he didnt Releases New Single "Death to Self" From Forthcoming Album Dark Making

he didnt announces the release of "Death to Self", the most melodic moment from the forthcoming album Dark Making, out July 3rd via drone alone productions. 

Built from a beat, an acoustic guitar and a humming vocal, "Death to Self" is a simmering opting-out of society. It is stark, direct and strangely beautiful: a song that steps away from noise without losing the tension, distortion and unease at the centre of he didnt.

he didnt began as a solo project exploring industrial noise, riffs and drones with guitars. As the project and albums developed, samples and electronics became necessary to fully realise the ideas, both live and in the studio. The sound now combines live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

Influenced by 1980s industrial, early MINISTRY albums, Pretty Hate Machine and PUBLIC IMAGE LTD, Dark Making follows that vein and shows he didnt’s use of technology and distortion as writing tools, and as forces for expressing emotion.

Some of the tracks on Dark Making are rough and cut in awkward, jarring ways, with sparse arrangement and production, like an idea creeping out of an underground DIY radio station at 4am. The album continues and develops the sound of he didnt’s debut album Anti-Ambient Passive Resistance, while albums two, three and four moved further into drone territory. Dark Making returns with more of a goth-industrial edge.

Playing drones live is great, but you also need some shorter and more direct songs to keep people interested, and some beats to dance to. Even if that dancing is a slow swaying of the arms and head.

he didnt’s fifth album is a journey into the distortion navel that umbilically links us all. At the centre of that journey is "Death to Self": melodic, minimal and withdrawn, a song for stepping out of the system without knowing where else to go.

About he didnt:

Rooted in industrial noise, the Oxfordshire, UK, based solo project he didnt initially started to explore industrial noise, riffs and drones with guitars. As the project has developed, he didnt began to incorporate further electronics and samples to achieve the desired sound. The project now operates with a combination of live guitars and bass recorded in a studio, samples of those guitars and bass, and other samples of beats, synths and vocals.

For live performances, he didnt doesn't use software, syncing or turntables. Instead he didnt utilizes a laptop, the main basic track, extra samples and various guitar pedals to build the sound.

Since its inception, he didnt has release four full length albums via drone alone: Anti-Ambient Passive Resistance and Blood Red (2023), Nothingness Manifested (2024) and Distraction Threshold (2025). he didnt has received praise for previous releases from Bandcamp Daily, BBC Introducing, The Quietus and Electronic Sound. 

The forthcoming album, Dark Making, is scheduled for release on July 3, 2026, via drone alone productions. 


Connect With he didnt / drone alone productions:

Instagram: https://www.instagram.com/drone_alone_prods/
YouTube: https://www.youtube.com/@dronealoneprods
Bandcamp: https://dronealoneprods.bandcamp.com/

LAINEY WILSON’S NEW SINGLE “PHONE, KEYS, WALLET” OUT NOW

16x ACM, 12x CMA and Grammy Award-winner Lainey Wilson’s new single, “Phone, Keys, Wallet,” is out now, featuring special guest John Mayer on guitar. Listen to the song below (BBR Music Group/BMG Nashville), which world premiered at country radio across the U.S. and Canada today. 

Written during the final leg of the Whirlwind World Tour and recorded at Mayer’s Chaplin Studios in Los Angeles, the track finds Wilson embracing the messy, fast-moving parts of life, and celebrating the person who chooses to love her through it all. 

“I feel like a tornado with boots on half the time, and this song is really about finding somebody who’s okay with that chaos and chooses to love you through it anyway,” Wilson shares. 

“Phone, Keys, Wallet” follows Wilson’s recent releases “Younger You,” a special collaboration with Miley Cyrus, and “Can’t Sit Still,” which Billboard calls, “a rollicking stomp of a song where the frenetic music perfectly matches the driving lyrics,” while iHeartRadio praises, “[it] captures Wilson’s free-spirited, yet driven and hard-working character.” 

The new music adds to yet another monumental year for the Louisiana native, who headlined Stagecoach with an electric set, is the subject of the new Netflix documentary, Lainey Wilson: Keepin’ Country Cool (watch HERE) and recently kicked off a run of stadium shows with Chris Stapleton, which will continue through the summer. Wilson also made her film acting debut in Universal’s adaptation of Colleen Hoover’s Reminders of Him earlier this spring, was selected as one of USA Today’s 2026 Women of the Year and featured on the cover of People Magazine. 

“The reigning current standard-bearer for women in country” (Variety), Wilson hosted the 59th CMA Awards (the first solo female host since Reba McEntire in 1991) last fall, where she won three awards: Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind). She also released the deluxe version of her acclaimed album, Whirlwind, this past August, which features five additional tracks, including her #1 single, “Somewhere Over Laredo.” 

The Grand Ole Opry member is a prolific, sought-after songwriter, who has scored nine #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” the 3x PLATINUM certified “Watermelon Moonshine” and the 4x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton and Post Malone, made her acting debut in Paramount’s hit television series, Yellowstone, and recently launched her fifth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection). 

LAINEY WILSON CONFIRMED TOUR DATES

June 6—Nashville, TN—CMA Fest
June 13—Tampa, FL—Raymond James Stadium*
June 20—Charlotte, NC—Bank of America Stadium*
June 26—Nashville, TN—Nissan Stadium (Alan Jackson: Last Call – The Finale)
June 28—Calgary, AB—Country Thunder Alberta
July 4—Boston, MA—Hatch Shell at Charles River Esplanade
July 10—Chicago, IL—Windy City Smokeout
July 12—Craven, SK—Country Thunder Saskatchewan
July 17—Pasa Robles, CA—California Mid-State Fair
August 1—Cincinnati, OH—Paycor Stadium*
August 6—Detroit Lakes, MN—WE Fest
August 7—Oshkosh, WI—Xroads41
August 8—Detroit, MI—Ford Field*
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip
August 15—Springfield, IL—Illinois State Fair
August 16—Des Moines, IA—Iowa State Fair
August 21—Atlanta, GA—Mercedes-Benz Stadium*
September 19—Las Vegas, NV—iHeartRadio Music Festival
October 2—Ocean City, MD—Country Calling Festival
*with Chris Stapleton

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

 Photo Credit: Cece Dawson

Ray Hawthorne Is Nine Years Sober And Proud Of Every Scar On "I Tried"

Pop punk's most lovable liability, Ray Hawthorne, is back with his latest single, "I Tried", trading in his usual chaos to step into a confessional for a moment. A bruising, yet beautiful ballad, "I Tried" tackles the particular weight of being deep in addiction and deciding that trying, even poorly, was the only thing left to offer. Listen to the new single, "I Tried", Below.

Serving as the sixth single of his latest era, "I Tried" encapsulates Ray Hawthorne's journey prior to sobriety. Now proudly nine years sober, Ray Hawthorne peers back at the moments where survival felt like too much to ask for. Almost as if it was a scar that is shown off by someone who made it out, "I Tried" is proof that all stories have a next chapter after all.

Rather than address the emotional weight of his most vulnerable work to date, Ray Hawthorne chose to discuss why the current state of the entertainment industry should inspire you to listen to his latest single:

"Nick Cage is Spider-Man. YouTubers are making hit Hollywood movies. A Lego store is somehow the most exciting thing in the news cycle. Also Beartooth exists. And here I am trying to make you care about my song. How, in this climate, can I even compete? Well I think I’ve got something.

Remember in Beauty and the Beast when Belle is rolling around singing about books? She’s like “It’s my favorite. Far off places, daring sword fights, magic spells, a prince in disguise!” What if I told you that “I Tried” also has all those things. The far off places are places secret drug deal locations. The sword fights are my internal struggle to stop. The magic spells are drugs. I wasn’t able to figure out how to connect the prince in disguise part so I’ll leave that up to you. I tried though. How’s that? I bet you’ve never heard someone link their stories of almost dying as a drug addict to Beauty and the Beast. Good thing Disney never sues anybody. I bet that makes you want to listen. Go ahead. I won’t stop you.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

DEAD BY WEDNESDAY Drops Devastating New Single + Video “Flesh,” via Combat Records

Veteran New Haven, Connecticut metal band Dead By Wednesday, featuring current and former members of Ellefson, Cro-Mags, and Tantric has officially signed with the newly revived iconic heavy metal label Combat Records and is set to unleash their devastating new single “Flesh" worldwide on all major streaming and digital platforms on Friday, June 5, 2026.

 

Today, the band has unveiled the music video for the single (see below). 

 

After building major momentum during recent live performances, “Flesh” quickly became a fan favorite leading the band to prioritize the song as the first release from their upcoming new EP, due out in early 2027 via Combat Records / Mindsnap Music. The single will also appear on the official Milwaukee Metal Fest promotional compilation album.

 

In addition to the release, Dead By Wednesday has been announced as part of Milwaukee Metal Fest 2026, curated by Jamey Jasta of Hatebreed. The band will perform Sunday, June 7 at 4:45 PM on the BLK II BLK / Copycats Media Stage at The Rave Bar alongside an explosive lineup of heavy acts.

Guitarist Dave Sharpe shares, “This is probably one of our toughest songs to date but still captures the true essence of the old school DBW sound & heavy grooves that are known to be the foundation of the band.” 

 

Robert Dujmusic (CEO Combat Records) adds, “Known for their relentless energy, crushing sound, and dedication to the Metal Scene, DEAD BY WEDNESDAY has built a powerful reputation worldwide trough YEARS of touring and amazing releases. We at Combat Records are totally excited to begin this new partnership and help bring the bands next chapter to an even bigger audience.”

 

“Flesh” was engineered and recorded by Jeff Weed, then mixed and mastered in Los Angeles by Ricky Bonazza bassist of Fear Factory and Butcher Babies.

 

“Huge love to my brothers in Dead By Wednesday — one of the hardest working bands out there, always grinding, always pushing, and doing it for the right reasons. It was an absolute pleasure mixing this new release, and I’ve got nothing but respect for these guys. A band I’ll always hold close to my heart, and I’m beyond stoked for everyone to finally hear this one," says Ricky Bonazza.

 

The accompanying music video was filmed in New York City and directed by Grammy-nominated filmmaker Tom Flynn, known for his work with numerous legendary metal artists.

For More Information Please Visit:

Official Website

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NYHC Crossover Pioneers CRO-MAGS Unleash New Single "Wired for Chaos" + Official Music Video

Today, CRO-MAGS, the iconic New York hardcore outfit fronted by Harley Flanagan, proudly make their BLKIIBLK debut with the new single, "Wired for Chaos." The new track marks CRO-MAGS' first new music in six years, giving fans a taste of what's to come.

"Wired for Chaos," which shares its name with last year's documentary about Harley, was recorded, mixed, and mastered by Arthur Rizk (Power Trip, Code Orange, Cavalera Conspiracy). It was produced by Harley and Arthur and features drum phenom Greyson Nekrutman. The new single arrives alongside an official music video, available below.

Watch the Music Video for "Wired for Chaos" Below:

On the new single "Wired for Chaos," Harley Flanagan comments:

“The new video for ‘Wired for Chaos’ reminds me of our first video, ‘We Gotta Know,’ which came out 40 years ago, except that it shows where the band is at now. I am proud to say that we are one of those few bands that have a multigenerational audience and bridge the gap between hard-core kids, metalheads, punks, skinheads, and more, as seen in the audience of this video, which was filmed at our shows on the past few tours. Not many bands have such a blended fan base besides Motörhead, and I am proud to say that we are following in that tradition."

Harley continues, "The song title ‘Wired for Chaos’ was taken directly from the recent documentary of the same name. It comes in with an aggressive metal intro befitting a UFC walk-in or a video game, then bursts into a more traditional HC thrash vibe before returning to a heavy beatdown at the end in an unmistakable CRO-MAGS style. The song is literally about being programmed and wired for chaos from birth, not just by environment, but by parents, trauma, childhood experiences, and the resulting PTSD that I personally struggle with as a result.”

Stream / Listen to "Wired for Chaos" HERE

CRO-MAGS Live:

Europe:

June 6 — Emmen, Netherlands @ Pitfest

June 7 — Hamburg, Germany @ Hafenklang

June 8 — Copenhagen, Denmark @ Beta

June 9 — Berlin, Germany @ Neue Zukunft

June 10 — Schwerin, Germany @ Club Zenit

June 12 — Venlo, Netherlands @ Grenswerk

June 13 — Bergen Op Zoom, Netherlands @ Gebouw-T

June 14 — Hoofddorp, Netherlands @ C-Punt

June 15 — Heidelberg, Germany @ Halle02

June 16 — Essen, Germany @ Turock

June 17 — Saabrucken, Germany with Sepultura @ Garage

June 18 — Luzern, Switzerland @ Sedel

June 20 — Clisson, France @ Hellfest

July 20 — Gdansk, Poland with Biohazard @ B90

July 21, 2026 — Warsaw, Poland with Biohazard @ Progresja

July 22, 2026 — Wroclaw, Poland with Biohazard @ Zaklete Rewiry

July 24 — Debrecen, Hungary @ Campus Festival

July 25 — Martinska, Croatia @ Punk + Zestoka Festa

August 5 — Vagos, Portugal @ Vagos Metalfest 2026

August 7 — London, UK @ United and Strong Fest

August 8 — Newport, UK @ Corn Exchange

August 9 — Blackpool, UK @ Rebellion Festival

USA:

September 26 — Daytona Beach, FL @ Party Weekend

October 4 — Sacramento, CA @ Aftershock Festival

More Dates TBA!

The history of Harley Flanagan and his band CRO-MAGS is integral not just to the history of hardcore, but to modern metal, rock, and punk itself. With roots stretching from the shadow of Warhol and the Velvets to CBGB’s hardcore matinees and L’Amour Brooklyn thrash-a-thons, all the way through current generations of punk and extreme metal, CRO-MAGS are the connective tissue. Just ask the likes of Dave Grohl, Green Day, and Turnstile. CRO-MAGSstand side by side with Black Sabbath, Motörhead, and Metallica as both an influence and a gamechanger.

The brainchild of a 14-year-old Harley Flanagan, CRO-MAGS began in 1981 while Flanaganwas playing drums for The Stimulators. By 1982/83, he had recorded the primal CRO-MAGSdemos — four songs that would become the blueprint for the seminal 1986 release, 'Age of Quarrel.' Initially a solo vision, Flanagan wrote and played all of the music himself. In 1985, alongside guitarist Parris Mayhew, vocalist John Joseph McGowan, and drummer Mackie Jayson, the genre-defining 'Age of Quarrel' demo was recorded. The full-length album followed in 1986, with Doug Holland of Kraut joining on second guitar.

Explosive both on and offstage, CRO-MAGS have had a tumultuous history, to put it mildly. Through multiple lineups, six studio albums beyond the original demos, and more than four decades of worldwide touring, CRO-MAGS remain one of the most iconic bands in American hardcore and metal. Today, the band is led by Flanagan on bass and vocals — a role he has held since 'Best Wishes' (1989). He remains the only member to appear on every CRO-MAGS release since the band’s founding.

UK Alt-Metal Trio TROPIC GOLD Returns with New Single "Witch House (Feat. Harpy)" Marking Their First Release Under New Label BLKIIBLK

Today, ahead of their Download Festival appearance next month, hotly-tipped Essex trio TROPIC GOLD returns with their brand new single, “Witch House” featuring Harpy, marking their debut under their new label partner, BLKIIBLK. "Witch House" arrives alongside an official music video, available below.

On the new track, the band shares:

“'Witch House' explores the all encompassing parasite of an external force consuming and trapping its victim. This force is experienced in many forms, 'Witch House' addresses the relationship and connection between two people, one being the trapped, feeling they’re within a hex they cannot break.”

Watch the Official Video for "Witch House (Feat. Harpy)" Below:

TROPIC GOLD pulls from metalcore, industrial noise, electronic production, and modern alternative culture without ever sitting comfortably in one lane. Self-produced and creatively self-driven, the South East trio have built early momentum through a mix of huge hooks, abrasive electronics, and the kind of volatility that makes their songs feel like they could completely fall apart at any second.

Support from BBC Radio 1, Kerrang!, and Rock Sound has helped push the band well beyond underground buzz, while tours alongside WARGASM, Resolve, Windwaker, and Normandie have quickly established them as a genuinely impressive live band rather than just another internet-heavy project.

The material following last year’s ‘SICK TO DEATH OF EVERYTHING’ EP feels sharper, heavier, and more immediate, leaning harder into contrast without losing the hooks underneath it all.

With appearances at Download Festival and a stage headline slot at 2000trees Festival this summer, TROPIC GOLD are starting to feel less like a promising new act and more like a band properly breaking through.

TROPIC GOLD Live:

June 13 - Donington @ Download Festival

June 30 - Newcastle @ Think Tank *

July 1 - Leeds @ Hyde Park Book Club *

July 2 - Southampton @ 1865 *

July 3 - Bedford @ Esquires *

July 4 - Norwich @ The Waterfront *

July 5 - Brighton @ Patterns *

July 10 - Cheltenham @ 2000 Trees Festival

November 28 - Sheffield @ Novocaine Festival



* Co-headline w/ Banks Arcade

SATURN'S DOWNFALL Ignites the Future of Modern Rock with Explosive NEW Single "ELECTRIC SKYLINE"

"Electric Skyline” is an anthem about breaking free from the noise, reclaiming control, and building your own future driven by massive hooks, heavy guitars, and pure modern rock energy."

The future belongs to those willing to take it, and

SATURN'S DOWNFALL is making that statement loud and clear with their powerful new single, "Electric Skyline."

Fueled by soaring melodies, thunderous riffs, and an undeniable sense of purpose, "Electric Skyline" arrives as a bold declaration from a band determined to leave its mark on the modern rock landscape. Blending massive hooks with hard-hitting guitar work and infectious energy, the track captures the spirit of breaking free from limitations and forging a path forward on your own terms.



The song's electrifying atmosphere mirrors its message. Every riff surges with urgency, every chorus demands to be shouted back at full volume, and every lyric speaks to those who refuse to be defined by the expectations of others. It's a soundtrack for dreamers, fighters, and anyone ready to take the wheel of their own destiny.

BIO:

SATURN'S DOWNFALL is a modern hard rock band built for fans of massive choruses, heavy riffs, and the emotional intensity that defined the golden era of 2000s rock.

Formed in 2025 in York, Pennsylvania by drummer Brady Hearn and his father, guitarist Scott Hearn, the band was built on a foundation of family, long-standing creative chemistry, and a shared vision to create powerful modern rock with timeless energy.

Drawing influence from Three Days Grace, Breaking Benjamin,and Skillet, SATURN'S DOWNFALL blends cinematic atmosphere, driving low end, and anthemic songwriting that bridges classic rock power with

modern production.

With themes of struggle, rebirth, and cosmic destiny woven throughout their music, the band has quickly begun building momentum with their breakout single “Chasing Gravity,” earning early radio traction across the U.S. and internationally, including spins on 105.7 The X, 92.7 WQLZ, 97.9X, The Sound, and Australia’s Valley FM 89.5, along with a #4 placement on an independent Top 10 countdown.

SATURN'S DOWNFALL delivers emotionally charged modern rock built for both the stage and the next generation of rock listeners.

U.S. indie rocker JONNY COUCH reveals 'Overwhelmed', previewing first album in 7 years

U.S. indie rocker Jonny Couch returns with 'Overwhelmed', the first single from the full-length rock and roll journey 'Where The Sidewalk Ends' – his first new album in seven years. This 10-track offering – his most ambitious work to date – features such fan favorites as 'Sweet Charlene' and more recent compositions, expanding on the melodic craftsmanship and emotional honesty that have become hallmarks of Couch's songwriting,

An inviting gateway to the new album, 'Overwhelmed' is fuelled by jangling guitars, a propulsive rhythm section, and an undeniable melodic hook, pairing upbeat energy with lyrics that explore the frustrations of a relationship coming apart in real time.  

'Where The Sidewalk Ends' features cover artwork by world-recognized New York artist Anne Muntges, known for her highly detailed drawings, prints, and installations. Exhibiting nationally and internationally, he work was also featured in the music-history volume "Women Who Rock: Bessie to Beyoncé, Girl Groups to Riot Grrrl".

'Overwhelmed' was recorded at Landline Recording in Hoboken, New Jersey and engineered, mixed and produced by Jon Chinn (Wild Child, Lomelda, David Ramirez, Gina Chavez, Calliope Musicals), one of four accomplished producers involved in this album, each of whom bring their own perspective to the sessions.

The album was mastered at Mr. Pink Records in Bastrop, TX by Jonas Wilson, known for his work with The Black Angels, Heartless Bastards, Sumbuck and Urban Heat. Along with Chinn, Wilson is one of the producers involved in this album, the other two being Peter Mavrogeorgis (The National, Boy Harsher, Grinderman, Sharon Van Etten, Bootblacks), and Dan Haag (The Astrojet and The Black Swans, both fronted by Fountains of Wayne's Jody Porter).

"'I'm obsessed with the song 'Good Thing' by Fine Young Cannibals. I wanted to write something danceable and jangly and fun like that. This song admittedly sounds a lot different and is much faster, however I'm hoping that the fun spirit remains with the bounciness of the drums and bass and the jangly guitar parts," says Jonny Couch.

"This is a tune about relationship troubles, and having cigarette smoke blown in your face, which really isn't ideal when you're trying to have a meaningful conversation. Then again, maybe it's all your fault."

Now a fixture on the New York and New Jersey music scene, Couch was a NYC rock drummer before embarking on his journey as a solo artist in 2016. His acclaimed 'Animal Instinct' EP earned praise for its blend of soulful pop and rock sensibilities, with Louder Than War dubbing him "a Bryan Ferry pop crooner" and High Times calling his work "charming". His 2019 debut album 'Mystery Man' further established his reputation as a gifted songwriter, earning recognition in Bandcamp Daily's "Unsung Power Pop Gems From All Eras" feature and thensome.

Building a devoted following through energetic performances and sharp songwriting, Jonny Couch has performed alongside artists including The Fleshtones, Josie Cotton, The Nude Party, Paul Collins Beat, and The Plimsouls, along with appearances at the Savannah Stopover Music Festival, Hoboken Arts & Music Festival, Jersey City's Lo-Fi Fest, and WFMU 91.1 FM. He can regularly be spotted on stage at haunts like Pet Shop, Berlin and TV Eye, wearing his signature black cap.

Between infectious rockers and ballads, Couch's music draws its origins directly from the power pop and new wave greats of the late '70s and early '80s. Now, back with renewed focus and a collection of songs rooted in timeless songwriting, strong melodies and rock-and-roll energy. 'Overwhelmed' offers a compelling first glimpse of what's to come—an unmistakable reminder of why Jonny Couch remains an artist to watch in 2026.

As of 'June 1st, 'Overwhelmed' will be available for download exclusively via Bandcamp. Now available for pre-order, 'Where The Sidewalk Ends' will be released on July 24th. Jonny Couch's album release show takes place that same evening at Sleepwalk in Brooklyn with other live dates in New Jersey, Georgia and New York happening this summer and UK dates to follow in August.

CREDITS
Written by Jonny Couch a.k.a. Jonathan Edward Couch (BMI)
Jon Chinn - guitars, percussion, backing vocals
Peter Mavrogeorgis - bass guitar
Jonny Couch - vocals, drums, synths
Produced, Engineered & Mixed by Jon Chinn
Recorded at Landline Recording in Hoboken NJ

Mastered By Jonas Wilson at Mr. Pink Records in Bastrop, TX

Copyright / Publishing 2026 by Damaged Sofa Music (BMI)

Album cover artwork by Anne Muntges
Jonny Couch photos by Sumner Dilworth
Publicity by Shameless Promotion PR

LIVE DATES
JUNE 05  Jersey City, NJ @ Groove On Grove (free outdoor show) - Grove Street Path Plaza - 8:30pm
JUNE 19  Savannah, GA @ The Wormhole (with Peter Dark Mav & Hale The Wolfe) - 9pm
JULY 04  Brooklyn, NY @ Mama Tried (with Mighty Fine)
JULY 24  Brooklyn, NY @ Sleepwalk - Album Release Show **
AUG 03  Asbury Park, NJ @ Wonder Bar - for the 'Happy Mondays' series
AUG 13  London, UK @ Dublin Castle
AUG 16  Brighton, UK @ Daltons (with The DSM IV)
SEPT 05  Chicago, IL @ The Cubby Bear (with Kicked By A Hand)


Keep up with Jonny Couch
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | Press contact

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Swedish Hard Rockers S.O.R.M Release New Single "Raise Hell"!

Swedish hard rock powerhouse S.O.R.M unleashes its brand-new stand-alone single, "Raise Hell" - an explosive, riff-driven anthem released in celebration of the band’s upcoming debut appearance at Sweden Rock Festival this June.

Packed with thunderous guitars, massive hooks and the raw energy the Swedish trio is known for, "Raise Hell" perfectly captures the adrenaline and pure rock’n’roll spirit surrounding the band’s upcoming performance at one of Scandinavia’s most iconic rock and metal festivals.

 

Stream the single Below

 

S.O.R.M comments: "Since we finally get to play Sweden Rock in 2026 we wanted to write the ultimate hard rock song. And I think we fuzzing nailed it. So this song is an extension to us and all fans that gonna support us at our first show at Sweden Rock. Hope you guys love it."

"Raise Hell" is out now via Noble Demon and available on all major streaming platforms.

About S.O.R.M:
Formed in 2017, S.O.R.M quickly made a name for themselves with the release of their outstanding "Hellraiser" EP (2020), which introduced the band to the world and captivated audiences with their infectious hooks right from the start. The band's 2023 debut album, "Under My Skin" (Noble Demon), further solidified their position in the hard rock scene, featuring guest appearances by legendary guitarists Doug Blair of W.A.S.P. and Nick Petrino of Dee Snider. Get the band's latest album HERE

 

 

S.O.R.M are:
Micke Holm - vocals/ backing guitar
Patrik Sandström - backing vocals/ lead guitar
Johan Östman - Backing vocals/ bass
Robin Wernebratt - Drums

 

 For more info visit:

 

Official Website

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Noble Demon

Revered Melodic Rockers PRIDE OF LIONS Share New Single "Edge Of Forever" + Visualizer

Today, PRIDE OF LIONS, led by Jim Peterik and Toby Hitchcock, are proud to share the new single "Edge Of Forever," taken from their upcoming new album, 'Unbridled,' set for release on July 10th via Frontiers Music Srl. Produced by Jim Peterik and mixed by Larry Millas, 'Unbridled' marks the eighth studio album from PRIDE OF LIONS. "Edge Of Forever"arrives alongside an official visualizer.

On the new track, Jim Peterik shares:

"The song 'Edge Of Forever' is one of my favorite tracks from our latest PRIDE OF LIONSalbum- 'Unbridled.' But to be honest, I wasn’t sure how are fans would respond to it. It breaks with our tradition of songs of positivity and light and replacing it with with the feeling that the world situation seems to keep getting more and more unsettled posing the question 'Are we standing at the edge of forever?' Toby and I offer hope of course for a better world by joining hand and coming together. Peace."

Watch the Official Visualizer for "Edge Of Forever" Below:

With ‘Unbridled,’ legendary AOR torchbearers PRIDE OF LIONS return with their eighth studio album, a commanding statement from one of melodic rock’s most enduring acts. Since their formation in 2003 by Jim Peterik — the songwriting force behind anthems like “Eye of the Tiger” and “The Search Is Over” — and powerhouse vocalist Toby Hitchcock, PRIDE OF LIONS have been celebrated for fusing classic melodic sensibilities with modern rock energy. Over two decades later, they remain at the forefront of the genre, consistently delivering songs that resonate with depth, emotion, and unforgettable hooks.

 

‘Unbridled’ is a 12-track journey that showcases the band’s remarkable craft. Every element of the lineup shines: Ed Breckenfeld’s driving drums and percussion lay a solid foundation; Mike Aquino’s lead and acoustic guitars deliver both fire and finesse; Bob Lizik’s bass anchors each arrangement with strength and groove; and Jim Peterik’s keyboards and secondary guitar add lush melodic layers. The signature dual vocal performances from Peterik and Hitchcock — alternately commanding, expressive, and harmonically rich — elevate the songs to new heights.

 

The album is mixed by longtime collaborator Larry Millas, whose work brings clarity, depth, and punch to every track. Standout singles like the title track “Unbridled” — with its striking guitar intro and immediate melodic hook — and “Edge of Forever” underline the band’s ability to craft timeless rock songs that feel both classic and contemporary.

 

Through ‘Unbridled,’ PRIDE OF LIONS reaffirm their status as masters of melodic rock and AOR. It’s an album that will satisfy longtime fans while serving as a powerful introduction for new listeners, showcasing a band that continues to evolve without ever losing its core identity.

Pre-Order 'Unbridled' HERE

PRIDE OF LIONS are:

Toby Hitchcock and Jim Peterik: Lead Vocals

Ed Breckenfeld: Drums And Percussion

Mike Aquino: Lead Electric And Acoustic Guitar



Keyboards: Jim Peterik

Secondary Guitar: Jim Peterik

Bass Guitar: Bob Lizik

SWANWRITER Unveils Haunting And Heavy Single "the painted valley"

Inspired by the dark and gory historical figure, Blood Countess Elizabeth Bathory, SWANWRITER delivers a haunting and dynamic offering in the new single, "the painted valley". Hailing from Vancouver, BC, the progressive metal project is preparing to unveil the second full-length album, melodies of despair, on June 26, 2026.

In the late 16th and early 17th centuries, the Hungarian noblewoman was alleged to have killed hundreds of girls and women, and to have bathed in their blood. In "the painted valley", "The protagonist of the story is a young orphan girl who was taken in by a supposedly kind figure. At the end of the track, she found out that this was an evil witch who was secretly killing them to bathe in their blood", explains project founder Koda.

A solo piano arrangement opens "the painted valley". The music suddenly shifts into a waltz, the piano now joined by a pair of acoustic guitars. A heavy explosion manifests as drums and distorted electric guitars arrive, building the intensity of the sound. Powerful and atmospheric, the shadows descend as harsh vocals growl into life.   

The genre-fusion continues throughout the track's progressive compositional style. Falsetto vocals await in the chorus with a string trio creating an eerie layer beneath, before returning to the heavy onslaught. Followed by a minimalist arrangement of classical guitar and piano, "the painted valley" arrives at a foreboding end. SWANWRITER presents a thoroughly compelling display of light and shade through intricate, considered progressive instrumental arrangements. Across melodies of despair, SWANWRITER balances chaos and calm through explorations of dark and emotional narratives.  

melodies of despair was produced and mixed by Koda, mastered by Roland Rodas, and features cover artwork by 無た｡ / muta.

About SWANWRITER:
  SWANWRITER is a dark progressive metal project based in Vancouver, British Columbia, created and performed entirely by the anonymous multi-instrumentalist known as Koda. Formed in 2023, the project emerged from a desire to merge progressive metal songwriting with classical composition, atmospheric storytelling, and emotionally driven arrangements.

Having studied classical piano from an early age before later discovering extreme metal, Koda developed SWANWRITER as a space to explore long-form composition without stylistic limitation. The music draws influence from progressive and experimental metal alongside classical composers such as Bach, Beethoven, and Chopin, resulting in compositions that emphasize dynamics, texture, and narrative pacing.

SWANWRITER debuted with There is a darkness in June 2023, establishing a sound centered on extended song structures, melodic development, and cinematic atmosphere. Rather than focusing on technical exhibition, the project prioritizes mood, storytelling, and cohesion across full-length releases.

Themes throughout SWANWRITER’s work often intersect with psychological horror, melancholy, and introspection, shaped in part by inspiration from horror games, film soundtracks, and dark ambient music. Each release is approached as a complete artistic statement, with careful attention given to sequencing, emotional progression, and sonic detail.

Operating independently, SWANWRITER remains a studio-focused project, with future ambitions that include composing music for horror and narrative-driven media.

Connect with SWANWRITER:

Bandcamp: https://swanwriter.bandcamp.com/
Instagram: https://www.instagram.com/swanwritermusic/
Facebook: https://www.facebook.com/swanwritermusic/
X / Twitter: https://x.com/swanwritermusic
YouTube: https://www.youtube.com/@swanwriter
Spotify: https://open.spotify.com/artist/6unE9CWOXt5c4UIiaHD5RR
Apple Music: https://music.apple.com/us/artist/swanwriter/1686779640
TikTok: https://www.tiktok.com/@swanwritermusic

VITHIAL Premieres Debut Album 'Awakened Ancient Spirits' At Black Metal Promotion

VITHIAL unleashes the shadows with the premiere of the forthcoming debut full length Awakened Ancient Spirits at Black Metal Promotion. Experience the divine darkness ahead of the album's official release on June 5, 2026.

VITHIAL shares, "Vithial awakens. It is an honor to be featured alongside so many great bands, and for that I am thankful. Thank you to anyone who has supported Vithial thus far, I’m stoked to share this with you all. Check it out on Black Metal Promotion."

Listen to Awakened Ancient Spirits Below:

Awakened Ancient Spirits is a collection of stories exploring the perils of existence, the evils of mankind, occult themes, spirituality, and the cycles of life, death, and creation. The album examines nature, consciousness, and mythological narratives involving spirits, gods, divine beings, and mortals within a dark fantasy framework.

The album pays tribute to the sound and atmosphere of 1990s black and death metal while presenting a personal interpretation shaped by modern songwriting sensibilities. Mystic guitar tones, forceful rhythms, fierce vocal delivery, and restrained symphonic elements define the sonic identity across the record.

METALITE Unveil Discovery Album Details and Release New Single “In Case Of Emergency”

Swedish melodic metal force METALITE returns with their most ambitious and cinematic chapter yet: Discovery! Set for release on September 25, 2026 via Perception – A Division Of Reigning Phoenix Music, the forthcoming album sees the band pushing their futuristic vision further than ever before. Following the success of their previously released singles “Our Time Has Come” and “Starchild”, METALITE now unveils full details of the new record alongside the release of their brand new single “In Case Of Emergency”.

Driven by powerful melodies, heavy rhythms, pounding guitar riffs and METALITE’s signature fusion of futuristic soundscapes and electrifying metal energy, “In Case Of Emergency” delivers another thrilling glimpse into the sonic universe of Discovery. Accompanied by a brand new visualizer video, the track combines dynamic riffing, cinematic synth layers and the unmistakable vocal performance of Erica Ohlsson into a modern melodic metal anthem packed with energy and emotion.

Guitarist, producer, songwriter and founder Edwin Premberg comments:

“In Case Of Emergency is a true banger driven by a heavy rhythm and crushing chugging guitars. But beneath the intensity, it carries a powerful message about always being there for someone, no matter the time or place. It’s a song that hits hard both musically and emotionally, raw, melodic, and made to be felt.”
 

Stream “In Case Of Emergency” Below:

Mixed and mastered by acclaimed Danish producer Jacob Hansen (Volbeat, Evergrey, Amaranthe), Discovery pushes METALITE’s futuristic vision further than ever before. Across twelve dynamic tracks, the album explores themes of human evolution, technology, survival, liberation and hope in a universe shaped by digital realities and cosmic exploration in the year of 2058, three years after humanity left a collapsing Earth in search of a new beginning.

Building upon the sonic worlds established on Heroes in Time (2017), Biomechanicals (2019), A Virtual World (2021) and Expedition One (2024), the band once again proves why they are regarded as pioneers of modern sci-fi-inspired melodic metal!

Pre-Order Discovery HERE:
https://metalite.rpm.link/discoveryPR

ABOUT METALITE
Formed in 2015 by guitarist Edwin Premberg and vocalist Emma Bensing, the band quickly gained recognition for its fresh and modern take on melodic metal and their 2017 debut album Heroes in Time set the stage for METALITE’s rise.

In 2019, the band entered a new era with Biomechanicals, marking the debut of vocalist Erica Ohlsson. With an even more refined sound, the album embraced electronic elements and pulsating rhythms, elevating METALITE’s futuristic vision, further solidifying the band’s reputation as innovators in the genre.

Their evolution continued with A Virtual World in 2021, an album that expanded on their sci-fi themes while delivering massive soundscapes and powerful melodies.

With Expedition One (2024), METALITE embarked on their most ambitious project to date. A visionary concept album set in the year 2055, it tells the story of a renegade team searching for a new world, exploring themes of human evolution, technology, and survival.

In 2024, the band welcomed drummer Erik Junttila to the lineup, bringing new energy and power to their sound. His premiere gig with the band took place in Linköping at the beginning of 2025, marking an exciting new chapter in METALITE’s journey. Since then, they completed several tours with bands like PAIN, LEAVES’ EYES and the NIGHT FLIGHT ORCHESTRA and played at several festivals, including Sweden Rock and Masters of Rock.

With millions of streams and a growing global fanbase, METALITE continues to redefine the future of melodic metal. Their fusion of cutting-edge sound design, anthemic choruses, and sci-fi-inspired storytelling has set them apart, proving that their journey is far from over. Stay tuned - a new discovery awaits!

More on METALITE:
Website
Instagram
Facebook
Spotify

MESHUGGAH Announce Remastered Anniversary Editions of Destroy Erase Improve and Catch Thirtythree

Swedish extreme metal architects MESHUGGAH announce the release of newly remastered anniversary editions of two of the band’s most important works: Destroy Erase Improve: 30th Anniversary Edition and Catch Thirtythree: 20th Anniversary Edition. Both titles will be available on vinyl, CD digipack, and digitally, featuring the original album artwork and newly remastered audio. Both editions will be released on July 24th, 2026 via Reigning Phoenix Music. 

The releases follow their limited Record Store Day editions, which arrived this April with alternate/reimagined cover art. For these wider anniversary editions, MESHUGGAH return both albums to their original visual identities while preserving the enhanced, remastered sound created for this milestone campaign.

Originally released in 1995, Destroy Erase Improve marked a decisive turning point not only for MESHUGGAH, but for the future of heavy music itself. The album introduced a sharpened and unmistakable version of the band’s evolving language: machine-like rhythmic precision, dissonant riff architecture, jazz-fusion flashes, and a level of technical control that would become foundational to progressive, extreme, math, and djent-adjacent metal in the decades that followed. Widely regarded as one of the defining metal albums of the 1990s, Destroy Erase Improve remains a blueprint for the sound MESHUGGAH would make entirely their own.

To accompany Destroy Erase Improve: 30th Anniversary Edition, the remastered single “Future Breed Machine” has been released, spotlighting one of the album’s most iconic and enduring tracks.

Pre-order the Destroy Erase Improve: 30th Anniversary Edition here: https://meshuggah.rpm.link/destroy30PR

A decade later, MESHUGGAH pushed their vision even further with Catch Thirtythree. Released in 2005, the album stands as one of the band’s most singular statements: a continuous 47-minute composition divided into 13 movements, built around hypnotic repetition, shifting rhythmic illusions, crushing eight-string guitar work, and an atmosphere that remains uniquely immersive within the band’s catalog. Self-produced by MESHUGGAH, Catch Thirtythree also marked the band’s only full-length album built with programmed drums, using Toontrack’s Drumkit From Hell technology as part of its stark, futuristic design.

In celebration of Catch Thirtythree: 20th Anniversary Edition, the remastered track “Shed” has been released on all streaming platforms. 

Pre-order the Catch Thirtythree: 20th Anniversary Edition here: https://meshuggah.rpm.link/catch20PR

Both anniversary editions reaffirm the lasting impact of MESHUGGAH’s work across generations of heavy music. From the genre-redefining force of Destroy Erase Improve to the monolithic conceptual scope of Catch Thirtythree, these remastered releases offer longtime followers and new listeners alike the chance to experience two essential chapters in the band’s history with renewed clarity and weight.

Destroy Erase Improve: 30th Anniversary Edition and Catch Thirtythree: 20th Anniversary Edition will be available on vinyl, CD digipack, and digital formats on July 24th. 

About MESHUGGAH:
 

Formed in Umeå, Sweden in 1987, MESHUGGAH have spent more than three decades redefining the outer limits of heavy music. Known for their groundbreaking use of complex polyrhythms, down-tuned guitars, dissonant atmospheres, and surgically precise execution, the band has become one of the most influential forces in extreme and progressive metal.

Across their catalog, MESHUGGAH have continually pushed their sound forward, from the technical thrash foundations of their earliest work to the genre-altering breakthroughs of Destroy Erase Improve, Chaosphere, Nothing, Catch Thirtythree, obZen, and beyond. Their music has had a profound impact on modern metal, inspiring generations of artists and helping shape the rhythmic vocabulary later associated with the djent movement, while remaining unmistakably singular in vision and execution.

Rather than following trends, MESHUGGAH have built an entire language of their own: mechanical yet human, cerebral yet crushing, and as hypnotic as it is devastating. With a reputation for uncompromising innovation and formidable live performances, MESHUGGAH continue to stand as one of the most original, challenging, and revered bands in heavy music.

Connect with MESHUGGAH:

Omen//Skye Release New Single + Video "Cry the White Lie"

Maryland Modern Metalcore Band Unleashes Cinematic New Anthem Exploring Self-Deception and Accountability

 

Maryland-based metalcore outfit Omen//Skye have released their powerful new single and music video, “Cry the White Lie.” Blending crushing heaviness, cinematic atmosphere, and emotionally driven songwriting, the track showcases the band’s signature balance of intricate riffs, melodic hooks, and raw intensity.

 

“Cry the White Lie” explores the tension between self-deception and accountability, diving into the quiet lies people tell themselves to justify who they’ve become, the reality of the world around them, and the inevitable breaking point where those illusions begin to collapse.

 

“Crying out against the lies we're told day after day. No longer will we remain complacent,” the band shares about the track.

 

Drawing influence from both classic and modern metalcore while maintaining a distinct identity of their own, Omen//Skye continue building momentum through high-impact live performances and a growing catalog of emotionally charged releases. “Cry the White Lie” further cements the band’s ability to fuse cinematic soundscapes with aggressive, hook-driven songwriting that resonates long after the song ends.

 

Mixed and mastered by Drew Licurgo and Six:Eight Audio, the single delivers a polished yet punishing sound that highlights the band’s dynamic approach to modern heavy music. The release is distributed via Arson Theory and managed by Core Collective Talent Agency.

 

STREAM "Cry the White Lie" HERE

WATCH "Cry The White Lie" (Official Lyric Video) Below:

OMEN/Skye:

Nick Troisi - Lead Vocals

Joshua Grzywacz - Vocals / Rhythm Guitar

Dillon Thatcher - Drums

Dominic Buie - Bass

Brian Baugus - Lead Guitar

 

UPCOMING TOUR DATES:

July 11th @ Peabody Brewing in Baltimore, MD (Beef & Beer & Beatdowns Wrestling Festival)

 

 For More Information Please Visit:

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Facebook

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Chicago's CURSED AWAKENING Descend Into The Abyss With "Engulfing Void"

Descend into CURSED AWAKENING's "Engulfing Void". This is the newest single offering to land ahead of the band's forthcoming concept album Path Of A Soul, set to release later this year. The album's narrative follows a fresh born soul as it navigates its new existence in a dystopian landscape. 

Over the course of the track list, the fresh born soul stumbles through self-discovery and self-destruction. In "Engulfing Void", the introspective lyrics reveal discontentment at the life that has been lived. Approaching the beginning of the end within the album's narrative, the theme of this track also explores wider notions of regret, remorse and despair at not having lived the life one wanted. 

"Engulfing Void" carries an emotional weight, heavy with melancholy and a gloomy atmosphere. A somber guitar lead introduces the track with a mournful tone before CURSED AWAKENING unleash their thunderous heavy assault. Fast riffs and anguish fueled lyrics bring power while the instrumental layers across the chorus build intensity. "Engulfing Void" draws to a close returning to the forlorn passage first heard in the song's opening. 

About CURSED AWAKENING

Formed in Chicago, Illinois in 2021, CURSED AWAKENING (formerly known as ARRHYTHMIA) delivers a thrashy death metal sound rooted in classic influences such as DEATH, BOLT THROWER, AT THE GATES, SLAYER, THE BLACK DAHLIA MURDER, and SUFFOCATION. Their music combines old school riffing, melodic passages, neoclassical soloing, and introspective lyricism that goes beyond surface level extremity.

After reforming under the CURSED AWAKENING name in early 2026, the band solidified their creative identity and lineup. The current lineup consists of Abraham Verdin on rhythm guitar and lead vocals, Michael Nystrom Bala on lead guitar, Brady Dukart on bass and backing vocals, and Ronnie James Keough on drums.

With 2024 bringing notable live performances in Chicago and beyond, CURSED AWAKENING continues to sharpen their sound and vision. The band's latest release of singles including "Past Newtonium" and "The Rift", alongside the newest "Rest In Chains", are further testament to the band's continuation and escalation, marking a darker and heavier chapter as the band moves toward their upcoming 2026 album.

CURSED AWAKENING is:

Abraham Verdin – Rhythm Guitar, Lead Vocals
Michael Nystrom Bala – Lead Guitar
Brady Dukart – Bass, Backing Vocals
Ronnie James Keough – Drums

Connect with CURSED AWAKENING:

BLACK SITES Present New Single "Giving Up The Ghost"

Chicago's heavy ensemble BLACK SITES present their next single release, "Giving Up The Ghost". Written about losing one's belief in a higher power, the new track arrives ahead of the band's forthcoming full length, For Eternity, set to release independently on July 17, 2026.

On the musical influences behind "Giving Up The Ghost", BLACK SITES founder Mark Sugar shares, "I was very much trying to channel Tony Iommi and Jimmy Page on this track. The intro is total Iommi worship, specifically what he did on 'Die Young'. The guitar overdubs at the end were an idea borrowed from Depeche Mode’s 'Policy of Truth'." 

Across the album's track list, BLACK SITES deliver impactful catchy choruses and lyrical hooks alongside a powerful riff-driven sound. "Giving Up The Ghost" showcases this stylistic direction with a highly emotive element that manifests through touches of orchestral strings and somber guitar leads. 

For Eternity was produced by Mark Sugar & Chris Black, recorded at I Can’t Believe It’s Not Mace Street Studios, with mixing and mastering by Dan Swano. Drums on For Eternity were recorded by Vladimir Ružičić at Kebac Recording Studio.

About BLACK SITES:
Based out of Chicago, IL, USA, BLACK SITES was founded in 2016, initially as a studio project, by vocalist and guitarist Mark Sugar. Sugar was later joined by members John Picillo (bass), Ryan Bruchert (guitar) and Chris Avgerin (drums). BLACK SITES combines old school metal with guitar harmonies, melodic/clean vocals and progressive elements, primarily drawing inspiration from the likes of VOIVOD, BLACK SABBATH, and KING’S X.

BLACK SITES released their debut In Monochrome in 2017 (Mascot/Provogue Records), followed by Exile in 2019. 2021 saw the release of Untrue that was produced by Sanford Parker and awarded Record Of the Year by Dr. A.N. Grier at AngryMetalGuy.com. BLACK SITES ventured to The Promised Land? with their 2024 full-length that featured Tom Draper. (Ex-CARCASS/SPIRIT ADRIFT) on the track "Chasing Eternity".

Now, in 2026, Mark Sugar is joined by new members Jose Salazar (bass), Lee Smith (guitar) and Chris Black (drums). The forthcoming album For Eternity is set to release independently on July 17, 2026.

BLACK SITES Is:
Mark Sugar (vocals, guitar)
Jose Salazar (bass)
Lee Smith (guitar)
Chris Black (drums)

Connect With BLACK SITES:
Bandcamp: https://blacksites.bandcamp.com
Facebook: https://www.facebook.com/blacksites
Instagram: https://www.instagram.com/blacksitesmusic
TikTok: https://www.tiktok.com/@blacksitesmusic
YouTube: https://www.youtube.com/@blacksites
Spotify: https://open.spotify.com/artist/0yY6r4UHQDv4BUOr5bKu1o

Blood Command Drop Summer Anthem "Flowers To A Knife Fight"

With "Flowers To A Knife Fight," Norwegian deathpop punks Blood Commandturn betrayal, disappointment and emotional exhaustion into a blazing modern punk anthem built for sweaty clubs and massive festival singalongs alike.

Fueled by explosive energy, razor sharp hooks and the band’s unmistakable blend of punk urgency, pop sensibility and chaotic heaviness, the track captures the moment where heartbreak transforms into defiance. Driven by the instantly memorable refrain "I'm never gonna be that dumb," "Flowers To A Knife Fight" channels the frustration of broken trust and fading idols into a massive shout along chorus impossible to shake.

Lyrics about stolen light, empty apologies and losing faith in the people once held closest give the song an emotional rawness beneath its infectious energy. Rather than sinking into bitterness, Blood Command turn personal disappointment into something empowering, loud and unapologetically alive. Bursting with punchy riffs, relentless momentum and the band's signature deathpop chaos, the single balances aggression and melody with effortless confidence.

The contrast between emotionally cutting lyrics and euphoric summer anthem energy gives "Flowers To A Knife Fight" its unique intensity, sounding equally cathartic and celebratory from start to finish. Since forming in 2008, Blood Command have built a cult following through their fearless genre bending sound, acclaimed live performances and relentless touring alongside artists such as Refused, Kvelertak ,and Biffy Clyro. With Kerrang! acclaim and multiple Spellemann nominations under their belt, the band continue to push punk into bold new territory. "Flowers To A Knife Fight" is another explosive reminder why Blood Command remain one of the most exciting and unpredictable forces in modern alternative music.
 
BLOOD COMMAND LIVE:
5/29 — Montaigu, FR—  Zinor (Collective ICROACOA
5/30 — Bordeaux, FR — Union Saint Bruno
7/29 — Wacken, DE — Wacken Open Ai

Hopsydian Unveil New Single "ELYSIUM"

Hopsydian push emotional extremity and crushing heaviness to new heights with their latest single "ELYSIUM," a dark and cinematic descent into fractured identity, spiritual abandonment and the violent pursuit of transcendence.

Combining relentless modern metalcore aggression with sacred choir elements, towering atmosphere and beatdown loaded riffs, the track balances brutality and beauty with unsettling intensity. Driven by themes of inner ruin, corrupted faith and self deification, "ELYSIUM" explores the emotional conflict between guilt and empowerment.

Lyrics like "Every scar is a vow I survived" and "There's grace in sin" paint a portrait of someone shaped by pain, no longer searching for salvation but becoming something terrifyingly divine in the process. The song constantly shifts between whispered confession and explosive defiance, mirroring the psychological collapse unfolding beneath its massive production. Haunting choirs echo like fractured prayers throughout the track, colliding with crushing breakdowns and punishing drums that amplify the tension between sin and transcendence. As the song builds toward its radiant and emotionally overwhelming chorus, Hopsydian create a sound that feels both apocalyptic and euphoric, equal parts spiritual reckoning and violent rebirth.

With "ELYSIUM", Hopsydian showcase a bold modern approach to metalcore that merges cinematic atmosphere, raw emotional weight and unrelenting heaviness into something immersive and devastating. Dark, aggressive and impossible to ignore, the single positions the band as one of the genre’s most exciting emerging forces.

HOPSYDIAN LIVE:
6/27 — Vienna, AUT — Chelsea
8/15 — Dinkelsbühl, DE — Summer Breeze Open Air

Kaitlin Butts Offers First Taste of New Music with "Never Really Mine" via Republic Records

Boundary-pushing Tulsa-born fiery artist Kaitlin Butts continues her breakout year with the release of her new song “Never Really Mine,” available everywhere today via Republic Records. Listen to “Never Really Mine” Below. 

“At a festival in Austin, my husband and I were walking through the crowd to get backstage, and someone essentially catcalled my husband as I was holding his hand. It actually made me laugh out loud because she was right – he is ‘foiinneeee,’” said Butts.
 
“When we got backstage, my friend Fernando asked me if that ever bothered me, and I said, ‘a man that can be taken from me was never really mine.’ I thought about how much I wish other women felt that way and that they had that same security as I do. He doesn’t have a wandering eye, and if someone ever took his attention away, I wouldn’t be tugging at him to stay with me. I would want him to go on and get her.”

Written by Butts alongside Maggie Antone and Lola Kirke, the track captures the sharp-witted humor and fearless honesty that have become signatures of Butts’ songwriting.

“I brought the song to my friends Lola Kirke and Maggie Antone on a beautiful Sunday afternoon in Nashville,” shares Butts. “I had the first couple lines to the song and that hook, and I just knew they were the perfect women to write it with. I can feel their wisdom and their heartbreak alongside mine weaved in every line.”

Built around a devastatingly simple realization, “Never Really Mine” delivers one of Butts’ most cutting choruses to date:

The release follows a whirlwind 2026 for Butts, who joins on Willow Avalon’s new song “Hypothetically Speaking” and its official video and she’s continued expanding her own creative footprint both onstage and behind the camera. Earlier this spring, Butts starred in Ella Langley’s music video for the award-winning hit “Choosin’ Texas” and co-directed and wrote the treatment for Flatland Cavalry’s “Unglued.”

Next week, Butts makes her CMA Fest debut with performances on the Chevy Riverfront Stage on Saturday, June 6 at 4 p.m. and the Nissan Stadium Platform Stage at 9 p.m. She’s also slated for Billboard Country Live at Category 10 on Friday, June 5 during the festival weekend.

The release arrives as Butts wraps her sold out headlining European Cowgirl Experience and an appearance at Highways Festival at London’s legendary Royal Albert Hall as well as stops across the UK including Leeds, Manchester, Glasgow, Belfast and Dublin, bringing her captivating live show overseas once again.

The new track is Butts’ first new music since the release of The Yeehaw Sessions last year, her first project since signing with Republic Records in October 2025. The fan-favorite EP featured her genre-bending takes on songs including Chappell Roan’s “Red Wine Supernova,” Jimmy Eat World’s “The Middle,” The Chicks’ “Sin Wagon” and Don Williams’ “Tulsa Time,” alongside her viral anthem “You Ain’t Gotta Die (To Be Dead To Me),” which has amassed more than 157 million TikTok views and 67 million global streams.

In 2024, Butts earned widespread critical acclaim for her album Roadrunner!, a bold reimagining inspired by Rodgers and Hammerstein’s Oklahoma! that landed on numerous year-end best-of lists. She also recently joined Lainey Wilson on her Whirlwind Tour, was featured in the Country Music Hall of Fame’s latest American Currents exhibition for the second year in a row. She was named to both the 2025 Opry NextStage class and the CMT Next Women of Country class.

For the latest news and tour dates, visit kaitlinbutts.com and follow @kaitlinbutts on Instagram and Facebook and @kaitlinbuttsmusic on TikTok.