HÉR Premiere Debut Album 'Monochrome'

HÉR are seekers and storytellers. Their debut album, Monochrome, reflects polar extremes: fire and ice, violence and tenderness, bravery and care, the brutality of war and the solace that’s brought by peace.

“Throughout Monochrome, HÉR move freely between free jazz, folk, world music and deep Nordic-rooted atmospheres, without losing coherence”, Metal Epidemic writes in a 4/5 review.

“It’s as if Steve Von Till decided to score the Poetic Edda”, Jon Barbas writes for Heavy Metal Philosophy.

Monochrome comes out tomorrow, Friday, January 30, but you can hear all seven stirring songs today by listening to the full album stream on the Season of Mist YouTube channel.

Listen Below:

Pre-order & Pre-save

https://orcd.co/hermonochrome

Monochrome balances restraint with intensity. Throat singing, bowed strings, percussion and subtle electronics intertwine to form an album that feels both ancient and immediate. “Chant” opens with amidst a meditative expanse before moving into the spirit of the Icelandic fjords on “Needles and Bark”, trance-like introspection on “Patience in Observation,” the grounded momentum of “Going Down,” and the fervent, almost hymn-like force of “Praise the Day.”

“HÉR — meaning ‘here’ in Icelandic — is more than a name; it is a call to presence” the band says. “We stand ‘here,’ united by rhythm, voice, and story, ready to bring the raw essence of the North to those who are willing to listen, feel, and be transformed. Sit here with us — sestu hérna — and witness what begins now.”

By exploring the human nature described in Norse mythology, the musicians make a deep insight into the emotions embedded in its verses. They bring out the dark beauty of the North and its extremes: fire and ice, violence and tenderness, bravery and care, the brutality of war and the solace that peace brings, struggle and feast, the milky sweetness of honey and the salty tang of blood, love and hatred, birth and death, beginning and end, terror and awe…

Sestu hérna, sit here… sit here and listen, sit here and grow, sit here and drift away.

Line-up:
Maciej Świniarski — Vocal, Percussion
Tomasz Chyła — Vocal, Violin, Synth Percussion
Piotr Chęcki — Saxophone, Percussion
Tomasz Sadecki — Bass Guitar, Synth, Percussion
Sławek Koryzno — Drums, Percussion

Production Credits:
Recorded at Monochrom Studio, Gniewoszów, Lower Silesian Voivodeship, Poland.
Produced & Engineered by Ignacy Gruszecki.
Mixed & Mastered by Marcin Bors at Fonoplastykon, Wrocław, Poland.

Guest Musicians:
Magdalena Kuraś „Freya”

Cover Art:
Mary Zaleska

Photography:
Daria Szczygieł (https://dariaszczygiel.com/)

Pre-save & Pre-order: https://orcd.co/hermonochrome

Follow HÉR:

Bandcamp: https://hersom.bandcamp.com/
Facebook: https://www.facebook.com/herbandofficialprofile/
Instagram: https://www.instagram.com/her.bandofficial/
Spotify: https://open.spotify.com/artist/4yHViIb0eCl4eVMFcVnzm5
Apple Music: https://music.apple.com/artist/h%C3%A9r/1751778615

Ray Hawthorne Steps Out of the “Sidelines” with First Single of 2026

Everyone's favorite pop punk disruptor, Ray Hawthorne, is back! After ending 2025 with the unbridled chaos of his sophomore album, "Ray Hawthorne Isn't Real" the Los Angeles-based firebrand returns today, with his first release of 2026: an unapologetically anthemic new single, "Sidelines". Fans can listen to the new single Below.

Caught between motion and paralysis, "Sidelines" captures the feeling of being stuck on the edge of your own life, shouting at stoplights, and cursing the street signs in a city that doesn't feel like home anymore. Hawthorne pushes his signature mix of heartbreak, sarcasm, and emotional volatility into darker territory as he trades punchlines to let his guard down in a way that feels both unnerving and strangely hopeful.

Never one to miss a chance for a little chaos and nostalgia, Ray Hawthorne shares:

"When I was a kid my mom wouldn’t let me buy CD’s with parental advisory labels on them. No cursing music for me. But I NEEDED it in my life. The forbidden fruit. The rebellion. Fred Durst and such. So this lead to some interesting work arounds. For those of you that don’t know (or weren’t born yet), Offspring’s Americana CD didn’t have a parental advisory sticker on it. Which was pretty fly. So I was able to trick my mom into buying it for me. I made it through about two weeks listening to Americana in secret before I got ballsy. One fateful day I played the album for my cousin while my mom was getting ready for work in the next room. Bad move. The Offspring left my life that afternoon, and Americana was almost immediately given to one of my mom’s coworkers. Sometimes I like to wonder where that CD is today. Does she still have it? Did it become a family heirloom? Is it gathering dust at a goodwill store in New Jersey? Did it get passed down and inspire some other kid to fight the system with three chords and a dream? We’ll never know. But what I do know is that I just put out a new song. It’s called Sidelines. I hope some kid breaks his parent’s rules to listen to it. That’s the dream.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 18 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorne is proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

AGNOSTIC FRONT Unleashes Lyric Video For "You Say" And Announces European Leg Of "Echoes In Eternity" Tour

NYC’s legendary hardcore pioneers AGNOSTIC FRONT have released the official lyric video for “You Say”, off of their latest album, Echoes In Eternity. Ferocious and energetic, the song captures the band's trademark spirit of defiance in the face of hypocrisy. Powerful gang vocals drive this anthem of revolt, underpinned by charging guitars and thundering drums. The message is clear: AGNOSTIC FRONT refuses to cave to the injustices that plague modern society.

Vocalist Roger Miret comments: "'YOU SAY' is a war cry against the normalization of corruption and empty promises. Whether it be governments, corporations, or straight up con artists, they all have the same interests.... Their own! Our message has always been and will be 'F**K YOU' to these entities, and to hold them accountable.”

AGNOSTIC FRONT has also announced the highly-anticipated European leg of their "Echoes In Eternity" Tour, with dates in Germany, the Netherlands, Switzerland, Italy, France, Poland, Hungary, the Czech Republic, Austria, and Belgium. The tour features special guests WISDOM IN CHAINS and RAW BRIGADE.

With decades of influence on the global hardcore scene, AGNOSTIC FRONT continue to uphold their legacy as one of the most vital and uncompromising voices in punk music. Echoes in Eternity reaffirms their status as cultural torchbearers, channeling the same spirit that sparked from New York’s Lower East Side to inspire generations worldwide.

Watch the video BELOW:

Buy tickets HERE: https://www.agnosticfront.com/

Stream/Order Echoes In Eternity here: https://agnosticfront.rpm.link/echoesPR

About AGNOSTIC FRONT:
Founded in 1982, AGNOSTIC FRONT stand among the most esteemed pioneers of the hardcore genre. No band comes close in sonic and socio authenticity and sincerity, where the struggles of survival on the streets have quite literally given life to a sound that remains as impactful today as it was over four decades ago. AGNOSTIC FRONT‘s battering, socially critical sounds serve as the foundation of true New York hardcore and helped initiate the emergence of crossover thrash. Following a slew of pummeling offerings, the band, led by the inimitable roar of Roger Miret and Vinnie Stigma's legendary charismatic guitar playing, continue to showcase unapologetically honest lyrics and signature aggression in Echoes in Eternity. 

https://www.agnosticfront.com/ | Facebook | Instagram | Spotify 

POWERPLAY Announce New Single "Liberosis," Signs To Terminus Hate CIty

Miami hardcore band POWERPLAY enter a new chapter with the release of their latest single, "Liberosis," marking the band’s first release since signing with Terminus Hate City. The track features a guest appearance from Andrew Neufeld of COMEBACK KID, adding another surge of energy and connection to the song’s message.

“Like many newer bands, we were born out of the pandemic,” says vocalist Adam Hussler. “We had all been writing and playing music with various other projects for many years. PowerPlay was actually never supposed to be a touring entity or anything it has become, but just a musical outlet. Like all things, it evolved, and we just rode the wave, so to speak.”

That growth and perspective are at the heart of "Liberosis." The track confronts mental health struggles and the long standing emotional battles many people face every day. Built as an anthemic rally cry, the song centers on the realization that while life can feel overwhelming, no one has to face it alone.

"Liberosis" delivers a message of acceptance and solidarity. It reflects the understanding that we can only control certain aspects of our lives while drawing strength from friends, family, and community. 

About POWERPLAY:

POWERPLAY is a hardcore band from Miami, Florida, formed in 2021 during a time when the world had slowed down but emotions were running high. What started as a creative outlet between longtime friends quickly gained momentum, turning into a full force band built on honesty, intensity, and connection.

Made up of Adam Hussler on vocals, Julius Lopez on drums, Andrew Herrero on bass, and Oscar Rodriguez on guitar, POWERPLAY bring together years of experience from various projects across the South Florida scene. Their sound draws influence from SICK OF IT ALL, BLOOD FOR BLOOD, WHERE FEAR AND WEAPONS MEET, and BURIED ALIVE, blending classic hardcore urgency with deeply personal themes.

Lyrically, POWERPLAY focus on real life struggles, mental health, personal responsibility, and the everyday weight of being human. Songs like "Liberosis" channel those themes into anthemic, shout along moments built for both personal reflection and packed rooms.

Since forming, POWERPLAY have built their name through relentless touring and high energy live performances. They have shared stages with bands across the hardcore scene and appeared at numerous festivals and tours throughout the United States and Central America. Their 2024 EP Sealed Envelopes helped establish their presence, while continued touring and new releases have pushed the band into a new phase, including their recent signing to Terminus Hate City.

At their core, POWERPLAY are driven by authenticity. They write music that reflects their own lives, struggles, and perspectives, creating songs that connect through shared experience, unity, and the strength found in community.


POWERPLAY is:

  • Adam Hussler – Vocals

  • Julius Lopez – Drums

  • Andrew Herrero – Bass

  • Oscar Rodriguez – Guitar

Pittsburgh postpunk-shoegaze outfit LOWSUNDAY unveils 'Soft Capture' from new 'White EP'

Legacy postpunk-shoegaze outfit Lowsunday has shared 'Soft Capture', with a new video by Jer Herring. This is the second single from the 'Low Sunday Ghost Machine - White EP', following 'Love Language'. Released via Projekt Records and ranking second among Post-Punk.com's Best EPs of 2025, this is the band's first record of all-new material since 1999.

Born in the mid-1990s within the local Pittsburgh scene, Lowsunday (initially known as Low Sunday Ghost Machine) emerged as a "retro-futurist" pioneer, blending darkwave and shoegaze long before the genres saw their modern revival. Their legacy was cemented with their debut album 'Low Sunday Ghost Machine' and the 1999 masterpiece 'Elesgiem', both of which were re-released via Projekt Records over the past 18 months (for their 30th and 25th anniversaries, respectively).

The band dissolved, leaving behind a cult reputation for mercurial sounds and blistering guitar work that set the stage for subsequent generations of alternative artists. Following a nearly 25-year period of inactivity, the band resurfaced as a duo in 2025—consisting of original members Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums).

"With 'Soft Capture', we wanted to layer vintage synths over a droning bass line, topped with a wandering guitar melody. As the guitar descends, we felt it taking on a darker tone, but then it creates a bit of a silver lining as the melody climbs back up. We used the lead guitar feedback almost like a theremin, letting it melt through the background," says Shane Sahene.

"Lyrically, we were thinking about the traps of life and the ways we often submit to things, but the song eventually circles around with an optimistic glimpse of having the opportunity to run away. We feel like the backing vocals on the chorus are what really bring that sense of strength and hope to a situation that might otherwise feel like a surrender."

Serving as both a reflection and a resurgence, the 'White EP' ushers in a welcome return, marked by superb production and a renewed creative clarity, bridging three decades of distinct sonic legacy with balanced doses of escapism, dreamlike sounds, drones and feedback. This first of a two new EPs planned this year, their crystalline shimmer, classic song structures and melodic hooks shows their atmospheric sound to be as timeless and relevant as ever.

The 'White EP' is a natural expansion for Lowsunday, building upon guitar-driven atmospheres, synth textures, emotive vocals and drum beats. A confident return to form that explores darker yet more expansive sonic territory, they bring atmospheric noise and, at more delicate moments, a dream pop air of deeper melancholia. Distilling years of sonic exploration and inspiration, lyrically and sonically, classic post-punk rhythms and atmospheric layers merge to express raw and geniune emotion.

The 'Low Sunday Ghost Machine - White EP' is out now digitally everywhere, including SpotifyApple Music and Bandcamp, and as a vinyl release, limited to 200 copies. The 'Low Sunday Ghost Machine' reissue and limited edition 7" of 'Static / Besides' can also be found on these platforms.

CREDITS
Lyrics by Shane Sahene
Music written by Shane Sahene & Bobby Spell
Shane Sahene: vocals, guitar, synth, bass, drums
Bobby Spell: bass, guitar, drums
Mastered by Bobby Spell & Shane Sahene
Album artwork by Shane Sahene
Layout by Christina Sahene
UPC 617026237121
Catalog # PJA-EE-371
2025 band photos by Christina Sahene
Video by Jer Herring
Publicity by Shameless Promotion PR 


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"Cairn" OST Is A New Collaboration Between The Toxic Avenger, The Game Bakers, and G4F Records

CAIRN — GAME ORIGINAL SOUNDTRACK 

ALREADY ONE OF THE MOST-ANTICIPATED INDIE GAMES OF 2026 WITH OVER 700,000 WISHLISTS!

This marks a new collaboration between The Toxic Avenger, The Game Bakers, and G4F Records, following the massive success of Furi and its soundtrack, which has surpassed 150 million streams worldwide.


About Cairn — Original Soundtrack — Release Date: January 29, 2026
 

The original soundtrack of Cairn is a sweeping, high-impact score that mirrors the enormity of Mount Kami and the intensity of the climb. From ethereal, immersive textures to surging, vertiginous themes, the music turns every ascent into a memorable experience, balancing awe, tension, and triumph.

The soundtrack is the result of a close collaboration between The Toxic Avenger,Martin Stig Andersen, and Gildaa.

Some of their compositions are woven together and re-arranged by Martin Stig Andersen into a cohesive musical journey for both the game and the official album. Together, they shape a dense, cinematic musical universe that is at once airy, hypnotic, and exhilarating.

Renowned for his emotionally powerful scores (LIMBO, INSIDE, Control), Martin Stig Andersen brings structure and cinematic scope to the soundtrack.

The Toxic Avenger, a key figure of the French electronic music scene, delivers soaring, visceral compositions that amplify the sense of scale and momentum of the ascent.

Alongside them, Franco-Brazilian artist Gildaa brings a singular emotional texture to the score, co-composing several tracks and enriching the music with organic layers, breath, and effort sounds that root the climb in something deeply human.

PRE-ORDER/PRE-SAVE HERE.

ABOUT THE ARTISTS:

MARTIN STIG ANDERSEN:
Martin Stig Andersen is a Danish composer and sound designer renowned for his groundbreaking contributions to video game audio.

Drawing from electroacoustic composition, he has created immersive soundscapes for titles such as LIMBO, INSIDE, Control, and Wolfenstein II: The New Colossus.

His work has earned major international recognition, including D.I.C.E. Awards and multiple BAFTA nominations.

Soundcloud | SpotifyApple MusicBluesky

GILDAA:
Franco-Brazilian artist Gildaa is a genre-defying singer and winner of the 2025 Inouïs Jury Prize.

After standout appearances at Trans Musicales 2024 and Club Avant Seine — Rock en Seine 2025, she blends chanson, baile funk, jazz, and RnB into a hauntingly original sound.

Her bilingual lyrics and surreal aesthetics explore memory and mysticism, ahead of her debut album.

As TalentsFacebookSpotifyYouTube

THE TOXIC AVENGER:
Simon Delacroix, known as The Toxic Avenger, is a French DJ and electronic music producer acclaimed for his explosive blend of electro and cinematic soundscapes.

A major voice in video game music, he is known for his work on Furi, Road 96, The Crew and Rainbow Six Siege, earning multiple Best Music in Video Games awards.

He also won Best Film Score at the Gérardmer Fantastic Film Festival for Mutafukaz, and regularly composes for film, trailers and advertising.

Facebook | Instagram | Bluesky | Spotify | X

ABOUT THE GAME BAKERS:

The Game Bakers is an independent studio founded in 2010 and based in Montpellier, France, dedicated to creating games players remember. Self-funded and self-published, The Game Bakers collaborate with creators around the world.

Known for the million-selling hits Furi and Haven, as well as Squids Odyssey and Combo Crew, the studio has built a strong reputation for bold gameplay and striking artistic direction.

Website | InstagramFacebookBlueskySteamYouTubeTikTokX

ABOUT G4F RECORDS:
G4F Records is an independent French music label dedicated to producing and releasing original soundtracks for video games and visual media. Working with composers and studios worldwide, the label focuses on both digital and high-quality physical releases.

The label has built a strong reputation for showcasing incredible, diverse, artist-driven video game music for music lovers.

WebsiteInstagramBlueskySpotifyYoutubeSoundcloudX

Septicflesh Celebrate 15 Years of The Great Mass with Special Anniversary Reissue

Since the ‘90s, Septicflesh have elevated death metal to a fine art. Alongside their Athenian brothers-in-arms Rotting Christ and Nightfall, real-life flesh and blood Spiros and Christos Antoniou rose from the Greek underground alongside virtuoso shredder Sotiris Vayenas. After the trio re-communed with drummer Fotis Benardo at the Season of Mist table during the 2000s, the maestros set to work on composing their greatest masterpiece.    

Today, Season of Mist is celebrating 15 years of The Great Mass by announcing a special anniversary reissue. Fans can now own this classic album on transparent red-and-black marbled vinyl. This new edition also includes a color poster and embroidered patch.

“The Great Mass has passed the test of time”, says Septicflesh guitarist and vocalist Sotiris Vayenas. “Songs such as ‘The Vampire from Nazareth’ and ‘Pyramid God’ are among the most successful in our repertoire. Now, it’s time to celebrate the album with the 15th anniversary edition courtesy of Season of Mist”.  

The 15th anniversary edition of The Great Mass comes out March 20 on Season of Mist.

Pre-order

https://redirect.season-of-mist.com/septicflesh-the-great-mass-15th-anniversary

Listen Below.

The Great Mass Recording Lineup
Christos Antoniou - Guitars, Orchestrations

Seth “Spiros” Antoniou - Bass, Vocals (harsh)

Sotiris Anunnaki V - Guitars, Vocals (clean)

Fotis Benardo - Drums, Percussion

Production Credits
Produced and Mixed by Peter Tägtgren

Engineered by Fotis Benardo, George Emmanuel, Steve Venardo and Jan Holzner (orchestra)

Assistant engineering by Michael Hradisky

Mastered by Jonas Kjellgren

Cover Art
Seth “Spiros” Antoniuou



Follow Septicflesh
Official Website: http://www.septicflesh.com/
Bandcamp: http://septicflesh.bandcamp.com/
Instagram: https://www.instagram.com/septicflesh_band
Facebook: http://www.facebook.com/septicfleshband
Apple Music: https://music.apple.com/us/artist/septicflesh/275730586
Spotify: https://open.spotify.com/artist/5MlEt7qqXqNSReeX76xK6b
Youtube:https://www.youtube.com/channel/UCHI1zZYZhGL1pMBQWM-Zu0w

Bodysnatcher Announces New Album 'Hell Is Here, Hell Is Home' out April 10 (via MNRK Heavy)

South Florida deathcore mainstays Bodysnatcher have today announced their upcoming new album 'Hell Is Here, Hell Is Home' out on Friday, April 10 (via MNRK Heavy). The full-length will be the band's latest body of new music since 2024's acclaimed EP, 'Vile Conduct'. In celebration of the announcement, the quartet released their new rager "The Maker" and the official music video. When asked about today's news, the band commented:

"We’re extremely excited to finally start sharing this album with everyone. We think it’s the bands strongest work. We finally accomplished the sound we’ve been aiming for from the start.

'Hell Is Here, Hell Is Home' is available now for pre-order at the link here. Watch the official music video for "The Maker" below, and stream the track here.

After wrapping up a triumphant Australian tour this past weekend with Fit For An Autopsy, Bodysnatcher will next kick off their 'Hell Is Here, Hell Is Home' EU/UK headliner in March with PSYCHO-FRAME, Ingested and Big Ass Truck as support. The band will then bring the heat to the Chaos & Carnage 2026 tour across North America alongside Thy Art Is Murder, Carnifex, 200 Stab Wounds, Ingested, Gates To Hell, and Bodybox starting Saturday, May 2. For ticket information, please click here.

Chaos & Carnage 2026 Dates:

May 2 - Phoenix, AZ @ The Van Buren

May 3 - Albuquerque, NM @ The Historic El Rey Theater

May 5 - San Antonio, TX @ Vibes Event Center

May 6 - Houston, TX @ House of Blues Houston

May 8 - Nashville, TN @ Brooklyn Bowl

May 10 - Daytona Beach, FL @ Welcome To Rockville 2026

May 12 - Charlotte, NC @ The Fillmore

May 13 - Baltimore, MD @ Nevermore Hall

May 14 - Columbus, OH @ Sonic Temple 2026

May 15 - Reading, PA @ Reverb

May 16 - Worcester, MA @ Palladium

May 17 - Brooklyn, NY @ Brooklyn Monarch

May 19 - Chicago, IL @ Ramova Theater

May 20 - West Des Moines, IA @ Val Air Ballroom

May 22 - Denver, CO @ Ogden Theatre

May 23 - Salt Lake City, UT @ The Complex

May 24 - Boise, ID @ Treefort Music Hall

May 26 - Seattle, WA @ Showbox

May 27 - Portland, OR @ Roseland Theatre

May 29 - Berkeley, CA @ The UC Theatre

May 30 - Los Angeles, CA @ The Wiltern

May 31 - Las Vegas, NV @ House of Blues Las Vegas

ABOUT BODYSNATCHER:

There are many clichés about battling adversity. That if you fall down, you get back up again. That what doesn’t kill you makes you stronger. That it’s the journey that’s important, not the end result. That the struggle is worth it, that you need to suffer to make great art. It’s not always true, of course, but Hell Is Here, Hell Is Home (via MNRK Heavy) certainly makes a strong case for that argument. The fourth full-length from Melbourne, FL deathcore outfit Bodysnatcher, it follows 2024’s brutal Will Putney-produced EP, Vile Conduct and serves up another powerful barrage of uncompromising deathcore across 10 incredible tracks that see the four-piece—Kyle Medina (vocals), Kyle Carter (guitar), Kyle Shope (bass) and Chris Whited (drums)—turn the catharsis up as loud and as visceral as it will go.

Of course, that’s nothing new for the band. If you’ve heard Vile Conduct, or any of the three albums that preceded it—2017’s Death of Me, 2020’s The Heavy Void or 2022’s Bleed-Abide—you’ll know this is a band who have always pitted themselves against personal tragedy, who have fought on individual levels against the dark depths of a despair (often inspired by their own experiences of death). Hell Is Here, Hell Is Home is no less harrowing.

Black Metal Punks FINAL DOSE Stream New EP via Decibel Magazine

London's FINAL DOSE returns with 'Endless Woe,' an EP of vicious, and unrelenting hostile blackened punk violence. The five song offering is now being exclusively streamed via Decibel Magazine and can be heard at THIS LOCATION.

'Endless Woe' will be available in vinyl, cassette, and digital formats via Wolves of Hades on January 28 and will made available on Wednesday HERE.

In addition, Final Dose will be embarking on a European headlining tour with support from Prayer Position. The trek will kick off in London (UK) on February 4 and will hit twelve different countries until the final stop in Brussels (BE) on February 18. The full itinerary can be found below!

The cover artwork for Endless Woe was created by Final Dose vocalist BF and can be found below along with the tracklist and running times.

Forged in the aftermath of relentless movement and creative unrest, London's Final Dose returns with Endless Woe, an EP of vicious, and unrelenting hostile blackened punk violence. 

Endless Woe follows up the debauchery of Under the Eternal Shadow, with five tracks that strip their blackened punk assault to its rawest core, distilling the band’s ethos into a harsher, more confrontational form. Short, vicious, and devoid of excess, Endless Woe sharpens aggression into purpose, pushing ferality and despair to the forefront.

Yet beneath the surface violence, Endless Woe carries a suffocating emotional weight. Subtle melodic fractures, desolate pacing shifts, and moments of stark bleakness inject a sense of hopeless repetition, mirroring the EP’s title in both sound and spirit; no catharsis, no escape, only the grinding continuation of inner collapse and inner turmoil

To be released by Wolves of Hades on January 28 on LP and MC, Endless Woe stands as a concentrated statement of fury and misery.

Lineup:

BF – Vocals

JT – Bass/Vocals

ST – Guitar

GL – Guitar

FS – Drums

Album Credits:

Music written by Final Dose

Recorded, mixed and mastered by Stanley Gravett at Holy Mountain Studios

Album Formats:

- 12” Vinyl (Blood & Smoke, B-Side is a Live Recording of their concert in Regensburg)

- Cassette

Cover Artist: BF

Links:

Bandcamp

Instagram

Apple Music

Spotify

ETERNAL RECURRENCE Unveils New Single “Precious Stones,” A Chamber-Driven Take on Modern Symphonic Metal

ETERNAL RECURRENCE has released “Precious Stones,” a new single from the band’s upcoming self-titled debut EP, Eternal Recurrence, due later this year.

Blending modern metal with a chamber music approach to orchestration, ETERNAL RECURRENCE offers an alternative take on symphonic metal. Rather than relying on large orchestras or fully sampled arrangements, the project emphasizes the sound of real musicians performing real orchestral instruments, preserving nuance, texture, and human imperfection in an increasingly digital landscape.

Faced with the financial realities of independent production, ETERNAL RECURRENCE draws inspiration from the chamber music tradition. Unlike large symphonic ensembles, chamber music is written for smaller groups capable of performing in more intimate settings. This philosophy forms the foundation of the project’s sound.

All material on Eternal Recurrence was composed around a chamber ensemble led by German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano. These elements are combined with aggressive guitars, lead work, and drumming rooted firmly in modern metal.

“Precious Stones” was the first song written for the EP, dating back to the COVID pandemic. Originally conceived as a straightforward metal track with no symphonic elements, early versions featured keyboards, rock organ, and a synth solo. After the project’s creative direction shifted toward a chamber string ensemble, the song was reworked with newly composed string arrangements. As a result, the orchestration plays a more supportive role on this track compared to other songs on the EP.

The single features two guest vocalists. Mordian of DIAMORTE and SHIELD OF WINGS delivers a powerful alto performance during the chorus and bridge, while James Dorton of BLACK CROWN INITIATE, DIAMORTE and NE OBLIVISCARIS contributes harsh vocals to the heavier sections of the song.

Lyrically, “Precious Stones” stands apart from the rest of Eternal Recurrence. It is the only song on the EP not written by C. Alex Luke. The lyrics were written by Jake Thiele, Luke’s former bandmate from UNTIL EXTINCTION.

Thiele reflects on the song’s themes below:

“My memory is a little hazy on the exact timeline, but I know that ‘Precious Stones’ was written at a time when the COVID pandemic and everything surrounding it was very much affecting everyday life.

I don’t think I need to list all the ways the pandemic messed with people’s minds and disrupted every facet of our existence, but one of the most frustrating parts of it was how political it became.

Anyone with something to gain from it weaponized it to try and take advantage in any way they could. It seemed like everyone, politically inclined or not, was divided into two teams, both of which were less interested in the general welfare of humankind and more interested in either profiting from the pandemic somehow, discrediting and defeating the other team, or both.

Combine this with other various contentious issues that were going on at the time, and people like myself who loathe politics and seek to avoid it as much as possible felt like we were being dragged into it against our will and forced to unequivocally choose one of the two sides, both of which were deeply flawed. Disagreement and compromise weren’t really on the table.

Even with COVID mostly in the rearview, all the various forms of media, social media especially, still seem intent on making sure everyone is sorted neatly into one of two boxes and reminding them that everyone in the other box is their enemy.

In short, ‘Precious Stones’ is about the futility and stupidity of the things that divide us and how we let them suck the enjoyment out of life.”

Breaking Benjamin's Keith Wallen Shares New Single "A Thin Line"

BREAKING BENJAMIN guitarist KEITH WALLEN has kicked off 2026 with the new single "A Thin Line." The song's gentle acoustic guitar strumming is accompanied by Wallen's emotive, room-filling vocals. It will remind you of the alt power ballads of the late '90s, wherein its heft lies in its simplicity .

Listen to the song below.

"The duality of outcomes from the choices we make could mean the difference between our personal heaven or hell, war or peace, or even life or death," Wallen shares about the song's meaning.

Wallen has been dropping singles for the past 12 months, starting with "Us Against the World." He also shared the anthemic "Dead Inside." Wallen delivered his gorgeous take on Avril Lavigne's contemplative classic "I'm With You." He also teamed up with GORE. singer Haley Roughton for "TEETH MARKS."

ABOUT KEITH WALLEN:
Keith Wallen is a prolific songwriter responsible for soaring melodies and hypnotic hooks heard across modern rock radio. The West Virginia-born troubadour uses his solo work as a vehicle to explore his multifaceted passions, moving seamlessly from the smart pop of '80s favorites like The Police and Depeche Mode to the big moody riffs of '90s grunge heroes like Alice In Chains, Soundgarden, and Stone Temple Pilots. 
 
His co-writing collaborations include compositions with Saint Asonia, Fuel, We Came As Romans, Red, Dorothy, and Korn guitarist Brian "Head" Welch's Love And Death. Wallen bares his soul as a solo artist with earnest resolve, powering his honest anthems with commanding vocals. 
 
A former member of Adelitas Way, Keith was among his first calls when Benjamin Burnley decided to reform and reconfigure his band. Dark Before Dawn, Breaking Benjamin's powerhouse comeback, debuted at No. 1 on the Billboard 200. Ember followed in 2018. 
 
Keith's self-produced acoustic and piano-driven Allies EP arrived in 2014. His debut solo album, 2021'sThis World Or The Next, featured "Dream Away," a song streamed 1.4M times on Spotify alone. His second solo album, Infinity Now, includes production and co-writing contributions from Kevin Thrasher (RIVALS, Jelly Roll) and work with Dan Braunstein (Spiritbox, Dayseeker) and Andrew Baylis (Sleeping With Sirens, Jelly Roll, Brantley Gilbert). 
 
Produced by Kevin Thrasher (Jelly Roll, RIVALS) and mixed by Joel Wanasek (Rain City Drive, Scott Stapp), Keith's sophomore solo album, Infinity Now, extends a warm invitation into the singer/songwriter's heart and mind. Hard rock bombast meets intimate pensiveness via engaging songs like "Blackout," "Strings," and first single, "Headspace Holiday."
 
As guitarist for Breaking Benjamin, a solo artist or songwriting collaborator, the common threads through Keith Wallen's work are honesty, authenticity, and heartfelt spirit. 

PLATINUM RECORDING ARTIST ATLUS ANNOUNCES NEW ALBUM ART OF LETTING GO

Platinum recording artist Atlus officially announced today that his label debut album, Art of Letting Go, will be released via BBR Music Group/BMG Nashville on March 20. The 15-track project is a deeply personal body of work spanning country at its core, with touches of pop, rock, and hip-hop influence. Equal parts fun and painful, honest and reflective, the album captures the emotional range of an artist who built his career from the underground. Pre-save/pre-add HERE

Named after the previously released title track addressing grief and the loss of his sister to addiction, Art of Letting Go mines the depth of Atlus’ songwriting and his ability to connect directly with listeners. Led by producer Andrew Baylis (Jelly Roll), alongside a group of collaborators guiding the arrangements (full list below), the project features his debut country radio single “Devil Ain’t Done,” as well as the driving lead preview track “Spare Key,” out today.

Prior to signing with BBR Music Group/BMG Nashville, Atlus released four independent albums, building a loyal underground following that led to breakthrough moments including performing alongside Jelly Roll at a packed Red Rocks Amphitheatre, earning a Top 5 album on Spotify’s Global Album Chart, surpassing one billion on-demand streams, and achieving a Platinum release. Recently named one of Pandora’s 2026 Artists to Watch in Country, Atlus is known for his powerful vocals, infectious melodies, and emotionally driven songwriting.

Raised in a single-parent home shaped by poverty and addiction, Atlus forged the resilience and commitment to authenticity that define his music. He began writing songs while working long hours as a commercial truck driver, crafting lyrics behind the wheel to support his family and fund studio time. That pavement grind ultimately laid the foundation for the artist he is today.

The project follows the success of “Devil Ain’t Done,” his debut country radio single, which was among the most-added songs at country radio on add day, reached the Top 5 in Australia, and continues to climb the U.S. charts. An instant fan favorite, the track pairs infectious grooves with lyrics reflecting self-doubt and perseverance, expanding on Atlus’ mission to create music that feels both universal and unmistakably his own.

The lead preview track “Spare Key” is built around a driving chorus and serves as an ode to a piece of brass that once symbolized opening his heart to love and possibility. “Unlocking your heart to love leaves you vulnerable to rejection, and just because someone leaves without having ‘the conversation’ doesn’t mean you’re spared the pain,” he explains. “It’s about loving someone so deeply that even after the relationship is over, you know you would have never changed the locks.”

Many of the album’s tracks focus on family, who have always been his priority. His success has allowed him to retire his mom, but before music took off, the now 33-year-old balanced two truck-driving jobs alongside UPS shifts and Uber rides to afford studio time.

Atlus kicks off his 2026 tour dates tomorrow night in Portland, Oregon, supporting Alexandra Kay.

About Atlus:
Raised in a single-parent home marked by poverty and addiction, Atlus had to grow up fast, building resilience and a lifelong commitment to authenticity in his music. Phonetically named after the mythological Titan who held up the heavens, he began writing while working long hours as a commercial truck driver, crafting lyrics and melodies behind the wheel to help support his family and fund studio time. That pavement-pounding grind became both his classroom and his engine, fueling the rise of a loyal underground following. Breakthrough moments soon followed, including performing alongside Jelly Roll at a packed Red Rocks Amphitheatre and landing a Top 5 album on Spotify’s Global Album Chart. With over a billion on-demand streams, millions of followers across social platforms, a Platinum single to his name, and recognition as one of Pandora’s 2026 Artists to Watch in Country, Atlus continues to turn personal stories into universal anthems. His label debut album, Art of Letting Go, arrives March 20 via BBR Music Group/BMG Nashville and features his first single that is currently climbing the country radio charts, “Devil Ain’t Done.”

KEEP UP WITH ATLUS

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

Eric Church Launches 2026 with GRAMMY-Nominated 'Evangeline vs. The Machine' Tour, IMAX Film & Live Album

With his latest critically acclaimed project, Evangeline vs. The Machine, up for the Best Contemporary Country Album nod at next weekend’s GRAMMY Awards, 11-time nominee Eric Church is already entering 2026 at full throttle. Last night, Jan. 22, the Chief launched the new year with an intimate underplay at Washington, D.C.’s The Anthem, kicking off leg 2 of his Free the Machine Tour and setting the stage for a spring run from the man celebrated by Pollstar for “his high-energy, Springsteen-esque marathon performances.”
 
The Free the Machine Tour returns following a landmark 2025 run that reaffirmed Church’s reputation for pushing the boundaries of the live concert experience. The 2026 dates carry that same spirit forward, pairing large-scale ambition with moments of raw immediacy.
 
That energy is captured on today’s release of “Give Me Back My Hometown (Live At The Pinnacle, Nashville, TN / May 24, 2025).” The reimagined version of Church’s 2x Platinum, chart-topping hit appears on the forthcoming Evangeline vs. The Machine Comes Alive (Original Motion Picture Soundtrack) arriving Feb. 13 via MCA. The 19-track live album serves as a companion to the IMAX® exclusive theatrical release of Evangeline vs. The Machine Comes Alive on Feb. 11 and 14.
 
Church hosted a special screening event for members of his passionate Church Choir in Nashville earlier this week, previewing the limited theatrical release that showcases Church performing his GRAMMY-nominated eighth studio album front-to-back before transitioning into select catalog hits, all reimagined with a six-piece band, four-piece horns, four-piece strings, eight-piece choir and vocalist Joanna Cotten. Filmed across two nights at The Pinnacle in Nashville, Tenn., the performance comes to life through a unique perspective that can only be achieved in IMAX. A full list of locations for the February showings is available via IMAX.com/EricChurch, with tickets on sale now.
 
With a new live release out today, the Free the Machine Tour back on the road and both an IMAX film and live album on deck, Church’s 2026 is already defined by momentum that continues to challenge expectations and reaffirm his place at the forefront of modern country music.
 
For more information on all to come, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and on Instagram @ericchurchmusic.

2026 Free the Machine Tour Remaining Markets, Venues and Special Guests:
Jan. 23  ||  Washington, D.C.  ||  The Anthem  ||  Caylee Hammack
Feb. 5  ||  Omaha, Neb.  ||  CHI Health Center  ||  Ella Langley
Feb. 6  ||  Sioux Falls, S.D.  ||  Denny Sanford PREMIER Center  ||  Ella Langley
Feb. 7  ||  St. Paul, Minn.  ||  Grand Casino Arena  ||  Ella Langley
Feb. 12  ||  Toronto, Ont.  ||  Scotiabank Arena  ||  Ella Langley
Feb. 13  ||  Buffalo, N.Y.  ||  KeyBank Center  ||  Ella Langley
Feb. 14  ||  Albany, N.Y.  ||  MVP Arena  ||  Ella Langley
Feb. 19  ||  North Little Rock, Ark.  ||  Simmons Bank Arena  ||  49 Winchester
Feb. 20  ||  Kansas City, Mo.  ||  T-Mobile Center  ||  49 Winchester
Feb. 21  ||  St. Louis, Mo.  ||  Enterprise Center  ||  49 Winchester
Feb. 26  ||  Tulsa, Okla.  ||  BOK Center  ||  Stephen Wilson Jr.
Feb. 27  ||  Fort Worth, Texas  ||  Dickies Arena  ||  Stephen Wilson Jr.
Feb. 28  ||  Austin, Texas  ||  Moody Center  ||  Stephen Wilson Jr.
Mar. 5  ||  Knoxville, Tenn.  ||  Thompson-Boling Arena at Food City Center  ||  49 Winchester
Mar. 6  ||  Greensboro, N.C.  ||  First Horizon Coliseum  ||  49 Winchester
Mar. 7  ||  North Charleston, S.C.  ||  North Charleston Coliseum  ||  49 Winchester
Mar. 19  ||  Birmingham, Ala.  ||  Legacy Arena at the BJCC  ||  49 Winchester
Mar. 20  ||  Atlanta, Ga.  ||  State Farm Arena  ||  49 Winchester
Mar. 27  ||  Hollywood, Fla.  ||  Hard Rock Live  ||  Kashus Culpepper
Apr. 3  ||  Greenville, S.C.  ||  Bon Secours Wellness Arena  ||  Ashley McBryde
Apr. 4  ||  Charlotte, N.C.  ||  Spectrum Center  ||  Ashley McBryde
Apr. 10  ||  Jacksonville, Fla.  ||  VyStar Veterans Memorial Arena  ||  Ashley McBryde
Apr. 11  ||  Tampa, Fla.  ||  Benchmark International Arena  ||  Ashley McBryde

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year), TIME100 Philanthropy 2025 honoree and 11-time GRAMMY nominee – including four nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his latest album, Evangeline vs. The Machine, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, and has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and his own six-story venue on Nashville’s famed lower Broadway, Chief’s. 

Swim the Current Release New Single "Concrete Angel" via TLG|ZOID ​   

The dynamic rock band Swim the Current is excited to announce the release of their latest single, "Concrete Angel", via TLG|ZOID, distributed by Virgin Music Group. This incredible new track was co-produced by George Pond and David Caplinger.

 

Alongside the single, Swim the Current also premiered the official music video for “Concrete Angel."

 

STREAM "Concrete Angel"

https://ffm.to/STC-Concrete-Angel

 

The band's vocalist, Marcos Leal states, "'Concrete Angel' is a hard workers anthem, inspired by my father, my grandfather, my brothers, and all the guys who worked sun up to sun down to give me the opportunity to chase my dreams as a musician. This one is for my dad!!” 

 

Bassist George Pond adds, “'Concrete Angel' is a reminder that even in the hardest days, there’s beauty in endurance and grace in getting back up. Our angels help us get through the day. It’s a blue-collar heartbeat — long days, hard roads, whiskey nights, and the stubborn will to carry on.”

 

Bringing together an all-star lineup of rock talents, including vocalist Marcos Leal(formerly of Ill Niño), bassist George Pond (Disciples of Verity), guitarist Greg Antine, drummer Chris Moore (George Lynch, Ultraphonix, Rock of Ages), and lead guitarist Joe Gareri, takes the band's sound to new heights.

 

WATCH the Official Music Video for "Concrete Angel" Below:

Having played in numerous bands throughout the years, Guitarist Greg Antine came to a point in his career where he wanted to branch out and write songs that had more depth and were inspired by his personal life experiences. Having worked with Bassist George Pond for several years in previous projects including, Disciples Of Verity, Greg expressed his concept for Swim The Current to George in hopes of collaborating with him on this new music venture. The two began to flesh out ideas in George’s home studio and realized quickly that they were on to something special, but still needed something more to see their ideas through to complete their concepts. Greg was introduced to Joe Gareri, Guitar/Keyboards, by George during the Disciples Of Verity debut album recording sessions which Joe is also featured on as a guest artist. The three of them immediately hit it off and worked extremely well together. Greg and George realized that Joe’s cinematic writing style would be a perfect match for their concepts and Joe was then brought in as a full time member. After two songs were completed and demo’d in George’s studio utilizing programmed drums, it was suggested by their friend Allyson Song River Jaynes, that they reach out to her friend, drummer Chris Moore of Ultraphonix, Rock Of Ages, to see if he would be interested in working with the project. Upon hearing the strength of songwriting and musicianship of the band, Chris was all in and signed on as the fourth full time member of STC and now the band, from an instrument’s perspective, was complete.

 

The final missing piece for STC was a lead vocalist who could capture the sound they envisioned for their music. After working in the studio with a few different vocalists, George ultimately reached out to his friend Marcos Leal, of legendary international touring band Ill Nino. Marcos loved the music of STC as well as having the freedom and creativity of writing lyrics for the project. After recording their first song together with Marcos, "We Are Not The Same", everyone new that this lineup was something special and Swim The Current was now complete! The release of "We Are Not The Same" took off instantly, and amassed thousands of streams, YouTube views and followers through a total organic DIY social media campaign.

 

Swim The Current’s sound is influenced and reminiscent of many of their favorite artists including, Deftones, Faith No More, Sevendust, POD, and Stabbing Westward. They continue to write new music and look forward to sharing their future releases with the world!

For More Information Please Visit:

Official Website

Facebook

Instagram

The Band Light Returns with Cinematic New Song "Worlds" and Four-Track EP

Rising pop-rock group The Band Light continues to build momentum with their new single “Worlds,” out today, January 23, on Red Van Records. The track marks the band’s first release of the new year and signals a deeper, more atmospheric turn in their evolving cool, immersive and emotionally charged sound. Listen to the song below.
 
Written by Konnor Dolberry, Trevor Young, Garrett Goodrich and Jack Glenn, “Worlds” focuses on the gradual shift that happens when two people are no longer on the same page. With cosmic imagery, the song captures distance forming without fully letting go.
 
Working with legendary producer John Fields, “Worlds” is built on moody textures, restrained intensity and a slow-burning chorus that captures the push and pull of a relationship drifting out of sync.
 
“‘Worlds’ is about realizing you’re orbiting the same person, but no longer landing in the same place,” shares the band. “It’s that moment where you’re fighting the silence, fighting the distance and wondering if coming back down is even possible.”
 
The song is also the title track for their new EP, also available today, and includes the recently released songs “All I Need,” “Dreamboat” and “Turning Red.” The Band Light continues to sharpen its identity as storytellers. Known for blending emotional depth with modern pop-rock sensibilities, the band has already surpassed one million streams on independently released music and toured nationally, opening for Quarters of Change and New Hope Club.
 
With its cinematic scope and visual-forward storytelling, “Worlds” positions The Band Light as a group unafraid to lean into vulnerability while expanding their sonic universe – one emotional orbit at a time.
 
“Worlds,” the song and EP are available on all digital platforms now.

Solo Black Metal Project PETRICHOR Emerges with Debut EP, 'Seduced By Conquering Darkness'

Solo black metal project PETRICHOR is now emerging from the shadows with its debut EP, 'Seduced By Conquering Darkness.' The artist's inaugural music can now be heard on Bandcamp and all streaming services while physical formats and pre-orders will be made available at a later date.

'Seduced By Conquering Darkness' is an independent release and can now be found below:

Album Credits:

Composed & performed by JK

Drums, recording, mixing & mastering by NS

Graphic Design & Photography by Wolf Mountain Productions

Links:

Bandcamp

YouTube

Instagram

Apple Music

Spotify

Amazon Music

Merch Store

The cover artwork was created by Wolf Mountain Productions

ROMAN CANDLE Drop New Single & Video "Can We Watch Something Happy?"

Roman Candle share "Can We Watch Something Happy?" today, arriving with an accompanying music video. Written from the perspective of Piper Ferrari's childhood self, the track documents the cycle of uncontrolled intrusive thoughts, compulsive prayer, and the overwhelming guilt of believing her own mind was a sin. The song arrives as the band's fourth single following their 2025 Sumerian Records signing. Fans can stream the new track HERE and watch the accompanying music video Below.

Speaking on the theme of the new single, Piper shares

"'Can We Watch Something Happy' is written from the perspective of my childhood self. I struggled with severe OCD growing up, which was intensified by being raised in a religious household. I wasn't diagnosed until much later, so for most of my youth I didn't understand what was happening — I just remember being scared all the time.There was a constant cycle of praying for the intrusive thoughts to go away, eventually giving in to them, and then praying again for forgiveness. That's where the repeated 'one more time' comes from. It wasn't about depression or suicidality; it was about trying to survive this overwhelming fear of thoughts I didn't want, and then feeling deep guilt because I believed even having those thoughts was a sin."

Roman Candle has built their Sumerian Records tenure on unflinching examination of difficult and vulnerable topics such as mental health and trauma. Prior to today's new track, the band released the critically acclaimed singles "Fire In The Night Sky Forever.", "This Band Has Led Me To Places I Wouldn't Go With A Gun," and "Nothing Is Original". Each track stakes new ground in how the band articulates pain without softening its edges or asking for easy answers. "Can We Watch Something Happy?" continues that trajectory.

Roman Candle have firmly established themselves as one of the most vital voices in contemporary hardcore. The band has amassed 2.8 million streams across all platforms and 400,000 YouTube views, building a devoted following through relentless live performances and emotionally resonant songwriting. With much more to come from the band in 2026, they show no signs of slowing down any time soon.

ABOUT ROMAN CANDLE

Roman Candle is a visceral and emotionally charged hardcore band from Las Vegas, Nevada, built around the creative core of Piper Ferrari (vocals) and Jonas Vece (guitar). Emerging from the ashes of their former project sowithout., the two formed Roman Candle with a vision to push the boundaries of hardcore through vulnerability, intensity, and intentionality.

Rooted in the lineage of bands like Saetia, Touché Amoré, and Poison the Well, Roman Candle blends classic “screamo” sensibilities with a modern edge—balancing raw catharsis and poetic tension. Their 2022 debut EP Discount Fireworks marked them as a standout in the Las Vegas underground. After spending much of 2023 & 2024 showcasing their new material live, the band's reputation for emotionally resonant, tightly wound songs that leave nothing on the table was further cemented. The band also spent a considerable amount of time on the road with bands like Dying Wish, Boundaries, Militare Gun, Foreign Hands, Pool Kids and one off shows with Touche Amore, Botch, Better Lovers and more.

Known for fiercely passionate live performances, Roman Candle has become a vital voice in the evolving Las Vegas hardcore scene. As a femme-fronted band, Piper Ferrari brings a rare and welcome presence to the genre, challenging norms and creating space for a more inclusive scene. Alongside Jonas Vece’s cutting guitar work and atmospheric tension, the band captures a sense of urgency that’s both deeply personal and powerfully collective.

With a full-length album on the horizon and growing attention beyond their hometown, Roman Candle is shaping a future for screamo that feels just as emotionally immediate as its roots.

Roman Candle Are

Piper Ferrari - Vocals

Jonas Vece - Guitar

Alex Dupis - Drums

Sergio Lopez - Bass

Myrath Share New Single "Soul of My Soul" From "Wilderness of Mirrors" Out 3/27

NEW ALBUM WILDERNESS OF MIRRORS OUT MARCH 27 — PRE-ORDER

Tunisian–French metal innovators Myrath release their new single "Soul of My Soul," a deeply emotional and intimate song about love, loss, and the bond that survives beyond time and absence.

Rather than mourning what is gone, the band explores memory as something eternal — a presence that lingers in every breath, every silence, every corner of the mind. Blending heartfelt melodies with Myrath's signature cinematic power, "Soul of My Soul" unfolds as a moving and beautifully crafted piece that feels both fragile and infinite.

Listen to the new single below:

Wilderness of Mirrors will be released March 27 and features 10 brand-new, emotionally charged tracks that continue Myrath's evolution of blending their influences with progressive and power metal. Fans can expect a journey through fantasy and reality, from haunting melodies to thunderous riffs and cinematic arrangements.

To celebrate the release, Myrath will embark on a major European tour starting in April 2026, bringing Wilderness of Mirrors to fans across 16 countries.

With millions of views on their cinematic music videos, critically acclaimed albums, and performances at festivals such as Hellfest, Wacken, and Sweden Rock, Myrath continue to captivate audiences worldwide. Wilderness of Mirrors represents the band at their most dynamic and authentic, a milestone in their journey toward becoming one of metal’s most legendary acts.

Pre-orders for Wilderness of Mirrors and tickets for the European tour are available now. Don’t miss the next chapter in Myrath's epic musical journey.

Pre-order the new album HERE.

Tickets and more info about Myrath's 2026 European tour HERE.

ANTIMOZDEBEAST Releases New Single "Torn Mentality," Announces Forthcoming Album The Vagrant Unkempt Grave

ANTIMOZDEBEAST, the extreme industrial and electronic black metal project of multi instrumentalist and producer Gabriel Palacio, has released the new single "Torn Mentality". The track stands as one of the core thematic works from the upcoming full length album The Vagrant Unkempt Grave, scheduled for release on May 15, 2026.

"Torn Mentality" explores a fevered psychological state shaped by spiritual contradiction, ideological pressure, and emotional fracture. The song moves through cycles of fatalism, distrust, devotion, and resentment, reflecting a consciousness pulled between belief and rejection. Repeated invocations of paradise, treachery, blasphemy, and religion function as confrontational signals rather than absolutes, mirroring the instability of faith and identity in a world governed by imposed meaning. Industrial electronics, ritual atmospheres, and blackened intensity collide to create a tense and immersive composition that reflects the album’s broader narrative.

ANTIMOZDEBEAST announces the release of its new full length album The Vagrant Unkempt Grave. The record will be self released on May 15, 2026 and represents the next stage in the project’s ongoing examination of spiritual conflict, psychological unrest, and the erosion of collective belief systems.

Pre-Order the album on Bandcamp HERE: https://antimozdebeast.bandcamp.com/album/the-vagrant-unkempt-grave

Active since 2019, ANTIMOZDEBEAST has developed a distinct sound built on harsh electronic structures, ritualistic pacing, and confrontational vocal expression. The Vagrant Unkempt Grave expands this approach into a cohesive meditation on the vagrant soul, the decay of creation, and the search for truth within systems shaped by myth, power, and distortion. The album spans seven tracks across fifty five minutes, including "Solitude", "The Temple of Vindication", and "Torn Mentality", and presents a continuous descent through themes of isolation, belief, manipulation, and internal collapse.

All music on The Vagrant Unkempt Grave is written, performed, recorded, mixed, mastered, and visually conceptualized by Gabriel Palacio. The album reflects a fully autonomous creative process and continues the project’s focus on exposing fractures within religion, politics, and social structures while encouraging critical thought and personal awakening.

About ATIMOZDEBEAST:

ANTIMOZDEBEAST is the extreme industrial and electronic black metal project of American composer and multi instrumentalist Gabriel Palacio, an artist whose life and work are shaped by equal parts suffering, persistence, and spiritual inquiry. Born in Queens, New York in 1985 with congenital heart disease, Gabriel underwent his first open heart surgery at age three and spent his childhood navigating both medical fragility and the intense religious expectations of a massive family rooted in Catholic tradition. His mother, once bound for a life as a nun, left the convent path to immigrate to the United States, where she raised Gabriel and his brother within a home steeped in devotion, ritual, and the tension between faith and individuality. By age fifteen Gabriel had already committed himself to music, turning to instruments not only as creative outlets but as anchors in a life marked by psychological struggle and the early onset of mental health challenges that continued into adulthood.

Connect with ANTIMOZDEBEAST:

Linktree: https://linktr.ee/AntiMozdeBeast
Bandcamp: https://antimozdebeast.bandcamp.com/music
Facebook: https://www.facebook.com/MozdeAnti?mibextid=LQQJ4d
Instagram: https://instagram.com/antimozdebeast._?igshid=MjEwN2IyYWYwYw==
Twitter/X: https://twitter.com/antimozdebeast
YouTube: https://music.youtube.com/channel/UCo5gzPr_2GeRrDMFz7AH_Ww?feature=share
Spotify: https://open.spotify.com/artist/6MMjxjSsLPZ4F2UubCxU7G?si=O6QJuZvRTaaxj0TsQIwLmQ
Apple Music: https://music.apple.com/us/artist/antimozdebeast/1457862655

BLACKJACKET UNLEASHES EMOTIONAL FIRESTORM WITH NEW SINGLE “EXIT LETTER” FEATURING DOC COYLE

A raw confession wrapped in distortion, grit, and modern hard rock fury, Blackjacket is back—and they’re not pulling punches.

Blackjacket said about "Exit Letter":

"About 6 years ago, I received a call telling me that a very close friend of mine took his own life. It was confusing and heartbreaking.

I was subsequently made aware that he left a note. ‘Exit Letter” is my attempt to understand the emotions he felt leading up to that final moment. The song was co-written by Doc Coyle(God Forbid, Snot, Bad Wolves) and Eddie Wohl(Anthrax, Fuel, ill Nino, Smile

Empty Soul)." - Luca

With their blistering new single “Exit Letter,” the band delivers a visceral, no-filter gut punch that captures the sound of letting go when there’s nothing left to save. Equal parts catharsis and controlled chaos, “Exit Letter” is Blackjacket at their most honest, most urgent, and

most explosive.

Built on crushing riffs, emotionally charged vocals, and a hook that lingers long after the final note, “Exit Letter” reads like a final confession scrawled in distortion. It’s the sound of closure colliding with confrontation—a song for anyone who’s ever had to walk away without answers, slam the door without regret, or burn the bridge just to survive.

BLACKJACKET BIO:

Blackjacket is a group of seasoned musicians from the Los Angeles music scene. After missed opportunities to create together, the stars aligned and Blackjacket was born. Timing is everything and the time is now!