new Permafrost single ‘Ultimo August’, out on 16th August on our own Fear of Music label

A FROZEN HEART IN SUMMERTIME: PERMAFROST UNVEIL BROODING POST-PUNK SUMMER ANTHEM

‘Ultimo August’ Out 16th August 

LP ‘The Light Coming Through’ Out 11th October


“If you are a fan of the sinister menace of Interpol, the jagged guitar lines of Gang Of Four or the grandiose gloom of The Cure, here is a band which is a mix of all three but has its own unique post-punk aesthetic – Permafrost.”

XS NOIZE


“Brooding and upbeat, here we have a classically post-punk vibe with compositions still centred on starkly compelling melodies.”

AMPLIFY MUSIC 


“With a powerful melody and plenty of reverb and appealing synth, there is still a charming quality here amidst this ominous hymn – impressive.”

SPILL MAGAZINE 


Nordic-British quartet Permafrost continue to deliver the authentic post-punk sound of the early '80s with the release of ‘Ultimo August’ on 16th August. The single follows the band's acclaimed comeback track, ‘Wrong Heart’,  and serves as a final preview of their forthcoming album, The Light Coming Through, hailed for release 11th October.


Permafrost shatter expectations with ‘Ultimo August’ by delivering a brooding summer anthem that heralds their forthcoming album. Lead singer Kåre Steinsbu’s haunting baritone howls weave a tale of heartbreak and introspection as the track delves into the personal reckoning required to mend a fractured relationship. Driven by pulsating basslines and intricate guitar work, the track juxtaposes the icy darkness of winter against the yearning warmth of summer, evoking comparisons to Interpol, Editors, and New Order


“Ultimo August is a song about a broken relationship and the realisation that it’s necessary to look inward first to work out where it went wrong“ says Permafrost of the single. “It’s a story of a person who is torn between the turbulence of passion and the mundanity of a peaceful life” 


Conceived in the chilling depths of Molde, Norway, Permafrost have been igniting the post-punk flame since their formation in 1982. Founded by schoolmates Frode Heggdal Larsen and Kåre Steinsbu, the band has evolved over the decades, incorporating the talents of fellow Norwegian Robert Heggdal and UK-based Daryl Bamonte - a seasoned collaborator with Depeche Mode and The Cure. As authentic purveyors of the genre, Permafrost transport listeners back to the shadowy, goth-filled clubs of the early ‘80s. Whilst countless contemporary artists attempt to replicate the raw energy of this era, Permafrost truly lived it. 


Defying the odds of distance, with members dispersed across Trondheim, Oslo and Margate, Permafrost have forged an unbreakable creative bond. Unexpectedly, the pandemic became a catalyst for Permafrost’s creativity, as weekly virtual sessions laid the groundwork for their forthcoming album and refined their long-distance collaborative process. The songwriting process typically begins with guitarist Frode presenting a demo, which bassist Robert (Bob Frost) then develops in Logic Pro, programming drums and other elements. Singer Kåre creates a melody to match and lyrics are selected from a collective vault they have accumulated over the years.  The song is refined through a collaborative process, passing back and forth between all four members until everyone is satisfied.


Utilising this refined process, Permafrost’s forthcoming album, The Light Coming Through, offers a sonic refuge from the chaos of modern life. With their signature blend of synth-infused post-punk and politically charged lyrics, the band delivers a collection of songs that are both introspective and empowering. Self described as “Optimistic Melancholy,” their sound offers solace and inspiration, illuminating a path through life’s darkest corners. 


Permafrost’s discography is a testament to their endurance over the years within the music scene. From their humble beginnings with the limited edition 1983 cassette ‘Godtment’, the band has evolved into a formidable force. Their 2019 vinyl EP, ‘Permafrost’ marked a turning point, subsequently gaining wider exposure through a digital release in 2021. Permafrost truly ignited in 2021, with their trio of singles dominating the charts, including an eight-week combined reign for ‘Femme Fatale’ and ‘Closed Eyes’ atop the Indie Disko Top40. These tracks also made waves on the Deutsche Alternative and Native25 charts, earning a coveted spot on Apple Music’s influential "New in Rock" playlist. The unstoppable momentum continued with ‘Restore Us’ which secured the #1 position on both the Indie Disko Top40 and Native25 charts.


‘Ultimo August’ drops on all major streaming platforms on 16th August, a final taste of Permafrost's forthcoming album, The Light Coming Through, due for release on October 11th.



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Randy Houser and Riley Green Join Forces on "Rub A Little Dirt On It"

As he gears up for the kickoff to his co-headlining Country Round Here Tonight Tour with Justin Moore next month, multi-Platinum artist Randy Houser is joined by Riley Green for “Rub A Little Dirt On It,” an anthem of resilience and finding solace in the simple pleasures of life and a fan-favorite track from his album Note To Self. Listen to “Rub A Little Dirt On It” featuring Riley Green Below.
 
“I thought Riley’s voice would be perfect for ‘Rub A Little Dirt On It,’” shares Houser. “He has a down-to-earth quality that really matches the spirit of this song.”
 
Written by Houser with Jeff Hyde and Ryann Tyndell, “Rub A Little Dirt On It” reflects on the wisdom and strength gained from overcoming challenges and the healing power of the outdoors while acting as a reminder that difficult times are only temporary, sometimes alleviated by turning to places of beauty and tranquility:

Today’s release follows Houser’s latest single “Country Back,” a full throttle proclamation of all things country, with over 100 stations playing the song as it climbs the charts at Country radio. Listen to “Country Back” HERE.
 
Houser and Moore will embark on their co-headlining Country Round Here Tonight Tour on Sept. 5 in Charlotte, NC, with 12 shows across the South, Northeast and Midwest through October, including stops in Asbury Park, N.J., Philadelphia, Pa., Houston, Texas and Indianapolis, Ind.
 
Houser is also set to join HARDY for two dates at Red Rocks Amphitheatre for the QUIT!! Tour Oct. 20 and Oct. 21.
 
For tour dates and more information, visit RandyHouser.com or follow along on Instagram @RandyHouserFacebook.com/RandyHouser and Twitter/X @RandyHouser.
 
Randy Houser Tour Dates:
Aug. 14 | Berrin County Youth Fair | Berrien Springs, MI
Aug. 17 | Chase County Fair & Expo | Imperial, NE
Aug. 23 | YQM Country Fest | Dieppe, NB
Aug. 31 | William A. Floyd Amphitheater | Anderson, SC
Oct. 20 | Red Rocks Amphitheatre | Morrison, CO*
Oct. 21 | Red Rocks Amphitheatre | Morrison, CO*
 
*HARDY QUIT!! Tour
 
Country Round Here Tonight Tour Dates:
Sept. 5 | Skyla Credit Union Amp | Charlotte, NC
Sept. 6 | Red Hat Amphitheater | Raleigh, NC
Sept. 7 | Macon Centreplex Coliseum | Macon, GA
Sept. 26 | Toyota Oakdale Theatre | Wallingford, CT
Sept. 27 | The Stone Pony | Asbury Park, NJ
Sept. 28 | TD Pavilion | Philadelphia, PA
Oct. 3 | Walmart AMP | Rogers, AR
Oct. 5 | 713 Music Hall | Houston, TX
Oct. 6 | Toyota Music Factory | Irving, TX
Oct. 10 | Toledo Zoo Amphitheater | Toledo, OH
Oct. 11 | Everwise Amphitheater at White River State Park | Indianapolis, IN
Oct. 12 | Hollywood Casino Amphitheater | Maryland Heights, MO

About Randy Houser
With an inimitable voice The New York Times describes as “wholly different, thicker and more throbbing, a caldron bubbling over,” Randy Houser racked up three consecutive No. 1 hits and more than four million in singles sales to date with his Stoney Creek Records album How Country Feels. He topped the charts with the title track, “Runnin’ Outta Moonlight” and “Goodnight Kiss” (also his first No. 1 as a songwriter) and earned critical acclaim for his powerful delivery of the Top 5 smash and CMA Song of the Year-nominated “Like A Cowboy.” Houser added a fourth No. 1 to his catalogue with “We Went” from his 2016 album, Fired Up. Houser’s sixth studio album Note To Self is available now via Magnolia Music Group and features 10 tracks all co-written by the Mississippi native. Lead single and title track “Note To Self” marked his “powerful return” following 2019’s critically-acclaimed album Magnolia, with MusicRow boasting the Mississippi native “remains one of country music’s very finest vocalists.” His latest single “Country Back” is available now. For more information, visit RandyHouser.com.
 
About Riley Green
Riley Green has been compelling Country music fans to raise a drink, shed a tear, and, above all, celebrate where they are from, since his self-titled EP in 2018 debuted with Big Machine Label Group. His songs like the No. 1 PLATINUM hit “There Was This Girl,” the 2X-PLATINUM-certified heart-tugger “I Wish Grandpas Never Died,” and his chart-topping collab with Thomas Rhett, “Half of Me,” have made the Academy of Country Music’s 2020 New Male Artist of the Year synonymous with what Country music does best: making listeners feel something with his no-gimmick, relatable writing and classic feel.
 
A huge 2023 for the avid sports fan, former athlete (Jacksonville State University quarterback) and outdoorsman, Green secured his third No. 1 single “Different ‘Round Here (Ft. Luke Combs),” played to an average of 65,000 fans each night as direct support on massive tours for Luke Combs and Morgan Wallen and released his latest full-length studio album Ain’t My Last Rodeo. The Dann Huff-produced album features his current Top 25-and-climbing single “Damn Good Day To Leave,” and gave a deeper look into the life of good ol’ boy who still lives in his hometown of Jacksonville, AL.
 
Currently riding a wave of massive success that grows stronger each day, 2024 has been a rocket for Green. He released his Way Out Here EP, which included two solo writes that had critics and fans alike gushing (the poignant “Jesus Saves” and the sultry “Worst Way,” which sparked a frenzy on the internet), the humorous tune “Rather Be,” as well as the wildly viral “you look like you love me” with Ella Langley, which has also taken social media by storm. He played for the biggest Country crowd in UK history (on his first trip across the pond no less), headlined his own (largely sold out) amphitheater tour, hosted his own festival, became one of only three Country artists to grace the cover of Cigar & Spirits and has become one of the most buzzed-about artists in Nashville. With another project on its way this fall, it’s clear, “there’s no slowing down for Riley Green” (Pollstar).  See tour dates and learn more at RileyGreenMusic.com.

Ian Munsick’s “Caroline” Out Now + Surprise-Drops “Good Dogs & Sad Songs”

Ahead of the release of his sophomore album White Buffalo last year, Wyoming native Ian Munsick shared with Music Row the inspiration his wife and son have had on his songwriting, stating “Caroline and Crawford are in all of these songs. It’s just more blatant in some than others.” With “More Than Me” tipping its hat to Caroline’s faith, and songs “Dig” and “Ranch Hand” serving as a testament to their love story, Munsick now interweaves these influences for his most direct tribute yet.
 
“Talk about pressure… naming a song after your wife is as high stakes as it gets as a songwriter. Releasing that song is about as high stakes as it gets as a husband,” Munsick shares with a laugh. “Luckily, it’s one of my favorite songs I’ve ever written and even more importantly, it’s one of my wife’s. Every line is the truth and is seven years in the making. I took my time on it because God took His time on Caroline.” 
 
“Caroline” is available everywhere now, listen HERE. Named after his wife, “Caroline” was written by Munsick alongside Jeremy Spillman and Phil O’Donnell.
 
In addition to the release of “Caroline,” Munsick surprise-dropped “Good Dogs & Sad Songs” as he continues to play more-and-more new live music on the road. 

“Earlier this year, I sat down to write with the brilliant minds that helped create ‘Leather,’ my first cut as a songwriter (thanks CoJo). I had been looking forward to cooking up another one with this combo for a while,” Munsick reflects on the writing process with co-writers Jeremy Spillman and Rivers Rutherford. “Problem was, I had no song ideas this time. We were about an hour into the session and we had some great lines/melodies but still no title to write towards. Finally, my favorite line was cast out into the room: ‘dry wood that splits good and burns all night long.’ From then on, the song wrote itself.
 
“That day was a funny reminder of how the simple things in life are often the most meaningful and inspiring,” he adds. “No matter how much we complicate our lives, the things that God made will always bring clarity and a sense of peace. Just like good dogs and sad songs.” 
 
This Fall, Munsick will return to the Rocky Mountain region with his Country & WESTern Tour presented by Boot Barnwith nine shows throughout the west. Munsick is currently headlining his Boots, Buckles & Bolos Tour, and can be seen on select dates of Lainey Wilson’s Country’s Cool Again Tour this summer.
 
For his full tour schedule and to follow along with updates, visit IanMunsick.com or follow @IanMunsick across social media.

HAMMERFALL - new album 'Avenge The Fallen' out NOW !

Get ready to feel the thunder! HAMMERFALL is back with their electrifying new album Avenge The Fallen, which is released today via Nuclear Blast Records worldwide.

The music from the album was recorded in Sweden by HAMMERFALL guitarist Pontus and mixed by Fredrik Nordström at Studio Fredman, once again co creating a true and genuine HAMMERFALL sound that the fans have come to love, while the vocals this time were recorded in L.A. together with producer Jay Ruston (ANTHRAX, COREY TAYLOR, AMON AMARTH, STEEL PANTHER etc).

Avenge The Fallen promises to be one of HAMMERFALL's most ambitious and powerful albums to date, building on their legacy while pushing their sound to new heights. Fans can expect more anthems, more epic moments, and the uncompromising metal spirit that HAMMERFALL is known for.

Dropping alongside the epic title track as a single, this powerhouse release is accompanied by a jaw-dropping music video that will leave you breathless. The track 'Avenge The Fallen' is a powerful anthem, kicking off with a deep, heroic choir that resonates like a warrior's cry. Brace yourself for soaring vocals, crushing riffs, and anthemic melodies that only HAMMERFALL can deliver.

WATCH THE VIDEO BELOW:

STREAM THE ALBUM ON ALL PLATFORMS: https://hammerfall.bfan.link/avenge-the-fallen.ema

Line-up:
Joacim Cans - vocals
Oscar Dronjak - guitar
Fredrik Larsson  - bass
Pontus Norgen - guitar
David Wallin – drums

HOMEPAGE: LINK
FACEBOOK: LINK
INSTAGRAM: LINK
TWITTER: N/A

Kublai Khan TX Announce New Album 'Exhibition Of Prowess' Out September 20 via Rise Records + Drop New Track "Supreme Ruler"

Texan titans Kublai Khan TX are back with a vengeance in announcing their much-anticipated forthcoming album 'Exhibition Of Prowess', out September 20 (via Rise Records). With an established reputation for delivering intense, earth-shattering bangers full of punishing breakdowns, vicious vocals and skull-splitting riffs, 'Exhibition Of Prowess' is a testament to the band's relentless drive and promises to be their most compelling work yet. In celebration of the news, Kublai Khan TX has dropped their latest rager "Supreme Ruler" and the official music video. When asked about the track, the quartet commented:

"'Supreme Ruler' is a metalcore torpedo aimed straight at the world. This song captures the true simplicity and pissed-off essence of Kublai Khan TX in its rawest form. Straight to the point, no bullshit, and built to last.

The band has previously released crowd-favorite "Theory Of Mind" and most recently, "Low Tech" which both can be found on the upcoming full-length. Together, the tracks have amassed a staggering 11.2 million streams on Spotify alone and over 2 million viewson YouTube with no signs of stopping. Pre-order 'Exhibition Of Prowess' here, stream "Supreme Ruler" here, and watch the music video below.

North American fans will have their chance to see the band's incendiary live show on the road beginning in September with Lorna Shore, Whitechapel and Sanguisugabogg. Tickets will sell out, so grab yours at the link here before it's too late.

Kublai Khan TX Tour Dates with Lorna Shore, Whitechapel + Sanguisugabogg

Sep 19 - Montreal, QC - MTELUS

Sep 20 - Toronto, ON - HISTORY

Sep 21 - Moon Township, PA - UPMC Events Center

Sep 22 - Greensboro, NC - Greensboro Special Events Center

Sep 24 - Orlando, FL - Hard Rock Live Orlando

Sep 25 - Atlanta, GA - Tabernacle

Sep 27 - Louder Than Life Fest - Louisville, KY**

Sep 28 - St. Louis, MO - The Pageant

Sep 29 - Oklahoma City, OK - Diamond Ballroom

Sep 30 - The Midland Theatre - Kansas City, MO*

Oct 2 - New Orleans, LA - The Fillmore New Orleans

Oct 3 - Houston, TX - House Of Blues

Oct 4 - San Antonio, TX - Boeing Center at Tech Port

Oct 5 - Dallas, TX - Southside Ballroom

Oct 7 - Phoenix, AZ - The Van Buren

Oct 8 - Las Vegas, NV - Brooklyn Bowl

Oct 10 - Anaheim, CA - House Of Blues

Oct 11 - Los Angeles, CA - The Wiltern

Oct 12 - Aftershock Fest - Sacramento, CA**

Oct 14 - Portland, OR - Crystal Ballroom

Oct 15 - Vancouver, BC - Commodore Ballroom

Oct 17 - Salt Lake City, UT - The Complex

Oct 18 - Denver, CO - Fillmore Auditorium

Oct 19 - Omaha, NE - Steelhouse Omaha

Oct 20 - Minneapolis, MN - The Fillmore Minneapolis

Oct 22 - Chicago, IL - Radius

Oct 23 - Detroit, MI - The Fillmore Detroit

Oct 24 - Cleveland, OH - The Agora*

Oct 25 - Silver Spring, MD - The Fillmore Silver Spring

Oct 27 - New York, NY - Hammerstein Ballroom

Oct 28 - Boston, MA - MGM Music Hall

Oct 29 - Philadelphia, PA - The Fillmore Philadelphia

Oct 30 - Wallingford, CT - Toyota Oakdale Theatre

*Not A Live Nation date

**No Kublai Khan & Sanguisugabogg

Apocalypse Fest

Nov 1 - Wilkes/Barre, PA - Mohegan Sun Arena at Casey Plaza

IN APHELION Shares Grim Music Video for New Single, "Fields in Nadir," New Album 'Reaperdawn' Out NOW

A new force is awakening, stretching the boundaries of consciousness, and devouring everything in its path. IN APHELION is now ushering in their sophomore album, 'Reaperdawn,' which is out today, August 9, 2024, via Century Media Records. The black metal brainchild of guitarist/vocalist Sebastian Ramstedt (best known as guitarist and songwriter with Necrophobic) is now unleashing the final single from the offering, "Fields of Nadir," along with a grim music video. The clip was directed and filmed by Ramstedt himself and can be found below.

Ramstedt explains, “It takes the viewer away from the comforting light. In order to put the viewer in the same state as me when I wrote the song it was necessary to break some rules. In nadir everything that is beautiful turns ugly. The warmer skin tone during the performance parts symbolizes this side of death. The cold colour of the outside is purgatory. The out of focus singing with the candles symbolizes death and the other side. The video is chaotically blending visions of the past the present and the future. It's cut with a dreamlike logic in mind.”

Darker, stranger, more epic and progressive than admirers of his work were expecting, this new outlet for enigmatic and artistic expression emerged firmly tethered to the white-knuckle viciousness of benchmark, Northern European black metal, while also exhibiting a profound affiliation with both classic, traditional heavy metal and the black magic of psychedelic repetition. Based around a core line-up of Ramstedt (guitar/vocals), drummer Marco Prij (also Cryptosis), rhythm guitarist Johan Bergebäck (Necrophobic) and bassist Tobias Cristiansson (Necrophobic, ex-Grave…), IN APHELION have taken the uncompromising DIY route to their current status as new Century Media signees.

The atmosphere of 'Reaperdawn' is a swirling maelstrom of obsidian sparkle and iridescent grime.

“Reaperdawn” is now available for in standard CD jewelcase, gatefold black LP, and a limited Gatefold bloodred LP (red Vinyl), 300x via cmdistro.de and other retailers. Physical copies can be found HERE.

The album artwork for 'Reaperdawn' was created by Sebastian Ramstedt


Lineup:

Johan Bergebäck - guitars

Tobias Cristiansson - bass

Marco Prij - drums

Sebastian Ramstedt - vocals, guitars

Mixing & Mastering: Tore Stjerna

Cover Art: Sebastian Ramstedt

Bio: Dom Lawson

Photos: Leo Bergebaeck

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APPLE MUSIC

Bill Leeb (Front Line Assembly, Delerium) releases 'Demons', a sinister foreshadowing of debut 'Model Kollapse' album

"A frenzy-filled dose of sonic adrenaline that is infectious and, paradoxically, suitable for the dancefloor... Is dystopian bliss a thing? They could be on to something big here" ~ The Spill Magazine

"You are getting Leeb’s classic vocals and lyrics, and some FLA style programming... some of the specific textures and bits of production feel different than anything in recent memory from the venerable artist" ~ I Die: You Die

"Instantly recognizable... still sounds like something unmistakably new... sinister synthetic soundscape" ~ Rock and Roll Fables


Hard-edged electronic music maverick Bill Leeb presents 'Demons', a song rooted in the inherent darkness and malevolence we see around us, where humans constantly deal with adversity while seeking purpose, joy and creativity. Reflecting on the omnipresence of technology and the internal battles we wage, this is ultimately a defiant anthem of perseverance.

This is the second taste of Leeb's debut solo album 'Model Kollapse', out on September 13 via iconic alternative music label Metropolis Records.

Based in Vancouver, Bill Leeb is the mastermind behind highly influential electro-industrial scene mainstays Front Line Assembly and ambient-pop duo Delerium, having gotten his start with Skinny Puppy. He is also a key member of other occasional recording projects, including Noise Unit, Intermix and Cyberaktif. Almost four decades on, his new album was recorded and produced in Vancouver, Toronto and Los Angeles with assistance from Vancouver/Toronto-based production duo Dream Bullet and long-term FLA/Delerium cohort Rhys Fulber, plus regular mixing engineer Greg Reely.


"The song is inspired by how much darkness and evil exist in the world. How we have to carefully navigate ourselves through all of this on a day-to-day basis and still try and find a reason to get up, be happy to be alive, and try to be creative. Technologies are here to stay. Demons exist everywhere in our minds, in our hearts, and every aspect, so we have to fight," says Bill Leeb.

 

An instant industrial-EDM classic, 'Demons' plunges listeners into a menacing, synthetic underworld. With a career spanning back to the early 1980s, Leeb's signature blend of creeping electronic darkness and high-octane energy once again delivers an adrenaline-fueled sonic assault.


Not long ago, Leeb shared the first single - ‘Terror Forms’ featuring Shannon Hemmett of Vancouver post-punk quartet ACTORS (and also LEATHERS), exploring the intricacies of artificial intelligence and the very survival of humanity itself. Quite fitting with the overall theme for this album, which explores the dystopian, nihilistic world we have created in so many different ways, ultimately asking the question "When will the human voice be lost to AI and technology....or will that be what saves us in the end?"


Based in Vancouver, Bill Leeb is the mastermind behind highly influential electro-industrial scene mainstays Front Line Assemblyand ambient-pop duo Delerium, having gotten his start withSkinny Puppy(under the pseudonym Wilhelm Schroeder). He is also a key member of other occasional recording projects, includingNoise Unit, Intermix andCyberaktif.

Four decades on, his new album was recorded and produced in Vancouver, Toronto and Los Angeles with assistance from Vancouver/Toronto-based production duoDream Bulletand long-term FLA/Delerium cohort Rhys Fulber, plus regular mixing engineer Greg Reely. This album also involves contributions by LA-based artist Mimi Page, a long-term Delerium collaborator, andJason Corbett of ACTORSand Jacknife Sound Studio.

‘Model Kollapse’ marks Leeb's first solo venture since the mid-80s days of Front Line Assembly, when he used to make recordings in his bedroom and released them on limited edition cassette format. This record reflects the dystopian, nihilistic world we have created in so many different ways, ultimately asking the question "When will the human voice be lost to AI and technology....or will that be what saves us in the end?"  

Caustic yet melodic, danceable and very much song-oriented rather than soundscape-driven, 'Model Kollapse' carries traces of hard-edged electronic dance music pioneers such as Front 242, DAF, KMFDM and Skinny Puppy.

The term "Model Collapse" refers to a phenomenon in artificial intelligence where trained models, especially those relying on synthetic data or AI-generated data, eventually degrade over time. Leeb posits the notion that “as we forge forward on an unprecedented technological scale, it makes me wonder how much longer we can remain in control of various aspects of our lives. Automation has already taken over many industries. With technology running much of the world, will the entire planet eventually be vulnerable to a Model Kollapse? Chaos would surely ensue.”

Leeb formed Delerium in 1987, exploring dark ethereal ambient trance and pop. Since debuting with the 'Semantic Spaces' album, Delerium has enjoyed two Juno awards and many collaborations, involving Leigh Nash (Sixpence None the Richer), Lisa Gerrard (Dead Can Dance), Kirsty Hawkshaw (Opus III), Emily Haines (Metric), Jacqui Hunt (Single Gun Theory), Matthew Sweet and Kristy Thirsk (Rose Chronicles). Their worldwide hit 'Silence' with Sarah McLachlan reached #1 in numerous countries, its remixes also hailed among the greatest trance songs of all time (the Tiësto remix was voted the 12th-greatest dance track of all time by Mixmag readers).

‘Demons’ is out now everywhere digitally. On September 13, the full ‘Model Kollapse’ album will be released on vinyl and CD, as well as digitally.

CREDITS
Recorded and produced in Vancouver, Toronto, Los Angeles and the Okanagan, British Columbia
Written and produced by Bill Leeb and Dream Bullet
Additional production by Rhys Fulber
Recorded, mixed and mastered by Greg Reely
'Demons' performed by Bill Lee
'Terror Forms' performed by Bill Leeb and Shannon Hemmett
Videos created by Tim Hill
Album artwork by Allen Jaeger
Released by Metropolis Records
Publicity by Shauna McLarnon for Shameless Promotion PR
Artist photos by Bobby Talamine

Keep up with Bill Leeb
Instagram | Facebook | Front Line Assembly Facebook | Delerium Facebook | FB Group| Spotify | Apple Music | Press contact

Keep up with Metropolis Records
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
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M.A.G.S. Releases Atmospheric Single "Sequence 07" + Announces Upcoming Album "CREATOR"

Smartpunk Records' indie rock prodigy M.A.G.S. has released his new single "Sequence 07" in anticipation of his upcoming album CREATOR, set to release on August 23 via Smartpunk Records. It is an accompaniment and reimagination to last year's album Destroyer

When discussing the track, Elliott Douglas (the man behind the moniker) says, "This was the very last song we recorded during our time together and we had limited time because Ehmed was scheduled to leave town that evening. We woke up early and just dove in head first. My nugget of inspiration was to recreate the feeling I get from the verses of 'Kiss Me' by Sixpence None The Richer. I've loved that song since I was a kid, and honestly, I chase that feeling with so much of my music. There are a few songs that give me feelings I continuously reference, I think it's one of the reasons people call my music nostalgic all the time. I just love songs that sound happy and sad at the same time, like maybe the lyrics are kinda sad but the music slaps. That's definitely my thing. We had this one mostly done in about 3 hours. I think we really just wanted to make sure everything got done and pushed really hard right from the start of the day, also by this time the 3 of us were a well-oiled machine, and getting a vibe to build from only took a few minutes."

CREATOR was conceived and mixed by Elliott and was produced in collaboration with Jeremy Strange and Ehmed Nauman of Chicago's This House Is Creaking.

The experimental track, "Sequence 07," showcases a reimagined and reinvigorated side of M.A.G.S.' sound that exudes soul and a plethora of emotions that invigorate listeners with happiness, sadness, and nostalgia all at once. It is a first glimpse at the musical journey that lies ahead on the full album.

Speaking about the upcoming album, M.A.G.S. says, "I've been on my own wave for the majority of my career and CREATOR is the perfect example of what happens when I choose to create what feels right to me and not what is expected. With the help of two of my most talented friends, we reimagined my previous album Destroyer over the course of nine days in an apartment in Chicago in late 2023. Constructed entirely from my acoustic demos, we experimented and collaborated our way into a sound that goes far beyond what I ever thought M.A.G.S. was capable of."

Artwork Credit: Daniel Shahbazian

ABOUT M.A.G.S.
M.A.G.S. is the solo moniker for Buffalo-bred multi-disciplinary artist Elliott Douglas. His style seamlessly glides between genres ─ from funky garage rock to minty alt-pop with a punk-inspired energy. The release of his third full-length album Destroyer in 2023 via Smartpunk Records pushed Douglas into a more textural direction, dripping with flavors of post-punk while keeping his genre-bending melodies. Written by Douglas and produced by Jay Mass (Defeater), the album is about having to destroy yourself in order to grow and move forward — an extremely relatable phase in one's life.

M.A.G.S. released his first solo record in 2015, an EP titled Cellophane, and his self-titled LP arrived two years later — securing a seat amongst the most prominent indie/alt-rock artists. With his new batch of music, Douglas displayed marked growth in vocal prowess, overall musicality and lyrical bite through the release of 2020's Lost Tapes EP. Dougals' universal appeal feeds his success, and it's never at the expense of his art. Elsewhere in his blossoming catalog, songs like "MVP" and "Hi Tops" zig-zag from visceral, gnarly heavy metal to lo-fi folk-rock, respectively; his musicianship is a marvel to witness, each entry building on the last with refreshing acrobatics.

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

"Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

Whiskey Myers Perform Live on "Fox & Friends" All-American Summer Concert Series Tomorrow, Aug. 9

Having kicked off a year of heavy touring with a headlining Rodeo Houston stadium appearance in front of 60,000 fans and a run of electric arena shows, as profiled by Rolling Stone here, multi-Platinum band Whiskey Myers now join the “Fox & Friends” All-American Summer Concert Series tomorrow, Aug. 9, for an hour of performances live from New York City as the in-demand Whiskey Myers 2024 Tour hits the Northeast.

The genre-bending band will perform fan-favorite hits including “Bury My Bones,” “Die Rockin'” and “Broken Window Serenade” as well as “John Wayne” and “Feets” off their latest album, Tornillo, lauded by Forbes as “difficult to categorize or pigeonhole because it’s uniquely their own... constantly pushing the creative envelope,” with Saving Country Music declaring the album to be “unapologetic and attitudinal,” noting, “Tornillo brings an energy, drive, pluck, and abandon most of modern music in this repressed era has vacated due to fear of reprisal. Rock music needs saving too, and Whiskey Myers is here to pick up the slack."

This summer marks the 16th annual All-American Summer Concert Series on FOX News Channel’s signature morning show “Fox & Friends" (weekdays, 6-9 a.m. ET), airing live from Fox Square, the plaza outside of FNC’s headquarters in New York City. In addition to tuning into the broadcast, fans can also stream full performances live on Fox Nation.

Whiskey Myers' appearance comes as the band brings their high-octane live show celebrated by Holler as a “six-piece concoction of southern rock, blue-collar country and rock 'n' roll... solidifying Whiskey Myers' place among the leading jam bands of the 21st century” to Atlantic City, N.J. tomorrow, Aug. 9; Virginia Beach, Va. (with Hank Williams, Jr.) on Saturday, Aug. 10; and Selbyville, Del. on Sunday, Aug. 11 as their headlining run continues throughout the U.S. until November. Tickets to all dates are on sale now via WhiskeyMyers.com.

For all the latest information, visit WhiskeyMyers.com and follow on social media @WhiskeyMyers.

Whiskey Myers 2024 Tour
* denotes direct support to Hank Williams, Jr.
^ denotes direct support to Zach Bryan (festival date)
(visit WhiskeyMyers.com for support details specific to each headlining date)

Aug. 9              Atlantic City, N.J.  ||  Hard Rock Live at Etess Arena
Aug. 10            Virginia Beach, Va.  ||  Veterans United Home Loans Amphitheater *
Aug. 11            Selbyville, Del.  ||  Freeman Arts Pavilion
Aug. 13            Reading, Pa.  ||  Santander Arena
Aug. 15            Kingston, R.I.  ||  Ryan Center
Aug. 16            Bangor, Maine  ||  Maine Savings Amphitheater
Aug. 17            Gilford, N.H.  ||  Bank of New Hampshire Amphitheater
Aug. 18            Bridgeport, Conn.  ||  Hartford HealthCare Amphitheater
Aug. 21            Asbury Park, N.J.  ||  Stone Pony Summer Stage
Aug. 23            Saratoga Springs, N.Y.  ||  Broadview Stage at SPAC *
Aug. 24            Syracuse, N.Y.  ||  Empower Federal Credit Union Amphitheater at Lakeview *
Aug. 31            Palmer, Alaska  ||  Alaska State Fair
Sept. 21            Louisville, Ky.  ||  Bourbon & Beyond ^
Oct. 17             Huntsville, Ala.  ||  Orion Amphitheater
Oct. 18             Alpharetta, Ga.  ||  Ameris Bank Amphitheater
Oct. 19             Simpsonville, S.C.  ||  Greenville Country Music Festival
Oct. 20             Johnson City, Tenn.  ||  Freedom Hall
Oct. 22             Wilmington, N.C.  ||  Live Oak Bank Pavilion
Oct. 25             Charlottesville, Va.  ||  Ting Pavilion
Oct. 26             Raleigh, N.C.  ||  Coastal Credit Union Music Park at Walnut Creek
Oct. 28             Dothan, Ala.  ||  Dothan City Civic Center
Oct. 30             Baton Rouge, La.  ||  Raising Cane’s River Center Arena
Oct. 31             Lake Charles, La.  ||  Lake Charles Civic Center
Nov. 1              Tulsa, Okla.  ||  BOK Center
Nov. 2              Dallas, Texas  ||  Dos Equis Pavilion
Nov. 6              Las Vegas, Nev.  ||  The Theater at Virgin Hotels
Nov. 7              Phoenix, Ariz.  ||  The Hondo Rodeo Fest *
Nov. 8              Laughlin, Nev.  ||  Harrah's Laughlin Casino & Hotel

Whiskey Myers (L to R: John Jeffers, Cody Tate, Cody Cannon, Jamey Gleaves; Background: Tony Kent, Jeff Hogg) Photo Credit: Khris Poage

About Whiskey Myers
Genre-bending band Whiskey Myers have played more than 2,500 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals Bonnaroo, Stagecoach, Download and more, the six-piece was also personally selected to open The Rolling Stones’ Chicago stadium show in 2019. Their latest self-produced album, Tornillo, available everywhere now via the band’s own Wiggy Thump Records, features the No. 17 most-played Americana song of 2022, “John Wayne,” and follows their fifth studio album, Whiskey Myers, which debuted at No. 1 on both the Country and Americana/Folk sales charts, at No. 2 on the Rock chart and No. 6 on the all-genre Billboard 200 chart (No. 3 among new releases). In total, Whiskey Myers have sold more than 2.1 million albums and amassed over 3.1 billion streams while earning six RIAA Gold & Platinum certifications as an independent band. Known for their high-energy live show and unique sound, the band praised by Esquire as “the real damn deal” has also earned sync success with multiple features (and the first on-screen musical guest appearance) in Paramount’s hit show “Yellowstone” as well as Netflix series “What/If,” Angelina Jolie film “Those Who Wish Me Dead” and CBS series “SEAL Team,” among several others. USA Today describes their sound as “a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin,” with Rolling Stone noting “it’s the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot.”

CKY Touring This Fall

CKY TO EMBARK ON FALL 2024 TOUR

 LEG 2 OF 25 YEAR "NEW REASON TO DREAM" CELEBRATION KICKS OFF IN SEPTEMBER IN NASHVILLE


BAND TO APPEAR AT MAJOR FALL FESTIVALS LOUDER THAN LIFE + AFTERSHOCK

After a wildly successful return to the stage this spring, CKY have announced their Fall 2024 tour plans. They will embark on the second leg of their "New Reason To Dream" headline run, celebrating 25 years of CKY with Crobot in tow and serving as support. Chase The Comet will also be along for the ride. The tour kicks off on September 12 in Nashville and runs through October 11 in Anaheim, and is followed by a return to the Pacific Northwest in December.

Additionally, CKY will appear at two major fall festivals — Louder Than Life in Louisville in September and then at Aftershock in Sacramento in October.

CKY ON TOUR:
WITH CROBOT + CHASE THE COMET:

09/12 — Nashville, TN — The Mil @ Cannery Hall
09/13 — Greenville, SC — Radio Room
09/14 — Richmond, VA — Richmond Music Hall
09/15 — Leesburg, VA — Tally Ho Theater
09/17 — Mechanicsburg, PA — Lovedraft's
09/18 — Albany, NY — Empire Live
09/19 — Hartford, CT — The Webster Underground
09/20 — Quebec City, QC — La Source de la Martinière
09/21 — Ottawa, ON — The Brass Monkey
09/22 — Toronto, ON — The Rockpile
09/24 — Grand Rapids, MI — Elevation @ The Intersection
09/25 — Flint, MI — The Machine Shop
09/26 — Buffalo, NY — Buffalo Iron Works
09/27 — Cleveland, OH — The Winchester
09/28 — Louisville, KY — Louder Than Life*
09/30 — Tulsa, OK — The Shrine
10/01 — Dallas, TX — Granada Theater
10/02 — Houston, TX — Scout Bar
10/03 — Austin, TX — Come And Take It Live
10/05 — Denver, CO — HQ
10/06 — Colorado Springs, CO — Black Sheep
10/08 — Mesa, AZ — The Nile Theater
10/09 — San Diego, CA — Brick By Brick
10/10 — Los Angeles, CA — Teragram Ballroom
10/11 — Anaheim, CA — The Parish @ House Of Blues
10/12 — Sacramento, CA — Aftershock Festival*
12/12 — Vancouver, BC — Rickshaw Theatre**
12/13 — Seattle, WA — El Corazon**
12/14 — Portland, OR — Bossanova Ballroom** 
*Festival 
**CKY Only

ABOUT CKY:
Once upon a time, CKY burned it all down, with a raucous, anarchic, hard rock sound soaked in the skate-punk culture that birthed them and a hard-partying lifestyle onstage and off that decimated relationships and reputations in its wake.

Chad I Ginsburg, the band's guitarist and singer, steps into the frontman role with charisma, charm, and bravado, confidently delivering a diverse performance as he claims a position that was clearly rightfully his to own. 

He's joined in enduring partnership and musical and personal chemistry by fellow CKY co-founder, Jess Margera, the drummer whose extracurricular work in projects like The Company Band (with guys from Clutch and Fireball Ministry) expanded CKY's horizons as much as Ginsburg's solo work has as well.

Guns N' Roses, Metallica, and Deftones have all personally invited CKY on tour, cementing a legacy as a hard-charging live act. CKY built a worldwide fanbase of dedicated acolytes, friends, and supporters, lovingly dubbed the CKY Alliance, with a broader group of musicians, athletes, and other creative types in the CKY family, both literally and figuratively. 

Carver City (2009) debuted at #4 on the Hard Music charts. It was the second CKY album to debut in the Top 50 on the Billboard 200: An Answer Can Be Found(2005) hit #35 upon its release. 2017's The Phoenix was a spiritual successor to CKY's breakthrough, Infiltrate•Destroy•Rebuild (2002), with a hint of the appropriately titled debut, Volume 1 (1999).

"We're grown adults now with an eagle-eye perspective on who we are, what we do, and how to do it right," Ginsburg declares, with matter-of-fact certainty. "None of us are out there in the clouds. We're pretty well-grounded people that have an honest perspective on where we're at."

The totality of the CKY experience is perhaps best summarized by a quote from enigmatic comic book legend, author, and self-proclaimed magician, Alan Moore. "My experience of life is that it is is not divided up into genres; it's a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky."

Margera observes that it was "a perfect storm of events" that led to CKY becoming a pretty popular name. "When it's happening, you're not paying attention. But once you get a couple of years under your belt, you realize, 'Holy shit, man. That was lucky as hell that happened to us!,' ya know?"

"We're feeling rather lucky," Ginsburg agrees. "We're not taking things for granted. We're saturated in gratitude. It's an incredibly humbled CKY, with a fire to last another 20 years. The point is to go play rock 'n' roll and appreciate everybody else who does it, too. It's a lucky job to have."

Blue Grape Music Signs Silly Goose, Band Drops "Tsunami" + EP Coming Soon

Blue Grape Music is pleased to welcome Silly Goose to the label roster.

The Atlanta band, which caught a buzz by crashing parking lots at Danny Wimmer festivals, have shared the new song "Tsunami."

Listen below.

As for the song, it's a crazy thrill ride.

So if you are truly ready, and we're not quite sure that you are but we'll give you the benefit of the doubt, then strap yourself in... because it's gonna get really bumpy... really quick!

Silly Goose is the audacious brainchild of Jackson Foster and Alan Benikhis, musicians who eat, sleep, and breathe the raw power of late '90s rap rock and nu metal. Growing up, the two marinated in the vibes of Limp Bizkit, Rage Against the Machine, Gojira, and an eclectic mix of genres, all coming together to forge the unmistakable sound of Silly Goose.
 
Silly Goose's first EP, The Goose Is Out Of The Bag, was put together while the boys were still in high school and laid the groundwork for their ambitious style, while simultaneously showcasing one of the attributes that their fans most appreciate – a commitment to delivering hard-hitting music without taking themselves too seriously. At the end of the day, Silly Goose are all about providing an outlet for all kinds of feelings, from frustration to rage, resentment and revenge to reveling in the joy of occasionally wanting to just be silly and mosh for the sheer exhilaration of it.
  
"Tsunami" continues to push boundaries in the spirit of the previously released tracks "King Of The Hill" and "Live It Up," marking a massive milestone as their first release since signing with Blue Grape Music.
 
What truly sets Silly Goose apart is their fusion of high-energy performances with a genuine, down-to-earth vibe. They never take themselves too seriously. Their simple mission is to make good music, have fun and make the people happy; a purpose that endears them to fans who appreciate the authenticity of their vibe. Silly Goose isn't just a band; they're a brotherhood of rockers who live to shred and put on unforgettable live shows.
  
The current lineup of Silly Goose features Foster on lead vocals, Benikhis on drums, Ian Binion on lead guitar and backup vocals, and Yalli Alvarez on bass guitar and backup vocals. Together, they create a sound that's both explosive and deeply engaging, powered by Jackson's dynamic vocal delivery and the band's relentless instrumentation. 

The band is expected to soon announce their next EP on Blue Grape Music, along with fall touring plans. 

ABOUT BLUE GRAPE MUSIC:
In 2022, industry veterans David Rath and Cees Wessels formed Blue Grape Music.  The name will be familiar to rock music fans, as it was the merchandise company also launched by Wessels, who founded the venerable and esteemed record label Roadrunner Records in the ‘80s. Roadrunner earned a reputation as an iconic label that turned hard rock and metal acts into household names for several decades under Wessels' tutelage. Rath spent 21 years in the A&R department at Roadrunner, working on albums by a variety of RIAA-certified and culturally important acts, including but not limited to SlipknotKornTurnstileGojiraCoheed and CambriaWhite ReaperSlashTriviumDream Theater, and more. When the label changed management and ownership, Rath guided the company and oversaw the signings of bands like Young the Giant and Vance Joy. Ultimately, the Blue Grape executive team is powered by experience and a roll-up-your-sleeves-and-get-your-hands-dirty, by-any-means-necessary work ethic. Blue Grape's inaugural signing was the two-time Grammy nominee Code Orange and since then, the label has gone on to sign San Francisco punks Spiritual Cramp, hardcore heavyweights GEL, and Baltimore sludge slingers GASKET, with several new signing announcements expected to be announced this year. Blue Grape is distributed globally by The Orchard.

New Jersey band BARD signs to Magic Door Records, presents soulful 'Angels Got His Back' single

"With a rich melodic and soulful quality, laced with infectious rhythms and laid-back vibes, this music makes for a captivating listening experience - the kind of track that makes you want to close your eyes, turn up the volume, and let the music wash over you" ~ Amplify Music Magazine


New Jersey groovy rock-blues outfit BARD (a.k.a. The BARD Band) present their new single 'Angels Got His Back', bringing us a sublime dose of their soulful sound and groovy spirit. This is the first taste of their debut album 'Angels Got His Back', slated for release on October 4 with label backing thanks to their recently inked deal with Magic Door Records.

In the capable hands of producer Ray Ketchem (Guided by Voices, Elk City, Luna, Gramercy Arms), this album was recorded, mixed and mastered at the famed Magic Door Recording studio in Montclair. "We’re thrilled to announce the first single from The BARD Band, a new addition to our roster. This is the title track to their upcoming LP 'Angels Got His Back'! Try to resist this airy groove of a song we’re dubbing New Classic Rock," says Ray Ketchem.

BARD was formed in 2017 in Montclair by college friends Jamie Pagliaro (acoustic guitar, lead vocals) and Michael Schreiber (keyboard, organ, vocals), who reunited after losing touch for two decades. The band's lineup grew to include Dave Menez (bass guitar, vocals), Mike Potenza (electric guitar, vocals) and David Kolk (drums, percussion, vocals), each bringing his own unique musical sensibilities. This fusion resulted in a rich texture of sounds, enhanced by the band's cohesive approach to dynamics, tone, and articulate sound mix.

Jamie Pagliaro shares, "'Angels Got His Back' is a poignant adaptation of Vachel Lindsay's timeless poem 'In Memory of a Child'. The song paints a vivid picture of a child embraced by celestial guardians, wandering through idyllic landscapes of eternal spring. It captures the innocence and wonder of childhood, celebrating the belief that the departed are safe in the care of angels, their spirits forever bright and untarnished."

A tribute to enduring love and hope that lights up even the darkest moments, this funky dark-themed track tenderly imagines a departed child now in the care of angels, playing and exploring in a heavenly realm. Surrounded by beauty and joy, he roams through eternal spring, safe and enlightened.

With a soulful groove-rock sound, BARD craft uplifting music that inspires and unites through a contagious rhythm. Initially drawing inspiration from Shakespeare, BARD's vision of setting poems to music quickly expanded to include works from poets like Robert Browning, Langston Hughes, in addition to original poems by Jamie Pagliaro. A product of their collaborative process, each member makes their own unique contribution to the structure and composition of each song.

BARD's music is as much inspired by soulful singers like Marvin Gaye and Van Morrison, the funky sounds of the Doobie Brothers and Grover Washington's jazz as they are by classic rock influences like Neil Young and The Band, the Allman Brothers' southern rock and the jam band style of the Grateful Dead, not to mention a touch of country sensibility.

In contrast to their 2002 debut EP 'Come Back Often', which leans on their indie-folk roots with elements of country and rock, BARD's new album represents an evolutionary step forward, highlighting the incorporation of funk and soul elements, while also allowing space for more improvisation and textured percussive elements.

From their inception to their evolving sound and dedicated live performances, BARD continues to build a dedicated following and make their mark in the music scene. Thriving on live performances, delighting diverse audiences at festivals, community events, breweries and coffee shops, they are known for their engaging shows, energizing audiences with positive vibes.

The 'Angels Got His Back' single is available everywhere digitally, including Spotify, Apple Music and Bandcamp. Their debut album, out October 4, can already be pre-ordered via Bandcamp. On August 23, BARD will be holding a soft-launch album release party at Tierney’s Montclair.

ALBUM CREDITS
Lyrics from Vachel Lindsay’s “In Memory of a Child” (1912)
Adapted by Jamie Pagliaro
Recorded, mixed & mastered by Ray Ketchem
at Magic Door Studios, Montclair, NJ
Jamie Pagliaro - acoustic guitar, lead vocals
Michael Schreiber - keyboard, organ, vocals
Dave Menez - bass guitar, vocals
Mike Potenza - electric guitar, vocals
David Kolk - drums, percussion, vocals
Album Artwork by Nourhan Sandouk
Publicity by Shameless Promotion PR 

LIVE SHOWS
Aug 21  Highlands, NJ - Bard Down The Shore
Aug 23  Montclair, NJ - Tierney's
Aug 24  Denville, NJ - Diamond Spring Brewery
Sept 7   Asbury, NJ - Ironbound Farm
Dec 14  Denville, NJ - Diamond Spring Brewery
Dec 28  Montclair, NJ - Bard For The Holidays


Keep up with BARD
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | BandsInTown | Press contact

Keep up with Magic Door Record Label
Facebook | Twitter | Instagram  | Soundcloud | YouTube | Pres s contact

Keep up with Shameless Promotion PR

Website | Facebook Twitter Instagram | Soundcloud | Link edIn | Email

Garzi Unveils Brand New Single & Music Video "Drag"

Fresh from the vibrant crossroads of alternative rock and post-emo, Garzi has dropped his brand new single, "Drag" and it's accompanying music video, out now via Sumerian Records. Fans can stream the new track HERE and can watch the official music video below.

Speaking on his new track, Garzi shares

"This is a song that came very quickly to me and was such an important way for me to express my vulnerability."

Garzi's unique sound palette is a reflection of his diverse influences, drawing from the angst of punk and emo to the aggression of nu-metal and grunge, all while threading through the lyrical flow of rap. His journey from a Warped Tour devotee to a full-fledged artist is marked by his breakout hit 'Demonstrate', and collaborations with industry icons like John Feldmann, Travis Barker and Mephis May Fire's Matty Mullins.

About Garzi:

Garzi is an Alternative Rock artist who stands at the intersection's of Alt/Indie, Post Emo, Nü Metal, Grunge and Rap. His authentic gritty, angsty, yet soothing melodic voice soars over his array of stylistic tracks.

 

The Miami native was a self-described lover of Warped Tour and gravitated towards hard rock, punk and emo sounds like Melphis May Fire and Sleeping With Sirens. "It was a fitting soundtrack to feelings of isolation, of being an outsider during those teenage years especially as a POC punk"

 

In October 2017, he uploaded his first song and quit his day job the next day to pursue music full time. A slew of releases followed, culminating in his breakout, "Demonstrate" (with producers Nick Mira and Taz Taylor), which had popped off on SoundCloud and now has over 16.5 million streams on Spotify.

 

IN 2022 he released EP, ‘Careful What You Wish For’ which spawned tracks “Mess” (with Kellin Quinn of Sleeping With Sirens), “HELLO//GOODBYE” (produced by John Feldmann and Travis Barker) and “PARANOIA” (remix) with Fever333 and Point North.

 

In late 2023, Garzi announced signing to world renowned independent label, Sumerian Records and dropped stand alone single 'Growin' Up", kicking off a whole new era. He then followed up with single "Much Better" in April of this year. With "Drag" he boldly steps further into his next chapter.

VITRIOL Kicks Off Extensive North American Tour in Support of Goatwhore

Death metal battalion VITRIOL will be embarking on an extensive North American tour in support of GOATWHORE. The trek will kick off tomorrow, August 9, in Baton Rouge, LA and will make its way through the continent until the final stop on September 30 in Pensacola, FL. The full itinerary can be found below!

VITRIOL's highly anticipated new album, 'Suffer & Become,' is now available worldwide via Century Media Records!

'Suffer & Become' is now available HERE. The album will be available digitally as well as in Standard CD Jewelcase, Ltd. Deep Blood Red LP (All ex-US Retail), Orange Crush LP (All US Retail), and Red / Yellow / Black Transp. Splatter LP (Band Exclusive).

GET TICKETS HERE

VITRIOL (w/ GOATWHORE)

+ Thantifaxath (8/9 - 9/2)

+ Necrofier (9/5 - 9/30)

+ HERAKLEION (8/9 - 8/14)

08/09: Baton Rouge, LA @ Chelsea's Live

08/10: Corpus Christi, TX @ House of Rock

08/11: San Antonio, TX @ Paper Tiger

08/12: Dallas, TX @ CheapSteaks

08/13: El Paso, TX @ Lowbrow Palace

08/14: Albuquerque, NM @ Launchpad

08/15: Phoenix, AZ @ Rebel Lounge

08/16: Anaheim, CA @ Chain Reaction

08/17: San Diego, CA @ Casbah

08/18: Los Angeles, CA @ 1720

08/20: Las Vegas, NV @ Backstage Bar

08/21: Morro Bay, CA @ The Siren

08/22: San Francisco, CA @ DNA Lounge

08/23: Sacramento, CA @ The Starlet Room Harlow’s

08/24: Bend, OR @ Volcanic Theatre Pub

08/25: Portland, OR @ Dante's

08/27: Seattle, WA @ Substation

08/28: Vancouver, BC @ The Cobalt

08/30: Calgary, AB @ Commonwealth

08/31: Edmonton, AB @ The Starlite Room

09/02: Winnipeg, MB @ The Park Theatre

09/03: Fargo, ND @ The Aquarium

09/05: Cave In Rock, IL @ FTA Open Air

09/06: Iowa City, IA @ Gabe's

09/07: St Paul, MN @ Turf Club

09/08: Cudahy, WI @ X-Ray Arcade

09/09: Indianapolis, IN @ Black Circle

09/10: Columbus, OH @ Ace of Cups

09/11: Cleveland, OH @ No Class

09/12: Toledo, OH @ Frankies-Inner City

09/13: Pittsburgh, PA @ Spirit

09/14: Grand Rapids, MI @ Pyramid Scheme

09/15: Detroit, MI @ Sanctuary

09/17: Toronto, ON @ Lee's Palace

09/18: Ottawa, ON @ Brass Monkey

09/19: Montreal, QC @ Piranha Bar

09/20: Boston, MA @ Middle East

09/21: Syracuse, NY @ The Song & Dance

09/22: Brooklyn, NY @ Metal Injection Festival

09/23: Mechanicsburg, PA @ Lovedraft's

09/24: Baltimore, MD @ Metro

09/25: Chapel Hill, NC @ Local 506

09/27: Orlando, FL @ Conduit

09/28: Miami, FL @ Gramps

09/29: Jacksonville, FL @ Jack Rabbits

09/30: Pensacola, FL @ Handlebar

For Portland, Oregon's VITRIOL, nothing comes easy. Nothing. The title of their second Century Media album, 'Suffer & Become,' says it all. "The title really sums it up," says guitarist and vocalist Kyle Rasmussen. "I pushed things to a point while making this album where it almost became untenable. Things that were supposed to be done in weeks took months. It wasn't easy, but I think it was suffering well spent."

At the core of 'Suffer & Become' lies a profound sense of extremity and unease. This very essence defines Vitriol as the vanguard in death metal's evolutionary path—a sonic landscape characterized by its profound darkness, density, and the infusion of nanotechnological precision interwoven with intense, seething emotions. Not easy listening in the slightest. Since forming in 2013, Rasmussen and longtime co-conspirator, bassist, and co-vocalist Adam Roethlisberger have worked with a single-minded vision: to push the genre to its breaking point and invent a new uncompromising paradigm in the process. VITRIOL is a masterclass in pain – and that's just their jumping-off point.

Recounting VITRIOL's initial journey into the outer fringes of extremity, Rasmussen is characteristically thoughtful. "I was starving for something that didn't pull any punches," says Kyle of VITRIOL's caustic mission statement, which detonated into the realm of extreme metal with 2013's 'Antichrist' demo. "Death metal was important to me because it speaks to an aggression, a frustration that I had when I was younger. It wasn't just a sonic connection but an emotional connection, which made music almost a means to an end. What I saw happening in extreme metal at the time was almost a removal of emotion in favor of musicality, that fire, that piss and vinegar spirit. Basically, I wanted something that wanted me dead."

With 2017's 'Pain Will Define Their Death' EP, VITRIOL took its spot as one of the underground's most uncompromising exponents, leading them to join forces with Century Media. The resultant album, 2019's "To Bathe from the Throat of Cowardice," was nothing short of a crucial next step for the band and the genre itself. Decibel Magazine said, "Vitriol leave no doubt they are one of the best the genre has to offer, with shades of Nile, Hate Eternal, and Anaal Nathrakh frequently peeking through." Hitting the road that year, at first in Europe with Nile and then in the US with Cattle Decapitation and Atheist, and then Vader before the onset of Covid, VITRIOL was quick to establish themselves as much of an uncompromising force onstage as they are on record.

"Doing 'Black Seeds of Vengeance' alongside Karl Sanders [of Nile] onstage in Europe on our very first tour was nothing short of a 'pinch me' moment," Kyle recounts from VITRIOL's early touring days. "More recently, we were touring with Morbid Angel, and Steve Tucker, who is my favorite Morbid Angel vocalist, came out of his dressing room in a VITRIOL t-shirt and exclaimed that we were one of his favorite new bands! That blew my mind as a fan, first and foremost – a total 'Holy Fuck!' moment." 

'Suffer & Become' is nothing short of a benchmark for VITRIOL (rounded out by guitarist Daniel Martinez and Matt Kilner). It's as dense and blackened as anything to erupt from Rasmussen's vision of sonic disorder. From the onset of the opening track, "Shame and Its Afterbirth," there's a new sense of openness, grandeur, and occasional beauty in VITRIOL's aural arsenal. "I wanted to have an album that had a stark duality to it," says Kyle. "Very high highs and very low lows. We're very familiar with the lows but not so much with the triumphant highs. I wanted the album to have more of a sense of optimism to it, both lyrically and musically. I wanted the album to convey a sense of optimism that probably gets lost in the black maelstrom that is the first album." 

Produced by Rasmussen and mixed by Dave Otero (Archspire, Cattle Decapitation), 'Suffer &

Become' isn't merely the sound of VITRIOL upping the ante in death metal's musical arms race; it is also the sound of salvation for its driving force. "Living in the world of that first album was very difficult for me," says Rasmussen. "It's not a nice place. It was very intentionally imbalanced in the same way a horror film is imbalanced. I wanted a healthier world for me to live in, and I believe I achieved that."

Not that the writing and recording of 'Suffer & Become' was anything short of soul-rending. Rasmussen labored over the creation of the album in the studio, on tour in hotel rooms, to the point of painstaking obsessiveness. Kyle is straightforward about the grueling record-making process and its personal impact. "The record feels a bit like a Jungian Dante's Inferno," he states. "Plumbing the circles of my personal, psychological, and spiritual hell and then purposely refocusing it so it's not the unhinged, dark catharsis of the first album. This record is a lot more vulnerable."

Songs like "Weaponized Loss" or "The Flowers of Sadism" are what Kyle describes as a "dark baptism" in comparison to the absolute darkness of "To Bathe…". The sound of VITRIOL remains as joyless and dark as ever, but with a glimmer of hope. VITRIOL has taken its trauma-put-to-sound approach to the next level and discovered a new sense of beauty in the blackness. 'Suffer & Become' is death metal with a bloody, beating heart.

Line-Up:

Kyle Rasmussen - Guitars and Vocals

Adam Roethlisberger - Bass and Vocals

Matt Kilner - Drums

Daniel Martinez - Guitars

Producer // Mixing // Mastering:

Dave Otero

Album artwork:

Dylan Humphries

Photo Credit:

Peter Beste

Bio:

Mike Gitter

Physical Formats:

Standard CD Jewelcase

Ltd. Deep Blood Red LP (All ex-US Retail)

Orange Crush LP (All US Retail)

Red / Yellow / Black Transp. Splatter LP (Band Exclusive) 

VOLA Release Latest Track "I Don't Know How We Got Here" + Lyric Video (via Mascot Label Group)

Today, the Danish-Swedish quartet VOLA reveal the elegantly hypnotic new single “I Don’t Know How We Got Here”. The song is taken from their new studio album ‘Friend of a Phantom’, which will be released via Mascot Records on 1 November. You can watch the visualiser below.

The band will also play festivals over the summer and their headline Friend of a Phantom European tour will begin on 1 November and will call through Denmark, Sweden, Norway, Germany, Poland, Austria, Switzerland, Italy, the UK, The Netherlands. Tickets available HERE.

VOLA have always had the remarkable ability to get under the skin of a song with incredibly affecting subject matter. Talking about the new song, Asger Mygind explains: "'I Don’t Know How We Got Here’ interweaves stories about tragic events in society with a story about a relationship slowly dying out. It seeks to portray the feeling of disbelief that follows when something valuable vanishes right in front of us.

It has been three years since the release of VOLA's defining album, ‘Witness’. They've since wrapped up two tours of the US with several venues upgraded due to overwhelming demand, as well as sold-out shows in New York, Chicago and the iconic Troubadour in Los Angeles, where the band struck up a friendship with In Flames' Anders Fridén - who features on the new album on the song, “Cannibal”. Their first tour of Canada resulted in sold-out shows in Toronto and Montreal, and they rounded off the continent with triumphant South American shows in Mexico, Brazil, and a sold-out show in Chile.

 

The Danish-Swedish quartet - Asger Mygind (vocals/guitar), Martin Werner (keys), Nicolai Mogensen (bass), and Adam Janzi (drums) - are now to set free their fourth studio album. Their strength has always been combining a multitude of ideas within a single song, packing it in with a grandiose power that can be as ferocious as it can be delicate.  

 

Talking about their evolution, Janzi says. "We have had the time to internalise ‘Witness’ and let its aftermath sink in, which has shaped how we approached ‘Friend Of A Phantom.’ Our personal tastes have changed, the way we approach our instruments and songwriting has changed, our lives have changed, time has passed, and adventures have been had. Whatever piece of melancholy that ‘Witness' had, has just grown and become a central part of this new album. I feel that VOLA has grown and reached a new moment in its life, maturing."

 

With the announcement of the new album, they revealed the video for Break My Lying Tongue. The song showcases VOLA's signature blend of introspective lyrics and intricate soundscapes, offering a deep dive into themes of misalignment and emotional vulnerability. With its haunting melodies and thought-provoking lyrics, it stands out as a powerful and evocative piece.

 

Last year they released the first taster of new material when they dropped "Paper Wolf". Talking about the song, Mygind offers, "We never put boundaries on our songwriting but merely search for a direction that feels unexplored and exciting to us. With "Paper Wolf", we suddenly found ourselves in a territory where an old-school metal atmosphere crept into our blend of sounds. We liked what we heard and then ran with it at full speed.

VOLA has been one of Europe's most exciting metal bands in recent years, catapulting them onto the international stage. They've become a formidable live draw that has seen them also tour with Devin Townsend - including playing the Royal Albert Hall London; they've opened for Evanescence and played festivals such as ArcTanGent (UK), Graspop (Belgium), Tuska (Finland), Roskilde (Denmark), Copenhell (Denmark), CL Prog (Chile) and more. 

 

Known for their innovative approach to progressive metal, VOLA continues to captivate audiences with their blend of intense rhythmic complexity and poignant lyrical narratives. With this perpetual evolution, the pressure doesn't consume them. "There is always the pressure of continuing to climb the mountain," reflects Janzi. "Embracing change and whatever new chapters may wait around the corner is a way to make life more enjoyable."

VOLA Is:

Asger Mygind (vocals/guitar)

Martin Werner (keys)

Nicolai Mogensen (bass)

Adam Janzi (drums)

Iconic singer songwriter Gilbert O'Sullivan releases Songbook this September

One of the most revered singer-songwriters of his generation records pared down versions of 12 songs from his outstanding catalogue

Includes the first ever re-recording of his 1971 classic single ‘Alone Again (Naturally)’ and a new song written specifically for the album,
‘A Kiss Is A Kiss’

Watch the video for ‘Alone Again (Naturally)’ Below:

Pre-order:
https://gilbertosullivan.lnk.to/SongbookPR


Following the acclaim and success of his last two studio albums – 2018’s Gilbert O’Sullivan and 2022’s Driven (“a songwriting masterclass” – ★★★★Uncut magazine) – on September 27 BMG release Songbook, a newly recorded, stripped-down journey through 12 songs from Gilbert O’Sullivan’s illustrious career.

The idea for Songbook arose after O’Sullivan’s 2022 Barbican show (where The Charlatans’ Tim Burgess duetted with him on ‘Nothing Rhymed’). BMG came up with the idea and suggested O’Sullivan record it in such a way to capture the instrumentation and interplay between him and guitarist Bill Shanley.

After carefully selecting the 12 songs that would be re-recorded, Gilbert insisted the songs should be recorded at a venue with no audience and not in a studio. Thereafter, recording took place over two days in late 2023 at Lafayette, King’s Cross with O’Sullivan on piano, long-time guitarist Bill Shanley and Andy Wright (Simply Red, Jeff Beck, Simple Minds, and Imelda May) and Gavin Goldberg on production duties.

The resulting album is a stripped back journey through the extraordinary songwriting of this master craftsman, one of the most gifted and consistently brilliant songwriters of his generation.

Iconic early O’Sullivan songs ‘Nothing Rhymed’, ‘Alone Again (Naturally)’, ‘We Will’ and ‘Happiness Is You and Me’, are joined by songs from Gilbert’s most recent albums, including 2018’s ‘Dansette Dreams and 45s’ and ‘I’ll Never Love Again’, and 2022’s ‘Blue Anchor Bay’, songs that are equal in their brilliance to his early work.

Songbook’s intimacy exemplifies Gilbert O’Sullivan’s unique blend of melodic craftsmanship, witty wordplay, topical acuity and surrealist humour, which has given him an enduring and endearing career.

O’Sullivan’s songwriting knack has outlived and transcended fashion, global million-sellers and critical acclaim, in a career that has spanned 55 years and Top 10 singles and no. 1’s around the world, including the classic ‘Alone Again (Naturally)’ which topped the US charts for six weeks and earned him three Grammy nominations.

British recognition soon followed with the songs ‘Clair’ and ‘Get Down’ reaching the summit of the UK singles charts and his LP “Back to Front” topping the album charts.

In the same year, at the 18th. Ivor Novello awards, Gilbert was named ‘Song Writer of the Year’ - to date he has won three Ivor Novello awards and in recent times, performed alongside other artists at BBC Proms in the Park; made four appearances at Glastonbury including the main stage and toured extensively throughout the UK, Ireland, Europe, Japan and America.

Gilbert’s Ethan Johns-produced self titled 2018 album was acclaimed upon it’s release by the likes of MOJO magazine and secured his highest chart position for four decades. His 2022 album ‘Driven became his most critically well received album to date, awarded four stars in MOJO’, Uncut and Record Collector, with Shindig! magazine proclaiming it his best ever album.

His legacy and influence has been acknowledged by his diverse range of artists, including Paul Weller, Nina Simone, Neil Diamond, Pet Shops Boys and Elton John, James Murphy (LCD Soundsystem), Paul Heaton, Ron Sexsmith, Mick Hucknall, Boy George, The Lemon Twigs, Cmat, Michael Bublé and Diana Krall.

This year Gilbert received ‘Freedom of Waterford City’ in Ireland, the place of his birth.

NOTES
Gilbert O’Sullivan’s career has spanned 55 years. His first single proper Nothing Rhymed was released in 1970 and almost overnight it achieved Top 10 status In the UK charts. His debut album Himself was littered with the most perfect examples of his art and craftsmanship. Top 10 singles abounded, including the classic, Alone Again (Naturally). His second album, 1972’s Back To Front, firmly cemented Gilbert amongst the world’s best. This critically acclaimed album topped both the UK and US charts for an astonishing six weeks, earning him not one but three Grammy nominations.

British recognition soon followed with the songs Clair and Get Down reaching the summit of the UK singles charts and his LP Back To Front topping the album charts. In the same year at the 18th Ivor Novello Awards Gilbert was named ‘Song Writer of the Year’. To date he has won three Ivor Novello awards, and in recent times performed alongside artists including Ray Davies. He has also headlined Glastonbury (where he was once joined on stage by Squeeze’s Glenn Tilbrook), BBC Proms In The Park, toured extensively throughout the UK, Ireland, Europe, Japan and Australia.

Gilbert’s Ethan Johns-produced, self-titled 2018 album was acclaimed upon its release by the likes of MOJO magazine, and secured his highest chart position in four decades.

His 2022 album, Driven, became his most critically well received album to date. Awarded four stars in MOJO, Uncut and Record Collector, with Shindig! magazine proclaiming it “his best ever album.”

His legacy and influence has been acknowledged by a diverse range of artists, including: Paul Weller, Nina Simone, Neil Diamond, James Murphy (LCD Soundsystem), Ron Sexsmith, Har Mar Superstar, Mick Hucknall, Gary Barlow, Boy George, Rumer, The Lemon Twigs, Empire Of The Sun, CMAT, Michael Bublé and Diana Krall.

Last year Gilbert received ‘Freedom of Waterford City’ in Ireland, the place of his birth.



FOR MORE INFORMATION VISIT: 
http://www.gilbertosullivan.co.uk

Dose of Adolescence Announce New Album + Drop "Get Back Up" — LISTEN // Band Signed to XOVR, Label Founded by Korn's Brian "Head" Welch

Southern California stalwarts Dose of Adolescence have returned! They just dropped the new song "Get Back Up," which appears on the forthcoming albumZircon Ave., out via XOVR RECORDS on November 15.

It's the first new music from the band in over a decade.

Watch the lyric video and listen to the song below

Dose of Adolescence are known for their blend of catchy pop stylings, hip-hop cadences, and grungey, punk rock distortion and "Get Back Up" will not disappoint fans of the band's signature sound. It's a high energy rager about taking the haymakers life throws at you and not giving up! It's powered by thunderous beats and a robust singalong. You'll be adding this track to your favorite gym playlist in no time.

 "I'm so incredibly thankful to be releasing new music," says the band's lead guitarist Timmy Brown. "We did not think we'd ever play a show again, let alone put out a new album. This song epitomizes that idea of thinking you have been knocked down and something is over — and then you get back up again!"

Indeed, "Get Back Up" is your new mantra.

Dose of Adolescence emerged onto the Inland Empire punk scene in 1999, initially a pastime that swiftly transformed into a lifelong dream for the Brown brothers: Jimmy Brown (Lead Vocalist) and Timmy Brown (Lead Guitarist). Over the past 24 years, Dose of Adolescence have left an indelible mark on the pop/punk landscape, gracing numerous stages and sharing the limelight with iconic artists like Brian "Head" Welch of Korn, Lit, P.O.D., A Day To Remember, Anberlin, Switchfoot, Dirty Headz, and Sick Puppies.

Their journey includes notable accolades and performances, such as nominations for the Rebel Music Award and the gnarliest Rock/Hard Rock song at the 11th Annual Independent Music Awards. They triumphed in MTV2's Rallying The Underground, headlined the Wahoos Scion Tour, and unleashed chaos at the 2010 Vans Warped Tour.

XOVR(pronounced "Crossover") is the label owned and operated by Brian "Head" Welch of KORN fame.

ACCVSED Share "Avoider" Video

Heavy act ACCVSED have just released the video for their brand new single "Avoider" via Arising Empire, showcasing an evolution of their most aggressive and unrelenting side. The band ushers in a new era marked by a sense of darkness and brutality previously unheard.

Watch the video below.

"Avoider" delves into the recurring cycle of fearing emotional vulnerability and consequently falling back into destructive patterns. The protagonist, afraid of accepting help and affection, pushes away the good in their life. Despite yearning for liberation and understanding, they only realize their mistake when it's already too late. Musically, ACCVSED didn't stray far from their distinctive sound, packing cheeky riffs mixed with brutal yet elegant vocals and a characteristic, impelling hook."

Since their formation in 2021, ACCVSED have adhered to one principle: presenting themselves to the world authentically, without playing a role or sugarcoating their expressions. They channel their deepest traumas and fears into their music, creating a distinct and energetic blend of bold guitar riffs, unique vocals, and raw emotion. This combination shapes their sound into an unstoppable force.

Hailing from Wiesbaden, ACCVSED quickly realized that being a local band was not their ambition. They moved swiftly and made a significant impact on the music scene with their debut EP, House of Doubt, released in December 2023. The breakthrough single "Currents" led the six-song EP, establishing a foundation for their constantly evolving musical style and garnering them worldwide attention. This success resulted in support shows and festival appearances throughout Germany.

Ashley McBryde Performs on ABC's "Good Morning America" + "GMA3"

GRAMMY award winner Ashley McBryde performed on ABC’s “Good Morning America” this morning, August 7, bringing her No Depression-dubbed “soaring anthem of self-determination” and current single “The Devil I Know” to audiences nationwide. Watch her interview and performance HERE.
 
Chatting about the cover art for her album The Devil I Know, which features five representations of the different facets of McBryde’s personality, she shared with Michael Strahan, “The whole process of making this record was that we all have different aspects of ourselves, some that we love to embrace, some that we do not love to embrace. So this whole process has been about not just coming to terms with it, but learning how to fall in love with all those aspects.”
 
The Arkansas native also joined “GMA3: What You Need To Know” with album closer “6th of October,” a song written by McBryde with Blue Foley and CJ Field after the passing of one of her longtime collaborators, Randall Clay, with Field bringing in a song he’d started with Clay. The track has since become a celebration of self-compassion among her fans, with Billboard sharing “acceptance and self-assuredness flows particularly on album closer ‘6th of October,’” while Arkansas Democrat-Gazette calls it “bittersweet, John Prine-ish.” Watch her interview and performance HERE.
 
Named one of the best country albums of the year by Rolling Stone, Billboard, Slate, Paste, Holler and more, the cover art for The Devil I Know represents different parts of McBryde’s personality: Joan of Arkansas, the Golden Gal, Girl in Red, Blackout Betty and Ashley Damn McBryde. To celebrate each one, McBryde compiled playlists of her songs from each persona, with the full collection titled Meet the Family.
 
McBryde recently wrapped The Devil I Know Tour Presented by Ariat and will perform headlining dates across the U.S. through the summer before joining Cody Johnson on The Leather Tour this fall. For additional dates and tickets, visit AshleyMcBryde.com.

Ashley McBryde Tour Dates
 
Aug. 8             Erie County Fair // Hamburg, NY
Aug. 11           Illinois State Fair // Springfield, IL
Aug. 16           Cape Cod Melody Tent // Hyannis, MA
Aug. 18           South Shore Music Circus // Cohasset, MA
Aug. 23           North Texas Fair and Rodeo // Denton, TX
Aug. 24           Riverwind Casino // Norman, OK
Aug. 30           Du Quoin State Fair // Du Quoin, IL
Aug. 31           Sugar Bowl Country Kickoff // New Orleans, LA
Sept. 1             William A. Floyd Amphitheater // Anderson, SC
Sept. 7             Grand Ole Opry // Nashville, TN
Sept. 13           Bristol Rhythm & Roots Reunion 2024 // Bristol, TN
Sept. 14           Renfro Valley Entertainment Center // Mt. Vernon, KY
Sept. 17           Grand Ole Opry // Nashville, TN
Sept. 20           PNC Music Pavilion // Charlotte, NC*
Sept. 21           Credit One Stadium // Charleston, SC*
Oct. 3              Pueblo Memorial Hall // Pueblo, CO
Oct. 4              Union Colony Civic Center // Greeley, CO
Oct. 12            Grand Ole Opry // Nashville, TN
Oct. 18            Visalia Fox Theatre // Visalia, CA
Oct. 20            GoldenSky Festival 2024 // Sacramento, CA
Oct. 25            The Cynthia Woods Mitchell Pavilion // The Woodlands, TX*
Nov. 8             Princess Theatre // Decatur, AL
Nov. 15           Wells Fargo Center // Philadelphia, PA*
Nov. 16           Bryce Jordan Center // University Park, PA*
Dec. 6              WCOL Winter Wonder Jam // Columbus, OH
Dec. 13            MGM Grand Garden Arena // Las Vegas, NV*
 
*Cody Johnson’s The Leather Tour

Photo Credit: Katie Kauss

About Ashley McBryde
GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in biker bars – and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed The New York TimesNPRRolling Stone, Paste, The Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019. The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was also honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States. Her collaborative project Ashley McBryde Presents: Lindeville earned McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time nominee. Her latest album The Devil I Know was released to critical acclaim, earning a title as one of the best country albums of the year from Rolling Stone, Billboard, Slate, PASTE, Holler and more. The Arkansas native will headline shows across the U.S. this summer before joining Cody Johnson’s The Leather Tour this fall. For more information, visit Ashley McBryde.com or follow her on Facebook, Instagram, X, TikTok and YouTube.

Jonas Group Publishing Signs Award-Winning Songwriter Justin Ebach

Two-time SESAC Songwriter of the Year Justin Ebach has signed with Jonas Group Publishing. He has six No. 1 singles to his credit, including Luke Bryan’s “Down To One,” Jordan Davis’s multi-platinum “Singles You Up,” and most recently Jon Pardi’s “Your Heart or Mine.” His smash singles “Sleep Without You” and Here Tonight,” recorded by Brett Young, are both two-time Mutli-platinum. 
 
“I'm very excited about the opportunity to work with Leslie,” said Ebach. “She has been a great friend and a great source of wisdom over the years. I'm grateful to Kevin for believing in me and putting this deal together to make me a part of the Jonas crew. I look forward to celebrating a lot of success together.”
 
He is currently enjoying chart success with Warren Zeider’s “Relapse,” “Truck On Fire” with Carly Pearce, “Young Love & Saturday Nights” by Chris Young, and “Find Another Bar” recorded by Chris Lane. His songs have been recorded by a diverse array of artists, including Keith Urban, Dan + Shay, Lauren Daigle, Cole Swindell, Jason Aldean and many others. 
 
“The Jonas team are Ebach believers,” said Leslie DiPiero, President of Jonas Group Publishing. “Justin is an exceptional talent whose songwriting resonates with artists and fans alike. We are excited to welcome him to the JGP family and to support him as he continues to create music that inspires and connects with people around the world.”
 
“We are honored to have Justin, and his incredible catalog join our roster,” said Kevin Jonas Sr., Founder/Chairman of Jonas Group Entertainment. “His proven track record and versatility as a songwriter make him a perfect fit with our vision. In addition to his artistry, what stands out is his unwavering work ethic and passion for music. This partnership goes beyond numbers. It’s about a shared vision and love for what we do.”
 
Additionally, Jonas Group Publishing has acquired Ebach’s catalog. “Jonas Group Entertainment also wants to extend our gratitude to a few of our partners who were instrumental in helping us achieve this great partnership with Justin Ebach,” added Jonas. “We are thankful for our partners Access Media Advisory and Teresa Miles Walsh, Dave and Ruscell Pavlin, Serengeti Asset Management, Moghan Music, Alex Hartnett, and Winslett Studnicky McCormick & Bomser.”      
 
His music has also enjoyed sync placement across multiple platforms and networks, including ABC, FOX, and NBC. 

Pictured from L to R: Lydia Schultz Cahill (Sr. Creative Dir./Creative Services, SESAC), Shannan Hatch (SVP/Head of Nashville Creative, SESAC) George Kreis (Pres., Jonas Group Ent.), Kevin Jonas Sr. (Founder/Chairman, Jonas Group Ent.), JUSTIN EBACH (Hitmaker, Jonas Group Publishing), Janine Ebach (GM/Owner, Ebach Entertainment), Leslie T. DiPiero (Pres., Jonas Group Publishing), Emily Peacock (Sr. Creative Dir., Jonas Group Publishing), David Crow (Partner, Milom|Crow|Kelley|Beckett|Shehan PLC)

Photo Credit: Cole Barnhill

ABOUT JONAS GROUP PUBLISHING:
Established in 2020, Jonas Group Publishing (JGP) is a division of Jonas Group Entertainment (JGE), founded by Kevin Jonas, Sr. in 2005.  Under the leadership of President Leslie DiPiero, JGP is home to a burgeoning consortium of groundbreaking songwriters, including Terri Jo Box, Justin Ebach, Franklin Jonas, David Kamulsky, Bailee Madison, and Amy Stroup. Headquartered on famed Music Row, JGP continues to grow its footprint through new signings, catalog acquisitions, recordings, and sync placements.