Siamese Unleash New Single "drown" Ahead Of Headline Tours

Modern metal act Siamese return with their powerful new single "drown," the first taste of a new album campaign following their acclaimed releases HOME (2021) and ELEMENTS (2024).

Having amassed more than 100 million streams and toured worldwide alongside heavyweights including Korn, Corey Taylor and Dayseeker, the Copenhagen outfit continues to refine its emotionally charged blend of metalcore and modern rock.

"'Drown' is self-directed anger," explains frontman Mirza Radonjica. "It's about knowing exactly where it hurts and going there anyway. The mirroring in this song is selfdepravating(sic?). I think that when I sing 'I want you to break me till I drown,' that’s both a confession and a request. My drowning becomes a release, not a punishment."

Watch the video for "drown" below.

Stream the single  here.

The single arrives as Siamese kick off an extensive U.S. headline tour, ahead of Danish headline shows this spring, major European festival appearances including Copenhell, Impericon Festival and Vainstream, and a European tour with Dayseeker later this year.

SIAMESE LIVE:
U.S.:

3/13 — Chicago, IL — Cobra Lounge
3/14 — Columbus, OH — Ace Of Cups
3/15 — Pittsburgh, PA — Preserving Underground

EU:
4/9 — Odense, Denmark — Posten
4/10 — Esbjerg, Denmark — Tobakken
4/11 — Silkeborg, Denmark — Kedelhuset
4/18 — Aalborg, Denmark — Studenterhuset
4/24 — Roskilde, Denmark — Gimle
5/13 — Aarhus, Denmark — Train
5/14 — Thisted, Denmark — Plantagehuset
5/15 — Vordingborg, Denmark — Stars
6/26 — Münster, Germany — Vainstream Festival
6/27 — Leipzig, Germany — Impericon Festival

UK:
11/28 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
11/29 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
12/1 — Leeds, UK — Project House (w/ Dayseeker, Northlane)
12/2 — Manchester, UK — Academy 1 (w/ Dayseeker, Northlane)
12/3 — Bristol, UK — Prospect (w/ Dayseeker, Northlane)
12/5 — Glasgow, UK — O2 Academy (w/ Dayseeker, Northlane)
12/6 — London, UK — O2 Academy Brixton (w/ Dayseeker, Northlane)
12/8 — Paris, France — Elysee Montmartre (w/ Dayseeker, Northlane)
12/9 — Oberhausen, Germany — Turbinenhalle 1 (w/ Dayseeker, Northlane)
12/10 — Hannover, Germany — Capitol (w/ Dayseeker, Northlane)
12/12 — Warsaw, Poland — Proxima (w/ Dayseeker, Northlane)
12/13 — Berlin, Germany — Huxley's (w/ Dayseeker, Northlane)
12/15 — Prague, Czech Republic — Lucerna Music Bar (w/ Dayseeker, Northlane)
12/16 — Munich, Germany — Tonhalle (w/ Dayseeker, Northlane)
12/18 — Amsterdam, Netherlands — Melkweg (w/ Dayseeker, Northlane)

GET TICKETS — HERE

SIAMESE ARE:
Mirza Radonjica – Vocals
Christian Lauritzen — Guitar, Violin
Marc Nommesen — Bass
Joakim Stilling — Drums

Hollywood Undead Sample Legendary Slayer Riff On Ruthless New Anthem "1x1"

Los Angeles, CA -- Hollywood Undead release new single "1x1" today via Sumerian Records. The track is built around a sample of the legendary riff from Slayer's "Raining Blood" and arrives as the band carries the momentum of a massive 2025 straight into a spring and summer festival circuit spanning North America and Europe. Stream "1x1" HERE and watch the accompanying music video below.

"1x1" makes no apology for what it is. Built on hard-pounding beats and the unmistakable bones of one of metal's most revered tracks, it finds Hollywood Undead in full victory-lap mode, the chorus landing like a verdict: one by one they fall, let the reaper take them all. The band has spent seventeen years earning the right to talk like this, and the numbers back it up. With over 3.2 billion cross-platform streams and 4.1 million monthly Spotify listeners, "1x1" is the natural evolution of a band that knows exactly where they stand.

Matt Good (Skrillex and The Haunt), handles production. The nu-metalesque beats lay the foundation, the slowed down "Raining Blood" riff builds the vibe and the punchy rap verses build to a huge chorus to create an undeniable banger, the likes of which Hollywood Undead have spent nearly two decades perfecting.

Speaking on today's release, Hollywood Undead share

 

“This song is about resilience. People are always going to doubt you or try to bring you down, but the point is getting back up every time and reminding them you’re still here, and that you can’t be replaced.”

"Hollywood Forever," the band's October 2024 Sumerian Records debut, set the tone for this chapter, cracking 20.3 million cross-platform streams and peaking at #18 at Active Rock radio. "SAVIOR" followed in June 2025, pulling the band in a darker, more emotionally exposed direction. "1x1" lands as the third piece, and the pivot back is deliberate. Where "SAVIOR" was confession, this is confrontation.

In between, 2025 kept Hollywood Undead busy. A co-headline run with Tech N9ne. Mainstage slots at Sonic Temple, Welcome to Rockville, and Louder Than Life. A full run supporting Falling In Reverse on the God Is A Weapon tour through arenas and amphitheatres across North America. The band also continued work on their ninth studio album.

"1x1" arrives with that momentum fully intact and nowhere to go but forward as Hollywood Undead head into a festival run that spans two continents, opening with Welcome to Rockville in Daytona Beach in May, moving through a full European circuit this summer, and closing out stateside with Rocklahoma in September. Full dates below.

HOLLYWOOD UNDEAD

UPCOMING FESTIVAL APPEARANCES

5/8/2026     Welcome to Rockville  Daytona Beach, FL, USA

6/6/2026     Rock im Park         Nürnberg, Germany

6/7/2026     Rock am Ring         Nürburg, Germany

6/9/2026     Täubchenthal         Leipzig, Germany

6/10/2026    Im Wizemann         Stuttgart, Germany

6/12/2026    [VENUE NEEDED]     Derby, United Kingdom

6/14/2026    Nova Rock           Nickelsdorf, Austria

6/15/2026    Sono Centrum        Brno, Czech Republic

6/16/2026    [VENUE NEEDED]     Kraków, Poland

6/18/2026    Graspop Metal Meeting Dessel, Belgium

6/19/2026    Aladin Music Hall      Bremen, Germany

6/21/2026    Schlachthof Wiesbaden Wiesbaden, Germany

6/23/2026    L'Usine               Geneva, Switzerland

6/25/2026    Garage Saarbrücken    Saarbrücken, Germany

6/26/2026    Jera On Air            Ysselsteyn, Netherlands

6/27/2026    Vainstream            Münster, Germany

7/17/2026    Inkcarceration Festival  Mansfield, OH, USA

7/18/2026    Rock Fest             Cadott, WI, USA

8/1/2026     Les Grandes Fêtes TELUS  Rimouski, QC, Canada

8/7/2026     Rock La Cauze         Victoriaville, QC, Canada

9/4/2026     Rocklahoma           Pryor, OK, USA

ABOUT HOLLYWOOD UNDEAD

Since the release of their RIAA platinum-certified 2008 debut Swan Songs, Hollywood Undead’s distinctive and infectious music has incited a global cult audience, sold out shows across continents, and earned praise from Consequence of Sound, Billboard, Revolver and more. With over 3.2 billion cross-platform streams, over 1 billion YouTube views, and 4.1 million monthly Spotify listeners, they remain one of modern rock’s most influential and enduring forces. Now signed to Sumerian Records, they continue to push boundaries and reshape alternative culture.

Hollywood Undead Are:

Johnny 3 Tears, J-Dog, Charlie Scene, Funny Man, Danny.

Find Hollywood Undead Online

Spotify | Apple Music

ILLUSIONS OF GRANDEUR Unleash Dark, Powerful New Video For Their Single “Curses”

Rising rock force ILLUSIONS OF GRANDEURare set to captivate listeners with the release of their intense and emotionally charged new video for their single “Curses.” Blending haunting atmosphere with explosive rock energy, the track delivers a powerful sonic experience that explores the darker side of human emotion and the consequences of choices that linger long after they’re made.

“Curses” dives deep into themes of inner struggle, regret, and the weight of words and actions that can haunt a person over time.

Through evocative lyrics and gripping instrumentation, the song paints a vivid picture of confronting past demons and the emotional aftermath that follows.



From its opening moments, “Curses” pulls listeners into a moody, immersive soundscape before erupting into thunderous guitars, driving rhythms, and soaring vocals. The band masterfully balances melodic depth with raw power, creating a track that feels both haunting and cathartic.

ABOUT THE SONG:

The song "Curses" by ILLUSIONS OF GRANDEUR explores themes of consequence, judgment, and the power of words, continuing the band's narrative-driven style rooted in Greek mythology The song deals directly with the concept of curses and their inescapable consequences. The lyrics begin, "Listen carefully, Lessons silence teach, The more you learn, The less you speak, Wisdom wanes, What lies beneath, Curses, Spoken, Webs your Words wea...". This suggests that actions and even words have lasting, often negative, impacts that can ensnare a person.

BIO:

ILLUSIONS OF GRANDEUR

is a powerful female-fronted metal band that captivates audiences with their dynamic sound and theatrical performances.

ILLUSIONS OF GRANDEUR is a Theatrical Hard Rock/Fantasy Metal band based in

Los Angeles, CA USA.

Their performance, “The Siren Saga”, is a story of the journeys, perils, and triumphs of the Siren and her warriors. The story mixes facts and fiction combining Greek and Norse Mythology, Sirens, Gods, Archangels.

 

Illusions of Grandeur

12,000,000+ Total Streams on Spotify

640,000+ Total Views on YouTube

57,600+ Followers on Instagram

44,000+ Followers on Facebook

Green Carnation Seize the Moment on New Single “I Am Time”

Three decades into a storied career, Green Carnation continue to stand the test of time. Just last year, the Norwegian prog bards reached crushing new highs during the grand and gloomy opening chapter of their long-awaited album trilogy. Now, as the band descend into deeper, darker and more personal depths on Part II of A Dark Poem, they are breaking past the surface with the album’s emotional peak.

Today, Green Carnation are releasing the second advanced single from A Dark Poem, Part II: Sanguis. While awash with melancholy over the past, “I Am Time” seizes the moment with the band’s unwavering control and raw emotions.

“‘I Am Time’ is one of the songs from the forthcoming A Dark Poemalbum trilogy that discusses the fragile nature of our lives”, Green Carnation vocalist Kjetil Nordhus says. “We do not have control over time. We should try and live in the here and now, before suddenly, it’s too late”.  

“To make the song a bit more interesting, the lyrics personify time”, says Green Carnation bassist and lyricist Stein Roger Sordal. “They’re about how we should respect and cherish the time that we have”.

Listen to “I Am Time” below:

Read Green Carnation’s new interview with Loudwire about A Dark Poem.

https://loudwire.com/green-carnation-interview-2026-dark-poem-trilogy/

A Dark Poem, Part II: Sanguis comes out April 3 on Season of Mist

Pre-order

https://orcd.co/greencarnationsanguis

Can’t wait to hear Part II of a Dark Poem? RSVP for Green Carnation’s upcoming Bandcamp listening party and hear all six dark and doomy songs on Sanguis before the album comes out.

A Dark Poem, Part II: Sanguis Bandcamp Listening Party

Tuesday, March 24 @ 1:30 pm ET

RSVP

https://greencarnationsom.bandcamp.com/live/a-dark-poem-part-ii-sanguis-listening-party

Recording lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass, Rhythm Guitars, Lead Guitars, Keyboards, Lead Vocals on "Loneliness Untold, Loneliness Unfold"
Bjørn Harstad - Lead Guitars, Effects
Endre Kirkesola - Keyboards, Synthesizers, Organs, Effects, Backing Vocals on "Lunar Tale"
Jonathan Alejandro Perez - Drums

Guest musicians
Ingrid Ose - Flute on "Lunar Tale"

Live lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass
Tchort - Guitars
Bjørn Harstad - Guitars
Trond Breen - Guitars
Endre Kirkesola - Keyboards

Recording, Mixing & Mastering Studio
DUB Studio

Production Credits
Producers - Endre Kirkesola, Stein Roger Sordal, Kjetil Nordhus
Sound Engineers - Endre Kirkesola, Bjørn Harstad
Mixing Engineers - Endre Kirkesola, Bjørn Harstad
Mastering Engineer - Lawrence Mackrory

Cover artist
Niklas Sundin

Pre-order & Pre-save
https://orcd.co/greencarnationsanguis

Available Formats
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Yellow and Red Marbled)
​12" Vinyl Gatefold (Orange and ​Coke Bottle Green)
12" Vinyl Gatefold (Gold Splatters)
12" Vinyl Gatefold (Silver, White and Black Marbled)
12" Vinyl Gatefold (Transparent Green and Purple Marbled)

Follow Green Carnation:
Bandcamp: https://greencarnationsom.bandcamp.com/
Facebook: https://www.facebook.com/GreenCarnationNorway
Instagram: https://www.instagram.com/green2carnation/
Twitter (X): https://x.com/Green2Carnation
YouTube: https://www.youtube.com/channel/UC2vfEaTADayEniT7xbG-XCA
Spotify: https://open.spotify.com/artist/1ZaJhNBAhJ3HjPsWiB9sDc
Apple Music: https://music.apple.com/artist/green-carnation/72866964
Deezer: https://www.deezer.com/artist/8192
Tidal: https://tidal.com/browse/artist/23079

ACIDOSIS Release New Single “Tied To The Tracks” From Upcoming Album Arrival

Crossover thrash band ACIDOSIS have released their new single, “Tied To The Tracks,” taken from the upcoming full-length album Arrival, arriving March 27, 2026.

“Tied To The Tracks” traces back to the earliest origins of ACIDOSIS. The song was first written in 10th grade after the band’s frontman was kicked out of a friend’s band, channeling feelings of betrayal, confusion, and emotional fallout into what became the first fully realized ACIDOSIS song. A homemade music video for the track unexpectedly went viral on MySpace, helping build a grassroots cult following throughout Florida during the band’s formative years.

The track delivers a direct punch of crossover thrash energy driven by speed, precision, and raw emotion. The opening riff spins up with mounting tension before launching into a relentless climb of shredding guitars and driving momentum. Lyrically, the song explores the moment when trust collapses and emotions shift from shock to acceptance, capturing the realization that there is no turning back.

Influenced by classic thrash songwriting and fueled by a massive, chant-ready chorus, “Tied To The Tracks” remains a live favorite during the band’s Florida performances, where crowds continue to shout along to its arena-sized refrain.

Arrival marks the band’s next chapter and will be released worldwide on March 27, 2026.

ACIDOSIS will support the album with a run of U.S. tour dates this spring.

ACIDOSIS Tour Dates

3/11 | Milwaukee, WI @ Falcon Hall*
3/12 | Chicago, IL @ Sleeping Village
3/26 | Brooklyn, NY @ Market Hotel
3/27 | Boston, MA @ Haymarket Lounge
4/3 | Miami, FL @ Las Rosas
4/4 | Orlando, FL @ Will’s Pub
4/8 | Los Angeles, CA @ Non Plus Ultra*

* Ben Katzman only

Tickets: https://app.getpinpoint.io/bkdegreaser

Arrival is a full-length album nearly 20 years in the making. Originally drafted during Ben Katzman’s teenage years, the songs have been brought back to life by a re-formed ACIDOSIS lineup featuring Katzman on bass and vocals, Diego Edsel, Deo Budnevich, and Jonathan Rusten on guitars, and Harry Schwarz on drums. The album was produced by Katzman and Ryan Haft, mixed by Haft, and mastered by Howie Weinberg. Art is by Juan Montoya (TORCHE) and layout by Perry Shall (GREEN DAY, BLACK KEYS).

Jah Wobble & Jon Klein present scathing single 'Who Wins?' ahead of ‘Automated Paradise' LP

Previewing their new 'Automated Paradise' album, Jah Wobble (Public Image Ltd) and guitarist Jon Klein (Siouxsie & The Banshees, Specimen) reveal the fire-buster 'Who Wins?', a song about distrust — about the growing sense that the grand halls of power have become echo chambers of empty promises. The question echoes long after the final note fades — we probably wouldn't like the answer.

The title itself acts as a refrain and a provocation. Who wins? Not answered outright, the song understands something important: the most powerful question in politics is often the one that leaves the listener finishing the sentence themselves. Less of a statement and more like a mirror, this song fits squarely inside the long lineage of protest music. Songs that capture a moment when the atmosphere shifts — when dissatisfaction becomes a chorus and the private complaint becomes public noise.

'Automated Paradise' is Wobble & Klein's third collaborative record and also their debut album as a duo with Dimple Discs, previewed by the motorik lead track ‘Fading Away’, pulsating with the raw electrical tension of British post-punk and new wave. These two legends first combined forces on the 'Metal Box – Rebuilt In Dub' album in 2021, they continue to collaborate live and in the studio.

"'Who Wins?' is a good old protest song, pointing fingers and making a racket! It was a bass line that turned into a metal riff. The noisier songs on this album tend to reflect on today’s information overload, where there’s no security, and people are becoming more polemic and stressed, but there seems to be a thread of hope that truth and justice will maybe prevail," says Jon Klein.

"Working with Jah Wobble is always an inspiring experience. When I started working with him in recording sessions, he often quoted the words of Holger Czukay, the bass player of German band Can: “First we play, then afterwards we talk! We like to make things happen in the moment. Often we complete a working draft to a piece of music from scratch in a few hours.”

Jah Wobble adds, "The music comes from that silent place. It’s pre-existing. You just allow it to flow...  Proper post punk. Angry and humorous. Okay, it’s the end of civilisation. But nothing lasts forever right? We shouldn’t take it to heart."

This is Jah Wobble’s first post-punk album in recent years, these brash guitar-driven tracks reflecting his preoccupation with the declining state of the nation. Driven by his weekly experience with Klein, working at the "Tuned In" music community project in Merton, this record recalls the spirit of Mark Stewart - angry in an empathetic, constructive way. The lyrical content mainly came together on the spot in the studio.

This album follows two 2025 albums for Wobble -  ‘Dub Volume 1' (Dimple Discs) and the expanded reissue of the 2017 album 'The Usual Suspects', featuring 25 career highlights, re-recorded and including some of Wobble’s finest material, alongside tracks by Invaders Of The Heart and PiL.

Guitarist and producer Jon Klein was a member of Siouxsie and the Banshees from 1987 until 1994 (the 'Peepshow', 'Superstition' and 'The Rapture' era). Originally in the Bristol band Europeans, he then formed the glam-goth act Specimen and relocated to London, where he co-founded The Batcave nightclub. He has worked with Talvin Singh and Sinéad O'Connor, and co-produced a string of No. 1 albums for Warner-signed Fangoria, fueling a decade-long streak of chart-topping success in Spain. 

Born John Wardle, bassist and vocalist Jah Wobble is from East London. An original member of Public Image Ltd (PiL) from 1978-80, he made two seminal albums with the band, including the iconic ‘Metal Box’. Wobble formed Invaders of the Heart in 1982, collaborating with Can's Holger CzukayJaki LiebezeitU2's The Edge and producer François Kevorkian. By the 1990s, he was well known, had chart success and a Mercury Music Prize nomination for the album ‘Rising Above Bedlam'. After releasing the top-40 album ‘Take Me To God’ and then ‘Heaven and Earth' via Island Records, Wardle fled record company constraints to more experimental recordings.

Wobble has collaborated with Sinéad O’Connor, Massive Attack, Ginger Baker, Björk, Brian Eno and Pharoah Sanders, was part of the supergroup The Damage Manual, worked with Julie Campbell aka LoneLady on ‘Psychic Life’, and with his wife Zi Lan Liao on the album ‘Chinese Dub, winning the Songlines Magazine World Music Award. He also plays and records with his sons Charlie and John Wardle in Tian Qiyi.  2024 brought his 'Timeless Roots' album with Horace Andy, followed by 2025's 'Old Fashioned Ways' album with Jamaica's Ken Boothe. Wobble played on Richard Russell’s album ‘Everything is Recorded' (notably ‘Losing You’ feat. Sampha).

Wobble published his autobiography ‘Memoirs of a Geezer: Music, Life, Mayhem’ via Serpent’s Tail in 2009, following his 2008 radio documentary on Sid Vicious for BBC Radio 3. 30 Hertz Records, the independent label Wobble launched in 1997, still releases music in collaboration with Cherry Red,  including 'Dark Luminosity – The 21st Century Collection' and 'In Dub II: Deluxe'.

On March 27, 'Automatic Paradise' is available on CD and transparent vinyl, limited to 800 copies. The digital download can be pre-ordered via Bandcamp. Jah Wobble & The Invaders Of The Heart continue touring the UK in 2026, for which tickets are available at https://jahwobble.com/#live

CREDITS
'Fading Away' written by Jah Wobble, John Tian Chi Wardle & Jon Klein
'Who Wins?' written by Jah Wobble, Izumi Karaage & Jon Klein
Jah Wobble - bass & vocals
Jon Klein - guitar, synthesizer, backing vocals & programming
Izumi Karaage - drums on 'Who Wins?'
John Tian Chi Wardle - drums on 'Fading Away'
Keiko Yamazaki - backing vocals on 'Fading Away'
Produced by Jah Wobble & Jon Klein
Engineered & mixed by Jon Klein at Tuned In Studio & Ground Control.
Mastered by Anthony Chapman
Cover artwork & design by Jah Wobble
Released by Dimple Discs
Barcode 5052571225325
Vinyl catalogue ID #DEEDEE081LP / CD catalogue ID #DEEDEE081CD
Live photos by Fergus Kelly / Room Temperature
Other photos by Peter McDowell
Publicity by Shameless Promotion PR

JAH WOBBLE & THE INVADERS OF THE HEART - TOUR DATES
Mar. 28  BUTLIN'S SKEGNESS - Shiine On Weekender 2026
Apr. 02  WIMBORNE MINSTER - Tivoli Theatre
Apr. 03  TOTNES - Barrel House
Apr. 04  CARDIFF - Clwb Ifor Bach
Apr. 10  STOKE ON TRENT - Artisan Tap
Apr. 11  DARWEN - Library Theatre
Apr. 25  GWYNEDD - Neuadd Ogwen
May 15  CAMBERLEY - Login Lounge
May 30  LYME REGIS - Marine Theatre


Keep up Jah Wobble
Website | Facebook | Bandcamp  | Twitter | Instagram | Soundc loud | Spotify | Apple Music | Press contact

Keep up with Jon Klein
Facebook | Instagram | YouTube | Spotify | Apple MusicPress contact

Keep up with Dimple Discs
Bandcamp | Facebook | Twitter  | Instagram | Proper Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads | Soundcloud LinkedIn | Email

LEAVES’ EYES Celebrate Release Of New EP 'Song Of Darkness'

While symphonic Viking metal pioneers LEAVES’ EYES just kicked off their European and UK tour, the band are celebrating the release of their brand new EP Song Of Darkness, that is out now on Reigning Phoenix Music!

Serving as a powerful foretaste of the band’s upcoming studio album, the critically-acclaimed four-track release once again showcases the signature sound that has defined LEAVES’ EYES for more than two decades: sweeping orchestral arrangements, Nordic mythological storytelling and the striking vocal interplay between the soaring soprano of Elina Siirala and the unmistakable growls of band founder Alexander Krull. Combining cinematic symphonic metal grandeur with Viking metal intensity, Song Of Darkness expands the band’s epic sonic universe while continuing their tradition of blending melody, heaviness and atmosphere.

Recorded at Mastersound Studio under the production of Alexander Krull, the EP captures LEAVES’ EYES at a moment of artistic strength, balancing sweeping symphonic arrangements with an earthy, human pulse. Lyrically, Song Of Darknesstravels along the shifting borders between myth, magic, and history. The title track itself draws inspiration from the medieval Icelandic saga of Gisli the Outlaw, leading listeners into a world of murder, intrigue, guilt-ridden dreams, and the hope for redemption.

Each track on the Song Of Darkness EP unfolds like a chapter in a saga, cinematic in scale yet personal in emotion. Elina Siirala’s commanding performance brings the stories to life, illuminating the storm of sound around her, while Krull’s growls ground the music with raw force. Towering choirs and strings rise beside crushing riffs, with folk-inspired melodies weaving through the dark. From the orchestral grandeur of its opening moments to the final echo of its closing refrain, the EP builds an atmosphere defined by tension, release, and the timeless pull of legend.

With its mix of mythic storytelling, emotional depth, and powerful symphonic metal, Song Of Darkness showcases LEAVES’ EYES at full strength. The EP is now available via Reigning Phoenix Music, and in support, the band has just embarked on a series of European and UK dates with special guests CATALYST CRIME, and many more shows in 2026 to follow. Find all current and upcoming dates listed below!

Order Song Of Darkness now at this location: https://leaveseyes.rpm.link/sodPR

As they step into their third decade, LEAVES' EYES stand as one of symphonic metal’s most visionary forces. The release of Song Of Darkness sets the tone for the next full-length chapter to follow, reaffirming their dedication to musical storytelling that transcends time and trend. It is both a reflection of their journey so far and a signal of what lies ahead: music that burns with purpose, steeped in legend yet alive with modern fire!


LEAVES’ EYES are:
Elina Siirala - Vocals
Alexander Krull - Vocals
Florian Ewert - Guitar
Luc Gebhardt - Guitar
Dominik Prykiel - Bass
Simon Skrlec - Drums
 
More on LEAVES’ EYES:
Website | https://www.leaveseyes.de 
Facebook | https://www.facebook.com/leaveseyesofficial/ 
Instagram | https://www.instagram.com/leaveseyesofficial/?hl=en 
X | https://x.com/Leaves_Eyes 
TikTok | https://www.tiktok.com/@leaveseyes_official 
YouTube | https://www.youtube.com/user/LeavesEyesOfficial

BLACK SITES Unveil "Aquarius Betrayed" And Announce New Album, For Eternity

Drawing from old school metal, heavy quartet BLACK SITES present their new single "Aquarius Betrayed", the first offering taken from the upcoming album, For Eternity. The album will be released independently on July 17, 2026.

The approaching full-length marks a new chapter for BLACK SITES as Mark Sugar is joined with an updated line-up. For Eternity showcases a development in the band's sound and sees the members' contributions enhance the music's sonic quality. 

"Aquarius Betrayed" reflects frustration at the contradiction towards previous generations who "reaped the benefits of the most socially liberated and progressive era in history, and then quickly turned their back on those values when they became inconvenient." 

On the recording process for "Aquarius Betrayed", band founder Mark Sugar shares, "This was also the first song that Lee (Smith, new guitarist) recorded guitar for. He’s the only member of the band I hadn’t worked with before, so I wasn’t sure what to expect, but his solo here is more than impressive."

For Eternity was produced by Mark Sugar & Chris Black, recorded at I Can’t Believe It’s Not Mace Street Studios, with mixing and mastering by Dan Swano. Drums on For Eternity were recorded by Vladimir Ružičić at Kebac Recording Studio.

About BLACK SITES:
Based out of Chicago, IL, USA, BLACK SITES was founded in 2016, initially as a studio project, by vocalist and guitarist Mark Sugar. Sugar was later joined by members John Picillo (bass), Ryan Bruchert (guitar) and Chris Avgerin (drums). BLACK SITES combines old school metal with guitar harmonies, melodic/clean vocals and progressive elements, primarily drawing inspiration from the likes of VOIVOD, BLACK SABBATH, and KING’S X.

BLACK SITES released their debut In Monochrome in 2017 (Mascot/Provogue Records), followed by Exile in 2019. 2021 saw the release of Untrue that was produced by Sanford Parker and awarded Record Of the Year by Dr. A.N. Grier at AngryMetalGuy.com. BLACK SITES ventured to The Promised Land? with their 2024 full-length that featured Tom Draper. (Ex-CARCASS/SPIRIT ADRIFT) on the track "Chasing Eternity".

Now, in 2026, Mark Sugar is joined by new members Jose Salazar (bass), Lee Smith (guitar) and Chris Black (drums). The forthcoming album For Eternity is set to release independently on July 17, 2026.

BLACK SITES Is:
Mark Sugar (vocals, guitar)
Jose Salazar (bass)
Lee Smith (guitar)
Chris Black (drums)

Connect With BLACK SITES:
Bandcamp: https://blacksites.bandcamp.com
Facebook: https://www.facebook.com/blacksites
Instagram: https://www.instagram.com/blacksitesmusic
TikTok: https://www.tiktok.com/@blacksitesmusic
YouTube: https://www.youtube.com/@blacksites
Spotify: https://open.spotify.com/artist/0yY6r4UHQDv4BUOr5bKu1o

Diamante Releases New Track and Official Video "Bite of the Beast" via Sumerian Records

Charismatic chanteuse Diamante has today released her new single "Bite of the Beast", a cinematic rock anthem about the addictive yet self-destructive embrace of romantic obsession, and the accompanying official video (via Sumerian Records). When asked about the inspiration behind the song, Diamante shared:

‘Bite of the Beast’ was inspired by the dark romance novels I’ve been reading and the song is set in a twisted fairytale world. It’s about a kind of all-consuming infatuation that changes you forever — the kind where, once it’s over, nothing else can ever compare. I wanted the song to feel visceral and dangerous, like falling under a spell you know will ruin you. It’s the kind of heartbreak that you don't want cured.

After being featured as a Stowaway earlier this year on ShipRocked 2026, fans now have the chance to see her electric energy live on the SPIN THE WHEEL US TOUR alongside labelmates I See Stars and special guests Mothica and Until I Wake. Diamante will also be performing at the recently announced Louder Than Life 2026 festival on Saturday, September 19 (ticket information here). Stream "Bite of the Beast" here, and watch the official video below.

SPIN THE WHEEL TOUR US Dates with I See Stars, Mothica and Until I Wake:

Mar 6 - Worcester, MA - Palladium (Upstairs)

Mar 7 - Baltimore, MD - The Recher

Mar 8 - Charlotte, NC - The Underground

Mar 10 - Atlanta, GA - Center Stage (The Loft)

Mar 12 - Fort Lauderdale, FL - Culture Room

Mar 13 - Orlando, FL - The Beacham

Mar 14 - Destin, FL - Club LA

Mar 16 - Houston, TX - Scout Bar

Mar 17 - Austin, TX - Come and Take It Live

Mar 18 - Dallas, TX - Trees

Mar 20 - Mesa, AZ - Nile Theater

Mar 21 - Las Vegas, NV - 24 Oxford

Mar 22 - Los Angeles, CA - El Rey Theatre

Mar 23 - Roseville, CA - Goldfield Trading Post

Mar 25 - Portland, OR - Hawthorne Theatre

Mar 26 - Seattle, WA - El Corazón

Mar 28 - Billings, MT - The Pub Station

Mar 29 - Denver, CO - Oriental Theater

Mar 30 - Colorado Springs, CO - The Black Sheep

Apr 1 - Kansas City, MO - Warehouse on Broadway

Apr 2 - St. Louis, MO - Delmar Hall

Apr 3 - Indianapolis, IN - Deluxe At Old National Centre

Apr 4 - Detroit, MI - Saint Andrew's Hall

Louder Than Life 2026:

Sept 19 - Louisville, KY - Kentucky Expo Center

ABOUT DIAMANTE

With her iconic 80s glamour and undeniably powerful vocals, Diamante has become a beacon in today's music scene, seamlessly weaving the vibrant energy and bold aesthetics of the era while forging her own distinct identity with contemporary flair. She first turned heads with her debut album 'Coming In Hot' in 2018 soon after followed by her sophomore full-length 'American Dream' including her smash-hit reimagination of Goo Goo Dolls classic "Iris" featuring Ben Burnley (Breaking Benjamin), earning widespread acclaim and further propelling her into the spotlight. Diamante has toured alongside prominent acts such as Nita StraussShinedownThe Pretty RecklessBreaking Benjamin, and Three Days Grace while performing at major national festivals including Sonic TempleLouder Than Life, and Welcome To Rockville. The alt-pop powerhouse has begun a new era after signing with her new label home Sumerian Records, and released the irresistibly catchy "1987" and "All For The Glory". She then contributed to the American Psycho Comic Series Soundtrack with her spin on Pat Benatar's classic "Love Is A Battlefield", and collaborated with labelmates Kittie and The Pretty Wild for an emotional cover of Metallica's "The Unforgiven" for the Queen Of The Ring Soundtrack. With her empowering anthems and rebellious spirit, the sky is the limit as Diamante continues to prove she is a force to be reckoned with, both in the studio and on stage.

LUNGBURNER Unleash New Single "Adamu" From Upcoming Album Dogma, Out April 17

Atlanta-based metal collective LUNGBURNER have announced the release of their new single "Adamu", the opening track from their forthcoming third full-length album Dogma, due out April 17. The single serves as the first glimpse into the band’s most expansive and conceptually driven work to date.

Listen to the track below:

Based out of Atlanta, GA, LUNGBURNER present their third release in the form of Dogma. Heavily schooled in the southern sludge methodology and intermixing industrial atmospheres with progressive melodic sensibility, Dogma sees the band stretch their creative legs as they slowly evolve into their own unique footprint within the metal and underground scenes. Dripping with spiritual, social, and human context, Dogma is LUNGBURNER’s thesis on the modern trappings of entrenched thinking, and the horror blind obedience lays upon mankind.

Opening the album, "Adamu" begins with a haunting invocation to the Fallen Angel Lucifer layered over tribal drum samples, immediately establishing the ritualistic tone of the record. The track quickly unfolds into a melodic statement before landing in a driving rhythmic pulse that propels the song forward. Anchored by the thunderous low end of Joshua on bass and Jens’ aggressive vocal delivery, the rest of LUNGBURNER drives the song relentlessly forward, claiming the sonic moment as their own.

Notably, "Adamu" was the first song LUNGBURNER wrote for Dogma following the addition of bassist Joshua in early 2025, marking the beginning of a new creative chapter for the band and setting the tone for the album’s thematic and sonic direction.

With Dogma, LUNGBURNER push deeper into their blend of southern sludge weight, industrial atmosphere, and progressive melody, delivering a record that is as philosophically provocative as it is sonically punishing.

"Adamu" is available now, with Dogma arriving in full on April 17.

Outside of music, all members work professionally in various engineering fields, and none of them originally came from traditional doom or stoner rock backgrounds. Their approach to the genre grew organically from a shared appreciation for heavy music and experimentation, which continues to shape the band's evolving sound as they move toward a more progressive direction while maintaining their doom foundation.

LUNGBURNER is:

Jens Anderberg — guitar, lead vocals
Joseph Mills — guitar, backup vocals
Joshua Broughton — bass

CONNECT WITH LUNGBURNER:

Bandcamp: https://lungburner.bandcamp.com
Facebook: https://www.facebook.com/lungburneratl
Instagram: https://www.instagram.com/lungburneratl
Threads: https://www.threads.com/@lungburneratl
Spotify: https://open.spotify.com/artist/0WRBgLDbYMfLSrbb3tjNzK
Apple Music: https://music.apple.com/ca/artist/lungburner/1724598173

RYAN AND RORY LEAN INTO LAST-CALL HONKY-TONK CHAOS WITH “WASN’T THINKIN’” – OUT NOW

BBR Music Group/BMG Nashville’s Ryan and Rory turn up the neon-soaked mischief with their new track “Wasn’t Thinkin’,” available everywhere now. Listen Below.

Produced by Kevin Bard and written by Joey Hyde, Ryan Follesé, and Emma-Lee, “Wasn’t Thinkin’” is a high-energy honky-tonk rocker built for last call and the stories that come with it. Driven by cranked-up guitars, a boot-stomping groove, and a head-bobbing rhythm that feels tailor-made for crowded dance floors and late-night singalongs, the track that they premiered earlier this week when they returned to the Grand Ole Opry captures the reckless fun of a night where good decisions take a back seat to good times.

“Yep, the song is about ‘one of those nights,’” says Ryan Follesé. “‘Wasn’t Thinkin’’ is exactly the point. Sometimes, you don’t need to overthink a good time. Just roll with it!”

“Even in the fog of a morning-after hangover,” adds Rory John Zak. “Once you piece together what happened the night before, this song makes you want to run it back again in real life as soon as possible.”

Packed with vivid snapshots of karaoke bars, double pours, and questionable rides home, the track leans into the duo’s signature mix of humor, relatability, and rowdy charm, turning small regrets into big memories and reminding listeners that sometimes the best nights are the ones you never planned. 

With music that is connecting with audiences globally, the duo will make their C2C debut with a three-show run in London starting on March 14. More information and tickets are available HERE

Following a string of fan-favorite releases that showcase both their heart and their high-energy live spirit, Ryan and Rory continue to build momentum with a sound that blends modern country polish with throwback honky-tonk attitude. With “Wasn’t Thinkin’,” the SiriusXM Highway Find duo deliver another crowd-ready anthem built for neon lights, raised glasses, and stories worth laughing about the next morning.

KEEP UP WITH RYAN AND RORY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

LA Pop Punk Newcomers: Lake Rana Debut With "Funeral For A Fish"

Crashing head first into existential dread with a smile, Los Angeles-based pop punk quartet, Lake Rana, have today released their debut record, "Funeral For A Fish" alongside focus track, "Grasshopper". This brand new release sees Lake Rana twist dark humor, anxiety, and everyday emotional whiplash into jagged, sing-along choruses that somehow make falling apart feel euphoric. Fans can listen to the brand new album HERE.

Instead of dwelling on doom, Lake Rana lean into the absurdity of it all on "Funeral For A Fish", using their sharpest hooks to ask what it means to matter at all and find a moment of joy in the idea that we're all just here for a brief, ridiculous swim.

Peeling back the record's offbeat, goldfish-shaped core, vocalist Josh Rana shares:

"Funeral For A Fish started as a dark joke about my passion for the aquarium hobby and the number of fish I accidentally killed learning how to keep them alive, but it became something more personal. The album is about realizing your own mortality: that one day you or I will be just as insignificant as a pet goldfish, flushed out of this world and into the next. It sounds bleak, but it helped me accept that none of us are as important as we think — and there’s something freeing about that.”

On "Funeral For A Fish", Lake Rana specialize in making existential dread feel strangely hopeful. Swinging from gut-punch confessionals to full throttle catharsis in the span of a verse and using deadpan one liners and wide screen melodies, they've carved out a debut that feels like cracking jokes at the end of the world with your best friends.

Drawing loose comparison to bands like The Dirty Nil, Fall Out Boy, and Origami Angel, the band balance sardonic wit with an almost uncomfortable sincerity, turning emotional chaos into something you can shout back in a basement at 1AM.

Be sure to stay tuned for more Lake Rana news coming very soon.

ABOUT LAKE RANA

Lake Rana is an independent Los Angeles–based pop punk and emo project led by songwriter, vocalist, and guitarist Josh Rana. Blending the guitar-driven hooks of 2000s pop punk with the darker emotional currents of emo and touches of post-hardcore, Lake Rana leans into introspective storytelling and underdog perspective rather than the bravado that dominates much of modern pop punk.

Though presented as a band, Lake Rana is primarily Josh’s creative outlet. After launching in 2023, Rana wiped the slate clean in early 2025 and began rebuilding the project with a more focused vision and budget. The songs for his debut album Funeral For A Fish were already written and demoed when he brought in producer Pete Zen, who recorded the album at a studio house in Burbank, California. Zen helped shape the sonic identity of the record, steering production and mixing the album, while Austin Coupe handled mastering.

Beginning in July 2025, Lake Rana rolled out the album one single at a time, building momentum ahead of the full release.

Drawing influence from bands like Fall Out Boy, Boys Night Out, Origami Angel, and The Dirty Nil, Funeral For A Fish pairs clever guitar riffs with deeply personal lyricism. Much of the album reflects a turbulent period in Rana’s life — including a devastating ankle injury during his senior year of college that left him bedridden for months while his parents went through a difficult divorce. The isolation and reflection from that period shaped songs like “Bad Year” and “Sink,” while tracks like “Covers” and “Basket Case For Loving You” dissect complicated relationships and emotional dependency.

The album’s title comes from Rana’s longtime aquarium hobby and a darkly humorous realization about mortality: the idea that, in the grand scheme of things, our lives may be as fleeting and unceremonious as a flushed pet goldfish.

Released March 6, 2026, Funeral For A Fish is a debut that balances self-awareness, emotional honesty, and guitar-driven hooks.

Ryan Perdz Confronts Self-Sabotage On New Single "Sour"

Buffalo, NY singer-songwriter and multi-instrumentalist Ryan Perdz releases his new single “Sour” today via Big Machine Rock, a raw and unfiltered meditation on self-hatred, stubbornness, and the quiet desperation of wanting to change but not knowing where to begin. Stream “SourHERE and watch the accompanying visualizer Below.

Built on brooding, distortion-soaked guitars and a vocal performance that moves from restraint to rupture, “Sour” captures the internal push and pull of someone caught inside their own patterns. The track does not offer tidy resolution. Instead, it leans into the discomfort of self-awareness, tracing the space between yearning for growth and resisting it. Speaking on today's release, Ryan Perdz shares

“‘Sour’ is a song about self hatred. Not wanting to bring anyone into your life, being so stuck in your own ways. It’s a stubborn way of yearning for change but not knowing where to begin.”

At 24, Perdz has built a formidable independent foundation. Self-taught across guitar, bass, violin, and mandolin, he amassed more than one million followers across social platforms and drew 60 million views to his cover of Nirvana’s “Smells Like Teen Spirit.” His original catalogue has now surpassed 5.6 million Spotify streams, with 67,000 monthly listeners. Recent single “Temporary” has earned more than 500,000 Spotify streams and 142,000 YouTube views, while “Paradise” has grown to 2.3 million Spotify streams and 250,000 YouTube views.

In early 2025, Perdz signed with Big Machine Rock and began recording his debut full-length album. “Sour” arrives as the latest release from those sessions, sharpening the emotional edge of an artist intent on defining his own lane.

Raised on his grandparents’ dairy farm in Buffalo, Perdz grew up surrounded by the voices of 90s rock and grunge, studying guitar obsessively after receiving his first instrument at ten years old. That fixation still drives his approach. His guitar work remains central to his identity, and his lyrics land with plainspoken intensity whilst still allowing listeners space to see their own experiences reflected back at them.

With “Sour,” Ryan Perdz continues to move beyond the viral moments that first introduced him to millions, grounding his career in original work that reflects both impactful emotional resonance and a unique and undeniable talent.

About Ryan Perdz

Ryan Perdz is a 24-year-old singer, songwriter, and multi-instrumentalist from Buffalo, NY. Raised on his grandparents’ family farm, he began teaching himself guitar at age ten and expanded into bass, violin, and mandolin, developing a hands-on approach to songwriting and arrangement.

Influenced by artists such as Nirvana, Chris Cornell, Red Hot Chili Peppers, and Led Zeppelin, Perdz channels the emotional weight of 90s rock through a modern lens, balancing grit with melody. His music often explores isolation, self-doubt, and perseverance, delivered with a clarity that feels lived-in rather than ornamental.

After independently releasing multiple singles and his First Sight EP an racking up tens of millions of views across social media, Perdz cultivated a loyal audience through consistent self-directed output. In 2025, he signed with Big Machine Rock and began recording his debut full-length album. His growing catalogue of original music has generated millions of streams, and his audience continues to expand across digital platforms.

As he prepares to unveil his debut album, Ryan Perdz stands positioned at the forefront of a new generation of rock artists shaped by both digital culture and classic influences.

Upper Lip Unleash Powerful Second Album, Devil’s Ride Produced By David Vella

Rising hard rock force Upper Lip returns with their explosive second studio album, Devil’s Ride – an eight-track powerhouse that marks a bold and darker evolution from their debut record, Deep Within.

Following the success of their first release, Upper Lip ventures deeper into the shadows with Devil’s Ride, an album that explores betrayal from those meant to stand by us, the weight of internal struggles, and the eternal duality between good and evil. While the themes cut deep, the record ultimately carries a powerful message of hope – a call for unity and resilience in the face of pain, hardship, and forces that seek to divide and destroy.

Drawing inspiration from the raw blues fire of Rory Gallagher, the intricate acoustic textures of Bert Jansch, and the riff-driven mastery of Jimmy Page, Upper Lip fuse classic rock authenticity with unapologetic power. The swagger and grit of Guns N’ Roses and the explosive, anthemic energy of The Who echo throughout the record, shaping an album that honors rock’s golden era while forging its own commanding identity.

Notably, the track “The Castle” ventures boldly into heavier territory, with verses embracing classic heavy metal textures and dark tonal weight reminiscent of Black Sabbath, adding a brooding, ominous edge to the album’s sonic landscape.

Devil’s Ride was recorded at the iconic Temple Studios in Mistra under the guidance of producer David Vella, who also produced the band’s debut album. The record captures Upper Lip’s raw energy while elevating their sound into darker, more intense territory.

All the music and lyrics on the album were written by Joseph Azzopardi, showcasing his uncompromising creative vision and songwriting depth.

Speaking about the new release, songwriter Joseph Azzopardi reflected on the journey behind the album: “I love this record so much. It took a lot of work to get it where it is, but I think it really shows how much we’ve matured as a band. My favourite track on the album is Won’t You Listen because it’s a very personal song for me. What I really love about Devil’s Ride is how varied it is  it merges different styles and influences, and that’s something I’ve always loved in a record.”

On vocals, Christopher Portelli, often hailed as the band’s very own Bon Scott, delivers a commanding and electrifying performance that channels pure rock ‘n’ roll spirit. Reflecting on the album, Portelli highlights one track in particular: “One of the songs I love the most on the album is Goddess of the Sun. I’m a massive old-school rock fan, and that song really captures that classic vibe that I grew up loving. Recording this album was also a big step for me personally as a singer I feel like I improved a lot throughout the process and pushed myself further vocally.”

Reflecting on the album, bassist Marcel Paul Grima shared his personal highlights: “My favorite riff on the album is from 'The Duel,' it really gives me that old western movie standoff vibe. The song I connect with most is 'Won’t You Listen,' because it’s about how stubbornness can create barriers between people, but also about not giving up. It was actually the most challenging song for me to get right, as it needed a very specific feel, but I ended up loving the vibe and melody it became. Looking back at our first album, Deep Within, I feel we’ve grown a lot as a band, both in songwriting and musicianship, and now we really know what we want.”

The rhythm section brings thunder and groove, with Marcel Paul Grima on bass and seasoned Finnish drummer Sami Karpinnen behind the kit. Karpinnen, known for his work with Therion and his collaborations and touring with Opeth, injects the album with dynamic power and precision.

The album’s striking artwork was created by local artist Peter Magro. The cover depicts an intense and symbolic scene: the devil behind the wheel, with two figures riding in the back — a powerful representation of the choices we make and the paths we choose. The imagery perfectly encapsulates the album’s title and underlying message: life itself can feel like a ride steered by temptation, but the direction remains ours to confront.

Devil’s Ride is available now for purchase via Upper Lip’s official website at www.upperlipmusic.com and is also streaming on all major digital music platforms here: https://album.link/s/1lMLCvv7Pj8kJE236j4oNG

With this second release, Upper Lip proves they are not just riding the wave of rock ‘n’ roll, they are steering it straight through fire.

THE WHO ANNOUNCE LIVE AT EDEN PROJECT: A HISTORIC PERFORMANCE WITH THE HEART OF ENGLAND PHILHARMONIC ORCHESTRA

IN STORE MAY 29 — PRE-ORDER

FIRST SINGLE "PINBALL WIZARD" OUT NOW —
LISTEN

Few bands have shaped the landscape of rock music with the force and longevity of The Who.

For nearly six decades, their sound, spirit, and unmistakable energy have echoed across generations, influencing artists and audiences around the world. In 2026, the band adds a remarkable new chapter to their legacy with Live at Eden Project — a landmark live recording that captures the raw power, emotional depth, and artistic ambition of their unforgettable July 2023 performance at Cornwall's iconic Eden Project.

Set within one of the UK's most sustainable and visually striking venues — a breathtaking network of biomes nestled in the Cornish countryside — the concert stands as a testament not only to The Who's musical evolution but also to their enduring cultural relevance. Backed by the Heart of England Philharmonic Orchestra, founding members Pete Townshend and Roger Daltrey delivered a performance that fused classic rock intensity with orchestral grandeur. The Eden Project's natural acoustics and enclosed structures created a warm, detailed sonic environment that offered a clarity and intimacy unmatched by traditional stadium settings.

The recording reflects this unique atmosphere. Fans have long cherished The Who's "special location" shows, and Eden stands among the most memorable — a once-in-a-lifetime convergence of music, environment, and artistic vision. The smaller capacity fostered a deeper connection between the band and audience, allowing for heightened interaction, greater emotional resonance, and a sense of being inside the performance rather than observing it from afar. This intimacy, combined with the band's refined orchestral approach, captures The Who at a defining moment in their modern era.

Live at Eden Project also presents one of the strongest and most focused setlists of The Who’s orchestral period. Alongside beloved anthems such as "Baba O'Riley" and "Pinball Wizard," the album includes rarely performed gems like "Cry If You Want," "Anyway, Anyhow, Anywhere," and "The Rock," creating a career-spanning journey that balances hits, deep cuts, and orchestral showpieces with remarkable fluidity.

Today's announcement coincides with the launch of the first single, "Pinball Wizard," which is available for streaming and download immediately. The track offers a powerful first glimpse into the atmosphere and artistry of the Eden performance, capturing the heightened clarity, emotional nuance, and orchestral depth that define the full release.

Scheduled for release on May 29th, Live at Eden Project will be available as a 2CD Digipak, a limited 3LP Gatefold edition pressed on recycled vinyl with no plastic shrink wrap and packed in a separate paper wallet, a standard 3LP Gatefold, and across all major digital platforms. Every format showcases the full emotional and sonic range of a night that stands among the most compelling in The Who's recent history.

Vibrant, immersive, and uniquely alive, Live at Eden Project is the definitive document of The Who's orchestral era — a recording that captures not only a legendary band in peak form but also the spirit of a venue whose environmental ethos and natural beauty mirror the band's own commitment to evolution and innovation.

Pre-Order Live at Eden Project  HERE

POWER PALADIN Release New Single “Aegis Of Eternity”

Icelandic heavy metal torchbearers POWER PALADIN have released their new single “Aegis Of Eternity.” The track is taken from the band’s upcoming album Beyond The Reach Of Enchantment, set for a release on March 27th via ROAR - A Division Of Reigning Phoenix Music, and offers another glimpse at what’s to come.

Guitarist Atli Guðlaugsson says about the song:
"A high tempo thrashy power metal song with some influences from JPM, Aegis of Eternity tells a spooky story of some sinister dealings with witchcraft and sorcery."

Witchcraft, sorcery, metal - “Aegis Of Eternity” conjures it all!

With their forthcoming offering Beyond The Reach Of Enchantment, POWER PALADIN take the next step in their musical journey. The album features eight epic tracks, each unfolding like a chapter in a sweeping saga of power, mystery and adventure. 

Building on the success of their debut With the Magic of Windfyre Steel, the band delivers a more mature and refined sound while fully retaining the energy and spirit that defined their early days. The album was mixed by Haukur Hannes (AUÐN, DYNFARI) and mastered by Frank de Jong (BLEEDING GODS), resulting in a production that is both powerful and crystal clear.

Once again, POWER PALADIN pay homage to their influences - IRON MAIDEN, DIO and HELLOWEEN - while confidently carving out their own place in the modern power metal landscape. The album artwork, created by James Child (Astral Clock Tower Studios), perfectly captures the adventurous and fantastical essence of the record, that promises to be a bold and immersive next chapter for POWER PALADIN!
 

Pre-Save / Pre-Order Beyond The Reach Of Enchantment here:
https://powerpaladin.rpm.link/enchantmentPR

About POWER PALADIN:
Formed in Iceland, POWER PALADIN emerged from a shared passion for classic heavy metal, soaring melodies and fantasy-driven storytelling. Since their inception, the band has blended the spirit of traditional power metal with the raw edge of NWOBHM influences, forging a sound that feels both nostalgic and fresh.

Their debut album With the Magic of Windfyre Steel quickly established POWER PALADIN as a rising force in the international power metal scene. With Beyond The Reach Of Enchantment, the band further expands their musical and lyrical universe, proving their dedication to epic songwriting, strong hooks and timeless metal values.
 

POWER PALADIN is:
Atli Guðlaugsson (vocals)
Bjarni Þór Jóhannsson (guitars)
Ingi Þórisson (guitars)
Einar Karl Júlíusson (drums) 
Bjarni Egill Ögmundsson (keyboards) 
Kristleifur Þorsteinsson (bass)

More on POWER PALADIN:
Website: https://www.powerpaladin.is/ 
Facebook: https://www.facebook.com/powerpaladinice 
Instagram: https://www.instagram.com/powerpaladinice/ 
TikTok: https://www.tiktok.com/@powerpaladin 
YouTube: https://www.youtube.com/c/PowerPaladinOfficial

Crippled Black Phoenix Release New Single “Colder and Colder”

CRIPPLED BLACK PHOENIX return with “Colder and Colder”, the second advanced single off their upcoming album Sceaduhelm. The new single stands as one of the album’s starkest meditations on emotional finality, articulating the quiet shock of love slipping irretrievably away. The band are premiering the song today via Decibel Magazine.

Listen to Colder and Colder  Below:

Sceaduhelm comes out April 17th via Season of Mist.

Pre-order & pre-save: https://orcd.co/cbpsceaduhelm

Pre-save on Spotify: https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Composed by Justin Greaves, with lyrics & vocals by Justin Storms of Wailin Storms, “Colder and Colder” unfolds with restrained intensity.

“I received this song from Greaves along with the title and immediately was drawn to the melancholic sound”, Justin Storms reflects. “I remember when I first put on my headphones and listened to ‘Colder and Colder’. I started to hum a few melodies while listening to the song.

Those early fragments quickly solidified into the song’s core lyrical motif. “It didn’t take long to write down some of the phrases that became the song’s verses,” Storms continues, “‘colder and colder, see your hand on my shoulder, colder and colder, see your eyes looking over’. I wanted to create a rhythmic sort of pattern with the song title and the vocal elements.

Justin Greaves positions “Colder and Colder” as a bridge within Sceaduhelm. “Musically, ‘Colder And Colder’ is one of my favorites on Sceaduhelm. It’s the link between classic CBP style and the more austere dark pop aspect of how I write.

The song’s title, which was selected from an existing list of ideas, crystallizes the mood. “Working with Storms on this song was a total victory”, Greaves says. “He’s an awesome vocalist and his lyrics really give it a chilling tragic story.”

Recorded between 2023 and 2025 across Chapel Studios in Lincolnshire, Kapsylen Studio in Stockholm, and House Of Foto in Louisville, Sceaduhelm was produced by Justin Greaves, mixed by Iver Sandøy at Solslottet Studio in Bergen, and mastered by Magnus Lindberg in Stockholm.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Biography:

Sébastien Gamez

Pre-save & Pre-order: https://orcd.co/cbpsceaduhelm

Publicists:

EU/World:

Sébastien Gamez

sebastien.gamez@season-of-mist.com

US/South America:

Will Yarbrough

will.yarbrough@season-of-mist.com

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

TIDALS Ignite a Powerful Anthem with New Single “When Heroes Speak”

“Powerful entities are incentivized by manipulation, but the burden is

endured by all”

Emerging rock powerhouse TIDALS are set to make a bold statement with their electrifying new single “When Heroes Speak,” a soaring, emotionally charged anthem that captures the strength, courage, and influence of those who rise to lead in moments that matter most.

Blending cinematic rock intensity with heartfelt lyricism, “When Heroes Speak” stands as a powerful tribute to the voices that inspire change and the individuals who step forward when the world needs them most. The track explores themes of resilience, leadership, and the lasting impact of those willing to stand up for something greater than themselves.

From the opening notes, the song builds an atmosphere of anticipation before exploding into a dynamic wall of guitars, driving rhythms, and commanding vocals. The chorus rises with an anthemic force designed to echo in arenas, creating a sense of unity and purpose that resonates with listeners long after the

song ends.

"The overall theme points to how manipulated the majority of the population is by powerful entities with nefarious intentions, and how through the pursuit of that delusion by who it incentivizes, the burden is ultimately

endured by all." - TIDALS

The single highlights TIDALS' signature ability to merge powerful storytelling with expansive, modern rock production. With sweeping instrumentation and emotionally driven delivery, the band crafts a soundscape that feels both epic and deeply personal.

“When Heroes Speak” marks another important step forward for Tidals as they continue to gain attention for their cinematic sound and passionate songwriting. The band’s growing momentum reflects their dedication to creating music that connects with listeners on a deeper level — songs that inspire, challenge, and empower.

As the song builds toward its climactic finale, it leaves listeners with a powerful message: when heroes speak, people listen — and sometimes the world changes because of it.

Formed in Detroit, Michigan in 2025, TIDALS brings a raw and dynamic sound that bridges the worlds of heavy metal, hard rock, alternative, and hip hop. The band was founded by Mark CliffordJeff Cribbs, and Dave Martinez, each of whom carved their craft in the Detroit and Pittsburgh music scenes as former members of 

Chronic Groove and Camp Element.

With a foundation rooted in thunderous riffs, aggressive rhythms, and lyrical intensity, TIDALSchannels both the grit of Detroit and the edge of modern genre-blending. Their live performances showcase the chemistry and experience of seasoned musicians who have already shared stages at major festivals and landmark venues, delivering an energy that is as heavy as it is unforgettable.

Forged from diverse influences and years of collective experience, Tidals is not just another heavy band redefining metal music

VOXX Unleash New Single “Someone’s Watching” — A Dark, Electrifying Anthem for Modern Rock Fans

" Watched. Wired. Awake. We Rise."

The rising rock band VOXX returns with a gripping new single, “Someone’s Watching,” a powerful and atmospheric track that blends intensity, emotion, and cinematic edge into one unforgettable listening experience.

With “Someone’s Watching,” VOXX dives deep into themes of paranoia, pressure, and the unseen weight of modern life, delivering a song that feels both personal and universally relatable. Driven by thunderous instrumentation, haunting melodies, and commanding vocals, the track showcases the band’s evolution and their ability to craft music that resonates long after the final note fades.

“Someone’s Watching” captures the raw energy VOXX has become known for while pushing their sound into darker, more immersive territory. The single balances heavy rock dynamics with melodic depth, creating a sonic atmosphere that pulls listeners in and refuses

to let go.

VOXX is a high-energy rock force blending modern alternative grit with hard-hitting metal intensity. Fronted by Regis Lima, VOXX delivers powerful vocals, driving guitars, and anthemic hooks that hit both the heart and the adrenaline.

Behind the punch is Sterling on drums, laying down explosive, precision-driven rhythms that power every track. Jacob Bageard on guitars brings razor-sharp riffs and soaring melodies, while Kaylynn Sammy on bass locks in the groove with deep, commanding low-end that gives VOXX its signature weight and pulse.

Known for electrifying live performances and emotionally charged originals like “Someone Is Watching,” VOXX fuses raw vulnerability with unapologetic strength — tackling themes of pressure, betrayal, resilience, and rising above the noise.

Rooted in the Tampa Bay rock scene and building a loyal following, VOXX isn’t just a band — it’s a voice. Loud. Fearless. Unfiltered.

TOM & I Release New Single “The Night The Sky Cried In Atlanta,” A Tribute To Brent Hinds

Atlanta, Georgia. Atlanta-based band TOM & I announce the release of their powerful new single, “The Night The Sky Cried In Atlanta,” an emotionally charged tribute honoring the life, legacy, and lasting influence of Brent Hinds.

Formed in 2025 in Atlanta, Georgia, TOM & I is a songwriting-driven collective built on emotional honesty, musical depth, and atmospheric storytelling. The band features Jason Schwartzwalder on guitar and vocals, Tom Cheshire on vocals and percussion, Dillon Zehner on bass, and Steve Seachrist on pedal steel. Drawing from backgrounds that include acclaimed projects such as WEST END MOTEL and TCB, the group blends experience and vulnerability into a sound that is sad and somber yet undeniably beautiful and memorable.

“The Night The Sky Cried In Atlanta” was written as a direct tribute to Brent Hinds following his tragic passing in a motorcycle accident. The song emerged immediately in the wake of loss, composed by Jason Schwartzwalder and Tom Cheshire, who shared a deep personal and musical bond with Hinds through WEST END MOTEL.

Built around delicately picked diminished chords, the track creates an uneasy yet comforting sonic landscape that mirrors grief itself. Each note is intentionally spaced, reflecting emotional disorientation while guiding the listener through themes of mourning, remembrance, and healing. 

For Schwartzwalder, the passing of one of Atlanta’s most influential guitar voices deeply impacted both artist and fan alike. For Cheshire, the loss was intensely personal, representing the passing of a close friend and bandmate. Together, their collaboration transforms grief into music, creating what can best be described as a sonic eulogy.

This single captures loss from two perspectives. One perspective reflects the fan mourning a musical hero. The other reflects a best friend and collaborator channeling personal heartbreak directly into song. Cheshire’s soulful and haunting vocal performance echoes memories of friendship, life, and mortality, channeling the emotional weight felt across Atlanta’s music community and far beyond. Recorded by musicians long connected to the city’s creative scene, including years spent working within MASTODON’s studio environment, the single stands as both personal remembrance and communal tribute.

Influenced by artists such as Tom Waits, Thin Lizzy, Tori Amos, and WEST END MOTEL, TOM & I pursue a creative direction centered on finding beauty within sadness and meaning within struggle. The result is music rooted in authenticity, emotional depth, and timeless songwriting.

About TOM & I:

TOM & I is an Atlanta, Georgia-based band formed in 2025. Known for crafting emotionally rich compositions that balance sorrow with beauty, the band combines haunting vocals, expressive guitar work, and cinematic pedal steel textures. Featuring members connected to influential Atlanta projects including WEST END MOTEL, TOM & I channel themes of loss, resilience, and human connection into deeply personal songwriting shaped by the spirit of their musical community.