Kreator Release Dystopian Video for Title Track of New Album "Krushers of the World" // Album Out Now

The wait is finally over!

The mighty KREATOR have unleashed their highly anticipated 16th studio album Krushers Of The World!    Featuring 10 hard-hitting anthems, the album enhances the band's unmistakable classic thrash metal sound by boldly embracing modern elements wrapped in an uncompromising, massive production by acclaimed producer Jens Bogren.

Krushers Of The World showcases KREATOR at the peak of their creative force — furious, precise, and more relevant than ever. The album bridges decades of thrash metal legacy with a contemporary edge that pushes the genre forward.

Coinciding with the album release, KREATOR have premiered the official music video for the title track "Krushers Of The World." 

Set in a post-apocalyptic Berlin, the video paints a grim yet striking vision of a world on the brink, capturing themes that feel more urgent and topical than ever.

With Krushers Of The World, KREATOR once again prove why they remain one of the most influential and vital forces in metal.

Mille Petrozza comments, "Hordes! Krushers Of The World is yours now! We hope you will enjoy it as much as we do. See you on tour!"

Stream and purchase Krushers Of The World HERE.

Watch the video for "Krushers Of The World" below.

KRUSHERS OF THE USA TOUR 2026
WITH CARCASS + COLD STEEL:
5/7 — Fort Lauderdale, FL — Revolution Live
5/8 — Daytona Beach, FL — Welcome to Rockville
5/10 — Atlanta, GA — The Masquerade
5/11 — Knoxville, TN — The Mill & Mine
5/12 — Raleigh, NC — The Ritz 
5/14 — Worcester, MA — Palladium
5/15 — McKees Rocks, PA — Roxian Theatre
5/16 — Columbus, OH — Sonic Temple
5/18 — Davenport, IA — Capitol Theatre
5/19 — Minneapolis, MN — First Avenue
5/20 — Chicago, IL — Romova Theatre
5/22 — Huntington, NY — Paramount
5/23 — Baltmore, MD — Maryland Deathfest

GET TICKETS HERE.

VRSTY Share New Single "heartbreak blues"

Genre-blending and bending New York City-based collective VRSTY (pronounced "Varsity") have shared their crackling new single "heartbreak blues."

Listen below.

The song features lyrics sung in both English and Spanish. It boasts unforgettable Latin flair, and vocal melodies that soar over a hissing breakdown. 

"'heartbreak blues' is probably one of the angriest yet most vulnerable songs I've written," says singer Joey Tyler. "It's essentially about the feeling of being angry over someone you were prepared to give the word to, while still feeling incredibly connected to them. Sometimes, it's harder to cut certain threads in life and I think this song perfectly hit that vibe for me."

He furthers, "Clearly, I've been through that a lot."

The singer also shares how the song also hits on another personal level, saying, "This is the first song where I naturally was like, 'What if this part was in Spanish?,' and it totally works. It was nice to combine my love for heavy music and my love for my culture on this one."

2026 is shaping up to be a massive year for VRSTY, with more new music on the way.

Also, VRSTY will hit the road, supporting Fire From the Gods, later this month. All dates are below.


VRSTY ON TOUR:
WITH FIRE FROM THE GODS:

1/22 — Austin, TX — Come and Take It Live
1/23 — Haltom City, TX — Haltom Theater
1/24 — Oklahoma City, OK — 89th Street
1/25 — Tulsa, OK — The Shrine
1/28 — Atlanta, GA — The Masquerade (Purgatory)
1/29 — Winter Park, FL — Conduit
1/30 — Jacksonville, FL — Jack Rabbits
1/31 — Columbia, SC — New Brookland Tavern
2/01 — Richmond, VA — Canal Club (Downstairs)
2/03 — Philadelphia, PA — The Foundry at The Fillmore
2/04 — Clifton, NJ — Dingbatz
2/05 — Brooklyn, NY — The Meadows
2/06 — Lowell, MA — Taffeta Music Hall
2/07 — Syracuse, NY — The Song & Dance
2/10 — Pittsburgh, PA — Crafthouse
2/11 — Columbus, OH — King of Clubs
2/12 — Cadillac, MI — Venue Event Center
2/13 — West Chicago, IL — WC Social Club
2/14 — Madison, WI — The Annex
2/15 — Minneapolis, MN — Underground Music Venue
2/17 — Denver, CO — HQ
2/19 — Los Angeles, CA — The Whisky A Go-Go
2/20 — Anaheim, CA — The Parish at House of Blues
2/21 — Las Vegas, NV — The Wall at Area 15

ABOUT VRSTY:
VRSTY (pronounced "Varsity") make music as energetic and richly diverse as the city that spawned them. Assembled by band leader Joey Varela, a Puerto Rican singer from New York City raised on R&B, pop, and Spanish music and equally inspired by metallic post-hardcore, VRSTY blend genres with fearless ambition and visceral enthusiasm. A handful of EPs preceded 2020's debut album, Welcome Home, itself followed by a three-part series of sequel EPs solidifying the band's reputation.  
 
VRSTY specialize in what Kerrang! described as "endless grooves and danceable parts, punctuated by breakdowns and completed with dark atmosphere." Meanwhile, "Massive," from 2020's Cloud City EP, remained the Most Played on SiriusXM's Octane for two consecutive weeks. In a 9/10 review, Outburn described Welcome Home as "effortless, fun, and above all genuine." Blabbermouth raved, "While other bands may have introduced the concept of genre-bending, VRSTY have refined it."
 
Levitate, the band's sophomore set, was powered by spirited conviction and a commitment to follow their muse wherever it leads. Tyler co-produced Levitate with Justin Deblieck (Ice Nine Kills, Motionless In White, Lorna Shore, Fit For A King).
 
VRSTY have commanded the crowd anytime they perform, connecting with anyone who struggles with feelings of low self-worth, bad relationships, or generally feels like an outsider. It’s a feeling of shared community evident on the band's tours with the likes of 10 Years, Nonpoint, Secrets, and For The Fallen Dreams, among others.

Ultimately, VRSTY aim to encourage, provoke, and inspire listeners in the next era of their career — with more music on the way in 2026.

Rick Monroe and the Hitmen Drop New Single “Bad Thing” ​ 

Rick Monroe & The Hitmen unleash their brand-new single “Bad Thing” via Asylum 1212 Records /TLG/Virgin Music Group. Taken from the band’s forthcoming album Southern Tea Bags, the track is a shot of bourbon-soaked rebellion—gritty, honest, and unapologetically loud. Produced by Rick Monroe & The Hitmen alongside Brandon Britton, and mixed and mastered by Britton, the song captures the band at full throttle.

 

Rick Monroe & The Hitmen deliver a pulse-pounding song that’s equal parts danger and desire. It will resonates with anyone who has ever felt the weight of life’s choices. With raw, confessional lyrics like "I’m tired of breaking my back" and "Can’t get any lower, I’ve done a bad, bad, bad thing," the song captures the struggle of pushing through challenges while embracing a reckless spirit.

 

This track is perfect for fans looking for a song that embodies resilience and the thrill of living life unapologetically. “Bad Thing” is not just about mistakes—it's about owning them and moving forward with fierce determination. Add it to your playlist and let Rick Monroe and the Hitmen take you on a wild ride!

 

Musically, "Bad Thing" blends catchy hooks with a gritty rock edge, creating a sound that’s both infectious and unforgettable. Monroe’s distinctive vocals soar as he navigates themes of regret, defiance, and the desire to break free from the past. The chorus, with its driving rhythm and bold declaration of freedom, is sure to get stuck in your head.

 

“Bad Thing” is available on all major digital platforms. Add it to your playlist and get ready for Rick Monroe & The Hitmen to kick the door wide open on a new chapter with Southern Tea Bags.

 

The Band has also launched a new Exclusive VIP Fan List

https://fans.rickmonroe.com/vip-list

 

LISTEN TO "Bad Thing" Below;

The birth of the Hitmen. For years Rick Monroe has been a solo artist hiring players as needed and doing the Nashville shuffle of interchangeable bands, but during covid everything changed. In 2020, Rick and the band, with Bobby Perkins & Alan Beeler, were set to have an amazing year starting off with a West Coast tour when the world shut down. Instead of everyone going their own way, they all stuck together and started streaming live shows from their basements, garages and living rooms. At the same time Rick and Alan Beeler started a standing Tuesday writing meeting which eventually became the bulk of their current album. Through some mutual friends, Rick met Malcolm Springer and they decided to track a few songs and see how it went. Once in the studio it was obvious that this was quickly becoming more of a band situation and when Malcolm brought Jason Bohl in, the sound finally came together. Rick joked one night about how the band was killing it and bam- someone said “The Hitmen”- and that was that.

For More Information Please Visit:

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Alt-Rock Riser Kami Kehoe Kicks Off 2026 With Long-Awaited “SEX ON FIRE” Cover

Alt-rock star on the rise, Kami Kehoe, has returned with a smoldering, slow-burn cover of, "SEX ON FIRE", arriving via Atlantic Records and Coup D'Etat Recordings. Channeling the ache of the Kings of Leon original, Kami transforms the rock anthem into a darker, more atmospheric version thats powerfully her own. Listen to "SEX ON FIRE", the fan-demanded cover born from live performances and teasers that drew in millions of views, HERE.

Coming off the back of her latest single, "FADE OUT," and a nationwide tour supporting Daughtry, Seether, and POD (which saw her regularly invited to join them on stage), Kami continues to cement her place as one of the genre's most magnetic rising voices. Named as one of Pandora's Artists to Watch in 2026 (The Pandora Ten) and continuing to rack up spins on Sirius XM's Octane, Kamiis entering the new year with undeniable momentum.

Standing at the start of a new year and reflecting on the "KANDY" era, "FADE OUT", the stages she's hit along the way, and this brand new cover, Kami Kehoe shares:

"Starting 2026 with this release feels really special to me. I actually started working on my cover of “SEX ON FIRE” 4 years ago, and the way fans connect with it has never left my mind. It feels really good to finally give it a proper release and let this version live in the world. I’ve been pouring everything into new music, and I can’t wait for everyone to hear what’s next."

Expanding her footprint across the rock world, Kami's breakout "KANDY" EP is also being celebrated with her very first vinyl pressing, limited to 500 copies as a Revolver-exclusive. Side A features the physical exclusive production masters sequenced as one long continuous track, pressed on Blue & Silver Sparkle vinyl with a silk-screened B-side. Fans can find more details and purchase the exclusive variant HERE.

Kami's growing profile extends beyond the music itself, with a feature in the winter issue of Revolver, spotlighting her rise at the intersection of heavy, alt, and modern rock. As she continues to build on the viral success of tracks like, "DOPAMINE" and "SLEEP WHEN I'M DEAD", Kami's "SEX ON FIRE" cover stands as a smoky, emotionally charged statement of where she's headed next.

On stage, Kami's 2026 is already packed with high moments, including a performance supporting Godsmack as a part of WMMR's MMRBQ and her set at Rock Fest (WI), placing her alongside some of rock's most established names.

To begin her 2026 live run, Kami will also return to Los Angeles for a special headlining show at the Roxy on February 19. Fans can find Kami's full touring schedule HERE.

With signature gritty guitars, atmospheric production, and Kami's evocative vocals, her latest single, "FADE OUT" closed out 2025 as one of her most emotionally charged releases to date. The track capped off her "KANDY" EP era that documented the full arc of heartbreak and healing, garnering millions of streams, 100 million views in short form content, and viral popularity worldwide. Her hit single, "DOPAMINE", earned over 30 million streams and hit #11 on Sirius XM Octane's "Big Uns" Countdown, spotlighting her growth in the modern rock landscape.

Carving out her own space in the alt-rock world, Kami Kehoe has impressively amassed over 105 million streams and more than 2 million social media followers by blending a sultry, velvety vocal with a hard-charged rock energy. Since breaking out with the viral hit “SLEEP WHEN I’M DEAD”, she has continued to evolve her sound—infusing shoegaze, metal, and hip-hop influences into her music while remaining unapologetically authentic.

Be sure to stay tuned for more Kami Kehoe news coming very soon.

ABOUT KAMI KEHOE

KAMI KEHOE has never been one to wait for permission. At just 22, the Los Angeles-based singer, songwriter and drummer has blazed a fearless musical path, most recently with her latest EP, “Kandy”, out now via Atlantic Records, Coup D’Etat Recordings, and 10K Projects. Since emerging, she’s spun a chameleonic, hard-charged rock sound into over a million Instagram followers, 10 million TikTok likes, and over 75 million streams in 2025 alone.

Unapologetic authenticity propelled her breakout hit “SLEEP WHEN I’M DEAD,” from her 2024 album REVIVED (Coup D'état/10K Projects), to audiences around the world in stratospheric fashion. Almost overnight, the garage-punk suckerpunch – the snarl of Joan Jett with the timeless melodicism of the Ramones – ripped through social media at lightning speed, netting Kami 100,000 new TikTok followers a day and further cementing her as a rising force in the underground. 

Diving headfirst into the emotional rollercoaster of heartbreak, obsession, and self-discovery, her latest EP, “Kandy” blends dark melodic rock with pop, metal, and metaphor-rich songwriting. Using candy and drugs as symbols for dangerous pleasures, each of the five tracks explore the tangled interplay between allure and risk, offering a bittersweet reflection on the complexities of desire and the consequences that follow. It’s another bold step forward for Kami as she continues to kick down the guardrails of her sound, another entry in her omnipresent push to rewrite what’s possible for her musical future. 

After making waves with a standout performance at Warped Tour and playing her very first headlining show, Kami has just wrapped her largest tour yet, joining forces with industry legends, Daughtry, Seether, and P.O.D. She’ll continue to evolve as an artist with the same freedom and fearlessness that’s led her here, another chapter in a career that’s continually defied expectations – not that she’s ever really cared about those in the first place.

Season of Mist is Coming to Thunderflix

Metalheads can now watch their favorite Season of Mist artists on the world’s premiere on-demand video streaming service dedicated exclusively to heavy metal music. Leading the charge on this new venture is the one and only Mayhem with Live in Marseille 2000. More concert footage will follow closely behind from Heilung, Rotting Christ, Kylesa, Ne Obliviscaris and other fan favorites.

Watch Season of Mist on Thunderflix

“Thunderflix continues to bring the best films, concerts and documentaries for metal fans and there is no heavier label than Season of Mist”, says Thunderflix founder Samuel Douek. “We’re thrilled to not only partner with Season of Mist. Each concert received a 4K makeover. Fans will feel like they’re watching these iconic moments for the first time!"

“Personally, as a metal fan, I think Season of Mist has always provided some of the most brutal and powerful metal”, Douek continues. “It’s incredible to release some of the labels masterpieces on Thunderflix!”

Season of Mist x Thunderflix 2026 Release Schedule  

January 16

Mayhem - Live in Marseille 2000

Agressor - Deathreat

Tsjuder - Norwegian Apocalyspe - Oslo vs. Sandnes

January 23

Confessor - Live in Norway

Arcturus - Shipwrecked in Oslo: Live at Rockefeller 2005

Blood Duster - The Shape of Death to Come

January 30

Rotting Christ - Theogonia, Aealo, 35 Years of Evil Existence: Live in Lycabettus

Red Harvest - Harvest Bloody Harvest

Psykup - We Love You All

February 6

Brutal Truth - For The Ugly and Unwanted, This Is Grindcore

Kylesa - Spiral Shadow

Chaostar - Anomima

February 13

Septicflesh - The Great Mass, Infernus Sinfonica MMXIX

Saint Vitus - Lillie: F-65 LTD Edition

Kells - Anachromie

February 20

Heilung - Life - Heilung Live at Castlefest

Benighted - Brutalive The Sick

Eths - Ankaa

February 27

Ne Obliviscaris - Exul

Der Weg Einer Freiheit- Noktvrn

Vreid - Wild North West

March 6

Voyager - A Voyage Through Time

Thy Catafalque - Mezolit - Live at Fekete Zaj

Imperium Dekadenz - Dis Manibvs

Pennsylvania Tri-State indie-pop artist Celeste Corsano kicks off 2026 with new 'Space' single

Alternative pop artist Celeste Corsano is back to greet 2026 with a new track, called 'Space', a lyrical exploration of the "middle ground", where the ego is surrendered in favor of genuine connection and the sixth in a stellar series released via Montclair, New Jersey-based Magic Door Record Label

Produced, recorded, mixed and mastered by Ray Ketchem (Guided by Voices, Elk City, Luna, Gramercy Arms) at Magic Door Recording Studio, this song involves contributions by James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale) and David Nagler (Nova Social, Joan Baez, Aaron Neville, Rosanne Cash, Yo La Tengo).

As with previous singles, her brother Chris Corsano (Björk, Kim Gordon, Thurston Moore) contributed the cover artwork. The track’s philosophy is mirrored in its sonic architecture with a soundscape where the production allows the arrangement to breathe, much like the negative space in a masterpiece. With a sound that feels open and uncluttered, Corsano offers a fresh perspective on the value of intellectual and emotional openness. 

"I love the kind of old Bowie feel of this song which was enhanced by the production with the keyboard effects, James Mastro's electric guitar work and David Nagler's acoustic guitar work," says Celeste Corsano.

Rather than fighting for the last word, 'Space' invites us to leave room for listening and change, viewing vulnerability as a catalyst for deeper relationships. Corsano posits that a gentle approach carries more weight than force, much like a feather outlasting a heavy hand. By letting go of the need to "win," we create a sanctuary for understanding to grow and for the subtle, internal forces of love to take hold.

"I'm a person who may argue a point, but also reserve the right to  change my mind mid-debate or after a time and say 'hey you're right' or 'I agree with your outlook.' I dislike having an argument based on the outcome of who will be right... "There in the space where no one wins"...where we can find a common ground and move forward...so much more productive.  Take your 'self', your pride, fear, or fear of being wrong out of the argument and we learn so much more about who we are and the other person too and the world.  In the space that seems 'empty or non profitable' can be the most useful," says Corsano.

"Visual art often uses negative space and it can be the most impactful within its' composition.  Also in the Tao Te Ching, Chapter 23, "The Uses of Not' speaks on 'uselessness' or emptiness; "Hollowed-out clay makes a pot.  Where the pot is not is where it is useful". It speaks about the aspects of nothingness, in a pot and says the most useful part of it isn't the sides or the handle etc., but the empty space.... In science, space is thought to be empty or an entity if you read about it."

Based in Milford, Pennsylvania (on the border with New Jersey), Corsano's compositions merge introspective writing with audacious arrangements, employing complex rhythmic structures and a vast emotional spectrum that ranges from ethereal contemplation to unbridled energy. Evoking comparisons to such artists as Kate Bush, Tori Amos, Lene Lovich and Julia Holter, her unique persona shines brightly, establishing Corsano as an artist whose intensity and distinctive timbre are truly mesmerizing.

Corsano blazed through 2025 with a string of diverse singles, the latest being 'Shellfish'. Following her initial offerings 'Nightbird' and 'Sunlight Gazing', her singles 'Stuck' and 'XS' were accompanied by animated videos, created by Brother JT. Her fearless storytelling achieves a deeper, more candid truth through the natural application of asymmetric meters and vocal coloring. With disarming sincerity and vulnerability, her messages also resonate with a collective human experience.

Celeste's artistry is inspired by her brothers - percussionist Chris Corsano and Latin roots musician Tony Corsano. Starting off in NYC's music scene, she was inspired by punk, new wave, poetry and art, not to mention countless studio sessions with ex-husband Brad Morrison (producer and Absolute A-Go-Go Records founder), working with the likes of Phish, the Figgs and Spiral Jetty. Initially performing Celtic and Bluegrass, she eventually began writing music rooted in the alternative music scene.

As of January 15th, 'Space' is available from fine online music platforms, including SpotifyApple Music and Bandcamp, where all releases from her blossoming discography can also be found. 

CREDITS
Written by Celeste Corsano
Celeste Corsano – vocals & piano
David Nagler – bass, acoustic guitar & synthesizers
James Mastro – electric guitar
Ray Ketchem – drums & synthesizers
Produced by Ray Ketchem
Recorded, mixed & mastered by Ray Ketchem at Magic Door Recording, Montclair, NJ
Cover artwork by Chris Corsano
Released by Magic Door Record Label
'Stuck' & 'XS' video production & concept by Brother JT
Publicity by Shameless Promotion PR


Keep up with Celeste Corsano
Facebook | Bandcamp | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Magic Door Record Label
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Portland's RAYON captures anxiety's frantic pulse on new 'Running' single & Citroen-laced video

Portland alt-rock / post-punk outfit Rayon present their latest single 'Running', a propulsive exploration of the anxiety that comes with watching loved ones struggle with cycles of addiction that they can't shake - and the sound of a tape echo that's about to stop working. Intentionally preserving the noise of pausing, rewinding, and fast-forwarding to heighten the song’s frantic pace, its sound can be considered a study in tension and tape, the video conveying a sense of lo-fi capers involving a Citroen Wagon.

Found on the flip side of the single 'Shopping / Running' (also available on 7" vinyl via Little Cloud Records), 'Running' is perhaps even more stunning than the whacky A-side 'Shopping', a tongue-in-cheek ode to consumerism and travel, written by someone who happens to travel and consume a bit.

Founded by long-time North Portland resident and Detroit-area native Eric Sabatino, Rayon now also involves members of other notable Portland bands - Sun Atoms, Yuvees, Pastilla and Martha Stax - namely Anna Sabatino, Riley McLaughlin, Eric Rubalcava and Derek Longoria-Gomez.

'Running' is based on a relentless bass and drum groove that lived in Sabatino's head for months before finally taking shape in the studio. To capture the song’s unsettled emotional landscape, the band leaned into the mechanical unpredictability of a dying Dynacord tape echo. By funneling guitars and vocals through the aging machine, they achieved a haunting, warped soundscape where the pitch and speed constantly bend and shift. Feeling as though it is physically straining under its own weight, this song mirrors the very themes of instability it describes.

"'Running' was built around a bass and drum groove I was kicking around in my head for months. The guitars and vocals are the sound of a tape echo called "dynacord" that's barely working, bending and moving the speed and pitch of everything we run through it. Those parts wouldn't have come out like that if I wasn't trying to write a guitar part while plugged into that machine." says Eric Sabatino.

The video for 'Running' offers a gritty, nostalgic look at the band’s world, captured entirely on a vintage Handycam, following the band in their meticulously restored Citroen wagon. Embracing the track's jerky energy, their journey concludes with a grainy, evocative sequence of freeway signs leading into Seattle—a slow-burn outro that grounds the video’s high-energy antics in a sense of place and movement.

"The video was shot on an old handycam camcorder we found in the back of a closet. The battery miraculously held a charge. It came with a tape of someone's school play, which we taped over (sorry to whoever's family that was). It features the Citroen wagon from the 'Shopping' video. I worked on that car for months. So glad it didn't break down during these two long video shoots," says Eric Sabatino.

"We drove around all day picking everyone up at their home, work, local bar, favorite little shop, and went to band practice. We filmed the antics and capers along the way. Sometimes we let friends and strangers hold the camera and film us. I transferred and edited it over 2 late nights, trying to capture as much pause, rewind, and fast-forward noise as I could, timing the cuts to capture the jerky energy of the song. I love the outro and the slow noisy shots of the freeway signs leading to Seattle."

In contrast, the video for 'Shopping' - filmed with their awesomely nostalgic Super 8 video - was born of near-burnout and a revitalizing trip south of the border, showcasing antics in several grocery stores there before eventually being kicked out.

Sabatino broke tradition with this release, deciding to mix the album together with famed recording engineer Larry Crane (Cat Power, Sleater-Kinney, The Decemberists, The Go-Betweens, Elliott Smith, Death Cab for Cutie) at Jackpot Recording and Timothy Stollenwerk (Yo La Tengo, Grouper, Morphine) at Stereophonic Mastering.

The 'Shopping / Running' single is out now, available both digitally and as a limited pressing of 150 blue transparent 7" record and 150 black 7" vinyl. It can be ordered in all formats via Bandcamp, with this snazzy vinyl also available via Little Cloud Records. This is the first in an exciting new series of similar records in the works for Rayon.


CREDITS
All songs written by Eric Sabatino
Recorded by Eric Sabatino in Rayon's garage on 16-track tape
Mixed by Eric Sabatino & Larry Crane at Jackpot! Recording
Mastered by Timothy Stollenwerk at Stereophonic Mastering
Eric Sabatino - guitar, bass & vocals
Eric Rubalcava - drums
Riley McLaughlin - guitar
Anna Sabatino - keys & vocals
Cover photo & layout by Eric Sabatino (photo of lamp lady shot on an Argus C3 with Cinestill 800t)
'Shopping' video shot on film (Super 8 Camera) & edited by Jeff Tuyay
'Running' video filmed on Hi8 handycam by Rayon & friends & edited by Rayon
Publicity by Shameless Promotion PR


Keep up with Rayon
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Mumbai's GUTSLIT Double Down on Brutality with “I, Berzerker”

Mumbai, India extreme metal force GUTSLIT return with their blistering new single “I, Berzerker”, marking the band’s first release since 2023’s Carnal and the beginning of a new chapter in their relentless evolution. Released independently, the track showcases a sharpened, ferocious sound that reaffirms GUTSLIT’s position as one of the most uncompromising bands in modern death metal.

“I, Berzerker” is a raw declaration of intent. Written as a defiant response to the notion of mellowing with age, the song captures GUTSLIT at their most primal and focused. Blistering riff work, punishing rhythms, and guttural vocals collide in a tightly constructed assault that balances precision with unrestrained aggression.

The track draws inspiration from the myth of the Berzerker, the warrior consumed by battle rage, and reinterprets it as a metaphor for creative freedom. Lyrically, the song explores instinct, release, and total immersion in the act of creation. Violence and fury become symbols of purpose, expression, and identity.

“I, Berzerker” also marks an important turning point for the band. Now operating as a five piece, GUTSLIT feature the dual guitar lineup of Ishwar Hariharan and Aditya Swaminathan, bringing a renewed melodic edge and dynamic interplay to the band’s signature brutality. The core foundation remains as vicious as ever, with Aditya Barve on vocals, Gurdip Singh Narang on bass, and Aaron Pinto on drums driving the chaos forward.

Produced by GUTSLIT, the single was recorded across Gray Spark Studio for drums and Altar Studio for guitars and bass. Engineering was handled by Saurabh Lodha, with vocals engineered by Ashwin Shriyan. Mixing and mastering were completed by Mendel Bij de Liej of EX-ABORTED, delivering a crushing yet refined sonic impact. The single artwork was created by drummer Aaron Pinto, under his visual alias Kidsquidy.

Listen Below:

About GUTSLIT:

Formed in Mumbai, India in 2007, GUTSLIT are one of the country’s most formidable extreme metal exports. With a history spanning nearly two decades, the band blend brutal death metal and grindcore with elements of thrash and punk, delivering a sound defined by precision, intensity, and relentless aggression. GUTSLIT have toured and performed across 25 countries worldwide, appearing at major festivals including Obscene Extreme, Brutal Assault, PartySan, Summer Breeze, and Deathfeast Open Air, and sharing stages with bands such as DYING FETUS, NILE, BENIGHTED, and ABORTED. Known for their ferocious live performances and global ambition, GUTSLIT continue to push modern death metal forward without compromise.

GUTSLIT is: 

Aditya Barve, Vocals
Gurdip Singh Narang, Bass
Aaron Pinto, Drums
Aditya Swaminathan, Guitar
Ishwar Hariharan, Guitar

Connect with GUTSLIT:

Official Website: www.gutslit.com
Bandcamp: https://gutslit.bandcamp.com
Facebook: https://www.facebook.com/gutslit
Instagram: https://www.instagram.com/gutslit
Twitter/X: https://x.com/Gutslitofficial
YouTube: https://www.youtube.com/channel/UCqCf4jTmO1FqgASkLXhOHgw
Spotify: https://open.spotify.com/artist/1vzb2P3Z1rrXCNXGtWyFkM
Apple Music: https://music.apple.com/in/artist/gutslit/696846610

METAL ALLEGIANCE (Alice In Chains, Testament and Dream Theater Members) Unveils Apocalyptic New Single, "Black Horizon"

Trailblazing metal collective METAL ALLEGIANCE has returned with their brooding new single, “Black Horizon”. Their first release of original music since 2018, the song features roaring opening riffs from guitarist Alex Skolnick (TESTAMENT) and vocalist William DuVall’s (ALICE IN CHAINS) ominous howls, painting an apocalyptic scene. Mark Menghi (KING ULTRAMEGA) on bass and Mike Portnoy (DREAM THEATER) on drums keep the dread looming low in the sky, ready to explode with ferocity at any moment. Systems fail, shadows fall, and the doomed cry for salvation in this desolate world. Gloomy, minimalistic verses bookend thunderous choruses, chronicling a desperate flight for survival.

Watch the video Below:

Listen: https://metalallegiance.rpm.link/blackhorizonPR

Produced by Mark Menghi.

About METAL ALLEGIANCE:
Beginning as a celebration of the metal genre, METAL ALLEGIANCE has forged a legacy all their own while collaborating with metal's most revered trailblazers. Formed by Mark Menghi (KING ULTRAMEGA) and comprised of core members David Ellefson (ex-MEGADETH), Mark Menghi (KING ULTRAMEGA), Alex Skolnick (TESTAMENT), and Mike Portnoy (DREAM THEATER), METAL ALLEGIANCE has released 2 albums of original music and an EP, and regularly performs live with fellow metal titans. The illustrious supergroup proves that legends never die, and can even reinvent themselves. Having recently signed to Reigning Phoenix Music (RPM), METAL ALLEGIANCE continues to carve new paths and make their mark on the modern metal scene.

METAL ALLEGIANCE lineup:
Alex Skolnick - Guitar
Mark Menghi - Bass
Mike Portnoy - Drums
William DuVall - Vocals
Josh Wilbur - Mixing, Mastering on “Black Horizon”

https://www.metalallegiance.com/
https://www.instagram.com/metalallegiance/
https://www.facebook.com/metalallegiancemusic

UK Death Metal Outfit UNBURIER Present “Abyssal Uncertainty” From As Time Awaits

UNBURIER share “Abyssal Uncertainty,” a defining track from their upcoming EP As Time Awaits. The song represents the band at their most focused and expansive, combining technical ferocity with a darker, more introspective narrative edge.

Beginning with a surge of torrential, arpeggiated dissonance, “Abyssal Uncertainty” immediately establishes its intensity before dropping into rapid, NECROPHAGIST-inspired riffing. Frantic guitars and exacting drumming are bound together by a restless fretless bass, weaving between voices and acting as the connective tissue that gives the chaos clarity. Despite frequent shifts in meter and tempo, the track maintains a consistent feel and raw momentum, reinforcing its oppressive atmosphere.

The song features the standout solo of As Time Awaits, using sheer brutality as propulsion before breaking into a soaring, expressive passage. The contrast highlights both technical command and a playful virtuosity, evoking the confidence of a guitarist operating at full creative freedom.

Lyrically, “Abyssal Uncertainty” is the most ambitious piece on the EP. Drawing influence from existential and cosmic literature, with nods to Albert Camus and H. P. Lovecraft, the track follows a trapped labourer’s descent into madness as he confronts the absurdity of his life and death. The narrative reflects the experience of anyone forced to surrender their nature in service of another’s greed, and the longing for a world where life can be lived on one’s own terms.

The songwriting is concise and deliberate. Every instrument occupies its intended space, supported by production that is polished without excess. Performances are tight, honest, and fully locked in, underscoring the band’s commitment to precision without sacrificing edge.

About UNBURIER:
Hailing from the south of England, UNBURIER stormed onto the death metal scene in the summer of 2022 with their debut EP Twisted Existence. The EP showcased the band's undeniable technical abilities, in addition to their raw and harrowing sound. In 2024, UNBURIER returned with their follow-up EP, Nebulous, on which the band refined their songwriting and technical prowess. On this release, the band ventured even deeper into the realms of their death metal influences, among which they count DEATH, NECROPHAGIST, and REVOCATION.

Having conquered stages alongside the likes of SANGUISUGABOGG, CRYPTA, and PARTY CANNON, as well as making notable appearances at Bloodstock Open Air and Incineration Festival, UNBURIER continues to carve a path alongside giants of the death metal genre. Their upcoming third EP, As Time Awaits, sees UNBURIER blending old- and new-school death metal styles with technicality, hooks, and razor-sharp songwriting. Carrying the torch of the classic death metal sound into a new age, As Time Awaits is certain to enthrall longtime fans of the genre.
 

UNBURIER lineup:
Ben Champion - Vocals/Guitar
Blake Hibberd - Guitar/Vocals
Stan Mitchell - Bass
Kim Hughes - Drums

Night Laser Release New Single + Video "Thin Ice" — WATCH // On Tour

Hamburg's No. 1 sleaze rockers Night Laser released a visualizer today for the new single "Thin Ice." The song is a bonus track on the digipak version of their current studio album Call Me What You Want

 

 "'Thin Ice' is your personal stage performance take away menu for your home, car, shower….just anywhere," the band says. "This song, which has proved to be a banger for live shows, deserves to get a new spin in a new coat. Anytime, anywhere! 'Thin Ice' is old-school Night Laser, but in a fresh suit!"


Listen to the song Below.

Call Me What You Want was released on May 24, 2024 worldwide through Steamhammer as CD digipak, LP version, download, and stream HERE.

Post-Rock Trio Jagged City Share "Ocean East, Ocean West" Video

Post-rock band Jagged City, featuring Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky) have unveiled their new single "Ocean East, Ocean West." This is the second single taken from their debut EP, There Are More of UsAlways, to be released on January 30 via Pelagic Records.

Watch the visualizer Below.

Stream HERE.

There Are More of Us, Always is a bold collection that moves between spacious, melodic guitar passages and raucous, swelling climbs. With heartfelt, melodious songwriting, a diverse range of eclectic touches buried within, and eruptions of dense, layered sound, this record delivers wonderfully balanced compositions through raw and personal production.

The project began as a cross-continental art experiment between Woodruff and Torres. What started as a simple exchange of ideas quickly found real shape through collaborative composition and thoughtful arrangement. Early sessions with David Haik helped refine the song structures and drum frameworks, setting the groundwork for what would become Jagged City's striking debut.

"We wrote with pure instinct, just tried to add something new to a genre that we love. As we traded ideas, we took some left turns and incorporated elements that may be unexpected," commented Woodruff.

When it came time to record, scheduling issues led to an inspired change of plans. Urian Hackney joined the project both behind the kit and behind the board, engineering and performing the drum parts that propel the record. In two intense days at The Box studio in Burlington, Vermont, Jake and Urian captured the core of the album with an immediacy and urgency that remain audible in every take. 

Carlos recorded bass in Los Angeles alongside longtime musical colleague Michael James (Explosions In The Sky), while Jake added further guitar textures from his home studio, creating layers that thread the compositions together.

This debut is both a statement of intent and an open invitation: Jagged City offer music that rewards close listening and communal experience—an instrumental journey shaped by collaboration and a fierce commitment to feeling. While still post-rock, There Are More of Us, Always utilizes a diverse range of influence, giving a freshness to each uniquely realized track.

"This record is a product of collaboration and love and creativity - we hope it inspires people to be connected and think collaboratively and creatively together. That's the only way forward," concludes Woodruff.

JAGGED CITY ARE: 
Jake Woodruff — guitar
Carlos Torres — bass
Urian Hackney — drums & production
Featuring Takaakira Goto as guest guitarist on "Deluge in a Paper Cup"

The Intemperate Sons Release Cover of Julien-K's "Photo Voltaire" with Music Video via Frame|Work

The Intemperate Sons open 2026 with a powerful cross-genre collaboration, releasing their cover of Julien-K’s “Photo Voltaire”. The track mixes the band’s signature alternative hard-rock foundation with the dark, synth-driven atmosphere of the original, creating a fresh reinterpretation that highlights the strengths of both groups. The release features a special appearance by Julien-K’s Amir Derakh, whose production sensibilities and guitar work have long been central to the band’s influential sound.

 

Stream/Download "Photo Voltaire":

https://onerpm.link/137212555518

https://linktr.ee/theintemperatesons


The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicidein Long Beach, CA. 

 

The music video was shot at Hurricane Alley Live in Bossier City, LA.  It was edited by Keith Watson and shot by Daniel Dooley.  

WATCH "Photo Voltaire" - A Julien K Cover by The Intemperate Sons:

In the sweltering Dallas summer of 2019, before the onset of a global pandemic, The Intemperate Sons were born from blood, grit, and a shared obsession with the ghosts of alternative rock’s golden age. The Watson family—Keith on drums, Jake on guitars, and Max on vocals, guitars, and keys—joined forces with longtime friend and bassist Mark Marks to create a sound that’s equal parts searing riffs, haunting harmonies, and unapologetic soul. Think Alice in Chains’ brooding intensity, Stone Temple Pilots’ swagger, and R.E.M.’s poetic undercurrent, all filtered through a ‘70s rock haze that refuses to play it safe.

This isn’t just a band; it’s a family affair, where the unspoken bond between father and sons fuels every chord and lyric. Keith, a Dallas stage veteran, pens lyrics that cut deep—tales of regret, resilience, and the chaos of the human condition. Jake’s guitar lines, sharp yet soulful, weave narratives of their own, while Max’s voice carries the weight of a 25-year-old who’s lived a lifetime in his head. Mark, the groove-obsessed bassist, ties it all together.

The Intemperate Sons hit the ground running, catching the ear of rock heavyweights Ryan Shuck and Amir Derakh (Orgy, Dead By Sunrise, Julien-K), who signed them to their Frame|Work label in 2021. Even a global pandemic couldn’t derail their momentum—holed up in The Kitchen Recording Studios, they crafted their debut album, The Color Within (2022), with tracks like “Dust to Dust” and “Running Man”that pulse with raw emotion and retro grit. Collaborations with legends like Tony Franklin (Whitesnake, The Firm) on singles like “Running Man” and “Dust to Dust” and Derakh’s production on singles like “Game of Keep Away” and “Dark Day’s Night” featured on their second and highly successful album, Dark Day’s Night (2024) pushed their sound further, blending post-grunge edge with folk and hard rock undercurrents.

For fans of alternative rock, this band is a throwback and a revelation—a reminder of why you fell in love with the genre’s raw honesty and a promise that its spirit still burns. The Intemperate Sons aren’t chasing trends; they’re carving their own path, one riff, one lyric, one night at a time.performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style which has a retro vibe with many guitar driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate on a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots, and even R.E.M.

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

 

The Intemperate Sons Show Dates:

 

Friday MAY 15 @ Whisky A Go Go in West Hollywood, CA w/ Gene Loves Gezebel, Vanta After Dark

For More Information Please Visit:

The Intemperate Sons

Official Website

Facebook

Instagram

TikTok

YouTube

Spotify

Merch Store

 

FRAME|WORK

FRAME|WORK Website

FRAME|WORK Instagram

Capsize Share "Under a Hollow Sky" Lyric Video

In late 2025, Capsize announced their return with "The Fracture," their first release since signing to Roux & Ruin Records

The band drops another new track — this time with "Under a Hollow Sky." Watch the lyric video below.

"With the release of this new single, we're opening another window into what we've been building without revealing the full picture just yet," says singer Daniel Wand. "Cody Stewart (Falling In Reverse, nothing, nowhere) helped bring the production to the finish line on this one, and we're excited about where things are quietly headed."

After several years of sporadic single drops, Capsize fans can look forward to a new physical release, on deck for 2026, with more details to be revealed shortly. The next release will be the band's first since A Reintroduction: The Essence Of All That Surrounds Me, which arrived in 2016 via Equal Vision Records.

There is even more to come from Capsize.

ZP Theart (ex-DragonForce, ex-Skid Row) Has An Anniversary Gift for Fans

Iconic metal vocalist ZP Theart has officially released a special 20th anniversary cover of the power metal anthem "Through the Fire and Flames." Watch it below.

Commemorating two decades to the day since the release of the original recording, Theart describes the release as a heartfelt gift to the fans who have supported his journey since the 2000s.

For this project, Theart entrusted producer and multi-instrumentalist Syndrone with a full sonic overhaul. Syndrone provided the revamped core instrumentation, setting the stage for a masterclass in modern guitar. In a nod to the song's legendary difficulty, rising guitar stars Sophie Burrell and Bradley Hall deliver jaw- dropping guest solos, weaving their own technical fury into the song's framework.

"This song changed so many lives, along with my own, and I thought it was time to give it a proper re-visit," says Theart. "Working with Syndrone to modernize the sound while having Sophie and Bradley add their incredible styles was the perfect way to celebrate this 20 year milestone."

He continues, "Revisiting this song after twenty years is about honoring the incredible energy the fans have kept alive since the very beginning. I wanted to stay true to that spirit while also pushing the sound forward. Working with Syndrone, Sophie, and Bradley brought that same intensity, but with a new perspective for what comes next."

The anniversary single is available now on all major streaming platforms.

For more information, visit here.

BLACK SEA OF TREES Announce New Single "Visions of A Crimson Moon".

Melbourne-based progressive metal band BLACK SEA OF TREES have revealed their new single "Visions of a Crimson Moon".

"Visions of a Crimson Moon" occupies a central position within this narrative. The song marks the first moment of uncertainty for the protagonist. A prophetic dream reveals a cosmic serpent and visions of a kingdom exposed under crimson moonlight. The landscape is shown as barren and built on destruction, with temples of bone beneath a sky dominated by a black hole. The vision introduces doubt that continues to shape the remainder of the album.

Musically, the track unfolds as a long-form progression defined by shifting dynamics and tonal contrast. Structured passages dissolve into atmospheric meditation before reforming into heavy, technical climaxes. Rolling percussion, layered guitars, and cyclical lead motifs establish a sense of motion and inevitability. A recurring note-bending guitar phrase introduces a circular, gravitational feel that becomes a key motif later in the album.

About BLACK SEA OF TREES:
Based out of Melbourne and Victoria in Australia, the progressive metal ensemble composes their music around the narrative of their releases. BLACK SEA OF TREES formed in 2018. The debut album, The Spiritual Beast, materialized in the spring of 2023. The band's forthcoming sophomore full-length is an exploration of spirituality, folklore and philosophy, with death metal, folk and ambient elements incorporated into the soundscapes. "A Red Dawn" marks the beginning of this next chapter for BLACK SEA OF TREES, introducing this next album's concept: the protagonist is chosen by god to overthrow an old kingdom in a spiritual revolution. It's a narrative that is heavily influenced by the Ancient Egyptian Pharaoh, Akhenaten and his life’s journey.

BLACK SEA OF TREES bring to life their themes and concepts through dark atmospheric tones, strong full voiced melodies, falsetto and deep growls. With songs ranging from intense 8-minute long walls of sound to 3-minute atmospheric/acoustic passages, BLACK SEA OF TREES draw inspiration from the likes of OPETH, KATATONIA, CULT OF LUNA, RUSSIAN CIRCLES, and KARNIVOOL. A wide array of styles is entwined into the outfit's distinctive and compelling sound. 

BLACK SEA OF TREES is:
Samuel Exton - Vocals/Guitar
Jan Schotting - Drums
Francesco Adami - Bass
Chris Schwinghamer - Lead Guitar

Connect with BLACK SEA OF TREES:
Bandcamp: https://blackseaoftreesofficial.bandcamp.com/
Instagram: https://www.instagram.com/blackseaoftrees
YouTube: https://www.youtube.com/channel/UC24GQ_gVO_PPBR5TJqmdZpQ
Spotify: https://open.spotify.com/artist/3zogtBHiOCIaGsOfy7y6oS
Apple Music: https://music.apple.com/au/artist/black-sea-of-trees/946433249

Out Now From Redivider - Sounds Of Malice

REDIVIDER, a death metal band from Louisville, Kentucky, presents their debut full-length album Sounds of Malice, a concentrated expression of aggression, narrative depth, and old school brutality fused with modern execution. Formed in early 2021 by Jacob Spencer and Paul Nunavath, REDIVIDER was built with a singular intent: to write crushing death metal rooted in the atmosphere of the 1990s Florida scene while expanding on those foundations with contemporary precision and weight. Joined by Jake Atha and Alexander Farrington, the band forged their identity through live performance and focused songwriting, culminating in an album that reflects both their influences and their evolution.

Sounds of Malice opens with "Quartered and Devoured", a violent and immediate introduction to the record. The track pulls from Dungeons & Dragons mythology, portraying a ritualistic execution of a savage race by divine decree. The music is relentless and hook-laden, prioritizing tension, groove, and a sense of fury that refuses to let up. This track was chosen to lead the album for its visceral energy and capacity to immediately strike the listener.

The title track "Sounds of Malice" follows, drawing from a character created by Spencer for a campaign he never got to play. Told from the perspective of an evil wizard addicted to a substance called Liquid Pain, the song balances morbid fantasy with deeply structured guitar work. The dual solos from Nunavath are a highlight, combining melodic phrasing with unhinged dissonance. It is both personal and grotesque, a reflection of the band’s creative range.

"Shackled to Existence" is the album’s longest and most introspective piece. Originating from an idea by original drummer Tyler Lewis, it deals with the inevitability of death and the emptiness of existence. The track journeys through dynamic shifts, intricate harmonies, and a guitar solo that mirrors the emotional despair embedded in the lyrics. It showcases the band's ability to slow the pace without sacrificing impact.

In "Apocalyptic Waste", REDIVIDER offers their take on global ruin, inspired by the Book of Elder Evils from D&D lore. The song is structured to depict an unfolding disaster, beginning with chaos and closing in desolation. The drumming and riffing here lean into the modern death metal playbook while staying grounded in groove, reflecting both destruction and aftermath.

"Fratricide" continues the mythological thread, drawing inspiration from the Elder Scrolls universe. It recounts a cosmic battle between divine brothers over a goddess, resulting in the violent birth of existence itself. The music reflects that chaos through shifting rhythms and dissonant layers while still delivering heavy, crushing sections that ground the narrative in sonic weight.

"Bask in the Rot" moves into monster territory, a tribute to the Gelatinous Cube reimagined as a sentient mass of sewage and death. The band wrote the instrumental parts around Spencer’s vocal rhythm, resulting in a track that drags and smothers, matching the grotesque nature of the subject matter. Influenced by "Where the Slime Lives", it is slow, grinding, and impossible to ignore.

The album concludes with "Left to Rot", a hymn of devotion from the undead to Orcus, Lord of the Undead. One of the earliest songs written by the band, it encapsulates the themes present throughout the record. The arrangement grows from a heavy groove into a dramatic finale that resolves the tension built across the album. It is an appropriate end for a record that began with violent resistance to the gods and closes with a prayer for apocalyptic release.

Recorded at Round Table Recording Company and Michael Kent O’Bryan Studio, mixed by guitarist Paul Nunavath and mastered by Dan Swano at Unisound, Sounds of Malice captures REDIVIDER's live energy and commitment to authentic performance. The band wrote these songs with the stage in mind, crafting moments of impact, tension, and catharsis. Every song exists to be felt physically, with riffs meant to be remembered and choruses meant to incite chaos.

Though Sounds of Malice does not follow a strict concept, its cohesion comes from atmosphere and intention. From the first note to the last, REDIVIDER seeks to overwhelm the listener with stories of death, decay, addiction, ritual, and myth. The band channels their influences, from CANNIBAL CORPSE and MORBID ANGEL to DEATH and GORGUTS, not as a template, but as a foundation to build upon. This album is not a tribute. It is a statement of purpose. REDIVIDER has crafted a debut that is punishing, articulate, and unflinchingly true to the spirit of death metal.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)


Connect with REDIVIDER:

NECRONOMICON EX MORTIS Return With “Left To Die,” A Gore-Soaked Death Metal Stomp

Death metal maniacs NECRONOMICON EX MORTIS are back in full blood-drenched form with their new single, “Left To Die,” a crushing mid-tempo bruiser taken from the forth coming EP Zombie Blood Nightmare, arriving February 20, 2026.

“Left To Die” is a straight-ahead stomp fest rooted in classic 1990s death metal, drawing clear influence from the pit-driving grooves of OBITUARY. Built on thick riffs and head-crushing momentum, the track culminates in a ripping end-of-song guitar solo from former MEGADETH shredder Jeff Young, adding a sharp flash of old-school virtuosity to the carnage.

Lyrically, “Left To Die” keeps things simple and gloriously vile. The song tells the story of being abandoned in a gore pit, surrounded by blood and guts and facing an inevitable end. No metaphors and no apologies. Blood and guts are fun.

NECRONOMICON EX MORTIS return with a fiery vengeance on Zombie Blood Nightmare, a new EP that finds the band at their most unhinged. Across six blood-soaked songs, the band pushes hard to recapture the glory days of 1990s death metal, blending horror, violence, and undead absurdity into a relentless riff-driven assault. This is NEM fully committed to terror, stupidity, and the raw spirit of the genre.

“Left To Die” serves as a blunt and bloody introduction to what Zombie Blood Nightmare delivers in full. Heavy, grotesque, and unapologetic.

Mayhem Drop "Life Is a Corpse You Drag" Video

Mayhem, the defining pioneers of black metal return with their seventh studio album, Liturgy of Death.

With this release, Mayhem further solidify their standing as one of the most unyielding forces in extreme music. Now more than four decades into their career, they turn their focus toward the unavoidable presence of mortality.

Liturgy of Death explores the philosophy of mortality with stark, uncompromising clarity. The album presents death not as an ending, but as a universal law that touches all life and exposes the fragility of human existence. This impermanence becomes a call to live with full intensity, for every gain and loss ultimately falls back into the same silence. Echoing ancient philosophies, the album portrays life as a transitional state and death as a gateway to a higher form of being, while the solemn, dark beauty of death permeates the entire work.

Stream new single "Life Is a Corpse You Drag" HERE.

Mayhem's Attila comments on the new track, "'Life Is a Corpse You Drag' is not a slogan, but a ritual and a realization. It names an ancient law: Consciousness as burden, the body as vessel, faith as a seal on a grave already closed. There is no comfort in this recognition but there is release. If we have been dead all along, there is nothing left to lose. What remains is pure energy: Movement without fear, presence without compromise, a victorious march into the final destruction."

Pre-order Liturgy of Death HERE.

With Necrobutcher, Hellhammer, Attila, Morten Bergeton Iversen, and Ghul locked into a unit tighter than ever, Liturgy of Death celebrates Mayhem's own legacy, a continuation of the raw and uncompromising sound that defined their beginnings. The result is a merciless record — dark, fast, and unrelenting — that captures the band in their most dangerous and vital form. 41 years since their formation in Langhus, Mayhem remain a defining force in Norwegian black metal, continuing to shape the sound they helped create.

MAYHEM LINEUP:
Attila — Vocals
Ghul — Guitar
Hellhammer — Drums
Necrobutcher — Bass
Morten Bergeton Iversen — Guitar

Status Quo's Francis Rossi Shares Double Single "Push Comes To Shove + November Again"

Francis Rossi kicks off 2026 in emphatic style with two brand-new songs, released as a digital double single and taken from his long-awaited new studio album The Accidental, out January 30.

"Push Comes To Shove" bursts with energy, grit and Rossi's unmistakable guitar sound, while "November Again" turns a melancholy refrain into a soaring, catchy chorus. Both tracks capture the founding Status Quo frontman in full flow: Confident, energized, and recalling the sound that made him a cornerstone of British rock.

The Accidental was born from spontaneous studio sessions with guitarist Hiran Ilangantilike and co-producer Andy Brook, resulting in a vibrant album that sounds immediate, alive and free of expectations.

Together, with the previously released tracks "Something In The Air (Stormy Weather)" and "Go Man Go," the new songs "Push Comes To Shove" and "November Again" set the tone for what promises to be one of Francis Rossi's most exciting solo releases to date.

The Accidental finds Francis Rossi once more at the top of his game, delivering a searing yet thoughtful collection of rockers that will please anyone who likes their heavy cut with melody and verve.

Listen to the "Push Comes To Shove" + November Again" Below.

Pre-Order The Accidental HERE.

"For anyone who liked any of my solo albums previously," says Francis Rossi, "… well, I've no idea what you'll make of this one because it's a real departure, but I love it. It's loud, the guitars are right to the fore, and there are some great songs there."