Emerging Noise Project DISINTREGRATION ANNEX Debuts New EP via Decibel Magazine

Emerging noise project Disintegration Annex is now making its debut with 'Carving Arrows From Idols,' a three-song EP that blends harsh noise with ambience and elements of black metal. The offering can now be heard below.

Disintegration Annex is the one-man, metal-leaning noise and ambient project of Greg Kennelty. Disintegration Annex is meant to touch on the overarching ideas presented by extreme metal, but ultimately dish out the aural punishment in a freer, looser way.

Kennelty explains, "'Carving Arrows From Idols' is a three-track EP that deals with separate facets of anxiety and fear – weaponization of religious beliefs, sensory overload during particularly bad mental health days, and the fear of death being a disruptive force in everyday life. Carving Arrows From Idols was created during the writing sessions for the upcoming debut Disintegration Annex full-length, but these tracks ultimately felt like one cohesive unit that would be better served as a standalone release. Enjoy!"

The EP can be downloaded HERE.

All writing, production, mixing and mastering were handled entirely by Greg Kennelty.

The cover artwork is a woodcut painting titled "Hell (copy)," created after 1511, and is attributed to an unknown artist working in the style of Hans Baldung.

LAINEY WILSON PERFORMS SOLD-OUT SHOW AT NASHVILLE’S BRIDGESTONE ARENA

On the heels of being named host of the 59th Annual CMA Awards, Lainey Wilson performed a sold-out show at Nashville’s Bridgestone Arena last night as part of her extensive Whirlwind World Tour.

Wilson will return to Bridgestone on November 19 for the CMA Awards ceremony, where she is tied as the most-nominated artist with six nominations: Entertainer of the Year, Female Vocalist of the Year, Album of the Year (Whirlwind), Single of the Year (“4x4xU”), Song of the Year (“4x4xU”) and Music Video of the Year (“Somewhere Over Laredo”). 

The accolades are just the latest in a series of recent milestones for Wilson, who is highlighted on the 2025 TIME100 Next list, featured as the cover star of Southern Living’s November issue (read HERE) and confirmed to headline Stagecoach Festival this spring. Today, she also releases a new version of the holiday classic, “Let It Snow! Let It Snow! Let It Snow!,” with Bing Crosby—listen below.

Known for her electric live performances, Wilson will continue her Whirlwind World Tour through this fall including a sold-out show at New York’s Madison Square Garden next Friday, October 10, before embarking on an extensive headline run across Australia and New Zealand next year. See below for complete tour itinerary, full details can be found at www.laineywilson.com/tour.

Furthermore, Wilson released the deluxe version of her award-winning album, Whirlwind, earlier this summer via BBR Music Group/BMG Nashville (stream/purchase HERE). In addition to Whirlwind’s original 14 songs, the new extended edition features five additional tracks: “Bell Bottoms Up,” “King Ranch, King George, King James,” “Yesterday, All Day, Every Day,” “Peace, Love, and Cowboys” and “Somewhere Over Laredo,” which is currently Top 10 at country radio and continuing to climb.

Released to overwhelming attention from fans and critics alike, “Somewhere Over Laredo” was the most added song at country radio at impact and earned widespread praise from outlets such as CBS Mornings, Rolling Stone and Billboard, who called it “one of her most commanding, dynamic vocal performances to date, crescendo-ing from a soft-focus, tender vocal, before gradually reaching into her upper register for powerful moments that heighten the song’s emotional acuity.” 

“The reigning current standard-bearer for women in country” (Variety), Wilson also won four awards at the 60th ACM Awards this past spring—Entertainer of the Year (her second consecutive win), Female Artist of the Year (her third consecutive win), Album of the Year (Whirlwind) and Artist-Songwriter of the Year—performed during last year’s Dallas Cowboys’ Thanksgiving Halftime Show and won two awards at the 58th CMA Awards, where she made her hosting debut alongside Peyton Manning and Luke Bryan. Wilson also recently launched her fourth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection).

The 16x ACM, 9x CMA and Grammy Award-winner and Grand Ole Opry member is a prolific, sought-after songwriter who has scored eight #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” “Watermelon Moonshine” and the 2x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson wrote and recorded “Out of Oklahoma” for the Twisters movie and has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton, Post Malone and more. She will also make her feature film acting debut in next year’s adaptation of Colleen Hoover’s Reminders of Him, after first acting in Paramount’s hit television series, “Yellowstone.”

Photo Credit: Erick Frost

LAINEY WILSON CONFIRMED TOUR DATES

October 3—Noblesville, IN—Ruoff Music Center§

October 4—Cleveland, OH—Blossom Music Center§

October 9—Columbia, MD—Merriweather Post Pavilion§

October 10—New York, NY—Madison Square Garden§

October 11—Mansfield, MA—Xfinity Center§

October 16—St. Louis, MO—Hollywood Casio Amphitheatre||

October 17—Rosemont, IL—Allstate Arena||

October 18—Saint Paul, MN—Xcel Energy Center||

October 21—Nashville, TN—Grand Ole Opry

October 24—Knoxville, TN—Thompson-Boling Arena at Food City Center#

October 25—Charlotte, NC—Spectrum Center#

November 1—The Woodlands, TX—Cynthia Woods Mitchell Pavilion

November 7—Tampa, FL—Amalie Arena#

November 8—Orlando, FL—Kia Center#
December 7—Las Vegas, NV—Lainey Wilson: Wildflowers & Wild Horses
February 6—Auckland, New Zealand—Spark Arena~
February 8—Christchurch, New Zealand—Wolfbrook Arena~
February 11—Brisbane, Australia—Brisbane Entertainment Centre~
February 12—Brisbane, Australia—Brisbane Entertainment Centre~
February 14—Newcastle, Australia—Howlin’ Country~
February 16—Sydney, Australia—Qudos Bank Arena~
February 19—Melbourne, Australia—Rod Laver Arena~
February 20—Melbourne, Australia—Rod Laver Arena~
February 22—Adelaide, Australia—Adelaide Entertainment Centre Arena~
February 26—Perth, Australia—RAC Center~
April 25—Indio, CA—Stagecoach Festival 2026
August 6—Detroit Lakes, MN—WE Fest
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip

§with special guests Muscadine Bloodline and Lauren Watkins

||with special guests Muscadine Bloodline and Maddox Batson

#with special guests ERNEST and Drake Milligan
~with special guests Flatland Cavalry and Kaitlin Butts

KEEP UP WITH LAINEY WILSON
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK 

‘California Cowgirl’ Annie Bosko Delivers Debut Album

Annie Bosko’s roots run deep. Her grandfather and father worked the fields from sunup to sundown as she and her siblings spent their days husking corn in the California sun to a steady soundtrack of George Strait and Patsy Cline, while her mother introduced her to the soaring harmonies of the Judds, Deana Carter, Patty Loveless, Martina McBride and Shania Twain.
 
All of this echoes across California Cowgirl, her debut album of 80s/90s country explosion of shuffles, sweeping ballads and girl-powered anthems. Available now via QHMG/Stone Country Records, listen to California Cowgirl Below.
 
Supplementing her own production work with Tommy Simms (Eric Clapton’s GRAMMY- winning “Change the World”) and Butch Walker (Taylor Swift, Green Day, P!nk), Trent Willmon and David ‘Messy’ Mescon brought California Cowgirlinto a solid country focus.

“Trent really helped build the foundation and recognized how traditional country I wanted to lean – he really supported that,” Bosko says of the man who produced Cody Johnson’s CMA Album of the Year Leather.
 
“With ‘Messy,’ it was taking that, but getting a little outside the box,” she adds. “He was experimental with the idea of mariachi horns and recognized why that was important to me. Because everyone knows ‘Ring of Fire,’ but ‘9 To 5’ wouldn’t be the song it was without the horns, either. So, he gave things a little twist to keep my old school country fresh.”
 
What emerges is a sound that’s so throwback, but so forward, it does feel fresh, as well as live and triumphant in the moment. Whether it’s her “Bright and Blue Sky,” a Haggard-esque love song wrapped in strings and steel guitar, or the plucky “Cowboy Up,” which spins the catchphrase into a good-natured get it together, these are ride-or-die songs for life’s unseen defining moments.
 
“The music doesn’t necessarily sound sad, but there’s vulnerability to some of the songs,” acknowledges Bosko. “I wanted to get back to real honesty, that tenderness and toughness that are the people listening to country. You can have the sass, the honky tonk, the fun stuff, but it’s also in the broken and the resilience, because those rings of emotion are all inside a woman.”
 
The project also features standout collaborations with Dwight Yoakam on “Heartburn” and Joe Nichols on their top 40 duet “Better Than You,” as well as “Old Friends” with Darius Rucker.
 
“That idea that you can’t make old friends is so true. I think about the people who knew me back when I’d show up at kids’ birthday parties singing ‘Part of Your World’ as the Little Mermaid,” Bosko confesses. “They know you better than anyone – and no matter how much time has passed, it's like you never missed a beat. That’s a rare friendship.
 
“And having Darius on this song makes it even more special; he’s been there for so many people through so many seasons, and he really sounds like what this song is about.”
 
From “Watch Me,” the back roads opening “hold my beer” anthem, and the stout Brooks & Dunn-evoking “Honky Tonk Heartbeat” to the playful, Mexican horn section and güiro punctuated “Tequila Time” and title track’s steel-drenched declaration of who she is, Bosko offers a 360 degree sense of what modern country can be, as well as defining a woman’s place in the notoriously macho genre.
 
Indeed, “Country Girls! (Who Runs The World)” is a stomping song written as much from need as celebration.
 
“I grew up going to rodeo events and I’ve sung at a lot of them,” explains Bosko. “There are girls out there with just as much grit, just as tough, and I asked myself, ‘Where’s the song for these girls?’ There wasn’t. So I wanted to write a girl hype song, something that calls out for them! This is one for the girls, by a girl.”
 
With a cover of Kris Kristofferson’s “Help Me Make It Through The Night,” which has garnered over 1 million streams on Pandora, she honors her roots.
 
“Every time I hear this, I’m in the passenger seat of my dad's truck, it transports me back to those fields,” she reveals “I can see it flying by, all that great classic country music he would play when I was a kid. Before I knew what any of it meant, I could hear the emotion.
 
“And it was like that with Shania, all the layers and truth – she got that from Dolly. They’re all country. They’re all real. That’s what I want.”
 
Bosko will hold her album release party tonight, October 3, at Desert 5 Spot in Los Angeles, followed by performances at Nashville’s Whiskey Jam on October 9 and Four Peaks Oktoberfest on October 10.

Annie Bosko Upcoming Shows
 
Oct. 3              Desert 5 Spot || Los Angeles, CA
Oct. 9              WhiskeyJam || Nashville, TN
Oct. 10            Four Peaks Oktoberfest Tempe Town Lake 2025 || Tempe, AZ
Jan. 31             REHAB Telethon & Auction || Abilene, TX
Feb. 20            Los Fresnos Rodeo || Los Fresnos, TX        
 
About Annie Bosko
Raised in California’s Central Valley as a farmer’s daughter, Annie Bosko blends the grit of her roots with the firepower of her influences—including The Judds, Shania Twain, Deana Carter, and George Strait—on her debut album California Cowgirl, available now via QHMG/Stone Country Records. The 19-song collection, featuring collaborations with Darius Rucker, Dwight Yoakam and Joe Nichols, brings traditional country instrumentation into sharp focus while celebrating female strength, vulnerability and joy. Bosko first broke out with the SiriusXM/CMT favorite “Crooked Halo” and was named a Rolling Stone Country Artist to Watch, later making her late-night debut on “Jimmy Kimmel Live!” with “Neon Baby,” which marked her first charting single at Country radio. She has written songs recorded by Willie Nelson and Jessica Simpson, toured with Tim McGraw, Dierks Bentley and Blake Shelton, and sold out Los Angeles’ famed Troubadour.
 

AnnieBosko.com | Instagram | TikTok | Facebook | X

CYNIC Releases 'Focus: The Official Drum and Bass Tracks,' Out TODAY via Bandcamp

CYNIC will release 'Focus, The Official Drum and Bass Tracks' on Friday, October 3, exclusively on Bandcamp. For the first time, fans can hear Sean Malone’s bass and Sean Reinert’s drums in complete isolation from the band’s landmark era. This collection offers an intimate listen into the rhythmic heart of Cynic, revealing the nuance, interplay, and precision that shaped the group’s sound. Listen Below.

CYNIC guitarist and founding member Paul Masvidal comments, "These tracks let you sit inside what feels like an intimate conversation between two master musicians. Malone and Reinert created a foundation that remains vividly alive, existing in its own realm. This release honors their legacy and offers a glimpse into the heartbeat that carried Focus. And for drummers and bass players out there, it is a master class in progressive metal rhythm section work from true visionaries.”

'Focus' is the debut album by American progressive death metal band Cynic, released in 1993. It is renowned for its innovative blend of technical death metal with jazz fusion elements, featuring complex time signatures, philosophical lyrics, and prominent use of vocoder effects on the vocals. The album is considered a landmark in progressive metal, influencing countless bands with its unique sound and intricate musicianship.

This Friday's launch is taking place on Bandcamp Friday, an artist- driven initiative that began in March of 2020 at the height of the Covid-19 pandemic when the shuttering of venues led to a loss of vital tour revenue for artists. Since then, Bandcamp Fridays—on which Bandcamp waives its revenue share and passes the funds directly to artists & labels—has resulted in millions of fans paying over $120 million directly to labels and musicians they love. In addition to helping artists pay the rent, or fund album recordings and tours, Bandcamp Fridays have also become a beacon for artists and record labels looking to raise awareness for causes or raise money for charities.

Wind Walkers Release New EP 'I Don't Belong Here' + Share "Hereditary" Official Visualizer via Fearless Records

Genre-blending metalcore outfit Wind Walkers have today released their new EP 'I Don't Belong Here' (via Fearless Records), the band's latest body of work since their 2023 sophomore album 'What If I Break?'. In celebration of the news, the quintet has shared the official visualizer for their track "Hereditary". When asked about the inspiration behind the song, vocalist Trevor Borg commented:

"This song comes from some of my earliest memories of watching someone I loved change in ways I couldn’t understand. As a kid, you don’t have the power to fix it, you just kind of absorb it. The “shapeshifting” spoken of in the lyrics is about the ways people hide their pain, how they put on new faces to survive, and how that loss of self can be passed down. I wrote it to process how trauma can echo through generations. It’s a very personal song to me, but I think a lot of people know what it’s like to grow up in the shadow of someone else’s suffering and to feel that weight shape who you’ve become."

'I Don't Belong Here' is available now on all streaming platforms at the link here. Watch the official "Hereditary" visualizer below, and stay tuned for more Wind Walkers news coming soon.

Trevor Borg - Vocals

Timothy Comeau - Guitar

Neil Comeau - Guitar

Craig Martin - Bass

Ethan Cheesman - Drums

Remember The Monsters X Orgy Unleash "System Override," a Furious Anthem About a World on the Brink of Collapse

"SYSTEM OVERRIDE" paints a picture of a collapsing society through the lens of personal disillusionment and collective struggle. At its core, it’s about mistrust, division, and the breakdown of systems, whether political, social, or spiritual, that once promised stability but now only deliver emptiness and control.

The recurring imagery of black & white versus color reflects the loss of hope, imagination, and nuance in a world consumed by conflict and polarization. Where once there may have been shades of possibility, everything now feels rigid, divided, and lifeless. The line “Do you dream in color?” becomes a desperate plea for vision, empathy, and renewal in a society that has grown numb and mechanical.

Themes of false leadership and hypocrisy surface throughout: leaders speak of greatness while ignoring suffering, strength is proclaimed while people are oppressed, and overlords exploit the weak.

The climax comes with the declaration of

“SYSTEM OVERRIDE” and the call for a reset. This is an acknowledgment that the current way of living is unsustainable, and only by breaking down the corrupted system can something new and meaningful rise from the ruins.

Overall, "SYSTEM OVERRIDE" conveys both rage and despair, but beneath its bleakness lies a drive for transformation. A recognition that although the present feels hopeless, change is inevitable, and necessary. 

ABOUT THE BAND:

Remember the Monsters is a genre-blending modern rock band known for cinematic soundscapes, emotional intensity, and hard-hitting anthems. Since their 2016 debut, the bands founder Ashten Banks has evolved the group through lineup changes and creative reinvention, most recently joining forces with vocalist Andrew de Neef (Actual Villains, Close to Home) and legendary drummer Elias Mallin, studio & touring drummer with acts like Filter, Noah Cyrus, and Kesha & more. 

Collaborating with producer Matt Good (Asking Alexandria, Hollywood Undead), the band has released standout covers and originals including “Mercy” (ft. NERV), “Haunted” (ft. From First to Last), and “Hostage” (ft. Paul Bartolome). 

Most recently, the band is poised to release two of their most dynamic songs to date. Starting with “SYSTEM OVERRIDE” which features Jay Gordon from ORGY and followed by their most aggressive and intense single & music video to date “INFECTED” which was co-written with former Asking Alexandria guitarist Ben Bruce. 

Melinoe unveil their first full-length opus, Affliction In Bloom,

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release on October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

  • Nadine  (Vocals/Keys)

  • Travis (Guitars)

  • Kaleb (Drums)


Album Credits:

  • Producer: Logan Clough, Justin Gregorio

  • Recording Studio: Creative Cult Recordings, Vanta Co Recordings

  • Engineer: Logan Clough

  • Mastering: Logan Clough

  • Mixing: Logan Clough

Album Cover Artist: Nadine

HENCE REINVENTS SOFT CELL’S ICONIC ‘SEX DWARF’ WITH A SURREAL, THEATRICAL TWIST.

Hence — the Anglo-Danish collective known for transforming coincidence into art — have released their latest single: a radical reimagining of Soft Cell’s cult classic ‘Sex Dwarf’. More than just a cover, Hence’s version is a full-scale reinvention. Where the original throbbed with sleaze and synth-driven menace, Hence lean into the decadent, surreal and theatrical. Layers of modular electronics collide with dark disco beats, while their signature universe of silver spheres, poodle masks, and modular chaos refracts the song into something at once familiar and entirely new. For Hence, the choice of ‘Sex Dwarf’ was not coincidence alone, but a chance to trace a line back to their synth heritage. “It’s about taking something iconic, shaking it loose and letting it mutate through our collective,” the band says. “Soft Cell’s original was already outrageous. We wanted to push it through our lens of absurdity and meaning — until it became both homage and subversion.”

The track follows Hence’s April 2025 release ‘Steadying The Ship’, which established the band’s reputation for existential lyricism and cinematic soundscapes. With ‘Sex Dwarf’, Hence showcases the other side of their DNA: playful provocation, theatrical excess and fearless reinvention.

“Hence is more than just a band,” they added. “It’s a community of chance. Every collaborator leaves a fingerprint and every accident is welcomed as part of the final work.”

Das Konductor makes his second appearance in the Hence universe - this time stepping forward not just as a spectral narrator but as a full vocal presence. On Hence’s radical reimagining, Das Konductor lends his unmistakable voice, twisting decadence into theatre, menace into play.

“We live in a time of sharp debates about what can and can’t be said. With Hence, we believe in the strength of artistically expressed absurdities. Borders can be set by politics but they are felt through the arts. What we love is how the unconventional inevitably turns us back toward the conventional, and vice versa. That interplay with life is, to us, the foundation of art.” – Knuth, Hence

With this performance Hence has shaped its provocative reinvention into something that is at once homage and subversion. Das Konductor also returns in ‘Jewels Of The Night’, delivering the spoken passages which introduce the forthcoming video with nocturnal poetry.

Performed by Hence & Das Konductor
Produced & Mixed by Knuth
Mastered by Jaran Hereid
Remixed by Aesthetic Perfection
Written by Marc Almond & David Ball
Published by Arto-Music/Warner Chappell Music
℗ 2025 Cosmic Cassettes 

Hooded Menace Premiere Lachrymose Monuments of Obscuration

For more than two decades, Hooded Menace have stood as the pillar between two realms of underground metal. The Finnish band are still transfixed by classic horror on their monumental new album. But Lachrymose Monuments of Obscuration only goes to show that these stewards of death-doom remain far from stuck in their ways. 

Lachrymose Monuments of Obscuration comes out tomorrow, Friday, October 3, but you can hear all seven earthshaking tracks today by listening to the full album stream below. 

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration


Pre-save on Spotify
https://open.spotify.com/prerelease/3Os1kbdsMgl805olZjrZUr

Ask the band anything about Lachrymose Monuments of Obscuration during tomorrow's Reddit AMA. 

Hooded Menace AMA 
r/Metal
Friday, October 3 @ Noon EST / 18 CEST

Join
https://www.reddit.com/r/Metal/comments/1nr7jx3/hooded_menace_ama/

On Lachyrmose Monuments of Obscuration, Hooded Menace cast death-doom in a ghostly new light. 

Line-up
Harri Kuokkanen — Vocals
Lasse Pyykkö — Guitar, Bass, Keyboards
Pekka Koskelo — Drums

Guest Musicians
Antti Poutanen — Cello
John McNulty — Spoken Word

Production Credits
Recorded by Heikki Marttila at Guru Studio, Joensuu, Finland.
Mixed by Heikki Marttila.
Mastered by Jaime Gomez Arellano at Orgone Studios, Portugal.

Cover Art
Wes Benscoter (https://www.wesbenscoter.com)

Photography
Pasi Nevalaita

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration

Available formats
Digital download
CD Digipack
12" Vinyl (Black)
12" Colored Vinyl (Red)
12" Colored Vinyl (Purple)
12" Colored Vinyl (Crystal clear with red and blue marble)
12" Liquid-filled Vinyl (Slime yellow)


Follow Hooded Menace
Bandcamp: https://hoodedmenace.bandcamp.com/music
Facebook: https://www.facebook.com/hoodedmenaceofficial/
Instagram: https://www.instagram.com/hoodedmenaceofficial/
Spotify: https://open.spotify.com/artist/10mjw8SFRZjS0d8tecdEW8
Apple Music: https://music.apple.com/artist/hooded-menace/364200709
Deezer: https://www.deezer.com/artist/3748981
Tidal: https://tidal.com/browse/artist/4754969

THE NARRATOR - Release Video For New Single 'Pills From The Start'

Following the Summer festival season, with shows at some of the biggest and most renowned metal festivals in Europe, such as Wacken and Summer Breeze, modern metalcore sensation THE NARRATOR have unleashed a new single called 'Pills From The Start'. The blistering, groove led anthem is tackling toxic friendships that leave a lasting scar. The struggles with pain of self-worth can be heard in the visceral delivery from vocalist Fabian Jochum throughout the song. Alongside the single, a music video has been released, which you can watch below.

Just like the previous single, 'Unbind Me', 'Pills From The Start' was mastered by Grammy award winning mastering engineer Ted Jensen at Sterling Sound.

If you want to catch THE NARRATOR live, which is highly recommended: the band will embark on an extensive European tour with ANNISOKAY starting October 10th. Be quick as tickets are going fast. You can find all confirmed dates at the bottom. Furthermore, a hometown headline show in Essen has been announced for December 20th, 2025, rounding off a successful year for THE NARRATOR with a party for the ages!

THE NARRATOR commented:
”'Pills From The Start' is about finding your own worth even when toxic friendships try to drag you down. Playing it live on our upcoming tour will be the perfect way to turn that message into a shared experience with our fans."

Stream 'Pills From The Start': 
https://thenarrator.bfan.link/pills-from-the-start

Watch the music video for 'Pills From The Start' Below.

About THE NARRATOR:

THE NARRATOR were founded in 2017 in the Ruhr area of Germany and have been captivating audiences with their energetic songwriting and electrifying live performances from the very beginning. After successful tours and festival appearances, THE NARRATOR steadily made a name for themselves in the global metalcore scene.

In September 2024, THE NARRATOR released their highly anticipated debut album Lore – 10 tracks that speak volumes, boasting an impressive 12 million streams across all platforms to this day. Their latest single, 'Unbind Me',  mastered by Ted Jensen (STERLING SOUND – BRING ME THE HORIZON, GREEN DAY, KORN, and many more), proved once again that THE NARRATOR is essential for every modern metal playlist. But one thing is certain: the best is yet to come!

ORDEN OGAN Unleash New Single "Conquest", Live In Oberhausen, While Touring With WINDROSE and ANGUS MCSIX

German dark power metal force ORDEN OGAN have dropped a thunderous new live version of their fan-favorite track “Conquest”, taken from their latest full-length The Order Of Fear, released in July 2024 via Reigning Phoenix Music here.

Recorded during the band’s Tour of Fear in the sold-out Turbinenhalle in Oberhausen, Germany, this version captures the raw intensity and electric communion between the band and their audience. “Conquest” has quickly risen to become a staple in the ORDEN OGAN setlist, and this live cut shows exactly why: riffs sharp as steel, massive choruses, and a crowd roaring as one. ORDEN OGAN once again prove that true power metal lives on stage: loud, larger than life, and unforgettable!

Frontman Sebastian "Seeb" Levermann states:

“'Conquest' has become one of the absolute fan favorites within the last 12 months since the release of The Order of Fear. This recording was captured in the sold-out Turbinenhalle (Oberhausen, Germany) on ORDEN OGAN’s Tour of Fear. I think we managed to capture the energy between band and audience. Enjoy!”

Stream/Download "Conquest" here: https://ordenogan.rpm.link/conquestlive

Don’t miss the chance to experience "Conquest" and other ORDEN OGAN hymns
live on their upcoming tour with WIND ROSE and ANGUS MCSIX:

Tickets & Info: https://ordenogan.de/pages/on-tour

About ORDEN OGAN:
ORDEN OGAN are an essential part of the international metal scene with their top status leading back to their debut album Vale (2008). Their 2021-album, Final Days, even reached position 3 of the official German Album Charts, and having up to more than half a million monthly listeners on Spotify makes them one of the most successful metal acts when it comes to streaming. Epic melodies, impactful lyrics and unmistakeable passion for the genre define the band's work, and their latest studio offering The Order Of Fear only continued their musical journey by promising fans a monumental experience.

Led by Sebastian "Seeb" Levermann, the seventh album is arguably their hardest- hitting work to date. The Order Of Fear persists the ORDEN OGAN saga with a triumphant lesson in dark power metal: the album features eleven powerful tracks (including a spoken interlude) that offer a fresh perspective on the band's ever- evolving sound, resulting in an explosion of thought-provoking melodies and rhythms.

The Order Of Fear once again hit the German Album Charts at #3, followed by spectacular festival performances and their very well received Tour of Fear.

The Order Of Fear was released on July 5, 2024 through RPM as an exclusive box-set (including a CD-digipak and a unique board game for up to 32 players to make fans act as various characters of the ORDEN OGAN world), coloured 1LP vinyl (splatter, crystal clear or clear turquoise), and CD-digipak.

Visit: https://ordenogan.rpm.link/theorderoffearPR

[Photo: NatEnemedePhotography]

ORDEN OGAN are:
Sebastian "Seeb" Levermann | vocals
Niels Löffler | guitars
Patrick Sperling | guitars
Steven Wussow | bass
Dirk Meyer-Berhorn | drums

More on ORDEN OGAN:
ordenogan.de | Facebook | Instagram | X | YouTube
greenman-studios.de | Facebook Seeb | Instagram Seeb

DREW BALDRIDGE’S “CALL ME IF YOU GET ONE” OUT NOW

Chart-topping singer-songwriter Drew Baldridge released his nostalgic new song, “Call Me If You Get One,” via Lyric Ridge Records/BBR Music Group/BMG Nashville. The track, written by Brian Fuller,  Michael Lotten and Jordan Walker is now available HERE.

Rooted in Baldridge’s personal brand of Farm, Faith and Family, “Call Me If You Get One” draws inspiration mirrored in his own upbringing in southern Illinois. Growing up, Baldridge’s dad and grandpa would always say, “Call me if you get one,” whenever one of them would go hunting. Now, as a father himself, Baldridge looks forward to passing that tradition down to his son.

More than just a hunting story, the song captures the timeless bonds between generations and the emotions tied to cherished memories in the great outdoors. With heartfelt lyrics and Baldridge’s signature warmth, “Call Me If You Get One” is a reminder of the simple yet powerful ways family traditions carry forward through love and legacy.

“This song is really special to me,” says Baldridge. “It’s about those little things my dad and grandpa used to say that stuck with me. Now, I get to share those same memories and traditions with my son, and that means the world.”

​​To celebrate the release, Baldridge has teamed up with Rural King to highlight their shared values of family, tradition, and the outdoors. Fans who pre-save/add “Call Me If You Get One” with Spotify and Apple Music will be entered to win an exclusive Rural King prize bundle featuring hunting gear and outdoor essentials.

“Call Me If You Get One” joins recent releases “Deserve Her” and “Get Me Gone” featuring Emily Ann Roberts, expanding Baldridge’s growing catalog of new music as he continues writing and recording for an upcoming full-length project. Ahead of this week’s new release, he will perform at the NSAI Awards on Tuesday, September 23, highlighting his talents as both a performer and songwriter. Baldridge recently wrapped back-to-back tours with Cody Johnson and Bailey Zimmerman, and this fall he will join Jelly Roll and Shaboozey on the Down Under Tour 2025 before launching his own Country Born Tour across the UK and Europe.

ABOUT DREW BALDRIDGE:
Drew Baldridge is carving out a lane all his own with songs rooted in Farm, Faith, and Family. His 2025 highlights include the release of “Deserve Her,”  “Get Me Gone” featuring Emily Ann Roberts and his latest “Call Me If You Get One,” as well as a moving collaboration with Dove Award-winning collective I AM THEY on “Scars.” Baldridge’s latest radio single, “Tough People,” became his second consecutive Top 10 hit, following the RIAA GOLD-certified smash “She’s Somebody’s Daughter,” which reached No. 1 on Country Aircheck/Mediabase and No. 3 on Billboard Country Airplay. Notably, he is the only self-funded artist ever to hit No. 1 on Country Aircheck/Mediabase with his first chart-topping single via his Lyric Ridge Records label and holds the distinction of being the highest-charting independent artist ever on the Billboard Country Airplay chart. With more than 1.1 billion streams and impressions and 2 million social followers, Baldridge has quickly become one of country music’s most-watched rising voices. A powerhouse performer and songwriter signed to Sony Music Publishing, Baldridge has written more than 500 songs with cuts by Bailey Zimmerman, LOCASH, and others. He has toured with Cody Johnson and Bailey Zimmerman, and this fall will join Jelly Roll and Shaboozey on the Down Under Tour 2025 before launching his own Country Born Tour across the UK and Europe. Named to the CRS “New Faces” Class of 2025, an iHeartCountry “On The Verge”artist, and MusicRow’s Independent Artist of the Year, Baldridge continues to build a career that blends authenticity, perseverance, and a deep connection to fans.

KEEP UP WITH DREW BALDRIDGE
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

Dayseeker Have "Bloodlust" — WATCH + LISTEN

Fresh off an epic performance in front of tens of thousands of rabid fans at Louder Than Life in Louisville, Kentucky this past weekend, Southern California's DAYSEEKER — Rory Rodriguez [vocals], Gino Sgambelluri [guitar], Ramone Valerio [bass], and Zac Mayfield [drums] — have released the visualizer for "Bloodlust."

Watch and listen below. 
 

"'Bloodlust' is one of the more eerie and chaotic tracks on the record. It's about people in your life who want to metaphorically drain the blood from you — those you can't trust and don't belong in your life,' says Rodriguez.

The track is the band's newest single from the upcoming album Creature In The Black Night, out October 24 via Spinefarm. Pre-save it here.

 Produced by Daniel Braunstein (Spiritbox, Silent Planet) and mixed by Zakk Cervini (Blink-182, Bring Me The Horizon, Lorna Shore), the album is Dayseeker's most immersive and intentional record to date — eerie, cinematic, and threaded with a dark (and sexy) emotional current.

While not a concept album in the traditional sense, Creature in the Black Night exhibits thematic cohesion, from its shadowy visual identity, Grim Reaper iconography, and ominous atmosphere, to how its songs unfold like chapters. "There’s a horror-inspired vibe that took hold early on," Rodriguez explains. "It wasn't planned. But once it started showing up in the songs, we leaned into it." 

Fans expecting a sorrowful descent into depression might be surprised — Creature In The Black Night has sharper edges, heavier riffs, and a newfound sense of clarity. "There was this idea that we'd get more and more commercial over time," Rodriguez says. "But I think the opposite happened — we're riffing more, I'm screaming more. And it feels good. It feels honest."

Dayseeker hasn’t just evolved. They've ascended. 

Dayseeker will spend the rest of 2025 on tour. They are serving as support for both Ice Nine Kills and In This Moment through the fall. All dates are below.

DAYSEEKER ON TOUR:
SUPPORTING IN THIS MOMENT:
9/27 — El Paso, TX — Speaking Rock Entertainment Center 
10/1 — Los Angeles, CA — Hollywood Palladium
10/2 — Las Vegas, NV — The Pearl Concert Theater
10/3 — Paso Robles, CA — Vina Robles Amphitheater
10/4 — Sacramento, CA — Discovery Park
10/8 — Spokane, WA — The Podium 
10/10 — Idaho Falls, ID — Mountain Center America 
10/11 — Casper, WY — Casper Events Center
10/12 — Colorado Springs, CO — Ford Amphitheater 
10/14 — Kansas City, MO – The Midland Theatre
10/19 – Columbus, OH – KEMBA Live!
10/21 – Atlanta, GA – Coca Cola Roxy
10/23 — Greensboro, NC – Greensboro Special Events Center
10/24 — Bethlehem, PA – Wind Creek Events Center

Additional European tour dates are available here. 

METAL ICONS JUDAS PRIEST AND OZZY OSBOURNE UNITE ON “WAR PIGS – CHARITY VERSION” OUT NOW

Sony Music are proud to announce the release of “War Pigs – Charity Version”featuring Ozzy Osbourne in collaboration with globally revered rock icons Judas Priest. This historic rendition of the Black Sabbath classic was released today, with all profits donated to The Glenn Tipton Parkinson’s Foundation and Cure Parkinson’s. Get it HERE.

This emotionally charged release unites the titans of British heavy metal one last time in a project born from friendship, mutual respect and a shared mission to fight Parkinson’s disease - a cause close to the hearts of both bands. Initially conceived as a tribute video for Ozzy and Black Sabbath after Judas Priest were unable to join them at the Aston Villa show due to prior commitments with The Scorpions’ 60th Anniversary show in Hannover, the project quickly grew in purpose and power.

When Judas Priest suggested turning the tribute into a full-blown charity single, the idea struck a chord with Sharon and Ozzy Osbourne. With Glenn Tiptoncontributing guitars despite his ongoing battle with Parkinson’s, and Rob Halford and Ozzy Osbourne trading alternate vocal lines, the result is a raw, soaring, and poignant version of the iconic “War Pigs.”

A collaboration between the icons @judaspriest and @ozzyosbourne. All profits of Sony Music Entertainment UK Ltd and Epic Records in the UK from audio streams, downloads, and physical sales of the recording ‘War Pigs (Charity Version)’ will be donated to The Glenn Tipton Parkinson’s Foundation and Cure Parkinson’s.

Skillet Announce 2026 Return to Europe Ahead of Sold-Out South American Shows + The Awakening US Tour with Jeremy Camp

22x platinum, GRAMMY-nominated rock band SKILLET have announced their return to Europe next spring along with the release of their "SHOWTIME" live track and video. The spring tour will hit 23 cities including London, Glasgow, Paris, Munich, Warsaw, and Barcelona, with tickets on sale now at Skillet.com.
 

Reinforcing their reputation as a band with a massive global impact, SKILLET will hit South America this October, with Lima, Peru, and Belo Horizonte, Brazil already SOLD-OUT and Mexico City moving to a larger venue to accommodate crowd demand. Later this fall, they'll tour across the U.S. with Jeremy Camp. All tour routings below. 
 

The fall South American dates and upcoming European spring tour follow SKILLET's summer 2025 international trek throughout Lithuania, Sweden, Poland, Germany, Italy, Croatia, Belgium, and more, which saw them perform in front over nearly 400,000 fans. 

SKILLET U.S. AWAKENING TOUR: 
11/6 — Toledo, OH — Huntington Center
11/7 — Dayton, OH — Wright State University Nutter Center
11/8 — Johnson City, TN — Freedom Hall Civic Center
11/9 — Fayetteville, NC — Crown Coliseum 
11/13 — Jonesboro, AR — First National Bank Arena
11/14 — Sugar Land, TX — Smart Financial Centre at Sugar Land
11/15 — Belton, TX — Cadence Bank Center (at Bell County Expo Center) 
11/16 — Longview, TX — LeTourneau University Belcher Center (SOLD OUT)
11/20 — Pensacola, FL — Pensacola Bay Center
11/21 — Athens, GA — The Classic Center Arena (formerly Akins Ford Arena)
11/22 — Clarksville, TN — F&M Bank Arena
11/23 — Huntsville, AL — Propst Arena at Von Braun Center
11/29 — Mt. Pleasant, MI — Soaring Eagle Casino & Resort 

ABOUT SKILLET: 
After nearly three decades, eleven albums, and thousands of shows worldwide, Skillet play louder, fight harder, and sound more rebellious than ever. As of 2024, the band have received two-time GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide, they have notched multiplatinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Not to mention, they have regularly attracted 10 million monthly listeners on Spotify, boasting "one of the most-streamed rock songs of all-time," with the 5x-platinum "Monster." Their presence has impressively surged throughout popular culture with syncs by WWE, Marvel, ESPN, and NFL in addition to coverage from USA Today, The New York Times, and more. As a live force of nature, they have touched down on five continents and in 32 countries, packing arenas everywhere from the Middle East to Russia. Not to mention, Skillet expanded their world with the graphic novel series EDEN. The first installment stood out as Z2 Comics' best-selling book of all-time. Now, the global hard rock quartet — John Cooper [lead vocals, bass], Korey Cooper [guitar, keys], Jen Ledger [drums, vocals], and Seth Morrison [lead guitar] — deliver an insurgent, infectious, and inimitable body of work with their twelfth full-length offering and first-ever independent album, REVOLUTION, led by the single "Unpopular" and focus tracks "All That Matters" and "Ash In The Wind." 

SOULFLY | RELEASE MUSIC VIDEO FOR NEW SINGLE 'NIHILIST' FEAT. TODD JONES OF NAILS

Arizona, extreme metal trailblazers SOULFLY will deliver their tribally fueled thirteenth album CHAMA on October 24th 2025 via Nuclear Blast Records. Once again, a remarkable testament to the Brazilian songwriter’s natural affinity for slamming yet rhythmic riffs that defined his signature sound to listeners around the world. A true return to the spiritual upbringing of SOULFLY that somehow bears a modern-day edge and vitality. Something that could only be attained by a true master of the craft, and Max has stunned us all again.

The latest song from SOULFLY 'Nihilist'  continues the Cavalera family legacy with a track that is a testament to raw aggression. The song features the bands legendary sound enhanced by the evolving role of Zyon Cavalera as producer. The track not only delivers on the band's hallmark sound but it injects a modern, vital, sonic assault onto the listener and features Todd Jones of NAILS. Watch the music video directed by Costin Chioreanu, Below.

Max Cavalera comments, “My lyrics are inspired by LG of Entombed and Nihilist. He left this earth in 2021 and he was always a big influence on me. This is one of the heaviest songs on the record and I love the fact that we went to Bulgaria to make the video. Todd Jones is the special guest on the song, delivering the hardest line on the record. ‘I don’t believe in anything!’”

Mike De Leon states, "From the depths of the deepest tribes, we bring you the new Soulfly. This being my first official video ever with the guys, is a complete honor. Enjoy it, crank it up and start the living room mosh pits!"  

Pre-order/pre-save Chama:: 
https://soulfly.bfan.link/chama

Stream 'Nihilist' feat. Todd Jones of NAILS:
https://soulfly.bfan.link/nihilist

Chama is now available for pre-order in the following formats:

  • CD Jewel

  • Vinyl

    • Yellow and Orange Corona (Worldwide)

    • Transparent Red w/ White Splatter (Nuclear Blast)

    • Red and Black Marbled (Revolver Exclusive)

    • Picture Disc (SOULFLY Exclusive)

  • SOULFLY T-Shirt

CHAMA was recorded at the Platinum Underground Studio in Mesa, Arizona by John Aquilino. John has worked with Max and company multiple times before and is not only a talented engineer but a family friend. The album was produced by Zyon Cavalera and Arthur Rizk. The latter was also responsible for the mixing and mastering. Rizk has not only worked with the Cavalera family numerous times before, but has also helped to shape the world of heavy metal in the modern day. SOULFLY enlisted Carletta Parrish to create the album artwork. For the album, Igor Amadeus Cavalera (GO AHEAD & DIE, NAILBOMB, HEALING MAGIC) played bass and Mike De Leon played guitar. The album also includes features from Dino Cazares (FEAR FACTORY) and Todd Jones (NAILS).

SOULFLY's line-up on Chama is :
Max Cavalera | Vocals & Guitar
Igor Amadeus Cavalera | Bass
Zyon Cavalera | Drums
Mike De Leon | Guitar

More information:
https://www.facebook.com/SoulflyOfficial
www.instagram.com/thesoulflytribe
www.x.com/thesoulflytribe
open.spotify.com/user/soulflyband
www.youtube.com/@soulfly
www.tiktok.com/@thesoulflytribe

Whiskey Myers Strike with 'Whomp Whack Thunder'

Whiskey Myers has never cared for categories or boundaries, and with their seventh studio album Whomp Whack Thunder, hailed by Rolling Stone as “their most supercharged album yet” that “sounds on the whole like an invigorated, freewheeling rock band in its prime,” the multi-Platinum independent band delivers the sweat and soul that have defined their career. Available now via the band’s own Wiggy Thump Records, listen below.
 
“I never said, ‘We are a rock band,’” explains frontman Cody Cannon. “We were just a band. Really, we’re a road band. We did it the old school way: played every bar, every night and cut our teeth. That’s a lot of experience and wisdom earned. It’s all we’ve ever done. It builds character, hones your skill and gets some grit on you.”
 
For the band from East Texas, success was built from concentric rings of local bars turning to bigger bars, longer runs and traveling further and further from home. The will to thrive wherever they could set up and play fueled an unstoppable group of friends, determined to see how far the ride could take them.
 
And since topping Billboard’s Country Albums, hitting No. 2 on Active Rock and No. 6 on the Billboard 200 chart, in addition to garnering 4.1+ billion global streams, over 2.7 million in sales and 9 RIAA Certifications, Whiskey Myers wanted a new, more robust way to do the things that set them on fire.
 
Having self-produced their last two records, the band enlisted GRAMMY-winning producer Jay Joyce, who provided a freedom to be in the moment, sparking off each other and not having to worry about anything except playing, singing and responding with what the songs required. Always a spontaneous group of players, Whomp Whack Thunder delivers a leaner, more boot to the kneecap immediacy.
 
“I don’t know how it happens,” guitarist John Jeffers confesses. “The emotions here are all different, but we really want people to feel all of it – and that’s rock and roll. People have forgotten what rock and roll is: blues-based, some country to it, but coming hard.”

The band will also perform a special pregame concert for Dallas Cowboys fans at the Miller Lite®House at AT&T Stadium this Sunday, September 28, at 4:50 p.m., just before the Cowboys take on the Packers. Doors to Miller Lite®House open at 3:00 p.m., and all fans with a game ticket are invited to attend. Please note, the concert is standing room only.
 
The What We Were Born To Do Tour continues tonight in Oklahoma City with dates through mid-October. At last night’s stop in Austin, Texas at Moody Amphitheater, fans were treated to onsite activations celebrating the release of Whomp Whack Thunder, adding to the already high energy of the night.
 
The band will also headline their own personally curated Moon Crush “Whiskey Moon” music vacation taking over Miramar Beach, Fla. Nov. 7-9 ahead of Whiskey Myers & Friends, bringing a special, stripped-back version of their multi-Platinum catalog to the Northeast this December.
 
For more information and to purchase tickets to all upcoming dates, visit WhiskeyMyers.com and follow on social media @WhiskeyMyers.

Upcoming Whiskey Myers Tour Dates
What We Were Born To Do Tour
Sept. 26  ||  Oklahoma City, Okla.  ||  Paycom Center
Sept. 27  ||  The Woodlands, Texas  ||  The Cynthia Woods Mitchell Pavilion
Oct. 9  ||  Chattanooga, Tenn.  ||  Soldiers and Sailors Memorial Auditorium
Oct. 10  ||  Greensboro, N.C.  ||  White Oak Amphitheatre at Greensboro Coliseum Complex
 
Whiskey Myers & Friends Acoustic Shows
Dec. 5  ||  Philadelphia, Pa.  ||  The Met Philadelphia
Dec. 6  ||  Brooklyn, N.Y.  ||  Brooklyn Paramount
Dec. 7  ||  Montclair, N.J.  ||  The Wellmont Theater
Dec. 9  ||  Scranton, Pa.  ||  Scranton Cultural Centre at the Masonic Temple
Dec. 11  ||  Wallingford, Conn.  ||  Oakdale Theatre
Dec. 12  ||  Albany, N.Y.  ||  Palace Theatre
Dec. 13  ||  Boston, Mass.  ||  Orpheum Theatre
 
Additional Dates
Sept. 28  ||  Arlington, Texas ||  Miller Lite House® at AT&T Stadium 
Oct. 11  ||  North Charleston. S.C.  ||  Riverfront Revival Music Festival
Oct. 18  ||  Lincoln, Ala.  ||  Talladega Superspeedway
Nov. 7-9  ||  Miramar Beach, Fla.  ||  Moon Crush “Whiskey Moon”

About Whiskey Myers
Genre-bending band Whiskey Myers have played nearly 3,000 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show. The band is poised to begin their next chapter with their highly-anticipated seventh studio album Whomp Whack Thunder, available now via the band’s own Wiggy Thump Records, with lead single “Time Bomb” climbing the Active Rock radio charts. Their previous project, Tornillo, featured the No. 17 most-played Americana song of 2022, “John Wayne,” and followed breakthrough album Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 2.7 million albums and amassed over 4.1 billion streams while earning nine RIAA Gold, Platinum and multi-Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned sync success with features in Paramount’s hit shows “Yellowstone” (including an on-screen performance) and “Landman,” plus Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team,” among others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”

Adam Mac Releases New Track "Old Photograph"; Third Studio Album 'Southern Spectacle' Out Oct. 24

Rising country singer/songwriter and self-proclaimed “Southern spectacle” Adam Mac continues to pave his own lane as one of the genre’s most dynamic new voices with his latest release “Old Photograph,” available today. The track called “a powerful country pop anthem” by Holler, showcases Mac’s blend of unabashed honesty and tender storytelling and comes on the heels of recent release “All Dollars, No Sense,” which Billboard hailed as a “must-hear” calling it “a bold, dancefloor-ready fusion of country and pop.” The track is another taste of new music from the man dubbed “cowBoy George” by his fans who is set to release his third studio album, Southern Spectacle, on October 24. Listen to “Old Photograph” Below and pre-Save Southern Spectacle HERE.

"Southern Spectacle has been two years in the making," Mac shared exclusively with Holler regarding the album. "It’s bold, vulnerable and the most authentic I’ve ever been on a record. Every track is drawn from a lived experience, stories shaped by setbacks and triumphs. It’s my queer country experience seen through a technicolor neon lens. This album is me stepping into my power as a Southern Spectacle, and I hope folks find that same courage in themselves."

Written by Mac alongside Dani Stacy, “Old Photograph” is a raw, emotional ballad about an almost-lost love. With Mac’s striking falsetto, the track captures the fragile line between lasting love and what could have been a fleeting connection—one that, if missed, might have been reduced to nothing more than a faded picture in the back of a drawer. 

“‘Old Photograph’ is about gratitude for timing,” shares Mac. “How meeting the right person at the wrong time could’ve meant they’d only ever be a memory. But instead of being just an old photograph in the back of a drawer, you get to build a life with your person.”

The new song follows a flurry of recent releases from the forthcoming album including title track “Southern Spectacle,” wedding anthem “Last Rodeo,” and “All Dollars, No Sense” which Billboard opined, “With its infectious groove, sizzling guitar, timely message, and Mac’s effortlessly smooth vocals…becomes a memorable anthem.” Together, these tracks set the stage for Mac’s most ambitious and unapologetic project yet.

Unafraid to sparkle in the spotlight – or speak his truth, Mac continues to capture hearts with his Southern flair, raw truth and glitter-soaked twang. Southern Spectacle was produced by Jason Mater (with additional production by Sean Trainor, Warren Riker and HALLIE). The danceable fusion of country and modern pop was recorded over two days at Nashville’s Black River Studios and cements Mac’s reputation as one of the genre’s most original voices. 

“People want things to be like ‘this’ or like ‘that,’ and there’s not a lot of space for ‘both,’” Mac explains. “But I can be glamorous and flashy, and also raised on a Kentucky farm, with all the same values you have. I have just decided to embrace the full spectrum of who I am.
 
“I’m making music that I wish I had growing up – that I wish I could have seen myself in,” he shares. “And I feel like we’re doing something right.”
 
Mac was raised in Russellville, Kentucky, about an hour north of Nashville (and a world away from Music Row). A farm-and-church kid who loved The Spice Girls and Shania Twain and couldn’t stop singing, he soon moved on from bedroom vocal clinics to Sunday services and talent shows and started writing songs after losing a dear friend in high school. 
 
Mac also realized he was gay, and that was something to put out of sight. Enduring the typical pressure to “fix” his “unacceptable” truth, which he had fully internalized by age 22, he moved to Nashville to write songs he thought the mainstream would accept. By his own admission, nearly 10 years of struggle led nowhere – Mac’s agile vocal just wasn’t enough to overcome his vanilla vision of country pop. But with the pandemic, Mac realized he was doing “three chords and the truth” all wrong.
 
“I was trying to appease the masses and not ruffle feathers, or even hint at the fact I was a queer country singer,” he explains. “Then I decided to do what I loved and write songs without anything other than just being honest. With hindsight it’s like ‘Well, duh. That’s obviously what you should have been doing the whole time!’”
 
The creative epiphany worked wonders. Fusing vocal soul with a danceable country-funk mix (and the full fabulousness of his personality), 2023’s breakout hit “Disco Cowboy” set Mac free. The rapturous music video held the No. 1 spot on CMT’s 12-Pack Countdown for four weeks, leading to a full album of the same name and many conversations. 
 
Dubbed “country music’s very own Elton John” by PEOPLE, Southern Spectacle is a definitive intersection of country music and queer identity. Twelve songs co-written by Mac with close friends (including an additional queer creator on most of the album’s tracks) mark a work of cloud-nine courage, with a resilient, revelatory sense of self-acceptance. Louder and prouder than ever, Mac dives further into the world he established on Disco Cowboy. “It’s so autobiographical to me, and also the starting point of where we left off,” he says. “This is the most honest I’ve been in any music – I really held no filter on it.”
 
In large part, that meant finally embracing his own story, contrasts and quirks included. 
 
“This album is a journey through a multitude of feelings – from feeling like you stand out in a small town, to growing up with an older sibling who was the epitome of everything your father wanted,” he says. “It feels like the complete story of where I’ve been, especially after the past two years.”
 
As a visible queer voice in country music today, Mac’s journey has not been without challenges. When he was scheduled to headline the Logan County Tobacco and Heritage Festival in his conservative hometown, backlash from local pastors sparked national headlines. His strength in the face of hate drew support from fans, hometown friends and celebrities alike – including Maren Morris, Kelsea Ballerini and Brandy Clark – and led to a guest appearance on Morris’ Lunatics Tour in Chicago.
 
As a lifelong outsider who’s learned to make his own space the central message of his work –  he wants everyone to know they matter, even if they’re complicated. So have a little fun.
 
“I hope that my community feels seen and represented and safe, and they have words for things they felt but were never able to explain,” he says. “For people outside of our community, I just hope they feel the joy – because that’s the way to make change. How do you argue with someone’s happiness?”
 
With his magnetic presence and rich storytelling, Mac continues to carve out space for queer voices in the country format showing that there’s room for every kind of story. For the latest news and updates follow along on Instagram, TikTok and Facebook @adammacmusic and online at adammacmusic.com.

DUSTIN LYNCH AND MC4D ARE COMING “HOME TO YOU” — OUT NOW

Dustin Lynch has already secured his place as one of country’s modern hitmakers with 10 #1s, billions of streams, and a career built on headlining tour anthems. But rather than slowing down, he is teaming up with twin-brother folktronica duo MC4D  to break new ground with “Home To You,” a new release penned by Lynch, Matt & Chris Drake (of MC4D), Brandon Davis, and Trent Tomlinson that fuses country grit with the pulse of the global nightlife scene. Listen Below.

“I’m fired up to finally drop ‘Home To You’ with MC4D,” shares Lynch. “We’ve been testing it out in the club sets day and night, and it’s been electric — jumping into this new lane has awakened a whole new part of my soul. Getting to create and collaborate in new ways this far into my career has been some of the most fun and fulfilling music-making I’ve ever done. Can’t wait for y’all to feel this one when it hits.”

“We’ve looked up to Dustin and his music for so long, and being able to do a song with him has been an incredible experience,” adds MC4D. “He’s pioneering such a unique lane when it comes to his country-EDM project, and we’re so grateful for the energy and excitement that he’s brought to this song. ‘Home To You’ feels like the perfect mix of Dustin’s hit country sound and our melodic EDM project, and stylistically we feel it really stands apart in the developing country crossover landscape. It reminds us of the timeless country/Americana collaborations of Avicii and Kygo, and we can’t wait to see the song connect with dance and country fans alike.”


Dustin’s Wynn Las Vegas residency made history as the first country headliner on the Strip’s nightlife stage, introducing his sound to club culture without compromise. His Club Set Remixes EP, released this summer, reimagined his chart-toppers for the dancefloor, featuring electrified reworks of fan favorites like “Small Town Boy,” “Seein’ Red,” “Thinking ’Bout You,” “Stars Like Confetti,” and his latest country radio single “Easy To Love,” the most added song at country radio the week of release.


And that’s not all. Lynch is not borrowing shine or testing a trend, he is expanding the reach of his music with authenticity and vision. Proven through collaborations with MOONLGHT, MC4D, and Dirty Audio—and most recently with producer MAKJ and singer/artist Bryce Vine on “Happy Hour,” a breezy, feel-good fusion of electronic dance and country flair that garnered millions of streams within its first month—Lynch continues to prove his music connects anywhere.


From small-town backroads to global stages and DJ booths, Dustin is proving country music impacts everywhere the party is. Dustin will kick off his TWO FOR THE ROAD TOUR with Scotty McCreery this fall. He is also in the middle of his historic Wynn Nightlife Las Vegas Residency, where his club sets blur genre lines and draw dance fans and country diehards alike.

ABOUT DUSTIN LYNCH:
Dustin Lynch has “built one of the most consistent recording careers in modern country music” (Billboard), achieving 10 #1s; four Top 5 albums; MULTI-PLATINUM status with 10 RIAA-certified singles; and tallying over 5 BILLION cumulative global streams. Rolling out new music beginning with the chill summer jam “Easy To Love,” Dustin marked his milestone 10th #1 with “Chevrolet (feat. Jelly Roll)” from his sixth studio album Killed The Cowboy (BBR Music Group/BMG Nashville). The follow-up to Blue In The Sky, which delivered the history-making 2X PLATINUM, six-week #1 “Thinking ‘Bout You (feat. MacKenzie Porter)”—the most-played song at Country radio in 2022, landing at #1 on Mediabase and #2 on the Billboard Year-End Country Airplay charts—also featured hits #1 “Stars Like Confetti” and “Party Mode.” Co-headlining the TWO FOR THE ROAD TOUR with Scotty McCreery this fall, Lynch has headlined packed venues to sold-out crowds like his latest Killed The Cowboy Tour, in addition to touring with country’s biggest names including Kane Brown, Luke Bryan, Florida Georgia Line, Brad Paisley, and Blake Shelton. Hosting his see-and-be-seen pool parties for the last decade, Lynch marks Wynn Nightlife’s first-ever country music artist residency in Las Vegas with his 2025 club set. Most recently, he expanded his sound with the Club Set Remixes EP—a genre-blending project featuring high-energy dance remixes of his biggest hits by top DJs including MOONLGHT and MC4D. With his latest release, Lynch unveils his first EDM original, “Home To You,” a track with MC4D that carries his unmistakable country undertone into the global dance scene. Since his PLATINUM breakout “Cowboys and Angels” in 2012, the Tennessee native has earned industry recognition as a Grand Ole Opry member, as well as high-profile nominations for the Academy of Country Music Awards, American Music Awards, Billboard Music Awards, iHeartRadio Music Awards, and CMT Music Awards.

KEEP UP WITH DUSTIN LYNCH

TOUR | WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE | TIKTOK

ABOUT MC4D:

Carving their own unique path in the electronic scene, twin-brother duo MC4D has gained an avid and distinct fanbase for their genre-blending sound. With a rhythm and energy pulling from progressive and melodic EDM, songwriting inspired by the burgeoning indie-folk revival, and instrumentation incorporating the rawness of Americana, MC4D’s sound is setting itself apart in today’s music ecosystem. Through recent collaborations with major artists across the EDM and Indie spectrum such as Walk off the Earth, Łaszewo, Frank Walker, and The National Parks, as well as over two dozen official remix releases for artists like Dustin Lynch, Flo Rida, Steve Aoki, and Meghan Trainor, the duo is on-pace to amass over 50M streams across platforms in 2025. In addition to their original music, MC4D’s popular Down Under Mix series (top-charting on SoundCloud U.S. dance charts) has grown a die-hard following and gained over 30M streams. After playing over 80 shows in 2024, MC4D opened 2025 as direct support across 18 shows on Two Friends’ ‘Heatwave’ tour, highlighted by a debut performance at Red Rocks. The duo has become a sought-after live act for their unique sonic appeal and high energy shows, with summer performances at major festivals such as North Coast, Project GLOW, EDC Las Vegas, Summerfest, and Stagecoach. This fall, MC4D is embarking on their headline ‘Wanderings Tour’ across North America to round out a 70+ show run in 2025. With a number of their highest profile collaborations to date lined up in the coming months, MC4D is carving out a niche that fans can't find anywhere else.


KEEP UP WITH MC4D

TOUR | WEBSITE | INSTAGRAM | YOUTUBE | TIKTOK

Out Now - LAST RETCH - Abject Cruelty

n the heart of Hamilton, Ontario LAST RETCH returns with Abject Cruelty, their most punishing and refined statement to date. Due out September 26, 2025 via Time to Kill Records, this eight-track slab of old-school death metal captures the raw energy of a band embracing its fury and focus with sharpened intent. It's a soundtrack to social rot: tight, unflinching, and seething with contempt.

Formed in 2021 in nearby St. Catharines, LAST RETCH burst onto the scene with a no-frills demo and soon followed it up with their debut full-length Sadism and Severed Heads in 2023 (CDN Records), a brutal introduction that married memorable riffcraft with pit-ready aggression. With the Ergotism EP (2024, CDN/Iron Fortress), they pushed their sound forward, showing flashes of melody, groove, and lyrical scope, before turning their sights fully on Abject Cruelty, their most cohesive and devastating effort yet.

Written against the backdrop of a city in collapse, Abject Cruelty channels the band’s surroundings (mental illness, addiction, poverty, political abandonment) into lean, groove-driven death metal that cuts like a rusted scalpel. Opener "Abject Cruelty" sets the tone with oppressive atmosphere and relentless tremolo, while "Beasley Meth Merchants", inspired by frontman Finlay Blakelock’s view from a Hamilton apartment, layers upbeat riffs with bleak commentary on drug abuse and systemic failure. "Dissecting the Leper" resurrects decade-old riffs into a live favorite built around a crushing breakdown, and "In the Polder They Reek", strikes a balance between stomp and melody, capped off by a rare, ripping solo.

Throughout the album, LAST RETCH leans into their greatest strengths: short songs, big riffs, and a clear throughline of OSDM brutality fused with memorable hooks. Their influences, CARCASS, CANNIBAL CORPSE, BOLT THROWER, are never hidden, but always filtered through their own perspective. There’s no pretense, just power: straightforward songwriting, blistering performance, and the urgency of a band with something real to say. The songs are compact but dynamic, swapping between Drop B and Drop A tunings to carve out contrasting moods, one moment frantic and angular, the next slow and suffocating.

Produced, engineered, mixed, and mastered by DAVIS MAXWELL at Schoolhouse Studios, Abject Cruelty sounds as mean as it plays. The cover art by BRAD MOORE adds an appropriately grotesque visual to the record’s themes of bodily and societal decay. 

With a reputation for high-energy live shows and previous gigs alongside GUTALAX, UNDEATH, GATES TO HELL, KRUELTY, and more, LAST RETCH stands poised to carve their name into the modern death metal landscape. 

About LAST RETCH:

LAST RETCH is a death metal band from Hamilton, Ontario, Canada, formed in 2021. Blending the earworm riffs of CARCASS, the anthemic drive of BOLT THROWER, and the relentless savagery of CANNIBAL CORPSE, the band delivers a modern take on old-school death metal that’s as visceral as it is memorable. With short, focused songs built around crushing grooves and no-nonsense structures, LAST RETCH distills the genre down to its most punishing essentials.

The current lineup: Finlay Blakelock (Vocals), Derek Brzozowski (Guitar), John Russell (Guitar), Matt Fyke (Bass), and Spencer Robson (Drums), operates with a clear mission: write riffs that stick, keep things tight, and hit hard. Each member brings a different perspective, resulting in a sound that nods to death metal’s roots while pushing into new territory with dynamics, pacing, and variation in tuning.

Since their formation, LAST RETCH has released a self-titled demo (2021), the full-length Sadism and Severed Heads (2023, CDN Records), and the Ergotism EP (2024, CDN Records/Iron Fortress Records). They’ve shared the stage with bands like GUTALAX, UNDEATH, GATES TO HELL, KRUELTY, and REPLICANT, earning a reputation for ferocious live performances and tight musicianship.

Their latest album, Abject Cruelty (2025, Time to Kill Records), is their most direct and aggressive work yet: an eight-track assault shaped by the decay and desperation of their hometown. With themes pulled from real life and riffs sharpened to a deadly point, LAST RETCH continues to evolve while staying rooted in the timeless brutality of death metal.

LAST RETCH is: 

  • Finlay Blakelock – Vocals

  • Derek Brzozowski – Guitar

  • John Russell – Guitar

  • Matt Fyke – Bass

  • Spencer Robson – Drums


Connect with LAST RETCH: