CYNIC Releases 'Focus: The Official Drum and Bass Tracks,' Out TODAY via Bandcamp

CYNIC will release 'Focus, The Official Drum and Bass Tracks' on Friday, October 3, exclusively on Bandcamp. For the first time, fans can hear Sean Malone’s bass and Sean Reinert’s drums in complete isolation from the band’s landmark era. This collection offers an intimate listen into the rhythmic heart of Cynic, revealing the nuance, interplay, and precision that shaped the group’s sound. Listen Below.

CYNIC guitarist and founding member Paul Masvidal comments, "These tracks let you sit inside what feels like an intimate conversation between two master musicians. Malone and Reinert created a foundation that remains vividly alive, existing in its own realm. This release honors their legacy and offers a glimpse into the heartbeat that carried Focus. And for drummers and bass players out there, it is a master class in progressive metal rhythm section work from true visionaries.”

'Focus' is the debut album by American progressive death metal band Cynic, released in 1993. It is renowned for its innovative blend of technical death metal with jazz fusion elements, featuring complex time signatures, philosophical lyrics, and prominent use of vocoder effects on the vocals. The album is considered a landmark in progressive metal, influencing countless bands with its unique sound and intricate musicianship.

This Friday's launch is taking place on Bandcamp Friday, an artist- driven initiative that began in March of 2020 at the height of the Covid-19 pandemic when the shuttering of venues led to a loss of vital tour revenue for artists. Since then, Bandcamp Fridays—on which Bandcamp waives its revenue share and passes the funds directly to artists & labels—has resulted in millions of fans paying over $120 million directly to labels and musicians they love. In addition to helping artists pay the rent, or fund album recordings and tours, Bandcamp Fridays have also become a beacon for artists and record labels looking to raise awareness for causes or raise money for charities.

Wind Walkers Release New EP 'I Don't Belong Here' + Share "Hereditary" Official Visualizer via Fearless Records

Genre-blending metalcore outfit Wind Walkers have today released their new EP 'I Don't Belong Here' (via Fearless Records), the band's latest body of work since their 2023 sophomore album 'What If I Break?'. In celebration of the news, the quintet has shared the official visualizer for their track "Hereditary". When asked about the inspiration behind the song, vocalist Trevor Borg commented:

"This song comes from some of my earliest memories of watching someone I loved change in ways I couldn’t understand. As a kid, you don’t have the power to fix it, you just kind of absorb it. The “shapeshifting” spoken of in the lyrics is about the ways people hide their pain, how they put on new faces to survive, and how that loss of self can be passed down. I wrote it to process how trauma can echo through generations. It’s a very personal song to me, but I think a lot of people know what it’s like to grow up in the shadow of someone else’s suffering and to feel that weight shape who you’ve become."

'I Don't Belong Here' is available now on all streaming platforms at the link here. Watch the official "Hereditary" visualizer below, and stay tuned for more Wind Walkers news coming soon.

Trevor Borg - Vocals

Timothy Comeau - Guitar

Neil Comeau - Guitar

Craig Martin - Bass

Ethan Cheesman - Drums

3-CD DELUXE EDITION ANNOUNCED TODAY OF TEN YEARS AFTER’S 1969 ALBUM, SSSH

TODAY CHRYSALIS RECORDS ANNOUNCE A 3-CD DELUXE EDITION OF TEN YEARS AFTER’S 1969 ALBUM, SSSH

FEATURES THE ORIGINAL ALBUM NEWLY MIXED FROM THE ORIGINAL TAPES AND A NEWLY DISCOVERED LIVE RECORDING, SLEEVENOTES AND UNSEEN PHOTOS 

ALSO AVAILABLE ON AS 2LP SET 

Out OCTOBER 31 

PRE-ORDER LINK:
https://tenyearsafter.lnk.to/Ssssh

Originally released in 1969, Ssssh marked Ten Years After’s breakthrough into mainstream rock, blending blues riffs with the raw energy of British psychedelia.

56 years later, Chrysalis are proud to present the album in its most expansive form to date. Featuring the original 1969 mix, the album has also been newly mixed by Charlie Russell from the original ¼ production multi-track tapes, offering superb fresh sonic detail, while the third disc contains a newly discovered live recording from the Finnish radio archives of the bands stunning performance at the Kulttuuritalo Hall in Helsinki on 3rd December 1969, recorded just months after the bands’ career-altering performance at Woodstock.

At the centre of this hardcover edition are newly written liner notes by Nigel Williamson, testimonial from Joe Bonamassa and previously unseen photographs. 

The 2-LP vinyl edition was remixed from the original 7-track 1” master tapes and remastered by Phil Kinrade and cut at half-speed at AIR Mastering.

Ten Years After’s Leo Lyons on the deluxe reissue: 

Ssssh was the first record that Ten Years After made on an 8-track machine rather than the four track machines used on previous albums. We could finally separate things out, experiment with overdubs, and actually hear the instruments breathe. Before that, you’d often have to bounce tracks together just to make room, which meant losing quality or committing to a sound too early in the process. I’m really looking forward to hearing the remixed and remastered record. There may be things in those old tapes that no one’s heard yet just waiting to be revealed.”

Remember The Monsters X Orgy Unleash "System Override," a Furious Anthem About a World on the Brink of Collapse

"SYSTEM OVERRIDE" paints a picture of a collapsing society through the lens of personal disillusionment and collective struggle. At its core, it’s about mistrust, division, and the breakdown of systems, whether political, social, or spiritual, that once promised stability but now only deliver emptiness and control.

The recurring imagery of black & white versus color reflects the loss of hope, imagination, and nuance in a world consumed by conflict and polarization. Where once there may have been shades of possibility, everything now feels rigid, divided, and lifeless. The line “Do you dream in color?” becomes a desperate plea for vision, empathy, and renewal in a society that has grown numb and mechanical.

Themes of false leadership and hypocrisy surface throughout: leaders speak of greatness while ignoring suffering, strength is proclaimed while people are oppressed, and overlords exploit the weak.

The climax comes with the declaration of

“SYSTEM OVERRIDE” and the call for a reset. This is an acknowledgment that the current way of living is unsustainable, and only by breaking down the corrupted system can something new and meaningful rise from the ruins.

Overall, "SYSTEM OVERRIDE" conveys both rage and despair, but beneath its bleakness lies a drive for transformation. A recognition that although the present feels hopeless, change is inevitable, and necessary. 

ABOUT THE BAND:

Remember the Monsters is a genre-blending modern rock band known for cinematic soundscapes, emotional intensity, and hard-hitting anthems. Since their 2016 debut, the bands founder Ashten Banks has evolved the group through lineup changes and creative reinvention, most recently joining forces with vocalist Andrew de Neef (Actual Villains, Close to Home) and legendary drummer Elias Mallin, studio & touring drummer with acts like Filter, Noah Cyrus, and Kesha & more. 

Collaborating with producer Matt Good (Asking Alexandria, Hollywood Undead), the band has released standout covers and originals including “Mercy” (ft. NERV), “Haunted” (ft. From First to Last), and “Hostage” (ft. Paul Bartolome). 

Most recently, the band is poised to release two of their most dynamic songs to date. Starting with “SYSTEM OVERRIDE” which features Jay Gordon from ORGY and followed by their most aggressive and intense single & music video to date “INFECTED” which was co-written with former Asking Alexandria guitarist Ben Bruce

Avatar Show Their "Death And Glitz" in New Video

The heavy metal visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — previously announced the thoroughly fitting October 31 release of their latest masterwork Don't Go in the Forest. Pre-save it here.

Today, the band shares the visuazlier for the new single "Death And Glitz." Watch it below

Eckerström states, ":Death and Glitz' is a song about perversion and detachment. A homeless, young runaway collapses and dies on a dancefloor. The crime scene tape becomes a red velvet rope. The investigator's camera flashes like paparazzi on the red carpet. We love her for dying. Now, she's perfect. Obedient. Anything you want." 

He continues. "The true crime genre is as sick as the sickest goregrind band you've ever heard. Its popularity and the form in which it's being consumed, as a choice between Mickey Mouse and hospital dramas, reveals a darkness. The best ones are when it's someone young and attractive. A couple goes hiking. Only the man returns. What do we project on this very real person's very real tragedy? Do we see ourselves, with a strange envy for being so desired? Do we see a canvas on which we can paint the perfect future, if we were there to make it right? Do we completely dehumanize the victim and those who lost her, obsessed with the puzzle? No matter the reason, it is clear that no one is more obedient than the dead. People simply like it when death has a nice rack."

Regarding the album, Eckerström offers, "The secret ingredient is that we still feel like we're just getting started. Don't Go In The Forest is an album filled to the brim with stuff we've never done before. It's all songs and concepts we haven't been close to touch until now. The mind is wild and we have lost ourselves in the darkest woods, filled with memories, and fantasies. Forbidden thoughts that must be spoken."

He concludes, "It would have been impossible to make this album at any other time than now. That's all we ever wanted, and I think you'll find it's all you ever wanted too."

Avatar have gone from strength to strength over the past several years. There's the critically acclaimed, 2023-released album Dance Devil Dance, which included their first #1 at Billboard’s Mainstream Rock Airplay, "The Dirt I'm Buried In." There have been scores of sold-out headline shows across the globe, and an actual fossil named after them. The list goes on and on.

But the past is the past and the future is, well, dark in the best possible way and that's JUST how Avatar like it!

Avatar will spend the foreseeable future (if not forever) on the road — with forthcoming tours supporting Iron Maiden and Metallica, along with the band's biggest show EVER in Mexico City. See below for a complete rundown of the band's planned tour activity for the next two years.

Avatar show no signs of pausing to take a breath in their quest for absolute world domination — much less stopping. 

2025 U.S. HEADLINE TOUR:
11/5 — Phoenix, AZ — The Van Buren 
11/6 — San Diego, CA —  The Observatory San Diego
11/7 — Riverside, CA — Riverside Municipal Auditorium
11/8 — Las Vegas, NV — Brooklyn Bowl
11/10 — Seattle, WA — Moore Theater 
11/11 — Portland, OR — Roseland Theatre 
11/12 — Boise, ID — Revolution 
11/14 — Salt Lake City, UT — The Union 
11/15 — Denver, CO — Fillmore 
11/17 — Minneapolis, MN — Fillmore 
11/18 — Madison, WI — The Sylvee 
11/20 — Detroit, MI — The Fillmore Detroit 
11/21 — Pittsburgh, PA — Stage AE 
11/22 — Columbus, OH — KEMBA Live!
11/23 — Silver Spring, MD — The Fillmore Silver Spring 
11/25 — Huntington, NY — Paramount
11/26 — Boston, MA — House of Blues
11/28 — Allentown, PA — Archer Music Hall
11/29 — Charlotte, NC — The Fillmore Charlotte
11/30 — Louisville, KY — Old Forester's Paristown Hall
12/2 — Chicago, IL — Riviera Theater
12/4 — Nashville, TN — Marathon Music Works
12/6 — Tulsa, OK —  Tulsa Theater
12/7 — Dallas, TX — House of Blues

For centuries the circus would come to town. Now, for the first time in history, the gravitational pull of Avatar is so strong that the town is coming to the circus. A circus deep in the forest. A forbidden place. A taboo you are destined to break.

AVATAR ARE
Johannes Eckerström — Vocalist
Jonas Jarlsby — Guitarist
Tim Öhrström — Guitarist
 Henrik Sandelin — Bassist 
John Alfredsson — Drummer

VESSELES Announces New Album Home and Unveils Single “Scriptures Etched Into the Mind’s Pillars”

Symphonic black metal project VESSELES announces the release of its sophomore full-length album Home, arriving January 16th, alongside the unveiling of the record’s seventh track, “Scriptures Etched Into the Mind’s Pillars.”

“Scriptures Etched Into the Mind’s Pillars” is an ode to the grand tradition of classic symphonic black metal. It is a vehement composition that grapples with the inner fortresses we build to protect ourselves, only to find them transformed into prisons. As relentless as it is majestic, the song marks a lyrical turning point: moving away from searching for solace in one’s origins toward confronting the distress of internal struggle and the elusive quest for peace.

Founded as a personal vessel for Valira, a demon entity navigating existence within the human world, VESSELES fuses cinematic scale with blackened ferocity. Homeexpands upon the project’s identity-driven narrative, weaving a mythos of belonging, alienation, and ultimate reclamation of power. The album is as much about survival as it is about transcendence, an unflinching exploration of self through sound.

Home is the sound of returning to a place you’ve never truly known,” says Valira.

With its blend of sweeping orchestration, blistering aggression, and emotional weight, Home establishes VESSELES as one of the most uncompromising voices in contemporary symphonic black metal.

Pre-order Homehttps://vesseles.myshopify.com/

Listen to "Scriptures Etched Into the Mind's PIlars" Below.

About VESSELES:
Founded in 2023, VESSELES is the sonic vessel through which Valira speaks the language of her origins. As composer, orchestrator, and architect, she crafts bleak, incantatory soundscapes that fuse serrated guitars with haunted symphonic textures. Her voice, at once seething and spectral, now rises with increasing clarity, layered across both backing and lead roles in studio and on stage. This is not performance. It is possession. Through sound, she casts off the human shell and steps fully into her true form: demon, exile, survivor. VESSELES unveiled the debut EP I Am A Demon in 2024, a liturgy of identity dysphoria, rage, and revelation. "Eternally Within Us" follows the recently released 2025 single, "Flesh Throne".

Credits:
Composed by Valira Pietrangelo.
Performed by VESSELES. 

VESSELES Is:
Valira Pietrangelo - guitar and backing vocals
J Burial (Joel Ferry) - vocals
Ron Graves - bass
Nick Brown - drums

Links: 
Bandcamp: https://vesseles.bandcamp.com/
Facebook: https://www.facebook.com/vesseles/
YouTube: https://www.youtube.com/@Vesseles
Instagram: https://www.instagram.com/vesseles666/
Music and merch: https://linktr.ee/vesseles

THE HAUNTED's Ola Englund Shares Guitar Play-Through for "Collateral Carnage"

Guitar icon OLA ENGLUND of Swedish thrash pioneers THE HAUNTED is now sharing a guitar play-through for the song "Collateral Carnage," which is taken from the band's critically-acclaimed new album, 'Songs of Last Resort,' which is out now via Century Media Records! The clip and accompanying tabs can be seen below.

With music recorded by Oscar Nilsson at Studio Bohus, main vocals recorded by Björn Strid at The Cellar Studio, 'Songs of Last Resort' was then mixed and mastered by Jens Bogren at Fascination Street Studios (Kreator, Arch Enemy, Sepultura, etc). Artwork was once again provided by longtime visual collaborator Andreas “Diaz” Pettersson. Stream, download, and order it HERE.

THE HAUNTED will also be embarking on an extensive European run, which includes stops in Japan and the UK! The trek kicks off on October 4 in Athens (GR). The full itinerary and tickets can be found HERE with more TBA!

Upon its release, 'Songs of Last Resort' entered several international sales charts, including #7 on the Current Hard Rock Albums Chart (USA) and #77 Current Album Sales Chart (USA). The full list of placements and media accolades can be found below:

Lineup:

Ola Englund – rhythm & lead guitar

Jonas Björler – bass, backing vocals

Marco Aro – lead vocals 

Adrian Erlandsson – drums 

Jensen – rhythm guitar

Cover Artwork:  Andreas “Diaz” Pettersson

Music recorded by Oscar Nilsson at Studio Bohus

Main vocals recorded by Björn Strid at The Cellar Studio

Mixed and mastered by Jens Bogren at Fascination Street Studios 

'Songs of Last Resort' will be available as Ltd. CD Mediabook & Poster (Incl. the bonus track “Feeding the Furnace” (02:32)), as Standard CD Jewelcase, as Digital Album and as 180g. LP & Poster in the following variants: 

- Black LP & Poster (Unlimited)

- Ltd. transp. red LP & Poster (500x copies, available from www.cmdistro.de & various other retailers)

- Ltd. transp. petrol green LP & Poster (300x copies, available from various retailers in Europe)

Follow/Stream:

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

YOUTUBE

WEBSTORE

Melinoe unveil their first full-length opus, Affliction In Bloom,

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release on October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

  • Nadine  (Vocals/Keys)

  • Travis (Guitars)

  • Kaleb (Drums)


Album Credits:

  • Producer: Logan Clough, Justin Gregorio

  • Recording Studio: Creative Cult Recordings, Vanta Co Recordings

  • Engineer: Logan Clough

  • Mastering: Logan Clough

  • Mixing: Logan Clough

Album Cover Artist: Nadine

Art Rock Trio Our Oceans Share "Leave Me Be" Video

Blending singer/songwriter sensibilities with modern progressive rock elements, Our Oceans' music resonates with listeners who seek a soul-stirring experience, offering both catharsis and hope.

Today, the power trio, featuring singer and guitarist Tymon Kruidenier and his former Exivious bandmates — bassist Robin Zielhorst and drummer Yuma van Eekelen — have released the video for "Leave Me Be." The song is the third single off the new studio album Right Here, Right Now, due out released on October 24 via Long Branch Records.

Watch the "Leave Me Be" music video Below

Stream the single and pre-order the album here

"One of my favorite songs on the album," comments band leader Kruidenier. "It’s built on a bass line Robin originally wrote for Motherly Flame on our last record but never ended up using for that song. Conceptually, this is one of the darkest songs on the album, rooted in childhood trauma — something that’s clearly reflected in both the lyrics and the unsettling vibe of the music. I also think it's one of our more original compositions. From the ominous, hypnotic bass groove to the Middle Eastern-inspired motifs, and finally, the dual drum/guitar solo, it's a song that still gives me goosebumps every time I hear it."

On their new album, Right Here, Right Now, Our Oceans unveil a brighter, more exhilarating sonic landscape while maintaining the evocative emotional depth that has become their hallmark. Inspired by the "bright quality of the now," the band from the Netherlands crafts a richly layered musical journey filled with lush harmonies and uplifting atmospheres. The album captures the vibrancy of the present moment, blending intricate musicianship with an infectious sense of optimism.

"I'm incredibly proud of that album, but it's a bit of a bitter pill to swallow," says Kruidenier. "This time around, I also felt the need to return to the creative philosophy behind the first Our Oceans album: Simply letting things flow. Instead of steering the process or clinging to preconceived ideas of what the music should be, I wanted to trust in an open and unrestricted creative approach, allowing the songs to take shape naturally. It all started with the chorus for what became the album's first track, 'Golden Rain.' From there, everything came together in what felt like one effortless flow state that lasted for a month or two. I think this resulted in a collection of songs that feel balanced and cohesive, yet diverse and playful."

OUR OCEANS ARE:
Tymon Kruidenier — Vocals +Guitars
Robin Zielhorst — Bass
Yuma van Eekelen — Drums

HENCE REINVENTS SOFT CELL’S ICONIC ‘SEX DWARF’ WITH A SURREAL, THEATRICAL TWIST.

Hence — the Anglo-Danish collective known for transforming coincidence into art — have released their latest single: a radical reimagining of Soft Cell’s cult classic ‘Sex Dwarf’. More than just a cover, Hence’s version is a full-scale reinvention. Where the original throbbed with sleaze and synth-driven menace, Hence lean into the decadent, surreal and theatrical. Layers of modular electronics collide with dark disco beats, while their signature universe of silver spheres, poodle masks, and modular chaos refracts the song into something at once familiar and entirely new. For Hence, the choice of ‘Sex Dwarf’ was not coincidence alone, but a chance to trace a line back to their synth heritage. “It’s about taking something iconic, shaking it loose and letting it mutate through our collective,” the band says. “Soft Cell’s original was already outrageous. We wanted to push it through our lens of absurdity and meaning — until it became both homage and subversion.”

The track follows Hence’s April 2025 release ‘Steadying The Ship’, which established the band’s reputation for existential lyricism and cinematic soundscapes. With ‘Sex Dwarf’, Hence showcases the other side of their DNA: playful provocation, theatrical excess and fearless reinvention.

“Hence is more than just a band,” they added. “It’s a community of chance. Every collaborator leaves a fingerprint and every accident is welcomed as part of the final work.”

Das Konductor makes his second appearance in the Hence universe - this time stepping forward not just as a spectral narrator but as a full vocal presence. On Hence’s radical reimagining, Das Konductor lends his unmistakable voice, twisting decadence into theatre, menace into play.

“We live in a time of sharp debates about what can and can’t be said. With Hence, we believe in the strength of artistically expressed absurdities. Borders can be set by politics but they are felt through the arts. What we love is how the unconventional inevitably turns us back toward the conventional, and vice versa. That interplay with life is, to us, the foundation of art.” – Knuth, Hence

With this performance Hence has shaped its provocative reinvention into something that is at once homage and subversion. Das Konductor also returns in ‘Jewels Of The Night’, delivering the spoken passages which introduce the forthcoming video with nocturnal poetry.

Performed by Hence & Das Konductor
Produced & Mixed by Knuth
Mastered by Jaran Hereid
Remixed by Aesthetic Perfection
Written by Marc Almond & David Ball
Published by Arto-Music/Warner Chappell Music
℗ 2025 Cosmic Cassettes 

San Francisco's OCTAVIAN WINTERS unleash dark and primal 'Saints of Absolution'

San Francisco post-punk outfit Octavian Winters presents 'Saints Of Absolution'a dark and rich teaser of their debut album, out in early 2026 via Stratis Capta Records. Marrying their hallmark ethereal sound with a classic death rock vibe, this dark and primal offering follows the lead track 'Hermine'. Both singles accompanied by short films by Bay Area producer David Kruschke.

Guitarist Stephan Salit (Thrill of The Pull) channels his Eastern roots with a guitar motif that circles like a hypnotic dance, over a tribal groove by bassist Jay Denton and drummer Randy Gzebb (Thrill of The Pull, Love Club), which undulates below. Mesmerizing vocals by Ria Aursjoen (AURSJOEN) enter like temple incense wafting atop of the music - sinister and confessional, before building to a wild visceral delivery as the song builds to its intense ending.

"This song 'Saints of Absolution' is about false idols, on two levels. The broader level, and the one we most often think of when we think of the idea of false idols, is about people attaching to negative ideologies that subvert our better natures, and the toxic swamp that lies down that path. The other level is the individual, and the poison of envy, hatred and spreading gossip behind others' backs -- often serious lies that can be very damaging to people's lives," says Ria Aursjoen.

"This world is full of enough horror without adding to it; although the lyrics are a little darker than my usual style, the intent is to make people think, to urge us all to not lose sight of our common humanity."

'Saints of Absolution' was produced, recorded, mixed and mastered by the iconic William Faith (The Bellwether Syndicate, Faith & the Muse, Christian Death) at 13 Studio in Chicago.

"This is another one that I originally intended to go one way, but then went another. I had the two main themes with the dissonance I desired when William made a suggestion that turned into the break that Ria takes flight over! What a glorious din," says guitarist Stephan Salit.

Drummer Randy Gzebb adds, "I've always been drawn to playing tom grooves that give the song a darker more primal feel".

Formed in 2022, Octavian Winters profess a visceral ethereal sound with haunting textures, channeling half-remembered stories from an indifferent metropolis and lunar energy. This newest single confirms the band's well-earned reputation for weaving multiple stylistic influences together into a sonic tapestry that is altogether unique and identifiably their own.

Now critically acclaimed, the band gained a solid reputation with their 2023 debut EP 'The Line or Curve', and 2024's 'Nebula / Velveteen' collaboration with Mark Pistel (Consolidated, Meat Beat Manifesto), their tightly crafted songs running the gamut from the ethereal to the dark and driving. This new offering, 'Hermine', visits those harder edges.

Following their recent appearance at A Murder of Crows Festival in New York, West coast fans will now be treated to their performance at Bar Sinister in Los Angeles on October 31 for their legendary Ghostly Halloween Ball.

'Saints of Absolution' is out now, available everywhere digitally, including Apple MusicSpotify and Bandcamp.  Tickets for their L.A. show can be ordered at  https://octavianwinters.com/shows

CREDITS 
Music written by Octavian Winters. Lyrics by Ria Aursjoen
Ria Aursjoen: Vocals / Keyboards
Stephan Salit: Guitars / Vocals
Randy Gzebb: Drums
Jay Denton: Bass
Recorded at OW Studios, San Francisco, CA
Produced, Recorded, Mixed and Mastered by William Faith at 13 Studio, Chicago, IL
Released by Stratis Capta Records
Published by Flare and Bloom Music BMI
Artwork and layout by Henry Austin Lannan
Octavian Winters wordmark by Eric Olson
Video and artist photos by David Kruschke, except
Banner portrait by Katheleen Landino
Publicity by Shameless Promotion PR


Keep up with Octavian Winters
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Hooded Menace Premiere Lachrymose Monuments of Obscuration

For more than two decades, Hooded Menace have stood as the pillar between two realms of underground metal. The Finnish band are still transfixed by classic horror on their monumental new album. But Lachrymose Monuments of Obscuration only goes to show that these stewards of death-doom remain far from stuck in their ways. 

Lachrymose Monuments of Obscuration comes out tomorrow, Friday, October 3, but you can hear all seven earthshaking tracks today by listening to the full album stream below. 

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration


Pre-save on Spotify
https://open.spotify.com/prerelease/3Os1kbdsMgl805olZjrZUr

Ask the band anything about Lachrymose Monuments of Obscuration during tomorrow's Reddit AMA. 

Hooded Menace AMA 
r/Metal
Friday, October 3 @ Noon EST / 18 CEST


Join
https://www.reddit.com/r/Metal/comments/1nr7jx3/hooded_menace_ama/

On Lachyrmose Monuments of Obscuration, Hooded Menace cast death-doom in a ghostly new light. 

Line-up
Harri Kuokkanen — Vocals
Lasse Pyykkö — Guitar, Bass, Keyboards
Pekka Koskelo — Drums

Guest Musicians
Antti Poutanen — Cello
John McNulty — Spoken Word

Production Credits
Recorded by Heikki Marttila at Guru Studio, Joensuu, Finland.
Mixed by Heikki Marttila.
Mastered by Jaime Gomez Arellano at Orgone Studios, Portugal.

Cover Art
Wes Benscoter (https://www.wesbenscoter.com)

Photography
Pasi Nevalaita

Pre-order & Pre-save
https://orcd.co/hoodedmenacelachrymosemonumentsofobscuration

Available formats
Digital download
CD Digipack
12" Vinyl (Black)
12" Colored Vinyl (Red)
12" Colored Vinyl (Purple)
12" Colored Vinyl (Crystal clear with red and blue marble)
12" Liquid-filled Vinyl (Slime yellow)


Follow Hooded Menace
Bandcamp: https://hoodedmenace.bandcamp.com/music
Facebook: https://www.facebook.com/hoodedmenaceofficial/
Instagram: https://www.instagram.com/hoodedmenaceofficial/
Spotify: https://open.spotify.com/artist/10mjw8SFRZjS0d8tecdEW8
Apple Music: https://music.apple.com/artist/hooded-menace/364200709
Deezer: https://www.deezer.com/artist/3748981
Tidal: https://tidal.com/browse/artist/4754969

Brutal Surf-Death Metal Band STILLBIRTH Release New Single, "Throne Of Bones", Off Of Upcoming Concept Album 'Survival Protocol'

German brutal-surf-death-party metal band STILLBIRTH leave a trail of bloodshed in their wake with their latest single "Throne Of Bones", off of their upcoming concept album, Survival Protocol. STILLBIRTH will unleash Survival Protocol on October 31st via rising metal label Reigning Phoenix Music. The album is the follow-up to their critically acclaimed Homo Deus, which was released in 2023.

"Throne Of Bones" kicks off with a towering drum groove and ominous guitar riffs. Monstrously guttural vocals dominate the soundscape, calling forth a tale of apocalyptic despair. The rhythmic chorus provides some order among the chaos, but it isn't long before all hell breaks loose once again with a burst of pig squeals and punchy riffs. Though a groovy rhythm pervades the music, STILLBIRTH are determined to keep their listeners on their toes, punctuating the flow of the song with more extreme elements.

Survival Protocol is a concept album that tells the story of an unknown hero surviving a nuclear apocalypse. The narrative began on the album Annihilation of Mankind and now reaches its conclusion on Survival Protocol. It picks up where Homo Deus left off: the true creator descends from the skies, and the epic battle for planetary dominance begins. Humanity is nearly wiped out, with a handful of survivors managing to escape into space. After a long journey, they discover a habitable planet and begin to colonize it. The events of this journey are told across the tracks of Survival Protocol.

Watch the video for "Throne Of Bones" BELOW :

Pre-Order Survival Protocol HERE: https://stillbirth.rpm.link/survivalprotocol

STILLBIRTH is a slamming death metal force from Hagen, Germany, known for their chaotic live shows, unrelenting brutality, and wild blend of Death Metal, Grindcore, Deathcore, and Slam. Since 1999, the band has been obliterating venues and festivals worldwide with an extreme sound fueled by filthy grooves, blast beats, and a tongue-in-cheek attitude that’s equal parts destruction and party.
 
Founded by guitarist-turned-vocalist Lukas Swiaczny, STILLBIRTH quickly gained a cult following with their 2002 debut Happy Stillbirth Party. After a short hiatus from 2003 to 2005, the band came roaring back, contributing to international split releases and building a reputation across Europe. Their sophomore effort, Plakative Aggressionen (2009), led to their first Eastern European tour and set the tone for a relentless schedule of releases and performances.
 
By 2011, Endgame Is Near expanded their reach, earning them a spot on their first U.S. tour. STILLBIRTH's 2015 album Global Error marked a high point, with back-to-back tours across the U.S. and Europe. Their signing to Unique Leader Records saw them level up again with Annihilation of Mankind (2018), landing major festival appearances and a tour through Asia.
 
In 2019, they revisited their roots with Back to the Stoned Age, re-recording fan favorites with updated production and guest vocals. The follow-up, Revive the Throne (2020), doubled down on brutality with dual basses, massive grooves, and razor-sharp production—setting a new bar for heaviness in their discography.
 
Tragedy struck in 2021 with the passing of bassist and engineer Dominik “Pumpa” Koenig. His legacy lives on in the band’s music and spirit. After signing to Distortion Music Group in 2022, STILLBIRTH dropped Homo Deus in 2023, toured Europe with KATAKLYSM and FLESHGOD APOCALYPSE, and crushed stages at Summer Breeze, Party.San, and Tolminator.
 
Now, STILLBIRTH is poised to unleash their ninth full-length, Survival Protocol, on October 31st, a dystopian concept album promising their most refined yet devastating sound to date.
 
STILLBIRTH is a party at the edge of the apocalypse. Total madness guaranteed!

STILLBIRTH IS:

  • Lukas Swiaczny – Vocals

  • Martin Grupe – Drums

  • Lukas Kaminski – Bass

  • Leonard Thoma – Guitar

  • Szymon Skiba – Guitar

Website | Facebook | Instagram 

THE NARRATOR - Release Video For New Single 'Pills From The Start'

Following the Summer festival season, with shows at some of the biggest and most renowned metal festivals in Europe, such as Wacken and Summer Breeze, modern metalcore sensation THE NARRATOR have unleashed a new single called 'Pills From The Start'. The blistering, groove led anthem is tackling toxic friendships that leave a lasting scar. The struggles with pain of self-worth can be heard in the visceral delivery from vocalist Fabian Jochum throughout the song. Alongside the single, a music video has been released, which you can watch below.

Just like the previous single, 'Unbind Me', 'Pills From The Start' was mastered by Grammy award winning mastering engineer Ted Jensen at Sterling Sound.

If you want to catch THE NARRATOR live, which is highly recommended: the band will embark on an extensive European tour with ANNISOKAY starting October 10th. Be quick as tickets are going fast. You can find all confirmed dates at the bottom. Furthermore, a hometown headline show in Essen has been announced for December 20th, 2025, rounding off a successful year for THE NARRATOR with a party for the ages!

THE NARRATOR commented:
'Pills From The Start' is about finding your own worth even when toxic friendships try to drag you down. Playing it live on our upcoming tour will be the perfect way to turn that message into a shared experience with our fans."

Stream 'Pills From The Start': 
https://thenarrator.bfan.link/pills-from-the-start

Watch the music video for 'Pills From The Start' Below.

About THE NARRATOR:

THE NARRATOR were founded in 2017 in the Ruhr area of Germany and have been captivating audiences with their energetic songwriting and electrifying live performances from the very beginning. After successful tours and festival appearances, THE NARRATOR steadily made a name for themselves in the global metalcore scene.

In September 2024, THE NARRATOR released their highly anticipated debut album Lore – 10 tracks that speak volumes, boasting an impressive 12 million streams across all platforms to this day. Their latest single, 'Unbind Me',  mastered by Ted Jensen (STERLING SOUND – BRING ME THE HORIZON, GREEN DAY, KORN, and many more), proved once again that THE NARRATOR is essential for every modern metal playlist. But one thing is certain: the best is yet to come!

Defences Return With Video for New Modern Metal Banger "Lithium Kiss"

Defences will be your new favorite alternative metal band.

Known for an eclectic mix of synth-heavy melodies and crushing riffs, fronted by the sultry and androgynous tones of singer Cherry Duesbury, Defences offer their next level take on metalcore. Over 10 years, two EPs ,and three LPs, the underlying theme of the necessity for introspection, self-reflection, and finding your inner strength bears strong. It's "self-acceptance-core" at its finest.

Today, the Hertfordshire, UK-based band returns with the video for the new single "Lithium Kiss."

"The inspiration for 'Lithium Kiss' came from one of our members' personal experience being prescribed the mood-stabilizer Lithium for a couple of years, and the frustrations and difficulties that came along with the benefits," comment Defences. "When treatment stopped, rather than feeling like before, there was instead a feeling of being almost hyper-rational, rather than feeling like they could react instinctively and naturally. 'Lithium Kiss' is NOT about not taking your medication and taking care of yourself and we would never want it to come across that way. It's instead a crystallization of a paranoia that we are consumed by illness and treatment, adversity, and reconciliation. The 'Lithium Kiss' is our way of referring to this relationship — the symbiotic necessity for difficulty to bring about individual growth, whilst ensuring that it does not come to consume you."

Watch the "Lithium Kiss" music video below

Stream the single here.

DEFENCES ARE:
Cherry Duesbury — Vocals
William Young — Keys, Vocals
Calum Wilmot — Guitar
Kyle Parke — Drums

Morgan Wallen Walks Away from Wreckage in New “I Got Better” Music Video

On the heels of concluding his 2025 I’m The Problem Tour on September 13 in Edmonton, Alberta, Morgan Wallen has notched another top five-and-climbing single at Country radio with “I Got Better,” the second-of-37 tracks on his blockbuster fourth studio album, I’m The Problem. Today, the 19-time Billboard Music Award winner released the official music video for the single he dubbed his “most personal” upon its May 16 release. Watch Below.
 
Co-written by Wallen alongside Michael Hardy, Chase McGill, Blake Pendergrass, Ernest Keith Smith and Ryan Vojtesak, “I Got Better” comes to life on screen under the direction of Justin Clough. The cinematic video uses a car accident as a metaphor for the wreckage of a relationship. The storyline follows Wallen as he walks away from the crash, his wounds gradually beginning to heal as he does so. 
 
Wallen first teased the video’s creative clad in bloodied attire via a social media post on September 3 during a week off on tour, simply captioning, “Interesting bye week lol”. 
 
I’m The Problem spent 12 non-consecutive weeks atop the Billboard 200 albums chart and 13 non-consecutive weeks at No. 1 on the Billboard Canadian Albums chart. It also became Wallen’s first album to debut at No. 1 on the UK Official Charts – making him one of only five artists to debut at summit with a country album. The project has already yielded four No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. 
 
The project debuted at No. 1 in seven countries upon release. In Australia, I’m The Problem became the longest-running No. 1 album by a country artist in 10 years, with three consecutive weeks atop the ARIA albums chart, while “What I Want (feat. Tate McRae)” spent five weeks at No. 1 on Australia’s Country Airplay chart.

About Morgan Wallen:
Morgan Wallen sets the pace in, and beyond, country music – with Billboard calling him “one of the biggest stars in the music world right now” and The New Yorker adding “[he’s] popular on a scale that seems to circumvent genre entirely.” With 19 No. 1 singles at Country radio, 19 Billboard Music Awards to-date, 198 weeks spent atop Billboard’s Top Country Albums chart (the most in country music history), the highest selling country tour under his belt and more, Wallen has propelled country music to a global level in less than five years. 
 
Wallen’s fourth studio album, I’m The Problem, available now via Big Loud / Mercury, debuted at No. 1 globally across seven countries; while his preceding albums – Dangerous: The Double Album and One Thing At A Time – have remained in the top 10 of the Billboard 200 chart for more than 100 weeks each, making him the first artist ever to achieve that feat. I’m The Problem – which Hits Daily Double observes is “a 37-song cycle of self-reckoning” – has already yielded four No. 1’s at Country radio, including the title track, which remained at No. 1 for eight weeks. Wallen also broke his own record for the most simultaneous entries in Billboard Hot 100 History, with 37 songs charting on release week.
 
Wallen’s 20-stadium-show 2025 I’m the Problem Tour recently concluded in Edmonton, Alberta. In addition to his 20 stadium-plays, Wallen held his inaugural, personally-curated and multi-genre Sand In My Boots Music Festival in Gulf Shores, Alabama in May. He also performed an intimate album release show at The Roundhouse in London.
 
Wallen donates a portion of every ticket sold to his Morgan Wallen Foundation — which supports youth music and athletic programs and gives communities access to essentials in times of crisis. More at MorganWallen.com.

Photo Credit: Spidey Smith

Messina Touring Unveils New Logo and Brand Identity

Messina Touring, a leader in live entertainment, unveils a new logo and refreshed brand identity that reflects the company’s forward-looking approach to live music and its unwavering commitment to artists.
 
Founded by legendary promoter Louis Messina, Messina Touring has spent decades at the forefront of touring innovation, building record-setting tours for some of the world’s most celebrated performers, including George Strait, Taylor Swift, Ed Sheeran, Kenny Chesney, The Lumineers, Eric Church, Blake Shelton, Ty Myers, Old Dominion, Phoebe Bridgers and Zac Brown Band.
 
The updated branding reflects Messina Touring’s continued commitment to leading the way in live entertainment, challenging industry norms by creating enhanced artist partnerships and redefining an artist-first approach to touring. Messina Touring continues to break records and elevate artist success while reshaping the touring landscape, empowering artists with ownership of their fan data while providing the tools to meaningfully engage and strengthen those relationships.
 
As Messina Touring reveals its refreshed logo, the company reinforces its core belief that a more transparent, collaborative and tech-forward approach benefits artists, fans and the future of live entertainment.

Alt-pop artist Celeste Corsano presents mesmerizing single 'XS', where size counts

Alternative pop artist Celeste Corsano has released her new single 'XS' via Magic Door Record Label. Conveying feelings of insecurity, body image issues, and the pressure for perfection and success, often driven by media and external standards, she uses the double meaning of "XS" (extra small) sizes and "excess" success. With a sound wrapped in analogue perfection, Corsano grapples with the cycle of comparison and the fleeting nature of achieving an "industry standard" of happiness.

Based in Milford, Pennsylvania (on the border with New Jersey), Corsano once again made the short trip to Magic Door Recording Studio in Montclair, NJ to work with Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony), who produced, recorded, mixed and mastered this release. Recalling The Cars and Kate Bush, 'XS' appears on the trail of three stunning singles - 'Stuck', 'Nightbird'and 'Sunlight Gazing'.

"XS is about feeling like an outsider and trying to fit in, insecurities about body image and the trap of perfection.  These mindsets come from my own insecurities based on my personal experiences, examples of women I've seen growing up and by outside sources such as the media and the entertainment industry," says Celeste Corsano.

"The lyrics "XS" and "XXS" come from the clothing tags that I often fit into and the sort of shallow and fleeting satisfaction that I feel when I do...silly and kind of sad, but true.  But there are other meanings.  I'm comparing myself to other peoples' success and I feel like I don't measure up".

This song features famed guitarist James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale), Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) on drums and synths, and David Nagler (Nova Social, Joan Baez, Aaron Neville, Rosanne Cash, Yo La Tengo) on bass.

"XS" begins with a light pop feel, but by the end develops an ominous tone that is highlighted fantastically with Ray Ketchem's tribal drumming and cymbal splashes and James Mastro's dark chord play. The creative production and analog synthesizers also enhance its primal feel; as if I am grappling in the wilderness of these thoughts of mine and singing with a troubled sarcasm which I feel reveals my true feelings about the bondage or cycle of comparison that we can all get into," says Corsano.

"Feeling we have achieved the "industry standard" of whatever it is we are trying to achieve - be it body size, our image in our creative expression, or success in social circles, perhaps, but then saying, “Well, have I reached it? Am I now in the perfect spot of happiness?” We all know how transitory this can be and the ambivalence that may set in after that high wears off."

Corsano's music blends poetic lyricism with adventurous arrangements, unexpected rhythms and a distinct emotional range -- from ethereal and moody to playful and bold. With a natural use of mixed meters and layered vocal timbres, her fearless approach to storytelling conveys a deeper truth. With a simple unassuming style, there's a disarming honesty in her work that feels deeply personal, yet speaks to something we all feel. Revealing a vulnerability that is both deeply personal and strikingly relatable, her sparse, almost childlike vocals amplify its impact.

From a musical family, Celeste is inspired by her brothers - Latin roots musician Tony Corsano and percussionist Chris Corsano (Björk, Kim Gordon, Thurston Moore). Corsano began in NYC's live music scene, drawing inspiration from punk and new wave while also writing poetry and studying art. After initially performing Celtic and Bluegrass music, she evolved into a songwriter. She also honed her ear during countless studio sessions with her ex-husband, producer Brad Morrison (and founder of Absolute A-Go-Go Records), working with notable artists like Phish, the Figgs and Spiral Jetty.

'XS' is out now, available from fine online music platforms, including Bandcamp, where her latest singles 'Stuck', 'Sunlight Gazing' and 'Nightbird' can also be found. 

CREDITS
Written by Celeste Corsano
Celeste Corsano – vocals & keyboards
James Mastro – guitar
Ray Ketchem – drums & synths
David Nagler – bass
Produced by Ray Ketchem
Recorded, mixed & mastered by Ray Ketchem at Magic Door Recording, Montclair, NJ
Cover artwork by Chris Corsano
Released by Magic Door Record Label
'Stuck' video production & concept by Brother JT
Publicity by Shameless Promotion PR


Keep up with Celeste Corsano
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EQUILIBRIUM - Announce New Album Equinox + Release Single/Video 'I'll Be Thunder'

Cinematic, folk-metal trailblazers Equilibrium are thrilled to announce that their new studio album, Equinox, will be released on November 28th via Nuclear Blast Records. Today they've also released firey new single 'I'll Be Thunder' accompanied by a raw, earthy performance video.

Equilibrium commented:
"'I'll Be Thunder' is a very impulsive song that shows the experimental and uncompromising side of Equilibrium. Therefore we tried to emphasise this with a unique, archaic performance video. The whole visual concept, set design and costumes have been hand crafted by Jessica Rösch again. I love this song, because while the notes of it came intuitively to my mind, the lyrics are about self-empowerment, breaking free from limitations, and embracing one’s true strength and authenticity.
It is also the perfect moment to announce our upcoming album "Equinox", which is all about authenticity, reconnection with and rediscovering our own art. It took a long time to go through this process since a lot has happened throughout the last few years in the history of Equilibrium. It represents the bright and dark side of our music and we can't wait to share the whole thing with the world and enlighten this new chapter. The album contains all the cinematic, folky, harsh and soft elements an Equilibrium album should have."


Pre-order Equinox here: 
https://equilibrium.bfan.link/equinox

You can watch the video for 'I'll Be Thunder' below: 

Stream 'I'll Be Thunder' here: 
https://equilibrium.bfan.link/illbethunder

Equilibrium are currently touring in mainland Europe alongside Dark Tranquility, Soen and IOTUNN.

Tickets are available here: 
https://equilibrium-metal.net/en/shows/

About EQUILIBRIUM:

The world is spinning faster these days. Chaos, division and destruction hang heavy in the air. But music has long been humanity’s most vital defense against the turbulent tides of time. A band whose very name is a plea for balance and unity, Equilibrium have been making life-affirming music for nearly 25 years, and as they return after a lengthy hiatus, the German legends are more committed than ever to spreading some positivity and hope to the masses.

As they prepare to release their seventh and greatest album to date, the mighty Equinox, creative mainstays René Berthiaume and Jessica Rösch stand proudly at the forefront of modern metal, ushering in an inspirational new era. With a brand new singer, Fabian Getto, leading the charge, Equinox is this band’s most distinctive and powerful statement to date.

Equinox showcases a band in full control of their sonic and spiritual world, with songs that bring their cherished trademarks and authentic instrumentation together with new technology, electronic elements and giant, stirring melodies that rip from the speakers like proclamations from ancient gods. From the joyous rush of recent singles 'Gnosis' and the melo-death inspired 'Bloodwood', to the effortless, cross-pollinated mastery of 'Earth Tongue', 'Legends' and the show-stopping 'Nexus', Equilibrium have never sounded more potent or passionate.

Equinox was recorded and produced by Equilibrium themselves, with some significant help from an assortment of guest musicians – including ex-Eluveitie violinist Shir-Ran Yinon and members of Dutch Viking metal band Heidevolk- and particularly from studio guru and multi-instrumentalist Danny McCook, who oversaw the album’s mixing process.

Inspired by their experiences with other creatives, Equilibrium have also made the decision to embrace authenticity in every aspect of their art. Equinox is adorned with artwork created by Jessica Rösch with her own hands and without any input from A.I. or any other technology. The end result is stunning and speaks volumes about this band’s desire to keep things real.

In turbulent times, real art keeps us all grounded in the things that really matter. Equinox is a statement of intent from a band reborn. Equilibrium have made great music in the past, but never with this much fire and focus. Brimming with smart ideas, anthemic melodies and crushing, state-of-the-art modern metal with an organic, folk-fuelled twist, it kicks open this new chapter in the band’s story with an exhilarating, heartfelt flourish.
 

Follow EQUILIBRIUM:

Website | Facebook | Instagram | TikTok | Youtube | Spotify | Apple Music