Adam Ezra Group - REVELATE IS OUT NOW

Revelate is out around the globe now!!

Revelate is live on all streaming platforms!!  Stream Revelate!

You all have been so incredible, sparking new fans and listeners from all over the world by streaming our last release, “Sweet Beautiful Thing.”  Revelate is the first song we’re releasing from the album we’ve been working so hard on for the last year and a half, and will be releasing in full over the next 10 months.  We can’t wait for you to hear it, and fingers crossed that more and more folks out there get excited about listening!! 

Here's a lil' list of what we have coming up between now and The Ramble!

Wednesday, 8/12 – St. George, ME:  Concert in Support of a new recreation center on the peninsula

Thursday, 8/13 – St. George, ME:  Concert Celebrating the new maker space at the St. George School. 

Friday, 8/14 – Asbury Park, NJ:  Back at The Wonder Bar!

Saturday, 8/15 – Vienna, VA:  Back at Jammin' Java!

Sunday, 8/16 – Annapolis, MD:  Back at Rams Head Live!

Friday, 8/22 – Fairport, NY:  Fairport Music Festival!

Saturday, 8/23 – Ashburnham, MA:  THE RAMBLE Music Festival!!!!

To date The Ramble has raised over half a million dollars for our veteran heroes.  Head to getrambled.com and learn more what it’s all about.  Come be a part of the day, either in person or by watching the livestream.  

Bambie Thug Returns With New Single "REDRUM" + Signs With Spinefarm Worldwide + Universal Music Publishing Group

Cork-born alt-trailblazer Bambie Thug (they/them/fae) has released their brand-new single "REDRUM," out now via Spinefarm.

Listen to "REDRUM" here or watch below.

Fresh off a massive European arena tour with Babymetal and Poppy, and a sensational debut performance at Glastonbury earlier this year, Bambie Thug returns with a defiant new anthem "REDRUM." Produced by Shaun Lopez (††† & Deftones), "REDRUM" fuses sinister guitar riffs and crashing drums with Bambie's signature screams and politically charged lyrics into a powerful rebel cry. Lyrically locked in on the state of the world, the track is a fearless statement of who Bambie Thug is — an unwavering voice for the queer community and other marginalized groups — and an artist that refuses to be silenced.

On the new single, Bambie Thug said, "'REDRUM' nearly wasn't a thing, because Shaun wasn't going to show me the beat! But when he played it I immediately knew it needed to be mine! I took the instrumental back to my hotel on Sunset Blvd. and spent the night watching news, old protests, and screaming ideas into my headphone mic, probably disturbing the other guests. The next day, Shaun brought Scott Chesak in with us to add the middle section, which I think sounds like armed police banging on their shields. I was using the same old karaoke mic the Beastie Boys used on 'Sabotage' for the vocals! Working with Shaun is amazing, we just get on so well and he's crazy talented. I loved our time together and I’m excited to continue collaborating with him. 

"'REDRUM' is a masterclass, sonically and lyrically. Seeing the reaction it's had live just emphasizes to me how important the song is. It's political, it'a anti-war, it's a 'rebel cry' for the LGBTQIA community and for everyone who is fed up with living in this disconnected world. All I can offer to these turbulent times is my art and hope it wakes people up."

"REDRUM" marks Bambie Thug's first release under their global recording deal with Spinefarm, home to Bullet For My Valentine, Creeper, Dayseeker, and Black Veil Brides.

Talking about the signing, Jonas Nachsin, GM of Spinefarm worldwide said, "We are so excited to welcome Bambie Thug to the Spinefarm family. When we heard that a tarot card reading had resulted in the final decision to join forces with us, we realized that even the spirit world got to weigh in on our new partnership; we then collectively exclaimed 'Crown the Witch' with great exuberant celebration!! We can't wait to see what BT has in store for the world in this and in the coming years."

In addition to signing with Spinefarm, Bambie Thug has also signed with Universal Music Publishing.

UMPG's Claire Walters, A&R Creative Manager added, "We are extremely excited to be working with Bambie, they are an exceptional talent with great artistic vision, and we can’t wait to see what’s next!"

ABOUT BAMBIE THUG:
Cork-born alt disruptor Bambie Thug (they/them/fae) is smashing through gender and socio-political stereotypes to create an era-defining sound that borders on elements of pop, rock, electronic and more. Self-coining the term ‘Ouija-pop’ to describe their sound, Bambie Thug has made serious waves over the last few years with a series of genre-defying singles and a critically acclaimed EP CATHEXIS. Bambie represented Ireland at the 2024 Eurovision Song Contest with their spellbinding entry "Doomsday Blue," finishing at sixth place — the highest placement for an Irish act in 24 years. Following the contest, "Doomsday Blue" flooded the charts globally, reaching the top 40 in Ireland (#23), Lithuania (#9), Greece (#12), Finland (#40), as well as earning their first UK chart entry at #67. A strikingly visual artist, Bambie’s cinematic videos have seen them transform into a variety of otherworldly characters such as "HIM" from The Powerpuff Girls, a lethal arachnid creature and a vampire bride. No stranger to the big stage, Bambie has played festivals across the world including Glastonbury, Download and Electric Picnic to much critical acclaim. Their show-stopping performances have been described as "a genderqueer, occult-tinged, strikingly theatrical edge” (Evening Standard), and they have received ongoing global support from the likes of NME, Kerrang!, Rolling Stone UK, GAY TIMES, BBC Radio 1, Spotify, Amazon Music and more.

BAMBIE THUG PRONOUNS: THEY/THEM/FAE

BAEST Launches Visualizer for New Song, “Depraved World," New Album 'Colossal' Out Now

Danish death metal commando BAEST is now celebrating the release of its fourth studio album, 'Colossal,' which is out now, via Century Media Records! The band is also now sharing a visualizer with animation by Frederik Birn for the album’s closing track, “Depraved World," which can be found below.

BAEST comments, “Lo and behold! Our new album ‘Colossal’ is out now. We’re proud of this one and we’ve been working hard to reach this outcome. And the title says it all - it’s grandiose, it’s epic and it’s COLOSSAL!”

Produced by Tue Madsen at Antfarm Studio (Heaven Shall Burn, The Black Dahlia Murder, The Haunted, etc.), the album contains nine tracks across 42 minutes, including the already released singles "Colossus" and "Imp Of The Perverse," as well as an upcoming single with guest vocal features by Jesper Binzer of D-A-D on “King Of The Sun."

'Colossal' is now available to order, stream, or download HERE.

The album’s artwork was created by Solomacello

Are you ready to rock? Something colossal is coming…

Baest are back, with a new sound and a badass attitude. Over the last decade, the Danish quintet have become one of the most celebrated and respected death metal bands in Europe. Their reign of terror began with debut album Danse Macabre, which emerged to great acclaim in 2019. Since then, the Danes have been relentless. Subsequent albums Venenum (2019) and Necro Sapiens (2021) cemented their reputation as extreme metal mavericks with an ear for lethal hooks, while their passionate dedication to playing live enabled them to spread the word at shows and festivals around the world. 

But things are slightly changing with album number 4: Colossal. Pieced together in the aftermath of Covid lockdowns, and fine-tuned over the last couple of years, the new Baest album is an absolute monster. The new songs are still rooted in the belligerent death metal that informed previous records, but Colossal represents a wholesale transformation. Inspired by and infused with old school, classic metal riffs and a giant helping of rock ‘n’ roll bombast, Baest have written an album that delights in the glory of heavy metal and the fine art of rocking out. Bursting at the seams with catchy riffs and classy melodies, with stylistic salutes to everyone from Ozzy Osbourne and Dokken, through to Iron Maiden and Whitesnake, this is the magnificent rock ‘n’ roll rebirth of Baest. 

BAEST line-up:

Svend Karlsson - Rhythm/Lead Guitar 

Simon Olsen - Vocals 

Lasse Revsbech - Rhythm/Lead Guitar 

Sebastian Abildsten - Drums & Percussion

Mattias ‘Muddi’ Melchiorsen - Bass

Album Artwork:

Solomacello

Production:

Tue Madsen at Antfarm Studio

Special Guests:

Jesper Binzer of D-A-D on "King Of The Sun"

ORM on "Misfortunate Son"

Formats (U.S.): Ltd. CD Digipak / LP / Digital Album

BAEST online:

OFFICIAL WEBSITE

FACEBOOK 

INSTAGRAM

YOUTUBE

STREAM // DOWNLOAD

RYLAI Drops Alternative Indie-Pop Single “Fall For You” — Two Years in the Making

Rising alternative and indie-pop artist RYLAI just released his new single, “Fall For You,” a track that leans into the rock realm and showcases a process that took over two years to complete. This marks his second single since debuting this past June, following “Without You.” Built from the ground up as a passion project, “Fall For You” is a true grassroots production. RYLAI not only directed the entire production but also laid down many of the song’s core elements himself. Four musicians, from three different continents, came together to bring it to life: RYLAI and Liner from Korea, Dylan from America, and Faekt from Hungary.

The track is filled with rich guitar layers: Dylan contributed acoustic textures and atmospheric effects, Faekt handled the overdrive guitar (including a bold double-octave technique), and Liner delivered the bulk of the remaining parts, even coming up with melodies for sections like the intro, outro, and Verse 3. RYLAI himself added additional guitar layers and took charge of comping, timing, and producing the final parts.

Instrumentation didn’t stop there; the song uses two different basses (Faekt and Dylan split duties), Moog-driven synths, re-recorded drums (with some demo elements surviving the final cut), and massive vocal stacks that ballooned to 92 tracks by the end. Faekt also directed standout moments like the crowd vocals and harmonies, while RYLAI handled the intricate ad-libs, background vocals, and vocal production, with Colby fine-tuning the crowd vocals and doublings.

The result? A track that feels alive: raw, layered, and deeply collaborative. “Fall For You” may not have a major label machine behind it, but it’s the kind of record that reminds listeners what can happen when passionate artists from around the world come together with nothing but their love for music. As RYLAI puts it: “Four guys, three continents, two years, and one song we poured everything into. Will the world feel what we felt making it? I guess we’re about to find out.”

Stream “Fall For You” HERE

MORE INFO:
RYLAI is a rising singer-songwriter and producer born and raised in Seoul, South Korea. His passion for music began in the quiet aftermath of a pivotal moment at the end of sixth grade, when he started exploring melodies on an old digital piano that had sat untouched for years. Though he had taken piano lessons as a child, it wasn’t until then that he truly connected with music — creating original ideas that gradually turned into songs.

Influenced by a wide range of artists, RYLAI draws vocal inspiration from Naul of Brown Eyed Soul, whose emotional head voice and rich chord progressions left a lasting impression. He also cites Ado for her unparalleled vocal intensity and expressiveness, and Seo Tai Ji, a Korean pop-rock icon known for his genre-bending approach to music. Kendrick Lamar remains one of RYLAI’s biggest influences — both for his lyrical depth and for the way each of his albums tells a cohesive, meaningful story. Inspired by that model, RYLAI’s own music follows an overarching narrative, with each release revealing a new chapter.

Fermentor - Agreement: Out NOW!

FERMENTOR’s latest sonic experiment, Agreement, drops August 15th, 2025. This 17-track instrumental album concludes a trilogy of improvised releases, following Mind Meld and Release Me. Agreement pushes their boundary-defying blend of blistering death metal and sprawling, freeform post-rock to new extremes, delivering cinematic brutality and storytelling without words through instinct-driven chemistry.

The album opens with "Wintry Earth," a bleak, droning descent marked by jagged time signatures, eerie guitar textures, and a brutal death metal finale that sets a tense, violent tone. "Whisper Flesh" follows, a raw improvisation where dissonant loops and jagged grooves shift between blast-heavy death metal and crushing, groove-laden choruses, spiraling into ritualistic heaviness.

"Dead Farm" and "Ceratops" offer contrasting explorations of heaviness. "Dead Farm" channels the primal force of SEPULTURA, seismic pulse of GOJIRA, and progressive sludge of MASTODON with groove-driven intensity. Meanwhile, "Ceratops" unfolds slowly from meditative calm into a cathartic, tectonic climax, showcasing the band’s dynamic range from muscular aggression to patient build.

"More Than Eight" dives into FERMENTOR’s signature improvised chaos, layering guitar loops instinctively over shifting rhythms. "Ghost Girl" ventures further into experimental territory, blurring meditative post-rock and thunderous groove metal with spiraling solos and ethereal textures.

"Roach God" captures raw vulnerability through imperfect, high-wire improvisation where mistakes become defining characteristics - an authentic snapshot of risk and discovery. "Rotted" is a relentless, riff-driven brutal death metal descent, free of loops and culminating in a monstrous breakdown forged in pure instinct.

"Deactivated" builds angular chaos with dissonant grooves, shifting time signatures, and a searing solo, exploding into a triumphant finale. The title track "Agreement" is a study in tension and release, layering palm-muted guitars over hypnotic loops, culminating in a crushing halftime outro, a seismic exhale of raw improvisation and controlled chaos.

"There With That" blends cinematic instincts and epic metal grandeur, balancing atmosphere and intensity with emotional clarity. "Human Caterpillar" immortalizes a glitching guitar pedal feedback during an improvisation, turning technical failure into a chaotic, avant-garde Easter egg and a tongue-in-cheek highlight released on April Fools’ Day.

"Transgression" blasts with thrash-rooted energy, tight cymbal chokes and groove-drenched riffs channeling the band’s early chemistry and old-school aggression. "Hides Behind Hands" offers a rare breath of melancholic reflection, trading brutality for beauty through shimmering loops and restrained percussion, inviting pause and introspection.

"Protohuman" is a kaleidoscopic hybrid of swirling loops, jagged rhythms, and pulverizing eruptions that merge FERMENTOR’s death-thrash roots with fearless experimentation. "Skybeam" unleashes a deafening blast of explosive energy, a chaotic tempest signaling the album’s climax.

Finally, "All Ashes" winds down with reflective melodies and subtle textures, a sonic exhale that gathers Agreement’s sprawling journey into a poignant, meditative farewell.

Agreement stands as a bold testament to FERMENTOR’s fearless embrace of improvisation, raw emotion, and genre-defying exploration. Through blistering death metal, expansive post-rock, and moments of beautiful imperfection, the album captures a journey of friendship, risk, and creative discovery. It invites listeners into a world where chaos and control coexist, forging a powerful, unspoken narrative that lingers long after the final note fades. This is more than an album. It is an immersive experience that challenges expectations and redefines the boundaries of instrumental music.

FERMENTOR is:

• Dylan Marks - Drummer

• Adam "Wally" Wollach - Guitarist

ABOUT FERMENTOR:
FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks (ATHEIST, BEEKEEPER) and guitarist Adam “Wally” Wollach (BEEKEEPER, TRASHAXIS). Stripping away the comforts of a traditional band infrastructure, FERMENTOR relies solely on communicating through only two elements; drums and guitar. The two instruments acting more like contrapuntal voices, rather than just rhythm and melody.

Their musical chemistry was discovered in the summer of 2008 when the two cousins took advantage of an opening at Wollach’s recording studio. Having never collaborated before and with only four weeks to write and record, they created their first EP entitled Matanzaa.

BBR MUSIC GROUP/BMG NASHVILLE ANNOUNCES THE SIGNING OF UNDERGROUND RECORDING ARTIST ATLUS

BBR Music Group/BMG Nashville adds Atlus to its roster, an artist that came up through the underground and has now amassed over a billion on-demand streams. Anchored by self-penned viral hits, a platinum single, four independent studio albums, national touring and a fan base that has grown into the millions across social platforms, Atlus’ BBR Music Group/BMG Nashville/Stoney Creek Records debut “Devil Ain’t Done,” is out today. Listen Below.

Over infectious grooves & melodies, the former truck driver's lyrics in “Devil Ain’t Done” reflect themes of self-doubt & perseverance. Grappling with relatable struggles that so many empathize with, this new track expands on the singer-songwriter’s mission to make music that is both universal and uniquely him.

“I believe that everyone runs into the devil at some point in their life, and sometimes it's the devil in your mind and sometimes it's the devil in your hometown. And where I grew up, he drove a nice car, had fast cash in his pockets, pills in the glove box, and he lived in the trailer next door. I spent most of my life avoiding that devil,” explains Atlus. “Life is much better now, but the devil can find his way into any room.  I just remind myself to keep being a good person and not give into the temptation.”

Written by Atlus, David Garcia (who also co-produced the release with Andrew Baylis) and Geoff Warburton, “Devil Ain’t Done” marks a new chapter in the groundswell of his career.

"Every time we introduce Atlus to someone new, there is an instant and passionate connection,” says BMG America’s President, Frontline Recordings Jon Loba. “He is a true poet, who powerfully and intimately chronicles the very real struggles and tragedies of life in a way that still leaves hope for a better day.  While his journey and sound are specific, we have found that, even inside the label, he connects across age, gender and musical taste in an incredibly universal way. We could not be more excited to partner with him and his team in championing his music across the globe!"

“Music has always been personal to me. Everything I write either helps me work through something or tells a real story from my life,” states Atlus. “The industry default is ‘It’s not personal, it’s just business.’ But that’s never been true for me, and from day one [Jon] Loba, JoJamie [Hahr] and everyone at BMG have shown it’s never been true for them either. It’s clear we are truly on the same page. It IS personal and that is the way we do business.”

About Atlus:

Raised in a single-parent home marked by poverty and addiction, Atlus had to grow up fast, building incredible resilience and laying the foundation for a life rooted in the search for authentic relationships and honest storytelling. Phonetically named after the mythological Titan who held up the heavens, Atlus wrote his first two (of four) albums while working as a commercial driver behind the wheel of semi-trucks, using the long, lonesome miles of highway to craft lyrics and workshop melodies as he drove countless hours to help support his family and fund studio time.

That pavement-pounding lifestyle became both his education and his engine. Over time, it helped grow his underground following and ultimately led to breakout moments like performing alongside Jelly Roll at a packed Red Rocks Amphitheatre in his home state, and landing a Top 5 album on Spotify’s Global Album Chart, along with a Platinum single. The magic of Atlus lies in how he marries candid, arresting, and often dark subjects with a kaleidoscope of sound. His music blends multiple styles into something fresh and immersive, anchored by storytelling that creates a deep community with his fans. Now with over a billion on-demand streams and two million followers across socials, Atlus continues to build his career on real connections and tenacity. He’s holding up his musical dreams in support of his family and anyone who turns to music as an outlet for their own struggles. Signed to BBR Music group/BMG Nashville, his debut release on the label, “Devil Ain’t Done” is available now HERE.

Atlus is represented by co-managers Shawn McSpadden (Range Media Partners) and Matt Wallace/Andrew Perlowich(Wardog Mgmt), CAA for booking, and FBMM Entertainment Business Management.

KEEP UP WITH ATLUS

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

Savage Hands Blaze Into A New Era With "Trust Issues"

Maryland's unflinching alt-metal bruisers, Savage Hands, are storming into their next fierce chapter and unleashing their seismic new single, "Trust Issues". Fans can listen to "Trust Issues" HERE.

Kicking down the door to a new era, Savage Hands deliver "Trust Issues", a blast of grit, adrenaline, and the kind of vulnerability that you scream rather than whisper. With this brand new track and their current US run with metalcore titans Attack Attack!, the band are hungrier, angrier, and more self-aware than ever. Careening between glitchy chaos and anthemic melody, the band aren't simply stepping up, but daring the rest of the scene to keep pace.

Currently charging across the U.S. in support of their recent singles, Savage Hands open up about the start to this pivotal new era:

"Honestly, this song is exactly what we are about. We got to write it with a huge idol of ours (Aaron Gillespie) and we were stoked for the opportunity to be able to collaborate and make something so true to our roots.”

Armed with their searing new single, "Trust Issues", Savage Hands are hitting the road for Attack Attack!'s monstrous ONE HIT WONDER Tour, alongside fellow metalcore pit-starters Versus Me. Fans can purchase tickets to the ONE HIT WONDER Tour now HERE.

Guided early on by multi-platinum producer Andrew Baylis (Jelly Roll, Sleeping With Sirens, etc), Savage Hands have sharpened their craft into a volatile blend of ominous atmosphere, sledgehammer riffs, and skyscraping choruses. A hybrid sound that dissolves the lines between post-hardcore, metalcore, and alternative rock, all while hitting with precision and purpose.

Propelled by the success of previous singles, "Demon", "Washed Away", and "Halo", the quintet have been in constant forward motion since their 2018 debut, amassing over 55 million streams along the way. From steely Maryland roots to festival stages, Savage Hands' relentless drive has shaped a sound that thrives on the collision of chaos and catharsis bleeding into one another. With their latest releases, "Trust Issues", "Reload Repeat", and "Trace Erase", Savage Hands are opening the door to a new chapter, one that's heavier, sharper and more unapologetic than anything that's come before.

Be sure to stay tuned for more Savage Hands news coming very soon.

ONE HIT WONDER TOUR

Aug 12 | Atlanta, GA | The Masquerade Hall

Aug 13 | Winter Park, FL | Conduit

Aug 14 | Charleston, SC | Music Farm

Aug 15 | Richmond, VA | Canal Club

Aug 16 | Reading, PA | Reverb

Aug 17 | New York, NY | Racket

Aug 19 | Buffalo, NY | Rec Room

Aug 20 | Pittsburgh, PA | Crafthouse

Aug 21 | Detroit, MI | The Shelter

Aug 22 | Cleveland, OH | Globe Hall

Aug 23 | Joliet, IL | The Forge

Aug 24 | Minneapolis, MN | Fine Line Music Cafe

Aug 26 | Des Moines, IA | Wooly's

Aug 27 | Omaha, NE | The Waiting Room

Aug 29 | Denver, CO | Marquis Theater

Aug 30 | Grand Junction, CO | Mesa Theater

Aug 31 | Salt Lake City, UT | Metro Music Hall

Sep 2 | Seattle, WA | The Crocodile

Sep 3 | Portland, OR | The Nova PDX

Sep 5 | Roseville, CA | Goldfield's

Sep 6 | Los Angeles, CA | Echoplex

Sep 7 | Phoenix, AZ | The Rosetta Room

Sep 9 | San Antonio, TX | The Rock Box

Sep 10 | Houston, TX | Scout. Bar

Sep 11 | Dallas, TX | Puzzles

Sep 12 | Tulsa, OK | The Vanguard

Sep 13 | Wichita, KS | Wave

Sep 14 | Springfield, MO | The Regency

Sep 16 | St Louis, MO | Red Flag

Sep 17 | Nashville, TN | The Basement East

Sep 18 | Fort Wayne, IN | Piere's

--

Sep 19 | Louisville, KY | Louder Than Life

Full tour information can be found HERE.

ABOUT SAVAGE HANDS

From day one, Savage Hands have had a razor-sharp, singular focus on who, and where, they want to be. Founded in 2016 in Waldorf, Maryland, the group, under the tutelage of multi-platinum producer Andrew Baylis (Jelly Roll, Sleeping With Sirens) have become staples in the heavy music underground thanks to a series of SharpTone Records releases – 2018’s Barely Alive, 2020’s The Truth In Your Eyes and 2023’s Rock Bottom – that have showcased their punishing blend of post-hardcore, metalcore and alternative rock. Their music is pressure-cooker dynamism careening through airy choruses, crushing drops and hard-charged lyricism, a sound they’ve brought to stages from coast to coast with the likes of D.R.U.G.S., Magnolia Park and While She Sleeps through their fiery, raved-about live show.

And now the band – Mike Garrow (vocals), Justin Hein (guitar), Nathan O’Brien (bass), Alex Gacek (drums) and Jayvon Green (guitar) – are entering a brand-new era of evolution with “Reload, Repeat” and “Trace Erase,” a double single produced by Jonathan Dolese (D.R.U.G.S., Downswing) that doubles down on the maximalist blend of styles and influences that have brought them here. The breakdowns are more thunderous than ever, the skittering beds of electronics more pronounced and Garrow’s coarse-throated roar more harrowing as he details letdown, backstabbing and family trauma – a sonic car crash brought to life three minutes at a time.

Dizzy F'n Reed (Guns N' Roses) Releases Lyric Video for Single “Earn It 2 Burn It” via 50q records ​

Legendary rock pianist/keyboardist and longtime Guns N’ Roses member Dizzy F’n Reedhas just dropped his brand-new single, “Earn It 2 Burn It,” via 50q records. The track is the third single off his upcoming full length solo album Rock ‘N’ Roll Chose Me, which will see its physical vinyl release on August 22, 2025, with the digital full-length album release following on September 5, 2025.

In celebration of the release, Reed has also unveiled the official lyric video for “Earn It 2 Burn It,” which can be seen below.

Dizzy shares, "The song is about working our asses off and never actually seeing any money at all. And starting off our lives with incomprehensible debt from the cost of our education to do something else altogether while being pummeled with information about what we should like, want and need. The music was born from my love of metal and my hero John Lord. Thank you Johnny Kelly, Mike Duda and Jason for making it like it needed to be."

STREAM “Earn It 2 Burn It” 

Spotify

Apple Music

Deezer

Amazon

WATCH "Earn It 2 Burn It" Lyric Video Below.

Pre-order the physical vinyl at http://50qrecords.com/store/

Dizzy Reed and Pittsburgh based 50q records are proud to present his second solo album Rock ‘N’ Roll Chose Me, a personal and socially reflective 10-song album exploring themes of letting go, mental health struggles, the American Dream, and the unifying power of music, all viewed through a lens of perseverance, connection, and the human cost of chasing meaning in a divided society.

Written and produced by Dizzy Reed, the album is a gritty, emotionally charged journey. It was produced by Jason Achilles Mezilis, mixed by Evan Rodaniche and mastered by Gentry Studer.

Dizzy Reed continues to balance his legacy as a rock icon with his ever-evolving role as a songwriter, storyteller, and solo artist.

For fans of hard rock with heart and authenticity, Rock 'N' Roll Chose Me is the next chapter in Dizzy Reed’s musical journey.

Dizzy Reed is a US-born musician and composer who is best known as the keyboardist and backing vocalist for the rock band Guns N’ Roses. A touring musician since the age of 12, Dizzy joined Guns N’ Roses in 1990, helping transform the band's sound with his blues, funk and classic rock stylings on the keyboards, most notably on the Use Your Illusion I & II albums. He was inducted into the Rock n’ Roll Hall Of Fame in 2012 as a member of G N’ R, and fronts side project Hookers and Blow on lead vocals and keys.

About 50q records:

Founded in Pittsburgh, 50q records is built on a deep appreciation for the iconic sounds of the past, reimagined and amplified for today's sonic landscape. 50q records partners with bands and musicians who carry that timeless sound in their DNA, helping shape music that nods to the past while pushing forward with purpose.

For More Information Please Visit:

Official Website

Instagram

Facebook

https://50qrecords.com/

RAVEN BLACK Unleashes Dual Darkness with Releases of CRY OF THE RAVEN & DEAD

Step into the twisted carnival not once more but twice more. Raven Black, the darkly theatrical metal phenomenon, is about to shatter reality with two devastating new releases: Cry of the Raven and Dead. Known for blending metal’s ferocity with a Tim Burton-esque world of eerie fantasy, Raven Blackis ready to deliver their most intense, emotionally charged, and sonically powerful work to date.

Following years of captivating fans with their unique “dark carnival metal” sound, Raven Black returns sharper, heavier, and more fearless than ever. Cry of the Raven promises a soaring, sinister journey through rage, resilience, and redemption—driven by bone-crushing riffs, haunting melodies, and Raven’s unmistakable voice cutting through the storm. Dead sinks even deeper, exploring mortality, loss, and the shadows of the soul with a theatrical ferocity that only this band can conjure.

CRY OF THE RAVEN

Song is about Raven’s hidden struggle with the demands and pressure while undergoing her own personal and private depression and illness. The stuff people don’t see or know the truth about. 

We all have some kind of suffering in silence. 

We are never alone in it but we sometimes choose to

keep it hidden. 

Meet RAVEN BLACK, a theatrical metal act originally from Los Angeles. Their unique brand of metal, influenced by gothic, classical, and heavy metal music, serves as the soundtrack to vocalist Raven's duality as she shares her story of being a hybrid of both dark and light.

Drawing from a myriad of musical inspirations, RAVEN BLACK expertly blends elements from their favorite art forms, including movies, ethnic backgrounds, and personal life experiences. Each song is crafted to take fans on an adventure, offering new perspectives and understandings. Their sound ranges from melodic to dark, fun to raging and psychotic—yet every track tells a story.

At the heart of their narrative lies a comic book character: a girl whose innocence was taken at a young age. Overcoming her demons and cursed by her predators, she discovers she is half human, half doll. The doll within her is dark, and as she embraces her inner darkness, she travels with her demons who protect her from those seeking to steal her inner power.

She is the key.

San Francisco's OCTAVIAN WINTERS unveils 'Hermine' ahead of A Murder of Crows appearance

San Francisco post-punk outfit Octavian Winters presents their new single 'Hermine', an invigorating song that channels the band's edgier energy. Erupting with a wall of sound from the first notes, this is the first song written for their debut album, anticipated for early 2026 via Stratis Capta Records.

Formed in 2022, Octavian Winters is guitarist Stephan Salit (Thrill of The Pull), drummer Randy Gzebb (Thrill of The Pull, Love Club), bassist Jay Denton and Ria Aursjoen (AURSJOEN) on vocals and keyboards. Fusing a visceral and ethereal sound, they create haunting textures and channel half-remembered stories from an indifferent metropolis, shadows and lunar energy looming over a concrete maze.

Now critically acclaimed, the band gained a solid reputation with their 2023 debut EP 'The Line or Curve', and 2024's 'Nebula / Velveteen' collaboration with Mark Pistel (Consolidated, Meat Beat Manifesto), their tightly crafted songs running the gamut from the ethereal to the dark and driving. This new offering, 'Hermine', visits those harder edges.

"Hermine was wonderful to write and sing because it has a real no-holds-barred energy about it. I was also able to revisit some of my metal roots, in terms of vocal delivery, which was both fun and cathartic," says vocalist Ria Aursjoen. "The lyrics reference the novel Steppenwolf by Hesse, and explore the nature of the fragmented psyche and passionately urges the freedom of self acceptance."

Randy Gzebb says, "It feels like the song is moving forward with unstoppable momentum. This is one of my favorite songs to play live". Stephan Salit adds, “I started out writing this as an homage to Geordie Walker (R. I. P. )  but it took on a life of its own and well, here we are".

Just as their forthcoming album, 'Hermine' was produced, recorded, mixed and mastered by William Faith (The Bellwether Syndicate, Faith & the Muse, Christian Death) at 13 Studio in Chicago.

Octavian Winters' members have a rich history of collaborating and touring with notable artists, including Nine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

Octavian Winters will be performing at A Murder of Crows Festival in New York on August 30, joining Pink Turns Blue, Vision Video, Ritual Howls, Hallowed Hearts, Astari Nite, Soft Vein, Altar de Fey, Nox Novacula, The Brickbats, The Long Losts and 45 Grave. West coast fans can also enjoy their October 31 show at Bar Sinister in Los Angeles for their legendary Ghostly Halloween Ball.

As of August 12, 'Hermine' is available everywhere digitally, including Apple Music, Spotify and Bandcamp.  Concert tickets can be obtained at  https://octavianwinters.com/shows

CREDITS 
Music written by Octavian Winters
Lyrics by Ria Aursjoen
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars / Vocals
Randy Gzebb -  Drums
Jay Denton - Bass
Produced, recorded, mixed & mastered by William Faith at 13 Studio, Chicago, IL
Released by Stratis Capta Records
Published by Flare and Bloom Music BMI
Cover artwork backdrop by Henry Austin Lannan
Octavian Winters wordmark by Eric Olson
Artist photos by David Kruschke, except
Banner portrait by Katheleen Landino
Publicity by Shameless Promotion PR

PERFORMANCES
August 30 @ 6pm - A Murder of Crows Festival, New York, NY
October 31 @10pm - Bar Sinister, Los Angeles - Ghostly Halloween Ball


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

Siena Root - Made In KuBa

SIENA ROOT's signature analogue sound and enthralling storytelling await in the forthcoming Made In KuBa. The Swedish quartet’s new double live album is scheduled to release worldwide on October 3, 2025, via Perception - A Division of Reigning Phoenix Music.

Recorded over three intimate nights in March 2024 at Germany’s legendary Kulturbahnhof (KuBa) in Jena, the release picks up where 2011’s Root Jam left off. SIENA ROOT's commitment to an authentic sound created 'in the moment' is evident across this new offering. "Coincidence & Fate" is a captivating introduction to Made In KuBa. The track showcases the quartet's warm ambient tones across organ, guitars and percussion, as well as Zubaida Solid's powerfully emotive vocals. The groove rhythm laden "Ridin' Slow", picks up the pace leaning further into fuzz and hard-rock influences. "Wishing For More" continues in the same vein with enchanting energy and a rock fueled spirit. 

Indulging in the live experience, SIENA ROOT's improvisation and exploratory aspects are revealed through the dynamic journey across the track list. The calm and serene soundscape of "Mountain II" reveals and sultry atmospheric mood with a jazz influenced backdrop. Drawing from an array of styles is a key part of SIENA ROOT's creativity. In "We (We Are Them)", folk-esque touches appear amidst the instrumental layers that rise and fall in intensity. The dreamy yearning arising from "Keeper of the Flame" is enticing. "Tales of Independence" returns to the bright and colorful land of groove with an uplifting and up-tempo beat. 

Otherworldly synths bring a psychedelic vibe to "In My Kitchen", alongside a mysterious and seductive edge. A darker, doomier side to SIENA ROOT's music arrives in "The Summer is Old", before giving way to a burst of sunshine in the form of a warm and magical sound. A vintage rock offering awaits in the playful "The Outlander". An ethereal quality is found in the haunting "Imaginary Borders" which soon erupts into a highly rhythmic, rock-led, progression. Made In KuBa reaches it's end with "Root Rock Pioneers". This finale builds anticipation with an interplay of guitars before the full band burst into life. It's a crowd-pleasing hit filled with riffs and wrapped up in a package of feel good rock 'n' roll. 

About SIENA ROOT
SIENA ROOT is a band renowned for its vibrant spectrum of styles, standout guest collaborations, and unique interpretations of classic rock. With eight full-length studio albums, one double live album, and three 7” singles to their name, each release showcases the group’s evolving sound and artistic depth.

Touring extensively across Europe since the early 2000s, SIENA ROOT has crafted a wide range of genre-blending songs. Live performances are the lifeblood of the band—frequently joined by prominent guest musicians, their shows often evolve into wild, improvised sessions that inspire future studio work. Their live act is known for its uncompromising approach, powered by heavy vintage equipment few bands have the passion or strength to take on the road. During the recording of their live albums, they even brought a full-size multi-track tape recorder across Europe.

This relentless dedication sets SIENA ROOT apart. A concert experience with the band is dramatic and exciting—visually as well as emotionally. It's a dynamic root rock experience.

SIENA ROOT are:
Zubaida Solid | vocals, keys
Johan Borgström | guitars
Sam Riffer | bass
Love Forsberg | drums, percussion

REVERYA - Affliction In Bloom

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release on October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

• Nadine  (Vocals/Keys)

• Travis (Guitars)

• Kaleb (Drums)

Close Enemies Release New Single "More Than I Could Ever Need" through TLG|ROCK ​

Close Enemies, a powerhouse band featuring legendary musicians Tom Hamilton, multiple Grammy winner, Rock and Roll Hall of Fame member, and bassist of the biggest-selling American rock band of all time, Aerosmith, is joined by legendary drummer Tony Brock (The Babys and Rod Stewart), touring veterans Peter Stroud (Sheryl Crow and Don Henley) and Trace Foster on guitar, and singer Chasen Hampton, who has been singing professionally since the age of 11, as a member and co-host of the famed 90s Mickey Mouse Club and pop group The Party, release their new single "More Than I Could Ever Need" through TLG|ROCK, distributed through Virgin Music Group on all major streaming platforms. 

“More Than I Could Ever Need” is a deeply personal and haunting rock ballad written by Aerosmith bassist Tom Hamilton as a tribute to his wife of almost 50 years. The song is a moving ode to commitment, passion, and the kind of love that only gets stronger with time. 

Close Enemies have announced upcoming tour dates under the banner “An Evening with Close Enemies – Live in Concert.” Fans can expect an intimate experience showcasing the band’s undeniable chemistry and a setlist packed with songs from Aerosmith & The Baby's along with their originals.

STREAM "More Than I Could Ever Need"

https://tlgent.ffm.to/closeenemies-morethanicouldeverneed

PLAY the single below.

Tour Dates:

8/28 @ Iroquois Ampitheater in Louisville, KY w/ Tom Keifer & L.A. Guns

8/29 @ The Arcada Theatre in St. Charles, IL w/ Winger

8/30 @ The Sonnentag in Eau Claire, WI w/ Tom Keifer and L.A. Guns

10/2 @ Riviera Theatre in North Tonawanda, NY w/ Tom Keifer

10/4 @ Daryl's House Club in Pawling, NY

10/8 @ Iridium Club in New York, NY

10/10 @ Six String Grill & Stage in Foxborough, MA

1/2  @ The Coach House in San Juan Capistrano, CA

1/3 @ The Whisky A Go Go in Hollywood, CA

1/7 @ Tower Theatre in Fresno, CA

1/9 @ The Guild Theatre in Menlo Park, CA

1/10 @ Goldfield Trading Post in Roseville, CA

1/11 @ The Nile Theater in Bakersfield, CA

1/23 @ Central Park Performing Arts Center in Largo, FL

1/24 @ Culture Room in Ft. Lauderdale, FL

For More Information Please Visit:

Official Website

Instagram

Facebook

TikTok

X

Attack Attack! Raises The Stakes With "Attack Attack! II" - Out Now!

Metalcore titans, Attack Attack!, have today unleashed their brand new album, "Attack Attack! II" via Oxide Records. It's been over a decade since fans last got a full-length ride with metalcore's favorite troublemakers, and the wait is officially over! Packed with high-octane riffs, explosive energy, and a few surprises only Attack Attack! could pull off, this album is more than just a comeback. Fans can listen to "Attack Attack! II" HERE.

Accompanying today's release is yet again, another monstrous single, "Karmageddon", which happens to be one of Attack Attack!'s heaviest tracks to date. A relentless dose of the band's signature intensity and attitude, packed into a ferocious, unapologetic onslaught that showcases the band at their most unyielding.

As the streams continue to climb and the hot takes around "Attack Attack! II" multiply, Attack Attack! weigh in:

"We guarantee this album sounds even better if you hit repeat.”

In celebration of their upcoming record, "Attack Attack! II", the band will be embarking on the ONE HIT WONDER Tour next week, where they'll be bringing their chaotic new era to cities across the US. Fans can purchase tickets to the ONE HIT WONDER Tour now HERE.

Prior to today's album release, Attack Attack! also released four massive singles, "Dance!" featuring Will Ramos of Lorna Shore, "Chainless", "ONE HIT WONDER", and "i complain on r/metalcore". After blindsiding fans with a fake-out country remix, the real version of "Dance!" delivered sheer chaos and pit-stirring aggression as they teamed up with one of deathcore's most recognizable voices, Will Ramos, for their first ever official feature. The first two tracks sent metalcore into a tailspin, sparking conversations from fans to top-tier music outlets - Revolver, Metal Injection, Rock Sound, etc - who hailed Attack Attack! for their fearless return. "ONE HIT WONDER" and "i complain on r/metalcore" kept the momentum surging, setting the tone for an audacious new era that is loud, unavoidable, and fearlessly sarcastic.

Formed in 2007, Attack Attack! has become a staple in the metalcore scene, amassing over 100 million streams across major streaming platforms on multiple chart-topping records. As torchbearers of the genre, the band continue to push the boundaries of metalcore while solidifying their place in its ever-growing legacy. Known for their no-holds-barred approach, Attack Attack! remain unpredictable as ever, with more bold twists in store for the year ahead.

Be sure to stay tuned for more Attack Attack! news coming very soon.

ONE HIT WONDER TOUR

Aug 12 | Atlanta, GA | The Masquerade Hall

Aug 13 | Winter Park, FL | Conduit

Aug 14 | Charleston, SC | Music Farm

Aug 15 | Richmond, VA | Canal Club

Aug 16 | Reading, PA | Reverb

Aug 17 | New York, NY | Racket

Aug 19 | Buffalo, NY | Rec Room

Aug 20 | Pittsburgh, PA | Crafthouse

Aug 21 | Detroit, MI | The Shelter

Aug 22 | Cleveland, OH | Globe Hall

Aug 23 | Joliet, IL | The Forge

Aug 24 | Minneapolis, MN | Fine Line Music Cafe

Aug 26 | Des Moines, IA | Wooly's

Aug 27 | Omaha, NE | The Waiting Room

Aug 29 | Denver, CO | Marquis Theater

Aug 30 | Grand Junction, CO | Mesa Theater

Aug 31 | Salt Lake City, UT | Metro Music Hall

Sep 2 | Seattle, WA | The Crocodile

Sep 3 | Portland, OR | The Nova PDX

Sep 5 | Roseville, CA | Goldfield's

Sep 6 | Los Angeles, CA | Echoplex

Sep 7 | Phoenix, AZ | The Rosetta Room

Sep 9 | San Antonio, TX | The Rock Box

Sep 10 | Houston, TX | Scout. Bar

Sep 11 | Dallas, TX | Puzzles

Sep 12 | Tulsa, OK | The Vanguard

Sep 13 | Wichita, KS | Wave

Sep 14 | Springfield, MO | The Regency

Sep 16 | St Louis, MO | Red Flag

Sep 17 | Nashville, TN | The Basement East

Sep 18 | Fort Wayne, IN | Piere's

Sep 20 | Louisville, KY | Louder Than Life

Full tour information can be found HERE.

ABOUT ATTACK ATTACK!

If you went to Warped Tour in the mid 2000’s, shopped at Hot Topic, or were active on Myspace; then you have heard the name “Attack Attack!” While the band’s early career was relatively short-lived, their reputation has done nothing but grow since the band went on indefinite hiatus in 2013. Known for incorporating dance/electronica music with metal, the band consistently bent the rules of songwriting. They took the sounds they liked and crafted seemingly incompatible genres into anthems for local Ohio scene kids, and later, audiences across the globe. After years of silence, Attack Attack!exploded back onto the scene in 2020. They’re here to remind you that rules are made to be broken, adversity is meant to be overcome, and that legends never die.

LANIE GARDNER UNVEILS POWERFUL TITLE TRACK "FADED POLAROIDS" FOLLOWING HER GRAND OLE OPRY DEBUT THIS WEEK

Named a 2025 Artist to Watch by the Recording Academy, Lanie Gardner wraps a milestone week with her Grand Ole Opry debut and the release of “Faded Polaroids,” the title track from her upcoming sophomore album, due September 5 via BBR Music Group/BMG Nashville. Listen below.

The bold, deeply personal track is fueled by distorted indie-pop and commanding vocals. Gardner flips through snapshots, some crisp, others nicotine-stained and weathered by time, mapping where she’s been and who she’s becoming.

“‘Faded Polaroids’ is the heart of the album,” Gardner shares. “The idea came from going through a box of old photos. How I experience life today is because of those moments,” she explains. “The biggest thing I’ve learned is how important it is to remember. The simple things make you happy, and to understand that, you have to search for yourself.”

Faded Polaroids, produced by Oscar Charles, Jonathan Singleton, Chris Ganoudis, and Don Miggs, expands on the raw honesty of Gardner’s 2024 debut A Songwriter’s Diary. The album offers a sonic scrapbook of self-discovery, family roots, romantic twists, and personal healing. Across 18 tracks, Gardner blends country storytelling with indie-rock grit, small-town pop, and boundary-free emotion, delivering a sound that’s uniquely her own.

Born and raised in the tiny Appalachian town of Burnsville, NC, Gardner grew up in a family of natural musicians, learning to sing from her mother and play guitar from her father. A loner-turned-artist with a gift for turning diary entries into cathartic anthems, she eventually left home for Nashville to chase the Grand Ole Opry dream of her late grandfather, a dream that came full circle with her debut earlier this week.

Following her recent Polaroids EP and breakout debut album, which earned her “2025 Artist to Watch” nods from both the Recording Academy and Amazon Music and Apple Music Country’s “Riser of the Month,” Faded Polaroids finds Gardner stepping fully into her sound. From the soul-cleansing “Takin’ The Slow Ride” and smoldering “Concrete Cowboy” to the nostalgic title track and breezy “Love You Like Appalachia,” the album captures a rising star in her magic hour: honest, unfiltered, and unforgettable.

Gardner will bring Faded Polaroids to life on the road this summer and fall, supporting Gavin Adcock on select stops. Visit laniegardnermusic.com for ticket information.

ABOUT LANIE GARDNER:

Lanie Gardner’s extraordinary journey is a testament to her unmatched talent and unwavering determination, from her roots in the Appalachian Mountains to international stages. A gifted storyteller and songwriter from an early age, she crafted a distinctive blend of classic rock, R&B, and country that quickly set her apart. Her career skyrocketed after her cover of Fleetwood Mac’s “Dreams” went viral, amassing over 100 million views. With her debut self-penned album A Songwriter’s Diary, released in late 2024, Gardner delivered a deeply personal 10-track journey through her creative beginnings. Lanie’s rise includes being named a “2025 Artist to Watch” by the Recording Academy and Amazon Music, and CMT’s Next Women of Country: Class of 2025. From movie soundtracks (Queen of the Ring, Twisters) to touring with the Jonas Brothers, Jelly Roll, Cody Johnson, and ZZ Ward, she’s on the fast-track to stardom. Recent collaborations include Thomas Rhett (“What Could Go Right”), Warren Zeiders (“Love In Letting Go”) and Dorothy (“Tombstone Town”). This year alone, she made her Stagecoach debut, joined Corey Kent’s Black Bandana Tour, and will hit the road again this summer/fall with Gavin Adcock. She was also recently invited to make her Opry debut, further solidifying her place as one of the genre’s most exciting new voices. Faded Polaroids, her sophomore release dropping on September 5, offers a sonic scrapbook of self-discovery, family roots, romantic twists, and personal healing. Across the album’s 18 tracks, Gardner blends country storytelling with indie-rock grit, small-town pop, and boundary-free emotion.

Rock Icon GLENN HUGHES Shares New Single “Into The Fade” + Visualizer

Rock legend and Rock and Roll Hall of Fame inductee GLENN HUGHES is pleased to share his new single and accompanying visualizer, "Into The Fade," taken from his upcoming studio album 'Chosen,' set for release on September 5, 2025, via Frontiers Music Srl.

This year will also see GLENN HUGHES busy touring across Europe and South America, with “The Chosen Years” tour starting in Zoetermeer, Netherlands, on September 2nd, and ending on November 29th in Bogota, Colombia. For the full list of dates, please see below and HERE.

About the new single, GLENN commented:

“'Into The Fade' is about a life of acceptance, being here now, and living in the present moment."

Watch the Visualizer for "Into The Fade" Below.

Commenting on the new album, GLENN stated:

“Songwriting is deeply personal to me, and l generally write and record when I have something to say. It’s been nine years since I recorded my last solo album, 'Resonate.' There have been recordings and collaborations with other artists since 2016.

“When writing 'Chosen,' I went back to my life drawing board, writing about the human condition, love, hope, faith, and acceptance. I write about how I feel on the inside and not externally. My life is lived from within, in the present moment. It’s an album of soul food, and I’ve never been so grateful, right here, on planet earth. Music is the healer!"

Vocalist, bassist, and songwriter GLENN HUGHES is a true original. No other rock musician has so distinctively blended the finest elements of hard rock, soul, and funk. His astonishing voice is his calling card; he's known as a singer's singer.

After a nine-year hiatus as a solo artist, GLENN HUGHES returns with 'Chosen,' a brand-new solo album that finds him at his most hard-rocking. Explosive and dynamic, 'Chosen'showcases HUGHES at his absolute best, both in songwriting and production. A truly captivating return!

Pre-Order 'Chosen' HERE

GLENN HUGHES, a native of Cannock, England, absorbed all kinds of influences, including early British hard rock, The Beatles, and, most importantly, American soul and R&B. The sleek Motown sound from Detroit and the gritty Stax/Volt sound from Memphis also left their mark on him.

GLENN HUGHES first found success in the early '70s with the band Trapeze, before joining Deep Purple in 1973 during a pivotal lineup change that introduced him and David Coverdaleto the group. Despite initial skepticism, the revamped band silenced critics with the release of‘Burn’ (1974), a powerful album that revitalized Purple’s sound and remains a classic.

During this era, the band headlined the iconic California Jam in front of over 300,000 fans, toured the world aboard their private jet, The Starship, and released two more studio albums, ‘Stormbringer’ and ‘Come Taste The Band,’ before disbanding in 1976.

GLENN's first solo album, ‘Play Me Out,’ was released in 1977. He joined former Pat Traversguitarist Pat Thrall to form Hughes/Thrall, which released an acclaimed self-titled album in 1982. Throughout the '80s and '90s, GLENN HUGHES made countless guest appearances (both credited and un-credited) as a vocalist, bass guitarist or songwriter on other artists' albums. The endless list includes, among others, Gary Moore, John Norum, and Tony Iommiof Black Sabbath.

Since 1992, GLENN has started a prolific solo career with a dozen studio albums where he explored all the different sides of his songwriting and influences: from hard rock to funk and more contemporary sounds. He collaborated – among others – with such musicians as Chad Smith, Dave Navarro, John Frusciante, and many others.

HUGHES also founded, or took part in, some amazing musical alliances such as California Breed (with Jason Bonham and Andrew Watt), Black Country Communion (with Joe Bonamassa) and The Dead Daisies.

GLENN recently collaborated with Robbie Williams on his new single “Rocket,” which was released on May 22nd, 2025. The track also features a collaboration from Tony Iommi and will be the first time GLENN has been featured on a record with Tony since 2005, when they released “Fused” together.

GLENN HUGHES has also recently joined forces with Satch Vai, a new collaboration by legendary guitar icons Joe Satriani and Steve Vai, by writing and singing on their new single “I Wanna Play My Guitar.”

Line Up:

Glenn Hughes – Vocals

Soren Andersen - Guitar

Ash Sheehan - Drums

Bob Fridzema - Keys

GRAILKNIGHTS Unleash Unifying Title Track Of New Album Forever. New Album to Arrive on October 17, 2025 via PERCEPTION!

“Eternal guardians FOREVER!” Following their adrenaline-fuelled "Grail Gym" single, superheroic metal powerhouse GRAILKNIGHTS have unleashed the title track of their empowering new opus Forever, their first full-length release through PERCEPTION - A Division of Reigning Phoenix Music. More guitar-driven than the quintet’s previous anthem, the mission of Forever can’t be missed: The bond between the GRAILKNIGHTS and their brave followers has never been stronger and will remain until the end of the galaxy and beyond!

“’"Forever’" is more to us than just the title song of our new album - it’s our anthem to what has grown between us and the Battlechoir - our loyal supporters," they comment. "Even now, it thunders with full force from the speakers, but we firmly believe: When we play it live and the Battlechoir joins in loudly, the song will unleash a whole new energy. These moments - when everything comes together and the hall is shaking - are the essence of what we love and why we do all of this."

Stream "Forever" now at: https://grailknights.rpm.link/foreversinglePR

Listen Below.

The band's new album Forever will be released on Friday, October 17, 2025, featuring twelve new hymns that build the seventh chapter of GRAILKNIGHTS’ glorious history (incl. "Necronomicon," "Grail Gym," "Forever" & a bold "Super Trouper" cover version). Secure your copy (excl. ticket & merch bundles etc.) & pre-save Forever now at: https://grailknights.rpm.link/foreverPR

Crafted at Sascha Paeth’s Pathway Studios, their sidekick Sebastian Khayat delivered maximally heroic cover artwork for GRAILKNIGHTS’ new record, which fans can finally hold their hands on at the beginning of the quintet’s forthcoming “Battle Of Metal” co-headline tour with ALL FOR METAL.

About GRAILKNIGHTS

If it’s on their 2004 debut album Across The Galaxy, its follow-ups Return To Castle Grailskull and Alliance or their tales of the past 15 years (Calling The Choir, Knightfall & Muscle Bound For Glory), GRAILKNIGHTS’ goal has remained the same - the Holy Grail must be returned to Grailham City! Their mission also led their flight path to stages around the globe, which they boldly dominated as headlining act and shared with acts such as SABATON, FEUERSCHWANZ, BROTHERS OF METAL and TWILIGHT FORCE among others, always supported by their brave fan base aka the Battlechoir.

During the years, some of these equally brave musicians have also lent their additional vocal support to the Hanover, Germany based squad: Tracks like "Turbo Boost [feat. FEUERSCHWANZ]" but especially "Pumping Iron Power," which was graced by SABATON’s Joakim Brodén, crafted additional intergalactic bondings between the band and metalheads worldwide, and saw GRAILKNIGHTS’ success numbers go through the roof with"Pumping Iron Power" recently hitting 15 million Spotify streams only.

Highly experienced in both studio and live battles, the superheroic metal group have faced and overcome several evil powers over time, and now they are set to oppose Dr. Skull in full length once again with their 7th adventure, followed by yet another journey across Europe. Joining forces with label family members ALL FOR METAL in autumn 2025, the “Battle Of Metal” can actually only end in another victory against all evil.

GRAILKNIGHTS are:

Sir Optimus Prime | vocals

Sovereign Storm | guitars, vocals

Count Cranium | guitars, vocals

Duncan MacLoud | bass, vocals

Lord Drumcules | drums

More on GRAILKNIGHTS:

grailknights.de | Facebook | Instagram | TikTok | YouTube | Spotify | Apple Music

CRYSTAL LAKE Unleashes “Crossing Nails” + Announces New Album for January 2026

Japanese metalcore force CRYSTAL LAKE has returned with their newest single “Crossing Nails," which marks the band's first release this year and the second single since signing globally to Century Media Records last year in May.

Currently tearing through Europe on a string of festival appearances and exclusive headliner shows, “Crossing Nails” delivers a blistering nu-metal anthem. The single comes not just with a striking visualizer, but also along with the band’s album announcement for January 2026. The yet-unnamed record will be CRYSTAL LAKE’s first album release since 'Helix,' released back in 2019. Fans and new audiences alike can expect more announcements regarding the album to follow in the upcoming months, alongside new music by the quintet.

Stream "Crossing Nails" HERE

Vocalist John shares about “Crossing Nails”:

"I have a very love//hate relationship with God and the church. Growing up in a super religious household + going to 2 Catholic schools – I saw first-hand how they use God as a weapon of control. I needed people to be there for me. To save me from myself. To love me, and they were never there. They made me fear & hate something I should have loved. Fear is not love. Hate is not power. Control is not faith. Believe in YOURSELF. Love YOURSELF. Control YOURSELF. Faith is not a weapon - it's peace. Crossing Nails”

Guitarist YD adds:

"With this track, we’ve kept the heaviness that’s always been core to our sound, but brought the straight, speedy riff work to the forefront and wrapped the whole song in a more catchy structure. We also experimented with rhythmic and groove elements that haven’t really appeared in CRYSTAL LAKE’s music before, allowing us to explore a new kind of expression. By blending parts of my personal musical background into the song in a playful way, I think we managed to mix that classic hardcore and metal vibe in a fresh and exciting form.

"'Crossing Nails' is a new kind of hybrid song that combines explosive live energy with a strong sense of unity everyone can enjoy. Hope you feel that when you hear it!"

Watch the Visualizer for "Crossing Nails"

CRYSTAL LAKE has been touring extensively throughout the year, with their latest stops happening in Europe as part of their summer headline shows for this year. The band will continue their European run in August with a total of 6 headliner shows in Germany, Denmark, and the Netherlands. The band will be joined by Angelmaker. 

CRYSTAL LAKE has won over fans worldwide with an unequalled live show and an infectious brand of metalcore that weaves together tight riffs, gleaming production, and screaming melodies along with guttural and impassioned vocals that both roar and soar. Releasing records internationally since 2014 on labels including Sharptone and Artery, CRYSTAL LAKEhas become a fixture on the worldwide stage – and it feels like they are now only getting started. The band released their striking single “BlüdGod” (feat. Taylor Barber) in May 2024 to commence the global signing to label Century Media Records, an important step for the band as shared by founder, songwriter, and guitarist Yudai “YD” Miyamoto: “We grew up on many Century Media bands. We love its history and are happy to be part of that and make new history.”

CRYSTAL LAKE is currently working on its Century Media full-length debut, due for release in early 2026. The record will mark the album debut of vocalist John Robert Centorrino, formerly of New Jersey deathcore band Last Ten Seconds of Life. Centorrino made his debut with CRYSTAL LAKE in 2023, his first appearance with the band being Knotfest Japan in March 2023, followed by an extensive US tour supporting August Burns Red the same year. Now, the Japanese force is poised to take their next step with their new album expected for January 2026.

CRYSTAL LAKE are:

John Robert Centorrino – Lead Vocals

YD – Guitar

TJ – Guitar

Gaku - Drums

Mitsuru - Bass

BATTLE BEAST - anounce new album 'Steelbound' for October 17

Finnish heavy metal powerhouse BATTLE BEAST continues their unstoppable rise with the release of their brand-new single and music video 'Here We Are', out today on all platforms. With this new single, the band officially announces their highly anticipated seventh studio album Steelbound, set to be released on October 17, 2025 via Nuclear Blast. 

'Here We Are' marks the third single taken from Steelbound, and it’s a bold, unapologetic anthem of resilience and unity. Armed with thunderous riffs, powerful vocals, and infectious hooks, the song captures the spirit of overcoming adversity and standing strong together.

Songwriter Joona Björkroth comments:"'Here We Are' captures that moment after the storm has passed — you've faced challenges, been tested, and somehow come through the other side a little stronger, a bit wiser, and perhaps a bit more grounded. Things might not have gone perfectly, but you’ve endured.
The song is a tribute to perseverance and resilience — to standing tall just the way you are, nothing more, nothing less.”

Noora Louhimo adds: "We’ve all been down in the depths - each of us and all of us together. Still we’ve always gotten back up, even if bruised and bloodied. And here we are still, stronger than ever. 
No matter how tough the journey, we’re always stronger when we face it together” 
 

The track is paired with a stunning music video that brings its message to life in true BATTLE BEAST fashion: dramatic, powerful, and visually striking.

Check out the video below.
Listen to the song on all platforms: https://battlebeast.bfan.link/hereweare
Pre-order the album: https://battlebeast.bfan.link/steelbound-album

With Steelbound, BATTLE BEAST embarks on an exciting new chapter, blending classic heavy metal with '80s-tinged hard rock, cinematic synths, and flashes of pop energy. From the defiant title track 'Steelbound' to the emotional punch of 'Last Goodbye,' the album delivers 38 minutes of pure escapism, grit, and joy. It’s a battle cry for the misfits, a celebration for the strong-hearted, and a reminder to throw your worries aside and sing, dance, or headbang — however you choose to rise.

To celebrate the album’s release, BATTLE BEAST will hit the road for a major European tour, kicking off October 17 at Hamburg’s Inselpark Arena — their biggest German headline show to date. The tour will run through mid-December, featuring DOMINUM as special guests and Swedish power metal force MAJESTICA as openers.

HERE WE ARE — together, resilient, and unbroken.

BATTLE BEAST is:
Noora Louhimo | vocals
Eero Sipilä | bass
Joona Björkroth | guitars
Juuso Soinio | guitars
Janne Björkroth | keyboards
Pyry Vikki | drums

BLACKBRAID Streams New Album 'Blackbraid III' Ahead of Friday's Release

Indigenous solo black metal project BLACKBRAID is anointing fans with an advanced stream of his new opus, 'Blackbraid III.' The album is now streaming in its entirety ahead of its release this Friday, August 8! Listen below.

Vinyl and cassette formats of 'Blackbraid III,' as well as new merch designs, can now be pre-ordered via Blackbraid.US & Blackbraid.EU while the album can be pre-saved across all streaming services HERE.

ICYMI: Blackbraid recently unveiled the latest single, "The Dying Breath of a Sacred Stag," along with a music video via Black Metal Promotions! The clip was created by Wolf Mountain Productions(The Anti-label) and can be found at THIS LOCATION.

BLACKBRAID will also be embarking on a North American headliner later this year with support from Lamp of Murmuur and Dödsrit, with Gudsforladt replacing LoM as support for two Canadian dates. The trek will kick off on September 19 in San Diego, CA and will make its way around the U.S. + Canada until the final stop on October 11 in Los Angeles, CA. The full itinerary can be found below while tickets are available HERE.

In addition, BLACKBRAID is the cover story for Decibel Magazine's September 2025 issue! Fans can order a copy at THIS LOCATION.

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

The captivating album artwork for 'Blackbraid III,' was created in collaboration with Adam Burke, who handled the painting, and mainstay Blackbraid album artist Adrian Baxter, who did the illustration. The artwork can be found below.

TICKETS

BLACKBRAID North American Tour w/ Lamp of Murmuur + Dödsrit,:

09/18: San Diego, CA @ Brick By Brick

09/19: Phoenix, AZ @ Last Exit Live

09/20: Albuquerque, NM @ Launchpad

09/22: Dallas, TX @ Trees

09/24: Atlanta, GA @ Masquerade (Purgatory)

09/25: Greensboro, NC @ Hangar 1819

09/26: Baltimore, MD @ Metro Gallery [SOLD OUT]

09/27: Brooklyn, NY @ The Meadows [LOW TICKET WARNING]

09/28: Albany, NY @ Empire Live

09/30: Boston, MA @ Middle East (Downstairs) [LOW TICKET WARNING]

10/01: Montreal, QC @ Café Campus *

10/02: Toronto, ON @ Velvet Underground * [LOW TICKET WARNING]

10/03: Lakewood, OH @ Mercury Music Lounge

10/04: Chicago, IL @ Reggies [SOLD OUT]

10/05: St. Paul, MN @ The Turf Club [LOW TICKET WARNING]

10/07: Denver, CO @ HQ

10/08: Salt Lake City, UT @ Urban Lounge

10/10: Oakland, CA @ Thee Stork Club [LOW TICKET WARNING]

10/11: Los Angeles, CA @ 1720

*w/ Gudsforladt, no LoM

BLACKBRAID Upcoming Festivals:

08/23: Eisfeld (DE) @ Wolfszeit Festival

12/19: Leipzig (DE) @ Black Hole Fest Germania III - Frost Edition

04/05/26: Munich (DE) @ Dark Easter Metal Meeting

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid III' Album Credits:

Composed & performed by Sgah'gahsowáh

Drums, recording, mixing & mastering by Neil Schneider 

Guitar solo in “God of Black Blood" performed by Randy Moore

“Fleshbound" originally composed by Lord Belial

Painting by Adam Burke

Illustration by Adrian Baxter

Visual development & graphic design by Wolf Mountain Productions 

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Official Merch Store (EU) 

Blackbraid is an independent artist and is not contracted to or owned by any music label.