerable new song, revealing that achieving a dream doesn’t always equate to happiness; and sometimes, the people we view as successful are just as eager to walk in our shoes as we are to walk in theirs. Listen to “Shoes,” available now, Below
 
“‘Shoes’ is about how everybody looks in the mirror and for some reason thinks their life isn’t good enough. They look at other people and think the grass is greener on the other side,” shares Adcock. “It’s a reminder for everybody that we’ve only got one life. Live it. Love it. Make the best out of it!”
 
Written by Adcock and Jon Michael McKinnon, “Shoes” peels back the layers of success, offering a raw look at the cost of growing a career while missing out on important life events. The release is Adcock’s latest off his upcoming third studio album in three years, The Day I Hang It Updue October 2 via Thrivin Here Records/Warner Records Nashville.

With American Songwriter dubbing him a “modern-day outlaw…building a career reminiscent of artists like Waylon Jennings, Johnny Cash, and more,” Adcock’s upcoming project is a continuation of the signature grit and adrenaline-fueled anthems that have garnered him over 2.4 billion career streams to-date. 
 
Adcock’s headlining The Day I Hang It Up Tour is now underway with a rotating lineup of special guests including Pecos & The Rooftops, Corey Kent, Tyler Nance, Jake Worthington, The Creekers, Braxton Keith and Mack Geiger. The tour promises to deliver fans across 30 cities with a live show experience denoted by Music Row as a “rowdy, high-octane performance” which Adcock is known for. To purchase tickets for the tour, click HERE.
 
A proven must-see live performer, Adcock has SOLD OUT venues via multiple headline tours spanning cost-to-coast such as the Monster Energy Outbreak Tour Presents: Gavin Adcock, his Actin’ Up Again (Again) Tour, and his Need To Tour. Most recently, Adcock joined Morgan Wallen for select dates on Wallen’s 2025 I’m The Problem Tour and his 2026 Still The Problem Tour, receiving explosive responses from audiences across the country. 
 
The Day I Hang It Up Tour 2026
Aug 14 || Bakersfield, Calif. || Dignity Health Theater $ ^
Aug 15 || Ontario, Calif. || Toyota Arena $ ^ 
Aug 28 || Columbus, Ohio ||KEMBA Live! Outdoor * %                  
Aug 29 || Cincinnati, Ohio || MegaCorp Pavilion Outdoor * %                     
 
Sep 11 || Cleveland, Ohio || Jacobs Pavilion # ^                     
Sep 17 || Lubbock, Texas || Cooks Garage * %                                  
Sep 19 || Round Rock, Texas || Round Rock Amp %                         
Sep 24 || Baton Rouge, La. || Raising Cane's River Center Arena * %                      
Sep 25 || Oxford, Miss. || SJB Pavilion * %                           
 
Oct 15 || Macon, Ga. || Atrium Health Amphitheater > %                 
Oct 16 || Birmingham, Ala. || Coca-Cola Amphitheater > %
Oct 17 || Little Rock, Ark. || First Security Amphitheater > %          
Oct 22 || Fishers, Ind. || Fishers Event Center $ ^ 
Oct 23 || Knoxville, Tenn. || Knoxville Civic Coliseum $ ^
Oct 24 || Cary, N.C. || Koka Booth Amphitheatre $ ^ 
Oct 29 || Charlotte, N.C. || Bojangles Coliseum > % 
Oct 30 ||Savannah, Ga. || Enmarket Arena > % 
Oct 31 || Estero, Fla. || Hertz Arena > %
 
Nov 6 || Boston, Mass. || MGM Music Hall at Fenway > %
Nov 7 || Reading, Penn. || Santander Arena > %
Nov 13 || Detroit, Mich. || Masonic Temple Theatre > %
Nov 14 || Grand Rapids, Mich. || Van Andel Arena > %
 
Dec 10 || Las Vegas, Nev. || The Theater at Virgin Hotels !

ABOUT GAVIN ADCOCK
Gavin Adcock, dubbed by Billboard as "one of country music’s most buzzed-about artists” is a Georgia native, born and raised in Watkinsville. Former Georgia Southern University football player, Gavin grew up working on his family’s cattle farm and dreamt of riding bulls in the PBR. He started writing songs in high school, but it wasn’t until the spring of 2021, when Adcock tore his knee playing football, that he used his healing time to record and release his first original single. Since then, Gavin has collectively amassed more than 2 BILLION global streams across singles including the fan-favorite, RIAA PLATINUM-certified, “A Cigarette,” GOLD-certified songs “Run Your Mouth,” “Deep End,” “Four Leaf Clover” and more. His album, Actin’ Up Again, was crowned the largest major-label country debut from a solo male artist released in 2024 and was the year’s top streaming major-label debut across the genre. Within less than a year, Adcock more than doubled his previous streaming record with over 25 MILLION first week US streams on new album Own Worst Enemy, released August 15, 2025. Own Worst Enemy debuted as the top new Country album on the Billboard 200 Country Chart (No. 4) and top streaming new album on the Billboard 200 All-Genre Chart (No. 14) week of release. In the Spring of 2026 Gavin was able to add Executive Producer to his achievements, with the release of Adcock’s brainchild, Country Never Dies, enlisting the help of nine artist peers to join him on the special, timeless, project. The MusicRow Awards’ “Discovery Artist of the Year” nominee has also won over the hearts of both Country music fans and music industry alike, leading to his New Artist of the Year nominations at both the 60th & 61st ACM Awards. Taking his music to the fans, Adcock is currently underway on The Day I Hang It Up Tour 2026, marking the fourth extensive headlining tour since 2024.

MARILYN MANSON RELEASES ONE ASSASSINATION UNDER GOD – CHAPTER 2

Rock/metal icon MARILYN MANSON has released his highly anticipated new album, One Assassination Under God – Chapter 2, available now worldwide via Nuclear Blast Records. To mark the occasion, MANSON has also unveiled the official music video directed by Anthony Silva (@poisonpix) for the album's opening track, ‘Unalive,’ expanding on his signature dark, cinematic vision.

Co-written and co-produced alongside longtime collaborator Tyler Bates, One Assassination Under God – Chapter 2 finds MANSON pushing even deeper into the stark, cinematic landscape introduced on its predecessor. Balancing crushing industrial intensity with haunting melody and moments of unsettling beauty, the nine-song collection, including ‘Unalive’ and recent singles ‘Exit Wound’ and ‘Front Toward Enemy,’ stands among his most focused and immersive works to date.  

Following today's release, MARILYN MANSON returns to the road next week for a major North American tour, bringing One Assassination Under God – Chapter 2 to audiences across the U.S. alongside Rob Zombie before continuing with additional headline performances this fall.

Stream/Purchase One Assassination Under God - Chapter 2: https://mm.bfan.link/oaug-ch-2

‘UNALIVE’ MUSIC VIDEO:

MARILYN MANSON & ROB ZOMBIE Co-Headline Tour Dates w / THE HU & ORGY

Aug 20 - West Palm Beach, FL @ iTHINK Financial Amphitheatre ^+
Aug 21 - Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre ^+
Aug 23 - Alpharetta, GA @ Ameris Bank Amphitheatre ^+
Aug 24 - Charlotte, NC @ Truliant Amphitheater ^+
Aug 26 - Holmdel, NJ @ PNC Bank Arts Center ^+
Aug 27 - Mansfield, MA @ Xfinity Center ^+
Aug 29 - Burgettstown, PA @ The Pavilion at Star Lake ^+
Aug 30 - Darien Center, NY @ Darien Lake Amphitheater ^+
Sep 1 - Toronto, ON @ RBC Amphitheatre ^+
Sep 2 - Cuyahoga Falls, OH @ Blossom Music Center ^+
Sep 4 - Clarkston, MI @ Pine Knob Music Theatre ^+
Sep 5 - Tinley Park, IL @ Credit Union 1 Amphitheatre ^+
Sep 6 - Noblesville, IN @ Ruoff Music Center ^+
Sep 9 - St. Louis, MO @ Hollywood Casino Amphitheater ^+
Sep 10 - Kansas City, MO @ Morton Amphitheater ^+
Sep 12 - Greenwood Village, CO @ Fiddler's Green Amphitheatre *^+
Sep 14 - West Valley City, UT @ Utah First Credit Union Amphitheatre ^+
Sep 16 - Airway Heights, WA @ BECU Live at Northern Quest +
Sep 17 - Auburn, WA @ White River Amphitheatre ^+
Sep 18 - Ridgefield, WA @ Cascades Amphitheater ^+
Sep 20 - Concord, CA @ Toyota Pavilion at Concord ^+

* Not a Live Nation show
^ With The Hu

+ With Orgy

MARILYN MANSON Headline & Festival Dates

Oct 15 - New Orleans, LA - The Fillmore

Oct 17 - San Antonio, TX - The Aztec Theatre

Oct 18 - San Antonio, TX - The Aztec Theatre

Oct 21 - Austin, TX - Emo’s

Oct 22 - Austin, TX - Emo’s

Oct 24 - Fort Worth, TX - Sick New World Texas

Oct 31 - Los Angeles, CA - The Wiltern (SOLD OUT)

Nov 1 - Los Angeles, CA - The Wiltern (SOLD OUT)

Stream MARILYN MANSON:

Apple Music | Spotify

Follow MARILYN MANSON:

Website | Facebook | Instagram | X | TikTok | Youtube | Store

CAGE FIGHT Releases Remix of "Oxygen" by French Multi-Instrumentalist Kabbel

Today, UK metal outfit CAGE FIGHT, fronted by vocal powerhouse Rachel Aspe, release a new version of their recent single and video, “Oxygen.” This latest take on their most-streamed track has been reworked by Kabbel, the French multi-instrumentalist based in Sweden who has previously collaborated with artists including Perturbator, Cemetery Skyline, and Imer6ia.

The original version of “Oxygen,” which is “about a fight against time, when everything becomes overwhelming and suffocating,” according to Rachel, appears on the band’s second studio album, ‘Exuvia,’ released via Spinefarm on May 1, 2026.

Discussing the fresh interpretation of the fast-paced, energetic track, the band explains:

“We agreed that a hard electronic version would be awesome. Given that we're playing multiple festivals in France, and it's Rachel's home country, we thought it would be great to collaborate with a French artist, and Kabbel couldn't have been more perfect. His work on ‘Oxygen’ captures the intensity and stressful feeling of the original, but his skilful production and eclectic synth take the song into an entirely new realm. Play this loud!”

Stream / Listen to "Oxygen (Kabbel Remix)" HERE

Recorded by Sam Bloor (Graphic Nature, Dream State) and mixed by Jim Pinder (Sleep Token, Malevolence), ‘Exuvia’ retains the raw, hardcore heart of CAGE FIGHT, whilst also exploring more multi-layered terrains, making the music sound bigger, tighter, more epic.  

Throughout the album, the band proves their desire to experiment… and have a bit of fun, too – "Pick Your Fighter" is inspired by French pop number "Et C'est Parti…" by Nâdiya, who recently revisited the song.

The bulk of the lyrics on ‘Exuvia’ are written by Rachel, and the results are deeply personal; the expansive final track, "Élégie," is about losing her grandfather and the regret that can come from things left unsaid.  

On "Pig," meanwhile, she calls out the creepy men who send women unsolicited messages online, while the title track was inspired by her grandmother, currently battling cancer, who also contributed to the lyrics.

Order 'Exuvia' HERE 

Since launching onto the scene with their debut self-titled album (2022), CAGE FIGHT have built a reputation for visceral, high-energy live performances; they’ve toured with acts such as Sepultura, Cro-Mags, Napalm Death and Employed To Serve, and played numerous European festivals, including Summer Breeze, Bloodstock and RADAR.

CAGE FIGHT Live:

2026 Festival Appearances

8/14 - France @ Motocultor Festival

8/22 - France @ Barbeuk Festival

8/23 - France @ Furios Fest

8/29 - United Kingdom @ Beastfest

10/23 - France @ Firemaster Convention Festival

10/24 - United Kingdom @ Margate Rock Festival

CAGE FIGHT are:

Rachel Aspe - vocals

James Monteith - guitar

Will Horsman - bass

Nick Plews - drums

Holissstik Premiere Debut Album Chapter I: This Endless Solitude

As a founding member of the critically acclaimed Manes and Lethe, Tor-Helge Skei has pushed the boundaries of both black metal and electronic music. Now, after more than 30 years, he’s expanding his vision like never before with Holissstik, a dark collective experiment that features fellow underground legends and rising stars from the avant-garde.

Chapter I: This Endless Solitude comes out tomorrow, Friday, August 14, but you can hear all eight endlessly rewarding songs today by listening to the full album stream below.

“The inspiration for Holissstik comes from the Greek word Hólos, which is the root for the English word ‘whole’”, Skei says. “Collaboration is the heart and soul of this project. The idea is that each part cannot exist or be understood when separated from the whole. The sum is greater than its parts”.  

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

As could only be the case, Holissstik’s opening chapter started with Skei alone at his studio. But after meticulously sketching This Endless Solitude with his collection of guitars, recording software and homemade plug-ins, he allowed outside influences to take control. The album features more than 15 collaborators, including Martyna Hallas (Rage of Light), Marita Hellem (Martyra), French rapper Pierre Ripka, Paritta Monks and members of Manes and Lethe. It unfolds with surprising twists and turns right from the start, too. Lead single “The Rhythm of Silence” slips seamlessly through the cracks between trip-hop and industrial noise into rap.  

Much like the wilted flowers that lay on its cover, death and its psychological offshoots linger in the many corners of This Endless Solitude. Hypnotized by soft spinning synths, “Reoccuring Dreams”quickly descends into a nightmare. But amidst deep-seeded anxieties, intrusive thoughts and other ceaseless discomforts, like a rope that guides one out of a cave, Holissstik still cling to hope. “Hold it gentle / In the palm of your hands”, Halas offers during enchanting centerpiece “Would You Take This Heart”. As the title track ends the album by turning into the light, it’s not so much an invitation as it is an invocation to become something greater than ourselves.  

With This Endless Solitude, Holissstik emerge as a boundless, unified force.

Although the very nature of Holissstik demands that we expect the unexpected, the collective’s future certainly seems to guarantee obsidian horizons and torrential deluges of artistic truth. In other words, the project promises to persistently and ritualistically pummel us with devastating yet necessary, epic masterworks. Skei and his collaborators truly present the most immersive experiences possible and, in Manes language, offer a safe place in the unsafe; dive in with your hands bound, and be submerged within the imprisoning brilliance. Skei continues to participate in a range of outstanding groups, and yet Holissstik stands as the most unpredictable and, counterintuitive as it might sound, accessible undertaking in the history of his illustrious career.

Lineup
Tor-Helge Skei

Guest musicians

Anna Murphy - Vocals on “Obsession Six”

Christophe Denhez - Guitars on “The Rhythm of Silence”, Guitars, vocals and lyrics on “Behind Me”

Eivind Fjøseide - Guitars on all songs except “Projections”

Gabriel Trentini - Vocals and lyrics on “Obsession Six”

Kristoffer Oustad - Synth on “The Rhythm of Silence”, “Projections”, “Reoccuring Dreams”, “This Endless Solitude”

Tor-Arne Helgesen - Drums on all songs except “Behind Me” and “This Endless Solitude”

Marita Hellem - Vocals on “The Rhythm of Silence” and “This Endless Solitude”

Martyna Halas - Vocals and lyrics on “The Rhythm of Silence”, “My Salvation”, “Would You Take This Heart” and “This Endless Solitude”

Nik Košar - Vocals and lyrics on “Projections” and “Reoccuring Dreams”

Pierre Ripka - Vocals and lyrics on “The Rhythm of Silence”

Paritta Monks - Chanting on “Would You Take This Heart”

Rune Folgerø - Vocals on "This Endless Solitude"
Rune Hoemsnes - Drums on "Behind Me"
Stig Waltoft - Synth and sounds on "Would You Take This Heart"
Tom Engelsøy - Vocals on "Obsession Six"
​Torstein Parelius - Bass on "Behind Me" and "This Endless Solitude", lyrics on "This Endless Solitude"
Trond Johansen - Guitars ​on "Would You Take This Heart"

Production credits

Recorded, produced and mixed by Tor-Helge Skei

Mastered by Knut V. Prytz

Songwriting credits

All songwriting and arrangements by Tor-Helge Skei

Biography

Jillian Drachman

Cover art

Adrien Bousson

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

Available formats

CD Digipack with alternative cover

12” Vinyl (Black)

12” Vinyl (Clear, green and purple marbled)

Follow Holissstik  

Official website: https://www.holissstik.com/

Spotify: https://open.spotify.com/artist/2kUEjjZJGqkwgszR0HQ8IK?si=u6nO-aJkT2inWJlOaDT6Vg

Apple Music: https://music.apple.com/us/artist/holissstik/1895853949

Bandcamp: https://holissstik.bandcamp.com/

YouTube:https://www.youtube.com/channel/UCzTKclWOedWL9-sznSesabA

Facebook: https://www.facebook.com/holissstik

Instagram: https://www.instagram.com/holissstik/

Discord: https://discord.gg/rmfY8Jd8ww

Folk Metal Duo FORGOTTEN SHRINE Unveil "The Parting Glass (Reforged)" Ft. EMBER BELLADONNA Ahead Of New Album Nox Aeterna

Landing ahead of the forthcoming full length Nox Aeterna, FORGOTTEN SHRINE revisit their folk metal take on the Scottish traditional song "The Parting Glass (Reforged)" featuring flutist EMBER BELLADONNA. This new version sees a new instrumental arrangement and additional vocal performance by Josh Alexander. Nox Aeterna is scheduled to release independently on November 6, 2026. 

This enchanting interpretation from the folk metal duo balances the emotion and meaning of the original song, while also injecting shadowy elements and dynamic instrumental textures that are cohesive with the new album's sonic character. The collaboration with EMBER BELLADONNA introduces further musical depth. 

Sofia Frasz comments on the new single release: "We decided to release the 'reforged' version of this song as a single about 2 years after we released the original single version, with a new instrumental and new vocal parts from Josh. With the release of Assassin’s Creed: Black Flag Resynced on August 9, this felt like the perfect time to release a revamped version of our 'The Parting Glass' cover. I’ve had this version on repeat for a while; the instrumental part feels like it has more space to breathe than in the version we released 2 years ago, and Josh really shines as a vocalist here."

Nox Aeterna was produced, mixed and mastered by Joshua Dalviken. The album artwork was created by Josh Alexander and Joshua Dalviken, with the cover art for "The Parting Glass (Reforged)" created by Josh Alexander and Tricia Alexander. 

About FORGOTTEN SHRINE:
Created by Josh Alexander (Pennsylvania, USA) and Sofia Frasz (Maryland, USA), FORGOTTEN SHRINE fuses the sounds and textures of folk instruments with the power and darkness of metal. Through their genre-crossing arrangements FORGOTTEN SHRINE delve into fantasy realms creating both upbeat songs perfect for embarking on an adventure and heavier offerings for battling shadowy forces. 

Alexander and Frasz combine their compositional styles, instruments and vocal textures to produce dynamic and emotive music. The upcoming full-length sees the duo each take the reins across the track list while ensuring FORGOTTEN SHRINE's core identity remains cohesive. 

FORGOTTEN SHRINE is: 
Josh Alexander - Guitar, Bass, Hurdy Gurdy, Irish Bouzouki, Additional Instruments, Backing Vocals, Composition.
Sofia Frasz - Lead Vocals, Guitar, Lyrics, Composition.

Connect With FORGOTTEN SHRINE: 
Facebook: https://www.facebook.com/profile.php?id=61555238025771&mibextid=ZbWKwL
Instagram: https://www.instagram.com/forgottenshrineband
YouTube: https://www.youtube.com/@ForgottenShrineBand
Spotify: https://open.spotify.com/artist/0q7rFp0yxvWoxGWqIt21nI?si=p5jz0YOOROOHFy5jxHAW6A
Apple Music: https://music.apple.com/gb/artist/forgotten-shrine/1734698132