Paul Cauthen Sets BOOK OF PAUL for April 3; “Texas Swagger” Out Now

Embodying the independent spirit of his two decade climb through the country underground, iconoclastic artist Paul Cauthen pairs his booming baritone with a near-biblical swagger for his upcoming fifth album, Book of Paul
 
Out April 3, classic-country grit and gospel power fuse with a rhinestoned rock-and-roll edge, as the singer-songwriter known as “Big Velvet” returns to his East Texas roots. With a well documented distaste for playing by anyone else’s rules, the fiery singer-songwriter writes his own creative code in permanent ink. 
 
“If you look at the Bible, there is no book of Paul,” Cauthen explains. “I just wanted to write something that embodies me, because I’m sick of hearing records catered to what’s hot and what’s working. Me, I’ve always been this country boy, East Texas guy. Roots, rock and roll, Texas gospel. If you look back at all my albums, I’m proud to say I meant everything I’ve said.”
 
Pre-save / pre-add Paul Cauthen’s Book of Paul

With production split between chart-topping songwriter Ryan Tyndell, Steve Rusch (Jessie Murph, Koe Wetzel) and Sam Martinez (Tyler Braden, Carrie Underwood), plus Fustin (Priscilla Block) and Nate Ferraro (Beyoncé), Cauthen’s streak of against-the-grain attitude continues. 
 
Capturing his unruly essence with all the charm of a rattlesnake (and the vocal venom to match), gritty, swampy, East Texas country comes alive under Cauthen’s undeniable artistic gravitas, as a true-to-him battle between darkness and light unfolds. The rising star co-wrote 12 of 13 tracks and even plays bass and drums on select tracks, carving a path of utterly authentic country music; fearless, proud and with two middle fingers in the air.
 
“It’s just being who you are – unapologetically yourself – and that’s every one of my records,” Cauthen says. “I have built my whole career going against the grain, and that’s what this record is. The freaking trials and tribulations of Paul. It’s everything I wanted on an album.”
 
Highlighting the rising star’s mission, Cauthen marks the album announcement with the release of “Texas Swagger.” With its bronc-bucking beat, dark twang and barely contained sense of danger, the tune was co-written by Cauthen with Rob Ragosta and Martinez, who also produced. 
 
With a full dose of Big Velvet attitude, the track also comes with a strutting music video, directed and shot by Gus Black and Randy Quartieri. Filmed at the BuckTown bull riding compound of legend JB Mauney – another true original with a “Texas Swagger” of his own – the clip brings Cauthen’s fierce authenticity to life. “If all else fails, fucking just remember where you came from,” he proclaims.

Coming off one of the biggest years of his career with a GOLD-certified feature on Shaboozey’s “Last Of My Kind,” Cauthen’s “Texas Swagger” joins two previously released tracks from the upcoming Book of Paul. 
 
Soul pop and gospel twang reach a slow-rolling confluence on the East Texas love story “Bayou By You.” And with the hypnotic, outlaw-country romance of “Ain’t No Crime,” Cauthen enters a voluntary lockup of love. 
 
Having collaborated with everyone from Margo Price and Orville Peck to Cody Jinks and Lana Del Rey, Cauthen’s enigmatic “it factor” has been on display since his 2016 solo debut, My Gospel. Landing somewhere in the ether between Waylon Jennings, Elvis Presley and Jerry Lee Lewis, raucous live shows filled with steel-toed rhinestones and gothic roots rock have cemented his legacy, alongside favorites like “Cocaine Country Dancing” and “Fuck You Money” and the previous albums Room 41Country Coming Down and Black on Black.

See Cauthen on the road on his 2026 Tonkin’ N Tejas Tour
Thurs., March 26  ||  Waco, TX  ||  The Backyard
Fri., March 27  ||  Lubbock, TX  ||  The Blue Light
Sat., March 28  ||  Fort Worth, TX  ||  Tannahill’s Tavern & Music Hall
Mon., March 30  ||  Austin, TX  ||  Antone’s
Wed., April 1  ||  Dallas, TX  ||  The Kessler Theater
Thurs., April 2  ||  New Braunfels, TX  ||  Gruene Hall
Fri., April 3  ||  Helotes, TX  ||  Floore’s Country Store

For more information, visit paulcauthenmusic.com.

Swim the Current Release New Single "Concrete Angel" via TLG|ZOID ​   

The dynamic rock band Swim the Current is excited to announce the release of their latest single, "Concrete Angel", via TLG|ZOID, distributed by Virgin Music Group. This incredible new track was co-produced by George Pond and David Caplinger.

 

Alongside the single, Swim the Current also premiered the official music video for “Concrete Angel."

 

STREAM "Concrete Angel"

https://ffm.to/STC-Concrete-Angel

 

The band's vocalist, Marcos Leal states, "'Concrete Angel' is a hard workers anthem, inspired by my father, my grandfather, my brothers, and all the guys who worked sun up to sun down to give me the opportunity to chase my dreams as a musician. This one is for my dad!!” 

 

Bassist George Pond adds, “'Concrete Angel' is a reminder that even in the hardest days, there’s beauty in endurance and grace in getting back up. Our angels help us get through the day. It’s a blue-collar heartbeat — long days, hard roads, whiskey nights, and the stubborn will to carry on.”

 

Bringing together an all-star lineup of rock talents, including vocalist Marcos Leal(formerly of Ill Niño), bassist George Pond (Disciples of Verity), guitarist Greg Antine, drummer Chris Moore (George Lynch, Ultraphonix, Rock of Ages), and lead guitarist Joe Gareri, takes the band's sound to new heights.

 

WATCH the Official Music Video for "Concrete Angel" Below:

Having played in numerous bands throughout the years, Guitarist Greg Antine came to a point in his career where he wanted to branch out and write songs that had more depth and were inspired by his personal life experiences. Having worked with Bassist George Pond for several years in previous projects including, Disciples Of Verity, Greg expressed his concept for Swim The Current to George in hopes of collaborating with him on this new music venture. The two began to flesh out ideas in George’s home studio and realized quickly that they were on to something special, but still needed something more to see their ideas through to complete their concepts. Greg was introduced to Joe Gareri, Guitar/Keyboards, by George during the Disciples Of Verity debut album recording sessions which Joe is also featured on as a guest artist. The three of them immediately hit it off and worked extremely well together. Greg and George realized that Joe’s cinematic writing style would be a perfect match for their concepts and Joe was then brought in as a full time member. After two songs were completed and demo’d in George’s studio utilizing programmed drums, it was suggested by their friend Allyson Song River Jaynes, that they reach out to her friend, drummer Chris Moore of Ultraphonix, Rock Of Ages, to see if he would be interested in working with the project. Upon hearing the strength of songwriting and musicianship of the band, Chris was all in and signed on as the fourth full time member of STC and now the band, from an instrument’s perspective, was complete.

 

The final missing piece for STC was a lead vocalist who could capture the sound they envisioned for their music. After working in the studio with a few different vocalists, George ultimately reached out to his friend Marcos Leal, of legendary international touring band Ill Nino. Marcos loved the music of STC as well as having the freedom and creativity of writing lyrics for the project. After recording their first song together with Marcos, "We Are Not The Same", everyone new that this lineup was something special and Swim The Current was now complete! The release of "We Are Not The Same" took off instantly, and amassed thousands of streams, YouTube views and followers through a total organic DIY social media campaign.

 

Swim The Current’s sound is influenced and reminiscent of many of their favorite artists including, Deftones, Faith No More, Sevendust, POD, and Stabbing Westward. They continue to write new music and look forward to sharing their future releases with the world!

For More Information Please Visit:

Official Website

Facebook

Instagram

ROB ZOMBIE REVEALS NEW SINGLE, '(I'M A) ROCK 'N' ROLLER'

Rock/metal legend ROB ZOMBIE has released the 3rd single, ‘(I’m a) Rock ‘N’ Roller,’ from his highly-anticipated upcoming album, The Great Satan, due out February 27th from Nuclear Blast Records.

The hell-raising new single, ‘(I’m a) Rock ‘N’ Roller,is classic ROB ZOMBIE with his signature brand of thick, boot-stomping grooves and fist-pumping choruses. It’s a clear declaration from the iconic and otherworldly frontman that “rock & roll is here to stay.”

The new track follows the recent announcement of ROB ZOMBIE’s Summer 2026 co-headline tour with labelmate MARILYN MANSON happening in August/September with support from THE HUand ORGY. Tickets and VIP packages onsale now at https://www.robzombie.com/tour

Stream ‘(I’m a) Rock ‘N’ Roller’: https://robzombie.bfan.link/i-m-a-rock-n-roller

Pre-Order The Great Satan: https://robzombie.bfan.link/the-great-satan

‘(I’M A) ROCK ‘N’ ROLLER’ MUSIC VIDEO BELOW :

Following the success of his Top 10 charting record The Lunar Injection Kool Aid Eclipse Conspiracy(2021), Zombie is back with his 8th album, The Great Satan, revisiting his early Hellbilly roots for a slaughterhouse of anthemic punk infused heavy rock/metal.

The Great Satan is available now for pre-order in a variety of formats including a limited box set and accompanying apparel at https://robzombie.bfan.link/the-great-satan.

ROB ZOMBIE (w/MARILYN MANSON) Tour Dates:

8/20 - West Palm Beach, FL - iTHINK Financial Amphitheatre^+

8/21 - Tampa, FL - MIDFLORIDA Credit Union Amphitheatre^+

8/23 - Alpharetta, GA - Ameris Bank Amphitheatre^+

8/24 - Charlotte, NC - Truliant Amphitheater^+

8/26 - Holmdel, NJ - PNC Bank Arts Center^+

8/27 - Mansfield, MA - Xfinity Center^+

8/29 - Burgettstown, PA - The Pavilion at Star Lake^+

8/30 - Darien Center, NY - Darien Lake Amphitheater^+

9/01 - Toronto, ON - RBC Amphitheatre^+

9/02 - Cuyahoga Falls, OH - Blossom Music Center^+

9/04 - Clarkston, MI - Pine Knob Music Theatre^+

9/05 - Tinley Park, IL - Credit Union 1 Amphitheatre^+

9/06 - Noblesville, IN - Ruoff Music Center^+

9/09 - St. Louis, MO - Hollywood Casino Amphitheater^+

9/10 - Kansas City, MO - Morton Amphitheater^+

9/12 - Greenwood Village, CO - Fiddler’s Green Amphitheatre^+

9/14 - West Valley City, UT - Utah First Credit Union Amphitheatre^+

9/16 - Airway Heights, WA - BECU Live at Northern Quest+

9/17 - Auburn, WA - White River Amphitheatre^+

9/18 - Ridgefield, WA - Cascades Amphitheater^+

9/20 - Concord, CA - Toyota Pavilion at Concord^+

^With The Hu

+With Orgy

About ROB ZOMBIE:

As a rock icon and filmmaker with a unique vision, Rob Zombie has continuously challenged audiences as he stretches the boundaries of both music and film. He has sold more than fifteen million albums worldwide, and is the only artist to experience unprecedented success in both music and film as the writer/director of nine feature films including “HOUSE OF 1000 CORPSES,” “THE DEVIL’S REJECTS,” “THE MUNSTERS” and the number one smash “HALLOWEEN.”

After four years, Rob Zombie is back with new music as he announces his latest record, THE GREAT SATAN, out on Nuclear Blast in 2026. The new music brings Zombie back to his Hellbilly roots with frenetic cuts such as ‘Punks And Demons,’ ‘Heathen Days,’ ‘(I’m a) Rock ‘N’ Roller’ and ‘Tarantula.’

Rob Zombie has achieved great success in the music industry, first as a member of the multi-platinum band White Zombie and later as a solo artist with even greater results collecting numerous multi-platinum and gold albums along the way including Hellbilly Deluxe, The Sinister Urge and Educated Horses. Rob Zombie’s most recent record, The Lunar Injection Kool Aid Eclipse Conspiracy (2021), debuted at #9 on Billboard’s Top 200 chart, making it his 7th consecutive solo album to debut in the top 10.

Follow ROB ZOMBIE:

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Pop Evil Releases Blistering New Single "The Decay"

To mark the one-year anniversary of their acclaimed album What Remains, Pop Evil announce the release of What Remains (Midnight Edition), arriving March 27, 2026.

The band’s new single, “The Decay,” is out today after premiering on SiriusXM Octane yesterday. The track is a riff-forward modern rock track with depth, melody, and staying power.

Regarding the release, Pop Evil shares, “In a world full of pain, lies, distractions, and half-truths, how easy is it to swallow venom dressed up as medicine without recognizing the damage being done? The choice to help or to hurt is ours. This song is raw, uncomfortable, and honest, an invitation to face the darkness, accept responsibility, and choose to make a difference while you still have time.”

To further reflect this mindset, the band made the conscious decision to forgo any use of AI in crafting the official visualizer. Directed by Sam Shapiro and produced by the skilled CGI team at VSRL Company, the visualizer reinforces the song’s core message: what we choose to create and support truly matters. Watch it below.

What Remains (Midnight Edition) expands the album’s powerful legacy with new material, including “The Decay” and a studio-refined reimagining of the iconic ’80s anthem “Don’t You (Forget About Me),” reimagined through Pop Evil’s unmistakable modern-rock lens.

Originally released as Pop Evil’s most uncompromising and emotionally exposed body of work to date, What Remains stands as both a sonic reckoning and a personal confession. Heavier, darker, and more direct than anything the band has released before, the album channels arena-ready modern rock and metal into a deeply introspective narrative, with frontman Leigh Kakaty laying bare the truths, scars, and battles that shaped both his life and the band’s e 

With What Remains (Midnight Edition), Pop Evil completes a full creative arc, stripping away armor, confronting the past, and standing firmly in the present. It is a reckoning with who Leigh Kakaty was, who he is now, and who he’s determined to become. More than an anniversary release, the Midnight Edition solidifies What Remains as the definitive Pop Evil statement, unflinching, unapologetic, and impossible to ignore.

Pop Evil tour dates: 

Feb 6 - Destin, FL - Club LA
Feb 7 - Birmingham, AL - Workplay
Feb 9 - Ft. Lauderdale, FL - FTL War Memorial*
Feb 10 - Tampa, FL - Yuengling Center*
Feb 12 -  Biloxi, MS -  The Sanctuary
Feb 13 - Houston, TX - 713 Music Hall*
Feb 14 - Dallas, TX - South Side Ballroom*
Feb 15 - San Antonio, TX - Boeing Center at Tech Port*
Feb 18 - Phoenix, AZ - Arizona Financial Theatre
Feb 19 - Las Vegas, NV - The Portal at Area15
Feb 20 - Los Angeles, CA - The Kia Forum*
Feb 21 - Wheatland, CA - Hard Rock Live*
Feb 22  - Portland, OR - Hawthorne Theatre
Feb 24 - Salt Lake City, UT - The Union Event Center*
Feb 25  - Grand Junction, CO  - Mesa Theatre
Feb 26 - Loveland, CO - Blue FCU Arena*
Feb 27 - Omaha, NE - Steelhouse Arena*
Feb 28 - St. Louis, MO - The Factor*
Mar 2 - Des Moines, IA - Vibrant Music Hal*l
Mar 3 - Minneapolis, MN - Armory*
Mar 4 - Chicago, IL - The Salt Shed*
Mar 6 - Milwaukee, WI - Landmark Credit Union Live*
Mar 7 - Cincinnati, OH - Andrew J Brady Music Center*
Mar 8 - Detroit, MI - The Fillmore*
Mar 10 - Pittsburgh, PA - UPMC Events Center*
Mar 11 - Philadelphia, PA - The Met*
Mar 12 - Boston, MA - MGM Music Hall at Fenway*
Mar 14 - Virginia Beach, VA - The Dome*
Mar 15 - Washington, DC - The Theatre at National Harbor*
Mar 17 - Greensboro, NC - Greensboro Special Events C*
Mar 18 - Atlanta, GA - Coca-Cola Roxy*
Apr 6 - Halifax, CAN - Scotiabank Center*
Apr 9 - Laval, CAN - Place Bell*
Apr 11 - Toronto, CAN - Great Canadian Casino Resort*
Apr 12 - Sault Ste. Marie, CAN - The Machine Shop
Apr 14 - Winnipeg, CAN - Burton Cummings Theatre*
Apr 17 - Edmonton, CAN - Edmonton Convention Centre*
Apr 18 - Calgary, CAN - Grey Eagle Event Centre*
Apr 20 - Vancouver, CAN - PNE Forum*
Apr 22 - Billings, MT - Pub Station
Apr 24 - Dubuque, IA - Q Casino
Apr 25 - Moline, IL - Rust Belt
Apr 26 - Bloomington, IL - Castle Theatre
Apr 28 - Kansas City, MO - Truman
Apr 29 - Indianapolis, IN - Hi-Fi

* Supporting Sabaton

Connect with Pop Evil:

Website
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CHEMICAL EMPIRE Release Epic New Single “THIS ISN’T GONNA END THIS WAR”

Hard-hitting rock outfit CHEMICAL EMPIRE returns with a thunderous new single.

“This Isn’t Gonna End This War,” is fast, heavy, and unrelenting, built on chaotic energy that mirrors the volatility of a toxic relationship. The momentum never fully lets up, creating a constant sense of pressure and escalation as the conflict intensifies.

The bridge and solo serve as a decisive breaking point, delivering a moment of total impact that feels irreversible. Afterward, the song briefly pulls back into a controlled, crushing outro, where the chaos settles into acceptance rather than resolution. The conflict may never truly end, but the decision to stop fighting becomes final.

Lyrically, the track captures the realization that moving on is not about winning or closure, but survival. It reflects the moment when walking away becomes the only way forward.

“I was working on music when my girlfriend came into the room and completely set me off. As soon as she walked out, the song basically wrote itself. All that tension and frustration went straight into the track.” - Matt Smith

Known for blending modern hard rock aggression with emotionally charged songwriting, CHEMICAL EMPIRE continues to sharpen it's sound while refusing to dilute the message. “This Isn’t Gonna End This War” delivers a relentless sonic punch, pairing stadium-sized hooks with an underground edge that speaks directly to fans who crave authenticity and intensity.

BAND BIO:

CHEMICAL EMPIRE is an alternative metal project created by Matt Smith, built around fast, heavy music and emotionally driven songwriting. The project explores the darker realities of life, drawing from real experiences with conflict, isolation, and personal collapse.

Blending relentless aggression with controlled dynamics, CHEMICAL EMPIRE'S sound is intense and purposeful, balancing chaos with clarity. Lyrically, the music confronts toxic cycles, fractured relationships, and the realization that survival sometimes means moving forward rather than fighting back.

Rooted in honesty and emotional weight, CHEMICAL EMPIRE delivers heavy music that resonates with listeners who have lived through their own battles.

The release marks another bold step forward for the band, reinforcing their reputation as a rising force in the rock scene—unapologetic, unfiltered, and unwilling to back down.

“This Isn’t Gonna End This War” is available now on all major streaming platforms.

The Band Light Returns with Cinematic New Song "Worlds" and Four-Track EP

Rising pop-rock group The Band Light continues to build momentum with their new single “Worlds,” out today, January 23, on Red Van Records. The track marks the band’s first release of the new year and signals a deeper, more atmospheric turn in their evolving cool, immersive and emotionally charged sound. Listen to the song below.
 
Written by Konnor Dolberry, Trevor Young, Garrett Goodrich and Jack Glenn, “Worlds” focuses on the gradual shift that happens when two people are no longer on the same page. With cosmic imagery, the song captures distance forming without fully letting go.
 
Working with legendary producer John Fields, “Worlds” is built on moody textures, restrained intensity and a slow-burning chorus that captures the push and pull of a relationship drifting out of sync.
 
“‘Worlds’ is about realizing you’re orbiting the same person, but no longer landing in the same place,” shares the band. “It’s that moment where you’re fighting the silence, fighting the distance and wondering if coming back down is even possible.”
 
The song is also the title track for their new EP, also available today, and includes the recently released songs “All I Need,” “Dreamboat” and “Turning Red.” The Band Light continues to sharpen its identity as storytellers. Known for blending emotional depth with modern pop-rock sensibilities, the band has already surpassed one million streams on independently released music and toured nationally, opening for Quarters of Change and New Hope Club.
 
With its cinematic scope and visual-forward storytelling, “Worlds” positions The Band Light as a group unafraid to lean into vulnerability while expanding their sonic universe – one emotional orbit at a time.
 
“Worlds,” the song and EP are available on all digital platforms now.

Sacto Alt Rockers Solely Veil Release Debut EP "REVERIE"

Sacramento-based alt hard rock band SOLELY VEIL have today released their new EP, REVERIE, via The Artery Foundation. It is the band's debut release.

Listen to the five-track EP here.

"REVERIE captures the feeling of being stuck between reality and the thoughts that keep you up at night," says the band's vocalist Allen Wheeler. about the EP as a whole. "Each song is a different part of that struggle. It's honest, uncomfortable, and exactly where we were when we wrote it."

Regarding the song "Static," Wheeler offers, "It's about the experience of being trapped in a dream-like state where the boundaries between reality and illusion collapse, as a malevolent entity seeks to assert control, leaving you unable to distinguish what is real from what is not." Listen below.

It's a heavy concept but it's one worth ruminating on via the song!

From Big Screen to Mosh Pit: Detroit Illharmonic Drops High-Octane Anthem "Who Loves You"

Detroit Illharmonic Symphony presents "Who Loves You", a highlight track from their new album "Everything Is Shattered". A deliberate exercise in contrast, this single blends a catchy, classic pop sensibility with a "mean and nasty" performance, capturing the energy of fun rock and roll while maintaining a gritty, powerful edge that pushes against its own sweet melodies.

The music video itself serves as a stylistic laboratory, bridging the gap between the band's musical and cinematic projects. Featured in the bold 2025 animated motion picture "I’d Rather Be Turned Into Cat Food". Written and directed by Walter Santucci and produced by Evil Cat Land (whose pedigree includes animation for MTV, Nickelodeon, ABC, Disney, Ice T, Margaret Cho, Cedric the Entertainer and Monty Python's Graham Chapman), this film does to cinema what punk rock did to music. 

Not based in the Motor City, but Los Angeles, Detroit Illharmonic Symphony's core members are Cool Walt (bass, cello, guitar, piano), Raga Roni (samples, drum programming, turntables), Malyque Smith (rapping and turntables), Cecilia Suhr (violin, cello, piano) and Lukecage (piano, saxophone, drums). For this album, the band teamed up with southern California punk pioneers Jack Grisham (TSOL) and Keith Morris (Circle Jerks, Black Flag), among other guests.

"At its core musically, “Who Loves You” is total rock and roll nonsense.  Fun, melodic punk with words that SEEM to have deep meaning but actually don’t. And that’s the message: a deliberate F.U. to being normal. I wanted it to be catchy and have a classic pop feel to it, but I also wanted the band to play it mean and nasty; to have the performance contrast with the melody and create a really powerful record," says Cool Walt.

"The music video came about during the production of our feature film 'I’d Rather Be Turned Into Cat Food".  We were experimenting with animation styles, trying to find the right one for the movie, and decided to test some ideas out by making a video.  We’d just finished recording “Who Loves You” and decided to try out the “Cat Food” ideas in it, most notably the rapidly changing faces of the main character and the sketchy, rough line style."

It would be an understatement to say that the 'Everything Is Shattered' album is an ambitious project. Fusing elements of punk, indie rock, classical music, hip hop and soul, these are 14 tracks loaded with punk attitude, cinematic soundscapes, and hip hop swagger. This record is released by California's legendary Geza X Records, founded by the legendary producer Geza X, the sonic architect of West Coast punk, and engineer of seminal music by punk royalty—Dead Kennedys, The Germs, Black Flag, The Avengers, Redd Kross and The Weirdos.

Along with artists Tony Nittoli, Kristina Wong and John Andrews, best known for his work with MTV and for producing Beavis and Butthead, the film "I’d Rather Be Turned Into Cat Food" also features Jack Grisham and Keith Morris , who contributes vocals on “If You Cooperate”, a psychedelic surf-punk fever dream meets spaghetti-western soundtrack, with Cecilia Suhr on violin).

The lead track "Everything Is Shattered" sees Jack Grisham (from TSOL) joined by vocalist Max Galbreath (ttwopercentmilk). Produced and recorded by Paul Roessler (The Screamers, Nina Hagen, 45 Grave) at Kitten Robot Studios, this high-energy cinematic post-punk anthem has Bond-theme intensity. The accompanying video has toured the world, featured on the PBS television show "Music California" and has won four awards, most recently at the Los Angeles Animation Festival.

Presenting a wild mashup of punk, indie rock, hip hop, and cinematic chaos, this album brings to life fantasies of TSOL jamming with the Beastie Boys in a Quentin Tarantino movie. It's rich diversity is worth exploring. "You Have One Minute to Disperse" and “She’s Never Gonna Love Me” both features Malyque Smith on vocals. Diana Lynn appears on "Doo Doo On A Stick", where 70s soul merges with Sesame Street groove, while "Welcome to Fear City" — with Venetia Phillips on trumpet — paints hip-hop with a shade of 60s movie soundtrack cool.

Since 2001, Detroit Illharmonic has released nine albums and scores for several film and television projects. With an exciting and unique mix of symphonic instruments, samples, turntables and the involvement of various vocalists, their work has been featured at Brooklyn Academy of Music, REDCAT (LA), University of Chicago, Royce Hall (UCLA), University of Notre Dame, Cinema Detroit, and American Cinematheque. In 2014, the video for their song "It's a Lovely Day" toured with the 50th anniversary re-release of The Beatles' "A Hard Day's Night", screening in 20 cities across the USA. Many of their music videos have screened in cinemas internationally and have won multiple awards.

The 'Everything Is Shattered' album is out now, available everywhere digitally, including Spotify, Apple Music and Bandcamp. The title track single is also being released on 7" limited edition translucent blue vinyl record with the same cover art as the album! 

CREDITS
Written by Walter Santucci (Tracks 3-8, 10-11, 13); Jack Grisham & Walter Santucci (Track 1); Walter Santucci & Malyque Smith (Tracks 9, 12); Walter Santucci & Cecilia Suhr (Track 2)
Raga Roni - drums & drum programming
Cool Walt - bass, guitar, cello, piano
Max Galbreath - vocals on "Everything Is Shattered"
Jack Grisham - vocals on "Everything Is Shattered"
Keith Morris - vocals on "If You Cooperate"
Cecilia Suhr - violin on "If You Cooperate"
Venetia Phillips - trumpet "Welcome to Fear City"
Malyque Smith - vocals on "You Have One Minute to Disperse" & “She’s Never Gonna Love Me”
Diana Lynn - vocals “Doo Doo On A Stick”
Produced by Raga Roni, except "Everything Is Shattered' produced by Paul Roessler
Recorded by Donny Baker at ES Audio, Raga Roni at Evil Cat Land,
and "Everything Is Shattered' recorded by Paul Roessler at Kitten Robot Studios
Album released by Geza X Records
Published by Andthereitisthere / BMI (Jack Grisham) & Geza Music / BMI (Walter Santucci & Cecilia Suhr), ASCAP / Beats and Bluntz Publishing (Malyque Smith )
Publicity by Shameless Promotion PR


Keep up with Detroit Illharmonic Symphony
Website | Bandcamp | Facebook | Instagram | Threads | YouTube | Spotify | Apple Music| Publishing contact | Press contact

Keep up with Shameless Promotion PR
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Leah Blevins Goes "Diggin' In The Coal" on New Track

On the heels of recent releases “Be Careful Throwing Stones” and “All Dressed Up,” the title track from her Dan Auerbach-produced album, singer/songwriter Leah Blevins releases another taste of her Easy Eye Sound debut with latest track, “Diggin’ in the Coal” available today.

Written with Auerbach and Pat McLaughlin, “Diggin’ in the Coal” continues to showcase Blevins’ piercing vocal clarity, storytelling and unflinching emotional honesty with a dash of ‘70s retro glamour and sheen.

The new track follows recent releases “Be Careful Throwing Stones,” which Whiskey Riff called a “song that needs to be on your radar” and “All Dressed Up,” named a “hot new track” by Barnburner. The track marks the latest glimpse into the sonic landscape of her upcoming album, a timeless blend of Southern rock earthiness and pop-country shimmer, anchored by a twangy Karen Carpenter-esque vocal purity. Listen to “Diggin’ in the Coal” Below.


Pre-save All Dressed Up, set for release March 20, 2026, HERE.  

With “Diggin’ in the Coal,” Blevins explores finding good things in dark places while evoking great grandfather/miner Cole Grove and their East Kentucky roots, going out of her way to hold hope even as she recognizes her own short-comings.

“My great grandfather and my granny worked in the coal mines of Kentucky,” shares Blevins. “I remember hearing stories growing up, and there was something about the ‘canary in a coal mine’ imagery that seemed ripe for a song about relationships to me...being a sounding board and support for each other even in dark times.”

With a chugging uptempo rhythm swaddled in pedal steel, “Diggin’ in the Coal” expands on the fresh yet nostalgic sound Blevins introduced with “Be Careful Throwing Stones” and All Dressed Up,” pairing emotional intelligence and heartache with quiet strength. Raised on the bluegrass-stained Kentucky country of Loretta Lynn, Patty Loveless, Dwight Yoakam and fellow Sandy Hook native Keith Whitley, Blevins continues a lineage of storytellers who understand the power of plainspoken truth.

In addition to the recent tracks, the official music video for “Be Careful Throwing Stones” premiered exclusively with Holler noting “the infectious, retro-tinged earworm has been elevated by a cinematic new music video.” Watch the official video HERE.

She continues her penchant for crafting songs and visuals that feel outside of time. Her work echoes the greats of the ‘60s and ‘90s while standing firmly in the present, resulting in a sound that will resonate just as deeply 30 years from now.

For the latest news and updates follow along on Instagram, TikTok and Facebook and online at leahblevinsmusic.com

Teen Metal Band Chained Saint Collaborate With Affliction on Merch Drop + Free Show 1/23 + Appearing in New York Times

Teen metal band CHAINED SAINT — comprised of Ethan Kahn (guitar), Sebastian De Avila (bass), Cameron Cottrell (drums) and Sean Sterling (vocals) — will play a free headline show this Friday, January 23 at Affliction Sound Stage in Seal Beach. Bastardane will also appear. All details are in the flyer posted above.

The free show kicks off a three-show run in Los Angeles, which also includes a stint opening for Metal Allegiance on January 22 at House of Blues in Anaheim, and a show at The Whisky on January 24.

Chained Saint have also collaborated with the clothing brand for a limited edition merch drop on Friday, January 23, as well. The merch includes a hoodie, t-shirt, and thermal, which will be available in two different designs at the Affliction store, at the show, and online. Get more information here.

The band was recently included in The New York Times' profile on one of their heroes — the legendary Dave Mustaine and Megadeth. Read their participation here.

CHAINED SAINT LIVE:
1/22 — Anaheim, CA — House of Blues
1/23 — Seal Beach, CA — Affliction Sound Stage
1/24 — Los Angeles, CA — The Whisky

Chained Saint were tipped by Revolver, Guitar World, Loudwire, Metal Injection, Miami New Times, and Judas Priest legend Rob Halford all praised the band for their chops. SiriusXM's Liquid Metal added the band to their playlist, and their debut single "Animosity" served as the theme song for the WWE 2K24 DLC 4 trailer. Ahead of their first tour in the summer of 2025, Chained Saint shared the brand new single "1000 Tons." Watch the lyric video here. Chained Saint appeared at several festivals through the rest of the year, including Welcome to Rockville, Rocklahoma, Louder Than Life, and VANS Warped Tour. Weather caused their set at LTL to be canceled, but Slaughter to Prevail personally invited Sterling on stage to perform with them in a moment of metallic magic. They wrapped 2025 by sharing their Live at the Whisky a Go GO EP, which was recording on August 15 of that year. It marked the band's second performance at the legendary L.A. venue and shows off the kind energy that can only be expended by youth, along with their serious skills. Watch the full performance below. Listen to and download the EP here and here.

RIFFS & REALMS NUCLEAR BLAST RECORDS LAUNCHES A NEW ACTUAL PLAY TABLETOP RPG SERIES

Nuclear Blast Records is proud to announce the launch of RIFFS & REALMS, a brand new Actual Play Tabletop RPG series drenched in chaos, blood and destruction.

The first season titled Vaults Of Unfaith is produced in direct collaboration with MÖRK BORG and brings together the worlds of extreme music and tabletop role-playing like never before.

Episode 1 premered Jan. 20th.

Riffs & Realms - Vaults Of Unfaith - Episode I

Watch the first episode premiere below:


The series is helmed by Johan Nohr (MÖRK BORG) as Game Master, with story and graphic design also by Nohr. Commenting on the series Johan says, "It was an absolute riot running Vaults with these guys, all at their characters' expense, of course. Depraved, violent and grim in a pretty spectacular way".

RIFFS & REALMS players include:
Brady Deeprose (Conjurer)
Joseph Ghast (Green Lung)
Yannis Papadopoulos (Beast In Black)

Together they descend into the apocalyptic hellscape of MÖRK BORG, where faith rots, kingdoms crumble and survival is never guaranteed.

"A hilarious and horrid crawl through the dankest of dungeons thanks to NB and Johan at MÖRK BORG. I can only hope it’s as fun to watch as it was to roll dice with my fellow reprobates!" - Joseph Ghast, Green Lung

Each episode is underscored by a crushing soundtrack featuring music from Nuclear Blast bands including: Kreator, Oranssi Pazuzu, Green Lung and Conjurer.

With a blend of doom-laden storytelling, live tabletop play and an uncompromising metal soundtrack, RIFFS & REALMS is a ritual invocation for fans of role-playing games, extreme music and utter devastation.

ABOUT MÖRK BORG
MÖRK BORG is a pitch-black apocalyptic fantasy RPG about lost souls and fools seeking redemption, forgiveness or the last remaining riches in a bleak and dying world. "A doom metal album of a game", they are the perfect first collaborator for the Riffs & Realms series. Vaults of Unfaith was written by Johan and published shortly after the release of MÖRK BORG. It was part of a zine called Dissident Whispers, made by a collective of game designers, where all the proceeds went to bail funds during the 2020 Black Lives Matter protests. The version played in Riffs & Realms is an expanded upon version that may see a release in the future, along with the updated art that Johan made for the series. 

MÖRK BORG is constructed by Pelle Nilsson (Ockult Örtmästare Games) and Johan Nohr(Stockholm Kartell). The game is published by Free League Publishing.

ABOUT NUCLEAR BLAST
For 39 years and counting, Nuclear Blast Records is synonymous with the worldwide advancement of heavy music. Founded in Germany in 1987, Nuclear Blast's deep-rooted passion for the scene and culture, combined with an international presence, have helped build the label’s trusted global reputation with numerous album chart entries, high-profile tours, and continual signings of new and heritage acts.

BLOOD OF ANGELS Release New Single “The Last Rites” and Announce Upcoming Album Les Agnst ov Thanatou

BLOOD OF ANGELS have unveiled their new single “The Last Rites”, offering a powerful first look into their forthcoming full-length album Les Agnst ov Thanatou, scheduled for release on June 21, 2026. Accompanied by an official lyric video, the single marks a pivotal chapter in the band’s most ambitious and emotionally driven work to date.

“The Last Rites” serves as a thematic cornerstone of Les Agnst ov Thanatou, a concept album centered on mortality, grief, ritual, and the psychological weight of loss. The song captures the moment where struggle gives way to ceremony, reflecting the human need for closure when confronting death. Musically, BLOOD OF ANGELS balance crushing aggression with deliberate structure, blending rhythmic groove, high-speed intensity, and melodic precision to create a track that is both forceful and reflective.

Lyrically, “The Last Rites” explores the stillness that follows life’s final breath. It examines fear, release, and remembrance, presenting death not as chaos, but as a passage shaped by ritual and reflection. The track stands as a transition point within the album’s narrative, preparing the listener for deeper psychological and emotional confrontations ahead.

Les Agnst ov Thanatou represents a significant evolution for BLOOD OF ANGELS. Written during a period marked by widespread uncertainty and personal loss, the album presents a unified narrative that traces humanity’s response to death through resistance, ritual, memory, and acceptance. Recorded at Underground Studios in Tampa, Florida, the album was produced by Bob Noxious, Preston DiCarlo, and BLOOD OF ANGELS, with mixing by Preston DiCarlo and mastering at Soundlab in New York City.

Since forming in 2017, BLOOD OF ANGELS have earned international recognition for their songwriting, musicianship, and uncompromising vision. Their accolades include the 2023 Hollywood Independent Music Award for “Best Rock/Metal Song” and multiple Akademia Music Awards. In 2025, the band completed a sold-out headlining European tour, further establishing their presence on the global metal stage.

With “The Last Rites,” BLOOD OF ANGELS begin the descent into Les Agnst ov Thanatou, inviting listeners to confront mortality through sound, story, and emotion.

BLOOD OF ANGELS has earned multiple industry awards for songwriting and performance, including honors from the Hollywood Independent Music Awards and Akademia Music Awards. In 2025, the band completed a sold-out headlining European tour, further establishing their presence on the international metal stage.

With a commitment to artistic growth and respect for metal’s legacy, BLOOD OF ANGELS continues to push forward with music that is heavy, deliberate, and emotionally resonant.

BLOOD OF ANGELS is: 

Randy Reyes – Vocals, Acoustic Guitar
Aaron Robinson – Guitar
Jonathan Rushford – Drums, Keyboards
The Maggot – Bass, Background Vocals

Connect with BLOOD OF ANGELS:

Official Website: http://www.bloodofangels.net
Spotify: https://open.spotify.com/artist/0kq6q6hYYdNgk0ZSvgQPzF
Facebook: http://www.facebook.com/bloodofangels1
Instagram: http://www.instagram.com/bloodofangels
YouTube: http://www.youtube.com/bloodofangels
ReverbNation: http://www.reverbnation.com/bloodofangels1
Merch / E-Shop: https://merchbooth.com/pages/blood-of-angels-battle-gear
Apple Music: https://music.apple.com/us/artist/blood-of-angels/1195719891

AGENBITE MISERY Release New Single “Circe” from Forthcoming Album Remorse of Conscience

New Hampshire experimental extreme-metal trio AGENBITE MISERY have unveiled “Circe,” the latest single from their forthcoming debut album Remorse of Conscience, due out February 6, 2026.

A more direct black metal track filtered through a psychedelic, exploratory lens, “Circe” adapts the fifteenth chapter of James Joyce’s Ulysses, the infamous “Nighttown” episode, into sound. In the novel, Leopold Bloom and Stephen Dedalus drift drunkenly through Dublin’s red-light district as the chapter dissolves into a feverish hallucination filled with nightmares, guilt, satire, and fleeting grace. AGENBITE MISERY translate this dream logic into music built from hypnotic, undulating riffs that blur structure and sensation, leaving the listener suspended in a disorienting haze.

Rhythmically, the song is deliberately unstable, simultaneously implying both 4 and 6 feels as guitar, bass, and drums suggest conflicting patterns. Arpeggiated chords float over exotic drum figures before collapsing into tremolo-picked, unresolved progressions that nod toward acts like Deathspell Omega. The trance fractures at key moments. Ascending organ lines usher in a shout-along, almost hardcore-tinged chorus driven by skank beats and pick scrapes, while two contrasting guitar solos, one sinister and galloping, the other melodic and angular with an Opeth-inspired edge, cut through the fog. The track ultimately returns to its central riff in a subdued, atmospheric form, mirroring the emotional comedown after a long night of intoxication.

Lyrically, “Circe” draws directly from Joyce’s text, favoring vivid imagery and dark humor over linear narrative. Lines evoke Dublin’s nocturnal landscape dissolving into pastoral hallucinations, robed figures speaking in many tongues, Bloom’s self-lacerating fantasies, and Stephen’s haunted psyche. The song closes on one of the novel’s most poignant moments, Bloom’s vision of the ghostly son he never had, a fragile reminder of humanity and perseverance amid the chaos.

Remorse of Conscience adapts Ulysses into eight aggressive, atmospheric compositions that merge blackened sludge, dissonant death metal, post-punk, and ambient drone. Written in 2023 and recorded in 2024, the album was self-produced by the band, mixed by Eric Sauter, and mastered by Brad Boatright. While steeped in dense literary reference, the record ultimately reaches beyond academia toward the raw human experience at its core, confronting the question of whether meaning can still be found amid modern ruin. AGENBITE MISERY’s answer is unambiguous. Yes.

In support of the album, AGENBITE MISERY will embark on a four-date Northeastern tour this February:

  • February 5 – Blue, Portland ME (with ERGI, INGRATE, BÜZEM)

  • February 6 – Riverhill Grange, Concord NH (with IMIPOLEX, BENEATH PURGATORY, PERFECT SUFFERING)

  • February 7 – AS220, Providence RI (with RHIZARIA, CAREGIVER, SATAN WEED)

  • February 8 – O’Brien’s, Allston MA (with NORTH STAR THE WANDERER, GLOOMLURKER, HEXROT)

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:
Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:
Bandcamp: https://agenbitemisery.bandcamp.com
Facebook: https://www.facebook.com/profile.php?id=61574211514876#
Instagram: https://www.instagram.com/agenbitemisery/?hl=en
YouTube: https://www.youtube.com/channel/UCwjOZilhkqTRkZHpJJwlbhw
Spotify: https://open.spotify.com/artist/6dYQgCtNvpvNWwfQ06LQQZ
Apple Music: https://music.apple.com/us/artist/agenbite-misery/1716987132
TikTok: https://www.tiktok.com/@agenbite.misery
Ampwall: https://agenbitemisery.ampwall.com/

Hear Alkaloid's New Album a Day Early

Alkaloid know no bounds. Since joining forces in 2013, the supergroup has rearranged the very composition of progressive death metal. But upon returning to the stage last summer, Morean, Hannes Grossman, Linus Klausenitzer, Justin Hombach and Max Blok proved once and for all why they are metal’s maddest scientists. Their new live album, Bach Out of Bounds, is a genre-defying experiment that only true maestros can perform.

Bach Out of Bounds comes out tomorrow, Friday, January 23, but you can hear the all eight explosive compositions today by listening to the full album stream below.

“The audience who came and saw these performances went crazy for it”, Morean remembers. “I’m so happy that we can now share them with people everywhere. People aren’t going to know what hit them. Bach Out of Bounds is very different from what other metal bands – or even Alkaloid – normally do”.

Pre-order 
https://orcd.co/alkaloidbachoutofbounds

Pre-save on Spotify
https://open.spotify.com/prerelease/2pWtSI1XiPBUoM0TLenyKV?si=VX7Qw3CEQ5ec26ubrYgJiA&nd=1&dlsi=a691e08dbd9948ed

Chat with Alkaloid about their classical new invention tomorrow during the band’s Reddit AMA.

Alkaloid Bach Out of Bounds Reddit AMA

Friday, January 23 @ 18 CET / Noon Eastern Time

r/TechnicalDeathMetal

Recorded live in the Netherlands, Bach Out of Bounds brings the revered composer in conversation with the heaviest of underground arts. Across three separate performances – at the Bachfestival in Dordrecht, Paard van Troje in The Hague and on November Music in Den Bosch – Alkaloid present three faithful renditions of Bach classics alongside an award-winning ensemble. Heavenly vocals grace sacred aria “Agnus Dei”. Even the hellacious guitar solo on “Allegro” achieves perfect harmony with softly shredding strings.

Of course, being metal’s mad scientists, Alkaloid also unveil some fresh creations by re-imagining songs from their own acclaimed catalogue in Bach’s image. As if summoned by a siren’s call, “Beneath the Sea” is revealed as a speaker-shaking precursor to the band’s monster hit “Cthulhu”. New song “Haunter of the Void” goes where no metalhead has gone before: following a digitized brain into deep space's crushing void. “These will change everything”, Morean growls as “The Fungi from Yuggoth” spawns into a headbanging symphonic mutation.

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only true maestros can.

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only a true maestro can.

Lineup:
Morean — Vocals, Guitar
Hannes Grossmann — Drums
Linus Klausenitzer — Bass
Justin Hombach — Guitar
Max Blok — Guitar

Guest Musicians:
Max Blok — Guitar
Rianne Wilbers — Soprano
Chrysa Tsaltampasi — Soprano
Julija Hartig — Violin
Oene van Geel — 5-String Violin
Marieke Hopman — Accordion
Ketevan Roinishvili — Cello

Recording Credits:
Recorded live in The Netherlands at Bibelot (Dordrecht) & Paard van Troje (The Hague).
Front of house engineer: Laurens Voois

Production Credits:
Produced by Alkaloid.
Mixed by Hannes Grossman at Mordor Sounds, Germany.
Mastered by Victor Bullok at Woodshed Studio, Germany.

Songwriting Credits:
Music for "Allegro", "Adagio - All Is Vanity" and "Agnus Dei" written by Johann Sebastian Bach.
Music for "Cthulhu" written by Morean and Hannes Grossman.
Music for "Beneath the Sea" and "Haunter of the Void" written by Morean.
Music for "A Fool's Desire" written by Hannes Grossman.
Music for "The Fungi from Yuggoth" written by Christian Münzner.
Lyrics to "Adagio - All Is Vanity" based on "Es ist alles eitel" by Andreas Gryphius and adapted by Morean.
Lyrics to "Agnus Dei" taken from John 1:29.
Lyrics to "Beneath the Sea", "Cthulhu", "Haunter of the Void", "A Fool's Desire" and "The Fungi from Yuggoth" written by Morean.

Pre-order & Pre-save:
https://orcd.co/alkaloidbachoutofbounds

Pre-save on Spotify:
https://open.spotify.com/prerelease/2pWtSI1XiPBUoM0TLenyKV

Follow Alkaloid:
Website: https://alkaloid-band.com/
Bandcamp: https://alkaloid-band.bandcamp.com/
Spotify: https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc
Apple Music: https://music.apple.com/artist/alkaloid/368935306
YouTube: https://www.youtube.com/c/Alkaloidbandmetal
Facebook: https://www.facebook.com/alkaloid.metal
Instagram: https://www.instagram.com/alkaloid_metal/
Twitter: https://twitter.com/AlkaloidBand

OPETH - Release New Performance Video For “§7” From 'The Last Will And Testament'

Swedish progressive metal legends OPETH return with a powerful new performance video for “§7,” a key track from their critically acclaimed album The Last Will and Testament.

The video captures the band in raw, commanding form, spotlighting the precision, atmosphere, and emotional weight that define OPETH at this stage of their career. Focused and unembellished, the performance highlights the band’s musical chemistry and the intensity at the heart of the track.

The release arrives ahead of OPETH’s upcoming U.S. tour, which kicks off in two weeks and will see the band bringing the music of The Last Will and Testament to stages across the country alongside fan favorites from their storied catalog.

Mikael Åkerfeldt comments: “That track was scary to play live at first. Most of our songs are challenging, I suppose, and this one is no exception. I believe we all love playing this one. There are a myriad of details that could go wrong though, but it’s fun. It keeps you on your toes. And of course, then there’s Ian Anderson’s narrations, which is the only thing in our set that isn’t 'live'. Since we don’t play to a click-track, it’s dragging or pushing depending on the tempo of the evening. Again, it’s fun and I love the unforeseeable character of this song in a live setting. That’s a bit odd since I normally want to feel completely secure and really know what I’m doing. I generally don’t like surprises on stage.”

§7” serves as a pivotal moment within the album’s broader narrative, which has been widely praised for its cinematic flow, depth, and fearless exploration of light and shade. By stripping the song back to its essence, the new video reinforces OPETH’s ability to balance technical mastery with emotional resonance - a duality Mikael Åkerfeldt has often highlighted in the band’s work.

Following the U.S. run, OPETH will also perform select dates across Europe later this year.

Fans old and new are encouraged to revisit the album in full, streaming “§7” alongside its other chapters to experience the complete arc as intended. From its haunting opening moments to its powerful conclusion, the record rewards deep listening. 

Watch the performance video for “§7” now, listen to The Last Will and Testament on all major platforms, and catch Opeth live where tickets remain available.

Order/stream The Last Will And Testament: https://opeth.rpm.link/lastwillPR

OPETH LIVE DATES 2026
Tickets & Info: https://www.opeth.com/tour-dates

5 Feb.  US Montclair, The Wellmont Theater – Low Tickets
6 Feb.  US Boston, Orpheum Theater - Low Tickets
7 Feb.  US Philadelphia, The Filmore Philadelphia - SOLD OUT
10 Feb. US Detroit, Masonic Temple Theater
11 Feb. US Chicago, Riviera Theater
12 Feb. US St. Louis, The Pageant - Low Tickets
14 Feb. US Dallas, The Bomb Factory
15 Feb. US Houston, Bayou Music Center
16 Feb. US San Antonio, Majestic Theater
18 Feb. US Colorado Springs, Pikes Peak Center
20 Feb. US Las Vegas, Pearl Concert Theater At Palms
21 Feb. US Riverside, Riverside Municipal Auditorium - Low Tickets
22 Feb. US Sacramento, Channel 24
24 Feb. US Seattle, Paramount Theater - Low Tickets
25 Feb. CA Vancouver, Doug Mitchell Thunderbird Sports Centre

More on OPETH:

opeth.com | Facebook | Instagram | X | YouTube | Spotify | Apple Music

ANKOR Share "NAGATO • purple eyes" Video — WATCH // Band Touring With Bloodywood This Spring

Multi-cultural quintet ANKOR — vocalist Jessie Williams (Bristol, UK), drummer Eleni Nota (Athens, Greece), guitarists David Romeu and Fito Martinez, and bassist Julio López (Catalonia, Spain), are an alternative metal band based in Spain. The band is swiftly becoming one of the rising stars in the European contemporary metal scene.


Today, they have shared the video for new single "NAGATO • purple eyes."

Watch it below.

The song starts off in eerily beautiful fashion before erupting into a full force rock anthem.

This explosive track marks the second song the band has released based on a villain from Japanese anime/Manga Naruto.

"Those who do not understand true pain can never understand true peace," the band explains. "Nagato is determined to find this peace, but carries the weight of his suffering. A song about pain made with love."

The song and video arrive ahead of the band's spring tour with Bloodywood, which kicks off April 10 and runs through May 16. All dates are below.

ANKOR will also appear at many festivals this summer, which are also posted below.

ANKOR ON TOUR:
WITH BLOODYWOOD:

4/10 — Des Moines, IA — Wooly's
4/11 — Minneapolis, MN — Varsity Theater
4/13 — Denver, CO — The Oriental Theater
4/14 — Salt Lake City, UT — The Depot
4/16 — Portland, OR — McMenamins Crystal Ballroom
4/17 — Seattle, WA — Neptune Theatre
4/18 — Garden City, ID — Revolution Concert House & Event Center
4/20 — San Francisco, CA — August Hall
4/21 — San Diego, CA — The Observatory North Park
4/22 — Los Angeles, CA — The Belasco
4/24 — Mesa, AZ — The Nile Theater
4/28 — Dallas, TX — The Echo Lounge & Music Hall
4/29 — Austin, TX — Empire Garage
5/2 — Madison, WI — Majestic Theatre
5/3 — Chicago, IL — House of Blues Chicago
5/4 — Boston, MA — Paradise Rock Club Presented by Citizens
5/5 — Philadelphia, PA — Theatre of Living Arts
5/6 — New York, NY — Irving Plaza Powered by Verizon 5G
5/8 — North Myrtle Beach, SC — House of Blues Myrtle Beach
5/11 — Atlanta, GA — Buckhead Theatre
5/12 — Chattanooga, TN — The Signal
5/13 — Louisville, KY — Mercury Ballroom
5/15 — Toronto, ON — The Danforth Music Hall
5/16 — Detroit, MI — Saint Andrew's Hall

FESTIVAL DATES:
4/4-5 — Dead Pop Festival — Kawasaki, Japan
6/5-7 — Rock Am Ring/Rock im Park — Nürburg, Germany 
6/11-14 — Nova Rock — Nickelsdorf, Austria 
6/12 — Download Festival — Derby, UK 
6/18-21 — Graspop Metal Meeting — Dessel Belgium 
6/10-14 — Rock For People — Hradec Králové, Czech Republic 

The multicultural quintet has grown steadily since their origins in Els Pallaresos, a village near Barcelona, back in 2003. From these humble beginnings, Ankor have built a worldwide fanbase and a reputation for being an absolute powerhouse live, through headlining tours of mainland Europe and Asia. But it was with the December 2022 release of breakthrough single "Prisoner" that a new era begun.

With over three million streams and counting, "Prisoner" has triggered a sonic and aesthetic (r)evolution for Ankor, their musical and visual worlds ascending to new creative heights ever since; The conceptually bound singles "Oblivion," "Darkbeat," "Stereo," and "Venom" that have followed have seen lyrical narratives, sonic aesthetics, and self-directed and edited music videos flow together to reshape Ankor in a playful, energetic, and refreshing new form: a fusion of Asian pop-culture, contemporary metalcore, and a dash of Spanish heritage.

Solo Black Metal Project PETRICHOR Emerges with Debut EP, 'Seduced By Conquering Darkness'

Solo black metal project PETRICHOR is now emerging from the shadows with its debut EP, 'Seduced By Conquering Darkness.' The artist's inaugural music can now be heard on Bandcamp and all streaming services while physical formats and pre-orders will be made available at a later date.

'Seduced By Conquering Darkness' is an independent release and can now be found below:

Album Credits:

Composed & performed by JK

Drums, recording, mixing & mastering by NS

Graphic Design & Photography by Wolf Mountain Productions

Links:

Bandcamp

YouTube

Instagram

Apple Music

Spotify

Amazon Music

Merch Store

The cover artwork was created by Wolf Mountain Productions

SODOM RELEASE NEW VIDEO AND SINGLE FOR REMIXED VERSION OF ‘JABBA THE HUTT’

Sodom’s, 1994 album Get What You Deserve didn’t stick to any of the rules of the era. "We just wanted to sound completely nuts — full-on, in-your-face madness - it was pure Sodom just not giving a damn. Especially not about what anyone else was doing. We wanted to do what felt right to us — raw, grimy, unpolished. Songs that would make other people cringe — that’s what we were after."

The new single 'Jabba the Hutt' is one such track, and it may appear that it‘s named after a Star Wars character — but it’s actually about a real person. When asked about it, Tom Angelripper and Andy Brings respond in unison: "We won’t comment on that."

The accompanying video is cut from archive camcorder footage of the infamous photoshoots for both the grotesque album cover of 'Get What You Deserve' and it’s preceding EP, 'Aber Bitte Mit Sahne' and provides a snapshot into the warped minds of Sodom in 1994!

Thirty-two years later, this snarling beast is being unleashed on the metal community once again. A timeless punch to the gut — or, as Maik Weichert, guitarist and mastermind of German metalcore heroes Heaven Shall Burn, puts it: “The best punk album of the nineties!”

RELEASE NEW Video AND SINGLE FOR REMIXED VERSION OF ‘JABBA THE HUTT’ Listen Below

PLUS PREORDERS & EXCLUSIVE MERCH HERE
https://sodomband.lnk.to/GWYDPR

Get What You Deserve will be released as an extensive box set, remastered and newly mixed by Andy Brings, including the remastered and remixed Aber Bitte Mit Sahne EP, plus the first concert with Atomic Steif as a bonus double LP and a DVD with additional live shows. Alongside the original hotel room cover, the package also includes the censored version with the band photo and the originally planned artwork featuring a Knarrenheinz painting by cult artist Andreas Marschall.

Get What You Deserve will be released on February 27, 2026 via BMG and is available for pre-order now. 

Sodom’s deluxe, expanded reissue of Get What You Deserve is available in these formats. 

  • Box set including 5LP’s on deluxe colour wax, book, poster and DVD.

  • Double, gatefold milky clear vinyl.

  • Triple CD digisleeve with 24 page booklet
     

    Socials:
     Website
     Instagram
     Facebook
     Youtube
     X

Tape Room Music Marks 60th No. 1 with Back-to-Back-to-Back Chart-Toppers

Only three full weeks into the New Year, Tape Room Music has dominated the Country Airplay charts, earning three back-to-back chart-toppers and marking the publishing company’s 60th No. 1 hit since its establishment in 2011 with “Favorite Country Song.”
 
The occasion is exceptionally special for Beau Bailey, as “Stay Country or Die Tryin’” (Blake Shelton) and “Favorite Country Song” (HARDY) were his first two tracks sent to radio, both released on the same day, and went No. 1 consecutively, with “Stay Country or Die Tryin’” landing at No. 1 on both the Billboard and Country Aircheck/Mediabase Country charts last week and “Favorite Country Song” topping the Billboard Country chart this week.
 
Ben Williams is also celebrating his second No. 1 with “6 Months Later” (Megan Moroney), which topped the Country Aircheck/Mediabase Country chart this week. The single followed Moroney’s “You Had To Be There (ft. Kenny Chesney),” which Williams also co-wrote. 
 
Tape Room’s invigorating start in 2026 follows a landmark year in 2025, which saw the independent publishing company garnering six No. 1 singles, along with 13 songs on Billboard’s Year-End Hot Country Songs chart.
 
Tape Room writers continue to see radio success ahead, with current singles with Jon Pardi, Russell Dickerson, Nate Smith and Tyler Hubbard, Chris Janson, Lauren Alaina and Chase Matthew, and Dustin Lynch.

Beau Bailey / Ben Williams -Courtesy of Tape Room Music

About Tape Room Music
Tape Room Music is an independent music publishing company founded by newly-inducted Songwriter Hall of Fame member Ashley Gorley, where writers have celebrated 60 No. 1 songs. In 2024, Tape Room dominated Country Aircheck/Mediabase and Billboard’s Most-Heard Country Songs of 2024, with 19 songs on each chart and five of those tracks reaching the Top 10, including the No. 1 entry on both charts, Nate Smith’s 10-week smash “World On Fire.” Recent No. 1 hits include Jordan Davis’ “Bar None,” Jelly Roll’s “Heart of Stone” and BigXThaPlug and Bailey Zimmerman’s “All The Way,” which topped both Billboard’s Hot Rap Songs and Hot Country Songs. Tape Room Music writers continue to stretch the bounds of their abilities, spreading their talents across writing, producing and performing. More at TapeRoom.comor follow along on Instagram @TapeRoomMusic.

TYKETTO RELEASE UPLIFTING SINGLE/VIDEO ‘WE RISE’ NEW ALBUM – CLOSER TO THE SUN – OUT MARCH 20 TH

Hard rocking songsmiths Tyketto release the video for second single ‘We Rise’, taken from the upcoming studio album Closer To The Sun, set for release Friday, March 20th, via Silver Lining Music. For pre-orders go to

this location.

A strong spirit of optimism and forward drive powers the album’s more arena-ready passages, as Tyketto tap back into their classic arena rock roots —most strikingly on

We Rise.

“In the spirit of ‘Don't Come Easy’ we set out to create a couple of real arena rock anthems and ‘We Rise’ is definitely one of those.” comments vocalist and founding member Danny Vaughn. “It also marked the first real collaborative effort within the band for this album. Harry brought in the guitar riff and the chorus. Chris and I fleshed out the arrangement and the lyrics and before you know it, magic happened! It's a simple message; when you get knocked down, keep getting back up!”

Watch/Listen to ‘We RiseBelow directed and edited by Scott Wardell; filmed by Paul Hollingsworth at Base Studios 1, Stourbridge.

Throughout Closer To The SunTyketto speak to the listener about true life loves, losses and pleasures. From the title track’s triumphant, soaring appreciation of love’s power, to the punchy rawness built to make fists rise and hearts race of “Hit Me Where It Hurts”, to the power balladry of 

The Picture”, Tyketto continue to confidently stride the same musical terrain as the likes of Whitesnake and Aerosmith, with the added bonus of being fresh to the ears of many.

Joined by Harry Scott Elliott on guitar, Ged Rylands on keyboards, Chris Childs (Thunder) on bass and Johnny Dee(Doro) on drums, Vaughn leads a lineup that brings exceptional performances and undeniable fire to every track, reaffirming Tyketto as one of rock’s most respected and enduring names. Closer To The Sun was recorded across multiple studios in the UK and Europe, including Flip Flop Studios and the legendary Rockfield Studios in Wales.

Watch/Listen to the recently released ‘Higher Than High’ at this locationdirected and edited by Scott Wardell; filmed by Paul Hollingsworth at KK’s Steel Mill.

In support of the album’s release, Tyketto have already announced a string of dates for 2026, kicking off at

Planet Rock’s Winter’s End festival in Porthcawl, Wales—and with a full UK Tour set for the spring and European shows to be revealed soon, fans should keep their eyes peeled for what’s coming next.

For a full list of upcoming shows and tickets visit: tyketto.com

Band Line-Up:

DANNY VAUGHN – Lead & backing vocals, acoustic & electric guitars, harmonica, keyboards and percussion

CHRIS CHILDS – Bass Guitar, percussion, keyboards, backing vocals

JOHNNY DEE – Drums, percussion, backing vocals

HARRY SCOTT ELLIOTT – Lead and rhythm electric guitars, percussion, backing vocals

GED RYLANDS – Keyboards, percussion, backing vocals

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www.tyketto.com

www.youtube.com/@TykettoOfficial