IN FLAMES - Announce Anniversary Vinyl Re-issues Of "Lunar Strain", "Colony", "Soundtrack To Your Escape" And "Siren Charms"

IN FLAMES and NUCLEAR BLAST RECORDS are happy to announce exclusive anniversary vinyl re-issues of the band's beloved classic albums Lunar Strain (30th anniversary), Colony(25th anniversary), Soundtrack To Your Escape (20th anniversary) and Siren Charms (10th anniversary), all of which have been out of print and in high demand. The new editions are scheduled to be released on July 19th, 2024.

2023 marked the beginning of a new era for IN FLAMES with the release of the band's fourteenth studio album Foregone - a new masterpiece from a band whose creative output changed the course and direction of modern metal. The year also marked the re-issue of four seminal titles from the band’s extensive catalogue, namely A Sense of Purpose (2008) (15th Anniversary Edition), Reroute to Remain (2002), Come Clarity (2006), and Sounds of a Playground Fading (2011).
 
To continue the upwards tide, 2024 marks the re-issue of four more influential titles. The 2024 reissues feature all original art with a few, careful touch-ups. All releases have been re-mastered specific for vinyl by Justin Shturtz at the legendary Sterling Sound Studio in Nashville, Tennessee. Featuring different colourways, all records will be pressed on heavyweight 180g vinyl and will feature the instantly recognisable etching of the Jesterhead logo on side D (ex. Lunar Strain & Colony).

PRE-ORDER YOUR COPIES NOW
https://inflames.bfan.link/vinyl

In addition, IN FLAMES have extensive touring plans for 2024, with a full US tour with GATECREEPER and CREEPING DEATH just around the corner and a Europen tour with ARCH ENEMY and SOILWORK in autumn. Scroll down for all confirmed dates!

US TOUR 2024
w/ GATE CREEPER & CREEPING DEATH

May 1 - Portland, ME - State Theatre
May 2 - Hampton Beach, NH - Hampton Beach Casino Ballroom
May 3 - Brooklyn, NY - Warsaw
May 4 - Wilmington, DE - The Queen
May 5 - Norfolk, VA - The Norva
May 7 - Charleston, SC - Charleston Music Hall
May 8 - Greensboro, NC - Piedmont Hall
May 9 - Atlanta, GA - Buckhead
May 10 - Daytona, FL - Rockville
May 12 - Huntsville, AL - Mars Music Hall
May 14 - Nashville, TN - Marathon Music Works
May 16 - Pittsburgh, PA - Mr. Small's Theatre
May 17 - Buffalo, NY - The Town Ballroom
May 18 - Columbus, OH - Sonic Temple
May 19 - Milwaukee, WI - Milwaukee Metal Fest
May 21 - Detroit, MI - St. Andrews
May 22 - St. Louis, MO - The Hawthorn
May 23 - Oklahoma City, OK - Diamond Ballroom
May 24 - Austin, TX - Emo's
May 25 - Houston, TX - House of Blues
May 26 - Dallas, TX - House of Blues

TICKETS AVAIALABLE AT www.inflames.com

ABOUT IN FLAMES

IN FLAMES are one of the biggest metal bands in the world - never shying away from pushing their artistic boundaries, crafting music that's as catchy as it is crushing. Formed in 1990, the band is considered one of the forefathers of melodic death metal and the purveyors of the ‘Gothenburg sound'. With now fourteen studio albums under their belt, countless successful tours around the globe playing with the likes of Black Sabbath, Metallica, Iron Maiden, Megadeth, Judas Priest and Slayer - with millions of records sold and a massive fanbase worldwide, IN FLAMES have proven to be an unstoppable force. From their 1994 debut Lunar Strain onwards, the band's intricate twin guitar attack, melodic vocals and superb arrangements have given them a signature sound that has evolved throughout the years.

IN FLAMES are
Anders Fridén | Vocals
Björn Gelotte | Guitar / Vocals
Chris Broderick | Guitar
Tanner Wayne | Drums
Liam Wilson | Bass

TESTAMENT & KREATOR | ANNOUNCE THE 'KLASH OF THE TITANS NORTH AMERICAN 2024' TOUR WITH SPECIAL GUESTS POSSESSED!

This Fall, the 'Klash of the Titans' makes its triumphant return to North America! Fans will enjoy an epic night of metal with thrash royalty TESTAMENT and KREATOR co-headlining the run. The 33-date trek will kick off on September 12th in Reno making its way across the US and will include 7 Canadian dates before concluding in San Francisco on October 27th. Joining the night are special guests Bay Area death metal pioneers and labelmates POSSESSED.

TESTAMENT states. “Get ready North America. We are looking forward to a co-headline tour with our Thrash master friends Kreator. This is gonna be a madhouse of a show with our Bay Area homies Possessed opening the show so get there early. Testament will be performing an old-school set celebrating the re-release of The Legacy & The New Order."

KREATOR comments, 'We’re very proud to bring a second edition of the Klash Of The Titans to North America! This time with the Bay area beasts, Testament and one of my favorite bands in the world, Possessed. From start to finish, this is metal madness and we can’t wait to deliver our biggest shows to date over there!'

With each band titans of their sub-genre, this tour will be action-packed from start to finish. Don't miss your chance to witness this epic line-up!

Tickets for the tour go on sale this Friday, May 3rd at 10 AM local time. Purchase the tickets at www.testamentlegions.com & www.kreator-terrorzone.de.

Confirmed dates for TESTAMENT and KREATOR's co-headlining 'Klash Of The Titans North American 2024' tour with POSSESSED are:
09/12/2024  Reno, NV - Grand Sierra Resort
09/13/2024  Las Vegas, NV - House of Blues
09/14/2024  Salt Lake City, UT - The Union Event Centre
09/16/2024  Seattle, WA - Showbox SoDo
09/17/2024  Portland, OR - Roseland Theatre
09/18/2024  Vancouver, BC Canada - Vogue
09/20/2024  Calgary, AB Canada - MacEwan Hall
09/21/2024  Enoch, AB Canada - River Cree Casino
09/22/2024  Saskatoon, SK Canada - Coors Event Centre
09/24/2024  Winnipeg, MB Canada - Burton Cummings Theatre
09/26/2024  Maplewood, MN - Myth Live
09/28/2024  Huber Heights, Oh - Rose Music Center
09/29/2024  Detroit, MI - Royal Oak Music Theatre
10/01/2024  Cleveland, OH - The Agora
10/03/2024  Toronto, ON Canada - History
10/04/2024  Montreal, QC Canada - MTelus
10/05/2024  New Haven, CT  - College Street
10/06/2024  Boston, MA - House of Blues
10/08/2024  Silver Spring, MD - The Fillmore
10/10/2024  Montclair, NJ - The Wellmont Theatre
10/11/2024  Bethlehem, PA - Wind Creek Casino
10/12/2024  Raleigh, NC - The Ritz
10/13/2024  Atlanta, GA - Tabernacle
10/15/2024  Orlando, FL. - Hard Rock Live
10/16/2024  St. Petersburg, FL - Jannus Live
10/18/2024  Houston, TX - White Oak Music Hall (Lawn)
10/19/2024  San Antonio, TX - The Aztec
10/20/2024  Dallas, TX - The Factory
10/22/2024  Denver, CO - Fillmore Auditorium
10/23/2024  Albuquerque, NM - Albuquerque Convention Center
10/24/2024  Phoenix, AZ - The Van Buren
10/26/2024  Los Angeles, CA - Palladium
10/27/2024  San Francisco, CA - The Warfield

About TESTAMENT:

TESTAMENT, formed in 1983 in California, is renowned for their influential contributions to the thrash metal scene. With a career spanning over three decades, TESTAMENT continues to deliver powerful and compelling music that resonates with fans worldwide.

More information:
www.testamentlegions.com
www.facebook.com/testamentlegions
www.twitter.com/testament
www.instagram.com/testamentofficial
www.youtube.com/testamentofficial
www.tiktok.com/@testamentlegions

About KREATOR:

KREATOR is a German thrash metal band formed in Essen in 1982. With a career spanning several decades, the band has consistently pushed the boundaries of the genre, earning them a dedicated global fanbase.

More information:
www.kreator-terrorzone.de/
www.facebook.com/KreatorOfficial
www.twitter.com/kreator
www.instagram.com/kreatorofficial/
www.youtube.com/channel/UCRUh-7YyUCBTw2FjhS_jJAw

About POSSESSED

POSSESSED heralded as the first official death metal band was formed in 1982 and established the face of the genre permanently. There was a time in which genuine power was felt erupting from the sonic landscape that is now referred to as “old school” death metal. As with most newly developed forms of art, at its genesis, it was filled with fresh and vibrant energy and was virtually unsaturated by musicians.

More information:
https://www.facebook.com/possessedofficial
https://www.instagram.com/possessed_official
https://twitter.com/JeffBecerra
https://www.tiktok.com/@possessed_official
https://www.youtube.com/@possessed_official

EIVØR Releases Dreamy New Single

"The Faroe Islands' first international superstar" - PROG

"Evanescence-esque local hero" - Variety

"Incorporates the lyrics and musical styles of traditional Faroese music to international recognition" - The Guardian

Fans around the world recognize Eivør for her thunderous Nordic drumming and operatic throat singing. But her upcoming twelfth album marks a bold new venture in her two decades-long musical journey.

Today, Eivør is releasing the latest single off ENN. "HUGSI BERT UM TEG / STILL JUST YOU" is a celestial swoon of dream-pop that's bound to get stuck in everyone's head, whether you're out tearing up the dance floor or tossing and turning in bed. 

Watch the video for "HUGSI BERT UM TEG / STILL JUST YOU" Below.

ENN comes out June 14 on Season of Mist. 

Pre-order & Stream

https://orcd.co/eivorennpresave

Merch

https://eivor.travelling-merchant.com/merchandising

Eivør comes from a village of 400 people, tucked away amidst the heavy winters and bright summers of the Faroe Islands. But over the past two decades, she's covered a lot of stylistic ground. As a young teen, she played in rock and jazz bands. By the time she turned 17, she had already released her first album of folk songs and nabbed two Icelandic Music Awards. 

As revealed by "JARÐARTRÁ/DUST TO DUST", its gently pulsing first single, ENN delves deeper into Eivør's affinity for dark electronic production. Even she was surprised to discover that her forays into electronic beatmaking were the stems for her new album. But "HUGSI BERT UM TEG / STILL JUST YOU" comes as the album's biggest, most pleasant surprise. 

"I usually spend A LOT of time writing my songs", Eivør says. "Months, sometimes even years." But "HUGSI BERT UM TEG / STILL JUST YOU" is one of those songs that just came rushing out, as if it had been locked away somewhere inside of her, just waiting for the right key. Her new Prophet-5 synthesizer had hardly made it out of the box before she hammered out the songs lighter-than-air melody, which dances like the colors of the milky way. "When it finally arrived, I unwrapped it with all the restraint of a child at Christmas", she says of her new studio toy. 

"HUGSI BERT UM TEG / STILL JUST YOU" is the poppiest and most upbeat track on ENN. The gated drum loops and thumping four-on-the-floor beat would get the blood pumping inside any sweaty club basement. But even the pillowy synths can't hide that underneath its sweet and simple melody, lies an undeniable tension. After all, it is a love song. When Eivør reaches into a trembling lower register, you can feel her yearning. Her passion lights up the video like a thousand suns, soaring above the clouds on the wings of her piercing falsetto.

"Regardless of what else is happening around you, even if the world is ending, a love song, dreaming of what once was and remembering love, this is the only thing on your mind".

The video for "HUGSI BERT UM TEG / STILL JUST YOU" was directed by Einar Egils (www.einaregils.com)

Pre-order & Stream

Additional video credits

DOP - Anton Smári Gunnarsson

Producer - Eydís Evensen

Executive Producer - Einar Egilsson

Prod Co. - Indy Productions

AC - Sigfús Heiðar

Gaffer - Óttar Andri Óttarsson

Grip - Gústaf Evensen

Wardrobe - Diana Breckmann

Makeup - Sigrún Sig

Hair stylist - Ásgeir Hjartarson

Set builder - Þorvaldur Betri & Gústaf Evensen

Laser operator - Gabríel Brynjar Bjarkason

Post  - Einar Egilsson

Media rental - Kukl

Special thanks: Geir Bjarnason, Úlfur Grönvold

To celebrate the release of her star-turning new album, this fall, Eivør will shoot across Europe on a headlining tour with label mate Sylvaine in tow before linking up with Heilung in Australia and New Zealand. Don't miss the chance to hear her perform "JARÐARTRÁ/DUST TO DUST", "HUGSI BERT UM TEG / STILL JUST YOU" and other mesmerizing songs off ENN for the first time. Tickets are going fast!

Get tickets at eivor.com

"My band and I can't wait to start this new chapter with you and perform later this year", says Eivør. "These tours will bring ENN all over the world - from the United States to Germany, The Netherlands, Belgium, UK, Ireland, France, Switzerland, Austria, Hungary, Denmark, Sweden, Norway, New Zealand and Australia".
 

In preparation for their tour together, Eivør and Sylvaine put together a playlist of their favorite songs. Get in the mood with some of the choice cuts off Nova and the soundtracks to The Last Kingdom and God of War Ragnarök. 

Stream: https://open.spotify.com/playlist/7k4ImSEttiL9O6gOQ1tmrn

Of course, fans can support Eivør by buying merchandise at any stop along her tour. But you don't have to wait!  Her new line of ENN-themed apparel is now available for order online.  

Buy Merch

Eivør calls her Nordic home in the remote Faroe Islands a landscape of extremes. Sitting in the North Atlantic Ocean just above Scotland and southeast of Iceland, with a total population of about 50,000, the climate is “full of contrasts—very dark, heavy winters and bright summers.” Growing up in a small village there, of about 400 people, it’s those contrasts that have inspired Eivør’s music throughout her career, as well as the Faroe Islands’ intense and still-vibrant connection to its own folk music traditions. “A very strong part of Faroese culture is singing together—anywhere people gather, there will be singing,” Eivør explains. “When you listen to old Faroese traditional music, it’s sung acapella and takes you back to its Renaissance roots. It’s pure, expressive, and untamed.” 

Often considered to be one of the most prolific and unique Nordic artists of her generation, Eivør has released 11 studio albums to date, crossing musical genres and always pushing the bounds of the expected. Awarded with the Nordic Council Music Price in 2021, Eivør’s musical journey continues to fascinate.  

As a young teenager, Eivør was immersed in the tight-knit local music scene, playing with 20-something musicians in jazz bands as well as rock bands influenced by Portishead, Radiohead, Massive Attack, Sigur Rós and similar acts. 

By 16, Eivør released her debut solo collection of Faroese-sung folk-pop. One year later, she left home to study classical singing in Reykjavík, Iceland—soon winning two Icelandic Music Awards for her sophomore album. She spent the ensuing years living in Copenhagen and building a career playing folk festivals, but by 2010, Eivør was ready for a change. Her daring Larva album eschewed the folksiness of her previous work for experimentation and electronics. “I needed to free myself from boxes,” she said. It was the beginning of a new chapter that continues with her richly atmospheric new album, ENN. 

The process of ENN built on Eivør’s recent immersion into production and beat-making​,​ but began with a return to classical music. She and her partner, the classical composer Tróndur Bogason, had decamped to a tiny Faroe Islands mountain village of 50 people, called Tjørnuvík with no agenda but to “write freely” for a possible side project. “Slowly I realized: I shouldn’t think about this as a side project,” Eivør said. “This is where I am at right now creatively.” The first track she worked on there became ENN’s melancholic closer, “Gaia,” which Eivør calls “a love hymn for the Earth” that reminded her of the Renaissance music she loved in her youth. On that trip, Eivør also wrote ENN’s opener, “Ein Klóta,” a song about “watching your world from afar” as it changes. “I felt I was making a concept album, in a sense, about the Earth, about our home, our planet. Then it developed into both nature but also human nature—both the outer and the inner landscape, and the struggles of the heart, the struggles between the Earth and humans.” 

In recent years, Eivør has composed extensively for film, television and video games​(The Last Kingdom, God of War) and the cinematic structures of those scores found their way in alongside the music’s propulsive beats, omnipresent rooting in Faroese folk, and the classical flourishes of her opera training. Some of the songs feel like vistas or panoramas moving unexpectedly. “After writing the first two more spacious tracks, the idea started to grow in my head of almost a space opera,” Eivør said. “I was like, what if this journey starts out in space, and you watch the Earth? And you’re so far away from everything that you ever knew? Where am I going? What is this adventure?” The result was a synthesis of her career to date—her curiosity about beat making and noisy expressiveness, combined with the purity of classical music and cinematic atmospheres—and that sonic biography plays out beautifully on ENN’s second track “Jardartra.” It begins with a lurching beat “almost like a heartbeat,” and Eivør wrote it from the Earth’s point of view, as if “Earth is calling on us in the midst of all our human greed and destruction and beckoning us to find our way back to her blue embrace.” 

Most of the lyrics, sung entirely in Faroese, were penned in collaboration with the Faroese poet Marjun Syderbø Kjelnæs. Eivør calls the lyrics to the title track especially “hardcore.” The song is about war— “the wars that are going on in the world especially lately, but that have always been going on,” Eivør says, “and how to find a glimpse of light in this overwhelming darkness.” The guttural penultimate track, “Upp Úr Øskuni,” is a thrilling outlier mixing growling beatboxing with visceral throat singing (it’s certainly Eivør’s most metal moment). She considers “Upp Úr Øskuni” a beacon of female empowerment and solidarity. “I wanted to write about sisterhood and women supporting each other, and these raw female elements which are not pretty and not polite, just raw,” 

Eivør says. “I wanted it to be wild and untamed. It’s quite witchy. When I wrote the song, I imagined a coven of witches from the past and the present all supporting each other, chanting to each other across the chasm of time.” 

After independently releasing her music for many years, ENN marks Eivør’s debut for the metal label Season of Mist—and though her compositions sit outside of any one genre, she is happy to be embraced by the metal community. She identified a shared pagan sensibility in her television scores like The Last Kingdom. “I never felt I really fit into any box,” said Eivør. “I just have to do it my own way.” Recorded with her touring band in the Faroe Islands—where she now lives again, splitting time between her homeland and Denmark—Eivør called ENN “my most pleasurable and also most painful process. I felt that I was stepping into a place where I hadn’t been before, and that’s always scary because you don’t feel that you touch the ground. But it opens up your creativity and takes you to someplace new. It’s woven together all my experiences for the past 10 years, and it’s grounded me.” 

Recording line-up

Eivør: Vocals, Guitars

Mattias Kapnas: Piano, Rhodes and Synths 

Mikael Blak: Bass & Synths. Guitars on ‘Upp úr øskuni’ 

Per I Højgaard Petersen: Drums & Soundscaping 

Strings performed by Lýra: 

1st violin: Sigrún Harðardóttir 

2nd violin: Sigrún Kristbjörg Jónsdóttir 

Viola: Karl James Pestka 

Cello: Unnur Jónsdóttir

Choir on ‘Ein klóta': Eivør, Tróndur, Hans Mols Mortensen, Greta Svabo Beck and Fred Ruddick  

Recording studio
Studio Bloch (Faroe Islands), Hljóðritið (Iceland), Jardin Acoustique (France) and in Eivør’s portable studio in various corners of the world.   

Production, engineering and recording
Produced & arranged by Eivør and Tróndur 

Beat production by Eivør and Per I. Højgaard Petersen 

Recorded and engineered by Theodor Kapnas at Studio Bloch (Faroe Islands)  

Additional recordings and engineering by Fred Ruddick at Jardin Acoustique (France) 

Strings recorded by Guðmundur Kristinn Jónsson and Gestur Sveinsson at Hljóðriti (Iceland) 

Mixing 
Theodor Kapnas 

Mastering
Robin Schmidt at 24-96 Mastering

Creative direction
Eivør and Leif Podhajsky 

Artwork
Leif Podhajsky
​
​Photography
​Sigga Ella 
​
Additional landscape photography by Alessio Mesiano 

Order & Stream: https://orcd.co/eivorennpresave

Management contact:
Henning Dietz at Neu Management London - henning@neumanagement.com

Booking contact:
Luc Favié at Doomstar -  luc@doomstarbookings.com

Follow Eivør:
https://www.eivor.com/
https://www.facebook.com/eivormusic/
https://www.instagram.com/eivormusic/?hl=en
https://eivor.bandcamp.com/
https://www.youtube.com/eivormusic
https://twitter.com/eivormusic
https://www.tiktok.com/@eivor_music
https://open.spotify.com/artist/2dB4ya2W1Gvng8gjWSPu2H?si=U-2hxkT9RjizmDg52Q-8kA&nd=1

Octavian Winters joined by electronic music icon Mark Pistel (Consolidated, Meat Beat Manifesto) on new 'Nebula / Velveteen' release

"A dark and lush tapestry of near-classic post-punk, oscillating between shadow and shimmer. Reflecting the troubled times that we live in, sublime dark sonic delight" ~ The Spill Magazine

"Feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma... tectonic thunder... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine

"A dark musical weave forged of post-punk and gothic strands. A sonic web of pulsing bass grooves and shaded ethereality, dark and delicious guitar slashes and haunting sound washes" ~ The Big Takeover

"Seriously compelling incitement, which Aursjoen’s tones and the electronically atmospheric mists around her only escalate" ~ Ringmaster Review


San Francisco post-punk outfit Octavian Winters has teamed up with Mark Pistel (Consolidate, Meat Beat Manifesto) on their new two-track single. Out April 30 via Stratis Capta Records, the A-side 'Nebula', which underscores the inevitable impermanence of all that is seen and unseen, known and unknown, is complemented by Pistel's infectious pulsating remix of 'Velveteen'.

Formed in 2022, Octavian Winters is guitarist Stephan Salit (Thrill of The Pull), drummer Randy Gzebb (Thrill of The Pull, Love Club), bassist Jay Denton and Ria (Amenti) Aursjoen on vocals and keyboards. Together, they weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

A producer, engineer, programmer, remixer and songwriter active in the electronic music scene since the 80s, Mark Pistel is perhaps best known as a founding member of the band Consolidated and contributing member of Meat Beat Manifesto since 1997. From his own Room 5 studio, he has worked with The Disposable Heroes of Hiphoprisy, Grace Jones, Therapy?, MC 900 Foot Jesus, Machines of Loving Grace, Hector Zazou, Mark Stewart, Lee Scratch Perry, Cabaret Voltaire's Stephen Mallinder and Fishbone's Angelo Moore.

Pistel explains, "Randy Gzebb called me about remixing one of the tracks off 'The Line or the Curve' EP. I was excited to do so, as we'd recorded some of these vocals at my Room 5 Studio in San Francisco. I chose to do 'Velveteen' as I already loved the track with its fantastic vocal melody and Stephan's unstoppable guitar hook! I  took on the track with pulsing analog synths and a slamming dance floor beat for the clubs."

Octavian Winters also present their new video for 'Nebula', created by filmmaker David Kruschke, who also produced the band's most recent video for the original version of 'Velveteen'. Both songs were lifted from the band's debut EP 'The Line or Curve', released in October 2023, following videos for 'Undertow', 'Ondine' and 'Surreal'.

"Nebula began as an experiment. I was trying to pin down the concept of the song in my head lyrically for a while and just knew it felt very “big”, even apocalyptic in a way. I kept envisioning a sort of “last day at the end of the world” — what would the sky look like? Would we know and understand what was happening? There is this broadly Gnostic idea of the universe as unfolding and unfolding through what are called Aeons, essentially levels of manifestation, until we get this world we live in here," says Ria Aursjoen. 

"I imagined this world reaching the fullness of its life, that whole cycle ending — and then everything reversing, refolding back to the start to make way for the next universe. There is a lot of esoteric symbology referenced in this song for those out there who like that sort of thing. The incredible thing about symbolic language is that it can have so many levels of meaning depending on the viewer/listener. I am sure I will understand my own words to this in new ways, in the future."

Drawing from darkwave and post-punk traditions, Octavian Winters dives into the ethereal, their layered music counterpointing edged grooves alongside lush synth textures and soaring vocal harmonies.

Randy Gzebb explains, "We were discussing what song idea we should work on next during the writing process and Ria brought in the demo of Nebula. We listened once and started playing it at rehearsal and after a couple of takes, everyone had their parts locked down. I started to play with the Tom groove and tried to make it powerful, but still leave some space for the track to breathe. The rhythm and tempo set the overall tone and emotional mood of the song, with guitar and pulsating bass creating a haunting atmosphere with powerful vocal lines".

'The Line or Curve' EP was recorded in San Francisco byMark Pistel (Meat Beat Manifesto, Consolidated) at OW Studio and Room 5 Recording, the band produced this EP withWilliam Faith (The Bellwether Syndicate, Faith and the Muse, Christian Death, The March Violets), who also mixed and mastered it at13 Studioin Chicago.

Over the years, members of Octavian Winters have shared the stage with many iconic acts, includingNine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

As of April 30, 'Nebua / Velveteen (Mark Pistel Remix)' is available digitally from fine music platforms, including via Apple Music, Spotify and Bandcamp, where 'The Line or Curve' EP is also available. The band's next concert is on Friday, July 26 at San Francisco's DNA Lounge - they headline with Halou and Sword Tongue as support.

CREDITS 
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
'Velveteen' remix by Mark Pistel
'Nebula' written by Ria Aursjoen
'Velveteen' written by Octavian Winters
Recorded at OW studios San Francisco
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco
'Nebula' mixed & mastered by William Faith at 13 Studio, Chicago
'Nebula' produced by Octavian Winters and William Faith
Cover art Ria Aursjoen
Design by Eric Olson 
Publicity by Shameless Promotion PR
Video by David Kruschke


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

Noel Scharis & Jennifer Nettles Release "Love's Still Here" via ONErpm

ONErpm’s Nashville and Latin offices have teamed up to release the duet with hit Argentine singer-songwriter and pianist Noel Schajris and GRAMMY-winning American entertainment powerhouse Jennifer Nettles. Sung in English and Spanish, the lead single, “Love’s Still Here,” is available now and premiered on the Latin Music Awards.
 
This is the first time that Noel Schajris and Jennifer Nettles have joined voices. “Love’s Still Here” is part of the spectacular bilingual ten-song Spanish and English album Timeless that will be released in 2024.

“Ya ven aquí... encontremos la manera de recuperar esas ganas de vivir una eternidad... ya ven aquí, ya ven por mi” ("Come here... let's find a way to regain that desire to live for eternity... come here, come for me.”), verses one of the choruses that harmoniously unites the voices of these two Latin and American superstar artists.

Noel Schajris affirmed that "the vocal connection he has with Jennifer is special" and that from the first time they met "everything was magic.”  He shared, “The title of the first single ‘Love's Still Here’ is very appropriate for today's times to emphasize love and timeless music. What an honor to unveil this magical project on the Latin AMAs stage with my sister Jennifer Nettles! Thank you, Jennifer, for sharing your voice with me on this adventure.”

Nettles added, “I'm absolutely thrilled to finally offer this very special project to the world! And to do it for the first time at the Latin American Music Awards is a dream. Collaborating with Noel, it was so organic; as if I had been singing and writing with him forever.”

The music video that accompanies “Love's Still Here” was filmed in the city of Atlanta, Georgia, under the direction of Sergio (Teco) Allard, during the darkness and intimacy of the night on a rooftop, with a piano. Watch the video HERE.

"Love's Still Here" debuted at the recent Latin AMAs held in Las Vegas, Nevada on April 25, a Latin music awards show that was broadcast on the TelevisaUnivision Hispanic network.

Noel Schajris, a Latin GRAMMY award-winning pianist and music composer, is one of the most iconic and beloved voices in Spanish-language music. His ability to move and connect with audiences through profound lyrics and captivating melodies is well known and has brought him international fame.

Jennifer Nettles is a iconic entertainer across multiple platforms, having won three GRAMMY® Awards and an Emmy Award. Her voice is one of the most exquisite in music today, and her achievements also include five ASCAP Awards, six ACM Awards, five CMA Awards, the Human Rights Campaign's Ally for Equality Award, and the Artist Impact Award from the Lincoln Center.

About Noel Schajris
Noel Schajris has conquered the Latin pop music scene as a singer-songwriter and member of Sin Bandera. Thanks to his timeless hits with Sin Bandera, the artist with Mexican and Argentine roots has won the Latin GRAMMY®, and has been nominated for a GRAMMY®.

Since launching his solo career in 2009, Schajris has continued to delight audiences around the world with his romantic ballads. He has six studio albums as a solo artist and has sold more than 25 million records and 1 million concert tickets. He has also performed duets with artists such as John Legend, Brian McKnight, Luis Fonsi, Alejandro Sanz, Alejandro Fernández and the group Reik, among others.

This year, he continues his "Frecuencia Tour", for which he previously sold out, and will perform a few more concerts with Leonel Garcia as Sin Bandera. Schajris is also the first Latin American artist to launch his own music app. His most recent album, "#SiempreLoSupe," was released on the NS Music app. Noel is getting ready to kick off his solo tour #SiempreLoSupe in May across Europe.

About Jennifer Nettles
 Jennifer Nettles is a Grammy-winning, Emmy-winning superstar entertainer on multiple platforms. She most recently appeared in Blumhouse’s new take of “The Exorcist” and returns seasonally in the HBO hit series “The Righteous Gemstones” as series favorite, Aimee-Leigh. She also delivered a powerful and provocative performance in Focus Features’ Harriet Tubman biopic. Musically she recently earned an EMMY for Best Original Song for "Life is Sweet" featured in PBS’ “American Anthems”. Her latest solo album release was a genre-defying collection of American songbook classics entitled “Always Like New”. As half of the multi-platinum Country duo Sugarland, she most recently announced a new tour upcoming this fall together with the band Little Big Town, along with the release of a new single cover of Phil Collins’ hit “Take Me Home”. Sugarland’s song “Stay", written solely by Jennifer, was a platinum No. 1 hit which earned her two GRAMMY® Awards for Best Country Song as writer and Best Country Performance by a Duo or Group. Nettles also earned a third GRAMMY® for her collaboration with Bon Jovi on "Who Says You Can't Go Home". Her other achievements in music include five ASCAP awards, six ACM Awards, five CMA Awards, the Human Rights Campaign’s Ally for Equality Award and the Artist Impact Award from Lincoln Center. Nettles made her Broadway debut in 2015 as “Roxy Hart” in the Tony Award-winning, record-breaking musical “Chicago”, and starred as “Donna” in the Hollywood Bowl’s summer production of “Mamma Mia!”, as well as most recently starring as “Jenna” in the smash hit musical “Waitress”. She is also the host of Fox’s unscripted series, “Farmer Wants a Wife”. She is currently developing a Broadway musical about 17th Century Crusading Poisoner, Giulia Tofana.

Photo Credit: María José Govea

About ONErpm 
ONErpm is a leading next-generation music group and record label operating globally in 43 locations powered by a staff of 600. At its core ONErpm offers label services to artists seeking to elevate their careers, and operates one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, SAAS, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments. 

Kat Higgins Re-Signs Publishing Deal With BMG

Multi-nominated ACM Song of the Year songwriter Kat Higgins re-signs a publishing deal with BMG. Her recent #1 single “The Painter” by Cody Johnson is nominated for Song of the Year at the 2024 Academy of Country Music (ACM) Awards.

"I love that BMG has always fostered my authentic voice and encouraged me to step out, take risks and have fun in songwriting," says Higgins. "Pat, Chris and Amy have been champions for me. I feel that warm homey feeling every time I’m around them and at the same time, I’m shocked that I get to work with these powerhouses. BMG and Pat Higdon together are my dream team. I’m so excited for this next chapter!"

Canadian born and raised, Higgins grew up playing and touring full time with her family's Irish folk band, which introduced her to the world of songwriting and eventually led to her settling in Nashville. Since landing in Music City, she has written songs that have been cut by the likes of Carrie Underwood, Cody Johnson, Kenny Chesney, Runaway June, The Lone Bellow, and more, as well as started releasing her own music. Higgins is truly making her mark on the Country Music scene with two number one hits and ACM Song Of The Year Nominations — the aforementioned “The Painter” and "Knowing You" by Kenny Chesney in 2021.

"BMG is thrilled to continue this creative journey with Kat Higgins," says Amy Hendron Scott, BMG's Director, Artists & Repertoire. "Kat is an amazing talent and we are honored to be on her team!

“Kat’s such a great writer!" says Pat Higdon, Patrick Joseph Music. "It's an honor to continue working with her and the wonderful BMG team!"

Photo Credit: Alysse Gafkjen

About Kat Higgins:
From Vancouver, Canada, Kat Higgins grew up singing Irish folk music with her siblings. Throughout her teen years, their family band toured full-time. Kat’s love of songwriting drew her to Nashville and after the band went on hiatus, she began writing for other artists. Since moving to Nashville, Kat has written songs recorded by Carrie Underwood, Kenny Chesney, Runaway June, The Lone Bellow and more. The BMG published songwriter celebrated her first number one at country radio with Kenny Chesney’s “Knowing You” and the song has since been nominated for ACM song of the year. She has also started putting out her own music and can be found on streaming platforms.

CHAYCE BECKHAM DELIVERS “EVERYTHING I NEED” TO COUNTRY RADIO, IMPACTING TODAY

Scoring his career-first #1 earlier this month with his history-making PLATINUM hit single “23,” Billboard’s April Rookie of the Month Chayce Beckham delivers his next single to country radio with “Everything I Need” via Wheelhouse Records. Impacting radio today, Beckham, a 19 Recordings/BBR Music Group/BMG Nashville artist, earns this week’s second-most added accolade, racking in 48 first-week stations. Along with “23,”  the effervescent, feel-good track is featured on his just-released critically acclaimed debut album, Bad For Me that PopCulture praised as “undoubtedly one of the strongest debut albums for an American Idol alumni” and “already a contender to top year-end lists.” Listen below. 

Delivering “the kind of songwriting country music needs more of” (Taste of Country), Beckham is reinforcing Next Big Thing and Artist to Watch predictions from CMT, Amazon Music, MusicRow and more, proving he's "an elite leader in this next gen of country superstars” (All Country News). 

Catapulting himself alongside icons Carrie Underwood and Kelly Clarkson, as the fourth winner of American Idol to hit the Billboard Country Airplay Top 10, prior to “23,” the last Country Airplay #1 solely written/recorded by a solo artist was Taylor Swift’s “Ours” in 2012. Beckham is “showing that stars from the reality TV staple still have the power and popularity to churn out certified smashes” (Forbes).

Currently headlining his own “Bad For Me” Tour, Beckham will join Luke Bryan on his “Mind Of A Country Boy” Tour this summer and Parker McCollum on his “Burn It Down” Tour this fall. For tickets and all touring updates, visit www.ChayceBeckham.com. 

Upcoming Tour Dates:

5/2 - Columbus, OH - The Bluestone

5/3 - Warrendale, PA - Jergels

5/4 - Winchester, VA - Shenandoah Valley Apple Blossom Festival (Discovery Museum)

5/9 - Schenectady, NY - Frog Alley

5/10 - Binghamton, NY - Touch of Texas

5/11 - Jordan, NY - Kegs Canalside

5/16 - Asheville, NC - Salvage Station

5/17 - Barco, NC - Morris Farm

5/18 - Charlotte, NC - Coyote Joe's

5/23 - Bishop, CA - Mule Days

5/24 - Apple Valley, CA - HillTop Tavern and Inn

6/6 - Fargo, ND - Happy Harry's Ribfest @ Fargo Dome

6/9 - Greenwood Village, CO - Fiddler's Green Amphitheatre/KYGO

6/14 - Orange Beach, AL - The Wharf Amphitheater*

6/15 - Orange Beach, Al - The Wharf Amphitheater*

6/18 - Alexandria, VA - The Birchmere

6/21 - Buffalo, NY - Taste of Country (Sahlen Field)

6/27 - Cadott, WI - Country Fest 2024

6/29 - Brainerd, MN - Lakes Jam

7/12 - Rhinelander, WI - Hodag Country Festival

7/18 - Ankeny, IA - The District at Prairie Trail

7/19 - New Berlin, IL - Danenberger Family Vineyards

8/9 - Oro Station, Ontario - Boots and Hearts

8/15 - Kansas City, MO - T-Mobile Center*

8/16 - Montréal, Québec - Parc Jean-Drapeau/ Lasso Fest

8/17 - Atlanta, GA - Truist Park*

8/22 - Oklahoma City, OK - Paycom Center*

8/24 - Des Moines, IA - Wells Fargo Arena*

8/25 - Chicago, IL - Wrigley Field*

9/13 - Cleveland, OH - Blossom Music Center^

9/14 - Cincinnati, OH - Riverbend Music Center^

9/19 - Portsmouth, VA - Atlantic Union Bank Pavilion^

9/20 - Simpsonville, SC - CCNB Amphitheatre at Heritage Park^

9/21 - Orlando, FL - Addition Financial Arena^

9/27 - Evansville, IN - Ford Center^

9/28 - Springfield, MO - Great Southern Bank Arena^

10/10 - Washington, DC - Theater at MGM National Harbor^

10/11 - Boston, MA - MGM Music Hall at Fenway^

10/12 - Philadelphia, PA - Freedom Mortgage Pavilion^

10/20 - Sacramento, CA - Discovery Park

10/24 - Anaheim, CA - Honda Center^

10/25 - San Diego, CA - Cal Coast Credit Union Open Air Theater^

10/26 - Stateline, NV - Tahoe Blue Event Center^

* with Luke Bryan

^ with Parker McCollum

Photo Credit: Robby Klein

About Chayce Beckham: 

Three years after becoming the only artist to win American Idol singing his own songs, 19 Recordings/BBR Music Group/BMG Nashville country artist Chayce Beckham is living proof of his belief that “You can’t tell someone how to write a song.” Scoring his first nomination at this year’s CMT Music Awards for his PLATINUM #1 hit single “23,” the fiery singer-songwriter laid out a course only he could follow, and today remains even more dedicated to his unique creative compass. A California native schooled on tough times and a mix of country, rock, hip hop and beyond, Beckham started a habit of heart-on-his-sleeve songwriting after some hard times when he felt he had nothing left – and when combined with his warm vocal rasp on “23,” that drive helped him charm the nation on Idol's 19th season in 2021. With more than 406 million streams and counting, the bluesy and brutally honest anthem debuted at #1 on both iTunes’ Country and All Genre singles charts, and now leads Beckham’s first album, Bad for Me – available now – as the emerging star finds his stride. Co-writing nine of 13 songs (three solo), the project shows Beckham opening his soul like most would never dare and embracing a timeless country-rock sound defined by fiddles, steel guitar, and plenty of against-the-grain attitude. With dusky shades of heroes like Johnny Cash, Waylon Jennings, and Kris Kristofferson, the set aims to reinforce next-big-thing and “artist to watch” predictions from CMT, Amazon Music, MusicRow and more. Headlining his own “Bad For Me” tour, while joining Luke Bryan this summer and Parker McCollum this fall, Beckham delivers his next Wheelhouse Records single with the effervescent, feel-good track “Everything I Need,” climbing the country radio charts now. 

KEEP UP WITH CHAYCE BECKHAM

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

ONE DAY ALIVE Release New Single "ADDICTED AGAIN" ; Announce 'Parental Advisory Explicit Content Tour' with Josey Scott, Trapt, Adema and Tantric

ONE DAY ALIVE released their new single "Addicted Again" to all major platforms. The band's Producer and Co-Writer Jason Null (Saving Abel) will join ONE DAY ALIVE for the 'Parental Advisory Explicit Content Tour' that kicks off May 3rd in St. Louis, MO at The Golden Record. The tour will feature an incredible lineup, including Josey Scott, Trapt, Tantric, and Adema.

The band talks about the single, "Like a blazing fire in the night, 'Addicted Again' ignites the soul with its solid rock essence, intertwining the raw energy of existence with the complexities of love's grip. Crafted by the lyrical prowess of Jason Null and Scotty Austin, this single pulses with the heartbeat of everyday relationships, offering a poignant twist on the familiar. It's not just a song; it's a journey through the highs and lows of passion, a testament to the enduring power of music to mirror our deepest emotions. 'Addicted Again' stands as the vibrant second chapter of the hit saga by Saving Abel, 'Addicted,' a testament to their unwavering ability to capture the essence of human experience in every chord."

Jason Null, known for his hits with Saving Abel such as "Addicted," "18 Days," "Drowning Face Down," and "Stupid Girl," will bring his exceptional
musical talent and energy to the tour. Fans can look forward to experiencing the dynamic fusion of Jason Null's signature sound and ONE DAY ALIVE's captivating performances.

In addition to Jason Null, the tour will also feature the talented bassist Brian Carter of Scream at the Sky, who will contribute his bass expertise to enhance the overall musical experience.

"We are thrilled to have Jason Null join us for the Parental Advisory Tour. His musical contributions and the addition of Brian Carter on bass will undoubtedly elevate the tour to new heights. We're looking forward to delivering an unforgettable experience for our fans," said Randy Webb/Vocalist.

One Day Alive’s blend of thick guitar riffs, melodically driven vocals, and signature feel provides the recipe for their distinct version of new age rock. With songs that reflect themes of both personal turmoil and triumph, ODA’s music delivers a feeling of angst and honesty by way of a dynamic and anthemic sound.

Originating from Cincinnati, OH, the group has performed throughout the U. S., sharing the stage with the likes of Fuel, Hinder, Smile Empty Soul, Days of the New, Red Jumpsuit Apparatus, Bobaflex, Taproot, Saliva, and many others.

During the summer of 2021 the band released its debut single "Just Tonight," which received 500 thousand streams in its first 30 days. Shortly after,
ODA signed with Silent Majority Group/Warner Music, under the direction of manager Jeff Hanson, whose past band's include mega-selling artists
such as Creed, Sevendust, and Alter Bridge. ODA's follow-up single, "Bringing on the Pain," released in November of 2022, reached #13 on the
Billboard charts, accumulating an additional One million streams on Spotify alone.

Currently, the band is completing work on its debut full-length album with co-producer Jason Null of the platinum-selling rock band, Saving Abel. The album is expected out in the fall of 2024.

One Day Alive Tour Dates:

5/3 ST. Louis, MO @The Golden Record

5/4 Cadillac, MI @The Venue Event Center

5/5 Cincinnati, OH @ Riverfront Live

5/9 Hermon, ME @Morgan Hill Event Center

5/10 Frenchtown, NJ @Artie's Bar and Grill

5/11 Manchester, NH @Angel City Music Hall

5/15 Hobart, IN @Hobart Art Theatre

5/16 Toledo, OH @Frankies

5/17 New Berlin, IL @Danenberger Family Vineyards

5/18 Chesterfield, MI @Diesel Concert Lounge

5/19 Paw Paw, MI @Warner Vineyards

5/22 The Colony, TX @Lava Cantina The Colony

5/23 Houston, TX @Warehouse Live

5/25 Oklahoma City, OK @Lost Lakes Adventure Park

5/30 St Charles, IL @Arcada Theatre

5/31 Columbus, OH @The KING of CLUBS

6/1 Danbury, WI @St.Croix Casino Danbury See

One Day Alive are:

Randy Webb - Vocals

Jason Null -Guitar

Scott Ryan - Guitar

Brian Carter - Bass

Garfield Redden - Drums

For More Information Please Visit:

Official Website

Facebook

Instagram

YouTube

VITRIOL Embarks on North American Tour TODAY as Part of "Chaos & Carnage"

Death metal battalion VITRIOL will be embarking on the Chaos and Carnage 2024 tour starting today, April 30, in support of Cattle Decapitation, Carnifex, Rivers of Nihil, Humanity's Last Breath, and Zenith Passage along with Face Yourself. The epic death metal trek will kick off tonight in Mesa, AZ and will conclude nearly a month later on May 26 in Las Vegas. During the tour, VITRIOL will also be performing several off-date shows as support for Rivers of Nihil in multiple cities and support for Zenith Passage in Salt Lake City, UT. Tickets and VIP upgrade options are available at THIS LOCATIONwhile the full itinerary can be found below!

While there are meet & greet upgrades available for the tour, VITRIOL will not participate in this package and instead be around the venue and hanging at their merch table for free, authentic, and personalized meet and greet experiences with their fans.

VITRIOL's highly anticipated new album, 'Suffer & Become,' is now available worldwide via Century Media Records!

ICYMI: the band recently unleashed an unnerving music video for the song, "He Will Fight Savagely." In this clip, Vitriol embodies the album's concept of suffering, while turning that pain into pleasure by way of torturous suspension art. There were no special effects or camera tricks; the experience was authentic and genuine. The clip, which was creative directed by MM Fabrications and Mark Blanchard and shot and edited by Alexander Bemis, can be found at THIS LOCATION.

'Suffer & Become' is now available HERE. The album will be available digitally as well as in Standard CD Jewelcase, Ltd. Deep Blood Red LP (All ex-US Retail), Orange Crush LP (All US Retail), and Red / Yellow / Black Transp. Splatter LP (Band Exclusive).

GET TICKETS HERE

Chaos and Carnage 2024 Tour Dates:

04/30: Mesa, AZ @ Nile Theater 

05/02: Austin, TX @ Come and Take It Live 

05/03: Dallas, TX @ Granada Theater 

05/04: San Antonio, TX @ Vibes Event Center 

05/06: Tampa, FL @ The Orpheum

05/07: Atlanta, GA @ Masquerade (Purgatory)^*

05/08: Nashville, TN @ Brooklyn Bowl 

05/10: Brooklyn, NY @ The Brooklyn Monarch 

05/11: Reading, PA @ Reverb 

05/12: Worcester, MA @ The Palladium

05/14: Liverpool, NY @ Sharkey’s Event Center

05/15: New Kensington, PA @ Preserving Underground

05/16: Columbus, OH @ King of Clubs

05/17: Pontiac, MI @ The Crofoot

05/18: West Chicago, IL @ WC Social Club **SOLD OUT**

05/20: Englewood, CO @ The Gothic Theatre

05/21: Salt Lake City, UT @ Urban Lounge +

05/22: Reno, NV @ Cargo ^*

05/23: Berkeley, CA @ The UC Theatre 

05/24: Los Angeles, CA @ The Belasco

05/25: Anaheim, CA @ House of Blues 

05/26: Las Vegas, NV @ House of Blues

^* Vitriol w/ Rivers of Nihil + Face Yourself

+ Vitriol w/ Zenith Passage

For Portland, Oregon's VITRIOL, nothing comes easy. Nothing. The title of their second Century Media album, 'Suffer & Become,' says it all. "The title really sums it up," says guitarist and vocalist Kyle Rasmussen. "I pushed things to a point while making this album where it almost became untenable. Things that were supposed to be done in weeks took months. It wasn't easy, but I think it was suffering well spent."

At the core of 'Suffer & Become' lies a profound sense of extremity and unease. This very essence defines Vitriol as the vanguard in death metal's evolutionary path—a sonic landscape characterized by its profound darkness, density, and the infusion of nanotechnological precision interwoven with intense, seething emotions. Not easy listening in the slightest. Since forming in 2013, Rasmussen and longtime co-conspirator, bassist, and co-vocalist Adam Roethlisberger have worked with a single-minded vision: to push the genre to its breaking point and invent a new uncompromising paradigm in the process. VITRIOL is a masterclass in pain – and that's just their jumping-off point.

Recounting VITRIOL's initial journey into the outer fringes of extremity, Rasmussen is characteristically thoughtful. "I was starving for something that didn't pull any punches," says Kyle of VITRIOL's caustic mission statement, which detonated into the realm of extreme metal with 2013's 'Antichrist' demo. "Death metal was important to me because it speaks to an aggression, a frustration that I had when I was younger. It wasn't just a sonic connection but an emotional connection, which made music almost a means to an end. What I saw happening in extreme metal at the time was almost a removal of emotion in favor of musicality, that fire, that piss and vinegar spirit. Basically, I wanted something that wanted me dead."

With 2017's 'Pain Will Define Their Death' EP, VITRIOL took its spot as one of the underground's most uncompromising exponents, leading them to join forces with Century Media. The resultant album, 2019's "To Bathe from the Throat of Cowardice," was nothing short of a crucial next step for the band and the genre itself. Decibel Magazine said, "Vitriol leave no doubt they are one of the best the genre has to offer, with shades of Nile, Hate Eternal, and Anaal Nathrakh frequently peeking through." Hitting the road that year, at first in Europe with Nile and then in the US with Cattle Decapitation and Atheist, and then Vader before the onset of Covid, VITRIOL was quick to establish themselves as much of an uncompromising force onstage as they are on record.

"Doing 'Black Seeds of Vengeance' alongside Karl Sanders [of Nile] onstage in Europe on our very first tour was nothing short of a 'pinch me' moment," Kyle recounts from VITRIOL's early touring days. "More recently, we were touring with Morbid Angel, and Steve Tucker, who is my favorite Morbid Angel vocalist, came out of his dressing room in a VITRIOL t-shirt and exclaimed that we were one of his favorite new bands! That blew my mind as a fan, first and foremost – a total 'Holy Fuck!' moment." 

'Suffer & Become' is nothing short of a benchmark for VITRIOL (rounded out by guitarist Daniel Martinez and Matt Kilner). It's as dense and blackened as anything to erupt from Rasmussen's vision of sonic disorder. From the onset of the opening track, "Shame and Its Afterbirth," there's a new sense of openness, grandeur, and occasional beauty in VITRIOL's aural arsenal. "I wanted to have an album that had a stark duality to it," says Kyle. "Very high highs and very low lows. We're very familiar with the lows but not so much with the triumphant highs. I wanted the album to have more of a sense of optimism to it, both lyrically and musically. I wanted the album to convey a sense of optimism that probably gets lost in the black maelstrom that is the first album." 

Produced by Rasmussen and mixed by Dave Otero (Archspire, Cattle Decapitation), 'Suffer &

Become' isn't merely the sound of VITRIOL upping the ante in death metal's musical arms race; it is also the sound of salvation for its driving force. "Living in the world of that first album was very difficult for me," says Rasmussen. "It's not a nice place. It was very intentionally imbalanced in the same way a horror film is imbalanced. I wanted a healthier world for me to live in, and I believe I achieved that."

Not that the writing and recording of 'Suffer & Become' was anything short of soul-rending. Rasmussen labored over the creation of the album in the studio, on tour in hotel rooms, to the point of painstaking obsessiveness. Kyle is straightforward about the grueling record-making process and its personal impact. "The record feels a bit like a Jungian Dante's Inferno," he states. "Plumbing the circles of my personal, psychological, and spiritual hell and then purposely refocusing it so it's not the unhinged, dark catharsis of the first album. This record is a lot more vulnerable."

Songs like "Weaponized Loss" or "The Flowers of Sadism" are what Kyle describes as a "dark baptism" in comparison to the absolute darkness of "To Bathe…". The sound of VITRIOL remains as joyless and dark as ever, but with a glimmer of hope. VITRIOL has taken its trauma-put-to-sound approach to the next level and discovered a new sense of beauty in the blackness. 'Suffer & Become' is death metal with a bloody, beating heart.

Line-Up:

Kyle Rasmussen - Guitars and Vocals

Adam Roethlisberger - Bass and Vocals

Matt Kilner - Drums

Daniel Martinez - Guitars

Producer // Mixing // Mastering:

Dave Otero

Album artwork:

Dylan Humphries

Photo Credit:

Peter Beste

Bio:

Mike Gitter

Physical Formats:

Standard CD Jewelcase

Ltd. Deep Blood Red LP (All ex-US Retail)

Orange Crush LP (All US Retail)

Red / Yellow / Black Transp. Splatter LP (Band Exclusive) 

New UNFD Artist Reece Young Shares "Am I Wrong" Video

New UNFD signee and up 'n' comer Reece Young continues to roll out fiery new tracks that offer relatable lyrics and subject matter, crackling riffs, and nuanced electronics.

Today, Young shares the video for "Am I Wrong."

The song addresses a serious issue that affects so many people in this day and age, and it's Young's way of reaching out to listeners and fans and letting them know that he, too, has been there and gets it. The track, with its punchy guitars and layered choruses, is a lifeline and it resonates on many levels.

Watch the video below. The video premiered via Crunchyroll and you can read Young's exclusive interview with the outlet here. 

"'Am I Wrong' touches on the darkest topic I've written about yet," the artist says. "Thoughts of suicide and depressive episodes have always plagued not only me, but a ton of people in my life. 'Am I Wrong' questions if continuing on is worth it. Is wanting an ending a bad thing? Forgetting about the consequences of what would follow a reality like that is frightening. Hopefully, the listener hears these words and finds solace in the knowledge that they aren't alone, and that other people out there struggle with the same thoughts."

"Am I Wrong" follows the previously release tracks "LOW" and "DARK."

New Jersey born and raised, Reece Young emerged and gained traction via his self-released early music. He lays it all out there has put all the adversity he's faced, his personal struggles, his frustration, into a vulnerable and universally authentic sound. Young, now Nashville-based, is "one of us" — a music obsessive who has channeled his passion for the scene and his favorite artists into making his own and getting onto the stage himself. With a modus operandi of sharing tales of facing adversity, overcoming personal struggles, by tying open-vein vulnerability and authenticity to gargantuan choruses, the time is now for Reece Young to set about joining the big leagues and emulating what his heroes have done before him. 

NIGHTWISH - Announce New Album Yesterwynde

A magic dwells in every beginning, full of anticipation for what lies ahead, making time briefly stand still. This moment seems almost infinite, filled with limitless possibilities for the future and the start of a new era. And now, this moment has dawned for NIGHTWISH…

Today, NIGHTWISH finally breaks the quietude to announce Yesterwynde.
The Symphonic metal legend’s new album will see the light of the day on September 20th, 2024. It marks the band’s tenth studio album, following on from the release of Human. :II: Nature. in 2020.

Tuomas Holopainen stated about the new album:
"Yesterwynde is a fantastical voyage through time, memory, and the better angels of human nature.
Three years in the making, we`re thrilled beyond words to soon share our tenth album with the world!"

Furthermore, NIGHTWISH announce the release of the album's first single today. 'Perfume Of The Timeless' will mark the beginning of the band's new era and will be released on May 21st. Presave the single now:
https://nightwish.bfan.link/perfumeofthetimeless.a01

About NIGHTWISH
Working with NUCLEAR BLAST since the release of their highly lauded 2004 album Once, NIGHTWISH have gained international fame and success selling more than ten million records and receiving more than 60 gold and platinum awards, having released six No #1 albums and thirteen No #1 singles. In October 2018, NIGHTWISH was inducted into the Tähtikatu – Walk of Fame Finland, becoming the honorary gallery's eleventh member. 2020 saw the release of the band's last studio record, Human. :II: Nature. that crowned the band's discography with another No. #1 success in Finland and Germany as well as several other impressive chart entries worldwide. 

Line-Up:
Floor Jansen | Vocals
Tuomas Holopainen | Keys
Emppu Vuorinen | Guitars
Jukka Koskinen | Basses
Troy Donockley | Uilleann Pipes, Low Whistles, Acoustic & Electric Guitars, Bouzouki, Bodhrán, Aerophone, Vocals
Kai Hahto | Drums & Percussion

More info:

www.nightwish.com  
www.facebook.com/nightwish
www.nuclearblast.de/nightwish  
www.instagram.com/nightwish/ 
www.twitter.com/NightwishBand

Sugar Horse Share New Video "The Shape Of ASMR To Come"

"A sucker punch of sludge-punk'"— Knotfest.com 

"Riff merchants expertly balance filth and ambience" — Metal Hammer

"Beautifully devastating" — Kerrang!

UK quartet Sugar Horse have unveiled their powerful new single "The Shape Of ASMR To Come," taken from their new album Grand Scheme Of Things, to be released October 4 via Pelagic Records.

Watch the video below.

Stream the single + pre-order the record here.

Vocalist + guitarist Ashley Tubb comments, "After my dad's passing, in the time before his funeral, I learned a ton about his life that I previously hadn't a clue about. He's been through a fair bit in his life and this song is kind of about that. It's a kind of 'through adversity, there is redemption' type song. No pain, no gain etc."

"The Shape Of ASMR To Come" is the second single taken from the upcoming new album, following the release of "New Dead Elvis" last month.

Regarding the album, the band shares, "This album was intended to be a sideways step. A move away from the kind of thing that is expected of us... if anything is at all. What I mean by that, is the songs are more direct. They take a much shorter amount of time to 'get to the point.' We also wanted to make this one noticeably 'less metal.' While we love being a bit boneheaded and confrontational, we definitely wanted to explore the more melodic, song-based side of the band’s sound. Normally, you'd see shortened song structures and more singing and think, 'Oh these guys are going for gold….they wanna get on the radio and make millions of bloodstained pounds.' Well, you're very much entitled to think that if you wish, but it felt like more of a songwriting challenge than anything else to be honest. We've done the whole drawn out, endless space rock thing a good few times now and it would've been easy to rest on those laurels. Do something we're comfortable with. Alas, that is not really the point of this band. We'd much prefer to make it difficult and take the long route."

The new single and album news follow Sugar Horse's titanic split 7'' with new labelmates LLNN, and previous EP Truth Or Consequences, New Mexico.

Stream and purchase the 7'' here. Order and stream Truth Or Consequences, New Mexico here.

An epic and ambitious achievement, Truth... is, in signature Sugar Horse style, one single long song: a meditation and exploration of everything the note A has to offer.

Sugar Horse recently toured with LLNN, and previously with post-rock luminaries 65daysofstatic across Europe, as well as dates with Pianos Become The Teeth, Liturgy, Chat Pile and an appearance at ArcTanGent festival. A lot of people take the name Sugar Horse to be a drug reference — perhaps fitting for a band that sound like the last moments of a three-day binge. Darting wildly between dark/light, pain/bliss, sacred/profane, Sugar Horse are unpredictable and unrestrained.

Formed in what is now considered to be the utopian dreamscape of 2015, the band grew slowly at first. Far from fully formed, but steadily gaining limbs, heads and vital organs. Finally, 2019's DRUJ followed swiftly by 2020's DRUGS saw them hit on a relentless stride of eclectic releases that simultaneously confused and entranced audiences.

2021 saw the band encamp in a former Lutheran church to record their debut album, The Live Long After, releasing it via Brighton’s own Small Pond Records. Publications such as The Quietus describing the record as "shift[ing] dispositions fluidly, taking elements of extreme aggression alongside floaty post-metal" and Echoes & Dust calling it "a monumental achievement." The album took every disparate element that Sugar Horse previously employed and amplified them, while juxtaposing each next to each other, with genuinely unpredictable and exciting consequences.

2022 saw no relent from the band's fast-paced release schedule, as they put out an anthemic shoegaze single in "Pictures Of Dogs Having Sex," followed swiftly by their collaborative Waterloo Teeth EP. A release that paired Sugar Horse's terrifying eclecticism with guest appearances from 12 other artists in just four short(ish) songs. Each artist coming from a different area of the modern British music scene, whether that be world conquering post-punk bass lines from IDLES' Adam Devonshire, heavy titans Conjurer and Pupil Slicer’s throat crippling wails, or a shredding guitar solo from Biffy Clyro/Oceansize axe wielder Mike Vennart. The EP packs in an album’s worth of genre mutilating twists and turns into just 25 minutes of music.

SUGAR HORSE ARE:
Ashley Tubb — Vocals/Guitar
Jake Healy — Baritone Guitar, Keyboards
Chris Howarth — Bass
Martin Savage — Drums

THEN COMES SILENCE presents 'Stay Strange' feat. VISION VIDEO's DUSTY GANNON. Now touring USA in support of new 'Trickery' album

Then Comes Silence are everything a band should be - good tunes, good playing and singing, and good looking. Their songs are ear-worms, once heard difficult to forget, as catchy as gonorrhea but far better for your health" ~ Wayne Hussey

”I can see them being huge” ~ Dani Filth (Cradle of Filth)
 
"Capturing the alluring intersection of 1980s Post-Punk, New Wave and College Rock in one fell swoop, this music feels organic and fresh, with ample drive, clever songwriting and a killer melody, along with crisp production" ~ The Spill Magazine 

"Truly love it" ~ She Past Away
 
"Hellacopters of Gothic Rock" ~ Jyrki 69 (The 69 Eyes)

"The only band that have been voted in as album of the month three times!" ( 'Blood' in 2017 / 'Machine' in 2020 / 'Hunger' in 2022) ~ Sonic Seducer Magazine


Swedish post-punk outfit Then Comes Silence presents 'Stay Strange', their latest slice of dark goodness, which sees frontman / vocalist Alex Svenson joined by guest vocalist Dusty Gannon of Vision Video, with whom the band is currently touring North America.

With its memorable chorus chant "Stay strange and pure at heart", the vocals are grounded firmly on an energetic backbeat by drummer Jonas Fransson, rhythmic guitar lines by Hugo Zombie and Svenson's own solid basslines.

“‘Stay Strange!’ is the call that Dusty Gannon of Vision Video shouts after every show,” explains TCS frontman Alex Svenson. “When we returned home from our last tour with them, I began working on the song and made it a tribute to the post-punk/goth scene. It was also a natural choice to invite Dusty to sing the chorus.”

Lifted from their seventh album ‘Trickery’, released earlier this month via Metropolis Records, here are 13 lush cavernous tracks. Apart from Gannon, this recording also features guest appearances by Gözde Duzer of Aux Animaux, Emma Nylén(Emmon) and Jörgen Wall of Whale, Thåström.

Recorded by Jörgen Wall (Jay-Jay Johanson, The Hellacopters) over three days at Stockholm's Kapsylen Studio and mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies), this album was mastered by Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica). Ahead of the album's release, Then Comes Silence released the singles 'Like a Hammer' and ‘Ride or Die’.

This album celebrates friendship, unity and the feeling of belonging to a group, a tribe. Being a part of what most people would call the goth and post-punk  community is, according to the band, a great privilege. After being on the road and meeting people from the music scene for so many years, the band have experienced a caring and welcoming community. Old and young. Some with a similar background and some just for the love of the music and the culture that comes with the lifestyle.  

Following up their 2022 album 'Hunger', released via Nexilis Records / Schubert Music (Europe) and Metropolis Records (North America), 'Trickery' captures the heart and essence of alternative rock, along with electronic elements, but it is also a salute to punk music, to which Then Comes Silence traces their roots.

Formed in Stockholm in 2012, Then Comes Silence is made up of frontman Alex Svenson, drummer Jonas Fransson and guitarist Hugo Zombie (Los Carniceros del Norte) with Svenson originally inspired by frequent touring with A Place To Bury Strangers and an attraction to horror and the occult.

After debuting with their eponymous album in 2012, Then Comes Silence put out two more albums before releasing 'Blood' via Nuclear Blast in 2016. Their subsequent 'Machine' album was jointly released via Oblivion / SPV and Metropolis Records in 2020.

Then Comes Silence has toured and played live with The Fields of the Nephilim, The Chameleons, A Place To Bury Strangers, The Bellwether Syndicate and Vision Video, as well as performing at Wave Gotik Treffen, M'era Luna, Amphi Festival, Castle Party and W-Festival.

The 'Trickery' album is out now, available on vinyl, CD and digitally everywhere, including Apple Music, Spotify and Bandcamp. Then Comes Silence is currently touring North America, joined by Vision Video, Aurelio Voltaire and Tears For The Dying. 

CREDITS
Alex Svenson - vocals, bass, synthesizer
Jonas Fransson - drums
Hugo Zombie - guitar
Dusty Gannon (Vision Video) - vocals on 'Stay Strange'
Emma Nylén (Emmon) - vocals on 'Tears and Cries', back vocals on 'Ghost House'
Gözde Duzer (Aux Animaux)- theremin on 'Stay Strange', 'Never Change'
Jörgen Wall (Whale, Thåström) - toms on 'Blind Eye'
Music & Lyrics by Alex Svenson 
Published by HaHa Musikförlag
Produced by Alex Svenson
Recorded by Jörgen Wall
Mixed by Tom van Heesch
Mastered by Svante Forsbäck / Chartmakers
'Like a Hammer' video directed by Johnny Nattsjö & D.K. Griftegaard
'Ride or Die' video directed by Gözde Duzer & Then Comes Silence
From 'Trickery' album, released via Metropolis Records
Publicity by Shameless Promotion PR

TOUR DATES
April 20 – Parsippany, NJ @ Dark Force Fest
April 21 – Pittsburgh, PA @ Cattivo  *
April 23 – Rochester, NY @ Photo City Music Hall  *
April 24 – Brattleboro, VT @ Stone Church *
April 25 – Boston, MA @ Sonia  *
April 26 – Lewiston, ME @ L/A Arts  *
April 27 – Montreal, QC @ Bar Le Ritz PDB  **
April 28 – Toronto , ON @ Velvet Underground  **
April 30 – Cleveland, OH @ Beachland Ballroom  *
May I – Grand Rapids, MI @ Pyramid Scheme  *
May 2 – Chicago IL @ Subterranean  **
May 3 – St. Louis. MO @ The Crack Fox  **
May 4 – Dubuque, LA @ Fox Den Motel  *
May 5- Milwaukee, WI @ The Vivarium  *
May 6 – Minneapolis, MN @ Green Room  *
May 7 – Kansas City, MO @ Recordbar  *
May 8 – Louisville, KY @ Art Sanctuary  *
May 9 – Detroit, MI @ Smalls  ***
May 10 – Baltimore, MD @ Metro Gallery  ***
May 11 – Hamden, CT @ Space Ballroom  ***
May 12 – TBA  ***

*   with Vision Video
**  with Vision Video + Aurelio Voltaire
*** with Vision Video + Aurelio Voltaire + Tears For The Dying


Keep up with Then Comes Silence
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Texas' 9-VOLT VELVET present 'Hey, Candy’, previewing 7” vinyl single and debut 'Nude Beaches' album

"A glam-bam-thankyou-ma’am wall of roiling guitar, bass, keyboards and drums. It’s a 70’s stack heeled tour de force dressed in space-age fabrics and driving a rocket propelled Ford Transit into space... this is a jet pack so strap it on and brace yourself for launch" ~ Joyzine


Dallas-based indie dreamgaze outfit 9-Volt Velvet presents their new single 'Hey, Candy', a raucous foreshadowing of their debut album 'Nude Beaches', soon to be released on CD via Brighton, UK-based label Shore Dive Records. What can be said about the first single - oh yes, finding your first love attraction is exciting.

Out May 10, this 13-track collection blends washed-out fuzzy and feedback-laden guitars, driving bass, pounding drum beats and ghosty vocals. Taking their bring of 'rockgazedreamgloom' even further, they will also release a limited edition of twenty 7" lathe-cut vinyl via Cryptic Carousel at the same time, featuring 'Riptide' as the Side-A track and 'Hey Candy' on Side B.

Nestled in the fine territory between post-punk and shoegaze with a surf vibe, 9-Volt Velvet is made up of Mark Cross (lead vocals, guitar, bass, keyboards, percussion), Donnie Robertson (drums, percussion, keyboards) and Kevin Robinson (guitar, bass, keyboards, vocals).

Hailing from Muscle Shoals, AL and Dallas respectively, Mark and Donnie met through an ad in a local newspaper, hit it off instantly and formed a band, eventually being joined by Kevin soon after they began performing. Involving past members of of Viva Voce and The Northern Lights, they bring together several decades of experience playing shows with the likes of Starflyer 59, Spoon, The Dandy Warhols, Jimmy Eat World, Sunny Day Real Estate, Kill Hannah, Luxury, Lugsole, The Features, Bleach,  Fold Zandura, 764-HERO and Morella’s Forest.

'Nude Beaches' is the culmination of 9-Volt Velvet's musical journey, showcasing their evolution as artists and the unique sounds they have curated together. Inspired by their natural chemistry and a like-minded approach to music-making, in June 2023, they embarked on an intense 3-week studio session in Dallas, crafting an album that explores the themes of freedom and self-expression.

From the introspective lyrics to the intricate musical arrangements, every aspect of 'Nude Beaches' reflects the band's commitment to pushing boundaries and taking risks. This is a sonic journey that invites listeners to embrace their own individuality and revel in the joy of truly being themselves.

Influenced by such artists as The Cure, Sonic Youth, Swervedriver, The Jesus & Mary Chain, DIIV and The Velvet Underground, 9-Volt Velvet emerged as a recording artist in January 22 with their debut 'Cathedrals' EP, followed by the 'Mirrors' EP in July of that year.

The 'Riptide / Hey, Candy' 7" vinyl edition is out on May 10. The CD for the debut 'Nude Beaches' album will also be available via Shore Dive Records. It can already be found digitally from fine music platforms, including Apple Music, Spotify, and Bandcamp.

CREDITS
Written and performed by 9-Volt Velvet
Mark Cross - lead vocals, guitar, bass, keyboards, percussion
Donnie Robertson - drums, percussion, keyboards
Kevin Robinson - guitar, bass, keyboards, vocals
Recorded at Starlight Studios (Dallas) by Donnie Robertson & Jeff Ross
Produced, mixed & mastered by Donnie Robertson
CD released via Shore Dive Records
Publicity by Shameless Promotion PR

Keep up with 9-Volt Velvet
Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shore Dive Records 
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Scotty McCreery Tops the Chart with "Cab in a Solo" from 'Rise and Fall' Set for 5/10

Triple Tigers recording artist Scotty McCreery earns his sixth No. 1 hit on the Mediabase Country Chart with “Cab in a Solo,” the lead single from his forthcoming fifth studio album Rise and Fall, arriving May 10. Listen to “Cab in a Solo” HERE. Pre-order/pre-save Rise and Fall HERE.
 
“I have loved this song from the moment Brent, Frank and I started writing it,” said McCreery. “It may be all about heartbreak but it’s so fun to sing. I’m thrilled to see it reach No. 1. Thanks to the fans for supporting it and country radio for playing it!”
 
Written by McCreery with Brent Anderson and Frank Rogers, “Cab in a Solo” was most added at Country radio upon its debut, with Billboard praising, “McCreery has been on a hot streak of well-crafted, notably performed songs,” upon the track’s release, noting he “continues to slake music listeners’ affinity for ‘90s country, thanks to a neo-traditional sound connected to vivid lyricism.” This is McCreery’s fastest rising song to reach No. 1.
 
McCreery was in Napa, California last week participating in “Live in the Vineyard Goes Country.” While in the area, he also gave an intimate performance at Silver Oak Winery where attendees drank a 1998 Silver Oak cabernet sauvignon from solo cups, just as McCreery sang in “Cab in a Solo.”
 
The newest member of the legendary Grand Ole Opry returned to the stage where he won hearts across the nation over 13 years ago, performing “Cab in a Solo” on “American Idol” last night, available now to stream on Hulu. Watch his performance below.
 
McCreery is also set to return to “The Kelly Clarkson Show” this Wednesday, May 1 with a special performance from the Grand Ole Opry stage. Check local listings for time.
 
McCreery will return to the Grand Ole Opry stage on May 11, just one day after he releases his new album Rise and Fall. The first 400 ticketholders who also purchase the album onsite in the Opry Shop that evening will gain access to an exclusive album release celebration and acoustic performance with Scotty directly following the show in the Opry House’s Studio A. For Opry tickets and information, visit Opry.com.
 
Rise and Fall will feature 13 tracks that find him exploring not only heartbreak but rowdy nights, nostalgia, faith, newfound joy, fatherhood and enduring love, resulting in a project full of insightful storytelling, including the latest and final song to be delivered before the album is released, “Lonely.” The album was produced by McCreery’s longtime production team of Frank Rogers, Derek Wells and Aaron Eshuis.
 
McCreery co-wrote 12 of the 13 songs on the album, which will be released digitally as well as on CD and vinyl. In addition, Amazon will release a limited edition, forest green vinyl version of the album. Pre-order autographed vinyl and CDs of Rise and Fall HERE.

“I know every artist says it, but this is truly my favorite album I’ve made so far,” shares McCreery. “I wanted to create an album that reflected the music I grew up on and wasn’t chasing trends. So, I brought several of my songwriting buddies to the mountains of North Carolina to sit down and write a full-on country album that told a story, start to finish, and spoke to my soul. We’ve been performing most of the album live on the road and the response from the audiences has been overwhelming. I can’t wait for everyone to hear Rise and Fall when it comes out May 10th.”

The North Carolina native knows all too well there’s a rhythm to life and a cycle of ups and downs. And right now, he’s on the upswing.
 
Now 30 years old and a seasoned country music veteran selling out concerts across the globe with six No. 1 hits under his belt, McCreery is also a dedicated husband and father, welcoming a son named Avery in 2022, whose impact on the singer is highlighted in several songs on the album. Recently, he even celebrated the milestone of all milestones for a guy who grew up on Randy Travis, Johnny Cash, Dolly Parton and Ronnie Milsap; he was invited by his musical hero Garth Brooks to become the newest member of the iconic Grand Ole Opry. McCreery was just welcomed into the Opry family on April 20 by two more of his heroes, Josh Turner and Randy Travis.
 
But folks like McCreery know it means more when you’ve seen the other side. For him, each highlight has come in contrast to a challenge – things like the loss of his first record deal and the year of naysaying uncertainty that followed before he built himself up again, brick by brick. As a result, Rise and Fall comes from an artist who knows to appreciate the ride – no matter where it leads.
 
“I feel like we’re on the rise now, but I’ve fallen pretty low as well,” McCreery admits. “I learned from every little part of that, and it helped me to know who I was as a person – let alone an artist. The rises and the falls helped craft these songs. They made this album what it is.”
 
In addition to his No. 1 single “Cab in a Solo” and Friday’s release of “Lonely,” McCreery has also delivered “Red Letter Blueprint,” “Slow Dance,” “Can’t Pass the Bar” and “Love Like This.”

Silver Oak Proprietor/Chairman & CEO David R. Duncan and Scotty McCreery toasting to the No. 1 success of McCreery’s “Cab in a Solo” with a 1998 Silver Oak cabernet sauvignon in a solo cup at the Silver Oak Winery in Napa Valley. | Photo Credit: Evan Roscoe

Tickets for upcoming tour dates are on sale now at ScottyMcCreery.com.
   
About Scotty McCreery
Scotty McCreery has been a household name for nearly half his life, ever since making history in 2011 as both the first country artist and the youngest male artist of any genre to debut his first studio album, the Platinum-certified Clear as Day, at No. 1 on the all-genre Billboard Top 200 Albums chart. With his forthcoming album Rise and Fall set for release May 10, featuring his sixth No. 1 single “Cab in a Solo” and 12 additional tracks, McCreery explores classic themes of heartbreak, rowdy nights, nostalgia, faith, newfound joy, fatherhood, and enduring love, and through it all, felt comfortable being himself, resulting in a project full of electrified twang, rich baritone vocals and insightful storytelling. The 30-year-old has sold more than 4 million albums and achieved 6 No.1 hits: the recent “Cab in a Solo,” the RIAA Platinum-certified “Damn Strait,” the RIAA Gold certified “You Time,” the RIAA Gold certified “In Between,” the RIAA Platinum certified “This is It,” and the RIAA Triple Platinum certified ‘Five More Minutes.” The North Carolina native has earned one Triple Platinum, five Platinum and four Gold singles; one Platinum and two Gold albums; won the 10th season of “American Idol” in 2011 at age 17; was named the ACM New Artist of the Year in 2011; won two CMT Music Awards, the first for Breakthrough Video of the Year (“The Trouble with Girls”) in 2012, and the second for Digital-First Performance of the Year (“It Matters to Her” from “CMT Stages”) in 2024; and BMI Awards for writing One of the Top 50 Country Songs of the Year five times (in 2015 for “See You Tonight,” in 2018 for “Five More Minutes,” in 2019 for “This is It,” in 2021 for “In Between,” and in 2022 for “You Time”). He was awarded Pandora Billionaire status in 2021 in recognition of his music achieving more than one billion streams on Pandora. His song “Five More Minutes” inspired two popular holiday movies which aired on the Hallmark Movies & Mysteries Network: “Five More Minutes” in 2021 and “Five More Minutes: Moments Like These” in 2022. He released his first book Go Big or Go Home: The Journey Toward the Dream in 2016. His most recent album is Same Truck: The Deluxe Album. This fall McCreery was inducted into the North Carolina Music Hall of Fame and last year was invited to become a member of the Grand Ole Opry by Garth Brooks. McCreery was just welcomed into the Opry family on April 20 by his heroes, Josh Turner and Randy Travis. The singer/songwriter married his high school sweetheart Gabi in 2018, and the couple had their first son Avery in October 2022. For more information, visit ScottyMcCreery.com.

Koe Wetzel Sets '9 Lives' for July 19 Release; Introduces 9 Personas

For almost a decade, Koe Wetzel’s name has carried a certain mystique among his dedicated following, a reputation built as a powerful and unpredictable live performer, a genre-disrupter blending country with rock, hip-hop and grunge, and a notorious party animal. Now, he's ready to prove that there’s more to his story with forthcoming album 9 Lives set for release via Columbia Records on July 19 across all digital platforms and physically on Standard Black Cat Black Vinyl, D2C Exclusive Translucent Blue Colored Vinyl and Limited Edition D2C Exclusive Pyro Colored Vinyl. Pre-order / pre-save HERE.
 
Produced predominantly by Gabe Simon (Noah Kahan’s Stick Season) alongside a lineup of trusted collaborators like Josh Serrato, Carrie K and Sam Harris (X Ambassadors), 9 Lives showcases Wetzel’s versatility as a songwriter and his prowess as an interpreter of songs. 
 
Ranging from emotional ballads like “Sweet Dreams” and “Hatchet” to easygoing country singalongs such as “Casamigos” and his take on Keith Gattis’s “Reconsider,” plus songs like “Leigh” that reveal a deep vulnerability beneath their humorous surface, the album features an array of tracks as diverse as the man behind them.
 
“I want fans to know that there's a different side of me, not just the sex, drugs, and rock & roll Koe that they may have heard about online,” Wetzel says. “I've grown up a little bit. I’m no longer the 20-year-old kid that's partying down and getting thrown in jail all the time. 9 Lives reveals a vulnerable side that people may not be used to hearing.”
 
Both out now as an early preview of the album, lead single “Damn Near Normal” sees Wetzel reflecting on his life's choices with candor and humor, while the title track “9 Lives (Black Cat)” arrives with an ominous piano intro an explodes into a chest-thumping declaration of defiance. 
 
Wetzel offered fans a further preview of the album’s multi-faceted narrative with a special trailer released earlier today, introducing nine unique Koe Wetzels as the man praised by Billboard for “music that’s unvarnished and unfiltered” showcased his comedic acting skills. Watch below.
 
The live-phenom also plans to take his new music global this year with his recently announced Damn Near Normal World Tour. Wetzel will also perform prominent sets at several festivals this year, including Rock the Country, Hangout, Country Jam, Country Thunder Wisconsin, WE Fest, Watershed and more, plus a hometown stadium show as he joins Morgan Wallen’s One Night At A Time World Tour in Arlington, Texas this July.
 
For more information on all things Koe Wetzel and to purchase tickets to upcoming shows, visit KoeWetzelMusic.comand follow on Instagram and Facebook @KoeWetzelMusic, TikTok @Koe_Wetzel and Twitter/X @KoeWetzel.

Damn Near Normal World Tour Dates:
July 27             The Woodlands, Texas  ||  Cynthia Woods Pavilion  
Aug. 7              Missoula, Mont.  ||  Big Sky Brewing Company Amphitheater 
Aug. 8              Nampa, Idaho  ||  Ford Idaho Center Amphitheater  
Aug. 9              Sandy, Utah  ||  Sandy Amphitheater  
Aug. 10            Las Vegas, Nev.  ||  The Theater at Virgin Hotel Hotels Las Vegas  
Aug. 15            Minneapolis, Minn.  ||  The Armory  
Aug. 16            Council Bluffs, Iowa  ||  Stir Cove (Harrah’s Casino)  
Aug. 21            Cleveland, Ohio  ||  Jacobs Pavilion  
Aug. 22            Columbus, Ohio  ||  KEMBA Live! Outdoor  
Aug. 23            Pittsburgh, Pa.  ||  Stage AE  
Aug. 24            Washington, D.C.  ||  The Anthem  
Aug. 28            Boston, Mass.  ||  Roadrunner  
Aug. 29            Uncasville, Conn.  ||  Mohegan Sun Arena  
Aug. 30            Atlantic City, N.J.  ||  Hard Rock Live at Etess Arena  
Aug. 31            Reading, Pa.  ||  Santander Arena  
Sept. 4              Charleston, W.V.  ||  Charleston Coliseum  
Sept. 5              Roanoke, Va.  ||  Berglund Center  
Sept. 6              Columbia, S.C.  ||  Colonial Life Arena  
Sept. 7              Cary, N.C.  ||  Koka Booth Amphitheatre  
Sept. 12            Kansas City, Kan.  ||  Azura Amphitheater  
Sept. 13            Camdenton, Mo.  ||  Ozarks Amphitheater  
Sept. 18            St. Louis, Mo.  ||  Chaifetz Arena  
Sept. 20            Huntsville, Ala.  ||  The Orion Amphitheater  
Sept. 21            Macon, Ga.  ||  Atrium Health Amphitheater  
Sept. 25            Alexandria, La.  ||  Rapides Parish Coliseum  
Sept. 26            Tuscaloosa, Ala.  ||  Mercedes-Benz Amphitheater  
Sept. 27            Nashville, Tenn.  ||  Ascend Amphitheater  
Sept. 28            Little Rock, Ark.  ||  First Security Amphitheater  
Oct. 3               Pikeville, Ky.  ||  Appalachian Wireless Arena  
Oct. 4               Indianapolis, Ind.  ||  Everwise Amphitheater at White River State Park  
Oct. 5               Evansville, Ind.  ||  Ford Center  
Oct. 10             Abilene, Texas  ||  Expo Center of Taylor County  
Oct. 11             Lubbock, Texas  ||  Cooks Garage  
Oct. 13             Morrison, Colo.  ||  Red Rocks Amphitheatre  
Oct. 26             Manchester, U.K.  ||  Academy 3
Oct. 27             London, U.K.  ||  The Garage
Oct. 30             Glasgow, U.K.  ||  Oran Mor
Oct. 31             Birmingham, U.K.  ||  Academy 2
Nov. 1              Leeds, U.K.  ||  Brudenell Social Club
Nov.3               Amsterdam, Netherlands  ||  Melkweg (Oude Zaal)
Nov. 5              Hamburg, Germany  ||  Bahnhof Pauli
Nov. 6              Berlin, Germany  ||  Frannz Club
Nov. 7              Cologne, Germany  ||  Club Volta
Nov. 10            Stockholm, Sweden  ||  Nalen
Nov. 11            Oslo, Norway  ||  Rockefeller Music Hall
Nov. 13            Copenhagen, Denmark  ||  Lille Vega
 
Additional Shows:
May 10             Daytona Beach, Fla.  ||  Welcome to Rockville
May 11             Roma, Ga.  ||  Rock The Country
May 18             Gulf Shores, Ala.  ||  Hangout Music Festival
June 21             Grand Junction, Colo.  ||  Country Jam
June 29             Poplar Bluff, Mo.  ||  Rock The Country
July 18             Twin Lakes, Wis.  ||  Country Thunder Wisconsin
July 26             Arlington, Texas  ||  AT&T Stadium (with Morgan Wallen)
July 31             Davenport, Iowa  ||  Mississippi Valley Fair
Aug. 1              Detroit Lakes, Minn.  ||  WE Fest
Aug. 3              Sweet Home, Ore.  ||  Oregon Jamboree Music Festival
Aug. 4              George, Wash.  ||  Watershed Festival
Aug. 17            Wichita, Kan.  ||  Bulls, Bands and Barrels
Sept. 14            Prior, Okla.  ||  Born & Raised
Sept. 19            Louisville, Ky.  ||  Bourbon & Beyond
 
About Koe Wetzel
Koe Wetzel never met a genre wall he couldn’t tear down: The Texas singer-songwriter has earned a rabid audience for his songs that mix country, rock, hip-hop, and even Nineties grunge. His 2016 album Noise Complaint endeared him to fans with its no- holds-barred lyrics about drunken nights, broken hearts and stints in jail, and included the Gold-certified hits “Love” (feat. Parker McCollum), “Something to Talk About” and the infamous “February 28, 2016.” Wetzel’s 2020 major label debut, Sellout, only furthered his legend with the Platinum-certified “Drunk Driving” plus the Gold-certified “Good Die Young” and “Kuntry & Wistern.” The 2022 follow-up, Hell Paso, hit No. 3 on Billboard’s Country Albums and spawned hits on both the country and rock charts, including the Gold-certified “Creeps” and “Cabo.” To date, Wetzel has 2.6 billion total streams and has created a genuine experience with his live concerts, which he describes as “total chaos.” In 2023 alone, he sold more than 275,000 tickets, and appeared for a third time on POLLSTAR’s Top Worldwide Tours. Wetzel will open for Morgan Wallen on the superstar’s One Night at a Time Stadium Tour this July and play prominent sets at festivals like Country Thunder and Watershed this summer, while also headlining his own Damn Near Normal World Tour. His new album, 9 Lives (Columbia), is set for release July 19.

Darius Rucker's 15th Annual 'Darius & Friends' St. Jude Benefit Set for June 3 at Ryman Auditorium

Multi-time Diamond-certified superstar Darius Rucker returns to the historic Ryman Auditorium on Monday, June 3 for his 15th annual “Darius & Friends” concert benefitting St. Jude Children’s Research Hospital®. The event, which unofficially kicks off the week of CMA Fest in downtown Nashville and has raised more than $3.6 million to date, will feature a surprise all-star roster of friends as has become tradition at the annual celebration.
 
Rucker, who was honored as the 2023 CMA Humanitarian of the Year for always prioritizing philanthropic work throughout his career, made a commitment to support St. Jude Children’s Research Hospital nearly two decades ago after taking an inspiring tour of the hospital. Through this meaningful experience, Rucker learned how St. Jude is leading the way the world understands, treats and defeats childhood cancer and other life-threatening diseases.
 
Reflecting on his 2008 visit to the hospital to the Tennessean, Rucker noted, “You see these kids who are sick, and they’re so happy to be there, because their caregivers are so loving and giving to them. And then you find out that nobody ever gets a bill. That blew me away. I was just like, ‘We’ll figure out some way to help you guys as much as I can.’”
 
Now, a decade and a half later, that effort has become an annual tradition. Friends performing with Rucker in past years have included Lauren Alaina, Jason Aldean, Brooks & Dunn, Brothers Osborne, Kane Brown, Luke Bryan, Luke Combs, Sheryl Crow, Vince Gill, Jelly Roll, Charles Kelley of Lady A, Ashley McBryde, A.J. McLean of the Backstreet Boys, Megan Moroney, Brad Paisley, Kenny Rogers and Tommy Thayer of KISS, among many others.
 
Tickets to the 15th annual “Darius & Friends” benefit concert start at $69 with VIP package options up to $249, available via AXS.com. Pre-sale access begins tomorrow, April 30 at 10 a.m. CT, with tickets on sale to the general public this Friday, May 3 at 10 a.m. CT. The event is made possible with support from generous sponsors AMD, CDW and The Law Office of Jennifer McCoy.
 
The announcement of this year’s “Darius & Friends” event adds to an exciting season for the three-time GRAMMY winner, who on Friday released a reimagined duet version of his Carolyn’s Boy album standout “Never Been Over” featuring Jennifer Nettles and on May 28 will release his first book, a memoir titled “Life’s Too Short” that explores the story of his life through the lens of the music that defined it. Rucker also returns to the road with his Hootie & the Blowfish bandmates in May for the Summer Camp with Trucks Tour. Tickets are on sale now HERE.
 
For more information, visit DariusRucker.com and follow on social media @DariusRucker.

About Darius Rucker
Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide including their Double Diamond-certified (21x Platinum) debut Cracked Rear View, which remains among the top 10 best-selling studio albums of all time. Since releasing his first Country album in 2008, Rucker has earned a whole new legion of fans with four No. 1 albums on the Billboard Country chart plus 10 No. 1 singles at Country radio and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was inducted as a Grand Ole Opry member in 2012 and in 2014 he won his third career GRAMMY Award for Best Solo Country Performance with his Diamond-certified (11x Platinum) version of “Wagon Wheel,” one of the top five best-selling Country songs of all time. His brand-new album Carolyn’s Boy is available everywhere now and his first book, a memoir titled “Learn to Live” is set for release via Dey Street Books on May 28.
 
As a lifelong philanthropist, Rucker co-chaired the capital campaign that generated $150 million to help build the new MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C. and has raised over $3.6 million for St. Jude Children's Research Hospital through his annual Darius & Friends benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tenn. Rucker is also an avid sports fan, with his Darius Rucker Collection by Fanatics line of NFL, MLB and NCAA apparel available at Fanatics.com, and he is part of the Music City Baseball investment group working to bring an MLB team to Tennessee in addition to serving as a partner at the MGC Sports & Entertainment agency.  
 
About St. Jude Children’s Research Hospital
St. Jude Children’s Research Hospital is leading the way the world understands, treats and defeats childhood cancer and other life-threatening diseases. Its purpose is clear: Finding cures. Saving children.® It is the only National Cancer Institute-designated Comprehensive Cancer Center devoted solely to children. When St. Jude opened in 1962, childhood cancer was largely considered incurable. Since then, St. Jude has helped push the overall survival rate from 20% to more than 80%, and it won't stop until no child dies from cancer. St. Jude shares the breakthroughs it makes to help doctors and researchers at local hospitals and cancer centers around the world improve the quality of treatment and care for even more children. Because of generous donors, families never receive a bill from St. Jude for treatment, travel, housing or food, so they can focus on helping their child live. Visit St. Jude Inspire to discover powerful St. Jude stories of hope, strength, love and kindness. Support the St. Jude mission by donating at stjude.org, liking St. Jude on Facebook, following St. Jude on Twitter, Instagram, LinkedIn and TikTok, and subscribing to its YouTube channel.

Miranda Lambert Debuts "Wranglers" at Stagecoach; New Music Coming

For Miranda Lambert, who values music above all, her triumphant set at Stagecoach on Saturday night was one big celebration, complete with Reba surprising the crowd for a three-song finale that included "Mama's Broken Heart," "Fancy" and "Gunpowder & Lead." Having wrapped her 48-date Las Vegas residency, the show put her back amongst hardcore fans. It was also the celebration of both her new record deal with Republic Records and getting serious about her Big Loud Texas label.
 
Given Lambert’s penchant for bringing the fans into her newest music, the three-time Grammy winner and most-awarded artist in Academy of Country Music history thought the polo grounds in the California desert was the perfect place to debut her newest creation. Recorded in Austin, Texas with frequent collaborator and co-producer Jon Randall, “Wranglers” is a hard-won freedom song for a woman reckoning with a man who just doesn’t value what he’s got.
 
Written by Audra Mae, who sings on the track, Evan McKeever, and Ryan Carpenter, “Wranglers” opens with a tangle of brittle, incendiary guitars from Jedd Hughes and Ethan Ballinger as ambient organ steam from Austin legend Bukka Allen rises. The rhythm section works a foreboding reality: Rachel Loy’s bass lumbers across Conrad Choucroun’s sticks-on-the-rims drum part and Lambert’s siren’s cry cuts through the mix. Heavy, but not gratuitous, there’s a foreboding to the track that pulls you in, a tension that holds the listener as Lambert half coos, half sings the kind of song that has defined her career, “Hell hath no fury like a woman scorned/ When the knock down drag out’s over/ And Lord knows she took one too many...”
 
When Lambert dropped the Crazy Horse-evoking track on the sold-out Saturday night Stagecoach crowd, the yowls and howls were pronounced as the entire crowd swayed. Fists in the air, it may have been unfamiliar, but they were hanging on every word and riding the drama like any of Lambert’s taking care of business anthems.
 
“‘Wranglers’ is a classic tale of a woman taking her power back,” Lambert says of the sizzling post-Outlaw classic. “I think we can all identify with the character in this song, because we have all had a time in our life where we needed to find our strength, and also get a little revenge on someone who did us wrong or hurt us. This offers such a cool, raging take on how something like this unravels. I think the songwriters nailed it. 
 
“I am so proud to sing it. It feels like it could have been on the same record as ‘Gunpowder & Lead’ in a lot of ways. Hell hath no fury like a woman scorned is a pretty powerful statement, and the way it’s written, you can tell, we’re not kidding.”
 
For Lambert, who's spent the last few years stretching her creative muscles with the Wanda June Home line, the New York Times’ best-seller "Y'all Eat Yet?", her Vegas residency and launching a new label dedicated to protecting young talent from her home state from the over-homogenization of major label life, “Wranglers” in some ways represents burning down the past and making a run for all things you truly want. Certainly making music in new ways, including taking her high octane kick-ass country back to Texas to capture that energy on the recording studio floor.
 
“People don’t always know what it is, they just know they want some more,” she marvels. “It’s not that it’s so fancy or top secret, because it’s about as basic as you get. But that’s the magic: to strip things down like this and still create something new? Less is more, but it forces you to turn up the truth. So, get ready.”
 
“Wranglers” is available everywhere May 3. 

Cold Years release third album ‘A Different Life’

Following on from “Paradise,” a politically charged look at life in their hometown of Aberdeen, and 2022’s soaring follow up “Goodbye To Misery,” Cold Years return in 2024 with their most triumphant record yet, ‘ A Different Life,' an album manages to make sense of a world that’s lost most of it.

‘A Different Life ’ features singles “Roll With It”, a song that boasts one of the most infectious choruses rock music has heard in recent years, “Radio”, a joyously melancholy track about leaving the small town you grew up in, “Choke” an incisive invective about the current political state of the UK plus choice album cuts incl. “Sick”, an epic power ballad that focuses on Gordon’s troubles with insomnia and the negative thoughts about himself that arise from it, “Low” a moody rocker that gives any Green Day song on American Idiot a run for its money & more.

“This is the first time I’ve ever come out of a studio able to listen to the tracks, where—and I say this 100% with conviction—we went in and did everything we wanted to do and more,” says Gordon. “I’ve always come out feeling like we could have done something better or different. But this album changed the game for all of us as a band. We tried to make things a little different. That happened naturally, and it’s the most musical experience I’ve ever had”

Recorded at The Barber Shop Studios, New Jersey by producer Brett Romnes ( Hot Mulligan, Boston Manor, Heart Attack Man, Brand New ) & mastered by Rogue Planet Mastering ( Against The Current, A Day To Remember, The Bronx ), ‘A Different Life’ is packed with songs that are both intensely personal and universally relatable.

Cold Years - A Different Life Splatter Vinyl

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New England Metal and Hardcore Fest Announces Year of the Knife's Much Anticipated Return to the Stage

NEW ENGLAND METAL & HARDCORE FEST ANNOUNCES YEAR OF THE KNIFE'S MUCH ANTICIPATED RETURN TO THE STAGE!

PERFORMANCE WILL MARK BAND'S FIRST LIVE APPEARANCE SINCE 2023 VAN ACCIDENT

THIS YEAR'S EVENT SET FOR SEPTEMBER 21 + 22

LEGENDARY FESTIVAL RETURNED TO THE WORCESTER PALLADIUM LAST YEAR

THIS YEAR'S LINEUP INCLUDES KILLSWITCH ENGAGE, CONVERGE, MACHINE HEAD, NAILS, + MANY MORE

New England Metal & Hardcore Fest launched back in 1999 and took place at the famed Palladium in Worcester through 2018. It was often held over two or three days, with multiple stages and top-tier acts like Megadeth, Manowar, DragonForce, Opeth, Between the Buried & Me, Meshuggah, Killswitch Engage, Suicidal Tendencies, Anthrax, and more appearing through the years. It was always a "who's who" of the metal and hardcore scene and was a "not to be missed" event each Spring.

It took a brief break after 2018 but returned to much fanfare in 2023 with Parkway Drive, Lamb of God, Hatebreed, and more. 

The 2024 edition has been announced and the lineup is stacked. It features literally every single band you'd want to see at a metal and hardcore festival.

It also marks Year of the Knife's much anticipated first show back, after the band survived a horrific van accident in 2023.

"We're highly anticipating our debut at the New England Metal and Hardcore Festival," the band says. "It's a great first step for what will be total global domination. We're thankful for the fest and our fans. We'll be sure to make this show special."

The two-day extravaganza will take place on September 21 and 22 at the Palladium. NEM&HCF faves Killswitch Engage will be playing a special 25th anniversary show and will headline the first night. Slaughter to Prevail will headline the second night. 

VIP tickets are available here.

LINEUP
HEADLINERS:
Killswitch Engage — 25th Anniversary Show (SATURDAY)
Slaughter to Prevail (SUNDAY)

IN ALPHABETICAL ORDER, WITH MORE TBA:
200 Stab Wounds
After The Burial
Alluvial
As I Lay Dying
Balmora
Bane
Better Lovers
Brand Of Sacrifice 
Brat
Converge
Corpse Pile
Death Before Dishonor
Disembodied Tyrant
Ends of Sanity
Fleshgod Apocalypse
Full of Hell
Incendiary
Integrity
Jarhead Fertilizer
Life Cycles 
Machine Head
Mammoth Grinder
Missing Link
Mouth For War
Nails
No Cure
On Broken Wings
Overkill
Pain of Truth
Psycho Frame
Shadow of Intent
Simulakra
Since The Flood
Suicidal Tendencies
Suicide Silence
The Red Chord
The Zenith Passage
Throwdown
Trail Of Lies
Tribal Gaze
Two Piece
Upon Stone
With Honor