CELESTIAL DEATH Unleash New Single “Seed Corrupted"

Rooted in dystopian themes and extreme, yet melodic black metal ferocity, “Seed Corrupted” introduces listeners to the opening chapter of CELESTIAL DEATH’s larger conceptual narrative that explores corruption, power, and the cyclical nature of destruction and rebirth.

Musically, “Seed Corrupted” merges modern melodic black metal with dark, post-metal atmosphere. A distorted lead melody establishes a dissonant tone before erupting into thunderous percussion and obliterating vocal delivery. The arrangement shifts between relentless high-speed aggression and slower, oppressive passages, creating a dynamic soundscape that mirrors the tension within the song’s narrative.

While the track stands on its own as a powerful single, it also serves as an entry point into a much larger conceptual story that CELESTIAL DEATH’s founding guitarist and vocalist, Forrest Jessup, has been developing for years. At its core, “Seed Corrupted” presents a conversation between two figures navigating morality, power, and survival in a corrupted world.

Part of the narrative draws inspiration from the mythology surrounding Al Capone, who famously spent time imprisoned in the Atlanta Federal Penitentiary - located only two miles from where Jessup grew up. Within the story, Capone appears as a mentor figure speaking to an unnamed protégé about the realities of power, violence, and the moral compromises required to survive within ruthless systems.

The title “Seed Corrupted” acts as a metaphor for how corruption rarely begins with a single act of evil, but instead grows from the environments people are forced to navigate. In harsh societal conditions - particularly in impoverished urban environments shaped by systemic oppression - organized crime often becomes less a matter of choice and more a mechanism of survival. Within the narrative, the mentor figure reflects on his rise to power while acknowledging both the brutality and the intoxicating nature of chaos itself.

One of the song’s central lines captures this duality:

“We planted this seed, corrupted this society, enchanted by our anarchy.”

While figures like Capone are condemned by society, they are also mythologized and romanticized in cultural memory - often framed through outlaw folklore that blurs the line between villain and antihero.

Growing up in Atlanta heavily influenced the themes behind the track. The city’s cultural identity - built on resilience, struggle, and an uncompromising survival mentality - shaped Jessup’s perspective and writing. Atlanta has long been a place where artists and communities have fought to build something from nothing, embodying a spirit often summarized as “got it out the mud.” That mindset of relentless survival and self-determination echoes throughout the worldview of the characters within CELESTIAL DEATH’s unfolding story.

The artwork for “Seed Corrupted,” created by Jim Bob Cooter Jr. (who did the band’s debut single, "Anti-Preacher"), visually reinforces these themes. The illustration depicts a decaying urban skyline and fractured cityscape amidst a bleak natural environment, in the center of which is a body of water, and dying tree of life… Above the surface lies the decay, symbolizing a society already consumed by corruption. The inverted reflection in the pool, however, reveals a thriving city of prosperity and abundant tree of life. The imagery suggests that corruption has already taken root in the present world, while the reflection represents either a forgotten past or a possible future that humanity has lost - or may one day reclaim.

“Seed Corrupted” serves as the first glimpse into the broader conceptual world of CELESTIAL DEATH - a narrative built around cycles of corruption, collapse, and rebirth. Much like the ancient symbol of the ouroboros, the story exists within a continuous loop where endings become beginnings and fallen systems inevitably reform themselves. This philosophy also mirrors the band’s deeper artistic identity and the ethos behind Terminus Hate City itself: the understanding that decay and creation are inseparable forces. Like the phoenix rising from ash, destruction becomes the catalyst for transformation, and new life inevitably grows from the ruins of the old.

CELESTIAL DEATH is:
Forrest Jessup - Guitar, vocals
Jason Schwartzwalder - Lead guitar
Matthew Carmichael - Drums
Robbie Marsh - Bassist

Social Links:

Without A Face Announce Papercut Recordings Signing With New Double Single “Needful Things” & "Resurfacing (feat. Jacob Mathes of Orphan)"

Toronto musician and producer Kevin Rolly today introduces the next chapter of his unbridled deathcore powerhouse Without A Face with the release of “Needful Things,” a new double single out now alongside the official announcement of the project’s signing to Papercut Recordings. Listen to the double single HERE and find the YouTube visualizer BELOW.

The double single release features tracks "Needful Things" and "Resurfacing" (featuing Jacob Mathes of Orphan). Written and performed by Rolly, Without A Face channels unbridled aggression, pressure, frustration and catharsis into something visceral. The goal is simple, the music should provoke a reaction. Whether that response is discomfort, rage or recognition, indifference has no place in the equation.

The project first began gaining attention with the release of the EP Rat Poison, a short, apoplectic and explosive introduction that quickly found an audience within the modern deathcore community. The release earned strong support from platforms including Slam Worldwide and The Brutality Podcast, whose listeners helped amplify the project and ultimately recognized Rat Poison in the outlet’s year-end awards with a nomination for 'New Deathcore Band of the Year'.

That early momentum helped push Without A Face past 930,000 Spotify streams, 125,000 Apple Music streams and more than 340,000 YouTube views, establishing the project as one of the most promising new names emerging from the underground extreme music space.

“Needful Things” now serves as the first release of a new era for Without A Face and the first under the Papercut banner.

Without A Face emerged after years of Rolly working professionally in music through production, engineering and underground rap. Although the work built experience and connections, he eventually felt pulled back toward the kind of heavy music that first shaped him. Records that felt volatile, visceral and impossible to ignore. Without A Face became the vehicle for returning to that space with intent.

The aggression that defines the music is grounded in real stakes. A neck injury in recent years, combined with ongoing hearing issues, left Rolly needing an outlet for his rage and frustration. Those searing emotions sit at the core of Without A Face, fueling the project’s unflinching intensity.

With “Needful Things” now released and the partnership with Papercut Recordings in place, Without A Face enters its next phase with momentum already building and more music expected to follow.

ABOUT WITHOUT A FACE

Without A Face is the solo project of Toronto musician and producer Kevin Rolly, created as an outlet for heavy music that carries real emotional weight. After years working professionally in music through production, engineering and underground rap, he returned to the extreme music that first shaped him, creating a project built on catharsis, urgency and impact.

Written and performed by Rolly, Without A Face turns lived experience, frustration and creative pressure into music designed to provoke a real emotional response.

Since launching the project, Without A Face has amassed over 1 million cross platform streams, and more than 340,000 views on YouTube, with early support from platforms including Slam Worldwide and The Brutality Podcast helping introduce the project to a rapidly growing heavy music audience.

Without A Face announced their signing to Papercut Recordings in March of 2026 with the release of double single "Needful Things" and the threat of more new music on the horizon.

CONNIE CONVERSE HOW SAD, HOW LOVELY OUT MARCH 27TH

Nearly 51 years after the singer-songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time. 

Eihwar Premiere New Album 'Hugrheim'

Hot off a year of electrifying performances at Wacken Open Air, Midgardsblot and dates with The Hu, Eihwar are back to pull the world deeper into their Viking War Trance with hotly anticipated new album Hugrheim.

“Eihwar drags ancient, blood soaked combat directly into the heavy throb of the underground”, Folk N Rock writes in a track-by-track feature on Hugrheim. “They hammer voltage directly into iron battle axes, bringing sharpened steel to the dancefloor and burying war chants under some brutal weaponized distortion”.

Hugrheim comes out tomorrow, Friday, March 13 on Season of Mist, but you can hear all 10 pulse-pounding tracks today below.

Pre-order & pre-save

https://orcd.co/eihwarhugrheimalbum

With Hugrheim, Eihwar invite listeners into the hidden tenth world of Yggdrasil. The album is a thunderous trip, powered by war drums, pagan chants and questionable life choices.

Blending Nordic folk instrumentation with electro-industrial pulse and thunderous ritual percussion, Hugrheim captures the chaotic energy that has already rattled festival grounds from Wacken Open Air to Midgardsblot. Eihwar treat Norse mythology less like a museum piece and more like a very loud celebration. Ancient symbolism collides with trance languages, pounding rhythms and the kind of ritual enthusiasm that tends to make crowds forget they are supposed to stand still.

Across ten tracks, Hugrheim unfolds like a guided tour through the stranger corners of this unseen world. From the rune-bound trial of lead single “Nauðiz” and the invocation of “Freyja’s Calling” to the victorious chant of “Heill Óðinn,” each composition opens a new gateway into Hugrheim’s shifting landscapes, including the album’s eponymous track “Hugrheim”. There are battle rites, shadow realms and luminous gardens. There are also quite a lot of drums.

At the center of the story stand Mark and Asrunn, wandering spirits whose memories of Hugrheim slowly return while inhabiting human bodies on Midgard. Through chants, war drums and trance-driven rhythms, the duo translate that mythology into sound. The result is a concept album that moves easily between ritual atmosphere and outright pagan dancefloor energy.

There is something truly unique about Eihwar. In a way, the band relates to Vikings much like the Teenage Mutant Ninja Turtles relate to turtles: wild, over-the-top superheroes who don’t take themselves too seriously. And yet, from their mischievous spirit and contagious joy emerges a deep and moving poetry. A kind of childlike wisdom.

Following the release of Hugrheim, Eihwar will carry the Tenth World across Europe on a headline run presented under the banner Pagan Folk Nights, joined by special guest Mira Ceti. After commanding major festival stages and igniting packed club shows, the duo now bring their ritual drums, trance chants and industrial folk pulse into an extended continental campaign.

Line-up:
Asrunn — Vocals, Shamanic Drums
Mark — Vocals, War Drums, Lute, Folk Guitar, Tagelharpa, Percussion & Programming

Production Credits:
Mark & Asrunn of Eihwar — All Production, Mixing & Mastering at Eihwar Studio.

Artwork & Photography:
© Eihwar

Follow Eihwar:
Website: https://www.eihwar.com/
Bandcamp: https://eihwar.bandcamp.com/
BandsInTown: https://www.bandsintown.com/a/15564238-eihwar
YouTube: https://www.youtube.com/@eihwar
Instagram: https://www.instagram.com/eihwar.music/
TikTok: https://www.tiktok.com/@eihwar
Facebook: https://www.facebook.com/eihwar.music
Apple Music: https://music.apple.com/artist/eihwar/1700795908
Spotify: https://open.spotify.com/artist/2VFxoCJQPfQauZujESPjQK
Deezer: https://www.deezer.com/artist/224131655
Tidal: https://tidal.com/artist/41105436
Discord Invite: https://www.eihwar.com/

Booking Contacts:
Doomstar Bookings (Luc): luc@doomstarbookings.com
The Link Productions (Romain): romain@thelinkprod.fr

Available Formats:
CD Digipak
12" Vinyl Gatefold — Black
12" Coloured Vinyl Gatefold — Blue, Black & White Marbled
12" Coloured Vinyl Gatefold — Magenta, Crystal Clear, Pink & Blue Marbled
12" Coloured Vinyl Gatefold — Clear, Blue & Black Marbled
12" Feather Filled Vinyl Gatefold

Lost In Separation Sign to SBG Records; Release New Single "Can't Forget"

Rising Texas metalcore outfit Lost In Separation have officially signed with SBG Records and are celebrating the announcement with the release of their new single, “Can’t Forget.” 

 

“'Can’t Forget' is about coping with the unexpected loss of a loved one and learning how to pick up the pieces and move forward. The song was written and produced with Austin Coupe (The Devil Wears Prada, Thousand Below, Papa Roach), and marks an exciting new chapter with the signing to SBG Records,"  shares the band. 

 

Lost In Separation is a Metalcore Band from Dallas, Tx. Cathartically combining aggression, melody, and emotional storytelling to find silver linings in a world that seems to be falling apart more and more each day.

 

More new music and announcements are expected soon.

 

STREAM "Can't Forget"

https://stem.ffm.to/cantforget

 

WATCH the Lyric Video for "Can't Forget" Below:

For More Information Please Visit:

Instagram

Facebook

TikTok

BRAINSTORM Kick Off Tour with ANGUS McSIX and Release Cover Version Of “Celebrate Youth”!

Today, German power metal force BRAINSTORM are kicking off their upcoming tour run and celebrate the moment with a special release: their cover version of “Celebrate Youth” is now available digitally for the very first time! The track was previously only available as an exclusive CD bonus track on their latest studio album Plague Of Rats, released via RPM in 2025.

"With 'Celebrate Youth,' we chose a song that meant a lot to me personally in my early Youth," Andy B. Franck reveals. "Yes, not a metal song—but a song that perfectly reflected that era and my feeling as a young person of wanting to achieve a lot. Listening to the younger generation, giving them a voice... I don't think I've ever really matured that much deep down, I've retained that feeling and still think and feel like a young guy. This thing rocks, and we had a lot of fun recording it. The Youth, then and now, needs to be heard and understood. This song is the perfect statement about that topic."
 
Stream the single here: https://brainstorm.rpm.link/youthPR

The digital release follows the overwhelming response to the band’s cover of Don Henley's classic “Boys Of Summer”, which was released in August last year and quickly gained strong traction across streaming platforms.

Released in early 2025 via Reigning Phoenix Music, Plague Of Rats marks another milestone in BRAINSTORM’s long career. The album combines the band’s trademark sound - powerful riffs, soaring melodies and gripping choruses - with a renewed intensity and modern production. With over nearly three decades of history, worldwide touring and numerous chart placements, BRAINSTORM remain one of the most consistent and respected acts in German metal. Order Plague Of Rats here: https://brainstorm.rpm.link/plagueofratsPR

About BRAINSTORM
When it comes to metal “Made in Germany”, there is no way around BRAINSTORM. Since their debut album Hungry (1997), the band has continuously evolved while maintaining their unmistakable sound built on powerful riffs, driving rhythms and memorable choruses. Albums such as Metus Mortis, Soul Temptationand Liquid Monster helped establish the band internationally, followed by acclaimed releases like Midnight Ghost and Wall Of Skulls.
 
With their latest album Plague Of Rats, BRAINSTORM once again demonstrated their ability to combine classic power metal energy with fresh influences. Produced by Seeb Levermann, the record captures the raw intensity of their live performances and continues the band’s tradition of delivering uncompromising metal. After decades on the road and countless shows worldwide, BRAINSTORM remain a defining force in the international metal scene; and the best is yet to come!
 
BRAINSTORM is:
Andy B. Franck (Vocals)
Torsten Ihlenfeld (Guitars)
Milan Loncaric (Guitars)
Danij Perl (Bass)
Kevin Lütolf (Drums)
 

More on BRAINSTORM:
Website | https://www.brainstorm-web.net 
Facebook | https://www.facebook.com/officialbrainstorm 
Instagram | https://www.instagram.com/official.brainstorm/ 
X | https://www.twitter.com/Brainstorm_band 

Siamese Unleash New Single "drown" Ahead Of Headline Tours

Modern metal act Siamese return with their powerful new single "drown," the first taste of a new album campaign following their acclaimed releases HOME (2021) and ELEMENTS (2024).

Having amassed more than 100 million streams and toured worldwide alongside heavyweights including Korn, Corey Taylor and Dayseeker, the Copenhagen outfit continues to refine its emotionally charged blend of metalcore and modern rock.

"'Drown' is self-directed anger," explains frontman Mirza Radonjica. "It's about knowing exactly where it hurts and going there anyway. The mirroring in this song is selfdepravating(sic?). I think that when I sing 'I want you to break me till I drown,' that’s both a confession and a request. My drowning becomes a release, not a punishment."

Watch the video for "drown" below.

Stream the single  here.

The single arrives as Siamese kick off an extensive U.S. headline tour, ahead of Danish headline shows this spring, major European festival appearances including Copenhell, Impericon Festival and Vainstream, and a European tour with Dayseeker later this year.

SIAMESE LIVE:
U.S.:
3/13 — Chicago, IL — Cobra Lounge
3/14 — Columbus, OH — Ace Of Cups
3/15 — Pittsburgh, PA — Preserving Underground

EU:
4/9 — Odense, Denmark — Posten
4/10 — Esbjerg, Denmark — Tobakken
4/11 — Silkeborg, Denmark — Kedelhuset
4/18 — Aalborg, Denmark — Studenterhuset
4/24 — Roskilde, Denmark — Gimle
5/13 — Aarhus, Denmark — Train
5/14 — Thisted, Denmark — Plantagehuset
5/15 — Vordingborg, Denmark — Stars
6/26 — Münster, Germany — Vainstream Festival
6/27 — Leipzig, Germany — Impericon Festival

UK:
11/28 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
11/29 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
12/1 — Leeds, UK — Project House (w/ Dayseeker, Northlane)
12/2 — Manchester, UK — Academy 1 (w/ Dayseeker, Northlane)
12/3 — Bristol, UK — Prospect (w/ Dayseeker, Northlane)
12/5 — Glasgow, UK — O2 Academy (w/ Dayseeker, Northlane)
12/6 — London, UK — O2 Academy Brixton (w/ Dayseeker, Northlane)
12/8 — Paris, France — Elysee Montmartre (w/ Dayseeker, Northlane)
12/9 — Oberhausen, Germany — Turbinenhalle 1 (w/ Dayseeker, Northlane)
12/10 — Hannover, Germany — Capitol (w/ Dayseeker, Northlane)
12/12 — Warsaw, Poland — Proxima (w/ Dayseeker, Northlane)
12/13 — Berlin, Germany — Huxley's (w/ Dayseeker, Northlane)
12/15 — Prague, Czech Republic — Lucerna Music Bar (w/ Dayseeker, Northlane)
12/16 — Munich, Germany — Tonhalle (w/ Dayseeker, Northlane)
12/18 — Amsterdam, Netherlands — Melkweg (w/ Dayseeker, Northlane)

GET TICKETS — HERE

SIAMESE ARE:
Mirza Radonjica – Vocals
Christian Lauritzen — Guitar, Violin
Marc Nommesen — Bass
Joakim Stilling — Drums

Hollywood Undead Sample Legendary Slayer Riff On Ruthless New Anthem "1x1"

Los Angeles, CA -- Hollywood Undead release new single "1x1" today via Sumerian Records. The track is built around a sample of the legendary riff from Slayer's "Raining Blood" and arrives as the band carries the momentum of a massive 2025 straight into a spring and summer festival circuit spanning North America and Europe. Stream "1x1" HERE and watch the accompanying music video below.

"1x1" makes no apology for what it is. Built on hard-pounding beats and the unmistakable bones of one of metal's most revered tracks, it finds Hollywood Undead in full victory-lap mode, the chorus landing like a verdict: one by one they fall, let the reaper take them all. The band has spent seventeen years earning the right to talk like this, and the numbers back it up. With over 3.2 billion cross-platform streams and 4.1 million monthly Spotify listeners, "1x1" is the natural evolution of a band that knows exactly where they stand.

Matt Good (Skrillex and The Haunt), handles production. The nu-metalesque beats lay the foundation, the slowed down "Raining Blood" riff builds the vibe and the punchy rap verses build to a huge chorus to create an undeniable banger, the likes of which Hollywood Undead have spent nearly two decades perfecting.

Speaking on today's release, Hollywood Undead share

 

“This song is about resilience. People are always going to doubt you or try to bring you down, but the point is getting back up every time and reminding them you’re still here, and that you can’t be replaced.”

"Hollywood Forever," the band's October 2024 Sumerian Records debut, set the tone for this chapter, cracking 20.3 million cross-platform streams and peaking at #18 at Active Rock radio. "SAVIOR" followed in June 2025, pulling the band in a darker, more emotionally exposed direction. "1x1" lands as the third piece, and the pivot back is deliberate. Where "SAVIOR" was confession, this is confrontation.

In between, 2025 kept Hollywood Undead busy. A co-headline run with Tech N9ne. Mainstage slots at Sonic Temple, Welcome to Rockville, and Louder Than Life. A full run supporting Falling In Reverse on the God Is A Weapon tour through arenas and amphitheatres across North America. The band also continued work on their ninth studio album.

"1x1" arrives with that momentum fully intact and nowhere to go but forward as Hollywood Undead head into a festival run that spans two continents, opening with Welcome to Rockville in Daytona Beach in May, moving through a full European circuit this summer, and closing out stateside with Rocklahoma in September. Full dates below.

HOLLYWOOD UNDEAD

UPCOMING FESTIVAL APPEARANCES

5/8/2026     Welcome to Rockville  Daytona Beach, FL, USA

6/6/2026     Rock im Park         Nürnberg, Germany

6/7/2026     Rock am Ring         Nürburg, Germany

6/9/2026     Täubchenthal         Leipzig, Germany

6/10/2026    Im Wizemann         Stuttgart, Germany

6/12/2026    [VENUE NEEDED]     Derby, United Kingdom

6/14/2026    Nova Rock           Nickelsdorf, Austria

6/15/2026    Sono Centrum        Brno, Czech Republic

6/16/2026    [VENUE NEEDED]     Kraków, Poland

6/18/2026    Graspop Metal Meeting Dessel, Belgium

6/19/2026    Aladin Music Hall      Bremen, Germany

6/21/2026    Schlachthof Wiesbaden Wiesbaden, Germany

6/23/2026    L'Usine               Geneva, Switzerland

6/25/2026    Garage Saarbrücken    Saarbrücken, Germany

6/26/2026    Jera On Air            Ysselsteyn, Netherlands

6/27/2026    Vainstream            Münster, Germany

7/17/2026    Inkcarceration Festival  Mansfield, OH, USA

7/18/2026    Rock Fest             Cadott, WI, USA

8/1/2026     Les Grandes Fêtes TELUS  Rimouski, QC, Canada

8/7/2026     Rock La Cauze         Victoriaville, QC, Canada

9/4/2026     Rocklahoma           Pryor, OK, USA

ABOUT HOLLYWOOD UNDEAD

Since the release of their RIAA platinum-certified 2008 debut Swan Songs, Hollywood Undead’s distinctive and infectious music has incited a global cult audience, sold out shows across continents, and earned praise from Consequence of Sound, Billboard, Revolver and more. With over 3.2 billion cross-platform streams, over 1 billion YouTube views, and 4.1 million monthly Spotify listeners, they remain one of modern rock’s most influential and enduring forces. Now signed to Sumerian Records, they continue to push boundaries and reshape alternative culture.

Hollywood Undead Are:

Johnny 3 Tears, J-Dog, Charlie Scene, Funny Man, Danny.

Find Hollywood Undead Online

Spotify | Apple Music

ILLUSIONS OF GRANDEUR Unleash Dark, Powerful New Video For Their Single “Curses”

Rising rock force ILLUSIONS OF GRANDEURare set to captivate listeners with the release of their intense and emotionally charged new video for their single “Curses.” Blending haunting atmosphere with explosive rock energy, the track delivers a powerful sonic experience that explores the darker side of human emotion and the consequences of choices that linger long after they’re made.

“Curses” dives deep into themes of inner struggle, regret, and the weight of words and actions that can haunt a person over time.

Through evocative lyrics and gripping instrumentation, the song paints a vivid picture of confronting past demons and the emotional aftermath that follows.



From its opening moments, “Curses” pulls listeners into a moody, immersive soundscape before erupting into thunderous guitars, driving rhythms, and soaring vocals. The band masterfully balances melodic depth with raw power, creating a track that feels both haunting and cathartic.

ABOUT THE SONG:

The song "Curses" by ILLUSIONS OF GRANDEUR explores themes of consequence, judgment, and the power of words, continuing the band's narrative-driven style rooted in Greek mythology The song deals directly with the concept of curses and their inescapable consequences. The lyrics begin, "Listen carefully, Lessons silence teach, The more you learn, The less you speak, Wisdom wanes, What lies beneath, Curses, Spoken, Webs your Words wea...". This suggests that actions and even words have lasting, often negative, impacts that can ensnare a person.

BIO:

ILLUSIONS OF GRANDEUR

is a powerful female-fronted metal band that captivates audiences with their dynamic sound and theatrical performances.

ILLUSIONS OF GRANDEUR is a Theatrical Hard Rock/Fantasy Metal band based in

Los Angeles, CA USA.

Their performance, “The Siren Saga”, is a story of the journeys, perils, and triumphs of the Siren and her warriors. The story mixes facts and fiction combining Greek and Norse Mythology, Sirens, Gods, Archangels.

 

Illusions of Grandeur

12,000,000+ Total Streams on Spotify

640,000+ Total Views on YouTube

57,600+ Followers on Instagram

44,000+ Followers on Facebook

Green Carnation Seize the Moment on New Single “I Am Time”

Three decades into a storied career, Green Carnation continue to stand the test of time. Just last year, the Norwegian prog bards reached crushing new highs during the grand and gloomy opening chapter of their long-awaited album trilogy. Now, as the band descend into deeper, darker and more personal depths on Part II of A Dark Poem, they are breaking past the surface with the album’s emotional peak.

Today, Green Carnation are releasing the second advanced single from A Dark Poem, Part II: Sanguis. While awash with melancholy over the past, “I Am Time” seizes the moment with the band’s unwavering control and raw emotions.

“‘I Am Time’ is one of the songs from the forthcoming A Dark Poemalbum trilogy that discusses the fragile nature of our lives”, Green Carnation vocalist Kjetil Nordhus says. “We do not have control over time. We should try and live in the here and now, before suddenly, it’s too late”.  

“To make the song a bit more interesting, the lyrics personify time”, says Green Carnation bassist and lyricist Stein Roger Sordal. “They’re about how we should respect and cherish the time that we have”.

Listen to “I Am Time” below:

Read Green Carnation’s new interview with Loudwire about A Dark Poem.

https://loudwire.com/green-carnation-interview-2026-dark-poem-trilogy/

A Dark Poem, Part II: Sanguis comes out April 3 on Season of Mist

Pre-order

https://orcd.co/greencarnationsanguis

Can’t wait to hear Part II of a Dark Poem? RSVP for Green Carnation’s upcoming Bandcamp listening party and hear all six dark and doomy songs on Sanguis before the album comes out.

A Dark Poem, Part II: Sanguis Bandcamp Listening Party

Tuesday, March 24 @ 1:30 pm ET

RSVP

https://greencarnationsom.bandcamp.com/live/a-dark-poem-part-ii-sanguis-listening-party

Recording lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass, Rhythm Guitars, Lead Guitars, Keyboards, Lead Vocals on "Loneliness Untold, Loneliness Unfold"
Bjørn Harstad - Lead Guitars, Effects
Endre Kirkesola - Keyboards, Synthesizers, Organs, Effects, Backing Vocals on "Lunar Tale"
Jonathan Alejandro Perez - Drums

Guest musicians
Ingrid Ose - Flute on "Lunar Tale"

Live lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass
Tchort - Guitars
Bjørn Harstad - Guitars
Trond Breen - Guitars
Endre Kirkesola - Keyboards

Recording, Mixing & Mastering Studio
DUB Studio

Production Credits
Producers - Endre Kirkesola, Stein Roger Sordal, Kjetil Nordhus
Sound Engineers - Endre Kirkesola, Bjørn Harstad
Mixing Engineers - Endre Kirkesola, Bjørn Harstad
Mastering Engineer - Lawrence Mackrory

Cover artist
Niklas Sundin

Pre-order & Pre-save
https://orcd.co/greencarnationsanguis

Available Formats
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Yellow and Red Marbled)
​12" Vinyl Gatefold (Orange and ​Coke Bottle Green)
12" Vinyl Gatefold (Gold Splatters)
12" Vinyl Gatefold (Silver, White and Black Marbled)
12" Vinyl Gatefold (Transparent Green and Purple Marbled)

Follow Green Carnation:
Bandcamp: https://greencarnationsom.bandcamp.com/
Facebook: https://www.facebook.com/GreenCarnationNorway
Instagram: https://www.instagram.com/green2carnation/
Twitter (X): https://x.com/Green2Carnation
YouTube: https://www.youtube.com/channel/UC2vfEaTADayEniT7xbG-XCA
Spotify: https://open.spotify.com/artist/1ZaJhNBAhJ3HjPsWiB9sDc
Apple Music: https://music.apple.com/artist/green-carnation/72866964
Deezer: https://www.deezer.com/artist/8192
Tidal: https://tidal.com/browse/artist/23079

ACIDOSIS Release New Single “Tied To The Tracks” From Upcoming Album Arrival

Crossover thrash band ACIDOSIS have released their new single, “Tied To The Tracks,” taken from the upcoming full-length album Arrival, arriving March 27, 2026.

“Tied To The Tracks” traces back to the earliest origins of ACIDOSIS. The song was first written in 10th grade after the band’s frontman was kicked out of a friend’s band, channeling feelings of betrayal, confusion, and emotional fallout into what became the first fully realized ACIDOSIS song. A homemade music video for the track unexpectedly went viral on MySpace, helping build a grassroots cult following throughout Florida during the band’s formative years.

The track delivers a direct punch of crossover thrash energy driven by speed, precision, and raw emotion. The opening riff spins up with mounting tension before launching into a relentless climb of shredding guitars and driving momentum. Lyrically, the song explores the moment when trust collapses and emotions shift from shock to acceptance, capturing the realization that there is no turning back.

Influenced by classic thrash songwriting and fueled by a massive, chant-ready chorus, “Tied To The Tracks” remains a live favorite during the band’s Florida performances, where crowds continue to shout along to its arena-sized refrain.

Arrival marks the band’s next chapter and will be released worldwide on March 27, 2026.

ACIDOSIS will support the album with a run of U.S. tour dates this spring.

ACIDOSIS Tour Dates

3/11 | Milwaukee, WI @ Falcon Hall*
3/12 | Chicago, IL @ Sleeping Village
3/26 | Brooklyn, NY @ Market Hotel
3/27 | Boston, MA @ Haymarket Lounge
4/3 | Miami, FL @ Las Rosas
4/4 | Orlando, FL @ Will’s Pub
4/8 | Los Angeles, CA @ Non Plus Ultra*

* Ben Katzman only

Tickets: https://app.getpinpoint.io/bkdegreaser

Arrival is a full-length album nearly 20 years in the making. Originally drafted during Ben Katzman’s teenage years, the songs have been brought back to life by a re-formed ACIDOSIS lineup featuring Katzman on bass and vocals, Diego Edsel, Deo Budnevich, and Jonathan Rusten on guitars, and Harry Schwarz on drums. The album was produced by Katzman and Ryan Haft, mixed by Haft, and mastered by Howie Weinberg. Art is by Juan Montoya (TORCHE) and layout by Perry Shall (GREEN DAY, BLACK KEYS).

Jah Wobble & Jon Klein present scathing single 'Who Wins?' ahead of ‘Automated Paradise' LP

Previewing their new 'Automated Paradise' album, Jah Wobble (Public Image Ltd) and guitarist Jon Klein (Siouxsie & The Banshees, Specimen) reveal the fire-buster 'Who Wins?', a song about distrust — about the growing sense that the grand halls of power have become echo chambers of empty promises. The question echoes long after the final note fades — we probably wouldn't like the answer.

The title itself acts as a refrain and a provocation. Who wins? Not answered outright, the song understands something important: the most powerful question in politics is often the one that leaves the listener finishing the sentence themselves. Less of a statement and more like a mirror, this song fits squarely inside the long lineage of protest music. Songs that capture a moment when the atmosphere shifts — when dissatisfaction becomes a chorus and the private complaint becomes public noise.

'Automated Paradise' is Wobble & Klein's third collaborative record and also their debut album as a duo with Dimple Discs, previewed by the motorik lead track ‘Fading Away’, pulsating with the raw electrical tension of British post-punk and new wave. These two legends first combined forces on the 'Metal Box – Rebuilt In Dub' album in 2021, they continue to collaborate live and in the studio.

"'Who Wins?' is a good old protest song, pointing fingers and making a racket! It was a bass line that turned into a metal riff. The noisier songs on this album tend to reflect on today’s information overload, where there’s no security, and people are becoming more polemic and stressed, but there seems to be a thread of hope that truth and justice will maybe prevail," says Jon Klein.

"Working with Jah Wobble is always an inspiring experience. When I started working with him in recording sessions, he often quoted the words of Holger Czukay, the bass player of German band Can: “First we play, then afterwards we talk! We like to make things happen in the moment. Often we complete a working draft to a piece of music from scratch in a few hours.”

Jah Wobble adds, "The music comes from that silent place. It’s pre-existing. You just allow it to flow...  Proper post punk. Angry and humorous. Okay, it’s the end of civilisation. But nothing lasts forever right? We shouldn’t take it to heart."

This is Jah Wobble’s first post-punk album in recent years, these brash guitar-driven tracks reflecting his preoccupation with the declining state of the nation. Driven by his weekly experience with Klein, working at the "Tuned In" music community project in Merton, this record recalls the spirit of Mark Stewart - angry in an empathetic, constructive way. The lyrical content mainly came together on the spot in the studio.

This album follows two 2025 albums for Wobble -  ‘Dub Volume 1' (Dimple Discs) and the expanded reissue of the 2017 album 'The Usual Suspects', featuring 25 career highlights, re-recorded and including some of Wobble’s finest material, alongside tracks by Invaders Of The Heart and PiL.

Guitarist and producer Jon Klein was a member of Siouxsie and the Banshees from 1987 until 1994 (the 'Peepshow', 'Superstition' and 'The Rapture' era). Originally in the Bristol band Europeans, he then formed the glam-goth act Specimen and relocated to London, where he co-founded The Batcave nightclub. He has worked with Talvin Singh and Sinéad O'Connor, and co-produced a string of No. 1 albums for Warner-signed Fangoria, fueling a decade-long streak of chart-topping success in Spain. 

Born John Wardle, bassist and vocalist Jah Wobble is from East London. An original member of Public Image Ltd (PiL) from 1978-80, he made two seminal albums with the band, including the iconic ‘Metal Box’. Wobble formed Invaders of the Heart in 1982, collaborating with Can's Holger Czukay, Jaki Liebezeit, U2's The Edge and producer François Kevorkian. By the 1990s, he was well known, had chart success and a Mercury Music Prize nomination for the album ‘Rising Above Bedlam'. After releasing the top-40 album ‘Take Me To God’ and then ‘Heaven and Earth' via Island Records, Wardle fled record company constraints to more experimental recordings.

Wobble has collaborated with Sinéad O’Connor, Massive Attack, Ginger Baker, Björk, Brian Eno and Pharoah Sanders, was part of the supergroup The Damage Manual, worked with Julie Campbell aka LoneLady on ‘Psychic Life’, and with his wife Zi Lan Liao on the album ‘Chinese Dub, winning the Songlines Magazine World Music Award. He also plays and records with his sons Charlie and John Wardle in Tian Qiyi.  2024 brought his 'Timeless Roots' album with Horace Andy, followed by 2025's 'Old Fashioned Ways' album with Jamaica's Ken Boothe. Wobble played on Richard Russell’s album ‘Everything is Recorded' (notably ‘Losing You’ feat. Sampha).

Wobble published his autobiography ‘Memoirs of a Geezer: Music, Life, Mayhem’ via Serpent’s Tail in 2009, following his 2008 radio documentary on Sid Vicious for BBC Radio 3. 30 Hertz Records, the independent label Wobble launched in 1997, still releases music in collaboration with Cherry Red,  including 'Dark Luminosity – The 21st Century Collection' and 'In Dub II: Deluxe'.

On March 27, 'Automatic Paradise' is available on CD and transparent vinyl, limited to 800 copies. The digital download can be pre-ordered via Bandcamp. Jah Wobble & The Invaders Of The Heart continue touring the UK in 2026, for which tickets are available at https://jahwobble.com/#live

CREDITS
'Fading Away' written by Jah Wobble, John Tian Chi Wardle & Jon Klein
'Who Wins?' written by Jah Wobble, Izumi Karaage & Jon Klein
Jah Wobble - bass & vocals
Jon Klein - guitar, synthesizer, backing vocals & programming
Izumi Karaage - drums on 'Who Wins?'
John Tian Chi Wardle - drums on 'Fading Away'
Keiko Yamazaki - backing vocals on 'Fading Away'
Produced by Jah Wobble & Jon Klein
Engineered & mixed by Jon Klein at Tuned In Studio & Ground Control.
Mastered by Anthony Chapman
Cover artwork & design by Jah Wobble
Released by Dimple Discs
Barcode 5052571225325
Vinyl catalogue ID #DEEDEE081LP / CD catalogue ID #DEEDEE081CD
Live photos by Fergus Kelly / Room Temperature
Other photos by Peter McDowell
Publicity by Shameless Promotion PR

JAH WOBBLE & THE INVADERS OF THE HEART - TOUR DATES
Mar. 28  BUTLIN'S SKEGNESS - Shiine On Weekender 2026
Apr. 02  WIMBORNE MINSTER - Tivoli Theatre
Apr. 03  TOTNES - Barrel House
Apr. 04  CARDIFF - Clwb Ifor Bach
Apr. 10  STOKE ON TRENT - Artisan Tap
Apr. 11  DARWEN - Library Theatre
Apr. 25  GWYNEDD - Neuadd Ogwen
May 15  CAMBERLEY - Login Lounge
May 30  LYME REGIS - Marine Theatre


Keep up Jah Wobble
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Keep up with Jon Klein
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Keep up with Dimple Discs
Bandcamp | Facebook | Twitter  | Instagram | Proper Music | Press contact

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LEAVES’ EYES Celebrate Release Of New EP 'Song Of Darkness'

While symphonic Viking metal pioneers LEAVES’ EYES just kicked off their European and UK tour, the band are celebrating the release of their brand new EP Song Of Darkness, that is out now on Reigning Phoenix Music!

Serving as a powerful foretaste of the band’s upcoming studio album, the critically-acclaimed four-track release once again showcases the signature sound that has defined LEAVES’ EYES for more than two decades: sweeping orchestral arrangements, Nordic mythological storytelling and the striking vocal interplay between the soaring soprano of Elina Siirala and the unmistakable growls of band founder Alexander Krull. Combining cinematic symphonic metal grandeur with Viking metal intensity, Song Of Darkness expands the band’s epic sonic universe while continuing their tradition of blending melody, heaviness and atmosphere.

Recorded at Mastersound Studio under the production of Alexander Krull, the EP captures LEAVES’ EYES at a moment of artistic strength, balancing sweeping symphonic arrangements with an earthy, human pulse. Lyrically, Song Of Darknesstravels along the shifting borders between myth, magic, and history. The title track itself draws inspiration from the medieval Icelandic saga of Gisli the Outlaw, leading listeners into a world of murder, intrigue, guilt-ridden dreams, and the hope for redemption.

Each track on the Song Of Darkness EP unfolds like a chapter in a saga, cinematic in scale yet personal in emotion. Elina Siirala’s commanding performance brings the stories to life, illuminating the storm of sound around her, while Krull’s growls ground the music with raw force. Towering choirs and strings rise beside crushing riffs, with folk-inspired melodies weaving through the dark. From the orchestral grandeur of its opening moments to the final echo of its closing refrain, the EP builds an atmosphere defined by tension, release, and the timeless pull of legend.

With its mix of mythic storytelling, emotional depth, and powerful symphonic metal, Song Of Darkness showcases LEAVES’ EYES at full strength. The EP is now available via Reigning Phoenix Music, and in support, the band has just embarked on a series of European and UK dates with special guests CATALYST CRIME, and many more shows in 2026 to follow. Find all current and upcoming dates listed below!

Order Song Of Darkness now at this location: https://leaveseyes.rpm.link/sodPR

As they step into their third decade, LEAVES' EYES stand as one of symphonic metal’s most visionary forces. The release of Song Of Darkness sets the tone for the next full-length chapter to follow, reaffirming their dedication to musical storytelling that transcends time and trend. It is both a reflection of their journey so far and a signal of what lies ahead: music that burns with purpose, steeped in legend yet alive with modern fire!


LEAVES’ EYES are:
Elina Siirala - Vocals
Alexander Krull - Vocals
Florian Ewert - Guitar
Luc Gebhardt - Guitar
Dominik Prykiel - Bass
Simon Skrlec - Drums
 
More on LEAVES’ EYES:
Website | https://www.leaveseyes.de 
Facebook | https://www.facebook.com/leaveseyesofficial/ 
Instagram | https://www.instagram.com/leaveseyesofficial/?hl=en 
X | https://x.com/Leaves_Eyes 
TikTok | https://www.tiktok.com/@leaveseyes_official 
YouTube | https://www.youtube.com/user/LeavesEyesOfficial

BLACK SITES Unveil "Aquarius Betrayed" And Announce New Album, For Eternity

Drawing from old school metal, heavy quartet BLACK SITES present their new single "Aquarius Betrayed", the first offering taken from the upcoming album, For Eternity. The album will be released independently on July 17, 2026.

The approaching full-length marks a new chapter for BLACK SITES as Mark Sugar is joined with an updated line-up. For Eternity showcases a development in the band's sound and sees the members' contributions enhance the music's sonic quality. 

"Aquarius Betrayed" reflects frustration at the contradiction towards previous generations who "reaped the benefits of the most socially liberated and progressive era in history, and then quickly turned their back on those values when they became inconvenient." 

On the recording process for "Aquarius Betrayed", band founder Mark Sugar shares, "This was also the first song that Lee (Smith, new guitarist) recorded guitar for. He’s the only member of the band I hadn’t worked with before, so I wasn’t sure what to expect, but his solo here is more than impressive."

For Eternity was produced by Mark Sugar & Chris Black, recorded at I Can’t Believe It’s Not Mace Street Studios, with mixing and mastering by Dan Swano. Drums on For Eternity were recorded by Vladimir Ružičić at Kebac Recording Studio.

About BLACK SITES:
Based out of Chicago, IL, USA, BLACK SITES was founded in 2016, initially as a studio project, by vocalist and guitarist Mark Sugar. Sugar was later joined by members John Picillo (bass), Ryan Bruchert (guitar) and Chris Avgerin (drums). BLACK SITES combines old school metal with guitar harmonies, melodic/clean vocals and progressive elements, primarily drawing inspiration from the likes of VOIVOD, BLACK SABBATH, and KING’S X.

BLACK SITES released their debut In Monochrome in 2017 (Mascot/Provogue Records), followed by Exile in 2019. 2021 saw the release of Untrue that was produced by Sanford Parker and awarded Record Of the Year by Dr. A.N. Grier at AngryMetalGuy.com. BLACK SITES ventured to The Promised Land? with their 2024 full-length that featured Tom Draper. (Ex-CARCASS/SPIRIT ADRIFT) on the track "Chasing Eternity".

Now, in 2026, Mark Sugar is joined by new members Jose Salazar (bass), Lee Smith (guitar) and Chris Black (drums). The forthcoming album For Eternity is set to release independently on July 17, 2026.

BLACK SITES Is:
Mark Sugar (vocals, guitar)
Jose Salazar (bass)
Lee Smith (guitar)
Chris Black (drums)

Connect With BLACK SITES:
Bandcamp: https://blacksites.bandcamp.com
Facebook: https://www.facebook.com/blacksites
Instagram: https://www.instagram.com/blacksitesmusic
TikTok: https://www.tiktok.com/@blacksitesmusic
YouTube: https://www.youtube.com/@blacksites
Spotify: https://open.spotify.com/artist/0yY6r4UHQDv4BUOr5bKu1o

Diamante Releases New Track and Official Video "Bite of the Beast" via Sumerian Records

Charismatic chanteuse Diamante has today released her new single "Bite of the Beast", a cinematic rock anthem about the addictive yet self-destructive embrace of romantic obsession, and the accompanying official video (via Sumerian Records). When asked about the inspiration behind the song, Diamante shared:

“‘Bite of the Beast’ was inspired by the dark romance novels I’ve been reading and the song is set in a twisted fairytale world. It’s about a kind of all-consuming infatuation that changes you forever — the kind where, once it’s over, nothing else can ever compare. I wanted the song to feel visceral and dangerous, like falling under a spell you know will ruin you. It’s the kind of heartbreak that you don't want cured.”

After being featured as a Stowaway earlier this year on ShipRocked 2026, fans now have the chance to see her electric energy live on the SPIN THE WHEEL US TOUR alongside labelmates I See Stars and special guests Mothica and Until I Wake. Diamante will also be performing at the recently announced Louder Than Life 2026 festival on Saturday, September 19 (ticket information here). Stream "Bite of the Beast" here, and watch the official video below.

SPIN THE WHEEL TOUR US Dates with I See Stars, Mothica and Until I Wake:

Mar 6 - Worcester, MA - Palladium (Upstairs)

Mar 7 - Baltimore, MD - The Recher

Mar 8 - Charlotte, NC - The Underground

Mar 10 - Atlanta, GA - Center Stage (The Loft)

Mar 12 - Fort Lauderdale, FL - Culture Room

Mar 13 - Orlando, FL - The Beacham

Mar 14 - Destin, FL - Club LA

Mar 16 - Houston, TX - Scout Bar

Mar 17 - Austin, TX - Come and Take It Live

Mar 18 - Dallas, TX - Trees

Mar 20 - Mesa, AZ - Nile Theater

Mar 21 - Las Vegas, NV - 24 Oxford

Mar 22 - Los Angeles, CA - El Rey Theatre

Mar 23 - Roseville, CA - Goldfield Trading Post

Mar 25 - Portland, OR - Hawthorne Theatre

Mar 26 - Seattle, WA - El Corazón

Mar 28 - Billings, MT - The Pub Station

Mar 29 - Denver, CO - Oriental Theater

Mar 30 - Colorado Springs, CO - The Black Sheep

Apr 1 - Kansas City, MO - Warehouse on Broadway

Apr 2 - St. Louis, MO - Delmar Hall

Apr 3 - Indianapolis, IN - Deluxe At Old National Centre

Apr 4 - Detroit, MI - Saint Andrew's Hall

Louder Than Life 2026:

Sept 19 - Louisville, KY - Kentucky Expo Center

ABOUT DIAMANTE

With her iconic 80s glamour and undeniably powerful vocals, Diamante has become a beacon in today's music scene, seamlessly weaving the vibrant energy and bold aesthetics of the era while forging her own distinct identity with contemporary flair. She first turned heads with her debut album 'Coming In Hot' in 2018 soon after followed by her sophomore full-length 'American Dream' including her smash-hit reimagination of Goo Goo Dolls classic "Iris" featuring Ben Burnley (Breaking Benjamin), earning widespread acclaim and further propelling her into the spotlight. Diamante has toured alongside prominent acts such as Nita Strauss, Shinedown, The Pretty Reckless, Breaking Benjamin, and Three Days Grace while performing at major national festivals including Sonic Temple, Louder Than Life, and Welcome To Rockville. The alt-pop powerhouse has begun a new era after signing with her new label home Sumerian Records, and released the irresistibly catchy "1987" and "All For The Glory". She then contributed to the American Psycho Comic Series Soundtrack with her spin on Pat Benatar's classic "Love Is A Battlefield", and collaborated with labelmates Kittie and The Pretty Wild for an emotional cover of Metallica's "The Unforgiven" for the Queen Of The Ring Soundtrack. With her empowering anthems and rebellious spirit, the sky is the limit as Diamante continues to prove she is a force to be reckoned with, both in the studio and on stage.

LUNGBURNER Unleash New Single "Adamu" From Upcoming Album Dogma, Out April 17

Atlanta-based metal collective LUNGBURNER have announced the release of their new single "Adamu", the opening track from their forthcoming third full-length album Dogma, due out April 17. The single serves as the first glimpse into the band’s most expansive and conceptually driven work to date.

Listen to the track below:

Based out of Atlanta, GA, LUNGBURNER present their third release in the form of Dogma. Heavily schooled in the southern sludge methodology and intermixing industrial atmospheres with progressive melodic sensibility, Dogma sees the band stretch their creative legs as they slowly evolve into their own unique footprint within the metal and underground scenes. Dripping with spiritual, social, and human context, Dogma is LUNGBURNER’s thesis on the modern trappings of entrenched thinking, and the horror blind obedience lays upon mankind.

Opening the album, "Adamu" begins with a haunting invocation to the Fallen Angel Lucifer layered over tribal drum samples, immediately establishing the ritualistic tone of the record. The track quickly unfolds into a melodic statement before landing in a driving rhythmic pulse that propels the song forward. Anchored by the thunderous low end of Joshua on bass and Jens’ aggressive vocal delivery, the rest of LUNGBURNER drives the song relentlessly forward, claiming the sonic moment as their own.

Notably, "Adamu" was the first song LUNGBURNER wrote for Dogma following the addition of bassist Joshua in early 2025, marking the beginning of a new creative chapter for the band and setting the tone for the album’s thematic and sonic direction.

With Dogma, LUNGBURNER push deeper into their blend of southern sludge weight, industrial atmosphere, and progressive melody, delivering a record that is as philosophically provocative as it is sonically punishing.

"Adamu" is available now, with Dogma arriving in full on April 17.

Outside of music, all members work professionally in various engineering fields, and none of them originally came from traditional doom or stoner rock backgrounds. Their approach to the genre grew organically from a shared appreciation for heavy music and experimentation, which continues to shape the band's evolving sound as they move toward a more progressive direction while maintaining their doom foundation.

LUNGBURNER is:

Jens Anderberg — guitar, lead vocals
Joseph Mills — guitar, backup vocals
Joshua Broughton — bass

CONNECT WITH LUNGBURNER:

Bandcamp: https://lungburner.bandcamp.com
Facebook: https://www.facebook.com/lungburneratl
Instagram: https://www.instagram.com/lungburneratl
Threads: https://www.threads.com/@lungburneratl
Spotify: https://open.spotify.com/artist/0WRBgLDbYMfLSrbb3tjNzK
Apple Music: https://music.apple.com/ca/artist/lungburner/1724598173

RYAN AND RORY LEAN INTO LAST-CALL HONKY-TONK CHAOS WITH “WASN’T THINKIN’” – OUT NOW

BBR Music Group/BMG Nashville’s Ryan and Rory turn up the neon-soaked mischief with their new track “Wasn’t Thinkin’,” available everywhere now. Listen Below.

Produced by Kevin Bard and written by Joey Hyde, Ryan Follesé, and Emma-Lee, “Wasn’t Thinkin’” is a high-energy honky-tonk rocker built for last call and the stories that come with it. Driven by cranked-up guitars, a boot-stomping groove, and a head-bobbing rhythm that feels tailor-made for crowded dance floors and late-night singalongs, the track that they premiered earlier this week when they returned to the Grand Ole Opry captures the reckless fun of a night where good decisions take a back seat to good times.

“Yep, the song is about ‘one of those nights,’” says Ryan Follesé. “‘Wasn’t Thinkin’’ is exactly the point. Sometimes, you don’t need to overthink a good time. Just roll with it!”

“Even in the fog of a morning-after hangover,” adds Rory John Zak. “Once you piece together what happened the night before, this song makes you want to run it back again in real life as soon as possible.”

Packed with vivid snapshots of karaoke bars, double pours, and questionable rides home, the track leans into the duo’s signature mix of humor, relatability, and rowdy charm, turning small regrets into big memories and reminding listeners that sometimes the best nights are the ones you never planned. 

With music that is connecting with audiences globally, the duo will make their C2C debut with a three-show run in London starting on March 14. More information and tickets are available HERE. 

Following a string of fan-favorite releases that showcase both their heart and their high-energy live spirit, Ryan and Rory continue to build momentum with a sound that blends modern country polish with throwback honky-tonk attitude. With “Wasn’t Thinkin’,” the SiriusXM Highway Find duo deliver another crowd-ready anthem built for neon lights, raised glasses, and stories worth laughing about the next morning.

KEEP UP WITH RYAN AND RORY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

LA Pop Punk Newcomers: Lake Rana Debut With "Funeral For A Fish"

Crashing head first into existential dread with a smile, Los Angeles-based pop punk quartet, Lake Rana, have today released their debut record, "Funeral For A Fish" alongside focus track, "Grasshopper". This brand new release sees Lake Rana twist dark humor, anxiety, and everyday emotional whiplash into jagged, sing-along choruses that somehow make falling apart feel euphoric. Fans can listen to the brand new album HERE.

Instead of dwelling on doom, Lake Rana lean into the absurdity of it all on "Funeral For A Fish", using their sharpest hooks to ask what it means to matter at all and find a moment of joy in the idea that we're all just here for a brief, ridiculous swim.

Peeling back the record's offbeat, goldfish-shaped core, vocalist Josh Rana shares:

"Funeral For A Fish started as a dark joke about my passion for the aquarium hobby and the number of fish I accidentally killed learning how to keep them alive, but it became something more personal. The album is about realizing your own mortality: that one day you or I will be just as insignificant as a pet goldfish, flushed out of this world and into the next. It sounds bleak, but it helped me accept that none of us are as important as we think — and there’s something freeing about that.”

On "Funeral For A Fish", Lake Rana specialize in making existential dread feel strangely hopeful. Swinging from gut-punch confessionals to full throttle catharsis in the span of a verse and using deadpan one liners and wide screen melodies, they've carved out a debut that feels like cracking jokes at the end of the world with your best friends.

Drawing loose comparison to bands like The Dirty Nil, Fall Out Boy, and Origami Angel, the band balance sardonic wit with an almost uncomfortable sincerity, turning emotional chaos into something you can shout back in a basement at 1AM.

Be sure to stay tuned for more Lake Rana news coming very soon.

ABOUT LAKE RANA

Lake Rana is an independent Los Angeles–based pop punk and emo project led by songwriter, vocalist, and guitarist Josh Rana. Blending the guitar-driven hooks of 2000s pop punk with the darker emotional currents of emo and touches of post-hardcore, Lake Rana leans into introspective storytelling and underdog perspective rather than the bravado that dominates much of modern pop punk.

Though presented as a band, Lake Rana is primarily Josh’s creative outlet. After launching in 2023, Rana wiped the slate clean in early 2025 and began rebuilding the project with a more focused vision and budget. The songs for his debut album Funeral For A Fish were already written and demoed when he brought in producer Pete Zen, who recorded the album at a studio house in Burbank, California. Zen helped shape the sonic identity of the record, steering production and mixing the album, while Austin Coupe handled mastering.

Beginning in July 2025, Lake Rana rolled out the album one single at a time, building momentum ahead of the full release.

Drawing influence from bands like Fall Out Boy, Boys Night Out, Origami Angel, and The Dirty Nil, Funeral For A Fish pairs clever guitar riffs with deeply personal lyricism. Much of the album reflects a turbulent period in Rana’s life — including a devastating ankle injury during his senior year of college that left him bedridden for months while his parents went through a difficult divorce. The isolation and reflection from that period shaped songs like “Bad Year” and “Sink,” while tracks like “Covers” and “Basket Case For Loving You” dissect complicated relationships and emotional dependency.

The album’s title comes from Rana’s longtime aquarium hobby and a darkly humorous realization about mortality: the idea that, in the grand scheme of things, our lives may be as fleeting and unceremonious as a flushed pet goldfish.

Released March 6, 2026, Funeral For A Fish is a debut that balances self-awareness, emotional honesty, and guitar-driven hooks.

Ryan Perdz Confronts Self-Sabotage On New Single "Sour"

Buffalo, NY singer-songwriter and multi-instrumentalist Ryan Perdz releases his new single “Sour” today via Big Machine Rock, a raw and unfiltered meditation on self-hatred, stubbornness, and the quiet desperation of wanting to change but not knowing where to begin. Stream “Sour” HERE and watch the accompanying visualizer Below.

Built on brooding, distortion-soaked guitars and a vocal performance that moves from restraint to rupture, “Sour” captures the internal push and pull of someone caught inside their own patterns. The track does not offer tidy resolution. Instead, it leans into the discomfort of self-awareness, tracing the space between yearning for growth and resisting it. Speaking on today's release, Ryan Perdz shares

“‘Sour’ is a song about self hatred. Not wanting to bring anyone into your life, being so stuck in your own ways. It’s a stubborn way of yearning for change but not knowing where to begin.”

At 24, Perdz has built a formidable independent foundation. Self-taught across guitar, bass, violin, and mandolin, he amassed more than one million followers across social platforms and drew 60 million views to his cover of Nirvana’s “Smells Like Teen Spirit.” His original catalogue has now surpassed 5.6 million Spotify streams, with 67,000 monthly listeners. Recent single “Temporary” has earned more than 500,000 Spotify streams and 142,000 YouTube views, while “Paradise” has grown to 2.3 million Spotify streams and 250,000 YouTube views.

In early 2025, Perdz signed with Big Machine Rock and began recording his debut full-length album. “Sour” arrives as the latest release from those sessions, sharpening the emotional edge of an artist intent on defining his own lane.

Raised on his grandparents’ dairy farm in Buffalo, Perdz grew up surrounded by the voices of 90s rock and grunge, studying guitar obsessively after receiving his first instrument at ten years old. That fixation still drives his approach. His guitar work remains central to his identity, and his lyrics land with plainspoken intensity whilst still allowing listeners space to see their own experiences reflected back at them.

With “Sour,” Ryan Perdz continues to move beyond the viral moments that first introduced him to millions, grounding his career in original work that reflects both impactful emotional resonance and a unique and undeniable talent.

About Ryan Perdz

Ryan Perdz is a 24-year-old singer, songwriter, and multi-instrumentalist from Buffalo, NY. Raised on his grandparents’ family farm, he began teaching himself guitar at age ten and expanded into bass, violin, and mandolin, developing a hands-on approach to songwriting and arrangement.

Influenced by artists such as Nirvana, Chris Cornell, Red Hot Chili Peppers, and Led Zeppelin, Perdz channels the emotional weight of 90s rock through a modern lens, balancing grit with melody. His music often explores isolation, self-doubt, and perseverance, delivered with a clarity that feels lived-in rather than ornamental.

After independently releasing multiple singles and his First Sight EP an racking up tens of millions of views across social media, Perdz cultivated a loyal audience through consistent self-directed output. In 2025, he signed with Big Machine Rock and began recording his debut full-length album. His growing catalogue of original music has generated millions of streams, and his audience continues to expand across digital platforms.

As he prepares to unveil his debut album, Ryan Perdz stands positioned at the forefront of a new generation of rock artists shaped by both digital culture and classic influences.

Upper Lip Unleash Powerful Second Album, Devil’s Ride Produced By David Vella

Rising hard rock force Upper Lip returns with their explosive second studio album, Devil’s Ride – an eight-track powerhouse that marks a bold and darker evolution from their debut record, Deep Within.

Following the success of their first release, Upper Lip ventures deeper into the shadows with Devil’s Ride, an album that explores betrayal from those meant to stand by us, the weight of internal struggles, and the eternal duality between good and evil. While the themes cut deep, the record ultimately carries a powerful message of hope – a call for unity and resilience in the face of pain, hardship, and forces that seek to divide and destroy.

Drawing inspiration from the raw blues fire of Rory Gallagher, the intricate acoustic textures of Bert Jansch, and the riff-driven mastery of Jimmy Page, Upper Lip fuse classic rock authenticity with unapologetic power. The swagger and grit of Guns N’ Roses and the explosive, anthemic energy of The Who echo throughout the record, shaping an album that honors rock’s golden era while forging its own commanding identity.

Notably, the track “The Castle” ventures boldly into heavier territory, with verses embracing classic heavy metal textures and dark tonal weight reminiscent of Black Sabbath, adding a brooding, ominous edge to the album’s sonic landscape.

Devil’s Ride was recorded at the iconic Temple Studios in Mistra under the guidance of producer David Vella, who also produced the band’s debut album. The record captures Upper Lip’s raw energy while elevating their sound into darker, more intense territory.

All the music and lyrics on the album were written by Joseph Azzopardi, showcasing his uncompromising creative vision and songwriting depth.

Speaking about the new release, songwriter Joseph Azzopardi reflected on the journey behind the album: “I love this record so much. It took a lot of work to get it where it is, but I think it really shows how much we’ve matured as a band. My favourite track on the album is Won’t You Listen because it’s a very personal song for me. What I really love about Devil’s Ride is how varied it is  it merges different styles and influences, and that’s something I’ve always loved in a record.”

On vocals, Christopher Portelli, often hailed as the band’s very own Bon Scott, delivers a commanding and electrifying performance that channels pure rock ‘n’ roll spirit. Reflecting on the album, Portelli highlights one track in particular: “One of the songs I love the most on the album is Goddess of the Sun. I’m a massive old-school rock fan, and that song really captures that classic vibe that I grew up loving. Recording this album was also a big step for me personally as a singer I feel like I improved a lot throughout the process and pushed myself further vocally.”

Reflecting on the album, bassist Marcel Paul Grima shared his personal highlights: “My favorite riff on the album is from 'The Duel,' it really gives me that old western movie standoff vibe. The song I connect with most is 'Won’t You Listen,' because it’s about how stubbornness can create barriers between people, but also about not giving up. It was actually the most challenging song for me to get right, as it needed a very specific feel, but I ended up loving the vibe and melody it became. Looking back at our first album, Deep Within, I feel we’ve grown a lot as a band, both in songwriting and musicianship, and now we really know what we want.”

The rhythm section brings thunder and groove, with Marcel Paul Grima on bass and seasoned Finnish drummer Sami Karpinnen behind the kit. Karpinnen, known for his work with Therion and his collaborations and touring with Opeth, injects the album with dynamic power and precision.

The album’s striking artwork was created by local artist Peter Magro. The cover depicts an intense and symbolic scene: the devil behind the wheel, with two figures riding in the back — a powerful representation of the choices we make and the paths we choose. The imagery perfectly encapsulates the album’s title and underlying message: life itself can feel like a ride steered by temptation, but the direction remains ours to confront.

Devil’s Ride is available now for purchase via Upper Lip’s official website at www.upperlipmusic.com and is also streaming on all major digital music platforms here: https://album.link/s/1lMLCvv7Pj8kJE236j4oNG

With this second release, Upper Lip proves they are not just riding the wave of rock ‘n’ roll, they are steering it straight through fire.