PROFANATICA Announces Additional Dates for February Headlining U.S. Tour

USBM legends PROFANATICA will embarking on an East Coast U.S. headlining tour in early 2024, with support from NUNSLAUGHTER + TOMBS! The band is now revealing additional shows, which now includes stops in Greensboro, NC and Orlando, FL. The trek will kick off on February 13 in Providence, RI and will conclude on March 3 in Brooklyn, NY. The full itinerary can be found below while tickets can be found at THIS LOCATION.

The band will also be appearing on the 2024 edition of Milwaukee Metal Fest on Friday, May 17, in which the current lineup and tickets can be found HERE.

PROFANATICA is supporting its new full-length, 'Crux Simplex,' which was released on September 22, 2023 via Season of Mist. The record can be streamed, downloaded, and orderedHERE.

PROFANATICA U.S. TOUR 2024 (w/ NUNSLAUGHTER + TOMBS):

02/13: Providence, RI @ Alchemy

02/14: Bensalem, PA @ Broken Goblet

02/15: Baltimore, MD @ Metro Gallery

02/16: Chesapeake, VA @ Riff House

02/17: Greensboro, NC @ The Pour House

02/18: Piedmont, SC @ Tribbles

02/20: Orlando, FL @ Conduit

02/21: Pompano Beach, FL @ Pipers

02/22: Cape Coral, FL @ Nice Guys

02/24/: Atlanta, GA @ Drunken Unicorn

02/25: Louisville, KY @ Portal

02/26: Detroit, MI @ Sanctuary

02/27: Pittsburgh, PA @ Preserving Underground

02/28: Ottawa, ON @ Brass Monkey

02/29: Quebec City, QC @ L'Anti

03/01: Montreal, QC @ Piranha Bar

03/02: Boston, MA @ Sonia

03/03: Brooklyn, NY @ Market Hotel

03/17: Milwaukee, WI @ Milwaukee Metal Fest*

*Profanatica only

PROFANATICA are at the vanguard of the first wave of American black metal. Founded and led by infamous master of black perversion Paul Ledney (drums/vocals), they have purveyed primeval blasphemy for nigh on thirty-three years.

Ledney formed the band from the ashes of the first INCANTATION lineup when he split and took with him all of the members sans John McEntee. That early trio of ex-INCANTATION members reeled off three ground-breaking demos of some of the most extreme and blasphemic metal of its time in rapid succession. The band flyers that permeated the tape-trading circuit were no less shocking and featured the trio bloody and naked and in the throes of what was most certainly a primeval summoning of some kind. In short order, they had inked a deal with the fledgling Osmose Productions for what became one of that labels first releases (Osmose release #5); a legendary split with Colombia's MASACRE.

Something so volatile could only last briefly, and after another brief recording session the band collapsed under the weight of its own extremity. but the recordings made in this two year window went on to see dozens of reissues in the coming decades, in a testament to how formidable and formative they are to the black metal scene worldwide.

After almost fifteen years spent with his equally polarizing solo project HAVOHEJ, Ledney reignited the flames of PROFANATICA in 2006. Reemerging with a new deal from Hells Headbangers, Ledney and his new band released 'The Enemy of Virtue', a collection of that vaunted early material, and a new fulllength, 'Profanatitas de Domonatia'. A triumphant return, 'Profanatitas de Domonatia' picked up right where these Kings of US Black Metal left off, delivering a savage stream of chainsaw guitars and relentless battery upon which they desecrated everything sacred.

This set-in motion another frenetic burst of work for PROFANATICA. The next decade saw them

unleash four new full-length albums of blasphemous perversions, sacrilegious incantations, and furious black metal. In addition, the band issued six mini-albums and EP's, a full DVD of early footage, and began touring internationally in Europe and in Central and South America. For the first time PROFANATICA were appearing near or at the top of the bill at festivals like Maryland Death Fest, Messe Des Mortes, Hells Headbash, Prague Death Mass (Czech Republic), Chaos Descends (Germany), Black Sun (Spain), Tyrant Fest (France), SWR Fest (Portugal) and many more.

In fall 2018, PROFANATICA joined forces with Season of Mist and undertook their biggest tour to date supporting WATAIN and ROTTING CHRIST across Europe. And a year later, the trio vomited forth a most vulgar strain of black metal ejaculate with their SoM debut album 'Rottng Incarnation of God.'

The band embarked on an extensive twelve-country European headline tour in the album's wake. Shortly after returning home that winter, the world ground to a halt in 2020. Save a live-streaming concert production for the legendary Rock al Parque in conjuncton with BATUSHKA, little was heard from PROFANATICA.

That is until spring 2023, when PROFANATICA emerged from their den of iniquity on a European headline tour to promote a new album. 'Crux Simplex' is a ten-track offensive of sin and sacrilege, a nasty affront that bastardizes the first 10 stations of the cross. As per their legacy, PROFANATICA deals in bestial, first-wave black metal barbarity, and their eighth album unveils ungodly levels of bile and blasphemy. 

Live Lineup:

Mayhemic Slaughter of the Heavens – Drums / Vocals

Destroyer of Holy Hymen – Guitar

The True Perversion of the Heavenly Father – Bass 

Follow Profanatica here:

Bandcamp

Facebook

Spotify

Apple Music

ENSLAVED | announce 'Heimdal (Deluxe)' digital album + release single/visualizer 'Gangandi'

One year ago, Norway's trailblazing cosmic voyagers, Enslaved, released their latest avant-garde creation titled Heimdal. To commemorate the studio album's first year of existence, the band are proud to announce the Heimdal (Deluxe) digital album, set to be released on March 1st 2024 via Nuclear Blast Records.

Heimdal (Deluxe) will include the studio album in full, as well as bonus track 'Gangandi', alternative versions of two album tracks 'Congelia' and 'Forest Dweller', both featuring sublime performances from renowned cellist Jo Quail, plus the entirety of 'The Otherworldly Big Band Experience' - Enslaved's stunning 2022 streaming event featuring fellow psychedelic Norwegian prog band Shaman Elephant.

Today, the band have released their deeply mesmerising track 'Gangandi' as a preview to the deluxe digital album, which is accompanied by a visualizer.

Vocalist/bassist Grutle Kjellson commented,

"Gangandi was the last song we made before the recording sessions for Heimdal took place. I remember Ivar driving down to my place from Bergen on a Friday night to play a demo for a new song for me, and I went like, "Daaaaamn, this is something else!" I absolutely loved it, but at the same time, I sensed that it was a little bit to the left of the rest of the material. When I started to figure out what to sing over it, I ended up writing a poem in cross rhyme in archaic western Norwegian, which even separated the whole effort even further away from the rest of the material.

So, ultimately, we ended up not including it on the album, other than as a bonus track on the most “exclusive” and limited vinyl versions.

That said, that doesn’t mean that we don’t enjoy the song! Quite the contrary! We love this odd little hybrid of folk rock, early Mayhem, and King Crimson! It just ended up being the weird cousin of the rest of the songs. Kind of like Enslaved itself as a matter of fact."

PRE-SAVE HEIMDAL (DELUXE): https://enslaved.bfan.link/heimdal-deluxe.ema
LISTEN TO TRACK 'GANGANDI': https://enslaved.bfan.link/gangandi.ema
WATCH THE 'GANGANDI' VISUALIZER below.

Enslaved's latest studio album Heimdal (released March 2023) is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. It's a record that points towards new beginnings, and a dawn that’s on the other side of the apex of the land. A psychedelic journey through arcane Norse folklore, connecting with one's ancient ancestors and our future selves.

'The Otherworldly Big Band Experience' was an Enslaved show like none other, their biggest, boldest project to date - a colossal, kaleidoscopic stage show featuring a stellar setlist covering their career, both past and present. Including some tracks never previously performed live. 

Enslaved will be touring the UK and Europe in March 2024. The 16-date run will take the band across 10 different countries, with support coming from British post-hardcore quartet Svalbard and US metallers Wayfarer.

Tickets are on-sale now from https://enslaved.no/

Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene's indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.

Enslaved are a band in stellar form - a band at its most existentialist and self-conscious, proud Bergeners bearing the torch of their hometown’s extraordinary musical history. Their most recent material shows Enslaved at their most unleashed and thought-through - a lethal combination unfurling a potential that’s easily rekindling the furor of their early works while dancing gracefully through their most ambitious, most haunting and most musical tunes yet. A contradiction? Life itself is a contradiction. And yet we all live to prove it wrong.

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards, clean vocals
Iver Sandøy | drums

ANCIIENTS Re-record Old Favorite with New Lineup

Since winning a coveted JUNO for their last album in 2018, Anciients have been whittling away at their  follow-up. That album is done now and will be released later this year. But before the hard-rocking Canucks come down from the mountain with a new set of genre-breaking commandments for the psychedelic masses, they're flexing their new lineup with a re-recorded version of a proven fan favorite.    

Watch the visualizer for "Raise the Sun (Re-recording)" below, (Created by Scott Rudd Film). 

Anciients first came into existence back in 2011, though Kenny Cook (vocals, guitar), Chris Dyck (guitar) and Aaron "Boon" Gustafson (bass) had already played in a band together. Their potent chemistry, joined with drummer Mike Hannay, spilled over into Heart of Oak, which landed the band an opening slot on tour with Lamb of God, as well as on the long list for a JUNO and the 2013 Polaris Music Prize.

After their second album, Voice of the Void, won a JUNO in 2018 for Metal/Hard Music Album of the Year, Anciients underwent several line-up changes. They're now joined by bassist Rory O'Brien and Brock MacInnes on rhythm guitar. You can hear the full brunt of their twin force on this re-recorded version of "Raise the Sun". The riffs sizzle with more than enough righteous fury to burn rubber, while the low end casts a thunderous shadow.   

"With the 10th anniversary of ‘Heart of Oak’ happening while we were recording our new record, we decided to re-record a couple songs with our current lineup", says Cook. "It was a trip down memory lane working on this song, a decade later, with producer Jesse Gander at the helm again. We hope you enjoy the sound of this new version of 'Raise the Sun'." 

Anciients' new album will come out later this year.

More praise for Anciients and "Raise the Sun".

"Initially keys on Fleet Foxes before leaping into a verse so sticky and warm that ASG or Torche might like to have it back" - Pitchfork.        

"Parts progressive finesse, classic rock grandstanding and grass-roots bludgeon" - PopMatters 
 
"Heady stuff...arch-synthesists, cleverly appropriating a number of familiar, inter-related genres to fuse into a seamless ethos" - Metal Injection

"Proggy, sludgy and downright rocking" - Angry Metal Guy

Lineup
Kenny Cook (vocals, guitar)
Mike Hannay (drums) 
Brock MacInnes (rhythm guitar)
Rory O'Brien (bass)

Production
Produced and mixed by Jesse Gander at RainCity Recorders in Vancouver, BC.
Mastered by Stu Mckillop at RainCity Mastering in Vancouver, BC.

Stream: https://linktr.ee/anciients
Order merch:  https://shop.season-of-mist.com/band/anciients

Follow Anciients
https://www.facebook.com/ANCIIENTSRIFFS
https://www.instagram.com/anciients/
https://twitter.com/ANCIIENTS
https://www.youtube.com/user/ANCIIENTS
https://music.apple.com/us/artist/anciients/603538280
https://open.spotify.com/artist/3YQOcYukzO6U1MjFcavDUE?si=4QWahfZxQjOmAI7nYrav6g&nd=1&dlsi=0142e5e62ae54105

Solid State/Tooth & Nail Records Welcome Acres to the Roster; Band Shares "A Different Shade of Misery" Video

STREAM "A DIFFERENT SHADE OF MISERY"

SOLID STATE/TOOTH & NAIL RECORDS WELCOME UK BAND ACRES TO THE ROSTER

TOURING WITH HOLDING ABSENCE, CAPSTAN, + CASEY THIS WINTER

SOLID STATE + TOOTH & NAIL RECORDS are pleased to welcome UK band ACRES to the roster. 

The band has shared the video for the new single "A Different Shade Of Misery," which was produced by Landon Tewers of The Plot in You. Watch it below. 

The song mixes equal parts brutality and melody, making for quite a thrilling listen.

"Lyrically this song is about regaining control of yourself and confronting your demons," says vocalist Ben Lumber. "I wrote this when I was at a really low point and I'd often sit there thinking, 'Man, you need to snap out of this.' At one point, I felt like my own worst enemy and I was fighting a war inside my own head. It's a really special song because, musically, it's a new direction and the start of a new era for our band. We've always aimed to reinvent ourselves with every release and this was one of those songs that just naturally came to us."

Acres are touring this winter in support of Holding Absence along with Capstan and Casey. All dates are below.

Following the success of 2019's Lonely World, a record that harnessed melody and melancholy, Acres found themselves playing the biggest shows of their career so far and achieving things they had only previously dreamt about. But when the world around them suddenly felt so uncertain, they had a choice to make of what they should do next. Instead of rushing out with something that they didn't fully believe, they locked themselves away and painstakingly created something that not only represented where they had been but also where they wanted to end up. The result was Burning Throne, a perfectly crafted account of what it means to stare into your own oblivion and learn about who you really are from it.

ACRES ON TOUR:
WITH HOLDING ABSENCE, CAPSTAN, + CASEY:
1/16 — Seattle, WA, US — Neumos
1/17 — Portland, OR, US — Hawthorne Theatre
1/19 — Roseville, CA, US — Goldfield Trading Post - Roseville
1/20 — Los Angeles (LA), CA, US — Echoplex
1/21 — Anaheim, CA, US — Chain Reaction
1/23 — Mesa, AZ, US — The Nile
1/24 — Albuquerque, NM, US — Launchpad
1/26 — Denver, CO, US — Marquis Theater
1/27 — Lawrence, KS, US — The Granada (half house)
1/28 — Dallas, TX, US — South Side Music Hall
1/30 — San Antonio, TX, US — Rock Box San Antonio
1/31 — Houston, TX, US — RISE Rooftop
2/2 — Tampa, FL, US — The Orpheum
2/3 — Atlanta, GA, US — The Masquerade - Hell
2/4 — Nashville, TN, US — The Basement East
2/6 — Lakewood, OH, US — Mahall's
2/7 — Chicago, IL, US — Bottom Lounge
2/9 — Detroit, MI, US — The Shelter
2/10 — Toronto, ON, Canada — Velvet Underground Toronto
2/11 — Montreal, QC, Canada — Le Studio TD
2/13 — Baltimore, MD, US — Baltimore Soundstage
2/14 — New York (NYC), NY, US — Gramercy Theatre
2/16 — Philadelphia, PA, US — The Foundry
2/17 — Worcester, MA, US — The Palladium

PHOTO CREDIT:  glkmedia (@glk.media)

Kenny's Connective Tissue Starts 2024

As Kenny Chesney gears up for a massive summer tour with 23 major stadium plays, he’s also getting his head right for the focus needed to deliver his intensely high energy shows. That commitment to his fans and music made the perfect reason to join his good friend, as well as acclaimed actor John C. McGinley’s groundbreaking Connective Tissue podcast.
 
“I don’t know anybody smarter than John C.,” Chesney says of his first media appearance of 2024. “He is a thinker, a dreamer, but also someone who believes in the power of preparation and story in creating a life that really matters. I knew talking to him would go to places that really matter, and we did.”
 
From the power and process of flow, the work that goes into being ready, the role of gratitude and the reality of being smart in achieving success, the two men went to more thoughtful places than most modern media. Unguarded, personal and sifting through the white noise that surrounds success, the man known for pivotal roles in “Scrubs,” “Platoon” and “Office Space” created what is almost a late-night philosophical conversation between old friends.
 
“My favorite quote in the Kenny episode is Ernest Hemingway saying, ‘Just because it happened to you, that doesn’t make it interesting’,” McGinley says. “The subjective part is what’s hard, the thing that makes it matter – and that’s where Kenny excels. You’ve got a couple gems that I’ve never heard him talk about; for those who’ve seen him a couple of times, who hear their life in his songs, now they have insight into him for what is basically a 30-minute investment of time.”
 
Built around McGinley’s affinity for storytelling, storytellers, current events, conflicts and kindness, Connective Tissue is meant to mine the connections between those things to create a space for different perspectives and critical thinking. Whether world class businessmen, Oscar-winning screenwriters, creatives from film, music, the arts or hybrids, Connective Tissue seeks the heart of what drives and inspires his guests’ lives, commitment to excellence and success.
 
“There’s a fascination with exploring these things,” McGinley explains. “Whether it’s a real estate guy getting you to spend 20 million on dirt, a director whose worked with some of the biggest stars or Kenny, it’s the stories they tell that draw people to them. These are all people who’re erudite, who are reluctant to talk about themselves, having conversations people rarely get to hear. I’ve kept them to 30-40 minutes, but you’ll learn things you won’t anywhere else. With Kenny, when we leaned into the wisdom of living in gratitude, we really had a stunning conversation, and I can’t think of ever hearing Kenny having a conversation like this.”
 
With a friendship spanning more than a decade, both men share a work ethic and desire to create performances that will endure, including McGinley’s inspired professorial monologue that opened Chesney’s “Rich & Miserable” video. Across different disciplines, McGinley mines the places where excellence emerges, is fought for and empowered, as well as the doubts and pitfalls that all those who excel must meet and overcome.
 
“These are the kinds of life-defining conversations we’ve had over the years,” Chesney says. “It was cool to sit down for Johnny’s podcast and go to places that matter. Hopefully somebody listening can find some inspiration for chasing their own dreams. I sure hope so.”

About Connective Tissue with John C. McGinley
Multi-dimensional creative force John C. McGinley has created a space where storytelling and storytellers, current events, conflicts, creativity and kindness come together at the same table to find the connective tissue between them. A safe space for critical thinking, McGinley and his guests explore different perspectives in the kind of candid conversations listeners will not hear in normal interviews. With guests ranging from Academy Award winning screenwriters, directors and actors to global business forces, massively successful musicians, supermodels, real estate visionaries and other thought leaders across myriad disciplines, McGinley looks for common ground, life lessons, inspiration and the realities that must be faced to achieve next level success. Available bi-weekly on: Apple podcasts, Spotify, iHeart Radio, Google podcasts, Pandora, Libsyn, Amazon Music and Audible.
 
About John C. McGinley
John C. McGinley is an acclaimed actor, author, producer, pitchman, sports fan and activist. Known for dynamic roles in “Scrubs,” “Office Space,” “Platoon,” “The Rock,” “Wall Street,” “Burn Notice” and Glengarry Glen Ross on Broadway, McGinley’s career has been defined by bold risks and deeply committed performances. With both gravitas and humor, his work has an indelible masculinity. In addition to being a board member for the Global Down Syndrome Foundation, McGinley is a Global Ambassador for the Special Olympics.

HOLY WARS Unveil Powerful Music Video for “TENSION//RELEASE”

Los Angeles, CA – Sonic shapeshifters, Holy Wars, have released a poignant new music video directed by Arden Fisher for “TENSION//RELEASE” today. The brand new visual accompanies the powerfully visceral final track from their late 2023 EP, 'Cult Classic' and provides a visual embodiment of the suffocating emotional push and pull of coping with grief. 

Watch the video for “TENSION//RELEASE” below and stream the full ‘Cult Classic’ EP HERE. Catch the band speaking about the new track and the ‘Cult Classic’ EP on the ‘Getting To Know You’ segment of this week’s Radio 1 Rock Show with Daniel P. Carter HERE. 

“TENSION//RELEASE” highlights the band’s versatility and dynamism when it comes to shifting sonic gears. Nick Perez’s riff lays the soundscape for frontwoman Kat Leon's deeply personal, evocative lyrics and ferocious, powerhouse vocal delivery that perfectly encapsulates the song’s theme. Speaking on it’s creation, Kat shares

“This song is a special one to me. I wanted to close the EP with a slower feel to add some weight and depth to this wild ride of ‘Cult Classic’. “TENSION//RELEASE” brings it back to the beginning of our band when I wrote about grief and life after the death of my parents. It is a representation of where I am now and how grief never goes away but transforms. Mine has been the source of my momentum, keeping me running on a hamster wheel to distract from looking at this void. It puts a spotlight on the push and pull of depression and anxiety.“

“Sonically this song came together pretty fast, the vocal recordings were from the first day we wrote it. There was a rawness to it that we felt we could never match if we were to re-record it, so we kept it honest and raw.”

ABOUT HOLY WARS

​​Los Angeles based duo Holy Wars, comprised of Kat Leon (Vocals) and Nick Perez (Guitars/Production), have a unique and constantly evolving sound that fuses an infectious medley of genres, packed with attitude and lyrical finesse. Following their signing to Pale Chord via Rise Records in 2023, Holy Wars ushered in a new era of ambitious music, starting with the release of their 'Cult Classic' EP (out now). The duo's boundary-breaking, DIY approach has already yielded an impressive 10 million global streams and 700,000 YouTube views across their total catalogue. 

Recorded music aside, Holy Wars’ live shows are an electrifying breeding ground that converts any first timer to a lifelong fan. Holy Wars take every opportunity to feed off the energy of the crowd and use it to amplify Leon’s charismatic and fearless stage presence which has since allowed them to win over a wide range of audiences. It is no surprise that the band’s high-intensity live performances have led the group to share the stage alongside legendary groups such as Coheed and Cambria, Alkaline Trio, and Papa Roach and to the next generation of up and coming rock artists including The Warning and Scene Queen.

Holy Wars hit the festival circuit for the first time last year, gracing the main stages at Welcome To Rockville, Sonic Temple and Louder Than Life, laying waste to the DWP Presents stage at Aftershock and gaining hordes of new fans at So What?! and Furnace Fest.

Find Holy Wars Online

www.holywarsmusic.com

ICONIC GUITARIST RIK EMMETT RELEASES DEFINITIVE HITS COLLECTION INCLUDING TWO UNRELEASED SONGS

Canadian label Music In Motion Ent is releasing Diamonds – The Best of the Hard Rock Years 1990 – 1995, a brand new compilation featuring iconic guitarist Rik Emmett's hand picked rock tracks from his three Duke Street releases, Absolutely, Ipso Facto and The Spiral Notebook plus two previously unheard songs.

Remastered with the most up to date technology at Iguana Studios in Toronto ON, Diamonds provides Rik Emmett fans with a new listening experience. The Diamonds cover art features the work of renowned photographer Andrew MacNaughtan. International retail date is set for March 1, 2024 through Music In Motion Ent (Canada) and Deko Entertainment (ADA/WMG).

A signed Deluxe Edition of 400 collector sets is NOW AVAILABLE for pre-sale on Rik Emmett’s webstore through RockPaperMerch.com. A limited number of hand signed editions will also be available through the Deko Entertainment webstore.

The Deluxe Edition is designed with an album gatefold that includes both the CD (with bonus tracks) and LP (on 180g heavyweight marble space effect vinyl). Exclusives include: copies of handwritten lyric sheets, a photo set of never-before-seen images, guitar picks from each album, a lenticular holographic poster of the cover art, a gold embossed lithograph of the album cover hand signed by Rik, and a custom felt Diamonds vinyl slipmat.

The Deluxe Edition also touts two new previously unheard Rik Emmett original tracks (from the Absolutely and Ipso Facto demo sessions) that will not appear on the retail versions and will not be available on streaming platforms. The two new tracks will premiere in an exclusive online video stream in late January where Rik will preview the Deluxe Edition and tell stories of his Triumph and solo years from his Lay It On The Line biography. All purchasers of the Deluxe Edition will receive a private link to this stream. In addition, all purchases before January 31, 2023 will be entered into a draw to win Rik’s personal signed test pressing of Diamonds!

New music video from Lord Dying!

Portland, Oregon-based progressive sludge metal outfit LORD DYING today unleashes their monolithic new single, “The Universe Is Weeping,” alongside its accompanying video. the track comes by way of the band’s new studio album, Clandestine Transcendence, set for official release January 19th, 2024.

Notes Olson on single “The Universe Is Weeping,” We are very psyched to premiere the opening track and video for ‘The Universe Is Weeping’ off our upcoming album.    This song picks up directly where our previous album leaves off.  Post death.  Blazing beyond the cosmos and outside the realms of consciousness.  Total dissolution of the self.  Into Clandestine Transcendence.”

Adds Maucere, who directed and produced the video, “When asked to direct the video for ‘The Universe Is Weeping,’ I couldn’t help but tackle the concept of the Cosmic Calendar. For instance, the Universe’s birthdate is January 1st. Life on earth = Sept 30th. Human history is Dec 31st at 23:59:57. We consume everything in our path as our sources of energy, some of which have been on earth for over 600 million years. If the past can tell us anything about life, a new life form could come along one day that decides that they can house us, raise us, and overfeed us to become their most preferred source of energy. Or we could just destroy each other before that day may come, which seems more likely to me.”

On Clandestine Transcendence, LORD DYING co-founders Erik Olson (guitar, vocals) and Chris Evans (guitar) are joined by Alyssa Maucere (former bassist for Eight Bells) and Kevin Swartz (current drummer of Tithe). Produced by Converge guitarist Kurt Ballou (High On Fire, Code Orange, Kvelertak) at his God City Studios, the twelve-track offering steps even further into the great unknown, filled with riffs and vibes.

Clandestine Transcendence picks up where 2019’s critically championed Mysterium Tremendum left off.  Latin for “awe-inspiring mystery” or “terrible mystery” depending on one’s view of existence, Mysterium Tremendum began a narrative centered on a central character the band calls The Dreamer. Olson describes The Dreamer as an immortal being who wants to die. On Clandestine Transcendence, part two of a planned trilogy, he gets that wish. “This one is about what happens beyond death,” the frontman explains.
 

Clandestine Transcendence will be released on January 19th, 2024 via MNRK Heavy on CD, LP, and digital formats.

Lord Dying Clandestine Transcendence Color In Color Vinyl

PRE-ORDER

Lord Dying Clandestine Transcendence CD

PRE-ORDER

Lord Dying - I Am Nothing, I Am Everything T-Shirt

PRE-ORDER

Jagwar Twin Brings Wonka-Inspired Anthem “Bad Feeling (Oompa Loompa)” To Life

Deemed by many as the unofficial anthem of the "Wonka" soundtrack, Jagwar Twin has officially entered the new year with a lyric video for the massive hit, "Bad Feeling (Oompa Loompa)". Weaving together candy-coated harmonies and whimsical instrumentals, the track epitomizes Jagwar Twin's distinctive musical prowess that effortlessly balances nostalgia and fresh innovation. Fans can watch the brand-new lyric video below.

With over 40 million views across TikTok and 8 million streams in less than a month, Jagwar Twin's latest electrifying single has taken the digital music scene by storm, achieving remarkable success on TikTok and playlists alike. The track's infectious beats and catchy lyrics have sparked various viral trends on TikTok, where users from around the globe have embraced the song with over 150K user-created videos using the track, securing Jagwar Twin a spot on TikTok's Viral 50 Chart. Simultaneously, "Bad Feeling (Oompa Loompa)" has found its place on influential playlists across streaming platforms, including the coveted covers of not only Spotify’s The New Alt and Limelight, but Amazon Music's DV8. This dual triumph highlights Jagwar Twin's innate ability to connect with diverse audiences and solidifies the track as a dynamic force in the contemporary music landscape.

Coinciding with the release of Paul King's "Wonka", “Bad Feeling (Oompa Loompa)” features an interpolation of “Oompa Loompa", marking a rare approval from the original film's composers. Delving into the world of Willy Wonka, Jagwar Twin brings a new life and twist to the classic "Oompa Loompa" chorus, while also modernizing it. Co-written by Sean Van Vleet (All Time Low, PVRIS) and Ryan Daly (Dove Cameron, John Legend), "Bad Feeling (Oompa Loompa)", exemplifies the magic of modern visionaries reimagining the timeless charm of musical classics.

Previously speaking on the release, Jagwar Twin shares:

"Every one of us holds a golden ticket in our hand, but our ability to receive the keys to the kingdom relies on our ability to trust ourselves and to tell the truth. "Bad Feeling" is a chocolate covered reminder to trust your gut."

"Bad Feeling (Oompa Loompa)" is similar in style to his previous release, “Good Time (1:08)”, which peaked Top 20 at Mexico radio, and stand out track “Happy Face.” With an impressive 425+ million catalog streams and 2.5 million monthly listeners on Spotify, Jagwar Twin stands out as a dynamic force challenging the status quo of the alternative music scene. His genre-defying artistry has captivated audiences through the seamless blend of rhythmic accordion hooks, melodic children’s choirs, and gritty breakbeats, accompanied by profoundly introspective, almost cryptic lyrics.

Jagwar Twin's previous album, 33, channeled the magnetic showmanship of Ziggy Stardust-era David Bowie and Bad-era Michael Jackson, all while unapologetically embracing authenticity and vulnerability. Fueled by chart-toppers like "It's Your Time," "I Like To Party," "Down To You," and "Happy Face," Jagwar Twin serves as a powerful catalyst. His innovative style urges listeners to embrace their true selves, recognize their self-worth, and place trust in their individuality. 

ABOUT JAGWAR TWIN

Emerging out of the suburbs of Orange County, Jagwar Twin creates worlds steeped in lore with his own genre of alternative rock: accordion hooks, children’s choirs, and gritty breakbeats paired with deeply thoughtful, almost hieroglyphic lyrics. Jagwar Twin’s music explores light and dark, good and evil, and the war within himself and each of his cult-like followers.

Photo Credit - Ryan Fleming

GATES TO HELL | SIGN TO NUCLEAR BLAST + RELEASE MUSIC VIDEO FOR NEW SINGLE 'RESURRECTED'

Since its inception, Louisville's GATES TO HELL has fused the finest elements from both metal and hardcore, highlighting fast metal riffs with heavy hardcore and deathcore breakdowns written in a manner unexplored within the Kentucky music scene. The last year saw the band playing nearly 150 shows in 11 different countries supporting the likes of DYING FETUS, THE BLACK DAHLIA MURDER, THE ACACIA STRAIN, DESPISED ICON, SANGUISUGABOGG, BODYSNATCHER, KRUELTY, and DYING WISH on various tours across the US, Canada and Europe. 

Continuing this momentum with no sign of slowing down, the band is ushering in 2024 with a new home at Nuclear Blast Records, a pummeling new single, and heading on the road with labelmates MACHINE HEAD and FEAR FACTORY.

GATES TO HELL's guitarist Seth Lewis states, “I was a kid who loved metal from a very young age and I was constantly buying CDs of my favorite bands. Over time, I saw how many of those bands' CDs had the Nuclear Blast logo on the back. It’s a very unreal feeling to be working with them now with Gates to Hell. Very excited for what the future holds.”

Nuclear Blast American Label Manager & A&R Tommy Jones comments, "After a tip-off from my buddy Scott Lee, I first entered the Gates to Hell at the Milwaukee Metal Fest on May 28th, 2023. Straight from the rip seeing the band live, I was way into their style of Brutal Death Metal laced with hardcore energy. I could envision them being part of the new breed at Nuclear Blast. Fast forward after some hang sessions on the Jersey shore, and up at the New England Metal Fest, we officially sealed the deal in October on Friday the 13th. Fitting AF! I am stoked 'as hell' to welcome the Gates to the worldwide Nuclear Blast family! Let’s gooo!!”

The band's newest offering comes in the single, fittingly entitled 'Resurrected'. The song is a perfect example of their hybrid sound mixing modern death metal with the hardcore spirit. The song was engineered and mixed by Andy Nelson at Bricktop Studios while mastering was completed by Brad Boatwright at Audioseige Mastering.

 “Our new track ‘Resurrected’ just dropped through Nuclear Blast" comments Seth Lewis. "It’s my favorite Gates to Hell song released to date. After touring and practicing as much as we have the last couple of years, we’ve all really meshed together so much better as musicians. Trying to stick to our roots of the death metal/hardcore sound our music has always had, but being more collaborative and creative with some elements.” 

Watch the music video directed by Errick Easterday for 'Resurrected', below.

Stream 'Resurrected' on all platforms now at: https://gth.bfan.link/resurrected

GATES TO HELL is hitting the road with Bay Area icons and label mates, MACHINE HEAD for their 'Slaughter The Martøur Nørth America 2024'' with FEAR FACTORY and ORBIT CULTURE. The trek will begin in San Francisco on January 19th and will head across the Pacific Northwest followed by eight shows in Canada. Other stops include Chicago, Orlando, and Houston before concluding in Los Angeles on February 24th at The Bellwether.

Confirmed dates for GATES TO HELL opening the 'Slaughter The Martøur Nørth America 2024’ with headliners MACHINE HEAD and direct support FEAR FACTORY as well as ORBIT CULTURE are:

01.19.2024 US   San Francisco, CA - The Warfield
01.21.2024 US   Portland, OR - Roseland Theater
01.22.2024 US   Seattle, WA - Showbox
01.23.2024 CA   Vancouver, BC - Commodore
01.25.2024 CA   Edmonton, AB - Midway Music Hall
01.26.2024 CA   Calgary, AB - Grey Eagle Casino
01.27.2024 CA   Saskatoon, SK - Coors Event Centre
01.28.2024 CA   Winnipeg, MB - Burton Cumming Theatre
01.30.2024 US   Minneapolis, MN - Skyway Theatre
01.31.2024 US   Chicago, IL - Concord Music Hall
02.01.2024 US   Pittsburgh, PA - Roxian Theatre
02.02.2024 US   Northfield, OH - MGM Northfield Park
02.03.2024 US   Detroit, MI - St. Andrews
02.05.2024 CA   Toronto, ON - The Opera House
02.06.2024 CA   Montreal, QC - M'Telus
02.07.2024 CA   Quebec City, QC - Theatre Capitole
02.08.2024 US   Boston, MA - Paradise Rock Club
02.09.2024 US   Bethlehem, PA - Wind Creek Event Center
02.10.2024 US   New York, NY - Palladium Times Square
02.12.2024 US   Silver Spring, MD - The Fillmore Silver Spring
02.14.2024 US   Atlanta, GA - Masquerade (Heaven)
02.15.2024 US   Orlando, FL - House Of Blues
02.17.2024 US   Austin, TX - Emo's
02.18.2024 US   San Antonio, TX - Aztec
02.19.2024 US   Houston, TX - House Of Blues
02.21.2024 US   Englewood, CO - Gothic Theatre
02.22.2024 US   Albuquerque, NM - Sunshine Theater
02.23.2024 US   Mesa, AZ - Nile Theater
02.24.2024 US   Los Angeles, CA - The Bellwether

GATES TO HELL is:
Ryan Storey | Vocals
Eli Hanson | Guitar
Seth Lewis | Guitar
Dustin Cantrell | Bass
Trey Garris | Drums

More Information:
www.instagram.com/gatestohell502
www.facebook.com/gatestohell502
www.twitter.com/gates2hell502
www.tiktok.com/@gatestohell502
www.youtube.com/@gatestohell502

Ponte Del Diavolo Prove Twice as Deadly on New Single

It's fitting that Ponte Del Diavolo are named after the "Bridge of the Devil". The Italian band weld doom and black metal into a towering force that's as cruel and unforgiving as the infamously steep road that medieval peasants had to cross on the way to their home country.

With the announcement of their very first album, Ponte Del Diavolo cast a delightfully gloomy shadow over the holiday season. Today, they're letting the bad times roll into the new year by unveiling their second single.

Watch the spellbinding video for "Covenant" below.

Fire Blades From The Tomb is out February 16, 2024.

Pre-order: https://redirect.season-of-mist.com/PonteFireBlades
Pre-save: https://orcd.co/firebladesfromthetombpresave

"Covenant" swears off the conventional wisdom that sometimes less is more. After all, what's better than a dark and doomy bass line? How about two dark and doomy bass lines that swarm like a sky full of thunderclouds.

"Covenant is a hymn to nature, a pact with the elements, a reconciliation with death" Ponte Del Diavolo says. "The video is a tribute to Turin, which we believe encapsulates all this in its magical and often decadent romanticism. It's the song that has more 'forays' than the other tracks on the album. Theremin, synthesizers and clarinet (played by Lucynine, Andrea L'Abbate and Vittorio Sabelli respectively) can be heard between dark wave-inspired and typically doom parts. It is the first song born during the composition sessions and its refrain contains the lyrics that gave the album its title."

Having two bassists is what gives Ponte Del Diavolo such an earthshaking foundation, though the hammering drum fills and sludgy riffs could send even the blackest of hearts to their grave. But "Covenant" adds some more gothic flourishes to their dance with death. Laid to rest by an ominous foghorn of thermin, the song ends with a spooky, spine-chilling whistle of synth.

"Surrender to the tomb", Erba Del Diavolo beckons with  unflappable cool. Resistance is futile. Come join Ponte Del Diavolo on the dark side of the Italian arts.

PONTE DEL DIAVOLO bridges the gap between two separate worlds.

The Italian band proposes a Doom / Black metal sound with old-school roots, adding a modern and outside the box background. The female voice - with strong dark wave influences - is the lyric corpus of this strongly esoteric project. The solid presence of two bassists creates the massive foundation for the rhythmic guitar, everything marked by a raw and dynamic drumming.

Mystery of Mystery / Secret Live Session marked the quintet’s debut EP. It was recorded live and without editing at Dracma Studio with the producer L’Ossario in their home base of Turin in March 2020. "I" was released on the web by Iopan Records. It was soon followed by their second single, "The Wickedest Woman In the World".

At the end of 2021, PONTE DEL DIAVOLO recorded their second EP, Sancta Menstruis at Deepest Sea Studio in Turin with Danilo Battocchio. The first single,  "The Unborn", arrived in February 2022.

The band's third EP, Ave Scintilla!, was also recorded in Turin. This time around, they reconvened at Dracma Studio with L'Ossario.

Now that they've signed with Season of Mist, PONTE DEL DIAVOLO are ready to release their debut album. Fire Blades From the Tomb  forges classic, cultish doom metal with modern bents of post-punk. Lead single and opening track “Demone” is whipped along by a boiled black bass line and dark-wave induced vocals.

Prepare to cross over into the Italian dark arts.

Line-up
Elena Camusso (as Erba Del Diavolo) - Vocals
Alessio Caruso (as Krhura) - Bass
Andrea l'Abbate (as Kratom) - Bass
Stefano Franchina (as Segale Cornuta) - Drums
Rocco Scuzzarella (as Nerium) - Guitars

Guest Musicians
Andrea l'Abbate - Synth on 'Covenant'.
Lucynine - Theremin on 'Covenant'.
Vittorio Sabelli - Clarinet on 'Covenant', 'Red as the sex of She who lives in death' & 'Nocturnal veil'.
Davide Straccione - Vocals on 'The weeping song'.

Recording Studio
Deepest Sea Studio

Producer & Sound Engineer
Danilo Battocchio

Mixing & Mastering Studio / Engineer
Lunatech Sounds / Dimitris Douvras

Cover Art
Laura Nardelli

Pre-save: https://orcd.co/firebladesfromthetombpresave​​​​

Pre-order: https://redirect.season-of-mist.com/PonteFireBlades

Links:
Apple Music: https://music.apple.com/us/artist/ponte-del-diavolo/1639072320
Bandcamp: https://pontedeldiavolo666.bandcamp.com/
Facebook: https://www.facebook.com/PontedelDiavolo/
Instagram: https://www.instagram.com/pontedeldiavoloband/
Spotify: https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD
Youtube: https://www.youtube.com/@pontedeldiavolo3847

Management & Booking Contact:
pontedeldiavoloofficial@gmail.com
Enrico Giannone: enrico@kickagency.com

Available Formats:
Digital Download
Deluxe CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Gold & Black Marbled

Photo by © Cristina Ferrero

SUICIDAL ANGELS - RELEASE NEW SONG 'PURIFIED BY FIRE'

Today greek thrashers SUICIDAL ANGELS release their brand new track 'Purified By Fire', which is part of their highly anticipated new album Profane Prayer. Profane Prayer will be released on March 1st, 2024 via Nuclear Blast Records. SUICIDAL ANGELS also announced a European tour, which starts in March 2024. All tour dates are listed below.

Singer Nick comments about the new song 'Purified By Fire': "Against all good and evil, forged into the flames, the second single of our upcoming album, pure thrash, straight in your face, purified by fire! Let’s start this fuckin' moshpit!”

He adds about the new album Profane Prayer: "The time has come! Finally, almost after 4 years, the 8th studio album of Suicidal Angels is true and ready to unleash itself into the market, bringing you some new tunes to satisfy the needs and the appetites of the toughest audience! March 1st of 2024, this beast will be out, in digital and physical form on all of Nuclear Blast’s channels. We have returned and it will be killer!!!”

Pre-order the new album Profane Prayer here: https://suicidalangels.bfan.link/profane-prayer.ema
Watch the video for 'Purified By Fire' below.
Stream 'Purified By Fire' here: https://suicidalangels.bfan.link/purified-by-fire.ema

About SUICIDAL ANGELS:

A new generation of thrash metal youngsters has risen from the ashes of a club of titans like SLAYER, EXODUS, KREATOR, and many more. Greek ambassadors supreme SUICIDAL ANGELS are one of the most jaw-dropping representatives of the injection of new blood. At the dawning of Spring, this four-piece of these energetic thrashers will release their eight studio album Profane Prayer four years after their previous attack Years Of Aggression. It marks their return to the Nuclear Blast family. ‘It feels like homecoming’ confirms composer Nick Melissourgos (vocals, guitars) who started the band in 2001 when he was 16 years old.

SUICIDAL ANGELS went through a step by step development since their humble start in 2001. Not earlier than in 2007, they entered the studio to record their striking debut album Eternal Domination which caused a stir in the Hellenic scene. They were invited by Sakis Tolis of ROTTING CHRIST to do their first EU tour. This was only the beginning of a long era of growing popularity. Another milestone was supporting KREATOR, resulting in a long time friendship with Mille Petrozza. In 2010 SUICIDAL ANGELS even opened up for the Big thrash 4 in Athens at Sonisphere and at the beginning of 2014 they finally did their first independent headline tour through Europe. Every two years new albums were coming out to support on the road. In the meantime they conquered Asia, South America and Europe and there is more to come.

SUICIDAL ANGELS are:
Nick Melissourgos | vocals, rhythm guitars
Gus Drax | guitars (lead)
Angelos Lelikakis | bass
Orfeas Tzortzopoulos | drums

Dayseeker Drop "Dreamstate" Video

Southern California's DAYSEEKER have shared the video for the intensely intimate song "Dreamstate" from 2022's Dark Sun.

Watch it below.

The vehicular video features performance footage and a mechanic who may be living in a dreamstate of her own.

"'Dreamstate' is about vivid dreams I had of my father after he passed," shares singer Rory Rodriguez. "There were truly times it felt as if we were communicating with one another, but I'd wake to reality and it would deeply affect my ability to cope."

Dayseeker will also embark on a headline tour this spring. The tour kicks off April 19 in Tampa and runs through May 25 in San Diego. All dates are below, including spring festival appearances, such as Rockfest, Earthday Birthday, and more.

Polaris, Rain City Drive, Avoid, and Ayron Jones are set to appear at select dates on the bill, as well.

Get tickets here. 

DAYSEEKER ON TOUR:
WITH POLARIS, RAIN CITY DRIVE, AVOID, + AYRON JONES:
4/19 — Tampa, FL — Amalie Arena (98 ROCKFEST) %
4/20 — Orlando, FL — Central Florida Fairgrounds (Earthday Birthday) %
4/22 — Columbia, SC — The Senate &@
4/23 — Norfolk, VA — The NorVa &@
4/25 — Newark, NJ — Prudential Center (WDHA’s Rock The Rock Fest) %
4/26 — Baltimore, MD — CFG Bank Arena (98 Rock Spring Thing) %
4/27 — Las Vegas, NV — Sick New World %
4/29 — Buffalo, NY — Buffalo Riverworks *+@
4/30 — Ft. Wayne, IN — Piere’s Entertainment Center *+@
5/1 — Grand Rapids, MI — The Intersection *+@
5/3 — Milwaukee, WI — Fiserv Forum (Hog Fest) %
5/4 — Saint Paul, MN — Xcel Energy Center (93X Twin City Takeover) %
5/5 — Des Moines, IA — Val Air Ballroom *+@
5/7 — Sauget, IL — Pop’s *+@
5/8 — Chattanooga, TN — The Signal *+@
5/10 — New Orleans, LA — House of Blues @
5/11 — Birmingham, AL — Iron City *+@
5/12 — Little Rock, AR — Little Rock Music Hall *+@
5/14 — Kansas City, MO — Uptown Theater *+@
5/15 — Oklahoma City, OK — Town Theatre *+@
5/16 — Omaha, NE — The Admiral *@
5/18 — Louisville, KY — Mercury Ballroom +@
5/19 — Bloomington, IL — Castle Theater *+@
5/22 — Albuquerque, NM — Sunshine Theater *+@
5/23 — Tucson, AZ — Rialto Theatre *+@
5/24 — Las Vegas, NV — Brooklyn Bowl *+@
5/25 — San Diego, CA — Soma *+@
%Dayseeker only
*Polaris
+Rain City Drive
&Ayron Jones
@Avoid 

Dayseeker are a quiet killer. The band has steadily built a buzz over the past several years — and they have reached a tipping point. Dayseeker built themselves into a scene standout with 2019's Sleeptalk, which was hailed by Alternative Press as  "a warm and welcome release to higher ground" and as "much needed fresh air into the post-hardcore scene." The album has gone on to accumulate over 125 million streams, and it positioned the band as a formidable force — and one that is primed to take its next big leap. In 2021, the band dropped a deluxe version of Sleeptalk, featuring four reimagined versions of album tracks, which offered fans a fresh and unique take on songs they already love. It also demonstrated the depth and breadth of the band's creative vision, scope, and possibilities. However, Dark Sun catapulted the band beyond the scene's stratosphere. The album is out now via Spinefarm and is at 80 millions streams.

Ryman Auditorium Announces 30th Year of "Bluegrass Nights at the Ryman," Kicking off 6/13

Springer Mountain Farms “Bluegrass Nights at the Ryman” returns to Nashville’s historic Ryman Auditorium for its 30th year starting Thursday, June 13, and will continue on Thursday nights through July 25. The series kicks off with Del McCoury Band, followed by Steep Canyon Rangers with Lindsay Lou, The Earls of Leicester, Della Mae with Rob Ickes & Trey Hensley and Dailey & Vincent, leading up to the final night with a performance from Country Music Hall of Fame Member and 14-time GRAMMY Award-winner Ricky Skaggs. 
 
Season passes include all six shows and are on sale now for both renewing and new passholders. Single tickets go on sale Friday, Feb. 23. For more information and to purchase tickets, visit ryman.com/bluegrass. All shows begin at 7:30 p.m. CT and will be preceded by a 6 p.m. CT pre-show “Pickin’ on the Plaza” event sponsored by Springer Mountain Farms and Farm Bureau Health Plans on the Ryman’s PNC Plaza, featuring live music from local bluegrass artists and bands presented by WSM Radio.

“Bluegrass Nights at the Ryman” was first introduced in 1994, after the Ryman underwent renovation and reopened its doors after sitting vacant for nearly two decades after the Grand Ole Opry relocated to its new home. The first of what would become its annual series featured Bill Monroe and Alison Krauss. Now 30 years later, the Ryman continues to celebrate bluegrass music’s contribution to music history with artists and fans alike. The venue honors Monroe’s legacy with a life-size statue on site, unveiled in 2017. Learn more about Monroe and the Ryman’s Bluegrass legacy HERE. 

Springer Mountain Farms Bluegrass Nights at the Ryman 2024 Lineup:
June 13 – The Del McCoury Band
June 20 – Steep Canyon Rangers with Lindsay Lou
June 27 – The Earls of Leicester
July 11 – Della Mae with Rob Ickes & Trey Hensley
July 18 – Dailey & Vincent
July 25 – Ricky Skaggs & Kentucky Thunder
  
About Ryman Auditorium:
A National Historic Landmark, Ryman Auditorium was built by Captain Thomas G. Ryman in 1892 as the Union Gospel Tabernacle. A 14-time winner of the prestigious Pollstar Theatre of the Year award, the historic venue is well-known as the Mother Church of Country Music and is the most famous former home of the Grand Ole Opry (1943-1974). The Ryman’s thriving concert schedule hosts more than 200 shows annually, and the venue is open for daytime tours year-round. The Ryman has also been featured in numerous film and television projects, including Coal Miner’s Daughter, The Johnny Cash Show, American Idol, Nashville and more. Ryman Auditorium is owned by Ryman Hospitality Properties, Inc. (NYSE: RHP), a Nashville-based REIT that also owns and operates the Grand Ole Opry, WSM Radio and Ole Red. For more information, visit ryman.com.  

Ithaca, NY-based artist Rose Alaimo releases high energy 'Power Lines' single on the power of human connection 'A Place To Go When You Need To Hide' album is out now

Alaimo sweeps through indiepop dreamery to sophisticated balladry to pulsating and superb rock, in her own sonic diary of life over the past few years. Stunning, sobering and inspiring" ~ The Spill Magazine

"Sonic highs and lulling lows, fierceness and serenity, self-doubt and enlightenment, challenging questions and unexpected answers... lush folk and considered Americana are punctuated with more driven rock urges, where the immediacy of pop music is subsumed under ambient dreamscapes" ~ Big Takeover Magazine


American indie pop-rock artist Rose Alaimo presents 'Power Lines', a song about how we as humans are all inter-connected to one other like never before. This is the second single from her new album 'A Place To Go When You Need To Hide', following the more grounding lead track 'Stars', which is about finding an unexpected moment of stillness in the midst of a crazy world.

This is the third full-length album from the Ithaca, NY-based artist. Honest, hopeful and emotive, Alaimo takes on her internal struggles as she finds her way through darkness to exercise her own will-power, freedom of choice and self-empowerment.  

A veterinarian and vegetable farmer in her day-to-day life, this record exposes a whole other side of Alaimo as she finds her way through darkness to exercise her own will-power, freedom of choice and self-empowerment.  

"The song ‘Power Lines’ is about the connections that exist between us, whether we are aware of them or not. One thing that was highlighted during Covid was how unbelievably interconnected we are. How fast the virus spread across the world was astounding, and in the middle of everyone debating mask and vaccination mandates and people becoming increasingly stressed and angry and there being more and more division between everyone, a tree was blown over on my property, taking the power lines down in front of my house. I walked outside and, after the shock of seeing this healthy tree ripped up by the roots by a strong wind, I noticed the lines that were down,” says Rose Alaimo.

“I saw how they were connected to my house, and how the main lines also connected to my neighbor's house, and how those same lines connected every single house on the street. I never stopped to notice how physically connected all of these houses were by these power lines and how what happened to my house affected everyone else around me. It struck me as an interesting analogy to how we as humans are also all more connected to each other and to the world around us than we might initially assume. These connections may not be visible but they are definitely there. We can spread viruses to each other and we can spread anger and fear, but if we are mindful of this interconnectedness, we can also choose to spread GOOD things: kindness and understanding and peace.”

Rose Alaimo writes, sings, performs, programs, records and co-produces her own music. Additional production and mastering was provided by Jamie Hill (Nada Surf, Zola Jesus, House of Pain), at Department of Energy Management in Tacoma, WA.  She released her more acoustic debut album 'The Importance of Centers' in 2019, followed by the gritty and anthemic 'Grow' in 2021.  

The emotional range of this album mirrors the intense highs and lows of life, from soft and dreamy lullabies, where we remember loved-ones who are no longer with us ('Stars'), to anthemic, thrashy songs protesting Russia's war on Ukraine and unethical and dangerous world leaders ('Resist The Force'). On 'The Devil That You Know', she explores the challenge of letting go of familiar toxic patterns due to the fear of making changes in a world that feels increasingly unstable  wrapping up with 'Here I Am', a grounding and hopeful reprise medley reminding us of the stillness and peace that we can find, even in times of trouble.

'A Place To Go When You Need To Hide' is out now and available via fine music platforms, including Bandcamp, Spotify and Apple Music.

CREDITS
Music, lyrics & arrangement by Rose Alaimo
Rose Alaimo - vocals, electric and acoustic guitars, bass, fretless bass, banjo, mandolin, theremini, percussion, MIDI and electronic instruments, & drum programming
Produced & mixed by Rose Alaimo in Ithaca, NY
Additional production & mastering by Jamie Hill at Department of Energy Management, Tacoma, WA
Artist photos by Kate Catalano-Collins
Publicity by Shameless Promotion PR

Keep up with Rose Alaimo
Website | Bandcamp | Facebook | Instagram | YouTube | Twitter | Mastodon | Spotify| Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Annie Bosko Brings "Neon Baby" to "Jimmy Kimmel Live!"

Following the release of her debut EP via Stone Country Records, Annie Bosko brought her Billboard-dubbed “superb” and “sinewy R&B-country come-on” “Neon Baby” to “Jimmy Kimmel Live!” last night, January 8. Watch her performance below.
 
“Annie Bosko embraces her femininity and generates an unapologetic delivery of ’90s-inspired country songs,” Country Now praises of the singer/songwriter, calling her self-titled project “further proof that Bosko is a force to be reckoned with in this industry,” while Entertainment Focus observes the EP “promises a nostalgic journey anchored in the organic twang of the ’90s golden era.”
 
“I don’t think I’ve been able to capture it all this well before,” Bosko admits. “There’s a beauty of getting to a place where you stop trying to please people or chase what you think is cool, and just do what’s in your heart. It’s about creating what you feel the world needs right now, and for me, I miss those songs that made me move to Nashville.
 
“The thing that excites me about this new music is I feel rejuvenated. I’m done being afraid to show my country roots. And I’m doing it with a modern twist.”
 
“Boots On” reignites the line-dancing energy and all-out fun of the ‘90s, while fiddle rockers like “Honky Tonk Highway” tribute the women bold enough to chase their dreams – wherever they lead – and the tongue-in-cheek “He Gone,” written by Lainey Wilson, Terri Jo Box and Trent Tomlinson, continues country’s long history of fun (but undeniably intelligent) wordplay.
 
Hope can be found in album opener “Sometimes I Forget,” as the tried-and-true artist delivers a “much needed” message of gratitude. With spirit-lifting lyrics and a sonic swell of warm country rock, it’s an acknowledgment of the little things we take for granted – those small blessings that make us “us.” For Bosko, finally being able to see those little things has let her become the country artist she was always meant to be.
 
Following her performance on “Jimmy Kimmel Live!,” Bosko will celebrate the release of the collection at Los Angeles’ famed Troubadour on Wednesday, Jan. 10, with tickets available for purchase HERE.

About Annie Bosko
With a voice that beams like a ray of California sunshine, Stone Country Records/Brown Sellers Brown singer-songwriter Annie Bosko pairs a sound anchored deep in the organic twang of ‘90s country with simple songs told from the heart, preaching equal parts healing and honky-tonk hope. A student of legendary crooners like Patsy Cline with added inspiration from Shania Twain, George Strait, Dwight Yoakam, The Beatles and more, the Golden State native broke out in 2014 with the SiriusXM/CMT hit “Crooked Halo,” bucking the bro-country trend for a traditionally flavored anthem that has now amassed more than 3 million streams. She went on to write songs recorded by Willie Nelson and Jessica Simpson, tour alongside Tim McGraw, Dierks Bentley and Blake Shelton, sell out the famed Troubadour and perform on the Grand Ole Opry and at Ryman Auditorium – the fabled Mother Church of Country Music – while also becoming an in-demand studio vocalist and earning the title Artist to Watch from Rolling Stone Country. After a series of standout collaborations with country icons Vince Gill, Dwight Yoakam and Raul Malo, she is now embracing her true nature for a creative rejuvenation. Working with producers Derek George and Mickey Jack Cones, a new batch of music pairs unapologetic twang, clever wordplay, and deep compassion with her long standing downhome-diva vocal, capturing the full range of a timeless American art in its purest form. In 2023, Bosko released the powerful-yet-tender ballad “Dandelions” in memory of the victims of Nashville’s Covenant School shooting – a track written alongside Danny Myrick which has now become a beacon of community remembrance and faith. Lost in grief and capturing the reverberating shock of that day’s unfathomable loss, the track has been embraced by the Covenant School families themselves, with all proceeds from being donated for their benefit through ACM Lifting Lives. Her five-song EP Annie Bosko is available now, featuring sharp-yet-simple, pure-country songs written or co-written with hit makers like Jeffrey Steele, Bridgette Tatum and more, all aimed at uplifting, inspiring or just singing along with women and country-music lovers everywhere.

Photo Credit: Ford Fairchild

BILLY MORRISON to Release Solo Album on April 19th via TLG/VIRGIN MUSIC GROUP

BILLY MORRISON is set to release his third solo album ‘THE MORRISON PROJECT' on April 19, 2024 via TLG/VIRGIN MUSIC GROUP. The album’s first single “Drowning” is out February 23, along with the official music video.

Pre-order “Drowning” HERE

The 12 song album will feature guest performances by Ozzy Osbourne, Billy Idol, DMC, Al Jourgensen, Steve Vai, Steve Stevens, Linda Perry, Tommy Clufetos, JOHN5, and more.

The British guitarist, singer, and songwriter is primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens, and for his previous role as bassist in The Cult.

THE MORRISON PROJECT was produced by Billy Morrison, mixed by Barry Pointer, and mastered by Dave Donnelly. The songs on the album were recorded in Los Angeles at various studios and were written by Billy Morrison in collaboration with his guests.

"I wanted to find a very specific kind of partnership for this record deal. One that honored the artist and the music and didn't restrict the creative vision behind the record that I had made. With Dennis Sanders and The Label Group, I found that partnership and more. They have embraced the multi-genre styles on the record, allowed me complete creative control, and have the ability to make sure this record is out there in all formats and on all platforms. I'm grateful to be a part of their stable,"says Billy Morrison.

"I couldn't think of a better way to the start the year than to make it official and announce the signing of Billy Morrison to The Label Group,"says Dennis Sanders of The Label Group. He continues, "While the guest artists on Billy's record are very impressive, it's the songwriting that sold me. We feel blessed here at TLG to have the opportunity to bring this music to the world."

Virgin Music Group shares in the excitement, looking forward to working together on the release of this brilliant record and singles.

Photo credit: @JaneStuartPhotos

About The Label Group

The Label Group (TLG), a label under the distribution of Virgin Music Group, boasts a proven track record of releasing music from both fan-favorites and critically acclaimed artists. In an innovative move, TLG has forged a strategic alliance with dCommunity, signaling a forward-thinking approach to the evolving landscape of the music industry. This partnership places TLG at the forefront of integrating artist-focused initiatives and fan engagement within the dynamic realms of the metaverse and blockchain technology. This collaboration not only aligns with modern trends but also ensures TLG's position as a trailblazer in harnessing the potential of Web 3.0 for the music industry.

For More Information Please Visit:

Facebook

Instagram

Twitter

https://www.tlgent.com/

dCommunity.io

ACE FREHLEY ANNOUNCES NEW SOLO ALBUM '10,000 VOLTS' FIRST SINGLE AND TITLE TRACK OUT NOW!

Grammy-nominated R&RHOF inductee and guitar legend ACE FREHLEY announces the release of his new studio album, 10,000 Volts, due out on February 23, 2024. Produced by Ace and Steve Brown (Trixter), the 11-track 10,000 Volts sees Ace perform electrifying, hard-hitting, riff-heavy rock'n' roll.  

Today, he releases the first single and title track. Written and produced by Ace and Steve Brown, the title track kicks off with a surging riff, and Ace's swaggering delivery takes hold and never lets go. It culminates on the chantable chorus, “She hit me like 10,000 volts, when I saw her face,” giving way to a fret-burning guitar solo.

The accompanying visual for the track "10,000 Volts" was directed by Alex Kouvatsos from Black Wolf Imaging and shows Ace and his band performing the powerful, riff-heavy track live.  Watch below:

PRE-ORDER '10,000 VOLTS' TODAY!

Rock ‘n’ roll and heavy metal simply wouldn’t sound, look, or feel the same without Ace Frehley. Among hundreds of accolades, The Rock and Roll Hall of Fame® inducted him in 2014 as a Co-founder and the original lead guitarist of Kiss. Guitar World named him in the Top 15 of its “100 Greatest Heavy Metal Guitarists of All Time” and plugged the lead from “Shock Me” on the “50 Greatest Guitar Solos of All Time.” Magnifying the imprint of his catalog as a solo artist, Foo Fighters cut a fan favorite cover of “Ozone,” and he even jammed out “New York Groove” alongside The Roots on NBC’s The Tonight Show Starring Jimmy Fallon. The late Dimebag Darrell of Pantera proudly sported a tattoo of Frehley on his chest, while Tom Morello of Rage Against The Machine celebrated him on X/Twitter as “My first guitar hero.”

10,000 Volts upholds an incredible legacy for Frehley, spanning 50-plus years in the limelight. Back in 1988, he delivered his solo debut, Ace Frehley. It reached platinum status and exploded as “the highest-selling of the four Kiss solo albums in the Soundscan era.” Pitchfork even retrospectively rated it a rare “8.5” score. During 1978, he dropped Frehley’s Comet. Following Anomaly in 2009, he went on to make history once again. His 2014 Space Invader LP captured #9 on the Billboard 200 and emerged as “The only solo album by a past or current Kiss member to reach the Top 10 on the chart.” 2016’s Origins Vol. 1, bowed at #1 on the Billboard Top Hard Rock Albums Chart and in the Top 5 of the Billboard Top Rock Albums Chart. He notably maintained his momentum with Spaceman [2018]. 

STREAM '10,000 VOLTS' HERE

MERRIMACK Delve to Enigmatic Depths on "Dead and Distant Clamors"

Merrimack are unraveling another piece of Of Grace and Gravity. Today, the renowned French black metal band are releasing their new album's cosmic, eerie second single.

Listen to "Dead and Distant Clamors" below.

"Dead and Distant Clamors" dives into an existential abyss. The lyrics not only confront the powers that shape this world, but also our eternal struggle against great beyond.

"Who proclaims, who decides, who announces the end of orations?" vocalist Vestal protests. "Captive of forms that vitrify again this side of reality".

This battle against the inevitable is waged against a Merrimack's signature backdrop of relentless, dissonant, atmospheric black metal. "Dead and Distant Clamors" unfolds like a dark cosmic ballet, stirring emotions that range from despair to defiance.         

Of Grace and Gravity comes out March 8, 2024 on Season of Mist.

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Here's what Merrimack have to say about the release of Dead and Distant Clamors:

"This song pays tribute to old-school black metal, embracing its desperate atmosphere and incorporating haunting, slow sections reminiscent of a depressive waltz", says Merrimack. "Guitars engage in a conversation around a hypnotic crescendo, while the vocals articulate the inevitable possibilities of decay. Expect nothing less than a pure homage to the essence of darkness".

MERRIMACK are back with their new album 'Of Grace and Gravity'. Their third release for Season of Mist arrives after the re-print of their long sold-out debut 'Ashes of Purification', which followed the sizeable impact that their last album, 'Omegaphilia', had on the Black Metal Scene.

Merrimack can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although Merrimack decided to reach out to a larger audience with the release of their first full-length ‘Ashes of Purification’, the Parisians did not sever their roots with the underground at any time. With the following albums, ‘Of Entropy and Life Denial’ (2006) and ‘Grey Rigorism’ (2009), Merrimack closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with MARDUK and NACHTMYSTIUM in 2009.

After recording ‘The Acausal Mass’ (2012) in the legendary Necromorbus Studio (WATAIN, DESTRÖYER 666) again, Merrimack embarked on a European tour with Norwegian icons MAYHEM and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, ‘Omegaphilia’, Merrimack were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album 'Of Grace and Gravity', an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. Merrimack, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Line-up
Perversifier - Guitars
A.K. - Guitars
Blastum - Drums
Vestal - Vocals
Daethorn - Bass

Recording Studio
Studio Sainte Marthe, Paris, France       

Sound, Mixing & Mastering Engineer
Francis Caste

Artwork Artist
Belial Necroarts - Front cover
Opposition Artworks - Inner illustrations
Adrien Bousson - Layout

Pre-order: https://redirect.season-of-mist.com/MerrimackGraceGravity

Links:
Bandcamp: https://merrimack.bandcamp.com/
Facebook: https://www.facebook.com/merrimackofficial
Instagram: https://www.instagram.com/merrimack666/
Deezer: https://www.deezer.com/en/artist/99176
Spotify: https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal: https://tidal.com/browse/artist/3642745
Apple Music: https://music.apple.com/us/artist/merrimack/41660594
Amazon: https://www.amazon.com/music/player/artists/B000QKG2N8

Booking Contact:
merrimack@satanslegions.com

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Transparent Clear
12" Coloured Vinyl Gatefold - White
12" Coloured Vinyl Gatefold - Transparent w/ Black Splatters

Photo by Vagus Nox

VITRIOL to Embark on CHAOS AND CARNAGE 2024 Tour

Death metal battalion VITRIOL will be embarking on the Chaos and Carnage 2024 tour this spring in support of Cattle Decapitation, Carnifex, Rivers of Nihil, Humanity's Last Breath, and Zenith Passage along with Face Yourself. The epic death metal trek will kick off on April 30 in Mesa, AZ and will conclude nearly a month later on May 26 in Las Vegas. Tickets will go on sale Friday, January 12 at 10:00 A.M. local time while VIP upgrades will launch on Friday, January 19, at 10:00 A.M. PST. Tickets and upgrade options will be made available at THIS LOCATION.

VITRIOL will be supporting its upcoming sophomore record, 'Suffer & Become,' which is due on January 26, 2024 via Century Media Records! The band has recently released another explosive new single, "Shame and Its Afterbirth," which can be found along with a guitar and bass play-through at THIS LOCATION.

Pre-orders are now live for 'Suffer & Become' HERE. The album will be available digitally as well as in Standard CD Jewelcase, Ltd. Deep Blood Red LP (All ex-US Retail), Orange Crush LP (All US Retail), and Red / Yellow / Black Transp. Splatter LP (Band Exclusive).

Chaos and Carnage 2024 Tour Dates:

04/30: Mesa, AZ @ Nile Theater 

05/02: Austin, TX @ Come and Take It Live 

05/03: Dallas, TX @ Granada Theater 

05/04: San Antonio, TX @ Vibes Event Center 

05/06: Tampa, FL @ The Orpheum

05/08: Nashville, TN @ Brooklyn Bowl 

05/10: Brooklyn, NY @ The Brooklyn Monarch 

05/11: Reading, PA @ Reverb 

05/12: Worcester, MA @ The Palladium

05/14: Liverpool, NY @ Sharkey’s Event Center

05/15: New Kensington, PA @ Preserving Underground

05/16: Columbus, OH @ King of Clubs

05/17: Pontiac, MI @ The Crofoot

05/18: West Chicago, IL @ WC Social Club

05/20: Englewood, CO @ The Gothic Theatre 

05/23: Berkeley, CA @ The UC Theatre 

05/24: Los Angeles, CA @ The Belasco

05/25: Anaheim, CA @ House of Blues 

05/26: Las Vegas, NV @ House of Blues

For Portland, Oregon's VITRIOL, nothing comes easy. Nothing. The title of their second Century Media album, 'Suffer & Become,' says it all. "The title really sums it up," says guitarist and vocalist Kyle Rasmussen. "I pushed things to a point while making this album where it almost became untenable. Things that were supposed to be done in weeks took months. It wasn't easy, but I think it was suffering well spent."

At the core of 'Suffer & Become' lies a profound sense of extremity and unease. This very essence defines Vitriol as the vanguard in death metal's evolutionary path—a sonic landscape characterized by its profound darkness, density, and the infusion of nanotechnological precision interwoven with intense, seething emotions. Not easy listening in the slightest. Since forming in 2013, Rasmussen and longtime co-conspirator, bassist, and co-vocalist Adam Roethlisberger have worked with a single-minded vision: to push the genre to its breaking point and invent a new uncompromising paradigm in the process. VITRIOL is a masterclass in pain – and that's just their jumping-off point.

Recounting VITRIOL's initial journey into the outer fringes of extremity, Rasmussen is characteristically thoughtful. "I was starving for something that didn't pull any punches," says Kyle of VITRIOL's caustic mission statement, which detonated into the realm of extreme metal with 2013's 'Antichrist' demo. "Death metal was important to me because it speaks to an aggression, a frustration that I had when I was younger. It wasn't just a sonic connection but an emotional connection, which made music almost a means to an end. What I saw happening in extreme metal at the time was almost a removal of emotion in favor of musicality, that fire, that piss and vinegar spirit. Basically, I wanted something that wanted me dead."

With 2017's 'Pain Will Define Their Death' EP, VITRIOL took its spot as one of the underground's most uncompromising exponents, leading them to join forces with Century Media. The resultant album, 2019's "To Bathe from the Throat of Cowardice," was nothing short of a crucial next step for the band and the genre itself. Decibel Magazine said, "Vitriol leave no doubt they are one of the best the genre has to offer, with shades of Nile, Hate Eternal, and Anaal Nathrakh frequently peeking through." Hitting the road that year, at first in Europe with Nile and then in the US with Cattle Decapitation and Atheist, and then Vader before the onset of Covid, VITRIOL was quick to establish themselves as much of an uncompromising force onstage as they are on record.

"Doing 'Black Seeds of Vengeance' alongside Karl Sanders [of Nile] onstage in Europe on our very first tour was nothing short of a 'pinch me' moment," Kyle recounts from VITRIOL's early touring days. "More recently, we were touring with Morbid Angel, and Steve Tucker, who is my favorite Morbid Angel vocalist, came out of his dressing room in a VITRIOL t-shirt and exclaimed that we were one of his favorite new bands! That blew my mind as a fan, first and foremost – a total 'Holy Fuck!' moment." 

'Suffer & Become' is nothing short of a benchmark for VITRIOL (rounded out by guitarist Daniel Martinez and Matt Kilner). It's as dense and blackened as anything to erupt from Rasmussen's vision of sonic disorder. From the onset of the opening track, "Shame and Its Afterbirth," there's a new sense of openness, grandeur, and occasional beauty in VITRIOL's aural arsenal. "I wanted to have an album that had a stark duality to it," says Kyle. "Very high highs and very low lows. We're very familiar with the lows but not so much with the triumphant highs. I wanted the album to have more of a sense of optimism to it, both lyrically and musically. I wanted the album to convey a sense of optimism that probably gets lost in the black maelstrom that is the first album." 

Produced by Rasmussen and mixed by Dave Otero (Archspire, Cattle Decapitation), 'Suffer &

Become' isn't merely the sound of VITRIOL upping the ante in death metal's musical arms race; it is also the sound of salvation for its driving force. "Living in the world of that first album was very difficult for me," says Rasmussen. "It's not a nice place. It was very intentionally imbalanced in the same way a horror film is imbalanced. I wanted a healthier world for me to live in, and I believe I achieved that."

Not that the writing and recording of 'Suffer & Become' was anything short of soul-rending. Rasmussen labored over the creation of the album in the studio, on tour in hotel rooms, to the point of painstaking obsessiveness. Kyle is straightforward about the grueling record-making process and its personal impact. "The record feels a bit like a Jungian Dante's Inferno," he states. "Plumbing the circles of my personal, psychological, and spiritual hell and then purposely refocusing it so it's not the unhinged, dark catharsis of the first album. This record is a lot more vulnerable."

Songs like "Weaponized Loss" or "The Flowers of Sadism" are what Kyle describes as a "dark baptism" in comparison to the absolute darkness of "To Bathe…". The sound of VITRIOL remains as joyless and dark as ever, but with a glimmer of hope. VITRIOL has taken its trauma-put-to-sound approach to the next level and discovered a new sense of beauty in the blackness. 'Suffer & Become' is death metal with a bloody, beating heart.

Line-Up:

Kyle Rasmussen - Guitars and Vocals

Adam Roethlisberger - Bass and Vocals

Matt Kilner - Drums

Daniel Martinez - Guitars

Producer // Mixing // Mastering:

Dave Otero

Album artwork:

Dylan Humphries

Photo Credit:

Peter Beste

Bio:

Mike Gitter

Physical Formats:

Standard CD Jewelcase

Ltd. Deep Blood Red LP (All ex-US Retail)

Orange Crush LP (All US Retail)

Red / Yellow / Black Transp. Splatter LP (Band Exclusive)