REDIVIDER Unleashes First Single "Sounds Of Malice"

REDIVIDER, the Louisville-based death metal band known for their blend of old school brutality and modern aggression, has released their debut single “Sounds of Malice” today on all streaming platforms. The track is the first offering from their forthcoming full-length album Sounds of Malice, which will be released on January 9, 2026 through Third House Communications.

“Sounds of Malice” introduces listeners to REDIVIDER’s punishing sound and fantasy-driven lyrical style. The song tells the story of a deranged wizard addicted to Liquid Pain, a dark substance harvested from human suffering. Vocalist Jacob Spencer’s delivery is both guttural and deliberate, carried by twisting guitar riffs, time signature shifts, and melodic dissonance.

The full-length album Sounds of Malice will feature seven tracks written with live performance in mind, each exploring themes of death, ritual, and myth. Recorded between Round Table Recording Company and Michael Kent O’Bryan Studio, the album was engineered by Michael Kent O’Bryan and Brian “Bone” Thorburn, mixed by Paul Nunavath, and mastered by Dan Swano at Unisound. The result is a record that captures REDIVIDER’s intense live presence while delivering clarity and depth.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:
 

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)


Connect with REDIVIDER:
 

ICE NINE KILLS Unleash Dark Homage to Batman ‘89, “The Laugh Track”

Ice Nine Kills invite you to “dance with the devil in the pale moonlight” with “The Laugh Track,” their riotous homage to Gotham City’s Clown Prince of Crime. The new song and cinematic music video riffs on the Joker, particularly as portrayed by Jack Nicholson in Tim Burton’s gothic Batman. 

“The Laugh Track” music video welcomes Matthew Lillard (Scream, Five Nights at Freddy’s, SLC Punk) and Phil Morris(Seinfeld, Smallville, Doom Patrol) to the INKverse, alongside returning collaborator Terry Kiser (Weekend at Bernie’s, Friday the 13th Part VII: The New Blood, Weekend at Bernie’s II). 

Stream “The Laugh Track" HERE and watch the brand new entry into the INK cinematic canon Below.

Ice Nine Kills frontman Spencer Charnas spills:  

"Why be a brooding bat when you can have the last laugh? After all, Jack Nicholson got top billing in Batman '89. While Michael Keaton's haunted Bruce Wayne is outstanding, young Spencer was drawn more to the Clown Prince of Crime. 'The Laugh Track' is our homage to Tim Burton's dark and gorgeous gothic Gotham. Batman '89 took its comic book material seriously, but it was far from grounded, and never forgot to have fun. It's the same tightrope we walk in Ice Nine Kills, with broad, maniacal smiles. 

“Terry Kiser returns in the video (although the rumors of Miles' demise are exaggerated). And it brings a warm human smile to my face to introduce Matthew Lillard and Phil Morris to the INKverse. Like Prince before us, 'The Laugh Track' will have you dancing with the devil in the pale moonlight."

"The Laugh Track" captures the dark theatricality, gothic ambiance, and twisted humor that made Burton's Batman a masterpiece, delivered through Ice Nine Kills' distinctive mix of intense yet melodic metal and cinematic storytelling. The track follows Billboard Hot Hard Rock Songs hit "The Great Unknown” (inspired by The Matrix) and the record-breaking "A Work of Art" from the highest-grossing unrated film ever, Terrifier 3.

Lillard crashed the Ice Nine Kills panel at this year’s Silver Scream Con to announce his entry into the INKverse. He and Spencer also revealed details about their Horrorwood Reserve collaboration, a blood colored bourbon issued in detailed collector bottles by Lillard’s Macabre Spirits.

Silver Scream Con 4 brought nearly 13,000 horror and music fans to the DCU in Worcester. Ice Nine Kills' headlining concert included guest appearances from WWE superstar Rhea Ripley and The Walking Deaddirector/producer Greg Nicotero, among others.

Horrorwood Reserve whiskey is a toast to the horror fandom that fuels both Macabre Spirits and Ice Nine Kills.Made from Bloody Butcher corn and aged five years in new American white oak, the whiskey delivers a slightly dry, nutty profile with notes of cinnamon, leather, and spice. Horrorwood Reserve boxed sets are available in two collectible, limited-edition sets: Golden Age and Silver Scream. Both sets contain a killer bottle designed by Michael Cortada of Ice Nine Kills, featuring a sleek-as-ice glass topper, along with a selection of celebrity cocktail recipe cards from Charnas and Lillard, and an epic lineup of horror icons. Horrorwood Reserve launches to the public today in very limited quantities. Head to HorrorwoodReserve.comfor more information. 

“Horrorwood Reserve is the liquid soundtrack to your favorite slasher flick,” says Charnas. “It tastes like suspense, danger, and the satisfaction of surviving until the credits roll.”

Ice Nine Kills leads an unstoppable cultural empire that brings together metalheads, horror fans, and cinema lovers under one blood-soaked banner. The band will headline a When We Were Young sideshow in Las Vegas on October 17, followed by this year’s WWWY. After that, they’ll head to Europe for a headline tour, leading directly into the first-ever overseas Silver Scream Con, Silver Scream London, on December 13 and 14. 

BLACK SEA OF TREES Premiere "A Red Dawn"

Traversing a forlorn sense of powerlessness juxtaposed with a ferocious intensity, "A Red Dawn" offers a commentary on human behavior throughout history as well as a search one's sense of self. The Australian progressive metal quartet BLACK SEA OF TREES are beginning their journey to unleash the second album Cult of the Sun. Listen to the first single, "A Red Dawn" HERE. 

The band comments on "A Red Dawn": 

"The lyrics illustrate the protagonist’s stagnant situation before being confronted by the sun god’s providence. The protagonist makes a covenant with the sun god, offering themselves in return for power to destroy their enemies and the creation of a new kingdom. The song ends with the protagonist destroying the temples of the old gods and the slaughter of those that upheld that religion."

Listen Below.

About BLACK SEA OF TREES:
Based out of Melbourne and Victoria in Australia, the progressive metal ensemble composes their music around the narrative of their releases. BLACK SEA OF TREES formed in 2018. The debut album, The Spiritual Beast, materialized in the spring of 2023. The band's forthcoming sophomore full-length is an exploration of spirituality, folklore and philosophy, with death metal, folk and ambient elements incorporated into the soundscapes. "A Red Dawn" marks the beginning of this next chapter for BLACK SEA OF TREES, introducing this next album's concept: the protagonist is chosen by god to overthrow an old kingdom in a spiritual revolution. It's a narrative that is heavily influenced by the Ancient Egyptian Pharaoh, Akhenaten and his life’s journey.

BLACK SEA OF TREES bring to life their themes and concepts through dark atmospheric tones, strong full voiced melodies, falsetto and deep growls. With songs ranging from intense 8-minute long walls of sound to 3-minute atmospheric/acoustic passages, BLACK SEA OF TREES draw inspiration from the likes of OPETH, KATATONIA, CULT OF LUNA, RUSSIAN CIRCLES, and KARNIVOOL. A wide array of styles is entwined into the outfit's distinctive and compelling sound. 

BLACK SEA OF TREES is:
Samuel Exton - Vocals/Guitar
Jan Schotting - Drums
Francesco Adami - Bass
Chris Schwinghamer - Lead Guitar

Connect with BLACK SEA OF TREES:
Bandcamp: https://blackseaoftreesofficial.bandcamp.com/
Instagram: https://www.instagram.com/blackseaoftrees
YouTube: https://www.youtube.com/channel/UC24GQ_gVO_PPBR5TJqmdZpQ
Spotify: https://open.spotify.com/artist/3zogtBHiOCIaGsOfy7y6oS
Apple Music: https://music.apple.com/au/artist/black-sea-of-trees/946433249

Chase Atlantic (Over 8B Streams!) Release "LOST IN HEAVEN (HIGH AS HELL)" Deluxe Edition W/ 4 New Tracks

Globally acclaimed and genre-bending trio Chase Atlantic — comprised of Mitchel Cave, Clinton Cave, and Christian Anthony — have built their reputation by crafting a seamless fusion of pop, rock, and R&B. They push creative boundaries yet never stray from their core sound and that's precisely why they have connected so deeply with their legion of Gen Alpha (and beyond) fans and have accumulated over 8 billion streams and 1.2 billion YouTube views along the way. The Australian-born, Los Angeles-based trio is immediately identifiable, yet incredibly difficult to put a title or genre on either their sound or the audience that adores them. They fit in just as well playing massive pop festivals as they do touring with rock bands.

Armed with an array of hits across a multitude of genres, Chase Atlantic have picked up one of the widest-ranging fan bases in all of music.

They proudly release LOST IN HEAVEN (HIGH AS HELL), the deluxe version of their fourth album, via Fearless Records. Listen Below

It boasts four additional tracks — including the recently released "FACEDOWN" and "REMIND ME" — and represents a dynamic evolution of LOST IN HEAVEN. It's a creative bridge that accurately depicts the future of Chase Atlantic's music and their desire for perfection. Rather than simply attaching a few additional "throw away" tracks, they invested time and intention into seamlessly crafting each song. Paying close attention to not only their intricate production, they also expand on their alluring and extremely unique vision. With this addition they aim to re-imagine their framework, embrace bold choices, and take creative risks that most artists wouldn't dare to even try.

The deluxe edition includes "WARCRY," which blurs the line between confession and rebellion. Reminiscent of earlier work like "Numb to the Feeling" and "Devilish," Chase Atlantic once again push the boundaries of modern music with their intoxicating blend of alternative R&B, and dark pop atmospherics. It also features "VICTORY LAP." Propelled by their signature fusion of brooding R&B, and hypnotic pop production, the track captures the high-speed rush of ambition colliding with hard-won success. Lyrically defiant yet emotionally charged, the track feels less like a celebration and more like a declaration — a reminder that glory is fleeting, but the chase never stops. Adventuring into unexplored territory sonically, Chase Atlantic masterfully combine three individual songs into one theatrical release to give the listeners a glimpse into future experimentation.
 
The band just launched the latest phase of The Portal; C4D HANDHELD DEVICE. Unlock the experience here.

Brooklyn music mavericks CLONE unleash post-punk / altrock thrills with new 'Care To Try' EP

Brooklyn alt rockers CLONE have released their new 'Care To Try' EP, a blazing three-track offering, as well as fine limited edition 2-track '7” vinyl release. Together, this is their second major release via Portland label Little Cloud Records, featuring cover photography by famed artist Simon Larbalestier, well known for his work with Pixies and 4AD Records.

Written over the past year with Clone's original lineup of LG Galleon (Dead Leaf Echo), Gregg Giufree (Pilot to Gunner), Max Idas and Dominick Turi, this EP was produced by LG Galleon and Martin Bisi (Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Dresden Dolls) at his famed BC Studio (built together with Brian Eno), and mastered by Fred Kevorkian (The White Stripes, Sonic Youth, Juliana Hatfield, Regina Spektor, Lloyd Cole).

"These songs were again recorded with the legendary Martin Bisi, who helped bring the determination and drive in the studio to the forefront when recording these songs. A different lineup makes for a novel live experience every time, yet always with incendiary results.  The full tour in October should prove a very fruitful experience and we are looking forward to playing these new songs from the EP live," says LG Galleon.  

"The title track 'Care to Try' is a retribution song. A song that cries out for the disenfranchised and undersung people in the world whose voices are never heard above the drowning of the right wing nationalist leaders in this world. The spoken word bridge signals out to this issue with the line "with all charisma there is scorn, with every swoon another's heart will stammer slowly in submission. To Glimpse what could have been through the eyes of another."

Last year, Clone debuted their 'CL. 1' album and 12" vinyl LP, born from a seemingly lost wellspring of shared imagination and youthful transformative power, via Little Cloud and North Carolina's 5BC Records, previewed by the iconoclastic singles 'Immutable', 'Dividing Line' and 'Redeemer'.

A passionate attempt to revive the kind of music that once profoundly resonated with the isolated and vulnerable, Clone's music possesses a transformative power, capable of inspiring through its galvanizing, redemptive power. Drawing on the raw energy and boundless creativity of youth, Clone has created a personal sonic world that they now invite us all to experience.

As a live phenomenon, Clone currently includes LG Galleon, Paul Liziragga (Namesake), Alex Cox (The Veldt), and drummers Avery Brooks and Jeremy Duvall. The past few years. Clone has played SXSW and toured with Christian Death, Twin Tribes, Wand, La Witch, Live Skull and The Veldt.

The 'Care To Try' EP is out everywhere, including Apple Music, Spotify and Bandcamp, and can also be had on '7” vinyl. Clone will be releasing a new full-length album in 2026.

CREDITS
All tracks written by Clone
Lyrics by LG Galleon (onewithwave music ASCAP)
Performed by LG Galleon / Gregg Giufree / Max Idas / Dominick Turi
LG Galleon - guitar, vocals, keys
Gregg Giufree - drums
Max Idas - bass
Dominic Turi - guitar, keys
Lyla Vander - back vocals on 'Galvanized'
Recorded and mixed by Martin Bisi (Sonic Youth, Swans) at BC Studios
Co-produced by LG Galleon
Mastered by Fred Kevorkian at Kevorkian Mastering
EP cover art designed by LG Galleon
Cover photograph by Simon Larbalestier
Released by Little Cloud Records
Publicity by Shameless Promotion PR

TOUR DATES
Oct 09   Philadelphia, PA - TBD
Oct 10   Clinton, CT - Scottish Dave’s Pub
Oct 11   Boston, MA - O'Briens Pub (Allston)
Oct 12   Providence, RI - The Scurvy Dog
Oct 13   Saratoga Springs, NY - Desperate Annie’s
Oct 25   Brooklyn, NY - Mama Tried
Nov 13  Brooklyn, NY - The Woodshop
Dec 6   Johnstown, PA - The Columbia Theater Project


Keep up with CLONE
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp  | Twitter | Instagram | YouTub e

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

Emerging Noise Project DISINTREGRATION ANNEX Debuts New EP via Decibel Magazine

Emerging noise project Disintegration Annex is now making its debut with 'Carving Arrows From Idols,' a three-song EP that blends harsh noise with ambience and elements of black metal. The offering can now be heard below.

Disintegration Annex is the one-man, metal-leaning noise and ambient project of Greg Kennelty. Disintegration Annex is meant to touch on the overarching ideas presented by extreme metal, but ultimately dish out the aural punishment in a freer, looser way.

Kennelty explains, "'Carving Arrows From Idols' is a three-track EP that deals with separate facets of anxiety and fear – weaponization of religious beliefs, sensory overload during particularly bad mental health days, and the fear of death being a disruptive force in everyday life. Carving Arrows From Idols was created during the writing sessions for the upcoming debut Disintegration Annex full-length, but these tracks ultimately felt like one cohesive unit that would be better served as a standalone release. Enjoy!"

The EP can be downloaded HERE.

All writing, production, mixing and mastering were handled entirely by Greg Kennelty.

The cover artwork is a woodcut painting titled "Hell (copy)," created after 1511, and is attributed to an unknown artist working in the style of Hans Baldung.

LAINEY WILSON PERFORMS SOLD-OUT SHOW AT NASHVILLE’S BRIDGESTONE ARENA

On the heels of being named host of the 59th Annual CMA Awards, Lainey Wilson performed a sold-out show at Nashville’s Bridgestone Arena last night as part of her extensive Whirlwind World Tour.

Wilson will return to Bridgestone on November 19 for the CMA Awards ceremony, where she is tied as the most-nominated artist with six nominations: Entertainer of the Year, Female Vocalist of the Year, Album of the Year (Whirlwind), Single of the Year (“4x4xU”), Song of the Year (“4x4xU”) and Music Video of the Year (“Somewhere Over Laredo”). 

The accolades are just the latest in a series of recent milestones for Wilson, who is highlighted on the 2025 TIME100 Next list, featured as the cover star of Southern Living’s November issue (read HERE) and confirmed to headline Stagecoach Festival this spring. Today, she also releases a new version of the holiday classic, “Let It Snow! Let It Snow! Let It Snow!,” with Bing Crosby—listen below.

Known for her electric live performances, Wilson will continue her Whirlwind World Tour through this fall including a sold-out show at New York’s Madison Square Garden next Friday, October 10, before embarking on an extensive headline run across Australia and New Zealand next year. See below for complete tour itinerary, full details can be found at www.laineywilson.com/tour.

Furthermore, Wilson released the deluxe version of her award-winning album, Whirlwind, earlier this summer via BBR Music Group/BMG Nashville (stream/purchase HERE). In addition to Whirlwind’s original 14 songs, the new extended edition features five additional tracks: “Bell Bottoms Up,” “King Ranch, King George, King James,” “Yesterday, All Day, Every Day,” “Peace, Love, and Cowboys” and “Somewhere Over Laredo,” which is currently Top 10 at country radio and continuing to climb.

Released to overwhelming attention from fans and critics alike, “Somewhere Over Laredo” was the most added song at country radio at impact and earned widespread praise from outlets such as CBS Mornings, Rolling Stone and Billboard, who called it “one of her most commanding, dynamic vocal performances to date, crescendo-ing from a soft-focus, tender vocal, before gradually reaching into her upper register for powerful moments that heighten the song’s emotional acuity.” 

“The reigning current standard-bearer for women in country” (Variety), Wilson also won four awards at the 60th ACM Awards this past spring—Entertainer of the Year (her second consecutive win), Female Artist of the Year (her third consecutive win), Album of the Year (Whirlwind) and Artist-Songwriter of the Year—performed during last year’s Dallas Cowboys’ Thanksgiving Halftime Show and won two awards at the 58th CMA Awards, where she made her hosting debut alongside Peyton Manning and Luke Bryan. Wilson also recently launched her fourth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection).

The 16x ACM, 9x CMA and Grammy Award-winner and Grand Ole Opry member is a prolific, sought-after songwriter who has scored eight #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” “Watermelon Moonshine” and the 2x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson wrote and recorded “Out of Oklahoma” for the Twisters movie and has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton, Post Malone and more. She will also make her feature film acting debut in next year’s adaptation of Colleen Hoover’s Reminders of Him, after first acting in Paramount’s hit television series, “Yellowstone.”

Photo Credit: Erick Frost

LAINEY WILSON CONFIRMED TOUR DATES

October 3—Noblesville, IN—Ruoff Music Center§

October 4—Cleveland, OH—Blossom Music Center§

October 9—Columbia, MD—Merriweather Post Pavilion§

October 10—New York, NY—Madison Square Garden§

October 11—Mansfield, MA—Xfinity Center§

October 16—St. Louis, MO—Hollywood Casio Amphitheatre||

October 17—Rosemont, IL—Allstate Arena||

October 18—Saint Paul, MN—Xcel Energy Center||

October 21—Nashville, TN—Grand Ole Opry

October 24—Knoxville, TN—Thompson-Boling Arena at Food City Center#

October 25—Charlotte, NC—Spectrum Center#

November 1—The Woodlands, TX—Cynthia Woods Mitchell Pavilion

November 7—Tampa, FL—Amalie Arena#

November 8—Orlando, FL—Kia Center#
December 7—Las Vegas, NV—Lainey Wilson: Wildflowers & Wild Horses
February 6—Auckland, New Zealand—Spark Arena~
February 8—Christchurch, New Zealand—Wolfbrook Arena~
February 11—Brisbane, Australia—Brisbane Entertainment Centre~
February 12—Brisbane, Australia—Brisbane Entertainment Centre~
February 14—Newcastle, Australia—Howlin’ Country~
February 16—Sydney, Australia—Qudos Bank Arena~
February 19—Melbourne, Australia—Rod Laver Arena~
February 20—Melbourne, Australia—Rod Laver Arena~
February 22—Adelaide, Australia—Adelaide Entertainment Centre Arena~
February 26—Perth, Australia—RAC Center~
April 25—Indio, CA—Stagecoach Festival 2026
August 6—Detroit Lakes, MN—WE Fest
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip

§with special guests Muscadine Bloodline and Lauren Watkins

||with special guests Muscadine Bloodline and Maddox Batson

#with special guests ERNEST and Drake Milligan
~with special guests Flatland Cavalry and Kaitlin Butts

KEEP UP WITH LAINEY WILSON
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK 

‘California Cowgirl’ Annie Bosko Delivers Debut Album

Annie Bosko’s roots run deep. Her grandfather and father worked the fields from sunup to sundown as she and her siblings spent their days husking corn in the California sun to a steady soundtrack of George Strait and Patsy Cline, while her mother introduced her to the soaring harmonies of the Judds, Deana Carter, Patty Loveless, Martina McBride and Shania Twain.
 
All of this echoes across California Cowgirl, her debut album of 80s/90s country explosion of shuffles, sweeping ballads and girl-powered anthems. Available now via QHMG/Stone Country Records, listen to California Cowgirl Below.
 
Supplementing her own production work with Tommy Simms (Eric Clapton’s GRAMMY- winning “Change the World”) and Butch Walker (Taylor Swift, Green Day, P!nk), Trent Willmon and David ‘Messy’ Mescon brought California Cowgirlinto a solid country focus.

“Trent really helped build the foundation and recognized how traditional country I wanted to lean – he really supported that,” Bosko says of the man who produced Cody Johnson’s CMA Album of the Year Leather.
 
“With ‘Messy,’ it was taking that, but getting a little outside the box,” she adds. “He was experimental with the idea of mariachi horns and recognized why that was important to me. Because everyone knows ‘Ring of Fire,’ but ‘9 To 5’ wouldn’t be the song it was without the horns, either. So, he gave things a little twist to keep my old school country fresh.”
 
What emerges is a sound that’s so throwback, but so forward, it does feel fresh, as well as live and triumphant in the moment. Whether it’s her “Bright and Blue Sky,” a Haggard-esque love song wrapped in strings and steel guitar, or the plucky “Cowboy Up,” which spins the catchphrase into a good-natured get it together, these are ride-or-die songs for life’s unseen defining moments.
 
“The music doesn’t necessarily sound sad, but there’s vulnerability to some of the songs,” acknowledges Bosko. “I wanted to get back to real honesty, that tenderness and toughness that are the people listening to country. You can have the sass, the honky tonk, the fun stuff, but it’s also in the broken and the resilience, because those rings of emotion are all inside a woman.”
 
The project also features standout collaborations with Dwight Yoakam on “Heartburn” and Joe Nichols on their top 40 duet “Better Than You,” as well as “Old Friends” with Darius Rucker.
 
“That idea that you can’t make old friends is so true. I think about the people who knew me back when I’d show up at kids’ birthday parties singing ‘Part of Your World’ as the Little Mermaid,” Bosko confesses. “They know you better than anyone – and no matter how much time has passed, it's like you never missed a beat. That’s a rare friendship.
 
“And having Darius on this song makes it even more special; he’s been there for so many people through so many seasons, and he really sounds like what this song is about.”
 
From “Watch Me,” the back roads opening “hold my beer” anthem, and the stout Brooks & Dunn-evoking “Honky Tonk Heartbeat” to the playful, Mexican horn section and güiro punctuated “Tequila Time” and title track’s steel-drenched declaration of who she is, Bosko offers a 360 degree sense of what modern country can be, as well as defining a woman’s place in the notoriously macho genre.
 
Indeed, “Country Girls! (Who Runs The World)” is a stomping song written as much from need as celebration.
 
“I grew up going to rodeo events and I’ve sung at a lot of them,” explains Bosko. “There are girls out there with just as much grit, just as tough, and I asked myself, ‘Where’s the song for these girls?’ There wasn’t. So I wanted to write a girl hype song, something that calls out for them! This is one for the girls, by a girl.”
 
With a cover of Kris Kristofferson’s “Help Me Make It Through The Night,” which has garnered over 1 million streams on Pandora, she honors her roots.
 
“Every time I hear this, I’m in the passenger seat of my dad's truck, it transports me back to those fields,” she reveals “I can see it flying by, all that great classic country music he would play when I was a kid. Before I knew what any of it meant, I could hear the emotion.
 
“And it was like that with Shania, all the layers and truth – she got that from Dolly. They’re all country. They’re all real. That’s what I want.”
 
Bosko will hold her album release party tonight, October 3, at Desert 5 Spot in Los Angeles, followed by performances at Nashville’s Whiskey Jam on October 9 and Four Peaks Oktoberfest on October 10.

Annie Bosko Upcoming Shows
 
Oct. 3              Desert 5 Spot || Los Angeles, CA
Oct. 9              WhiskeyJam || Nashville, TN
Oct. 10            Four Peaks Oktoberfest Tempe Town Lake 2025 || Tempe, AZ
Jan. 31             REHAB Telethon & Auction || Abilene, TX
Feb. 20            Los Fresnos Rodeo || Los Fresnos, TX        
 
About Annie Bosko
Raised in California’s Central Valley as a farmer’s daughter, Annie Bosko blends the grit of her roots with the firepower of her influences—including The Judds, Shania Twain, Deana Carter, and George Strait—on her debut album California Cowgirl, available now via QHMG/Stone Country Records. The 19-song collection, featuring collaborations with Darius Rucker, Dwight Yoakam and Joe Nichols, brings traditional country instrumentation into sharp focus while celebrating female strength, vulnerability and joy. Bosko first broke out with the SiriusXM/CMT favorite “Crooked Halo” and was named a Rolling Stone Country Artist to Watch, later making her late-night debut on “Jimmy Kimmel Live!” with “Neon Baby,” which marked her first charting single at Country radio. She has written songs recorded by Willie Nelson and Jessica Simpson, toured with Tim McGraw, Dierks Bentley and Blake Shelton, and sold out Los Angeles’ famed Troubadour.
 

AnnieBosko.com | Instagram | TikTok | Facebook | X

CYNIC Releases 'Focus: The Official Drum and Bass Tracks,' Out TODAY via Bandcamp

CYNIC will release 'Focus, The Official Drum and Bass Tracks' on Friday, October 3, exclusively on Bandcamp. For the first time, fans can hear Sean Malone’s bass and Sean Reinert’s drums in complete isolation from the band’s landmark era. This collection offers an intimate listen into the rhythmic heart of Cynic, revealing the nuance, interplay, and precision that shaped the group’s sound. Listen Below.

CYNIC guitarist and founding member Paul Masvidal comments, "These tracks let you sit inside what feels like an intimate conversation between two master musicians. Malone and Reinert created a foundation that remains vividly alive, existing in its own realm. This release honors their legacy and offers a glimpse into the heartbeat that carried Focus. And for drummers and bass players out there, it is a master class in progressive metal rhythm section work from true visionaries.”

'Focus' is the debut album by American progressive death metal band Cynic, released in 1993. It is renowned for its innovative blend of technical death metal with jazz fusion elements, featuring complex time signatures, philosophical lyrics, and prominent use of vocoder effects on the vocals. The album is considered a landmark in progressive metal, influencing countless bands with its unique sound and intricate musicianship.

This Friday's launch is taking place on Bandcamp Friday, an artist- driven initiative that began in March of 2020 at the height of the Covid-19 pandemic when the shuttering of venues led to a loss of vital tour revenue for artists. Since then, Bandcamp Fridays—on which Bandcamp waives its revenue share and passes the funds directly to artists & labels—has resulted in millions of fans paying over $120 million directly to labels and musicians they love. In addition to helping artists pay the rent, or fund album recordings and tours, Bandcamp Fridays have also become a beacon for artists and record labels looking to raise awareness for causes or raise money for charities.

Wind Walkers Release New EP 'I Don't Belong Here' + Share "Hereditary" Official Visualizer via Fearless Records

Genre-blending metalcore outfit Wind Walkers have today released their new EP 'I Don't Belong Here' (via Fearless Records), the band's latest body of work since their 2023 sophomore album 'What If I Break?'. In celebration of the news, the quintet has shared the official visualizer for their track "Hereditary". When asked about the inspiration behind the song, vocalist Trevor Borg commented:

"This song comes from some of my earliest memories of watching someone I loved change in ways I couldn’t understand. As a kid, you don’t have the power to fix it, you just kind of absorb it. The “shapeshifting” spoken of in the lyrics is about the ways people hide their pain, how they put on new faces to survive, and how that loss of self can be passed down. I wrote it to process how trauma can echo through generations. It’s a very personal song to me, but I think a lot of people know what it’s like to grow up in the shadow of someone else’s suffering and to feel that weight shape who you’ve become."

'I Don't Belong Here' is available now on all streaming platforms at the link here. Watch the official "Hereditary" visualizer below, and stay tuned for more Wind Walkers news coming soon.

Trevor Borg - Vocals

Timothy Comeau - Guitar

Neil Comeau - Guitar

Craig Martin - Bass

Ethan Cheesman - Drums

Remember The Monsters X Orgy Unleash "System Override," a Furious Anthem About a World on the Brink of Collapse

"SYSTEM OVERRIDE" paints a picture of a collapsing society through the lens of personal disillusionment and collective struggle. At its core, it’s about mistrust, division, and the breakdown of systems, whether political, social, or spiritual, that once promised stability but now only deliver emptiness and control.

The recurring imagery of black & white versus color reflects the loss of hope, imagination, and nuance in a world consumed by conflict and polarization. Where once there may have been shades of possibility, everything now feels rigid, divided, and lifeless. The line “Do you dream in color?” becomes a desperate plea for vision, empathy, and renewal in a society that has grown numb and mechanical.

Themes of false leadership and hypocrisy surface throughout: leaders speak of greatness while ignoring suffering, strength is proclaimed while people are oppressed, and overlords exploit the weak.

The climax comes with the declaration of

“SYSTEM OVERRIDE” and the call for a reset. This is an acknowledgment that the current way of living is unsustainable, and only by breaking down the corrupted system can something new and meaningful rise from the ruins.

Overall, "SYSTEM OVERRIDE" conveys both rage and despair, but beneath its bleakness lies a drive for transformation. A recognition that although the present feels hopeless, change is inevitable, and necessary. 

ABOUT THE BAND:

Remember the Monsters is a genre-blending modern rock band known for cinematic soundscapes, emotional intensity, and hard-hitting anthems. Since their 2016 debut, the bands founder Ashten Banks has evolved the group through lineup changes and creative reinvention, most recently joining forces with vocalist Andrew de Neef (Actual Villains, Close to Home) and legendary drummer Elias Mallin, studio & touring drummer with acts like Filter, Noah Cyrus, and Kesha & more. 

Collaborating with producer Matt Good (Asking Alexandria, Hollywood Undead), the band has released standout covers and originals including “Mercy” (ft. NERV), “Haunted” (ft. From First to Last), and “Hostage” (ft. Paul Bartolome). 

Most recently, the band is poised to release two of their most dynamic songs to date. Starting with “SYSTEM OVERRIDE” which features Jay Gordon from ORGY and followed by their most aggressive and intense single & music video to date “INFECTED” which was co-written with former Asking Alexandria guitarist Ben Bruce. 

Melinoe unveil their first full-length opus, Affliction In Bloom,

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release on October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

  • Nadine  (Vocals/Keys)

  • Travis (Guitars)

  • Kaleb (Drums)


Album Credits:

  • Producer: Logan Clough, Justin Gregorio

  • Recording Studio: Creative Cult Recordings, Vanta Co Recordings

  • Engineer: Logan Clough

  • Mastering: Logan Clough

  • Mixing: Logan Clough

Album Cover Artist: Nadine

HENCE REINVENTS SOFT CELL’S ICONIC ‘SEX DWARF’ WITH A SURREAL, THEATRICAL TWIST.

Hence — the Anglo-Danish collective known for transforming coincidence into art — have released their latest single: a radical reimagining of Soft Cell’s cult classic ‘Sex Dwarf’. More than just a cover, Hence’s version is a full-scale reinvention. Where the original throbbed with sleaze and synth-driven menace, Hence lean into the decadent, surreal and theatrical. Layers of modular electronics collide with dark disco beats, while their signature universe of silver spheres, poodle masks, and modular chaos refracts the song into something at once familiar and entirely new. For Hence, the choice of ‘Sex Dwarf’ was not coincidence alone, but a chance to trace a line back to their synth heritage. “It’s about taking something iconic, shaking it loose and letting it mutate through our collective,” the band says. “Soft Cell’s original was already outrageous. We wanted to push it through our lens of absurdity and meaning — until it became both homage and subversion.”

The track follows Hence’s April 2025 release ‘Steadying The Ship’, which established the band’s reputation for existential lyricism and cinematic soundscapes. With ‘Sex Dwarf’, Hence showcases the other side of their DNA: playful provocation, theatrical excess and fearless reinvention.

“Hence is more than just a band,” they added. “It’s a community of chance. Every collaborator leaves a fingerprint and every accident is welcomed as part of the final work.”

Das Konductor makes his second appearance in the Hence universe - this time stepping forward not just as a spectral narrator but as a full vocal presence. On Hence’s radical reimagining, Das Konductor lends his unmistakable voice, twisting decadence into theatre, menace into play.

“We live in a time of sharp debates about what can and can’t be said. With Hence, we believe in the strength of artistically expressed absurdities. Borders can be set by politics but they are felt through the arts. What we love is how the unconventional inevitably turns us back toward the conventional, and vice versa. That interplay with life is, to us, the foundation of art.” – Knuth, Hence

With this performance Hence has shaped its provocative reinvention into something that is at once homage and subversion. Das Konductor also returns in ‘Jewels Of The Night’, delivering the spoken passages which introduce the forthcoming video with nocturnal poetry.

Performed by Hence & Das Konductor
Produced & Mixed by Knuth
Mastered by Jaran Hereid
Remixed by Aesthetic Perfection
Written by Marc Almond & David Ball
Published by Arto-Music/Warner Chappell Music
℗ 2025 Cosmic Cassettes 

Hooded Menace Premiere Lachrymose Monuments of Obscuration

For more than two decades, Hooded Menace have stood as the pillar between two realms of underground metal. The Finnish band are still transfixed by classic horror on their monumental new album. But Lachrymose Monuments of Obscuration only goes to show that these stewards of death-doom remain far from stuck in their ways. 

Lachrymose Monuments of Obscuration comes out tomorrow, Friday, October 3, but you can hear all seven earthshaking tracks today by listening to the full album stream below. 

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration


Pre-save on Spotify
https://open.spotify.com/prerelease/3Os1kbdsMgl805olZjrZUr

Ask the band anything about Lachrymose Monuments of Obscuration during tomorrow's Reddit AMA. 

Hooded Menace AMA 
r/Metal
Friday, October 3 @ Noon EST / 18 CEST

Join
https://www.reddit.com/r/Metal/comments/1nr7jx3/hooded_menace_ama/

On Lachyrmose Monuments of Obscuration, Hooded Menace cast death-doom in a ghostly new light. 

Line-up
Harri Kuokkanen — Vocals
Lasse Pyykkö — Guitar, Bass, Keyboards
Pekka Koskelo — Drums

Guest Musicians
Antti Poutanen — Cello
John McNulty — Spoken Word

Production Credits
Recorded by Heikki Marttila at Guru Studio, Joensuu, Finland.
Mixed by Heikki Marttila.
Mastered by Jaime Gomez Arellano at Orgone Studios, Portugal.

Cover Art
Wes Benscoter (https://www.wesbenscoter.com)

Photography
Pasi Nevalaita

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration

Available formats
Digital download
CD Digipack
12" Vinyl (Black)
12" Colored Vinyl (Red)
12" Colored Vinyl (Purple)
12" Colored Vinyl (Crystal clear with red and blue marble)
12" Liquid-filled Vinyl (Slime yellow)


Follow Hooded Menace
Bandcamp: https://hoodedmenace.bandcamp.com/music
Facebook: https://www.facebook.com/hoodedmenaceofficial/
Instagram: https://www.instagram.com/hoodedmenaceofficial/
Spotify: https://open.spotify.com/artist/10mjw8SFRZjS0d8tecdEW8
Apple Music: https://music.apple.com/artist/hooded-menace/364200709
Deezer: https://www.deezer.com/artist/3748981
Tidal: https://tidal.com/browse/artist/4754969

THE NARRATOR - Release Video For New Single 'Pills From The Start'

Following the Summer festival season, with shows at some of the biggest and most renowned metal festivals in Europe, such as Wacken and Summer Breeze, modern metalcore sensation THE NARRATOR have unleashed a new single called 'Pills From The Start'. The blistering, groove led anthem is tackling toxic friendships that leave a lasting scar. The struggles with pain of self-worth can be heard in the visceral delivery from vocalist Fabian Jochum throughout the song. Alongside the single, a music video has been released, which you can watch below.

Just like the previous single, 'Unbind Me', 'Pills From The Start' was mastered by Grammy award winning mastering engineer Ted Jensen at Sterling Sound.

If you want to catch THE NARRATOR live, which is highly recommended: the band will embark on an extensive European tour with ANNISOKAY starting October 10th. Be quick as tickets are going fast. You can find all confirmed dates at the bottom. Furthermore, a hometown headline show in Essen has been announced for December 20th, 2025, rounding off a successful year for THE NARRATOR with a party for the ages!

THE NARRATOR commented:
”'Pills From The Start' is about finding your own worth even when toxic friendships try to drag you down. Playing it live on our upcoming tour will be the perfect way to turn that message into a shared experience with our fans."

Stream 'Pills From The Start': 
https://thenarrator.bfan.link/pills-from-the-start

Watch the music video for 'Pills From The Start' Below.

About THE NARRATOR:

THE NARRATOR were founded in 2017 in the Ruhr area of Germany and have been captivating audiences with their energetic songwriting and electrifying live performances from the very beginning. After successful tours and festival appearances, THE NARRATOR steadily made a name for themselves in the global metalcore scene.

In September 2024, THE NARRATOR released their highly anticipated debut album Lore – 10 tracks that speak volumes, boasting an impressive 12 million streams across all platforms to this day. Their latest single, 'Unbind Me',  mastered by Ted Jensen (STERLING SOUND – BRING ME THE HORIZON, GREEN DAY, KORN, and many more), proved once again that THE NARRATOR is essential for every modern metal playlist. But one thing is certain: the best is yet to come!

ORDEN OGAN Unleash New Single "Conquest", Live In Oberhausen, While Touring With WINDROSE and ANGUS MCSIX

German dark power metal force ORDEN OGAN have dropped a thunderous new live version of their fan-favorite track “Conquest”, taken from their latest full-length The Order Of Fear, released in July 2024 via Reigning Phoenix Music here.

Recorded during the band’s Tour of Fear in the sold-out Turbinenhalle in Oberhausen, Germany, this version captures the raw intensity and electric communion between the band and their audience. “Conquest” has quickly risen to become a staple in the ORDEN OGAN setlist, and this live cut shows exactly why: riffs sharp as steel, massive choruses, and a crowd roaring as one. ORDEN OGAN once again prove that true power metal lives on stage: loud, larger than life, and unforgettable!

Frontman Sebastian "Seeb" Levermann states:

“'Conquest' has become one of the absolute fan favorites within the last 12 months since the release of The Order of Fear. This recording was captured in the sold-out Turbinenhalle (Oberhausen, Germany) on ORDEN OGAN’s Tour of Fear. I think we managed to capture the energy between band and audience. Enjoy!”

Stream/Download "Conquest" here: https://ordenogan.rpm.link/conquestlive

Don’t miss the chance to experience "Conquest" and other ORDEN OGAN hymns
live on their upcoming tour with WIND ROSE and ANGUS MCSIX:

Tickets & Info: https://ordenogan.de/pages/on-tour

About ORDEN OGAN:
ORDEN OGAN are an essential part of the international metal scene with their top status leading back to their debut album Vale (2008). Their 2021-album, Final Days, even reached position 3 of the official German Album Charts, and having up to more than half a million monthly listeners on Spotify makes them one of the most successful metal acts when it comes to streaming. Epic melodies, impactful lyrics and unmistakeable passion for the genre define the band's work, and their latest studio offering The Order Of Fear only continued their musical journey by promising fans a monumental experience.

Led by Sebastian "Seeb" Levermann, the seventh album is arguably their hardest- hitting work to date. The Order Of Fear persists the ORDEN OGAN saga with a triumphant lesson in dark power metal: the album features eleven powerful tracks (including a spoken interlude) that offer a fresh perspective on the band's ever- evolving sound, resulting in an explosion of thought-provoking melodies and rhythms.

The Order Of Fear once again hit the German Album Charts at #3, followed by spectacular festival performances and their very well received Tour of Fear.

The Order Of Fear was released on July 5, 2024 through RPM as an exclusive box-set (including a CD-digipak and a unique board game for up to 32 players to make fans act as various characters of the ORDEN OGAN world), coloured 1LP vinyl (splatter, crystal clear or clear turquoise), and CD-digipak.

Visit: https://ordenogan.rpm.link/theorderoffearPR

[Photo: NatEnemedePhotography]

ORDEN OGAN are:
Sebastian "Seeb" Levermann | vocals
Niels Löffler | guitars
Patrick Sperling | guitars
Steven Wussow | bass
Dirk Meyer-Berhorn | drums

More on ORDEN OGAN:
ordenogan.de | Facebook | Instagram | X | YouTube
greenman-studios.de | Facebook Seeb | Instagram Seeb

DREW BALDRIDGE’S “CALL ME IF YOU GET ONE” OUT NOW

Chart-topping singer-songwriter Drew Baldridge released his nostalgic new song, “Call Me If You Get One,” via Lyric Ridge Records/BBR Music Group/BMG Nashville. The track, written by Brian Fuller,  Michael Lotten and Jordan Walker is now available HERE.

Rooted in Baldridge’s personal brand of Farm, Faith and Family, “Call Me If You Get One” draws inspiration mirrored in his own upbringing in southern Illinois. Growing up, Baldridge’s dad and grandpa would always say, “Call me if you get one,” whenever one of them would go hunting. Now, as a father himself, Baldridge looks forward to passing that tradition down to his son.

More than just a hunting story, the song captures the timeless bonds between generations and the emotions tied to cherished memories in the great outdoors. With heartfelt lyrics and Baldridge’s signature warmth, “Call Me If You Get One” is a reminder of the simple yet powerful ways family traditions carry forward through love and legacy.

“This song is really special to me,” says Baldridge. “It’s about those little things my dad and grandpa used to say that stuck with me. Now, I get to share those same memories and traditions with my son, and that means the world.”

​​To celebrate the release, Baldridge has teamed up with Rural King to highlight their shared values of family, tradition, and the outdoors. Fans who pre-save/add “Call Me If You Get One” with Spotify and Apple Music will be entered to win an exclusive Rural King prize bundle featuring hunting gear and outdoor essentials.

“Call Me If You Get One” joins recent releases “Deserve Her” and “Get Me Gone” featuring Emily Ann Roberts, expanding Baldridge’s growing catalog of new music as he continues writing and recording for an upcoming full-length project. Ahead of this week’s new release, he will perform at the NSAI Awards on Tuesday, September 23, highlighting his talents as both a performer and songwriter. Baldridge recently wrapped back-to-back tours with Cody Johnson and Bailey Zimmerman, and this fall he will join Jelly Roll and Shaboozey on the Down Under Tour 2025 before launching his own Country Born Tour across the UK and Europe.

ABOUT DREW BALDRIDGE:
Drew Baldridge is carving out a lane all his own with songs rooted in Farm, Faith, and Family. His 2025 highlights include the release of “Deserve Her,”  “Get Me Gone” featuring Emily Ann Roberts and his latest “Call Me If You Get One,” as well as a moving collaboration with Dove Award-winning collective I AM THEY on “Scars.” Baldridge’s latest radio single, “Tough People,” became his second consecutive Top 10 hit, following the RIAA GOLD-certified smash “She’s Somebody’s Daughter,” which reached No. 1 on Country Aircheck/Mediabase and No. 3 on Billboard Country Airplay. Notably, he is the only self-funded artist ever to hit No. 1 on Country Aircheck/Mediabase with his first chart-topping single via his Lyric Ridge Records label and holds the distinction of being the highest-charting independent artist ever on the Billboard Country Airplay chart. With more than 1.1 billion streams and impressions and 2 million social followers, Baldridge has quickly become one of country music’s most-watched rising voices. A powerhouse performer and songwriter signed to Sony Music Publishing, Baldridge has written more than 500 songs with cuts by Bailey Zimmerman, LOCASH, and others. He has toured with Cody Johnson and Bailey Zimmerman, and this fall will join Jelly Roll and Shaboozey on the Down Under Tour 2025 before launching his own Country Born Tour across the UK and Europe. Named to the CRS “New Faces” Class of 2025, an iHeartCountry “On The Verge”artist, and MusicRow’s Independent Artist of the Year, Baldridge continues to build a career that blends authenticity, perseverance, and a deep connection to fans.

KEEP UP WITH DREW BALDRIDGE
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

Dayseeker Have "Bloodlust" — WATCH + LISTEN

Fresh off an epic performance in front of tens of thousands of rabid fans at Louder Than Life in Louisville, Kentucky this past weekend, Southern California's DAYSEEKER — Rory Rodriguez [vocals], Gino Sgambelluri [guitar], Ramone Valerio [bass], and Zac Mayfield [drums] — have released the visualizer for "Bloodlust."

Watch and listen below. 
 

"'Bloodlust' is one of the more eerie and chaotic tracks on the record. It's about people in your life who want to metaphorically drain the blood from you — those you can't trust and don't belong in your life,' says Rodriguez.

The track is the band's newest single from the upcoming album Creature In The Black Night, out October 24 via Spinefarm. Pre-save it here.

 Produced by Daniel Braunstein (Spiritbox, Silent Planet) and mixed by Zakk Cervini (Blink-182, Bring Me The Horizon, Lorna Shore), the album is Dayseeker's most immersive and intentional record to date — eerie, cinematic, and threaded with a dark (and sexy) emotional current.

While not a concept album in the traditional sense, Creature in the Black Night exhibits thematic cohesion, from its shadowy visual identity, Grim Reaper iconography, and ominous atmosphere, to how its songs unfold like chapters. "There’s a horror-inspired vibe that took hold early on," Rodriguez explains. "It wasn't planned. But once it started showing up in the songs, we leaned into it." 

Fans expecting a sorrowful descent into depression might be surprised — Creature In The Black Night has sharper edges, heavier riffs, and a newfound sense of clarity. "There was this idea that we'd get more and more commercial over time," Rodriguez says. "But I think the opposite happened — we're riffing more, I'm screaming more. And it feels good. It feels honest."

Dayseeker hasn’t just evolved. They've ascended. 

Dayseeker will spend the rest of 2025 on tour. They are serving as support for both Ice Nine Kills and In This Moment through the fall. All dates are below.

DAYSEEKER ON TOUR:
SUPPORTING IN THIS MOMENT:
9/27 — El Paso, TX — Speaking Rock Entertainment Center 
10/1 — Los Angeles, CA — Hollywood Palladium
10/2 — Las Vegas, NV — The Pearl Concert Theater
10/3 — Paso Robles, CA — Vina Robles Amphitheater
10/4 — Sacramento, CA — Discovery Park
10/8 — Spokane, WA — The Podium 
10/10 — Idaho Falls, ID — Mountain Center America 
10/11 — Casper, WY — Casper Events Center
10/12 — Colorado Springs, CO — Ford Amphitheater 
10/14 — Kansas City, MO – The Midland Theatre
10/19 – Columbus, OH – KEMBA Live!
10/21 – Atlanta, GA – Coca Cola Roxy
10/23 — Greensboro, NC – Greensboro Special Events Center
10/24 — Bethlehem, PA – Wind Creek Events Center

Additional European tour dates are available here. 

METAL ICONS JUDAS PRIEST AND OZZY OSBOURNE UNITE ON “WAR PIGS – CHARITY VERSION” OUT NOW

Sony Music are proud to announce the release of “War Pigs – Charity Version”featuring Ozzy Osbourne in collaboration with globally revered rock icons Judas Priest. This historic rendition of the Black Sabbath classic was released today, with all profits donated to The Glenn Tipton Parkinson’s Foundation and Cure Parkinson’s. Get it HERE.

This emotionally charged release unites the titans of British heavy metal one last time in a project born from friendship, mutual respect and a shared mission to fight Parkinson’s disease - a cause close to the hearts of both bands. Initially conceived as a tribute video for Ozzy and Black Sabbath after Judas Priest were unable to join them at the Aston Villa show due to prior commitments with The Scorpions’ 60th Anniversary show in Hannover, the project quickly grew in purpose and power.

When Judas Priest suggested turning the tribute into a full-blown charity single, the idea struck a chord with Sharon and Ozzy Osbourne. With Glenn Tiptoncontributing guitars despite his ongoing battle with Parkinson’s, and Rob Halford and Ozzy Osbourne trading alternate vocal lines, the result is a raw, soaring, and poignant version of the iconic “War Pigs.”

A collaboration between the icons @judaspriest and @ozzyosbourne. All profits of Sony Music Entertainment UK Ltd and Epic Records in the UK from audio streams, downloads, and physical sales of the recording ‘War Pigs (Charity Version)’ will be donated to The Glenn Tipton Parkinson’s Foundation and Cure Parkinson’s.

Skillet Announce 2026 Return to Europe Ahead of Sold-Out South American Shows + The Awakening US Tour with Jeremy Camp

22x platinum, GRAMMY-nominated rock band SKILLET have announced their return to Europe next spring along with the release of their "SHOWTIME" live track and video. The spring tour will hit 23 cities including London, Glasgow, Paris, Munich, Warsaw, and Barcelona, with tickets on sale now at Skillet.com.
 

Reinforcing their reputation as a band with a massive global impact, SKILLET will hit South America this October, with Lima, Peru, and Belo Horizonte, Brazil already SOLD-OUT and Mexico City moving to a larger venue to accommodate crowd demand. Later this fall, they'll tour across the U.S. with Jeremy Camp. All tour routings below. 
 

The fall South American dates and upcoming European spring tour follow SKILLET's summer 2025 international trek throughout Lithuania, Sweden, Poland, Germany, Italy, Croatia, Belgium, and more, which saw them perform in front over nearly 400,000 fans. 

SKILLET U.S. AWAKENING TOUR: 
11/6 — Toledo, OH — Huntington Center
11/7 — Dayton, OH — Wright State University Nutter Center
11/8 — Johnson City, TN — Freedom Hall Civic Center
11/9 — Fayetteville, NC — Crown Coliseum 
11/13 — Jonesboro, AR — First National Bank Arena
11/14 — Sugar Land, TX — Smart Financial Centre at Sugar Land
11/15 — Belton, TX — Cadence Bank Center (at Bell County Expo Center) 
11/16 — Longview, TX — LeTourneau University Belcher Center (SOLD OUT)
11/20 — Pensacola, FL — Pensacola Bay Center
11/21 — Athens, GA — The Classic Center Arena (formerly Akins Ford Arena)
11/22 — Clarksville, TN — F&M Bank Arena
11/23 — Huntsville, AL — Propst Arena at Von Braun Center
11/29 — Mt. Pleasant, MI — Soaring Eagle Casino & Resort 

ABOUT SKILLET: 
After nearly three decades, eleven albums, and thousands of shows worldwide, Skillet play louder, fight harder, and sound more rebellious than ever. As of 2024, the band have received two-time GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide, they have notched multiplatinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Not to mention, they have regularly attracted 10 million monthly listeners on Spotify, boasting "one of the most-streamed rock songs of all-time," with the 5x-platinum "Monster." Their presence has impressively surged throughout popular culture with syncs by WWE, Marvel, ESPN, and NFL in addition to coverage from USA Today, The New York Times, and more. As a live force of nature, they have touched down on five continents and in 32 countries, packing arenas everywhere from the Middle East to Russia. Not to mention, Skillet expanded their world with the graphic novel series EDEN. The first installment stood out as Z2 Comics' best-selling book of all-time. Now, the global hard rock quartet — John Cooper [lead vocals, bass], Korey Cooper [guitar, keys], Jen Ledger [drums, vocals], and Seth Morrison [lead guitar] — deliver an insurgent, infectious, and inimitable body of work with their twelfth full-length offering and first-ever independent album, REVOLUTION, led by the single "Unpopular" and focus tracks "All That Matters" and "Ash In The Wind."